TF_Art, Music, Theatre and Performance Studies Jan to Jun 2019

ROUTLEDGE

Art, Music, Theatre and Performance Studies Catalogue 2019 January - June New and Forthcoming Titles

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Welcome Welcome to the January to June 2019 Art, Music and Theatre and Performance Studies Catalogue.

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Contents Art and Visual Studies ....................................................................................................................................................... 2 Music .................................................................................................................................................................................... 5 Theatre and Performance .............................................................................................................................................. 14 Index ................................................................................................................................................................................... 22

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Art, Cybernetics and Pedagogy in Post-War Britain

Film and Modern American Art

Roy Ascott’s Groundcourse

The Dialogue between Cinema and Painting

Kate Sloan Series: Routledge Advances in Art and Visual Studies This is the first full-length study about the British artist Roy Ascott, one of the first cybernetic artists. The book explores the evolution of his early interests in communication in the context of the rich overlaps between art, science and engineering in Britain during the 1950s and 1960s. The first part of the book looks at Ascott’s training and early work, while the second looks solely at Groundcourse, Ascott’s pedagogical model which used a systems-based model, drawing in behaviourism, analogue machines, performance and games. Using hitherto unpublished photographs and documents, this book will forge a more prominent place for cybernetics in post-war British art.

Routledge Market: Art history / pedagogy January 2019: 246x174: 240pp Hb: 978-1-138-60557-2: £115.00 eBook: 978-0-429-46801-8 * For full contents and more information, visit: www.routledge.com/9781138605572

Katherine Manthorne Series: Routledge Advances in Art and Visual Studies Between the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This bookexplores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange.

Routledge Market: Art history/film history February 2019: 246x174: 168pp Hb: 978-0-815-37419-0: £115.00 eBook: 978-1-351-18731-2 * For full contents and more information, visit: www.routledge.com/9780815374190

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British Art for Australia, 1860-1953

History Dances

The Acquisition of Artworks from the United Kingdom by Australian National Galleries

Chronicling the History of Traditional Mandinka Dance Ofosuwa M. Abiola Series: Routledge Advances in Theatre & Performance Studies

Matthew C. Potter Series: British Art: Histories and Interpretations since 1700 British art for Australia, 1860-1953: the acquisition of artworks from the United Kingdom by Australian national galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian National Galleries and other key Australian and UK institutions. Multiple readerships in the disciplines of art history, cultural history and museology are addressed by analyzing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world.

Routledge Market: Art History January 2019: 246x174: 280pp Hb: 978-1-472-42636-9: £115.00 eBook: 978-0-429-42366-6 * For full contents and more information, visit: www.routledge.com/9781472426369

The field of history is founded on the interrogation of written documents from the past. However, culture is the centre of life in Africa. As a result, in the past – and to a degree in the present – the process for documenting events in Africa was not written, it was performed. History Dances argues that a wealth of information is housed within traditional Mandinka dance, and consequently, the dances can be used as an African derived primary source for writing African history.

History Dances proves to be a vital read for both undergraduate students and scholars in the fields of dance history, African history, performance studies, and cultural anthropology.

Routledge Market: Dance November 2018: 234x156: 156pp Hb: 978-1-138-36934-4: £115.00 eBook: 978-0-429-42872-2 * For full contents and more information, visit: www.routledge.com/9781138369344

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East Asian Art History in a Transnational Context

Imagining Identity in American Equine Art

Edited by Eriko Tomizawa-Kay, University of East Anglia and Toshio Watanabe, Research Centre for Transnational Art, Identity and Nation (TrAIN), The University of Arts London Series: Routledge Research in Art History

1832 to the Present

This is the first comprehensive English-language study of East Asian art history in a transnational context, and challenges the existing geographic, temporal, and generic paradigms that currently frame the art history of East Asia. This pioneering study proposes an important new framework that focuses on the relationship between China, Japan, and Korea. By reconsidering existing concepts of ‘East Asia,’ and examining the porousness of boundaries in East Asian art history, the study proposes a new model for understanding trans-local artistic production – in particular the mechanics of interactions – at the turn of the twentieth century.

Routledge Market: Art History April 2019: 246x174: 288pp Hb: 978-1-138-48081-0: £105.00 eBook: 978-1-351-06190-2 * For full contents and more information, visit: www.routledge.com/9781138480810

Jessica Dallow, University of Alabama at Birmingham Series: Routledge Advances in Art and Visual Studies This booktraces the evolution of American equine-equestrian art from 1832 to the present, focusing on the construction of alternative raced and sexed identities in painting and photography: of African Americans, women, and the animals. Equine sport and the representation of its human and animal participants enacts particular encounters between animal and human bodies involving a range of interspecies sensory experiences. Drawing on work in animal, race, and gender studies, this book centralizes these experiences and their construction through the visual image. The book offers a new interpretation of American equine art rooted in the changing relationships between humans and horses.

Routledge Market: Art history / animal studies June 2019: 246x174: 224pp Hb: 978-1-138-49088-8: £115.00 * For full contents and more information, visit: www.routledge.com/9781138490888

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Migration, Diversity and the Arts

René Magritte and the Art of Thinking

The Postmigrant Condition

Lisa Lipinski, The George Washington University Series: Routledge Research in Art History

Moritz Schramm, University of Southern Denmark, Sten Moslund, University of Southern Denmark, Anne Ring Petersen, University of Copenhagen, Mirjam Gebauer, University of Aalborg, Hans Christian Post, University of Southern Denmark, Sabrina Vitting-Seerup and Frauke Wiegand Series: Routledge Research in Art and Politics This book offers a compelling study of contemporary developments in European migration studies and the representation of migration in the arts and cultural institutions. It introduces scholars and students to the new concept of ‘postmigration’, offering a review of the origin of the concept and how it has taken on a variety of meanings within different national, cultural and disciplinary contexts.

Routledge Market: Migration Studies April 2019: 246x174: 288pp Hb: 978-1-138-58409-9: £115.00 eBook: 978-0-429-50622-2 * For full contents and more information, visit: www.routledge.com/9781138584099

For René Magritte, painting was a form of thinking. Through paintings of ordinary objects rendered with illusionism, Magritte probed the limits of our perception—what we see and cannot see, the nature of representation—as a philosophical system for presenting ideas, and perspective as a method of visual argumentation. This bookmakes the claim that Magritte’s painting is about vision and the act of viewing, of perception itself, and the process of how we see and experience things in the world, including paintings as things.

Routledge Market: Art History April 2019: 246x174: 176pp Hb: 978-1-138-05427-1: £115.00 eBook: 978-1-315-11414-9 * For full contents and more information, visit: www.routledge.com/9781138054271

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Photography, Temporality, and Modernity

Rhetoric, Risk, and Secrecy in the Atomic City

Time Warped

Julie M. Staggers Series: Routledge Studies in Technical Communication, Rhetoric, and Culture

Kris Belden-Adams, University of Mississippi Series: Routledge History of Photography This book examines the photography’s unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium’s ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses. The bookfeatures studies of understudied, widespread, practices: studio portraiture, motion studies, panoramas, racing photo finishes, composite college class pictures, planetary photography, digital montages, and extended-exposure images.

Routledge Market: Art History / History of Photography January 2019: 246x174: 184pp Hb: 978-1-138-54431-4: £115.00 eBook: 978-1-138-54432-1 * For full contents and more information, visit: www.routledge.com/9781138544314

In Rhetoric, Risk, and Secrecy in the Atomic City, Julie Staggers draws on cultural and rhetorical theory to examine the construction of knowledge about security, safety, and risk within the emerging secrecy culture of the Manhattan Project as it was distributed in the workplace and company town attached to the world’s first plutonium reactor. Her study crucially demonstrates that far from being purely a means of conveying information, technical communication practices frequently work to stabilize the status quo under the guise of factual objectivity.

Routledge Market: Technical Communication/Rhetoric February 2019: 234x156: 184pp Hb: 978-1-472-44386-1: £105.00 * For full contents and more information, visit: www.routledge.com/9781472443861

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Play and the Artist’s Creative Process

Socially Engaged Art in Contemporary China

The Work of Philip Guston and Eduardo Paolozzi

Voices from Below

Elly Thomas, Independent scholar Series: Routledge Advances in Art and Visual Studies Play and the Artist’s Creative Process explores a continuity between childhood play and adult creativity. The volume examines how an understanding of play can shed new light on processes that recur in the work of Philip Guston and Eduardo Paolozzi. Both artists’ distinctive engagement with popular culture is seen as connected to the play materials available in the landscapes of their individual childhoods. Animating or toying with material to produce the unforeseen outcome is explored as the central force at work in the artists’ processes. By engaging with a range of play theories, the book shows how the artists’ studio methods can be understood in terms of game strategies.

Routledge Market: Art History March 2019: 246x174: 192pp Hb: 978-1-138-05425-7: £115.00 eBook: 978-1-315-11458-3 * For full contents and more information, visit: www.routledge.com/9781138054257

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Meiqin Wang, California State University Northridge, USA Series: Routledge Research in Art and Politics This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China’s top-down, pro-urban, and profit-oriented socioeconomic transformations. It focuses on the socially conscious practices of eight art professionals who assume the role of artist, critic, curator, educator, cultural entrepreneur, social activist, among others, as they strive to expose the injustice and inequality many Chinese people have suffered, raise public awareness of pressing social and environmental problems, and invent new ways and infrastructures to support various underprivileged social groups.

Routledge Market: Art history/contemporary art March 2019: 246x174: 272pp Hb: 978-1-138-31434-4: £115.00 eBook: 978-0-429-45707-4 * For full contents and more information, visit: www.routledge.com/9781138314344

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The Black Arts Movement and the Black Panther Party in American Visual Culture

The Routledge Companion to Art Deco

Jo-Ann Morgan, Western Illinois University Series: Routledge Research in Art and Race This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, offered painted abstractions of proud families, and used symbolic references to Africa. By 1968 the concept was so well established that Oakland Museum mounted the exhibition "New Perspectives in Black Art." This fourth case study asks if Black Panther Party activities within the Oakland/Berkeley community impacted the artists’ work.

Routledge Market: Art History December 2018: 246x174: 188pp Hb: 978-1-138-60592-3: £115.00 eBook: 978-0-429-46785-1 * For full contents and more information, visit: www.routledge.com/9781138605923

Edited by Bridget Elliott and Michael Windover Series: Routledge Art History and Visual Studies Companions Scholarly interest in Art Deco has grown rapidly over the past fifty years, spanning different academic disciplines. This volume provides a guide to the current state of the field of Art Deco research by highlighting past accomplishments and promising new directions. Chapters are presented in five sections based on key concepts: migration, public culture, fashion, politics, and Art Deco’s afterlife in heritage restoration and new media. The book provides a range of perspectives on and approaches to these issues, as well as to the concept of Art Deco itself. It highlights the slipperiness of Art Deco yet points to its potential to shed new light on the complexities of modernity.

Routledge Market: Art History March 2019: 246x174: 464pp Hb: 978-1-472-48514-4: £150.00 eBook: 978-0-429-03216-5 * For full contents and more information, visit: www.routledge.com/9781472485144

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The Danish Avant-Garde and World War II

Visualizing the Body in Art, Anatomy, and Medicine since 1800

The Helhesten Collective Kerry Greaves, University of Copenhagen Series: Routledge Research in Art and Politics This is the first book to focus on Helhesten (The Hell-Horse), an avant-garde artists’ collective active during the Nazi occupation of Denmark and one of the few tangible connections between radical European art groups from the 1920s to the 1960s. The Danes’ deliberately unskilled painterly abstraction, embrace of the tradition of dansk folkelighed (the popular) and its iterations of egalitarianism and consensus reform, called for the political relevance of art and interrogated the ideologies underlying culture itself. The group’s cultural activism presents an alternative trajectory of continuity, which challenges the customary view of World War II as a moment of artistic rupture.

Routledge Market: Art History March 2019: 246x174: 280pp Hb: 978-1-138-60589-3: £115.00 eBook: 978-0-429-46786-8 * For full contents and more information, visit: www.routledge.com/9781138605893

Models and Modeling Edited by Andrew Graciano, University of South Carolina Series: Science and the Arts since 1750 This book expands the art historical perspective on art’s connection to anatomy and medicine, bringing together in one text several case studies from various methodological perspectives. The contributors focus on the common visual and bodily nature of (figural) art, anatomy, and medicine—around the central concept of modelling (posing, exemplifying and fabricating). Topics covered include the role of anatomical study in artistic training, the importance of art and visual literacy in anatomical/medical training and in the dissemination (via models) of medical knowledge/information, and artistic representations of the medical body in the contexts of public health and propaganda.

Routledge Market: Art History February 2019: 246x174: 240pp Hb: 978-1-138-54437-6: £115.00 eBook: 978-1-351-00402-2 * For full contents and more information, visit: www.routledge.com/9781138544376

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The Paragone in Nineteenth-Century Art

Women and French Orientalist Art, 1860-1968

Sarah J. Lippert Series: Routledge Research in Art History

Cross-Cultural Contacts and Western Depictions of Difference

Offering an examination of the paragone, meaning artistic rivalry, in nineteenth-century France and England, this book considers how artists were impacted by prevailing aesthetic theories, or institutional and cultural paradigms, to compete in the art world. The paragone has been considered primarily in the context of Renaissance art history, but in this book readers will see how the legacy of this humanistic competitive model survived into the late nineteenth century.

Routledge Market: Art History April 2019: 246x174: 280pp Hb: 978-1-472-43095-3: £115.00 eBook: 978-0-367-14045-8 * For full contents and more information, visit: www.routledge.com/9781472430953

Mary Healy Series: Routledge Research in Gender and Art Only one female artist, Henriette Browne 1829-1901, has been recognised in the canon of French Orientalist art. Beyond Browne, existing scholarship has not given due consideration to the impact of female art on French Orientalism; as a result women artists have been omitted from the Orientalist canon in France. Through empirical research, Mary Healy has databased primary documents relating to eighty-six women artists whose works of art can be placed in the canon of French Orientalism between 1860 and 1968. Many of these women, such as Marie Lucas-Robiquet (1858-1959) and Jeanne Thil (1887-1968), were highly successful artists in their day; yet, today, little to nothing is known about their artistic contributions. Forgotten French Women Orientalist Artists 1860-1968: Cross-Cultural Contacts and Western Depictions of Difference is the first full-length study dedicated to these women artists and the analyses of their Orientalist works of art.

Routledge April 2019: 246x174: 272pp Hb: 978-1-472-44031-0: £115.00 * For full contents and more information, visit: www.routledge.com/9781472440310

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Advancing Music Education in Northern Europe

Boy Bands and the Performance of Pop Masculinity

Edited by David G. Hebert and Torunn Bakken Hauge

Georgina Gregory, University of Central Lancashire, UK

Advancing Music Education in Northern Europe chronicles how the Nordic Network for Music Education was founded and developed, documents its impact, and demonstrates how the eight nations involved in this network – Norway, Iceland, Denmark, Sweden, Finland, Estonia, Latvia, and Lithuania – are making unique contributions of global significance to the field of music education. In a time where international partnerships appear to be threatened by a recent resurgence in protectionism and nationalism, this book also more generally demonstrates the value of formalized international cooperation in the sphere of higher education.

Boy Bands and the Performance of Pop Masculinity provides a history of the boy band from The Beatles to One Direction, placing the modern male pop group within the wider context of twentieth- and twenty-first century popular music and culture.

Offering the first extended look at pop masculinity as exhibited by boy bands, this volume links the evolving expressions of gender and sexuality in the boy band to wider economic and social changes that have resulted in new ways of representing what it is to be a man.

Routledge Market: Music February 2019: 234x156: 304pp Hb: 978-1-138-48626-3: £115.00 eBook: 978-1-351-04599-5 * For full contents and more information, visit: www.routledge.com/9781138486263

Routledge Market: POPULAR MUSIC / GENDER STUDIES April 2019: 229 x 152: 192pp Hb: 978-1-138-64731-2: £110.00 Pb: 978-1-138-64732-9: £29.99 * For full contents and more information, visit: www.routledge.com/9781138647312

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Baroque Resonances

Discordant Democracy: Noise, Affect, Populism, and the Presidential Campaign

Selected Essays Ellen Rosand Series: Ashgate Contemporary Thinkers on Critical Musicology Series This collection of studies by Ellen Rosand represents the range of her contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works - from its function in representing the ideals of the Republic of Venice through its essential role in the emerging genre of opera, from the expressive mechanics of Monteverdi and Cavalli to those of Handel and Vivaldi. With methodological flexibility, Rosand's analyses are responsive to the works themselves. Exploring the mimetic significance of particular formal motifs and scenic conventions, the intimate relationship of music and text, or a composer's dramatic choices, discovering a new musical personality (Barbara Strozzi) or the historical and cultural circumstances, the practical and creative dynamics of an emerging dramatic art (opera in Venice), she has opened entirely new prospects on these topics.

Justin Patch Discordant Magic: Sound, Affect and the Presidential Campaign paints a portrait of the political experience at a pivotal time in American political and social history. Through a multi-modal comparative examination of the sonic and emotional cultures of the 2008 and 2016 campaigns, Justin Patch raises critical queries about our affective relationship to modern politics and the impact of emotional campaigning on democracy. Broadly stated, Discordant Magic asks: how do campaign sounds affect us; what role do we the electorate play in creating and sustaining these sounds and affects; and what actions do they generate?

Routledge June 2019: 380pp Hb: 978-1-409-42003-3: £95.00 * For full contents and more information, visit: www.routledge.com/9781409420033

Routledge Market: Music December 2018: 234x156: 176pp Hb: 978-1-138-08875-7: £105.00 eBook: 978-1-315-10967-1 * For full contents and more information, visit: www.routledge.com/9781138088757

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Bending the Rules of Music Theory

Double Lives: Film Composers in the Concert Hall

Timothy Cutler

Edited by James Wierzbicki, University of Sydney, Australia Series: Routledge Research in Music

For students learning the basics of music theory, it can seem as though there are immutable rules about which chords, tones, and intervals can be used where. Yet even within the classical canon, there are many examples of composers breaking these apparent 'rules.' Drawing on examples from J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory takes readers beyond the basics of music theory and helps them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding

Double Lives: Film Composers in the Concert Hall is a collection of fifteen essays dealing with ‘iconic’ film composers who, perhaps surprisingly, maintained life-long careers as composers for the concert hall. Progressing in a chronological order, the chapters begin with a concise summary of the chosen composer’s film work, followed by an account of their concert-hall career and a description of their concert-hall style. Each chapter concludes with a comparison between the composer’s music for films and their music for the concert hall, with speculation as to how music in one arena might have affected music in the other. A complete works list is provided as an e-resource.

Lessons from Great Composers

of music theory.

Routledge Market: Music Theory February 2019: 254 x 178: 308pp Hb: 978-1-138-47823-7: £110.00 Pb: 978-1-138-47824-4: £47.99 eBook: 978-1-351-06916-8 * For full contents and more information, visit: www.routledge.com/9781138478237

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Routledge Market: Music / Composers and Musicians / Film Music March 2019: 234x156: 264pp Hb: 978-0-367-02887-9: £115.00 eBook: 978-0-429-01931-9 * For full contents and more information, visit: www.routledge.com/9780367028879

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Embodying Voice

Focus: Choral Music in Global Perspective

Margaret Medlyn, New Zealand School of Music

André de Quadros, Boston University, USA Series: Focus on World Music Series

Embodying Voice: Singing Verdi, Singing Wagner articulates the process of developing an operatic voice, explaining how and why the training of such a voice is as complex and sophisticated as it is mysterious. This book illustrates how putting together a voice, embodying a sound, and creating a character are vital to an audience’s emotional involvement and enjoyment. Moreover, it addresses an imbalance of power between the opera director and the orchestra conductor—ultimately, it is the communicative power of the singer’s voice that brings life to an opera, a fact well known by Verdi and Wagner.

Focus: Choral Music in Global Perspective introduces the little-known traditions and repertoires of the world’s choral diversity, from the prison choirs of Thailand and the gay and lesbian choral organizations of the Western world, to the community choruses in the Middle East and the youth choruses of the United States. The book weaves together the stories of individuals, organizations, their music, and their pedagogies, while illustrating the author’s research about how choral culture is interacting with societies worldwide and transforming the lives of its members.

Singing Verdi, Singing Wagner

Routledge Market: VOCAL MUSIC December 2018: 254 x 178: 156pp Hb: 978-1-138-58553-9: £110.00 Pb: 978-1-138-58554-6: £32.99 eBook: 978-0-429-50521-8 * For full contents and more information, visit: www.routledge.com/9781138585539

Routledge Market: WORLD MUSIC / CHORAL MUSIC March 2019: 224pp Hb: 978-0-415-89654-2: £120.00 Pb: 978-0-415-89655-9: £36.99 eBook: 978-0-429-02462-7 * For full contents and more information, visit: www.routledge.com/9780415896542

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English Dramatick Opera, 1661–1706

Gateways to Understanding Music

Andrew R. Walkling, Binghamton University, USA Series: Ashgate Interdisciplinary Studies in Opera

Timothy Rice, University of California, Los Angeles and Dave Wilson, Victoria University of Wellington, New Zealand

English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre to which Walkling gives the name "spectacle-tragedy".

Gateways to Understanding Music explores music in all the categories that constitute contemporary musical experience: European classical music, popular music, jazz, and world music.

Covering the oldest forms of human music making and the newest, the chronological narrative considers music from a global rather than a Eurocentric perspective. Each of sixty modular "gateways" covers a particular genre, style, or period of music. Students learn to listen to, explain, understand, and ultimately value all the music they may encounter in their world.

Routledge Market: Music March 2019: 234x156: 432pp Hb: 978-1-138-69654-9: £105.00 eBook: 978-1-315-52421-4 * For full contents and more information, visit: www.routledge.com/9781138696549

Routledge Market: MUSIC / MUSIC APPRECIATION January 2019: 279 x 216: 450pp Hb: 978-1-138-03905-6: £140.00 Pb: 978-1-138-03906-3: £73.99 eBook: 978-1-315-17613-0 * For full contents and more information, visit: www.routledge.com/9781138039056

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Fanny Hensel

Hans Keller 1919 - 1985

A Research and Information Guide

A musician in dialogue with his times

Laura K. T. Stokes, Brown University, USA Series: Routledge Music Bibliographies Fanny Hensel: A Research and Information Guide provides scholars in Hensel studies with a resource to navigate the research surrounding the composer’s over 450 musical works. As part of the larger blossoming of women’s music history, new research in the 1980s and ‘90s promoted an awareness of Hensel’s output, in particular in the genres of the Lied and the solo piano work. This research guide includes an introductory chapter, a summary paragraph at the beginning of each chapter, and annotations for more than 500 entries, focusing on scholarly works as well as selected articles from trade publications, catalogs, and Internet resources.

Routledge Market: MUSIC / REFERENCE March 2019: 229 x 152: 136pp Hb: 978-1-138-23740-7: £105.00 eBook: 978-1-315-29983-9 * For full contents and more information, visit: www.routledge.com/9781138237407

Alison Garnham and Susi Woodhouse A musician of penetrating insight, Hans Keller (1919-1985) was also an exceptional writer whose importance for post-war music in Britain is fundamental. Witty, passionate, sometimes disarmingly honest, Keller's letters present not only a vivid picture of an extraordinary mind, but also a significant insight into his musical times. Keller's correspondents included Alfred Brendel, Yehudi Menuhin, Peter Pears, Benjamin Britten, Alexander Goehr, Peter Maxwell Davies, H.C. Robbins Landon, Deryck Cooke and Nicholas Kenyon. Garnham and Woodhouse present a fascinating biography, illuminated by Keller’s own letters, which shall appeal to all serious classical music lovers.

Routledge Market: Music December 2018: 234x156: 422pp Hb: 978-0-754-60898-1: £110.00 Pb: 978-1-138-39104-8: £29.99 eBook: 978-1-315-58617-5 * For full contents and more information, visit: www.routledge.com/9780754608981

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Heavy Metal at the Movies

Leadership of Pedagogy and Curriculum in Higher Music Education

Edited by Gerd Bayer, University of Erlangen, Germany Series: Ashgate Screen Music Series

Edited by Jennifer Rowley, Dawn Bennett and Patrick Schmidt Series: ISME Global Perspectives in Music Education Series

The chapters collected in this volume shed light on the areas of interaction between film studies and heavy metal research, exploring how the audio-visual medium of film relates to, builds on, and shapes metal culture. At one end of the spectrum, metal music serves as a form of ambient background in horror films that create an intense and somewhat threatening atmosphere; at the other end, the high level of performativity attached to the metal spectacle is emphasized. Alongside these tendencies, the recent and ongoing wave of metal documentaries has taken off, relying on either satire or hagiography.

Routledge Market: Music February 2019: 234x156: 206pp Hb: 978-1-138-57159-4: £115.00 eBook: 978-0-203-70264-2 * For full contents and more information, visit: www.routledge.com/9781138571594

Leadership of Pedagogy and Curriculum in Higher Music Education is the second of a two-volume anthology dedicated to leadership and leadership development in higher music education. Fifteen authors write from multiple countries and contexts, exploring pedagogical and curricular leadership challenges and successes from around the globe. They draw attention to the dynamics of pedagogical approaches which encourage learners’ deep and agentic engagement, considering the sustainability and scope of such interventions while highlighting positive frameworks and approaches.

Routledge Market: Music Education January 2019: 229 x 152: 198pp Hb: 978-0-367-07732-7: £110.00 Pb: 978-0-367-07733-4: £29.99 eBook: 978-0-429-02241-8 * For full contents and more information, visit: www.routledge.com/9780367077327

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Jazz and the Digital Revolution

Metal, Rap, and Electro in Post-Revolutionary Tunisia

GRP Records Simon Barber, Birmingham City University, UK Series: Transnational Studies in Jazz

A Fragile Underground

Jazz and the Digital Revolution: GNP Records captures a transformative time in music history, the period in which digital culture took hold in the production, distribution and consumption of jazz. At the forefront of this epoch was the jazz-fusion label, GRP Records.

Founded in the 1990s, GRP was Billboard magazine's number one contemporary jazz label.

It employed a full-scale digital philosophy, embodying the notion of jazz as a lifestyle brand.

This books makes a case study of GRP Records in order to explore the relationship between jazz and digital culture, how this confluence gave rise to the 'smooth jazz' format, and how the industry negotiated cultural and technological shifts.

Routledge June 2019: 229 x 152: 256pp Hb: 978-0-415-78784-0: £90.00 Pb: 978-0-415-78785-7: £29.99 * For full contents and more information, visit: www.routledge.com/9780415787840

Stefano Barone Series: Routledge Studies in Popular Music Based on extensive field research, Barone explores the social life of heavy metal, rap, and electronic music in a North African country whose mass revolution of 2010/2011 led the way to a troubled and yet unique democracy. What is it like to be part of a music scene in a place affected by poverty and inequality and how do music scenes articulate the complex political scenario that followed the Tunisian revolution of 2011? Barone answers these questions by offering new theoretical reflections on youth cultures and popular music in a global perspective, and thus pushing the debate on "post-subcultures" and scenes forward.

Routledge Market: Music March 2019: 234x156: 216pp Hb: 978-1-138-48620-1: £115.00 eBook: 978-1-351-04611-4 * For full contents and more information, visit: www.routledge.com/9781138486201

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Leadership and Musician Development in Higher Music Education

Michael Finnissy at 70

Edited by Dawn Bennett, Jennifer Rowley and Patrick Schmidt Series: ISME Global Perspectives in Music Education Series Leadership and Musician Development in Higher Music Education informs, challenges and evaluates the central practices, policies and theories which underpin the preparation of future music leaders and the leadership of music in higher education. In higher education, it is often presumed that preparing for professional work is the responsibility of the individual rather than the institution. This anthology draws on the expertise of music practitioners to present the complexities surrounding this topic, exploring approaches to leadership development while addressing prevalent leadership issues from multiple standpoints.

Routledge Market: Music Education January 2019: 229 x 152: 220pp Hb: 978-1-138-58746-5: £110.00 Pb: 978-1-138-58747-2: £29.99 eBook: 978-0-429-50392-4 * For full contents and more information, visit: www.routledge.com/9781138587465

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Bright Futures, Dark Pasts Edited by Ian Pace and Nigel McBride Series: Ashgate Studies in Theory and Analysis of Music After 1900 Critical Perspectives on Michael Finnissy covers a wide range of topics pertinent to the critical reception and analysis of Finnissy’s practices, including: the connection between his works and cinema; performance practices; political contexts and pre-texts; his influence as a performer of experimental music; philosophical approaches to understanding his notation, and his influence as a teacher and professor of composition, amongst others. This important volume brings together the diverse range of approaches taken in understanding Finnissy’s work, while also addressing the evolution of Finnissy’s aesthetics and works since the last major survey of his music.

Routledge Market: Music April 2019: 234x156: 408pp Hb: 978-1-138-49197-7: £115.00 eBook: 978-1-351-03154-7 * For full contents and more information, visit: www.routledge.com/9781138491977

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Music and Sound in Silent Film

Music Theory Essentials

From the Nickelodeon to The Artist

A Streamlined Approach to Fundamentals, Tonal Harmony, and Post-Tonal Materials

Edited by Ruth Barton, Trinity College Dublin, Ireland and Simon Trezise, Trinity College Dublin, Ireland Series: Routledge Music and Screen Media Series Despite their name, the silent films of the early cinematic era were frequently accompanied by music and other sound elements of many kinds, including mechanical instruments, live performers, and audience sing-alongs. The twelve chapters in this concise book explore the multitude of functions filled by music in the rapidly changing context of the silent film era, as the concept of cinema itself developed. Examples are drawn from around the globe and across the history of silent film, both during the classic era of silent film and later uses of the silent format.

Routledge Market: Music/Film Studies December 2018: 229 x 152: 214pp Hb: 978-1-138-24534-1: £110.00 Pb: 978-1-138-24535-8: £32.99 eBook: 978-1-315-27627-4 * For full contents and more information, visit: www.routledge.com/9781138245341

Jason W. Solomon Music Theory Essentials offers an antidote to music theory textbooks that are overly long and dense. Focusing on the essentials, this text provides a clear-cut guide to the key concepts of music theory. Beginning with no assumptions about music theory knowledge, the book covers the core elements of music fundamentals, diatonic and chromatic harmony, post-tonal theory, and popular music in a single concise volume.

Emphasizing critical thinking skills, this book guides students through conceptualizing musical concepts and mastering analytic techniques.

Routledge Market: Music Theory March 2019: 254 x 178: 366pp Hb: 978-1-138-05250-5: £110.00 Pb: 978-1-138-05253-6: £52.95 eBook: 978-1-315-16774-9 * For full contents and more information, visit: www.routledge.com/9781138052505

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Music and War in the United States

New Music Theatre in Europe

Edited by Sarah Kraaz, Ripon College, USA

Transformations between 1955-1975

Music and War in the United States introduces students to the long and varied history of music's role in war. Spanning the history of wars involving the United States from the American Revolution to the Iraq war, with contributions from both senior and emerging scholars, this edited volume brings together key themes in this vital area of study. The intersection of music and war has been of growing interest to scholars in recent decades, but to date no book has brought together this scholarship in a way accessible to students.

Edited by Robert Adlington Series: Musical Cultures of the Twentieth Century

Routledge Market: Music December 2018: 229 x 152: 324pp Hb: 978-1-138-72055-8: £85.00 Pb: 978-1-138-72057-2: £29.99 eBook: 978-1-315-19498-1 * For full contents and more information, visit: www.routledge.com/9781138720558

The new music theatre of the third quarter of the twentieth century presents a research field of great richness. In these years, music theatre became one of the main preoccupations for (especially) young composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. Despite the importance of ‘music theatre’ in this period, many significant works are now almost forgotten, and very few regularly revived, often because of the inadequacies of surviving notations or the unusual demands of staging.

Routledge April 2019: 234x156: 344pp Hb: 978-1-138-32301-8: £115.00 eBook: 978-0-429-45166-9 * For full contents and more information, visit: www.routledge.com/9781138323018

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Music in the Classical World Genre, Culture, and History Bertil van Boer, Western Washington University, USA Music in the Classical World: Genre, Culture, and History provides a broad sociocultural and historical perspective of the music of the Classical Period as it relates to the world in which it was created. It establishes a background on the time span—1725 to 1815—offering a context for the music made during one of the more vibrant periods of achievement in history. Outlining how music interacted with society, politics, and the arts of that time, this kaleidescopic approach presents an overview of how the various genres expanded during the period, not just in the major musical centers but around the globe. Contemporaneous treatises are integrated into the narrative.

Routledge Market: CLASSICAL MUSIC March 2019: 254 x 203: 344pp Hb: 978-1-138-50383-0: £130.00 Pb: 978-1-138-50384-7: £47.99 eBook: 978-1-315-14557-0 * For full contents and more information, visit: www.routledge.com/9781138503830

Opera in Paris from the Empire to the Commune Mark Everist French nineteenth-century stage music studies have blossomed in the last decade, encouraging new productions of nineteenth century works to take their place in the modern repertory.

However, this has focused on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music. This book seeks to re-introduce a number of norms to the study of stage music in Paris, and to acknowledge Paris as an importer and exporter of opera, focusing on music of its closest neighbours, the Italian-speaking states. This collection brings together twelve previously published articles and essays, updated for this volume and translated into English for the first time.

Routledge Market: Music December 2018: 234x156: 474pp Hb: 978-1-138-06516-1: £105.00 eBook: 978-1-315-15993-5 * For full contents and more information, visit: www.routledge.com/9781138065161

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Paul Dukas: Legacies of a French Musician

Richard D’Oyly Carte

Edited by Helen Julia Minors and Laura Watson Series: Routledge Research in Music

Paul Seeley Series: Music in Nineteenth-Century Britain

As a composer, critic, artistic collaborator and teacher, Paul Dukas (1865-1935) was central to the fin-de-siècle and early twentieth-century Paris musical scene. This unique essay collection offers a panoramic perspective on a comparatively neglected French musician.

Tracing two aspects of his work: Part One treats Dukas as a composer, thinker and artistic collaborator; Part Two constructs his intellectual legacy as seen in his creative and pedagogic endeavours. This book is essential reading for anyone interested in fin-de-siècle and early twentieth-century French music, women in French music, music criticism and composition education in the Paris Conservatoire.

The first biography of Richard D’Oyly Carte, this is a critical survey of the career of the impresario whose ambitions went beyond the famous partnership of Gilbert and Sullivan. Errors and misconceptions in current literature are challenged and corrected to give a truer portrayal of one of the most influential music theatre promoters in the nineteenth century.

Routledge Market: Music April 2019: 234x156: 216pp Hb: 978-1-138-57324-6: £115.00 eBook: 978-0-203-70162-1 * For full contents and more information, visit: www.routledge.com/9781138573246

Routledge Market: Music December 2018: 234x156: 178pp Hb: 978-1-138-48628-7: £115.00 eBook: 978-1-351-04591-9 * For full contents and more information, visit: www.routledge.com/9781138486287

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2nd Edition

Pëtr Il’ich Tchaikovsky: A Research and Information Guide

Schenkerian Analysis Perspectives on Phrase Rhythm, Motive and Form David Beach, University of Toronto, Canada

Gerald Seaman, University of Oxford, UK Series: Routledge Music Bibliographies Pëtr Il’ich Tchaikovsky: A Research and Information Guide is an annotated bibliography of substantial, relevant published resources relating to the Russian composer. Generally regarded as one of the most remarkable composers of the second half of the nineteenth century, Tchaikovsky is unique in that he was the first outstanding Russian composer to receive a professional musical education, one of the first students to graduate from the newly opened St. Petersburg Conservatory. Composer of six symphonies, concertos, orchestral works, eight major operas, three ballets and many chamber, keyboard and vocal works, he also composed important sacred music.

Routledge Market: Music Bibliography April 2019 Hb: 978-1-138-12235-2: £105.00 * For full contents and more information, visit: www.routledge.com/9781138122352

Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form, Second Edition is a textbook directed at all those—whether beginners or more advanced students—interested in gaining understanding of and facility at applying Schenker’s ideas on musical structure. It begins with an overview of Schenker’s approach to music, then progresses systematically from the phrase and its various combinations to longer and more complex works. Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm, motivic repetition at different structural levels, and form.

It also contains analytic graphs of several extended movements, separate works, and songs.

Routledge Market: MUSIC / MUSIC THEORY March 2019: 279 x 216: 312pp Hb: 978-1-138-31947-9: £120.00 Pb: 978-1-138-31955-4: £52.99 eBook: 978-0-429-45379-3 Prev. Ed Hb: 978-0-415-89214-8 * For full contents and more information, visit: www.routledge.com/9781138319479

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Popular Music and the Politics of Hope

Schumann

Queer and Feminist Interventions Edited by Susan Fast, McMaster University, Canada and Craig Jennex, McMaster University, Canada In today’s culture, popular music is a vital site where ideas about gender and sexuality are imagined and disseminated. Popular Music and the Politics of Hope: Queer and Feminist Interventions explores what that means with a wide-ranging collection of essays that consider the many ways in which contemporary pop music performances of gender and sexuality are politically engaged and even radical. With analyses rooted in feminist and queer thought, contributors explore music from different genres and locations, from Beyoncé’s Lemonade to First Nations protest music..

Routledge Market: POPULAR MUSIC / GENDER STUDIES April 2019: 229 x 152: 376pp Hb: 978-1-138-05586-5: £110.00 Pb: 978-1-138-05589-6: £36.99 eBook: 978-1-315-16567-7 * For full contents and more information, visit: www.routledge.com/9781138055865

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Edited by Roe-Min Kok Series: The Early Romantic Composers This collection is a compilation of many of the paths taken by scholars in their pursuit of knowledge about Schumann over the last half-century. Selected for their topical breadth and quality, the writings showcase different points of departure as well as their authors’ allegiance to diverse methods of investigation.

Routledge Market: Music December 2018: 246x174: 552pp Hb: 978-1-472-44035-8: £205.00 * For full contents and more information, visit: www.routledge.com/9781472440358

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Status Quo: Mighty Innovators of 70s Rock Andrew L. Cope Series: Ashgate Popular and Folk Music Series Status Quo was one of the most successful, influential and innovative bands of the 1970s. They wrote, recorded and performed inventive and highly complex rock compositions, developed 12 bar forms and techniques in new and fascinating ways, and affected important musical and cultural trends. Despite global success, they were maligned by the UK music press and shunned by the superstar DJs of the era who refused to promote their music. Status Quo remains one of the most underrated bands in the history of popular music. Cope redresses that misconception through detailed study of the band’s music and performances, related musical and cultural sub-topics and interviews with key band members.

Teaching Strings in Today's Classroom A Guide for Group Instruction Rebecca B. MacLeod Teaching Strings in Today’s Classroom: A Guide for Group Instruction assists music education students, in-service teachers, and performers to realize their goals of becoming effective string educators. It introduces readers to the school orchestra environment, presents the foundational concepts needed to teach strings, and provides opportunities for the reader to apply this information. The author describes how becoming an effective string teacher requires three things of equal importance: content knowledge, performance skills, and opportunities to apply the content knowledge and performance skills in a teaching situation.

Routledge Market: Music March 2019: 234x156: 192pp Hb: 978-1-138-49468-8: £115.00 eBook: 978-1-351-02590-4 * For full contents and more information, visit: www.routledge.com/9781138494688

Routledge Market: MUSIC EDUCATION / STRING METHODS December 2018: 254 x 178: 148pp Hb: 978-0-815-36865-6: £110.00 Pb: 978-0-815-36867-0: £36.99 eBook: 978-1-351-25414-4 * For full contents and more information, visit: www.routledge.com/9780815368656

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Teaching Music

The Cyclic Mass

The Urban Experience

Anglo-Continental Exchange in the Fifteenth Century

Lisa DeLorenzo

James Cook Series: Royal Musical Association Monographs

This book explores teaching music in the urban setting along with interviews and journal accounts from urban music teachers in a variety of specializations. Written for pre-service music education students and teachers new to urban teaching, it is a must-read for those considering teaching in the urban schools. Topics include White teachers working with students of color, nurturing pedagogy for at-risk youths, and developing teaching habits that promote resilience and confidence in the emotional, social, and academic well-being of young musicians. A valuable resource for music teaching, the book features an accessible blend of theory and practice with authentic stories from the field.

Routledge Market: Music April 2019: 234x156: 232pp Hb: 978-0-815-35476-5: £110.00 Pb: 978-0-815-35477-2: £29.99 * For full contents and more information, visit: www.routledge.com/9780815354765

To understand English music in the fifteenth century is to understand it within the two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. This book argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. Many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and continues to have, major importance in the ongoing history of European Art Music.

Routledge Market: Music January 2019: 148pp Hb: 978-1-138-48774-1: £115.00 eBook: 978-1-351-04238-3 * For full contents and more information, visit: www.routledge.com/9781138487741

3rd Edition

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Teaching Music in American Society

The Digital Score

A Social and Cultural Understanding of Teaching Music

Musicianship, Creativity and Innovation

Steven N. Kelly, Florida State University, USA

Craig Vear, De Montfort University, UK

Teaching Music in American Society, Third Edition provides a comprehensive overview of social and cultural themes directly related to music education, teacher training, and successful teacher characteristics. Music teachers need to be not only knowledgeable in conducting and performing, but also socially and culturally aware of issues and events that affect their classrooms. Designed for educators seeking K-12 music teacher certification to teach in American schools, current topics in this third edition include an emphasis on social justice, sensitivity to transgender students, bullying, the influences of social media, a focus on urban music education, and a new chapter on diverse

Digital technology is transforming the musical score as a broad array of innovative score systems have become available to musicians. From attempts to mimic the print score, to animated and graphical scores, to artificial intelligence-based options, digital scoring affects the musical process by opening up new possibilities for dynamic interaction between the performer and the music, changing how we understand the boundaries between composition, score, improvisation and performance.

The Digital Score: Musicianship, Creativity and Innovation offers a guide into this new landscape, reflecting on what these changes mean for music-making from both theoretical and applied perspectives.

learning.

Routledge Market: Music Education November 2018: 254 x 178: 186pp Hb: 978-1-138-49573-9: £110.00 Pb: 978-1-138-49574-6: £39.99 eBook: 978-1-351-02366-5 Prev. Ed Hb: 978-1-138-92141-2 * For full contents and more information, visit: www.routledge.com/9781138495739

Routledge Market: MUSIC TECHNOLOGY / DIGITAL MUSIC April 2019: 229 x 152: 256pp Hb: 978-1-138-58666-6: £110.00 Pb: 978-1-138-58668-0: £32.99 eBook: 978-0-429-50449-5 * For full contents and more information, visit: www.routledge.com/9781138586666

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The History of Live Music in Britain, Volume II, 1968-1984 From Hyde Park to the Hacienda Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster Series: Ashgate Popular and Folk Music Series There has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism - that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focussed upon popular music but including all musical genres. The second volume covers the period from Hyde Park to the Hacienda (1968-1984).

The Music of Juan de Anchieta Tess Knighton and Kenneth Kreitner The book brings together two of the leading specialists in Spanish music of the era in order to review and revise the rich biographical material relating to Anchieta’s life, and the historiographical traditions which have dominated its telling. After a biographical overview, the chapters focus on specific genres of his music, sacred and secular, with suggestions as to a possible chronology of his work based on its codicology and style, and consideration of the contexts in which it was conceived and performed. As the first comprehensive study of Anchieta’s life and works, The Music of Juan de Anchieta is an essential addition to the history of Spanish music.

Routledge Market: Music April 2019: 234x156: 256pp Hb: 978-1-472-43146-2: £95.00 eBook: 978-1-315-55537-9 * For full contents and more information, visit: www.routledge.com/9781472431462

Routledge Market: Music April 2019: 234x156: 272pp Hb: 978-1-409-42589-2: £95.00 eBook: 978-1-315-55717-5 * For full contents and more information, visit: www.routledge.com/9781409425892

3rd Edition

The Rock History Reader

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The History of Live Music in Britain, Volume III, 1985-2009 From Live Aid to Live Nation Martin Cloonan, Simon Frith and Emma Webster Series: Ashgate Popular and Folk Music Series To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism - that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focussed upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas including the relationship between commercial and public funding of music; changing musical fashions and tastes; the impact of changing technologies; the changing balance of power within the music industries; the role of the state in regulating and promoting various musical activities within an increasingly globalized music economy; and the effects of demographic and other social changes on music culture.

Routledge May 2019: 234x156: 176pp Hb: 978-1-409-42591-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781409425915

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This eclectic compilation of readings tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. This third edition includes new readings across the volume, with added material on the early origins of rock 'n' roll as well as coverage of recent developments, including the changing shape of the music industry in the twenty-first century. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.

Routledge Market: Music History / Popular Music / Rock History December 2018: 254 x 178: 464pp Hb: 978-1-138-22770-5: £110.00 Pb: 978-1-138-22771-2: £43.99 eBook: 978-1-315-39482-4 Prev. Ed Hb: 978-0-415-89212-4 * For full contents and more information, visit: www.routledge.com/9781138227705

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The Music of Gabriel Fauré

The Routledge Companion to Jazz Studies

Style, Structure, and the Art of Allusion James W. Sobaskie Gabriel Fauré (1845-1924) was a master of widely acknowledged influence on the subsequent generation of composers that included Maurice Ravel and Les six. He studied under Louis Niedermeyer and Camille Saint-Saëns, and sought a distinctive style in his piano pieces and numerous songs. The elusiveness of his musical style has meant that Fauré has been problematic from an analytical perspective. James Sobaskie has discovered that the secret to the seductiveness of Fauré's music is the principle of allusion, whose presence may be felt from the first work to the last, and whose power is expressed as a range of stylistic features and structural aspects. Sobaskie employs Schenkerian, motivic and contextual analysis, complemented by clear graphic examples to reveal the elements and techniques behind the music's engaging effects. Fauré's preferences regarding allusive techniques changed as his style and aesthetic evolved.

Routledge February 2019: 234x156: 180pp Hb: 978-0-754-63776-9: £95.00 * For full contents and more information, visit: www.routledge.com/9780754637769

Complimentary Exam Copy

Edited by Theo Cateforis, Syracuse University, USA

e-Inspection

Edited by Nicholas Gebhardt, Birmingham City University, UK, Nichole Rustin-Paschal and Tony Whyton, Birmingham City University, UK Series: Routledge Music Companions The Routledge Companion to Jazz Studies presents over forty commissioned articles from internationally renowned scholars and highlights the strengths of current jazz scholarship in a cross-disciplinary field of enquirey. Each chapter reflects on developments within jazz studies over the last twenty-five years, offering surveys and new insights into the major perspectives and approaches to jazz research that have been developed since the 1990s. The collection provides an essential research resource for students, scholars, and enthusiasts, and will serve as the definitive survey of current jazz scholarship in the Anglophone world to-date.

Routledge Market: Music / Jazz Studies December 2018: 254 x 178: 482pp Hb: 978-1-138-23116-0: £175.00 eBook: 978-1-315-31580-5 * For full contents and more information, visit: www.routledge.com/9781138231160

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3rd Edition

The Routledge Companion to Music, Mind, and Well-being

Theory for Today's Musician Textbook

Edited by Penelope Gouk, University of Manchester, UK, James Kennaway, Newcastle University, UK, Jacomien Prins and Wiebke Thormahlen, Royal College of Music, London, UK Series: Routledge Music Companions Recent scientific research on music has provided extraordinary advances in our knowledge of how music affects our brains and bodies, yet music's emotional impact and the role it plays in health and wellbeing remain profoundly puzzling. The Routledge Companion to Music, Mind, and Wellbeing addresses these key questions in the musical experience by bringing together an interdisciplinary group of contributors to address the foundational theoretical issues at stake in studies of musical emotions. Contextualizing contemporary scientific research within the history of ideas, this volume offers a unique overview of what it means to study the role of emotions in the musical experience.

Routledge Market: Music December 2018: 254 x 178: 330pp Hb: 978-1-138-05776-0: £175.00 eBook: 978-1-315-16471-7 * For full contents and more information, visit: www.routledge.com/9781138057760

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The Screen Music of Trevor Jones Technology, Process, Production David Cooper, Ian Sapiro and Laura Anderson Series: Ashgate Screen Music Series Trevor Jones is one of the most successful contemporary British-based composers of film and television music and is seen by his peers as an influential figure in the industry. He is distinguished by the range and volume of high profile projects he has worked on, the directors with whom he has collaborated, and his development of novel approaches to the creation of film music. Jones has been active in an industry that has experienced a prolonged period of major technological change, including the switchover from analogue to digital production and post-production techniques, and developments in computer software for score production and sound recording/editing. He has been in the vanguard in his use of such technology and continues to operate at the forefront of the profession.

Drawing on the resources in the Trevor Jones Archive at the University of Leeds, Cooper, Sapiro and Anderson undertake a critical investigation of Jones’s career and output.

Ralph Turek, University of Akron, USA and Daniel McCarthy, University of Akron, USA Theory for Today’s Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers.

Routledge Market: Music Theory December 2018: 726pp Hb: 978-0-815-37171-7: £79.99 eBook: 978-1-351-24626-2 Prev. Ed Hb: 978-0-415-66332-8 * For full contents and more information, visit: www.routledge.com/9780815371717

Towards a Global Music History Intercultural Convergence, Fusion, and Transformation in the Human Musical Story Mark Hijleh How do we explain the globalized musical world in which we find ourselves in the early 21st century and how did we arrive here? This extraordinary book outlines an understanding of the human musical story as an intercultural—and ultimately a transcultural—one, with travel and trade as the defining conditions and catalysts for the ongoing development of musical styles. Hijleh traces the story from the Silk Road, to the rise of al-Andalus, and the fusion of European, African and indigenous musics that emerged in the Americas between c1500-1920 as part of Atlantic culture, as well as the concurrent acceleration of globalism in music through European empires and exoticism.

Routledge May 2019: 234x156: 284pp Hb: 978-1-472-47317-2: £105.00 * For full contents and more information, visit: www.routledge.com/9781472473172

Routledge Market: Music December 2018: 234x156: 242pp Hb: 978-1-138-08873-3: £105.00 eBook: 978-1-315-10968-8 * For full contents and more information, visit: www.routledge.com/9781138088733

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The Symphony and Symphonic Thinking in Polish Music Since 1956

Undergraduate Research in Art

Beata Boleslawska 1956 was a year of transition in Poland, and an important year for Polish music. This year saw the beginning of a political thaw - sometimes called the Polish October - in communist Poland. It was also the year of the establishment of the 'Warsaw Autumn' International Festival of Contemporary Music. 1956 is thus an appropriate starting point for Beata Bolesławska’s study of the contemporary Polish symphonic tradition. Bolesławska investigates the influential Polish avant garde, illuminating the ways in which new musical means and ideas influenced symphonic music and the genre of the symphony in Poland.

Routledge Market: Music May 2019: 234x156: 280pp Hb: 978-1-409-46470-9: £95.00 eBook: 978-1-315-55238-5 * For full contents and more information, visit: www.routledge.com/9781409464709

A Guide for Students Vaughan Judge, Montana State Univeristy, USA, Jenny Olin Shanahan and Gregory Young, Montana State University, USA Series: Routledge Undergraduate Research Series Undergraduate Research in Art: A Guide for Students supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of the study of art—from art history, art education, and fine art therapy, to studio art, graphic design, and digital media.

Although art degree programs don’t always call it research, many undergraduate activities in art have components that could be combined into comprehensive projects.

Routledge Market: ART EDUCATION / VISUAL STUDIES December 2018: 229 x 152: 178pp Hb: 978-1-138-58740-3: £110.00 Pb: 978-1-138-58741-0: £32.99 eBook: 978-0-429-50397-9 * For full contents and more information, visit: www.routledge.com/9781138587403

Browse and order online: www.routledge.com

MUSIC

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Variations and Variation Technique in the Music of Chopin Zofia Chechlińska While Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Focusing on a broad range of Chopin’s works, this book explores the extent to which Chopin’s oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music, and music analysts.

Routledge Market: Music February 2019: 234x156: 216pp Hb: 978-0-367-14136-3: £115.00 eBook: 978-0-429-03047-5 * For full contents and more information, visit: www.routledge.com/9780367141363

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World Music Pedagogy, Volume V: Choral Music Education Sarah J. Bartolome Series: Routledge World Music Pedagogy Series World Music Pedagogy, Volume V: Choral Music Education explores specific applications to choral music education in elementary, middle, and high school, as well as within community settings.

The text provides clear and accessible information to help choral music educators select, rehearse, and perform a diverse global repertoire. It also guides directors in creating a rich cultural context for learners, emphasizing listening, moving, and playing as meaningful experiences. Commentary on quality, commercially-available world music repertoires bridges the gap between the philosophy of world music pedagogy and the realities of the performance-based choral classroom.

Routledge Market: MUSIC EDUCATION / WORLD MUSIC March 2019: 229 x 152: 248pp Hb: 978-1-138-05860-6: £110.00 Pb: 978-1-138-05862-0: £29.99 eBook: 978-1-315-16407-6 * For full contents and more information, visit: www.routledge.com/9781138058606

Complimentary Exam Copy

e-Inspection

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Companion Website

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(toward) A Phenomenology of Acting

Active Analysis

Acting as 'embodied enquiry'

Maria Knebel and Irina Brown

Phillip Zarrilli

Maria Knebel is one of theatre studies' missing links; a student of and later assistant to Stanislavsky, and a colleague of Michael Chekhov's, she was instrumental in promoting their theories of acting via her teaching. Action Analysis combines her two books, 'The Verb in the Art of an Actor' and 'Action Analysis of the Play and the Role' in an edition conceived

by Knebel's most famous student, the renowned director Anatoli Vassiliev. This is the first English translation of an important and authoritative fragment of the great Stanislavsky jigsaw. A landmark publication.

The rise and rise of cognitive science and its impact on theatre studies has been significant over the last decade. Now the crossover between 'cog sci' and phenomenology is getting increased attention, but there are few scholars able to explore both fields and their relation to acting theory, and even fewer who can do so with reference to a lifetime of actual practice. Phillip Zarrilli is the leading scholar in the phenomenology of acting. This new book is a more direct engagement with phenomenology and cognitive science, proposing a new type of fieldwork to explore the structures of experience in theatrical performance.

Routledge Market: Theatre & Performance Studies June 2019 Hb: 978-1-138-77767-5: £80.00 Pb: 978-1-138-77768-2: £24.99 * For full contents and more information, visit: www.routledge.com/9781138777675

Routledge Market: Drama and Theatre Studies June 2019: 216x138: 240pp Hb: 978-0-415-49852-4: £75.00 Pb: 978-0-415-49853-1: £18.99 eBook: 978-0-203-12520-5 * For full contents and more information, visit: www.routledge.com/9780415498524

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A Dictionary of the American Avant Gardes

An Illustrated History of British Theatre and Performance

Richard Kostelanetz For this American edition of his legendary arts dictionary of information and opinion, the distinguished critic and arts historian Richard Kostelanetz has selected from the fuller third edition his entries on North Americans, including Canadians, Mexicans, and resident immigrants.

Typically he provides intelligence unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Continuing the traditions of cheeky high-style Dictionarysts, Kostelanetz offers a "reference book" to be treasured not only in bits and chunks, but continuously as one of the ten books someone would take if they planned to be stranded on a desert isle.

Routledge Market: Performing Arts April 2019: 276x219: 240pp Hb: 978-1-138-57735-0: £110.00 Pb: 978-1-138-57736-7: £29.99 eBook: 978-1-351-26704-5 * For full contents and more information, visit: www.routledge.com/9781138577350

Volume Two - From the Industrial Revolution to the Digital Age Robert Leach There has been no serious attempt in the last twenty years to provide an overarching view of the history of British theatre. An Illustrated History of British Theatre fills this gap, chronicling the history and development of theatre from the Roman era to the present day. 11 highly illustrated chapters cover changing political and social contexts; major plays from each period; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.

Routledge Market: Drama and Theatre Studies December 2018: 246x174: 848pp Hb: 978-0-415-72516-3: £175.00 eBook: 978-0-429-46367-9 * For full contents and more information, visit: www.routledge.com/9780415725163

3rd Edition

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A Dictionary of the Avant Gardes Concise edition

An Illustrated History of British Theatre and Performance

Richard Kostelanetz

Volume One - From the Romans to the Enlightenment

This new edition of Richard Kostelanetz's A Dictionary of the Avant-Gardes covers major trends in music, dance, theater, film, visual art, sculpture, and performance art - as well as architecture, science, and culture. It has now been updated and expanded to include the most significant art and artists of the past 20 years, as well as some who weren't featured in previous editions, including: Marina Abramovic; Woody Allen; George Balanchine; Roland Barthes; Busby Berkeley; John Coltrane; Hotel Pro Forma; Bill T. Jones; George Orwell; Susan Sontag.

Routledge Market: Performing Arts December 2018: 276x219: 400pp Hb: 978-1-138-57743-5: £110.00 Pb: 978-1-138-57744-2: £29.99 eBook: 978-1-351-26688-8 * For full contents and more information, visit: www.routledge.com/9781138577435

Robert Leach There has been no serious attempt in the last twenty years to provide an overarching view of the history of British theatre. An Illustrated History of British Theatre fills this gap, chronicling the history and development of theatre from the Roman era to the present day. 11 highly illustrated chapters cover changing political and social contexts; major plays from each period; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.

Routledge Market: Drama and Theatre Studies December 2018: 246x174: 638pp Hb: 978-0-815-37482-4: £175.00 eBook: 978-0-429-46368-6 * For full contents and more information, visit: www.routledge.com/9780815374824

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Auditioning for Musical Theatre

Civic Performance

Denny Berry

Pageantry and entertainments in early modern London

Auditioning for Musical Theatre demystifies the process of giving the best possible professional audition for a role in a musical. It is the result of Denny Berry’s own experience, sitting ‘behind the audition desk’ for 30 years of professional Broadway auditions, as well as teaching newcomers and coaching established actors.

The book coaches performers on how to be their best selves, intended for the talented newcomer as well as the experienced actor who wants to deliver a more effective audition. Auditioning for Musical Theatre takes the reader through the parts of auditioning that they can control, and helps them tailor every situation to show their individual best.

Edited by J Caitlin Finlayson and Amrita Sen Series: Studies in Performance and Early Modern Drama

Routledge Market: Drama and Theatre Studies December 2018: 198x129: 156pp Hb: 978-1-138-35030-4: £110.00 Pb: 978-1-138-35031-1: £24.99 eBook: 978-0-429-43596-6 * For full contents and more information, visit: www.routledge.com/9781138350304

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Civic Performance: Pageantry and Entertainments in Early Modern London brings together essays by outstanding scholars in the field, exploring the civic nature of these events, including civic identity and values, civic history, and Early Modern London's socio-political controversies. The ways in which these pageants and entertainments negotiated the nature and limits of civic space, citizenship, and commerce help us to shed light on questions of civic negotiation, global trade and the influx of foreigners in Early Modern England.

Routledge Market: Drama and Theatre Studies December 2018: 216x138: 232pp Hb: 978-1-138-22839-9: £90.00 eBook: 978-1-315-39270-7 * For full contents and more information, visit: www.routledge.com/9781138228399

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August Wilson's Joe Turner's Come and Gone

Contemporary Circus Arts

Ladrica Menson-Furr Series: The Fourth Wall

Conversations with creators

Joe Turner’s Come and Gone is a literary, historical, and cultural introduction to the work that August Wilson considered to be his favorite play. This book offers readers an overview of the play from its inception on through its revisions and stagings in regional theatres and Broadway. Readers can also find a close examination of Joe Turner’s Come andth Gone’s use of both African American Vernacular genres and 19 century Southern post-Reconstruction history. Through blues music, folk songs, folk tales, and dance, Wilson created a work that enables readers and audiences to recognize the significance of their own "songs"

Contemporary Circus Arts introduces fresh ways of considering the discussions and processes that surround contemporary circus performance. This collection of interviews with some of the most innovative and influential directors and performers working in the field delves into the driving philosophies and approaches to practice that inform their work.

Edited by Katie Lavers, Skadada, Australia, Patrick Leroux and John Burtt

Routledge Market: Drama and Theatre Studies August 2019: 234x156: 360pp Hb: 978-1-138-68071-5: £110.00 Pb: 978-1-138-68072-2: £29.99 * For full contents and more information, visit: www.routledge.com/9781138680715

and identities.

Routledge Market: Drama and Theatre Studies April 2019: 172x119: 160pp Pb: 978-1-138-21009-7: £6.99 * For full contents and more information, visit: www.routledge.com/9781138210097

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2nd Edition

Choreographing Discourses

Costume Craftwork on a Budget

A Mark Franko Reader

Clothing, 3-D Makeup, Wigs, Millinery & Accessories

Mark Franko and Alessandra Nicifero Choreographing Discourses brings together essays originally published by Mark Franko between 1996 and the contemporary moment. The volume’s constellation of topics delves into controversies that are essential turning points in the field, which illuminate the spine of the field while interlinking dance scholarship withperformance theory, film, visual, and public art.

This book contains the first critical assessments of Franko’s contribution to the field by André Lepecki and Gay Morris, and an interview incorporating a biographical dimension to the development of Franko’s work and its relation to his dance and choreography.

Routledge Market: Dance and Theatre Studies December 2018: 234x156: 288pp Hb: 978-0-815-37896-9: £110.00 Pb: 978-0-815-37898-3: £34.99 eBook: 978-1-351-22738-4 * For full contents and more information, visit: www.routledge.com/9780815378969

Complimentary Exam Copy

e-Inspection

Tan Huaixiang, Tenured Associate Professor in costume and makeup design in the University of Central Florida s Conservatory Theatre in Orlando Costume Craftwork on a Budget demonstrates how to use inexpensive materials to create durable costumes and props in a short amount of time. Fully illustrated step-by-step instructions teach aspiring costume designers how to use 3-D makeup and create teeth, wigs, masks, hats, nonhuman costumes, and other accessories that are beautiful, economical, and safe.

This new edition features updated introductions for each chapter and project, expanded chapters on 3-D Makeup, Wigs, Masks, Headdresses, and Animal Costumes, and projects from shows such as Shrek the Musical (latex ears), Orphie & the Book of Heroes (headdresses), and Side Show (a lizard costume).

Routledge Market: Theatre/Costume May 2019: 229 x 229: 370pp Hb: 978-1-138-21269-5: £31.99 Pb: 978-1-138-21274-9: £31.99 eBook: 978-1-315-45004-9 * For full contents and more information, visit: www.routledge.com/9781138212695

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Digital Design for Custom Textiles

Georg Büchner's Woyzeck

Patterns as Narration for Stage and Film Amber Marisa Cook Digital Design for Custom Textiles: Patterns as Narration for Stage and Film is a beginner's guide for creating custom textile patterns for performing arts production, with an emphasis on storytelling through design using hand and digital design techniques. The book offers essential information for the beginning digital designer.

Routledge Market: Theatre/Costume November 2018: 235 x 191: 146pp Hb: 978-1-138-08416-2: £100.00 Pb: 978-1-138-08417-9: £29.99 eBook: 978-1-315-14618-8 * For full contents and more information, visit: www.routledge.com/9781138084162

Karoline Gritzner Series: The Fourth Wall Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre.

Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers, and audiences to this day.

In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.

Routledge Market: Drama and Theatre Studies February 2019: 172x119: 96pp Pb: 978-1-138-96296-5: £6.99 eBook: 978-1-315-65908-4 * For full contents and more information, visit: www.routledge.com/9781138962965

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Disney Theatrical Productions

Incapacity and Theatricality

Producing Broadway Musicals the Disney Way

Politics and Aesthetics in Theatre Involving Actors with Intellectual Disabilities

Amy Osatinski Disney Theatrical Productions: Producing Broadway Musicals the Disney Way is the first work of scholarship to comprehensively examine the history and production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation. Exploring topics such as the history of DTP, its impact on the revitalization of Times Square, and its ability to open up a new audience base for Broadway theatre, this volume examines the impact that DTP has had on Times Square and American musicals, both domestically and internationally, and how its accomplishments have helped reshape the Broadway landscape.

Routledge Market: Theatre/Musicals March 2019: 198x129: 220pp Hb: 978-0-367-07583-5: £110.00 Pb: 978-0-367-08612-1: £29.99 eBook: 978-0-429-02336-1 * For full contents and more information, visit: www.routledge.com/9780367075835

2nd Edition

Etienne Decroux Thomas Leabhart Series: Routledge Performance Practitioners Etienne Decrouxis the primarycreator of corporeal mime and one of modern theatre’s most charismatic innovators, known for his ground-breaking use of the body as the principal means of expression on stage. This second edition combines: an overview of Decroux’s life and work an analysis of Decroux’s Words on Mime, the first book to be written about this art a series of practical exercises offering an introduction to corporeal mime technique As a first step towards critical understanding, and as an initial exploration before going on to further primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Routledge Market: Theatre and Performance December 2018: 198x129: 164pp Hb: 978-1-138-59879-9: £110.00 Pb: 978-1-138-59881-2: £19.99 eBook: 978-0-429-48565-7 * For full contents and more information, visit: www.routledge.com/9781138598799

Tony McCaffrey Series: Routledge Advances in Theatre & Performance Studies Incapacity and Theatricality acknowledges the distinctive contribution to contemporary theatrical performance made by actors with intellectual disabilities. Tracing a global path of performances, this book offers an analysis of how these actors have emerged onto the main stage, and how their inclusion calls into question long-held assumptions about theatre and intellectual disability. For postgraduate students, or anyone interested in the shifting dynamics of twenty-first century theatre, McCaffrey’s work ultimately addresses urgent questions about the situation and representation of the contemporary subject caught up somewhere between incapacity and theatricality.

Routledge Market: Drama and Theatre Studies January 2019: 234x156: 202pp Hb: 978-0-815-34920-4: £115.00 eBook: 978-1-351-16520-4 * For full contents and more information, visit: www.routledge.com/9780815349204

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Language, Identity, Recognition Code-choice in Identity Construction on Stage Sirkku Aaltonen Series: Routledge Advances in Theatre & Performance Studies In this book, Sirkku Aaltonen explores the ways in which chosen languages on stage can lead to rejection or tolerance in diglossic situations, where one language is considered unequal to another. By identifying common features in the socio-historical backgrounds of these contexts and the implications of theatre as an art form in the wider world, this book foregrounds themes of high versus low culture, the role of translation, and the significance of traditional and emerging theatrical conventions.

Routledge Market: Drama and Theatre Studies February 2019: 234x156: 232pp Hb: 978-1-138-08880-1: £110.00 eBook: 978-1-315-10964-0 * For full contents and more information, visit: www.routledge.com/9781138088801

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Men's Tailoring

Performing the Audience

Bespoke, Theatrical and Historical Tailoring 1830-1950

Controlling the Unruly Playgoer in Early Modern Drama

Graham Cottenden

Eric Dunnum Series: Studies in Performance and Early Modern Drama

Men’s Tailoring: Bespoke, Theatrical and Historical Tailoring 1830-1950 introduces the reader to English tailoring and covers the drafting of patterns, cutting out in cloth, and the complete traditional construction techniques in sequence for the tailoring of a waistcoat, trousers and jacket. It also includes drafting blocks and construction techniques for the main three styles of 19th century male garments: frock coat, morning coat and dress coat. From choosing the right cloth to preparing for the fitting process, this how-to guide will help readers create beautiful, historically accurate three-piece suits for events and performances.

Routledge Market: Theatre Costume March 2019: 279 x 216: 410pp Hb: 978-1-138-33679-7: £110.00 Pb: 978-1-138-33680-3: £36.99 eBook: 978-0-429-44241-4 * For full contents and more information, visit: www.routledge.com/9781138336797

What was the intended material effect of early modern dramatic performance on audiences?

This book offers a unique take on reception studies and performance criticism, describing not how early modern plays were physically performed or how their audiences responded to those performances, but how playwrights conceptually produced the physical responses of those audiences.

Routledge Market: Drama and Theatre Studies March 2019: 234x156: 224pp Hb: 978-0-815-36933-2: £115.00 eBook: 978-1-351-25265-2 * For full contents and more information, visit: www.routledge.com/9780815369332

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Naturalist Theatre

Rodgers and Hammerstein's The Sound of Music

A Cultural History

Julian Woolford Series: The Fourth Wall

Dan Rebellato The most influential world theatre movement of the last 300 years, Naturalism transformed theatre practice and kick-started theatrical Modernism. Its influence is felt even in the generations who react against it.

Naturalist Theatre: A Cultural History is a tour de force of vividly readable scholarship. Dan Rebellato places those original experiments in full historical and cultural context. Exploring the interface of science and art, the avant-garde and the mainstream, politics and culture, Rebellato uncovers new material in archives across Europe to tell the story of the birth of Naturalist theatre in all its complexity.

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Often dismissed as kitsch sentimentalism, The Sound of Music has proven enduringly popular and surprisingly influential, both within the field of musical theatre and the wider world.

In this series of short essays, the stage musical is re-examined from seven different perspectives, revealing the ways in which it continues to impact the twenty first century.

Routledge Market: Drama and Theatre Studies May 2019: 172x119: 160pp Pb: 978-1-138-68283-2: £6.99 * For full contents and more information, visit: www.routledge.com/9781138682832

Routledge Market: Theatre & Performance Studies May 2019 Hb: 978-1-138-80937-6: £130.00 * For full contents and more information, visit: www.routledge.com/9781138809376

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Performing Arts in Transition

Sonorous Dramaturgy

Moving between Media

The Polyphony of Postdramatic Theatre

Edited by Susanne Foellmer, Maria Katharina Schmidt and Cornelia Schmitz Series: Routledge Advances in Theatre & Performance Studies Performing artists – especially from dance and performance art, as well as opera – are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which "survives" it.

Routledge Market: Drama and Theatre Studies December 2018: 234x156: 256pp Hb: 978-1-138-57401-4: £115.00 eBook: 978-0-203-70132-4 * For full contents and more information, visit: www.routledge.com/9781138574014

Complimentary Exam Copy

e-Inspection

Kai-Chieh Tu Series: Focus on Dramaturgy Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka’s Chorus of Women, Complicite, Tan Dun, among others.

Routledge March 2019: 216x138: 176pp Hb: 978-1-138-57618-6: £45.00 eBook: 978-1-351-27084-7 * For full contents and more information, visit: www.routledge.com/9781138576186

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Stage Fright in the Actor

The 21st Century Performance Reader

Linda Brennan

Edited by Teresa Brayshaw and Noel Witts, Leeds Metropolitan University, UK

Stage fright can range in intensity from a relatively easily concealed sense of anxiety to an overwhelming feeling of terror. Its broad variety of manifestations is matched only by the wide variety of coping strategies required to manage them. Stage Fright in the Actor explores these phenomena from the actor’s own perspective, unearthing their social, cultural and personal roots.

The Twenty-First Century Performance Reader gives a voice to key performance artists and practitioners who have come to prominence since the turn of the century, whose work has re-defined what we mean by ‘performance’. Artists' own words, in the form of essays, plans, programme notes, commissioned writings and interviews, display diverse and interdisciplinary approaches to performance practice. Contributors include key figures such as Astad Deboo, Dumb Type, Xing Xin, Jesusa Rodriguez, Opiyo Okach, Jan Fabre, Eimuntas Nekrošius, Calixto Bieito, Gob Squad, Societas Raffaello Sanzio, Blast Theory, Franko B., Lone Twin, Reverend Billy, Coco Fusco, and Jerome Bel.

Routledge Market: Drama and Theatre Studies April 2019: 216x138: 168pp Hb: 978-1-138-68067-8: £110.00 Pb: 978-1-138-68068-5: £29.99 * For full contents and more information, visit: www.routledge.com/9781138680678

Routledge Market: Drama and Theatre Studies June 2019: 246x174: 480pp Hb: 978-1-138-78533-5: £105.00 Pb: 978-1-138-78534-2: £33.99 * For full contents and more information, visit: www.routledge.com/9781138785335

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Stage Lighting

The Punchdrunk Encyclopaedia

Design Applications and More Richard E Dunham Stage Lighting: Design Applications and More builds upon the information introduced in Stage Lighting: The Fundamentals to provide an in-depth reference to a number of specialty areas of lighting design, from traditional applications such as drama, dance, and designing for different venues, to more advanced applications such as concert, corporate, film and video, virtual, and other forms of entertainment lighting. Each chapter gives the essential background, design practices, and equipment details for each specialization, so readers can make informed decisions and ask informed questions when encountering each field.

Routledge Market: Theatre/Lighting December 2018: 279 x 216: 428pp Hb: 978-1-138-48510-5: £170.00 Pb: 978-1-138-67137-9: £47.99 eBook: 978-1-315-56257-5 * For full contents and more information, visit: www.routledge.com/9781138671379

Edited by Josephine Machon The authorised Punchdrunk Encyclopaedia is the definitive book on the company’s work to date. It provides the first full-scale, historical account of one of the world’s foremost immersive theatre companies, drawn from unrivalled access to the collective memory and archives of their core creative team.

Charting Punchdrunk’s rise from the fringe to the mainstream, this encyclopaedia records the founding principles and mission of the company, documenting its evolving creative process and operational structures. It is intended for those with a fascination for theatre, but ultimately written for devout fans, in acknowledgement of their continued support and contribution to Punchdrunk’s history.

Routledge Market: Drama and Theatre Studies December 2018: 246x189: 310pp Hb: 978-1-138-55678-2: £110.00 Pb: 978-1-138-55679-9: £29.99 eBook: 978-1-315-15035-2 * For full contents and more information, visit: www.routledge.com/9781138556782

11th Edition

The Rasaboxes Sourcebook

Stage Makeup

Theory, Performer Training, and Practice

Richard Corson, Late, James Glavan, University of Texas at Austin and Beverly Gore Norcross Widely referred to as the "bible of stage makeup," the timely revision of this classic text addresses principles and techniques in the use of makeup for the contemporary performer.

This extensive exploration of the application and use of stage makeup and makeup for a variety of performance venues covers all aspects in detail and contains over 1000 photographs, drawings, and diagrams demonstrating step-by-step procedures. Thoroughly updated and revised, this classic text remains accurate and comprehensive, providing information from which all readers – whether students new to the field or seasoned, professional makeup artists – will benefit.

Routledge Market: Theatre/Makeup May 2019: 279 x 216: 600pp Hb: 978-1-138-23258-7: £124.99 Pb: 978-0-367-18332-5: £55.99 eBook: 978-1-315-31221-7 Prev. Ed Hb: 978-0-205-64454-4 * For full contents and more information, visit: www.routledge.com/9781138232587

Edited by Rachel Bowditch, Paula Murray Cole and Michele Minnick The Rasaboxes Sourcebook is the first full-length volume dedicated to the history, theory, practice, and application of a suite of increasingly popular performer training exercises known as rasaboxes. Rasaboxes is an interdisciplinary approach – originally devised by Richard Schechner - for training emotional awareness and expressivity through the use of breath, body, voice, gesture, movement, and sensation.

Routledge Market: Drama and Theatre Studies May 2019: 234x156: 248pp Hb: 978-1-138-68001-2: £110.00 Pb: 978-1-138-68002-9: £24.99 eBook: 978-1-315-56361-9 * For full contents and more information, visit: www.routledge.com/9781138680012

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The Ritual Theatre of Theodoros Terzopoulos

The Routledge Companion to Theatre and Politics

Freddy Decreus The Ritual Theatre of Theodoros Terzopoulos outlines the story of the Athenian based Attis Theatre and the way its founder and director, Theodoros Terzopoulos, introduced bio-energetic presences of the body on the stage, in an attempt to redefine and reappraise what it means today not only to have a body, but to fully be a body.

Terzopoulos created a very specific attitude towards life and death, and it is this broad perspective on energy and consciousness that makes his work so appealing.

Freddy Decreus’ study charts the career of Greece's most acclaimed theatre director and provides a spiritual and philosophic answer in times where former Western metanarratives have failed.

Routledge Market: Performance March 2019: 234x156: 248pp Hb: 978-1-138-36856-9: £115.00 * For full contents and more information, visit: www.routledge.com/9781138368569

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Edited by Peter Eckersall and Helena Grehan Series: Routledge Companions The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today’s writers, critics, audiences, theatre and performance makers. Featuring texts written by scholars and artists who are diversely situated, its multiple perspectives broadly address the question "How can we be political now?". Suitable for academics, performance makers, and students, this Companion explores questions of how to be political in the early twenty-first century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo.

Routledge Market: Drama and Theatre Studies March 2019: 246x174: 384pp Hb: 978-1-138-30348-5: £175.00 eBook: 978-0-203-73105-5 * For full contents and more information, visit: www.routledge.com/9781138303485

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The Routledge Anthology of Restoration and Eighteenth-Century Performance

The Routledge Companion to Theatre of the Oppressed

Edited by Daniel O'Quinn, Kristina Straub and Misty G. Anderson The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances and contains a wealth of contextual materials, including contemporary reviews, portraits, advertisements, and cast lists. By privileging event over publication, this collection aims to encourage an understanding of performance that emphasizes the immediacy - and changeability - of the theatrical repertoire during the long eighteenth century.

Routledge Market: Theatre & Performance Studies December 2018: 246x174: 720pp Hb: 978-1-138-74330-4: £150.00 Pb: 978-1-138-74346-5: £39.99 eBook: 978-1-315-18173-8 * For full contents and more information, visit: www.routledge.com/9781138743304

Edited by Kelly Howe, Julian Boal and José Soeiro Series: Routledge Companions This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite people to mobilize their knowledge and rehearse struggles against oppression. Featuring a diverse array of voices (many of them as yet unheard in the academic world), the book hosts dialogues on the creation of Theatre of the Oppressed, how it evolved and spread, and where it fits in today's world.

Broad in scope yet rich in detail, The Routledge Companion to Theatre of the Oppressed contains practical and critical content relevant to artists, activists, teachers, students, and researchers.

Routledge Market: Theatre & Performance Studies January 2019: 246x174: 440pp Hb: 978-1-138-29102-7: £175.00 eBook: 978-1-315-26570-4 * For full contents and more information, visit: www.routledge.com/9781138291027

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3rd Edition

The Routledge Companion to African American Theatre and Performance

The Routledge Dance Studies Reader

Edited by Kathy A. Perkins, Sandra L. Richards, Renée Alexander Craft and Thomas F. DeFrantz Series: Routledge Companions The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African-American Theatre and Performance. Alongside chapters from scholars are contributions from theatre-makers, including producers, theatre managers, choreographers, directors, designers, and critics. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but the labour and economic issues that have shaped and enabled African American theatre.

Routledge Market: Art / Theatre Studies December 2018: 246x174: 426pp Hb: 978-1-138-72671-0: £175.00 eBook: 978-1-315-19122-5 * For full contents and more information, visit: www.routledge.com/9781138726710

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Edited by Jens Richard Giersdorf and Yutian Wong The expanded and updated Routledge Dance Studies Reader offers access to thirty-seven essential texts that address the social, political, cultural, and economic impact of globalization on embodiment and choreography. These interdisciplinary essays in dance scholarship consider a broad range of dance forms in relationship to historical, ethnographic, and interdisciplinary research methods including cultural studies, reconstruction, media studies, and popular culture. The third edition includes everything from concert dance (ballet, modern and postmodern dance, tap, kathak, and classical khmer dance), to salsa, hip-hop, site-specific performance, digital choreography, and lecture-performances.

Routledge Market: Dance and Performance studies December 2018: 234x156: 488pp Hb: 978-1-138-08871-9: £110.00 Pb: 978-1-138-08872-6: £32.99 eBook: 978-1-315-10969-5 Prev. Ed Hb: 978-0-415-48598-2 * For full contents and more information, visit: www.routledge.com/9781138088719

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The Secret Life of Theater

Undergraduate Research in Dance

On the Nature and Function of Theatrical Representation

A Guide for Students

Brian Kulick What is the secret DNA of theatre? What makes it unique from its sister arts? Why was it invented? Why does it persist? And now, in such an advanced technological age, why do we still feel compelled to return to a mode of expression that was invented over two thousand years ago? These are some of the foundational questions that are asked in this study of theatre from its inception to today. In an age when many studies are concerned with the ‘how’ of theatre, this work returns us to theatre’s essential ‘why’. The Secret Life of Theatre suggests thatby reframing the question, we can re-enchant this unique and ever-vital medium of expression.

Routledge Market: Drama and Theatre Studies January 2019: 234x156: 202pp Hb: 978-1-138-33458-8: £110.00 Pb: 978-1-138-33460-1: £32.99 eBook: 978-0-429-44525-5 * For full contents and more information, visit: www.routledge.com/9781138334588

Lynnette Young Overby, University of Delaware, USA, Jenny Olin Shanahan and Gregory Young, Montana State University, USA Series: Routledge Undergraduate Research Series Undergraduate Research in Dance supplies tools for scaffolding research skills, alongside examples of undergraduate research in dance scholarship. Dance can be studied as an expressive embodied art form, and as an integral part of society, history, and vast areas of interdisciplinary content. To this end, the guidance provided by this book will equip future dance professionals with the means to move the field of dance forward.

Suitable for both professors and students, this is an ideal reference book for any course that has a significant opportunity for the creation of new knowledge or as an essential interdisciplinary connection between dance and other disciplines.

Routledge Market: Drama and Theatre Studies January 2019: 234x156: 182pp Hb: 978-1-138-48411-5: £110.00 Pb: 978-1-138-48412-2: £32.99 eBook: 978-1-351-05298-6 * For full contents and more information, visit: www.routledge.com/9781138484115

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3rd Edition

Theatrical Performance and the Forensic Turn

What is Scenography?

James Frieze, Liverpool John Moores University, UK Series: Routledge Advances in Theatre & Performance Studies

Pamela Howard

Commentators in various disciplines, including education, fine art, journalism, medicine, cultural studies, and law, have identified a ‘forensic turn’ in culture. The crucial role played by theatrical and performative techniques in fuelling this forensic turn has frequently been mentioned, but never examined in detail. Political and poetic, Theatrical Performance and the Forensic Turn is the first account of the relationship between theatrical and forensic aesthetics.

Exploring a rich variety of works that interrogate and resist the forensic turn, this is a must-read not only for scholars of theatre and performance, but of culture across the arts, sciences and social sciences.

Routledge Market: Theatre/Performance May 2019: 229 x 152: 264pp Hb: 978-0-415-85450-4: £90.00 eBook: 978-0-203-74376-8 * For full contents and more information, visit: www.routledge.com/9780415854504

The third edition of Pamela Howard’s What is Scenography? expands on the author's holistic analysis of scenography as comprising space, text, research, art, performers, directors and spectators, to examine the changing nature of scenography in the twenty-first century.

The book includes new case studies of recent production projects from Howard’s celebrated career, including Carmen and Charlotte: A Tri-Coloured Play with Music, full color illustrations of her recent work, and updated commentary from the world’s most influential scenographers. This book is suitable for students in Scenography and Theatre Design courses, along with professional theatrical designers.

Routledge Market: Theatre & Performance Studies April 2019: 246x174: 300pp Hb: 978-1-138-50305-2: £110.00 Pb: 978-1-138-50478-3: £36.99 eBook: 978-1-315-14623-2 * For full contents and more information, visit: www.routledge.com/9781138503052

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Time and Performer Training

What is the Theatre?

Edited by Mark Evans, Konstantinos Thomaidis, Exeter University, UK and Libby Worth, Royal Holloway, University of London, UK

Christian Biet, Christophe Triau, Jason Allen-Paisant and Joanne Brueton

Time and Performer Training addresses the importance and centrality of time and temporality to the practices, processes, and conceptual thinking of performer training. This book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces, and in folk or amateur practices. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars, and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance.

In this book, Christian Biet and Christophe Triau focus on the practical, theoretical, and historical positions that the spectator and the reader have had in relation to the locations that they frequent and the texts that they handle. They adopt two approaches: analysing the spectacle in its theatrical and historical context in an attempt to seek out the principles and paradigms of approaching the theatre experience on one hand, and analysing the dramaturgy of a production in order to establish lines of interpretation and how to read, represent, and stage a text on the other.

Routledge Market: Drama and Theatre Studies March 2019: 234x156: 270pp Hb: 978-0-815-39627-7: £110.00 Pb: 978-0-815-39628-4: £32.99 eBook: 978-1-351-18036-8 * For full contents and more information, visit: www.routledge.com/9780815396277

Routledge Market: Drama and Theatre Studies February 2019: 216x138: 656pp Hb: 978-1-138-70164-9: £110.00 Pb: 978-1-138-70165-6: £36.99 eBook: 978-0-429-43713-7 * For full contents and more information, visit: www.routledge.com/9781138701649

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THEATRE AND PERFORMANCE

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Women and Puppetry Critical and Historical Investigations Edited by Alissa Mello, Claudia Orenstein and Cariad Astles Representing female writers and practitioners from across the globe, Women and Puppetry offers students and scholars a comprehensive interrogation of the challenges and opportunities that women face in a unique art form. Part I includes historical and contemporary analyses of women’s roles in society, gender anxiety revealed through the unmarked puppet body, and sexual expression within oppressive social contexts. Part II investigates work of female practitioners within specific cultural contexts to illuminate how women are intervening in traditionally male spaces. And in Part III, contemporary artists reflect on their experiences as female practitioners within the art of puppet theatre.

Routledge Market: Drama and Theatre Studies March 2019: 234x156: 232pp Hb: 978-0-415-78738-3: £110.00 Pb: 978-0-415-78739-0: £32.99 eBook: 978-1-315-22599-9 * For full contents and more information, visit: www.routledge.com/9780415787383

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Women's Playwriting and the Women's Movement, 1890-1918 Anna Farkas, University of Regensburg, Germany Series: Routledge Advances in Theatre & Performance Studies Women’s Playwriting and the Women’s Movement, 1890-1918 is the first designated study of British women’s drama from a period of exceptional productivity and innovation for female playwrights. Ideal for scholars of British and Victorian theatre, Women’s Playwriting and the Women’s Movement, 1890-1918 offer a new perspective which emphasizes the complexity of women playwrights’ engagement with first-wave feminism and links it to the diversification of the British theatre in this period.

Routledge Market: Drama and Theatre Studies April 2019: 216x138: 200pp Hb: 978-1-138-22329-5: £90.00 * For full contents and more information, visit: www.routledge.com/9781138223295

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Words for the Theatre David Cole Series edited by Magda Romanska Series: Focus on Dramaturgy Each of Words for the Theatre four essays is a moment of dramaturgical self-reflection, debating the questions: the playwright both represents and supplies materials for others to represent — how are the two related? The playwright produces a text whose eventual future is to be an event — isn't this the ambition of all writing? The playwright withdraws from theatre into writing, to produce works for theatre — can this withdrawal-into-writing be seen in theatre itself? How should a playwright deal with theatre’s pressure toward realism, given that this realism is a mistake about art to which theatre is particularly prone?

Routledge Market: Theatre and Performance Studies December 2018: 216x138: 96pp Hb: 978-1-138-24063-6: £45.00 * For full contents and more information, visit: www.routledge.com/9781138240636

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INDEX BY TITLE (toward) A Phenomenology of Acting ...................... 14 21st Century Performance Reader, The .................... 18

History of Live Music in Britain, Volume III, 1985-2009, The ............................................................................................ 11

A

I

Active Analysis ..................................................................... 14 Advancing Music Education in Northern Europe ....................................................................................... 5 Art, Cybernetics and Pedagogy in Post-War Britain ........................................................................................ 2 Auditioning for Musical Theatre .................................. 15 August Wilson's Joe Turner's Come and Gone ........................................................................................ 15

Illustrated History of British Theatre and Performance, An .............................................................................................. 14 Illustrated History of British Theatre and Performance, An .............................................................................................. 14 Imagining Identity in American Equine Art ............... 2 Incapacity and Theatricality ......................................... 16

J

B

Jazz and the Digital Revolution ..................................... 7

Rodgers and Hammerstein's The Sound of Music ....................................................................................... 17 Routledge Anthology of Restoration and Eighteenth-Century Performance, The ..................... 19 Routledge Companion to African American Theatre and Performance, The ..................................................... 19 Routledge Companion to Art Deco, The ..................... 4 Routledge Companion to Jazz Studies, The ........... 11 Routledge Companion to Music, Mind, and Well-being, The ................................................................... 12 Routledge Companion to Theatre and Politics, The ............................................................................................ 19 Routledge Companion to Theatre of the Oppressed, The ............................................................................................ 19 Routledge Dance Studies Reader, The ...................... 19

L

S

Language, Identity, Recognition ................................. 16 Leadership and Musician Development in Higher Music Education ................................................................... 7 Leadership of Pedagogy and Curriculum in Higher Music Education ................................................................... 7

Schenkerian Analysis .......................................................... 9 Schumann ............................................................................... 9 Screen Music of Trevor Jones, The ............................... 12 Secret Life of Theater, The ............................................... 20 Socially Engaged Art in Contemporary China ......................................................................................... 3 Sonorous Dramaturgy ..................................................... 17 Stage Fright in the Actor ................................................. 18 Stage Lighting ..................................................................... 18 Stage Makeup ..................................................................... 18 Status Quo: Mighty Innovators of 70s Rock ............ 10 Symphony and Symphonic Thinking in Polish Music Since 1956, The .................................................................... 12

Baroque Resonances ........................................................... 5 Bending the Rules of Music Theory ............................... 5 Black Arts Movement and the Black Panther Party in American Visual Culture, The .......................................... 4 Boy Bands and the Performance of Pop Masculinity .............................................................................. 5 British Art for Australia, 1860-1953 ............................... 2

C Choreographing Discourses ..........................................

Civic Performance ..............................................................

Contemporary Circus Arts ..............................................

Costume Craftwork on a Budget .................................

Cyclic Mass, The ..................................................................

M 15 15 15 15 10

D Danish Avant-Garde and World War II, The ............. 4 Dictionary of the American Avant Gardes, A .......... 14 Dictionary of the Avant Gardes, A ............................... 14 Digital Design for Custom Textiles .............................. 16 Digital Score, The ............................................................... 10 Discordant Democracy: Noise, Affect, Populism, and the Presidential Campaign ............................................... 5 Disney Theatrical Productions ..................................... 16 Double Lives: Film Composers in the Concert Hall .............................................................................................. 5

E East Asian Art History in a Transnational Context ...................................................................................... 2 Embodying Voice .................................................................. 6 English Dramatick Opera, 1661–1706 ........................ 6 Etienne Decroux ................................................................. 16

F Fanny Hensel .......................................................................... 6 Film and Modern American Art ...................................... 2 Focus: Choral Music in Global Perspective ................ 6

G Gateways to Understanding Music .............................. 6 Georg Büchner's Woyzeck .............................................. 16

H Hans Keller 1919 - 1985 ...................................................... 6 Heavy Metal at the Movies ............................................... 7 History Dances ....................................................................... 2 History of Live Music in Britain, Volume II, 1968-1984, The ............................................................................................ 11

Men's Tailoring .................................................................... 17 Metal, Rap, and Electro in Post-Revolutionary Tunisia ....................................................................................... 7 Michael Finnissy at 70 ........................................................ 7 Migration, Diversity and the Arts ................................... 3 Music and Sound in Silent Film ...................................... 8 Music and War in the United States ............................. 8 Music in the Classical World ............................................ 8 Music of Gabriel Fauré, The ........................................... 11 Music of Juan de Anchieta, The ................................... 11 Music Theory Essentials ..................................................... 8

N Naturalist Theatre .............................................................. 17 New Music Theatre in Europe .......................................... 8

O Opera in Paris from the Empire to the Commune ................................................................................ 8

P Paragone in Nineteenth-Century Art, The ................. 4 Paul Dukas: Legacies of a French Musician .............. 9 Performing Arts in Transition ........................................ 17 Performing the Audience ................................................ 17 Photography, Temporality, and Modernity .............. 3 Play and the Artist’s Creative Process ........................... 3 Popular Music and the Politics of Hope ...................... 9 Punchdrunk Encyclopaedia, The ................................. 18 Pëtr Il’ich Tchaikovsky: A Research and Information Guide .......................................................................................... 9

R Rasaboxes Sourcebook, The .......................................... 18 René Magritte and the Art of Thinking ........................ 3 Rhetoric, Risk, and Secrecy in the Atomic City .............................................................................................. 3 Richard D’Oyly Carte ........................................................... 9 Ritual Theatre of Theodoros Terzopoulos, The ............................................................................................ 19 Rock History Reader, The ................................................. 11

T Teaching Music ...................................................................

Teaching Music in American Society .........................

Teaching Strings in Today's Classroom ....................

Theatrical Performance and the Forensic Turn ..........................................................................................

Theory for Today's Musician Textbook, Third Edition .....................................................................................

Theory for Today's Musician Workbook, Third Edition .....................................................................................

Time and Performer Training ........................................

Towards a Global Music History ..................................

10 10 10 20 12 12 20 12

U Undergraduate Research in Art ................................... 13 Undergraduate Research in Dance ............................ 20

V Variations and Variation Technique in the Music of Chopin .................................................................................... 13 Visualizing the Body in Art, Anatomy, and Medicine since 1800 ................................................................................ 4

W What is Scenography? ..................................................... 20 What is the Theatre? ......................................................... 20 Women and French Orientalist Art, 1860-1968 ................................................................................ 4 Women and Puppetry ...................................................... 21 Women's Playwriting and the Women's Movement, 1890-1918 ............................................................................. 21 Words for the Theatre ...................................................... 21 World Music Pedagogy, Volume V: Choral Music Education .............................................................................. 13

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INDEX BY AUTHOR

A

K

Aaltonen, Sirkku .................................................................. 16 Abiola, Ofosuwa M. ............................................................. 2 Adlington, Robert ................................................................. 8

Kelly, Steven N. .................................................................... 10 Knebel, Maria ........................................................................ 14 Knighton, Tess ..................................................................... 11 Kok, Roe-Min ............................................................................ 9 Kostelanetz, Richard ......................................................... 14 Kostelanetz, Richard ......................................................... 14 Kraaz, Sarah .............................................................................. 8 Kulick, Brian ........................................................................... 20

B Barber, Simon ......................................................................... 7 Barone, Stefano ..................................................................... 7 Bartolome, Sarah ................................................................ 13 Barton, Ruth ............................................................................. 8 Bayer, Gerd ............................................................................... 7 Beach, David ............................................................................ 9 Belden-Adams, Kris .............................................................. 3 Bennett, Dawn ....................................................................... 7 Berry, Denny ......................................................................... 15 Biet, Christian ........................................................................ 20 Boleslawska, Beata ............................................................ 12 Bowditch, Rachel ............................................................... 18 Brayshaw, Teresa ................................................................ 18 Brennan, Linda .................................................................... 18

C Cateforis, Theo ..................................................................... 11 Chechlińska, Zofia ............................................................. 13 Cloonan, Martin .................................................................. 11 Cole, David ............................................................................. 21 Cook, Amber Marisa ......................................................... 16 Cook, James .......................................................................... 10 Cooper, David ...................................................................... 12 Cope, Andrew ...................................................................... 10 Corson, Richard ................................................................... 18 Cottenden, Graham ......................................................... 17 Cutler, Timothy ...................................................................... 5

D Dallow, Jessica ........................................................................ 2 de Quadros, AndrĂŠ .............................................................. 6 Decreus, Freddy .................................................................. 19 DeLorenzo, Lisa ................................................................... 10 Dunham, Richard E ........................................................... 18 Dunnum, Eric ....................................................................... 17

E Eckersall, Peter ..................................................................... 19 Elliott, Bridget .......................................................................... 4 Evans, Mark ............................................................................ 20 Everist, Mark ............................................................................. 8

F

L Lavers, Katie ........................................................................... 15 Leabhart, Thomas .............................................................. 16 Leach, Robert ....................................................................... 14 Leach, Robert ....................................................................... 14 Lipinski, Lisa .............................................................................. 3 Lippert, Sarah J. ...................................................................... 4

M Machon, Josephine .......................................................... 18 MacLeod, Rebecca ............................................................ 10 Manthorne, Katherine ........................................................ 2 McCaffrey, Tony .................................................................. 16 Medlyn, Margaret ................................................................. 6 Mello, Alissa ........................................................................... 21 Menson-Furr, Ladrica ...................................................... 15 Minors, Helen Julia ............................................................... 9 Morgan, Jo-Ann ..................................................................... 4

O O'Quinn, Daniel ................................................................... 19 Osatinski, Amy ..................................................................... 16 Overby, Lynnette ............................................................... 20

P Pace, Ian ..................................................................................... 7 Patch, Justin ............................................................................. 5 Perkins, Kathy ....................................................................... 19 Potter, Matthew C. ............................................................... 2

R Rebellato, Dan ..................................................................... 17 Rice, Timothy ........................................................................... 6 Rosand, Ellen ........................................................................... 5 Rowley, Jennifer .................................................................... 7

S

Farkas, Anna .......................................................................... 21 Fast, Susan ................................................................................ 9 Finlayson, J Caitlin ............................................................. 15 Foellmer, Susanne ............................................................. 17 Franko, Mark .......................................................................... 15 Frieze, James ......................................................................... 20 Frith, Simon ........................................................................... 11

Schramm, Moritz ................................................................... 3 Seaman, Gerald ...................................................................... 9 Seeley, Paul ............................................................................... 9 Sloan, Kate ................................................................................ 2 Sobaskie, James W. ........................................................... 11 Solomon, Jason W. .............................................................. 8 Staggers, Julie M. .................................................................. 3 Stokes, Laura ............................................................................ 6

G

T

Garnham, Alison .................................................................... 6 Gebhardt, Nicholas ........................................................... 11 Giersdorf, Jens Richard ................................................... 19 Gouk, Penelope .................................................................. 12 Graciano, Andrew ................................................................ 4 Greaves, Kerry ......................................................................... 4 Gregory, Georgina ............................................................... 5 Gritzner, Karoline ................................................................ 16

Thomas, Elly ............................................................................. 3 Tomizawa-Kay, Eriko ........................................................... 2 Tu, Kai-Chieh ......................................................................... 17 Turek, Ralph ........................................................................... 12 Turek, Ralph ........................................................................... 12

V

H

van Boer, Bertil ........................................................................ 8 Vear, Craig .............................................................................. 10

Healy, Mary ............................................................................... 4 Hebert, David .......................................................................... 5 Hijleh, Mark ............................................................................ 12 Howard, Pamela ................................................................. 20 Howe, Kelly ............................................................................ 19 Huaixiang, Tan ..................................................................... 15

Walkling, Andrew R. ............................................................ 6 Wang, Meiqin .......................................................................... 3 Wierzbicki, James .................................................................. 5 Woolford, Julian .................................................................. 17

J

Z

Judge, Vaughan .................................................................. 13

Zarrilli, Phillip ........................................................................ 14

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Taylor & Francis Group 2 Park Square, Milton Park, Abingdon. Oxon. OX14 4RN Tel: 02070176000 • Fax: 02071076699

ISBN: 978-0-367-20583-6