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Art and Visual Culture 2017 New and Forthcoming Titles

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Contents Art and Gender ................................................................................................................................................................... 2 Art and Visual Culture ....................................................................................................................................................... 3 Contemporary Art .............................................................................................................................................................. 6 Filmmaking and Postproduction .................................................................................................................................... 8 Fine Art ................................................................................................................................................................................. 9 History of Art .................................................................................................................................................................... 10 Modern Art ........................................................................................................................................................................ 14 Music .................................................................................................................................................................................. 19 Theatre and Performance Studies ................................................................................................................................ 38 Theory of Art ..................................................................................................................................................................... 47 Visual Arts and Culture ................................................................................................................................................... 48 Index ................................................................................................................................................................................... 49

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Art, Sex and Politics at the Early Georgian Court

Women Photographers and Feminist Aesthetics

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Claire Raymond

Eric Weichel Series: Routledge Research in Gender and Art

Feminist Aesthetics and Women Photographers presents the art of women photographers as a crucial and singular strand in the aesthetic tradition of photography, arguing that photographic works by women artists must be understood both as part of and also apart from the interpretative history of canonical photographies.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references.

Routledge Market: Photography / Art History May 2017: 234x156: 280pp Hb: 978-1-138-64427-4: £85.00 Pb: 978-1-138-64428-1: £24.99 eBook: 978-1-315-62891-2 * For full contents and more information, visit: www.routledge.com/9781138644281

Routledge October 2017: 234x156: 216pp Hb: 978-1-472-46972-4: £105.00 * For full contents and more information, visit: www.routledge.com/9781472469724

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Representing Duchess Anna Amalia's Bildung A Visual Metamorphosis in Portraiture from Political to Personal in Eighteenth-Century Germany Christina K. Lindeman Series: Routledge Research in Gender and Art Portraits of Anna Amalia, Duchess of Sachsen-Weimar-Eisenach chart a shift in perceptions of her public identity and of the gender dynamics that shaped that identity. This manuscript is more than just a patronage study or a biography; it is concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it, too. This study sheds real light on the power of portraiture in eighteenth- and early nineteenth-century Europe. Routledge Market: Art History May 2017: 246x174: 232pp Hb: 978-1-472-46738-6: £105.00 * For full contents and more information, visit: www.routledge.com/9781472467386

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The Cults of Sainte Foy and the Cultural Work of Saints Kathleen Ashley Series: Routledge Research in Art History Bringing together artifacts, texts and practices within an interpretive framework that stresses the cultural work performed by saints, Kathleen Ashley here presents a comparative study of the cults of the medieval Sainte Foy at a number of sites where she was especially venerated. This book analyzes how each cult site produced the saint it needed, appropriating whatever was required to that end. Ashley's approach is thoroughly interdisciplinary, incorporating visual, religious, medieval, and women's/gender studies as well as literary studies and social history. She uses theoretical framework of "cultural work" to analyze how the cult of Sainte Foy was sponsored and received in specific locales across Europe. The book is comprehensive in terms of historical as well as geographical range, tracing the history of the cult from the early Middle Ages into the present day. Routledge November 2017: 234x156: 350pp Hb: 978-0-754-65733-0: £105.00 * For full contents and more information, visit: www.routledge.com/9780754657330

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Architecture and Interaction in the Thirteenth-Century Mediterranean

Knowledge and Discernment in the Early Modern Arts Edited by Sven Dupré and Christine Göttler Series: Visual Culture in Early Modernity

Building Identity in the Medieval Morea Heather Grossman The remains of churches and monasteries throughout the mountainous landscape of the Greek Peloponnesos - the Morea, as it then was known - attest to the interaction of western Europeans and Byzantine Greeks following the Fourth Crusade of 1204 C.E. Architecture and Interaction in the Thirteenth-Century Mediterranean: Building Identity in the Medieval Morea presents fourteen, under-studied monuments in order to assess the role of buildings and their ornamentation in the creation of identity in this Mediterranean region. Architecture and Interaction investigates and reframes scholarly conceptualizations of cultural interaction and revives the ancient Greek term methexis, meaning communion or participation, to elucidate the material culture of complex societies characterized by ever-changing cultural encounters. The book explores the mechanisms of exchange of architectural knowledge and memory among patrons, architects, masons, and viewers. Routledge October 2017: 246x174: 282pp Hb: 978-1-409-46753-3: £105.00 * For full contents and more information, visit: www.routledge.com/9781409467533

In early modern Europe, discernment emerged as a key notion at the intersection of various domains in both learned and artisanal cultures. Often used synonymously with judgment, ingenuity, and taste, discernment defined the ability to perceive and understand the secrets of nature and art, and became explicitly connected with a kind of knowledge available only to experts in the respective fields. With contributions by historians of art and historians of science, and with geographic coverage focusing on the Low Countries and their multiple connections to different parts of the world, this volume reframes recent scholarship on what the editors term ’cultures of knowledge and discernment’ in the early modern period. Routledge Market: Art History February 2017: 246x174 Hb: 978-1-472-46839-0: £95.00 * For full contents and more information, visit: www.routledge.com/9781472468390

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Colour and Light in Ancient and Medieval Art

Mannerism, Spirituality and Cognition

Chloë N. Duckworth and Anne E. Sassin

From Giorgio Vasari to Federico Zuccaro

The myriad ways in which colour and light have been adapted and applied in the art, architecture, and material culture of past societies is the focus of this interdisciplinary volume. By means of case studies spanning a broad historical and geographical context and covering such diverse themes as architecture, cave art, the invention of metallurgy, and medieval manuscript illumination, the contributors to this volume provide an up-to-date discussion of these themes from a uniquely interdisciplinary perspective. The aim is to explore a multifarious range of evidence and to evaluate and illuminate what is a truly enigmatic topic in the history of art and visual culture.

Lynette M.F. Bosch

Routledge Market: Art History June 2017: 246x174: 324pp Hb: 978-1-472-47839-9: £70.00 * For full contents and more information, visit: www.routledge.com/9781472478399

A study of the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccaro, this book analyzes how language and spirituality complement the visual styles of Mannerism. By reading the way in which writers”for example, Lomazzo, Armenini, and Leoni”describe artistic styles as they discuss the relationship between art and spirituality, the author establishes a religious base for the language of art in sixteenth-century Europe, and identifies a spiritual mission in which artists and theorists participated. The book focuses on Italian and Spanish art from Pontormo to Jusepe Ribera, and includes consideration of French Mannerism, through to Jacques Bellange. While focused principally on style and language, this study also addresses the impact that visual images have on the spectator as artists experimented with the adjustment of space, proportions and forms to create images that aroused the emotions of the viewer. Routledge August 2017: 246x174: 280pp Hb: 978-1-409-44218-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781409442189

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François Boucher and the Luxury of Art in Paris, 1703-1770

Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500

Artist, Collector and Connoisseur

Edited by Renana Bartal, Neta Bodner and Bianca Kuhnel

Jessica Priebe Series: The Histories of Material Culture and Collecting, 1700-1950

Since early Christianity, wood, earth, water and stone were taken from loca sancta to signify them elsewhere. Unlike textual or visual representations, natural materials not only represent the Holy Land; they are part of it. This book examines the processes of their sanctification and how, although inherently abstract, they become charged with meaning.

More than any other artist of his generation, FranÃ§ois Boucher is associated with the consumption of luxury goods in eighteenth-century France. His works are filled with desirable items that communicate not only the wealth and status of his aristocratic patrons, but also the types of objects that informed the tastes of modern collectors. What is less known is that Boucher was a prolific collector of art and nature, with a variety of more than 13,000 objects in his possession at the time of his death in 1770. His collection, which was celebrated by his peers for its unique arrangement, was displayed in his studio at the Louvre, the same space where he created some of his finest works of art. FranÃ§ois Boucher: Artist, Collector & Connoisseur represents the first critical analysis of Boucher’s collection.

Routledge Market: Visual Culture March 2017: 246x174: 328pp Hb: 978-1-472-45177-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781472451774

Routledge July 2017: 246x174: 276pp Hb: 978-1-472-43583-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472435835

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Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni

Renaissance Porticoes and Painted Pergolas Nature and Culture in Early Modern Italy

Ruth S. Noyes Series: Sanctity in Global Perspective

Natsumi Nonaka Series: Visual Culture in Early Modernity

Focusing on the fate and meaning of the two altarpiece paintings commissioned by the Oratorians from Peter Paul Rubens, this study offers the first comparative study of Jesuit and Oratorian images of their respective would-be saints, and the controversy they ignited across Church hierarchies. It is also the first work to examine provocative Philippine imagery and demonstrate how its bold promotion specifically triggered the first wave of curial censure in 1602.

This book explores the intersection between architecture, pictorial representation, garden culture, and natural history and proposes the interpretation that the illusionistic pergola was a metaphor for the Renaissance mind as it negotiated a new cognitive topography between an internal rationalism, governed by classical verities, and the perpetually fluctuating outer world of global expansion.

Routledge Market: Visual Studies June 2017: 234x156: 320pp Hb: 978-1-472-48479-6: £70.00 * For full contents and more information, visit: www.routledge.com/9781472484796

Routledge Market: Art History March 2017: 246x174: 304pp Hb: 978-1-472-46053-0: £95.00 * For full contents and more information, visit: www.routledge.com/9781472460530

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Postcolonising the Medieval Image

Representations of 'Roman' Catholicism in Armenia, Ethiopia and Central Europe

Edited by Eva Frojmovic and Catherine E. Karkov The concept of this book involves the application of postcolonial theories and/or concepts used in postcolonial and cognate studies to the field of medieval European art, including Byzantine art, and Byzantine art in Asia Minor.

Routledge Market: Art History March 2017: 246x174: 300pp Hb: 978-1-472-48166-5: £95.00 eBook: 978-1-315-23216-4 * For full contents and more information, visit: www.routledge.com/9781472481665

Art at the 'Borders' of Fifteenth-Century Christianity Christiane Esche-Ramshorne The focus of this book lies in the pilgrim compounds for foreign communities at the Vatican in the Renaissance, namely those of Ethiopia, Armenia, Hungary and Germany. How did pilgrims from such different nations share sacred space in the single-faith pilgrimage destination of Rome? What were the consequences for the arts of the presence of these nations in Rome? Without taking an Eurocentric view, this book explores the role of missionaries, merchants, artists, artefacts and symbols travelling between the 'West' and two regions at the borders of Christianity, that is, Armenia and Ethiopia, and examines questions of identity (faith, alphabet, language). Analyzing the spread of the Renaissance style outside of Europe, the author introduces the idea of a 'geography of the dogma' as a means of defining categories for a comparative art history of the Christian Orient and its links with the West. Routledge October 2017: 234x156: 350pp Hb: 978-1-409-40306-7: £105.00 * For full contents and more information, visit: www.routledge.com/9781409403067

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Radical Marble

The Aesthetics of Scientific Data Representation

Architectural Innovation from Antiquity to the Present

More than Pretty Pictures

J. Nicholas Napoli and William Tronzo Series: Routledge Research in Art History

Edited by Rikke Schmidt Kjærgaard, Aarhus University, Denmark and Lotte Philipsen, Aarhus University, Denmark Series: Routledge Advances in Art and Visual Studies

Marble is one of the great veins through the architectural tradition and fundamental building block of the Mediterranean world, from the Parthenon of mid-fifth century Athens, which was constructed of pentelic marble, to Justinian’s Hagia Sophia in Constantinople and the Renaissance and Baroque basilica of St. Peter’s in the Vatican. Scholarship has done much in recent years to reveal the ways and means of marble. The use of colored marbles in Roman imperial architecture has recently been the subject of a major exhibition and the medieval traditions of marble working have been studied in the context of family genealogies and social networks. In addition, architectural historians have revealed the meanings evoked by marble revetted and paved surfaces, from Heavenly Jerusalem to frozen water. The present volume builds upon the body of recent and emerging research - from antiquity to the present day - to embrace a global focus and addressing the more unusual (or at least unexpected) uses. Routledge July 2017: 246x174: 282pp Hb: 978-1-472-46597-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781472465979

Why make colorful images of bacteria that, in reality, are colorless and too small for us to see? What is the difference between a cartoonist’s vision of outer space and the professional astronomer’s pictures? How is contemporary art at all relevant to cancer research and what would scholars of aesthetic theory gain from the work of nano-scientists? This book investigates scientific data representation through the joint optics of the humanities and natural sciences. It will particularly appeal to scholars in visual and aesthetic studies, data visualisation, scientific illustration, experience culture, and information design, and science communication. Routledge Market: Art/Visual Communication/Science Communication April 2017: 229 x 152: 280pp Hb: 978-1-138-67937-5: £85.00 eBook: 978-1-315-56341-1 * For full contents and more information, visit: www.routledge.com/9781138679375

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The Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France

The Routledge Companion to El Greco

Iris Moon As the official architects of Napoleon, Charles Percier (1764-1838) and Pierre-François-Léonard Fontaine (1762-1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine’s desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France. Routledge Market: Visual Studies November 2016: 246x174: 186pp Hb: 978-1-472-48016-3: £95.00 eBook: 978-1-315-31628-4 * For full contents and more information, visit: www.routledge.com/9781472480163

Jeffrey Schrader Series: Routledge Companions Celebrating the fourth centenary of the death of El Greco (c.1541-1614), this volume analyzes the state of scholarly research on the artist. The Companion is carefully conceived to represent international perspectives on El Greco, who lived in different lands and, in modern times, has drawn critical acclaim from beyond the borders of his homelands. Contributors identify scholars and publications that have shaped the current understanding of El Greco, including his status as an artist, the stages of his career, his working methods, different categories of artworks, patronage, collecting, and his posthumous critical fortunes. The authors review traditional and innovative lines of inquiry, identifying primary or secondary resources available to researchers, while also suggesting directions for future projects. Routledge October 2017: 350pp Hb: 978-1-472-42052-7: £95.00 * For full contents and more information, visit: www.routledge.com/9781472420527

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The Benin Plaques, A 16th Century Imperial Monument Kathryn Wysocki Gunsch Series: Routledge Research in Art History The 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series. Routledge Market: Art History/Visual Studies September 2017: 246x174: 340pp Hb: 978-1-472-45155-2: £105.00 * For full contents and more information, visit: www.routledge.com/9781472451552

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The Politics of Water in the Art and Festivals of Medici Florence From Neptune Fountain to Naumachia Felicia M. Else Series: European Festival Studies: 1450-1700 The first book to tell the dynamic story of one dynasty’s struggle with water, to control its flow and manage its representation, this interdisciplinary study pivots on two well-known water-related Medici creations, Bartolomeo Ammannati's Neptune Fountain (1560-1574) in the Piazza della Signoria, the first public fountain in Florence since antiquity, and the Naumachia, or naval battle, staged by Ferdinando I in the courtyard of the Palazzo Pitti for his wedding to Christine of Lorraine in 1589. Water was tied to politics, whether in the form of water management policies or in the alliances with the Hapsburgs and Papacy against a Turkish threat. Felicia Else analyzes how the Medici progressed from its first water-related initiatives under Cosimo I to its full realization under Ferdinando I, drawing on a wealth of visual and documentary material. Routledge October 2017: 234x156: 267pp Hb: 978-1-472-41079-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472410795

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Art : Process : Change

Exhibiting Craft and Design

Inside a Socially Situated Practice

Transgressing the White Cube Paradigm, 1930-present

Lorraine Leeson Series: Routledge Advances in Art and Visual Studies

Edited by Alla Myzelev

This book brings a practitioner’s insight to bear on socially situated art practice through a first-hand glimpse into the development, organisation and delivery of art projects with social agendas. Issues examined include the artist’s role in building creative frameworks, the relationship of collaboration to participation, management of collective input, and wider repercussions of the ways that projects are instigated, negotiated and funded. The book contributes to ongoing debates on ethics/aesthetics for art initiatives where process, product and social relations are integral to the mix, and addresses issues of practical functionality in relation to social outcome.

Exhibiting Craft and Design: Transgressing the White Cube Paradigm investigates the firmly-established manner in which craft and design have typically been presented by museums and galleries, what strategies curators have employed throughout the twentieth century, and especially in more recent years how exhibiting design and craft objects challenges the notion of the modernist White Cube display paradigm. Routledge Market: Art History June 2017: 246x174: 240pp Hb: 978-1-472-47695-1: £105.00 * For full contents and more information, visit: www.routledge.com/9781472476951

Routledge Market: Art and Visual Studies/Social Activism July 2017: 229 x 152: 208pp Hb: 978-1-138-67063-1: £105.00 eBook: 978-1-315-61752-7 * For full contents and more information, visit: www.routledge.com/9781138670631

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Arts Leadership in Contemporary Contexts

Science, Technology, and Utopias

Josephine Caust, University of Melbourne, Australia University of Melbourne, Australia Series: Routledge Advances in Art and Visual Studies

Women Artists and Cold War America

This book explores and critiques different aspects of arts leadership within contemporary contexts. While this is an exploration of ways arts leadership is understood, interpreted and practiced, it is also an acknowledgement of a changing cultural and economic paradigm. Understanding the broader environment for the arts is therefore part of the leadership imperative. This book examines aspects such as individual versus collective leadership, gender, creativity, and the influences of stake-holders and culture. While the book provides a theoretical and critical understanding of arts leadership, it also gives examples of arts leadership in practice. Routledge Market: Arts Management/Cultural Policy October 2017: 229 x 152: 224pp Hb: 978-1-138-67731-9: £85.00 eBook: 978-1-315-55959-9 * For full contents and more information, visit: www.routledge.com/9781138677319

Christine Filippone Series: Science and the Arts since 1750 In this innovative book, author Christine Filippone offers the first focused examination of the conceptual use of science and technology by women artists during and just after the women’s movement. She argues that artists Alice Aycock, Agnes Denes, Martha Rosler and Carolee Schneemann used science and technology to mount a critique on Cold War American society as they saw it—conservative and constricting. Motivated by the contemporary American Women’s Movement, these artists transformed science and technology into new modes of artmaking that transgressed modernist, heroic, painterly styles and subverted the traditional economic structures of the gallery, the museum and the dealer. Routledge Market: Contemporary Art/Women Artists October 2016: 246x174: 204pp Hb: 978-1-472-42832-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781472428325

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Contemporary Art and Digital Culture

Subversive Language and Contemporary Women Artists of Color

Melissa Gronlund Contemporary Art and the Digital introduces those not familiar with this new development in contemporary art to its key artists and themes, and provides the first comprehensive critical analysis of the post-internet work that has emerged. The first section situates post-internet work in its theoretical and historical context, the second looks closely at the works themselves and the final section focuses on the social, economic and political context for these works, making this essential reading for both students and scholars interested in how the internet and digital technologies are affecting the visual arts today. Routledge Market: Art December 2016: 234x156: 220pp Hb: 978-1-138-93638-6: £105.00 Pb: 978-1-138-93644-7: £24.99 eBook: 978-1-315-67685-2 * For full contents and more information, visit: www.routledge.com/9781138936447

Stacy Schultz Series: Routledge Research in Art and Race Subversive Language and Contemporary Women Artists of Color presents the intersection of language and the female body in performance art, photography, film, and video since the 1970s. Historically, conceptual art’s use of text juxtaposed with image offered a unique entry point into analyzing how the mind processes visual information and recognizes the limitations of language to effectively convey meaning. Notably, its ability to potentially unhinge the mind/body divide particularly resonated with women artists of color. Accordingly, Subversive Language examines the progression of text and image intersections in the work of Middle Eastern American, Asian American, African American, and Latin American artists in order to highlight transnationalism, cross-cultural exchange, and the role of the exile and immigrant, which has yet to be analyzed in contemporary art historical or visual culture discourse. Routledge October 2017: 234x156: 196pp Hb: 978-1-472-41472-4: £105.00 * For full contents and more information, visit: www.routledge.com/9781472414724

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The Politics of Contemporary Art Biennials Spectacles of Critique, Theory and Art Panos Kompatsiaris, National Research University Higher School of Economics, Russia Series: Routledge Advances in Art and Visual Studies Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, this book looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book explores how biennials both denunciate aesthetic value as a bourgeois category and simultaneously diffuse and replicate its form varyingly across social landscapes. Routledge Market: Contemporary Art/Curatorial Studies March 2017: 229 x 152: 208pp Hb: 978-1-138-18458-9: ÂŁ95.00 eBook: 978-1-315-64504-9 * For full contents and more information, visit: www.routledge.com/9781138184589

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Wonder in Contemporary Artistic Practice Edited by Christian Mieves, University of Wolverhampton, UK and Irene Brown, Newcastle University, UK Series: Routledge Advances in Art and Visual Studies Wonder has an established link to the history and philosophy of science. However, there is little acknowledgement of the relationship between the visual arts and wonder. This book presents a new perspective on this overlooked connection, allowing a unique insight into the role of wonder in contemporary visual practice. Artists, curators and art theorists give accounts of their approach to wonder through the use of materials, objects and ways of exhibiting. These accounts not only raise issues of a particular relevance to the way in which we encounter our reality today but ask to what extent artists utilize the function of wonder purposely in their work. Routledge Market: Visual Arts/Contemporary Art December 2016: 229 x 152: 308pp Hb: 978-1-138-85581-6: ÂŁ95.00 eBook: 978-1-315-72009-8 * For full contents and more information, visit: www.routledge.com/9781138855816

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FILMMAKING AND POSTPRODUCTION TEXTBOOK

Tell Your Story Visual Storytelling Pitfalls and How to Avoid Them Bill Dill, Member of American Society of Cinematographers (ASC), Professor, Dodge College of Film and Media Arts, Chapman University, AFI Conservatory, Cinematography Department, Currently Senior Lecturer Many filmmaking books address the preproduction and production process of making a movie, but few tackle the true art of visual storytelling. Bill Dill shows first-time filmmakers how to avoid the rookie mistakes that prevent quality ideas from finding their way on to the screen. He discusses what he calls "filmmaking defaults," generic, simplistic, or shallow visual choices to which first time filmmakers too often fall victim. Learn how to recognize and avoid these predictable traps with this full-color guide, packed with film stills, and unlock your creative instincts that are waiting to take visual form. Focal Press Market: filmmaking December 2017: 235 x 191: 224pp Pb: 978-0-415-70596-7: £20.99 eBook: 978-0-315-88760-2 * For full contents and more information, visit: www.routledge.com/9780415705967

2nd Edition • NEW EDITION

The Filmmaker's Eye Learning (and Breaking) the Rules of Cinematic Composition Gustavo Mercado, Independent filmmaker, Professor in Hunter College's Film & Media Studies Department, New York, NY, USA The second edition of The Filmmaker's Eye helps you gain a deeper understanding of the role each shot plays in the larger narrative scheme of your film, and the technical requirements necessary to achieve powerful and memorable images. After a short introduction to principles, an extensive array of shot types are deconstructed in the following format:; * Why It Works; * How It Works; * Technical Considerations; * Breaking the Rules; ; The second edition has been updated with new movie examples of various shots featured, a new chapter on The Overhead Shot, expanded sections on aspect ratios, rule of thirds, shooting formats, and more. Focal Press Market: Filmmaking & Post Production December 2017: 229x229: 192pp Pb: 978-1-138-78031-6: £20.99 Prev. Ed Pb: 978-0-240-81217-5 * For full contents and more information, visit: www.routledge.com/9781138780316

TEXTBOOK

Write to Thrill Tips and Techniques for Writing Thrillers Kelly Marshall Thrillers are a very specific and popular movie genre with mechanisms, story devices, and history that screenwriters must be well versed in before trying to pen such a script. This book breaks down these considerations with copious examples from well known thrillers and explains how you can use these examples to inform your own screenwriting. Laced with practical exercises that will help you think in pragmatic terms about what you can do as a writer to better service this genre, this book is a must-have for any new screenwriter thinking about writing a thriller. Focal Press Market: Screenwriting December 2017: 229 x 152: 240pp Pb: 978-1-138-80639-9: £20.99 * For full contents and more information, visit: www.routledge.com/9781138806399

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Rubens and the Eloquence of Drawing Catherine H. Lusheck Series: Visual Culture in Early Modernity Rubens and the Eloquence of Drawing situates Rubens’s formative drawings in light of early modern commitments to eloquence, especially as expressed in the Neostoic sphere of Justus Lipisus (1547-1606). Through two contextualizing chapters and two, chapter-long case studies of early drawings, the book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens’s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age. Routledge Market: Art History June 2017: 246x174 Hb: 978-1-472-47712-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472477125

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Sculpture and the Nordic Region Edited by Sara Ayres and Elettra Carbone Histories of sculpture within the Nordic region are under-studied and the region's influence upon and translation of influences from the wider Europe remain insufficiently traced. This volume brings to light individual histories of sculptural mobility from the early modern period onwards. Examining the movement of sculptures, sculptors, practices, skills, styles and motifs across borders, through studios, public architectures, within popular and print culture and via texts the essays collected here consider the extent to which the sculptural artwork is changed by its physical movement and its transfigurations in other media. Routledge Market: Art History November 2016: 246x174: 166pp Hb: 978-1-472-48365-2: £95.00 * For full contents and more information, visit: www.routledge.com/9781472483652

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The Realism of Piero della Francesca Life and Work Joost Keizer Series: Visual Culture in Early Modernity Focusing on the work of the Italian painter Piero della Francesca (1412?-1492), this book studies the emergence of real-life experience in fifteenth-century Italian art. More specifically, the book studies a single painting by Piero, the famous Flagellation, painted in the late 1460s for Federico da Montefeltro, the Duke of Urbino. The central argument of the book is that this painting cultivates the illusion that it reports on things seen and witnessed, even when the event it depicts happened almost a millennium and a half ago and even when the place it represents was a city Piero had never visited. More than a case study, Piero’s Flagellation serves as a focal point for author Joost Keizer’s investigation into an array of problems raised by the dominant aesthetic category of the time, problems that continued to dominate the history of art until the late nineteenth century. Routledge October 2017: 246x174: 194pp Hb: 978-1-472-46131-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472461315

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Art, Animals, and Experience

Early Modern Merchants as Collectors

Relationships to Canines and the Natural World Elizabeth Sutton, University of Northern Iowa Series: Routledge Advances in Art and Visual Studies Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn’s etching of The Presentation in the Temple (c. 1640), Joseph Beuys’s social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world. Routledge Market: Art History April 2017: 246x174: 192pp Hb: 978-1-138-24195-4: £105.00 * For full contents and more information, visit: www.routledge.com/9781138241954

Edited by Christina M. Anderson, British Academy, UK Series: Visual Culture in Early Modernity This book encourages the rethinking of collecting not as an elite, often aristocratic pursuit, but rather as a vital activity that has engaged many different groups within society. The essays included in this volume consider merchants not only as important collectors in their own right, as opposed to merely agents or middlemen, but also as innovators who determined taste. Through bringing together contributions on merchant collectors across a wide geographical spread, including England, The Netherlands, Venice, Moghul India, China and Japan, among other locations, it aims to challenge the often Eurocentric view of the study of collecting that has shaped the discipline to date. Routledge Market: Art History/Early Modern History December 2016: 246x174: 274pp Hb: 978-1-472-46982-3: £95.00 * For full contents and more information, visit: www.routledge.com/9781472469823

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Binding the Absent Body in Medieval and Modern Art

Federico Barocci

Abject, virtual, and alternate bodies

Judith W. Mann Series: Visual Culture in Early Modernity

Edited by Emily Kelley and Elizabeth Richards Rivenbark The absent body is represented in two distinct periods of art: medieval art using the absent body for religious reflection and contemporary art using the absent body from a secular perspective. In this collection, some essays deal broadly with the human condition, such as the abstract notion of the unity or separateness of the mind and body or a need to distance art from the physically idealized body as a comment on the less than ideal nature of contemporary humanity, while other examples deal specifically with a particular body, such as the body of Christ or the body of the artist.

Inspiration and Innovation in Early Modern Italy

Reviewers of a recent exhibition termed Federico Barocci (ca. 1533-1612), 'the greatest artist you’ve never heard of'. The central purpose of this volume is to accord this artist, the dates of whose career fall between the traditional Renaissance and Baroque periods, the critical attention he deserves. Employing a range of methodologies, the essays offer new insights into Barocci’s work. Routledge Market: Art History May 2017: 246x174: 320pp Hb: 978-1-472-44960-3: £95.00 * For full contents and more information, visit: www.routledge.com/9781472449603

Routledge Market: Visual Studies October 2016: 246x174: 200pp Hb: 978-1-472-45936-7: £95.00 * For full contents and more information, visit: www.routledge.com/9781472459367

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Constructing the Viennese Modern Body

Figural Sculpture in Eleventh-Century Dalmatia and Croatia

Art, Hysteria and the Puppet Nathan J. Timpano, University of Miami Series: Studies in Art Historiography This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks.

Routledge Market: Art history / visual culture May 2017: 246x174: 264pp Hb: 978-1-138-22018-8: £105.00 * For full contents and more information, visit: www.routledge.com/9781138220188

Patronage, Architectural Context, History Magdalena Skoblar This is the first full-length, English-language study of eleventh-century figural sculpture produced in Dalmatia and Croatia. Challenging the dependency on stylistic analysis in previous scholarship, Magdalena Skoblar contextualises the visual presence of these relief carvings in their local communities, focusing on five critical sites.

Routledge Market: Art History/Sculpture October 2016: 246x174: 18pp Hb: 978-1-472-46603-7: £95.00 * For full contents and more information, visit: www.routledge.com/9781472466037

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Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography

Private Collecting, Exhibitions, and the Shaping of Art History in London

Desirous Bodies

The Burlington Fine Arts Club Staci Gem Scheiwiller, California State University, Stanislaus Series: Routledge History of Photography

This book examines Qajar Iran (1785-1925) as an ocular-centered society founded on what was seen and unseen, in the context of increasing modernization and global contact during the nineteenth and early twentieth centuries. Photographs became liminal sites of desire that maneuvered through various social spaces—public, private, seen, unseen, accessible, and forbidden—thus mapping, graphing, and even transgressing those spaces. Topics covered include women in Iranian art before and after photography, the royal Nasiri photograph albums, photographs of the Constitutional Revolution, Tehran’s photographic erotica, depictions of masculinity and sexuality, and photographs of black slaves. Routledge Market: Art History / Photography December 2016: 246x174: 220pp Hb: 978-1-138-20129-3: £95.00 eBook: 978-1-315-51213-6 * For full contents and more information, visit: www.routledge.com/9781138201293

Stacey J. Pierson, SOAS, University of London Series: The Histories of Material Culture and Collecting, 1700-1950 This book presents the history of a gentlemen’s club in London that was founded in 1866 for the purpose of exhibiting private art collections. It takes the main exhibition themes as a starting point to explore approaches to art, connoisseurship and display in a unique setting.

Routledge Market: Art History January 2017: 246x174: 222pp Hb: 978-1-138-23262-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781138232624

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Mary of Mercy in Medieval and Renaissance Italian Art

Re-envisioning the Contemporary Art Canon Perspectives in a Global World Edited by Ruth E Iskin, Ben-Gurion University of the Negev, Israel

Devotional image and civic emblem Katherine T. Brown, Walsh University

Breaking with the increasingly discredited view of the canon as based on a universal objective standard of quality and constituting a timeless, authoritative list of artists or art works, this anthology examines the mechanisms of art’s consecration, including the recognition that the canon reflects and reinforces power structures, prejudices, and geopolitics and is impacted by wider social movements and historical developments. Combining critical analysis with historically-specific case studies, complemented by discussions with art practioners, this collection will be an useful resource for both scholars and students of art history, visual culture and museum studies.

In this study, the author's primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terra-cotta, stained glass, architectural relief sculpture, and processional banners. Routledge Market: Visual Studies November 2016: 246x174: 212pp Hb: 978-1-472-47650-0: £95.00 * For full contents and more information, visit: www.routledge.com/9781472476500

Routledge Market: Art History December 2016: 234x156: 294pp Hb: 978-1-138-19268-3: £105.00 Pb: 978-1-138-19269-0: £26.99 eBook: 978-1-315-63977-2 * For full contents and more information, visit: www.routledge.com/9781138192690

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Photography and Doubt

Rethinking Place in South Asian and Islamic Art, 1500-Present

Edited by Sabine T. Kriebel, University College Cork, Ireland and Andrés Mario Zervigón, Rutgers University, USA

Edited by Deborah S. Hutton and Rebecca M. Brown, Johns Hopkins University, USA

Photography and Doubt provides a counter-history, by way of individually authored case studies, to a dominant strand in photographic history that emphasizes the medium’s documentary or factual value. Instead, these new essays emphasize that photographic realism and fiction almost always coexist at the levels of production and reception, thus generating a more nuanced account of photography in which instability and veracity cohabit across the medium’s larger history. Photography and Doubt will be an invaluable companion to undergraduate textbooks devoted to standard histories of the medium as well as providing a valuable resource for scholars. Routledge Market: Photography October 2016: 234x156: 276pp Hb: 978-1-138-91460-5: £95.00 Pb: 978-1-138-91461-2: £29.99 eBook: 978-1-315-69053-7 * For full contents and more information, visit: www.routledge.com/9781138914612

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The essays in this interdisciplinary volume investigate place in all of its dynamism and complexity: several call into question traditional constructions regarding place in Art History, while others explore the fundamental role that place plays in lived experience. The particular nexus for this collection lies at the intersection and overlap of two major subfields in the history of art: South Asia and the Islamic world, both of which are seemingly geographically determined, yet at the same time uncategorizable as place with their ever-shifting and contested borders. The book moves from the early modern through to the contemporary. Routledge Market: Art History/Asian and Islamic Art October 2016: 246x174: 268pp Hb: 978-1-472-46634-1: £95.00 eBook: 978-1-315-45605-8 * For full contents and more information, visit: www.routledge.com/9781472466341

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The British School of Sculpture, c.1760-1832

The Routledge Companion to Medieval Iconography

Edited by Jason Edwards and Sarah Burnage Series: British Art: Histories and Interpretations since 1700

Edited by Colum Hourihane Series: Routledge Companions

The British School of Sculpture is the first essay collection examining the rich array of sculpture produced and exhibited in Britain between 1768 and 1837. Featuring nearly 60 illustrations, many never reproduced before, and combining essays from leading scholars in the field with exciting new voices, the volume challenges the notion that neoclassicism dominated British art history in the period, and returns to centre stage a number of compelling baroque works.

This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best known methodologies; the third, and largest section, looks at some of the major themes in medieval art. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.

Routledge Market: Visual Studies December 2016: 246x174: 262pp Hb: 978-1-472-43576-7: £95.00 * For full contents and more information, visit: www.routledge.com/9781472435767

Routledge Market: Visual Studies December 2016: 246x174: 548pp Hb: 978-1-472-45947-3: £165.00 eBook: 978-1-315-29837-5 * For full contents and more information, visit: www.routledge.com/9781472459473

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The Gamin de Paris in Nineteenth-Century Visual Culture

The Seven Ancient Wonders in the Early Modern World

Delacroix, Hugo, and the French Social Imaginary

Inmaculada Rodriguez Moya and Victor Minguez

Marilyn R. Brown, University of Colorado, Boulder Series: Routledge Research in Art History

This monograph is a study of the artistic production that formed part of the various lists of the Seven Wonders that lasted beyond Antiquity and were recovered during the Renaissance and Baroque periods. The study focuses in depth on the way they were evoked in modern artistic culture and the importance they had at European courts, linked to monarchs and princes as an image of power.

The book argues that images of the Paris urchin addressed transformations at the heart of modernity, including the decline of patriarchal, monarchical social structures and the rise of industrial capitalism and colonialism. It parses a contested national archetype that emerged from repeated, recycled representations of revolutions (1830, 1832, 1848, 1871). Routledge Market: Art History May 2017: 246x174: 200pp Hb: 978-1-138-23113-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781138231139

Routledge Market: Art History March 2017: 246x174: 312pp Hb: 978-1-472-46728-7: £95.00 * For full contents and more information, visit: www.routledge.com/9781472467287

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The Pioneering Photographic Work of Hercules Florence

Visual Culture and Mathematics in the Early Modern Period

Boris Kossoy, Professor at School of Communication and Arts, University of São Paulo Series: Routledge History of Photography This book delivers an in-depth analysis of Hercules Florence, who is virtually unknown despite being among the world’s photographic pioneers. Based on the texts of various manuscripts, letters, diaries, notes, and advertisements, this book examines the materials, methods, and techniques Florence employed and why it took more than a century for his work to come to light. Kossoy’s groundbreaking research establishes Florence’s use of "photographie" to describe the product of his experiments, half a decade before Sir John Herschel recommended "photography" to Henry Fox Talbot. This book extablishes in the English-speaking world the cultural and historical importance of Florence’s work. Routledge Market: Photography History September 2017: 208pp Hb: 978-1-138-20466-9: £105.00 eBook: 978-1-315-46897-6 * For full contents and more information, visit: www.routledge.com/9781138204669

Edited by Ingrid Alexander-Skipnes, Albert-Ludwigs-Universität Freiburg, Germany Series: Visual Culture in Early Modernity During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective, but also examine how mathematics enriched aesthetic theory and the human mind. Routledge Market: Art History/Early Modern Art/Science and the Arts January 2017: 246x174: 204pp Hb: 978-1-138-67938-2: £95.00 eBook: 978-1-315-56343-5 * For full contents and more information, visit: www.routledge.com/9781138679382

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William Hunter and His Eighteenth-Century Cultural Worlds Anatomy and the Fine Arts Helen McCormack Dr William Hunter, a leading anatomist in eighteenth-century Britain is recognized as an exemplary practitioner in medical history. However, his connections to a much wider world of cultural interests, in collecting and the fine arts, natural philosophy and antiquarianism, has only recently received attention. In a departure from conventional biographies, this book concentrates on Hunter’s position at the very centre of artistic, scientific and cultural life in London and in doing so, presents a sustained and critical account of the relationship between anatomy and artists over the course of the long eighteenth century. In 1768 Hunter was appointed first Professor of Anatomy at the Royal Academy of Arts, an acknowledgement of his already well-established teaching of anatomy to artists at the St. Martin’s Lane Academy in the 1750s. Routledge August 2017: 234x156: 262pp Hb: 978-1-472-42442-6: £105.00 * For full contents and more information, visit: www.routledge.com/9781472424426

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A Surrealist Stratigraphy of Dorothea Tanning’s Chasm

Artistic Responses to Travel in the Western Tradition

Catriona McAra Series: Studies in Surrealism In A Surrealist Stratigraphy of Dorothea Tanning’s Chasm, Catriona McAra offers the first critical study of the literary work of the celebrated American surrealist painter and soft sculptor. McAra fills a major gap in the scholarship, repositioning Tanning’s writing at the centre of her entire creative oeuvre and focusing on the little-known manuscript, Abyss, a gothic-flavoured, desert adventure which Tanning (1910-2012) worked on intermittently throughout her creative life, finally publishing it in 2004 as Chasm: A Weekend.

Sarah Lippert Series: Routledge Research in Art History In an era when ease of travel is greater than ever, it is also easy to overlook the degree to which voyages of the body - and mind - have generated an outpouring of artistry and creativity throughout the ages. Exploration of new lands and sensations is a fundamental human experience. This volume in turn provides a stimulating and adventurous exploration of the theme of travel from an art-historical perspective. Topical regions are covered ranging from the Grand Tour and colonialism to the travels of Hadrian in ancient times and Georgia O’Keeffe’s journey to the Andes; from Vasari’s Neoplatonic voyages to photographing nineteenth-century Japan. The scholars assembled consider both imaginary travel, as well as factual or embellished documentation of voyages. The essays are far-reaching spatially and temporally, but all relate to how art has documented the theme of travel in varying media across time and as illustrated and described by writers, artists, and illustrators.

Routledge Market: Visual Studies November 2016: 246x174: 128pp Hb: 978-1-472-46344-9: £95.00 eBook: 978-1-315-39058-1 * For full contents and more information, visit: www.routledge.com/9781472463449

Routledge July 2017: 246x174: 284pp Hb: 978-1-472-48124-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472481245

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Antebellum American Companion Paintings

Comparativism in Art History

New Ways of Looking Wendy Ikemoto Series: Routledge Research in Art History Antebellum American Companion Paintings marks the first sustained study of companion paintings. It opens with a broad history that anchors the form in the medieval diptych, narrative sequences, religious thought, and aesthetic philosophy and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the companion format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor’s Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole’s Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale’s Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. Routledge August 2017: 234x156: 190pp Hb: 978-1-472-47558-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781472475589

Edited by Jaś Elsner Series: Studies in Art Historiography Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The essays assess the strengths and weaknesses of the comparative practice in the history of art, and consider the larger issue of the place of the comparative in how art history may develop in the future.

Routledge Market: Art History January 2017: 246x174: 224pp Hb: 978-1-472-41884-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781472418845

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Art History and the Cold War

Duchamp, Man Ray and the Conundrum of the Replica

Grant Pooke and Ben Thomas Series: Studies in Art Historiography In 1952, at the height of the Cold War, Erwin Panofsky wrote a paper surveying Three Decades of Art History in the United States - an essay pervaded by an acute sense of how the development of the discipline of art history, and the lives of individual art historians, had been shaped by the momentous political events of the 1930s and 40s. In a specific reference to McCarthyism, Panofsky noted how ’nationalism and intolerance’ remained a terrifying threat to academic freedom and that ’even when dealing with the remote past, the historian cannot be entirely objective’. The problem of objectivity was particularly pressing in the analysis of artistic style during the Cold War when abstraction and realism acquired strong political connotations. These Cold War interrogations of style were restating a fundamental problem of art history: how to relate the work of art to the society that produced it. Art History and the Cold War explores how the ideological context of the Cold War framed differ. Routledge August 2017: 234x156: 222pp Hb: 978-1-472-42407-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472424075

Remaking the Readymade Adina Kamien-Kazhdan Series: Studies in Surrealism Duchamp, Man Ray and the Conundrum of the Replica - Remaking the Readymade is a groundbreaking account of the practice of ’replication’ throughout the careers of the radical, pioneering, and ultimately iconic twentieth-century artists Marcel Duchamp and Man Ray. New aspects are uncovered about Duchamp’s and Man Ray’s 24 editioned replicas of their most significant works, and their subsequent impact on the art world - intensifying and complicating twenty-first century understanding of these artists’ initial conceptions. As the legacy of Dada is explored a century later, this book promises to stimulate debates about replication, innovation, aura, authorship, and value, as well as the meaning of terms such as creativity, originality, and uniqueness. Routledge July 2017: 246x174: 290pp Hb: 978-1-472-47816-0: £105.00 * For full contents and more information, visit: www.routledge.com/9781472478160

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Gender, Space, and the Gaze in Post-Haussmann Visual Culture

Nature and the Nation in Fin-de-Siècle France

Beyond the Flâneur

Jessica M. Dandona Series: The Histories of Material Culture and Collecting, 1700-1950

Temma Balducci Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire’s "The Painter of Modern Life" (1863), that have shaped scholarship on this period.

The Art of Émile Gallé and the École de Nancy

This book represents the first book-length, critical study of the art of Emile Gallé. It thus promises not only to revolutionize our understanding of his work but also to reframe the study of Art Nouveau by relocating the movement within the deeply politicized context in which it was created. Routledge Market: Art History May 2017: 246x174: 272pp Hb: 978-1-472-46261-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781472462619

Routledge Market: Art History April 2017: 246x174: 288pp Hb: 978-1-472-44586-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781472445865

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James McNeill Whistler and France

Photography, Natural History and the Nineteenth-Century Museum

A Dialogue in Paint, Poetry, and Music Suzanne M. Singletary In this first full-length study to position James McNeill Whistler within the trajectory of French modernism, his dialogues with Courbet, Manet, Degas, Monet and Seurat are examined in-depth. Inserting Whistler into the dynamics of the French avant-garde reveals the depth and pervasiveness of his presence and the revolutionary nature of his role in shaping modernism.

Routledge Market: Visual Studies November 2016: 246x174: 236pp Hb: 978-1-472-44200-0: £95.00 eBook: 978-1-315-43872-6 * For full contents and more information, visit: www.routledge.com/9781472442000

Exchanging Views of Empire Kathleen Davidson Series: Science and the Arts since 1750 This book addresses the advent of museum photography through an exploration of the multifaceted relationship between natural history, photography and emerging public museums from the 1850s to the 1880s in Britain and the colonies of Australia, New Zealand, and, to a lesser extent, India.

Routledge Market: Visual Studies March 2017: 246x174: 296pp Hb: 978-1-472-43129-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781472431295

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Mass-Observation and Visual Culture

Portraiture and Early Studio Photography in China and Japan

Depicting Everyday Lives in Britain Lucy D. Curzon Series: British Art: Histories and Interpretations since 1700 Mass-Observation and Visual Culture: Depicting Everyday Lives in Britain explores how visual culture – including painting, collage, film, and photography – was used by Mass-Observation in the late 1930s to understand, document, and ultimately complicate ideas of national identity during a particularly turbulent period of British history.

Routledge Market: Visual Studies November 2016: 246x174: 182pp Hb: 978-1-472-43650-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781472436504

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Edited by Luke Gartlan and Roberta Wue The essays in this book investigate the early history and culture of the photography studio in China and Japan with particular attention to the genre of the studio portrait, and the ability of those portraits to devise modern, gendered, nationalistic, and public identities for its subjects.

Routledge Market: Visual Studies February 2017: 246x174: 240pp Hb: 978-1-472-48438-3: £95.00 * For full contents and more information, visit: www.routledge.com/9781472484383

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Portuguese Painting at the End of the Ancien Régime c. 1799-1807

Sculpture and Film

History, Monarchy and the Empire Foteini Vlachou Series: Routledge Research in Art History Caught in the conflict between France and Great Britain, Portuguese statesmen and diplomats struggled to maintain the country’s elusive neutrality during the Revolutionary and Napoleonic Wars. Foreign as well as domestic policies were impacted by concerns about the fate of Portugal’s empire and the future of its monarchy in an increasingly-threatening world. It was precisely during this period, and culminating with the departure of the Portuguese royal family for Brazil in 1807, that history painting featuring subjects from the monarchy’s origins and the empire’s foundational moments appeared in state-sponsored projects such as the decoration of the two royal palaces of Mafra and Ajuda, and in private aristocratic commissions. The works of Domingos Sequeira, Vieira Portuense and Cyrillo Volkmar Machado were prime vehicles of state ideology and visualized the past as a concrete reality, with an unprecedented degree of interest in its material remains and written sources.

Jon Wood and Ian Christie Series: Subject/Object: New Studies in Sculpture During much of the twentieth century, film was often assumed to be a 'flat' pictorial art, more often compared with painting and graphic media than with sculpture. In the last few decades, however, film has come to be more closely associated with sculpture, and in recent years, it has largely been through gallery installations not only that the sculptural aspect of film and video has been demonstrated, but also the extent to which filmic representation enlarges our understanding of sculptural space. This collection thus comprises the first rigorous exploration of the relationship between sculpture and film, charted over fourteen essays. The contributors explore some of the ways in which cinema reshaped the landscape of art and specifically sculpture and sculptural practice during the twentieth century. Routledge Market: Visual Studies November 2017: 234x156: 304pp Hb: 978-1-409-41938-9: £55.00 * For full contents and more information, visit: www.routledge.com/9781409419389

Routledge October 2017: 234x156: 228pp Hb: 978-1-472-47471-1: £105.00 * For full contents and more information, visit: www.routledge.com/9781472474711

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Queer Difficulty in Art and Poetry

Staging the Artist

Rethinking the Sexed Body in Verse and Visual Culture

Performance and the Self-Portrait from Realism to Expressionism

Edited by Jongwoo Jeremy Kim, University of Louisville, USA and Christopher Reed, Pennsylvania State University, USA Augmenting recent developments in theories of gender and sexuality, this anthology marks a compelling new phase in the scholarship on queer visual studies. Navigating notions of silence, misunderstanding, pleasure, and affects of phobia in artworks and texts, the authors in this volume propose new and surprising ways of understanding the difficulty-even failure-of the epistemology of the closet.

Claire Moran Restoring the role of theatrical performance as both subject and trope in the aesthetics of self-representation, Staging the Artist questions how nineteenth-century French and Belgian artists self-consciously fashioned their identities through their art and writings. This emphasis on performance allows for a new understanding of the processes of self-fashioning which underlie self-representation in word and image.

Routledge Market: Visual Studies/Queer Studies January 2017: 246x174: 184pp Hb: 978-1-472-46814-7: £95.00 * For full contents and more information, visit: www.routledge.com/9781472468147

Routledge Market: Art History December 2016: 246x174: 192pp Hb: 978-1-409-42775-9: £95.00 * For full contents and more information, visit: www.routledge.com/9781409427759

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Sculptural Materiality in the Age of Conceptualism

Subversive Uses of Nerve Psychology in Dada and Surrealism

International Experiments in Italy Marin R. Sullivan, Keene State University, USA Series: Studies in Art Historiography

Peter Mowris Series: Studies in Surrealism

Sculptural Materiality in the Age of Conceptualism is structured around four distinct but interrelated projects initially realized in Italy between 1966 and 1972: Yayoi Kusama’s Narcissus Garden, Michelangelo Pistoletto’s Newspaper Sphere (Sfera di giornali), Robert Smithson’s Asphalt Rundown, and Joseph Beuys’s Arena. Here, they anchor a transnational narrative in which sculpture emerged, as a node, a center of transaction comprised of multiple material phenomena, including objects, images, and actors.

Subversive Uses of Nerve Psychology in Dada and Surrealism presents wholly innovative research that significantly reinterprets the Dada and Surrealist movements. Peter Mowris refutes the long-held belief that artists in the Dada and Surrealist movements were interested only in psychoanalysis, and considers the response by artists to nerve psychology, which held that changes in the nervous system formed the bases of consciousness. Since the 1880s, nerve or physiological psychology had a considerable presence in connected movements of social regeneration and rhythmic motion including Emile Jaques-Dalcroze’s eurhythmics and the modern dance of Rudolf Laban. In ZÃ¼rich, Dada artists including Hugo Ball, Hans Arp, Sophie Taeuber-Arp, Tristan Tzara, and Richard Huelsenbeck challenged such regenerationist ambitions, and protested the ongoing war with radical politics. These ideas would also shape Tzara's role in the chaotic birth of Surrealism.

Routledge Market: Visual Studies December 2016: 246x174: 16pp Hb: 978-1-472-46598-6: £95.00 * For full contents and more information, visit: www.routledge.com/9781472465986

Routledge October 2017: 246x174: 212pp Hb: 978-1-472-42115-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781472421159

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The Academy of San Carlos and Mexican Art History

The Emergence of the Antique and Curiosity Dealer 1815–c. 1850

Politics, History, and Art in Nineteenth-Century Mexico Ray Hernandez-Duran Series: Studies in Art Historiography

The Commodification of Historical Objects

The first substantial Mexican colonial art historiography in English, this book examines the origin of the study of colonial art in Mexico as a symptom of the development of modern museum practice in mid-nineteenth-century Mexico City. Also an intellectual history, this study recognizes the role of nationalism in the initiation of art historical practice in what is understood today more broadly as Latin America. Viceregal or colonial Mexican, Spanish colonial, and colonial Latin American art continues to be underplayed or overlooked by most art historians; Ray Hernández-Durán redresses that omission, presenting a detailed examination of the origin of the study of colonial art in Mexico. Routledge Market: Visual Studies October 2016: 246x174: 174pp Hb: 978-1-409-43412-2: £95.00 * For full contents and more information, visit: www.routledge.com/9781409434122

Mark Westgarth Series: The Histories of Material Culture and Collecting, 1700-1950 Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer, 1815-c. 1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the antique and curiosity collecting markets. This volume redresses an imbalance to-date in studies of the history of collecting, examining the activities, agency and influence of the antique and curiosity dealers as they emerge in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialized, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Routledge July 2017: 234x156: 228pp Hb: 978-1-409-40579-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781409405795

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The Atlantic Trade and British Architecture, Art and Landscape 1740-1840

The Making of Henry Moore on Film

Victoria Perry Series: British Art: Histories and Interpretations since 1700

Katerina Loukopoulou Series: Routledge Research in Art History

2007 marked the two hundredth anniversary of the abolition of the slave trade in Britain and its former Empire and was the catalyst for a growing interest in the effect of slavery’s profits on Britain itself. The Atlantic Trade and British Architecture, Art and Landscape 1740-1840 draws on a wide variety of primary sources - including state records, plantation accounts, private letters, travel diaries, recipe books, buildings, sketches and paintings - to show that wealth amassed from slave-trading, Caribbean sugar plantations and the tobacco trade transformed eighteenth century British visual culture and created an aesthetic legacy that is still apparent on both sides of the Atlantic. The book argues that wealth from the trans-Atlantic plantation trade had a profound effect on Britain; creating a shift in power and influence towards the Atlantic that was marked by a new attitude to the remote, uplands of western Britain.

Art historians have recognised the relationship between photography and sculpture as a fertile ground for the study of sculpture's intermedial relations. In the case of Henry Moore, the role of photography (both as source material and form of documentation) has recently become a new terrain for researching and interpreting his work. Film, however, remains absent from Moore scholarship. Focusing on four films about Moore's sculpture in the 1940s and 1950s, The Making of Henry Moore on Film: A Cultural History considers how these films broke new ground in the specialised genre of the "film on art," which throve in these decades. Katerina Loukopoulou places the relationship between sculpture and film within the relevant historical and cultural contexts of post-war Britain (1945-1959), the period during which Moore's public identity was consolidated.

Routledge October 2017: 246x174: 230pp Hb: 978-1-472-42926-1: £105.00

A Cultural History

Routledge October 2017: 234x156: 220pp Hb: 978-1-409-45283-6: £105.00 * For full contents and more information, visit: www.routledge.com/9781409452836

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The Diffusion of Art Deco

The Paragone in Nineteenth-Century Art

Mainstreaming Modernism

Sarah Lippert Series: Routledge Research in Art History

Bridget Elliott Series: Routledge Research in Art History One of the few academically rigorous studies of the popular phenomenon of art deco, Mainstreaming Modernism: The Diffusion of Deco complicates the cultural field of modernism by focusing on this critically maligned but popularly acclaimed category. While most art historical studies of modernist visual culture focus on well-known artists and their work, this book is different in that it foregrounds questions of stylistic dissemination and patterns of consumption - uncovering the kinds of cultural values and memories that have accrued to art deco's simple, streamlined forms. Starting with Le Corbusier's diatribe against the 1925 Paris Exposition Internationale des Arts Décoratifs et Modernes, the book explores some of the rhetorical strategies for disparaging art deco as an unsophisticated style, and a tepid form of modernist expression.

Offering an examination of the paragone, meaning artistic rivalry, in nineteenth-century France and England, this book considers how artists were impacted by prevailing aesthetic theories, or institutional and cultural paradigms, to compete in the art world. The paragone has been considered primarily in the context of Renaissance art history, but in this book readers will see how the legacy of this humanistic competitive model survived into the late nineteenth century. Routledge Market: Art History October 2017: 246x174: 306pp Hb: 978-1-472-43095-3: £105.00 * For full contents and more information, visit: www.routledge.com/9781472430953

Routledge August 2017: 234x156: 216pp Hb: 978-1-409-40650-1: £105.00 * For full contents and more information, visit: www.routledge.com/9781409406501

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The Studio in the Gallery Museums, Reconstructions, Exhibitions Wouter Davidts and Jon Wood Series: Routledge Research in Art History Combining approaches from art history, museum studies, and contemporary curating, this collection focuses on the artist's studio and its legacies. An international group of contributors including experts from major museums examine, through a series of case studies on some of the major figures of modern art, how artists' studios have been exhibited in the art gallery and museum. The artists discussed include Frederick Leighton, Donald Judd, Frieda Kahlo, Peter Blake, Antoine Wiertz, Constantin Brancusi, Francis Bacon, Eduardo Paolozzi, Piet Mondrian and Giorgio Morandi. The volume addresses three discrete aspects of the topic”studio museum, studio reconstruction, and studio exhibition”and focuses on spatial, architectural, archaeological, biographical, and site-related issues. Ultimately this collection investigates what an artist's studio is today, looking at why and how it has been variously restaged, installed and reframed within the walls of the art gallery and the museum. Routledge October 2017: 234x156: 230pp Hb: 978-0-754-66776-6: £105.00 * For full contents and more information, visit: www.routledge.com/9780754667766

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The Unfinished Exhibition Visualizing Myth, Memory, and the Shadow of the Civil War in Centennial America Susanna W. Gold The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. Routledge Market: Visual Studies December 2016: 246x174: 188pp Hb: 978-1-472-48066-8: £95.00 eBook: 978-1-315-45313-2 * For full contents and more information, visit: www.routledge.com/9781472480668

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MUSIC TEXTBOOK

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A Concise Survey of Music Philosophy

Angel Song: Medieval English Music in History

Donald A. Hodges, University of North Carolina at Greensboro, USA

Lisa Colton Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces (notably ‘Sumer is icumen in’), composers (John Dunstaple), and practices (the contenance angloise), each of which offer opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.

A Concise Survey of Music Philosophy helps music students choose a philosophy that will guide them throughout their careers. The book has three sections: central issues that any music philosophy ought to consider; significant philosophical positions of major thinkers; and opportunities for students to consider the ramifications of these ideas. Students are encouraged to make choices that will inform a philosophy of music and music education with which they are most comfortable to align. There are numerous musical examples, with links from the author’s website. Students apply their views to practical situations and learn differences between philosophy and advocacy. Routledge Market: Music Education October 2016: 235 x 191: 298pp Hb: 978-1-138-95452-6: £90.00 Pb: 978-1-138-95451-9: £29.99 eBook: 978-1-315-66689-1 * For full contents and more information, visit: www.routledge.com/9781138954519

Routledge Market: Music December 2016: 234x156: 192pp Hb: 978-1-472-42568-3: £95.00 eBook: 978-1-315-56706-8 * For full contents and more information, visit: www.routledge.com/9781472425683

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America’s Songs III

Anton Webern

Rock!

A Research and Information Guide

Bruce Pollock America’s Songs III: Rock! picks up in 1953 where America’s Songs II left off, describing the artistic and cultural impact of the rock ‘n’ roll era on America’s songs and songwriters, recording artists and bands, music publishers and record labels, and the all-important consuming audience.More than 300 songs are analyzed—both musically and historically—and weighted by how they defined an era, an artist, a genre, or an underground movement. Written by known rock historian and former ASCAP award winner Bruce Pollock, America’s Songs III: Rock! relays the stories behind America’s musical history. Routledge Market: MUSIC / AMERICAN MUSIC / POPULAR MUSIC March 2017: 229 x 152: 264pp Hb: 978-1-138-63813-6: £85.00 Pb: 978-1-138-63814-3: £25.99 eBook: 978-1-315-63797-6 * For full contents and more information, visit: www.routledge.com/9781138638143

Darin Hoskisson Series: Routledge Music Bibliographies Anton Webern: A Research and Information Guide offers carefully selected and annotated sources regarding Webern from 1975 to present day, including sources on Webern’s life, his music, and the interpretation and reception of his music. Along with this comprehensive annotated listing of print and online sources, the book discusses the history of research on Webern and includes a brief chronology of his life. It is a major reference tool for those interested in Webern and his music and valuable for researchers of 20th century music and the Second Viennese School. Routledge Market: MUSIC / REFERENCE March 2017: 229 x 152: 224pp Hb: 978-1-138-78069-9: £90.00 eBook: 978-1-315-77053-6 * For full contents and more information, visit: www.routledge.com/9781138780699

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André Jolivet: Music, Art and Literature

Arthur Sullivan

Caroline Rae Series: Music and Literature

A Musical Reappraisal

This first book in English on the French composer André Jolivet (1905-1974) investigates his music, influences and activities against a background of the main trends in twentieth-century French music. A pupil of Varèse and colleague of Messiaen in La Jeune France, Jolivet is recognised as a major figure in French music of the last century. His music is characterised by its innovative language and deep spirituality, summarised in his self-declared axiom to ’restore music’s ancient original meaning when it was the magic and incantatory expression of the sacred in human communities’. Following a contextual introduction, the contributors, including the composer’s daughter Christine Jolivet-Erlih, assess Jolivet’s contribution from his early so-called ’magic’ period of the 1930s up to and including his late works. Routledge October 2017: 234x156: 275pp Hb: 978-1-472-44295-6: £105.00 * For full contents and more information, visit: www.routledge.com/9781472442956

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Benedict Taylor Series: Music in Nineteenth-Century Britain Arthur Sullivan (1842-1900) was Victorian Britain’s most celebrated and popular composer, whose music still to this day reaches a wider audience than any of his contemporaries. Yet the comic operas on which Sullivan’s reputation is chiefly based have been consistently belittled or ignored by the British musicological establishment, while his serious works have until recently remained virtually unknown. The time is thus long overdue for serious scholarly reengagement with Sullivan. Building on over a decade of research, Benedict Taylor offers a new appraisal of the music of this most famous nineteenth-century British composer, combining close analytical attention to his music with critical consideration of the wider aesthetic and social context. Routledge September 2017: 234x156: 227pp Hb: 978-1-409-46910-0: £95.00 * For full contents and more information, visit: www.routledge.com/9781409469100

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Aural Architecture in Byzantium: Music, Acoustics, and Ritual

Bruce Springsteen and Popular Music

Edited by Bissera Pentcheva

Edited by William I. Wolff, Rowan University, USA Series: Routledge Studies in Popular Music

Aural architecture identifies those features of a building that can be perceived by the act of listening in them. Emerging from the challenge to reconstruct sonic and spatial experiences of the deep past, this book invites readers into the complex world of the Byzantine liturgy, experienced in its chanted form in interiors covered with monumental mosaics and frescoes. The multidisciplinary collection of ten essays explores the intersection of Byzantine liturgy, music, acoustics, and architecture in the Late Antique churches of Constantinople, Jerusalem and Rome, and reflects on the role digital technology can play in re-creating aspects of the sensually rich performance of the divine word. Routledge Market: Music June 2017: 246x174: 264pp Hb: 978-1-472-48515-1: £105.00 eBook: 978-1-315-20305-8 * For full contents and more information, visit: www.routledge.com/9781472485151

Rhetoric, Memorial, and Contemporary Culture

In this interdisciplinary book visiting Springsteen and popular music, chapters primarily consider work released since 9/11 under the headings War, Fear, and Memorial; Gender and Sexual Orientation; Lineage and Legacy; and Toward a Rhetoric of Springsteen. Essays engage disciplines including Rhetoric and Composition, Musicology and Historical Musicology, Labor Studies, American History, Cinema Studies, Literature, Communications, Sociology, Theology, and Government. Offering context and critique, this book contributes to Springsteen scholarship and the study of popular music by showing his broadening academic appeal as well as his legacy on new musicians and contemporary culture. Routledge Market: Music / Popular Music June 2017: 234x156: 272pp Hb: 978-1-138-94399-5: £90.00 eBook: 978-1-315-67214-4 * For full contents and more information, visit: www.routledge.com/9781138943995

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Body, Sound and Space in Music and Beyond: Multimodal Explorations

Burma, Kipling and Western Music The Riff from Mandalay Andrew Selth, Griffith Asia Institute at Griffith University, Australia Series: Routledge Research in Music

Edited by Clemens Wöllner Series: SEMPRE Studies in The Psychology of Music This volume discusses theories and recent research on music and sounds from a wide range of disciplines, including music psychology, composition, musicology, computer science, music theory, sound arts, acoustics and neuropsychology. Topics range from the pleasures of being locked into the beat of the music, perception-action coupling and bodily resonance, and affordances of musical instruments, to neural and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations. Routledge Market: Music May 2017: 234x156: 352pp Hb: 978-1-472-48540-3: £105.00 eBook: 978-1-315-56962-8 * For full contents and more information, visit: www.routledge.com/9781472485403

This book explores how popular Western music influenced and reflected perceptions of Burma during its colonial period (1824-1948). Taking Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, it surveys musical works with Burma-related themes, emphasizing popular songs and show tunes, and also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. The book sheds new light on the West’s historical relationship with Burma, the colonial music scene, and Burma’s place in the development of popular music and the rise of the global music industry, making an original contribution to the fields of Musicology and Asian Studies. Routledge Market: Music / Asian Studies November 2016: 229 x 152: 294pp Hb: 978-1-138-12508-7: £85.00 eBook: 978-1-315-64773-9 * For full contents and more information, visit: www.routledge.com/9781138125087

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Brahms Performance Practice

Chamber Music in Vienna, 1890–1908

Documentary and Analytical Approaches

Elizabeth Way Sullivan

Ian Pace

Fin de siècle Vienna witnessed the emergence of chamber music from the private, domestic sphere into the public and professional arena where it became involved in both musical and national politics. With Wagner's death in 1883 there arose a rivalry between the music of Brahms and Bruckner, and the city's musical life quickly became entangled in the polemic, rhetoric and volatility of contemporary Viennese politics. Chamber music came to be regarded as the musical embodiment of liberal values owing to its emphasis on the 'logical', rigorous and restrained working out of musical ideas. This book examines how the attitudes of leading Viennese newspapers and magazines towards these issues shaped the way they were discussed and the way that they evolved. Elizabeth Way Sullivan shows that a significant amount of new music issued from established quartets which became central to discouse both on musical life and on major political issues of the time.

This book brings together a combination of primary source research and a thorough reading of secondary literature as relates to performance of the music of Brahms. It considers in detail issues of Brahms's preferences in terms of instruments, instrumental approach, the meanings of fundamental notational symbols such as the slur, orchestral size, tempo and tempo flexibility, Brahms's preferred performers, the use of the style hongroise in the appropriate works and wider questions of exoticism and orientalism as pertain to performance, Brahms's use of phrasing and metrical displacement and writing for the voice. Rather than dealing with these subjects in a generalized manner, it includes ample specific examples in order to suggest how 'applied performance practice research' might operate. In so doing, it draws upon analytical work on Brahms in order to elucidate how performance strategies might articulate various underlying aspects of the music. Routledge August 2017: 234x156: 235pp Hb: 978-0-754-66334-8: £95.00

Routledge August 2017: 234x156: 200pp Hb: 978-0-754-63608-3: £105.00 * For full contents and more information, visit: www.routledge.com/9780754636083

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Charles Avison in Context

Contemporary Worship Music and Everyday Musical Lives

National and International Musical Links in Eighteenth-Century Northeast England

Mark Porter, Max-Weber-Kolleg, Universität Erfurt, Germany Series: Congregational Music Studies Series

Roz Southey and Eric Cross Despite recent interest in music-making in the so-called ’provinces’, the idea still lingers that music-making outside London was small in scale, second-rate, and behind the times. However, in Newcastle upon Tyne, the presence of a nationally known musician, Charles Avison (1709-1770), prompts a reassessment of how far this idea is still tenable. Avison’s life and work illuminates many wider trends. His relationships with his patrons, the commercial imperatives which shaped his activities, the historical and social milieu in which he lived and worked, were influenced by and reflected many contemporary movements: Lactanarianism, Methodism, the improvement of church music, the aesthetics of the day including new ideas circulating in Europe, discussions of issues such as gentility, and the new commercialism of leisure. He can be considered as the notional centre of a web of connections, both musical and non-musical, extending through every part of Britain and into both Europe and America.

Whilst Contemporary Worship Music arose out of a desire to relate the music of the church to the music of everyday life, this function can quickly be called into question by the diversity of musical lives present in contemporary society. Mark Porter examines the relationship between individuals’ musical lives away from a Contemporary Worship Music environment and their diverse experiences of music within it, presenting important insights into the complex and sometimes contradictory relationships between congregants’ musical lives within and outside of religious worship.

Routledge August 2017: 234x156: 241pp Hb: 978-1-472-45074-6: £95.00 * For full contents and more information, visit: www.routledge.com/9781472450746

Routledge Market: Music November 2016: 234x156: 198pp Hb: 978-1-472-47207-6: £95.00 eBook: 978-1-315-45129-9 * For full contents and more information, visit: www.routledge.com/9781472472076

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Chopin in Britain

Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918

Peter Willis In 1848, Chopin visited England and Scotland. That autumn, he returned to Paris and the following autumn he was dead. Despite the fascination the composer continues to hold for scholars, this brief but important period remain little known. Peter Willis draws on extensive original documentary evidence, as well as cultural artefacts, to tell the story of these two visits and to place them into aristocratic and artistic life in mid-nineteenth-century England and Scotland. In addition to filling a significant hole in our knowledge of the composer’s life, the book adds to our understanding of a number of important figures, including Jane Stirling and the painter Ary Scheffer. Routledge Market: Music August 2017: 234x156: 320pp Hb: 978-1-472-45127-9: £95.00 * For full contents and more information, visit: www.routledge.com/9781472451279

Edited by Kirsten Gibson and ian Biddle Presents a range of historical case studies on the sounding worlds of the European past. The chapters in this volume explore ways of thinking about sound historically, and seek to understand how people have understood and negotiated their relationships with the sounding world in Europe from the Middle Ages through to the early twentieth century. They consider, in particular: sound and music in the later Middle Ages; the politics of sound in the early modern period; the history of the body and perception during the ancien régime; the sounds of the city in the nineteenth century and sound and colonial rule at the fin de siècle. Routledge Market: Music November 2016: 234x156: 280pp Hb: 978-1-409-44439-8: £95.00 eBook: 978-1-315-57530-8 * For full contents and more information, visit: www.routledge.com/9781409444398

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TEXTBOOK

Claudio Monteverdi

Dynamic Group-Piano Teaching

A Research and Information Guide

Transforming Group Theory into Teaching Practice

Susan Lewis Hammond, University of Victoria, British Columbia, Canada Series: Routledge Music Bibliographies

Pamela Pike

Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast resources on the composer. It supersedes the research guide by K. Gary Adams and Dyke Kiel which published in 1989. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. The guide will serve both as a foundational starting point and as a gateway for future inquiry in such fields as Renaissance and Baroque studies, court culture, opera, patronage, and Italian poetry. Routledge Market: Music/Reference July 2017: 229 x 152: 272pp Hb: 978-0-415-83733-0: £105.00 * For full contents and more information, visit: www.routledge.com/9780415837330

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Dynamic Group-Piano Teaching provides future teachers of group piano with an extensive framework of concepts, upon which effective and dynamic teaching strategies can be explored and developed. Within 15 chapters, it encompasses learning theory, group process, and group dynamics within the context of group-piano instruction. This book encourages teachers to transferlearning and group dynamics theory into classroom practice. As a graduate piano pedagogy text book, supplement for pedagogy classes, or as a resource for graduate teaching assistants and professional piano teachers, the book examines learning theory, student needs, assessment and specific issues for the group-piano instructor. Routledge Market: Music / Music Education May 2017: 254 x 178: 224pp Hb: 978-1-138-24142-8: £95.00 Pb: 978-1-138-24143-5: £32.99 eBook: 978-1-315-28037-0 * For full contents and more information, visit: www.routledge.com/9781138241435

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Early English Viols: Instruments, Makers and Music

Embodiment of Musical Creativity

Michael Fleming and John Bryan Series: Music and Material Culture

The Cognitive and Performative Causality of Musical Composition Zvonimir Nagy Series: SEMPRE Studies in The Psychology of Music

Music of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. Thomas Mace (1676) writes that ‘old English viols’ are ideal, and names five English makers than whom ‘there are no Better in the World’. To understand and play this music we need reliable information and suitable viols. Neither can be derived exclusively from old instruments because of their rarity, inaccessibility, and degradation by time, use and alteration. Using a wide variety of evidence including the viols, their music, and documentary evidence surrounding the trade of instrument making, Fleming and Bryan illuminate the changing nature of viols in early modern England. Routledge Market: Music November 2016: 246x174: 400pp Hb: 978-1-472-46854-3: £95.00 eBook: 978-1-315-57839-2 * For full contents and more information, visit: www.routledge.com/9781472468543

Embodiment of Musical Creativity offers an innovative look at the interdisciplinary nature of creativity in musical composition. Using examples from empirical research in creativity studies, music theory and cognition, psychology and philosophy, performance and education studies, and the author’s own creative practice, the book examines how the reciprocity of cognition and performativity contributes to our understanding of musical creativity in composition. Embodiment of Musical Creativity provides a comparative study of musical composition, in turn articulating a new perspective on musical creativity. Routledge Market: Music October 2016: 234x156: 228pp Hb: 978-1-472-45679-3: £95.00 eBook: 978-1-315-46901-0 * For full contents and more information, visit: www.routledge.com/9781472456793

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TEXTBOOK

Eco-Literate Music Pedagogy

Engaging in Community Music

A Philosophy/Autoethnography of Music Education on Soil

An Introduction

Daniel J. Shevock Series: Routledge Focus in Music Education

Lee Higgins, York St John University and Lee Willingham

Eco-Literate Music Pedagogy considers eco-literate music pedagogy theoretically and autoethnographically. The possibility of musicking to cultivate ecological literacy rests on the principle that music contributes uniquely to human ecological thinking -- it is eco-literate music pedagogy that is shared in this book. Pedagogically, music education for ecological consciousness is experienced in local places. This study explores the theory underlying eco-literate music pedagogy in juxtaposition with personal experiences of author/music teacher. It adds to the emerging body of music education literature considering ecology and environmental issues.

Engaging in Community Music: An Introduction focuses on the processes involved in designing, initiating, executing, and evaluating community music practices. Designed for both undergraduate and graduate students, in community music programs and related fields of study alike, this co-authored textbook provides explanations, case examples, and ‘how-to’ activities supported by a rich research base. The authors have also interviewed key practitioners in this distinctive field, encouraging interviewees to reflect on aspects of their work in order to illuminate best practices within their specializations and thereby establishing a comprehensive narrative of case study illustrations.

Routledge July 2017: 229 x 152: 78pp Hb: 978-0-415-79257-8: £44.99 eBook: 978-1-315-21159-6 * For full contents and more information, visit: www.routledge.com/9780415792578

Routledge Market: Music February 2017: 229 x 152: 194pp Hb: 978-1-138-63816-7: £90.00 Pb: 978-1-138-63817-4: £29.99 eBook: 978-1-315-63795-2 * For full contents and more information, visit: www.routledge.com/9781138638174

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Einstein on the Beach: Opera beyond Drama

Figures of the Imagination

Jelena Novak and John Richardson Series: Ashgate Interdisciplinary Studies in Opera Philip Glass and Robert Wilson’s most celebrated collaboration, the landmark opera Einstein on the Beach, had its première at the Avignon Festival in 1976. During its initial European tour, Metropolitan Opera premiere, and revivals in 1984 and 1992, Einstein provoked opposed reactions from both audiences and critics. Today, Einstein is well on the way itself to becoming a canonized avant-garde work, and it is widely acknowledged as a profoundly significant moment in the history of opera or musical theater. Einstein created waves that for many years crashed against the shores of traditional thinking concerning the nature and creative potential of audiovisual expression more broadly. Reaching beyond opera, its influence was felt in audiovisual culture in general: in contemporary avant-garde music, performance art, avant-garde cinema, popular film, popular music, advertising, dance, theatre and many other expressive, commercial and cultural spheres. Routledge August 2017: 234x156: 261pp Hb: 978-1-472-47370-7: £105.00 * For full contents and more information, visit: www.routledge.com/9781472473707

Fiction and Song in Britain, 1790–1850 Roger Hansford Series: Music in Nineteenth-Century Britain Figures of the Imagination explores the connections between musical scenes in romance fiction and the domestic song literature, treating both types of source and their intersection as examples of material culture. This new study of the intersection of romance novels with vocal music records a society on the cusp of modernisation, with a printing industry emerging to serve people’s growing appetites for entertainment amidst their changing views of religion and the occult. No mere diversion, fiction was integral to musical culture and together both art forms reveal key intellectual currents that circulated in the early nineteenth-century British home and were shared by many consumers. Routledge Market: Music March 2017: 234x156: 360pp Hb: 978-1-472-47137-6: £95.00 eBook: 978-1-315-58234-4 * For full contents and more information, visit: www.routledge.com/9781472471376

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MUSIC TEXTBOOK

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Focus: Music in Contemporary Japan

Gaspar Cassadó

Jennifer Milioto Matsue, Union College, USA Series: Focus on World Music Series This book explores the diversity of musics performed in Japan today. Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. The accompanying CD includes examples of Japanese music that illustrate specific elements and key genres introduced in the text, while a companion website includes additional audio-visual sources discussed in detail in the text. Routledge Market: Music / Ethnomusicology October 2016: 276pp Hb: 978-1-138-79138-1: £78.99 Pb: 978-1-138-79140-4: £30.99 eBook: 978-1-315-76285-2 * For full contents and more information, visit: www.routledge.com/9781138791381

Cellist, Composer and Transcriber Gabrielle Kaufman, Independent scholar, Barcelona, Spain Gaspar Cassadó (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger. Gabrielle Kaufman provides the first full-length scholarly work dedicated to him, containing the results of seven years of research, following the cellist’s steps through Europe and Japan. Cassadó’s role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding musical and technical aspects of performing Cassadó’s works, aimed directly at performers. In addition, the composer’s significance within Spanish twentieth-century music is treated in detail, sustained by examples from recovered score manuscripts. Routledge Market: Music December 2016: 234x156: 332pp Hb: 978-1-472-46715-7: £95.00 eBook: 978-1-315-58379-2 * For full contents and more information, visit: www.routledge.com/9781472467157

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Free Jazz, Harmolodics, and Ornette Coleman

György Ligeti's Cultural Identities

Stephen Rush, University of Michigan

Edited by Amy Bauer and Márton Kerékfy

Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman’s musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman’s position as the developer of a logical—and historically significant—system of jazz improvisation.

Since György Ligeti’s death in 2006, there has been a growing acknowledgement of how central he was to the late twentieth-century cultural landscape. This collection is the first book devoted to exploring the composer’s life and music within the context of his East European roots, revealing his dual identities as both Hungarian national and cosmopolitan modernist. Contributors explore the artistic and socio-cultural contexts of Ligeti’s early works, including composition and music theory; the influence of East European folk music; notions of home and identity; his ambivalent attitude to his Hungarian past and his references to his homeland in his later music.

Routledge Market: MUSIC THEORY / JAZZ STUDIES November 2016: 254 x 178: 302pp Hb: 978-1-138-12292-5: £88.99 Pb: 978-1-138-12294-9: £29.99 eBook: 978-1-315-64918-4 * For full contents and more information, visit: www.routledge.com/9781138122949

Routledge Market: Music August 2017: 234x156: 243pp Hb: 978-1-472-47364-6: £105.00 eBook: 978-1-315-59241-1 * For full contents and more information, visit: www.routledge.com/9781472473646

2nd Edition • NEW EDITION

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French Baroque Opera: A Reader

Harry Smith's Anthology of American Folk Music

Revised Edition

America changed through music

Caroline Wood and Graham Sadler From the outset, French opera generated a huge diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet very little of that literature is available in English, despite a recent upsurge of interest. Drawing on a wide range of sources, this book provides an often entertaining insight into Lully’s Royal Academy of Music, and the colourful characters who surrounded it, to present an informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, and its strengths and weaknesses. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Routledge Market: Music May 2017: 234x156: 252pp Hb: 978-1-472-46547-4: £105.00 eBook: 978-1-315-58319-8 * For full contents and more information, visit: www.routledge.com/9781472465474

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e-Inspection

Edited by Ross Hair, University of East Anglia, UK and Thomas Ruys Smith, University of East Anglia, UK Released in 1952, The Anthology of American Folk Music was the singular vision of the enigmatic artist, musicologist, and collector Harry Smith (1923-1991). More than just a ground-breaking collection of old recordings, the Anthology was itself a kind of performance on the part of its creator. Over the six decades of its existence, however, it has continued to exert considerable influence on generations of musicians, artists, and writers. It has been credited with inspiring the North American folk revival and with profoundly influencing Bob Dylan. This is the first book devoted to such a vital piece of the large and complex story of American music and its enduring value in American life. Routledge Market: Music December 2016: 234x156: 268pp Hb: 978-1-472-47920-4: £95.00 eBook: 978-1-315-58625-0 * For full contents and more information, visit: www.routledge.com/9781472479204

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Higher Music Education in the Twenty-First Century

Independent Music and Digital Technology in the Philippines

Björn Heile and Eva Moreda Rodriguez The majority of today’s music students undoubtedly encounter a greater diversity of musical traditions and critical approaches to their study as well as a wider set of skills than their forebears. Welcome as these developments may be, they come at a price. More material cannot be added to the curriculum without either sacrificing depth for breadth or making much of it optional. The dangers of either approach are evident: the former provides students with a superficial and deceptive familiarity with a wide range of subject matter, but without the analytical skills and intellectual discipline required to truly master any of it. The latter easily results in a fragmentation of knowledge and skills, without a realistic opportunity for students to draw meaningful connections between disparate areas and arrive at some sort of synthesis. What, then, should university study of music consist of? Are there any aspects, repertoires, pieces, composers and musicians that we want all students to know?

Monika E. Schoop Series: Routledge Studies in Popular Music In the first in-depth investigation into the independent music scene in the Philippines, Monika E. Schoop exposes and portrays the as yet unexplored restructurings of the Philippine music industries, showing that digital technologies have played an ambivalent role in these developments. Based on extensive fieldwork online and offline, the book explores the diverse and innovative music production, distribution, promotion and financing strategies that have become constitutive of the independent music scene in twenty-first-century Manila.

Routledge July 2017: 234x156: 218pp Hb: 978-1-472-46732-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781472467324

Routledge Market: Music April 2017: 234x156: 296pp Hb: 978-1-138-22374-5: £105.00 eBook: 978-1-315-40326-7 * For full contents and more information, visit: www.routledge.com/9781138223745

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Hip-Hop Authenticity and the London Scene

Insights in Sound

Living Out Authenticity in Popular Music

Visually Impaired Musicians' Lives and Learning

Laura Speers Series: Routledge Studies in Popular Music

David Baker and Lucy Green Series: ]

This book explores the ideal of authenticity in hip-hop — what it is, why it is important, and how it affects the day-to-day life of rap artists. By analyzing the practices, identities, and struggles that shape the lives of rappers in the London scene, the study exposes the strategies and tactics that hip-hop practitioners engage in to negotiate authenticity. Interviews and fieldwork provide insight into the nature of authenticity in global hip-hop, and the dynamics of cultural appropriation, globalization, marketization, and digitization. This book will engender much needed discussion about the nature of authenticity in music, youth culture, and contemporary society more widely.

Music has long been a way in which visually impaired people could gain financial independence, excel at a highly-valued skill, or simply enjoy musical participation. Yet there has been relatively little sociological research bringing together the views and experiences of visually impaired musicians themselves throughout the life-course. Insights in Sound cuts across a range of contexts - from amateur to professional, classical to popular, performance to composition - aiming to discover, analyse and share a rich range of insights into the lives and learning of these musicians.

Routledge Market: Popular Music / Hip-Hop March 2017: 234x156: 145pp Hb: 978-1-138-95880-7: £95.00 eBook: 978-1-315-66104-9 * For full contents and more information, visit: www.routledge.com/9781138958807

Routledge Market: Music April 2017: 234x156: 304pp Hb: 978-1-138-20931-2: £95.00 eBook: 978-1-315-26606-0 * For full contents and more information, visit: www.routledge.com/9781138209312

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Historical Interplay in French Music and Culture

Issac Vossius's De poematum cantu et viribus rhythmi, 1673

Deborah Mawer This edited volume presents a selected history of French music and culture, but one with a dynamic difference. Eschewing a traditional chronological account, it explores the nature of relationships in French musical culture between one historical period and another, probing the emergent interplay, intertextualities and scope for subsequent reinterpretation across time and place. It engages with notions of cultural meaning, especially those pertaining to French identity, both national and individual. Each of the book’s five main parts sets out a specific cultural network or temporal interplay, which may result variously in synthesis, disjunction, or historical misreading. Routledge Market: Music August 2017: 234x156: 285pp Hb: 978-1-472-47475-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781472474759

On the Music of Poetry and Power of Rhythm Peter Martens Series: Music Theory in Britain, 1500–1700: Critical Editions Dr Peter Martens provides the very first edited English translation of, and commentary on, De Poematum, the late seventeenth-century work of Continental musical humanism, all the more interesting for being published in England and dedicated to royalist Henry Bennett, Duke of Arlington. This treatise plays an important but poorly understood role in the development of rhythmopoeia; Isaac Vossius continues the arguments of figures such as Vincenzo Galilei and Marin Mersenne - desiring to link linguistic rhythm, music, and the passions - by proposing a practical, if undemonstrated, method for doing so based on ancient poetic feet. This resuscitation of poetic feet in the service of affect is made explicit first by Vossius, but is undoubtedly more familiar to musicologists from Wolfgang Caspar Printz's 1696 Phrynis Mitilenaeus or Johann Mattheson's 1739 Der vollkommene Capellmeister. Routledge August 2017: 234x156: 160pp Hb: 978-0-754-66999-9: £95.00 * For full contents and more information, visit: www.routledge.com/9780754669999

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MUSIC READER

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Issues in African American Music

Karlheinz Stockhausen

Power, Gender, Race, Representation

Zeitmaße

Edited by Portia K. Maultsby, Indiana University, USA and Mellonee V. Burnim, Indiana University, USA Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music. Routledge Market: Music/African American Studies November 2016: 254 x 178: 418pp Hb: 978-0-415-88182-1: £85.00 Pb: 978-0-415-88183-8: £45.99 eBook: 978-1-315-47209-6 * For full contents and more information, visit: www.routledge.com/9780415881838

Jerome Kohl Series: Landmarks in Music Since 1950 Zeitmaße is one of four acknowledged masterpieces composed between 1955-57 that together established Karlheinz Stockhausen as the leading figure in the European avant-garde. Of the four works, it is the only one that has not been thoroughly analysed from the composer's sketches, and for this reason remains the least-well understood. In this volume, Kohl provides a much-needed analysis of Zeitmaße, considering its standing in the group and in the wider context of Stockhausen's output. Using recently published correspondence and other documentation from the period, together with surviving sketch material, Kohl investigates the compositional procedures employed in Zeitmaße and their evolution. Routledge Market: Music December 2016: 164pp Hb: 978-0-754-65334-9: £95.00 * For full contents and more information, visit: www.routledge.com/9780754653349

2nd Edition • TEXTBOOK • NEW EDITION

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Jazz Theory

Listening in Action

From Basic to Advanced Study

Teaching Music in the Digital Age

Dariusz Terefenko, Eastman School of Music, USA Jazz Theory: From Basic to Advanced Study, Second Edition is a comprehensive textbook ideal for Jazz Theory courses or as a self-study guide for amateur and professional musicians. Written with the goal to bridge theory and practice, it provides a strong theoretical foundation beginning with music fundamentals through post-tonal theory, while integrating ear training, keyboard skills, and improvisation. It hosts "play-along" audio tracks on a companion website, which features the workbook, ear-training exercises, and an audio compilation of the musical examples highlighted in the book. Routledge Market: MUSIC THEORY / JAZZ May 2017: 279 x 216: 426pp Hb: 978-1-138-23508-3: £95.00 Pb: 978-1-138-23510-6: £44.99 eBook: 978-1-315-30539-4 Prev. Ed Pb: 978-0-415-53761-2 * For full contents and more information, visit: www.routledge.com/9781138235106

Rebecca M Rinsema Series: SEMPRE Studies in The Psychology of Music In an age when students come to class with more varied music listening preferences and experiences than ever before, music educators often find themselves at a loss for how to connect with them. The book provides an introduction to scholarship on music listening across the disciplines of musicology, ethnomusicology, sociology of music, psychology of music, and music education. By reading this book music educators can gain an understanding of recent theories of music listening in everyday life. The book includes a guide for applying these theories to the classroom, meant to help teachers bridge the gap between themselves and their students within a technology-rich, post-performance world. Routledge Market: Music October 2016: 234x156: 172pp Hb: 978-1-472-44351-9: £95.00 eBook: 978-1-315-59255-8 * For full contents and more information, visit: www.routledge.com/9781472443519

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Jews and Jazz

Live-Electronic Music

Improvising Ethnicity

Composition, Performance and Study

Charles B Hersch Series: Transnational Studies in Jazz Jews and Jazz: Improvising Jewish Identity explores the meaning of Jewish involvement in the world of American jazz. It focuses on the ways prominent jazz musicians have engaged with jazz in order to explore and construct ethnic identities. The author looks at the context of the surrounding American culture, believing that American Jews have used jazz to construct three kinds of identities: to become more American, to emphasize their minority outsider-ness, and to become more Jewish. Jewish musicians have used jazz for all three of these purposes, but the emphasis has shifted over time. Routledge Market: Music / Jazz Studies October 2016: 229 x 152: 196pp Hb: 978-1-138-19578-3: £90.00 Pb: 978-1-138-19579-0: £29.99 eBook: 978-1-315-63822-5 * For full contents and more information, visit: www.routledge.com/9781138195790

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e-Inspection

Edited by Friedemann Sallis, University of Calgary, Canada, Valentina Bertolani, Jan Burle and Laura Zattra, Institut de Recherche et Coordination Acoustique/Musique (IRCAM), Paris, France Series: Routledge Research in Music During the 20th century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and practice in live electronic music. It studies compositions for which the musical text is problematic non-existent, incomplete, insufficiently precise or transmitted in a non-traditional format. Routledge Market: Music April 2017: 234x156: 272pp Hb: 978-1-138-02260-7: £105.00 eBook: 978-1-315-77698-9 * For full contents and more information, visit: www.routledge.com/9781138022607

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Luigi Nono and Musical Thought

Made in Sweden

Jonathan Impett

Studies in Popular Music

Of the composers of the post-war new music, it is Luigi Nono (1924-1990) who has found most resonance with contemporary musicians - with composers, but also sound artists, improvisers and those exploring the implications of technology. At the same time, it is the music of Nono that is most explicitly grounded in previous music and music theory, whether of the Italian cinquecento or Schoenberg. Deep and explicit political commitment is balanced by a passionate humanism; both are embodied in his music as it responds to individual, cultural and political realities. The idea of resistance runs through his work in every respect - a constant challenge to listener, society and musicologist alike. Routledge July 2017: 234x156: 325pp Hb: 978-1-409-45597-4: £105.00 * For full contents and more information, visit: www.routledge.com/9781409455974

Edited by Alf Björnberg, University of Gothenburg, Sweden and Thomas Bossius, University of Gothenburg, Sweden Series: Routledge Global Popular Music Series Made in Sweden serves as a comprehensive and rigorous th introduction to the history, sociology and musicology of 20 century Swedish popular music. The volume consists of essays by leading scholars of Swedish popular music and covers the major figures, styles and social contexts of pop music in Swedish. The book presents a general description of the history and background of Swedish popular music, followed by essays that are organized into thematic sections: The Historical Development of the Swedish Popular Music Mainstream; The Swedishness of Swedish Popular Music; Swedish Artist Personas; and Professionalization and Diversification. Routledge Market: Music / Popular Music / Global Music December 2016: 246x174: 256pp Hb: 978-1-138-93652-2: £90.00 eBook: 978-1-315-54339-0 * For full contents and more information, visit: www.routledge.com/9781138936522

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Mabel Daniels: American Composer in Transition

Magic Realism in Music and Literature

Maryann McCabe

The French-Latin American Axis since 1920

Composer Mabel Daniels wrote fresh-sounding works performed by renowned orchestras and ensembles during her lifetime, but her works have only recently begun to be performed today. Assessing the rich context of American art music of the first half of the twentieth century, this book accounts for why works by American women composers fell out of favour and why they should be performed more today. Daniels’ life and works evidence transition in women’s roles in composition, the professionalization of American women composers, and the role that Daniels played in the institutionalization of American art music. Daniels’ unique dual role as a patron-composer is indicative of her transitional status.

Caroline Rae

Routledge Market: Music July 2017: 234x156: 228pp Hb: 978-1-472-42451-8: £105.00 * For full contents and more information, visit: www.routledge.com/9781472424518

This is the first book to explore the manifestation of myth, magic and mysticism in music since 1920 against a background of the emergent literary movement that has become known as magic realism. The problematic and much debated term, magic realism, has been used in the context of literary and visual arts criticism, as well as that of contemporary cinema, but its relationship to the field of musical composition has been largely overlooked. Caroline Rae demonstrates how writers and composers shared a fascination for ancient mythologies, legend, ritual, Africanism and diverse non-Western traditions, as well as a predilection for the exploration of dislocated time and memory. Their common aim was to revitalise existing forms of expression and thereby to seek creative and spiritual renewal. Routledge October 2017: 234x156: 150pp Hb: 978-0-754-65223-6: £105.00 * For full contents and more information, visit: www.routledge.com/9780754652236

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Made in Hungary

Medieval Music-Drama

Studies in Popular Music

The Fleury Playbook in Context

Edited by Emília Barna and Tamás Tófalvy Series: Routledge Global Popular Music Series Made in Hungary: Studies in Popular Music is a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Hungarian popular music. The volume consists of essays by scholars of Hungarian music, and covers the major figures, styles, and social contexts of pop music in Hungary. The book first presents a general description of the history and background of popular music in Hungary, followed by essays that are organized into thematic sections: Scenes, Culture and Identities; History, Politics and Remembering; and Artists, Receptions and Audiences. Routledge Market: Music / Popular Music / Global Music December 2016: 246x174: 192pp Hb: 978-1-138-91587-9: £95.00 eBook: 978-1-315-68998-2 * For full contents and more information, visit: www.routledge.com/9781138915879

Wyndham Thomas 2018 will mark the 800th anniversary of the consecration of the Abbey of St BenoÃ®t-sur-Loire - or Fleury Abbey - the previous home and namesake of the Fleury Playbook, a collection of 10 medieval music-dramas that has long held been a source of fascination, and not a little perplexity, for scholars in a variety of disciplines: history, music history, literary studies, art history in particular. The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Routledge July 2017: 234x156: 213pp Hb: 978-1-472-43768-6: £95.00 * For full contents and more information, visit: www.routledge.com/9781472437686

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Microtonality and the Tuning Systems of Erv Wilson

Music and Empathy Edited by Elaine King and Caroline Waddington Series: SEMPRE Studies in The Psychology of Music

Mapping the Harmonic Spectrum Terumi Narushima, University of Wollongong, Australia Series: Routledge Studies in Music Theory

In recent years, empathy has received considerable research attention as a means of understanding a range of psychological phenomena. Music and Empathy seeks to promote and stimulate further research, exposing current developmental, cognitive, social and philosophical perspectives, and considers the notion in relation to our engagement with different types of music and media. Following a Prologue, the volume presents twelve chapters in two main areas of enquiry, entitled ’Empathy and Musical Engagement’ and ’Empathy in Performing Together’, and will be of interest to music educators, musicologists, performers and practitioners, as well as scholars with an interest

This book examines microtonality through the tuning theories of Erv Wilson. Providing new insights into common practice harmony and scales in global music, it addresses the breadth and complexity of his work by using microtonal keyboard designs to investigate his tuning concepts and their practical applications. It considers materials from historical and experimental tunings to instrument design, and musical applications of mathematical theories and multidimensional geometry. It joins theoretical and practical methods of tuning to enable composers, performers, and instrument designers to explore microtonality, contributing to Music Theory, Composition, Technology, and Ethnomusicology. Routledge Market: Music Theory October 2017: 229 x 152: 228pp Hb: 978-1-138-85756-8: £90.00 eBook: 978-1-315-71858-3 * For full contents and more information, visit: www.routledge.com/9781138857568

in empathy research. Routledge Market: Music March 2017: 234x156: 376pp Hb: 978-1-472-44580-3: £95.00 eBook: 978-1-315-59658-7 * For full contents and more information, visit: www.routledge.com/9781472445803

TEXTBOOK

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Monetizing Entertainment

Music and Irish Identity

An Insider's Handbook for Careers in the Entertainment & Music Industry

Celtic Tiger Blues

Larry Wacholtz

Gerry Smyth Series: Ashgate Popular and Folk Music Series

Designed to show the music industry’s transition from a traditional business model to a more entrepreneurial "do it yourself" model, Monetizing Entertainment reflects on the current state of the music business and emerging trends. Through careful observation, Larry Wacholtz examines a variety of topics within the industry, including the traditional creative music industry and its business models, the supporting industries, intellectual property rights, the creative destruction of the traditional music and entertainment industry, and the existing gap between creative artists and industry businesses. Focal Press Market: Music Business November 2016: 235 x 191: 622pp Hb: 978-1-138-88604-9: £120.00 Pb: 978-1-138-88601-8: £54.99 eBook: 978-1-315-71392-2 * For full contents and more information, visit: www.routledge.com/9781138886018

Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth focusing on the ways in which music engages with various aspects of Irish identity. The nature of popular music and the identities it supposedly articulates have both undergone profound change: the first as a result of technological and wider industrial changes in the organisation and dissemination of music, the second as a consequence of Ireland’s fall from economic grace after the demise of the ’Celtic Tiger’, and the ensuing crisis of national identity. The book will be of seminal importance to all interested in popular music, cultural studies and the wider fate of Ireland in the twenty-first century. Routledge Market: Music October 2016: 234x156: 178pp Hb: 978-1-472-44272-7: £95.00 eBook: 978-1-315-59663-1 * For full contents and more information, visit: www.routledge.com/9781472442727

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Music - Psychoanalysis - Musicology

Music and Modernity in French Literature from 1860 to 1922: Baudelaire, Mallarmé, Proust

Samuel Wilson There is a growing interest in what psychoanalytic theory brings to studying and researching music. Bringing together established scholars within the field, as well as emerging voices, this collection outlines and advances psychoanalytic approaches to our understanding of a range of musics - from the medieval to the romantic and the modernist, and onwards to the contemporary popular. Drawing on the work of Freud, Lacan, Jung, Zizek, Barthes, and others, it demonstrates the efficacy of psychoanalytic theories in fields such as music analysis, music and culture, and musical improvisation. It engages debates about both the methods through which music is understood and the situations in which it is experienced, including those of performance and listening. This collection is an invaluable resource for students, lecturers, researchers and anyone else interested in the intersections between music, psychoanalysis, and musicology. Routledge August 2017: 234x156: 204pp Hb: 978-1-472-48583-0: £60.00 * For full contents and more information, visit: www.routledge.com/9781472485830

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Mary Breatnach The belief that musicians and music were equal, both artistically and socially, with writers and literature, first emerged in German philosophy in the last quarter of the eighteenth century. This belief marked a crucial turning point in the perception of music's status among the arts. Following a lead set by philosophers, artists, and especially writers, began to view music as the supreme art. Alongside this, another phenomenon emerged: a group of writers, including Tieck, Novalis, E.T.A. Hoffman and Jean Paul, set about creating a literary language that would, according to one commentator, 'emulate music, substituting a symphonic form for the structural principles of plot, argument, or exposition'. Here Mary Breatnach focuses on the place of music in the aesthetics of Baudelaire, Mallarmé and Proust, examining a hitherto unexplored link between these writers' musical interests and their articulation of new and highly personal concepts of art and literature. Routledge August 2017: 234x156: 246pp Hb: 978-0-754-65422-3: £105.00 * For full contents and more information, visit: www.routledge.com/9780754654223

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Music and the Idea of the North

Music in Comedy Television

Edited by Rachel Cowgill

Notes on Laughs

Northern identities - particularly when constructed as foils to the 'The South' in different regions, cultures and communities - have been the focus of considerable attention in recent years among cultural historians and commentators, several of whom are represented in this collection. Yet despite its prominence in the discourse of north-south relations, the role of music in producing and articulating notions of northernness has not been discussed in detail. This collection represents the first dedicated exploration of this theme, drawing on northern English, Scottish, Canadian, and Scandinavian identities, as well as north-south dynamics in a European context, to uncover connections and contradictions in the musical experience and expression of northernness across the globe.

Edited by Liz Giuffre and Philip Hayward, Southern Cross University, Australia Series: Routledge Music and Screen Media Series

Routledge October 2017: 234x156: 295pp Hb: 978-1-409-42291-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781409422914

The study of television and music has expanded greatly in recent years, yet to date no book has focused on the genre of comedy television as it relates to music. Music in Comedy Television: Notes on Laughs fills that gap. With contributions from an array of established and emerging scholars, the twelve essays included range over a wide variety of topics and television shows to capture the latest research in this growing area of study. From Sesame Street to Saturday Night Live, this book offers the perfect introduction for students and scholars in music and media studies seeking to understand the role of music in comedy onscreen and how it relates to the wider culture. Routledge Market: Music Studies/Television March 2017: 229 x 152: 240pp Hb: 978-1-138-19356-7: £85.00 Pb: 978-1-138-19358-1: £29.99 eBook: 978-1-315-63928-4 * For full contents and more information, visit: www.routledge.com/9781138193581

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Music at the Maison Royale de Saint-Louis at Saint-Cyr

Music in Contemporary Indian Film

Deborah Kauffman The history of music at the Maison royale de Saint-Louis at Saint-Cyr-the famous convent school founded by Madame de Maintenon and established by Louis XIV in 1686 as a royal foundation-is both rich and intriguing; its large repertory of music was composed expressly for young female voices by important composers working within significant contemporary musical genres: liturgical chant, sacred motets, theatrical music, and cantiques spirituels. While these genres reflect contemporary styles and trends, at the same time the works themselves were made to conform to the sensibilities and abilities of their intended performers. Although Jean-Baptiste Moreau's music for the biblical tragedies by Jean Racine shows the influence of contemporary opera, it more closely resembles works written for and performed at the Jesuit collèges for boys. Routledge October 2017: 234x156: 244pp Hb: 978-1-409-45053-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781409450535

Memory, Voice, Identity Edited by Jayson Beaster-Jones, University of California, Merced, USA and Natalie Sarrazin Series: Routledge Music and Screen Media Series Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. An international array of scholars explores the social, cultural, and musical aspects of the industry in post-liberalization India, including both the traditional center of "Bollywood" and regional film-making. This book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films. Routledge Market: Music / Film and Media Studies October 2016: 229 x 152: 212pp Hb: 978-1-138-92935-7: £85.00 Pb: 978-1-138-92936-4: £31.99 eBook: 978-1-315-68128-3 * For full contents and more information, visit: www.routledge.com/9781138929364

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2nd Edition • NEW EDITION

Music Festivals in the UK

Music of the Soviet Era: 1917–1991

Beyond the Carnivalesque Chris Anderton Series: Ashgate Popular and Folk Music Series The popular music festival market has developed and expanded over the past twenty years to become a highly significant part of the British summertime leisure experience. Research produced by UK Music (2011) estimates that music festivals boost the UK economy by over Â£850 million per annum and that the sector sustains nearly 20,000 full time jobs. Over 800 events are staged annually in the UK, of which over 300 are outdoor greenfield events, ranging from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to very small scale ’boutique’ events with maximum attendances as few as 250 people. It is these outdoor events (at all scales) that this book addresses. To date, research on festivals has typically focused either on the carnivalesque heritage of music festivals, or on developing managerial tools for the field of Events Management. Anderton moves beyond these perspectives to open the discussion out into other ways to understand and theorise the culture. Routledge October 2017: 234x156: 203pp Hb: 978-1-472-43620-7: £105.00 * For full contents and more information, visit: www.routledge.com/9781472436207

Levon Hakobian Series: Routledge Russian and East European Music and Culture This comprehensive survey of music and musical life of the entire Soviet era, from 1917 to 1991, takes into account the extensive body of scholarly literature in Russian and other major European languages. In this considerably updated and revised edition of his 1998 publication, Hakobian traces the strikingly dramatic development of the music created by outstanding and less well-known, ‘modernist’ and ‘conservative’, ‘nationalist’ and ‘cosmopolitan’ composers of the Soviet era. The book’s three parts explore, respectively, the musical trends of the 1920s, music and musical life under Stalin, and the so-called ’Bronze Age’ of Soviet music after Stalin’s death. Routledge Market: Music December 2016: 234x156: 512pp Hb: 978-1-472-47108-6: £120.00 eBook: 978-1-315-59682-2 * For full contents and more information, visit: www.routledge.com/9781472471086

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Music Video After MTV

Musicians and their Audiences

Audiovisual Studies, New Media, and Popular Music

Performance, Speech and Mediation

Mathias Bonde Korsgaard, Aarhus University, Denmark Series: Routledge Research in Music

Ioannis Tsioulakis and Elina Hytönen-Ng

Music Video After MTV delves into the changing landscapes surrounding post-millennial music video. Across seven chapters, the book addresses core issues relating to the study of music videos, including the history, analysis, and audiovisual aesthetics of music videos, providing an inspiring range of case studies. Routledge Market: Music May 2017: 234x156: 248pp Hb: 978-1-138-67060-0: £105.00 eBook: 978-1-315-61756-5 * For full contents and more information, visit: www.routledge.com/9781138670600

How do musicians play and talk to audiences? Why do audiences listen and what happens when they talk back? How do new (and old) technologies affect this interplay? This book presents a long overdue examination of the turbulent relationship between musicians and audiences. The four parts of the book each address a different stage of the relationship between musicians and audiences, showing its processable nature: from conceptualisation to performance, and through mediation to off-stage discourses. The musician/audience conceptual division is shown, throughout the book, to be as problematic as it is persistent. Routledge Market: Music December 2016: 234x156: 226pp Hb: 978-1-472-45693-9: £100.00 eBook: 978-1-315-59701-0 * For full contents and more information, visit: www.routledge.com/9781472456939

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Music, Modern Culture and the Critical Ear

Myths of National Identity in Contemporary Australian Opera

Nicholas Attfield and Ben Winters In his 1985 book The Idea of Music: Schoenberg and Others, Peter Franklin set out a challenge for musicology: namely, how best to talk and write about the music of modern European culture that fell outside of the modernist mainstream typified by Schoenberg, Berg, and Webern? Thirty years on, this collected volume of essays by Franklin’s students and colleagues returns to that challenge and the vibrant intellectual field that has since developed from it. Moving freely between insights into opera, Volksoper, film, festival, and choral movement, and from the very earliest years of the twentieth century up to the 1980s, its authors listen with a ’critical ear’: they site these musical phenomena within a wider web of modern cultural practices - a perspective, in turn, that enables them to exercise a disciplinary self-awareness after Franklin’s manner. Routledge August 2017: 234x156: 260pp Hb: 978-1-472-47686-9: £95.00 * For full contents and more information, visit: www.routledge.com/9781472476869

Michael Halliwell Series: Ashgate Interdisciplinary Studies in Opera Opera has been performed in Australia for more than two hundred years, yet none of the operas written before the Second World War have become part of the repertoire, and it is only in the late 1970s and early 1980s that there is evidence of the successful systematic production of indigenous opera. The premiere of Voss by Richard Meale and David Malouf in 1986 (based on the novel by Nobel-Prize winning author Patrick White) was a watershed in the staging and reception of new opera, and there has been a diverse series of new works staged in the last thirty years, not only by the national company, but also by thriving regional institutions. The emergence of a thriving operatic tradition in contemporary Australia is inextricably enmeshed in Australian cultural consciousness and issues of national identity. In this study of 10 representative contemporary operas, Michael Halliwell elucidates the ways in which the operas reflect and engage with the issues facing contemporary Australians. Routledge Market: Music July 2017: 234x156: 249pp Hb: 978-1-472-43327-5: £105.00 * For full contents and more information, visit: www.routledge.com/9781472433275

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Music, Time, and Its Other Aesthetic Reflections on Finitude, Temporality, and Alterity

New Approaches to Analysis in Music Psychology and Education Research using Zygonic Theory

Roger W. H. Savage, University of California, Los Angeles, USA Series: Routledge Research in Music

Adam Ockelford and Graham Welch Series: SEMPRE Studies in The Psychology of Music

This book explores how music shapes affective dimensions of our experiences in response to the difference between time and its other. Taking account of competing concepts of time, Savage relates music’s power of expression to the disproportion between our temporally finite existence and eternity. He examines a range of compositions that stake out the borderlines between time and the alterity of an order that surpasses it. By showing how works by Bach, Carolan, Debussy, Schoenberg, Messiaen, and Glass give voice to time’s deficiency in relation to the nonbeing of time, Savage sets out a new approach to music, aesthetics, politics, and the critical roles played by judgment and imagination.

This book is essential reading for those working in the fields of music psychology or music education research. A novel applied-musicological approach is applied to the analysis of data, which enables genuinely musical insights to emerge in a range of real-life contexts in which engagement with music occurs. The topics covered include a new study on pattern detection in music, an exploration of the expectations generated through groups of notes, an investigation into the cognitive processes involved in rehearing pieces, a consideration of the learning strategies used by a musical savant, an attempt ot gauge the level of intentionality present in the improvisations of a boy with autism, a study of the impact of gender on children's group improvisation, a report on research into the relationship between music, language and autism, and the presentation of a new model on the emergence of musical abilities in the early years.

Routledge Market: Music July 2017: 229 x 152: 228pp Hb: 978-1-138-67966-5: £105.00 eBook: 978-1-315-56347-3 * For full contents and more information, visit: www.routledge.com/9781138679665

Routledge October 2017: 234x156: 225pp Hb: 978-1-472-47358-5: £55.00 * For full contents and more information, visit: www.routledge.com/9781472473585

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New Channels of Music Distribution

Perspectives on German Popular Music

C. Michael Brae With an example-driven, hands-on approach, New Channels of Music Distribution offers a practical, comprehensive study of the music industry’s evolving distribution system. While paying careful attention to the variables that impact success, the book examines the functionality and components of music distribution, as well as the music industry as a whole while providing insightful strategies for executing marketing, radio, retail campaigns, and much more. Author C. Michael Brae introduces specific methods and strategies for distributing music through out every platform possible through case studies and discussions that help you increase an effective "sell-through" on your music. Focal Press Market: Music Business April 2017: 235 x 191: 274pp Hb: 978-1-138-12419-6: £95.00 Pb: 978-1-138-12418-9: £24.99 eBook: 978-1-315-64834-7 * For full contents and more information, visit: www.routledge.com/9781138124189

Edited by Michael Ahlers and Christoph Jacke Series: Ashgate Popular and Folk Music Series In this book, native popular musicologists focus on their own popular music cultures from Germany, Austria and Switzerland for the first time: from subcultural to mainstream phenomena; from the 1950s to contemporary acts. Starting with an introduction and two chapters on the histories of German popular music and its study, the volume then concentrates on focused, detailed and yet concise close readings from different perspectives (including particular historical East and West German perspectives), mostly focusing on the music and its protagonists. The book, as a consequence, will show close connections between global and local popular music cultures and diverse traditions of study. Routledge Market: Music December 2016: 234x156: 320pp Hb: 978-1-472-47962-4: £105.00 eBook: 978-1-315-60020-8 * For full contents and more information, visit: www.routledge.com/9781472479624

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Paul Bekker's Musical Ethics

Popular Music Preservation in Community Archives, Museums, and Halls of Fame

Nanette Nielsen German music critic and opera producer Paul Bekker (1882-1937) is a rare example of a critic granted the opportunity to turn his ideas into practice. In this first full-length study of Bekker in English, Nannette Nielsen investigates Bekker’s theory and practice in light of ethics and aesthetics, in order to uncover the ways in which these intersect in his work and contributed to the cultural and political landscape of the Weimar Republic. By linking Beethoven’s music to issues of freedom and individuality, at the same time that he argues for its potential to unify the masses, Bekker had already in 1911 begun to construct the ethical framework for his musical sociology and opera aesthetics. Nielsen discusses some of the complex (and conflicting) layers of modernism and conservatism in Bekker that would have a continued presence in his work and its reception throughout his career. Routledge August 2017: 234x156: 184pp Hb: 978-1-472-48622-6: £95.00 * For full contents and more information, visit: www.routledge.com/9781472486226

A DIY Approach to Heritage Sarah Baker, Griffith University, Australia Series: Routledge Research in Music This book examines DIY approaches to the collection, preservation, and display of popular music heritage by volunteers in community archives, museums, and halls of fame globally. Visiting 24 institutions, it highlights the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. The book highlights how DIY institutions build upon national heritage strategies at the community level and have the capacity to contribute to the democratization of popular music heritage. It will appeal to a range of scholars in popular music, archive studies, museum studies, cultural heritage studies, cultural sociology, and media studies. Routledge Market: Music September 2017: 234x156: 208pp Hb: 978-1-138-96120-3: £105.00 eBook: 978-1-315-65992-3 * For full contents and more information, visit: www.routledge.com/9781138961203

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Performing Homer: The Voyage of Ulysses from Epic to Opera

Popular Music Theory and Analysis

Eleonora Stoppino and Wendy Heller Series: Ashgate Interdisciplinary Studies in Opera

Thomas Robinson Series: Routledge Music Bibliographies

The epic poems, The Iliad and The Odyssey, attributed to Homer, are among the oldest surviving works of literature derived from oral performance. Deeply embedded in these works is the notion that they were intended to be heard: there is something musical about Homer's use of language and a vivid quality to his images that transcends the written page to create a theatrical experience for the listener. Indeed, it is precisely the theatrical quality of the poems that would inspire later interpreters to cast the Odyssey and the Iliad in a host of other media-novels, plays, poems, paintings, and even that most elaborate of all art forms, opera, exemplified by no less a work than Monteverdi's Il ritorno di Ulisse. In Performing Homer: The Voyage of Ulysses from Epic to Opera scholars in Classics, Drama, Italian Literature, Art History, and Musicology explore the journey of Homer's Odyssey from ancient to modern times.

Popular Music Theory and Analysis: A Research and Information Guide uncovers the wealth of scholarly works dealing with the theory and analysis of popular music. This annotated bibliography is an exhaustive catalog of music-theoretical and musicological works that is searchable by subject, genre, and song title. It will support emerging scholarship and inquiry for future research on popular music.

A Research and Information Guide

Routledge Market: MUSIC / REFERENCE April 2017: 229 x 152: 360pp Hb: 978-1-138-20632-8: £105.00 * For full contents and more information, visit: www.routledge.com/9781138206328

Routledge October 2017: 234x156: 244pp Hb: 978-1-409-44563-0: £95.00 * For full contents and more information, visit: www.routledge.com/9781409445630

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2nd Edition • TEXTBOOK • NEW EDITION

Popular Music, Cultural Politics and Music Education in China

Revisiting Music Theory Basic Principles Alfred Blatter, Curtis Institute of Music, USA

Wai-Chung Ho Series: Ashgate Popular and Folk Music Series To date, no single publication has addressed the interplay of sociopolitical transformations underlying the development of popular music and music education in the multilevel culture of China. Before the implementation of new curriculum reform in China, there was neither Chinese nor Western popular music in textbook materials.Popular culture had long been prohibited in school music education by China’s strong revolutionary orientation, which feared ’spiritual pollution’ by Western cultures.This book addresses the power and potential use of popular music in school music education as a producer and reproducer of cultural politics in the music curriculum in the mainland. Routledge Market: Music December 2016: 234x156: 198pp Hb: 978-1-472-47654-8: £95.00 eBook: 978-1-315-60144-1 * For full contents and more information, visit: www.routledge.com/9781472476548

Revisiting Music Theory: Basic Principles, Second Edition, surveys the basics of music theory and explains the terms used in harmonic and formal analysis in a clear and concise manner. Students will find Revisiting Music Theory to be an essential resource for review or reference, while instructors of introductory theory courses will find in these pages a solid foundation for cultivating musical thinking. Musicians of all kinds—amateur and professional alike—will find great value in augmenting and informing their knowledge of the art of music theory. Routledge Market: Music Theory December 2016: 254 x 203: 414pp Hb: 978-1-138-91588-6: £95.00 Pb: 978-1-138-91589-3: £29.99 eBook: 978-1-315-68997-5 Prev. Ed Pb: 978-0-415-97440-0 * For full contents and more information, visit: www.routledge.com/9781138915893

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Punk Pedagogies in Practice

Samuel Beckett, Repetition and Modern Music

Edited by Gareth Dylan Smith, Michael Dines and Tom Parkinson

John McGrath

Punk Pedagogies in Practice brings together a collection of international authors exploring possibilities, practices and implications of "punk pedagogies." It presents a breadth of interdisciplinary perspectives, making it relevant and motivating to both instructors and students by affording them proven pedagogical practices. Challenging perspectives on punk pedagogies are discussed in theory and in practice, taking readers on a journey exploring the ‘what,’ ‘how’/’where,’ and ‘why’ of the subject area.

Music abounds in twentieth-century Irish literature. Whether it be the ’thought-tormented’ music of Joyce’s ’The Dead’, or the four-part threnody in Beckett’s Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other in the incorporation of musical ideas into his work. John McGrath discusses the ways in which Beckett utilized extreme repetition to create texts that operate and are received more like music. An investigation into how this Beckettian ’musicalized fiction’ has been retranslated into contemporary music forms the second half of the book.

Routledge Market: Music / Popular Music August 2017: 229 x 152: 304pp Hb: 978-1-138-27987-2: £95.00 Pb: 978-1-138-27988-9: £32.99 eBook: 978-1-315-27625-0 * For full contents and more information, visit: www.routledge.com/9781138279889

Routledge Market: Music August 2017: 234x156: 244pp Hb: 978-1-472-47537-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781472475374

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Research-Creation in Music

Schnittke Studies

Towards a Collaborative Interdiscipline

Edited by Gavin Dixon

Sophie Stévance and Serge Lacasse Series: SEMPRE Studies in The Psychology of Music

Alfred Schnittke (1934-1998) was arguably the most important Russian composer since Shostakovich, and his music has generated a great deal of academic interest in the years since his death. Schnittke Studies provides a variety of perspectives on the composer and his music. This volume demonstrates the range of academic approaches being applied to Schnittke’s work and the insights they provide, covering: polystylism, for which Schnittke is best known, the significance of the composer’s Christian faith, detailed formal analyses of key works, with connections drawn between the apparently divergent periods of the composer’s career.

Since the 1970s, the landscape of higher education in Quebec and elsewhere has been considerably altered by the integration of the arts within the university environment. What circumstances led to the introduction of artistic creation into this knowledge-producing institution? Even though a form of research is inherent to artistic creation, the creative process is not comparable to the established procedures involved in academic research. As such, how can the imperatives of intellectual (and sometimes restrictive) rigour characteristic of scholarly endeavours be reconciled with the more explorative and intuitive approach of artistic creation? The concept of ’research-creation’ allows musicians and scholars to collaborate on a common project, acknowledging each participant’s expertise in the production of an artistic work that either generates theoretical reflections or has emerged from academic research. Routledge July 2017: 234x156: 205pp Hb: 978-1-472-48607-3: £50.00

Routledge Market: Music November 2016: 234x156: 274pp Hb: 978-1-472-47105-5: £95.00 eBook: 978-1-315-60770-2 * For full contents and more information, visit: www.routledge.com/9781472471055

* For full contents and more information, visit: www.routledge.com/9781472486073

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Scholarly Research for Musicians

Sociology for Music Teachers

Sang-Hie Lee, University of South Florida, USA

Practical Applications

Scholarly Research for Musicians presents a range of research methods and techniques, incorporating both the common elements of traditional music research methodologies with innovative research strategies endemic to the fields of social science, education, and performance science. The author’s collaborative and interdisciplinary approach reinforces the belief that research is most palpable and successful when accessed through a relevant and meaningful way of organizing thoughts and knowledge. Scholarly Research for Musicians demystifies the research process for musicians and music students alike, demonstrating the common principles of cohesive research

Hildegard Froehlich, University of North Texas and Gareth Dylan Smith

plans. Routledge Market: Music January 2017: 254 x 178: 182pp Hb: 978-1-138-20888-9: £95.00 Pb: 978-1-138-20889-6: £34.99 eBook: 978-1-315-45809-0 * For full contents and more information, visit: www.routledge.com/9781138208896

Sociology for Music Teachers: Practical Applications, Second Edition, outlines the basic concepts relevant to understanding music teaching and learning from a sociological perspective. It demonstrates the relationship of music to education, schooling, and society, examining the consequences for making instructional choices in teaching methods and repertoire selection. The authors look at major theories and concepts relevant to music education, texts in the sociology of music, and thoughts of selected ethnomusicologists and sociologists. The new edition takes a global approach and includes the application of sociological theory to contexts beyond the classroom. Routledge Market: Music April 2017: 229 x 152: 200pp Hb: 978-1-138-22450-6: £95.00 Pb: 978-1-138-22451-3: £32.99 eBook: 978-1-315-40234-5 * For full contents and more information, visit: www.routledge.com/9781138224513

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Scoring the Score

Sound, Sin, and Victorian Religious Conversion

The Role of the Orchestrator in the Contemporary Film Industry

Julia Grella O'Connell Series: Music in Nineteenth-Century Britain

Ian Sapiro, University of Leeds, UK Scoring the Score is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestratorshave not received significant critical exposure in film music research, yet are crucial to the production of a film’s score. Drawing on interviews with American and British orchestrators, Scoring the Score aims to expose this often hidden profession through a rigorous examination of the creative process, working practices, and analysis of the skills, training and background common to orchestrators, and will appeal to scholars, students, and practitioners of film music. Routledge Market: Music/Film Studies November 2016: 229 x 152: 220pp Hb: 978-0-415-72322-0: £85.00 Pb: 978-0-415-72323-7: £29.99 eBook: 978-1-315-85782-4 * For full contents and more information, visit: www.routledge.com/9780415723237

The figure of the fallen woman was at the very forefront of the Victorian social and literary conscience. And the theme permeates the visual arts and music as well. Julia Grella O’Connell draws upon music iconography, patristic theology, and the social history of female fallenness in an investigation of historical perceptions of the states of sin and grace, the possibility of flux between them, and the manner in which these concepts were represented in Victorian art and literature, with particular reference to the role played in these representations by music. O’Connell seeks to locate what she calls the music-sin-redemption topos in the patristic era and to demonstrate its persistence into modern times. Routledge September 2017: 234x156: 258pp Hb: 978-1-472-41084-9: £95.00 * For full contents and more information, visit: www.routledge.com/9781472410849

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Singing Death: Reflections on Music and Mortality

Sources and Style in Moore’s Irish Melodies

Edited by Helen Dell, University of Melbourne, Australia and Helen Hickey, University of Melbourne, Australia This book engages with the question of how music expresses and responds to the profound existential disturbance that death and loss present to the living. Singing Death ranges across genres from medieval love song to twenty-first-century horror film music. Each chapter offers readers an encounter with music as a distinct way of speaking or responding to human mortality. The chapters cover a wide range of disciplines: musicology, ethnomusicology, literature, history, philosophy, film studies, psychology and psychoanalysis. The collection is accompanied by a website including some of the music associated with each of its chapters. Routledge Market: Music April 2017: 234x156: 256pp Hb: 978-1-472-47440-7: £95.00 eBook: 978-1-315-30211-9 * For full contents and more information, visit: www.routledge.com/9781472474407

Una Hunt Once regarded as Ireland’s national bard, Thomas Moore's reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies. At home and abroad, these 124 songs created a realm of influence that continued to define Irish culture throughout the nineteenth century and into the twentieth. In this book, Una Hunt provides the first detailed assessment from a combined musical and literary standpoint, contextualizing the songs through an examination of their ‘sources’ and ‘style’. Further attention is given to the collaborative work of composers Sir John Stevenson and Henry Rowley Bishop and the study is completed by a reappraisal of the musical sources. Routledge Market: Music February 2017: 234x156: 212pp Hb: 978-1-409-40561-0: £95.00 eBook: 978-1-315-44300-3 * For full contents and more information, visit: www.routledge.com/9781409405610

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Studies in Historical Improvisation

The Arts and Culture of the American Civil War Edited by James A. Davis

From Cantare super Librum to Partimenti

Art and the American Civil War explores the way the arts - theatre, music, fiction, poetry, painting, architecture and dance - were influenced by the war, as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped - and was shaped by - veterans long after the war.

Edited by Massimiliano Guido In recent years, scholars and musicians have become increasingly interested in the revival of musical improvisation as it was known in the Renaissance and Baroque periods. This historically informed practice is now supplanting the late Romantic view of improvised music as a rhapsodic endeavour that dominated throughout the twentieth century. Throughout its various sections, this volume explores the path of improvisation from theory to practice and back again. It offers the first systematic exploration of the close relationship among improvisation, music theory and practical musicianship from late Renaissance into the Baroque era. Routledge Market: Music January 2017: 234x156: 220pp Hb: 978-1-472-47327-1: £95.00 eBook: 978-1-315-61113-6 * For full contents and more information, visit: www.routledge.com/9781472473271

Routledge Market: Music November 2016: 234x156: 218pp Hb: 978-1-472-45451-5: £95.00 eBook: 978-1-315-43825-2 * For full contents and more information, visit: www.routledge.com/9781472454515

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Studies on Manuel de Falla

The Body in Music

Michael Christoforidis

Jane W. Davidson and Mary C. Broughton Series: SEMPRE Studies in The Psychology of Music

This collection of seventeen essays represents twelve-years of research into the music of one of Spain's most important composers, Manuel de Falla. Michael Christoforidis is widely recognized as a leading expert on Falla and this volume brings together both new and previously published work, much of which is here made available in English for the first time. The book opens with an introductory essay which provides a biographical outline of the composer and examines the characterisation of both him and his music by commentators over the years. The essays which follow are divided into sections which deal with Falla's interest in Debussy, in the evolution of an Hispanic musical style, issues of Spanish nationalism and identity in his music, and his use of traditional forms such as flamenco. Routledge July 2017: 234x156: 210pp Hb: 978-0-754-63193-4: £95.00 * For full contents and more information, visit: www.routledge.com/9780754631934

The Body in Music is a groundbreaking music psychology text innovatively marrying perspectives from western music performance practice and pedagogy with those spanning experimental to social research. Founded on a significant heritage of artistic practice, it reinvigorates traditional ideas with fresh knowledge garnered from the burgeoning field of inquiry into the role of the body in generating, communicating, and perceiving performance. An exemplar vignette, crafted from the authors’ shared performance experience, sets the tone for the work, embedding it in an established socio-cultural context. Case-study driven chapters strive to reconcile empirical work and performance practice. Woven together, they form a narrative journeying the multi-dimensional roles of bodily engagement with music performance. Routledge August 2017: 234x156: 165pp Hb: 978-1-472-48232-7: £55.00 * For full contents and more information, visit: www.routledge.com/9781472482327

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The Art Songs of Louise Talma

The Creation of Beethoven's 35 Piano Sonatas

Kendra Leonard Series: CMS Sourcebooks in American Music

Barry Professor Cooper Series: Ashgate Historical Keyboard Series

The Art Songs of Louise Talma represents some of Talma’s finest compositions and those most frequently performed, which have found a place in the repertoires of choirs ranging from amateur ensembles to professional groups. Talma’s works for a single voice and piano have been celebrated by distinguished singers, but a complete collection of her works for voice and piano has never been published. These scores are now part of the Louise Talma Collection at the Library of Congress, now fully catalogued for the first time. The collection includes an analysis of structures and text-setting, as well as additional sources for information on Talma’s vocal works.

Beethoven’s piano sonatas are a cornerstone of the piano repertoire and have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, examines each sonata in turn, drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence. Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about.

Routledge Market: MUSIC / REFERENCE May 2017: 254 x 178: 232pp Hb: 978-1-138-70716-0: £79.99 eBook: 978-1-315-20149-8 * For full contents and more information, visit: www.routledge.com/9781138707160

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works themselves. Routledge Market: Music April 2017: 234x156: 304pp Hb: 978-1-472-41431-1: £95.00 Pb: 978-1-472-41432-8: £29.99 eBook: 978-1-315-61508-0 * For full contents and more information, visit: www.routledge.com/9781472414328

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The Ethnomusicology Reader

The Music of Franz Liszt

Volume II

Stylistic Development and Cultural Synthesis

Edited by Jennifer Post

Michael Saffle

The Ethnomusicology Reader: Volume II provides an overview of developments of the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. It highlights the relation between current issues in the discipline and ethnomusicologists’ engagement with diverse forms of advocacy, such as poverty and social participation, maintaining intangible cultural heritages and ecological concerns. Furthermore, it provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume 1 published ten years ago.

Much of Franz Liszt's musical legacy has often been dismissed as 'trivial,' 'puerile,' or 'merely showy,' more or less eccentric contributions to nineteenth-century European culture. But Liszt was a mainstream composer in ways most of his critics have failed to acknowledge; he was also an incessant and often extremely successful innovator. Liszt's mastery of genre, fantasy, and sonata traditions, his painstaking settings of texts ranging from erotic verse to portions of the Catholic liturgy, and the remarkable self-awareness he demonstrated even in many of his most 'entertaining' pieces stamp him not only as a master of Romanticism and an early Impressionist, but as a precursor of Postmodern 'pop.' Liszt's Music places Liszt in historical and cultural focus. At the same time, it examines his principal contributions to musical literature and thinking -- from his earliest operatic paraphrases to his final explorations of harmonic and formal possibilities.

Routledge Market: Music / Ethnomusicology April 2017: 254 x 178: 384pp Hb: 978-1-138-21787-4: £93.00 Pb: 978-1-138-21788-1: £39.99 * For full contents and more information, visit: www.routledge.com/9781138217881

Routledge August 2017: 234x156: 230pp Hb: 978-1-409-41173-4: £105.00 * For full contents and more information, visit: www.routledge.com/9781409411734

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2nd Edition • NEW EDITION

The Genesis and Development of an English Organ Sonata

The Music of Malaysia The Classical, Folk and Syncretic Traditions

Iain Quinn Series: Royal Musical Association Monographs

Patricia Matusky and Tan Sooi Beng Series: SOAS Musicology Series

This volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. Begins by examining the legacy of the keyboard sonata in Britain, Quinn explores the veneration of Bach, Mozart and Beethoven as composers wrote ‘portfolio’ sonatas to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. This book argues that British organist-composers who studied at the Leipzig Conservatorium had a direct influence on the organ culture at home, laying the ground for the seminal work in the genre, Elgar’s Sonata of 1895.

The Music of Malaysia, first published in Malay in 1997 and followed by an English edition in 2004 is still the only history, appreciation and analysis of Malaysian music available in English. The book categorizes the types of music genres in Malaysian society and provides an overview of the development of music in that country. Analyses of the music are illustrated with examples transcribed from original field recordings. Genres discussed include theatrical and dance forms, percussion ensembles, vocal and instrumental music and classical music. This new, fully revised edition includes time lines, listening guides and two audio CDs of recordings that are analysed and discussed

Routledge Market: Music February 2017: 140pp Hb: 978-1-138-20382-2: £95.00 * For full contents and more information, visit: www.routledge.com/9781138203822

in the text. Routledge Market: Music April 2017: 234x156: 440pp Hb: 978-1-472-46504-7: £105.00 eBook: 978-1-315-22302-5 * For full contents and more information, visit: www.routledge.com/9781472465047

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The History of A Baroque Oratorio

'The New Teaching'

Johann Joseph Fux's La Deposizione dalla Croce di Gesu Cristo, Salvator Nostro (1728)

Heinrich Schenker's Compositional and Analytical Work with Reinhard Oppel, Hans Weisse, and Wilhelm Furtwangler 1928-1935

Harry White

Timothy Jackson

The History of a Baroque Oratorio examines the internal dynamics and cultural history of Fux's La Deposizione dalla Croce as a definitive examplar of the Viennese sepolcro oratorio. With the sovereign exception of masterworks by Bach, Handel, and Vivaldi, the scholarly literature on baroque music is strikingly characterised by a tendency to assimilate individual works within broad, generic studies, rather than to recover the reception of such works as self-standing entities. This book, by contrast, affords an opportunity to consider for the first time the historical and aesthetic integrity of a single work from the tradition of the Viennese oratorio. It thereby affords a vital space in which to examine not only the tradition itself, but also the self-contained aesthetic object which derives from this tradition as a substantive whole. Written as the prelude to a fundamental evaluation of Fux's musical discourse.

Schenkerian theory has become recognized internationally as a valuable method of music analysis. But Viennese theorist Heinrich Schenker (1868-1935) also evolved a 'New Teaching' ('die neue Lehre') which was as organic as the theory itself, and as novel in the connections that it sought to draw between the increasingly individuated disciplines of theory, composition, musicology and performance. This book describes Schenker's teaching of three of his most advanced colleagues, Reinhard Oppel, Hans Weisse and Wilhelm Furtwangler, in the early 1930s and has important ramifications for the current and future dissemination of the Schenkerian approach. This examination of Schenker's teaching methods was made possible by Timothy Jackson's discovery in 1995 of a major collection of papers, books and documents belonging to Oppel. In conjunction with documents preserved in the Salzer, Oster and Jonas Collections these 'new' sources shed considerable light on the development of the 'New Teaching'.

Routledge August 2017: 200pp Hb: 978-0-754-60571-3: £105.00 * For full contents and more information, visit: www.routledge.com/9780754605713

Routledge October 2017: 234x156: 350pp Hb: 978-0-754-60814-1: £95.00 * For full contents and more information, visit: www.routledge.com/9780754608141

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The Operas of Rameau

The Routledge Companion to the Study of Local Musicking

Genesis, Staging, Reception Graham Sadler and Shirley Thompson Series: Ashgate Interdisciplinary Studies in Opera

Edited by Suzel A. Reily and Katherine Brucher

In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to flourish. Such welcome developments have gone hand in hand with an upsurge in research on Rameau and his period. The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on all aspects of Rameau’s operas. The individual essays are informed by a variety of disciplines or sub-disciplines - literature, economics, archival studies, musical analysis, gender studies, ballet and choreography, dramaturgy and staging. The contents are addressed to a wide readership, including not only scholars but also practical musicians, stage directors, dancers and choreographers. Routledge October 2017: 234x156: 364pp Hb: 978-1-472-47926-6: £95.00 * For full contents and more information, visit: www.routledge.com/9781472479266

The Routledge Companion to the Study of Local Musicking provides a reference to HOW, cross-culturally, people engage ideas of community, locality, and place through music. In that academic interest has increased in such themes as the modes of musicking, music and identity, music and place, musical communities of practice, global/local interaction and music in everyday life, this collection of essays on local musicking provides a framework for integrating the range of theoretical developments that have taken place across the spectrum of contemporary musicologies. Routledge Market: Music July 2017: 254 x 178: 512pp Hb: 978-1-138-92011-8: £130.00 eBook: 978-1-315-68735-3 * For full contents and more information, visit: www.routledge.com/9781138920118

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The Praise of Musicke, 1586

The Routledge Research Companion to Electronic Music

An Edition with Commentary Hyun-Ah Kim Series: Music Theory in Britain, 1500–1700: Critical Editions

Simon Emmerson

This volume provides the first printed critical edition of The Praise of Musicke (1586), keeping the original text intact and accompanied by an analytical commentary. Against the Puritan attacks on liturgical music, The Praise of Musicke, the first apologetic treatise on music in English, epitomizes the Renaissance defense of music in civil and religious life. While existing studies of The Praise of Musicke are limited to the question of authorship, the present volume scrutinizes its musical discourse, which recapitulates major issues in the ancient philosophy and theology of music, considering the contemporary practice of sacred and secular music. Routledge October 2017: 234x156: 229pp Hb: 978-1-472-47302-8: £95.00

The theme of this Research Companion is ’connectivity and the global reach of electroacoustic music and sonic arts made with technology’. The possible scope of such a companion in the field of electronic music has changed radically over the last thirty years. The definitions of the field itself are now broader - there is no clear boundary between ’electronic music’ and ’sound art’. Also, what was previously an apparently simple divide between ’art’ and ’popular’ practices is now not easy or helpful to make and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available.

* For full contents and more information, visit: www.routledge.com/9781472473028

Routledge October 2017: 380pp Hb: 978-1-472-47291-5: £95.00 * For full contents and more information, visit: www.routledge.com/9781472472915

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The Routledge Companion to Music, Technology, and Education

The Routledge Research Companion to Johann Sebastian Bach

Edited by Andrew King, Evangelos Himonides and S. Alex Ruthmann The Routledge Companion to Music, Technology, and Education is a comprehensive resource that draws together burgeoning research on the use of technology in music education around the world. Rather than following a procedural how-to approach, this companion considers technology, musicianship, and pedagogy from a philosophical, theoretical, and empirically-driven perspective, offering an essential overview of current scholarship while providing support for future research. The Routledge Companion to Music, Technology, and Education will appeal to undergraduate and post-graduate students, music educators, teacher training specialists, and music education researchers. Routledge Market: Music / Music Education December 2016: 254 x 178: 452pp Hb: 978-1-138-92138-2: £165.00 eBook: 978-1-315-68643-1 * For full contents and more information, visit: www.routledge.com/9781138921382

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Edited by Robin A Leaver The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to Bach research of the past thirty-fifty years. Each author covers three aspects within their specific subject area: first, to describe the results of research over the past generation, concentrating on the most significant and controversial; second, to provide critical analysis of research currently being undertaken; third, to identify areas, both old and new, in need of investigation and research. This is not a lexicon providing information on major aspects of Bach's life and work, but rather a collection of valuable and interconnected essays designed to stimulate and inform the next level of Bach research. Routledge Market: Music November 2016: 234x156: 566pp Hb: 978-1-409-41790-3: £140.00 eBook: 978-1-315-45281-4 * For full contents and more information, visit: www.routledge.com/9781409417903

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The Routledge Research Companion to Popular Music and Gender

The Shared Musical Heritage of Congolese and Cuban Music

Stan Hawkins, University of Oslo, Norway

Sara McGuinness Series: SOAS Musicology Series

Why is gender inseparable from pop songs? What can gender representations in musical performances mean? Why are there strong links between gender, sexuality and popular music? The sound of the voice, the mix, the arrangement, the lyrics and images all link our impressions of gender to music. Numerous scholars writing about gender in popular music to date are concerned with the music industry’s impact on fans, and how tastes and preferences become associated with gender. Amongst the innovative approaches taken up in this collection are queer performativity, gender theory, gay and lesbian agency, the female pop celebrity, masculinities, transculturalism, queering, transgenderism and androgyny. Routledge Market: Music March 2017: 246x174: 424pp Hb: 978-1-472-45683-0: £150.00 eBook: 978-1-315-61343-7 * For full contents and more information, visit: www.routledge.com/9781472456830

There is a longstanding historical and cultural relationship between Congo and Cuba via the slave trade and the ’return’ of Cuban music to Africa, a relationship that has apparently been very scantily documented. It is acknowledged that Congolese roots are present in Cuban music but there is little musical analysis of the actual elements concerned. Charting the formation and experience of the fusion band Grupo Lokito, Sara McGuinness explores the contemporary relationships between Cuban and Congolese music, approaching the topic from the perspective of the practitioner. Gropo Lokito brings together musicians from the two musical worlds, and with them McGuinness works through the experience of developing, recording and performing material with them. Her understanding of both traditions is thus deeply rooted in the experience of this cultural exchange. McGuinness investigates whether the historic connections enable contemporary musicians from both worlds to recognize similarities in each. Routledge August 2017: 234x156: 235pp Pack - Book and CD: 978-1-472-45680-9: £60.00 * For full contents and more information, visit: www.routledge.com/9781472456809

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The Routledge Research Companion to Popular Music Education

The Sonic Signature of U2

Edited by Gareth Dylan Smith, Zack Moir, Matt Brennan, Shara Rambarran and Phil Kirkman

Christopher Endrinal Series: Ashgate Popular and Folk Music Series

Popular music is a growing presence in education, formal and otherwise, from primary school to postgraduate study. Programmes, courses and modules in popular music studies, popular music performance, songwriting and areas of music technology are becoming commonplace across higher education. Additionally, specialist pop/rock/jazz graded exam syllabi, such as RockSchool and Trinity Rock and Pop, have emerged in recent years, meaning it is now possible for school leavers in some countries to meet university entry requirements having studied only popular music. This research companion is the first book-length publication to bring together a diverse range of scholarship in this emerging field.

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? How is their enormously engaging music constructed? How have U2 maintained their prominent position in the ever-shifting world of popular music? Let Me In The Sound: The Sonic Signature of U2 addresses these questions in a three-tiered music-theoretical dissection of the band's unique sound. Endrinal begins by identifying the salient sonic characteristics that combine to form U2's distinctive musical autograph. With those characteristics established, the book examines the various approaches to formal organization found in the band's oeuvre. Finally, detailed analyses of several songs from across the band's career demonstrate how U2 construct songs and how each member of the band contributes his own unique musical perspective to these formal designs.

Routledge Market: Music January 2017: 234x156: 490pp Hb: 978-1-472-46498-9: £150.00 eBook: 978-1-315-61344-4 * For full contents and more information, visit: www.routledge.com/9781472464989

Let Me In The Sound

Routledge September 2017: 234x156: 236pp Hb: 978-1-409-44761-0: £95.00 * For full contents and more information, visit: www.routledge.com/9781409447610

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The Rules That Set Us Free: Adolph Bernhard Marx As Theorist, Thinker and Critic

The Women of Quyi

Patrick Wood Uribe

Francesca R. Sborgi Lawson Series: SOAS Musicology Series

Adolph Bernhard Marx (1795-1866) may be the single most influential music theorist before Heinrich Schenker; he is also among the least understood. Although he is chiefly known today as the first to codify the elements of sonata form, Marx's four-volume Lehre von der musikalischen Komposition, praktisch-theoretish (1838-47) covered a wide range of subjects and was of enormous impact. But a full understanding of Marx's influence has been hampered by misinterpretation, often itself the result of mistranslation. Patrick Wood Uribe here offers close readings of Marx's writing as a corrective to these misapprehensions and re-evaluates the assumptions resting on previous readings. Among the results of his careful assessment is a new understanding of the way in which Marx's theories have shaped our understanding of sonata form. Uribe also counters recent scholarship that finds, in Marx's writings, the roots of the uglier side of German nationalism. Routledge November 2017: 234x156: 260pp Hb: 978-1-409-45200-3: £105.00 * For full contents and more information, visit: www.routledge.com/9781409452003

Liminal Voices and Androgynous Bodies

Drawing substantially on original ethnographic fieldwork from the 1980s and 1990s, Lawson demonstrates how the women of quyi - a community of Chinese female singers in Republican Tianjin - successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap in Chinese performance, creating an androgynous persona that allowed them to showcase their voices on public stages; places that had been previously unwelcoming to conventional female performers. This is a story about female storytellers who sang their way to respectability and social change by minimizing their bodies to allow their voices to be heard. Routledge Market: Music March 2017: 234x156: 216pp Hb: 978-1-138-23413-0: £95.00 eBook: 978-1-315-30787-9 * For full contents and more information, visit: www.routledge.com/9781138234130

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Thomas Adès: Asyla

Undergraduate Research in Music

Edward Venn Series: Landmarks in Music Since 1950

A User's Manual Gregory Young, Montana State University, USA and Jenny Olin Shanahan

Thomas Adès (b. 1971) is an established international figure, both as composer and performer, with popular and critical acclaim and admiration from around the world. Edward Venn examines in depth one of Adès’s most significant works so far, his orchestral Asyla (1997). Its blend of virtuosic orchestral writing, allusions to various idioms, including rave music, and a musical rhetoric encompassing both high modernism and lush romanticism is always compelling and utterly representative of Adès’s distinctive compositional voice. Instantly hailed as a classic, Asyla won the 1997 Royal Philharmonic Society Award for Large-Scale Composition. Routledge Market: Music November 2016: 178pp Hb: 978-1-409-46884-4: £95.00 * For full contents and more information, visit: www.routledge.com/9781409468844

Undergraduate Research in Music: A User’s Manual supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of music study. It also includes an annotated guide to online resources that students can access easily. Many undergraduate activities in music have components that could be combined into compelling undergraduate research projects, either in the required curriculum, as part of existing courses, or in capstone courses centered on undergraduate research. Routledge September 2017: 229 x 152: 176pp Hb: 978-0-415-78782-6: £95.00 Pb: 978-0-415-78783-3: £29.99 eBook: 978-1-315-22570-8 * For full contents and more information, visit: www.routledge.com/9780415787833

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Tone Psychology: Volume I

Understanding Bach's Passions

The Sensation of Successive Single Tones

Robin A. Leaver

Carl Stumpf Series: Classic European Studies in the Science of Music

Bach’s Passions are among the most important and well-loved works in the choral repertoire. They are performed regularly throughout the world, as well as being readily accessible on CD and DVD recordings. They continue to delight, challenge and astound people who have heard them many times, or who encounter these masterpieces for the first time. Despite their popularity and exposure Bach’s Passions are not always understood - being variously considered as static operas, independent oratorios, anti-Semitic propaganda, etc - because they are usually heard within contexts that are very different from what the composer had in mind when creating them. Today they are heard as independent concert music whereas they originated as dependent worship music, the product of specific historical, liturgical, theological, hymnodical and hermeneutical traditions. This book is an investigation of these five primary backgrounds and contexts in order to provide hearer and performer alike with a deeper understanding.

Carl Stumpf (1848-1936) was a German philosopher and psychologist and a visionary and important academic. During his lifetime, he ranked among the most prominent scientists of his time. Stumpf's intention, as evident in his book, Tone Psychology, was to investigate the phenomenon of tone sensation in order to understand the general psychic functions and processes underlying the perception of sound and music. It could be argued that modern music psychology has lost or perhaps ignored the epistemological basis that Carl Stumpf developed in his Tone Psychology. To gain a confident psychological basis, the relevance of Stumpf's deliberations on music psychology cannot be overestimated. Analyses of the essence of tones, complex tones and sounds are fundamental topics for general psychology and epistemology. By the end of this two volume work, Stumpf had established an epistemology of hearing. The subject of Volume I is the sensation of successive single tones. Routledge August 2017: 234x156: 315pp Hb: 978-1-472-43523-1: £105.00 * For full contents and more information, visit: www.routledge.com/9781472435231

Routledge August 2017: 234x156: 220pp Hb: 978-0-754-66388-1: £95.00 * For full contents and more information, visit: www.routledge.com/9780754663881

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Towards a Harmonic Grammar of Grieg's Late Piano Music

Women in the Studio

Nature and Nationalism

Paula Wolfe Series: Ashgate Popular and Folk Music Series

Benedict Taylor Series: Royal Musical Association Monographs Edvard Grieg was enchanted by what he styled the ‘dreamworld’ of harmony, a magical realm whose principles the composer felt remained a mystery even to himself, and he was not alone in that the complex nature of late-Romantic harmony has proved a source of debate up to the present day. Grieg’s later piano music forms a particularly profitable repertoire for focusing current concerns over the nature of tonality and tonal harmony. Building both on historical theories and more recent developments, this study develops new models for understanding the complexity of late-Romantic tonal practice and offers a corrective to views of Grieg as a figure situated on the nationalist musical periphery.

Creation, Control and Gender in Popular Music Sound Production

The field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women’s work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women’s achievements that is still in evidence in music marketing practices and media representation in the digital era. Routledge Market: Music August 2017: 234x156: 240pp Hb: 978-1-472-47487-2: £95.00 * For full contents and more information, visit: www.routledge.com/9781472474872

Routledge Market: Music December 2016: 14pp Hb: 978-1-472-45658-8: £95.00 eBook: 978-1-315-30735-0 * For full contents and more information, visit: www.routledge.com/9781472456588

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2nd Edition • STUDENT REFERENCE • NEW EDITION

Acting Exercises for Non-Traditional Staging

Acting: The Basics

Michael Chekhov Reimagined

Bella Merlin, University of California, Davis, USA Series: The Basics

Anjalee Deshpande Hutchinson Acting Exercises for Non-Traditional Staging: Michael Chekhov Reimagined offers a new set of exercises for coaching actors when working on productions that are non-traditionally staged in arenas, thrusts, allies, or site-specific productions. All of the exercises are adapted from Michael Chekhov's acting technique, but are reimagined in new and creative ways that offer fun, innovative twists for the practitioner familiar with Chekhov, and easy accessibility for the practitioner new to Chekhov. Focal Press Market: Theatre/Acting July 2017: 229 x 152: 224pp Hb: 978-1-138-23625-7: £21.99 Pb: 978-1-138-23626-4: £21.99 eBook: 978-1-315-27116-3 * For full contents and more information, visit: www.routledge.com/9781138236264

Now in a second editon, Acting: The Basics remains a practical and theoretical guide to the world of the professional actor, which skilfully combines ideas from a range of practitioners and linking the academy to the industry. Retaining a balance between acting history, a discussion of pioneers and a consideration of the practicalities of acting techniques, the new edition includes a discussion of acting for the screen as well as the practicalities of stage acting, including training, auditioning and rehearsing. With a glossary of terms and useful website suggestions, this is the ideal introduction for anyone wanting to learn more about the practice and history of acting. Routledge Market: Drama October 2017: 198x129: 256pp Hb: 978-1-138-82040-1: £70.00 Pb: 978-1-138-82041-8: £14.99 eBook: 978-1-315-74390-5 * For full contents and more information, visit: www.routledge.com/9781138820418

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Acting, Archetype, and Neuroscience

Tim Crouch's An Oak Tree

Superscenes for Rehearsal and Performance

Catherine Love Series: The Fourth Wall

Jane Drake Brody Superscenesare a revolutionary new mode of teaching and rehearsal, discovering and utilizing underlying primal energies. They draw upon the author’s lifetime experience, insights of pedagogical practice, the work of philosophers and writers, and the latest insights of neuroscience to: mine the essentials of accepted acting theory, while finding ways to access primally-based human behavior in actors; restore focus on storytelling lost in the rush to create physically and vocally complex characters; uncover the mythical bones buried within all dramatic writing; and focus on the actor’s body as the only place where the conflict inherent in drama can be animated. Routledge Market: Drama / Theatre Studies October 2016: 216x138: 158pp Hb: 978-1-138-82260-3: £85.00 Pb: 978-1-138-82261-0: £21.99 eBook: 978-1-315-74247-2 * For full contents and more information, visit: www.routledge.com/9781138822610

Tim Crouch’s second play collapses a tale of loss and grief into an exploration of theatrical representation, in a piece of theatre that is at once formally innovative and profoundly moving. Written for two actors, An Oak Tree depicts the fraught meeting of a grieving father and the stage hypnotist who was behind the wheel of the car that killed his daughter, with the father played by a different actor at each performance, walking on stage with no prior knowledge of the play. This book explores An Oak Tree's connections with conceptual art, the unique process of its creation, its interrogation of stage representation, its relationship with audiences and how it sits in relation to Crouch’s ongoing body of work. Routledge Market: Drama and Theatre Studies July 2017: 172x119: 160pp Pb: 978-1-138-68282-5: £6.99 * For full contents and more information, visit: www.routledge.com/9781138682825

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Acting, Spectating, and the Unconscious

Ben Jonson

A psychoanalytic perspective on unconscious processes of identification in the theatre

His Vision and His Art

Maria Turri Series: Routledge Advances in Theatre & Performance Studies Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from Aristotle and Brecht to Diderot’s Paradox of Acting and the emotionalist theories of the eighteenth century, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience.

Alexander Leggatt Series: Routledge Library Editions: Renaissance Drama While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson’s vision as a whole. Combining a wide-ranging discussion of Jonson’s interests with a detailed examination of his major works, this book provides a balanced critical introduction to one of the most complex and fascinating figures in English Literature. Routledge Market: Theatre/History/Drama March 2017: 234x156: 300pp Hb: 978-1-138-23534-2: £99.00 eBook: 978-1-315-30491-5 * For full contents and more information, visit: www.routledge.com/9781138235342

Routledge Market: Drama and Theatre Studies November 2016: 234x156: 132pp Hb: 978-1-138-69924-3: £85.00 eBook: 978-1-315-51733-9 * For full contents and more information, visit: www.routledge.com/9781138699243

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Black Acting Methods

Enchanted Shows

Critical Approaches

Vision and Structure in Elizabethan and Shakespearean Comedy about Magic

Edited by Sharrell Luckett and Tia M. Shaffer Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors of color find themselves working with. A wealth of contributions from Black-identifying directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine their Blackness through theatre arts.

Routledge Market: Theatre and Performance Studies October 2016: 234x156: 254pp Hb: 978-1-138-90763-8: £85.00 Pb: 978-1-138-90762-1: £29.99 eBook: 978-1-315-69498-6 * For full contents and more information, visit: www.routledge.com/9781138907621

Elissa Hare Series: Routledge Library Editions: Renaissance Drama The book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre. The author observes how certain plays, including Shakespeare’s A Midsummer Night’s Dream and The Tempest, rationalise the unrealism and improbabilities typical of romantic comedy as miracles wrought by specifically magical intervention. The author also explores the ways in which playwrights justify structural discontinuity by the working of magic. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 200pp Hb: 978-1-138-23494-9: £90.00 eBook: 978-1-315-30591-2 * For full contents and more information, visit: www.routledge.com/9781138234949

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Courtesans and Cuckolds

Essays on Shakespeare and Elizabethan Drama

A Glossary of Renaissance Dramatic Bawdy

In Honour of Hardin Craig

James T. Henke Series: Routledge Library Editions: Renaissance Drama

Edited by Richard Hosley Series: Routledge Library Editions: Renaissance Drama

This title, first published in 1979, is a glossary of the bawdy vocabulary that was used in Renaissance Drama. One of the primary functions of this gloss of literary bawdy is to interpret imaginative uses of the language rather than simply record the generally accepted uses and meanings, with its principal task to make the dialogue of the plays more intelligible to the reader. With examples of bawdy language used in the works of Shakespeare, Ben Jonson and John Webster amongst many others, this title will be of great interest to students of literature and performance studies.

The twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.

Routledge Market: Theatre/History/Drama March 2017: 234x156: 330pp Hb: 978-0-415-78742-0: £99.00 eBook: 978-1-315-22592-0 * For full contents and more information, visit: www.routledge.com/9780415787420

Routledge Market: Theatre/History/Drama March 2017: 234x156: 386pp Hb: 978-1-138-71325-3: £99.00 eBook: 978-1-315-19912-2 * For full contents and more information, visit: www.routledge.com/9781138713253

TEXTBOOK

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Craft Notes for Animators

Essential Dramaturgy

A Perspective on a 21st Century Career

The Mindset and Skillset

Ed Hooks

Theresa Lang

If Disney’s Snow White and the Seven Dwarfs represented the Animation industry’s infancy, Ed Hooks thinks that the current production line of big-budget features is its artistically awkward adolescence. While a well-funded marketing machine can conceal structural flaws, uneven performances and superfluous characters, the importance of crafted storytelling will only grow in importance as animation becomes broader and more accessible. Craft Notes for Animators analyses specific films – including Frozen and Despicable Me – to explain the secrets of creating truthful stories and believable characters. It is an essential primer for the for tomorrow’s industry leaders and animation artists.

Essential Dramaturgy provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that are essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset. Focal Press Market: Theatre February 2017: 229 x 152: 202pp Hb: 978-1-138-90217-6: £88.00 Pb: 978-1-138-90215-2: £24.99 eBook: 978-1-315-69760-4 * For full contents and more information, visit: www.routledge.com/9781138902152

Routledge Market: Drama / Animation December 2016: 234x156: 162pp Hb: 978-1-138-85433-8: £80.00 Pb: 978-1-138-85434-5: £19.99 eBook: 978-1-315-72116-3 * For full contents and more information, visit: www.routledge.com/9781138854345

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Experiencing Liveness in Contemporary Performance

Jacobean Private Theatre

Interdisciplinary Perspectives Edited by Matthew Reason, York St John University, UK and Anja Mølle Lindelof, Roskilde University, Denmark Series: Routledge Advances in Theatre & Performance Studies This book offers dynamic perspectives on the concept of liveness in the performing arts, engaging with liveness through the particular analytical focus of audiences and experience. With contributions from theatre, music, dance, and performance art, it explores how liveness is produced through processes of audiencing, and how it becomes materialized in acts of performance, making, archiving, and remembering. Theoretical chapters and practice-based reflections visit topics such as fandom, embodiment, documentation, technological mediation, and commodity exchange, showing how the relationship between audience and event is rarely singular and more often malleable and multiple.

Keith Sturgess Series: Routledge Library Editions: Renaissance Drama In this scholarly and entertaining book, first published in 1987, the author tells the story of Jacobean private theatre. Most of the best plays written after 1610, including Shakespeare’s late plays such as The Tempest, were written for the new breed of private playhouses – small, roofed and designed for an aristocratic, literary audience, as opposed to the larger, open-air houses such as the Globe and the Red Bull, catering for a popular, ‘lowbrow’ audience. The author discusses the polarisation of taste and the effect it had on literary criticism and theatre history. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 228pp Hb: 978-1-138-23653-0: £90.00 eBook: 978-1-315-30199-0 * For full contents and more information, visit: www.routledge.com/9781138236530

Routledge Market: Performance Studies October 2016: 234x156: 304pp Hb: 978-1-138-96159-3: £90.00 eBook: 978-1-315-65970-1 * For full contents and more information, visit: www.routledge.com/9781138961593

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Imagined Theatres

Jacobean Tragedy

Writing for a theoretical stage

The Quest for Moral Order

Edited by Daniel Sack

Irving Ribner Series: Routledge Library Editions: Renaissance Drama

Imagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. Routledge Market: Drama and Theatre Studies April 2017: 246x174: 306pp Hb: 978-1-138-12204-8: £90.00 Pb: 978-1-138-12205-5: £24.99 * For full contents and more information, visit: www.routledge.com/9781138122055

The work of dramatists such as George Chapman, Thomas Heywood, Cyril Tourneur, John Webster, Thomas Middleton and John Ford can profitably be studied as attempts to construct a new moral order in response to the absence or weakening of the religious sanction. In this study, first published in 1962, the author examines these texts in detail, and throws a great deal of light on the plays as plays. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 180pp Hb: 978-1-138-23647-9: £80.00 eBook: 978-1-315-30215-7 * For full contents and more information, visit: www.routledge.com/9781138236479

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Jacobean City Comedy

Jasmin Vardimon's Dance Theatre

Brian Gibbons Series: Routledge Library Editions: Renaissance Drama

Movement, memory and metaphor

This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 190pp Hb: 978-1-138-27995-7: £90.00 eBook: 978-1-315-27051-7 * For full contents and more information, visit: www.routledge.com/9781138279957

Libby Worth, Royal Holloway, London University, UK and Jasmin Vardimon Jasmin Vardimon’s Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice. Libby Worth and Jasmin Vardimon take a collaborative approach to recording and exploring the working processes of Vardimon and her company, chronicling the development of specific productions rather than offering a single choreographic blueprint.

Routledge Market: Dance / Theatre Studies January 2017: 234x156: 188pp Hb: 978-0-415-74162-0: £90.00 Pb: 978-0-415-74163-7: £24.99 eBook: 978-1-315-40462-2 * For full contents and more information, visit: www.routledge.com/9780415741637

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August Wilson's Joe Turner's Come and Gone

One Minute Plays

Ladrica Menson-Furr Series: The Fourth Wall

A practical guide to tiny theatre

Joe Turner’s Come and Gone is a literary, historical, and cultural introduction to the work that August Wilson considered to be his favorite play. This book offers readers an overview of the play from its inception on through its revisions and stagings in regional theatres and Broadway. Readers can also find a close examination of Joe Turner’s Come and Gone’s use th of both African American Vernacular genres and 19 century Southern post-Reconstruction history. Through blues music, folk songs, folk tales, and dance, Wilson created a work that enables readers and audiences to recognize the significance of their own "songs" and identities.

Can you really write a play that lasts a minute? The one minute play presents a unique creative challenge: how does one create room for actors to perform, for directors to create a world, and for audiences to learn something, all in 60 seconds? Steve Ansell and Rose Burnett Bonczek demystify the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance.

Edited by Steve Ansell and Rose Burnett Bonczek

Routledge Market: Drama and Theatre Studies January 2017: 172x119: 160pp Pb: 978-1-138-21009-7: £6.99 * For full contents and more information, visit: www.routledge.com/9781138210097

Routledge Market: Drama and Theatre Studies February 2017: 246x174: 404pp Hb: 978-1-138-67505-6: £85.00 Pb: 978-1-138-67506-3: £19.99 eBook: 978-1-315-56087-8 * For full contents and more information, visit: www.routledge.com/9781138675063

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Memos from a Theatre Lab

Performance, Ethnography and Communication

Exploring what immersive theatre 'does'

D Soyini Madison

Nandita Dinesh By contrasting two specific performances on the same theme one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the ‘hows’ and ‘whys’ of her specific aesthetic framework. Memos from a Theatre Lab places Dinesh’s practical work within the context of existing analyses of immersive theatre, using this investigation to generate an underpinning theory of how immersive theatre works for its participants. Routledge Market: Drama / Theatre Studies December 2016: 216x138: 132pp Hb: 978-1-138-21918-2: £45.00 eBook: 978-1-315-43605-0 * For full contents and more information, visit: www.routledge.com/9781138219182

Performance, ethnography, and communication have become inextricably linked in both classroom study and contemporary performance practice. These terms, whether seen as disciplines of study, rubrics, or simply topics of discussion, inform one another to an equal degree. This book explores the ways in which they interrelate, with each other and also with the more specific issues involved with digital performance, improvisation, the body, fieldwork, and collaboration. Specific historical and theoretical contexts, key figures and case studies, exercises, activities, and practical applications for improvisation, ethnography and digital performance, make this a natural textbook for students of Performance Studies, Communication Studies or Cultural Studies. Routledge Market: Theatre Studies / Communication Studies October 2017: 234x156: 224pp Hb: 978-1-138-78901-2: £80.00 Pb: 978-1-138-78902-9: £24.99 * For full contents and more information, visit: www.routledge.com/9781138789029

TEXTBOOK

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Movement

Physical Actor Training

Onstage and Off

What Shall I Do with the Body They Gave Me? Robert Barton and Barbara Sellers-Young

This book is the complete guide for actors to the most effective techniques for developing a fully expressive body. It is a comprehensive compilation of established fundamentals, a handbook for movement centered personal growth, and a guide to helping actors and teachers make informed decisions for advanced study. This book includes: Fundamental healing/conditioning processes Essential techniques required for versatile performance Specialized skills Various training approaches and ways to frame the actor’s movement training. Using imitation exercises to sharpen awareness, accessible language, and adaptable material for solo and group work, the authors aim to empower you to unleash your extraordinary potential. Routledge Market: Theatre & Performance Studies December 2016: 246x174: 186pp Hb: 978-1-138-90781-2: £88.00 Pb: 978-1-138-90782-9: £29.99 eBook: 978-1-315-69488-7 * For full contents and more information, visit: www.routledge.com/9781138907829

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Andrei Droznin and Natalia Fedorova If, as an actor, your body is your 'instrument', what happens when the body-mind, ‘psychophysical’ connection is lost? Andrei Droznin, Russia's foremost teacher of physical actor training, calls this loss the 'desomatization' of the human body, and argues that these connections urgently need to be restored for full expressivity. This is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. It will excite and inspire a new generation of English-language readers. Routledge Market: Theatre & Performance Studies December 2016: 234x156: 224pp Hb: 978-1-138-90192-6: £80.00 Pb: 978-1-138-90194-0: £24.99 eBook: 978-1-315-69763-5 * For full contents and more information, visit: www.routledge.com/9781138901940

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THEATRE AND PERFORMANCE STUDIES 15 Volume Set

2nd Edition • NEW EDITION

Routledge Library Editions: Renaissance Drama Various Series: Routledge Library Editions: Renaissance Drama Reissuing 15 works originally published between 1934 and 1991, this diverse set offers an outstanding collection of scholarship devoted to Renaissance Drama. Routledge Library Editions: Renaissance Drama provides an extensive study of performance history and criticism of Elizabethan and Jacobean theatre, as well as volumes dedicated to the playwrights Ben Jonson and William Shakespeare. These volumes present together a lively picture of the development of British theatre and will be of interest to students of literature, drama and performance. Routledge Market: Renaissance Drama/History/Performance March 2017: 234x156: 4018pp Hb: 978-1-138-71372-7: £1235.00 eBook: 978-1-315-19807-1 * For full contents and more information, visit: www.routledge.com/9781138713727

Secrets of Acting Shakespeare The Original Approach Patrick Tucker Secrets of Acting Shakespeare isn’t a book which gently instructs. It is a passionate, yes-you-can guide designed to prove that anybody can act Shakespeare. Patrick Tucker discusses the ‘cue scripts’ used by Elizabethan actors, who knew only their own lines, to demonstrate the extraordinary way these plays work by ear. This second edition encourages trained and amateur actors alike to look to the original practices of the Elizabethan theatre for inspiration.

Routledge Market: Theatre Studies October 2016: 234x156: 384pp Hb: 978-1-138-67851-4: £85.00 Pb: 978-1-138-67852-1: £24.99 eBook: 978-1-315-55886-8 Prev. Ed Pb: 978-0-878-30095-2 * For full contents and more information, visit: www.routledge.com/9781138678521

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Routledge Revivals: David Rabe (1988)

Shakespeare's Tragic Justice

A Stage History and a Primary and Secondary Bibliography

C. J. Sisson, Prof Sissons died in 1966; spouse was royalty beneficiary till her death in 1996. Two sisters inherited the estate but one sister died 2008 and Rosemary Sisson is the sole beneficiary of this estate Series: Routledge Library Editions: Renaissance Drama

Philip C. Kolin In the twenty years that preceded the publication of this book in 1988, David Rabe was in the vanguard of playwrights who shaped American theatre. As the first full-length work on Rabe, this book laid the groundwork for later critical and biographical studies. The first part consists of an essay that covers three sections: a short biography, a summary and evaluation of his formative journalism for the New Haven Register, and a detailed and cohesive stage history of his work. The second part presents the most comprehensive and authoritative primary bibliography of Rabe to date, with the third section containing a secondary bibliography — including a section on biographical studies. Routledge Market: Drama/American October 2016: 216x138: 273pp Hb: 978-1-138-28171-4: £90.00 eBook: 978-1-315-27098-2 * For full contents and more information, visit: www.routledge.com/9781138281714

The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 106pp Hb: 978-1-138-23462-8: £80.00 eBook: 978-1-315-30639-1 * For full contents and more information, visit: www.routledge.com/9781138234628

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Routledge Revivals: Some Phases in the Life of Buddha (1915)

Stage-Play and Screen-Play

Taken from 'The Light of Asia' Edwin Arnold First published in 1915, this book presents a dramatization of part of Edwin Arnold’s The Light of Asia. The original text represents one of the first successful attempts to popularise Buddhism and its founder Gautama Buddha — presenting his life, teachings and philosophy in verse poetry. This adaptation dramatizes part of the The Light of Asia and includes staging instructions, properties required, illustrative drawings of suggested costumes, and incidental music composed specifically for the piece. This book will be of interest to students of Indian and Buddhist literature — and how this has interacted with the West — as well as students of drama. Routledge Market: Drama/Indian December 2016: 216x138: 78pp Hb: 978-1-138-29010-5: £70.00 * For full contents and more information, visit: www.routledge.com/9781138290105

The intermediality of theatre and cinema Michael Ingham While film and theatre studies have established their own critical terms and theoretical frames of reference, the potential for dialogue and reciprocity between these two art forms is often undermined by the absence of a shared vocabulary. This book sets out to remedy this by systematically mapping out a transmedial space in which both film and theatre can be discussed. Keywords and critical terms form the central structure of this study, helping to root the areas of commonality between film and theatre in relevant, applied contexts.

Routledge Market: Theatre / Film Studies December 2016: 234x156: 230pp Hb: 978-1-138-84103-1: £85.00 Pb: 978-1-138-84104-8: £29.99 eBook: 978-1-315-73251-0 * For full contents and more information, visit: www.routledge.com/9781138841048

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THEATRE AND PERFORMANCE STUDIES 2nd Edition • TEXTBOOK • NEW EDITION

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Stanislavski in Practice

The Aging Body in Dance

Exercises for Students

A cross-cultural perspective

Nick O'Brien, The Stanislavski Experience, UK

Nanako Nakajima and Gabriele Brandstetter

Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike through the use of practical exercises that allows students to develop their skills. This Second Edition offers more exercises for the actor, and also new sections on directing and devising productions. Each element of the System is covered practically through studio exercises and jargon-free discussion.

What does it mean to be able to move? The Aging Body in Dance examines differing Euro-American and Japanese attitudes towards aging and performance. Contributions from leading scholars take a fresh look at dancers from Yvonne Rainer and Martha Graham to Kazuo Ohno and Kikuo Tomoeda, and directors such as Romeo Castellucci. The first cross-cultural study of its kind, The Aging Body in Dance offers an invaluable resource for scholars and practitioners interested in global dance cultures and their differing responses to the world's aging population.

Routledge Market: Drama and Theatre Studies October 2017: 246x189: 240pp Hb: 978-1-138-23356-0: £24.99 Pb: 978-1-138-28075-5: £24.99 eBook: 978-1-315-27173-6 Prev. Ed Pb: 978-0-415-56843-2 * For full contents and more information, visit: www.routledge.com/9781138280755

Routledge Market: Theatre & Performance Studies January 2017: 234x156: 180pp Hb: 978-1-138-20005-0: £90.00 Pb: 978-1-138-20006-7: £24.99 eBook: 978-1-315-51533-5 * For full contents and more information, visit: www.routledge.com/9781138200067

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Stuart Academic Drama

The Elizabethan Player

An Edition of Three University Plays

David Mann Series: Routledge Library Editions: Renaissance Drama

David L. Russell Series: Routledge Library Editions: Renaissance Drama Although not much is known about the three Stuart plays in this edition, which was first published in 1987, we can ascribe them to one of the English universities, and each is indicative of a distinctly different influence on the Renaissance academic drama. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 186pp Hb: 978-1-138-23988-3: £80.00 eBook: 978-1-315-29461-2 * For full contents and more information, visit: www.routledge.com/9781138239883

In this book, first published in 1991, David Mann argues for more attention to the performer in the study of Elizabethan plays and less concern for their supposed meanings and morals. He concentrates on a collection of extracts from plays which show the Elizabethan actor as a character onstage. The author suggests that the stage representation of players is in part a nostalgic farewell to the passing of an impure but perhaps more vital theatre, and in part an acknowledgement of the threat the adult theatre’s growing sophistication offered to its institutional and adolescent rivals. This title will be of interest to students of Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 274pp Hb: 978-1-138-23565-6: £90.00 * For full contents and more information, visit: www.routledge.com/9781138235656

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Davies and Penhall's Sunny Afternoon

The Influence of the Jacobean Masque on the Plays of Beaumont and Fletcher

John Fleming Series: The Fourth Wall When "You Really Got Me" exploded on Swinging London in 1964, The Kinks forever changed the course of rock ‘n’ roll. The Olivier Award-winning Sunny Afternoon covers the band’s formative years of 1964-1967, when four working-class North London lads broke through to become one of the most unlikely and influential rock bands of the 1960s. Via the collaboration of Penhall and Davies, Sunny Afternoon reveals the inner dynamics of The Kinks, while also providing insight on an era that continues to reverberate through popular culture. Routledge Market: Drama and Theatre Studies July 2017 Pb: 978-1-138-23994-4: £6.99 * For full contents and more information, visit: www.routledge.com/9781138239944

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Suzanne Gossett Series: Routledge Library Editions: Renaissance Drama This title, first published in 1988, examines the influence of the Jacobean masque on the plays of Francis Beaumont and John Fletcher. The author examines the ways in which the plays of Beaumont and Fletcher represent not only a great expression of human emotion, but how they are also a fine example of the growth and change of dramatic form. This title will be of interest to students of drama, literature and performance studies. Routledge Market: Theatre/History/Drama March 2017: 234x156: 368pp Hb: 978-0-415-78749-9: £99.00 eBook: 978-1-315-22589-0 * For full contents and more information, visit: www.routledge.com/9780415787499

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The Method Acting Exercises Handbook

The Routledge Companion to Commedia dell'Arte

Lola Cohen and Matthew D. Rudikoff The Method Acting Handbook is a concise and practical guide to acting exercises originally devised by the 'father' of the Method, Lee Strasberg. The Method trains the imagination, concentration, senses and emotions to ‘re-create’ – not ‘imitate’ – logical, believable and truthful behavior on stage and in film.

Routledge Market: Drama and Theatre Studies December 2016: 216x138: 222pp Hb: 978-0-415-75004-2: £90.00 Pb: 978-0-415-75005-9: £24.99 eBook: 978-1-315-47149-5 * For full contents and more information, visit: www.routledge.com/9780415750059

Edited by Judith Chaffee and Oliver Crick This volume brings together a who’s who of commedia scholars and practitioners, including John Rudlin, Antonio Fava, and Domenico Pietropolo, dividing their contributions into three sections: Defining Features: covering all of the main stock characters, commedia’s famous masks, playmaking, particular language, and how the companies were formed and organised. Historical Contexts: from commedia's historical inevitability and Greco-Roman roots, to its influence on and interactions with Shakespeare, Meyerhold, and Moliere Alive and Well and Living In: Commedia’s manifestations in contemporary theatre, including modern Italy, San Francisco, non-Western cultures and even rural Gloucestershire. Routledge Market: Theatre & Performance Studies February 2017: 246x174: 540pp Hb: 978-0-415-74506-2: £138.00 Pb: 978-1-138-22499-5: £24.99 eBook: 978-1-315-75084-2 * For full contents and more information, visit: www.routledge.com/9781138224995

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The Monster in Theatre History

The Routledge Research Companion to Early Drama and Performance

This thing of darkness Michael Chemers, UC Santa Cruz, USA

Edited by Pamela King

Performance is a unique form of storytelling. When humans perform stories, they do not merely tell them but embody them; through performance, boundaries between now and then, fantasy and reality, here and there, make way for new, ritual times and spaces emerge. Michael Chemers is an inspired guide through this fascinating hinterland. The Monster in Theatre History brilliantly explores the cultural genealogies of monsters such as ghosts, devils, werewolves and vampires in the recorded history of Western theatre. The book provides a startling new look at theatre history from the Ancient Greeks to the most cutting-edge new media performances, focusing on why monsters play such a prominent role in performance culture.

The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Companion to Early Drama and Performance reconsiders early ‘drama’ as a mixed mode entertainment best considered not only alongside non-dramatic texts, but also other modes of performance.

Routledge Market: Drama and Theatre Studies August 2017: 216x138: 232pp Pb: 978-1-138-21090-5: £24.99 * For full contents and more information, visit: www.routledge.com/9781138210905

Routledge Market: Literature December 2016: 246x174: 352pp Hb: 978-1-472-42140-1: £95.00 eBook: 978-1-315-61289-8 * For full contents and more information, visit: www.routledge.com/9781472421401

TEXTBOOK

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The Routledge Anthology of Restoration and 18th Century Drama

The Stage Lives of Animals Zooesis and Performance

Edited by Kristina Straub

Una Chaudhuri

This expertly edited anthology contains all of the key playwrights that any class on Restoration and Eighteenth Century drama will cover. As well as the major plays of the period, each thematic section offers a wealth of supplementary materials, including primary critical sources, reviews of modern productions, illustrations and specially commissioned essays on key issues and topics. Each play is edited, introduced and annotated by an expert in the field, and the selection covers the spectrum of this period's dramatic landscape from Restoration tragedy and comedies of manners to ballad opera, farce and pantomime.

In this stunning collection of essays, Una Chaudhuri contributes a significant perspective to Critical Animal Studies – that of the way culture makes art and meaning with the figure and body of the animal. If language is the key thing which separates the human from the animal, the quest to understand our own animality might well lead us to the embodied arts of performance. Chaudhuri reconceives the representation and performance of animals through the frameworks of postmodernism and ecology, bringing insights from theatre practice and theory to animal studies as well as exploring what animal studies can bring to theatre and performance studies.

Routledge Market: Drama and Theatre Studies March 2017: 246x174: 1160pp Hb: 978-1-138-91541-1: £150.00 Pb: 978-1-138-91542-8: £39.99 eBook: 978-1-315-69024-7 * For full contents and more information, visit: www.routledge.com/9781138915428

Routledge Market: Theatre & Performance Studies October 2016: 216x138: 216pp Hb: 978-1-138-81845-3: £80.00 Pb: 978-1-138-81847-7: £26.99 eBook: 978-1-315-74523-7 * For full contents and more information, visit: www.routledge.com/9781138818477

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The Tragedy of State

Unearthing Shakespeare

J. W. Lever Series: Routledge Library Editions: Renaissance Drama

Embodied Performance and the Globe

The domination of the state over the lives of individuals is, arguably, a problem of the present-day world. In this book, first published in 1971, the author finds essentially the same problem in Jacobean tragedy in the shape it assumed during the rise of the first European nation-states. The English dramatists of the early seventeenth century are seen as giving expression to the ferment of ideas which, only a generation later, precipitated the revolutionary struggles of the sixteen-forties. This title will be of interest to students of History, Literature, Drama and Performance.

Unearthing Shakespeare is the first book to examine what the Globe, today's replica of Shakespeare's theatre, can tell us about performing his plays. Valerie Clayman Pye relays this fresh understanding into a set of exercises for actors at all levels, presenting a fun, accessible and engaging approach which will benefit rehearsal work, classroom training and solo practice.

Valerie Clayman Pye

Routledge Market: Theatre/History/Drama March 2017: 234x156: 100pp Hb: 978-1-138-23549-6: £80.00 * For full contents and more information, visit: www.routledge.com/9781138235496

Routledge Market: Drama and Theatre Studies January 2017: 216x138: 220pp Hb: 978-1-138-67025-9: £90.00 Pb: 978-1-138-67027-3: £24.99 eBook: 978-1-315-61771-8 * For full contents and more information, visit: www.routledge.com/9781138670273

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3rd Edition • TEXTBOOK • NEW EDITION

Theater and Cultural Politics for a New World

Voice: Onstage and Off Robert Barton, University of Oregon, USA and Rocco dal Vera, University of Cincinnati, Ohio, USA

An Anthology Edited by Chinua Thelwell Theater and Cultural Politics for a New World is an exhilarating examination of the ways demographic shifts will impact theatre st and performance culture in the 21 century. Editor Chinua Thelwell brings together the revealing insights of artists, scholars and organisers to produce a unique intersectional conversation about the transformative potential of theatre. Opening with a case study of the New WORLD Theater and moving on to a fascinating range of essays, the book looks at five main themes: Changing demographics Future aesthetics Making institutional space Critical multiculturalism Polyculturalism. Routledge Market: Theatre & Performance Studies October 2016: 234x156: 240pp Hb: 978-1-138-92976-0: £85.00 Pb: 978-1-138-92977-7: £19.99 eBook: 978-1-315-68098-9 * For full contents and more information, visit: www.routledge.com/9781138929777

Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices. This third edition is extensively illustrated and accompanied by an all-new website full of audio and text resources. Routledge Market: Drama and Theatre Studies April 2017: 246x174: 416pp Hb: 978-1-138-91857-3: £24.99 Pb: 978-1-138-91858-0: £24.99 eBook: 978-1-315-68841-1 Prev. Ed Pb: 978-0-415-58558-3 * For full contents and more information, visit: www.routledge.com/9781138918580

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TEXTBOOK

Theatrical Performance and the Forensic Turn

What Moves You?

Naked Truth

Shaping your dissertation in dance

James Frieze, Liverpool John Moores University, UK Series: Routledge Advances in Theatre & Performance Studies

Charlotte Nichol and Lise Uytterhoeven

This book visits contemporary theatre’s fixation with the processing and detection of evidence. Frieze frames this interrogation of expertise and evidence-gathering by closely articulating performance examples with television’s abundance of crime-scene investigation and reality shows, and with political and social debates about journalistic procedures and the management of identity data. Routledge Market: Theatre/Performance November 2016: 229 x 152: 208pp Hb: 978-0-415-85450-4: £90.00 eBook: 978-0-203-74376-8 * For full contents and more information, visit: www.routledge.com/9780415854504

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Every dissertation is individual and unique - particularly for Dance students, who must combine a wide range of approaches into a tailor-made research methodology. What Moves You? fosters a creative approach to dissertations and final projects. By guiding the development of a personal study program, this volume encourages Dance students to take ownership of their artistic and academic work, a skill essential both to successful undergraduate study, and to making the first steps towards a career in Dance. Routledge Market: Dance / Theatre Studies March 2017: 234x156: 100pp Hb: 978-1-138-85729-2: £80.00 Pb: 978-1-138-85730-8: £24.99 eBook: 978-1-315-71878-1 * For full contents and more information, visit: www.routledge.com/9781138857308

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TEXTBOOK

Women in Asian Performance

World Theories of Theatre

Aesthetics and politics

Glenn A. Odom

Edited by Arya Madhavan Women in Asian Performance offers an Asian-centred approach to performance, considering women's contributions to Asian performance traditions in their specific cultural, historical and performative contexts. Arya Madhavan brings together essays from leading scholars across the globe to make an exciting intervention into current aesthetic, political and cultural debates. Chapter-by-chapter, this volume re-examines the often centuries-old aesthetic theories and acting conventions which inform ideas of femininity and female representation onstage.

Routledge Market: Theatre & Performance Studies February 2017: 234x156: 206pp Hb: 978-1-138-91781-1: £31.99 Pb: 978-1-138-91782-8: £31.99 eBook: 978-1-315-68880-0 * For full contents and more information, visit: www.routledge.com/9781138917828

World Theories of Theatre expands the horizons of theatrical theory, providing tools essential to a truly global approach to theatre. Glenn Odom identifies major debates in theatrical theory from around the world, combining discussions of key theoretical questions facing theatre studies, from Aesthetics to Postcoloniality, with primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, the Antipodes, Latin America, East Asia, and India. Highlighting the diversity of approaches available to students and scholars of theatre studies, World Theories of Theatre presents its reader with fresh ways of thinking about the theatre. Routledge Market: Drama / Theatre Studies May 2017: 234x156: 320pp Hb: 978-1-138-82255-9: £80.00 Pb: 978-1-138-82256-6: £24.99 eBook: 978-1-315-74249-6 * For full contents and more information, visit: www.routledge.com/9781138822566

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World Dance Cultures From Ritual to Spectacle Patricia Beamann World Dance Cultures investigates the many essential roles that dance plays in cultures throughout the globe. It examines the reflexive, constantly developing relationship between dance forms and other social, political and cultural components, acting as a valuable introductory teaching tool for the student, as well as for the instructor. A syllabus can be easily crafted by following its regionally organized chapters and thematic sub-chapters, supplemented with maps, photographs, and drawings. As well as foregrounding the history of a form within the culture, each sub-chapter addresses current trends and issues, further contextualizing and identifying new directions in the dance form. Routledge Market: Dance / Theatre Studies September 2017: 246x174: 416pp Hb: 978-1-138-90772-0: £85.00 Pb: 978-1-138-90773-7: £29.99 eBook: 978-1-315-69493-1 * For full contents and more information, visit: www.routledge.com/9781138907737

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World Theatre The Basics E. J. Westlake Series: The Basics World Theatre: The Basics provides a well-rounded introduction to non-Western Theatre which explores the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceana, the Caribbean, and the non-English-speaking cultures of the Americas. With numerous case studies and examples from each region, it helps the reader to understand some of the contemporary issues surrounding the scholarship and practice. Providing a roadmap for approaching non-Western theatre and introducing students to key issues in global, postcolonial and transnational performances, this is an essential read for anyone seeking to learn more about world theatre. Routledge Market: Theatre & Performance Studies February 2017: 198x129: 210pp Hb: 978-1-138-83804-8: £70.00 Pb: 978-1-138-83805-5: £15.99 eBook: 978-1-315-73472-9 * For full contents and more information, visit: www.routledge.com/9781138838055

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Art, Research, Philosophy

What Drawing and Painting Really Mean

Clive Cazeaux, Cardiff Metropolitan University, UK

The Phenomenology of Image and Gesture

The idea that art can be a form of research and, therefore, a contribution to knowledge, raises a number of philosophical questions such as: What is research in, through or for art? Should art draw upon research methods from other subjects, or develop its own? What kind of forms are produced or might be produced through artistic research?This is the first book to address the questions raised by visual arts research and is designed to give those working in the area new and challenging ways to reflect on how their practices engage with questions of knowledge-construction. Covering debates within aesthetics, epistemology and visual culture, this is an ideal text for art research students. Routledge Market: Art & Visual Culture, Aesthetics April 2017: 234x156: 232pp Hb: 978-1-138-78977-7: £95.00 Pb: 978-1-138-78978-4: £31.99 eBook: 978-1-315-76461-0 * For full contents and more information, visit: www.routledge.com/9781138789784

Paul Crowther, National University of Ireland, Galway Series: Routledge Advances in Art and Visual Studies There are as many meanings to drawing and painting as there are cultural contexts in which they exist. But this is not the end of the story. Drawings and paintings are made, and the process of making creates uniquemeaningsthat transform our perception of space-time and our sense of finitude. These meanings have not been addressed by art history or visual studies hitherto, and have only been considered indirectly by philosophers (mainly in the phenomenological tradition). By explaining and developing them through a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced. Routledge Market: Art History April 2017: 254 x 178: 224pp Hb: 978-1-138-23266-2: £105.00 * For full contents and more information, visit: www.routledge.com/9781138232662

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Routledge Revivals: In Modernity's Wake (1989) The Ameurunculus Letters Michael Phillipson First published in 1988, this book tackles the problem of how to write about art, culture, and the issues of postmodernism in a style appropriate to what is being claimed. The letters are written on art’s behalf to a range of institutions and individuals, and have as their recurring concern the relation between art, culture and representation — both art as representation and how art is represented to, and for, the surrounding culture. They explore the context and viability of art through a range of themes, including writing, the aestheticisation of everyday life, style, design pleasure, fragmentation, hyphenation, technology, and the museum — drawing on a variety of artistic pursuits. Routledge Market: Art/Theory November 2016: 216x138: 174pp Hb: 978-1-138-24520-4: £90.00 eBook: 978-1-315-27628-1 * For full contents and more information, visit: www.routledge.com/9781138245204

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Routledge Revivals: Painting, Language and Modernity (1985) Michael Phillipson First published in 1985, this book draws together the author’s artistic with analytical practices which had been developed over many years of sociological enquiry. It interprets a ‘work of art’ as a site on which a viewer or critic is invited to share in questioning celebration of the painting itself. The author reassesses modern painting’s relation to its own origins and to tradition in light of the emergence of ‘postmodern’ practice — exploring its engagement of fundamental questions about language and being. Also assessed is the relevance of the metaphors of writings and Reading to an understanding of painting and viewing practices. Routledge Market: Art/Theory October 2016: 216x138: 211pp Hb: 978-1-138-28189-9: £90.00 eBook: 978-1-315-27090-6 * For full contents and more information, visit: www.routledge.com/9781138281899

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Glitch Art in Theory and Practice

Looking Beyond Borderlines

Critical Failures and Post-Digital Aesthetics

North America's Frontier Imagination

Michael Betancourt, Savannah College of Art and Design, USA

Lee Rodney, University of Windsor, Canada Series: Routledge Advances in Art and Visual Studies

Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.

This book focuses on the shifting relationship between borders and frontiers in North America, specifically the ways in which they have been imaged and imagined since their formation in the nineteenth century and how tropes of visuality are central to their production and meaning. Rodney links ongoing discussions in political geography and visual culture in new ways to demonstrate how contemporary American borders exhibit security as a display strategy that is resisted and undermined through a variety of cultural practices.

Focal Press Market: Art/Film Theory October 2016: 216 x 140: 140pp Hb: 978-1-138-21954-0: £45.00 eBook: 978-1-315-41481-2 * For full contents and more information, visit: www.routledge.com/9781138219540

Routledge Market: Art and Visual Studies/Geography December 2016: 229 x 152: 214pp Hb: 978-1-138-84224-3: £95.00 eBook: 978-1-315-73169-8 * For full contents and more information, visit: www.routledge.com/9781138842243

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Queen Hedwig Eleonora and the Arts

W.J.T. Mitchell's Image Theory

Court Culture in Seventeenth-Century Northern Europe

Living Pictures

Edited by Kristoffer Neville and Lisa Skogh Series: Women and Gender in the Early Modern World

Edited by Krešimir Purgar, University of Zagreb, Croatia Series: Routledge Advances in Art and Visual Studies

As the dominant collector and patron of art and architecture in the realm, Queen Hedwig Eleonora (1636-1715) left a strong mark on Swedish court culture. This book represents the first major scholarly publication on the full range of Hedwig Eleonora’s endeavours. Presenting much new scholarship, contributors to this collection highlight one extremely significant early modern woman and her imprint on Northern European history, and fosters international awareness of the importance of early modern Scandinavia for European cultural history.

W.J.T. Mitchell—one of the founders of visual studies—has been at the forefront of many disciplines such as iconology, art history and media studies. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Thomas Mitchell as one of the discipline's most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical

Routledge Market: Visual Studies December 2016: 246x174: 230pp Hb: 978-1-472-48960-9: £95.00 * For full contents and more information, visit: www.routledge.com/9781472489609

iconology. Routledge Market: Visual Studies/Art History December 2016: 229 x 152: 296pp Hb: 978-1-138-18556-2: £95.00 eBook: 978-1-315-64440-0 * For full contents and more information, visit: www.routledge.com/9781138185562

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Changing Representations of Nature and the City The 1960s-1970s and their Legacies Edited by Gabriel Gee, Franklin University, Switzerland and Alison Vogelaar, Franklin University, Switzerland Series: Routledge Advances in Art and Visual Studies The present collection is an interdisciplinary inquiry into the changing modes of representation of nature in the city beginning from the turn of the 1960s/70s. Bringing together a number of disciplinary approaches, including architectural studies and aesthetics, heritage studies and economics, environmental science and communication, the collection reflects upon the changing perception of socio-natures in the context of increasing urban expansion and global interconnectedness. Using global cases studies, the collection offers a historical and theoretical understanding of a paradigmatic shift whose material and st symbolic legacies are still accompanying us in the early 21 century. Routledge Market: Visual Studies/Urban Studies/Environmental Studies June 2017: 229 x 152: 256pp Hb: 978-1-138-68853-7: £105.00 eBook: 978-1-315-53816-7 * For full contents and more information, visit: www.routledge.com/9781138688537

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INDEX BY TITLE 'The New Teaching' ........................................................... 34

A Academy of San Carlos and Mexican Art History, The ............................................................................................ 17 Acting Exercises for Non-Traditional Staging ................................................................................... 38 Acting, Archetype, and Neuroscience ....................... 38 Acting, Spectating, and the Unconscious ............... 38 Acting: The Basics ............................................................... 38 Aesthetics of Scientific Data Representation, The .............................................................................................. 4 Aging Body in Dance, The .............................................. 43 America’s Songs III ............................................................. 19 André Jolivet: Music, Art and Literature .................... 19 Angel Song: Medieval English Music in History ..................................................................................... 19 Antebellum American Companion Paintings ................................................................................ 14 Anton Webern ..................................................................... 19 Architecture and Interaction in the Thirteenth-Century Mediterranean ....................................................................... 3 Architecture of Percier and Fontaine and the Struggle for Sovereignty in Revolutionary France, The .............................................................................................. 5 Art : Process : Change .......................................................... 6 Art History and the Cold War ........................................ 14 Art Songs of Louise Talma, The .................................... 33 Art, Animals, and Experience ........................................ 10 Art, Research, Philosophy ............................................... 47 Art, Sex and Politics at the Early Georgian Court .......................................................................................... 2 Arthur Sullivan ..................................................................... 19 Artistic Responses to Travel in the Western Tradition ................................................................................ 14 Arts and Culture of the American Civil War, The ............................................................................................ 33 Arts Leadership in Contemporary Contexts .............. 6 Atlantic Trade and British Architecture, Art and Landscape 1740-1840, The ............................................ 17 August Wilson's Joe Turner's Come and Gone ........................................................................................ 41 Aural Architecture in Byzantium: Music, Acoustics, and Ritual .............................................................................. 20

B Ben Jonson ............................................................................ 38 Benin Plaques, A 16th Century Imperial Monument, The .............................................................................................. 5 Binding the Absent Body in Medieval and Modern Art ............................................................................................. 10 Black Acting Methods ...................................................... 39 Body in Music, The ............................................................. 33 Body, Sound and Space in Music and Beyond: Multimodal Explorations ................................................ 20 Brahms Performance Practice ...................................... 20 British School of Sculpture, c.1760-1832, The ............................................................................................ 12 Bruce Springsteen and Popular Music ...................... 20 Burma, Kipling and Western Music ............................ 20

C Chamber Music in Vienna, 1890–1908 ..................... 20 Changing Representations of Nature and the City ............................................................................................ 48 Charles Avison in Context ............................................... 21 Chopin in Britain ................................................................ 21 Claudio Monteverdi .......................................................... 21 Colour and Light in Ancient and Medieval Art ................................................................................................ 3

Comparativism in Art History ....................................... 14 Concise Survey of Music Philosophy, A ..................... 19 Constructing the Viennese Modern Body ................ 10 Contemporary Art and Digital Culture ........................ 6 Contemporary Worship Music and Everyday Musical Lives ......................................................................................... 21 Courtesans and Cuckolds ............................................... 39 Craft Notes for Animators .............................................. 39 Creation of Beethoven's 35 Piano Sonatas, The ............................................................................................ 33 Cults of Sainte Foy and the Cultural Work of Saints, The .............................................................................................. 2 Cultural Histories of Noise, Sound and Listening in Europe, 1300–1918 ............................................................ 21

D Davies and Penhall's Sunny Afternoon .................... Diffusion of Art Deco, The ............................................... Duchamp, Man Ray and the Conundrum of the Replica .................................................................................... Dynamic Group-Piano Teaching ................................

43 17 14 21

Higher Music Education in the Twenty-First Century ................................................................................... Hip-Hop Authenticity and the London Scene ....................................................................................... Historical Interplay in French Music and Culture .................................................................................... History of A Baroque Oratorio, The .............................

24 24 24 34

I Imagined Theatres ............................................................ 40 Independent Music and Digital Technology in the Philippines ............................................................................. 24 Influence of the Jacobean Masque on the Plays of Beaumont and Fletcher, The ......................................... 43 Insights in Sound ................................................................ 24 Issac Vossius's De poematum cantu et viribus rhythmi, 1673 ......................................................................................... 24 Issues in African American Music ................................ 25

J Jacobean City Comedy .................................................... Jacobean Private Theatre ............................................... Jacobean Tragedy ............................................................. James McNeill Whistler and France ........................... Jasmin Vardimon's Dance Theatre ............................ Jazz Theory ........................................................................... Jews and Jazz ......................................................................

40 40 40 15 40 25 25

Early English Viols: Instruments, Makers and Music ....................................................................................... 22 Early Modern Merchants as Collectors ..................... 10 Eco-Literate Music Pedagogy ....................................... 22 Einstein on the Beach: Opera beyond Drama .................................................................................... 22 Elizabethan Player, The ................................................... 43 Embodiment of Musical Creativity ............................. 22 Emergence of the Antique and Curiosity Dealer 1815–c. 1850, The .............................................................. 17 Enchanted Shows .............................................................. 39 Engaging in Community Music ................................... 22 Essays on Shakespeare and Elizabethan Drama .................................................................................... 39 Essential Dramaturgy ...................................................... 39 Ethnomusicology Reader, The ...................................... 34 Exhibiting Craft and Design ............................................. 6 Experiencing Liveness in Contemporary Performance ......................................................................... 40

Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography ............. Listening in Action ............................................................. Live-Electronic Music ........................................................ Looking Beyond Borderlines .......................................... Luigi Nono and Musical Thought ...............................

Federico Barocci ................................................................. 10 Figural Sculpture in Eleventh-Century Dalmatia and Croatia .................................................................................... 10 Figures of the Imagination ............................................ 22 Filmmaker's Eye, The ........................................................... 8 Focus: Music in Contemporary Japan ...................... 23 François Boucher and the Luxury of Art in Paris, 1703-1770 ................................................................................ 3 Free Jazz, Harmolodics, and Ornette Coleman ................................................................................ 23 French Baroque Opera: A Reader ................................ 23

Mabel Daniels: American Composer in Transition .............................................................................. 26 Made in Hungary ............................................................... 26 Made in Sweden ................................................................. 26 Magic Realism in Music and Literature .................... 26 Making of Henry Moore on Film, The ........................ 17 Mannerism, Spirituality and Cognition ...................... 3 Mary of Mercy in Medieval and Renaissance Italian Art ............................................................................................. 11 Mass-Observation and Visual Culture ...................... 15 Medieval Music-Drama ................................................... 26 Memos from a Theatre Lab ........................................... 41 Method Acting Exercises Handbook, The ................ 44 Microtonality and the Tuning Systems of Erv Wilson ..................................................................................... 27 Monetizing Entertainment ............................................ 27 Monster in Theatre History, The ................................... 44 Movement ............................................................................. 41 Music - Psychoanalysis - Musicology ........................ 27 Music and Empathy .......................................................... 27 Music and Irish Identity ................................................... 27 Music and Modernity in French Literature from 1860 to 1922: Baudelaire, Mallarmé, Proust ...................... 27 Music and the Idea of the North .................................. 28 Music at the Maison Royale de Saint-Louis at Saint-Cyr ................................................................................ 28

G Gamin de Paris in Nineteenth-Century Visual Culture, The ............................................................................................ 12 Gaspar Cassadó ................................................................. 23 Gender, Space, and the Gaze in Post-Haussmann Visual Culture ....................................................................... 15 Genesis and Development of an English Organ Sonata, The ........................................................................... 34 Glitch Art in Theory and Practice ................................. 48 György Ligeti's Cultural Identities ................................ 23

K Karlheinz Stockhausen .................................................... 25 Knowledge and Discernment in the Early Modern Arts .............................................................................................. 3

L 11 25 25 48 26

Music Festivals in the UK ................................................. 28 Music in Comedy Television .......................................... 28 Music in Contemporary Indian Film .......................... 28 Music of Franz Liszt, The ................................................. 34 Music of Malaysia, The .................................................... 34 Music of the Soviet Era: 1917–1991 ............................ 28 Music Video After MTV ..................................................... 29 Music, Modern Culture and the Critical Ear ............ 29 Music, Time, and Its Other .............................................. 29 Musicians and their Audiences .................................... 29 Myths of National Identity in Contemporary Australian Opera ...................................................................................... 29

N Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500 ....................................... 3 Nature and the Nation in Fin-de-Siècle France ..................................................................................... 15 New Approaches to Analysis in Music Psychology and Education Research using Zygonic Theory ............. 29 New Channels of Music Distribution ......................... 30

O One Minute Plays ............................................................... 41 Operas of Rameau, The ................................................... 35

P Paragone in Nineteenth-Century Art, The ............... 17 Paul Bekker's Musical Ethics .......................................... 30 Performance, Ethnography and Communication ................................................................. 41 Performing Homer: The Voyage of Ulysses from Epic to Opera ................................................................................. 30 Perspectives on German Popular Music ................... 30 Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni ............................................................ 4 Photography and Doubt ................................................ 11 Photography, Natural History and the Nineteenth-Century Museum ....................................... 15 Physical Actor Training .................................................... 41 Pioneering Photographic Work of Hercules Florence, The ............................................................................................ 12 Politics of Contemporary Art Biennials, The .............. 7 Politics of Water in the Art and Festivals of Medici Florence, The ........................................................................... 5 Popular Music Preservation in Community Archives, Museums, and Halls of Fame ....................................... 30 Popular Music Theory and Analysis ........................... 30 Popular Music, Cultural Politics and Music Education in China .................................................................................. 31 Portraiture and Early Studio Photography in China and Japan ............................................................................. 15 Portuguese Painting at the End of the Ancien Régime c. 1799-1807 ......................................................................... 16 Postcolonising the Medieval Image ............................. 4 Praise of Musicke, 1586, The .......................................... 35 Private Collecting, Exhibitions, and the Shaping of Art History in London ............................................................... 11 Punk Pedagogies in Practice ......................................... 31

Q Queen Hedwig Eleonora and the Arts ...................... 48 Queer Difficulty in Art and Poetry ................................ 16

Harry Smith's Anthology of American Folk Music ....................................................................................... 23

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INDEX BY TITLE Radical Marble ....................................................................... 4 Re-envisioning the Contemporary Art Canon ..................................................................................... 11 Realism of Piero della Francesca, The .......................... 9 Renaissance Porticoes and Painted Pergolas .................................................................................... 4 Representations of 'Roman' Catholicism in Armenia, Ethiopia and Central Europe ........................................... 4 Representing Duchess Anna Amalia's Bildung ...................................................................................... 2 Research-Creation in Music ........................................... 31 Rethinking Place in South Asian and Islamic Art, 1500-Present ........................................................................ 11 Revisiting Music Theory ................................................... 31 Routledge Anthology of Restoration and 18th Century Drama, The ........................................................................... 44 Routledge Companion to Commedia dell'Arte, The ............................................................................................ 44 Routledge Companion to El Greco, The ...................... 5 Routledge Companion to Medieval Iconography, The ............................................................................................ 12 Routledge Companion to Music, Technology, and Education, The .................................................................... 35 Routledge Companion to the Study of Local Musicking, The ..................................................................... 35 Routledge Library Editions: Renaissance Drama .................................................................................... 42 Routledge Research Companion to Early Drama and Performance, The ............................................................... 44 Routledge Research Companion to Electronic Music, The ............................................................................................ 35 Routledge Research Companion to Johann Sebastian Bach, The ............................................................................... 35 Routledge Research Companion to Popular Music and Gender, The ................................................................. 36 Routledge Research Companion to Popular Music Education, The .................................................................... 36 Routledge Revivals: David Rabe (1988) .................... 42 Routledge Revivals: In Modernity's Wake (1989) ...................................................................................... 47 Routledge Revivals: Painting, Language and Modernity (1985) ................................................................ 47 Routledge Revivals: Some Phases in the Life of Buddha (1915) ...................................................................................... 42 Rubens and the Eloquence of Drawing ...................... 9 Rules That Set Us Free: Adolph Bernhard Marx As Theorist, Thinker and Critic, The ................................... 36

S Samuel Beckett, Repetition and Modern Music ....................................................................................... 31 Schnittke Studies ................................................................ 31 Scholarly Research for Musicians ................................ 32 Science, Technology, and Utopias ................................ 6 Scoring the Score ............................................................... 32 Sculptural Materiality in the Age of Conceptualism .................................................................... 16 Sculpture and Film ............................................................ 16 Sculpture and the Nordic Region ................................... 9 Secrets of Acting Shakespeare ...................................... 42 Seven Ancient Wonders in the Early Modern World, The ............................................................................................ 12 Shakespeare's Tragic Justice ......................................... 42 Shared Musical Heritage of Congolese and Cuban Music, The .............................................................................. 36 Singing Death: Reflections on Music and Mortality ................................................................................ 32 Sociology for Music Teachers ........................................ 32 Sonic Signature of U2, The ............................................. 36 Sound, Sin, and Victorian Religious Conversion ............................................................................ 32

Sources and Style in Moore’s Irish Melodies ............ 32 Stage Lives of Animals, The ............................................ 44 Stage-Play and Screen-Play .......................................... 42 Staging the Artist ............................................................... 16 Stanislavski in Practice ..................................................... 43 Stuart Academic Drama ................................................. 43 Studies in Historical Improvisation ............................. 33 Studies on Manuel de Falla ........................................... 33 Studio in the Gallery, The ................................................ 18 Subversive Language and Contemporary Women Artists of Color ........................................................................ 6 Subversive Uses of Nerve Psychology in Dada and Surrealism ............................................................................. 16 Surrealist Stratigraphy of Dorothea Tanning’s Chasm, A ................................................................................................. 14

T Tell Your Story ......................................................................... 8 Theater and Cultural Politics for a New World ....................................................................................... 45 Theatrical Performance and the Forensic Turn .......................................................................................... 45 Thomas Adès: Asyla .......................................................... 37 Tim Crouch's An Oak Tree .............................................. 38 Tone Psychology: Volume I ............................................ 37 Towards a Harmonic Grammar of Grieg's Late Piano Music ....................................................................................... 37 Tragedy of State, The ........................................................ 45

U Undergraduate Research in Music ............................. Understanding Bach's Passions ................................... Unearthing Shakespeare ................................................ Unfinished Exhibition, The .............................................

37 37 45 18

V Visual Culture and Mathematics in the Early Modern Period ...................................................................................... 12 Voice: Onstage and Off .................................................... 45

W W.J.T. Mitchell's Image Theory ...................................... 48 What Drawing and Painting Really Mean .............. 47 What Moves You? .............................................................. 45 William Hunter and His Eighteenth-Century Cultural Worlds ..................................................................................... 13 Women in Asian Performance ..................................... 46 Women in the Studio ....................................................... 37 Women of Quyi, The ......................................................... 36 Women Photographers and Feminist Aesthetics ................................................................................. 2 Wonder in Contemporary Artistic Practice ................ 7 World Dance Cultures ...................................................... 46 World Theatre ...................................................................... 46 World Theories of Theatre .............................................. 46 Write to Thrill .......................................................................... 8

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INDEX BY AUTHOR

A Ahlers, Michael .................................................................... 30 Alexander-Skipnes, Ingrid ............................................ 12 Anderson, Christina M. ................................................... 10 Anderton, Chris ................................................................... 28 Ansell, Steve .......................................................................... 41 Arnold, Edwin ...................................................................... 42 Ashley, Kathleen .................................................................... 2 Attfield, Nicholas ................................................................ 29 Ayres, Sara ................................................................................. 9

Gartlan, Luke ......................................................................... 15 Gee, Gabriel ........................................................................... 48 Gibbons, Brian ..................................................................... 40 Gibson, Kirsten .................................................................... 21 Giuffre, Liz ............................................................................... 28 Gold, Susanna W. ............................................................... 18 Gossett, Suzanne ............................................................... 43 Gronlund, Melissa ................................................................. 6 Grossman, Heather .............................................................. 3 Guido, Massimiliano ......................................................... 33 Gunsch, Kathryn Wysocki ................................................ 5

B Baker, David ........................................................................... 24 Baker, Sarah ........................................................................... 30 Balducci, Temma ................................................................ 15 Barna, Emília .......................................................................... 26 Bartal, Renana ......................................................................... 3 Barton, Robert ...................................................................... 41 Barton, Robert ...................................................................... 45 Bauer, Amy ............................................................................. 23 Beamann, Patricia .............................................................. 46 Beaster-Jones, Jayson ..................................................... 28 Betancourt, Michael ......................................................... 48 Björnberg, Alf ....................................................................... 26 Blatter, Alfred ........................................................................ 31 Bosch, Lynette M.F. .............................................................. 3 Brae, C. Michael ................................................................... 30 Breatnach, Mary .................................................................. 27 Brody, Jane Drake .............................................................. 38 Brown, Katherine T. ........................................................... 11 Brown, Marilyn R. ............................................................... 12

Hair, Ross ................................................................................. Hakobian, Levon ................................................................ Halliwell, Michael ............................................................... Hammond, Susan Lewis ................................................ Hansford, Roger .................................................................. Hare, Elissa .............................................................................. Hawkins, Stan ....................................................................... Heile, Björn ............................................................................. Henke, James T. .................................................................. Hernandez-Duran, Ray ................................................... Hersch, Charles B ............................................................... Higgins, Lee ........................................................................... Ho, Wai-Chung .................................................................... Hodges, Donald A. ............................................................ Hooks, Ed ................................................................................ Hoskisson, Darin ................................................................. Hosley, Richard .................................................................... Hourihane, Colum ............................................................. Hunt, Una ............................................................................... Hutton, Deborah S. ...........................................................

Caust, Josephine ................................................................... 6 Cazeaux, Clive ...................................................................... 47 Chaffee, Judith .................................................................... 44 Chaudhuri, Una ................................................................... 44 Chemers, Michael .............................................................. 44 Christoforidis, Michael .................................................... 33 Cohen, Lola ............................................................................ 44 Colton, Lisa ............................................................................ 19 Cooper, Barry ........................................................................ 33 Cowgill, Rachel .................................................................... 28 Crowther, Paul ..................................................................... 47 Curzon, Lucy D. ................................................................... 15

Ikemoto, Wendy ................................................................. Impett, Jonathan ................................................................ Ingham, Michael ................................................................. Iskin, Ruth ...............................................................................

D Dandona, Jessica M. ......................................................... 15 Davidson, Jane W. ............................................................. 33 Davidson, Kathleen ........................................................... 15 Davidts, Wouter .................................................................. 18 Davis, James .......................................................................... 33 Dell, Helen .............................................................................. 32 Deshpande Hutchinson, Anjalee ............................. 38 Dill, Bill ......................................................................................... 8 Dinesh, Nandita .................................................................. 41 Dixon, Gavin .......................................................................... 31 Droznin, Andrei ................................................................... 41 Duckworth, Chloë N. .......................................................... 3 Dupré, Sven .............................................................................. 3

23 28 29 21 22 39 36 24 39 17 25 22 31 19 39 19 39 12 32 11

Edwards, Jason .................................................................... 12 Elliott, Bridget ....................................................................... 17 Else, Felicia M. ......................................................................... 5 Elsner, Jaś ................................................................................ 14 Emmerson, Simon ............................................................. 35 Endrinal, Christopher ....................................................... 36 Esche-Ramshorne, Christiane ....................................... 4

F Filippone, Christine ............................................................. 6 Fleming, John ...................................................................... 43 Fleming, Michael ................................................................ 22 Frieze, James ......................................................................... 45 Froehlich, Hildegard ........................................................ 32 Frojmovic, Eva ........................................................................ 4

Nagy, Zvonimir .................................................................... 22 Nakajima, Nanako .............................................................. 43 Napoli, J. Nicholas ................................................................ 4 Narushima, Terumi ........................................................... 27 Neville, Kristoffer ................................................................. 48 Nichol, Charlotte ................................................................ 45 Nielsen, Nanette ................................................................. 30 Nonaka, Natsumi .................................................................. 4 Novak, Jelena ....................................................................... 22 Noyes, Ruth S. ......................................................................... 4

O'Brien, Nick .......................................................................... O'Connell, Julia Grella ..................................................... Ockelford, Adam ................................................................ Odom, Glenn A. ..................................................................

43 32 29 46

Jackson, Timothy ............................................................... 34

Pace, Ian ................................................................................... 20 Pentcheva, Bissera ............................................................. 20 Perry, Victoria ........................................................................ 17 Phillipson, Michael ............................................................ 47 Phillipson, Michael ............................................................ 47 Pierson, Stacey J. ................................................................ 11 Pike, Pamela .......................................................................... 21 Pollock, Bruce ....................................................................... 19 Pooke, Grant ......................................................................... 14 Porter, Mark ........................................................................... 21 Post, Jennifer ........................................................................ 34 Priebe, Jessica ......................................................................... 3 Purgar, Krešimir ................................................................... 48 Pye, Valerie ............................................................................. 45

K Kamien-Kazhdan, Adina ................................................ 14 Kauffman, Deborah .......................................................... 28 Kaufman, Gabrielle ............................................................ 23 Keizer, Joost ............................................................................. 9 Kelley, Emily ........................................................................... 10 Kim, Hyun-Ah ....................................................................... 35 Kim, Jongwoo Jeremy .................................................... 16 King, Andrew ........................................................................ 35 King, Elaine ............................................................................ 27 King, Pamela ......................................................................... 44 Kohl, Jerome ......................................................................... 25 Kolin, Philip C. ....................................................................... 42 Kompatsiaris, Panos ............................................................ 7 Korsgaard, Mathias ........................................................... 29 Kossoy, Boris ......................................................................... 12 Kriebel, Sabine T. ................................................................ 11

Lang, Theresa ....................................................................... 39 Leaver, Robin ........................................................................ 35 Leaver, Robin A. .................................................................. 37 Lee, Sang-Hie ....................................................................... 32 Leeson, Lorraine .................................................................... 6 Leggatt, Alexander ........................................................... 38 Leonard, Kendra ................................................................. 33 Lever, J. W. .............................................................................. 45 Lindeman, Christina K. ....................................................... 2 Lippert, Sarah ....................................................................... 14 Lippert, Sarah ....................................................................... 17 Loukopoulou, Katerina ................................................... 17 Love, Catherine ................................................................... 38 Luckett, Sharrell .................................................................. 39 Lusheck, Catherine H. ........................................................ 9

M Madhavan, Arya .................................................................. 46 Madison, D Soyini .............................................................. 41

Complimentary Exam Copy

O 14 26 42 11

Mann, David .......................................................................... 43 Mann, Judith W. .................................................................. 10 Marshall, Kelly ......................................................................... 8 Martens, Peter ...................................................................... 24 Matsue, Jennifer ................................................................. 23 Matusky, Patricia ................................................................. 34 Maultsby, Portia .................................................................. 25 Mawer, Deborah ................................................................ 24 McAra, Catriona .................................................................. 14 McCabe, Maryann ............................................................. 26 McCormack, Helen ........................................................... 13 McGrath, John ..................................................................... 31 McGuinness, Sara ............................................................... 36 Menson-Furr, Ladrica ...................................................... 41 Mercado, Gustavo ................................................................ 8 Merlin, Bella ........................................................................... 38 Mieves, Christian ................................................................... 7 Moon, Iris ................................................................................... 5 Moran, Claire ......................................................................... 16 Mowris, Peter ........................................................................ 16 Myzelev, Alla ............................................................................ 6

e-Inspection

Q Quinn, Iain .............................................................................. 34

Scheiwiller, Staci Gem ..................................................... 11 Schmidt Kjærgaard, Rikke ................................................ 4 Schoop, Monika .................................................................. 24 Schrader, Jeffrey .................................................................... 5 Schultz, Stacy .......................................................................... 6 Selth, Andrew ....................................................................... 20 Shevock, Daniel .................................................................. 22 Singletary, Suzanne M. ................................................... 15 Sisson, C. J. ............................................................................. 42 Skoblar, Magdalena .......................................................... 10 Smith, Gareth ....................................................................... 31 Smith, Gareth ....................................................................... 36 Smyth, Gerry ......................................................................... 27 Southey, Roz ......................................................................... 21 Speers, Laura ........................................................................ 24 Stoppino, Eleonora ........................................................... 30 Straub, Kristina ..................................................................... 44 Stumpf, Carl ........................................................................... 37 Sturgess, Keith ..................................................................... 40 Stévance, Sophie ............................................................... 31 Sullivan, Elizabeth Way ................................................... 20 Sullivan, Marin R. ................................................................ 16 Sutton, Elizabeth ................................................................ 10

T Taylor, Benedict .................................................................. Taylor, Benedict .................................................................. Terefenko, Dariusz ............................................................. Thelwell, Chinua ................................................................. Thomas, Wyndham .......................................................... Timpano, Nathan J. ........................................................... Tsioulakis, Ioannis .............................................................. Tucker, Patrick ...................................................................... Turri, Maria .............................................................................

19 37 25 45 26 10 29 42 38

U Uribe, Patrick Wood ......................................................... 36

V Various, .................................................................................... 42 Venn, Edward ....................................................................... 37 Vlachou, Foteini .................................................................. 16

W Wacholtz, Larry .................................................................... 27 Weichel, Eric ............................................................................. 2 Westgarth, Mark ................................................................. 17 Westlake, E. J. ........................................................................ 46 White, Harry ........................................................................... 34 Willis, Peter ............................................................................. 21 Wilson, Samuel .................................................................... 27 Wolfe, Paula ........................................................................... 37 Wolff, William I. .................................................................... 20 Wood, Caroline ................................................................... 23 Wood, Jon .............................................................................. 16 Worth, Libby ......................................................................... 40 Wöllner, Clemens .............................................................. 20

Y Young, Gregory ................................................................... 37

Rae, Caroline ......................................................................... 19 Rae, Caroline ......................................................................... 26 Raymond, Claire .................................................................... 2 Reason, Matthew ............................................................... 40 Reily, Suzel A. ........................................................................ 35 Ribner, Irving ......................................................................... 40 Rinsema, Rebecca ............................................................. 25 Robinson, Thomas ............................................................ 30 Rodney, Lee ........................................................................... 48 Rodriguez Moya, Inmaculada .................................... 12 Rush, Stephen ...................................................................... 23 Russell, David L. ................................................................... 43

S Sack, Daniel ........................................................................... Sadler, Graham .................................................................... Saffle, Michael ...................................................................... Sallis, Friedemann ............................................................. Sapiro, Ian ............................................................................... Savage, Roger ...................................................................... Sborgi Lawson, Francesca R. .......................................

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40 35 34 25 32 29 36

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