Tf media cultural studies 2017

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ROUTLEDGE

Media and Cultural Studies 2017 New and Forthcoming Titles

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Welcome to the 2017 Media and Cultural Studies Catalogue. In this catalogue you will find information on the Routledge list which covers Broadcast Media, Film Studies, Journalism & Professional Media, Media & Communications, Popular Music and Culture, and more. We welcome your feedback on our publishing programme, so please do not hesitate to get in touch whether you want to read, write, review, adapt or buy, we want to hear from you, so please visit our website below or please contact your local sales representative for more information. www.routledge.com/media www.routledge.com/culturalstudies

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Contents CULTURAL STUDIES ........................................................................................................................................................... 2 Cultural Theory ............................................................................................................................................................................................................................................................................................ 2 Cyberculture ................................................................................................................................................................................................................................................................................................. 3 Gender .............................................................................................................................................................................................................................................................................................................. 6 Popular Culture ........................................................................................................................................................................................................................................................................................... 7 Popular Music .............................................................................................................................................................................................................................................................................................. 9 Race and Ethnicity .................................................................................................................................................................................................................................................................................. 10 Cultural Studies - others ..................................................................................................................................................................................................................................................................... 11

MEDIA STUDIES AND JOURNALISM ............................................................................................................................. 13 Broadcast Media ...................................................................................................................................................................................................................................................................................... Film Studies ................................................................................................................................................................................................................................................................................................ Journalism and Professional Media ............................................................................................................................................................................................................................................. Media and Communications ........................................................................................................................................................................................................................................................... Media and Film Studies .......................................................................................................................................................................................................................................................................

13 15 20 27 42

Index ................................................................................................................................................................................... 44


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CULTURAL THEORY Dummy text to keep placeholder

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Contemporary Visual Culture and the Sublime

Spectral Spaces and Hauntings

Edited by Temenuga Trifonova, York University, Canada Series: Routledge Advances in Art and Visual Studies This volume explores the place of the sublime in contemporary visual culture and the aesthetic, cultural, and political values coded in it. It offers a map of the contemporary sublime in terms of the limits—cinematic, cognitive, neurophysiological, technological, or environmental—of representation. "This collection brings the sublime back to where it belongs, the centre of modern critical thinking in fields that are much broader than that of philosophy and art history. It helps understand why we need the sublime as a transdisciplinary toolset that brings together issues of ecocriticism, posthumanism, cultural policy, and digital culture." --Jan Baetens, University of Leuven. Routledge Market: Cultural Studies/Critical Theory/Aesthetics July 2017: 229 x 152: 280pp Hb: 978-1-138-23772-8: £105.00 eBook: 978-1-315-29915-0 * For full contents and more information, visit: www.routledge.com/9781138237728

Edited by Christina Lee, Curtin University, Australia Series: Routledge Research in Cultural and Media Studies "A timely and important collection of incisive and insightful essays which address some of the most urgent and important issues which concern scholars working in memory studies, and humanities more generally." - Anindya Raychaudhuri, University of St Andrews, UK This volume explores the spectral qualities of space, using the language of hauntings, to understand how absence, emptiness and the imperceptible can indicate a presence of something (that once was, and still is) there. Contributors navigate affective spaces, from former sites of violence and ruin to the nostalgic home, from haunting impressions in literature to spectral presences in architecture and photography. Routledge Market: Cutural Studies/Memory Studies February 2017: 229 x 152: 200pp Hb: 978-1-138-85682-0: £85.00 eBook: 978-1-315-71911-5 * For full contents and more information, visit: www.routledge.com/9781138856820

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Cultural Feelings

The Creative Underground

Mood, Mediation and Cultural Politics

Art, Politics and Everyday Life

Ben Highmore It is a commonplace to describe epochs in terms of feelings, moods and passions: the 1960s, we are told, swing; the 1950s are cool, austere, and conformist; the 1980s were a greedy decade. In demonstrating such generalisations television documentaries, for instance, often role out an iconography of personas (James Dean as emblematic of cool, Harry Enfield’s ‘Loadsamoney’ as the epitome of greed) or events (free festivals, the McCarthy ‘witch hunts’). How culture feels becomes a crucial aspect of its reception, production and dissemination. Routledge Market: Cultural Studies May 2017: 234x156: 232pp Hb: 978-0-415-60411-6: £99.00 Pb: 978-0-415-60412-3: £24.99 eBook: 978-0-203-13044-5 * For full contents and more information, visit: www.routledge.com/9780415604123

Paul Clements, Goldsmiths, University of London, UK Series: Routledge Research in Cultural and Media Studies The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.

Routledge Market: Cultural Studies/Art and Politics October 2016: 229 x 152: 232pp Hb: 978-1-138-88686-5: £85.00 eBook: 978-1-315-71453-0 * For full contents and more information, visit: www.routledge.com/9781138886865

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Materializing Memory in Art and Popular Culture

What's Become of Australian Cultural Studies?

Edited by Laszlo Muntean, Radboud University, The Netherlands, Liedeke Plate, Radboud University, The Netherlands and Anneke Smelik, Radboud University, The Netherlands Series: Routledge Research in Cultural and Media Studies Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. By accounting for the material world as a medium through which acts of remembering and forgetting take place, the chapters of this book offer new insights on such topics as the study of ruins, the exchange and circulation of souvenirs, digitization and the Internet of Things, fashion and technology, as well as the material dimensions of corporeality and traumatic re-enactment. Routledge Market: Cultural Studies/Memory December 2016: 229 x 152: 220pp Hb: 978-1-138-20323-5: £85.00 eBook: 978-1-315-47217-1 * For full contents and more information, visit: www.routledge.com/9781138203235

The Legacies of Graeme Turner Edited by Gerard Goggin, Anna Cristina Pertierra, University of Western Sydney, Australia, Mark Andrejevic, Pomona College, Claremont, CA, USA and Melissa Gregg, Intel Corporation, Portland, OR, USA Cultural studies face a complicated yet rich future, proving both flexible and resilient in many countries. This book offers a fresh perspective on the state of the field, via an evaluation of the work of one of its key thinkers – Graeme Turner – and the traditions of Australian cultural studies which have been influential on the formation of the field. This lively and provocative volume is essential reading for anyone interested in where cultural studies has come from, where it’s heading to, and what kinds of ideas will help scholars and students alike make sense of and reconfigure the discipline. This book was originally published as a special issue of Cultural Studies. Routledge Market: Cultural Theory / Media Theory October 2016: 234x156: 128pp Hb: 978-1-138-68488-1: £90.00 * For full contents and more information, visit: www.routledge.com/9781138684881

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Becoming-Social in a Networked Age

Gay Men, Identity, and Social Media

Neal Thomas, University of North Carolina at Chapel Hill, USA Series: Routledge Studies in New Media and Cyberculture

The Culture of Participatory Reluctance

This book examines the semiotic effects of protocols and algorithms at work in popular social media systems, bridging philosophical conversations in human-computer interaction (HCI) and information systems (IS) design with contemporary work in critical media, technology and software studies. Where most research into social media is sociological in scope, Neal Thomas shows how the underlying material-semiotic operationsof social media now crucially define what it means to be social in a networked age. He proposes that we consider social media platforms as computational processes of collective individuation that produce, rather than presume, forms of subjectivity and sociality. Routledge Market: Media Theory/Information Studies November 2017: 229 x 152: 208pp Hb: 978-1-138-71902-6: £105.00 eBook: 978-1-315-19562-9 * For full contents and more information, visit: www.routledge.com/9781138719026

Elija Cassidy, Queensland University of Technology, Australia Series: Routledge Studies in New Media and Cyberculture This book explores identity management practices employed by young gay social media users in the context of convergence between niche sites like Gaydar and more mainstream sites like Facebook. Cassidy considers key public issues such as participatory reluctance, online privacy, and digital equality from the perspective of a demographic currently underrepresented in social media research. The findings provide critical insights for those interested in the trajectory of gay men’s digital culture, social networks and LGBT mental health, and the nature of multi-sited identity management in social media more generally. Routledge Market: Digital Media/Queer Studies June 2017: 229 x 152: 232pp Hb: 978-1-138-83085-1: £105.00 eBook: 978-1-315-73702-7 * For full contents and more information, visit: www.routledge.com/9781138830851

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TEXTBOOK

Between the Public and Private in Mobile Communication

History of Digital Media

Edited by Ana Serrano Tellería, Universidade da Beira Interior, Portugal Series: Routledge Studies in New Media and Cyberculture

Gabriele Balbi and Paolo Magaudda

Mobile devices’ impact on daily life has raised relevant questions regarding public and private space and communication. Both the technological environment (operating systems, platforms, apps) and media ecosystems (interface design, participatory culture, social media) influence how users deal with the public and private, intimate and personal spheres. Leading researchers in communication, art, computer engineering, education, law, sociology, philosophy, and psychology here explore current methodologies for studying the dichotomy of the public and private in mobile communication, providing a foundation for further research. Routledge Market: Mobile Media/Digital Culture June 2017: 229 x 152: 320pp Hb: 978-1-138-22555-8: £85.00 eBook: 978-1-315-39930-0 * For full contents and more information, visit: www.routledge.com/9781138225558

An Intermedial and Global Perspective This book offers students an accessible introduction to the history of digital media from the birth of the computer to the ubiquitous computing that pervades society today. Taking a historical, intermedial, and global approach, History of Digital Media provides readers with a clear, in-depth overview of the main turning points and debates in the history of digital media including the emergence of computers, the Internet, and mobile media. With learning resources and activities in each chapter, the book explores the way "new" media are firmly intertwined with the social, cultural and political changes of the twentieth century. Routledge Market: Media History January 2017: 254 x 178 Hb: 978-1-138-63021-5: £150.00 Pb: 978-1-138-63022-2: £29.99 eBook: 978-1-315-20963-0 * For full contents and more information, visit: www.routledge.com/9781138630222

READER

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Foundations of Mobile Media Studies

Intersecting Art and Technology in Practice

Essential Texts on the Formation of a Field

Techne/Technique/Technology

Edited by Jason Farman, University of Maryland, College Park, USA Series: Routledge Recommends Foundations of Mobile Media Studies gathers some of the most important texts in this emerging field, offering readers approaches to understanding our moment and our media. This book discusses topics such as human intimacy, social space, political uprisings, labor, mobile phones in the developing world, gender, the mobile device’s impact on reading, mobile television, and mobile photography, among others. This carefully curated collection will serve as the central text to introduce this field to anyone eager to understand the rise of mobile technology, its impact on our relationships, and how these media have transformed the ways we understand the world around us. Routledge Market: Media Studies/Mobile Media November 2016: 234x156: 274pp Hb: 978-1-138-23582-3: £85.00 Pb: 978-1-138-23583-0: £29.99 eBook: 978-1-315-64666-4 * For full contents and more information, visit: www.routledge.com/9781138235830

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Edited by Camille C Baker, University for the Creative Arts Epsom, UK and Kate Sicchio, Parsons The New School for Design, USA Series: Routledge Advances in Art and Visual Studies This book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation in making digital and electronic technology-based art. Less interested in the outcome itself—the artefact, artwork or performance—contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice. Routledge Market: Art/Digital Media December 2016: 229 x 152: 222pp Hb: 978-1-138-93411-5: £95.00 eBook: 978-1-315-67809-2 * For full contents and more information, visit: www.routledge.com/9781138934115

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LGBTQ Youth and the Paradox of Digital Media Empowerment

Studying Digital Media Audiences

Lauren S. Berliner, University of Washington Bothell, USA Series: Routledge Research in Gender, Sexuality, and Media This book examines the rise and impact of digital media projects, such as the widely-celebrated It Gets Better Project viral video campaign, designed to support LGBTQ youth at risk. Based on participant action research with LGBTQ teen media makers and textual analysis of hundreds of youth-produced videos, Berliner challenges the assumption that having a voice, visibility and recognition is equivalent to gaining rights and resources. She looks at youth media practice within broader communication history to complicate the idea that youth are digital natives who are naturally driven to use media to "pull themselves up by their bootstraps" to overcome experiences of risk and vulnerability. Routledge Market: Media Studies/Gender and Sexuality/Youth September 2017: 229 x 152: 208pp Hb: 978-0-415-79084-0: £105.00 eBook: 978-1-315-21281-4 * For full contents and more information, visit: www.routledge.com/9780415790840

Perspectives from Australasia Edited by Craig Hight, The University of Newcastle, Australia and Ramaswami Harindranath, University of New South Wales, Australia Series: Routledge Studies in New Media and Cyberculture Although many digital platforms continue to appropriate and reconfigure familiar forms of media experience, this is an environment which no longer consistently constructs an identifiable 'mass' audience in the terms understood by twentieth century audience researchers. It demands new ways of thinking about audience and user engagement with media technologies, and raises significant questions on methods of conceiving and researching audience-users. This volume addresses ongoing debates in the field of audience research by exploring relevant conceptual and methodological issues concerning the systematic study of digital audiences. Routledge Market: Digital Media/Audience Studies February 2017: 229 x 152: 216pp Hb: 978-1-138-22456-8: £85.00 eBook: 978-1-315-40206-2 * For full contents and more information, visit: www.routledge.com/9781138224568

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Online Activism in Latin America

The "Serial" Podcast and Storytelling in the Digital Age

Edited by Hilda Chacón, Nazareth College, USA Series: Routledge Studies in New Media and Cyberculture This book examines the innovative ways in which Latin American citizens, and Latin@s in the United States, use the Internet to advocate for causes that they consider just. The contributions to the volume analyze citizen-launched websites, interactive platforms, postings, and group initiatives that support a wide variety of causes, ranging from human rights, to disability issues, indigenous groups’ struggles, environmental protection, art, poetry and activism, migrancy, and citizen participation in electoral and political processes. This collection bears witness to the early stages of a very unique and ground-breaking form of civil activism culture now growing in Latin America. Routledge Market: Digital Media/Latin American Studies August 2017: 229 x 152: 248pp Hb: 978-1-138-70517-3: £105.00 eBook: 978-1-315-20230-3 * For full contents and more information, visit: www.routledge.com/9781138705173

Edited by Ellen McCracken, University of California, Santa Barbara, USA Series: Routledge Focus on Digital Media and Culture This volume analyzes the Serial podcast, situating it in the trajectory of other popular crime narratives and contemporary cultural theory. Contributors focus on topics such as the ethics of the use of fiction techniques in investigative journalism, the epistemological overlay of postmodern indeterminacy, and the audience’s prolific activity in social media, examining the competing narrative strategies of the narrators, characters, and the audience. Other topics considered include the multiplication of narratives and the longing for closure, how our minds work as we experience true crime narratives, and what critical race theory can teach us about the program’s strategies. Routledge Market: Media and Cultural Studies/Journalism Studies January 2017: 216x138: 152pp Hb: 978-1-138-62829-8: £45.00 eBook: 978-1-315-21070-4 * For full contents and more information, visit: www.routledge.com/9781138628298

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Socialbots and Their Friends

The Evolution of the Image

Digital Media and the Automation of Sociality

Political Action and the Digital Self

Edited by Robert W. Gehl, University of Utah, USA and Maria Bakardjieva, University of Calgary, Canada Socialbots are built to appear human: they will ask you questions, like your social media posts, retweet you, and become your friend. They are also increasingly intervening in global political debates, infiltrating activist networks, or correcting misinformation circulating online. From Twitter to Facebook to Siri, this book provides case studies and theoretical accounts of socialbots, asking questions such as what does it mean to say software is "social"? What sort of power relations are reflected in the production and use of socialbots? What does it mean to be human in this era of social technologies? Socialbots marks the start of a new conversation about robots in the 21st century. Routledge Market: Media/Cultural Studies December 2016: 229 x 152: 254pp Hb: 978-1-138-63939-3: £105.00 Pb: 978-1-138-63940-9: £29.95 eBook: 978-1-315-63722-8 * For full contents and more information, visit: www.routledge.com/9781138639409

Edited by Marco Bohr, Loughborough University, UK and Basia Sliwinska, Middlesex University, UK Series: Routledge Advances in Art and Visual Studies This volume addresses the evolution of the visual in digital communities, offering a multidisciplinary discussion of the ways in which images are circulated in digital communities, the meanings which are attached to them and the implications they have on notions of identity, memory, gender, cultural belonging and political action. Contributors focus on the political efficacy of the image in digital communities, as well as the representation of the digital self in order to offer a fresh perspective on the role of digital images in the creation and promotion of new forms of resistance, agency and identity within visual cultures. Routledge Market: Visual Culture/Digital Media August 2017: 229 x 152: 192pp Hb: 978-1-138-21603-7: £105.00 eBook: 978-1-315-44292-1 * For full contents and more information, visit: www.routledge.com/9781138216037

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The Performativity of Digital Activism Fidele Vlavo, King's College London, UK Series: Routledge Studies in New Media and Cyberculture This book offers an analysis of online direct action as creative and cultural performance. It examines the historical and present practices of artists-activists engaged in digital activism, including the work of Critical Art Ensemble, Electronic Disturbance Theatre and Anonymous. The book investigates the discourses of cyberprotest based on the narratives provided by activists and artists involved in electronic resistance and actions, covering early online activist practices while also considering more recent shifts in the performance of electronic resistance such as the use of cracking and information leaking tactics which are reshaping the movement. Routledge Market: Digital Media/Political Communication/Activism March 2017: 229 x 152: 184pp Hb: 978-1-138-91124-6: £70.00 eBook: 978-1-315-69286-9 * For full contents and more information, visit: www.routledge.com/9781138911246

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The Routledge Companion to Digital Ethnography Edited by Larissa Hjorth, RMIT University, Australia, Heather Horst, RMIT University, Australia, Anne Galloway, Victoria University of Wellington, New Zealand and Genevieve Bell Series: Routledge Companions With the increase of digital and networked media in everyday life, researchers have increasingly turned their gaze to the symbolic and cultural elements of technologies. From studying online game communities, locative and social media to YouTube and mobile media, ethnographic approaches to digital and networked media have helped to elucidate the dynamic cultural and social dimensions of media practice. The Routledge Companion to Digital Ethnography provides an authoritative, up-to-date, intellectually broad, and conceptually cutting-edge guide to this emergent and diverse area. Routledge Market: Internet Studies/Ethnography December 2016: 246x174: 494pp Hb: 978-1-138-94091-8: £150.00 eBook: 978-1-315-67397-4 * For full contents and more information, visit: www.routledge.com/9781138940918

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Wearable Media A Critical Exploration of Social Implications Vian Bakir, Bangor University, UK and Andrew McStay, Bangor University, UK Series: Routledge Studies in New Media and Cyberculture Divorcing computers from their desks, wearable media are truly mobile, hands-free, intimate, and sit within the paradigm of the ‘Internet of Things’. This book examines wearable media’s social, cultural, and political-economic implications. McStay and Bakir argue that wearable media contribute to the global surveillant assemblage not just mere information, but also corporeal and even emotional data, the social implications of which are just starting to unfold. While interested in topics of ubiquity and mass adoption, they also address the unique characteristics of wearable media—not least the much more intimate ways that technologies engage with people. Routledge Market: Digital Media/Mobile Media December 2017: 229 x 152: 192pp Hb: 978-1-138-84737-8: £105.00 eBook: 978-1-315-72684-7 * For full contents and more information, visit: www.routledge.com/9781138847378

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GENDER Dummy text to keep placeholder

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Digital Feminisms

Teaching Gender

Transnational activism in German protest cultures

Feminist Pedagogy and Responsibility in Times of Political Crisis

Edited by Christina Scharff, Carrie Smith-Prei, University of Alberta, Edmonton, Canada and Maria Stehle, University of Tennessee, Knoxville, TN, USA Digital Feminisms interrogates the digital interface of transnational protest movements and local activism in feminist politics. Contemporary German protest cultures offer a case study to examine the manner in which transnational feminist activism intersects with the national configuration of feminist political work. This book was originally published as a special issue of Feminist Media Studies. Routledge Market: Feminism / Media Studies / Protest Movements November 2016: 246x174: 170pp Hb: 978-1-138-22301-1: £90.00 * For full contents and more information, visit: www.routledge.com/9781138223011

Edited by Beatriz Revelles Benavente and Ana M. González Ramos Teaching Genderaims to examine the implications of teaching and learning in a neoliberal context from a feminist perspective. The book asks how we can reconfigure a feminist politics of responsibility so as to be able to engage with contemporary issues, such as the global financial or the refugee crisis. It also offers practical cases from different European locations in which crisis and emergent responsibilities have served to reformulate contemporary feminist pedagogies, altering curriculums, reframing institutions, and affecting the processes of teaching and learning. Routledge Market: Gender Studies April 2017: 234x156: 224pp Hb: 978-1-138-70122-9: £95.00 Pb: 978-1-138-70123-6: £27.99 eBook: 978-1-315-20416-1 * For full contents and more information, visit: www.routledge.com/9781138701236

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Gender, Heteronormativity and the American Presidency

The Dark Side of Camp Aesthetics

Aidan Smith Series: Global Gender

Edited by Ingrid Hotz-Davies, Franziska Bergmann, University of Trier, Germany and Georg Vogt, University of Vienna, Austria Series: Routledge Research in Cultural and Media Studies

Placing gender and race at the center of the consideration of presidential campaign communications, this intriguing and timely study examines gendered representations of US Presidential candidates. Analysis of television commericials, speeches and debates reveals an eagerness among those standing to demonstrate an unquestionable normative identity that seek to overcome challenges to their masculinity, or what the author calls compensatory heterosexuality. Stretching from Eisenhower and the ‚50s right through to the 2016 election, and Clinton and Trump‘s diverse approaches to communicating their heternormativity, this is a highly readable and engaging look at the perceptions of gender and masculinity during election as well as how these discursive choices influence public policy. Routledge Market: Gender Studies August 2017: 234x156: 224pp Hb: 978-1-138-63354-4: £85.00 Pb: 978-1-138-63355-1: £24.99 eBook: 978-1-315-20726-1 * For full contents and more information, visit: www.routledge.com/9781138633544

Queer Economies of Dirt, Dust and Patina

"Camp" is often associated with glamour, surfaces and an ostentatious display of chic, but as these authors argue, there is an underside to it that has often gone unnoticed: camp’s simultaneous investment in dirt, vulgarity, the discarded and rejected, the abject. This book explores how camp challenges and at the same time celebrates what is arguably the single most important and foundational cultural division, that between the dirty and the clean. In refocusing camp as a phenomenon of the dark underside as much as of the glamorous surface, the collection hopes to offer an important contribution to our understanding of the cultural politics and aesthetics of camp. Routledge Market: Cultural Studies/Queer Studies/Media Studies September 2017: 229 x 152: 208pp Hb: 978-0-415-79078-9: £85.00 * For full contents and more information, visit: www.routledge.com/9780415790789

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New Feminisms in South Asia

Women’s Authorship and Genre in Film and Television

Disrupting the Discourse Through Social Media, Film and Literature Edited by Sonora Jha, Seattle University, USA and Alka Kurian, University of Washington, Bothell, USA Series: Routledge Research in Cultural and Media Studies

Edited by Mary Harrod, University of Warwick, UK and Katarzyna Paszkiewicz, University of Barcelona, Spain

This book is a study of the resurgence and re-imagination of feminist discourse on gender and sexuality in South Asia as told through its cinematic, literary, and social media narratives. It brings incisive and expert analyses of emerging disruptive articulations that represent an unprecedented surge of feminist response to the culture of sexual violence in South Asia. Contriburos offer critical investigations of these newly complicated discourses across narrative forms.

This volume examines how different generations of women work within the genericity of audio-visual storytelling not only to "undo" or "subvert" popular formats, but also to draw creatively on their generative force. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The writers in this collection respond to its invitation from diverse perspectives and with different answers, notably spanning issues of directing, screenwriting, performance and audience address/reception.

Routledge Market: Feminism/South Asia/Film/Digital Media/Literature August 2017: 229 x 152: 248pp Hb: 978-1-138-66893-5: £105.00 eBook: 978-1-315-61838-8 * For full contents and more information, visit: www.routledge.com/9781138668935

Routledge Market: Media Studies/Gender November 2017: 229 x 152: 240pp Hb: 978-1-138-69580-1: £105.00 eBook: 978-1-315-52609-6 * For full contents and more information, visit: www.routledge.com/9781138695801

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POPULAR CULTURE TEXTBOOK

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Celebrity

Immigrants and Comics

Sean Redmond, Deakin University, Australia Series: Key Ideas in Media & Cultural Studies

Graphic Spaces of Remembrance, Transaction, and Mimesis

Celebrity: Key Ideas in Media and Cultural Studies will introduce students to the key terms and concepts, dilemmas and issues that are central to the study and critical understanding of celebrity. There is an imagined relational trajectory that the book intends to navigate. While each chapter will stand as a coherent block of knowledge, analysis and appreciation, conversations and connections will also be foregrounded, and ‘echo’ summaries will enable the reader to follow the connections in the arguments that are made. The book builds a critical story about celebrity that takes in image production, branding and marketing, the political economy of celebrity, celebrity in the everyday, identity politics, structures of feeling and narratives of damage, and celebrity in relation to resistant strategies and energies. Topical, current and popular examples will be utilised to bring the material alive for the reader. Routledge Market: Cultural Studies November 2017: 198x129: 192pp Hb: 978-0-415-52743-9: £70.00 Pb: 978-0-415-52744-6: £18.99 eBook: 978-0-203-11480-3 * For full contents and more information, visit: www.routledge.com/9780415527446

Edited by Nhora Lucía Serrano, Hamilton College, USA Series: Routledge Advances in Comics Studies This interdisciplinary, themed anthology focuses on the depiction of immigrants in cartoons, comics, and graphic novels across diverse cultures and time periods, as they navigate new socio-political milieux. It seeks to interrogate how immigration is portrayed in comics and how the "immigrant" was an indispensable and vital trope to the development of the comics medium in the twentieth century. Routledge Market: Comics Studies/Cultural Studies July 2017: 229 x 152: 296pp Hb: 978-1-138-18615-6: £105.00 eBook: 978-1-315-64399-1 * For full contents and more information, visit: www.routledge.com/9781138186156

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Climate Change and Popular Culture

Popular Culture and the Austerity Myth

Angi Buettner, Victoria University of Wellington, New Zealand Series: Routledge Research in Cultural and Media Studies

Hard Times Today

This book examines how the climate change debate is represented, dealt with, narrated and more generally plays out within the field, texts and genres of the commercial media. Understanding the importance of environmental representations, narratives and discourses for our perceptions of the environment is a vital part of explaining the evolution of political responses to climate change. The book gives an account of the sciences’ attempts at communicating climate change to the public, as well as of the relationship between media representations of climate change issues and how this might tie in to or inform political action. Routledge Market: Popular Culture/Environmental Studies June 2017: 229 x 152: 208pp Hb: 978-1-138-88598-1: £105.00 eBook: 978-1-315-71515-5 * For full contents and more information, visit: www.routledge.com/9781138885981

Edited by Pete Bennett, University of Wolverhampton, UK and Julian McDougall, Bournemouth University, UK Centre for Excellence in Media Practice, Bournemouth University, UK Series: Routledge Research in Cultural and Media Studies Contemporary popular culture is engaged in a rich and multi-levelled set of representational relations with austerity. This volume provides a reading of cultural texts in circulation in the present ‘age of austerity’ and presents a theoretical deconstruction of popular culture’s reproduction of, and response to, mythical expressions of ‘austerity’ in Western culture, spanning the United Kingdom, North America, Europe and the Middle East and textual events from political media discourse, music, videogames, social media, film, television, journalism, folk art, food, protest movements, slow media and the practice of austerity in everyday life. Routledge Market: Cultural Studies/Media Studies November 2016: 229 x 152: 238pp Hb: 978-1-138-94294-3: £85.00 eBook: 978-1-315-67280-9 * For full contents and more information, visit: www.routledge.com/9781138942943

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Comic Books Go to the Movies

The Aesthetics and Affects of Cuteness

Avi Santo In this book, Avi Santo illuminates the economic, industrial, representational and stylistic intersections between the US comic book and film industries. From The Dark Knight to Spider-Man Santo explores how the comic book wave has reshaped production processes, reception practices, and storytelling strategies, while also engendering new debates among producers and consumers over canon, continuity, representation and remediation within a converging transmedia environment. Anchored by examples from popular comic book films, this book will play well in classes focused on contemporary film genres, Hollywood’s industrial practices, adaptation, transmediation, authorship, and fan studies. Routledge Market: Popular Culture July 2017: 229 x 152: 256pp Hb: 978-1-138-82425-6: £95.00 Pb: 978-1-138-82426-3: £29.99 eBook: 978-1-315-74079-9 * For full contents and more information, visit: www.routledge.com/9781138824263

Edited by Joshua Paul Dale, Tokyo Gakugei University, Japan, Joyce Goggin, University of Amsterdam, Netherlands, Julia Leyda, Sophia University, Japan, Anthony P. McIntyre, University College Dublin, Ireland and Diane Negra, University College Dublin, Ireland From kawaii culture in Japan to animal videos on Youtube, the essays in this collection variously draw connections between cuteness and the social, political, economic, and technological conditions of the early 21st century. Tracing how vectors of age, gender, ethnicity, sexuality, nationality, and species shape (and are shaped through) cuteness, this book addresses a range of vehicles for the expression and consumption of cuteness including local and globalizing developments in fashion, performance art, (sub)cultures, toys, games, social media, internet memes, television, movies, stand-up comedy, YouTube videos, and mobile apps. Routledge Market: Media/Cultural Studies December 2016: 229 x 152: 300pp Hb: 978-1-138-99875-9: £105.00 Pb: 978-1-138-99876-6: £24.99 eBook: 978-1-315-65852-0 * For full contents and more information, visit: www.routledge.com/9781138998766

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POPULAR CULTURE Dummy text to keep placeholder

The Narratology of Comic Art Kai Mikkonen, University of Helsinki, Finland Series edited by Matthew J. Smith Series: Routledge Advances in Comics Studies By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology. Routledge Market: Comics Studies/Narrative Theory January 2017: 229 x 152: 304pp Hb: 978-1-138-22155-0: £85.00 eBook: 978-1-315-41013-5 * For full contents and more information, visit: www.routledge.com/9781138221550

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The Routledge Companion to Comics Edited by Frank Bramlett, Roy T Cook and Aaron Meskin Series: Routledge Companions This cutting-edge handbook brings together an international roster of scholars to examine all facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field.This companion expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike. Routledge Market: Comics July 2016: 246x174: 456pp Hb: 978-0-415-72900-0: £150.00 eBook: 978-1-315-85133-4 * For full contents and more information, visit: www.routledge.com/9780415729000

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The Secret Origins of Comics Studies Edited by Matthew Smith, Wittenberg University, USA and Randy Duncan, Henderson State University, USA In The Secret Origins of Comics Studies, today’s leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. This collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past seventy-five years. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of comics studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review. Routledge Market: Media/Cultural Studies March 2017: 246x174: 312pp Hb: 978-1-138-88451-9: £95.00 eBook: 978-1-315-71603-9 * For full contents and more information, visit: www.routledge.com/9781138884519

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Popular Music, Cultural Memory and Heritage Edited by Andy Bennett, Griffith University, Queensland, Australia and Susanne Janssen This book offers a compelling, in-depth overview of popular music’s significance as an aspect of contemporary history and heritage. Bringing together a selection of wide-ranging contributions from Europe and Australia, this book demonstrates the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society. Routledge Market: Popular Music / Cultural Theory / Heritage April 2017: 246x174: 136pp Hb: 978-1-138-70135-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781138701359

4th Edition • TEXTBOOK • NEW EDITION

Popular Music: The Key Concepts Roy Shuker, University of Victoria Wellington, New Zealand Series: Routledge Key Guides Now in an updated 4th edition this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music studies. With new entries on streaming, YouTube, iTunes, mash ups, and sound studies the text comprehensively examines the social and cultural aspects of popular music, taking into account recent changes in the way that music is manufactured, marketed and consumed. With further reading and listening included throughout, Popular Music: The Key Concepts is an essential reference text for all students studying the social and cultural dimensions of popular music. Routledge Market: Media/Popular Music Culture April 2017: 216x138: 384pp Hb: 978-1-138-68092-0: £99.00 Pb: 978-1-138-68093-7: £21.99 eBook: 978-1-315-56427-2 Prev. Ed Pb: 978-0-415-59866-8 * For full contents and more information, visit: www.routledge.com/9781138680937

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Breaking Bread Insurgent Black Intellectual Life bell hooks, Berea College, USA and Cornel West, Princeton University, USA In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. The book calls upon the various traditions of sharing that take place where people come together to make a lived politics of revolutionary struggle an ongoing practice. This 25th anniversary edition continues the dialogue with "In Solidarity," their conversation on racism, politics, popular culture and the contemporary Black experience. Routledge Market: Cultural Studies November 2016: 216 x 140: 176pp Hb: 978-1-138-21875-8: £95.00 Pb: 978-1-138-21876-5: £18.99 eBook: 978-1-315-43709-5 * For full contents and more information, visit: www.routledge.com/9781138218765

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Homegrown Engaged Cultural Criticism bell hooks, Berea College, USA and Amalia Mesa-Bains In Homegrown cultural critics bell hooks and Amalia Mesa-Baines reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, hooks and Mesa-Baines invite readers to reexamine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication. Routledge Market: Cultural Studies August 2017: 216 x 140 Hb: 978-1-138-72307-8: £95.00 Pb: 978-1-138-72308-5: £16.99 eBook: 978-1-315-19322-9 * For full contents and more information, visit: www.routledge.com/9781138723085

2nd Edition • NEW EDITION

White Twentieth Anniversary Edition Richard Dyer Richard Dyer’s thorough analysis of racial imagery and of the representation of White people in Western culture has changed the ways we look at visual culture. In this classice text, Dyer looks beyond the apparent unremarkability of whiteness and argues for the importance of analysing images of white people. Focusing on photography, advertising, fine art, cinema and television, Dyer traces the representation of whiteness in Western visual culture. This Twentieth anniversary edition features a new introduction by Maxime Cueller, which addresses the lasting relevance of Dyer’s contribution to Cultural Studies, Film Studies, and Visual Studies. Routledge Market: Cultural Studies February 2017: 234x156: 336pp Hb: 978-1-138-68303-7: £85.00 Pb: 978-1-138-68304-4: £24.99 eBook: 978-1-315-54478-6 Prev. Ed Pb: 978-0-415-09537-2 * For full contents and more information, visit: www.routledge.com/9781138683044

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CULTURAL STUDIES - OTHERS 4 Volume Set

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Cultural Policy

Latin American Cultural Studies: A Reader Edited by Dave O'Brien, University of Edinburgh, UK and Kate Oakley, University of Leeds, UK Series: Critical Concepts in Media and Cultural Studies

From debates over cultural imperialism, intellectual property rights, and creative labour, through to more traditional concerns about funding for the arts, cultural policy forms the backdrop to a wide range of public and academic discourses and is a vibrant domain for study. Specialists draw on many scholarly literatures and traditions, such as media and communication studies, history, sociology, politics, arts management, geography, and cultural studies. Now, this new 4 volume collection brings together key texts that form the background, context, and basis for a sophisticated understanding of the topic. Routledge Market: Cultural Policy May 2017: 234x156: 1218pp Hb: 978-1-138-88985-9: £900.00 * For full contents and more information, visit: www.routledge.com/9781138889859

Edited by Jens Andermann, University of Zurich, Switzerland, Ben Bollig, 28University of Oxford, UK, Lorraine Leu, University of Texas, Austin, TX, USA, Daniel Mosquera, Union College, Schenectady, NY, USA, Rory O'Bryen, University of Cambridge, UK and David M. J. Wood, Universidad Autonoma de Mexico Featuring twenty-five key essays from the Journal of Latin American Cultural Studies (Traves/sia), this book surveys the most influential themes and concepts, as well as scouring some of the polemics and controversies, which have marked the field over the last quarter of a century since the Journal's foundation in 1992. The book maps out the field in terms of temporalities, territories, aesthetics, affects, cityscapes, and medialities. Routledge Market: Cultural Studies / Latin America / Social Movements May 2017: 246x174: 486pp Hb: 978-0-415-78652-2: £90.00 * For full contents and more information, visit: www.routledge.com/9780415786522

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Fashion and Masculinity in Popular Culture

Light Touches

Adam Geczy, University of Sydney, Australia and Vicki Karaminas, Massey University, New Zealand Series: Routledge Research in Cultural and Media Studies

Cultural Practices of Illumination, 1800-1900

Popular culture in the latter half of the twentieth century precipitated a decisive change in style and body image. Postwar film, television, radio shows, pulp fiction and comics placed heroic types firmly within public consciousness. This book concentrates on these heroic male types and their relationship to fashion from the postwar era to the present day. As well as demonstrating the role of male icons in contemporary society, its originality also lies in showing the many gender slippages that these icons help to effect or expose. It is by exploring the somewhat inviolate types accorded to contemporary masculinity that we see the fragility of a stable or rounded male identity. Routledge Market: Fashion/Cultural Studies November 2017: 229 x 152: 184pp Hb: 978-1-138-65868-4: £105.00 eBook: 978-1-315-62065-7 * For full contents and more information, visit: www.routledge.com/9781138658684

Alice Barnaby, University of Bedford, UK Series: Directions in Cultural History Light Touches: Cultural Practices of Illumination, 1780-1900 is a cultural history which shows how light became the pre-eminent medium for the exploration and expression of perceptual consciousness during the major experiential shifts of early nineteenth-century culture. It offers an intervention into the dominant scholarly narrative of the nineteenth century which traditionally reads modernity as synonymous with the formation of a spectacular visuality and the fragmentation of subjectivity. Routledge Market: Cultural History November 2016: 234x156: 164pp Hb: 978-0-415-66337-3: £105.00 eBook: 978-1-315-40770-8 * For full contents and more information, visit: www.routledge.com/9780415663373

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Home Discontents

The Nostalgic Sublime and the Role of Terror in Contemporary Culture

David Ellison, Griffith University, Australia Home Discontents is a book about English domestic life from 1840-1900, examining the experience of domesticity through the lens of discomfort. Drawing from an extensive, diffuse and rich archive - including advice books, journal articles and essays, visual culture, architecture and design publications, popular entertainments, mass periodicals, parliamentary reports, medical research, legal argument, letters and diaries - Home Discontents illuminates the material culture of discomfort and extends our understanding of the domestication of objects and the conditions under which they may succeed or disappoint. Routledge Market: Cultural Studies September 2017 Hb: 978-0-415-81554-3: £90.00 * For full contents and more information, visit: www.routledge.com/9780415815543

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Matthew Leggatt, University of Winchester, UK Series: Routledge Research in Cultural and Media Studies This book re-examines the role of the sublime across cultural texts, from architecture and art, to literature, digital technology, and film, detailing a trend towards nostalgia and arguing that, although the sublime has the potential to be the most powerful uniting aesthetic force, it currently spreads fear, violence, and retrospection. In exploring contemporary culture, it touches on the role of architecture to provoke feelings of sublimity, the role of art in the aftermath of destructive events, literature’s establishment of the historical moment as a point of sublime transformation, and the place of nostalgia and the returning of past practices in digital culture from gaming to cinema. Routledge Market: Cultural Studies/Media Studies August 2017: 229 x 152: 184pp Hb: 978-1-138-22099-7: £105.00 eBook: 978-1-315-41149-1 * For full contents and more information, visit: www.routledge.com/9781138220997

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The Trauma Graphic Novel Andrés Romero-Jódar Series: Routledge Research in Cultural and Media Studies The end of the twentieth century and the turn of the new millennium witnessed an unprecedented flood of traumatic narratives and testimonies of suffering in literature and the arts. Graphic novels, free at last from long decades of stern censorship, helped explore these topics by developing a new subgenre: the trauma graphic novel. Providing a link between trauma studies and comics and graphic novels, this book analyzes this trend through the consideration of five graphic novels in English. Works by Paul Hornschemeier, Joe Sacco, Art Spiegelman, Alan Moore and Dave Gibbons will be considered as illustrative examples of the representation of individual, collective, and political traumas. Routledge Market: Comics and Graphic Novels/Literature February 2017: 229 x 152: 184pp Hb: 978-1-138-23888-6: £85.00 eBook: 978-1-315-29661-6 * For full contents and more information, visit: www.routledge.com/9781138238886

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Theories of Consumption John Storey, University of Sunderland, UK This book explores theories of consumption from the ‘post-disciplinary’ perspective of cultural studies, bringing together work that up until now has been located in distinct disciplinary spaces. Moving beyond the usual analysis of consumer culture this book presents a critical assessment of a range of ‘theoretical approaches’ to the study of consumption. In doing this, it will provide a clear and wide-ranging understanding of the concept as well as a good appreciation of the practical possibilities available when undertaking undergraduate work on objects of consumption. Routledge Market: Cultural Studies January 2017: 234x156: 144pp Hb: 978-1-138-67799-9: £85.00 Pb: 978-1-138-67800-2: £24.99 eBook: 978-1-315-55920-9 * For full contents and more information, visit: www.routledge.com/9781138678002

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Visualizing War Emotions, Technologies, Communities Edited by Anders Engberg-Pedersen, University of Southern Denmark and Kathrin Maurer, University of Southern Denmark Series: Routledge Advances in Art and Visual Studies From the representation of war on maps, panoramas, and paintings to the modern visual media of photography, film, and digital screens, images have played a central role in representing combat, military strategy, soldiers, and victims. This book examines the emotional language of war images, how they entwine with various visual technologies, and how they can build emotional communities. It engages in a cross-disciplinary dialogue between visual studies, literary studies, and media studies by discussing the links between images, emotions, technology, and communit and provides a comprehensive overview of the nature and workings of war images from 1800 until today. Routledge Market: Visual Studies/War and Conflict August 2017: 229 x 152: 240pp Hb: 978-1-138-69343-2: £105.00 eBook: 978-1-315-53065-9 * For full contents and more information, visit: www.routledge.com/9781138693432

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BROADCAST MEDIA TEXTBOOK

11th Edition • NEW EDITION

Active Audiences

National Association of Broadcasters Engineering Handbook

Helen Wood, De Montfort University, UK Series: Key Ideas in Media & Cultural Studies Active Audiences offers students an accessible and interesting pathway through the various and distinct approaches to audiences in order to explore their relevance to the contemporary media environment. Breaking away from the organization of traditional audience studies textbooks - which either reinforce distinctions in paradigms or group together key media and genres - this book is organized around modes of audience activity to cut across these groupings. The chapters are structured around a number of verbs which have come to represent some of the changing ways in which audiences have been researched and conceptualized, working towards an agenda for the current media environment. Routledge Market: Media Studies July 2017: 198x129: 192pp Hb: 978-0-415-69199-4: £70.00 Pb: 978-0-415-69200-7: £18.99 eBook: 978-0-203-15587-5 * For full contents and more information, visit: www.routledge.com/9780415692007

Edited by Garrison C. Cavell, Cavell Mertz & Associates, Inc., USA, Thomas G. Osenkowsky, Society of Broadcast Engineers (SBE), Institute of Electrical and Electronics Engineers (IEEE), and National Association of Radio and Telecommunications Engineers (NARTE), USA, David H. Layer, National Association of Broadcasters, USA and Skip Pizzi, National Association of Broadcasters, Radio INK magazine, USA The NAB Engineering Handbook is the definitive resource for broadcast engineers. It provides in-depth information about each aspect of the broadcast chain from audio and video contribution through an entire broadcast facility all the way to the antenna. New topics include Ultra High Definition Television, Internet Radio Interfacing and Streaming, ATSC 3.0, Digital Audio Compression Techniques and Video Format and Standards Conversion. Important updates have been made to incumbent topics such as AM, Shortwave, FM and Television Transmitting Systems, Studio Lighting, Microphones, Cameras, and Principles of Acoustics. Focal Press Market: Broadcast Engineering June 2017: 279 x 216: 2120pp Hb: 978-1-138-93051-3: £140.00 eBook: 978-1-315-68014-9 Prev. Ed Hb: 978-0-240-80751-5 * For full contents and more information, visit: www.routledge.com/9781138930513

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Entertainment Journalism

Reporting War and Conflict

Making it your career

Kevin Williams and Janet Harris

Ben Falk

Taking Risks: Reporting War and Conflict brings together history, theory and practice to explore the issues and obstacles involved in the reporting of war and conflict in the modern world. This critical introductory text draws on theoretical concept of rick to discuss the theory and practice of contemporary war reporting. Using risk as the prism through which to view the work of the journalist in conflict zones, Kevin Williams and Janet Harris analyse the ways in which individual reporters, news organisations and society make sense of the practice of reporting on war and conflict today.

Entertainment Journalism: Making It Your Career presents a comprehensive overview and clear practical guidance on the key elements of entertainment journalism: one of the most highly visible areas of global media practice. Ben Falk examines key issues in entertainment journalism in context and addresses legal and ethical concerns relating to this sphere. There are case studies and interviews with industry figures including publicists, videographers, reviewers and reporters, and specific practical areas are explored, including interviewing, working with PRs, working on press junkets and the red carpet, using social media for entertainment reporting, and guidance on selling as a freelance. Routledge Market: Journalism November 2017: 208pp Hb: 978-1-138-64937-8: £85.00 Pb: 978-1-138-64938-5: £24.99 eBook: 978-1-315-62585-0 * For full contents and more information, visit: www.routledge.com/9781138649378

Routledge July 2017: 234x156: 240pp Hb: 978-0-415-74367-9: £80.00 Pb: 978-0-415-74378-5: £26.99 eBook: 978-1-315-75028-6 * For full contents and more information, visit: www.routledge.com/9780415743679

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Masterful Stories Lessons from Golden Age Radio

Routledge Revivals: Radio Broadcasting from 1920 to 1990 (1991)

John V Pavlik, Rutgers University, USA

An Annotated Bibliography

The early eras of radio storytelling, newly available online, offer unprecedented access to the Golden Age of Radio. John Pavlik mines the best this age of radio has to offer in Masterful Stories. This book provides a chronological history of the best from radio’s Golden Age, outlining a core set of principles and techniques that made these radio plays enduring examples of storytelling. It posits that through these techniques masterful stories can engage audiences emotionally and intellectually. Grounded in a historical and theoretical understanding of radio drama, this volume illuminates the foundational works that proceeded such popular modern shows such as Radiolab, The Moth, and Serial. Routledge Market: Radio March 2017: 229 x 152: 352pp Hb: 978-1-138-69339-5: £125.00 Pb: 978-1-138-69340-1: £34.99 eBook: 978-1-315-53077-2 * For full contents and more information, visit: www.routledge.com/9781138693401

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Diane Foxhill Carothers First published in 1991, this book presents a comprehensive annotated bibliography of radio broadcasting. Its eleven chapter-categories cover almost the entire range of radio broadcasting — with the exception of radio engineering due to its technical complexity although some of the historical volumes do encompass aspects, thus providing background material. Entries are primarily restricted to published books although a number of trade journals and periodicals are also included. Each entry includes full bibliographic information, including the ISBN or ISSN where available, and an annotation written by the author with the original text in hand. Routledge Market: Radio/History October 2016: 216x138: 564pp Hb: 978-1-138-28158-5: £125.00 eBook: 978-1-315-27104-0 * For full contents and more information, visit: www.routledge.com/9781138281585

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BROADCAST MEDIA TEXTBOOK

TEXTBOOK

Sound Production

Understanding Broadcast Journalism

A Guide to Using Audio within Media Production

Katy McDonald, Stephen Jukes and Guy Starkey

Andrew Lansley, University of Gloucestershire, UK Presuming no prior technical knowledge, Andrew Lansley focuses on universal techniques that will work across all contemporary software and be of use to those needing to work with sound for radio, TV, film, videogames and websites. The text follows a simple structure broken down into three main parts: Part 1: Theory & Technical Information - a brief history of sound, basic audio theory, equipment and software ; Part 2: Techniques & Processes - recording, digitising and organising, editing, equalisation, dynamic processes, FX processes, mixing, fixing and mastering ; Part 3: Industry Specific Applications & Exercises - the radio, film, TV, web and gaming industries. The book includes masterclasses from professionals including: BBC Wildlife producer and director Peter Butler Heart FM's Marcus Langrieter Grammy nominated producer, James Towler.

Understanding Broadcast Journalism presents an accessible exploration of the key issues effecting television, radio and multiplatform forms of journalism today. The authors balance discussions of industry practice with critical examinations of content produced in a number of professional contexts. Highlighting key issues including ownership and shifting regulatory environments, the ethics of broadcast journalism, the revolutionary role of user-generated-content, and digital convergence, the work also features discussions of global issues such as the coverage of the rise of ISIS, alongside detailed explorations of international broadcasters including Fox, CNN and al-Jazeera. Routledge Market: Journalism/Media Studies October 2017: 234x156: 224pp Hb: 978-1-138-24099-5: £85.00 Pb: 978-1-138-24100-8: £26.99 eBook: 978-1-315-28165-0 * For full contents and more information, visit: www.routledge.com/9781138240995

Routledge Market: Media July 2017: 246x174 Hb: 978-0-415-55482-4: £75.00 Pb: 978-0-415-55483-1: £26.99 eBook: 978-0-203-14695-8 * For full contents and more information, visit: www.routledge.com/9780415554831

5th Edition • TEXTBOOK • NEW EDITION

The New Television Handbook Patricia Holland Series edited by James Curran Series: Media Practice The New Television Handbook explores the position of television in today’s digital media landscape. Presenting key history, detailed production guidance, and an in-depth exploration of television studies theory, Patricia Holland shows how television has moved beyond the traditional concept of a single medium by engaging with the use of digital content and platforms, including internet-based channels, catch up websites, and user-generated content. It is enhanced with interviews with practitioners at all levels, from production staff to senior TV executives, to give readers a strong insight into working in the industry today. Routledge Market: Media Studies and Cultural Studies December 2016: 246x174: 332pp Hb: 978-1-138-83350-0: £95.00 Pb: 978-1-138-83351-7: £29.99 eBook: 978-1-315-72483-6 Prev. Ed Pb: 978-0-415-60414-7 * For full contents and more information, visit: www.routledge.com/9781138833517

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Turn up the Volume A Down and Dirty Guide to Launching a Podcast Michael O'Connell Turn up the Volume equips journalism students, professionals, and those interesting in producing audio content with the know-how necessary to launch a podcast for the first time. It addresses the unique challenges beginner podcasters face in producing professional level audio for online distribution. This book exposes readers to the various approaches toward podcasting available, both in technique and format. It includes the voices of industry experts as they recount their experiences producing their own podcasts and podcast content. Written accessibly, Turn up the Volume gives a clear and detailed path to launching your first podcast. Routledge Market: Podcasting March 2017: 229 x 152: 300pp Hb: 978-1-138-21802-4: £125.00 Pb: 978-1-138-21803-1: £24.99 eBook: 978-1-315-43876-4 * For full contents and more information, visit: www.routledge.com/9781138218031

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FILM STUDIES 5th Edition • TEXTBOOK • NEW EDITION

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Cinema Studies: The Key Concepts

European Art Cinema

Susan Hayward, University of Exeter, UK Series: Routledge Key Guides

John White Series: Routledge Film Guidebooks

Cinema Studies: The Key Concepts is an essential guide for anyone interested in film. Providing accessible coverage of a comprehensive range of genres, movements, theories and production terms, this is a must-have guide to a fascinating area of study. Now fully revised and updated for its fifth edition, the book includes new topical entries that explore areas such as: film production; distribution and exhibition; digitisation and globalisation and new audience consumption; experimental cinema; acting and performance; audience studies and reception theory; along with expanded coverage on: world cinemas and the growth of transnational cinema and global film-making.

What do we mean by ‘Art Cinema’? How can ‘Art Cinema’ be defined as a genre, and how does this term relate to the concepts of ‘art films’ and ‘art-house films’? European Art Cinema examines the history and social and cultural context of ‘art cinema’ as a genre that took shape in various waves, such as those relating to the founding of the Film Society in London in 1925 and the movement around Cahiers du Cinéma in Paris in the 1950s, throughout the 20th century. This compact and accessible guide introduces students to key films of European art cinema, including The Cabinet of Dr Caligari, A Man Escaped, Aguirre, Wrath of God, Comrades and Silence.

Routledge Market: Film Studies April 2017: 216x138: 592pp Hb: 978-1-138-66576-7: £85.00 Pb: 978-1-138-66577-4: £24.99 eBook: 978-1-315-61972-9 Prev. Ed Pb: 978-0-415-53814-5 * For full contents and more information, visit: www.routledge.com/9781138665774

Routledge Market: Film Studies November 2016: 198x129: 288pp Hb: 978-1-138-82917-6: £99.00 Pb: 978-1-138-82918-3: £19.99 eBook: 978-1-315-73789-8 * For full contents and more information, visit: www.routledge.com/9781138829183

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4 Volume Set

Cinema, Avant-garde, and Urban Modernity

Film and Religion

The City Symphony Phenomenon (1920-1940) Edited by Steven Jacobs, University of Ghent, Belgium, Eva Hielscher, Ghent University, Belgium and Anthony Kinik, Brock University, Canada Series: AFI Film Readers The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 70 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations. Routledge Market: Film Studies October 2017: 229 x 152: 256pp Hb: 978-1-138-66527-9: £105.00 eBook: 978-1-315-61998-9 * For full contents and more information, visit: www.routledge.com/9781138665279

Edited by S. Brent Plate, Hamilton College, USA Series: Critical Concepts in Media and Cultural Studies The four volumes of 'Film and Religion' will present a range of scholarly articles, mainly since 1990, which offer a critical overview of the interdisciplinary field from a number of perspectives. It is an international collection that includes attention to popular Hollywood and 'arthouse' films and filmmakers, as well as documentaries, Bollywood, Nollywood, and other international pockets of film production and reception. Readings are primarily from scholars of religious studies, theology, and biblical studies, but the collection will also include work by film studies scholars and filmmakers themselves. Routledge Market: Film Studies, Media Studies, Religion May 2017: 234x156: 1331pp Hb: 978-1-138-64749-7: £900.00 * For full contents and more information, visit: www.routledge.com/9781138647497

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Ethics, Justice, Embodiment, and Global Film

Film Text Analysis

Cinematic Provocations

New Perspectives on the Analysis of Filmic Meaning

Brian Bergen-Aurand, Nanyang Technological University, Singapore Series: Routledge Advances in Film Studies This book is a study in film and philosophy that explores the intersection of global post-fascist cinema, ethics and justice, and screen bodies. It addresses the question "What is the good of film experience?" by staging an encounter between Levinasian-Derridean concerns over ethics and justice and cinematic engagements with issues of embodied and haptic response. In the end, this book argues such international filmmaking provokes us to respond through a redeployment of our questions of ethics and justice as well as our questions of film making and experiencing. Routledge Market: Film Studies/Philosophy September 2017: 229 x 152: 200pp Hb: 978-1-138-94777-1: £105.00 eBook: 978-1-315-66988-5 * For full contents and more information, visit: www.routledge.com/9781138947771

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Edited by Janina Wildfeuer, University of Bremen, Germany and John A. Bateman, University of Bremen, Germany Series: Routledge Advances in Film Studies This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts. Routledge Market: Film Theory/Multimodal Studies October 2016: 229 x 152: 208pp Hb: 978-1-138-91138-3: £85.00 eBook: 978-1-315-69274-6 * For full contents and more information, visit: www.routledge.com/9781138911383

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Film Theories and Philosophies of Colour

Open Space New Media Documentary

The Residual Image

A Toolkit for Theory and Practice

Elizabeth Watkins, University of Leeds, UK Series: Routledge Advances in Film Studies

Helen De Michiel, University of Colorado at Boulder, USA and Patricia Zimmerman, Ithaca College, USA Series: Routledge Studies in Media Theory and Practice

Watkins here draws together theoretical and philosophical debates about the nature of colour and their impact on film theories of spectatorship, subjectivity, perception, and sexual difference. She argues that colour, as a facet of design, film material, form, and perception, is both complicit and disruptive of a sexualised but disembodied gaze, to offer new theoretical and cinematic perspectives on feminine desire. Routledge Market: Film/Feminist Theory August 2017: 229 x 152: 256pp Hb: 978-0-415-89189-9: £90.00 eBook: 978-0-203-38243-1 * For full contents and more information, visit: www.routledge.com/9780415891899

Open Space New Media Documentary examines an emerging area of documentary practice in the twenty-first century: community-based new media documentary projects that move across platforms and utilize participatory modalities. The book offers an innovative theorization of these collaborative and collective new media practices, which the authors term "open space," gesturing towards a more contextual critical nexus of technology, form, histories, community, convenings, collaborations, and mobilities. It looks at a variety of documentary projects from across the globe, where new technologies meet places and people in Argentina, Canada, India, Indonesia, Peru, South Africa, Ukraine, and the USA. Routledge Market: Documentary/Film Theory/Film Production September 2017: 216 x 140: 120pp Hb: 978-1-138-72097-8: £45.00 eBook: 978-1-315-19478-3 * For full contents and more information, visit: www.routledge.com/9781138720978

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Gesture and Film

Teaching Transnational Cinema

Signalling New Critical Perspectives

Politics and Pedagogy

Edited by Nicholas Chare, Université de Montréal, Canada and Liz Watkins

Edited by Marciniak Katarzyna, Ohio University, USA and Bruce Bennett, Lancaster University, UK Series: AFI Film Readers

This innovative interdisciplinary collection exploring gesture and film features essays by leading international scholars working in the fields of cinema, cultural studies, ethics, gender studies, theatre and psychology. Drawing on philosophy, psychoanalysis and psychology, the groundbreaking volume theorises abstract and literal film gestures from a variety of new and exciting perspectives. This book was originally published as a special issue of the Journal for Cultural Research.

This collection focuses on the value of the analysis and discussion of transnational films in the university classroom, and the specific pedagogical, political and conceptual challenges that are posed by this subject. Exploring films like Children of Men, Babel, and Slumdog Millionaire, contributors engage with issues related to immigrant identities, transnational encounters, foreignness, cosmopolitanism and citizenship, the politics of visibility, terrorism and the War on Terror, legality, and race. Marciniak and Bennett’s collection positions itself on the cutting edge of

Routledge Market: Film Studies / Nonverbal Communication November 2016: 246x174: 192pp Hb: 978-1-138-90019-6: £95.00 * For full contents and more information, visit: www.routledge.com/9781138900196

transnational film studies. Routledge Market: Film Studies April 2016: 229 x 152: 312pp Hb: 978-1-138-92843-5: £90.00 eBook: 978-1-315-68173-3 * For full contents and more information, visit: www.routledge.com/9781138928435

4 Volume Set

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Knapp: Clint Eastwood (4-vol. set) Edited by Laurence Knapp Series: Critical Evaluations of Leading Film-makers This new 4 volume collection includes the best and most influential critical scholarship on Clint Eastwood. The articles gathered here embrace issues such as ‘gender, masculine lack and anxiety’ and interrogate Eastwood as a symptomatic object of American identity. Other themes include mortality, female subjectivity, post-colonialism, and existential despair brought on by war and ecological disaster. Routledge Market: Film-makers June 2017: 234x156: 1736pp Hb: 978-1-138-93202-9: £850.00 * For full contents and more information, visit: www.routledge.com/9781138932029

Rediscovering U.S. Newsfilm Cinema, Television, and the Archive Edited by Mark Garrett Cooper, University of South Carolina, USA, Sara Beth Levavy, University of North Carolina Chapel Hill, USA, Ross Melnick, University of California Santa Barbara, USA and Mark Williams, Dartmouth College, USA Series: AFI Film Readers Assembling new approaches to the study of U.S. newsfilm in cinema and television, this book makes a long overdue critical intervention in the field of film and media studies by addressing the format’s inherent intermediality; its mediation of "events" for local, national, and transnational communities; its distinctive archival legacies; and, consequently, its integral place in film and television studies more broadly. This collection brings fresh, contemporary methodologies and analysis to bear on a vast amount of material that has languished in relative obscurity for far too long. Routledge Market: Film History/Documentary August 2017: 229 x 152: 280pp Hb: 978-1-138-69945-8: £105.00 eBook: 978-1-315-51673-8 * For full contents and more information, visit: www.routledge.com/9781138699458

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Southern Screens: Cinema, Culture and the Global South

The Camera-Eye Metaphor in Cinema

Edited by Antonio Traverso Adopting a transversal south-south approach to the study of screen culture in the Global South, Southern Screens examines the conditions by which new and traditional media forms participate in the generation, sharing, and circulation of new knowledge that is both southern and about the global South. This book was originally published as a special issue of Critical Arts: South-North Cultural and Media Studies.

Routledge Market: Global South / Cinema Studies November 2016: 246x174: 180pp Hb: 978-1-138-22049-2: £90.00 * For full contents and more information, visit: www.routledge.com/9781138220492

Christian Quendler, University of Innsbruck, Austria Series: Routledge Advances in Film Studies This book explores the cultural, intellectual, and artistic fascination with camera-eye metaphors in film culture of the twentieth century. By studying the very metaphor that cinema lives by, it provides a rich and insightful map of our understanding of cinema and film styles and shows how cinema shapes our understanding of the arts and media. As current new media technologies are attempting to shift the identity of cinema and moving imagery, it is hard to overstate the importance of this metaphor for our understanding of the modalities of vision. In what guises does the "camera eye" continue to survive in media that is called new? Routledge Market: Film Theory November 2016: 229 x 152: 250pp Hb: 978-1-138-91136-9: £85.00 eBook: 978-1-315-69273-9 * For full contents and more information, visit: www.routledge.com/9781138911369

2nd Edition • NEW EDITION

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Star Trek

The Cinematic Eighteenth Century

The Human Frontier

History, Culture, and Adaptation Duncan Barrett and Michèle Barrett, Queen Mary College, University of London, UK In this new edition Barrett and Barrett celebrate the fiftieth anniversary of the Star Trek franchise, updating the book with reflections on the way the series has evolved since the turn of the century. Updated throughout, the book also includes a new introduction that considers new information about the scripting of Star Trek, addresses the way social media, podcasting and digital filmmaking have altered Star Trek fan culture, and explores contemporary television iterations of the series.

Routledge Market: Science Fiction/Media Studies September 2016: 229 x 152: 296pp Hb: 978-1-138-69959-5: £95.00 Pb: 978-1-138-69960-1: £24.99 eBook: 978-1-315-51649-3 Prev. Ed Hb: 978-0-415-92981-3 * For full contents and more information, visit: www.routledge.com/9781138699595

Edited by Srividhya Swaminathan, Long Island University, USA and Steven Thomas, Wagner College, USA Series: Routledge Advances in Film Studies This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen’s Sense and Sensibility and Defoe's Robinson Crusoe The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). Routledge Market: Film Studies/Literature/Eighteenth Century July 2017: 229 x 152: 232pp Hb: 978-1-138-63399-5: £85.00 eBook: 978-1-315-20691-2 * For full contents and more information, visit: www.routledge.com/9781138633995

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Surveillance in Asian Cinema

The Great War and the Moving Image

Under Eastern Eyes

Edited by Michael Hammond, University of Southampton, UK and Adrian Smith, University of Southampton, UK

Edited by Karen Fang, University of Houston, USA Series: Routledge Advances in Film Studies This book focuses on Asian and Asia-based films obscured by western hegemonic discourse and probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring films made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and

The Great War and the Moving Image focuses upon the Allied war effort on the Western Front and in the Mediterranean. This collection of contributions by respected historians explores film’s pioneering role as a powerful vehicle for propaganda at home and abroad; and its contribution to maintaining morale among soldiers on the front line as well as across civilian audiences back home. Although the book highlights the power of the moving image one hundred years ago, it fast forwards to discuss the representation of trench warfare in today’s hi-tech computer games. This book was originally published as a special issue of the Historical Journal of Film, Radio and Television. Routledge Market: Cinema Studies / First World War April 2017: 246x174: 138pp Hb: 978-1-138-20757-8: £90.00 * For full contents and more information, visit: www.routledge.com/9781138207578

western liberalism. Routledge Market: Film Studies/Asian Studies March 2017: 229 x 152: 272pp Hb: 978-1-138-12514-8: £85.00 eBook: 978-1-315-64770-8 * For full contents and more information, visit: www.routledge.com/9781138125148

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The Iraq War in Documentary Film

The Routledge Companion to British Cinema History

Monica Michlin, Paris-Sorbonne University, France Series: Routledge Advances in Film Studies

Edited by Ian Hunter, Justin Smith and Laraine Porter

This book is the first comprehensive study of documentary film on the Iraq War. In a series of close readings of some thirty American and European works, it analyzes how documentaries on the run-up, unfolding, and aftermath of the war have adopted different points of view and aesthetics in order to address their publics. As diverse as the films studied here may be in their political perspective and forms of address, all of these works focus on the stories that were not being reported by the mainstream media as they unfolded, and reassert documentary’s claim to telling and showing the truth about real-world events against a backdrop of other, more dominant narratives about war. Routledge Market: Film Studies/Politics July 2017: 229 x 152: 296pp Hb: 978-1-138-95162-4: £105.00 eBook: 978-1-315-66809-3 * For full contents and more information, visit: www.routledge.com/9781138951624

The Routledge Companion to British Cinema History will provide a comprehensive and informed overview of British film history. Through 55 chapters, this edited volume will reflect this history across production, exhibition, distribution, reception and critique from 1895 to the present, with new, previously unpublished research by leading scholars in the field, alongside rising stars. It will be organized chronologically, for ease of reference, and will explore neglected areas of British cinema history as well as offering fresh perspectives on more established areas. Routledge Market: Film Studies January 2017: 246x174: 438pp Hb: 978-0-415-70619-3: £130.00 eBook: 978-1-315-39218-9 * For full contents and more information, visit: www.routledge.com/9780415706193

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The Modern Superhero in Film and Television

The Routledge Companion to Cinema & Gender

Popular Genre and American Culture Jeffrey A. Brown, Bowling Green State University, USA Series edited by Matthew J. Smith Series: Routledge Advances in Comics Studies Hollywood’s live-action superhero films currently dominate the worldwide box-office, with the characters enjoying more notoriety through their feature film and television depictions than they have ever before. This book argues that this immense popularity reveals deep cultural concerns about politics, gender, ethnicity, patriotism and consumerism after the events of 9/11. Superheroes have long been agents of hegemony, fighting for abstract ideals of justice while overall perpetuating the American status quo. Yet at the same time, the book explores how the genre has also been utilized to question and critique these dominant cultural assumptions. Routledge Market: Comics/Film Studie/Popular Culture November 2016: 229 x 152: 182pp Hb: 978-1-138-89778-6: £85.00 eBook: 978-1-315-70898-0 * For full contents and more information, visit: www.routledge.com/9781138897786

Edited by Kristin Lené Hole, Portland State University, USA, Dijana Jelača, St. John’s University, USA, E. Ann Kaplan, Stony Brook University, USA and Patrice Petro, University of Wisconsin-Milwaukee, USA This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address. Bringing together leading figures in the field, the volume provides an overview of cinema and gender, while also reflecting a desire to rethink some of the ways in which feminist film theory and filmmaking are historicized, theorized, and taught. Essays are organised into five parts, each highlighting key areas and approaches. The Companion will be an important resource for researchers and students. Routledge Market: Film Studies November 2016: 246x174: 492pp Hb: 978-1-138-92495-6: £150.00 eBook: 978-1-315-68406-2 * For full contents and more information, visit: www.routledge.com/9781138924956

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The New Woman's Film

The Routledge Companion to World Cinema

Femme-centric Movies for Smart Chicks

Edited by Rob Stone, University of Birmigham, UK, Paul Cooke, University of Leeds, UK, Stephanie Dennison, University of Leeds, UK and Alex Marlow-Mann, University of Birmigham, UK

Hilary Radner, University of Otago, New Zealand With the chick flick arguably in decline, film scholars may well ask: what has become of the woman's film? This project provides an answer to this question by arguing that the last thirty years have witnessed the evolution of a genre that might appropriately be called "the New Woman's Film," in opposition to the derogated chick flick. The screen narratives belonging to this genre, like Frances Ha and Blue Jasmine, have strong ties to the woman's film of classical Hollywood while constituting a new distinctive cycle of female-centered films that in many ways continue the project of second-wave feminism, albeit in a modified form. Routledge Market: Film Studies/Feminist Theory February 2017: 229 x 152: 222pp Hb: 978-1-138-18680-4: £95.00 Pb: 978-1-138-18681-1: £24.99 eBook: 978-1-315-64359-5 * For full contents and more information, visit: www.routledge.com/9781138186811

This flagship volume for the Remapping World Cinema series provides a comprehensive updating, re-thinking and re-conceptualisation of world cinema. The Companion is divided into two parts: Longitude and Lattitude. The first looks at the history and current situation of World Cinema in terms of geographical tensions and transformations, the second considers its wider industrial, thematic and aesthetic trends. Individual chapters reconsider how world cinema can be understood, recognising the economic and political changes that have taken place globally as well as the changes in screen media that this post-digital era has witnessed. Routledge Market: World Cinema June 2017: 246x174: 512pp Hb: 978-1-138-91880-1: £150.00 eBook: 978-1-315-68825-1 * For full contents and more information, visit: www.routledge.com/9781138918801

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Tracing the Borders of Spanish Horror Cinema and Television

Weimar Cinema, Embodiment, and Historicity

Edited by Jorge Marí, North Carolina State University, USA Series: Routledge Research in Cultural and Media Studies

Mason Kamana Allred Series: Routledge Focus on Film Studies

"This is a superb study of contemporary Spanish horror film and TV productions from a transnational framework of analysis." -Jorge Pérez, University of Kansas, USA This critical anthology sets out to explore the boom that horror cinema and TV productions have experienced in Spain in the past two decades. It uses a range of critical and theoretical perspectives to examine a broad variety of films and filmmakers, such as works by Alejandro Amenábar, Álex de la Iglesia, Pedro Almodóvar, Guillermo del Toro, Juan Antonio Bayona, and Jaume Balagueró and Paco Plaza.

In its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.

Routledge Market: Film and Television Studies/Horror/European Film April 2017: 229 x 152: 264pp Hb: 978-0-415-34863-8: £85.00 eBook: 978-1-315-22924-9 * For full contents and more information, visit: www.routledge.com/9780415348638

Cultural Memory and the Historical Films of Ernst Lubitsch

Routledge Market: European Cinema//German Studies/Film History January 2017: 216x138: 142pp Hb: 978-0-415-34918-5: £45.00 eBook: 978-1-315-22923-2 * For full contents and more information, visit: www.routledge.com/9780415349185

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TEXTBOOK

Tracking Cinema’s Color

World Cinema

Philosophy and Aesthetics

A Critical Introduction

Edward Branigan, University of California, Santa Barbara, USA

Shekhar Deshpande, Arcadia University, USA and Meta Mazaj, University of Pennsylvania, USA

In this book Edward Branigan investigates color, surveying a wide range of issues concerning the aesthetics of color displays in film and painting, with an additional close analysis of how color words generate mental images in poetry. Drawing from Wittgenstein’s final and unfinished manuscript, Remarks on Colour, as well as contemporary theories in cognitive science, memory, and language, Branigan offers a roadmap for acquiring the concepts necessary for analyzing color, for rethinking the role of sensation in art generally, and for grappling with problems that arise when thinking about color philosophically. Routledge Market: Film Studies/Aesthetics July 2017: 246x174: 440pp Hb: 978-1-138-23066-8: £85.00 eBook: 978-1-315-31750-2 * For full contents and more information, visit: www.routledge.com/9781138230668

This textbook offers a critical introduction to the topic of world cinema that explores the transition that has taken place since the 1980s. Offering an introduction to the concept of world cinema itself, it explores some of the dominant theoretical perspectives in film studies and outlines a clear definition of world cinema as a polycentric, polymorphic and polyvalent formation. It proposes that - along with Hollywood - other cinematic centres such as Bollywood, Nollywood, Asian Cinema and European cinema, are equally as important. It also explores the impact caused by the changes to the way audiences watch films, film production and finance patterns, and the growth of film festivals. Routledge Market: Film Studies September 2017: 246x189: 400pp Hb: 978-0-415-78356-9: £85.00 * For full contents and more information, visit: www.routledge.com/9780415783569

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US Youth Films and Popular Music

Write to Shoot

Identity, Genre, and Musical Agency

Writing Short Films for Production

Tim McNelis, Falmouth University, UK Series: Routledge Advances in Film Studies

Marilyn Beker, Loyola Marymount University, USA

This book brings theory from popular music studies to an examination of identity and agency in youth films while building on film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency' to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves. Routledge Market: Film and Music May 2017: 229 x 152: 200pp Hb: 978-1-138-94691-0: £105.00 eBook: 978-1-315-67053-9 * For full contents and more information, visit: www.routledge.com/9781138946910

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Write to Shoot teaches budding screenwriters and screenwriting filmmakers how to write a short script with production in mind. Beker instructs them how to showcase their strengths, tailor projects to shoestring budgets, resources, and practical production parameters without sacrificing the quality and punch of their screenplays, whether they're creating a sizzle short for an unproduced feature script, an independent creative work, or a soapbox to promote a cause. Write to Shoot: Writing Short Films for Production is a must-have guide for anyone who wants to be sure there will be no surprises on set that come from a script that's not ready for production. Routledge Market: Screenwriting/Film March 2017: 229 x 152: 190pp Hb: 978-1-138-84462-9: £95.00 Pb: 978-1-138-84463-6: £29.99 eBook: 978-1-315-73021-9 * For full contents and more information, visit: www.routledge.com/9781138844636

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JOURNALISM AND PROFESSIONAL MEDIA 2nd Edition • TEXTBOOK • NEW EDITION

7th Edition • TEXTBOOK • NEW EDITION

A Practical Guide to Graphics Reporting

Broadcast News Writing, Reporting, and Producing

Information Graphics for Print, Web & Broadcast

Frank Barnas, Valdosta State University, GA, USA and Ted White, Southern University, LA, USA

Jennifer George-Palilonis, Journalism Graphics Sequence Coordinator, Ball State University, Indiana Since this book first published in 2006, the field of information visualization has drastically. First, information visualization has exploded online and on other digital platforms. Second, information graphics reporting has encompassed nearly every sector of communications and business. Visual reporting skills are not only relevant in traditional news environments, but many other professions as well. This edition seeks to address these changes by providing learners with a cross-platform, cross-industry approach to instruction. It will include a robust, dynamic website complete with regularly updated examples of print, online and broadcast graphics, as well as useful tutorials and exercises. Focal Press Market: Graphics Reporting September 2016: 235 x 191: 222pp Hb: 978-1-138-89131-9: £110.00 Pb: 978-1-138-89130-2: £39.99 eBook: 978-1-315-70957-4 Prev. Ed Pb: 978-0-240-80707-2 * For full contents and more information, visit: www.routledge.com/9781138891302

th

Broadcast News Writing, Reporting, and Producing, 7 Edition is the leading book covering all aspects of writing and reporting the news. It identifies the key concepts and terms readers need to know in the news gathering and dissemination process, and provides practical, real-world advice for operating in the modern day newsroom. This new edition also covers important aspects of the use of social media. A new chapter on Portfolio Development will assist readers in developing the skills to advance in their careers. The text has also been updated to reflect new industry standards in modes of information gathering and delivery, writing style, and technology. Focal Press Market: Broadcast Journalism June 2017: 235 x 191: 278pp Hb: 978-1-138-20747-9: £125.00 Pb: 978-1-138-20748-6: £44.99 Prev. Ed Pb: 978-0-240-82371-3 * For full contents and more information, visit: www.routledge.com/9781138207486

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2nd Edition • NEW EDITION

Big Data in Small Slices

Comparative Media Law and Ethics

Analysis and Visualization for Journalists and Communications Professionals

Tim Crook, Goldsmiths College, University of London, UK

Dianne M. Finch, Elon University, USA This book covers data vetting and visualization in a vernacular designed for the communications professional – replacing the usual geeky jargon and code lists with context and meaningful data sets. Each chapter serves as a case study on a different professional: an economist, a government budget manager, a public health official and an environmental scientist. By shadowing people who create and provide data to the public, readers will learn how data is vetted and why the grunt work of cleaning, filtering and vetting is essential to any visualization. The final chapter provides exercises for self-training or use in classes and the companion website provides data sets discussed in the book. Focal Press Market: Data Visualization June 2017: 235 x 191: 256pp Hb: 978-1-138-91091-1: £105.00 Pb: 978-1-138-91090-4: £34.99 eBook: 978-1-315-69311-8 * For full contents and more information, visit: www.routledge.com/9781138910904

The new edition of Comparative Media Law and Ethics further explores differing legal and ethical systems as they relate to media practice and regulation around the world. Updated material in this expanded edition includes exploration of different approaches to libel law on social media, assessment of the impact of WikiLeaks on state and national security law, libel law developments in US and UK, changes to privacy media law and media regulation in the UK in light of the Leveson Inquiry and more international analysis of media law issues in countries including Denmark, India, Indonesia, China and Hong Kong. Additional updates include an expanded glossary and new companion website materials. Routledge Market: Media Studies June 2017: 234x156: 528pp Hb: 978-1-138-65262-0: £90.00 Pb: 978-1-138-65263-7: £39.99 eBook: 978-1-315-62408-2 Prev. Ed Hb: 978-0-415-55157-1 * For full contents and more information, visit: www.routledge.com/9781138652620

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Contemporary BRICS Journalism

Broadcast News and Writing Stylebook

Non-Western Media in Transition

Robert A. Papper, Hofstra University, USA

Edited by Svetlana Pasti and Jyotika Ramaprasad Series: Internationalizing Media Studies

Papper’s Broadcast News and Writing Stylebook is the go-to handbook in broadcast news, and it is sure to continue this legacy. It covers various fields including crime and government, weather, education, health, and sports, in which readers learn the nuances of reporting, grammar, style, and usage. Written by a professional who has overseen major industry research for the past eighteen years, this edition presents the data on news writing in a relevant and digestible manner. With an expanded social media chapter and additional insight into the news rooms of today, this text incorporates all the skills and knowledge reporters and journalist need to prepare for their careers. Routledge Market: Broadcast Journalism March 2017: 229 x 152: 272pp Hb: 978-1-138-68260-3: £125.00 Pb: 978-1-138-68261-0: £55.99 eBook: 978-1-315-54502-8 Prev. Ed Pb: 978-0-205-03227-3 * For full contents and more information, visit: www.routledge.com/9781138682610

Contemporary BRICS Journalism presents wide ranging findings drawn from over 700 in-depth interviews with journalists in the BRICS countries to illustrate the transitions taking place with the profession in these regions. The paradoxes of differing national media systems and growing media markets are explored through the eyes of the journalists themselves, alongside expansions of the micro level data to comparatively assess and analyse the current state of BRICS journalism. Contributors from each of the five nations explore the findings in relation to key themes, including professionalism, ethics and gender, with comparisons of critical issues, such as ownership dynamics and community media. Routledge Market: Journalism/Media Studies June 2017: 234x156: 304pp Hb: 978-1-138-21732-4: £90.00 Pb: 978-1-138-21733-1: £26.99 eBook: 978-1-315-44092-7 * For full contents and more information, visit: www.routledge.com/9781138217331

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Contemporary Investigative Journalism

Entrepreneurial Journalism

Eamonn O'Neill, University of Strathclyde, UK

How to go it alone and launch your dream digital project

What is the role of investigative journalism in a world of evolving media technologies and shifting institutional structures? Award-winning investigative journalist, Eamonn O’Neill offers detailed practical advice on old and new techniques for investigation, and interviews with key practitioners giving guidance to display how contemporary investigative journalism can remain powerful, dynamic and relevant. The book features landmark case histories, guidance on identifying and planning projects, focus on using digital tools for researching and delivering projects, and tips on legal and ethical frameworks. There are also supporting online resources, including suggested links and podcasts. Routledge Market: Journalism/Media Studies August 2017: 234x156 Hb: 978-1-138-83079-0: £80.00 Pb: 978-1-138-83080-6: £26.99 eBook: 978-1-315-73080-6 * For full contents and more information, visit: www.routledge.com/9781138830806

Paul Marsden Entrepreneurial Journalism explores the techniques and practices which allow innovative, business-savvy journalists and media practitioners to build thriving news platforms by utilising low-cost digital technologies and developing an online audience. Blending a conceptual understanding of the business of entrepreneurial journalism with key practical guidance on building news websites and producing content, the book highlights examples of good practice in interviews with expert practitioners and illuminating case studies from UK and European digital-first news platforms. Additional support comes from an online resource bank, offering a variety of free tools to create online news content. Routledge Market: Journalism February 2017: 234x156: 184pp Hb: 978-1-138-19035-1: £95.00 Pb: 978-1-138-19036-8: £26.99 eBook: 978-1-315-64109-6 * For full contents and more information, visit: www.routledge.com/9781138190368

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Cultural Journalism and Cultural Critique in the Media

Experiencing Public Relations

Edited by Nete Nørgaard Kristensen, University of Copenhagen, Denmark and Unni From, Aarhus University, Denmark Series: Journalism Studies The book engages with news media reporting of and debating on culture, including the arts, value politics, popular culture, the culture industries and entertainment, in a globalized and digital media landscape. Several contributions apply a broad approach to ‘the cultural’ in theorizing and analyzing the production and content of cultural journalism, and the professional ideology, self-perception, and legitimacy struggles of cultural journalists and editors. Others define their field of study more narrowly, engaging with very specific sub-areas such as ‘film criticism’ or ‘television series.’ This book was originally published as a special issue of Journalism Practice.

International voices Edited by Elizabeth Joy Bridgen and Dejan Verčič Experiencing Public Relations explores how PR is seen by others and how the discipline sees itself, presenting the lived experience of practitioners, alongside theories of PR practice drawn from a wide range of social and cultural contexts. A clearly structured approach presents readers with interrelated perspectives on public relations today and new theoretical areas, including anti-establishment public relations, public relations as a radical activity and postcolonial public relations. The collection presents an international range of contributors, offering new critical and practical perspectives on public relations from countries including India, Russia, Slovenia, South Africa, and Taiwan. Routledge Market: Public Relations October 2017: 234x156: 272pp Hb: 978-1-138-63243-1: £95.00 Pb: 978-1-138-63244-8: £26.99 * For full contents and more information, visit: www.routledge.com/9781138632431

Routledge Market: Cultural Journalism December 2016: 246x174: 170pp Hb: 978-1-138-23402-4: £90.00 * For full contents and more information, visit: www.routledge.com/9781138234024

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2nd Edition • TEXTBOOK • NEW EDITION

Developing News

Feature Writing for Journalists

Global Journalism and the Coverage of 'Third World' Development

Sharon Wheeler Series: Media Skills

Jairo Lugo-Ocando and An Nguyen This book explores media representations of development in the context of national economies and international markets of the so-called Third World. In so doing, it discusses different understandings of development and progress by de-constructing representations and misrepresentations in the realm of global media discourses and news media narratives. It enquires into the way journalists and news editors working in mainstream media outlets understand development and how they view it within the context of the news agendas related to the Third World. Routledge Market: Journalism March 2017: 234x156: 200pp Hb: 978-0-415-62182-3: £90.00 eBook: 978-1-315-26924-5 * For full contents and more information, visit: www.routledge.com/9780415621823

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Feature Writing for Journalists examines the specific skills and challenges in writing engaging, exploratory and illuminating features for publication across a range of media. Exploring the whole craft of feature writing, from developing an idea to different methods of publication, the book examines a range of feature types, including personal features, long form news-based stories and different types of review. The new edition features a brand new chapter on creating engaging online and interactive features and highlighting the specific skills and challenges in writing for digital platforms. Examples are updated and new interviews with staff and freelance writers are featured throughout. Routledge Market: Media Studies and Journalism October 2017: 234x156: 224pp Hb: 978-1-138-94583-8: £85.00 Pb: 978-1-138-94584-5: £24.99 eBook: 978-1-315-67116-1 Prev. Ed Pb: 978-0-415-33635-2 * For full contents and more information, visit: www.routledge.com/9781138945845

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Future Journalism

Journalism and Climate Crisis

Where we are and where we’re going

Public Engagement, Media Alternatives

Sue Greenwood

Robert Hackett, Simon Fraser University, Canada, Susan Forde, Griffith University, Australia, Kerrie Foxwell-Norton, Griffith University, Australia and Shane Gunster, Simon Fraser University, Canada

Future Journalism explores the key trends and practices shaping contemporary journalism and what these can tell us about potential new directions in the news industries. Sue Greenwood presents case studies and interviews with key figures from innovative news organisations including Vice, Buzzfeed and The Huffington Post to explore a range of issues around the journalism’s future development, such as changes in technology, shifts in audiences, and uncovering opportunities for innovation. The book also features exercises and assignments to help readers develop their own creative skillset and entrepreneurial approaches in using new technologies to produce platforms for delivering journalism. Routledge Market: Journalism August 2017: 234x156: 208pp Hb: 978-1-138-67871-2: £85.00 Pb: 978-1-138-67872-9: £24.99 eBook: 978-1-315-55877-6 * For full contents and more information, visit: www.routledge.com/9781138678712

TEXTBOOK

Journalism and Climate Crisis for the first time, brings journalism and environmental communication research into dialogue with one another, asking: what models, and what institutional supports, can enable journalism to contribute better to informing and mobilizing civil society to mitigate crisis and move towards more sustainable futures? The book provides an overview and unique synthesis of key relevant literature in these fields, as well as fresh case studies, encouraging students and instructors alike to think anew about the performance and responsibilities of journalism in the context of global crisis. Routledge Market: Journalism Studies / Media & Communication January 2017: 234x156: 204pp Hb: 978-1-138-95038-2: £95.00 Pb: 978-1-138-95039-9: £26.99 eBook: 978-1-315-66873-4 * For full contents and more information, visit: www.routledge.com/9781138950399

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How to Report Economic News Nicola Walton Economic Reporting offers guidance on cross media reporting on key economic indicators, providing helpful tips on the essential facts needed in any economic news story, and how to write these quickly, accurately and concisely. Focusing on the UK, but with references to European, US, BRICS and other emerging markets, it explores definitions of global indicators, details on how they are measured, and gives explanation on the importance of these in assessing the state of an economy. This is coupled with end of chapter assignments to test the knowledge gained throughout, a resource list to help extend learning, an economic glossary, and a list of key economist contacts. Routledge Market: Journalism February 2017: 234x156: 258pp Hb: 978-1-138-93350-7: £85.00 Pb: 978-1-138-93351-4: £24.99 eBook: 978-1-315-67853-5 * For full contents and more information, visit: www.routledge.com/9781138933514

Journalism, Democracy and Civil Society in India Edited by Shakuntala Rao, State University of New York, Plattsburgh, NY, USA and Vipul Mudgal Series: Journalism Studies In spite of growth of India’s democracy since independence – with its media becoming one of the world’s largest – there been a serious dearth of scholarship on the role of journalists and dramatically changing journalism practices. This book asks a variety of questions, including whether privately run news channels can provide the discursive space needed to strengthen the practices of democracy, whether neoliberal media ownership patterns provide space for a critical and free journalistic culture to evolve, and what the ethical challenges are that confront editors and journalists in a growing industry. This book was originally published as a special issue of Journalism Studies. Routledge Market: Journalism Practice / Political Communication / India November 2016: 246x174: 154pp Hb: 978-1-138-24016-2: £90.00 * For full contents and more information, visit: www.routledge.com/9781138240162

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Hyperlocal Journalism

Journalism, Online Comments, and the Future of Public Discourse

The decline of local newspapers and the rise of online community news David Harte, Rachel Howells and Andrew Williams (Hyper)local: The Fall and Rise of Local News critically explores of the withdrawal of commercial journalism from local communities and where these operations are being replaced by emerging forms of news provision throughout the UK and beyond. This study illustrates how the availability of free blogging platforms has led citizens to develop their own local news services to fill the gaps left by traditional media and to explore innovative uses of social media to connect local people. The authors investigate who is producing hyperlocal news and why, as well as production practices, models of community and participatory journalism, and the sustainability and economics of hyperlocal operations. Routledge Market: Journalism November 2017: 234x156: 224pp Hb: 978-1-138-67453-0: £90.00 Pb: 978-1-138-67454-7: £26.99 eBook: 978-1-315-56124-0 * For full contents and more information, visit: www.routledge.com/9781138674530

Marie Shanahan, University of Connecticut Marie K. Shanahan's book argues for news organizations to stop retreating from comments sections and make organizing citizens' online commentary part of their mission; to recognize commenters as democratic actors and use journalistic rigor to add value to citizens’ comments above the social layer. Through original interviews, anecdotes, field observations, summaries of research literature, Shanahan makes the case for professional journalists, especially those in small and medium sized newsrooms, to seize upon this pivotal moment in digital history to provide leadership in the online discourse happening on and around news stories. Routledge Market: Journalism May 2017: 150pp Hb: 978-1-138-63023-9: £45.00 eBook: 978-1-315-20957-9 * For full contents and more information, visit: www.routledge.com/9781138630239

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Journalistic Role Performance

Personal Branding for Entrepreneurial Journalists and Creative Professionals

Concepts, Contexts, and Methods Edited by Claudia Mellado, University of Santiago, Chile, Lea Hellmueller, Texas Tech university, USA and Wolfgang Donsbach, Dresden University of Technology, Germany Series: Routledge Research in Journalism This volume lays out the theoretical and methodological framework to introduce the concept of journalistic role performance, defined as the outcome of concrete newsroom decisions and the style of news reporting when considering different constraints that influence the news product. By connecting role conception to role performance, this book addresses how journalistic ideals manifest in practice. Contributors analyze the disconnection between journalists’ understanding of their role and their actual professional performance in a period of high uncertainty and excitement about the future of journalism, due the changes the Internet and new technologies have brought to the profession. Routledge Market: Journalism Studies November 2016: 229 x 152: 264pp Hb: 978-1-138-78301-0: £85.00 eBook: 978-1-315-76885-4 * For full contents and more information, visit: www.routledge.com/9781138783010

Personal Branding for Entrepreneurial Journalists and Creative Professionals Sara Kelly, National University, USA Personal Branding for Entrepreneurial Journalists and Creative Professionals outlines and describes the complete process of building and growing a successful personal brand. Focused on the independent journalist or creative professional in the new digital marketplace, Sara Kelly gives readers the ability to create the sort of personal brand that not only stands out, but remains relevant for years to come. Features such as exercises and worksheets will guide readers in creating the various components of their personal brand, and cases studies of real-world branding scenarios will allow readers to analyze the practical aspects of implementing a personal brand. Focal Press Market: Personal branding May 2017: 229 x 152: 226pp Hb: 978-1-138-21846-8: £125.00 Pb: 978-1-138-21847-5: £34.99 eBook: 978-1-315-43757-6 * For full contents and more information, visit: www.routledge.com/9781138218475

2nd Edition • TEXTBOOK • NEW EDITION

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Magazine Production

Photojournalism and Citizen Journalism

Jason Whittaker, University of Lincoln, UK Series: Media Skills The new edition of Magazine Production explores the many and varied technological and business changes that have reshaped industry approaches to magazine production in the last ten years. Jason Whittaker builds on the first edition’s expert overview of magazine markets and production practices, to cover the challenges of producing magazines in print, online, tablet and mobile editions, as well as creating and distributing magazine materials on social media. Brand new chapters explore The Digital Revolution, Designing for Print and Designing for Mobile, and updated case studies consider new areas, including titles as digital-only editions and creating greater emphasis on branding. Routledge November 2016: 234x156: 186pp Hb: 978-1-138-12214-7: £105.00 Pb: 978-1-138-12215-4: £21.99 eBook: 978-1-315-65061-6 Prev. Ed Pb: 978-0-415-43520-8 * For full contents and more information, visit: www.routledge.com/9781138122154

Co-operation, collaboration and connectivity Edited by Stuart Allan, Cardiff University, UK Series: Journalism Studies This volume brings together leading researchers concerned with ordinary citizens’ contributions to photojournalism, particularly where capturing images of breaking news events is crucial to reportage. It offers an evaluation of how photojournalism is evolving in digital contexts, examining how today’s emergent forms of co-operation, collaboration and connectivity between professional and amateur news photographers promise to improve photojournalism for tomorrow. This book was originally published as two special issues, in Digital Journalism and Journalism Practice. Routledge Market: Photojournalism / Citizen Journalism March 2017: 246x174: 350pp Hb: 978-0-415-79246-2: £90.00 * For full contents and more information, visit: www.routledge.com/9780415792462

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Peace Journalism Principles and Practices

Race, News, and the City

Responsibly Reporting Conflicts, Reconciliation, and Solutions

Uncovering Baltimore

Steven Youngblood, Park University, USA Long-time peace journalist Steven Youngblood presents the foundations of peace journalism in this new textbook, offering readers the methods, approaches, and concepts required to use journalism as a tool for peace, reconciliation, and development. Guidance is offered on framing stories, ethical treatment of sensitive subjects, and avoiding polarizing stereotypes through a range of international examples and case studies.Youngblood teaches students to interrogate traditional media narratives about crime, race, politics, immigration, and civil unrest, and to illustrate where a peace journalism approach can lead to more responsible and constructive coverage. Routledge Market: Journalism October 2016: 229 x 152: 250pp Hb: 978-1-138-12467-7: £95.00 Pb: 978-1-138-12469-1: £24.99 eBook: 978-1-315-64801-9 * For full contents and more information, visit: www.routledge.com/9781138124691

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Edited by Linda Steiner, University of Maryland, USA and Silvio Waisbord Series: Routledge Research in Journalism This book examines how the media approached long-standing issues of race, class, violence, and social responsibility in Baltimore during the demonstrations, violence, and public debate in the spring of 2015. Contributors take Baltimore to be an important place, symbol, and marker, though the issues are certainly not unique to Baltimore: they have crucial implications for contemporary journalism in the U.S. These events prompt several questions: How well did journalism do, in Baltimore, nearby and nationally, in explaining the endemic issues besetting Baltimore? What might have been done differently? What is the responsibility of journalists to anticipate and cover these problems? Routledge Market: Journalism Studies/Politics/Race and Ethnicity July 2017: 229 x 152: 278pp Hb: 978-1-138-65106-7: £105.00 eBook: 978-1-315-62495-2 * For full contents and more information, visit: www.routledge.com/9781138651067

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2nd Edition • TEXTBOOK • NEW EDITION

Reporting from the Danger Zone

Social Media and the Law

Frontline Journalists, Their Jobs, and an Increasingly Perilous Future

A Guidebook for Communication Students and Professionals

Maria Armoudian, University of Auckland, New Zealand

Daxton Stewart and Daxton Stewart, Texas Christian University, USA

Journalism is a dangerous business when one’s "beat" is a war zone. Armoudian reveals the complications facing frontline journalists who cover warzones, hot spots and other hazardous situations. It compares yesterday’s conflict journalism, which was fraught with its own dangers, with today’s even more perilous situations—in the face of shrinking journalism budgets, greater reliance on freelancers, tracking technologies, and increasingly hostile adversaries. It also contrasts the difficulties of foreign correspondents who navigate alien sources, languages and land, with domestically-situated war correspondents who witness their own homelands being torn apart.

Including two new chapters that examine First Amendment issues and ownership of social media accounts and content, Social Media and the Law brings together thirteen media law scholars to address these questions and more, including current issues like copyright, online impersonation, anonymity, cyberbullying, sexting, and live streaming. Students and professional communicators alike need to be aware of laws relating to defamation, privacy, intellectual property, and government regulation—and this guidebook is here to help them navigate the tricky legal terrain of social media.

Routledge Market: Journalism August 2016: 229 x 152: 156pp Hb: 978-1-138-84004-1: £95.00 Pb: 978-1-138-84005-8: £26.99 eBook: 978-1-315-73306-7 * For full contents and more information, visit: www.routledge.com/9781138840058

Routledge Market: Social Media/Media Law January 2017: 229 x 152: 282pp Hb: 978-1-138-69577-1: £95.00 Pb: 978-1-138-69578-8: £29.99 Prev. Ed Pb: 978-0-415-53514-4 * For full contents and more information, visit: www.routledge.com/9781138695788

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4th Edition • TEXTBOOK • NEW EDITION

Reporting Inequality

The Advertising Handbook

Tools and Methods for Covering Race and Ethnicity

Helen Powell, University of East London, UK, Jonathan Hardy and Iain Macrury Series: Media Practice

Venise Wagner, San Francisco State University, USA and Sally Lehrman, Santa Clara University, USA Under increasingly intense newsroom demands, reporters often find it difficult to cover the complexity of topics that deal with racial and social inequality. This book makes covering inequity manageable by: showing how racially disparate outcomes in health, education, wealth/income, housing, and the criminal justice system are often the result of inequity in opportunity; providing theoretical frameworks for understanding the roots of racial inequity; offering tools to help journalists accurately portray the structural roots of racial inequity; and showcasing best practices and examples of model reporting on disparate outcomes, which will enhance community-based reporting. Routledge Market: Journalism June 2017: 229 x 152: 256pp Hb: 978-1-138-84987-7: £95.00 Pb: 978-1-138-84988-4: £31.99 eBook: 978-1-315-72512-3 * For full contents and more information, visit: www.routledge.com/9781138849884

The Advertising Handbook provides a critical introduction to advertising and marketing communications practices today. Contributions from leading international scholars and practitioners offer extended coverage of advertising practices around the world, alongside new chapters on advertising, agencies and globalisation and a range of case studies of global advertising campaigns. The new edition features updated profiles and case studies to illustrate innovation and diversification in industry practice. Routledge Market: Media and communication studies and marketing August 2017: 234x156: 368pp Hb: 978-1-138-67882-8: £90.00 Pb: 978-1-138-67883-5: £29.99 eBook: 978-1-315-55864-6 * For full contents and more information, visit: www.routledge.com/9781138678835

3rd Edition • TEXTBOOK

11th Edition • TEXTBOOK • NEW EDITION

Show Me the Money

The Art of Editing in the Age of Convergence

Writing Business and Economics Stories for Mass Communication

Brian S. Brooks, Missouri School of Journalism, USA and James, L. Pinson, Eastern Michigan University, USA

Chris Roush, University of North Carolina at Chapel Hill, USA Series: Routledge Communication Series Show Me the Money is the definitive business journalism textbook that offers hands-on advice and insights into the job of a business journalist. Chris Roush draws on his experience as both a business journalist and educator to explain how to cover businesses, industry and the economy, as well as where to find sources of information for stories and how to take financial information and make it work for a story. Essential for both undergraduate and graduate courses in business journalism and professional business journalism newsrooms, Show Me the Money is a must-read for reporters, editors and students who want to learn the ins and outs of how to cover public and private companies.

The Art of Editing in the Age of Convergence remains the most comprehensive and widely used text on editing in journalism. This latest edition continues to shift the focus toward online multimedia as more and more people get their news that way. Amidst these changes, the authors continue to stress the importance of taking the best techniques learned in print and broadcast editing and applying them to online journalism. Routledge Market: Journalsim/Communication April 2017: 235 x 191: 319pp Hb: 978-1-138-67876-7: £160.00 Pb: 978-1-138-67877-4: £119.99 eBook: 978-1-315-55871-4 Prev. Ed Pb: 978-0-205-06035-1 * For full contents and more information, visit: www.routledge.com/9781138678774

Routledge Market: Journalism June 2016: 254 x 178: 426pp Hb: 978-1-138-18837-2: £125.00 Pb: 978-1-138-18838-9: £44.99 eBook: 978-1-315-64237-6 Prev. Ed Pb: 978-0-415-87655-1 * For full contents and more information, visit: www.routledge.com/9781138188389

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The Lean Newsroom

The Routledge Companion to Digital Journalism Studies

A Manifesto for Media Change Jonathan Groves, Drury University, USA and Carrie Brown, University of Memphis, USA Most journalists today have accepted the need for change as digital and mobile technologies have disrupted traditional business models and changed the way people consume news and information. But organizational change is difficult; even the best ideas and intentions are often not successfully executed. This book offers leaders and managers a roadmap for understanding the obstacles to change in their organizations and how to overcome them. It helps organizations better understand how to position themselves strategically to serve the new-media marketplace by understanding what news consumers and advertisers want and how they want to engage and collaborate with media organizations. Focal Press Market: Journalism December 2016: 229 x 152: 256pp Hb: 978-1-138-84126-0: £99.99 Pb: 978-1-138-84127-7: £29.99 * For full contents and more information, visit: www.routledge.com/9781138841277

Edited by Bob Franklin, Cardiff University, UK and Scott Eldridge II, University of Groningen, Netherlands Across the last decade, journalism has undergone many changes, which have driven scholars to reassess its most fundamental questions, and in the face of digital change to ask again: ‘Who is a journalist?’ and ‘What is journalism?’. Bringing together scholars from across the globe, and highlighting leading work in Africa, Asia, Australia, and Latin America, this companion aims to explore, analyse, and critique the issues that inform Digital Journalism Studies across national, historical and cultural settings. The Routledge Companion to Digital Journalism Studies offers an unprecedented collection of essays addressing the key issues and debates shaping the field of Journalism Studies today. Routledge Market: Journalism Studies / Media Studies October 2016: 246x174: 614pp Hb: 978-1-138-88796-1: £150.00 eBook: 978-1-315-71379-3 * For full contents and more information, visit: www.routledge.com/9781138887961

2nd Edition • TEXTBOOK • NEW EDITION

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The Online Journalism Handbook

The Solo Video Journalist

Skills to survive and thrive in the digital age

Doing It All and Doing It Well in TV Multimedia Journalism

Paul Bradshaw

Matt Pearl

The new edition of The Online Journalism Handbook is updated with brand new chapters on key areas including Twitter, digital law and data journalism, and also features a comprehensive range of updates on the practical skillsessential to working on online journalism today.Paul Bradshaw provides readers with an accessible guide to the fast moving world of digital journalism, illuminating the many opportunities offered to today’s journalists through new and adaptable technologies.

The Solo Video Journalist will serve as a guide for college students or those just beginning their career in journalism and reporting. It is becoming increasingly important for reporters to be proficient in many, if not all, of the steps in production. This text will make handling all these responsibilities seem possible, and do so from the hands-on perspective of a current reporting with years of experience as an MMJ. This book will cover all aspects of multimedia journalism, from planning for a segment, to dressing appropriately for one’s multiple roles throughout the day, to conducting interviews and editing.

Routledge Market: Journalism/New Media July 2017: 246x189: 240pp Hb: 978-1-138-79157-2: £75.00 Pb: 978-1-138-79156-5: £26.99 eBook: 978-1-315-76142-8 Prev. Ed Pb: 978-1-405-87340-6 * For full contents and more information, visit: www.routledge.com/9781138791565

Focal Press Market: Mass Communication October 2016: 229 x 152: 170pp Hb: 978-1-138-65731-1: £125.00 Pb: 978-1-138-65732-8: £24.99 eBook: 978-1-315-62140-1 * For full contents and more information, visit: www.routledge.com/9781138657328

2nd Edition • TEXTBOOK • NEW EDITION

TEXTBOOK

The Public Relations Strategic Toolkit

Think/Point/Shoot

An Essential Guide to Successful Public Relations Practice

Media Ethics, Technology and Global Change

Alison Theaker and Heather Yaxley The Public Relations Strategic Toolkit, Second edition presents readers with essential guidance on developing public relations skills across the key themes of planning, corporate communications, and stakeholder engagement, as well as giving in depth coverage of professional practice. A range of supporting key features are included to aid classroom use and self-study, including updated case studies on a range of different public relations campaigns, Talking, Action and Reading Points throughout each chapter offering opportunities for further discussion, reading and study, as well as profiles offering a examples of the day in the life of industry professional, and new examples and definitions. Routledge Market: Public Relations August 2017: 246x174: 432pp Hb: 978-1-138-67865-1: £90.00 Pb: 978-1-138-67867-5: £30.99 eBook: 978-1-315-55879-0 Prev. Ed Pb: 978-0-415-67648-9 * For full contents and more information, visit: www.routledge.com/9781138678675

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Edited by Annette Danto, Brooklyn College, CUNY, USA, Mobina Hashmi, Brooklyn College, CUNY, USA and Lonnie Isabel, Columbia University Graduate School of Journalism, USA Seamlessly combining theory and practice, Think/Point/Shoot presents critical issues in global media ethics with an emphasis on documentary and new media. It provides an overview of the role ethics plays in each stage of media creation—from preproduction research and development through post-production and distribution. It includes case studies from filmmakers, journalists, and media creators who have dealt with real-world ethical dilemmas. The companion website provides content for students to watch, read, and discuss, including interviews with filmmakers; video of proceedings from the "Global Media Ethics" conference in March 2013 in New York, NY; resource links; and an instructors’ guide. Focal Press Market: Media Ethics October 2016: 235 x 191: 294pp Hb: 978-1-138-84795-8: £94.99 Pb: 978-1-138-84796-5: £39.99 eBook: 978-1-315-72626-7 * For full contents and more information, visit: www.routledge.com/9781138847958

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WordPress for Journalists From Plugins to Commercialization Laura Filotrani Not Just Another Wordpress Blog! presents an in-depth and accessible guide to working with the Wordpress platform to produce journalism today. Laura-Jane Filotranti gives readers expert guidance on the wide ranging technical and presentation possibilities Wordpress’s functionality offers to those creating news and other forms of journalism content, exploring set up, working with plugins, creating content and understanding the needs of users. Their also specific coverage the issues, challenges and best practice guidance around using social media platforms, live streaming and blogging, and how to monetize a Wordpress journalism site. Routledge Market: Journalism July 2017: 234x156: 240pp Hb: 978-1-138-65201-9: £90.00 Pb: 978-1-138-65202-6: £24.99 eBook: 978-1-315-62447-1 * For full contents and more information, visit: www.routledge.com/9781138652019

3rd Edition • TEXTBOOK • NEW EDITION

Writing and Editing for Digital Media Brian Carroll, Berry College, USA Writing and Editing for Digital Media teaches students how to write effectively for digital spaces—whether crafting a story for a website, blogging or using Twitter to cover a breaking news story or event. The lessons and exercises in each chapter help students build a solid understanding of the ways that digital communications have introduced opportunities for dynamic storytelling and multi-directional communication. Updated with contemporary examples and pedagogy and an expanded look at using social media, the third edition broadens its scope, helping digital writers and editors in all fields, including public relations, marketing, and social media management. Routledge Market: Journalism/Digital Media August 2017 Hb: 978-1-138-63598-2: £105.00 Pb: 978-1-138-63603-3: £37.99 eBook: 978-1-315-20626-4 * For full contents and more information, visit: www.routledge.com/9781138636033

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(Mis)Understanding Political Participation

Applied Media Studies

Digital Practices, New Forms of Participation and the Renewal of Democracy

Theory and Practice

Edited by Jeffrey Wimmer, Ilmenau University of Technology, Germany, Cornelia Wallner, Ludwig-Maximilians-University Munich, Germany, Rainer Winter, Klagenfurt University, Austria and Karoline Oelsner, Ilmenau University of Technology, Germany Series edited by Fausto Colombo Series: Routledge Studies in European Communication Research and Education

In the age of the maker movement, hackathons and do-it-yourself participatory culture, the boundaries between digital media theory and production have dissolved. Multidisciplinary humanities labs have sprung up around the globe, generating new forms of hands-on, critical and creative work. The scholars, artists, and scientists behind these projects are inventing new ways of doing media studies teaching and research, developing innovative techniques through experimental practice. This book of case studies brings together practitioners of applied media studies, providing a roadmap for how and why to do hands-on media work in the digital age.

The practices of participation and engagement are characterised by complexities and contradictions. In this volume, the theoretical chapters discuss analytical frameworks that can enrich our understanding of current contexts and practices of mediated participation. The empirical studies explore the implications of the new digital conditions for the ways in which digitally mediated social interactions, practices and environments shape everyday participation, engagement or protest and their subjective as well societal meaning. Routledge Market: Political Communication/Digital Media July 2017: 229 x 152: 288pp Hb: 978-1-138-65878-3: £85.00 eBook: 978-1-315-62059-6 * For full contents and more information, visit: www.routledge.com/9781138658783

Edited by Kirsten Ostherr, Rice University, USA

Routledge Market: Media Studies December 2017: 229 x 152: 228pp Hb: 978-1-138-20248-1: £105.00 * For full contents and more information, visit: www.routledge.com/9781138202481

TEXTBOOK

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A Level Media Studies for Students and Teachers

Appreciating the Art of Television

Peter Bennett, Sarah Casey Benyahia and Jerry Slater

A Philosophical Perspective

A Level Media Studies for Students and Teachers presents a comprehensive guide to the learning and teaching of Media Studies at A-Level across all UK specifications. The textbook takes an accessible and integrative approach to the subject and acts a resource for both students and teachers of Media Studies. A clear linear structure helps to develop understanding and analysis with key ideas being introduced and explored from a range of different angles. Concepts are reinforced and developed via a series of activities, marginal notes, ‘breakout’ sections, with key debates highlighted and integrative case studies appearing across the book, with additional extensive supporting online resources. Routledge Market: Media Studies August 2017: 246x174: 432pp Hb: 978-1-138-28588-0: £90.00 Pb: 978-1-138-28589-7: £24.99 eBook: 978-1-315-26875-0 * For full contents and more information, visit: www.routledge.com/9781138285880

Ted Nannicelli, University of Queensland, Australia Series: Routledge Advances in Television Studies Contemporary television has been marked by such exceptional programming that it is now common to hear claims that TV has finally become an art. This book aims to provide scholars in television aesthetics with an overview of the relevant philosophical literature, while giving philosophers of film an account of the art of television that will hopefully spur further interest and debate. It offers the first sustained theoretical examination of what is involved in appreciating television as an art and how this bears on the practical business of television scholars, critics, students, and fans—namely the comprehension, interpretation, and evaluation of specific televisual artworks. Routledge Market: Television Studies/Philosophy of Film October 2016: 229 x 152: 228pp Hb: 978-1-138-84078-2: £85.00 eBook: 978-1-315-73263-3 * For full contents and more information, visit: www.routledge.com/9781138840782

6th Edition • TEXTBOOK • NEW EDITION

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An Introduction to Political Communication

Arts Reviewing

Brian McNair, Queensland University of Technology, Australia Series: Communication and Society

Andy Plaice

An Introduction to Political Communication explores the evolving world of political media and its effect upon audiences. The communicative practices of organizations at all levels are anaylsed, from grassroots protests through to global campaigns by governments and international bodies. Extensive updates cover party political advertising, political public relations, pressure group publicity and globalised political communication. There is also a broader range of international examples, drawn from Asia, Latin America, Australia and the Arab Spring uprisings. The companion website hosts new pedagogical features, including glossary questions, annotated course notes and links to further content.

Arts Reviewing presents students with accessible guidance on how to write reviews across different disciplines in the arts. Journalism lecturer and experienced arts reviewer, Andy Plaice, offers a broad ranging approach to art criticism by discussing the most important themes and issues that reach beyond coverage of individual art forms, including choosing what to review, approaching different writing techniques, analysis of the impact of criticism, and discussion of how to break into the industry. The book contains interviews with expert critics and leading reviewers who share their secrets on how to write great copy and each chapter ends with summary tips and suggested further reading.

Routledge Market: Communication Studies, Media Studies and Politics June 2017: 234x156: 20pp Hb: 978-0-415-73941-2: £80.00 Pb: 978-0-415-73942-9: £26.99 eBook: 978-1-315-75029-3 Prev. Ed Pb: 978-0-415-59644-2 * For full contents and more information, visit: www.routledge.com/9780415739429

Routledge Market: Journalism October 2017: 234x156: 224pp Hb: 978-1-138-67511-7: £90.00 Pb: 978-1-138-67512-4: £24.99 eBook: 978-1-315-56083-0 * For full contents and more information, visit: www.routledge.com/9781138675117

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Changing Media, Homes and Households

Children, Media, and American History

Cultures, Technologies and Meanings

Printed Poison, Pernicious Stuff, and Other Terrible Temptations

Deborah Chambers, Newcastle University, UK

Margaret Cassidy

Media technologies have played a central role in shaping ideas about home life over the last two centuries. This book explores the complex relationship between home, householders, families and media technologies by charting the evolution of the media-rich home, from the early twentieth century to the present. Moving beyond a narrow focus on media texts, production and audiences, this title investigates the physical presence of media objects in the home and their symbolic importance. It also explores the role of home-based media in altering relationships between home, leisure, work and the outside world, offering in-depth case studies on the processes involved in media’s home

This book explores the history of American children and media, focusing on the ways in which new media enter into and become part of children’s lives. Cassidy examines a selection of "old media" when they were "new media," with an emphasis on understanding how children used those media and how adults felt about children’s use of new media. These media will be considered in the context of the times in which they were introduced. For example, what else was happening in society at the time? What was the experience of childhood like? What conception of childhood was dominant? With this historical context established, Cassidy concludes by looking at present-day children and their use of digital media.

adoption. Routledge Market: Media Studies / Cultural Studies April 2016: 234x156: 194pp Hb: 978-0-415-70635-3: £85.00 Pb: 978-1-138-79160-2: £24.99 eBook: 978-1-315-63039-7 * For full contents and more information, visit: www.routledge.com/9781138791602

Routledge Market: Media History/Children's Media July 2017: 229 x 152: 256pp Hb: 978-1-138-84991-4: £95.00 Pb: 978-1-138-84992-1: £27.99 eBook: 978-1-315-72511-6 * For full contents and more information, visit: www.routledge.com/9781138849921

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Children and Media in India

China's Media Go Global

Narratives of Class, Agency and Social Change

Edited by Hugo De Burgh, Shi Anbin and Daya Thussu, University of Westminster, UK Series: Internationalizing Media Studies

Shakuntala Banaji, London School of Economics and Political Science, UK Series: Routledge Advances in Internationalizing Media Studies Children and Media in India illuminates the experiences, practices and contexts in which children and young people in diverse locations across India encounter, make, or make meaning from media in the course of their everyday lives. From textbooks, television, film and comics to mobile phones and digital games, this book examines the media available to different socioeconomic groups of children in India and their articulation with everyday cultures and routines.

This collection brings together distinguished scholars from China and those with deep interest and knowledge of the country, to examine how the emergence of Chinese media will impact on global media and communication. Chapters contextualize the role of the Chinese media in a globalized world, evaluate the media landscape and focus on media practices, drawing on empirical material specifically gathered for this volume. By interrogating the relationship between the Chinese and Western media practices and perceptions, this volume provides an accessible and comprehensive guide to the complex debates about the impact of China on the media globe.

Routledge Market: Media Studies/Children and Media/Asian Studies November 2016: 229 x 152: 224pp Hb: 978-1-138-92947-0: £90.00 eBook: 978-1-315-68119-1 * For full contents and more information, visit: www.routledge.com/9781138929470

Routledge Market: Media Studies, Communication Studies, Chinese Studies July 2017: 234x156 Hb: 978-1-138-66584-2: £85.00 Pb: 978-1-138-66585-9: £24.99 eBook: 978-1-315-61966-8 * For full contents and more information, visit: www.routledge.com/9781138665859

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Children, Adolescents, and Media

Climate and Sustainability Communication

The future of research and action

Global perspectives

Edited by Dafna Lemish, Southern Illinois University, USA, Amy Jordan and Vicky Rideout, VJR Consulting, San Francisco, CA, USA Offering new directions for research, this books considers the implications of the changing media landscape for parents, educators, advocates, and producers. Leading scholars from North America, Europe and Asia, grounded in different theoretical and methodological traditions, join forces to discuss the impact of growing up in a media- saturated world, and to stimulate thinking about the field of children and media in unexpected ways. This book was originally published as two special issues of the Journal of Children and Media.

Edited by Donnalyn Pompper, Temple University, Philadelphia, PA, USA Climate and Sustainability Communication: Global Perspectives provides findings of seven empirical studies – from South Korea and China, to the U.S., and Zambia – on the interplay between mass media and climate and sustainability issues. The book offers new routes for theory building with solid recommendations and pathways for better understanding the implications of climate risk and sustainability. This book was originally published as a special issue of Mass Communication & Society. Routledge Market: Mass Media / Climate Change / Sustainability March 2017: 234x156: 160pp Hb: 978-0-415-78899-1: £90.00 * For full contents and more information, visit: www.routledge.com/9780415788991

Routledge Market: Media Studies / Children and the Media December 2016: 246x174: 286pp Hb: 978-1-138-23420-8: £90.00 * For full contents and more information, visit: www.routledge.com/9781138234208

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2nd Edition • NEW EDITION

Comic Performativities

Culture Wars

Identity, Internet Outrage, and the Aesthetics of Communication

The Media and the British Left

Dustin Goltz

James Curran, Goldsmiths, University of London, UK, Ivor Gaber and Julian Petley, Brunel University, UK Series: Communication and Society

From Sarah Silverman to country singer Brad Paisley and actor Sean Penn, we live in a cultural moment where "comic controversies," "Political Correctness" and the "outrage machine" of social media produce an endless stream of social dramas of offense, indictment, and apology. Right wing pundits argue leftist politics have ended cultural discussion and debate, while scholars take right wing critics to task for reifying oppression under the guise of reason. Comic Performativities: Irony, Outrage, and Aesthetic Subversions traces and disrupts these cultural patterns of who can tell a certain type of joke, who gets to laugh, and how meaning is assigned to the message. How do we, as a culture, determine whether a particular message is "sexist", "racist" or "offensive," and what are the implications of such designations. Routledge Market: Gender Studies May 2017: 234x156: 256pp Hb: 978-1-138-74260-4: £105.00 eBook: 978-1-315-18196-7 * For full contents and more information, visit: www.routledge.com/9781138742604

The completely revised new edition of Culture Wars: The Media and the British Left explores media coverage of left wing politics in the UK and the continuing battle for the soul of the Labour Party. An expanded introductory chapter and conclusion provide readers with a broad historical overview of the social and political changes key in shaping the Labour Party, as well as exploration of new developments in media systems and power structures. Four new chapters cover New Labour’s policies on multiculturalism and national identity, the party’s relationship with the media following the Iraq War, and the rise of Jeremy Corbyn and the political impact of grassroots engagement with social media. Routledge Market: Media Studies October 2017: 234x156: 320pp Hb: 978-1-138-22302-8: £85.00 Pb: 978-1-138-22303-5: £28.99 eBook: 978-1-315-40618-3 * For full contents and more information, visit: www.routledge.com/9781138223035

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Community Filmmaking

Digital Environments

Diversity, Practices and Places

Edited by Sidney I. Dobrin, University of Florida, Gainesville, FL, USA

Edited by Sarita Malik, Brunel University London, UK, Caroline Chapain, University of Birmingham, UK and Roberta Comunian, King's College London, UK Series: Routledge Studies in Media and Cultural Industries

Digital Environments signifies a shift in how we think about interactions with places and spaces, both "real" and simulated. This collection considers the possibilities of bringing ecocritical approaches into conversation with digital environments. The intent is to initiate a dialogue between two areas of research often understood as disparate. This book was originally published as a special issue of Green Letters: Studies in Ecocriticism.

Community Filmmaking takes up central issues in contemporary media studies, from representational politics and public policy to screen culture and civic engagement, in a unique and productive fashion. Theoretically sophisticated and empirically rich, this volume is a welcome addition to a growing body of scholarship on community, participatory and collaborative media practices." --Kevin Howley, DePauw University, USA This book examines the role of community filmmaking in society, situating the community filmmaker as the central node in the network of relationships between diverse communities, funding bodies, policy and the film industries.

Routledge Market: Media Theory / Digitial Media / Environmental Studies April 2017: 246x174: 110pp Hb: 978-1-138-20770-7: £90.00 * For full contents and more information, visit: www.routledge.com/9781138207707

Routledge Market: Media Industries/Film April 2017: 229 x 152: 264pp Hb: 978-1-138-18806-8: £85.00 eBook: 978-1-315-64272-7 * For full contents and more information, visit: www.routledge.com/9781138188068

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Creativity in the British Television Comedy Industry

Digital Memory Studies

Brett Mills and Erica Horton

Media Pasts in Transition

Drawing on interviews with many key writers, producers and commissioners, Creativity in the British Television Comedy Industry explores the creative processes that lead to successful programme-making. With detailed discussion of the processes by which series such as People Just Do Nothing and After Hours came to our screens, this book examines how members of the comedy industry maintain careers, manage failure, develop their craft and stay creative. This is essential reading for students and researchers with an interest in comedy studies, television production and the creative/media industries.

Edited by Andrew Hoskins, University of Glasgow, UK

Routledge Market: Media Studies October 2016: 234x156: 194pp Hb: 978-1-138-80721-1: £95.00 eBook: 978-1-315-75123-8 * For full contents and more information, visit: www.routledge.com/9781138807211

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Digital Memory Studies brings together the fields of media and memory studies to draw out their joint histories, interrelations and fissures and to map a holistic vision for their study. In sections that examine questions of connectivity, participation, archeology, economy, and archives, contributors illuminate the implications for self, culture, and society when media and memory intersect. Case studies range from Facebook's timeline to the digital afterlife and address a range of medium from television to videogames. Routledge Market: Media/Cultural Studies June 2017: 229 x 152: 256pp Hb: 978-1-138-63937-9: £95.00 Pb: 978-1-138-63938-6: £27.99 eBook: 978-1-315-63723-5 * For full contents and more information, visit: www.routledge.com/9781138639386

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Drones and Journalism

Explorations in Critical Studies of Advertising Edited by James F. Hamilton, University of Georgia, USA, Robert Bodle, Mount St. Joseph University, USA and Ezequiel Korin, University of Georgia, USA Series: Routledge Research in Cultural and Media Studies

How the media is making use of unmanned aerial vehicles Phillip Chamberlain Series: Routledge Focus on Journalism Studies Drones and Journalism explores the increased use of unmanned aerial vehicles, or drones, by the global media for researching and newsgathering purposes. Phil Chamberlains examines the technological development and capabilities of contemporary drone hardware, whilst also exploring the use of drones in investigative reporting, in the reporting of humanitarian crisis, and the use of this new technology in more mainstream media practices. The book also analyses the complex place of the media’s drone use in relation to international laws, as well as the ethical challenges and issues raised by the practice. Routledge Market: Journalism February 2017: 216x138: 136pp Hb: 978-1-138-66878-2: £45.00 eBook: 978-1-315-61847-0 * For full contents and more information, visit: www.routledge.com/9781138668782

This volume provides a thoughtful and wide-ranging exploration of approaches to the critical study of advertising. Current and impending practices of advertising have in many ways exceeded the grasp of traditional modes of critique, due at least in part to their being formulated in very different historical conditions. To begin to address this lag, this edited collection explores through critical discussion and application a variety of critical approaches to advertising. Authors address a variety of concrete examples in their chapters, drawing on existing research while presenting new findings where relevant. Routledge Market: Media Studies/Advertising/Cultural Studies November 2016: 229 x 152: 284pp Hb: 978-1-138-64952-1: £85.00 eBook: 978-1-315-62576-8 * For full contents and more information, visit: www.routledge.com/9781138649521

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Evaluating Public Communication

Fans and Videogames

Methods and case studies of formative process and summative evaluation

Histories, Fandom, Archives Edited by Melanie Swalwell, Flinders University, Australia, Angela Ndalianis, University of Melbourne, Australia and Helen Stuckey, Flinders University, Australia Series: Routledge Advances in Game Studies

Jim Macnamara Evaluating Public Communication presents an integrated approach to campaign evaluation, drawing on public relations and advertising practice and research, as well as specialist expertise from different fields of communication. Jim McNamara establishes the theoretical foundations of evaluation, exploring the need to critically examine communication and key principles, concepts, and theories of evaluation, whilst also investigating practice, from using digital and social media metrics to evaluate public communication and how to use evaluation findings. International case studies on evaluation explore the impact of campaigns from areas including health, corporate and political communication.

In order to better understand and theorize video games and game playing, it is necessary to study the activities of gamers themselves. This volume brings together essays that explore game fandom from diverse perspectives to offer a broad and holistic understanding of the complex processes at work in the phenomenon of game fandom and its practices. Contributors aim here to historicize game fandom, recognize fan contributions to game history, and critically assess the role of fans in ensuring the persistence of game culture through the development of

Routledge Market: Communications/Public Reltions/Media August 2017: 234x156: 352pp Hb: 978-1-138-22857-3: £85.00 Pb: 978-1-138-22858-0: £29.99 eBook: 978-1-315-39198-4 * For full contents and more information, visit: www.routledge.com/9781138228580

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Everyday Media Culture in Africa

Food TV

Audiences and Users

Tasha Oren, University of Wisconsin, Milwaukee, USA Series: Routledge Television Guidebooks

Edited by Wendy Willems, London School of Economics and Political Science, UK and Winston Mano, University of Westminster, UK Series: Routledge Advances in Internationalizing Media Studies This is the first edited volume that addresses the everyday lived experiences of Africans in their interaction with different kinds of media: old and new, state and private, elite and popular, global and national, material and virtual. So far, the bulk of academic research on media and communication in Africa has studied media through the lens of media-state relations, thereby adopting liberal democracy as the normative ideal and examining the potential contribution of African media to development and democratization. Focusing instead on everyday media culture in a range of African countries, this volume contributes to the broader project of provincializing and decolonizing audience and internet studies. Routledge Market: International Media/African Studies November 2016: 229 x 152: 260pp Hb: 978-1-138-20284-9: £85.00 eBook: 978-1-315-47277-5 * For full contents and more information, visit: www.routledge.com/9781138202849

Routledge Market: Game Studies/Fan Studies March 2017: 229 x 152: 232pp Hb: 978-1-138-67967-2: £85.00 eBook: 978-1-315-56348-0 * For full contents and more information, visit: www.routledge.com/9781138679672

Working at the intersection of media studies, food studies and cultural studies, FoodTV serves up an accessible, critical introduction to food television, providing readers with a solid foundation for understanding how culinary culture became pop culture via the medium of television. FoodTV also elucidates how food and its preparation have been central to the creative and formal evolution of television itself. As Oren elucidates, television has been, and remains, a formidable force that not only shapes food culture, but has acted as the arena where all matters edible link up with major preoccupations over domesticity and public space, globalization, immigration and nationalism, capitalism and labor, identity politics, difference and distinction. Routledge Market: Media/Cultural Studies October 2017: 229 x 152: 224pp Hb: 978-1-138-99863-6: £75.00 Pb: 978-1-138-99864-3: £21.99 eBook: 978-1-315-65860-5 * For full contents and more information, visit: www.routledge.com/9781138998643

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Geomedia Studies

TEXTBOOK

Spaces and Mobilities in Mediatized Worlds

Global Media

Edited by Karin Fast, Karlstad University, Sweden, André Jansson, Karlstad University, Sweden, Johan Lindell, Karlstad University, Sweden, Linda Ryan Bengtsson, Karlstad University, Sweden and Mekonnen Tesfahuney, Karlstad University, Sweden Series: Routledge Research in Cultural and Media Studies

Anikó Imre, University of Southern California, USA, Nitin Govil, University of Southern California, USA and Tasha Oren, University of Wisconsin, Milwaukee, USA

This book introduces and developes the concept of geomedia studies as the name of a particular subfield of communication geography. By addressing imperative questions about the implications of geomedia technologies for organizations, social groups and individuals (e.g. businesses profiting from geo-surveillance, refugees or migrants moving across national borders, or artists claiming their rights to public space) the book also aims to contribute to ongoing academic and societal debates in our increasingly mediatized world.

Routledge Market: Media/Cultural Studies August 2017: 198x129: 208pp Hb: 978-0-415-64149-4: £80.00 Pb: 978-0-415-64150-0: £20.99 eBook: 978-0-203-08183-9 * For full contents and more information, visit: www.routledge.com/9780415641500

Routledge Market: Media/Communication/Geography September 2017: 229 x 152: 272pp Hb: 978-1-138-22152-9: £105.00 * For full contents and more information, visit: www.routledge.com/9781138221529

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Girlhood on Disney Channel

Global Media Giants Edited by Benjamin Birkinbine, University of Oregon, USA, Rodrigo Gomez, Autonomous Metropolitan University, Mexico and Janet Wasko, University of Oregon, USA

Branding, Celebrity, and Femininity Morgan Genevieve Blue, University of Texas, Austin, USA Series: Routledge Advances in Television Studies Since the early 2000s, Disney Channel has been dominated by original live-action programming popular among tween girls and driven by the star personae of girl performers. These programs and performers have spawned lucrative media and merchandising franchises for the Walt Disney Company. This book, then, includes analyses of this Disney programming, as well as Disney corporate reports and executive statements, and stars’ performances, promotional appearances, media production, philanthropic efforts, and entrepreneurism, examining the ways in which they reproduce celebrity, visibility, and feminine performativity as central to successful twenty-first century girlhood. Routledge Market: Media Stuides/Girl Studies/Television March 2017: 229 x 152: 224pp Hb: 978-1-138-94798-6: £85.00 eBook: 978-1-315-66975-5 * For full contents and more information, visit: www.routledge.com/9781138947986

Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts. Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power. Routledge Market: Media/Cultural Studies June 2016: 254 x 178: 496pp Hb: 978-1-138-92770-4: £120.00 Pb: 978-1-138-92771-1: £34.99 eBook: 978-1-315-68233-4 * For full contents and more information, visit: www.routledge.com/9781138927711

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TEXTBOOK

Global Games

Global Perspectives on Intercultural Communication Aphra Kerr, National University of Ireland Maynooth, Ireland

Edited by Stephen M. Croucher, University of Jyvaskyla, Finland

In this book, Kerr examines the political-economic and social changes that have taken place in the global games industry over the past five years. Drawing upon interviews with key individuals in the games industry and empirical analyses of gameworlds, Kerr reveals the politics and power behind transnational games corporations and how they have globalised their production networks, but at the same time localized and hybridized their games' content and form.

Understanding Global Intercultural Communication is designed to help undergraduate students better grasp the basics of intercultural communication. While many texts in this market effectively describe theoretical and cultural contexts, Croucher goes one step further by illustrating these theories and cultural contexts from different international perspectives, giving students the richly global understanding of communication necessary for today's diverse workplace.

Production, Circulation and Policy in the Networked Era

Routledge Market: Digital Media/Game Studies December 2016: 229 x 152: 226pp Hb: 978-0-415-85886-1: £105.00 Pb: 978-0-415-85887-8: £24.99 eBook: 978-0-203-70402-8 * For full contents and more information, visit: www.routledge.com/9780415858878

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Routledge Market: Intercultural Communication May 2017: 254 x 178: 296pp Hb: 978-1-138-86077-3: £95.00 Pb: 978-1-138-86078-0: £39.99 eBook: 978-1-315-71628-2 * For full contents and more information, visit: www.routledge.com/9781138860780

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Historicising Transmedia Storytelling

LGBTQs, Media and Culture in Europe Edited by Alexander Dhoest, University of Antwerp, Belgium, Lukasz Szulc, University of Antwerp, Belgium and Bart Eeckhout, University of Antwerp, Belgium Series: Routledge Research in Cultural and Media Studies

Early Twentieth-Century Transmedia Story Worlds Matthew Freeman, Bath Spa University, UK Series: Routledge Research in Cultural and Media Studies Tracing the industrial emergence of transmedia storytelling—typically branded a product of the contemporary digital media landscape—this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the storyworlds constructed for The Wizard of Oz, Tarzan, and Superman, the book reveals how new developments in advertising, licensing, and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to understandings of media convergence, popular culture, and historical media industries. Routledge Market: Media Studies/Media Industries November 2016: 229 x 152: 210pp Hb: 978-1-138-21769-0: £85.00 eBook: 978-1-315-43952-5 * For full contents and more information, visit: www.routledge.com/9781138217690

Media matter, particularly to social minorities like lesbian, gay, bisexual, transgender and queer people. Rather than one homogenised idea of the ‘global gay’, what we find today is a range of historically and culturally specific expressions of gender and sexuality, which are reflected and explored across a range of media outlets. Each chapter in this collection discusses the intersection of a particular European context and a particular medium with its affordances and limitations. While traditional mass media form the starting point of this book, the primary focus is on digital media such as SNS (Social Networking Sites), blogs and online dating sites. Routledge Market: Media Studies/LGBTQ/European Studies November 2016: 229 x 152: 304pp Hb: 978-1-138-64947-7: £85.00 eBook: 978-1-315-62581-2 * For full contents and more information, visit: www.routledge.com/9781138649477

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Identity and Play in Interactive Digital Media

Lifestyle Media and Gender in American Culture

Ergodic Ontogeny

A Better Everyday Sara M. Cole, University of Maryland Baltimore County, USA Series: Routledge Advances in Game Studies

Maureen E. Ryan, Northern Illinois University, USA Series: Routledge Research in Gender, Sexuality, and Media

Recent shifts in new literacy studies have expanded definitions of text, reading/viewing, and literacy itself. The inclusion of non-traditional media forms is essential, as texts beyond written words, images, or movement across a screen are becoming ever more prominent in media studies. Included in such non-print texts are interactive media forms like computer or video games that can be understood in similar, though distinct, terms as texts that are read by their users. This book examines how people are socially, culturally, and personally changing as a result of their reading of, or interaction with, these texts.

This book explores the emergence of "lifestyle" in the US, first as a term that has become an organizing principle for the self and for the structure of everyday life, and later as a pervasive form of media that encompasses a variety of domestic and self-improvement genres, from newspaper columns to design blogs. Drawing on the methodologies of cultural studies and feminist media studies, and built upon case studies from newspapers, books, television, and blogs, it tracks the emergence of lifestyle’s discursive formation and shows its relevance in contemporary media culture.

Routledge Market: Game Studies/Digital Media March 2017: 229 x 152: 184pp Hb: 978-1-138-22900-6: £105.00 eBook: 978-1-315-39078-9 * For full contents and more information, visit: www.routledge.com/9781138229006

Routledge Market: Media Studies/Gender Studies June 2017: 229 x 152: 216pp Hb: 978-1-138-20646-5: £105.00 eBook: 978-1-315-46497-8 * For full contents and more information, visit: www.routledge.com/9781138206465

TEXTBOOK

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Inside the Video Game Industry

Lifestyle TV Laurie Ouellette, University of Minnesota, USA Series: Routledge Television Guidebooks

Game Developers Talk About the Business of Play Judd Ruggill, Ken McAllister, University of Arizona, USA, Randy Nichols and Ryan Kaufman

Lifestyle TV analyzes a burgeoning array of lifestyle formats on network and cable channels, from how-to and advice programs to hybrid reality entertainment built around the cultivation of the self as project, the ethics of everyday life, the mediation of style and taste, the regulation of health and the body, and the performance of identity and "difference." Ouellette situates these formats historically, arguing that the lifestyling of television ultimately signals more than the television industry's turn to cost-cutting formats, niche markets, and specialized demographics, but rather the surge of lifestyle programming must also be situated within broader socio-historical changes

This book offers an inside look into one of today's most dynamic and creative businesses. Through in-depth structured interviews, industry professionals discuss their roles, providing invaluable insight into programming, art, animation, game design, production, quality assurance, audio and business careers. Designed specifically for researchers, educators, and students, the voices assembled in this volume provide a critical perspective on an often opaque business and its highly mobile workforce.

Routledge Market: Game Studies November 2016: 229 x 152: 384pp Hb: 978-0-415-82827-7: £105.00 Pb: 978-0-415-82828-4: £31.99 eBook: 978-0-203-52158-8 * For full contents and more information, visit: www.routledge.com/9780415828284

in capitalist democracies. Routledge Market: Television Studies February 2016: 198x129: 186pp Hb: 978-1-138-78484-0: £85.00 Pb: 978-1-138-78485-7: £18.99 eBook: 978-1-315-76813-7 * For full contents and more information, visit: www.routledge.com/9781138784857

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Marginal Production Cultures

Media Ownership and Agenda Control

Infrastructures of Sexual Minority and Transgender Media

The hidden limits of the information age

Candace Moore, University of Michigan, USA Series: Routledge Studies in Media and Cultural Industries

Justin Schlosberg Series: Communication and Society

Marginal Production Cultures considers how race, sexuality, and gender non-conformity complicate media production and distribution practices. Offering insight into a diverse range of minority media cultures, this book relies on personal interviews, ethnographic research, and archival materials to examine LGBTQ production and distribution strategies. It documents the specific infrastructures and relationships minority media makers develop to collect resources, negotiate prejudice, and see their work through to the screen, investigating the practitioners, communities, networks, festivals, and institutions that sustain the development of queer and trans media.

Media Ownership and Agenda Control presents a vital and comprehensive analysis of the ownership and control of media providers and outlets today, and the effect that this has on news sources and journalistic autonomy. Justin Schlosberg explores the impact of issues including digital growth and disruption, as well as structural decline in news media markets across a range of international examples. This is combined with an in-depth study of political and economic policy, as well as an expansive understanding of the key scholarly debates to re-think the concepts of media plurality and media independence.

Routledge Market: Media Industries/Production Studies June 2017: 229 x 152: 224pp Hb: 978-1-138-99947-3: £105.00 eBook: 978-1-315-65824-7 * For full contents and more information, visit: www.routledge.com/9781138999473

Routledge Market: Media Studies November 2016: 234x156: 180pp Hb: 978-1-138-77545-9: £85.00 Pb: 978-1-138-77546-6: £24.99 eBook: 978-1-315-76616-4 * For full contents and more information, visit: www.routledge.com/9781138775466

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Matrix Activism

Media Practices, Social Movements, and Performativity

Global Practices of Resistance Michela Ardizzoni, University of Colorado at Boulder, USA Series: Routledge Research in Cultural and Media Studies "Finally a book that goes beyond essentializing critique to offer a subtle analysis of global media activism." --R. Trebor Scholz, The New School, USA This book explores the emerging sites, aesthetics and politics of contemporary dissent as a critical attempt to foreground their mediation and negotiation in an era of neoliberal globalization. Rather than confining the analysis to a single platform, technology, or social actor, matrix activism allows us to explain the hybrid nature of new forms of dissent and resistance, as they are located at the intersection of alternative and mainstream, non-profit and corporate, individual and social, production and consumption, online and offline. Routledge Market: Media Studies/Politics November 2016: 229 x 152: 170pp Hb: 978-1-138-64037-5: £85.00 eBook: 978-1-315-63667-2 * For full contents and more information, visit: www.routledge.com/9781138640375

Transdisciplinary Approaches Edited by Susanne Foellmer, Freie Universität Berlin, Germany, Margreth Lünenborg, Freie Universität Berlin, Germany and Christoph Raetzsch, Freie Universität Berlin, Germany Series: Routledge Research in Cultural and Media Studies Using the concept of media practices, this volume looks at processes of social and political transformation in diverse regions of the world to argue that media change and social change converge on a redefinition of the relations of individuals to larger collective bodies. To this end, contributors examine new collective actors emerging in the public arena through digital media or established actors adjusting to a diversified communication environment. The book offers an important contribution to a vibrant, transdisciplinary, and international field of research emerging at the intersections of communication, performance and social movement studies. Routledge Market: Media Studies/Performance Studies June 2017: 229 x 152: 200pp Hb: 978-1-138-21013-4: £105.00 eBook: 978-1-315-45593-8 * For full contents and more information, visit: www.routledge.com/9781138210134

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Media Generations

Media Representations of Anti-Austerity Protests in the EU

Experience, identity and mediatised social change Goran Bolin, Södertörn University, Sweden While the analysis of generations has been central in the sociological understanding of social change, the role of the media in this process has only been acknowledged as an important feature during the last couple of decades. Building on quantitative and qualitative comparative research, Media Generations analyses the role of the media in the formation of generational experience, identity and habitus, and how mediated nostalgia is an important part in the social formation of generations. This book will be of special interest to those studying social change, collective memory, cultural identity and the role of the media in social experience. Routledge Market: Media Studies August 2016: 234x156: 150pp Hb: 978-1-138-90767-6: £85.00 Pb: 978-1-138-90768-3: £26.99 eBook: 978-1-315-69495-5 * For full contents and more information, visit: www.routledge.com/9781138907683

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e-Inspection

Grievances, Identities and Agency Edited by Tao Papaioannou, University of Nicosia, Cyprus and Suman Gupta, The Open University, UK Series: Routledge Research in Cultural and Media Studies This book analyzes constructions of injustice, group identification and participation in news and social media in anti-austerity protests within the European Union (EU). Since 2008, EU member-states have witnessed waves of protests against the adoption of austerity measures and alignment of domestic economies with the prevailing global neoliberal order. Understanding how the media represents dissent and how it influences public deliberation is of critical importance. This volume undertakes to explore the strategies deployed and role played by news and social media in representing and acting upon anti-austerity protests in the Eurozone crisis. Routledge Market: European Media/Politics August 2017: 229 x 152: 248pp Hb: 978-1-138-68593-2: £105.00 Hb: 978-1-315-54290-4: £34.99 * For full contents and more information, visit: www.routledge.com/9781138685932

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MEDIA AND COMMUNICATIONS 6th Edition • TEXTBOOK • NEW EDITION

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Media Today

New Perspectives on the Social Aspects of Digital Gaming

Mass Communication in a Converging World Joseph Turow, University of Pennsylvania, USA Media Today uses convergence as a lens that puts students at the center of the profound changes in the 21st century media world. Through the convergence lens they learn to think critically about the role of media today and what these changes mean for their lives presently and in the future. The book’s media systems approach helps students to look carefully at how media is created, distributed, and exhibited in the new world that the digital revolution has created. In this way, Media Today goes beyond the traditional mass communication textbook’s focus on consuming media, to give students an insider’s perspective on how media businesses operate. Routledge Market: Mass Communication / Media Studies November 2016: 279 x 216: 446pp Hb: 978-1-138-92845-9: £110.00 Pb: 978-1-138-92846-6: £52.99 eBook: 978-1-315-68172-6 Prev. Ed Pb: 978-0-415-53643-1 * For full contents and more information, visit: www.routledge.com/9781138928466

Multiplayer 2 Edited by Rachel Kowert, University of Münster, Germany and Thorsten Quandt, University of Münster Series: Routledge Advances in Game Studies "An excellent survey on where research on digital games is going, and where it should go." --James D. Ivory, Virginia Tech, USA "This is a timely addition to Game Studies, especially in the way it addresses issues at the heart of gaming communities at present. A strong body of complimentary chapters produce a well-rounded picture of gaming communities and the issues they face." --Esther MacCallum-Stewart, University of the West of England, UK This volume offers the latest research findings on online gaming, social forms of gaming, identification, gender issues and games for change, primarily applying a social-scientific approach. Routledge Market: Game Studies/Media Studies March 2017: 229 x 152: 200pp Hb: 978-1-138-64363-5: £85.00 eBook: 978-1-315-62930-8 * For full contents and more information, visit: www.routledge.com/9781138643635

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Media, Mobilization and the Umbrella Movement

Online Journalism from the Periphery

Edited by Francis L. F. Lee, Chinese University of Hong Kong

Interloper Media

Comprising a series of high-quality contributions which examine various aspects of the media-movement nexus, this book analyses media communications during the 2014 Umbrella Movement in Hong Kong. Covering subjects including the mobilizing and informing power of mass and digital media, young activists’ digital media strategies, and local and international media coverage of the movement, the contributors offer fresh insights into the roles of media and communication in one of the most internationally prominent large-scale occupation campaigns in recent years. This book was originally published as a special issue of the Chinese Journal of

Scott Eldridge II, University of Groningen, Netherlands

Communication. Routledge Market: Digital Communication / Protest Movements November 2016: 246x174: 142pp Hb: 978-1-138-22309-7: £90.00 * For full contents and more information, visit: www.routledge.com/9781138223097

Interloper Media examines how new online actors are challenging the understanding of journalistic identity and traditional ideas of journalism’s role as ‘the fourth estate’. Exploring a range of online actors including Wikileaks, Anonymous and other online organisations and individuals engaging with and shaping the new news discourse, the book shows how these groups are transforming journalism as both media and profession, and are offering new ways of understanding journalism today. Scott Eldridge considers the disruptions that have been introduced to core considerations of journalism and expands on these to help develop new models of the media fit for the future. Routledge Market: Journalism/Media Studies August 2017: 234x156: 224pp Hb: 978-1-138-94544-9: £80.00 Pb: 978-1-138-94545-6: £26.99 eBook: 978-1-315-67141-3 * For full contents and more information, visit: www.routledge.com/9781138945456

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Misunderstanding the News Audience

Place, Space, and Mediated Communication

Angela Phillips and Eiri Elvestad Series: Communication and Society

Exploring Context Collapse

Misunderstanding the News Audience explores key myths around contemporary news audiences and the impact that technological and economic change has had on news consumption. Angela Phillips and Eiri Elvestad draw on a broad range of comparative research into audience engagement with news in different geographic regions to analyse the roles of news in society from different theoretical and global perspectives. Bridging the gap between audience studies and traditional analysis of journalism and democracy, the study questions how news media power structures are changing and whether this is a benefit or threat to audiences and to global political processes. Routledge Market: Journalism November 2017: 234x156: 224pp Hb: 978-1-138-21518-4: £85.00 Pb: 978-1-138-21519-1: £24.99 eBook: 978-1-315-44436-9 * For full contents and more information, visit: www.routledge.com/9781138215184

Edited by Carolyn Marvin and Hong Sun-Ha Series: Shaping Inquiry in Culture, Communication and Media Studies The term ‘context collapse’ is a broad perception of social disturbance that re-draws felt boundaries of experience and rearticulates what it means to occupy social places in the world. The essays collected here examine eight distinct contexts, an ensemble of overlapping boundaries and disciplinary interests that trace significant examples of past and present context collapse. These are focused on the city, and include architectural encounters juxtaposed with circulating images; online chats consorting with printed pamphlets and video games; and social media struggles with authority over control of material space. Private, public, and geopolitical space fissure and fuse in new ways. Routledge Market: Media and Communication Studies May 2017: 234x156: 184pp Hb: 978-1-138-22790-3: £99.00 Pb: 978-1-138-22792-7: £24.99 eBook: 978-1-315-39418-3 * For full contents and more information, visit: www.routledge.com/9781138227927

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8th Edition • TEXTBOOK • NEW EDITION

Political TV

Power Without Responsibility Chuck Tryon, Fayettville State University, USA Series: Routledge Television Guidebooks This book serves as an accessible critical introduction to the broad category of American political television content. Encompassing political news and scripted entertainment, Political TV addresses a range of formats, including interview/news programs, political satire, fake news, drama, and reality TV. From long-running programs like Meet the Press to more recent offerings including Veep The Daily Show House of Cards, Last Week Tonight, and Scandal, Tryon addresses ongoing debates about the role of television in representing issues and ideas relevant to American politics.

Routledge Market: Television Studies February 2016: 198x129: 212pp Hb: 978-1-138-83999-1: £95.00 Pb: 978-1-138-84000-3: £19.99 eBook: 978-1-315-73309-8 * For full contents and more information, visit: www.routledge.com/9781138840003

Press, Broadcasting and the Internet in Britain James Curran, Goldsmiths, University of London, UK and Jean Seaton, University of Westminster, UK Power Without Responsibility is a classic, authoritative, and engaged introduction to the history, sociology, theory and politics of media and communication studies. Hailed by the Times Higher as the 'seminal media text', and translated into Arabic, Chinese and other foreign languages, it is an essential guide for media students and critical media consumers alike. This eighth edition has been substantially revised to bring it right up-to-date with developments in the media industry, new media technologies and changes following the Leveson inquiry. Assessing the media at a time of profound change, the authors set out the democratic choices for media reform. Routledge Market: Media Studies and Journalism September 2017: 234x156: 438pp Hb: 978-0-415-70642-1: £85.00 Prev. Ed Hb: 978-0-415-46698-1 * For full contents and more information, visit: www.routledge.com/9780415706421

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Politics, Media and Democracy in Australia

Public Policies in Media and Information Literacy in Europe

Public and Producer Perceptions of the Political Public Sphere Brian McNair, Queensland University of Technology, Australia, Terry Flew, Queensland University of Technology, Australia, Stephen Harrington, Queensland University of Technology, Australia and Adam Swift, Queensland University of Technology, Australia Series: Routledge Research in Cultural and Media Studies In Australia, as in many comparable democracies, there is a perception of disillusionment with and disengagement from politics amongst voters, and criticism of the media for failing to fulfil their democratic responsibilities adequately. This book evaluates public perceptions of the performance of the political media. From there the authors suggest ways for political media to engage and inform their audiences to enhance the quality and popular legitimacy of the democratic process. These conclusions are of import not only to Australians, but to observers of mediated politics in the UK, the US and other countries where similar debates around the ‘crisis of public communication’ are on-going. Routledge Market: Media Studies/Political Communication/Journalism February 2017: 229 x 152: 216pp Hb: 978-1-138-77942-6: £85.00 eBook: 978-1-315-77131-1 * For full contents and more information, visit: www.routledge.com/9781138779426

Edited by Divina Frau-Meigs, Irma Velez and Julieta Flores Series: Routledge Studies in European Communication Research and Education This book offers the first analysis on public policies in Media, information and computer literacy in Europe. It assesses the available training in and resources for primary and secondary schools, the funding devoted to it, the participation of civil society and the means and measure to evaluate hese literacies across 29 countries. The chapters are representative of national and regional diversity within Europe, each one being written by three authors from different European countries in what is a truly collaborative project based on qualitative comparative analysis. Overall, the book offers a unique map of the actual media education policies that exist within Europe. Routledge Market: Education Policy / Media & Communication Studies May 2017: 234x156: 280pp Hb: 978-1-138-64436-6: £105.00 Pb: 978-1-138-64437-3: £24.99 eBook: 978-1-315-62885-1 * For full contents and more information, visit: www.routledge.com/9781138644373

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2nd Edition • TEXTBOOK • NEW EDITION

Popular Communication, Piracy and Social Change

Qualitative Research Methods for Media Studies

Edited by Jonas Andersson Schwarz and Patrick Burkart, Texas A&M University, College Station, TX, USA This edited volume brings together contemporary scholarship in communication and media studies, addressing piracy as a recombinant feature of popular communication, technological innovation, and communication law and policy. An international collection of contributors highlights key debates about piracy, popular communication, and social change, and provides a lasting resource for global media studies. This book was originally published as a special issue of Popular Communication.

Routledge Market: Sociology of Media / Communications / Piracy October 2016: 246x174: 108pp Hb: 978-1-138-20419-5: £90.00 * For full contents and more information, visit: www.routledge.com/9781138204195

Complimentary Exam Copy

e-Inspection

Bonnie S. Brennen, Marquette University, USA This book provides students and researchers with the tools they need to perform critically engaged, theoretically informed research using methods including focus groups, historical research, oral histories, ethnography and participant observation, and textual analysis. Each chapter features instructions that integrate theory with practice, as well as a case study demonstrating best practices for media scholars. Readers will also find discussions of the challenges and ethical issues that may confront researchers. This new edition includes new case studies and additional information about the way digital media and combining different methods can provide a greater depth of analysis. Routledge Market: Mass Communication / Media Studies August 2017: 229 x 152: 240pp Hb: 978-1-138-21921-2: £95.00 Pb: 978-1-138-21922-9: £39.99 eBook: 978-1-315-43597-8 Prev. Ed Pb: 978-0-415-89022-9 * For full contents and more information, visit: www.routledge.com/9781138219229

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Queer Technologies

Reality TV

Affordances, Affect, Ambivalence Edited by Katherine Sender, University of Michigan, Ann Arbor, MI, USA and Adrienne Shaw, Temple University, Philadelphia, PA, USA Queer Technologies: Affordances, Affect, Ambivalence presents new scholarship that addresses queer media and practices across a wide range of media, including television, music, zines, video games, mobile applications, and online spaces. Contributors engage with critical contemporary concepts such as counterpublics, affect, temporality, non-binary practices, queer technique, and transmediation to productively explore intersections among communication and media studies and cutting-edge queer and transgender theory. This book was originally published as a special issue of Critical Studies in Media Communication. Routledge Market: Media Studies / Queer Technology April 2017: 246x174: 150pp Hb: 978-0-415-78948-6: £90.00 * For full contents and more information, visit: www.routledge.com/9780415789486

Jon Kraszewski, Seton Hall University, USA Series: Routledge Television Guidebooks Watching reality television programs like The Real Housewives, Swamp People, or Survivor, it’s easy to see a world where place matters, whether it’s Beverly Hills or Borneo. As the latest installment in the Routledge Television Guidebook series, the Routledge Television Guidebook on Reality TV provides a history and overview of reality television in America through the lens of cultural geography. From Jersey Shore to Pawn Stars and Honey Boo Boo to Boston Rob, this guidebook not only offers new ways to think about issues of identity, cultural meaning, and social power within reality television, but also serves as an accessible text to walk students through a history of the genre. Routledge Market: Television Studies March 2017: 198x129: 256pp Hb: 978-0-415-74197-2: £85.00 Pb: 978-0-415-74198-9: £18.99 eBook: 978-1-315-81495-7 * For full contents and more information, visit: www.routledge.com/9780415741989

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Queercore

Reconceptualising Film Policies

Queer Punk Media Subculture

Edited by Nolwenn Mingant, Université de Nantes, France and Cecilia Tirtaine, Université Sorbonne Nouvelle - Paris 3, France Series: Routledge Studies in Media and Cultural Industries

Curran Nault, The University of Texas at Austin, USA Series: Routledge Research in Gender, Sexuality, and Media This book is a scholarly exploration of queercore, a transnational media subculture that stands in opposition to the homophobia of mainline punk and the sexual politics and assimilationist tendencies of dominant gay and lesbian society. Through archival research, interviews with queercore practitioners, semiotic and discursive textual analysis and contextualization within the broader fields of punk, queer and independent media studies, this book maintains that, through its films, fanzines, performances, art and music, queercore articulates and circulates a set of alternative identities, meanings and representations for queers to occupy and engage within social space. Routledge Market: Media Studies/Queer Studies April 2017: 229 x 152: 256pp Hb: 978-1-138-23060-6: £85.00 eBook: 978-1-315-31786-1 * For full contents and more information, visit: www.routledge.com/9781138230606

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Queered TV Ron Becker Series: Routledge Television Guidebooks This guidebook will provide a student-friendly overview of how the politics and affects of sexual identity are negotiated and experienced on and around television. Examining shows like Bewitched, Queer Eye for the Straight Guy, and Modern Family, it will help the reader understand the contingent and contested nature of sexual identities and their politics; the evolution of television’s role as a socio-cultural force; and the interconnected relationship between the television industry, representation, and identity/experience. Routledge Market: Television Studies July 2017: 229 x 152: 192pp Hb: 978-1-138-94612-5: £80.00 Pb: 978-1-138-94613-2: £21.99 eBook: 978-1-315-67100-0 * For full contents and more information, visit: www.routledge.com/9781138946132

This volume explores and interrogates the shifts and changes in both government and industry-based screen policies over the past 30 years. It covers a diverse range of film industries from different parts of the world, along with the interrelationship between different localities, policy regimes and technologies/media. Featuring in-depth case studies and interviews with practitioners and policy-makers, this book provides a timely overview of government and industry’s responses to the changing landscape of the production, distribution, and consumption of screen media. Routledge Market: Film Industry/Media Policy August 2017: 229 x 152: 312pp Hb: 978-1-138-72930-8: £105.00 eBook: 978-1-315-18993-2 * For full contents and more information, visit: www.routledge.com/9781138729308

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Revisiting Imaginary Worlds A Subcreation Studies Anthology Edited by Mark J.P. Wolf, Concordia University Wisconsin, USA The concept of world and the practice of world creation have been with us since antiquity, but they are now achieving unequalled prominence. In this timely anthology of subcreation studies an international roster of scholars examine the rise and structure of worlds, the practice of world-building, and the audience's reception of imaginary worlds. Including essays written by world-builders A.K. Dewdney and Alex McDowell and offering critical analyses of popular media such as Oz, Minecraft, Star Trek, and Battlestar Galactica, this book provides readers a broad and interdisciplinary overview of the issues and concepts involved in imaginary worlds across media platforms. Routledge Market: Media/Cultural Studies December 2016: 229 x 152: 376pp Hb: 978-1-138-94205-9: £105.00 eBook: 978-1-315-67336-3 * For full contents and more information, visit: www.routledge.com/9781138942059

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MEDIA AND COMMUNICATIONS STUDENT REFERENCE

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Rhetoric

Routledge Companion to Media and Humanitarian Action

The Basics Michael Burke, University College Roosevelt, The Netherlands Series: The Basics

Edited by Robin Andersen, Fordham University, USA and Purnaka L. de Silva

Rhetoric: The Basics is a concise introduction to the forms, theories and history of rhetoric. The book traces the development of rhetoric from ancient to modern times, all illustrated with contemporary examples drawn from politics to the courtroom to social media. This book: Explores the five canons of classical rhetoric: invention, arrangement, style, memory and delivery Discusses popular topics in contemporary rhetorical theory including audience, social change and public morality Considers the role of rhetoric in the 21st century Includes a range of global examples featuring China, the Near East and Africa as well as the US and Europe. Each chapter concludes with a set of writing exercises – a contemporary form of progymnasmata – and the book will feature both a glossary and a timeline to provide readers with a complete introduction to the history and theory of rhetoric.

We live in a moment of unprecedented humanitarian crises, and representations of global disasters are increasingly common media themes around the world. This book explores the interconnections between media and the humanitarian challenges that have come to define the twenty-first century. Media professionals and experts in humanitarian affairs grapple with what kinds of media language, discourse, terms and campaigns can offer enough context and background knowledge to inform global citizens. Case studies of media practices and evaluation of media coverage of emergencies and affairs offer insight into the ways in which strategic communications are implemented in humanitarian action. Routledge Market: Media Studies/Peace Studies May 2017: 246x174: 500pp Hb: 978-1-138-68857-5: £150.00 eBook: 978-1-315-53812-9 * For full contents and more information, visit: www.routledge.com/9781138688575

Routledge Market: Communication Studies August 2017: 198x129: 224pp Hb: 978-0-415-81029-6: £70.00 Pb: 978-0-415-81030-2: £14.99 eBook: 978-1-315-72638-0 * For full contents and more information, visit: www.routledge.com/9780415810302

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Role-playing Game Studies

Science Journalism

A Transmedial Approach

An Introduction

Edited by Sebastian Deterding, Northeastern University, USA and José Zagal, University of Utah, USA

Martin W Angler

This collection offers readers a comprehensive, multidisciplinary and international examination of roleplaying games. Tracing the history of the genre from its origins in games like Dungeons & Dragons all the way up to franchises like World of Warcraft, chapters analyse the cultural impact of roleplaying games and their intersection with myriad issues. Contributors draw from a range of perspectives including performance studies, sociology, literary studies, and game design. Each chapter includes key terms, sidebars with additional content, and recommended readings to help both students and postgraduates new to roleplaying games get the full scope of this interdisciplinary field. Routledge Market: Game Studies August 2017: 254 x 178: 416pp Hb: 978-1-138-63890-7: £140.00 eBook: 978-1-315-63753-2 * For full contents and more information, visit: www.routledge.com/9781138638907

Science Journalism: An Introduction gives a complete picture of science journalism practice by following professional principles. Written by a working science and technology journalist, the book presents a broad range of illuminating case studies on contemporary issues in the field alongside interviews with top science journalists and key academic experts. Chapters examine different essential areas of science journalism practice including finding story ideas, interviewing scientists and producing science journalism for print and online platforms. Routledge Market: Journalism/Communications June 2017: 234x156: 296pp Hb: 978-1-138-94549-4: £80.00 Pb: 978-1-138-94550-0: £29.99 * For full contents and more information, visit: www.routledge.com/9781138945500

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Routledge Companion to Disability and Media

Screen Comedy and Online Audiences

Edited by Katie Ellis, Gerard Goggin, University of Sydney, Australia and Beth Haller, Towson University, USA

Inger-Lise Kalviknes Bore, Birmingham City University, UK Series: Routledge Research in Cultural and Media Studies

The media help shape a range of economic, political, social, cultural, technological and attitudinal issues related to disability, and yet to date, there has not been a single definitive resource for those looking to examine the intersection of disability and media. International in scope, this new companion hopes to fill that gap. A range of leading scholars and practitioners with expertise in disability studies and media offer students and scholars alike a comprehensive survey the state of the discipline, including established research (for instance, in relation to access, and to representation of disability in the press), as well as emerging and cutting edge areas (especially social, mobile, and digital media, as well as the Internet).

This book explores how we evaluate screen comedy, examining the criteria we use to judge comedy films and TV shows and what those judgments have to do with our social and cultural backgrounds or wider cultural ideas about film, TV, comedy, quality and entertainment. Through a study of audience responses posted online in places such as Twitter, Facebook, review sites, blogs and message boards, Bore considers a broad range of issues, including perceptions and evaluations of "national" comedy, female comedians, romcoms, sitcoms and web comedy.

Routledge Market: Media Studies/Disability Studies August 2017: 229 x 152: 600pp Hb: 978-1-138-88458-8: £165.00 eBook: 978-1-315-71600-8 * For full contents and more information, visit: www.routledge.com/9781138884588

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Routledge Market: Media Studies/Film/TV/New Media July 2017: 229 x 152: 208pp Hb: 978-1-138-78066-8: £105.00 eBook: 978-1-315-77057-4 * For full contents and more information, visit: www.routledge.com/9781138780668

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MEDIA AND COMMUNICATIONS 2nd Edition • TEXTBOOK • NEW EDITION

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Social Media Communication

Teaching First-Year Communication Courses

Concepts, Practices, Data, Law and Ethics

Paradigms and innovations

Jeremy Harris Lipschultz, University of Nebraska at Omaha, USA In this book, Lipschultz presents a wide-scale, interdisciplinary analysis and guide to social media. Examining platforms such as Twitter, Facebook, LinkedIn, Pinterest, YouTube and Vine, the book explores and analyzes journalism, broadcasting, public relations, advertising and marketing. Featuring contemporary case studies, essays from some of the industry's leading social media innovators, and a comprehensive glossary, this practical, multipurpose textbook gives readers the resources they'll need to both evaluate and utilize current and future forms of social media. Routledge Market: Social Media July 2017: 235 x 187: 268pp Hb: 978-1-138-22976-1: £95.00 Pb: 978-1-138-22977-8: £39.99 eBook: 978-1-315-38814-4 Prev. Ed Pb: 978-1-138-77645-6 * For full contents and more information, visit: www.routledge.com/9781138229778

Edited by Pat J. Gehrke, University of South Carolina, Columbia, SC, USA In this book eleven teacher-scholars of communication provide a robust study of the challenges and opportunities facing first-year communication courses. Divided evenly into paradigmatic analyses and discussions of innovative classroom practices, it offers teachers of communication ways to navigate the often complex ecology of first-year courses while embracing robust and novel teaching methods. This book was originally published as a special issue of the Review of Communication. Routledge Market: Communication Studies / Higher Education February 2017: 246x174: 174pp Hb: 978-1-138-28056-4: £90.00 * For full contents and more information, visit: www.routledge.com/9781138280564

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Sports Television

Technologies of Consumer Labor

Victoria E. Johnson Series: Routledge Television Guidebooks

A History of Self-Service

Readers of the Routledge Television Guidebook on Sport will be introduced to the history of sport television in the United States, the genre's definition, and its critical significance for the business practices, formal properties, and social, cultural, and political meanings of the medium. Each chapter includes a case-study that applies critical analysis to sport television in reader-friendly and familiar, broadly-relatable examples, giving readers models by which to engage in their own critical readings as applied to other sites of sport TV and sport culture. Routledge Market: Television Studies September 2017: 198x129: 192pp Hb: 978-0-415-72293-3: £85.00 Pb: 978-0-415-72294-0: £18.99 eBook: 978-1-315-85799-2 * For full contents and more information, visit: www.routledge.com/9780415722940

Michael Palm, University of North Carollina Chapel Hill, USA Series: Routledge Research in Cultural and Media Studies This bookdocuments and examines the history of technology used by consumers to serve oneself. Throughout the book Palm employs a combination of historical, political-economic and cultural analysis to describe how the telephone keypad was absorbed into business models across media, retail and financial industries, as the interface on everyday machines including the ATM, cell phone and debit card reader. He argues that the naturalization of self-service telephony shaped consumers’ attitudes and expectations about digital technology. Routledge Market: Media History/Media Technology November 2016: 229 x 152: 174pp Hb: 978-1-138-18647-7: £85.00 eBook: 978-1-315-64383-0 * For full contents and more information, visit: www.routledge.com/9781138186477

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Subjectivity across Media

Television and Serial Adaptation

Interdisciplinary and Transmedial Perspectives Edited by Maike Sarah Reinerth, University of Hamburg, Germany and Jan-Noël Thon, University of Tübingen, Germany Series: Routledge Research in Cultural and Media Studies This edited collection examines the transmedial as well as the medium-specific strategies employed by the verbal representations characteristic for literary texts, the verbal-pictorial representations characteristic for comics, the audiovisual representations characteristic for films, and the interactive representations characteristic for video games. Combining theoretical perspectives from analytic philosophy, cognitive theory, and narratology with approaches from phenomenology, psychosemiotics, and social semiotics, the contributions collected in this volume provide a state-of-the-art map of current research on a wide variety of ways in which subjectivity can be represented across conventionally distinct media. Routledge Market: Media Studies/Film Studies/Literature October 2016: 229 x 152: 244pp Hb: 978-1-138-18675-0: £85.00 eBook: 978-1-315-64362-5 * For full contents and more information, visit: www.routledge.com/9781138186750

Shannon Wells-Lassagne, University of South Britanny, France Series: Routledge Advances in Television Studies While film has long acknowledged its tendency to adapt, an ability that contributed to its status as narrative art (capable of translating canonical texts onto the screen), television adaptations have seemingly been relegated to the miniseries or classic serial. From remakes and reboots to transmedia storytelling, loose adaptations or adaptations which last but a single episode, the recycling of pre-existing narrative is a practice that is just as common in television as in film, and this text seeks to rectify that oversight, examining series from M*A*S*H to Game of Thrones, Pride and Prejudice to Castle. Routledge Market: Media Studies/Television Studies January 2017: 229 x 152: 232pp Hb: 978-1-138-69635-8: £85.00 eBook: 978-1-315-52453-5 * For full contents and more information, visit: www.routledge.com/9781138696358

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Television for Women

TEXTBOOK

New Directions

The Craft of Media Criticism Edited by Rachel Moseley, University of Warwick, UK, Helen Wheatley, University of Warwick, UK and Helen Wood, University of Leicester, UK

Television for Women is a timely intervention into the broader analysis of television across genre, across time, and from a range of international perspectives. The book opens with a Preface from Charlotte Brunsdon, a leading figure in feminist television studies, followed by an introduction by the editors explaining the continued salience of critical analysis of gendered television and its relationship to the formulations of television and women and also television by women. Bringing together established and emergent scholars the collection re-invigorates the field of feminist television studies by placing the question of television’s address to women at the heart of all its contributions. Routledge Market: Television Studies November 2016: 234x156: 266pp Hb: 978-1-138-91428-5: £99.00 Pb: 978-1-138-91429-2: £31.99 eBook: 978-1-315-69089-6 * For full contents and more information, visit: www.routledge.com/9781138914292

Critical Media Studies in Practice Edited by Mary Celeste Kearney, University of Notre Dame, USA and Michael Kackman The Craft of Media Criticism provides students and scholars a definitive overview of the main methodologies that make up critical media studies. Written by leading scholars in media studies, chapters address methods including various forms of textual analysis, as well as reception studies, production studies, and contextual, multi-method approaches. Together, the chapters in this comprehensive text provide would-be media critics with a tool box of must-know critical media studies methodologies. Routledge Market: Media/Cultural Studies June 2017: 254 x 178: 400pp Hb: 978-0-415-71629-1: £95.00 Pb: 978-0-415-71630-7: £31.99 eBook: 978-1-315-87997-0 * For full contents and more information, visit: www.routledge.com/9780415716307

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Television Music

The Discourse of Financial Crisis and Austerity

Norma Coates, University of Western Ontario, Cananda Series: Routledge Television Guidebooks

Critical analyses of business and economics across disciplines

This Routledge Television Guidebook on Television Music provides a comprehensive overview of the engagement between music and television since the inception of network television broadcasting in the United States in the late 1940s. In this book, Norma Coates presents a "how-to" guide, providing examples and case studies of many approaches to making sense of how music functions on television. With case studies of popular shows like American Idol and Glee, this Television Guidebook aims to help students explore and understand how music contributes to television style, narrative, genre, and history. Routledge Market: Television Studies August 2017: 198x129: 192pp Hb: 978-0-415-70471-7: £85.00 Pb: 978-0-415-70472-4: £18.99 eBook: 978-0-203-76184-7 * For full contents and more information, visit: www.routledge.com/9780415704724

Edited by Darren Kelsey, Newcastle University, UK, Frank Mueller, Newcastle University, UK, Andrea Whittle, Newcastle University, UK and Majid KhosraviNik, Newcastle University, UK This book demonstrates the importance of understanding how political rhetoric, financial reporting and media coverage of austerity in transnational contexts is significant to the communicative, social and economic environments in which we live. Critical analyses of discourse, power and language in social contexts provide a collaborative contribution to the field of critical discourse studies. This book was originally published as a special issue of Critical Discourse Studies. Routledge Market: Discourse Analysis / Financial Crisis January 2017: 246x174: 148pp Hb: 978-1-138-28097-7: £90.00 * For full contents and more information, visit: www.routledge.com/9781138280977

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The (de)Evolution of Black Women in Television

The Routledge Companion to Asian American Media Edited by Lori Kido Lopez, University of Wisconsin, USA and Vincent Pham, California State University, San Marcos, USA

Mammies, Matriarchs and Mistresses Imani M. Cheers, The George Washington University, USA Series: Routledge Focus on Television Studies This book interrogates the representation of Black women in television. Cheers explores how the increase of Black women in media ownership and creative executive roles (producers, showrunners, directors and writers) in the last 30 years affected the cultural shift in Black women’s representation on television, which in turn parallels the political, social, economic, and cultural advancements of Black women in America. She also examines Black women as a diverse television audience, discussing how they interact and respond to the constantly evolving television representation of their image and likeness, looking specifically at how social media is used as a tool of audience engagement. Routledge Market: Television Studies/Women's Studies/Race July 2017: 216 x 140: 128pp Hb: 978-1-138-20164-4: £45.00 eBook: 978-1-315-51125-2 * For full contents and more information, visit: www.routledge.com/9781138201644

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This book offers readers a comprehensive examination of the way that Asian Americans have engaged with media, from the long history of Asian American actors and stories that have been featured in mainstream film and television, to the birth and development of a distinctly Asian American cinema, to the ever-shifting frontiers of Asian American digital media. Special focus is placed on new approaches to the study of Asian American media including explorations of transnational and diasporic media, studies of intersectional identities encompassed by queer or mixed race Asian Americans, and examinations of new media practices that challenge notions of representation, participation, and community. Routledge Market: Media Studies March 2017: 246x174: 288pp Hb: 978-1-138-84601-2: £150.00 eBook: 978-1-315-72774-5 * For full contents and more information, visit: www.routledge.com/9781138846012

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The Routledge Companion to Global Internet Histories

The Routledge Companion to Media and Human Rights

Edited by Gerard Goggin, University of Sydney, Australia and Mark McLelland The Routledge Companion to Global Internet Histories brings together research on local and international internet histories that have evolved in different regions, language cultures and social contexts across the globe. The emphasis of this volume is on understanding and formulating internet histories outside of the Anglophone case studies and theoretical paradigms that have so far dominated academic scholarship on internet history. The collection offers a variety of historical lenses on the development of the internet as a new communications technology, as a new form of sociality, and as a new media ‘vehicle’ for the communication of content. Routledge Market: Internet Studies February 2017: 246x174: 560pp Hb: 978-1-138-81216-1: £150.00 eBook: 978-1-315-74896-2 * For full contents and more information, visit: www.routledge.com/9781138812161

Edited by Howard Tumber, City University London, UK and Silvio Waisbord, George Washington University, USA The Companion is the first collection to bring together two distinct ways of thinking about human rights and media: scholarship examining media as a human right and essays examining media coverage of human rights issues. This international collection thus provides a unique overview of current research in the field, while providing sufficient historical context to help students and scholars appreciate how such developments depart from past practices. Encompassing Communication, Journalism, Law, Human Rights, Sociology, Cultural studies, International Politics, and Criminology, the volume will be of great benefit to undergraduate and postgraduate students pursuing degrees in these disciplines. Routledge Market: Media Studies May 2017: 246x174 Hb: 978-1-138-66554-5: £165.00 eBook: 978-1-315-61983-5 * For full contents and more information, visit: www.routledge.com/9781138665545

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The Routledge Companion to Imaginary Worlds

The Routledge Companion to Media Studies and Digital Humanities

Edited by Mark J.P. Wolf, Concordia University Wisconsin, USA Series: Routledge Companions

Edited by Jentery Sayers

This companion provides a definitive and cutting-edge guide to the study of imaginary and virtual worlds across a range of media including literature, television, film, and games. From the Star Trek universe, Thomas More’s classic Utopia, and J. R. R. Tolkien’s Arda,to elaborate, user-created gameworlds like Minecraft, contributors present interdisciplinary perspectives on authorship, world structure/design, and narrative. The Routledge Companion to Imaginary Worlds offers new approaches to imaginary worlds both as an art form and cultural phenomenon, explorations of the technical and creative dimensions of world-building, and studies of specific worlds and world-builders.

This new companion examines the intersections of media studies and digital humanities. Although these two fields are both well established, their overlaps have not been examined in depth. This comprehensive collection fills that gap, giving students, scholars, and media studies practitioners a cutting-edge guide to understanding the array of methodologies and projects operating at the intersection of digital humanities, computing, and culture. Topics covered include: networks; interfaces; media and culture at scale; procedures, programming, code; memory, digitization, and new media; and hacking, queering, and bending.

Routledge Market: Media/Cultural Studies December 2017: 254 x 178: 512pp Hb: 978-1-138-63891-4: £125.00 eBook: 978-1-315-63752-5 * For full contents and more information, visit: www.routledge.com/9781138638914

Routledge Market: Media/Cultural Studies May 2017: 254 x 178: 600pp Hb: 978-1-138-84430-8: £130.00 eBook: 978-1-315-73047-9 * For full contents and more information, visit: www.routledge.com/9781138844308

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The Routledge Companion to Labor and Media

The Routledge Companion to Media Technology and Obsolescence

Edited by Richard Maxwell, Queens College, CUNY, USA Series: Routledge Companions Labor resides at the center of all media and communication production, from the workers who create the information technologies that form the dynamic core of the global capitalist system to the salvage workers who dismantle the industry’s high-tech trash. The Routledge Companion to Labor and Media is the first book to bring together representative research from the diverse body of scholarly work surrounding this often fragmentary field, and seeks to provide a comprehensive resource for the study and teaching of media and labor. Essays examine work on the mostly unglamorous side of media and cultural production, technology manufacture, and every occupation in between. Routledge Market: Media/Cultural Studies February 2017: 254 x 178 Hb: 978-0-415-83744-6: £158.00 Pb: 978-1-138-73177-6: £39.99 eBook: 978-0-203-40411-9 * For full contents and more information, visit: www.routledge.com/9781138731776

Edited by Mark J.P. Wolf, Concordia University Wisconsin, USA While so many books on technology look at new advances and digital technologies, the Routledge Companion to Obsolete and Vanishing Media Technology looks back at analog technologies that are disappearing, considering their demise and what it says about media history, pop culture, and the nature of nostalgia. From card catalogs and typewriters to stock tickers and cathode ray tubes, contributors examine the legacy of analog technologies, including those, like vinyl records, that may be experiencing a resurgency. Each essay includes a brief history of the technology leading up to its peak, an analysis of the reasons for its decline, and a discussion of its influence on newer technologies. Routledge Market: Media/Cultural Studies October 2017: 246x174: 400pp Hb: 978-1-138-21626-6: £165.00 eBook: 978-1-315-44268-6 * For full contents and more information, visit: www.routledge.com/9781138216266

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TEXTBOOK

The Routledge Companion to Media, Sex and Sexuality

Videogames Go to the Movies

Edited by Feona Attwood, Danielle Egan, Brian Mc Nair and Clarissa Smith

Videogames Go to the Movies explores the impact of videogames on cinema--and cinema on videogames--from the early 1980s to the present. Chapters consider: the mediums' mutual framing of each other case studies of adaptation in both directions the flows and functions of contemporary transmedia entertainment experimentation and hybridization at the mediums' boundaries the fundamental transformations of fandom, production toosl, and resulting media forms that promise to shape the videogame-cinema relationship in the future.

The Routledge Companion to Media, Sex and Sexuality identifies and engages with a series of issues, ideas and themes currently shaping the field of media and sexuality studies and activism from a broad range of conceptual and methodological approaches drawn from research around the world. One of the central aims of this volume is to reinvigorate debates around media, sex and sexuality in order to draw on advances in studies of pornography and other sexually explicit media, online sexual cultures and their intersections with the spaces and places of media considered mainstream.

Bob Rehak

Routledge Market: Media Studies, Gender Studies August 2017: 246x174: 496pp Hb: 978-1-138-77721-7: £150.00 * For full contents and more information, visit: www.routledge.com/9781138777217

Routledge Market: Videogame Studies/Film Studies December 2017: 229 x 152: 244pp Hb: 978-0-415-83623-4: £90.00 Pb: 978-0-415-83624-1: £26.99 eBook: 978-0-203-36194-8 * For full contents and more information, visit: www.routledge.com/9780415836241

TEXTBOOK

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The Videogames Handbook

Videogames, Identity, and Digital Subjectivity

James Newman, Bath Spa University, UK and Iain Simons Series: Media Practice Featuring contributions from leading figures in the videogames industry including the international games scholar Henry Jenkins, Simon and Andrew Oliver, directors of Blitz Games; and writer and broadcaster Aleks Krotoski; this book surveys both the theory and practice of this fast-growing, yet relatively new disciplinary area. Mapping the commercial process of videogame production from pre-production to games journalism, David Surman demystifies the language of technical production processes by offering the reader a review of key production roles, along with the skills required to fulfil them. Focusing on the distribution and reception of videogames as a cultural form, as well as offering broader perspectives on issues such as the place of games in education and domestic technology, Surman examines the critical perspectives that have emerged in the academic community.

Rob Gallagher, King's College London, UK Series: Routledge Advances in Game Studies This book argues that games offer a means of coming to terms with a world that is being transformed by digital technologies. As blends of software and fiction, videogames are uniquely capable of representing and exploring the effects of digitization on day-to-day life. By modeling and incorporating new technologies (from artificial intelligence routines and data mining techniques to augmented reality interfaces), and by dramatizing the implications of these technologies for understandings of identity, nationality, sexuality, health and work, games encourage us to playfully engage with these issues in ways that traditional media cannot. Routledge Market: Game Studie/Media Studies August 2017: 229 x 152: 208pp Hb: 978-1-138-22898-6: £105.00 eBook: 978-1-315-39094-9 * For full contents and more information, visit: www.routledge.com/9781138228986

Routledge Market: Media Studies January 2017: 234x156: 208pp Hb: 978-0-415-38327-1: £75.00 Pb: 978-0-415-38353-0: £24.99 * For full contents and more information, visit: www.routledge.com/9780415383530

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Video Games and the Law Elizabeth Townsend Gard and W Ronald Gard Consider any popular video game today and you most likely are looking at a franchise that includes not only the game itself and all of its variants but also toys, books, movies, and more, with legions of fans that interact with the industry in myriad ways. Surveying the legal landscape of this emergent industry, Ron Gard and Elizabeth Townsend-Gard shed light on the many important topics where law is playing an important role. In examining these issues, Video Games and the Law is both a legal as well as a cultural look at the development of the video game industry and the role that law has played so far in this industry’s ability to thrive and grow. Routledge Market: Video Games January 2017: 216x138: 94pp Hb: 978-1-138-63076-5: £45.00 eBook: 978-1-315-20921-0 * For full contents and more information, visit: www.routledge.com/9781138630765

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Affective Sexual Pedagogies in Film and Television

Neoliberalism

Kyra Clarke, The University of Wetern Australia Series: Routledge Research in Cultural and Media Studies

Julie Wilson, Allegheny College, USA Series: Key Ideas in Media & Cultural Studies

Popular film and television hold valuable potential for learning about sex and sexuality beyond the information-based model of sex education currently in schools. This book argues that the representation of complicated—or "messy"—relationships in these popular cultural forms makes them potent as affective pedagogical moments. It endeavours to develop new sexual literacies by contemplating how pedagogical moments, that is, fleeting moments which disrupt expectations or create discomfort, might enrich the available discourses of sexuality and gender, especially those available to adolescents.

While neoliberalism has become somewhat of an academic buzzword in recent years, this book offers a rich and multilayered introduction to what is arguably the most pressing issue of our times. Engaging with prominent scholarship in media and cultural studies, as well as geography, sociology, anthropology, and political theory, Wilson pushes against easy understandings of neoliberalism as market fundamentalism, rampant consumerism, and/or hyper-individualism. Instead, Wilson invites readers to interrogate neoliberalism in true cultural studies fashion, at once as history, theory, practice, policy, culture, identity, politics, and lived experience. Indeed, the book’s primary aim is to introduce neoliberalism in all of its social complexity, so that readers can see how neoliberalism shapes their own lives, as well as our political horizons, and thereby start to imagine and build alternative worlds.

Routledge Market: Film Studies/Television Studies/Sexuality March 2017: 229 x 152: 248pp Hb: 978-1-138-12049-5: £85.00 eBook: 978-1-315-65168-2 * For full contents and more information, visit: www.routledge.com/9781138120495

Routledge Market: Media/Cultural Studies August 2017: 198x129: 208pp Hb: 978-1-138-65462-4: £85.00 Pb: 978-1-138-65463-1: £24.99 eBook: 978-1-315-62308-5 * For full contents and more information, visit: www.routledge.com/9781138654631

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Identity in Animation

The Routledge Companion to Latina/o Media

A Journey into Self, Difference, Culture and the Body Jane Batkin, University of Lincoln, UK Identity in Animation uncovers the meaning behind some of the most influential characters in the history of animation and questions their unique and often repressed sense of who they are. Identity is at the heart of animation, yet it is often lost. This book illustrates stereotypes within American, European and Eastern animation and seeks to understand the meaning behind some of the most renowned characters, their identity and their humour. Betty Boop’s iconic stature and Warner Bros' anarchic characters will be discussed. Disney and its blurred notion of identity, the sense of ‘self’ as Northern working class hero, driven by Aardman and the strong gender tropes of Miyazaki. Routledge Market: Media Studies February 2017: 234x156: 182pp Hb: 978-1-138-84977-8: £85.00 Pb: 978-1-138-84978-5: £26.99 eBook: 978-1-315-72521-5 * For full contents and more information, visit: www.routledge.com/9781138849785

Edited by Maria Elena Cepeda, Williams College, USA and Dolores Inés Casillas Series: Routledge Companions The Routledge Companion to Latina/o Media provides an indispensable overview of the domestic and transnational dynamics at play within multi-lingual Latina/o media. The book examines both independent and mainstream media via race and gender in its theoretical and empirical engagement with questions of production, access, policy, representation, and consumption. Contributions consider a range of media formats including television, radio, film, print media, music video and social media, with attention to understudied fields such as audience and production studies. Routledge Market: Media/Cultural Studies September 2016: 246x174: 442pp Hb: 978-0-415-71779-3: £150.00 eBook: 978-1-315-85800-5 * For full contents and more information, visit: www.routledge.com/9780415717793

3rd Edition • TEXTBOOK • NEW EDITION

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Interviewing for Journalists

The Routledge Companion to Media and Race

Emma Lee-Potter Series: Media Skills Despite the vast changes impacting on contemporary journalism, good interviewing remains a vital skill for all seeking to produce news and features in any format. The new edition of Interviewing for Journalists explores how to interview across a range of different methods, including face-to-face, telephone and online, and interrogates the whole process, from how to prepare and the secrets of good interview technique, through to managing difficult interviews and the handling of post-interview tasks. The book also presents an exploration of key legal and ethical issues specific to undertaking and using interviews, and illustrates the use and abuse of new technologies in the interview process. Routledge Market: Journalism, Media and Communication May 2017: 234x156: 200pp Hb: 978-1-138-65022-0: £85.00 Pb: 978-1-138-65023-7: £21.99 eBook: 978-1-315-62548-5 Prev. Ed Pb: 978-0-415-47775-8 * For full contents and more information, visit: www.routledge.com/9781138650237

Edited by Christopher P. Campbell, University of Southern Mississippi, USA Series: Routledge Companions The Routledge Companion to Race and Media serves as a comprehensive guide for scholars, students, and media professionals who seek to understand the key debates about the impact of media messages on racial attitudes and understanding. Richly presented from a diversity of perspectives, the book explores a range of theoretical approaches to race and media and reviews studies in film, television, print media, social media, music, video games, and more. Finally, contributors present a broad summary of media issues related to specific races and ethnicities, and the relationship connecting the study of race to the study of gender and sexuality. Routledge Market: Media/Cultural Studies November 2016: 246x174: 326pp Hb: 978-1-138-02072-6: £150.00 eBook: 978-1-315-77822-8 * For full contents and more information, visit: www.routledge.com/9781138020726

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MEDIA AND FILM STUDIES 2nd Edition • TEXTBOOK • NEW EDITION

Youth Culture and the Media Global Perspectives Bill Osgerby, London Metropolitan University, UK This introductory text traces the development of contemporary youth culture and its relationship with the media. From the days of diners, drive-ins and jukeboxes, to today's world of iPads and Twitter, Bill Osgerby examines youth media in its economic, cultural and political contexts. Analyzing the nature of different forms of communication as well as reviewing their production and consumption, this is an essential introduction to this key area in communication and cultural studies. This second edition has been updated to include coverage of social media, smart phones, current internet usage, tablet computers and new forms of accessing culture such as Spotify, YouTube, Facebook and Twitter. Routledge Market: Media and Communication Studies July 2017: 234x156: 304pp Hb: 978-0-415-62165-6: £70.00 Pb: 978-0-415-62166-3: £24.99 Prev. Ed Pb: 978-0-415-23808-3 * For full contents and more information, visit: www.routledge.com/9780415621663

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INDEX BY TITLE "Serial" Podcast and Storytelling in the Digital Age, The .............................................................................................. 4 (de)Evolution of Black Women in Television, The ............................................................................................ 39 (Mis)Understanding Political Participation ............ 27

A Active Audiences ................................................................ 13 Advertising Handbook, The ........................................... 24 Aesthetics and Affects of Cuteness, The ...................... 7 Affective Sexual Pedagogies in Film and Television ............................................................................... 42 Applied Media Studies ..................................................... 27 Appreciating the Art of Television ............................... 27 Art of Editing in the Age of Convergence, The ............................................................................................ 24 Arts Reviewing ..................................................................... 27

B Becoming-Social in a Networked Age ......................... 3 Between the Public and Private in Mobile Communication ................................................................... 3 Big Data in Small Slices ................................................... 20 Breaking Bread .................................................................... 10 Broadcast News and Writing Stylebook ................... 20 Broadcast News Writing, Reporting, and Producing .............................................................................. 20

C Camera-Eye Metaphor in Cinema, The .................... 17 Celebrity .................................................................................... 7 Changing Media, Homes and Households ............. 28 Children and Media in India .......................................... 28 Children, Adolescents, and Media .............................. 28 Children, Media, and American History ................... 28 China's Media Go Global ................................................ 28 Cinema Studies: The Key Concepts ............................. 15 Cinema, Avant-garde, and Urban Modernity .............................................................................. 15 Cinematic Eighteenth Century, The ........................... 17 Climate and Sustainability Communication .......... 28 Climate Change and Popular Culture ......................... 7 Comic Books Go to the Movies ....................................... 7 Comic Performativities .................................................... 29 Community Filmmaking ................................................ 29 Comparative Media Law and Ethics ......................... 20 Contemporary BRICS Journalism ................................ 20 Contemporary Investigative Journalism ................. 21 Contemporary Visual Culture and the Sublime ..................................................................................... 2 Craft of Media Criticism, The ......................................... 39 Creative Underground, The .............................................. 2 Creativity in the British Television Comedy Industry ................................................................................... 29 Cultural Feelings ................................................................... 2 Cultural Journalism and Cultural Critique in the Media ...................................................................................... 21 Cultural Policy ..................................................................... 11 Culture Wars ......................................................................... 29

D Dark Side of Camp Aesthetics, The ................................ 6 Developing News ............................................................... 21 Digital Environments ....................................................... 29 Digital Feminisms ................................................................. 6 Digital Memory Studies ................................................... 29 Discourse of Financial Crisis and Austerity, The ............................................................................................ 39

Drones and Journalism ................................................... 30

Journalistic Role Performance ...................................... 23

E

K

Entertainment Journalism ............................................. 13 Entrepreneurial Journalism ........................................... 21 Ethics, Justice, Embodiment, and Global Film .......................................................................................... 15 European Art Cinema ....................................................... 15 Evaluating Public Communication ........................... 30 Everyday Media Culture in Africa ................................ 30 Evolution of the Image, The ............................................. 4 Experiencing Public Relations ....................................... 21 Explorations in Critical Studies of Advertising ............................................................................ 30

Knapp: Clint Eastwood (4-vol. set) .............................. 16

F Fans and Videogames ..................................................... 30 Fashion and Masculinity in Popular Culture ........... 11 Feature Writing for Journalists ..................................... 21 Film and Religion ............................................................... 15 Film Text Analysis ............................................................... 15 Film Theories and Philosophies of Colour ............... 16 Food TV ................................................................................... 30 Foundations of Mobile Media Studies ......................... 3 Future Journalism .............................................................. 22

G Gay Men, Identity, and Social Media ............................ 3 Gender, Heteronormativity and the American Presidency ................................................................................ 6 Geomedia Studies .............................................................. 31 Gesture and Film ................................................................ 16 Girlhood on Disney Channel ......................................... 31 Global Games ...................................................................... 31 Global Media ....................................................................... 31 Global Media Giants ......................................................... 31 Global Perspectives on Intercultural Communication ................................................................. 31 Great War and the Moving Image, The .................... 17

H Historicising Transmedia Storytelling ....................... 32 History of Digital Media ..................................................... 3 Home Discontents ............................................................. 11 Homegrown ......................................................................... 10 How to Report Economic News ................................... 22 Hyperlocal Journalism ..................................................... 22

I Identity and Play in Interactive Digital Media ...................................................................................... 32 Identity in Animation ....................................................... 42 Immigrants and Comics .................................................... 7 Inside the Video Game Industry ................................... 32 Intersecting Art and Technology in Practice ............. 3 Interviewing for Journalists ........................................... 42 Introduction to Political Communication, An .............................................................................................. 27 Iraq War in Documentary Film, The ........................... 18

J Journalism and Climate Crisis ...................................... 22 Journalism, Democracy and Civil Society in India ......................................................................................... 22 Journalism, Online Comments, and the Future of Public Discourse .................................................................. 22

L Latin American Cultural Studies: A Reader ............. 11 Lean Newsroom, The ........................................................ 25 Level Media Studies for Students and Teachers, A ................................................................................................. 27 LGBTQ Youth and the Paradox of Digital Media Empowerment ....................................................................... 4 LGBTQs, Media and Culture in Europe ...................... 32 Lifestyle Media and Gender in American Culture .................................................................................... 32 Lifestyle TV ............................................................................. 32 Light Touches ...................................................................... 11

M Magazine Production ...................................................... 23 Marginal Production Cultures ...................................... 33 Masterful Stories ................................................................. 13 Materializing Memory in Art and Popular Culture ....................................................................................... 2 Matrix Activism ................................................................... 33 Media Generations ............................................................ 33 Media Ownership and Agenda Control ................... 33 Media Practices, Social Movements, and Performativity ...................................................................... 33 Media Representations of Anti-Austerity Protests in the EU ...................................................................................... 33 Media Today ........................................................................ 34 Media, Mobilization and the Umbrella Movement ............................................................................. 34 Misunderstanding the News Audience .................... 34 Modern Superhero in Film and Television, The ............................................................................................ 18

N Narratology of Comic Art, The ........................................ 8 National Association of Broadcasters Engineering Handbook ............................................................................. 13 Neoliberalism ....................................................................... 42 New Feminisms in South Asia ......................................... 6 New Perspectives on the Social Aspects of Digital Gaming .................................................................................. 34 New Television Handbook, The .................................... 14 New Woman's Film, The ................................................. 18 Nostalgic Sublime and the Role of Terror in Contemporary Culture, The ........................................... 11

O Online Activism in Latin America .................................. 4 Online Journalism from the Periphery ...................... 34 Online Journalism Handbook, The ............................ 25 Open Space New Media Documentary .................... 16

P Peace Journalism Principles and Practices ............. 23 Performativity of Digital Activism, The ........................ 5 Personal Branding for Entrepreneurial Journalists and Creative Professionals ...................................................... 23 Photojournalism and Citizen Journalism ................ 23 Place, Space, and Mediated Communication ................................................................. 34

Political TV ............................................................................. 35 Politics, Media and Democracy in Australia ........... 35 Popular Communication, Piracy and Social Change ................................................................................... 35 Popular Culture and the Austerity Myth ..................... 7 Popular Music, Cultural Memory and Heritage .................................................................................... 9 Popular Music: The Key Concepts .................................. 9 Power Without Responsibility ....................................... 35 Practical Guide to Graphics Reporting, A ................ 20 Public Policies in Media and Information Literacy in Europe ..................................................................................... 35 Public Relations Strategic Toolkit, The ...................... 25

Q Qualitative Research Methods for Media Studies .................................................................................... Queer Technologies .......................................................... Queercore .............................................................................. Queered TV ............................................................................

35 36 36 36

R Race, News, and the City ................................................. 23 Reality TV ............................................................................... 36 Reconceptualising Film Policies ................................... 36 Rediscovering U.S. Newsfilm ......................................... 16 Reporting from the Danger Zone ............................... 24 Reporting Inequality ......................................................... 24 Reporting War and Conflict ........................................... 13 Revisiting Imaginary Worlds ......................................... 36 Rhetoric .................................................................................. 37 Role-playing Game Studies ........................................... 37 Routledge Companion to Asian American Media, The ............................................................................................ 39 Routledge Companion to British Cinema History, The ............................................................................................ 18 Routledge Companion to Cinema & Gender, The ............................................................................................ 18 Routledge Companion to Comics, The ....................... 8 Routledge Companion to Digital Ethnography, The .............................................................................................. 5 Routledge Companion to Digital Journalism Studies, The ............................................................................................ 25 Routledge Companion to Disability and Media ...................................................................................... 37 Routledge Companion to Global Internet Histories, The ............................................................................................ 40 Routledge Companion to Imaginary Worlds, The ............................................................................................ 40 Routledge Companion to Labor and Media, The ............................................................................................ 40 Routledge Companion to Latina/o Media, The ............................................................................................ 42 Routledge Companion to Media and Human Rights, The ............................................................................................ 40 Routledge Companion to Media and Humanitarian Action ...................................................................................... 37 Routledge Companion to Media and Race, The ............................................................................................ 42 Routledge Companion to Media Studies and Digital Humanities, The .................................................................. 40 Routledge Companion to Media Technology and Obsolescence, The ............................................................. 40 Routledge Companion to Media, Sex and Sexuality, The ............................................................................................ 41 Routledge Companion to World Cinema, The ............................................................................................ 18 Routledge Revivals: Radio Broadcasting from 1920 to 1990 (1991) ........................................................................... 13

S

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INDEX BY TITLE Science Journalism ............................................................ 37 Screen Comedy and Online Audiences .................... 37 Secret Origins of Comics Studies, The .......................... 8 Show Me the Money ......................................................... 24 Social Media and the Law .............................................. 24 Social Media Communication ..................................... 38 Socialbots and Their Friends ............................................ 4 Solo Video Journalist, The ............................................... 25 Sound Production .............................................................. 14 Southern Screens: Cinema, Culture and the Global South ....................................................................................... 17 Spectral Spaces and Hauntings ..................................... 2 Sports Television ................................................................. 38 Star Trek ................................................................................. 17 Studying Digital Media Audiences ................................ 4 Subjectivity across Media ............................................... 38 Surveillance in Asian Cinema ....................................... 17

T Teaching First-Year Communication Courses ................................................................................... 38 Teaching Gender .................................................................. 6 Teaching Transnational Cinema ................................ 16 Technologies of Consumer Labor ............................... 38 Television and Serial Adaptation ................................ 38 Television for Women ....................................................... 39 Television Music .................................................................. 39 Theories of Consumption ............................................... 12 Think/Point/Shoot ............................................................. 25 Tracing the Borders of Spanish Horror Cinema and Television ............................................................................... 19 Tracking Cinema’s Color ................................................. 19 Trauma Graphic Novel, The .......................................... 12 Turn up the Volume .......................................................... 14

U Understanding Broadcast Journalism ...................... 14 US Youth Films and Popular Music ............................ 19

V Video Games and the Law ............................................. Videogames Go to the Movies ...................................... Videogames Handbook, The ......................................... Videogames, Identity, and Digital Subjectivity ............................................................................ Visualizing War ...................................................................

41 41 41 41 12

W Wearable Media .................................................................... 5 Weimar Cinema, Embodiment, and Historicity ............................................................................... 19 What's Become of Australian Cultural Studies? ..................................................................................... 2 White ....................................................................................... 10 Women’s Authorship and Genre in Film and Television .................................................................................. 6 WordPress for Journalists ............................................... 26 World Cinema ..................................................................... 19 Write to Shoot ...................................................................... 19 Writing and Editing for Digital Media ....................... 26

Y Youth Culture and the Media ....................................... 43

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Taylor & Francis Group 2 Park Square, Milton Park, Abingdon. Oxon. OX14 4RN Tel: 02070176000 • Fax: 02071076699 ISBN: 9781138897236


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