Schilt Publishing & Gallery January – June 2019
new titles 4
David Pace and Stephen Wirtz Images in Transition Wirephoto 1938-1945
6
Fred Baldwin Dear Monsieur Picasso An illustrated love affair with freedom
8
Kirk Crippens Big Sur Going South
10
World Press Photo 2019
12
The Best of LensCulture Volume 3
Schilt Gallery 14
Carla Kogelman I Am Waldviertel
16
Linda Dorigo and Andrea Milluzzi Rifugio – Christians of the Middle East
Selected Backlist 18
Carla Kogelman I Am Waldviertel Vladimir V. Mayakovsky ROSTA Windows Peter Dench The Shot That Made Me Camilla Jensen Quantum Joshua Lutz Mind the Gap The Best of LensCulture Volume 2
19
Saiful Huq Omi 136 The persecution of the Rohingyas FotoFest India Contemporary Photographic and New Media Art FotoFest Changing Circumstances FotoFest View From Inside Ekaterina Solovieva The Earth's Circle PhotoCat. Kirk Crippens and Gretchen LeMaistre Live Burls Dornith Doherty Archiving Eden
20
Giancarlo Ceraudo Destino Final Pavel Baňka Reflection
21
Edward Thompson The Unseen Yola Monakhov Stockton The Nature of Imitation Lotte Fløe Christensen Constructs Maria Gruzdeva BORDER David Batchelder Tideland Michel Huneault The Long Night of Megantic/La longue nuit de Mégantic
22
Mario Giacomelli Under the Skin of Reality Linda Dorigo and Andrea Milluzzi Rifugio Elliot Ross Animal Elliot Ross Other Animals North West – South East Jaap Mooy, The Artist and his Collector Majida Mouasher Modern and Contemporary Arab Art from the Levant Samia Halaby Drawing the Kafr Qasem Massacre Louise Baring Emmy Andriesse
23
Distribution
Dear friends of Schilt Publishing & Gallery,
We have witnessed some major changes in recent months. After many years of loyal and excellent service, our magnificent Publishing Assistant and Marketing Manager Yasmin Keel has decided that her professional future lies definitively in her own country (England). Yasmin made a considerable contribution to raising our company’s profile and reputation in the international world of photography. We are eternally grateful to her for what she has achieved and will miss her dearly. Fortunately, this does not of course mean the end of our friendship. It is also fortunate that we have found excellent successors in the form of two new employees: Dana Rakhim (location Moscow) is our new Publishing Assistant and Marketing Manager and Lilia Luganskaia (location Amsterdam) is our new Gallery Manager. Their contact info can be found on the back cover of this brochure. And Dana and Lilia can get to work straight away, because there are five superb books and two stunning exhibitions on the programme for the spring of 2019.
Design: LevievanderMeer, Amsterdam
David Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Their book Images in Transition is a masterpiece in synthesis of historical-documentary war photography and art, resulting in an astonishing, unique, and exciting book. In the photography world, Fred Baldwin is today especially renowned as co-founder (in 1983) of FotoFest, one of the world’s oldest and biggest photography festivals, located in Houston, Texas. But Baldwin was also an excellent photographer and has led an extraordinary life. In Dear Monsieur Picasso – An illustrated love affair with freedom, he takes us on a trip around the world. In more than 800 pages (sic), and in his unique entertaining style, Baldwin tells us of his extremely colourful life. A feast and a must for everyone in the world of photography. Sit back in your favourite armchair with a good glass of wine and allow yourself to be carried away by Baldwin! Kirk Crippens, whose book Live Burls, made with Gretchen LeMaistre in 2017, we published, has come up with another jewel of a book just two years later: Big Sur – Going South. At the end of the winter of 2017, following a prolonged drought, Highway 1 was cut off from the rest of California by a subsided mountain at the south end of the famous resort Big Sur and a collapsed bridge at the north. The deadly influence of climate change on this extraordinarily beautiful region – which has been transformed from a peaceful artists community into an overcrowded area swarming with tourists – has been captured in a spectacular manner by Crippens.
What more is there to say about the World Press Photo yearbook after so many years? Well, the very best news is that its popularity in recent years has increased enormously and it is selling out more quickly than ever in many countries! The 2019 edition will be no exception, especially in view of the fact that from 2019, all prize-winners will be made known on the Awards Night in April in Amsterdam. From that moment, the book will be available worldwide in six languages. The Best of LensCulture will be enjoying its third edition in 2019. The two previous editions were a huge success. Everyone who wants to know who the new talents are in the photography world across the globe cannot ignore this rapportage in book form. For us as publishers this is a special treat, as the king of photography websites is delighted with the beautiful paper versions of its essential work! And then two totally different exhibitions, but both featuring eyecatching black and white photography, will be able to be viewed in the spring of 2019 at Schilt Gallery in Amsterdam. Carla Kogelman’s I Am Waldviertel, that we published in autumn 2018, will soon usher in the new year and can be seen from January until March. Kogelman has won countless prizes with her work, including first prize for long term stories at World Press Photo in 2018. Hardly surprising, because her work is totally brilliant, and truly unique. And although we published Rifugio – Christians of the Middle East by the Italian photographer Linda Dorigo and the Italian journalist Andrea Milluzzi in 2015 (co-published in German by Till Schaap Edition, Bern), Dorigo’s breath-taking silver gelatin prints will finally be able to be admired in Amsterdam! This successful exhibition has already been seen on diverse locations around the world but never at our gallery. All that will change between the months of March and May, when Schilt Gallery will proudly be hosting the exhibition. As long as we all continue to refuse to accept mediocrity, a wonderful future lies ahead of us! Kindest regards, Maarten Schilt September 2019
David Pace and
Images in Transition
Stephen Wirtz
Wirephoto 1938-1945 With an essay by Mark Murrmann.
Design: Victor Levie, LevievanderMeer, Amsterdam ISBN 978 90 5330 916 2 Format: 24 x 30 cm Hardback with half-cloth cover, grey carton and inlaid image 136 pages with approx. 70 images in full colour World rights March 2019 £45 | €50 | $55
ISBN 978-90-5330-916-2
9 789053 309162 >
4
Schilt Publishing
David Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Beginning with an extensive collection of originals assembled by Wirtz over a period of many years, they scan the images, radically re-cropping and dramatically enlarging portions of the archival wirephotos. Their croppings and enlargements expose the artifacts of the wirephoto technology – the dots, lines, irregularities and retouchings from the war years. But the transformations introduced by Pace and Wirtz not only extend, but also reverse, the intentions of the wartime retouchers: Instead of obscuring the dots and lines to create a clearer image, Pace and Wirtz reveal and enhance the dots and lines, exposing the technological processes that produced the images. Instead of retouching the images to create an illusion of reality, they make visible the manipulation of the images that were published as news. Instead of enhancing the content to support a narrative of just war and ethical victory, their dramatic enlargements transform wartime content into near-abstraction, creating a subtle counter-narrative. By exposing the artifacts of wirephoto technology and the actions of the human hands that retouched the images, their work highlights, transforms, and subverts the intention, the content, and the process of these wartime photographs. They raise questions about the technologies of image making and image transmission, the notion of truth in journalism, and the role of propaganda in news photography.
David Pace is a photographer, filmmaker, educator, and curator. He has taught photography at colleges and universities throughout the San Francisco Bay Area. His work has been exhibited in solo exhibitions at the Center for Photographic Art, Carmel, CA; Blue Sky Gallery, Portland, OR; The Griffin Museum, Winchester, MA; Gallery 1401, Philadelphia, PA; 511 Gallery, New York, NY; and Wirtz Art, Oakland, CA. Pace’s photographs are in the collections of the San Jose Museum of Art, the Portland Museum of Art, the Crocker Museum of Art, Sacramento, CA and the de Saisset Museum, Santa Clara, CA. His work has been published in magazines, journals and newspapers internationally. Stephen Wirtz is a former gallerist and a collector of photographs. With Connie Wirtz he co-founded the Stephen Wirtz Gallery in San Francisco, exhibiting national and international painting, sculpture, and photography for forty years. The Stephen Wirtz Gallery represented Michael Kenna, Todd Hido, Larry Sultan, Jim Goldberg, Chris McCaw, Richard Avedon, Michal Rovner and Mario Giacomelli, among many others. Prints from Wirtz’s personal collection of works by lesser known or unidentified photographers have been exhibited at the SF Museum of Modern Art and the San Jose Institute of Contemporary Art.
Fred Baldwin
Dear Monsieur Picasso An illustrated love affair with freedom
Design: Victor Levie, LevievanderMeer, Amsterdam ISBN 978 90 5330 918 6 Format: 17 x 24 cm Hardback 832 pages with hundreds of photos in b/w and full colour World rights April 2019 £45 | €50 | $55
ISBN 978-90-5330-918-6
9 789053 309186 >
6
Schilt Publishing
Fred Baldwin’s life took a turn in the direction of the extraordinary when he decided to interview and photograph the sometimes difficult Pablo Picasso. Baldwin, in his last year of college, delivered a letter with his own drawings to the artist. This made Picasso laugh and opened his door. Baldwin’s life changed. He followed his dream, used his imagination, overcame fear, and acted – now he felt he could accomplish anything. The book describes Baldwin, the son of an American diplomat who died when he was five, being raised by strong aristocratic southern women. A string of disasters associated with six elite boarding schools and one university led to his exile to work in a factory, where he joined low-paid black and white workers in his uncle’s factory in Savannah, Georgia. Baldwin escaped by joining the Marines and was immediately shipped to North Korea in 1950. Wounded and decorated twice, Baldwin also learned from the brutal, 35-below zero weather at the Chosin Reservoir, where his unit was surrounded and outnumbered by the Chinese. After Korea, Baldwin moved to Paris but found that battle stories were unappealing to the educated women he was attracted to. He returned to a junior college in Georgia, won a scholarship to Harvard and then transferred to Columbia, where he decided to go to Europe to celebrate his last summer vacation of freedom. Terrified by his own ignorance and of holding a boring job for the rest of his life, he set out to seek the opposite – to visit his imaginary father, a man who controlled his own life, who was “the world’s greatest living artist”, was irresistible to women and lived in the South of France. This inspired Baldwin to teach himself photography by visiting MoMa and every photo gallery in New York. But New York was expensive, so Baldwin moved to Savannah, where he learned to survive by photographing children. In spite of financial success, Baldwin wanted to be a photojournalist. By chance he spent a day and a night with the Ku Klux Klan and then he set out for Europe, heading for Scandinavia and the Arctic. What followed were picture stories about reindeer migrations, Nobel Prize coverage, underwater pictures of cod fishing in Arctic Norway, polar bear expeditions. After that he went to Mexico to photograph under water the fight of hooked Marlin – an homage to Hemingway. In 1963, Baldwin joined the Civil Rights Movement, photographing Martin Luther King. A two-year stint as Peace Corps director in Borneo was followed by more photojournalism in India and Afghanistan. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world.
Fred Baldwin was born in 1929 in Switzerland, where his father served as a U.S. diplomat. After earning his B.A. degree from Columbia College, New York in 1956, he began a freelance photography career which continued until 1987. Baldwin worked for Audubon, LIFE, National Geographic, GEO, Camera (Switzerland), Bunte, STERN, Esquire, Sports Illustrated, Time-Life Books, Natural History, Town and Country, Science Digest, Smithsonian Magazine, Newsweek, the New York Times and others. Since 1983, Baldwin has been serving as Chairman of FotoFest (Houston), which he co-founded with Wendy Watriss and Petra Benteler. In 2008, Freedom’s March on the Civil Rights Movement was published in conjunction with an exhibit of his photographs taken in 1963-1964, at the Telfair Museum of Art in Savannah, Georgia. In 2009, Looking at the US 1957-1986 was published by Mets & Schilt Publishers, Amsterdam, in conjunction with Wendy Watriss and with an exhibit of their collaborative work at Le MusÊe de la Photographie, Charleroi, Belgium. In 2013, The Center for Photography at Woodstock awarded Fred Baldwin and Wendy Watriss the Lifetime Achievement Award for their work in photography.
Kirk Crippens
Big Sur Going South Essay by Torre McQueen
Design: Victor Levie, LevievanderMeer, Amsterdam ISBN 978 90 5330 917 9 Format: 30 x 31.5 cm Hardback with cloth cover and inlaid image 72 pages with 38 photos in full colour World rights March 2019 £45 | €50 | $55
ISBN 978-90-5330-917-9
9 789053 309179 >
8
Schilt Publishing
Big Sur, or the el sur grande, ‘the Big Country of the South’ is a spectacular section of California coastline south of San Francisco. Famous for its rugged and beautiful mountains meeting the sea, it has become one of the most popular tourist destinations in the world. Big Sur is not a town, it’s a region and the only way in or out is via Highway 1, a curvy, dangerous road with thousand-foot drops to the ocean. Four million tourists negotiate this road every year, and just as many visit Yosemite National Park annually. The 900 residents who live in Big Sur also use this highway to get to work, buy groceries or get to a hospital. Since the highway was built in the 1930s this place has become home to artists, writers, entrepreneurs and homesteaders drawn to its beauty and solitude. Henry Miller wrote in his memoir Big Sur and The Oranges of Hieronymus Bosch: “Big Sur has a climate all its own and a character all its own. It is a region where extremes meet, a region where one is always conscious of weather, of space, of grandeur, and of eloquent silence.” In recent years, Big Sur locals have been facing a new challenge. It has become too popular. The highway is often so clogged with tourists’ cars that a 30-minute drive for groceries takes three hours. Visitors leave trash everywhere and the fires that used to be caused by lightning are started more often by illegal campers. At the end of the winter in 2017, after a prolonged drought, Highway 1 was cut off by a subsided mountain at the south end of Big Sur and a collapsed bridge at the north. This was not the first time the road was closed, there have been many landslides on Highway 1 since it was built. With the road closed to outside traffic, people could only hike in and out. The rains caused much damage and many people lost their livelihood. But it also restored peace and quiet... When the road was blocked, Kirk Crippens and former resident Torre McQueen went to Big Sur. They hiked around the destroyed bridge and came across Pfeiffer State Park picnic tables buried in mud. They saw the iconic Deetjen’s Inn cabins destroyed by landslides and fallen trees, and an empty highway. Businesses were closed, paths overgrown. The idea for Going South began to take root. The photographs Kirk made of the landscape show the peace and quiet, the destruction, and the beauty. His portraits of Big Sur residents reflect the resilience, self-sufficiency and attitude that life, work and art will continue through it all.
Based in San Francisco, Kirk Crippens works as an independent artist. His work is held in the collections of MuseĂŠ de la Photographie, Charleroi, Belgium, RayKo Photo Center, San Francisco, USA, and the Museum of Fine Arts in Houston, USA, amongst others. In 2016, Live Burls, a project about the poaching of the burls of the famous Redwood trees which he made together with Gretchen LeMaistre, was exhibited at Candela Gallery, Richmond (VA), USA, and Datz Museum of Art, Gwangju, South Korea. In 2017, the book Live Burls was published by Schilt Publishing, followed in 2018 by an exhibition of this work at Schilt Gallery.
2019 Dutch edition
Design: Heijdens Karwei, Amsterdam ISBN Dutch edition:
Every year since 1958, an international jury has met in the Netherlands under the auspices of the World Press Photo Foundation to choose the world’s finest press photographs. Universally recognised as the definitive competition for photographic reportage, it has been described by Michael Rand as “the international photographic contest”. Publishing the results of the latest annual World Press Photo Contest, this exceptional book contains the very best press photographs from 2017 – pictures submitted by approximately 5,000 photojournalists, photo agencies, newspapers and magazines from about 125 countries. Selected from around 100,000 images, these prize-winning photos capture the most powerful, moving and disturbing images of the year.
978 90 5330 919 3 Format: 19 x 24.5 cm (portrait)
Will amuse, sadden, console and ultimately teach you much about this world of ours. People Photography
Paperback 240 pages with approx. 250 photos in full colour
Some of the very best work being done around the world today. News Photographer
World rights; English (Thames & Hudson), German (Till Schaap Edition), French (Till Schaap Edition), Spanish (Blume) and Italian (Skira Editore) rights sold. English edition (Schilt Publishing) for North America distributed by Ingram Publisher Services. ISBN 978 90 5330 920 9 Please contact IPS at ips@ingramcontent.com April 2019 €25 | $29.95 Schilt Publishing is the primary publisher of the World Press Photo Yearbook. Co-editions are available in 6 different languages.
ISBN 978-90-5330-919-3
For details of the English-language edition of World Press Photo (except North America, see above), please contact Thames & Hudson at sales@thameshudson.co.uk or visit 10
thamesandhudson.com
9 789053 309193 >
Illustrations: Spreads from the 2019 yearbook
The Best of LensCulture Volume 3 Here are 150 award-winning photographers you should know. These exciting contemporary photographers hail from 42 countries on five continents, and they are making remarkable work right now in diverse cultures around the world. It's fresh, inspiring, insightful and thought-provoking.
Design: Heijdens Karwei, Amsterdam ISBN 978 90 5330 925 4
LensCulture is the leading online destination to discover the latest trends and freshest contemporary photography, and this volume compiles some of the best discoveries of the year. This book celebrates excellence in the visual language of photography in all genres: documentary, fine art, photojournalism, portrait, street photography, abstract, landscape, architecture, nature, alternative process, experimental, poetic, personal, and more. Everyone who is curious about the current state of photography around the globe will be delighted to discover the rich variety of photographers and their imagery presented in these pages.
Format: 19 x 24.5 cm (portrait) Paperback 288 pages with approx. 200 photos in
LensCulture is a global network and
full colour
online magazine that has become one
World rights
of the most popular platforms for
May 2019
discovering and sharing the latest and
£22.50 | $29.95 | €25
best in contemporary photography – currently reaching a monthly audience of over 2 million around the
Illustrations: Spreads from The Best
world. You can find out more at
of LensCulture, Volume 2
www.lensculture.com
ISBN 978-90-5330-925-4
Water to Wine.
DYLAN HAUSTHOR UNITED STATES
WILTING
dylanhausthor.com
Within this project lie stories buried beneath the snow and the mud. The humans and animals that live here wander the threshold between an unapologetic existence and an abyss of lunacy. These stories are written and performed by a mind under house-arrest. This results in a land both ancient and false, co-authored by artist and subject. Shedding.
9 789053 309254 >
12
Schilt Publishing
250 - Exposure Awards - Juror’s Pick
Dylan Hausthor - United States - 251
THOMAS FRETEUR HAITI
thomasfreteur.com
Through the looping repetition of certain verses, almost like mantras, the connection with God seems to grow even more sincere and sometimes transcendental.
In Haiti, people often say about the religious cults (in an ironic way and in a whisper), “60% are Catholics, 40% Protestants but 100% are Voodoo…”
THE FAITHFUL A group of the faithful in reverence at the summit of Ti Pinsik in Gonaïves, Haiti. These women gather around a wooden pole that once supported a large Christian cross.
On a road to the northern part of Haiti, not far from the city of Gonaïves, is a small hill called Ti Pinsik. It stands in an arid and rocky landscape. Only cacti, lizards and goats can survive in this environment. On a day of thunder, about 40 years ago, a pastor was born at the foot of this hill. The news spread quickly: “A king is born.” Since then, every morning (except church days), clusters of believers have flocked to the hill, gathering at Ti Pinsik to pray to their various gods. As far back as the collective memory reaches, it has always been so. The faithful come and go from Ti Pinsik to sing, pray, dance, and sleep.
10 - Emerging Talent Awards - Juror’s Pick
Thomas Freteur - Haiti - 11
ALBERTE A PEREIRA SPAIN
FRAGMENTS
alberteapereira.com
One of the main axes on which street photography pivots is the observation of people’s behavior, especially in urban spaces. These photos are a sample of small gestures of people absorbed and decontextualized from their surrounding environment. This is my vision of the street separated from the decisive moment. Instead, I look for the essential; for silence and solitude amidst the usual urban noise.
162 - Street Photography Awards - 2nd Place Series
Alberte A Pereira - Spain - 163
GEOMETRY AND COLOR:
Wroclaw, Poland and Kuala Lumpur, Malaysia are two locations which are miles apart both geographically and culturally. In this series, they have been united by a common theme: color and geometry. My vision creates a parallel world where the ordinary and mundane are transformed into the extraordinary and ambiguous.
JOLANTA MAZUR MALAYSIA
jolantamazur.com
204 - Street Photography Awards - Finalist
Street Photography Awards - Finalist - 205
& Gallery Carla Kogelman I Am Waldviertel
12 January – 9 March 2019 The opening reception will take place on Saturday 12 January 2019 from 4 till 7 pm in the presence of Carla Kogelman.
14
Schilt Publishing
In 2012, the now multi-award winner
the house. Kogelman decides to follow
Photo 1st Prize People –
photographer Carla Kogelman was
the family and returns regularly. Her
Observed Portraits Stories and
commissioned by Szene Bunte Wähne,
original, superb and right on the skin
the 2014 Cortona On The Move
a youth theatre festival in Austria, to
black & white photography of the
Happiness Award.
make a documentary about the rural
children and everyone and everything
Waldviertel region. She ended up in
surrounding them in their daily lives
In the spring of 2017, Schilt
Merkenbrechts, a small bio village of
resulted in many prestigious national
Publishing started discussing a book
170 inhabitants, where she met
and international awards like the
publication with Carla Kogelman.
Hannah and Alena, two sisters who
2018 World Press Photo 1st prize
This has resulted in the book I Am
spend much of their time together in
long-term project, the 2017 Alfred
Waldviertel, printed in October 2018
a carefree life of swimming, playing
Fried Photography Award
and released about a month later.
outdoors, engrossed in games around
(winner), the 2014 World Press
ISBN 878 90 5330 912 4 Schilt Publishing
15
Linda Dorigo and Andrea Milluzzi Rifugio – Christians of the Middle East
16 March – 4 May 2019 The opening reception will take place on 16 March 2019 from 4-7 pm in the presence of Linda and Andrea.
16
Schilt Publishing
& Gallery
The birthplace of Christianity lies on
Lebanon, Egypt, Israel, the West Bank,
journalist having previously worked
the Iranian slopes of Mount Ararat to
the Gaza Strip, Jordan, Turkey and
at the Italian newspaper Liberazione.
Mount Lebanon. Since those ancient
Syria. They were attracted to the small
From their bases in Beirut and Rome,
times the rugged valleys and gorges
Christian communities that choose to
they have combined forces to provide
have served as a refuge for monastic
not be part of the diaspora.
an insider’s account of what is
communities and those in search of
While the Middle East has been turned
happening in the Middle East region
solitude. Today, 12 million Christians
upside-down by revolutions and by a
today.
are presumed to be living in the
fractured war inside Islam, Christians
Middle East, but only a few of them
became a religious minority,
In 2015, Schilt Publishing released the
stay in the region due to radical Islam
disillusioned witnesses closed in their
essential and stunning book
and persecutions; millions have
self-defence. Linda Dorigo is an
Rifugio – Christians of the Middle East.
relocated to North America, Europe
independent photojournalist and
Copies will still be available during
and Australia.
documentary photographer currently
the exhibition.
Linda Dorigo and Andrea Milluzzi
based in Italy and the Middle East.
ISBN 878 90 5330 843 1
travelled for many years around Iran,
Andrea Milluzzi is a freelance Schilt Publishing
17
SELECTED backlist Check our website schiltpublishing.com for a complete overview of all our titles and special editions!
Carla Kogelman I am Waldviertel ISBN 978 90 5330 912 4 £40 | $50 | €45
Vladimir V. Mayakovsky ROSTA Windows
Peter Dench The Shot That Made Me
Okna Rosta Texts and research by Vera Terekhina Curated by Natalia Strizhkova
ISBN 978 90 5330 909 4 £32.50 | $40 | €35
ISBN 978 90 5330 914 8 £45 | $55 | €50
Camilla Jensen Quantum
Joshua Lutz Mind the Gap
ISBN 978 90 5330 908 7
ISBN 978 90 5330 894 3
£30 | $40 | €35
£40 | $50 | €45
The Best of LensCulture Volume 2 A source of inspiration and a reference guide for everyone who loves photography! ISBN 978 90 5330 902 5 £22,50 | $29.95 | €25
Saiful Huq Omi 136
FotoFest India
The Persecution of the Rohingyas ISBN 978 90 5330 898 1
Contemporary Photographic and New Media Art
£40 | $50 | €45
FotoFest Changing Circumstances
FotoFest View From Inside
Looking at the Future of the Planet
Contemporary Arab Photography, Video and Mixed Media Art
ISBN 978 90 5330 900 1
ISBN 978 90 5330 862 2
ISBN 978 90 5330 825 7
£45 | $60 | €50
£45 | $60 | €50
£45 | $60 | €50
Ekaterina Solovieva The Earth’s Circle
PhotoCat.
Kirk Crippens and Dornith Doherty Gretchen LeMaistre Archiving Eden Live Burls ISBN 9978 90 5330 884 4
Kolodozero
£30 | $40 | €35
Sacha de Boer (ed.) ISBN 978 90 5330 896 7
ISBN 978 90 5330 899 8
Poaching the Redwoods
£30 | $40 | €35
ISBN 978 90 5330 881 3
£40 | $50 | €45
£35 | $45 | €40
Schilt Publishing
19
Giancarlo Ceraudo Destino Final
Pavel Baňka Reflection
Edward Thompson The Unseen
ISBN 978 90 5330 864 6
ISBN 978 90 5330 882 0
£40 | $50 | €45
£40 | $50 | €45
An Atlas of Infrared Plates
Yola Monakhov Stockton The Nature of Imitation
ISBN 978 90 5330 863 9
Text by Elisabeth Biondi
£40 | $50 | €45
ISBN 978 90 5330 845 5 £27.50 | $35 | €30
Lotte Fløe Christensen Constructs
Maria Gruzdeva BORDER
David Batchelder Tideland
A journey along the edges of Russia
Text by David Campany
ISBN 978 90 5330 883 7 £22.50 | $27.50 | €25
ISBN 978 90 5330 878 3
£60 | $75 | €65
£30 | $40 | €35
ISBN 978 90 5330 856 1
Michel Huneault The Long Night of Mégantic / La longue nuit de Mégantic ISBN 978 90 5330 876 9 Bilingual: English/French £30 | $40 | €35
20
Schilt Publishing
Mario Giacomelli Under the Skin of Reality
Linda Dorigo & Andrea Milluzzi Rifugio
Elliot Ross Animal
Elliot Ross Other Animals
Treasures from the Sassoferrato Archive Edited by Katiuscia Biondi, Marina Itolli and Catia Zucchetti With an introduction by Achille Bonito Oliva
Christians of the Middle East
ISBN 978 90 5330 730 4
ISBN 978 90 5330 835 6
£35 | $45 | €40
£35 | $45 | €40
ISBN 978 90 5330 843 1
Special edition
£35 | $45 | €40
ISBN 978 90 5330 736 6
Text by Manfred Zollner Text by Diana L. Daniels
Edition of 50 £175 | $350 | €250
ISBN 978 90 5330 813 4 £40 | $50 | €45
North West – South East
Modern and Samia Halaby Contemporary Arab Drawing the Kafr Art from the Levant Qasem Massacre
Louise Baring Emmy Andriesse
Essay by Salman Abu Sitta
ISBN 978 90 5330 790 8
ISBN 978 90 5330 892 9
The Majida Mouasher Collection
£45 | $55 | €50
ISBN 978 90 5330 877 6
ISBN 978 90 5330 874 5
£40 | $55 | €45
£40 | $50 | €45
Jaap Mooy,The Artist and his Collector
Hidden Lens £30 | $40 | €35
Dutch edition
Noordwest – Zuidoost Jaap Mooy, de kunstenaar en zijn verzamelaar ISBN 978 90 5330 897 4 Schilt Publishing
21
distribution
Thames & Hudson Ltd
Mike Lapworth
OUR SALES TEAMS
T 07745304088 e mikelapworth@sky.com
UK
The Midlands & East Anglia
Ben Gutcher T 020 7845 5023
Ian Tripp
e b.gutcher@thameshudson.co.uk
T 07970 450 162
Head of UK Sales
e iantripp@gmail.com Wales & Southwestern Counties
Christian Frederking Group Sales Director
Key Accounts
e c.frederking@thameshudson.co.uk
Gethyn Jordan T 020 7845 5029
Andrius Juknys
e g.jordan@thameshudson.co.uk
Head of Distributed books T 020 7845 5000
Michelle Strickland
f 020 7845 5055
T 020 7845 5027
e a.juknys@thameshudson.co.uk
e m.strickland@thameshudson.co.uk
Mark Garland
Gift
Manager, Distributed Books
Poppy Edmunds
T 020 7845 5000
T 020 7845 5024
F: 020 7845 5055
e p.edmunds@thameshudson.co.uk
e m.garland@thameshudson.co.uk Jamie Denton Rosita Stankute
T 07765403182
Distributed Sales Coordinator
e jamesdenton778@btinternet.com
T 020 7845 5000
South, Southeastern Counties/Gift
f 020 7845 5055 e r.stankute@thameshudson.co.uk
Victoria Hutton T 07899 941010
Dawn Shield
e victoriahuttonbooks@yahoo.co.uk
T 020 7845 5146
London/Gift
e d.shield@thameshudson.co.uk London
Colin MacLeod T 07710 852197
David Howson
e colinmacleodsw@gmail.com
T 020 7845 5030
Wales & Southwestern Counties/Gift
e d.howson@thameshudson.co.uk London & South East
Jill Macleod T 07885 720175
Karim White
e colinmacleodsw@gmail.com
T 07740 768900
Wales & Southwestern Counties/Gift
e k.white@thameshudson.co.uk Northern England, Scotland & Ireland
For general enquires please contact:
Alice Corrigan T 020 7845 5028 e sales@thameshudson.co.uk
INTERNATIONAL
The Near & Middle East
Korea
Europe
Middle East incl. Egypt
Zita Chan
Austria, Germany, Switzerland
Stephen Embrey
e zita_chan@asiapubs.com.hk
Michael Klein
T +44 (0)117 915 0772
T +49 931 17405
e s.embrey@thameshudson.co.uk
e mi-klein@t-online.de
Malaysia
Thames & Hudson Singapore Pte Ltd Africa
T (603) 7877 6063
Belgium
Africa (excluding South)
e liliankoe@apdkl.com
Alexandra Levy
Ian Bartley
Export Sales Department
Export Sales Department
Pakistan and Sri Lanka
Thames & Hudson Ltd
Thames & Hudson Ltd
Stephen Embrey
e a.levy@thameshudson.co.uk
e i.bartley@thameshudson.co.uk
T +44 (0)117 915 0772
Netherlands
South Africa, Swaziland, Lesotho,
Van Ditmar b.v.
Namibia and Botswana
Singapore and South-East Asia
Bas van der Zee
Peter Hyde Associates
APD Singapore PTE Ltd
e th@vanditmar.audax.nl
T (021) 447 5300
T (65) 6749 3551
e noelene@peterhyde.co.za
e customersvc@apdsing.com
Sara Ticci
Asia & Far East
Australasia
T +44 (0)117 915 0772
China (prc), Hong Kong and Macau
Australia, New Zealand, Papua New
e s.ticci@thameshudson.co.uk
Thames & Hudson China Ltd
Guinea & the Pacific Islands
T +852 2 553 9289
Thames & Hudson Australia Pty Ltd
e aps_thc@asiapubs.com.hk
T (03) 9646 7788
e s.embrey@thameshudson.co.uk
Eastern Europe
Eastern Mediterranean, Bulgaria, Romania
e enquiries@thaust.com.au
Stephen Embrey T +44 (0)117 915 0772
For China enquiries: Beijing
e s.embrey@thameshudson.co.uk
Marc Zhang
The Americas
e aps_china@asiapubs.com.hk
Central & South America, Mexico and the Caribbean
France
Interart S.A.R.L.
Shanghai
Natasha Ffrench
T (1) 43 49 36 60
Jiajin Chen
Export Sales Department
e commercial@interart.fr
e aps_sh@asiapubs.com.hk
Thames & Hudson Ltd
Italy, Spain and Portugal
Taiwan
Natasha Ffrench
Helen Lee
For countries not mentioned
Export Sales Department
e helen_lee@asiapubs.com.hk
please contact:
e n.ffrench@thameshudson.co.uk
Thames & Hudson Ltd e n.ffrench@thameshudson.co.uk
Alexandra Levy India, Nepal, Bhutan and Bangladesh
Export Sales
Kapil Kapoor Roli Books
T +44 (0)20 7845 5038
Scandinavia, Baltic States, Russia and the
T +91 11 2921 0886
e a.levy@thameshudson.co.uk
CIS
e kapilkapoor@rolibooks.com
Per Burell T +46 (0) 70 725 1203
Japan
e p.burell@thameshudson.co.uk
Sian Edwards & Christian Frederking Export Sales Department Thames & Hudson Ltd e s.edwards@thameshudson.co.uk 23
Distribution in North America Ingram Publisher Services One Ingram Blvd. LaVergne, TN 37086 IPS: 866 400 5351 e ips@ingramcontent.com
Distribution in The Netherlands Centraal Boekhuis https://portal.boekhuis.nl/cbonline/ boek-verkopers t +31 (0)345 – 47 58 88 e detailhandel@centraal.boekhuis.nl
Representation in The Netherlands and Belgium Coen Sligting Bookimport Groot Nieuwland 27 1811 et Alkmaar The Netherlands t +31(0)72 – 511 92 20 f +31(0)72 – 511 70 29 e sligting@xs4all.nl
Join the club! Become a Rhubarbino Check our website: schiltpublishing.com
24
Schilt Publishing
Expected July – December 2019
Ally Alegra New Path
& Gallery Maarten Schilt
Dana Rakhim
Lilia Luganskaia
Peter Martensstraat 121 NL – 1087 na Amsterdam
+7 910 466 76 96
+31 6 26 25 16 93
dana@schiltpublishing.com press@schiltpublishing.com
lilia@schiltpublishing.com gallery@schiltpublishing.com
+31 6 51 98 47 47 schilt@schiltpublishing.com sales@schiltpublishing.com
26
schiltpublishing.com
Schilt Publishing
ISBN 978-90-5330-915-5
9 789053 309155 >