John Corigliano
PHANTASMAGORIA on “The Ghosts of Versailles” for orchestra
From the G. Schirmer Rental Library Date of Printing_______
G. Schirmer, Inc. New York, NY
John Corigliano
PHANTASMAGORIA on “The Ghosts of Versailles” for orchestra
Commissioned by the Minnesota Orchestra and Eiji Oue on the occasion of the Orchestra’s Centennial.
G. Schirmer, Inc. New York, NY
Instrumentation 3 Flutes (2nd & 3rd doubling Piccolo) 3 Oboes (3rd doubling English Horn) 3 Clarinets in B= (1 & 2 doubling Clarinet in A, 2 doubling E= Clarinet, 3rd doubling Bass Clarinet) 3 Bassoons (3rd doubling Contrabassoon) 4 Horns in F 4 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Percussion (4 players) Bass Drum Castanets Chimes Crotales Glockenspiel Low Drum Snare Drum Suspended Cymbal Tambourine Temple Blocks Tom-toms Triangle Vibraphone W ood blocks Xylophone
Keyboard: Piano, Synthesizer Harp Strings
Duration ca. 23 minutes
to the memory of Joel Honig
PHANTASMAGORIA on The Ghosts of Versailles for Orchestra ca. 15 seconds
John Corigliano
ca. 10 seconds
* Piccolo
1
Piccolo
2
Flute
1 gliss. 1 gliss.
Oboe
2
gliss. 3 gliss. 1
Clarinet
2 gliss. 3
Bassoon
1 2
Contrabassoon
1 2 Horn 3 4
harmon mute
to harmon mute (1., 2.)
gliss.
1 2
gliss.
Trumpet
3., harmon mute to harmon mute (3., 4.)
gliss.
3 4 to harmon mute (1., 2.) Trombone
1 2 to harmon mute (Bs. Tbn.) to mute (Tba.)
Bass Trombone Tuba Timpani
bend
Vibraphone, bowed
l.v.
1 15
2 Percussion
15
3
4
Synthesizer
Harp
*
ca. 15 seconds div., con sord. gliss.
ca. 10 seconds gliss.
div. a3**
div., con sord. gliss.
gliss.
div. a3**
I Violin II
Viola al sord. Violoncello
gliss.
al sord. Contrabass *
Triangles with numerals within mean free cue beats. The numeral denotes the number of beats (cues) in the measure. Dotted lines indicate secondary cues.
**Divided evenly between 1st and 2nd Violins. For example, if there are six pitches and 24 players, 4 players should play each pitch.
SCORE IN C corrected 5/00 rev. 9/00 rev. 12/02 rev. 6/04
Copyright © 2000 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
2 = ca. 48 ***
3 Picc.
1 ( ) (
Picc.
)
2 ***
Fl.
1 ( )
(
1
Ob.
2
3
1
Cl.
2
3
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Vib., 2 players, bowed, l.v.** 1 Pedal Glockenspiel, soft sticks ***
15
2 Crotale, bowed, alternate notes,l.v.**
Perc.
sim.
15
3
4 8va
(white sound)
, legatissimo
Synth.
Hp.
sul ponticello* 1-2"
= ca. 48 1 solo*** (sord.)
I (
)
sul ponticello* 1-2"
Vn. II
8va
1 sola (sord.)*** Va. ( )
(
Vc.
Cb. *Free, chromatic, squiggly runs following shape of the lines. **Percussionists prepare note in parentheses, but do not play on downbeat. Ad lib. slow crescendo/diminuendo from niente to pianissimo to niente. Do not synchronize with the other players. ***All instruments finger line of eighth notes, but do not play. Occasionally, each player independently plays his or her instrument, so that ad lib., slow, legatissimo crescendos and diminuendos from and to niente occur [i.e. ( )]. These should sound randomly chosen and serve only to change the color of the chromatic line.
3 7 Picc.
*
1 (
Picc.
)
2 *
Fl.
1 )
(
)
1
Ob.
2
3 * 1 (
Cl.
)
(
)
2
3
Bn.
1 2
Cbn. 1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. ( = ca. 48) 1 player*
(Vib.) 1 15
(
Pedal
*(Glock.)
)
2 Perc. 15
3
4 8
*
Synth.
Hp.
(sord.) * Solo Vn. Vn.
I
div.
slow gliss.
(
)
gli altri
Vn. II div. a3
2/3
slow gliss.
1/3
slow gliss.
div.
8
* Solo Va. (
Va. al sord. gle altre
) gle altre, div., con sord. gliss.
Vc.
Cb. *Continue in tempo ( = ca. 48) without being conducted. Keep this steady tempo throughout the following measures / pages. Slight misalignments may occur, and this “out-of-phase” sound will not be objectionable. Vibraphone see also footnote on page 2 (***).
4 ca. 8–10 seconds
9 Picc.
1 **
Picc.
2
Fl.
1 filigreed, free
Ob.
1 filigreed, free
** Ob.
2 *
E.H.
( ) 1 * Cl.
filagreed, free
2
3 **2. Bn.
(2.)
1 2 filigreed, free
* Cbn. 1. open* 2. stopped*
1.
1 2
2.
( )
Hn.
3., open
4., open *
3 4
3.
2.*( )
1 2
**1.
( ) *
Tpt. 3 4
4.
1.
3. 4.
( ) harmon mute **1. Tbn.
1.
2., fltg.**
1 2 *harmon mute
Bs.Tbn. Tba.
Bs. Tbn.
Tba. ( ) Timp. (Vib.) 1 15
**Glock.
2 **Crot.
15
Perc. 3
4
Synth.
**
Hp.
ca. 8–10 seconds Solo div. a3 Vn. I gli altri 2., 3. Vn. II div. a3
1.
al sord. Solo Va. gle altre **con sord., sul ponticello Solo Vc.
con sord., div. a4
gli altri **con sord., col legno Solo Cb.
con sord., div. a3
gli altri
*Finger note in ( ). Do not play. At appoximate positions in cue, play pitch, slowly cresc.—dim. from niente to pianissimo and back to niente. **Approximate position within cue.
2., fltg.
5 10 Picc.
= 60
**
1 (
( ) ** Picc.
2 ( )
Fl.
)
(
)
1
1
Ob.
2
3
1 2.,**
Cl. 2
( )
)
(
3 (2.) Bn.
1 2 ( ) 2.,**
to Bassoon
(
)
Cbn. 1., ** 1 2 Hn. (
)
3 4 1., to Whispa mute 1 2
2. to straight mute 3. to straight mute
Tpt. 3 4
1. to straight mute Tbn.
1 2
2. remove mute Bsn. Tbn. to straight mute
Bs.Tbn. Tba.
Timp.
1 15
2 Perc.
15
3
4
Synth.
(to Piano)
Hp.
sul ponticello, tremolo*
ord.
div., a2
= 60
I Vn.
div., a2
sul ponticello, tremolo*
ord.
II gle altre, div., non vib. (sord.) a4 gliss. a3 gliss. a2 gliss. ***
gliss. a4
gliss. a2 gliss.
Va. div. a3 half step
liquid div. a2
Vc.
unis.
div.
Cb. *Free, chromatic, squiggly runs following shape of the lines. **All instruments finger line of eighth notes, but do not play. Occasionally, each player independently plays his or her instrument, so that ad lib., slow, legatissimo crescendos and diminuendos from and to niente occur. These should sound randomly chosen and serve only to change the color of the chord. ***Play indicated pitches. Boxes surrounding notes indicate 1/2 step clusters between and including outside pitches. (Individual notes are copied in parts.)
a3 gliss.
6 14 Picc.
solo
1 free even pulses 1 legatissimo free even pulses
Fl.
2 solo
legatissimo 1
Ob.
2
3
1 Cl. dolce 2
3
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4 1 2
Tbn.
Bs.Tbn. Tba.
Timp. free, even pulses (Vib.)
bowed:
1 pedal
15
2 Perc.
15
3
4
Pno.
Hp.
1-2
4.
3.
dolce dolce
(3.)
3-4 Vn. I 5
6-7 div. (tutti)
dolce
unis. (con sord.)
Vn. II 3
3
gle altre (div. a5)
Va.
div. a2 gl. a5 gl. a3 gl. a4 gl.
legatissimo
1 stand
Vc. unis., pizz. Cb.
7 23 Picc.
1 3
1 Fl. 2
1
Ob.
2
3
1
Cl.
2 B Clarinet 3
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. (Vib.) 1 15
2 Perc.
15
3
4
Pno.
Hp.
tutti div. I Vn. II gle altre, div. a3 . gliss
Va. (1 stand)
div. a3 Vc.
Cb.
3
8 30 Picc.
to Flute
1
1 Fl. 2
1 3
Ob.
3
2
3
1
Cl.
2
3
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. (Vib.)
l.v.
1 Chimes
15
2 Perc.
15
3
4
Pno.
Hp.
div. a4 8va
I div. a3
Vn. II
(1 stand) Va. le altre, div. (con sord.) Vc. div. a3
Cb.
via sord.
4 soli, senza sord.
9 stagger breaths
= ca. 48–50
38 1
poss., legatiss., poco rubato (asynchronous) stagger breaths Fl.
2 poss., legatiss., poco rubato (asynchronous) stagger breaths Flute 3 poss., legatiss., poco rubato (asynchronous)
solo
1
Ob.
3
2
3 ***
stagger breaths 1 poss., legatiss., poco rubato (asynchronous)
***
stagger breaths Cl.
2 poss., legatiss., poco rubato (asynchronous) ***
stagger breaths 3 poss., legatiss., poco rubato (asynchronous) 1 2 Bn.
Bassoon 3 2. open 1 2
Hn. **
3 4
straight mute 1 2 3
Tpt. 3. straight mute 3 4
3
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Vib., softest sticks *** 1 blur, poco rubato (asynchronous) Pedal 2 Perc.
15
3
4 *** legato
Pno.
sempre
gliss.
l.v.
Hp.
= ca. 48–50 unis., free bows con sord.
***
I legatiss., poco rubato (asynchronous)
Vn.
unis., free bows con sord.
***
II legatiss., poco rubato (asynchronous) tutte, ** Va. legato (4 soli, senza sord.)
***
tutti, senza sord.
Vc. 5 players, div. a5, arco, senza sord.
*
Cb. *Cbs. harmonics at actual pitch **Very slow half-tone oscillation. ***Continue in tempo, ignoring the conductor’s acceleration. Stop at the large cutoff at measure 54. Do not crescendo.
legato
10
accel. poco a poco 44
=
1
3 3
Fl.
2
3 3
Piccolo
to Piccolo 3
3 3
1 sub. Ob.
2 sub. 3 sub.
1
Cl.
2
3
1 2 Bn. 3 1. and 2. remove mute 1 2 Hn.
4. speed up oscillation
3.
cresc.
3 4 3.
4. 1.
1 2 Tpt.
(3.)
open
3. remove mute
3 4 1., straight mute Tbn.
3
1 2
Bs. Tbn., straight mute 3
Bs.Tbn. Tba.
1. remove mute
2. open
remove mutes
open
Tba., mute
brassy a2
brassy
Timp. (Vib.) 1
Tambourine 2 Wood Blocks
Perc. 3
S.D., rimshot
15
4
Pno.
Hp.
accel. poco a poco via sord.
= I Vn.
via sord.
div.
II
speed up oscillation Va. cresc. div. Vc. tutti, unis., arco, senza sord. Cb.
11
= 144
49 Picc. 1
8va
1 Fl. 2
1
Ob.
2 to English Horn 3
1
Cl.
2 to Bass Clarinet 3
1 2 Bn.
to Contrabassoon
Contrabassoon
3 1. 1 2 Hn. 3.
3.
3 4 a2
2. to straight mute
1 2 Tpt. 3 4
Tbn.
to straight mute
1 2 Bs. Tbn.
Bs.Tbn. Tba.
Timp.
1 Bass Drum 2 Perc.
W. Blk. 3
4
Pno.
Hp.
= 144 (IV)
IV
(IV)
IV
III
pizz.
I Vn. unis. II
Va. pizz. unis. Vc.
Cb.
div., arco
12 58 Picc. 1
1 Fl. 2
1 Ob. 2 English Horn, solo E.H.
1 Cl. 2
Bs. Cl. a2, soli Bn.
1 2
Cbn.
1 2 Hn. (3.) 3 4 2., con sord. 1 2 Tpt.
con sord. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 W. Blk.
Perc. 3
Tom-toms 4
Pno.
Hp.
I Vn. II
Va.
div., arco unis., pizz. Vc. pizz. Cb.
13 66
to Flute
Picc. 1
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 2. remove mute 1. (open)
2. open
1 2 Tpt.
remove mute
4., open
3. open
3 4 2. to straight mute Tbn.
1., solo (open)
1 2 to straight mute
Bs.Tbn. Tba.
Timp.
8
1 B.D. 2 Perc.
W. Blk. 3 T.-t. 4
Pno.
Hp.
div., arco
pizz. I Vn.
pizz.
arco
pizz.
arco
unis., pizz.
arco
div.
II
div.
Va.
div.
Vc.
arco Cb.
div.
al sord.
14 75
rall. poco a poco
*
1
* Fl.
2
Flute
to Piccolo
*
3
* 1
*
Ob. 2
* E.H.
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn. * open
* 1 2 Hn.
open * 3 4
1 2 Tpt. 3 4 (1.) Tbn.
to straight mute
1 2 Tuba, with mute
Bs.Tbn. Tba.
Timp. Xyl.
Vib.
8
1 Pedal 2 Perc. 3
4
Pno.
Hp.
rall. poco a poco I Vn. II unis. Va. unis. Vc.
unis., pizz. Cb.
*Play chromatic, angular, ad lib. descending lines as fast as possible, making a diminuendo to niente.
15 79 Picc.
= ca. 84–92
(rall.)
1
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl. * Bn.
1 2
* Cbn.
1 2 Hn. 3 4
1 2 Tpt. 3 4 straight mute Tbn.
2. remove mute
1 2
straight mute (Tuba) Bs.Tbn. Tba.
Timp. (Vib.) 1
2 Perc. 3
4
Pno.
E C F B
gliss., with nail
Hp.
= ca. 84–92
(rall.) I Vn. II al sord. Va.
Vc. 2 soli, arco Cb. plodding *Play chromatic, angular, ad lib. descending lines as fast as possible, making a diminuendo to niente.
16 84 Picc.
=
1
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2 to Clarinet Bs. Cl. 1., solo Bn.
1 2
3 3
3
3
3
3
3
3
sub.
Cbn.
1. gliss.
1 2 3
Hn. 3 4 1 2 Tpt. 3 4
1. (straight mute) Tbn.
1 2 3
Bs.Tbn. Tba.
Timp.
1 S.D., muffled 2 Perc. 3
4
Pno.
Hp.
= I Vn. II
Va.
Vc.
Cb.
17 90 Picc.
Piccolo
1 3
1 Fl. 2
1 Ob. 2
E.H.
1
Cl.
2
3 (1.) 3
Bn.
3
1 2 3
Cbn.
3
1. 1 2 brassy
Hn. 3 4 1 2 Tpt. 3 4
1. remove mute Tbn.
1 2 (with mute)
Bs.Tbn. Tba. sim.
Timp.
1
2 Perc. 3 Low Drum 3
4
Pno.
Hp.
I Vn. II 1. sola, con sord. 3
Va.
div. sul pont. Vc. ord. tutti, div., sul pont. Cb. ord.
3
18 95 Picc.
ten.
1
1 Fl. 2
1 Ob. 2
E.H.
1
Cl.
2
3 (1.) Bn.
1 2
Cbn.
2. open 1. 1 2 brassy 4., open
Hn.
sub.
3 4 brassy to straight mute
sub.
1 2 brassy
Tpt.
sub.
3.
3. to straight mute
3 4 brassy
sub. 1., solo, open (ten.)
Tbn.
1 2 3
brassy
sub.
brassy
sub.
3
remove mutes
Bs.Tbn. Tba.
Timp.
1 Sus. Cym. 2 3
Perc.
B.D.
3 (Low Drum) 3
3
4
Pno.
Hp.
ten. I unis., con sord.
Vn.
3
II
tutte, con sord. Va. 3
al sord.
(arco, sul pont.)
unis., con sord.
Vc. 3
pizz. (arco, sul pont.)
arco al sord.
Cb.
pizz.
arco
unis., con sord.
19
= 144 100 Picc.
to Flute
1
1 Fl. 2
1 Ob. 2 solo E.H.
1
Cl.
2
Clarinet
to Bass Clarinet
3 a2, soli Bn.
1 2 Contrabassoon
Cbn.
1 2 Hn. 3 4 straight mute 1 2 Tpt. 3., straight mute 3 4 (1.) Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc.
W. Blk. 3
4
Pno.
Hp.
= 144 unis. I Vn.
via sord.
senza sord.
II
pizz., senza sord.
via sord.
ord. col legno batt.
Va.
pizz.
via sord.
senza sord.
col legno batt.
Vc.
via sord. Cb.
pizz., senza sord.
div. (col legno)
20 108 1
Fl.
2
3
Ob.
1
Ob.
2
E.H.
1 Cl. 2 Bass Clarinet Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3. open 3 4 2. remove mute 1 2
Tpt.
3. remove mute 3 4 1., solo
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1 S.D. 2 Perc.
(W. Blk.) 3
4
Pno.
Hp.
col legno batt. 0
pizz.
arco
I Vn. col legno batt.
pizz.
arco
col legno batt.
pizz.
arco
unis., pizz.
arco
div.
II
Va.
div., ord. Vc.
arco Cb.
div.
21
with élan (
116
= 144)
1
Fl.
2
3
Ob.
1
Ob.
2
E.H.
1 Cl.
solo 2
solo Bs. Cl.
1. Bn.
1 2
Cbn.
1 2 Hn. 3 4
1.
2. open 1 2
2. st. mute
Tpt.
1., straight mute 4. (open)
3. open
3., straight mute
3 4 2. open to harmon mute Tbn.
1 2 open
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
Hp.
with élan ( pizz. I Vn.
unis., pizz. II
unis., pizz. Va.
pizz. Vc. sub. pizz. Cb. sub.
= 144)
22 124 1
Fl.
2 to Piccolo 3
Ob.
1
Ob.
2
E.H. solo 1 Cl. 2
Bs. Cl. (1.) Bn.
1.
1 2
Cbn.
2. 1 2 Hn. 3. 3 4 1., solo, harmon mute to harmon mute 1 2 Tpt.
(3.) 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Vib. 1
2 Perc. 3
4
Pno.
8ba
Hp.
arco I dolce div., arco
Vn. II
dolce arco Va. dolce arco Vc. dolce Cb.
unis.
23 132 Picc.
=
1
1 Fl. 2
Ob.
1
Ob.
2
E.H.
1 cresc. poco a poco
Cl. 2
Bs. Cl.
(1.) Bn.
a2
1 2 cresc. poco a poco
Cbn. cresc. poco a poco (2.)
1.
1 2 Hn.
(3.) 3 4 1. (harmon mute) 1 2
Tpt. 3 4 1., harmon mute Tbn.
1 2 Tuba, solo
Bs.Tbn. Tba. cresc. poco a poco
Timp.
1
2 Perc. 3
4
Pno.
Hp.
= I cresc. poco a poco
Vn. II
cresc. poco a poco Va. cresc. poco a poco div., arco
unis.
Vc. cresc. poco a poco
arco Cb. cresc. poco a poco
24 139 Picc.
1
1 3
Fl. 2
Ob.
1 3
Ob.
2 3
E.H.
1
Cl. 2
Bs. Cl.
a2 Bn.
1 2
Cbn.
1 2 Hn. 3 4 1. (harmon mute) 1 2 Tpt.
3
3 4 1. (harmon mute) Tbn.
1 2 3
Bs.Tbn. Tba. sub.
Timp.
1
2 Perc.
Castanets 3 W. Blk. 4
Pno.
Hp.
3
3
3
3
3
3
3
I marc.
Vn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
II marc. div.
3
3
3
unis., col legno batt.
ord.
col legno batt.
ord.
col legno batt.
Va.
div.
unis., col legno batt.
Vc. 0
Cb.
pizz.
25 145 Picc.
1
1 3
Fl. 2
Ob.
1
Ob.
2 3
E.H.
1 Cl. 2
Bs. Cl. a2 Bn.
1 2
Cbn.
with mute ossia: 1 2
remove mute
gliss.
3
Hn.
3
3.
3 4
subito 2. harmon mute
1. (harmon mute)
1 2 Tpt.
3. (straight mute)
3. open
remove mute
3 4 harmon mute*
3
change to straight mute Tbn.
1 2
gliss. 3
Bs. Tbn. to straight mute Bs.Tbn. Tba.
Timp.
1
2 Perc. 3 W. Blk. 4
Pno.
Hp.
non div. 3
3
3
I Vn.
3
sub.
pizz. 3
3
non div., arco
3
II 3
ord.
sub.
Va. ord.
sub.
Vc. sub. arco Cb. sub. *Horns play only if the Trombones cannot play the notes. Glissando for full value of the note.
26 Piccolo
151 Picc.
1 *
1
Fl. 2
Ob.
1
Ob.
2
E.H.
1 Cl. 2
Bs. Cl. (a2) Bn.
1 2
Cbn.
a2 1 2
3
3
3
3
Hn. 3 4 (1.)
1. and 2. remove mute
1 2 Tpt. to harmon mute 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II
Va.
Vc.
Cb. *Ossia Flute 1 doubles Flute 2
3., harmon mute
remove mute
27 157 Picc.
1 soli 1
Fl.
soli 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
1., solo 1 2
3
Hn. 3. 3 4 open
1. and 2. to straight mute
1 2 Tpt.
4:3
4:3 to straight mute
3., open 3 4 4:3
4:3 2., straight mute
Tbn.
1 2 3., straight mute
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
Hp.
I Vn. II div.
unis., pizz.
Va.
pizz. Vc.
Cb.
28 161 Picc.
1
1 Fl. 2
1 Ob. 2
E.H. 3
3
3
3
1 dolce Cl.
3 3
3 3
2 dolce Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn.
(3.) 3 4 straight mute 1 2
Tpt. 3 4 (2.) Tbn.
1 2 (3.)
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
3
3
3
3
3
3
3
3
Hp.
I div.
Vn.
unis.
II dolce arco Va.
arco Vc.
pizz. Cb.
29 167 Picc.
1
1 Fl. 2
1 Ob. 2
E.H. 3
3
3
3
3
3
3
3
1 dolce
Cl.
3 3
2 dolce Bs. Cl.
Bn.
1 2
Cbn.
1. 3
1 2 Hn. 3 4 remove mute 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
3
Hp.
I
II dolce Va.
Vc.
arco Cb.
3
div.
Vn.
30 172 Picc.
1
1 Fl. 2
1 marc.
Ob. 2
marc. E.H.
1 Cl. 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1 2 Hn. marc. 3 4 open 1 2 Tpt.
3., straight mute 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
Hp.
unis., arco div., pizz. I marc.
Vn.
non div. unis.
II div., pizz.
unis., arco
Va.
Vc.
pizz. Cb.
arco
31 177 Picc.
=
1
* 1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
a2 1 2
3
3
3
3
Hn. 3 4 to straight mute
straight mute
remove mute
1 2 Tpt.
(3.)
remove mute
3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
Hp.
= I Vn. II
Va.
Vc.
Cb. *Ossia double Flute 2.
32 182 Picc.
=
1
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4
open
1 2 Tpt. 3., open
3. to straight mute
3 4
1., 2. straight mute remove mute
Tbn.
1 2 3. (straight mute)
Bs. Tbn. remove mute
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3
4
Pno.
Hp.
= I Vn.
div. a3 II div., pizz.
Va.
Vc.
pizz. Cb.
33 186 Picc.
1
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl. a2 Bn.
1 2
Cbn.
1. 1 2 Hn. 3 4 3
3
1 2 3
Tpt.
3., solo, straight mute 3 4
3
3. remove mute 3. open
3
4. open Tbn.
1 2
Bs.Tbn. Tba.
Timp. Xylophone
8
1
2 Perc. 3
4
Pno.
3
3
Hp.
3
3
non div.
I
Vn. unis. II
unis., arco
Optional:
div., pizz.
Optional:
pizz.
Va.
Vc.
arco Cb.
Optional: 0
pizz.
34 192 Picc.
1
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl. a2 Bn.
1 2
Cbn.
3
3
3
3
1 2 Hn. 3 4
1 2 Tpt.
3
3
3
3
3
3
3
3
4. 3 4 3
3
3
3
3
3
open Tbn.
1 2 3
3., open Bs.Tbn. Tba.
Timp. 8
1
15
2 Perc. 3
4
Pno.
3
3
Hp.
unis. div. I Vn. II
unis., arco Va.
arco Vc.
arco Cb.
35
rall.
*
196 Picc.
1 3
3
*
1 3
Fl.
3
*
2 3
3
* 1
3 3
3
3
*
Ob. 2
3 3
3
3
E.H. * 1
3
3
* Cl. 2
3
3
to Clarinet Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn.
3 3
3 3
3 4 1.
1. and 2. to straight mute
1 2 3
Tpt.
3
(3.) 3 4
3. and 4. to straight mute
3 3
Tbn.
1. to straight mute
1 2
Tuba, solo Bs.Tbn. Tba.
Timp. Xyl.
8
1 3
Glock.
15
2
3
3
B.D.
Perc.
3
3 Vib. 4
Pno.
8ba
Hp.
rall.
div.
al sord.
I 3
Vn.
3
3 3
3
3
div. II
(div.)
0 0
div. 3
3
3
3
Va.
div.
0
Vc. 0
Cb.
*Play chromatic, asymmetric ad lib. lines as fast as possible, while articulating a diminuendo to niente.
al sord.
36
= ca. 80
200 Picc.
1
1 legatissimo
Fl. 2
1 Ob. 2
E.H. 3
3
3
3
1
legatissimo Cl.
2
3 1. Bn.
1 2 legatissimo
Cbn.
2.
3
3
1 2 legatissimo
Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2 (Tuba)
Bs.Tbn. Tba.
Timp. 8
1 15
2 Perc.
(B.D.) 3
4
Pno.
8ba
Hp.
= ca. 80 I Vn. II al sord. Va. al sord. Vc. div. Cb.
3
3
3
37 206 Picc.
1
1 Fl. 2
1 Ob. 2 3
3
E.H.
3
dolce, espr. 1
Cl.
2
3 3
3
a2 Bn.
1 2
3
dolce, espr. Cbn.
(2.)
1., with mute
1 2 3
Hn.
3
3
3
legatissimo
3 4 1 2 Tpt. 3 4 1., straight mute Tbn.
remove mute
1 2 3
3
3
3
3
3
legatissimo
Bs.Tbn. Tba.
Timp. 8
1 15
2 Perc. 3
4
Pno.
3
D C B EF GA
Hp.
3
unis., con sord. I Vn.
legatissimo
unis., con sord. II legatissimo
unis., con sord. 3
3
3
3
3
Va.
unis., con sord. Vc. legatissimo
Cb.
legatissimo
3
3
3
3
3
3
3
38 211 Picc.
1
1 3
Fl.
3
3
3
3
3
3
2
1 legatissimo
Ob. 2 3
3
E.H. molto 1
Cl.
2
3
Bn.
1 2 3
3
molto
Cbn.
(1.) 3
1 2 3
Hn.
3
3
3
3
3
3
3
3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
8
1 15
2 Perc. 3
4
Pno.
3
3
C
Hp.
D
C
C
B
I 3
Vn.
3
3
3
3
3
II
Va. 3 3
3
3
3
3
Vc. 3 3
Cb.
legatissimo
3
3
3
3
39 215 Picc.
**
1
** 1 *
Fl. 2
( ) ** 1 Ob.
* 2 ( ) to Oboe
Oboe **
E.H. **
possibile
1
* Cl.
2 ( )
** Clarinet
3
** 1 Bn.
possibile
*
2 ( ) Cbn.
= ca. 84
(1.) 1 2 3.**
Hn. 3 4 * 1 2 Tpt. 3 4 Tbn.
1 2
Bs.Tbn. Tba.
Timp. Crot.**
15
1 Glock.,** soft sticks 15
2 Perc. 3
4
Pno.
Hp.
= ca. 84 div. a3 I Vn. div. a3 II div. a4 Va. sul tasto (con sord.) Vc. dolce, singing Cb. *Players finger note in parentheses. Do not play. At random moments, several seconds apart, play the indicated note and dynamic contour from niente to pianissimo back to niente. Wait several seconds before repeating. **Play short figures in box in any order. Wait several seconds (varying the wait) before playing the next figure. Figures may be repeated. Continue until conductor gives left-hand cue, then slowly fade out.
40 222 Picc.
1
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
Bn.
1 2
Cbn.
1 2 Hn.
(3.) 3 4 1 2
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 15
(Crot.)
15
(Glock.)
1
2 Triangle
Perc. 3
Vib. 4
Pedal
Pno.
l.v.
dolce
Hp.
I Vn. II
Va.
Vc. (actual pitch) l.v. Cb.
41 230 Picc.
1
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
Bn.
1 2
Cbn.
1 2 Hn.
(3.) 3 4 1 2
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba. felt sticks Timp.
15
(Crot.)
15
(Glock.)
1
2 Perc. 3
4
Pno.
l.v. sempre 8va
loco
solo *
(loco)
Hp.
filigreed, crystalline senza sord.
2 Solo Vn.
Vn. I gli altri
Vn.
II
Va.
Vc. div. Cb. *Grace notes played on the beat for first beat of measure only.
42 236 Picc.
1
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3 (1.) Bn.
1 2 (2.)
Cbn.
1 2 Hn.
(3.) 3 4 1 2
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 15
(Crot.)
15
(Glock.)
1
2 Trg.
Perc.
l.v.
3 Vib. 4
Pedal
solo
Pno.
filigreed, crystalline
8va
ossia:
Hp.
(loco)
dolce
2 Solo Vn.
Vn. I gli altri
Vn.
II
Va.
Vc. (l.v.) Cb.
l.v.
43 242 Picc.
**
1
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3 (1.) Bn.
1 2 (2.)
Cbn.
1 2 Hn.
(3.)
3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 15
(Crot.)
15
(Glock.)
1
2 Perc. 3 (Vib.) 4 (Ped.)
*
Pno.
Hp.
(l.v.)
2 Solo Vn.
Vn. I gli altri
Vn.
II
Va.
div. Vc. senza dim. Cb. *First beat, grace notes on the beat. **Left hand cue from the conductor. Diminuendo to niente
senza dim.
44 247 Picc.
rall.
to Flute
1
1 Fl. 2
1
Ob.
2
3
1 to E Clarinet Cl.
2
3 (1.) Bn.
1 2 (2.)
to Bassoon
Cbn.
1 2 Hn.
(3.) 3 4 1 2
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
(Crot.)
15
(Glock.)
1
2 Perc. 3 Vib. 4 3
Pno.
l.v. sempre
Hp.
rall.
unis. 2 Solo Vn. unis. Vn. I gli altri unis. Vn.
II div. a2
Va.
unis. Vc.
Cb.
3
45
Slightly slower
252
= ca. 72–75 (
= 48–50)
1
Fl.
2
3
1
Ob.
2
3
Cl.
E
1
Cl.
Cl.
3
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Glock.
15
1 15
2 Trg.
Perc.
l.v.
3 Vib. 4
Pno.
Hp.
Slightly slower
= ca. 72–75 (
= 48–50)
Solo Vn. free bows (con sord.)
dolce
Vn. I gli altri legatiss., poco rubato, asynchronous free bows (con sord.)
Vn.
II legatiss., poco rubato, asynchronous unis.
Va.
div. a4 Vc.
Cb.
46 stagger breath =
256 1 poss., legatiss., poco rubato, asynchronous stagger breath
Fl.
2 poss., legatiss., poco rubato, asynchronous stagger breath Flute 3 poss., legatiss., poco rubato, asynchronous 1
Ob.
2
3 stagger breath Cl.
1 poss., legatiss., poco rubato, asynchronous
E Cl. stagger breath Cl.
3 poss., legatiss., poco rubato, asynchronous 1 2
Bn.
Bassoon 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 15
1 15
2 Perc. 3 (Vib.) 4
Pno.
l.v. sempre
*
l.v.
Hp.
= I
Vn. II
Va.
gli altri, div. a4
1 solo
tutti
Vc. 1 solo (con sord.) Cb. *On the beat.
legatissimo
47
= ca. 48–50 261
=
1
Fl.
2
3
1
Ob.
2 Oboe 3
Cl.
1
E Cl.
Cl.
3 a2, soli 1 2 3
Bn.
3
to Contrabassoon 3 1., slow quarter tone oscillation
slow quarter tone oscillation 2.
ord. 3
3
1 2 Hn. 3
3 4
3
1., solo (mute) 1 2 3., with harmon mute, slow quarter tone oscillation
Tpt. 3 4
1., solo, open Tbn.
3
1 2
3
Bs.Tbn. Tba.
Timp. 8
1 S.D.
15
2 Tamb.
Perc. 3 Vib., softest sticks 4 blur, poco rubato, asynchronous Pedal
Pno.
Hp.
= ca. 48–50 = I Vn. II free bows (con sord.) Va. legatiss., poco rubato, asynchronous
Vc.
pizz. Cb.
48
= 96–100, accel. poco a poco
265 1
Fl.
2 to Piccolo 3
1
Ob.
2 to English Horn 3
Cl.
1 E Clarinet
E Cl. to Bass Clarinet Cl.
3
Bn.
1 2
Cbn. (slow quarter tone oscillation)
sim.
1 2
slow quarter tone oscillation
sim.
Hn.
sim.
3 4 sim.
(1.) 1 2 Tpt. 3 4 Tbn.
1 2
Bs.Tbn. Tba.
Timp.
= 60 Glock.
15
4-5 sec.
1 l.v. (S.D.) 2 Perc.
(Tamb.) 3
(Vib.)
to Crotales
= 74 15 Crot.
4-5 sec.
4 l.v. = 70 8
8va
3-4 sec. l.v.
Pno.
Hp.
= 96–100, accel. poco a poco pizz.
8va
Solo Vn.
senza sord. via sord. I Vn.
via sord.
senza sord.
II senza sord. via sord. Va. via sord. Vc.
(pizz.) Cb.
arco
8va
pizz.
arco
49
= 144
= 96
271
accel. poco a poco
=
Picc.
1 Fl. 2
1 Ob. 2
E.H.
Cl.
1
E Cl.
Bs. Cl.
Bn.
1 2
Cbn. sim. 1 2 Hn.
sim. 3 4 (1.) 1 2
Tpt. 3 4 1. open Tbn.
to straight mute
1 2 Bs. Tbn.
Bs. Tbn. to straight mute
Bs.Tbn. Tba.
Timp. 15
(Glock.)
1 (S.D.) 2 Perc.
(Tamb.) 3 15
(Crot.)
4
Pno.
15
Hp.
= 144
= 96 =
Solo Vn.
div. I
Vn.
div. II
div. Va.
div., senza sord. Vc.
Cb.
accel. poco a poco
50
(accel.)
275 Picc.
1 Fl. 2
1 Ob. 2
E.H.
Cl.
1
E Cl.
Bs. Cl.
Bn.
1 2
Cbn. ord. 1 2 Hn. ord. 3 4
(1.) 1 2 Tpt. 3 4 with straight mutes, slow quarter tone oscillation, asynchronous Tbn.
1 2
Bs.Tbn. Tba.
Timp. 15
(Glock.)
1 (S.D.) 2 Perc.
(Tamb.) 3
15
(Crot.)
4
Pno.
gliss.
Hp.
(accel.) Solo Vn. unis. I Vn. II
unis. Va.
via sord. Vc.
Cb.
51
= 144 279 Picc.
1 Fl. 2
1 Ob. 2
E.H.
Cl.
1
staccatissimo
to B Clarinet E Cl. Bass Clarinet Bs. Cl. a2 Bn.
stacc.
1 2 stacc. Contrabassoon
Cbn. stacc.
2.
1 2 staccatissimo
Hn.
4. 3 4 staccatissimo 1 2
Tpt. 3 4 1. sim. Tbn.
2. sim.
1 2 with straight mute slow quarter tone oscillation Bs. Tbn. remove mute
Bs.Tbn. Tba.
Timp. 15
(Glock.)
1 (S.D.) 2 Perc. 3 15
(Crot.)
4
Pno.
l.v.
Hp.
l.v.
= 144 I Vn. II
Va. staccatissimo
unis. Vc. staccatiss. arco Cb. staccatiss.
52 285
=
Picc.
1 Fl. 2
1 Ob. 2 English Horn E.H.
1 Cl. sub. B Clarinet 2
Bs. Cl. (a2) Bn.
sub.
1 2 sub.
Cbn.
etc. (2.)
slow quarter tone oscillation
1 2 Hn.
sub. etc. (4.)
slow quarter tone oscillation
3 4 sub. 1 2 Tpt. 3 4
Tbn.
1 2 Bs. Tbn. open
Bs.Tbn. Tba.
Timp. 15
(Glock.)
sub.
1 S.D. 2 Perc. B.D. 3 15
(Crot.)
4
Pno.
Hp.
= I staccatissimo Vn.
unis. II staccatissimo
Va. sub. Vc. sub. arco Cb.
div.
staccatissimo
53 290 Picc.
1 sub.
Fl. 2
soli 1 Ob.
soli 2
E.H.
1 sub.
Cl. 2
Bs. Cl. a2 Bn.
1 2 sub. to Bassoon
Cbn. sub. 2.
3
1 2 Hn.
4.
3 4 sim. 1 2
2. straight mute a2
ten.
straight mutes
ten.
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. sub. 15
(Glock.)
1 S.D. 2 Perc. 3 15
(Crot.)
4
(Piano)
Pno.
Hp.
I sub.
Vn.
pizz.
II pizz.
div., arco
unis.
Va. sub. unis.
pizz.
div., arco
unis., pizz.
Vc.
pizz. Cb.
sub.
54 296 Picc. soli 1 Fl. soli 2
1 Ob. 2 soli E.H.
1 Cl.
(
poss.)
(
poss.)
2
Bs. Cl.
(a2)
a2
1 2 Bn. soli 3
3
3
3
1 2 (
Hn.
poss.)
ord.
3 4
1 2 Tpt. 3 4 (straight mute) Tbn.
1 2
Bs.Tbn. Tba.
Timp. 15
8
1 (S.D.) 2 Perc.
Tamb. 3 15
4
Pno.
Hp.
I Vn.
arco II
Va.
Vc.
Cb.
55 302 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
a2 1 2 Bn. Bassoon 3 3
1 2 gliss.
Hn. 3 4
1., open
2., con sord.
1. remove mute 1 2
3
3
Tpt.
2. remove mute
3
a2 (con sord.)
3
3
3 4
3. remove mute
3
3
3
open remove mute Tbn.
1 2 3
Bs.Tbn. Tba.
Timp. Xyl. 8
1
2 Perc.
(Tamb.) 3 3
15
4
Pno.
Hp.
I Vn. II
pizz. arco
pizz.
Va.
div.
pizz.
Vc.
arco Cb.
solo, sul pont.
tutti, pizz.
56
molto rall.
308
(ten.)
Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
to Clarinet Bs. Cl.
1 2 Bn. 3
3
1 2 gliss.
Hn.
a2 3 4 2. open 1. 1 2
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Xyl.
8
15
1
2 Perc. 3 15
4
Pno.
Hp.
molto rall.
(ten.)
I Vn. II
pizz.
div., arco
arco Va.
arco Vc.
arco
div.
solo, sul pont.
Cb. gli altri (div.)
57
a tempo Piccolo
314 Picc.
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl.
2
1
3
Ob. 2 3
E.H. 3
1
Cl.
3
3
3
3
2 Clarinet
3
3
1 2
3
Bn. 3 3
1 2 Hn. 4. 3 4
3
2. to straight mute 1 2 Tpt.
3. open
3. to straight mute
3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Glock. 3
15
3
3
1
Trg. 2 Perc.
Tamb. 3 3
Cast. 4
Pno.
Hp.
a tempo I Vn.
0
II unis. Va. unis. Vc.
arco
tutti, unis., ord. 0
Cb.
pizz.
0
3
58 320 Picc.
1 Fl. 2
1
3
Ob. 2 3
E.H. 3
1
Cl.
2
3
3
1 2 3
Bn. 3
3
1 2 Hn.
brassy
3.
(4.)
3
3 4
4.
3
3
brassy 3
3
3
2. straight mute 1 2
1.
Tpt.
3. straight mute 3 4 to straight mute
Tbn.
(4. straight mute)
1.
1 2 Bs. Tbn. and Tuba to straight mute
Tuba
molto
Bs.Tbn. Tba.
Timp. 8
1
2 Perc.
(Tamb.) 3 3
4
8va
Pno.
Hp.
martelé I martelé
Vn. II
* Va. *
marc.
Vc.
pizz.
marc. arco 0
Cb.
*Play chromatically between and including the pitches in the box. Vary patterns (no scales). Bow and finger as fast as possible. Stay within the pitches indicated in the boxes as the pitches rise.
59 326 Picc.
1
3 3
3
3
3
Fl.
2
3
1 Ob. 2
E.H. 3
1
3 3
Cl.
2 3 3
3
3
1 2 3
Bn.
3 3
3 3
1 2 Hn.
brassy 3. 3 4
3
3
3
3
4.
3
brassy (1., open)
2.
2. open
1. (open)
3
3
1 2 3
Tpt. (straight mute)
remove mute
open 3
3
3 4 2. straight mute open
remove mutes Tbn.
1 2
Tba., straight mute
Bs. Tbn. open
remove mutes
3
3
3
3
Bs.Tbn. Tba. Bs. Tbn., straight mute
Tuba, open 3
3
Timp.
Glock.
Xyl.
8
15
3
3
1 S.D., rim shot 2 3
Perc.
Tamb.
3
4 to Synthesizer (organ sound)
Pno.
3
Hp.
3
3 3
I Vn. II
Va. unis.
3
3
Vc. 3
Cb. 3
60 332 Picc.
1 3
3
3
3
3
3
3
3
Fl. 2
1 Ob. 2
E.H.
1
Cl.
2
3
a2 1 2 3 3
Bn.
3 3
3
2. to mute 1 2 3
Hn.
3
4.
3. and 4. to mute
3 4 3
3
3
3
3
3
2. to whispa mute
1 2 Tpt. 3.
3. and 4. to whispa mute
3 4 to straight mute Tbn.
1 2 3 3
3 3
to straight mute
Bs.Tbn. Tba.
to mute 3
3
Timp. (Glock.) 15
8
Xyl.
1 3
3
S.D. 2 Perc.
W. Blk. 3
4
Synth.
3 3
Hp.
3 3
I
Vn. II
al sord. Va. 3
3
Vc. 3
Cb.
3
al sord.
61 338 Picc.
1 Fl. 2
1
dim.
Ob. 2
dim. E.H.
dim. 1
Cl.
2
3 (a2)
1.
1 2
dim.
Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1 Trg. 2 Perc.
Tamb. 3 Vib. 4
Synth.
Hp.
I
dim. Vn.
pizz.
al sord.
II con sord. Va.
dim. al sord. Vc.
Cb.
62 344 Picc. *
rall.
1
dim.
Fl.
* 2
dim. 1 Ob. 2
E.H.
1
Cl.
2
3
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
al sord. I Vn.
div. a3, arco, con sord. II
Va.
Vc.
Cb. *Flutes cue each other in tempo change (rall.).
63 347 Picc.
(rall.) 1
(rall.)
Fl. 2
1 Ob. 2
E.H.
rall.
free, slow, asynchronous pulses 1
poss. free, slow, asynchronous pulses Cl.
to Clarinet in A
2 free, slow, asynchronous pulses
to Bass Clarinet
3
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
div. a4, con sord. I Vn.
div. a4 II
div. Va. div. a4, con sord. Vc. 1/2 section, con sord. (actual pitch)
Cb. 1/2 section, con sord.
64
Adagio,
= 60
350 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
1 2 Bn. 3
1. solo (open) floating
3
1 2
Hn.
2. mute mute 3 4 1 2
Tpt. 3 4 straight mute Tbn.
1 2 straight mute
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
Adagio,
= 60
I Vn.
div. a2 (con sord.) II
div. (con sord.) Va.
div. a2 (con sord.) Vc. unis. (con sord.) Cb.
65 356 Picc.
1 Fl. 2 solo 1 floating
Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
1 2 Bn. 3
poss. 1 2 Hn.
1. 3 4 1 2
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
I Vn. II
Va.
Vc.
Cb.
2.
66 362 Picc.
1 Fl. 2
1 poss.
Ob. 2
E.H. solo 1 Cl. 2
Bs. Cl.
1 2 Bn. 3
(2.)
1. with mute
remove mute
1 2 (1.)
Hn.
2.
3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
I Vn. II
Va.
Vc. div. Cb.
67
rall.
368 Picc. solo 1 3
3
3
Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl.
1 2 Bn. 3
1. open 2. 1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
rall.
div. a2 (con sord.)
I Vn. II
Va.
Vc.
unis. Cb.
68 374 a tempo Picc.
1 3
Fl. 2
1 3
Ob. 2
E.H.
1 Cl. 2
Bs. Cl. 1. 1 2 Bn. 3
3
1 2 Hn. 4.
3 4 (open) 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
a tempo I Vn. II
Va.
Vc.
Cb.
1.
69 380 Picc.
1 Fl. 2
1 Ob. 2
E.H.
1 Cl. 2
Bs. Cl. (1.) 1 2 Bn. 3
1. with mute 1 2 Hn.
4.
3 4 (1.) 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
I Vn. II
Va.
Vc.
Cb.
70 386 Picc.
1 Fl. 2
1 Ob. 2 3
to Oboe
3
E.H. 3
1 Cl. 2
Bs. Cl. (1.) 1 2 3
Bn. 3
1. remove mute 1 2 Hn. 3 4 (1.) 1 2 poss.
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3
4
Synth.
Hp.
unis. I
Vn.
unis. II
(div.) Va.
(unis.) Vc.
(unis.) Cb.
3
71 392 Picc.
1 Fl. 2
1 cold Ob.
2 cold 3 to Clarinet in A
3
1 Cl. 2
Bs. Cl.
1 2 cold
Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. 8
1
2 Perc. 3 Vib., motor off 4
Synth.
Hp.
1 solo, senza sord., quasi recit. urgent 1 solo via sord.
3 5
I Vn.
gli altri II
Va.
Vc.
Cb.
gli altri via sord.
3
3
72 396 Picc.
1 Fl. 2
1
Ob.
2
3
1 Cl. 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes
8
1
2 Perc. 3
4
Synthesizer (organ sound)
Synth.
Hp.
(1 solo) IV
3
3
I 3
Vn. II
Va.
via sord.
senza sord.
Solo Vc.
flowing
gli altri senza vib. (con sord.) Cb.
73 401 Picc.
1 Fl. 2
1
Ob.
2
3
1 Cl. 2
Bs. Cl.
1 2 Bn. 3
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes
l.v.
1
2 Perc. 3
4
Synth.
Hp.
1 solo I slowly growing more intense
Vn. II
Va.
Solo Vc. gli altri
Cb.
slowly growing more intense
l.v.
74 406 Picc.
1 Fl. 2
1
Ob.
2
3 Clarinet in A*
1
Cl.
asynchronous Clarinet in A* 2
asynchronous Bs. Cl.
1 2 Bn. 3 3
(open) 1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes
l.v.
l.v.
1
2 Perc. 3
4 to Piano
Synth.
*
etc.
Hp.
(solo) I 3
Vn.
div. (con sord.) II
div. (con sord.) Va. 3
Solo Vc.
div. (con sord.)
gli altri (con sord.) Cb. *Play free waves of arpeggios on the given notes. Start niente, cresc. to pianissimo and fade to niente. The line should be legatissimo, blurred, and asynchronous with other players. Do not play any pitches that cannot be played at a dynamic of pianissimo. The waves should start slowly, accelerando as the pitches ascend, and ritardando as the pitches descend.
75 412 Picc.
1 Fl. 2
1
Ob.
2
3
1 etc.
(C7)
Cl.
2 etc. (C7) Bs. Cl.
1 2 Bn. 3 poss. (1.) 1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes
l.v.
1
2 Perc. 3
4
Pno.
Hp.
play only EG B*
sim.
1 solo I Vn. II
Va. via sord. Solo Vc. gli altri
Cb.
*Play free waves of arpeggios on the given notes. Start niente, cresc. to pianissimo and fade to niente. The line should be legatissimo, blurred, and asynchronous with other players. Do not play any pitches that cannot be played at a dynamic of pianissimo. The waves should start slowly, accelerando as the pitches ascend, and ritardando as the pitches descend. (Plucked notes, not a gliss.)
76 416 Picc.
* 1 etc. Fl. * 2 etc.
1
Ob.
2 Oboe 3 cresc. poco a poco
1 etc. Cl.
2 etc.
Bass Clarinet
*
Bs. Cl. etc. a2 1 2 cresc. poco a poco
Bn. 3 1. to mute
cresc. poco a poco 2.
1 2 Hn. 3 4 2. whispa mute 1 2 Tpt.
1.
1. straight mute whispa mute
3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes
l.v.
1
2 Perc. 3
4
play only D GA C
Hp.
Solo Vn. senza sord. Vn. I gli altri cresc. poco a poco Vn.
II via sord.
senza sord. (div. a2)
Va.
Solo Vc.
via sord.
senza sord.
via sord.
senza sord.
gli altri
Cb.
*Play free waves of arpeggios on the given notes. Start niente, cresc. to pianissimo and fade to niente. The line should be legatissimo, blurred, and asynchronous with other players. Do not play any pitches that cannot be played at a dynamic of pianissimo. The waves should start slowly, accelerando as the pitches ascend, and ritardando as the pitches descend.
77 421 Picc. 3
dim.
3
1 etc. Fl. 2 etc.
1 3
Ob.
dim.
2
3
dim.
(cresc.) 1 etc.
Cl.
2 etc.
Bs. Cl. etc. (a2) 1 2 Bn.
(cresc.)
dim.
(cresc.)
dim.
3 1. remove mute 1 2 Hn. 3 4 (1.) 1 2 Tpt.
2.
1. remove mute 1.
1.
2.
dim.
3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes
l.v.
1
2 Perc. 3 Glock.
l.v.
15
4
A C F
Hp.
Solo Vn. div. Vn. I gli altri (cresc.) Vn.
II (div. a2)
Va.
Solo Vc. gli altri div. Cb.
etc.
3
78 426 Picc.
etc. 1 Fl.
etc. 2
1
Ob.
2
3
etc. 1
Cl. etc. 2
Bs. Cl. etc. (a2) 1 2 to Contrabassoon
Bn. 3
1. open
2. 1 2
* *
Hn. 3 4
dim. 2.
1 2
*
1.
Tpt.
dim.
3 4
dim. Tbn.
*
*
1 2
dim. Bs.Tbn. Tba.
*
dim. Timp. (Chimes) 1
2 Perc. 3 15
4
Hp.
al sord. Solo Vn.
al sord. Vn. I gli altri
Vn.
II half section
Va. al sord. Solo Vc. gli altri
Cb. *Breathe here only if needed to complete the diminuendo to niente.
79 432 Picc.
1 Fl.
to Piccolo 2 solo 1 3
Ob.
2
3
1 etc.
Cl. 2 etc.
Bs. Cl.
Bn.
1 2
Cbn.
3
1 2 Hn. 3 4 (2.)
1. to whispa mute
1 2
2.
(1.)
Tpt.
1. whispa mute
3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1
2 Perc. 3 15
4
Pno.
play only D GB C
Hp.
play only A C F
etc.
etc.
tutti, div. a3 (5,5,4), con sord. I Vn.
tutti (div.)
unis.
tutte, div. a2
(div. a2)
tutti, div., con sord.
(div. a2)
II
Va.
Vc. unis. Cb.
80 437 1 Picc. 2 solo Fl.
1
1
Ob.
2
3
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
(1.) 1 2 Hn.
(ten.)
3 4
(ten.)
1 2 Tpt.
3.
(ten.)
3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. (ten.) Chimes 1
2 Perc. 3 15
4
Pno.
rall. Hp.
(ten.) div. a2 I 3
3
Vn. II
Va.
Vc. 1 solo via sord. Cb.
81
= ca. 48 (rall.)
**
443 1
feathery
(rall.)
Picc. **Piccolo 2 feathery Fl.
1
accel. *** 1
Ob.
2
3
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1., straight mute*** 1 2 evenly
Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp. Chimes 1 Vib., bowed 2 Perc. 3 Glock., bowed 15
4
8va
*
Pno.
Hp.
= ca. 48 div., free bows
unis.
8va
*
I legato
Vn. II
Va.
Vc.
Cb. *Violin I and Piano continue in exact tempo without conductor after the double bar (m. 453). **Piccolos perform a slow and even rallentando, ignoring the conductor. ***Oboe 1 and Trumpet 1 play slowly and evenly, niether aligned nor in the tempo of Violin I. (In m. 453, Oboe 1 begins to accelerate. Trumpet 1 remains at the same tempo.)
82 446 Picc. 2
Fl.
1 graceful 1
Ob.
2
3
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 (1.) 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1 (Vib.) 2 Perc. 3 (Glock.)
15
4
8
Pno.
slow gliss., l.v.
feathery
Hp.
8
I Vn. II
Va.
Vc.
Cb.
83 447 Picc. 2
Fl.
1
1
Ob.
2
3
1 Cl. 2
Bs. Cl.
Bn.
1 2 Contrabassoon
Cbn. secco
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1 Vib. l.v.
l.v. 2 Perc.
Pedal 3 15
l.v.
4
8
Pno.
l.v.
l.v.
Hp.
8
I slow gliss.
Vn.
div. a3, con sord. II div. a4, con sord.
slow gliss.
Va.
Vc. 1 solo, senza sord. 3
Cb.
3
pizz.
arco
gliss.
gliss.
pizz.
arco, sul pont.
84
= 60
rall.
449 Picc. 2 (stretch) Fl.
1
3
(stretch)
1
Ob.
3
2
3
1 Cl. 2
Bs. Cl.
Bn.
1 2
Cbn.
1 2 Hn. 3 4 1 2 Tpt. 3 4
Tbn.
1 2
Bs.Tbn. Tba.
Timp.
1 (Vib.) 2 Perc. 3 Glock.
15
4
Pno.
(actual pitch) l.v.
Hp.
= 60
rall.
div. a3
I
div. a3 loco
8va
Vn. div. a2 II
unis. Va. legatissimo div. Vc.
Cb.
non cresc.