Sarajevo Chamber Music Festival Sarajevo, 24. avgust - 1. septembar 2012. Sarajevo, August 24 - September 1, 2012 realiziran je u koprodukciji / is a cooproduction of Manhattan String Quartet, & Muzička akademija u Sarajevu Academy of Music in Sarajevo Umjetnici / Artists Manhattan String Quartet osnivački rezidentni ansambl founding ensemble in residence Benjamin Bloomfield, bariton / baritone David Finckel, violončelo / cello Wu Han, klavir / piano Yeonju Jeong, violina / violin Sangmi Lim, klavir / piano Dino Mulić, klavir / piano Boris Rener, klarinet / clarinet Alexander Swete, gitara / guitar Christopher Taylor, klavir / piano U fokusu / In Focus Franz Schubert Antonín Dvořák Direkcija Festivala / Festival Directorate Umjetnički direktori / Artistic Directors Chris Finckel Dino Mulić Umjetnički savjetnik / Artistic Advisor Ivan Čavlović Izvršna direktorica / Operations Director Amila Ramović
Počasni pokrovitelj Sarajevo Chamber Music Festivala je Gradonačelnik Grada Sarajeva dr. Alija Behmen. Honorary patron of the Sarajevo Chamber Music Festival is the Mayor of Sarajevo Dr. Alija Behmen.
Dobrodošli!
Prof. dr. Ivan Čavlović umjetnički savjetnik / artistic advisor
Welcome!
V. as. mr. Amila Ramović izvršna direktorica / operations director
Dobro došli na Sarajevo Chamber Music Festival!
Welcome to the Sarajevo Chamber Music Festival!
Muzička akademija u Sarajevu i Manhattan String Quartet iz New Yorka nastoje opredmetiti individualnu i kolektivnu energiju u umjetnički čin pod nazivom Sarajevo Chamber Music Festival i umjetnički edukativni poduhvat nazvan Sarajevo Chamber Music Institute. Značaj Sarajevo Chamber Music Festivala potvrđuje prošlogodišnje izdanje s izvedbom gudačkih kvarteta Dmitrija Šostakoviča, koje je ocijenjeno kao najuspješnije festivalsko izdanje u Sarajevu u protekloj godini, ne samo u umjetničkoj muzici, nego i uopšte.
The Academy of Music in Sarajevo and the Manhattan String Quartet from New York are working together in an effort to objectify individual and collective energy into the artistic act entitled Sarajevo Chamber Music Festival and an art education endeavour, the Sarajevo Chamber Music Institute. The significance of Sarajevo Chamber Music Festival was confirmed in last year’s edition with the performance of Dmitri Shostakovich’s String Quartets, which was rated as the premium production among Sarajevo’s festivals in the past year, not only in the art music field but also in general.
Programska tema ovogodišnjeg festivala je kamerna muzika Franza Schuberta i Antonína Dvořáka. Ova dvojica kompozitora su izabrana naprosto jer su muzički geniji svjetske muzičke scene i najbolji reprezenti velike muzike malih naroda. Kamerna djela ovih, ali i nekih drugih kompozitora, izvodit će istaknuta imena i velikani današnje reproduktivne svjetske muzičke scene, uz Manhattan String Quartet, David Finckel, Wu Han, Benjamin Bloomfield, Sangmi Lim, Aleksander Swete, Yeonju Jeong, Boris Rener, Christopher Taylor i Dino Mulić. Zadatak ovih umjetnika nije samo vrhunsko izvođenje umjetničkih djela, već i poduka studenata muzičkih akademija iz cijelog svijeta filozofiji kamernog muziciranja.
The program theme of this year’s festival is the chamber music of Franz Schubert and Antonín Dvořák. These two composers were chosen simply because they are musical geniuses of the world music scene and the best representatives of great music of small nations. Their chamber works, and some of other composers, will be performed by prominent names of contemporary world music scene, the Manhattan String Quartet, David Finckel, Wu Han, Benjamin Bloomfield, Sangmi Lim, Alexander Swete, Yeonju Jeong, Boris Rener, Christopher Taylor and Dino Mulić. The task of these artists is not only the superior performance of the works in question, but also teaching students of music academies from 2
Jednom smo zapisali, i ponovo pišemo, da su Majske Muzičke Svečanosti otvorile vrata Muzičke akademije svijetu, a da su Sarajevo Chamber Music Festival i Sarajevo Chamber Music Institute pokazali da je Muzička akademija kuća u kojoj definitivno stanuje muzika, onako kako biće stanuje u čovjeku ili kako biće muzike živi u duhu ljudskosti. Svakim novim muzičkim poduhvatom postajemo svjesniji sebe i svojih bića u zajedništvu jednoga u drugom. Zato se neobično radujemo ponovnoj saradnji s Manhattan String Quartetom i umjetnicima koji će nastupiti u okviru festivala, jer smo svjesni da pojedinačni uspjeh ovih umjetnika jeste i kolektivni uspjeh Muzičke akademije u Sarajevu i obratno, naravno.
around the world the philosophy of chamber music making. Once we wrote it, and we write it again, that the May Festivities of Music opened the door of the Academy of Music to the world, and that the Sarajevo Chamber Music Festival and the Sarajevo Chamber Music Institute showed that the Academy of Music is an institution where music is definitely living, in the way as a being dwells in a man or the being of music lives in the spirit of humanity. With each new musical endeavour we become more aware of ourselves and of our beings in communion of one another. Therefore, we are very much looking forward to the renewed cooperation with the Manhattan String Quartet and the artists who will perform at the Festival, aware that the individual success of these artists is the collective success of the Academy of Music in Sarajevo and vice versa, of course.
Uz neizmjernu zahvalnost njima, i onima koji su vrijedno radili na organizaciji festivala i instituta, izražavamo dobrodošlicu domaćina otvorenog za zajedničke napore svake iduće godine, čak i više od mjere u kojoj ovdašnja društvena praksa ima potrebu i razumijevanje za umjetnost najviših dosega.
With immense gratitude to them, and those who have worked diligently on the organization of this Festival and Institute, we extend our welcome as hosts, and we open our collaborative effort for each following year, striving to increase and exceed the need of the local social practice for the highest reaches of art.
Radujmo se muzici i ljudskim susretanjima!
Let us rejoice in music and human encounters! 3
Riječ umjetničkih direktora
Chris Finckel & Dino Mulić kodirektori / co-directors
Word from the Artistic Directors
Drage dame i gospodo, s velikim ponosom Vam predstavljamo Sarajevo Chamber Music Festival i Institut i ove, 2012. godine. U ime organizatora Festivala, zadovoljstvo nam je poželjeti Vam dobrodošlicu!
Dear ladies and gentlemen, it is with great pride that we present to you the 2012 Sarajevo Chamber Music Festival and Institute. On behalf of the festival directorate it is our pleasure to welcome you!
Ove godine SCMF slavi život i djelo Franza Schuberta i Antonína Dvořaka, velikana čija ljudska snaga i maestralno umijeće čine okosnicu programa našeg Festivala i Instituta. Kompozicije kojima su ovi majstori doprinijeli repertoaru kamerne muzike istinska su remek-djela i čine najsjajnije tačke ovog žanra. Od Schubertove lakoće i jednostavnosti stvaranja do Dvořakove topline i uzvišenosti, susrećemo se sa muzikom čija se gracioznost i hrabrost obraća svakom od nas, oblikujući našu estetiku i dodirujući naša srca. Uistinu imamo veliku sreću da se ovim djelima uvijek možemo vraćati, i uvijek iznova otkrivati njihovu ljepotu i težiti ka njihovom savršenstvu!
The 2012 Sarajevo Chamber Music Festival and Institute is celebrating the compositions and lives of Franz Schubert and Antonín Dvořak. great artists form the centerpiece of this year’s festival and institute. The contributions of these masters’ works to the chamber music repertoire are timeless masterpieces and contain music at the pinnacle of this genre. From Schubert’s effortless simplicity to Dvorak’s warmth and grandeur, this is music whose grace and courage speaks to each one of us individually, shaping our aesthetic and touching our hearts. We are so fortunate to have these works to turn to time and time again, to revel in their beauty and to aspire to their perfection.
Muzički festival oslanja se na tri elementa za svoj uspjeh: genij velikih kompozitora, predanost vrhunskih izvođača i energiju zahvalne publike. Pozivamo Vas da prisustvujete ovim izuzetnim događajima koje smo za Vas osmislili, a svi majstorski kursevi, predavanja, koncertne pripreme i, naravno, koncerti su otvoreni za javnost i potputno besplatni. Molimo Vas povedite prijatelja, dijete ili susjeda sa sobom, Vaš dolazak je ono što nas nadahnjuje da nastavimo da gradimo ovaj poduhvat! U ovoj knjižici ćete pronaći puni program festivalskih događanja.
A music festival relies on three elements for its success: the genius of great composers, the dedication of extraordinary performers and the energy of an appreciative audience. We invite you to attend all the fascinating events we have planned, and please know that all our master classes, lectures, program preparations and, of course, concerts are open to the public free of charge. Please bring a friend, a child or a neighbor with you - we are energized by your schedule of events. 4
Željeli bismo izraziti našu zahvalnost Muzičkoj akademiji u Sarajevu i njenom dekanu, dr. Ivanu Čavloviću, za entuzijazam, podršku i savjete u realizaciji ovog festivala namijenjenom građanima Sarajeva i Bosne i Hercegovine. Akademija je otvorila svoja vrata za programe našeg Instituta, osigurala historijsku dvoranu Doma OS BiH za sve naše koncerte, te pripremila sve potrebne materijale za održavanje Festivala. Istinski smo zahvalni za ovu saradnju.
We would like to express our gratitude to the Sarajevo Academy of Music and its dean, Dr. Ivan Čavlović, for their enthusiasm, support and advice in bringing this Festival to the people of Sarajevo and Bosnia and Herzegovina. The Academy has opened all its doors for our Institute, secured the historic Army Hall as our concert venue, and prepared all the necessary materials for the festival. We are forever grateful for their collaboration.
Našu zahvalnost dugujemo i slijedećim osobama koje su naporno radile na realizaciji Festivala: Marija Bajo i članovi organizacionog tima studenata Muzičke akademije, Yevgeny Xaverieff, Belma Alić i kolege sa Odsjeka za žičane instrumente Muzičke akademije, kreativni tim Ideologija, Esad Šuman i svim kolegama i studentima koji su svojim zalaganjem omogućili uspjeh ovog festivala. Posebnu zahvalnost za nevjerojatnu predanost i stručnost dugujemo Amili Ramović, bez čije nesebične predanosti i profesionalnosti ovaj Festival ne bi bio ono što je danas.
In addition we give our thanks to the following people who have worked so hard for the Festival: Marija Bajo and a group of students in the students’ coordination group, Yevgeny Xaverieff, Belma Alić and colleagues from the strings department, Ideologija creative team, Esad Šuman, and a number of colleagues and students who have contributed with their personal efforts. And a special note of our appreciation for the incredible dedication and expertise of Amila Ramovic, without whose selfless devotion and professionalism this Festival would not be what it is today.
Na kraju upućujemo našu iskrenu zahvalnost brojnim sponzorima i donatorima, velikim i malim, čija je finansijska pomoć omogućila Sarajevo Chamber Music Festival. Njihova vjera da moć dobre muzike može dotaknuti naša srca i učiniti nas boljim ljudskim bićima omogućila nam je da danas budemo ovdje zajedno.
Lastly we send our heartfelt gratitude to the many sponsors and donors, large and small, whose financial support have made the Sarajevo Chamber Music Festival possible. It is their belief in the power of great music to touch our hearts and to advance us as human beings that have made this Festival possible. 5
DOM OS BIH / ARMY HALL KONCERTI / CONCERTS Četvrtak / Thursday, 23.08.2012.
MUZIČKA AKADEMIJA / ACADEMY OF MUSIC
MAJSTORSKE RADIONICE / MASTERCLASSES 13.00-15.00 Registracija / Registration
Petak / Friday, 24.08.2012.
19.30 SCHUBERT, CASTELNUOVO-TEDESCO, BOCCHERINI Alexander Swete, gitara / guitar Manhattan String Quartet
10.00 Majstorska radionica / Masterclass Manhattan String Quartet
Subota / Saturday, 25.08.2012
19.30 BEETHOVEN, DVOŘÁK, ARENSKY David Finckel, violončelo / cello Wu Han, klavir / piano Manhattan String Quartet
10.00 Majstorska radionica / Masterclass David Finckel, violončelo / cello & Wu Han, klavir / piano
Nedjelja / Sunday, 26.08.2012, 15.00
PREDAVANJA / LECTURES
15.00 Uvod u programe SCMF Introduction into SCMF programs Dr. Ivan Čavlović, Manhattan String Quartet
15.00 Ciklus Zimsko putovanje Franza Schuberta Franz Schubert, Winterreise cycle Benjamin Bloomfield, bariton / baritone
Ponedjeljak / Monday, 27.08.2012.
19.30 SCHUBERT Sangmi Lim, klavir / piano Dino Mulić, klavir / piano Yeonju Jeong, violina / violin Benjamin Bloomfield, bariton / baritone
10.00 Majstorska radionica / Masterclass Manhattan String Quartet
16.00 Franz Schubert Dr. Ivan Čavlović, muzikolog / musicologist
Utorak / Tuesday, 28.08.2012.
19.30 MOZART Boris Rener, klarinet / clarinet Dino Mulić, klavir / piano Manhattan String Quartet
10.00 Majstorska radionica / Masterclass Manhattan String Quartet
16.00 W. A. Mozart Dr. Ivan Čavlović, muzikolog / musicologist
Srijeda / Wednesday, 29.08.2012.
19.30 DEBUSSY, DUTILLEUX, MOE, STRAVINSKI Manhattan String Quartet
10.00 Majstorska radionica / Masterclass Manhattan String Quartet 14.00 Majstorska radionica / Masterclass Christopher Taylor, klavir / piano
16.00 Debussy, Stravinsky M. Sc. Amila Ramović, muzikolog / musicologist
Četvrtak / Thursday, 30.08.2012.
19.30 BACH, BRAHMS, RZEWSKI, SCHUBERT Recital Christopher Taylor, klavir / piano
10.00 Majstorska radionica / Masterclass Manhattan String Quartet
16.00 Antonín Dvořák Dr. Ivan Čavlović, muzikolog / musicologist
Petak / Friday, 31.08.2012.
19.30 Učesnici Instituta SCMF SCMF Institute Participants
Subota / Saturday, 01.09.2012.
19.30 DVOŘÁK Christopher Taylor, klavir / piano Manhattan String Quartet
Program događanja Events Schedule
10
U fokusu SCMF-a: Schubert i Dvořák In SCMF’s Focus: Schubert and Dvořák Prof. dr. Ivan Čavlović
Sarajevo Chamber Music Festival 15
Koncerti
23
Izvođači
Concerts
Performers
Sarajevo Chamber Music Institute 33
Majstorske radionice i predavanja
38
Podržavaoci
Masterclasses and Lectures
Supporters
U fokusu SCMF-a: Schubert i Dvořák
Prof. dr. Ivan Čavlović
In SCMF’s Focus: Schubert and Dvořák
Franz Schubert (1797–1828): RANI ROMANTIČAR U BLIZINI TRADICIJE
Franz Schubert (1797-1828): AN EARLY ROMANTIC, YET SO CLOSE TO TRADITION
U svom tridesetjednogodišnjem životu Franz Schubert je stvorio djela neprevaziđene umjetničke ljepote. Umjetnost znači biti prisutan dugo nakon svoga života i vremena. Samo rijetki umjetnici, posebno kompozitori, imaju moć ostati
During his thirty one years of life, Franz Schubert created works of unsurpassed artistic beauty. “Art’’ means being present long after one’s life and times have ended. Not many artists, especially composers, have possessed the power to continue living after their physical death. Schubert was one of those. By creating his unique art, while remaining close to the tradition of the classicist époque, Schubert composed works that bear the stamp of his own genius.
od takvih. Stvarajući u neposrednom dodiru s tradicijom klasičke epohe, Schubert je stvorio djela koja nose pečat vlastite genijalnosti. Njegov kratki život je bio ispunjen rijetko viđenom životnom energijom i muzikom kojoj je Schubert, po vlastitom iskazu, bio neobično sklon, ali i uvjeren da muzici može dati mnogo više od same ljubavi. Schubert je bio svjestan sebe kao muzičara i kompozitora, ne tako robustno i ne tako nevino, ali jednako kao i svi drugi kompozitori koji su svijetu dali veličanstven stvaralački opus. Schubertova muzika je sklona dramatici Beethovena jednako kao i lirici jednog Mozarta. Poslušajmo Schubertove simfonije ili kvartete ili fantazije i vidjet ćemo da je blizak Mozartu, s druge strane, poslušajmo njegove klavirske sonate i bit će nam jasno da je u klavirskom sonatnom stavku Schubert blizak Beethovenu.
rarely seen, and to music, which, by his own testimony, Schubert was unusually bound, he gave his heart completely. Schubert was aware of himself as a musician and composer, not as robustly or as innocently, but still similarly to other great composers who have given the world a gift of their glorious creative opuses. His music is capable of the drama of Beethoven, while still inclining to the lyricism of Mozart. If we listen to Schubert’s symphonies, or quartets, or fantasies, we feel how close he can be to Mozart, and, on the other hand, if we listen to his piano sonatas, it will be clear to us that he is so close to Beethoven. But in songs, however, Schubert is only Schubert, and no one else – or we could say that everyone else - is like Schubert. And this is where the grandeur of Schubert’s genius lies – to be close to Beethoven and to be yourself, to be in Vienna, a city enchanted by Mozart, and still remain Schubert. And where could it be more important to be one’s own than in Vienna where, in Schubert’s time, such a vast number of great musicians lived and created their art.
Ali u solo pjesmama Schubert je samo Schubert i niko drugi, odnosno svi drugi su kao Schubert. U tome je veličina Schubertovog genija – biti u neposrednoj blizini Beethovena a biti svoj, biti u Beču opčinjenom Mozartom, a opet biti samo Schubert. I gdje treba više biti svoj nego u Beču u kojem je u njegovo vrijeme boravio, svirao i komponovao značajan broj velikih svjetskih muzičara. 10
Prelistajmo neke od Schubertovih partitura koje će biti izvedene na ovogodišnjem SCMF-u. Svako od njih je idealan pokazatelj nečega što bi mogli nazvati schubertijanizmom u smislu stila, životnog opredjeljenja, života samog. Stavak za gudački kvartet, D 703, c mol (1820), Gudački kvartet D 104, br. 13, a mol (1824), Harfna sonata D 821, a mol (1824), Fantazija za violinu i klavir op. 159, C dur (1827), Fantazija za klavir u četiri ruke op. 103, f mol (1828), ciklus solo pjesama Zimsko putovanje D 911 (1828) i Sonata za klavir, B dur (1828), izbor je koji pravi presjek Schubertovog kamernog stvaralaštva, ne po vremenu nastanka, već po kvaliteti i ljepoti tonskog sloga, prvenstveno melodije. Svaka od pobrojanih kompozicija je individualni pokazatelj schubertijanskog umjetničkog stava: svijetu dati samo ono što zadovoljava zahtjeve vlastitog muzičkog genija. Ukoliko se genijalnost pojedinca stopi s historijsko-publičkim stavom o umjetnosti kao uživanju i pobuni, onda je i rezultat našeg izbora i odabira na pravom mjestu.
Let us look into some of Schubert’s pieces that will be performed at this year’s SCMF. Each one of them is an ideal example of what we could call Schubertianism in terms of style, life’s decisions, life itself. Quartettsatz in C Minor, D 703 (1820), String Quartet No. 13 in A Minor, D 104 (1824), Fantasy in C Major for violin and piano, Op. 159 (1827), Fantasy in F Minor for piano four-hands, Op. 103 (1828), song cycle Die Winterreise D This selection is a precise cross section of Schubert’s chamber works, not in terms of the chronology of their creation, as much as the quality and beauty of his writing, and primarily his melodies. Each of the compositions listed is an individual indicator of Schubertian artistic attitude: to give to the world only what meets the demands of his own musical genius. If the genius of the individual happens to be in harmony with historical audience’s attitude about art as pleasure and rebellion, then the result of our choices and selection is in the right place.
Schubert je komponovao preko 1100 djela, od toga oko 600 solo pjesama. Upravo solo pjesme i kamerna djela, kojih je najviše u cjelokupnom opusu, pokazuju romantičarski Schubertov odnos prema maloj formi. Mala umjetnička forma je idealan medij za ono što nazivamo jedinstvom u raznolikosti u muzici: jedinstvo kompozicijske tehnike – raznolikost muzičkog sadržaja, jedinstvo muzičke građe – raznolikost ljudskih osjećanja, jedinstvo umjetničke poetike – raznolikost slušalačke estetike i sl. Upravo u tim okvirima treba razumijevati Schuberta kao kompozitora i dopustiti svakome od nas individualnu estetiku slušanja. Schuberta, naime, treba slušati opuštenim tijelom, ali napetim duhom. U njemu ćemo naći neke od odgovora na pitanja našeg postojanja u ljudskosti i našeg odnosu prema drugom i drugačijem.
Schubert composed over 1100 works, about 600 of which were songs. The songs and chamber works in particular, which dominate his oeuvre, short form. The short form is the ideal medium for what we call unity in diversity in music: unity of compositional technique - diversity of musical content, unity of musical material - variety of human emotions, unity of artistic poetics diversity of listening aesthetics, etc. It is in this framework that we should understand Schubert as a composer and allow each of us our individual aesthetics of listening. Schubert, in fact, is to be listened with a relaxed body but a tense spirit. In our existence in humanity and in relation towards what is other and different. So, let us listen to Schubert!
Poslušajmo Schuberta! 11
Prof. dr. Ivan Čavlović
Antonin Dvořák (1841–1904): TRADICIJA IZ/NOVA
Antonín Dvořák (1841-1904): THE (NEW) TRADITION
Dvořák je jedan od rijetkih kompozitora porijeklom iz malog naroda, a da ima istaknuto mjesto i značenje na svjetskoj muzičkoj sceni. Sjetimo se da je takav bio i njegov češki sunarodnjak Bedřich Smetana, Mađar Bela Bartók, Norvežanin Edvard Grieg, Finac Jan Sibelius i malobrojni drugi, koji dokazuju da i iz malih naroda koji nemaju višestoljetnu tradiciju umjetničke muzike može poteći svjetski muzički genij. Posebno iz češkog naroda! Znana je, naime, uloga čeških muzičara u razvoju muzičkog života u zapadnoj Evropi i zapadnom Balkanu. Kompozitori poput Dvořáka i jesu oni koji čine historiju svjetske muzike, one muzike koju nazivamo velikom u društvenom smislu. A velika je jer je estetički relevantna i jer je baš zbog te relevantnosti društveno odnosno slušalački i publički živa na svim prostorima i kroz sva vremena.
Dvořák was one of the few composers that originated in a small nation and rose to a place of prominence and relevance on the world music scene. Let us also remember his Czech compatriot Bedřich Smetana, Hungarian Bela Bartók, Norwegian Edvard Grieg, Finn Jan Sibelius and others, who all prove that small nations, who do not have centuries-long traditions of art music, can yield world music geniuses. And especially the Czech people! The role of Czech musicians in the development of musical life in Western Europe and the Western Balkans is well known. Composers such as Dvořák are actually those who make the history of world’s music, the music that society has recognized as great. And it is great because it is aesthetically relevant and it is precisely because of that relevance that it remains alive for listeners and audiences, everywhere and through all times.
Mnogo je epizoda koje su činile Dvořákov životni i umjetnički slijed zanimljivim i pomalo čudnim. Njegov životopis je ispunjen teškim i postepenim i ne baš lakim dolaskom do umjetničke slave. Jedan od najvažnijih događaja za 32-godišnjeg Dvořáka jeste umjetničko poznanstvo s Brahmsom zahvaljujući kojem 1873. u ondašnjoj Habzburškoj monarhiji dobija nagradu na takmičenju za nadarene kompozitore. Druga važna epizoda u Dvořákovu životu jeste umjetnički angažman u Americi (1892–1895). Boravak u Americi rodit će Simfoniju “Iz novog svijeta”, Gudački kvartet u F duru, Koncert za violončelo u h molu i Sonatinu za violinu i klavir, ali će imati upliva i u drugim njegovim djelima kroz opšti ugođaj melodike američkog tla.
There are many episodes that make Dvorák’s life and his artistic path interesting and somewhat unique. His biography is filled with the difficulties of his gradual ascent to artistic fame. One of the most important events for the 32-year Dvořák was his acquaintance with Brahms, thanks to whom he received an award in a competition for talented composers in 1873, in what was then the Habsburg Monarchy. Another important episode in the life of Dvořák was his artistic engagement in the United States (1892-1895). His stay in America gave birth to his famous Symphony From the New World, the String Quartet in F Major (American), the Concerto for Cello and Orchestra in B minor and the Sonatina for violin and piano; and the general atmosphere of American soil’s melodic nature will remain to reflect itself in his works.
Dvořák je kasni romantičar koji je stvarao na tradiciji češke muzike, prvenstveno njegova prethodnika i velikog kompozitora Bedřicha Smetane. U Dvořákovu harmonijskom jeziku prisutan je Brahms i drugi kasni romantičari,
ali melodijska invencija obogaćena češkoameričkim prizvukom je originalno dvořákovska.
Bedřich Smetana, in particular. But even though we can find traces of composers such as Brahms and other late Romantics in Dvořák’s harmonic language, his melodic invention, enriched by the Czech-American overtones, is originally Dvořákian.
Dvořák je muzikant u najboljem smislu riječi. Na autografu jedne njegove kompozicije zapisano je: “Uprkos svemu ostajem jednostavni češki muzikant.” Nije čudno i neobjašnjivo? Muzičku karijeru je počeo u zabavnom orkestru svirajući violu, a onda kada je cijeli orkestar postao dio orkestra Narodnog pozorišta u Pragu, Dvořák se ozbiljno počinje baviti umjetničkom muzikom prvenstveno intenzivno upoznavajući veliku opernu literaturu. Iz spoja urođene muzikalnosti i poznavanja svjetske muzičke literature, rodit će se umjetnički stav da je muzika dobra samo onda kada je zanatski dobro skrojena i kada ima šta kazati drugima. Izrazita liričnost i elegičnost melodijskih raspoloženja uobličena je kod Dvořáka u formu klasičkih okvira obogaćenoj složenim harmonijskim jezikom. I to je ono što bi u stilskim okvirima mogli nazvati dvořákovskim pristupom muzici i umjetnosti uopšte. Mnoge stranice Dvořákovih partitura pokazuju da je stvaranje muzike za njega potreba, ne samo profesija i mogućnost zarade. Opisujući njegov boravak u Americi, češki pisac Jozef Škvorecki zapisuje istinitu priču da je Dvořák često odlazio u prirodu ili se osamljivao od brojne porodice s notnim papirom i olovkom i tražio i zapisivao svoju muziku iz praznog prostora prirode.
Dvořák is a musician in the best sense of the word. In the autograph of one of his compositions it was written: “Despite everything I remain a simple Czech musician.” Isn’t that strange and inexplicable? He began his musical career in an entertainment orchestra playing viola, and then, when the whole orchestra became part of the National Theatre in Prague, Dvořák began to seriously study art music, primarily by learning a large operatic repertoire. The combination of innate musicality and knowledge of world music literature will form his artistic attitude that music is good only when it is well crafted and when you have something to say to others. The particular lyricism and elegy of his melodic moods are formulated through classically shaped forms, enriched by a complex harmonic language. And this is what could be called a Dvořákian approach to music and art in general. Many pages of Dvořák’s scores show that making music for him is a need, not just a profession or a potential earning. Describing his stay in America, the Czech writer Josef Škvorecký wrote a true story that Dvořák, who was terribly home sick for his beloved Bohemia, often went into nature with music paper and pencil and wrote his music down from nature’s empty space.
Dvořákova djela na ovogodišnjem SCMF-u: Klavirski trio op. 65, br. 3 (1883), Klavirski kvintet op. 81, br. 2, a mol (1887), Tercet za dvije violine i violu, op. 74 (1887), Gudački kvartet op. 106, br. 13, G dur (1895), dostojni su reprezentanti njegove muzičke genijalnosti.
Dvořák’s works at this year’s SCMF: Piano Trio No. 3 in F Minor, Op. 65 (1883), Piano Quintet No. 2 in A Major, Op. 81 (1887), Terzetto in C for Two Violins and Viola, Op. 74 (1887), String Quartet No. 13 in G Major, Op. 106 (1895), are dignified representatives of his musical genius.
Poslušajmo ih!
Dvořák is a late romantic composer who followed, creatively, the tradition of Czech music, and the footsteps of his predecessor, the great composer 12
Let us listen hear them! 13
Petak, 24. avgust 2012, 19.30 Friday, August 24, 2012, 7:30 PM
Alexander Swete, gitara / guitar Manhattan String Quartet
Koncerti Concerts
Franz Schubert (1797-1828) Stavak za kvartet D. 703, c mol (1820) Quartettsatz in C Minor, D. 703 (1820) Mario Castelnuovo-Tedesco (1895-1968) Gitarski kvintet op. 143, F dur (1950) Quintet for Guitar and String Quartet in F Major, Op. 143 (1950) Allegro, vivo e schietto Andante mesto Scherzo: Allegro con spirito, alla marcia Finale: Allegro con fuoco
Franz Schubert (1797-1828) Gudački kvartet D. 804, br. 13, a mol (1824) String Quartet No. 13 in A Minor, D. 804 (1824) Allegro ma non troppo Andante Menuetto – Allegretto – Trio Allegro moderato Luigi Boccherini (1747-1805) Gitarski kvintet G. 448, D dur (1788) Quintet for Guitar and Strings in D Major, G. 448 (1788) Grave assai-Fandango 15
Subota, 25. avgust 2012, 19.30 Saturday, August 25, 2012, 7:30 PM
Ponedjeljak, 27. avgust 2012, 19.30 Monday, August 27, 2012, 7:30 PM
Franz Schubert (1797-1828) All Schubert Program
David Finckel, violončelo / cello Wu Han, klavir / piano Manhattan String Quartet
Anton Arensky (1861-1906) Kvartet za violinu, violu i dva violončela op. 35, a mol (1894) Quartet for violin, viola and two cellos in A Minor, Op. 35 (1894) Moderato Ludwig van Beethoven (1770-1827) Sonata za violončelo i klavir br. 3, op. 69, A dur (1808) Sonata for cello and piano No. 3 in A Major, Op. 69 (1808) Allegro ma non tanto Scherzo Adagio cantabile – Allegro vivace
Antonín Dvořák (1841-1904) Klavirski kvintet op. 81, br. 2, A dur (1887) Piano Quintet No. 2 in A Major, Op. 81 (1887) Allegro, ma non tanto Dumka: Andante con moto Scherzo (Furiant): molto vivace Finale: Allegro 16
Sangmi Lim, klavir / piano Dino Mulić, klavir / piano
Fantazija za klavir u četiri ruke op. 103, f mol (1828) Fantasy in F Minor, Op. 103 (1828) Allegro molto moderato – Largo – Scherzo: Allegro vivace – Finale: Allegro molto moderato
Yeonju Jeong, violina / violin Sangmi Lim, klavir / piano
Fantazija za violinu i klavir D. 934, C dur (1828) Fantasy in C major, D. 934 (1828) Andante molto – Allegretto – Andantino – Allegro – Allegretto - Presto
Zimsko putovanje D. 911 (1827) Winterreise, D. 911 (1827) 1. Gute Nacht (Good Night) 2. Die Wetterfahne (The Weather-vane) 3. Gefrorne Tränen (Fozen Tears) 4. Erstarrung ( Numbness) 5. Der Lindenbaum (The Linden Tree) 6. Wasserflut (The Torrent) 7. Auf dem Flusse (On the Stream) 8. Rückblick (Retrospect) 9. Irrlicht (Will o’ the Wisp) 10. Rast (Rest) 11. Frühlingstraum (Dream of Springtime) Benjamin Bloomfield, bariton / baritone 12. Einsamkeit (Solitude) Sangmi Lim, klavir / piano 13. Die Post (The Post) 14. Der greise Kopf (The Gray Head) 15. Die Krähe (The Crow) 16. Letzte Hoffnung (Last Hope) 17. Im Dorfe (Int the Village) 18. Der stürmische Morgen (The Stormy Morning) 19. Täuschung (Deception) 20. Der Wegweiser (The Signpost) 21. Das Wirtshaus (The Inn) 22. Mut! (Courage) 23. Die Nebensonnen (The Phantom Suns) 24. Der Leiermann (The Hurdy- Gurdy Man) 17
Utorak, 28. avgust 2012, 19.30 Tuesday, August 28, 2012, 7:30 PM
Srijeda, 29. avgust 2012, 19.30 Wednesday, August 29, 2012, 7:30 PM
Manhattan String Quartet
Dino Mulić, klavir / piano Boris Rener, klarinet / clarinet Manhattan String Quartet
Wolfgang Amadeus Mozart (1756-1791) All Mozart Program Gudački kvartet K. 464, A dur (1785) String Quartet in A Major, K. 464 (1785) Allegro Menuetto and Trio Andante Allegro non troppo Klavirski kvartet K. 493, Es dur (1786) Piano Quartet in E-flat Major, K. 493 (1786) Allegro Larghetto Allegretto
Klarinetski kvintet K. 581, A dur (1789) Quintet for Clarinet and String Quartet in A Major K. 581 (1789) Allegro Larghetto Menuetto – Trio 1 – Trio 2 Allegretto con Variazioni 18
Igor Stravinsky (1882-1971) Končertino za gudački kvartet (1920) Concertino for String Quartet (1920) Henri Dutilleux (b. 1916) Ainsi la Nuit (1976-1977) Intro: Libre et souple Part 1: Nocturne: Assez lent Parenthese 1: Très libre Part 2: Miroir d’espace: Violent Parenthese 2: Libre et flexible Part 3: Litanies: Animé Parenthese 3: Lent Part 4: Litanies 2 Parenthese 4: Animé Part 5: Constellations: Vif, souple et libre Part 6: Nocturne 2: Plus animé Part 7: Temps suspendu Eric Moe (b. 1954) “The Salt of Broken Tears” za gudački kvartet (2012) “The Salt of Broken Tears” for String Quartet (2012) Narudžba Sarajevo Chamber Music Festival Sarajevo Chamber Music Festival commission
Claude Debussy (1862 – 1918) Gudački kvartet op. 10, g mol (1893) String Quartet in G Minor, Op. 10 (1893) Animé et très décidé Assez vif et bien rythmé Andantino, doucement expressif Très modéré - En animant peu à peu Très mouvementé et avec passion 19
Četvrtak, 30. avgust 2012, 19.30 Thursday, August 30, 2012, 7:30 PM
Petak, 31. avgust 2012, 19.30 Friday, August 31, 2012, 7:30 PM
Christopher Taylor, klavir / piano
Johan Sebastian Bach (1685-1750) Četiri dueta, BWV 802-805 Four Duets, BWV 802-805 Johannes Brahms (1833-1897) Varijacije na Paganinijevu temu, op. 35, II sveska (1863) Variations on a Theme of Paganini Op. 35, Book 2 (1863) Frederic Rzewski (b. 1938) Cotton Mill Blues (1979)
Franz Schubert (1797-1828) Sonata za klavir D. 960, B dur (1828) Piano Sonata in B-flat Major D. 960 (1828) Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza-Trio Allegro, ma non troppo-Presto 20
Koncert učesnika SCMF Instituta Concerts of participants of the Sarajevo Chamber Music Institute Program će biti naknadno objavljen Program to be announced 21
Subota, 1. septembar 2012, 19.30 Saturday, September 1, 2012, 7:30 PM
Christopher Taylor, klavir / piano Manhattan String Quartet
Antonín Dvořák (1841-1904) All Dvořák program Tercet za dvije violine i violu, op. 74, C dur (1887) Terzetto for two violins and viola in C Major Op.74 (1887) Introduzione, Allegro ma non troppo Larghetto Scherzo vivace, Trio poco meno mosso Tema con variazioni Klavirski trio br. 3, op. 65, f mol (1883) Piano Trio No. 3 in F minor, Op. 65 (1883) Allegro ma non troppo Allegro grazioso Poco adagio Finale: Allegro con brio
Gudački kvartet op. 106, br. 13, G dur (1895) String Quartet in G Major Op. 106 (1895) Allegro moderato Adagio ma non troppo Molto vivace Finale: Andante sostenuto. Allegro con fuoco 22
Izvođači Performers
Manhattan String Quartet
Benjamin Bloomfield
Curtis Macomber, violina / violin Calvin Wiersma, violina / violin John Dexter, viola / viola Chris Finckel, violončelo / cello
Okarakterisan kao „nacionalno blago“ od strane Boston Globea, Manhattan String Quartet predstavlja jedan od vodećih ansambala u Sjedinjenim Američkim Državama. Ansambl je osnovan 1970. godine pri Manhattan School of Music i od tada je na svojim turnejama nastupao širom svijeta, između ostalog u istaknutim dvoranama kao što su Rudolphinum u Pragu, Salle Cortot u Parizu i New York’s Town Hall. Poznati po svojim pionirskim izvedbama Šostakovičevih 15 gudačkih kvarteta, Manhattanovci su ovaj ciklus predstavili u prigodama kao što Great Performers u Lincoln Centru, za Francuski nacionalni radio, u jednodnevnim maratonima u Tokyu i Nagoyi (Japan), ali i na inauguralnoj sezoni Sarajevo Chamber Music Festivala 2011. godine.
Hailed by the Boston Globe as “a national treasure,” The Manhattan String Quartet is acclaimed as one of America’s leading ensembles. Founded in 1970 at the Manhattan School of Music the Quartet has gone on to tour the world, appearing in such distinguished halls as the Rudolphinum in Prague, Salle Cortot in Paris and New York’s Town Hall. Well known for their pioneering interpretations of Shostakovich’s 15 Quartets, the Manhattans have presented this cycle for, among others, Great Performers at Lincoln Center, French National Radio, in single day marathons in Tokyo and Nagoya, Japan, and Festival in 2011. Dedicating much of their time as educators the group has been Quartet-in-Residence at Colgate
Članovi ansambla mnogo vremena posvećuju podučavanju, te na Univerzitetu Colgate kao rezidentni kvartet djeluju već 25 godina i održavaju radionice u zemlji i širom svijeta. 2001. godine Kvartet je predstavio svoj projekt „kulturne ekspedicije“ u kojem su kolege iz oblasti umjetničke muzike za gudače instrumenata iz Amerike vodili u evropske gradove gdje bi muzičari proučavali određeni kvartet i to u gradu u kojem je komponovan. Ovi godišnji seminari bili su fokusirani na djela kompozitora kao što su Bartók, Beethoven, Debussy, Dvořák, Mendelssohn, Mozart, Ravel, Smetana, Schubert i Verdi, a pomoću čega su stotine ljudi uveli u njihove kulturne kontekste. Manhattan String Quartet je učestvovao u brojnim ljetnim festivalima. Ponosan je što ima priliku biti jezgrom Sarajevo Chamber Music Festivala i Instituta.
produces string quartet workshops at home and around the world. In 2001 the Quartet introduced their ‘cultural expedition’ series, bringing American string players to the musical capitals of Europe to study a single string quartet in the city of its composition. These annual seminars have focused on the works of Bartok, Beethoven, Debussy, Dvorak, Mendelssohn, Mozart, Ravel, Smetana, Schubert and Verdi and introduced hundreds to their cultural contexts. The Manhattan Quartet has participated in numerous summer festivals and is proud to be the core ensemble of the Sarajevo Chamber Music Festival and Institute.
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Bogat i snažan glas, bariton Benjamin Bloomfield nastupa u operi, oratoriju i solističkim koncertima s izvrsnim uspjehom. Za vrijeme magistarskog studija na Juilliard školi, Benjamin Bloomfield je često putovao gradeći svoju internacionalnu karijeru.
With a rich and powerful voice, baritone Benjamin Bloomfield has performed in opera, oratorio and solo recitals with outstanding success. While recently completing a Master’s degree at Juilliard he was often travelling, developing a fruitful international performing career.
U posljednjih nekoliko sezona, Benjamin Bloomfield je sarađivao na ulogama u Metropolitan operi (Lewitsky, Boris Goudonov) i New York City operi (Baron Douphol, La Traviata). Ostale uloge iz New Yorka su: Bartolo iz “Figarove ženidbe” u produkciji Stephena Wadswortha na Lindemann programu Met opere, zatim uloga prvog oficira u “Smrti Klinghoffera”, kojom je dirigovao John Adams, Marcello u “La Boheme” i Alfio u “Cavelleria Rusticana”, obje uloge izvođene sa New York Lyric operom. Internacionalni debi imao je u 2011. godini ulogom Belcore u “Ljubavnom napitku” sa hongkongškim Musica Viva Productions.
In recent seasons, Mr. Bloomfield has understudied roles at both the Metropolitan Opera (Lewitsky, Boris Goudonov) and New York City Opera (Baron Douphol, La Traviata). Other New York credits include Bartolo in Stephen Wadsworth’s production of Le Nozze de Figaro with the Lindemann Program at the Met; First Officer in The Death of Klinghoffer, conducted by John Adams; Marcello in La Boheme, and Alfio in Cavelleria Rusticana, both with New York Lyric Opera. He made his international debut in 2011, singing Belcore in L’Elisir d’Amore with Hong Kong’s Musica Viva Productions. Bloomfield has appeared with the Boston Symphony Orchestra under James Levine, and is a frequent collaborator with Lorin Maazel, often appearing at Maazel’s Castleton Festival in Virginia. This fall, Mr. Bloomfield accompanied Maestro Maazel to Munich and Oman in productions of La Boheme. After his 2009 Carnegie Hall debut in the Mozart Requiem with Midamerica Productions under the baton of John Rutter, he has returned often in works such as Brahms’ Ein Deutches Requiem and concerts with Rutter of his own work.
Bloomfield je nastupio s Boston Symphony Orchestra, pod dirigentskom palicom James Levinea, te je čest saradnik Lorina Maazela, pojavljujući se na Maazelovom Castleton festivalu u Virginiji. Ove jeseni, Benjamin Bloomfield, uz maestra Maazela, nastupiće u Minhenu i Omanu u izvođenju opere “La Boheme”. Nakon njegovog debija 2009. godine u Carnegie Hall-u, Mozartova Rekvijema u produkciji Midamerica sa maestrom Johnom Rutterom, on se vratio izvođenju djela kao što Brahmsov “Njemački rekvijem” i djela Johna Ruttera. 25
David Finckel & Wu Han
Čelist David Finckel i pijanistica Wu Han spadaju među najcjenjenije i najutjecajnije klasične glazbenike u svijetu danas. Talent, energija, imaginacija i posvećenost koju oni pokazuju u svojim slojevitim poduhvatima kao koncertni izvođači, umjetnici, pedagozi, umjetnički administratori, i kulturni poduzetnici, su bez premca. Godinama visoko traženi od strane kamerne publike diljem svijeta, dvojac je u svakoj sezoni nastupao u prestižnim dvoranama i koncertnim programima diljem svijeta, uvijek praćen nepodijeljenim hvalospjevima. David Finckel je istovremeno i čelista Emerson String Quarteta, dobitnika nagrada Grammy. Visok spektar muzičkih inovacija Davida Finckela i Wu Han uključuje i osnivanje ArtistLed-a, prve internetski orijentirane izdavačke kuće klasične muzike kojom upravljaju muzičari, čijih je dvanaest izdanja dobilo izvanredne kritike.
Cellist David Finckel and pianist Wu Han rank among the most esteemed and influential classical musicians in the world today. The talent, energy, imagination, and dedication they bring to their multifaceted endeavors as concert performers, recording artists, educators, artistic administrators, and cultural entrepreneurs go unmatched. In high demand year after year among chamber music audiences worldwide, the duo has appeared each season at the most prestigious venues and concert series across the United States and around the world to unanimous critical acclaim. Beyond the duo’s recital activities, David Finckel also serves as cellist of the Grammy Award-winning Emerson String Quartet. David Finckel and Wu Han’s wide-ranging musical innovations also include the launch of ArtistLed, classical music’s first musician-directed and Internet-based recording company, whose catalogue of twelve albums has won widespread critical acclaim.
David Finckel i Wu Han su osnivači i umjetnički direktori Music@Menlo, festivala kamerne muzike i instituta u Silikonskoj dolini. Umjetnički su direktori Chamber Music Society of Lincoln Center od 2004. godine. U ovom svojstvu, pored mnogobrojnih ostalih aktivnosti u polju obrazovanja, postali su prepoznatljivi zahvaljujući svojoj pasioniranoj posvećenosti njegovanju karijera brojnih mladih umjetnika.
David Finckel and Wu Han are the founding Artistic Directors of Music@Menlo, a chamber music festival and institute in Silicon Valley, and have served as Artistic Directors of The Chamber Music Society of Lincoln Center since 2004. In these capacities, as well as through a multitude of other education initiatives, they have achieved universal renown for their passionate commitment to nurturing the careers of countless young artists. 26
Yeonju Jeong
Yeonju Jeong je počela svirati violinu sa pet godina. U dobi od 9 godina, osvojila je prvu nagradu na Nacionalnom studentskom muzičkom takmičenju u rodnoj Koreji. Nakon što je diplomirala na Srednjoj umjetničkoj školi u Seoulu, primljena je na Univerzitet YeonSe. Yeonju je nastavila razvijati svoju muzičku estetiku, strast i filozofiju za violinu pohađajući razne majstorske radionice širom svijeta. Doktorsku titulu iz muzičke umjetnosti primila je od Konzervatorija Čajkovski u Moskvi gdje je, u klasi profesora Sergeja Kravčenka, ostvarila svoje umjetničke potencijale. Godine 2001, Yeonju Jeong osvaja prvu nagradu na internacionalnom muzičkom takmičenju u Sofiji (Bugarska) pod nazivom “Muzika i Zemlja”. Nastupala je u Rusiji, Grčkoj, Poljskoj, Italiji, Austriji, Koreji, Njemačkoj, Bugarskoj, Hrvatskoj i Bosni i Hercegovini. Trenutno je zaposlena na Muzičkoj akademiji u Sarajevu.
Yeonju Jeong started playing the violin at the age of 5. By age 9, she won first prize at the National Students Music Contest in her native Korea. After graduating from Seoul Arts High School, she entered YeonSe University. Yeonju continued to develop her musical aesthetics, passion and philosophy for the violin when attending various masterclasses worldwide. She received her DMA from the Tchaikovsky Conservatory in Moscow, studying under professor Sergey Kravchenko, where she feels she realized to the fullest her potential. In 2011, Yeonju Jeong won First prize at the ‘Music and Earth’ International music competition in Sofia, Bulgaria. She has performed in Russia, Greece, Poland, Italy, Austria, Korea, Germany, Bulgaria, Croatia and Bosnia and Herzegovina. At present she is on the faculty of the University of Sarajevo, Academy of Music. After her joint recital at the Athens Radio Hall in Greece, the media described her as “a violinist who has depth in her expression and is capable of creating unique and profound timbres.’”
Nakon njenog recitala u Radijskoj dvorani u Atini, mediji su je opisalo kao „violinisticu koja posjeduje dubinu izraza i sposobnost stvaranja jedinstvenih i dubokih zvučnih boja”.
After her performance with Sejong Philharmonic Orchestra in 2010 at Sejong Center, critics and audiences alike have spoken of her: “One can vividly feel the purity and clarity of her youthful performance. She is definitely a promising young violinist with a talent for expressing the beauty of form through her own interpretation.”
Nakon nastupa sa Sejong filharmonijskim orkestrom 2010. godine u Centru Sejong, kritičari su iskazali jednak stav: „Čistoća i jasnoća veoma su snažne u njenoj mladalačkoj izvedbi. Ona je obećavajući mladi violinist sa posebnim talentom za izražavanje ljepote forme kroz vlastu interpretaciju”. 27
Sangmi Lim
Pijanistica Sangmi Lim, porijeklom iz Republike Koreje, aktivan je muzičar, bilo kao solista, kamerni umjetnik ili umjetnički saradnik. Sangmi je nastupala u Republici Koreji, Japanu, Italiji, Bosni i Hercegovini, te u SAD-u. Kao solista koncertirala je sa Kankakee Valley Symphony Orchestra (SAD), MSU Symphony Orchestra (SAD), Jackson Symphony Orchestra (SAD), Algeu Symphony (Njemačka), i sa Kyounggi filharmonijom (Južna Koreja), na kojima je izvodila djela vrhunskih kompozitora, od Beethovena do Gershwina. Imala je nekoliko solističkih koncerata i nastupa u kamernim sastavima na koncertnim serijalima i festivalima poput Renaissance Festival (Italija), South Hampton Music Festival (New York), Schubertiade (Chicago), New England Music Camp (Maine), Spring Music Festival (Južna Koreja), Rising New Star Concert Series (Republika Koreja), i Live Concert Series na Arirang TV (Republika Koreja).
Pianist Sangmi Lim, a native of Republic of Korea, is an active performer, appearing frequently as a soloist, chamber musician and collaborative pianist. Sangmi has performed regularly in Republic of Korea, Japan, Italy, Bosnia and Herzegovina and throughout the United States. She has appeared as soloist with the Kankakee Valley Symphony Orchestra (U.S.), the MSU Symphony Orchestra (U.S.), Jackson Symphony Orchestra (U.S.), the Algeu Symphony (Germany), and the Kyounggi Philharmonic Orchestra (South Korea) in concertos ranging from Beethoven to Gershwin. She has given solo recitals and chamber music performances in concert series and festivals such as the Renaissance Festival (Italy), South Hampton Music Festival (New York), Schubertiade (Chicago), New England Music Camp (Maine), Spring Music Festival (South Korea), the Rising New Star Concert Series (Republic of Korea), and Live Concert Series with Arirang TV (Republic of Korea).
Sangmi Lim je diplomirala i magistrirala klavir na ženskom univerzitetu Ewha u Koreji, te magistrirala klavirsku saradnju i doktorirala klavir na Univerzitetu Michigan State. Trenutno je docent na Univerzitetu Michigan State.
Sangmi Lim received her B.M. and M.M. in Piano Performance at Ewha Womans University in Korea also M.M. in Collaborative Piano and D.M.A. at Michigan State University. Currently she is an Assistant Professor at Michigan State University. 28
Dino Mulić
Pijanista Dino Mulić, renomirani je umjetnik u oblasti ozbiljne muzike u Bosni i Hercegovini. Rođen je u Sarajevu. Diplomirao je i magistrirao na Muzičkoj akademiji u Sarajevu. 2005. godine ovaj mladi umjetnik dobiva Zlatnu značku Univerziteta u Sarajevu kao najuspješniji student Univerziteta u Sarajevu, a već 2006. počinje raditi na Muzičkoj akademiji u Sarajevu. Dobitnik je najviših priznanja na državnim takmičenjima, a kao koncertni umjetnik nastupao je u zemljama Balkana, Evrope, te u SAD-u i Kanadi.
Pianist Dino Mulić is one of the brightest lights of classical music in Bosnia and Herzegovina. A native of Sarajevo he earned his Bachelor’s and Master’s degrees from the Academy of Music in Sarajevo. He is a recipient of the 2005 Gold Medal of the University of Sarajevo as a best studnent of the university of Sarajevo and was appointed to the faculty of the Sarajevo Academy of Music in 2006. Mr. Mulic has won top prizes at many state competitions and, as recitalist, has performed throughout the Balkans and Europe and in the United States and Canada. In 2009 he was selected by the U. S. State Department to participate in the Junior Faculty Development Program spending a semester at Michigan State University and in 2010 received a Scholars Grant from the U. S. Embassy in Bosnia and Herzegovina, which helped him to establish collaboration between the Academy of Music in Sarajevo and the Manhattan String Quartet. Mr. Mulic is a founder and co-director of the Sarajevo Chamber Music Festival. Mr. Mulic is currently completing his doctoral studies at the University of Wisconsin–Madison under the tutelage of Professor Christopher Taylor and Professor Jessica Johnson.
U.S. State Department ga 2009. godine bira kao učesnika u Junior Faculty Development Program-u, u okviru kojeg provodi jedan semestar na Michigan State University. U 2010. godini dobio je grant Ambasade SAD-a u Bosni i Hercegovini uz pomoć kojeg uspostavlja saradnju između Muzičke akademije u Sarajevu i Manhattan String Quarteta. Osnivač je i kodirektor Sarajevo Chamber Music Festivala. Trenutno se nalazi u Sjedinjenim Američkim Državama na doktorskom studiju na Univerzitetu Wisconsin-Madison u klasi profesora Christophera Taylora i profesorice Jessice Johnson. 29
Boris Rener
Rođen u Sloveniji, klarinetista Boris Rener je okarakterisan kao istovremeno “nježan i strastven”. Kako su ocijenile različite kritike, njegov zvuk je topao i ima predivan “utisak starinskog zvuka”. Rener je studirao na Muzičkoj akademiji u Ljubljani, na Conservatoire Nactional de Versailles i na Univerzitetu Hartford, the Hartt School of Music kao stipendista Fulbrighta. Debitirao je u Ljubljani sa Simfonijskim orkestrom Radija i televizije Slovenije pod dirigentskom palicom Antona Nanuta 1995. godine. Za vrijeme boravka u Sjedinjenim Američkim Državama, Boris Rener je pobijedio na Takmičenju Emerson Quartet-a, što je rezultiralo zajedničkim nastupima sa ovim čuvenim američkim kvartetom. Boris Rener od tada nastupa kao solist i kao član raznih grupa kamerne muzike u Sloveniji (među njima treba izdvojiti Srebrenu seriju Cankarjevog doma u Ljubljani i ljubljanski Ljetni festival) i inozemstvu (Austrija, Francuska, Hrvatska, Italija i Sjedinjene Države). Izdavao je za Naxos kao solist s Ludwig kvartetom iz Francuske i u triju Camerata Emonica s vrhunskim glazbenicima, braćom Tomažem i Andrejom Petračom. Boris Rener je također pozvan da aktivno sudjeluje u Norfolk festivalu kamerne muzike na Univerzitetu Yale, gdje je nastupao s vrhunskim glazbenicima kao što su Frank Morelli, Bill Purvis, Sydney Harth i drugi. Rener je radio kao profesor na Univerzitetu u Ljubljani te više od deset godina kao direktor Muzičke produkcije na RTV Slovenija. Potpredsjednik je takmičenja Cappuccilli – Patane - Respighi i ugledni sudija raznih takmičenja. Uz to svira i saksofon, orgulje, klavir, i pjeva u raznim horovima (World Youth Choir, Kamerni hor AVE, itd.).
Born in Slovenia clarinetist Boris Rener has been hailed “tender and passionate”. According to various reviews, his sound is warm and has a marvelous scent of vintage. Mr. Rener studied at the Ljubljana Academy of Music, Conservatoire National de Versailles and at University of Hartford, The Hartt School of Music as a Fulbright scholar. He made his debut in Ljubljana with the Radio and Television Slovenia Symphony Orchestra under the baton of Anton Nanut in 1995. While in the United States Boris Rener won the Emerson Quartet Competition that resulted joint performances with the celebrated quartet. Mr. Rener since then performed as a soloist and as a member of various chamber music groups in Slovenia (among them Silver Series of Cankarjev dom in Ljubljana and Ljubljana Summer Festival) and abroad (Austria, France, Croatia, Italy and United States). He appeared on label Naxos as a soloist with Ludwig Quartet of France and in trio Camerata Emonica with excellent musicians – brothers Tomaž and Andrej Petrač. He was also invited to take an active part at Norfolk Chamber Music Festival of Yale University where he performed with top musicians as Frank Morelli, Bill Purvis, Sydney Harth and others. Boris Rener has served as professor at the Conservatory of Ljubljana and for more than a decade as a managing director of Music Production of RTV Slovenia. He is also vice president of Cappuccilli – Patane – Respighi competition and respected juror of various contests and competitions. He also plays saxophone, organ, piano, recorder and has been singing at various choirs (World Youth Choir, Chamber Choir AVE among others). 30
Alexander Swete
Alexander Swete je jedan od najuzbudljivijih mladih gitarista u klasičnoj muzici danas. Pored toga što su njegove izvedbe obilježene ocjenama poput “jednostavno oduzima dah” i “zadivljujuće” u napisima međunarodne štampe, Alexander Swete je dobitnik nagrada na brojnim takmičenjima, uključujući i ona u Havani, Minhenu i Parizu, gdje je i osvojio prvu nagradu na “Concurs International de Guitare” 1991. godine. Uspješne koncertne turneje dovele su ga do svih djelova Evrope (Madrid, Pariz, London, Beč), kao i u SAD-a (1998. godine imao je solo recital u Carnegie Hallu u New Yorku), Australiju (Sydney, Melbourne), Rusije, Sjeverne Afrike i Kube. Bio je pozvan da učestvuje na velikim međunarodnim festivalima, uključujući Salzburger Festspiele, bečki Wiener Festwochen, Schubertiade Feldkirch, Bregenzer Festspiele i sve veće međunarodne festivale gitare.
Alexander Swete is one of the most exciting young guitarists in classical music today. Praised as “simply breathtaking” and “dazzling” by the international press, Mr. Swete is a prize winner of numerous competitions including those of Havana, Munich and Paris where he was awarded the First Prize in the “Concours International de Guitare” in 1991. Successful concert tours have led him to all parts of Europe (Madrid, Paris, London Vienna) as well to USA (1998 solo-recital at Carnegie Hall, New York), Australia (Sydney, Melbourne), Russia, NorthAfrica and Cuba. He has been invited to major international music festivals including Salzburg Festival, “Wiener Festwochen,” “Schubertiade Feldkirch,” “Bregenzer Festspiele” and all major international Guitar festivals. Equally dedicated as a performer and as an educator, Mr. Swete’s repertoire traverses all styles from the Renaissance to contemporary music and includes all the major concertos and a large spectrum of chamber music. Alexander Swete teaches at the University of Music and Performing Arts in Vienna and, since 2005 he is a visiting professor at the University in Sarajevo. A native of Bregenz, Austria, he graduated with Distinction from the Academy of Music in Vienna and received the Special Prize for Artistic Merit by the Austrian Ministry of Science and Research.
Jednako posvećen kao izvođač i kao pedagog, njegov repertoar obuhvata sve stilove od renesanse do savremene muzike, uključujući sve najznačjnije gitarske koncerte i širok spektar kamerne muzike. Alexander Swete predaje na Univerzitetu za muziku i izvođačke umjetnosti u Beču, a od 2005. godine je gostujući profesor na Muzičkoj akademiji Univerziteta u Sarajevu. Rodom iz Bergenza, Austrija, diplomirao je sa najvišim počastima na Akademiji za muziku u Beču i dobio specijalnu nagradu austrijskog Ministarstva znanosti i istraživanja. 31
Christopher Taylor U posljednjih nekoliko godina Christopher Taylor postaje jedan od najistaknutijih američkih muzičara. Publika i kritičari podjednako hvale njegov jedinstven intenzitet i umijeće. The New York Times smatra Taylora “zastrašujuće talentovanim”, a Los Angeles Times njegove nedavne izvedbe nazvao je “zapanjujućim”.
The past few years have seen Christopher Taylor emerge as one of America’s foremost musicians. Audiences and critics alike hail his unique intensity and artistry. The New York Times, for instance, deems hum “frighteningly talented” and The Los Angeles Times termed a recent performance “astonishing.”
Christopher Taylor je dobitnik nagrade “Avery Fisher Career Grant” 1996. godine i bronzane medalje 1993. godine na “Van Cliburn” međunarodnom pijanističkom takmičenju. Godine 1990, osvojio je prvu nagradu na međunarodnom pijanističkom takmičenju “William Kapell”, a jedan je i od prvih dobitnika nagrade za mlade umjetnike “Irving Gilmore”.
Christopher Taylor received an Avery Fisher Career Grant in 1996 and the Bronze Medal in the 1993 Van Cliburn International Piano William Kapell International Piano Competition,
Sarajevo Chamber Music Institute 23-31. avgust 2012, Muzička akademija, Sarajevo August 23-31, 2012, Academy of Music, Sarajevo
Irving Gilmore Young Artists’ Award. In recent seasons Mr. Taylor has concertized around the globe, performing throughout Europe and Asia and South America. At home in the U.S. he has appeared with many orchestras including the New York and Los Angeles Philharmonics, The Atlanta Symphony and The Orpheus Chamber Orchestra and he has performed in such venues as New York’s Carnegie Hall, Washington’s Kennedy Center, the Ravinia and Aspen festivals, and dozens of others. In chamber music settings, he has collaborated with many
U posljednjih nekoliko sezona, Christopher Taylor je svirao koncerte širom svijeta, Europi, Aziji i Južnoj Americi. Kod kuće, u SAD-u, nastupao je s mnogim orkestrima, uključujući New York Atlanta Symphony, The Orpheus kamerni orkestar, a nastupao je u njujorškom Carnegie Hallu, Washington Kennedy Center, na Ravinia i Aspen festivalima, kao i mnogim drugim. Sarađivao je s mnogim eminentnim glazbenicima, Borromeo, Shanghai, Pro Arte i Ying kvartetom.
Robert Mann, and the Borromeo, Shanghai, Pro Arte, and Ying Quartets.
Christopher Taylor je professor klavira Univerzitetu Wisconsin-Madison. Živi u Middletonu, država Wisconsin, sa suprugom, muzikolog, Denise Pilmer Taylor, i dvije kćeri.
In addition to performing, he is currently Paul Collins Associate Professor of Piano Performance at the University of WisconsinMadison. He lives in Middleton, Wisconsin, with his wife, musicologist Denise Pilmer Taylor, and two daughters. 32
MAJSTORSKE RADIONICE / MASTERCLASSES Predavači / Teachers: Manhattan String Quartet (SAD / USA) Benjamin Bloomfield, bariton / baritone (SAD / USA) David Finckel, violončelo / cello (SAD / USA) Wu Han, klavir / piano (SAD / USA) Yeonju Jeong, violina / violin (Južna Koreja / South Korea) Sangmi Lim, klavir / piano (Južna Koreja / South Korea) Alexander Swete, gitara / guitar (Austrija / Austria) Christopher Taylor, klavir / piano (SAD / USA) Deborah Wong, violina / violin (SAD / USA)
O motivima za formiranje Sarajevo Chamber Music Institute Motivation and Goals of the Sarajevo Chamber Musiic Institute
Sarajevo Chamber Music Institute Program Muzička akademija / Academy of Music
Četvrtak / Thursday, 23.08.2012, 15.00 Uvod u programe Sarajevo Chamber Music Festival Introduction into Sarajevo Chamber Music Festival programs Dr. Ivan Čavlović, dekan / Dean, Manhattan String Quartet Subota / Saturday, 25.08.2012, 10.00 Majstorska radionica / Masterclass David Finckel, violončelo / cello & Wu Han, klavir / piano Nedjelja / Sunday, 26.08.2012, 15.00 Predavanje: Ciklus Zimsko putovanje Franza Schuberta Lecture: Franz Schubert, Winterreise cycle Benjamin Bloomfield, bariton / baritone Ideja Sarajevo Chamber Music Institute zasnovana je na uvjerenju da, kad ljudi zajedno stvaraju muziku, mogu da stvore fantastične nove situacije. U njima se i život može promijeniti, zablude mogu nestati, mogu se graditi novi mostovi i formirati nove smjernice. Mi smo posvetili svoj život ovom principu, i da bi se isto to desilo ovdje, mi očekujemo da vi, studenti, uložite sav svoj napor, energiju, intelekt, i strast u idućih deset dana. Da li je ovo što tražimo previše? Muzika, ideja, načelo - oni ne zaslužuju ništa manje od navedenog.
The Sarajevo Chamber Music Institute is dedicated to the belief that when people make music together, wonderful things can happen, lives can change, misconceptions can disappear, bridges can be built, bonds can form. We have devoted our lives to this principle, and to make it happen here we expect nothing but all of your effort, energy, intellect, and passion in the next ten days. Is that too much to ask? The music, the idea, the principle deserves nothing less. We are very excited to be working with such a talented and diverse group of students, to share with you our love of chamber music, and to work with you on this great repertoire. It is our hope that with our hard work together we may create
Radujemo se radu sa ovako talentovanom i raznolikom grupom studenata, ali i tome što što ljubav prema kamernoj muzici možemo podijeliti s vama, i što ćemo zajedno raditi na ovom fenomenalnom repertoaru. Nadamo se da zajedničkim napornim radom možemo stvoriti sedmicu prepunu ljepote i sklada, te učiti jedni od drugih kako uvjerljivije govoriti univerzalnim jezikom muzike.
from each other how to more convincingly speak the universal language of music. This is what we do, it is who we all want to become, so let’s get started on this leg of our journey. Welcome, and let’s get to work!
To je ono što mi radimo, to je ono što želimo postati, pa neka nam je sretan početak ovog putovanja. Dobrodošli, i krenimo na posao!
Calvin Wiersma Manhattan String Quartet umjetnički koordinator / artistic co-ordinator 34
Ponedjeljak / Monday, 27.08.2012, 16.00 Predavanje: Franz Schubert Lecture: Franz Schubert Dr. Ivan Čavlović, muzikolog / musicologist Utorak / Tuesday, 28.08.2012, 16.00 Predavanje: Kamerna djela W. A. Mozarta u programu SCMF Lecture: W. A. Mozart’s chamber works in the SCMF program Dr. Ivan Čavlović, muzikolog / musicologist Srijeda / Wednesday, 29.08.2012, 14.00 Majstorska radionica / Masterclass Christopher Taylor, klavir / piano Srijeda / Wednesday, 29.08.2012, 16.00 Predavanje: Neki aspekti kamerne muzike Debussyja i Stravinskog Lecture: Some aspects of Debussy’s and Stravinski’s chamber works M. Sc. Amila Ramović, muzikolog / musicologist Četvrtak / Thursday, 30.08.2012, 16.00 Predavanje: Antonín Dvořák Lecture: Antonín Dvořák Dr. Ivan Čavlović, muzikolog / musicologist Svaki dan osim nedjelje / Every day except Sunday, 24-30.08.2012, 10.00 Majstorska radionica / Masterclass Manhattan String Quartet 35
Učesnici Participants
Studenti iz mnogih zemalja stigli su u Sarajevo kako bi učestvovali u majstorskim radionicama i predavanjima SCMF-a. Sve nastavne aktivnosti će se održavati na Muzičkoj akademiji u Sarajevu i otvorene su za javnost. Studenti učesnici Sarajevo Chamber Music Festivala izvest će koncert sa djelima koja su izučavana tokom Festivala u petak, 31.08.2012. u 19.30 sati u dvorani Doma OS BiH. Students have come from many countries to participate in SCMF masterclasses and lectures. All of these sessions will take place at the Sarajevo Academy of Music and are open to the public. The student participants of the Sarajevo Chamber Music Festival Intstitute will present a concert of the works studied during the festival on Friday, August 31, at 7.30 PM at the Army Hall.
Viola / Viola
Aida Dajić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Muhamed Hrustanović, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Ivor Ivančić, Umjetnička akademija, Split / Academy of Art, Split
Aleksandra Kijanović, Fakultet muzičke umetnosti, Beograd / Faculty of Music Art, Belgrade Aleksandra Mirnić, Srednja muzička škola, Sarajevo / Music high school, Sarajevo Amila Muharemović, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Petar Obradović, Fakultet muzičke umetnosti, Beograd / Faculty of Music Art, Belgrade Ana-Maria Pilj, Srednja muzička škola, Sarajevo / Music high school, Sarajevo
Nerimana Prguda, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Violina / Violin
Jelena Aleksijadis, Muzička akademija, Istočno Sarajevo / Academy of Music, East Sarajevo Tamara Arsovski, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Džana Begović, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Nikola Ćuković, Muzička akademija, Istočno Sarajevo / Academy of Music, East Sarajevo Alma Dizdar, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Asja Draganović, Muzička akademija, Istočno Sarajevo / Academy of Music, East Sarajevo Marina Drmić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Adnan Handanagić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Ilma Hodović, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Kajetan Kamenjašević, Universität für Musik und Darstellende Kunst, Graz
Maja Kurevija, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Eva Mach, Muzička akademija, Zagreb / Academy of Music, Zagreb
Svjetlana Mandić, Umjetnička akademija, Split / Academy of Art, Split
Anamarija Marić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Marija Marković, Muzička akademija, Istočno Sarajevo / Academy of Music, East Sarajevo Dragan Petaković, Fakultet muzičke umetnosti, Beograd / Faculty of Music Art, Belgrade Jovana Raljić, Akademija umetnosti, Banja Luka / Academy of Art, Banja Luka Samra Svraka, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Ariana Škrinjar, Muzička akademija, Zagreb / Academy of Music, Zagreb Sanja Tavić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Amra Vojvodić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Sonja Vojvodić, Akademija umetnosti, Banja Luka / Academy of Art, Banja Luka 36
Mersiha Teskeredžić, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Lazar Vinković, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Violončelo / Cello
Sara Andrić, Fakultet muzičke umetnosti, Beograd / Faculty of Music Art, Belgrade Paola Bralić, Muzička akademija, Zagreb / Academy of Music, Zagreb
Lucija Gregov, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Anthony Havelka, Umjetnička akademija, Split / Academy of Art, Split
Adrian Ivičević, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Vanda Janković, Umjetnička akademija, Split / Academy of Art, Split
Jelena Marković, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Lidija Paulin, Akademija umetnosti, Banja Luka / Academy of Art, Banja Luka Dijana Pelidija, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Naida Solak, Srednja muzička škola, Sarajevo / Music high school, Sarajevo
Josipa Tikvicki, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Luka Tikvicki, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Emil Zubčević, Muzička akademija, Sarajevo / Academy of Music, Sarajevo Klavir / Piano
Maša Babić, Fakultet muzičke umetnosti, Beograd / Faculty of Music Art, Belgrade Marija Bajo, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Sanela Džudža, Muzička akademija, Sarajevo / Academy of Music, Sarajevo
Dejan Janković, Akademija umetnosti, Banja Luka / Academy of Art, Banja Luka 37
Sarajevo Chamber Music Festival iskreno se zahvaljuje sljedećim institucijama, fondacijama i pojedincima u Bosni i Hercegovini i Sjedinjenim Američkim Državama, čija je izuzetna podrška omogućila održavanje Festivala. The Sarajevo Chamber Music Festival acknowledges with deep appreciation and gratitude the following institutions, foundations and individuals in Bosnia and Herzegovina and the United States of America, whose extraordinary support makes our festival possible.
Podržavaoci Supporters
Podrška u Bosni i Hercegovini Supporters in Bosnia and Herzegovina Počasni pokrovitelj / Honorary Patron Grad Sarajevo City of Sarajevo
Podrška / Support
Kanton Sarajevo – Ministarstvo kulture i sporta Sarajevo Canton / Ministry of Culture and Sport Bosna i Hercegovina – Ministarstvo odbrane Bosnia and Herzegovina – Ministry of Defence Sponzor / Sponsor BH Telecom
Medijski partneri / Media Partners
BHRT – National Broadcasting System of Bosnia and Herzegovina Radio Sarajevo / radiosarajevo.ba Prijatelji / Friends Info-kod d.o.o. City.ba Radio M
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Podrška u Sjedinjenim Američkim Državama Supporters in the United States of America
Dobročinitelji / Benefactors Oswald Family Foundation Cecelia Benner Louise Bozorth Betty Brody Octavio and Nela Choy Beatrice Francais Birgit Kovacs Hyo Tack Lim and Eung Jae Im James Moskin Dennis Murphy Michael Peng Karl Roth Lee and Maria Shahanian Mary Watts Gail Wild
Pokrovitelji / Patrons Elizabeth Alvarez Rejean Anderson Eric Bartlett and Sally Clarke Gerda Bielitz Joan Blair Dr. Terry Blank Janet Van Blerkom Phyllis Booth Susan Borbay Pansy and Peter Bloomfield Anne Brown Diane Bruce Katherine Bukstein
Christina Carriere Paula Chasan Helen Chesworth Natasha Chriss Kay Deluca Victor Dvortsov Peter Elbow Emerson String Quartet Herbert Epstein Richard Festinger Sally Fillmore Sheila Fitzpatrick Cindy Fong Jeff Fraser Laurie Frink Bernice Galef Mike and Ann Gillette Susan Gingold David Gordis Nancy Gruber Brian Hall and Pamela Moss Anita Herron Lori Horowitz Don Hupe Thomas Hutchinson Phillip Isenberg Slavica Jovanović Slavisa Jovanović Aleck Karis Neal Kass Brian Katz Thea Keshavarzi Janel Kim David Klassen Steven Laduzinski Scott Latzky Katie Lemire 40
Jack Levy Margaret Liddell Junmin Lim Liane Marston Kay Massameno Arnold and Gay Mazie Anne de Medicis Mark Meess Douglass Merriman Tom and Michi Morgan Sangmi Lim and Dino Mulić Eric Myrvaagnes Susan Narucki Martin Nass Alison Novak and Robert Cane Djenita Pasic Gale and Glen Patron Anne Prescott Lawrence Rapp Elizabeth and Bill Reardon Michael Reed David Rich Gail Rich Paula Robison Rebecca Rodman Jane Sande Andrea Schultz and Michael Finckel James Seubert John Shroyer David Simpson Ellen Sklar Harold Slapin Linda and Peter Smith Laurel Sprigg Stephen Stalker Suzanne Stevens
Andrea Stillman Dorothy Strahl Norma Sullivan Gennifer Sussman Linda Svrcek Peter Tacy Karin Tate Anna Teigen Gwendolyn Thornblade Dennis Townsend Ivy Turner Lee Vance Tony Vine Walden Chamber Players Ann West Raymond Wilson Helen Wong Margaret Wong Nancy Wong Wu Han
Sponzori / Sponsors Haleh Abghari Sarah Adams Pascal Archer Mark Attebery Adria Benjamin Janey Bennett Carol Bernstein Edith Bicknell Ruth Boyer Dorothy Braker Richard Brice Jon Burr Robin Bushman Ginny Byrd Carol Cameron Martha Caplin Eugene Carr Kathryn Caswell Anthony Cercere Paula Chasan Vicki Citron Peter Clamp Cynthia and David Clampitt Sheree Clement Miki-Sophia Cloud Eleanor Cory Fran and Herbert Dalin Caroline Davidson Sidney Diamond
Nelly Dimitrova Sydra Donahoe Marty and Bill Dorrill Edward Doughtie Jeanne DuPrau Oren Fader Danielle Farina Adrien Finckel Susan Gellert Shirley Gideon Laura Gilbert David Glaser Dr. Carla Golden Minni Gopal Adam Grabois Angie and Martin Greenwood Terry Handler Kathe Hannauer Meg Hanson Hikari Hathaway Marie Harris Steve Hartman Jane Higgins Marie Ihnen Don Jamison Jacquelyn Jennett Lindsey Jones Brian Katz James Kalaitzis Louis Karchin Sophia Kessinger Joseph Kirschner Olivia Koppell Katharine Krahl Dorothy Lee Nellie Lee Mirna Lekić Fred Lerdahl Beth Levin Kate Light A and S Lotocke De Veligost H. James Lurie Julie Marks Stella Mc Dowall Robert McGuigan Ensemble Meme Douglass Merriman Sigurd Midelfort Alan Miller Michelle Miskin Zach Miskin Louise Mortimer Katie Morton Clare Mottola 41
Mirian Mu Spencer Myer Setsuko Nagata Ahling Neu Sarn Oliver Donald Palma Clare Pellerin Ava Penman Alan Pierson Kenneth Plough Carol Preston Linda Quan Mark Reber Ruth Reber Lorena Rodas Matthew Rosen Josh Rubins Karen Sauer Donald Scarl Carol Schuler Dena Schutzer and Ralph Gabriner Michael Seely Jerrold and Jayn Seigel Cheryl Seltzer Gail Slanaker Gordan Srkalovic Kristeen Sorrells Stanley Stahl Charlotte Sundstrom Wei Tan Michi Tashjian Erin Thomas Deborah Thompson Joel and Kri Timm Catherine Trejo Pam Walton Kim Weiner Moriel Weiselberg Andrew Wong Judy Yarbrough Grace Yun Carol Zeavin
Sarajevo Chamber Music Festival Sarajevo, 24.08-01.09.2012. Produkcija / Production Muzička akademija u Sarajevu Academy of Music in Sarajevo Manhattan String Quartet
Umjetnički direktori / Artistic Directors Chris Finckel Dino Mulić Umjetnički savjetnik / Artistic Advisor Dr. Ivan Čavlović, dekan Muzičke akademije u Sarajevu / Dean of the Academy of Music in Sarajevo Izvršna direktorica / Operations Director Amila Ramović Sarajevo Chamber Music Institute, Koordinacija / Co-ordination Calvin Wiersma, umjetnički koordinator / artistic Artistic co-ordinator Co-ordinator Marija Bajo, saradnik za koordinaciju / Co-ordination co-ordination assistant Assistant Stručni savjetnici / Expert Advisors Yevgeny Xaviereff Belma Alić Senad Kazić Mirjana Papić-Hrkaš Mersiha Teskeredžić Tatjana Romanić-Piralić
Sarajevo Chamber Music Festival Sjedište / Headquarters Sarajevo Muzička akademija Josipa Stadlera 1 71000 Sarajevo BiH T/F: +387 33 444 896 E: scmf@mas.unsa.ba
Studentski organizacioni tim / Students’ Operations Team Džana Aganspahić Senka Hodžić Miron Konjević Mateja Milićević Nerimana Prguda Esma Sulejmanagić Ivana Vučićević
New York 18 Boulder Place Yonkers, NY 10705 USA T/F: +1 914 772 8531 E: info@sarajevochambermusicfestival.org
Dizajn vizuelnog identiteta i komunikacija / Visual Identity and Communications Design Ideologija Sarajevo Anur Hadžiomerspahić, Art Director Tarik Zahirović, koordinator / co-ordinator Co-ordinator Koordinator štampe / Print co-ordinator Co-ordinator Esad Šuman
www.sarajevochambermusicfestival.org www.mas.unsa.ba 42
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Izdavač / Publisher Sarajevo Chamber Music Festival Muzička akademija u Sarajevu / Academy of Music in Sarajevo Za izdavača / For the Publisher Ivan Čavlović Urednici / Editors Ivan Čavlović Chris Finckel Dino Mulić Amila Ramović Prijevodi / Translations Džana Aganspahić Marija Bajo Senka Hodžić Dino Mulić Amila Ramović Mateja Milićević Esma Sulejmanagić Ivana Vučićević Koordinacija produkcije / Production Co-ordination Amila Ramović Dizajn / Design Ideologija Sarajevo www.ideologija.ba Štampa / Print “ŠDC” Sarajevo Tiraž / Circulation 2000 kopija / copies Copyright © Sarajevo Chamber Music Festival Sva prava zadržana / All rights reserved
Besplatan primjerak / Free copy