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Theatre & Performance 2017 New and Forthcoming Titles

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Contents Acting & Script Analysis .................................................................................................................................................... 2 Costume, Hair & Makeup .................................................................................................................................................. 4 Dance & Choreography ..................................................................................................................................................... 5 Drama ................................................................................................................................................................................... 7 Theatre & Performance Studies ...................................................................................................................................... 9 Theatre & Performance Studies - Renaissance Drama ............................................................................................. 11 Theatre Production, Directing & Stage Design .......................................................................................................... 14 World Theatre ................................................................................................................................................................... 17 Index ................................................................................................................................................................................... 18

ACTING & SCRIPT ANALYSIS Dummy text to keep placeholder Dummy text to keep placeholder

Acting, Archetype, and Neuroscience

Acting Exercises for Non-Traditional Staging

Superscenes for Rehearsal and Performance

Michael Chekhov Reimagined

Jane Drake Brody

Anjalee Deshpande Hutchinson

Superscenesare a revolutionary new mode of teaching and rehearsal, discovering and utilizing underlying primal energies. They draw upon the author’s lifetime experience, insights of pedagogical practice, the work of philosophers and writers, and the latest insights of neuroscience to: mine the essentials of accepted acting theory, while finding ways to access primally-based human behavior in actors; restore focus on storytelling lost in the rush to create physically and vocally complex characters; uncover the mythical bones buried within all dramatic writing; and focus on the actor’s body as the only place where the conflict inherent in drama can be animated.

Acting Exercises for Non-Traditional Staging: Michael Chekhov Reimagined offers a new set of exercises for coaching actors when working on productions that are non-traditionally staged in arenas, thrusts, allies, or site-specific productions. All of the exercises are adapted from Michael Chekhov's acting technique, but are reimagined in new and creative ways that offer fun, innovative twists for the practitioner familiar with Chekhov, and easy accessibility for the practitioner new to Chekhov. Focal Press Market: Theatre/Acting July 2017: 229 x 152: 224pp Hb: 978-1-138-23625-7: £21.99 Pb: 978-1-138-23626-4: £21.99 eBook: 978-1-315-27116-3 * For full contents and more information, visit: www.routledge.com/9781138236264

Routledge Market: Drama / Theatre Studies October 2016: 216x138: 158pp Hb: 978-1-138-82260-3: £85.00 Pb: 978-1-138-82261-0: £21.99 eBook: 978-1-315-74247-2 * For full contents and more information, visit: www.routledge.com/9781138822610

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Acting for the Stage

Acting, Spectating, and the Unconscious

Edited by Anna Weinstein and Chris Qualls Series: PERFORM Acting for the Stage: Succeeding as a Creative Professional is a highly accessible guide to the business of theater acting, written for those interested in pursuing acting as a profession. This book is a collection of essays by and interviews with talented artists and businesspeople who have built successful careers in the theater; it’s a gold mine of career advice that might take years to find on your own. Herein, the myths around professional acting are dispelled, and the mysteries revealed. Acting for the Stage illuminates practical strategies to help you build a life as a theater professional and find financial reward and creative fulfillment in the process. Focal Press Market: Theatre/Acting February 2017: 229 x 152: 264pp Hb: 978-1-138-94520-3: £60.00 Pb: 978-1-138-94515-9: £19.99 eBook: 978-1-315-67156-7 * For full contents and more information, visit: www.routledge.com/9781138945159

A psychoanalytic perspective on unconscious processes of identification in the theatre Maria Turri Series: Routledge Advances in Theatre & Performance Studies Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from Aristotle and Brecht to Diderot’s Paradox of Acting and the emotionalist theories of the eighteenth century, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience. Routledge Market: Drama and Theatre Studies November 2016: 234x156: 132pp Hb: 978-1-138-69924-3: £85.00 eBook: 978-1-315-51733-9 * For full contents and more information, visit: www.routledge.com/9781138699243

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2nd Edition • STUDENT REFERENCE • NEW EDITION

Acting Shakespeare is Outrageous!

Acting: The Basics

Playing the Bard for Beginners

Bella Merlin, University of California, Davis, USA Series: The Basics

Herb Parker, Associate Professor, the Division of Theatre and Dance, Department of Communication and Performance, East Tennessee State University Performing the work of William Shakespeare can be daunting to new actors. Author Herb Parker posits that his work is played easier if actors think of the plays as happening out of outrageous situations, and remember just how non-realistic and presentational Shakespeare’s plays were meant to be performed. The plays are driven by language and the spoken word, and the themes and plots are absolutely out of the ordinary and fantastic - the very definition of outrageous. With exercises, improvisations, and coaching points Acting Shakespeare is Outrageous! helps actors use the words Shakespeare wrote as a tool to perform him, and to create exciting and moving performances. Focal Press Market: Theatre/Acting August 2017: 229 x 152: 200pp Hb: 978-0-415-79044-4: £18.99 Pb: 978-0-415-79097-0: £18.99 eBook: 978-1-315-21269-2 * For full contents and more information, visit: www.routledge.com/9780415790970

Now in a second editon, Acting: The Basics remains a practical and theoretical guide to the world of the professional actor, which skilfully combines ideas from a range of practitioners and linking the academy to the industry. Retaining a balance between acting history, a discussion of pioneers and a consideration of the practicalities of acting techniques, the new edition includes a discussion of acting for the screen as well as the practicalities of stage acting, including training, auditioning and rehearsing. With a glossary of terms and useful website suggestions, this is the ideal introduction for anyone wanting to learn more about the practice and history of acting. Routledge Market: Drama October 2017: 198x129: 256pp Hb: 978-1-138-82040-1: £70.00 Pb: 978-1-138-82041-8: £14.99 eBook: 978-1-315-74390-5 * For full contents and more information, visit: www.routledge.com/9781138820418

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2nd Edition • NEW EDITION

Black Acting Methods

Secrets of Acting Shakespeare

Critical Approaches

The Original Approach Edited by Sharrell Luckett and Tia M. Shaffer

Patrick Tucker

Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors of color find themselves working with. A wealth of contributions from Black-identifying directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine their Blackness through theatre arts.

Secrets of Acting Shakespeare isn’t a book which gently instructs. It is a passionate, yes-you-can guide designed to prove that anybody can act Shakespeare. Patrick Tucker discusses the ‘cue scripts’ used by Elizabethan actors, who knew only their own lines, to demonstrate the extraordinary way these plays work by ear. This second edition encourages trained and amateur actors alike to look to the original practices of the Elizabethan theatre for inspiration.

Routledge Market: Theatre and Performance Studies October 2016: 234x156: 254pp Hb: 978-1-138-90763-8: £85.00 Pb: 978-1-138-90762-1: £29.99 eBook: 978-1-315-69498-6 * For full contents and more information, visit: www.routledge.com/9781138907621

Routledge Market: Theatre Studies October 2016: 234x156: 384pp Hb: 978-1-138-67851-4: £85.00 Pb: 978-1-138-67852-1: £24.99 eBook: 978-1-315-55886-8 Prev. Ed Pb: 978-0-878-30095-2 * For full contents and more information, visit: www.routledge.com/9781138678521

TEXTBOOK

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Craft Notes for Animators

Unearthing Shakespeare

A Perspective on a 21st Century Career

Embodied Performance and the Globe

Ed Hooks

Valerie Clayman Pye

If Disney’s Snow White and the Seven Dwarfs represented the Animation industry’s infancy, Ed Hooks thinks that the current production line of big-budget features is its artistically awkward adolescence. While a well-funded marketing machine can conceal structural flaws, uneven performances and superfluous characters, the importance of crafted storytelling will only grow in importance as animation becomes broader and more accessible. Craft Notes for Animators analyses specific films – including Frozen and Despicable Me – to explain the secrets of creating truthful stories and believable characters. It is an essential primer for the for tomorrow’s industry leaders and animation artists.

Unearthing Shakespeare is the first book to examine what the Globe, today's replica of Shakespeare's theatre, can tell us about performing his plays. Valerie Clayman Pye relays this fresh understanding into a set of exercises for actors at all levels, presenting a fun, accessible and engaging approach which will benefit rehearsal work, classroom training and solo practice. Routledge Market: Drama and Theatre Studies January 2017: 216x138: 220pp Hb: 978-1-138-67025-9: £90.00 Pb: 978-1-138-67027-3: £24.99 eBook: 978-1-315-61771-8 * For full contents and more information, visit: www.routledge.com/9781138670273

Routledge Market: Drama / Animation December 2016: 234x156: 162pp Hb: 978-1-138-85433-8: £80.00 Pb: 978-1-138-85434-5: £19.99 eBook: 978-1-315-72116-3 * For full contents and more information, visit: www.routledge.com/9781138854345

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3rd Edition • TEXTBOOK • NEW EDITION

Physical Actor Training

Voice: Onstage and Off Robert Barton, University of Oregon, USA and Rocco dal Vera, University of Cincinnati, Ohio, USA

What Shall I Do with the Body They Gave Me? Andrei Droznin and Natalia Fedorova If, as an actor, your body is your 'instrument', what happens when the body-mind, ‘psychophysical’ connection is lost? Andrei Droznin, Russia's foremost teacher of physical actor training, calls this loss the 'desomatization' of the human body, and argues that these connections urgently need to be restored for full expressivity. This is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. It will excite and inspire a new generation of English-language readers. Routledge Market: Theatre & Performance Studies December 2016: 234x156: 224pp Hb: 978-1-138-90192-6: £80.00 Pb: 978-1-138-90194-0: £24.99 eBook: 978-1-315-69763-5 * For full contents and more information, visit: www.routledge.com/9781138901940

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Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices. This third edition is extensively illustrated and accompanied by an all-new website full of audio and text resources. Routledge Market: Drama and Theatre Studies April 2017: 246x174: 416pp Hb: 978-1-138-91857-3: £24.99 Pb: 978-1-138-91858-0: £24.99 eBook: 978-1-315-68841-1 Prev. Ed Pb: 978-0-415-58558-3 * For full contents and more information, visit: www.routledge.com/9781138918580

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COSTUME, HAIR & MAKEUP 3rd Edition • TEXTBOOK • NEW EDITION

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Character Costume Figure Drawing

Digital Costume Design and Collaboration

Step-by-Step Drawing Methods for Theatre Costume Designers

Applications in Academia, Theatre, and Film

Tan Huaixiang, Tenured Associate Professor in costume and makeup design in the University of Central Florida s Conservatory Theatre in Orlando

Rafael Jaen, Assistant Professor at UMASS Boston. Web site: www.rafaeljaen.biz.

Character Costume Figure Drawing is the essential guide that will improve your drawing skills and costume renderings. Step-by-step visuals illustrate the how-to’s of drawing body parts, costumes, accessories, faces, children, and different character architypes, such as maternal, elderly, sassy, sexy, and evil. This guide shows you show to develop sketches from stick figures to full-blown characters. The third edition features a new chapter, Rendering Costume Sketches with Computer Media. It also includes more detailed information and examples of how to draw hands and feet, and 175 new renderings from 16 recent productions.

This book gives in-depth instruction on how to draw, render, and fully design costumes using online tools and software. Grounded in the use of Photoshop, the book explains the process of building a costume design from scratch, including information on digital tools and painting techniques. The book demonstrates how to utilize social media to compile research; how to create user-friendly web based slide shows; and how to archive digital files for portfolios and personal websites. It also demonstrates how to organize spec sheets, plots and inventories using Google Docs for easy editing and Dropbox for easy file sharing. A companion YouTube channel featuring video tutorials of exercises and applications compliments the book.

Focal Press Market: Theatre/Costume Dec 2017: 280x216: 376pp Hb: 978-1-138-21170-4: £31.99 Pb: 978-1-138-21171-1: £31.99 eBook: 978-1-315-45237-1 * For full contents and more information, visit: www.routledge.com/9781138211704

Focal Press Market: Theatre/Costume August 2017: 229 x 229: 218pp Hb: 978-1-138-93573-0: £90.00 Pb: 978-1-138-93572-3: £24.99 eBook: 978-1-315-67720-0 * For full contents and more information, visit: www.routledge.com/9781138935723

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Corsets and Crinolines Edited by Judith Dolan In this classic book, Nora Waugh explores the changing shapes of women’s dress from the 1500s to the 1920s. Simple laced bodices became corsets of cane, whale-bone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape and size from the 1500s to the 1920s. Extracts from diaries, journals, poems and newspapers, as well as over 100 illustrations demonstrate the variety of these ubiquitous items of clothing throughout modern history. Routledge Market: Drama and Theatre Studies June 2017: 246x189: 192pp Hb: 978-1-138-66564-4: £100.00 Pb: 978-1-138-66566-8: £34.99 * For full contents and more information, visit: www.routledge.com/9781138665644

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Creating the Character Costume Tools, Tips, and Talks with Top Costumers and Cosplayers Cheralyn Lambeth, Freelance costume/puppet designer Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Focal Press December 2016: 229 x 229: 240pp Pb: 978-1-138-81611-4: £24.99 eBook: 978-1-315-74631-9 * For full contents and more information, visit: www.routledge.com/9781138816114

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Movement

Aerial Dance

Onstage and Off Robert Barton and Barbara Sellers-Young

A Guide to Dance with Rope and Harness Jenefer Davies Aerial Dance: A Guide for Dance with Rope and Harness provides an introduction to aerial rope & harness that covers rigging, equipment, advice on optimal conditioning, and a step-by-step guide to aerial technique, including anatomical references, space/time considerations, and elements of force when working with/against gravity. Specific movements and choreography are framed anatomically and together reflect the pattern and order of an aerial technique class. Challenges inherent to this type of dancing are discussed, as well as wellness instruction and methods of altering these techniques for intermediate and advanced dancing. Focal Press Market: Theatre/Dance September 2017: 235 x 191: 240pp Hb: 978-1-138-69911-3: £24.99 Pb: 978-1-138-69899-4: £24.99 eBook: 978-1-315-45245-6 * For full contents and more information, visit: www.routledge.com/9781138698994

This book is the complete guide for actors to the most effective techniques for developing a fully expressive body. It is a comprehensive compilation of established fundamentals, a handbook for movement centered personal growth, and a guide to helping actors and teachers make informed decisions for advanced study. This book includes: Fundamental healing/conditioning processes Essential techniques required for versatile performance Specialized skills Various training approaches and ways to frame the actor’s movement training Using imitation exercises to sharpen awareness, accessible language, and adaptable material for solo and group work, the authors aim to empower you to unleash your extraordinary potential. Routledge Market: Theatre & Performance Studies December 2016: 246x174: 186pp Hb: 978-1-138-90781-2: £88.00 Pb: 978-1-138-90782-9: £29.99 eBook: 978-1-315-69488-7 * For full contents and more information, visit: www.routledge.com/9781138907829

STUDENT REFERENCE

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Choreography: The Basics

The Aging Body in Dance

Erica Stanton Series: The Basics

Nanako Nakajima and Gabriele Brandstetter

Choreography: The Basics is an engaging introduction to Choreography as it is experienced in the studio in both dance training and dance education settings. Engaging with the trial and error that is at the heart of the choreographic journey, it teaches students to encounter risk productively, retaining curiosity and playfulness as a part of their creative process. With interventions from a wide range of professional choreographers, examples of students’ reflective writing and directions to a wide range of sources for further study, Choreography: The Basics is essential reading for all students of Dance Studies.

What does it mean to be able to move? The Aging Body in Dance examines differing Euro-American and Japanese attitudes towards aging and performance. Contributions from leading scholars take a fresh look at dancers from Yvonne Rainer and Martha Graham to Kazuo Ohno and Kikuo Tomoeda, and directors such as Romeo Castellucci. The first cross-cultural study of its kind, The Aging Body in Dance offers an invaluable resource for scholars and practitioners interested in global dance cultures and their differing responses to the world's aging population.

Routledge May 2017: 198x129: 224pp Hb: 978-1-138-82858-2: £65.00 Pb: 978-1-138-82859-9: £15.99 eBook: 978-1-315-73827-7 * For full contents and more information, visit: www.routledge.com/9781138828599

Routledge Market: Theatre & Performance Studies December 2016: 234x156: 180pp Hb: 978-1-138-20005-0: £90.00 Pb: 978-1-138-20006-7: £29.99 eBook: 978-1-315-51533-5 * For full contents and more information, visit: www.routledge.com/9781138200067

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TEXTBOOK

Jasmin Vardimon's Dance Theatre

What Moves You?

Movement, memory and metaphor

Shaping your dissertation in dance

A cross-cultural perspective

Jasmin Vardimon and Libby Worth, Royal Holloway, London University, UK

Charlotte Nichol and Lise Uytterhoeven

Jasmin Vardimon’s Dance Theatre offers an unusual, intimate insight into the devising and training processes of a choreographer in the midst of her practice. Libby Worth and Jasmin Vardimon take a collaborative approach to recording and exploring the working processes of Vardimon and her company, chronicling the development of specific productions rather than offering a single choreographic blueprint.

Every dissertation is individual and unique - particularly for Dance students, who must combine a wide range of approaches into a tailor-made research methodology. What Moves You? fosters a creative approach to dissertations and final projects. By guiding the development of a personal study program, this volume encourages Dance students to take ownership of their artistic and academic work, a skill essential both to successful undergraduate study, and to making the first steps towards a career in Dance.

Routledge Market: Dance / Theatre Studies January 2017: 234x156: 194pp Hb: 978-0-415-74162-0: £90.00 Pb: 978-0-415-74163-7: £29.99 eBook: 978-1-315-40462-2 * For full contents and more information, visit: www.routledge.com/9780415741637

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e-Inspection

Routledge Market: Dance / Theatre Studies March 2017: 234x156: 112pp Hb: 978-1-138-85729-2: £80.00 Pb: 978-1-138-85730-8: £24.99 eBook: 978-1-315-71878-1 * For full contents and more information, visit: www.routledge.com/9781138857308

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DANCE & CHOREOGRAPHY TEXTBOOK

World Dance Cultures From Ritual to Spectacle Patricia Beamann World Dance Cultures investigates the many essential roles that dance plays in cultures throughout the globe. It examines the reflexive, constantly developing relationship between dance forms and other social, political and cultural components, acting as a valuable introductory teaching tool for the student, as well as for the instructor. A syllabus can be easily crafted by following its regionally organized chapters and thematic sub-chapters, supplemented with maps, photographs, and drawings. As well as foregrounding the history of a form within the culture, each sub-chapter addresses current trends and issues, further contextualizing and identifying new directions in the dance form. Routledge Market: Dance / Theatre Studies September 2017: 246x174: 416pp Hb: 978-1-138-90772-0: ÂŁ85.00 Pb: 978-1-138-90773-7: ÂŁ29.99 eBook: 978-1-315-69493-1 * For full contents and more information, visit: www.routledge.com/9781138907737

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READER

Imagined Theatres

The 21st Century Performance Reader

Writing for a theoretical stage

Edited by Teresa Brayshaw and Noel Witts, Leeds Metropolitan University, UK

Edited by Daniel Sack

The Twenty-First Century Performance Reader gives a voice to key performance artists and practitioners who have come to prominence since the turn of the century, and whose work has re-defined what we mean by ‘performance’. Artists' own words, in the form of essays, plans, programme notes, commissioned writings and interviews, display a wealth of diverse and interdisciplinary approaches to performance practice. Contributors include key figures such as Chunky Move, Astad Deboo, Dumb Type, Xing Xin, Jesusa Rodriguez, Opiyo Okach, Jan Fabre, Eimuntas Nekrošius, Calixto Bieito, Gob Squad, Societas Raffaello Sanzio, Blast Theory, Franko B., Lone Twin, Reverend Billy, Coco Fusco, and Jerome Bel.

Imagined Theatres collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre. Each scenario is mirrored by a brief accompanying reflection, asking what they might mean for our thinking about the theatre. Routledge Market: Drama and Theatre Studies April 2017: 246x174: 306pp Hb: 978-1-138-12204-8: £90.00 Pb: 978-1-138-12205-5: £24.99 * For full contents and more information, visit: www.routledge.com/9781138122055

Routledge Market: Drama and Theatre Studies October 2017: 246x174: 480pp Hb: 978-1-138-78533-5: £105.00 Pb: 978-1-138-78534-2: £33.99 * For full contents and more information, visit: www.routledge.com/9781138785342

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TEXTBOOK

One Minute Plays A practical guide to tiny theatre

The Routledge Anthology of Restoration and 18th Century Drama

Edited by Steve Ansell and Rose Burnett Bonczek

Edited by Kristina Straub

Can you really write a play that lasts a minute? The one minute play presents a unique creative challenge: how does one create room for actors to perform, for directors to create a world, and for audiences to learn something, all in 60 seconds? Steve Ansell and Rose Burnett Bonczek demystify the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance.

This expertly edited anthology contains all of the key playwrights that any class on Restoration and Eighteenth Century drama will cover. As well as the major plays of the period, each thematic section offers a wealth of supplementary materials, including primary critical sources, reviews of modern productions, illustrations and specially commissioned essays on key issues and topics. Each play is edited, introduced and annotated by an expert in the field, and the selection covers the spectrum of this period's dramatic landscape from Restoration tragedy and comedies of manners to ballad opera, farce and pantomime.

Routledge Market: Drama and Theatre Studies February 2017: 246x174: 336pp Hb: 978-1-138-67505-6: £85.00 Pb: 978-1-138-67506-3: £19.99 eBook: 978-1-315-56087-8 * For full contents and more information, visit: www.routledge.com/9781138675063

Routledge Market: Drama and Theatre Studies March 2017: 246x174: 1160pp Hb: 978-1-138-91541-1: £150.00 Pb: 978-1-138-91542-8: £39.99 eBook: 978-1-315-69024-7 * For full contents and more information, visit: www.routledge.com/9781138915428

2nd Edition • TEXTBOOK • NEW EDITION

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Stanislavski in Practice

The Routledge Companion to Adaptation

Exercises for Students

Edited by Dennis Cutchins, Katja Krebs and Eckart Voigts

Nick O'Brien, The Stanislavski Experience, UK

The Routledge Companion to Adaptation offers a wide-ranging perspective on current scholarship in the area of adaptation. While providing a basis in source oriented studies such as novel-to-stage and stage-to-film adaptations, it also brings to the fore the new and innovative elements currently being witnessed in this field. An emphasis on adaptation as a form of practice seeks to establish methods of investigating the topic that go beyond a purely comparative, case study model. Divided into five sections – Geography, Historiography, Identity, Technology and Reception – this is an essential resource that maps the field of adaptation across genres and disciplines.

Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike through the use of practical exercises that allows students to develop their skills. This Second Edition offers more exercises for the actor, and also new sections on directing and devising productions. Each element of the System is covered practically through studio exercises and jargon-free discussion. Routledge Market: Drama and Theatre Studies October 2017: 246x189: 240pp Hb: 978-1-138-23356-0: £24.99 Pb: 978-1-138-28075-5: £24.99 eBook: 978-1-315-27173-6 Prev. Ed Pb: 978-0-415-56843-2 * For full contents and more information, visit: www.routledge.com/9781138280755

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Routledge Market: Drama / Theatre Studies September 2017: 246x174 Hb: 978-1-138-91540-4: £165.00 eBook: 978-1-315-69025-4 * For full contents and more information, visit: www.routledge.com/9781138915404

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The Routledge Companion to Performance Practitioners Edited by Franc Chamberlain and Bernadette Sweeney, University of Montana, USA The Routledge Companion to Performance Practitioners collects the outstanding biographical and theoretical overviews of key theatre practitioners first featured in the widely used Routledge Performance Practitioners series of guidebooks. Each of the chapters is written by an expert on a particular figure, from Stanislavsky and Brecht to Boal and Abramovic, and places their work in its social and historical context. Summaries and analyses of their key writings also cite each practitioner's approaches to performance and the performer. All 20 volumes in the original series are represented in this volume, as well as specially commissioned new chapters on Artaud, Suzuki, Strasberg and Adler, and Martha Graham. Routledge Market: Drama / Theatre Studies September 2017: 246x174 Hb: 978-1-138-95375-8: £165.00 * For full contents and more information, visit: www.routledge.com/9781138953758

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The Routledge Research Companion to Early Drama and Performance Edited by Pamela King The study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Companion to Early Drama and Performance reconsiders early ‘drama’ as a mixed mode entertainment best considered not only alongside non-dramatic texts, but also other modes of performance.

Routledge Market: Literature December 2016: 246x174: 352pp Hb: 978-1-472-42140-1: £95.00 eBook: 978-1-315-61289-8 * For full contents and more information, visit: www.routledge.com/9781472421401

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Black British Theatre

Memos from a Theatre Lab

A Transnational Perspective

Exploring what immersive theatre 'does'

Michael Pearce

Nandita Dinesh

Black British Theatre breaks new ground in international black theatre scholarship. Michael Pearce combines historical documentation and discussion with close textual and performance analysis of the period 1950-2014 to consider the ways in which black theatre in Britain is connected to, and informed by, the spaces of Africa, the Caribbean and the USA. This transnational lens provides an entirely new method of analysing black British theatre, and examines the UK productions of work by writers such as Hansberry, Wilson, Baldwin, as well as plays by Kwei-Armah, Williams, Adebayo and Agbaje.

By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the ‘hows’ and ‘whys’ of her specific aesthetic framework. Memos from a Theatre Lab places Dinesh’s practical work within the context of existing analyses of immersive theatre, using this investigation to generate an underpinning theory of how immersive theatre works for its participants.

Routledge Market: Theatre & Performance Studies May 2017 Hb: 978-1-138-91785-9: £85.00 Pb: 978-1-138-91786-6: £24.99 eBook: 978-1-315-68878-7 * For full contents and more information, visit: www.routledge.com/9781138917866

Routledge Market: Drama / Theatre Studies December 2016: 216x138: 132pp Hb: 978-1-138-21918-2: £45.00 eBook: 978-1-315-43605-0 * For full contents and more information, visit: www.routledge.com/9781138219182

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Elevator Repair Service

Performance, Ethnography and Communication

Making the Rules

D Soyini Madison

Sara Jane Bailes and John Collins

Performance, ethnography, and communication have become inextricably linked in both classroom study and contemporary performance practice. These terms, whether seen as disciplines of study, rubrics, or simply topics of discussion, inform one another to an equal degree. This book explores the ways in which they interrelate, with each other and also with the more specific issues involved with digital performance, improvisation, the body, fieldwork, and collaboration. Specific historical and theoretical contexts, key figures and case studies, exercises, activities, and practical applications for improvisation, ethnography and digital performance, make this a natural textbook for students of Performance Studies, Communication Studies or Cultural Studies.

This is the first full-length study of one of the most significant experimental theatre st companies to emerge from New York in the 21 century. Elevator Repair Service's work combines elements of slapstick, hi-and lo-tech design, literary and found texts with the group’s own unique style of choreography. Looking at the company’s methods as much as their productions, this book documents their engagement with popular culture and non-theatrical forms, providing fascinating insight into their processes. Collins and Bailes, artistic director and critic respectively, situate the group’s practice within a US tradition of avant garde theatre making which widens the scope of theatrical form itself. Routledge Market: Theatre & Performance Studies October 2017 Hb: 978-1-138-91355-4: £85.00 * For full contents and more information, visit: www.routledge.com/9781138913554

Routledge Market: Theatre Studies / Communication Studies October 2017: 234x156: 224pp Hb: 978-1-138-78901-2: £80.00 Pb: 978-1-138-78902-9: £24.99 * For full contents and more information, visit: www.routledge.com/9781138789029

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Essential Dramaturgy

Stage-Play and Screen-Play

The Mindset and Skillset

The intermediality of theatre and cinema

Theresa Lang

Michael Ingham

Essential Dramaturgy provides a concrete way to approach the work of a dramaturg. It explores ways to refine the process of defining, evaluating, and communicating that are essential to effective dramaturgical work. It then looks at how this outlook enhances the practical skills of production and new play dramaturgy. The book explains what a dramaturg does, what the role can be, and how best to refine and teach the skillset and mindset.

While film and theatre studies have established their own critical terms and theoretical frames of reference, the potential for dialogue and reciprocity between these two art forms is often undermined by the absence of a shared vocabulary. This book sets out to remedy this by systematically mapping out a transmedial space in which both film and theatre can be discussed. Keywords and critical terms form the central structure of this study, helping to root the areas of commonality between film and theatre in relevant, applied contexts.

Focal Press Market: Theatre February 2017: 229 x 152: 202pp Hb: 978-1-138-90217-6: £88.00 Pb: 978-1-138-90215-2: £24.99 eBook: 978-1-315-69760-4 * For full contents and more information, visit: www.routledge.com/9781138902152

Routledge Market: Theatre / Film Studies December 2016: 234x156: 8pp Hb: 978-1-138-84103-1: £85.00 Pb: 978-1-138-84104-8: £29.99 eBook: 978-1-315-73251-0 * For full contents and more information, visit: www.routledge.com/9781138841048

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The Monster in Theatre History

Theatre in Europe under German Occupation

This thing of darkness

Anselm Heinrich

Michael Chemers, UC Santa Cruz, USA

Theatre in Europe under German Occupation explores the ultimately unsuccessful part that theatre played in Nazi propaganda. Using a case-study approach, it illustrates the crucial and heavily subsidised role the theatre played in Nazi Germany’s total war effort, as a cultural extension of its military machine. Covering theatres in Oslo, Riga, Lille, Lodz, Krakow, Warsaw, Prague, Belgrade, The Hague, and Kiev, Anselm Heinrich looks at their history, the context of their operation, the wider political, cultural and propagandistic implications in view of their function in wartime, and their legacies.

Performance is a unique form of storytelling. When humans perform stories, they do not merely tell them but embody them; through performance, boundaries between now and then, fantasy and reality, here and there, make way for new, ritual times and spaces emerge. Michael Chemers is an inspired guide through this fascinating hinterland. The Monster in Theatre History brilliantly explores the cultural genealogies of monsters such as ghosts, devils, werewolves and vampires in the recorded history of Western theatre. The book provides a startling new look at theatre history from the Ancient Greeks to the most cutting-edge new media performances, focusing on why monsters play such a prominent role in performance culture. Routledge Market: Drama and Theatre Studies August 2017: 216x138: 232pp Pb: 978-1-138-21090-5: £24.99 * For full contents and more information, visit: www.routledge.com/9781138210905

Routledge Market: Drama / Theatre Studies August 2017: 216x138: 224pp Hb: 978-1-138-79952-3: £80.00 Pb: 978-1-138-79953-0: £26.99 eBook: 978-1-315-75600-4 * For full contents and more information, visit: www.routledge.com/9781138799530

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The Routledge Companion to Digital Humanities in Theatre and Performance

Theatrical Performance and the Forensic Turn

Edited by Nic Leonhardt

James Frieze, Liverpool John Moores University, UK Series: Routledge Advances in Theatre & Performance Studies

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies. Routledge Market: Theatre & Performance Studies September 2017 Hb: 978-1-138-91777-4: £150.00 eBook: 978-1-315-68883-1 * For full contents and more information, visit: www.routledge.com/9781138917774

Naked Truth

This book visits contemporary theatre’s fixation with the processing and detection of evidence. Frieze frames this interrogation of expertise and evidence-gathering by closely articulating performance examples with television’s abundance of crime-scene investigation and reality shows, and with political and social debates about journalistic procedures and the management of identity data. Routledge Market: Theatre/Performance November 2016: 229 x 152: 208pp Hb: 978-0-415-85450-4: £90.00 eBook: 978-0-203-74376-8 * For full contents and more information, visit: www.routledge.com/9780415854504

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The Stage Lives of Animals Zooesis and Performance Una Chaudhuri In this stunning collection of essays, Una Chaudhuri contributes a significant perspective to Critical Animal Studies – that of the way culture makes art and meaning with the figure and body of the animal. If language is the key thing which separates the human from the animal, the quest to understand our own animality might well lead us to the embodied arts of performance. Chaudhuri reconceives the representation and performance of animals through the frameworks of postmodernism and ecology, bringing insights from theatre practice and theory to animal studies as well as exploring what animal studies can bring to theatre and performance studies. Routledge Market: Theatre & Performance Studies October 2016: 216x138: 216pp Hb: 978-1-138-81845-3: £80.00 Pb: 978-1-138-81847-7: £26.99 eBook: 978-1-315-74523-7 * For full contents and more information, visit: www.routledge.com/9781138818477

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Ben Jonson

His Vision and His Art

His Life and Work

Alexander Leggatt Series: Routledge Library Editions: Renaissance Drama

Rosalind Miles Series: Routledge Library Editions: Renaissance Drama

The extraordinary character of Ben Jonson has only recently been brought into the light. Critics traditionally exalted Shakespeare, at Jonson’s expense. In this biography, first published in 1986, the author presents a full and accurate account of Jonson’s life in modern times. Rosalind Miles follows Jonson from his obscure beginnings to his burial in Westminster Abbey, as the first Poet Laureate, in 1637. Her Jonson is vivid and vigorous, equally alive in his life and in his work. This title will be of interest to students of history, English literature and Renaissance drama.

Routledge Market: Theatre/History/Drama March 2017: 234x156: 300pp Hb: 978-1-138-23534-2: £99.00 eBook: 978-1-315-30491-5 * For full contents and more information, visit: www.routledge.com/9781138235342

Routledge Market: Theatre/History/Drama March 2017: 234x156: 308pp Hb: 978-1-138-24434-4: £99.00 eBook: 978-1-315-27696-0 * For full contents and more information, visit: www.routledge.com/9781138244344

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Ben Jonson

Courtesans and Cuckolds

John Palmer Series: Routledge Library Editions: Renaissance Drama

A Glossary of Renaissance Dramatic Bawdy

While most critical writing on Jonson concentrates on the plays, poems or masques seen in isolation, this title, first published in 1981, ranges across the genres to explore Jonson’s vision as a whole. Combining a wide-ranging discussion of Jonson’s interests with a detailed examination of his major works, this book provides a balanced critical introduction to one of the most complex and fascinating figures in English Literature. Routledge Market: Theatre/History/Drama March 2017: 234x156: 342pp Hb: 978-1-138-23608-0: £99.00 eBook: 978-1-315-30219-5 * For full contents and more information, visit: www.routledge.com/9781138236080

James T. Henke Series: Routledge Library Editions: Renaissance Drama This title, first published in 1979, is a glossary of the bawdy vocabulary that was used in Renaissance Drama. One of the primary functions of this gloss of literary bawdy is to interpret imaginative uses of the language rather than simply record the generally accepted uses and meanings, with its principal task to make the dialogue of the plays more intelligible to the reader. With examples of bawdy language used in the works of Shakespeare, Ben Jonson and John Webster amongst many others, this title will be of great interest to students of literature and performance studies. Routledge Market: Theatre/History/Drama March 2017: 234x156: 330pp Hb: 978-0-415-78742-0: £99.00 eBook: 978-1-315-22592-0 * For full contents and more information, visit: www.routledge.com/9780415787420

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Ben Jonson

Enchanted Shows

His Craft and Art

Vision and Structure in Elizabethan and Shakespearean Comedy about Magic

Rosalind Miles Series: Routledge Library Editions: Renaissance Drama In this book, first published in 1990, the author presents a comprehensive critical study of the whole of Jonson’s output from his earliest beginnings through to the final achievement. Looking at every word he ever wrote, in drama, masque, poetry, philosophy and literary criticism, the author reveals an interesting and varied picture of Jonson. This title will be of interest to students of English literature and Renaissance drama. Routledge Market: Theatre/History/Drama March 2017: 234x156: 304pp Hb: 978-1-138-24421-4: £99.00 eBook: 978-1-315-27701-1 * For full contents and more information, visit: www.routledge.com/9781138244214

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Elissa Hare Series: Routledge Library Editions: Renaissance Drama The book, first published in 1988, examines the role of magic in Elizabethan and Shakespearean theatre. The author observes how certain plays, including Shakespeare’s A Midsummer Night’s Dream and The Tempest, rationalise the unrealism and improbabilities typical of romantic comedy as miracles wrought by specifically magical intervention. The author also explores the ways in which playwrights justify structural discontinuity by the working of magic. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 200pp Hb: 978-1-138-23494-9: £90.00 eBook: 978-1-315-30591-2 * For full contents and more information, visit: www.routledge.com/9781138234949

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Essays on Shakespeare and Elizabethan Drama

Jacobean Tragedy

In Honour of Hardin Craig

The Quest for Moral Order

Edited by Richard Hosley Series: Routledge Library Editions: Renaissance Drama

Irving Ribner Series: Routledge Library Editions: Renaissance Drama

The twenty-eight essays of this collection, first published in 1962, are the work of distinguished British, Canadian, and American scholars. The essays range widely over the field of Elizabethan drama, concentrating attention on Shakespeare and Marlowe but not neglecting earlier dramatists such as Kyd and Greene or later ones such as Heywood and Massinger. Among the general topics treated are the staging of the interludes, intrigue in Elizabethan tragedy, and Jacobean stage pastoralism. This title will be of interest to students of English literature.

The work of dramatists such as George Chapman, Thomas Heywood, Cyril Tourneur, John Webster, Thomas Middleton and John Ford can profitably be studied as attempts to construct a new moral order in response to the absence or weakening of the religious sanction. In this study, first published in 1962, the author examines these texts in detail, and throws a great deal of light on the plays as plays. This title will be of interest to students of English Literature, Drama and Performance.

Routledge Market: Theatre/History/Drama March 2017: 234x156: 386pp Hb: 978-1-138-71325-3: £99.00 eBook: 978-1-315-19912-2 * For full contents and more information, visit: www.routledge.com/9781138713253

Routledge Market: Theatre/History/Drama March 2017: 234x156: 180pp Hb: 978-1-138-23647-9: £80.00 eBook: 978-1-315-30215-7 * For full contents and more information, visit: www.routledge.com/9781138236479

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Jacobean City Comedy

Shakespeare's Tragic Justice

Brian Gibbons Series: Routledge Library Editions: Renaissance Drama

C. J. Sisson, Prof Sissons died in 1966; spouse was royalty beneficiary till her death in 1996. Two sisters inherited the estate but one sister died 2008 and Rosemary Sisson is the sole beneficiary of this estate Series: Routledge Library Editions: Renaissance Drama

This study, first published in 1980, examines ways in which the Jacobean city comedy reflect on the self-consciousness of audiences and the concern of the dramatists with Jacobean society. This title will be of interest of students of Renaissance Drama, English Literature and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 190pp Hb: 978-1-138-27995-7: £90.00 eBook: 978-1-315-27051-7 * For full contents and more information, visit: www.routledge.com/9781138279957

The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 106pp Hb: 978-1-138-23462-8: £80.00 eBook: 978-1-315-30639-1 * For full contents and more information, visit: www.routledge.com/9781138234628

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Jacobean Private Theatre

Stuart Academic Drama

Keith Sturgess Series: Routledge Library Editions: Renaissance Drama

An Edition of Three University Plays

In this scholarly and entertaining book, first published in 1987, the author tells the story of Jacobean private theatre. Most of the best plays written after 1610, including Shakespeare’s late plays such as The Tempest, were written for the new breed of private playhouses – small, roofed and designed for an aristocratic, literary audience, as opposed to the larger, open-air houses such as the Globe and the Red Bull, catering for a popular, ‘lowbrow’ audience. The author discusses the polarisation of taste and the effect it had on literary criticism and theatre history. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 228pp Hb: 978-1-138-23653-0: £90.00 eBook: 978-1-315-30199-0 * For full contents and more information, visit: www.routledge.com/9781138236530

David L. Russell Series: Routledge Library Editions: Renaissance Drama Although not much is known about the three Stuart plays in this edition, which was first published in 1987, we can ascribe them to one of the English universities, and each is indicative of a distinctly different influence on the Renaissance academic drama. This title will be of interest to students of English Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 186pp Hb: 978-1-138-23988-3: £80.00 eBook: 978-1-315-29461-2 * For full contents and more information, visit: www.routledge.com/9781138239883

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15 Volume Set

The Elizabethan Player

Routledge Library Editions: Renaissance Drama

David Mann Series: Routledge Library Editions: Renaissance Drama

Various Series: Routledge Library Editions: Renaissance Drama

In this book, first published in 1991, David Mann argues for more attention to the performer in the study of Elizabethan plays and less concern for their supposed meanings and morals. He concentrates on a collection of extracts from plays which show the Elizabethan actor as a character onstage. The author suggests that the stage representation of players is in part a nostalgic farewell to the passing of an impure but perhaps more vital theatre, and in part an acknowledgement of the threat the adult theatre’s growing sophistication offered to its institutional and adolescent rivals. This title will be of interest to students of Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 274pp Hb: 978-1-138-23565-6: £90.00 * For full contents and more information, visit: www.routledge.com/9781138235656

Reissuing 15 works originally published between 1934 and 1991, this diverse set offers an outstanding collection of scholarship devoted to Renaissance Drama. Routledge Library Editions: Renaissance Drama provides an extensive study of performance history and criticism of Elizabethan and Jacobean theatre, as well as volumes dedicated to the playwrights Ben Jonson and William Shakespeare. These volumes present together a lively picture of the development of British theatre and will be of interest to students of literature, drama and performance. Routledge Market: Renaissance Drama/History/Performance March 2017: 234x156: 4018pp Hb: 978-1-138-71372-7: £1235.00 eBook: 978-1-315-19807-1 * For full contents and more information, visit: www.routledge.com/9781138713727

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The Influence of the Jacobean Masque on the Plays of Beaumont and Fletcher Suzanne Gossett Series: Routledge Library Editions: Renaissance Drama This title, first published in 1988, examines the influence of the Jacobean masque on the plays of Francis Beaumont and John Fletcher. The author examines the ways in which the plays of Beaumont and Fletcher represent not only a great expression of human emotion, but how they are also a fine example of the growth and change of dramatic form. This title will be of interest to students of drama, literature and performance studies. Routledge Market: Theatre/History/Drama March 2017: 234x156: 368pp Hb: 978-0-415-78749-9: £99.00 eBook: 978-1-315-22589-0 * For full contents and more information, visit: www.routledge.com/9780415787499

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The Tragedy of State J. W. Lever Series: Routledge Library Editions: Renaissance Drama The domination of the state over the lives of individuals is, arguably, a problem of the present-day world. In this book, first published in 1971, the author finds essentially the same problem in Jacobean tragedy in the shape it assumed during the rise of the first European nation-states. The English dramatists of the early seventeenth century are seen as giving expression to the ferment of ideas which, only a generation later, precipitated the revolutionary struggles of the sixteen-forties. This title will be of interest to students of History, Literature, Drama and Performance. Routledge Market: Theatre/History/Drama March 2017: 234x156: 100pp Hb: 978-1-138-23549-6: £80.00 * For full contents and more information, visit: www.routledge.com/9781138235496

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THEATRE PRODUCTION, DIRECTING & STAGE DESIGN 3rd Edition • NEW EDITION

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Automated Lighting

Disability and Theatre

The Art and Science of Moving Light in Theatre, Live Performance, and Entertainment

A Practical Manual for Inclusion in the Arts

Richard Cadena, Freelance lighting designer, author, technical editor of PLASA, and distinguished 20-year veteran of the lighting industry. Resides in Austin, TX.

Disability & Theatre: A Practical Manual for Inclusion in the Arts is a step-by step manual on how to create inclusive theatre, including how and where to find actors, how to publicize productions, run rehearsals, act intricate scenes like fights and battles, work with unions, contracts, and agents, and deal with technical issues. This practical information was born from the author’s 16 years of running the first inclusive theatre company in New York City, and is applicable to any performance level. It features international anecdotal case studies that emphasize problem solving, real-world application, and realistic action plans, and a comprehensive companion website with additional guidelines and hands-on worksheets.

Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance and Entertainment continues to be the most trusted text for working and aspiring lighting professionals. Now in its third edition, it has been fully updated to reflect the great number of automated luminaries with LED light engines, their power supplies, the newer electronics dealing with the control of the hardware, software, and protocols. Its clear, easy-to-understand language also includes enough detailed information for the most experienced technician and engineer. Focal Press Market: Live Entertainment/Lighting July 2017: 235 x 191: 488pp Hb: 978-1-138-85089-7: £104.00 Pb: 978-1-138-85090-3: £34.99 Prev. Ed Pb: 978-0-240-81222-9 * For full contents and more information, visit: www.routledge.com/9781138850903

TEXTBOOK

Beyond Scenography Rachel Hann Aimed at students and researchers working within the field of theatre and performance studies, Beyond Scenography provides a timely treatise on the future of scenographic practice and theory. It provides a concise critical reading of what constitutes a ‘scenographic’ approach to performance. Drawing upon a range of case studies, the book accounts for recent social and spatial trends in scenographic practice and their impact on the future of scenography. Moreover, this book actively applies the principles of scenography to other disciplinary contexts, promoting the critical identity of a ‘scenographic’ perspective beyond the theatre. Routledge Market: Theatre & Performance July 2017 Hb: 978-1-138-78505-2: £80.00 Pb: 978-1-138-78506-9: £24.99 * For full contents and more information, visit: www.routledge.com/9781138785069

Stephanie Barton Farcas

Focal Press Market: Theatre/Stagecraft September 2017: 229 x 152: 200pp Hb: 978-1-138-28896-6: £89.00 Pb: 978-1-138-28897-3: £24.99 eBook: 978-1-315-26751-7 * For full contents and more information, visit: www.routledge.com/9781138288973

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Introduction to Production Creating Theatre Onstage, Backstage, & Offstage Robert Sutherland-Cohen Series: 500 Tips Introduction to Production: Creating Theatre Onstage, Backstage, and Offstage defines the collaborative art of making theatre and the various job positions that go into realizing a production. Beginning with an overview of the art and industry of theatre, the book shows how theatre has evolved through history. The book then breaks down the nuts and bolts of the industry by looking at each professional role within it: from the topmost position of the producer down to the gopher, or production assistant. Each of these positions are defined along with their respective duties, rules, and resources that figure in obtaining these jobs. Each chapter offers exercises, links to videos and websites, review quizzes, and suggested readings to learn more about the creation and production of theatre. Focal Press August 2017: 235 x 191: 224pp Hb: 978-1-138-65056-5: £28.99 Pb: 978-1-138-65777-9: £28.99 eBook: 978-1-315-61871-5 * For full contents and more information, visit: www.routledge.com/9781138657779

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Companion to Scenography

Painting for Performance

Edited by Arnold Aronson

A Beginner’s Guide to Great Painted Scenery

The Routledge Companion to Scenography is the first comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important term for theatre and performance studies. Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies. Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial, and sensory aspects of performance. Tracing a line from Aristotle's Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library. Routledge Market: Theatre & Performance Studies July 2017: 246x174 Hb: 978-1-138-91780-4: £165.00 eBook: 978-1-315-68881-7 * For full contents and more information, visit: www.routledge.com/9781138917804

Sean O'Skea Around the world there are talented theater professionals, teachers, and technicians who are expected to produce great scenery but may have little to no training in scenic art. Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage. Focal Press Market: Theatre December 2016: 279 x 216: 248pp Hb: 978-1-138-95117-4: £95.00 Pb: 978-1-138-95116-7: £32.99 eBook: 978-1-315-66838-3 * For full contents and more information, visit: www.routledge.com/9781138951167

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2nd Edition • NEW EDITION

Scenic Automation Handbook

Stage Manager

Gareth Conner and Loren Schreiber

The Professional Experience Refreshed

Scenic Automation Handbook guides a technician tasked with creating automated effects through the nuts and bolts of creating effective stage effects, with an emphasis on electrical and electronic aspects. This book provides practical information on component selection and integration, breaking down the monolithic topic of "automation" into five digestible chunks referred to as the "Pentagon of Power": mechanical design and fabrication, electrical design and fabrication, electronic selection, computer networking, and software. Containing hard-won tips on how to achieve movement and how to avoid common mistakes in planning, purchasing, and construction, the Scenic Automation Handbook will illuminate the path to opening night success.

Larry Fazio, Larry Fazio has served as a professional stage manger for 25 years, on well over 100 productions

Focal Press November 2017: 235 x 191: 504pp Hb: 978-1-138-85026-2: £113.00 Pb: 978-1-138-85027-9: £37.99 * For full contents and more information, visit: www.routledge.com/9781138850262

This book outlines all aspects of the craft of stage management. Chapters are laid out to reflect the order in which stage managers experience and perform their work: what makes a good stage manager, seeking the job, building a resume, interviewing for the job, and getting the job. Included are chapters on the chain of command, working relationships, tools and supplies, creating charts, plots, plans and lists, the rehearsal period, creating the prompt book, calling cues, and the run of the show. Interviews with professionals in various stages of production provide another view of how the stage manager is perceived and what is expected form the work of the stage manager. Focal Press Market: Theatre/Stage Management February 2017: 279 x 216: 22pp Hb: 978-1-138-19576-9: £105.00 Pb: 978-1-138-19507-3: £34.99 eBook: 978-1-315-40566-7 Prev. Ed Pb: 978-0-240-80410-1 * For full contents and more information, visit: www.routledge.com/9781138195073

11th Edition • TEXTBOOK • NEW EDITION

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Stage Management

Teaching Introduction to Theatrical Design

Lawrence Stern and Jill Gold

A Process Based Syllabus in Costumes, Scenery, and Lighting

Stage Management offers readers a practical manual on how to stage manage in all theatre environments. Revered as the authoritative resource for stage management, this text is rich with practical resources, including checklists, diagrams, examples, forms and step-by-step directions. In addition to sharing his own expertise, Stern has gathered practical advice from working stage managers of Broadway, off-Broadway, touring companies, regional, community, and 99-seat Equity waiver theaters. In its th 11 edition, the book is now fully in color and updated to include new information on Equity contracts, social media applications in stage management, and working with high school productions. Focal Press Market: Theatre/Management November 2016: 229 x 152: 370pp Hb: 978-1-138-12447-9: £95.00 Pb: 978-1-138-12446-2: £31.99 eBook: 978-1-315-64814-9 Prev. Ed Pb: 978-0-205-00613-7 * For full contents and more information, visit: www.routledge.com/9781138124462

Eric Appleton and Tracey Lyons Teaching Introduction to Theatrical Design is a week-by-week guide that helps instructors who are new to teaching design, teaching outside of their fields of expertise, or looking for better ways to integrate and encourage non-designers in the design classroom. This book provides a syllabus to teach foundational theatrical design by illustrating process and application of the principals of design in costumes, sets, lights, and sound. Focal Press December 2016: 229 x 229: 360pp Pb: 978-1-138-19325-3: £34.99 eBook: 978-1-315-63949-9 * For full contents and more information, visit: www.routledge.com/9781138193253

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3rd Edition • NEW EDITION

Stage Management Basics

The Automated Lighting Programmer's Handbook

A Primer for Performing Arts Stage Managers Emily Roth, Jonathan Allender-Zivic and Katy McGlaughlin Without assuming any intrinsic prior knowledge of the theatrical field and its associated, specialized terminology, Stage Management Basics covers every aspect of stage management, from reading a script, meeting with a director and theatre staff and auditioning, to communication best practices and opening night protocol. Additionally, this book features multiple appendices containing stage management form templates, blank versions of which are available on its companion website, and an English (UK) to English (US) glossary. This book touches on basic principles for stage management that are found in theatre, dance, and opera productions. Focal Press Market: Theatre October 2016: 279 x 216: 188pp Hb: 978-1-138-96055-8: £55.00 Pb: 978-1-138-96054-1: £18.99 eBook: 978-1-315-66025-7 * For full contents and more information, visit: www.routledge.com/9781138960541

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Brad Schiller, Lighting programmer, 68th Annual Academy Awards, and the 2000 Olympic Games. Contributor to PLSN magazine. This guide helps lighting designers with the creative and operational challenges they face in their rapidly evolving industry. Providing respected and clear coverage of the process of programming automated lighting fixtures, the author brings the designer from basic principles to preproduction preparations. Concepts, procedures, and guidelines to ensure a successful production are covered as well as troubleshooting, much needed information on work relationships, and technology including LED lighting, console networking, digital lighting, and more. Chapters are peppered with advice and war stories from some of the most prominent lighting designers of today. Focal Press Market: Live Entertainment/Lighting October 2016: 229 x 152: 228pp Hb: 978-1-138-92625-7: £85.00 Pb: 978-1-138-92624-0: £28.99 eBook: 978-1-315-68338-6 Prev. Ed Pb: 978-0-240-81553-4 * For full contents and more information, visit: www.routledge.com/9781138926240

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THEATRE PRODUCTION, DIRECTING & STAGE DESIGN 2nd Edition • NEW EDITION TEXTBOOK

The Stage Manager's Toolkit

The Craft and Art of Scenic Design

Templates and Communication Techniques to Guide Your Theatre Production from First Meeting to Final Performance

Strategies, Concepts, and Resources

Laurie Kincman, Department of Theatre Arts, University of Wisconsin, La Crosse, WI, USA Series: The Focal Press Toolkit Series

Robert Klingelhoefer The Craft and Art of Scenic Design: Strategies, Concepts, and Resources explores how to design stage scenery from a practical and conceptual perspective. Discussion of conceptualizing the design through script analysis and research is followed by a comprehensive overview of execution: collaboration with directors and other designers, working with spaces, developing an effective design process, and the aesthetics of stage design. This book includes case studies, key words, tip boxes, definitions, and chapter exercises. Additionally, the author provides advice on portfolio and career development, contracts, and working with a union. Focal Press Market: Theatre/Stagecraft January 2017: 279 x 216: 300pp Hb: 978-1-138-93765-9: £112.00 Pb: 978-1-138-93764-2: £37.99 eBook: 978-1-315-67617-3 * For full contents and more information, visit: www.routledge.com/9781138937642

This book provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. It outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. It also identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered in order to ensure success. New features to this edition: -New photos and versions of paperwork samples -Expanded discussion of communication practices and digital tools - Improved discussion of the ASM's role -A new stage management training chapter Focal Press Market: Theatre December 2016: 235 x 191: 308pp Hb: 978-1-138-18378-0: £65.00 Pb: 978-1-138-18377-3: £21.99 eBook: 978-1-315-64563-6 Prev. Ed Pb: 978-0-415-66319-9 * For full contents and more information, visit: www.routledge.com/9781138183773

2nd Edition • TEXTBOOK • NEW EDITION

The Director as Collaborator

Theater Planning

Robert Knopf, University of Buffalo

Facilities for Performing Arts and Live Entertainment

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theatre productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New chapters cover: Digital research, previsualization and drafting programs, and web sharing sites Devised and ensemble-based works Immersive theatre, including material and exercises on environmental staging and audience-performer interaction Updated interviews, exercises, forms, and appendices. Focal Press Market: Theatre/Directing April 2017: 229 x 152: 208pp Hb: 978-1-138-10142-5: £95.00 Pb: 978-1-138-10141-8: £24.99 eBook: 978-1-315-65694-6 Prev. Ed Pb: 978-0-205-39709-9 * For full contents and more information, visit: www.routledge.com/9781138101418

Gene Leitermann Series: 100 Cases Theater Planning is an introduction to the design and construction of performing arts buildings. This book introduces theater planning to students and practitioners of each field, and provides a detailed guide to the process and the technical requirements particular to theater buildings. Part I is a guide to the concepts and practices of architecture and construction, as applied to performing arts buildings. Part II is a guide to the design of performing arts buildings, with detailed descriptions of the unique requirements of these buildings. Each concept is illustrated with line drawings and examples from the author’s extensive professional practice. Focal Press Market: Theatre February 2017: 235 x 191: 288pp Hb: 978-1-138-88900-2: £125.00 Pb: 978-1-138-88898-2: £40.99 eBook: 978-1-315-71306-9 * For full contents and more information, visit: www.routledge.com/9781138888982

2nd Edition • NEW EDITION

TEXTBOOK

The Prop Building Guidebook

Theatrical Design

For Theatre, Film, and TV

An Introduction

Eric Hart, Professional Prop Builder, New York, NY, USA Experienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to this edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings. Focal Press Market: Theatre Production February 2017: 229 x 229: 428pp Hb: 978-1-138-18367-4: £32.99 eBook: 978-1-315-64570-4 Prev. Ed Hb: 978-0-240-82138-2 * For full contents and more information, visit: www.routledge.com/9781138183674

Kevin Lee Allen This book emphasizes script analysis and interpretation specifically for designers: how to release meaning and design inspiration from lines and characterization in a script. It then explains the artistic elements and principles of design—the skills necessary to create the design visualized. Concepts are illustrated with examples from theatre, film, art, architecture, and fashion that explore professional and historic use of conceptualization and metaphor. Theatrical Design: An Introduction imparts the tools designers need to innovate off the page.

Focal Press Market: Theatrical Production November 2016: 229 x 152: 270pp Hb: 978-1-138-83881-9: £92.99 Pb: 978-1-138-83882-6: £31.99 eBook: 978-1-315-73380-7 * For full contents and more information, visit: www.routledge.com/9781138838826

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STUDENT REFERENCE

Routledge Revivals: Some Phases in the Life of Buddha (1915)

World Theatre The Basics

Edwin Arnold

E. J. Westlake Series: The Basics

First published in 1915, this book presents a dramatization of part of Edwin Arnold’s The Light of Asia. The original text represents one of the first successful attempts to popularise Buddhism and its founder Gautama Buddha — presenting his life, teachings and philosophy in verse poetry. This adaptation dramatizes part of the The Light of Asia and includes staging instructions, properties required, illustrative drawings of suggested costumes, and incidental music composed specifically for the piece. This book will be of interest to students of Indian and Buddhist literature — and how this has interacted with the West — as well as students of drama.

World Theatre: The Basics provides a well-rounded introduction to non-Western Theatre which explores the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceana, the Caribbean, and the non-English-speaking cultures of the Americas. With numerous case studies and examples from each region, it helps the reader to understand some of the contemporary issues surrounding the scholarship and practice. Providing a roadmap for approaching non-Western theatre and introducing students to key issues in global, postcolonial and transnational performances, this is an essential read for anyone seeking to learn more about world theatre.

Taken from 'The Light of Asia'

Routledge Market: Drama/Indian December 2016: 216x138: 78pp Hb: 978-1-138-29010-5: £70.00 * For full contents and more information, visit: www.routledge.com/9781138290105

Routledge Market: Theatre & Performance Studies February 2017: 198x129: 206pp Hb: 978-1-138-83804-8: £70.00 Pb: 978-1-138-83805-5: £15.99 eBook: 978-1-315-73472-9 * For full contents and more information, visit: www.routledge.com/9781138838055

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TEXTBOOK

Theater and Cultural Politics for a New World

World Theories of Theatre

An Anthology

Glenn A. Odom Edited by Chinua Thelwell Theater and Cultural Politics for a New World is an exhilarating examination of the ways demographic shifts will impact theatre st and performance culture in the 21 century. Editor Chinua Thelwell brings together the revealing insights of artists, scholars and organisers to produce a unique intersectional conversation about the transformative potential of theatre.

Routledge Market: Theatre & Performance Studies October 2016: 234x156: 240pp Hb: 978-1-138-92976-0: £85.00 Pb: 978-1-138-92977-7: £19.99 eBook: 978-1-315-68098-9 * For full contents and more information, visit: www.routledge.com/9781138929777

World Theories of Theatre expands the horizons of theatrical theory, providing tools essential to a truly global approach to theatre. Glenn Odom identifies major debates in theatrical theory from around the world, combining discussions of key theoretical questions facing theatre studies, from Aesthetics to Postcoloniality, with primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, the Antipodes, Latin America, East Asia, and India. Highlighting the diversity of approaches available to students and scholars of theatre studies, World Theories of Theatre presents its reader with fresh ways of thinking about the theatre. Routledge Market: Drama / Theatre Studies May 2017: 234x156: 320pp Hb: 978-1-138-82255-9: £80.00 Pb: 978-1-138-82256-6: £24.99 eBook: 978-1-315-74249-6 * For full contents and more information, visit: www.routledge.com/9781138822566

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Women in Asian Performance Aesthetics and politics Edited by Arya Madhavan Women in Asian Performance offers an Asian-centred approach to performance, considering women's contributions to Asian performance traditions in their specific cultural, historical and performative contexts. Arya Madhavan brings together essays from leading scholars across the globe to make an exciting intervention into current aesthetic, political and cultural debates. Chapter-by-chapter, this volume re-examines the often centuries-old aesthetic theories and acting conventions which inform ideas of femininity and female representation onstage.

Routledge Market: Theatre & Performance Studies February 2017: 234x156: 206pp Hb: 978-1-138-91781-1: £31.99 Pb: 978-1-138-91782-8: £31.99 eBook: 978-1-315-68880-0 * For full contents and more information, visit: www.routledge.com/9781138917828

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INDEX BY TITLE 21st Century Performance Reader, The ....................... 7

One Minute Plays .................................................................. 7

Acting Exercises for Non-Traditional Staging ...................................................................................... 2 Acting for the Stage ............................................................. 2 Acting Shakespeare is Outrageous! .............................. 2 Acting, Archetype, and Neuroscience .......................... 2 Acting, Spectating, and the Unconscious .................. 2 Acting: The Basics ................................................................. 2 Aerial Dance ........................................................................... 5 Aging Body in Dance, The ................................................. 5 Automated Lighting ......................................................... 14 Automated Lighting Programmer's Handbook, The ............................................................................................ 15

Painting for Performance ............................................... 14 Performance, Ethnography and Communication ................................................................... 9 Physical Actor Training ...................................................... 3 Prop Building Guidebook, The ...................................... 16

B Ben Jonson ............................................................................ 11 Ben Jonson ............................................................................ 11 Ben Jonson ............................................................................ 11 Ben Jonson ............................................................................ 11 Beyond Scenography ....................................................... 14 Black Acting Methods ......................................................... 3 Black British Theatre ............................................................ 9

C Character Costume Figure Drawing ............................ 4 Choreography: The Basics ................................................ 5 Companion to Scenography ........................................ 14 Corsets and Crinolines ........................................................ 4 Courtesans and Cuckolds ............................................... 11 Craft and Art of Scenic Design, The ............................ 16 Craft Notes for Animators ................................................. 3 Creating the Character Costume ................................... 4

D Digital Costume Design and Collaboration ............. 4 Director as Collaborator, The ........................................ 16 Disability and Theatre ...................................................... 14

R Routledge Anthology of Restoration and 18th Century Drama, The ............................................................................. 7 Routledge Companion to Adaptation, The .............. 7 Routledge Companion to Digital Humanities in Theatre and Performance, The ..................................... 10 Routledge Companion to Performance Practitioners, The .............................................................................................. 8 Routledge Library Editions: Renaissance Drama .................................................................................... 12 Routledge Research Companion to Early Drama and Performance, The ................................................................. 8 Routledge Revivals: Some Phases in the Life of Buddha (1915) ...................................................................................... 17

S Scenic Automation Handbook .................................... 15 Secrets of Acting Shakespeare ........................................ 3 Shakespeare's Tragic Justice ......................................... 12 Stage Lives of Animals, The ............................................ 10 Stage Management .......................................................... 15 Stage Management Basics ............................................ 15 Stage Manager ................................................................... 15 Stage Manager's Toolkit, The ........................................ 16 Stage-Play and Screen-Play ............................................. 9 Stanislavski in Practice ....................................................... 7 Stuart Academic Drama ................................................. 13

Elevator Repair Service ....................................................... 9 Elizabethan Player, The ................................................... 13 Enchanted Shows .............................................................. 11 Essays on Shakespeare and Elizabethan Drama .................................................................................... 12 Essential Dramaturgy ......................................................... 9

Teaching Introduction to Theatrical Design ........... Theater and Cultural Politics for a New World ....................................................................................... Theater Planning ................................................................ Theatre in Europe under German Occupation ........................................................................... Theatrical Design ............................................................... Theatrical Performance and the Forensic Turn .......................................................................................... Tragedy of State, The ........................................................

Imagined Theatres ............................................................... 7 Influence of the Jacobean Masque on the Plays of Beaumont and Fletcher, The ......................................... 13 Introduction to Production ............................................ 14

Unearthing Shakespeare ................................................... 3

J Jacobean City Comedy .................................................... 12 Jacobean Private Theatre ............................................... 12 Jacobean Tragedy ............................................................. 12 Jasmin Vardimon's Dance Theatre ............................... 5

15 17 16 10 16 10 13

V Voice: Onstage and Off ...................................................... 3

W What Moves You? ................................................................. 5 Women in Asian Performance ..................................... 17 World Dance Cultures ........................................................ 6 World Theatre ...................................................................... 17 World Theories of Theatre .............................................. 17

Memos from a Theatre Lab .............................................. 9 Monster in Theatre History, The ................................... 10 Movement ............................................................................... 5

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INDEX BY AUTHOR

A Allen, Kevin Lee ................................................................... 16 Ansell, Steve ............................................................................. 7 Appleton, Eric ....................................................................... 15 Arnold, Edwin ...................................................................... 17 Aronson, Arnold ................................................................. 14

Merlin, Bella .............................................................................. 2 Miles, Rosalind ..................................................................... 11 Miles, Rosalind ..................................................................... 11

N Nakajima, Nanako ................................................................. 5 Nichol, Charlotte ................................................................... 5

Bailes, Sara Jane ..................................................................... 9 Barton Farcas, Stephanie .............................................. 14 Barton, Robert ......................................................................... 3 Barton, Robert ......................................................................... 5 Beamann, Patricia ................................................................. 6 Brayshaw, Teresa ................................................................... 7 Brody, Jane Drake ................................................................. 2

O'Brien, Nick ............................................................................. 7 O'Skea, Sean .......................................................................... 14 Odom, Glenn A. .................................................................. 17

C Cadena, Richard .................................................................. 14 Chamberlain, Franc ............................................................. 8 Chaudhuri, Una ................................................................... 10 Chemers, Michael .............................................................. 10 Conner, Gareth .................................................................... 15 Cutchins, Dennis ................................................................... 7

P Palmer, John ......................................................................... 11 Parker, Herb .............................................................................. 2 Pearce, Michael ...................................................................... 9 Pye, Valerie ................................................................................ 3

R Ribner, Irving ......................................................................... 12 Roth, Emily ............................................................................. 15 Russell, David L. ................................................................... 13

Davies, Jenefer ....................................................................... Deshpande Hutchinson, Anjalee ................................ Dinesh, Nandita ..................................................................... Dolan, Judith ........................................................................... Droznin, Andrei ......................................................................

5 2 9 4 3

F Fazio, Larry ............................................................................. 15 Frieze, James ......................................................................... 10

G Gibbons, Brian ..................................................................... 12 Gossett, Suzanne ............................................................... 13

Sack, Daniel .............................................................................. 7 Schiller, Brad .......................................................................... 15 Sisson, C. J. ............................................................................. 12 Stanton, Erica .......................................................................... 5 Stern, Lawrence .................................................................. 15 Straub, Kristina ........................................................................ 7 Sturgess, Keith ..................................................................... 12 Sutherland-Cohen, Robert ........................................... 14

T Thelwell, Chinua ................................................................. 17 Tucker, Patrick ......................................................................... 3 Turri, Maria ................................................................................ 2

H Hann, Rachel ......................................................................... 14 Hare, Elissa .............................................................................. 11 Hart, Eric .................................................................................. 16 Heinrich, Anselm ................................................................ 10 Henke, James T. .................................................................. 11 Hooks, Ed ................................................................................... 3 Hosley, Richard .................................................................... 12 Huaixiang, Tan ........................................................................ 4

Vardimon, Jasmin ................................................................. 5 Various, .................................................................................... 12

W Weinstein, Anna .................................................................... 2 Westlake, E. J. ........................................................................ 17

I Ingham, Michael ................................................................... 9

J Jaen, Rafael ............................................................................... 4

K Kincman, Laurie .................................................................. 16 King, Pamela ............................................................................ 8 Klingelhoefer, Robert ...................................................... 16 Knopf, Robert ....................................................................... 16

L Lambeth, Cheralyn .............................................................. 4 Lang, Theresa .......................................................................... 9 Leggatt, Alexander ........................................................... 11 Leitermann, Gene .............................................................. 16 Leonhardt, Nic ..................................................................... 10 Lever, J. W. .............................................................................. 13 Luckett, Sharrell ..................................................................... 3

M Madhavan, Arya .................................................................. 17 Madison, D Soyini ................................................................. 9 Mann, David .......................................................................... 13

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Taylor & Francis Group 2 Park Square, Milton Park, Abingdon. Oxon. OX14 4RN Tel: 02070176000 â&#x20AC;¢ Fax: 02071076699 ISBN: 9781138897441