Season 2011/12 Glasgow City Halls Tickets 0141 353 8000 www.glasgowconcerthalls.com www.sco.org.uk
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Welcome
to our 2011/12 Season!
The Scottish Chamber Orchestra has, over a very short space of time, become my musical family and it gives me such joy to know that we will be making music together well beyond this Season, because the players, our supporters and I have agreed to continue our relationship until 2015. Our journey as an intimate group of musicians will continue to search deep within the music with the aim of giving you, our audience, evenings of wonderment: what is music for unless it helps us as a community to look into each and every person’s soul in an attempt to glimpse some sort of ungraspable utopia? The 19th century maverick Hector Berlioz returns as a main theme as the SCO and SCO Chorus open the Season with his Symphonie Fantastique and the relatively unknown choral work, Tristia. I am particularly excited to welcome back Karen Cargill who is returning to sing Les Nuits d’été. György Ligeti is another of our celebrated composers – we will be performing two of his masterworks, the Chamber Concerto and Hamburg Concerto. It was both intriguing and exciting that the Piano Concerto we performed in the 2009/10 Season received such a mixed reaction. As he is one of the most influential composers of the 20th century and a voice we believe in, I invite you to explore once again the extraordinary sound world he creates.
It gives me great delight to welcome Viktoria Mullova, Llŷr Williams and Pieter Wispelwey, some of the most celebrated soloists performing in the world today, for their first performances with the Orchestra. We look forward to these new partnerships and to the insights they will bring, as well as welcoming back the familiar faces who make the SCO dance, laugh and cry – Robert Levin, Alexander Janiczek and Lars Vogt to mention but a few. Among the five world premieres that we will bring you this Season, one is by the young Scottish composer Martin Suckling. With his unique voice and sensitivity to orchestral colour, it is a great thrill that we can plan his new music alongside new works by Knussen, Kerry, Beamish and Hallgrímsson. With Bach, Mozart, Haydn, Beethoven and Schumann at every corner, there is something for everyone in our Season. Your support means so much to us – I look forward to welcoming you.
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Photograph by Paul Hampton
robin ticciati principal conductor scottish chamber orchestra
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Season Highlights
Beethoven No composer lies more surely at the heart of SCO repertoire than Beethoven. Over this Season he appears in many different guises: theatre music, concerto, symphony, and sacred music; we hear the young Beethoven, still in his 20s, and the mature master. No orchestra in the world is better placed to respond to the myriad different approaches conductors bring to this music these days – the radical, historically informed approach of Levin or Manze; the sheer elegance and rigour of Langrée; or the magisterial breadth and fire of Storgårds.
Photographs by Chris Christodoulou and Jane Stockdale
Symphonie Fantastique
Ticciati and the Romantics Robin Ticciati once remarked that fine programming should be like excellent menu planning – you don’t want to eat just steak! True to his word, he conducts the music of four centuries this Season including some of the definitive works in the repertoire. Draw a line from Beethoven through Berlioz and Schumann to Brahms, and there you have it: a fascinating path through eight decades of Romanticism, rich in cross-currents and influences as these four men defined the sound of an age of wars, revolutions, ferment and change.
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Principal Conductor Robin Ticciati sets the tone for a Season dominated by masterpieces of an age of Romanticism and revolution – especially the works of Schumann and Berlioz. He directs the Orchestra in its first ever performance of Berlioz’s heady fantasy Symphonie Fantastique: its tale of idyllic love curdled into nightmare and horror inspires orchestral colours the like of which had never been heard before. As ever, when the SCO ventures into this repertoire, expect the dust of ages to be blasted off so you hear the work with fresh ears.
New Music Thanks to its famed versatility and virtuosity, no orchestra time-travels better or more widely than the SCO. Perfectly happy in the early 18th century, it also lives very much in the present and commissions new work every season. In 2011/12 we are delighted to welcome back familiar faces Sally Beamish and Hafliði Hallgrímsson, who both create new concerti. There is also a chance to meet Martin Suckling, a young Glaswegian making a serious impact internationally – New York’s Alex Ross described one work: “…happy, wired, jumpily pulsing score, approachable in idiom but unpredictable in movement”. Distinguished Australian Gordon Kerry makes his SCO debut with a new concerto for the Orchestra’s charismatic Principal Flute, Alison Mitchell.
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Reproduced with permission from the Hector Berlioz Website (www.hberlioz.com)
Friday 14 October 7.30pm suckling New Work (10’) world premiere SCO commission schumann Symphony No 4 (original version) (28’) beethoven Violin Concerto (42’) robin ticciati Conductor viktoria mullova Violin
Symphonie Fantastique: Ticciati Conducts Friday 7 October 7.30pm
Principal Conductor Robin Ticciati opens the Season. In his own words:
schumann Overture, Genoveva (10’)
“Berlioz’s masterwork Symphonie Fantastique is most commonly associated with the symphony orchestra, but I am extremely excited by the prospect of playing it with the SCO as our opening concert of this new Season. It represents a natural continuation of our Berlioz journey which began with La Mort de Cléopâtre and L’Enfance du Christ. I am hoping that with a rigorous attention to phrasing, articulation, the colour of dissonance and classical and early romantic style, we will enter into this world of goblins, frenzied passion and loneliness and offer you a thought-provoking and new way of listening to the piece. Join us for the next leg of the journey!”
berlioz Tristia (18’) berlioz Symphonie Fantastique (50’) robin ticciati Conductor sco chorus
Limpid in tone, matchless in technique, fearlessly honest in her musicality: it is easy to see why Mullova has become one of the biggest stars of the violin worldwide. Her performance launches a season-long journey through many of the concertos, symphonies and choral works of Beethoven. Schumann’s symphony was a labour of love – it took around a decade to complete and is dedicated to the great violinist Joseph Joachim, who was a child prodigy when it was begun but a mature artist (and grown man) by the time of its completion. Yet, debate still rages about whether Schumann’s first or last thoughts on this piece were superior. On this occasion, Ticciati opts for the first version – the one Schumann’s own friend, Brahms, preferred.
pre-concert talk: 6.30pm (free to ticket holders) Martin Suckling talks about his new work.
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Beethoven’s Pastoral Symphony Friday 21 October 7.30pm mozart Symphony No 1 K16 (13’) haydn Cello Concerto in D (25’) beethoven Symphony No 6 ‘Pastoral’ (39’) thierry fischer Conductor pieter wispelwey Cello
A spry and brilliant symphony by an eight-year-old; a magnificent concerto, lost for nearly two centuries; a symphony that has become a popular favourite the world over, though in its time it was astonishingly revolutionary. The familiar names of Beethoven, Haydn and Mozart conceal a wealth of stories in this delightful programme.
Photograph by Hang-Jin Cho
Mullova Plays Beethoven
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New Babylon
Master Pianist
Friday 28 October 7.30pm
Friday 4 November 7.30pm
Romantic Love Stories Friday 18 November 7.30pm
Still from the film New Babylon
gluck Overture, Alceste (10’)
kerry Flute Concerto, ‘Captain Flinders’ Musick’ (15’) world premiere Commissioned by the Ian Potter Cultural Trust shostakovich Suite from New Babylon Op 18 (film music) (40’) olari elts Conductor alison mitchell Flute
Shostakovich wrote his brilliantly witty and sophisticated film score to accompany New Babylon, a 1928 satire set in the Paris Commune in 1871. He relishes his pastiches of Parisian popular classics – especially Offenbach – treading a fine line between homage and parody. Opening the evening is a fascinating rarity: Saint-Saëns, composer of Carnival of the Animals, writing one of the first ever film scores! Gordon Kerry is a prestigious voice from Australia, where he was recently awarded the country’s top composition award, the Ian Potter Music Commissions. He used part of his prize to write this concerto for the SCO’s charismatic Principal Flute. pre-concert talk: 6.30pm (free to ticket holders) Gordon Kerry talks about his Flute Concerto, ‘Captain Flinders’ Musick’.
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schumann Symphony No 2 (38’) robin ticciati Conductor karen cargill Mezzo Soprano mozart Divertimento in F K138 (11’) schubert Symphony No 3 (26’) beethoven Piano Concerto No 3 (34’) robert levin Piano/Director
Robert Levin is both international star performer and high-flying academic. Few people know more about the age of Mozart, Beethoven and Schubert than he does – but don’t expect a dusty lecture here! Levin’s researches have led him to conclude that Beethoven’s performances were more like jazz than today’s classical performances. One recent reviewer wondered, “Was Levin channeling the wild-maned Beethoven of contemporary portraits? His boldly spontaneous playing certainly made it seem so.” (Chicago Tribune).
Photograph by Ken Dundas
saint-saëns The Assassination of the Duke of Guise (film music) (15’)
berlioz Les Nuits d’été (31’)
Secret love stories lie hidden here as Robin Ticciati continues his season-long pairing of Berlioz and Schumann. Berlioz’s ultra-Romantic songs were first orchestrated for his mistress, the singer Marie Recio. Schumann’s symphony pays tribute to the composer’s devoted wife Clara by including a melody which sets the phrase “Take, then, these songs of mine” from Beethoven’s love songs, An die ferne geliebte. To open, music by one of Berlioz’s idols – Gluck, in tempestuous mode. pre-concert talk: 6.30pm (free to ticket holders) Robin Ticciati in conversation about the music of Berlioz and Schumann.
Comparing Notes Do you enjoy a good chat about music? This is an opportunity to talk about music and share views with others in a relaxed and friendly atmosphere. A discussion group will meet four times before SCO concerts to chat about the music featured in that evening’s performance:
Reserve your place now by calling SCO Connect on 0131 478 8353.
Friday 18 November Friday 25 November Friday 2 December Friday 9 December
2010/11 participant
Romantic Love Stories Keyboard Titans Christmas Oratorio Northern Landscapes
“Gave a wonderful insight into concert material... each night was a learning curve.”
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Photograph by Joanne Savio
Keyboard Titans “Adoration of the Magi” by Botticelli
Friday 25 November 7.30pm beethoven Coriolan Overture (10’) beethoven Piano Concerto No 2 (28’) mozart Symphony No 41 ‘Jupiter’ (29’) leon fleisher Conductor nicholas angelich Piano A real treat for lovers of piano music: Fleisher, a living legend of the keyboard, is now in his 80s but still shines as pianist, conductor, mentor and teacher. For this, his SCO debut, he conducts while his pupil Angelich plays Beethoven’s youthful concerto. Comparing Notes discussion group meets before this concert – see page 9 for details.
Christmas Oratorio Friday 2 December 7.30pm bach Christmas Oratorio: Cantatas 1, 3, 5 & 6 (117’) Sung in German richard egarr Conductor/Harpsichord lucy crowe Soprano clare wilkinson Mezzo Soprano andrew staples Tenor andrew foster-williams Bass sco chorus
Picture nativity scenes by a great master, a Breughel or a Botticelli: landscapes filled with angels, people and animals; colour; movement; human touches and tiny incidental details all animated and elevated to a higher level by the mystery of the Holy Child at the heart of the scene. This is what Bach translates into music in the Christmas Oratorio – a lavish sequence of choruses and arias featuring wonderful solos for the instrumentalists. Outstanding soloists under the direction of one of the world’s finest Bach interpreters guarantee an exceptional evening. Comparing Notes discussion group meets before this concert – see page 9 for details.
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Mozart at Christmas
Friday 9 December 7.30pm
Friday 16 December 7.30pm
sibelius Suite, King Kristian II (22’)
rossini Overture, The Silken Ladder (7’)
hallgrímsson Concerto for Violin and Orchestra Op 46 (25’) world premiere Commissioned by the Iceland Symphony Orchestra
mozart Sinfonia Concertante (30’)
grieg Symphony in C minor (38’) enrique mazzola Conductor jennifer pike Violin
Hallgrímsson’s relationship with the SCO has been outstandingly fruitful over the past two decades, yielding a sequence of major works for string soloist and orchestra. In his 70th birthday year, Jennifer Pike (BBC Young Musician of the Year 2002) is the soloist for this latest concerto, following in the footsteps of such distinguished artists as Truls Mørk and Lars Anders Tomter. Mazzola frames Hallgrímsson with Nordic treasures: Sibelius’ atmospheric and melodious theatre score and Grieg’s youthful symphony. pre-concert talk: 6.30pm (free to ticket holders)
mozart Marches in D K335 (8’) mozart Serenade No 9 in D K320 ‘Posthorn’ (40’) alexander janiczek Director/Violin jane atkins Viola
Handel’s Water Music
An uplifting curtain-raiser to the festive season, Janiczek’s evenings with the SCO are cherished for their sheer stylishness and musicality. He is especially at home in Viennese repertoire, music he grew up with and has performed from an early age. No one does it better.
Friday 13 January 7.30pm
“The pairing of Janiczek’s silvery delivery with the seductive confidence of SCO Principal Violist Jane Atkins was a match made in Heaven.”
handel Cantata: Delirio Amoroso (35’)
handel Water Music in D and G (19’) rameau Suite from Dardanus (20’)
Photograph of Emmanuelle HaÏm by Simon Fowler
Photograph by Tom Bangbala
Northern Landscapes
Emmanuelle Haïm brings a special élan and grace to everything she touches. She returns to the SCO to spark up January with zesty dance suites and a sensational showpiece for soprano Camilla Tilling – a passion-fired display of fireworks and musical fantasy composed by Handel as a young man in Italy.
emmanuelle haïm Conductor/Harpsichord camilla tilling Soprano
the scotsman
Hafliði Hallgrímsson talks about his new concerto. Comparing Notes discussion group meets before this concert – see page 9 for details. 12
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In the Steppes Aimard Plays of Central Europe Brahms
Langrée Conducts Emperor Beethoven and Eroica
Friday 20 January 7.30pm
Friday 3 February 7.30pm
Friday 10 February 7.30pm
gluck Overture, Iphigénie en Aulide (10’)
cherubini Overture, Démophoon (10’)
beethoven Symphony No 4 (34’)
beethoven Piano Concerto No 5 ‘Emperor’ (38’)
beethoven Mass in C (43’)
beethoven Symphony No 3 ‘Eroica’ (47’)
louis langrée Conductor elena xanthoudakis Soprano jurgita adamonyte Mezzo Soprano andrew staples Tenor alastair miles Bass sco chorus
andrew manze Conductor llyˆr williams Piano
haydn Symphony No 22 in E-flat ‘Philosopher’ (16’)
ligeti Hamburg Concerto (15’)
ligeti Chamber Concerto for 13 instruments (21’)
kodály Dances of Galanta (15’)
brahms Piano Concerto No 2 (44’)
dvorˇák Symphony No 5 (36’)
robin ticciati Conductor pierre-laurent aimard Piano
robin ticciati Conductor alec frank-gemmill Horn
Supported by Dunard Fund
Millions ‘discovered’ Ligeti without realising it when Kubrick peppered the soundtrack of 2001: A Space Odyssey with his work. It gave him popular success, and few would dispute that he is one of the five most important composers of the past 40 years. Here is a chance, over two weeks, to hear two very different but equally fine scores by him. The ‘Hamburg’ Concerto pays tribute to Bach’s Brandenburg Concertos. Ticciati performs it with popular favourites from Central Europe. pre-concert talk: 6.30pm (free to ticket holders) Dr Michael Searby talks about the music of György Ligeti.
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In this and the concert on 10 February, the SCO offers the two mightiest piano concertos of the Romantic age: two pieces which utterly broke the mould. Brahms humorously referred to his concerto as “some little piano pieces” – it is quite the opposite: a symphony for piano and orchestra. Aimard – well known to Scottish audiences through his many Edinburgh Festival appearances – takes the titanic solo part.
This week and next combine into a rich treat for Beethoven lovers. Concerto, choral and symphonic music, all written within eight years of what we know as Beethoven’s ‘Middle Period’ – his 30s and early 40s. It could have been a time of unadulterated despair as he struggled with growing deafness and ill-health; but, musically, it emerged as a time of awe-inspiring musical revolution, triumph and hope.
Hear Beethoven alongside the contemporary he most admired (Cherubini’s Requiem was sung at Beethoven’s funeral), as the great man celebrates both an emperor and a revolutionary in the same evening. Llŷr Williams’ Beethoven is not to be missed. He recently completed his first full cycle of the piano sonatas to huge acclaim, and brings immense authority but also something fascinatingly unworldly to this music.
“Napoleon on his Imperial Throne” by Ingres
kodály Summer Evening (16’)
Photograph by Benjamin Ealovega
Photograph by Felix Broedeand
Friday 27 January 7.30pm
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Photograph by Chris Dawes
Beethoven and Beamish Friday 16 March 7.30pm
Serenade Friday 24 February 7.30pm berlioz Love Scene from Romeo & Juliet (18’) beethoven Piano Concerto No 1 (36’) brahms Serenade No 1 (49’) robin ticciati Conductor lars vogt Piano
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On the eve of its departure for a major tour of Germany, the SCO is joined by the prodigious Lars Vogt, very much in his home territory with Beethoven’s concerto. Berlioz and Brahms are as different in their music and personalities as it is possible to be, but they shared a complicated admiration for Beethoven. Brahms’ youthful serenade makes a delightful complement to Berlioz’s impassioned outpouring.
Photograph by Chris Christodoulou
stravinsky Dumbarton Oaks (12’) beamish Percussion Concerto (20’) world premiere SCO commission beethoven Symphony No 7 (36’) joseph swensen Conductor colin currie Percussion
Joseph Swensen returns to the SCO with one of the works that blew Scottish audiences away when he first performed it with the Orchestra over a decade ago. Since then he has spent time with the latest critical edition of Beethoven’s 7th Symphony and this new performance promises fresh insights but undiminished power. The programme is rich in possibilities, not least Sally Beamish’s hotly anticipated new concerto for the brilliant Colin Currie. pre-concert talk: 6.30pm (free to ticket holders) Sally Beamish and Colin Currie talk about Beamish’s new concerto.
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Beethoven Five
Baroque Greats
A Cold Spring
Friday 13 April 7.30pm
Friday 20 April 7.30pm
telemann Water Music Suite in C ‘Ebb and Flow’ (20’)
knussen Two Organa (6’)
heinichen Concerto in F for two horns and strings (9’)
grime A Cold Spring (10’)
bach Harpsichord Concerto in D minor BWV 1052 (21’)
knussen New Work (15’) world premiere
Friday 23 March 7.30pm
Photograph by Chris Christodoulou
schumann Overture, Faust (6’) gruber Nebelsteinmusik (17’) berlioz Rêverie et Caprice (10’) beethoven Symphony No 5 (31’) robin ticciati Conductor alexander janiczek Violin
Ticciati combines Beethoven’s blazing symphony with a deep personal passion: Schumann’s Faust, which ranked among the composer’s greatest popular successes during his lifetime. Between the two, Gruber’s compelling response to German music during some of the darkest years of the Third Reich. Following this concert, Ticciati and the Orchestra head off on tour to Spain with more Beethoven.
bach Sinfonia from Cantata 42 (5’) vivaldi Concerto ‘di Dresda’ RV 577 (9’) bach Suite No 4 in D (20’)
“The Scottish Chamber Orchestra has Beethoven coming out of every pore! They live for risk taking and they dare to take music to its limits. Without these qualities we cannot hope to find Beethoven’s own struggle as he confronts his mortality.” robin ticciati 18
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Photograph by Chris Christodoulou
richard egarr Conductor/Harpsichord alec frank-gemmill Horn harry johnstone Horn
The musical riches of three great German cities in a single evening: Hamburg, Dresden and Leipzig each had distinct characters and attracted the greatest composers of the age from across Germany and further afield. This is an evening of splendour and flamboyance directed by the man who has been called ‘The Leonard Bernstein of Early Music’.
stravinsky Movements for Piano and Orchestra (10’) beethoven Symphony No 8 (26’) oliver knussen Conductor peter serkin Piano
Knussen is a giant of the musical world, equally sought after as conductor, composer and musical thinker. His programmes invariably summon unexpected and thought-provoking juxtapositions. Here Stravinsky, Grime, Knussen himself and... Beethoven! The musical journey will be rewarding and rich, and every performance ravishing in its own right.
pre-concert talk: 6.30pm (free to ticket holders) Richard Egarr talks about the music in this concert. 19
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Photograph by Benjamin Ealovega
Benedetti: Vivaldi’s Four Seasons Friday 27 April 7.30pm gluck Overture, Ballet and Chaconne from Orfeo ed Eurydice (11’) vivaldi Concerto in D ‘Il Grosso Mogul’ RV 208 (15’) rameau Suite from Les Paladins (20’)
Biss Plays Mozart
vivaldi The Four Seasons (40’) christian curnyn Harpsichord/ Director nicola benedetti Violin
Friday 4 May 7.30pm
A baroque extravaganza of exotica and virtuosity starring Scotland’s favourite violinist. Benedetti is exploring the Vivaldi repertoire at the moment, and here she juxtaposes his most famous set of concerti with a scintillating rarity: Il Grosso Mogul. No-one knows where the nickname comes from (and we are pretty sure Vivaldi had no links to Delhi royalty), but its suggestion of oriental brilliance is picked up in the rest of this colourful programme with Rameau’s sensational dances from Les Paladins.
dvorˇák Czech Suite (23’) mozart Piano Concerto in D minor K466 (30’) beethoven Symphony No 2 (32’)
An evening in the key of D! Mozart’s turbulent concerto touches on veins of dark drama and poignant song. For Dvořák, drawing deep on his national folk heritage of dances and romances, there is lyrical warmth and charm to be found. For Beethoven, D is the key of humour and grand brassy gestures – but the complexity of this symphony dumbfounded many of his contemporaries.
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Photograph by Rhys Frampton
jakub hrusa Conductor jonathan biss Piano
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Beethoven’s Choral Symphony Friday 11 May 7.30pm beethoven Music from The Ruins of Athens (25’) beethoven Symphony No 9 ‘Choral’ (65’) john storgårds Conductor elizabeth watts Soprano julia riley Mezzo Soprano allan clayton Tenor jan martinik Bass sco chorus
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The Season opens with one revolutionary work and closes with another. A gilded cast of singers joins the SCO for Beethoven’s exhilarating final symphony. From its first mysterious bars to its closing shout of joy, you can hear the sound of Beethoven creating the future of music.
Guide dogs are welcome.
All single tickets, including discounts listed below, are on sale from 23 May 2011. Subscription bookings are taken from 30 March 2011. II
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28 October & 20 April: Stalls seats only available. ticket discounts Senior citizens – £2 off standard prices. Students, children and unemployed people – £5 for any ticket. People with a disability – 50% off standard ticket prices for people with a disability and a carer. Group discounts – Groups of 6 or more save 20% off standard ticket prices. School groups – Teachers and/or accompanying adults go free when bringing a school or school-age youth group. For more information, contact SCO Connect on 0131 478 8353 or kirsten.hunter@sco.org.uk
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parking QPark on Albion Street offers City Halls’ patrons parking from 6pm to midnight for just £1.20 – pick up a voucher as you leave the Halls. Subject to availability.
Please note: All discounts are subject to availability. We regret that tickets are non-refundable. Every effort is made to ensure that all information is correct at time of going to press. The SCO does, however, reserve the right to change dates, artists or programmes if necessary.
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SCO Subscription
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Email important – please complete! We would like to send you, from time to time, information about the SCO, its events and other developments. Please tick here if you would like to join the SCO’s e-news list to receive updates about concerts, events, offers and news by email. We will not give your details to any third parties. Please tick here to indicate your permission for us to add your details to our postal mailing list. Please tick boxes below to indicate your choice of concerts: Fri 7 Oct Fri 14 Oct Fri 21 Oct Fri 28 Oct Fri 4 Nov Fri 18 Nov
Fri 25 Nov Fri 2 Dec Fri 9 Dec Fri 16 Dec Fri 13 Jan Fri 20 Jan
Fri 27 Jan Fri 3 Feb Fri 10 Feb Fri 24 Feb Fri 16 Mar Fri 23 Mar
Fri 13 Apr Fri 20 Apr Fri 27 Apr Fri 4 May Fri 11 May
Please complete the grid below: Number of concerts
Number of people at standard price
Number of people at senior price
Price band
by phone Call 0141 353 8000 with your selected concerts and credit or debit card details, or if you have any queries about your subscription booking.
Seating Area (e.g. stalls, balcony)
Total Price
Box Office transaction and postage fee
£ 1.75
TOTAL
£
How do you wish to pay? I enclose a cheque, payable to ‘Culture and Sport Glasgow’. Please debit my Mastercard/Visa/debit card (delete as appropriate). Card Number Issue Number (debit card only)
Expiry Date
Start Date
Security Code (last three digits on signature strip)
Signature
I wish to spread the cost of subscription over four months using a Standing Order. Please send me a Standing Order form.
Please return this form to: SCO Subscription, Glasgow Royal Concert Hall Box Office, FREEPOST SCO 6477, Glasgow G2 3BR (no stamp required).
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Subscription Prices No. of concerts 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23
Standard
I
II
III
IV
£88.40
£74.80
£57.80
£40.80
Save 15% (20%)
Senior
£83.20
£70.40
£54.40
£38.40
Standard
£110.50
£93.50
£72.25
£51.00 £48.00
Senior
£104.00
£88.00
£68.00
Standard
£132.60
£112.20
£86.70
£61.20
Senior
£124.80
£105.60
£81.60
£57.60
Standard
£154.70
£130.90
£101.15
£71.40
Senior
£145.60
£123.20
£95.20
£67.20
£166.40
£140.80
£108.80
£76.80
Save 20%
Senior
£156.00
£132.00
£102.00
£72.00
(25%)
Standard
£187.20
£158.40
£122.40
£86.40
Senior
£175.50
£148.50
£114.75
£81.00
Standard
£208.00
£176.00
£136.00
£96.00
Senior
£195.00
£165.00
£127.50
£90.00
Standard
£228.80
£193.60
£149.60
£105.60
Senior
£214.50
£181.50
£140.25
£99.00
Standard
£234.00
£198.00
£153.00
£108.00
Save 25%
Senior
£218.40
£184.80
£142.80
£100.80
(30%)
Standard
£253.50
£214.50
£165.75
£117.00
Senior
£236.60
£200.20
£154.70
£109.20
Standard
£273.00
£231.00
£178.50
£126.00
Senior
£254.80
£215.60
£166.60
£117.60
Standard
£292.50
£247.50
£191.25
£135.00
Senior
£273.00
£231.00
£178.50
£126.00
Standard
£291.20
£246.40
£190.40
£134.40
Save 30% (35%)
Senior
£270.40
£228.80
£176.80
£124.80
£309.40
£261.80
£202.30
£142.80 £132.60
Senior
£287.30
£243.10
£187.85
Standard
£327.60
£277.20
£214.20
£151.20
Senior
£304.20
£257.40
£198.90
£140.40
Standard
£345.80
£292.60
£226.10
£159.60
Senior
£321.10
£271.70
£209.95
£148.20
Standard
£338.00
£286.00
£221.00
£156.00
Save 35%
Senior
£312.00
£264.00
£204.00
£144.00
(40%)
Standard
£354.90
£300.30
£232.05
£163.80 £151.20
Senior
£327.60
£277.20
£214.20
Standard
£371.80
£314.60
£243.10
£171.60
Senior
£343.20
£290.40
£224.40
£158.40
Standard
£358.80
£303.60
£234.60
£165.60
Save 40%
Senior
£328.90
£278.30
£215.05
£151.80
(45%)
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Play Your Part
The SCO gratefully acknowledges the support of the Scottish Government, local authorities, corporate sponsors, Patrons, 250 Society members and the many trusts and foundations that help to fund its extensive education and touring programmes.
There are many ways in which you can support the work of the SCO and help us bring live classical music to people of all ages throughout Scotland. We invite individuals to become SCO Patrons, join the SCO 250 Society, or to consider leaving a legacy to the Orchestra in their will. We offer companies a range of sponsorship and in-kind support opportunities and a flexible Corporate Membership scheme with regular hospitality and dedicated account management.
principal sponsor Virgin Money
Standard
Standard
Thank You
benefactor Dunard Fund sponsors Chatham Skoda Lumison State Street corporate members & in-kind supporters Aberdeen Asset Management Caledonian Brewing Company Capital Solutions Edinburgh University Settlement Homeopathy John Lewis Edinburgh The Leith Agency Radio Forth MacDonald Orr Limited MacDonald Roxburghe Hotel Miller Group Standard Life SATV Television Production Scottish Council for Development and Industry Thom Micro Systems
For further information on how you can support the SCO, visit www.sco.org.uk or contact the Sponsorship & Fundraising Department on 0131 478 8344 or sponsorship@sco.org.uk. scottish chamber orchestra patron HRH The Prince Charles, Duke of Rothesay principal conductor Robin Ticciati composer laureate Sir Peter Maxwell Davies chairman Donald MacDonald CBE managing director Roy McEwan
4 Royal Terrace Edinburgh EH7 5AB
t 0131 557 6800 f 0131 557 6933 e info@sco.org.uk w www.sco.org.uk
A charity registered in Scotland No. SC015039. Company Registration No. SC75079. Please note that all timings (shown in brackets) are approximate and do not include intervals or platform changes.
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Large-print, Braille and Talking Notes versions of this brochure are available. Call 0131 557 6802.
Keep in Touch Sign up to our email list or join our postal mailing list at www.sco.org.uk, by calling 0131 557 6802 or writing to SCO, FREEPOST EH457, 4 Royal Terrace, Edinburgh EH7 5BR Become an SCO fan on Facebook www.facebook.com/scottishchamberorchestra
Follow us on Twitter www.twitter.com/scomusic
Read our blog at www.sco.org.uk for artist interviews, videos, photos and more
Enjoy more music – spend less! Book an SCO Subscription – from just four concerts As well as substantial discounts on regular ticket prices, you can enjoy priority booking, special events and many other exclusive benefits. An SCO subscription is completely flexible – you choose the concerts you like – and benefit from huge savings if you book for four or more concerts. You can save up to 45% or you can book 16 concerts for less than it costs to go to 15 – you can’t beat value like that!
Cert no. XXX-XXX-XXXX
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