Talbot ALICE'S ADVENTURES IN WONDERLAND Acts II & III

Joby Talbot

ALICE’S ADVENTURES IN WONDERLAND

ACTS II-III

FULL SCORE

November 2016

CHESTER MUSIC

Alice’s Adventures in Wonderland was commissioned and first performed by the Royal Ballet. The world premiere took place at the Royal Opera House, Covent Garden, London on 28th February 2011, choreographed by Christopher Wheeldon, with the Orchestra of the Royal Opera House, conducted by Barry Wordsworth.

INSTRUMENTATION Flute 1 Flute 2 (dbl. Piccolo 2) Flute 3 (dbl. Piccolo 1) Oboe 1 Oboe 2 (dbl. Oboe d’amore, Cor anglais) Clarinet 1 in Bb/A Clarinet 2 in Bb/A (dbl. in Eb) Clarinet 3 in Bb/A (dbl. Bass Clarinet in Bb) Bassoon 1 Bassoon 2 (dbl. Contrabassoon) st 4 Horns in F (1 dbl. Ram’s Horn) 3 Trumpets in Bb (1st dbl. Piccolo Trumpet in Bb) 2 Tenor Trombones Bass Trombone Tuba Timpani, dbl. Percussion: Finger Cymbals, China Cymbal, Sizzle Cymbal, small Triangle, small Suspended Cymbal, Whip Percussion (5 players): Xylophone, Marimba, Vibraphone, Crotales (+ bow, plastic beaters), Glockenspiel, Keyed Glockenspiel, Handbells (2-octave range from Bb below middle C + high C), Tubular Bells, Church Bell in G, 3 Tam-Tams (S/M/L), Bass Drum (gran cassa), Cymbal and Pedal Bass Drum set, Side Drum with snares, Kick Drum, 2 Tom Toms (M/L), Rototom (L), Trash (pots & pans, etc.), Triangles (S/L), Finger Cymbals, 2 China Cymbals (M/L) (+ bow), Sizzle Cymbal, Clashed Cymbals, 3 Suspended Cymbals (S/M/L), Hi-hat, Bell Tree, Mark Tree, Sleigh Bells, Cowbell, Whip, 2 Tambourines (1 on a stand), Lion’s Roar (string drum), Wind Machine, Thunder Sheet, Ratchet, Football Rattle, Castanets, Claves, 2 Woodblocks (high-low), 3 Temple Blocks (S/M/L), Frog Guiro, Shaker, Dumbek, Riq 2 Harps Piano, dbl. MIDI keyboard (“inside piano”) Celesta Female Voices (amplified, minimum of 4 singers) Strings (10 [1 dbl. scordatura Vln].10.8.8.6) All instruments in the score are written at sounding pitch, with the usual octave transpositions for piccolo, contrabassoon, tuned percussion, celesta and double basses. Double bass harmonics are written as normal notes, i.e. an octave above actual pitch.

PERFORMANCE NOTES Muting requirements: Horns – straight, bass trombone Harmon mutes with stems removed, to create wa-wa effects. Trumpets – straight, Harmon, cup, plunger; Trombones – straight, Harmon, cup, plunger; Tuba – straight. All strings except basses require practice (preferably Tonwolf) mutes. Ossia lines are provided - for Cor anglais if Oboe d’amore is unavailable and for separate Clashed Cymbals / Pedal Bass Drum if a set is unavailable. When performing in a pit, the entire orchestra should be amplified, with particular attention given to the strings, piano, harp, ram’s horn and voices. Since 6 April 2008, Control of Noise at Work Regulations (2005) have applied to the music and entertainment industry in the UK. Similar laws may apply in other territories. To comply with these regulations, passages marked ‘optional tacet’ may be omitted if noise levels within a confined performance area are deemed too high. See the HSE leaflet Sound Advice (ISBN 978 0 7176 6307 1) or visit http://www.soundadvice.info for more details.

CONTENTS

Act I c.45’

1. Prologue ................................................................. 1 2. Down the Rabbit Hole ......................................... 57 3. The Hallway/Growing and Shrinking.................... 69 4. The Pool of Tears .................................................. 99 5. The Caucus Race ................................................ 109 6. The Paper Boat .................................................... 121 7. Fish and Frog Footmen....................................... 129 8. Pig and Pepper .................................................... 135 9. The Knave .......................................................... 158

Act II c.26’

1. The Cheshire Cat ................................................ 187 2. The Mad Hatter’s Tea-Party ................................ 193 3. Alice Alone......................................................... 210 4. The Caterpillar.................................................... 222 5. Back in the Hallway ........................................... 232 6. The Flower Garden............................................. 237

Act III c.43’

1. The Gardeners .................................................... 286 2. Enter the King and Queen .................................. 298 3. The Queen’s Adagio........................................... 303 4. The Croquet Match............................................. 313 5. Playing Card Dance ............................................ 331 6. Setting Up the Courtroom................................... 343 7. The Queen’s Tango ............................................ 351 8. The Trial ............................................................. 356 9. The Chase ........................................................... 398 10. Epilogue............................................................. 412

Total duration c.1 hour 55 minutes

187

ALICE’S ADVENTURES IN WONDERLAND

Joby Talbot

ACT II 1. The Cheshire Cat Andante misterioso q = 76 1

UFO sound effect

Flute 1

 

3

4



















Piccolo

 

Piccolo



Flute 2

2

 

orch. Christopher Austin and Joby Talbot

5

6

7

8



















139

Flute 3



 



















Oboe 1



 



















Cor Anglais

 



















Clarinet in A

 



















 



















 

 



















Horn 3, 4 in F



 



















Trumpet 1 in Bb



 



















Trumpet 2 in Bb



 



















Trumpet 3 in Bb



 



















Trombone 1, 2



 



















Bass Trombone



 





















 



















 

 

Handbells  





















 

 



















Percussion 4



 



















Percussion 5



 



















 





















 





















 





















 





















 





















 





















 



















Oboe 2



Clarinet 1 in A



Clarinet 2 in A



Horn 1, 2 in F

Tuba

Percussion 2



Percussion 3

Clarinet in A

 Harp 1

D# C# B# G#

Harp 2

D# C# B# G#

Celesta



 

(different sides of note, with fingernail)

 

















p l.v. sempre











 







 













 

















con sord: Tonwolf



con sord: Tonwolf



Viola

con sord: Tonwolf



Violoncello





 

*MIDI keyboard

© 2011 Chester Music Limited Revised edition © 2016 Chester Music Limited













mf

Andante misterioso q = 76

 con sord: Tonwolf   

Violin II

Double Bass

p

INSIDE PIANO*

Piano

Violin I

p

Vibraphone motor on, slow



  



139

 

non div.

pp







 





 p

 

  

 1-4. only

  mf



p

  













  mf

f

rev. November 2016

II-01 The Cheshire Cat

188 Fl. 1

 

9

10

11

12

13

14

15

16

















solo, fltr.

        

Piccolo

Picc. 2

 

3

mf molto ritmico

Piccolo

Picc. 3

            solo, fltr.

 

        



mf 3

         



3

mf molto ritmico

mf

 

        3



mf

         3



        3



simile

          3



mf

3

 

        



3

          



simile

 

 

        



3

         



3

 

        3



         3



3

 

        3



          3



Ob. 1



















Ob. 2





















solo fltr.

Cl. 1 A

Cl. 2 A





Perc. 3





 





Perc. 5

















p sempre





  

3





solo fltr. 3

       



 

 





  











 











 

 





  



 





 Crotales







































       



p molto ritmico

p

Perc. 4



p molto ritmico

(H.Bells)

Perc. 2





with bow p

Keyed Glockenspiel

 















mf



 















mf



 















mf



 











 



mf

 

   p

  p

Hp. 1







optional: double Piccolos







  

 











3

  

 











3

   











3

   











3

  

 











3

  

 











3

   





Harp play





3

   

mf

mf

Hp. 2



  



 









3

  

 







   



3









3

   







  





3









3

  

 







   



3









3

   





3







































Cel.

 

PIANO



















(INSIDE)



























mf































mf











 























mf





 

 

 

 

 

 

pp molto vib.

f

p

f

p

f

 

 

 

 

 

f

p

f

p

f



 



4 soli

Vln. I

 

  pp molto vib.

 



mfp

   

mfp



mfp







   

mfp

 

mfp

  



 





 



   

mfp

 

pp molto vib.

f

  

 

   

   



mfp





   

mfp









  

  

 

   f

 

pp molto vib.

f

4 sole

Vla.



Vc. 1-4. only



p

 

Vln. II div.





mf Pno.





  

 D.B. 4 soli



  

p

mf

  

  

pp

f

    pp

   f

p

 

 

pp molto vib.

f

 

 

mf

 

p









  

 

mf

p

mf

pp

f

pp

f

    

   f

 

pp molto vib.

 

  

   

 

p

mf

    p









f

II-01 The Cheshire Cat

Fl. 1

Picc. 2

Picc. 3

    

17

18

19

20

21

22

23

24



























    



f









3

     



f

 

     



3



3

simile

     









3

simile

     3

       3

 

 



 

     3



        3

Ob. 1



















Ob. 2



















Cl. 1 A

 

Cl. 2 A

     



p 3

           

p 3





(Handbells)

      

Perc. 4





Keyed Glock.

Perc. 5

 









 

 

       3











     



3







      















     3



 



        3







 



p



   





p













 





   







loco





 



mf

p



with beater







p

   



 







 

















3







  





3

     

    

3



3

p

p

mf

 



p







3







 

    











3



 

       

 

 





 



3



  



3







 

        



3



 

 

       





  

   

3

  





simile

simile



     



mf

Hp. 1



(Crot.)



3

3







       



     



p 3

(Vibr.)

Perc. 3

 

     



        



p 3

Perc. 2

 

189

Hp. 2









          3

3

3

3







                                                          3

3

3



3

  

























            3

3

3

mf molto vib. (free bowing)

3

3

3

3

3

3



3

3

3

mf molto vib. (free bowing)



  





3

3



3







3



3











3

3

3

3

3

3

3

3

3

3

3

3

3



3

3

3

     3

3

3

3

3

3

3

       3

3

3

3

3

  

 



8 sole



f

 



   f

   

 

3

3





  3

3

3

          





 







   

f

 

3

3

3

3

f appass.





 D.B. 4 soli











  

  

pp

f

    pp

   f

div. in 4

   

 



  

3











3

3

3

mf

3

loco

3

3

3

3

3

3

3

3

3

3

mf 3

3

mf



 

 

   

   

p molto vib.

f

 

 

 

3



  

  

pp

f

    pp

   f

 



3

3

   3



3

3

3





    

f cantabile



 f cantabile



1-4. unis.

  f cantabile





f



f

p molto vib.

 loco

f



 

mf

Vc.

5-8.





                                       



 

f



         



 



loco                                               

3

f

 

 



3

       



3

  

3

3

  

                              

f appass.

3

3

3

     







            3

3

 



3

f

p molto vib.

  

3



f appass.

  

f

  

3

       3







          

 



  

f

3

3

mf



      3



 

                               

3

 



3



                                         



mf

                          

mf molto vib. (free bowing)





3

f



                    

3

          



1-4.

3



Pno.

Vla.

3



mf

Vln. II



mp deliberato (sluggishly)

Cel.

Vln. I tutti div. a 3



 

  f cantabile













5

II-01 The Cheshire Cat

190 140

Fl. 1

  

Picc. 2



Picc. 3

 

25

26

27

28

29

30

31

32

























































      



3

       



Cl. 2 A

Hn. 1

   

Hn. 2

 

3

         

 

     



3

pp

p



 

p

 

(purring)



pp



Hn. 4



Tpt. 1



Tpt. 2



Tpt. 3

Harmon mute (stem removed)





pp

pp

 

 

 

(purring)

 

pp

Harmon mute (stem removed)

 



pp Harmon mute (stem in)



pp

Perc. 4

Perc. 5

  

Hp. 1

 





(K.Glock.)

p



  

Cel.



2 soli



1-4 unis.



Vc.







   3





 



3

  

 

3

   



3

3

3



  

  



















 

      flautando

div.





p





 

 







  3





    3



   3

 p





  





 

f 3

 

    3



 







  

3



   3





3



 

  3



p

  



3

           

           

           

           































3

3











 

f





3

3









3



3





mf













3



 

   

 



3









3



3







mf











 

 

f simile

 

 

 

f

p

f

p

f















 



 

   

  

 







   

  



 



f

  

 



3

           

 



 



 

p molto vib.





    f









f

f

   





p

  

      



f

   

p



p

 

p

   

 

p

pp

f



f flautando

p



pp

pp molto vib.





  

     

    

p

p

pp

 





 

 

 

pp

 



p

 

 

 

 



tutti unis.



pp

pp

mf



p

p

 

 

p





 

pp

 







 



 





p

 

 

pp molto vib.









 

 









p

 

 

 

 

 

p



3









3



 



3



 

   



 p



pp



p



 





  

   

pp



 

 

p

 

p



 



3

 

pp

p

pp



(purring)



 

  

 



p

 

p

 

 



 



 

(purring)

    



 



 

pp

      



pp

D.B.

pp

(purring)

pp con sord.

 

pp

 



 

           

 

 



Vla. 5-8. div.

p

pp

Harmon mute (stems in)

 

pp

 

           

 

p

 

 

           

unis.

Vln. II g.a.

p

 

p

 

Harmon mute (stems in)

 

pp



f

2 soli

 







p







140  

Vln. I g.a.

(purring)

mf

Pno.



pp

pp



 



 

 

 

 

pp



p

 

 





p





3

mf

mf

Hp. 2



 

 





(Crot.)



pp



     

 

p

 

p

 

 



pp



(Handbells)



 

p

pp

(Vibr.)

Perc. 3

p





 

 

(purring)



B. Tbn.

   (purring)





Tbn. 2

Perc. 2

Harmon mute (stem removed)

p

(purring)





Tbn. 1

Tba.

Harmon mute (stem removed)



pp

pp

Hn. 3

 

 

(purring)



Harmon mute (stem removed)





 

(purring)

Harmon mute (stem removed)



3

 







         



3

Harmon mute (stem removed)

3

 

3

     



      



       



3

Cl. 1 A

 

   f







  

  





pp

f



p molto vib.

f

 

 

 f



  



 

33 Fl. 1

  

Picc. 2



Picc. 3

Ob. 1

Ob. 2

II-01 The Cheshire Cat

34

                         p

3

3

3

3

3

3

3

3

3

  

3

3

3

3

3

3

                       

pp 3

3

3









3

3

3

3

36

f

                        

pp 3

35           

               



          



3

f

3

Bsn. 1

Hn. 1





Cor Anglais





3

 

pp

p

 

p

 

(purring)





Hn. 3

pp



Tpt. 1



Tpt. 2



Tpt. 3

  

pp

pp

 

 

 

(purring)

 

 

(purring)



(purring)



pp

 



p

(purring)





Hn. 4

pp

p

 

Tbn. 2



B. Tbn.

Tba.





 





 

pp





 



Perc. 5

 

Hp. 1

 







    3

 

  Pno.



g.a. div.

2 soli

 

Vln. II g.a.

 



3

   



   

    3

3

3

     



    f



3

3

           









Vc.

D.B.

3

3

   







mf





    f

       



 

3

3

       

3

p



 

    

  

 

       



 

    

  

 

       

        

   

 

         

p

3

3

3

 

  

p

 

 

  

 

 

 

p

 

p

 

 

 













p

p













 

 

pp

pp

pp

pp

p

p

pp

p

 





 

 

 

p sost.

3

3

3

3

  

    

3



     



3

  mf





3



3

3

   

3

     



    3

3

3

         3









3

 

3

3

 



      



3

 

3

3

3

    



3

  



3

           

           





3

  3

3 3

    

3

             3

3 3

3

            3

 

3







       p



3





3



3

3

        

 

       

  

3

  

         

 

 



 

 

 

p

f

p

f

p

 

 

 

 

f

p

f

   

  







 

   









   

  



  

  

  







p molto vib.

f



 

f



 



 



 

pp

 





f



 

3

3

3                 

    f



   

   

  

       

3

   

3





3





3

    

       







                    



  

                

   



           

 

      





3 3

3



D§ Bb



3

 

3



3

p

                       

   

p





3

3

3

 

pp



    

                

p

 

 



p

 

 

 

p

p

 

 

 



p

p

 

pp

 



pp

 

p

p



 

pp

p



   

f

 

3







  

3

 





           

3

p

p

p molto vib.

3

pp





3



f



3

 

          

3

        

        











 

pp molto vib.

f



 

 

  

f



f

    

   

 

 





   



                 3       

pp molto vib.



 

3

  







      

3



    



            

3

3



p

       

3

pp

3

 



pp

3

3

3



                      

 

 



3

3

Vla.





3







3 3



 



3

 





   

3

pp



              3

            3 3      



3

 

3

3 3





mf

 



 

 

p



         

mf

 



3



pp 3



3

pp

 

pp







p

  

3

 

3

 

    

3

mf



3

3

  

40        

          

          

pp

 

 



3

 (2 soli)  Vln. I

  

      



Cel.



3



 

p

    



Hp. 2





3

 

p





3

3

          

mf



p

pp

     

3



pp



3

p

pp

 

p

3

3

  

pp

pp



     

(K.Glock.)



p

  



 



(Crot.)

Perc. 4



 

pp

(Vibr.)

Perc. 3

 

pp

3



 

(Handbells)

Perc. 2



pp

 



 

p

 

p

 

p

(purring)

Tbn. 1

3

p sost.

pp

pp

3

  mf

          

 

(purring)





Hn. 2

3



 

 

(purring)

3

            





3

3

p



      

  

p sost.



 





3

p sost.

p sost. Cl. 1 A



          









f





191

38 39                             

37

   

  





II-01 The Cheshire Cat

192  Fl. 1 



Picc. 3



Ob. 1

Cl. 1 A



Cl. 2 A



Bsn. 1

Hn. 1/2









 





 









 





 









 





 









 







 







 

mf dolce



To Flute

To Oboe







 

mf dolce



 a2





 



p

mf



 



 

 





 

p

 

mf



 

  p

 

mf





 



 

  p

  

mf





 



 

 

 





 











 





 







 







 



 



 



 



p

mf



          



    

     







   l.v.  

 

mf

p.d.l.t.

 

 







(K.Glock.)

3

 mf

Hp. 1

 







3



















3

 







3







3



 3





  

  

 







3







3



 3





  

  

l.v.

(pp)





pp

l.v.

(pp)

 







3















3



 3



  

 

p

 





 









 







mf

 



 

  

 

 

l.v.











 













 



 



Hp. 2







 



 









 







mf

Cel.



  



 









 

  



 







   

p





 

  

 

 

 

  

 



 



tutti div.

Vla.

Vc.

D.B.

   



remove mutes



ff appass.

 

tutti unis.



















ff appass.

  ff appass.

 

ff appass.

remove mutes

 remove mutes

 



attacca 



mf appass.

remove mutes

 

 



rall. 

ff appass.

Vln. II





 

Pno.

Vln. I





(Crot.)

Perc. 5

 

 

(Vibr.)

Perc. 4



mf



 

pp

Perc. 3

 

   p



 

(H.Bells)

Perc. 2







B. Tbn.



 



Tbn. 1/2









Tpt. 3







Tpt. 2







Tpt. 1







mf dolce



attacca

 

 

mf dolce



45



mf dolce



44

 

mf dolce



43



 

Hn. 3/4

Tba.



42  

mf dolce



C. A.

rall. 





Picc. 2

UFO noise fades away

41

remove mutes



  



 



 





 





2. The Mad Hatter’s Tea-Party 141

Fl. 1

  

193

Scherzando q = 104 46

47

48

49

50

51

52

53

















 

Flute

Fl. 2

















 

Piccolo

Picc. 3

















Ob. 1

 

















 

Oboe

Ob. 2

















 

Clarinet in A

Cl. 1 A

















 

Clarinet in A

Cl. 2 A

















 

Clarinet in A

Cl. 3 A

















Cbsn. 2

  

















  

















Hn. 3/4

 

















Tpt. 1

 









Hn. 1/2

Contrabassoon



  

Harmon mute, stem in solo

Harmon mute, stem in solo

mf





    





  







    





     



   



 



Tpt. 3

 

















Tbn. 1/2

 

















B. Tbn.

 

















Tba.

  























































Tpt. 2

Perc.

Timp.

Perc. 4

Perc. 5

     p

Hp. 1



  

 









pp light, con ped.



p.d.l.t.





    





 

 

 

 

 

 

 



pp brittle

F#





     

(2)

 

  

mp

 

 

 









 



(3)



 

  

  

 

 

 

 

  

 

(4)

 

l.v.

 

 

 

 

 

 

 

 

(5)

 

 

 

 

 

 

 

 

(6)

 

 

 

 

 

 

 

 

(7)

 

 

 

   

 

 

 



 



 

(8)

 



  

  

 



  

  

   

 



  

   

  

  

   

 



  

   



   



  

   

   

 



  



  

  

   

   



  

   

   

 



  



   

 



  



  

 



   



   

  



  



  

  

   





 

















 

















 





pp brittle

     p   (pp) 





  





  



 







   





  

mp





  



 









   





  



 







 







   





  

141   

Scherzando q = 104 







 









  



 

 









  



 













  

  

1º solo con sord.







mf



2º solo con sord.



mf







  





   

   







 

 















  



 

   











   









 





 







  



   

 





  



 









  







  

 







  













  

 



  

  

  

 



  

  

 



 



  

  

  

 



  

  

  

 



  

 



  

 



  

 



  

 



  

  

  

 

   

  

  

 



   

  

  

 



   

  

 



 



   

  

  

 



   

  

  

 



   

 



  

 



   

 



  

 



   

  

  

 











































p

p









































 















1º solo con sord.

 









mf

2 soli

 





    

 





   

   

   

   

  

 











 

   



   



2º solo con sord.







mf

g.a., senza sord., pizz.

   

  

     







 















   



   



 

 

   





   





   













   



   



Vla.

 

















Vc.

 

































mp brittle



























  



 

pizz.

   

  

p marc.

     p

  

  

g.a. senza sord.col legno

D.B.



  

4º solo senza sord.

 

   



 

  

Vln. II



pp brittle

3º solo senza sord. Vln. I





 

  Pno.





Handbells



Keyed Glockenspiel

p.d.l.t.

Cel.

 

      Hp. 2



mf

  

  



 

II-02 The Mad Hatter’s Tea-Party

194 142       Fl. 1  mf

Fl. 2

Ob. 1

Cl. 1 A

54   



















55   

 



  mf

accel. 







   



Più mosso q = 116

 56      



 

 

   

  



  





57    

  



  

  



58

   poco f

   poco f



59                       





p

f



f

Tpt. 1

Tpt. 2

f

















Perc. 1







     

  

    













 

(Handbells)

Perc. 4

 

p

(K.Glock.)

Perc. 5

  









Clarinet in A

         

Clarinet in A

                 





 

 

 

 









  

    



                     6

 

 

   

 

  

 



(10)

 



    





  

            

  

  

l.v.

 

 

 

 

 



 

 

                      6 





(11)

 















 

 

 

 

 

 

(12)

 

Small Susp. Cym. med. sticks

poco f

 Bass Drum hard sticks

 

p



Vibraphone med. sticks





        



 



l.v. mf

  f

                     6

6

f

fp con ped.



 

p Ratchet





f

 

f

poco f



Hp. 1









mf



l.v. ord.

mf

f



 p





























3





3

f

C# D# B F§ G§ A§

























f

  Hp. 2

 



 

   



 





 

  



 



 





   







  l.v.

 

  

   



 









    



   



 







    





 

   



 

ord.



mf



f C# D# B E# F# G§ A§ l.v.





 p









   Pno.

 



  (3º solo)

 

Vln. I

(4º solo)

 



(g.a.)





 

      



 









 



 





(2º solo)



 

  



 



 







 















 



 



  





 



  













  









 



 







  

 





  





 

 





(g.a.)









Vla.



































 

  



 



 

accel.   



 



 





 













 



 





 



  







 





 

  



 



 



 



 







 













 

 



 



 





 

 







 



  







  

 







 



 







  

  



       



 





 

   





   

 





  

     



 

   

 





 

 



 



  



 

   



 





Vc.





















3























                      6

 

Più mosso q = 116    

poco f

  





6





  

f



con ped.

 tutti, div. a3







arco ord. senza sord.

 

 



mf

 



 poco f



arco ord. senza sord.



 mf

arco ord. senza sord.



 mf



mf



 



 





   

div. a3 senza sord.



div. a3 senza sord.



senza sord.





mp senza sord.





mp

  

   

  



mp arco tutti, div. a3

poco f

  



 mf

poco f



6

f

                     6





3

3



fp

 

fp



 





mf







senza sord.





con ped.







3

 

f

                



mf



  





(1º solo)

Vln. II





mf

142 (1º solo)     (2º solo)





p



f

p

Cel.

D.B.

6

   

 



f

   



 

 



Clarinet in A



    



 



6

f

fp

   



 







 (9)



    





Perc. 3







Perc. 2

6

6

fp

Cl. 3 A

6

             6



fp

Cl. 2 A

6

                     p



6

  

  

  

  

pp





II-02 The Mad Hatter’s Tea-Party

60

143

Fl. 1

  

Cl. 1 A

61

62

195

63

















       solo

mf anarchic solo

 

  

 

mf anarchic

To Bass Cl.

Cbsn. 2





Cl. 3 A







 Hn. 1 







Hn. 2



















Contrabassoon

















 





 



p





p





Hn. 3







 solo (Harmon mute)

       

Tpt. 1

mf anarchic

      

cup mute



Tbn. 1





Tbn. 2



Perc.

Timp.

Perc. 1













Finger Cymbals

l.v. sempre

f





 Hp. 2

mf

  



  























pp light, con ped. p.d.l.t.

 











 

 

 







p.d.l.t.



 





  



 



 



 



  





  



mf

  



sf

    

 

143

1º solo

p

  

2º solo

p



g.a. col legno





 



 

 

 

 

 



(3)









  

  





 





























p marc.

 

 

 

 

senza sord.



p marc.

      

 



 



   







mf

 mfp

  

ord.

fp

mfp





espress.

mfp



espress.









 









 



(5)







 

 

 



                                             p



  

 

mf





mfp

 



               









 



mfp

espress.









mfp

espress.



mfp

espress.









mfp

espress.



  

fltr.





mp



 

      

mf

   







Timp. soft stick

(4)

 



  

         



 



   

 



(6)







mf

 

 

 

 

   

 



(7)







 

 

 







 



  



 



   



 



 



  





  



 







 



 



  





 



 



  





  





 



 



  





  



 



 



 



  





  



 

 

 



 



  





  



 





 



 



  





  



 



 



 



  





  



 



 

  



                                         

               

p

p

p

p

mf



  



 



   

 



               























 



 



  











 



 



  





mf

 





 



 



  











 



 



  











 



 



  











 



 



  





mf

 





 



 



  











 



 



  











 



 



  





 





 



 



  











 



 



  











 



 



  











 



 



  











 



 



  





mf

 





 



 



  











 



 



  











 



 



  





 





 



 



  











 



 



  











 



 



  











 



 



  











 



 



  











 



 



 



  



  









p marc.

unis.     sf

sul tasto



pizz.    

mp brittle

  





  







  







  



  



  

 non trem.

 

















 

 





 

 

  

 

fp

 

  

  





                                         



pp brittle

 

 







f

  

  

          



p con ped.



 





mp brittle

sf

Pno.

(2)





(loco)









  

  

pp brittle

p













p marc.

mfp

 









  







mf

 

















66              

 











 

mfp

  

 

                

D.B.



   



 

Vc.

mf







Vla.





 

       

f

      

mfp



p (K.Glock.)

 





 





Hp. 1

Vln. II

mf

  



f (Vibr.)

 

Vln. I





 

  

Cel.

   

   

mfp

 







(Handbells)

Perc. 5



 







Whip



Perc. 4



 



(Harmon mute)

p



Perc.3



 

 

p

 

 

 



   fltr.







 

      

plunger mute















cup mute

B. Tbn.







p cup mute

 







 

poco



         







Tpt. 3

 





Tpt. 2



  





p

Hn. 4

  

  

        

65              

poco

senza sord.





f

  

 

poco

senza sord.



  

f

senza sord.





Bass Clarinet in Bb

64         

  

  





  

  

  



 

mp



pp



div. a 3

 

   leggiero

  

 

mp espress.

div. in 3 arco



 

 







mp espress.

  



pp

  

  

pp





mp espress.

   leggiero

mp espress.



  





  

 





pp

pp

  

 

 





mp espress.

   leggiero

mp espress.



II-02 The Mad Hatter’s Tea-Party

196 Fl. 1

67                 

 

                



Picc. 3



mf

mf

Ob. 2

Cl. 1 A

         

f









 

          6

mf dolce, legato

6



 



  

      

f

 

f

mf dolce, legato

   

 











6

6





            

mf

 

B. Cl.

Cbsn.

Hn. 1









Tpt. 2

     mf

            6

Tpt. 3

Tbn. 1

  





    mf



Tbn. 2

B. Tbn.

Perc.



    mf

mf



    



         

mf

f





 













 



 

  

Hp. 2

 

(8)

 

 

   





Pno.

 

    

Vln. I





 

Vln. II

  

Vla.

   

Vc.

pp

D.B.





  pp

3 f marc.

        

  

     

       

       





p dolce

poco

 

f

 

f



  





poco



  

















   

        



 



3

 

  

        

  



  



































 

 

 

 

 





























Xylophone





 









 



 





p con ped.



3





  

f 3

3

       

















































  

  

espress.

 



f



p.d.l.t.





 

 

 

 





  



             3

 

 

mp

 

            

con ped.

mf

f 3

pp



















































 

3

   1º solo     

2º solo     p   p

g.a. col leg.

 

 

p



mf

p

poco

 

 

unis.



  

    

  

    

espress.

mfp

espress.



 





                     

 

 

 

 

 

 



 



 



  





  



     





   

 

  

 

 

 

 

 

 

       

    

       

 



 



 



  





  



  

mp

  



  



pp



  

 

tutti div. a 3 ord.

mp espress.

  

div. a 3





leggiero

mp espress.

  

 

                

mf

    

         

    

       

    

       

    

p (pizz.)

 



                 



  







p.d.l.t.



  

mfp



mf

mp

  

espress.

 

pp





mfp



p









 

mp

 

3





          



  

  

mfp



f







espress.

p







 





   144 

mfp



p





espress.

 







mfp

         











3



 



3

3





 

 

f

p

l.v.

 



 





3

f

Tambourine

 

f 3

            

3

mf anarchic

 

3







mf





 

 









      

           

mf



f







p marc.

      

 





     

f 3 ord.

mf fltr.





  









ord.

 

fltr.





p marc.

poco

senza sord.



















poco

poco



p marc.





poco



f

f

 

poco











poco





3



  

f







poco



p



mf

 

           



poco





  







 



To C. A.

mf anarchic



 

73              

mf anarchic

3



mf

 

mf



f

p





     



poco

                     Cel.

 





p dolce

f



Oboe





  

3





  

  

Hp. 1

 

3 f marc.



poco

f





 

p (Handbells)

 

mf



p dolce



 

     







                

   

   



mf



(K.Glock.)

Perc. 5

mf

  

  

Perc. 4



 

(Vibr.)



Perc.3









  



  Timp.   mf  Perc. 1  Perc. 2



3



(F. Cyms.)



 

  

6

3 f marc.



72         

      







3

  

  

 



3 f marc.



  



mf



mf

 

  

3







 



    

3

      





Tpt. 1



f



mf

 

Hn. 4

   



3



mf Hn. 3

3



 

Hn. 2

 

 

71                      







mf





mf

  



f

mf

 

  







6



       



f



 

Bsn. 1

  

  

 

6

mf dolce, legato Cl. 2 A

70       

          

         

mf dolce, legato







        



69

marc.



          

Ob. 1

 

68

144





Fl. 2





  

  pp



pp

  





  

  

mp espress.

  

mp espress.



       

II-02 The Mad Hatter’s Tea-Party

Fl. 1

74            

   



Picc. 3









Cl. 1 A

 

Bsn. 1



Cbsn.

Hn. 1



Tpt. 3

Tbn. 1



Perc.1

Perc.2

Perc.3































              

          









































































 

 

 

 

mfp



  



mf



   



   

mf

mf

 



mf

 

mp (Xylo.)

(Tamb.)





mf

mf

  



f





mf

 



  

     

 

mf

       

  

  

  

  



 



  

    

  

  f



  

Vln. I



poco





 









 















  



 



 

  





 





  



 

p





  

 

 

   



  



   

 



mf



 



 



  





  

       



   

   

p





 



 



  











   

      

   













sub. p







 

  





  

 



 



  



   



      



  

 







            6

6



         





 

 







 

pp



mp espress.

pp



 

pp

   mp espress.



 

  





pp

mf

6



6





      







            6

f appass.

         

1a solo, nat.

6





pp

            6

f appass. le altre, div. a 3 (sul tasto)



1º solo



  

6

         

pp



 

6





senza sord.





senza sord.



senza sord.





   Db

 



   





 

  





 

   



  



6

6

        

 



3

     f 3



fp



  

           3

f

f

f

fp

  

3

145

 

 

  

         

f

mf



    

 

    

  



 



         







         

  

  

f

f

  

    

              

                 













poco

poco

poco

 To Marimba





 





















































































f

fp

f

  

  

f

        







 

mp

p

81



f

f

D§

pp

  

poco









p

f

 

gli altri div. a 3, arco pp

            







         

poco







poco



sub.p

3





p

 

f

         

 

  

  

f appass.

 



3

3 3                     3 3 f      

  

  

C§ D§

CBb

            



gli altri div.



 

 





1º solo, nat. arco

mf





C# B§

f appass.

  

 







   1º solo     



pp





6





  

   





            

f appass.

mf

 

  

tutti div. a 3

D.B.







Vc.



  

3



   

 

 



gli altri div. a 3 (sul tasto) arco

tutte div. a 3



3

           





3



C Bb

Vln. II

Vla.

 

 







mf

 

3

mf



solo (p.d.l.t.)

 

3





C# D§ B§ Eb F§ G§ A§

3







3

               f    



(p.d.l.t.)



3 3                    f 3 3

poco



        

p con ped. solo









poco





3

poco





  

mf

mf

3



 



 

mf

                 mf                    mf

3





  

  

mf







f



poco

  

 







C# D# B§ Eb F§ G§ A§







  

 





f





poco



f

3

Cor Anglais

                        f 



poco



f

 

 

 

mf









 

f



                     





poco





  



                               

   



p dolce

f appass.



Pno.







   











Cel.











 

Hp. 1

Hp. 2

poco

















  

p



poco

  

f





p dolce

  



poco

p dolce

mf









f





 poco



 











mf



mf



  



                



  

To Bsn.





(Vibr.)



f





(F. Cyms.)

 

      

mf

  

mfp

  

  







  



   







   

f



      

(K.Glock.)

Perc. 5







p (Handbells)

Perc. 4





mfp



                    





 









 Perc. 



f

mf





Tbn. 2











  



 

Tpt. 2



mf



 

Tpt. 1

Timp.

   





 

Hn. 4

B. Tbn.

   

 

Hn. 3





 

Hn. 2



                              

            

 







B. Cl.



mf

Ob. 2

Cl. 2 A

77



78

145 79 80                       3 3  3  3             mf 3 3               3 3    mf                                    3 3 3 3

76

f

Fl. 2

Ob. 1

75                              

  

197

fp

f

 

f





II-02 The Mad Hatter’s Tea-Party

198 82                      Fl. 1  mf

                  

Fl. 2

           

mf



Picc. 3

C. A.



Cl. 1 A

Cl. 2 A

B. Cl.

                



              







Bsn. 1

Hn. 1









           

     

                  



3

                mf emphatic 

Perc.1





pp con sord.





con sord.









 

(Harmon mute) fltr.



 







Perc. 5



(K.Glock.)

pp



3

                 

       

mf

        

Bassoon

pp

sf

  

 

  

 

pp

sf

 

 

  

 

   

pp

sf

    sf



  

 



pp

sf

pp

  



  

 

 

 

  

 

   

pp

sf

   

pp

sf

    sf

pp

      con sord.



p

mf





p

mf





    sf    

         

sf





































































































 f

f



To Cbsn.

f

       mf anarchic



Small Susp. Cym.

Tambourine

 

f

 

p

cup mute











 





















p cup mute



p



f

 

p

 

l.v. mf

p

to Xylo.

 



f





         

















 





 

p p.d.l.t.



 









 

 

  

 

p



 

 





 

 

 

 

   

 









 

 

 









































































               

                  

p

p

 

sf

pp brittle



 F# p.d.l.t. 

  



(loco)





























 



sf

Pno.



Vln. I































   

tutti, div. a3 Vln. II

Vla.









 



 













tutte nat., div. a 2



p





























