John Harle THE BALLAD OF JAMIE ALLAN A Folk Opera (2005) Full score
CHESTER MUSIC
THE BALLAD OF JAMIE ALLAN A Folk Opera JOHN HARLE (2005) COMMISSIONED BY THE SAGE, GATESHEAD
First performance: 21 April 2005, at The Sage, Gateshead, with Omar Ebrahim, Sarah Jane Morris (voices), Kathryn Tickell (Northumbrian pipes, Neill MacColl (guitar), Steve Lodder (piano/keyboards), and the Northern Sinfonia conducted by John Harle.
Libretto by Tom Pickard. Video and photographic footage by Tom Pickard. The Northumbrian pipe passages in the sections marked ‘Jamie’s Lament’, ‘Jamie’s Jig’, and ‘Hawthorn Lament’ are composed by Kathryn Tickell. All other music composed by John Harle. Orchestration: Solo Contralto (ANNIE) Solo Baritone (JAMIE ALLAN) Solo Northumbrian Pipes Flute, doubling Piccolo and Alto Flute Clarinet, doubling Bass Clarinet and Eb Clarinet Percussion (one player – Vibraphone, Glockenspiel, Tam-tam, Orchestral Bass Drum, Snare Drum, Pedal Bass Drum, Large Suspended Cymbal, Sizzle Cymbal, Low Tomtom, High Triangle, Large Tambourine, Cabasa, Mark Tree ) Harp Guitar (amplified) Piano / Synthesiser (sound names refer to presets on the Korg Triton) Violins 1 Violins 2 Violas Cellos Double Basses (1st to be amplified)
Duration: approx. 80 minutes
THE BALLAD OF JAMIE ALLAN PROLOGUE
music by JOHN HARLE libretto by TOM PICKARD
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I A+ I A+ I A+ A A A A+ I A+ I A+ @
+ A I
JAMIE
r 'N s
74
+ I I + I I A A 2
A
A
@
@
by
you
A 2 A took me
2 A A
at
the
- A bor
A -
-
N
der
+ I + I @ A A
+ I I + I @ A A
+ I I + I I A A
I +I +I + + I + I A+ @ A A A A A A A A
+ A I
+ I + I @ A A
+ I I + I @ A A
I +I +I + + I + I + @ A A A A A A A A A
+I A
r + I + I @ A -'AA A
'A+ I I A+ I @ A A
A+ I I A+ I I A A
Pno
Vln 1
A I
+ I I +I I A A
I A+ I A+ I A+ A A -A A 'A A 'A A A A A I
A A A 'A A A A 'A A A A A A A A A A A A A A A A A A
A A A A A A A A A A ' A A
Vla
A A A 'A A A A 'A A A A A A A A A A A A A A A A A A
A A A A A A A A A A 'A A
Vc.
-- AA I AA I @
AA I I AA I @
AA I I AA I I
I A I A I A -A A A A I A I A @
A I
-A I A I @
A I I A I @
A I I A I I
I A I A I A -A A A A I A I A @
A I
Vln 2
Db.
s
9 Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
JAMIE
80
r A I A I A I I A @
A A A A I I I I I A @
A I A I I A I A I I A I A I A I I A I A @
AI AI
O
+ + + + s A I A I A I I A @ 3 r s
+ + + + + A I A I A I A I I A @
+ + + + A I A I I A I A @
+ + AI AI
O
2
I A A
@
2
A
2
A A 3
a cold wind tells the
O
tale
+ +I +I +I I + @ A I A A A A
+I +I I +I +@ A A A A
+I +I +I I +I +@ A A A A A
+I +I A A
+I +I +I I +@ A A A A
+I +I +I +I I + @ A A A A A
+I +I I +I +@ A A A A
+I +I +I I +I +@ A A A A A
+I +I A A
O
r ' A I A I A I I A @
A I -A I A I A I I A @
AI AI I AI A@
A I A I -A I I A I A @
A A I I
O
Vla
'A A A A 'A A A A
Vc.
A I A I A I I A @
Vln 2
Db.
3
+ I + I + I I + @ A A A A Pno
Vln 1
+ + + + + A I A I A I I A I A @
s
A A A A A A
A A A A A A
A I A I A I I A @
A A - A A A A - A A
A A A A A A A A A A A A A A A A A A A A
A A A A A A
A div. -A+ I A I A A I I
+ AI A A I
A+ I I A+ I A+ @ A A A A I I A I A @
+ + A I I A+ @ AI A A A A A A I I I I I
A A A A A A A A A A A A A A + AI A A I
A A A A A A A A A A A A A A + AI A A I
A A A A A A
A+ I I A+ I A+ @ A A A A I I A I A @
A A A A A A A A + AI A A I
+ AI A A I
O
O O O O
84
Fl./ Picc/ A.Fl.
r O N
Cl./ B.Cl./ Eb Cl.
O s N
JAMIE
r O s
N
N
N mp
f
N
N
'N
3
3
3
3
mp
f
<
@
<
Venomously I A+ 'A A A A 'A A @
@
the de - vil rides be - side you
O
Pno
Vln 1
A+ I I @ A
+ I @ K A f O A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A mp sempre f + r O ÂŁÂĽ + I @ A I I @ K K < A AA <
@
@
+ AA A A A A A A
@
Vln 2
O
<
A+ I I @ A
f Vla
Vc.
Db.
+ I @ AA
K
O A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A mp sempre f O A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A mp sempre f
3 O 3 s 3 WIND FX
O
3
3
3
I K A A A A A A A A A A
+ A I K
@
+I K A
A A A A A A A A A A A A A A A A 3
mp
f
Tape
K
and he
@
f
A A
3
10
DURHAM GAOL 1 Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
JAMIE
3
3
3
3
s 3
3
3
3
3
r + I s A 'A -A @
+ + A I 'A I @ K
drinks the hang - man's
Vln 1
<
<
<
<
<
. .
<
<
<
<
<
<
<
<
<
<
<
<
<
@ AA I
<
<
<
<
<
<
<
<
<
<
<
<
ale!
<
Pno
E q = 60 <
88
r 3
@ A+ I A
K
mp
mf
A A A A A A A A 3 A A A A A A A A 3 r £ < K
K
@ A+ I A
<
<
<
@ A+ I A
<
<
<
@ A I
<
K
<
<
K
@ A+ I mp @ A I
E q = 60 <
mf
<
Vln 2
K
<
mf
Vla
A A A A A A A A
mf
Vc.
Db.
K
<
A A A A A A A A s
con sord.
< con sord.
<
<
mp
3
3
3
<
3
1. solo pizz.
3 <
A
p
2. only Tape
3
3
3
3
3
A
A N
3
A A
A A
3
A N
3
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
3
A ' A
A A -A A A -A A A 'A A A -A
I
96
r
<
<
K
@
pp misterioso 3 3
3
s
<
3
3
3
3
3
3
3 3
3 3
3
3 3 A A A 'A A A -A I A A A A A A A A A A A -A A 'A A A A A 'A A A A A A A A A A sim.
pp misterioso Vla
r
<
con sord.
A
A
-A
A
'A
A
-A
A
A
-A
A
'A
A
-A
A
'A
A
-A
A
A
-A
A
'A
-A
A
'A
A
-A
A
A
-A
A
pp misterioso
Vc.
<
con sord.
A
pp misterioso Db.
A A N s A A
tutti (pizz)
A
A
pp misterioso Tape
3
3
3
3
'A
11
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
Vln 1
100 A 3 3 3 3 3 A A A A A ' A - A A A A - A A A A A A A A A A A 'A 3 A r ' A A A A I A ' A ' A A I A A -A A A -A A 'A -A A A A A A sim. 3 3 3 3 3 3 3
3
3
3
3
3
3 A A 'A A A A 'A -A 'A A A -A A -A I A A + I A+ A A A 'A -A A A A A 'A A A 'A -A 'A A A A A s A A -A A A A 'A A 3 A A 3 3 3 3 3 3 3
3
3
3
pizz.
r K
3 I A A A A
A A @
3 I A A A A
@
A
3 I A A 'A 'A A A+ I A A -A -A
-A @
p
3
pizz.
3 I A A A A
K
Vln 2
A A @
3 I A A A A
@
A A 'A 'A A + I A A A -A -A
3
A
-A @
-A
'A
'A
'A
A
'A
'A
A
'A
'A
A
I
p Vla
'A
Vc.
'A
Db.
3
3
s
'A
A
Tape
3
A
'A
'A
A
'A
'A
A
'A
@
K
A
'A
A
'A
A
'A
A
' A
-A
'A
A
A
'A
-A
'A
A
A
-A
'A
-A
'A
A
A
'A
-A
'A
<
<
<
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
JAMIE
104 A 'A -A A A A A 'A 'A A A ' A A -A A - A A A A - A A A A A ' A A 'A - A ' A A A 'A A -A A -A A A 'A A -A r A I A I A A A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3 3
3 3
3 3 3 3 3 3 + + A A s 'A -A 'A A A A A -A A A I 'A A A A 'A -A A A A 'A A A A A -A A A A 'A A A A A I A A A A 'A A A A A -A A 3
r s
3
SPOKEN
<
0
0
0
Rain against the window and the wind growls. It’s a familiar voice and smells of the river. I’m old and dying and the manacles chafe my wrists and ankles.
Vln 1
r @
I
3
+ I A A A
3
+ A A A I
A A A A A - A A A -A A A A
@
A -A A I A A A
@
I A A A I I -A A
A A A A - A A A -A A A A
@
A -A I A A A A
@
I A A A I I -A A
3
I
3
3
3
@
I
Vla
'A
'A
-A
-A
A
A
Vc.
'A
'A
-A
-A
A
A
'A
'A
-A
-A
A
A
Vln 2
Db.
s
I A
3
3
A
A
A
A
'A
A
'A
'A
A
A
A
A
A
'A
A
'A
'A
A
A
A
A
A
'A
A
'A
'A
A
'A 'A 'A
12
Fl./ Picc/ A.Fl.
108 3 3 3 ' A - A A A A A - A A A A A A A A 3 3 3 r A 'A 'A -A A A A A A A A A A A 'A A A A I A A A 'A -A A A -A A 'A+ I A+ A A A 3 3 3 3 3 3
3
3
3
Cl./ B.Cl./ Eb Cl.
s A A -A A A A 'A A
JAMIE
r s
3
A A A
3
3
I
3
3
A A A 'A -A
A
3
3
3
A A A 'A A I -A A A A A 'A -A A -A A A A A A A A 'A A A 'A -A 'A A A 3
3
<
3
3
0
3
3
3
0
3
3
0
The wind finds its way through thin cracks in the cement and under the cell door, blowing chaff amongst the rats.
Vln 1
r A A I A A I A A I
@
I A A + I @ A
I -A 'A 'A I A I + I I A A A
A A A I A A I A I
@
I A A + I @ A
I -A 'A 'A I A I + I I A A A
Vln 2
Vla
'A
-A
Vc.
' A
-A
'A
-A
Db.
s
A
A
A
A
A
A
3
3
3
3
3
3
3
3
+ @ A
I
+ I A A A
I A -A
+ @ A
I
3 + I A A A
I A -A
3
A
A
A
A
-A
A
'A
A
'A
'A
A
-A
A
A
A
A
-A
A
'A
A
'A
'A
A
-A
A
A
A
A
-A
A
'A
A
'A
'A
A
-A
Fl./ Picc/ A.Fl.
112 A ' A A -A A - A A A A - A A r A 3
3
3
3
3
3
3
s 'A -A 'A A A A A -A A A A 'A
JAMIE
r s
3 -A A A + A A A -A A A -A
A
3
A
A
r @ @
<
I I
Vla
A
-A
Vc.
A
-A
A
-A
s
3
3
A A 3
A A
3
+ A A A -A A -A A A
I
- A
3
I
I 'A I
A
I
+ A I 'A A I I A 'A
3
3
3
Vln 2
Db.
A 3
Cl./ B.Cl./ Eb Cl.
Vln 1
A
3
<
I I
3
A A 3
A A
@
I
3
mf
@
A 'A A mf
A
A
A
A
A
A A
A
'3
@
K
I
A A A mp
A @
K
A
A A
A
I
K
I
K
mp
3
senza sord.
<
A
<
< 3
mf
mp
3
3
mf
mp
I
@ 3
13
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
Vln 1
115
r I 3 'A A A+ I
I
s A +
K
I
@
r
3
I A A A+
K
N
I
<
<
3 <
+ A N A
@
A
K
K
<
@
I
<
@
A A
A
K
K
K
@
A A pp
p pizz.
Vla
<
A
A I
@
+ I 'A A
Vc.
Db.
s
3
<
@
<
3
p
I
@
pp
p
3
<
p
p Vln 2
A
3
pp
<
<
A
@
I
K
<
pp
JAMIE'S LAMENT F senza misura - colla parte 119
MARK TREE
$ $
Perc.
TAM-TAM
Harp
mf
< 3 33
A A
solo +freely ®+ A A®
A
A
A®A A
A
A
K
® AA
A A A
A®A A
A A
+ A
+ A®
A
® AA
A A A A®+ A N
FCG drone continues under solo
$ '$ $ $
Gtr
$ $ $
$ $
Pipes
mf
mf
Pno
Vln 1
£¤ $ '$ $$ mf
'$$ $ $
F senza misura - colla parte r arco sulPA
P
mp
arco
Vln 2
arco
Vla
Vc.
s
sul A
P
P
mp sul A
P
P
mp senza sord.
<
<
K
A A
14
121
Pipes
3
A A A A A AÂŽ+ A A A @ A A A A AÂŽA A A N AAA
K
A AÂŽ+ A A A AÂŽA A A A A @ AÂŽA A A A AÂŽA A A A ÂŽA AÂŽ A A A A A A AÂŽ+ N
Vln 1
r P
P
P
Vln 2
P
P
P
P
P
P
Vla
s
@
AA
DURHAM GAOL 2
G 123
TAM-TAM
mp
' 33 3
Harp
JAMIE
Â? 3Â? 3
Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;
Perc.
MARKTREE
r s
<
<
<
<
<
<
mp
3 3
p (intense, whispering)
K
@
I A A
A
A 'A
A A 'N
the wind comes in waves like the 3
Gtr
A A A A A AÂŽ+ A A A @
A A A A A A A
ÂŽ AA
A A N
<
Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;
Pipes
3 3 3 3
sea
<
<
<
<
<
<
<
<
Pno
Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;
mp
3 3 3 mp
3 3
Vln 1
r P
G
P
P
Vln 2
P
P
P
P
P
Vla
s
P
15
q = 72
JAMIE'S LAMENT 2
3
3 ' NNN
127
Harp
NN
Pipes
<
<
<
<
<
<
NN
3 3
3 3
<
<
<
<
'NNN
3 33
3 33
<
<
<
<
Perc.
<
<
(no drone) A®+
A
A A
A
A®A A
N
N
N
A
K
A A
A®+
A®A A
A
A
N
A
NN NN
Gtr
(as before)
Pno
<
<
<
<
<
<
NN
3 3
3 3
<
<
<
<
'NNN
33 3
33 3
<
<
<
<
3 3
3 3
3 3
3 3
3 3
3 3
33
33
3 3
3 3
33
3 3
33
33
3 3
3 3
'33
3 3
3
3
3
3
3
3
3
3
3
3
3
3
NN NNN
N 'NNN
q = 72 Vln 1
r
Vln 2
Vla
Vc.
div.
@
NN
p div.
@ @
NN p div.
'NN p
Db.
s
N
K
p
K
arco
N p
134
Pipes
A®+ A
Vln 1
r '3 3
Vln 2
Vla
Vc.
Db.
s
® AA
A A A A®+ A A
N 3 3
'3 3
3 3
33
33
K
I
A
+ A®
A
A
N
@
A A A
unis.
33
+ A
A
3
3
mf subito
p
3
N
'3
'3
3
mp
mf subito
p
3
N
3
mp
® AA
A
N
unis.
'3 3 unis.
3
3 3
3 3
3
3
3
3
+ A N
3
mp
3
mp
'3
mp
mf subito
mf subito
3
mf subito
p
N
A
p
3 p
16 140
JAMIE'S LAMENT 3
DURHAM GAOL 3
Fl./ Picc/ A.Fl.
r s
JAMIE
r s @
ALTO FLUTE
<
<
solo
N
3
A A A A
AAA A A 3
mf (sim.)
A A I A I A A A N
@
hey up,
A
Pipes
@
@
Gtr
@
<
<
<
<
3
hey up and a - way.
K
<
<
<
A
A A A
A®+
A®A A
solo
N
N
N
A
K
N
A A A A
3
3
3
3 3
33
33
33
33
3 3
3 3
'33
3
3
3
3
3
3
3
A A A
A®+
AAA A A 3
mf Vln 1
r 3
Vln 2
3
div.
' A3 N
N
33
div.
Vla
3
3
3
3
3
3
Vc.
Db.
3
3
3
s
div.
146
Fl./ Picc/ A.Fl.
r s
Pipes
Gtr
Vln 1
r
Vla
A®A A
A
N
A
+ A®
A
3
K
3 3
'3 3
@
® AA
A A A @
I
A A A
A A N
3
A A
N
K
I
A A I A
A A N
3
+ A®
K + A N
A
+ A®
A
A K unis.
3 3
3
33
mp unis.
3 3
'3 3
3 3
33
33
3
3 3
3 3
3
3
3
3
3
Vln 2
K
3
3 3
3 '3
3
mp
unis.
'3
3
mp Vc.
Db.
s
3
mp
'3
mp
Tape
<
<
<
3
< WIND FX
A A A N A A A
17
151
Fl./ Picc/ A.Fl.
r s N
K
Pipes
@
A A A
Gtr
N
K
Vln 1
r 3
K + A
A A
3
@
N
A
A A ' A A
3 3
3 <
3
3 <
<
<
<
3 3
3 3
3 3
33
33
33
div.
N
N
'3A
N
N
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
N
mf subito
N
A
p
3
3 p
mf subito
3
Tape
A 'A A A A
p
3
s
NN
p
mf subito
Db.
A
p
'3
N N
N @
NN
mf subito
Vc.
A
div.
3
Vla
® AA
K
mf subito Vln 2
A
A A A
@
3
DURHAM GAOL 4 Fl./ Picc/ A.Fl.
157
r s N solo
<
<
<
<
<
<
<
<
mp
Harp
JAMIE
N
<
3 3 r s
<
< solo
N3 3 3 3
(Spoken)
0
0
N
A 3 3
@
<
0
The wind finds its way through thin cracks in the cement and under the cell door, blowin chaff amongst the rats.
Vln 1
<
Gtr
r 3 3
Vln 2
33
< 3 3 33
<
<
<
<
<
<
<
<
<
Vla
3
3
<
<
<
Vc.
3
3
<
<
<
3
3
<
<
<
3
3
Db.
Tape
s
3
3
3
18
162
NN
NN
A A
3
3 3
3
3
+ A N
AA
3 3 N 3
A A
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A 'A A K
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SPOKEN VOICE: Durham to wit: the examination of Matthew Robinson of the parish of Gateshead in the said county of Ralph Soulsby Durham, taken and made upon his oath before Richard Prosser, Doctor of Divinity, and Richard Kerfield, clerk of his Majesty's Justices of the Peace
175
Vln 1
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in and for the said county of Durham, the sixteenth day of May in the year of our Lord, One Thousand Eight Hundred and Threeâ&#x20AC;Ś
179
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The informant upon his oath saith that between the hours of ten in the eveningâ&#x20AC;Ś
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218
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242
ANNIE
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248
ANNIE
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27
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253
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258
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N
AA AA AA AA AA AA AA AA
A A A A A A A A A A A A A A A A
A A A A A A A A A A A A A A A A
A A A A A A A A ' AA AA AA AA AA AA AA AA ' AA AA AA AA AA AA AA AA '' AA AA AA AA AA AA AA AA '' AA AA AA AA AA AA AA AA ' A A A A A A A A '
Vc.
Db.
3
AAA AAA AAA AAA AAA AAA AAA AAA A A A A A A A 'A + + I I A+ @ A I A A A A 'A N 3
'AAA AAA AAA 'A A A +I I A A
A
Cm9
Gtr
'A
+ + A I I A N 3
s
+I I + @ A A
+I I + @ A A
+I A
+I A
+I I + @ A A
+ + A I I A @
+I A
+ A I
+ + A I I A @
+ A I
Cl./ B.Cl./ Eb Cl.
JAMIE
306 A N r ' A s I I
r s
A He
A
'A took
' A I I A N A
A
the
bor
-
+ + ' A I I A N
A
A
A
A
A
A
'A
N
A
der
road,
a
cold
wind
at
his
tail,
the
Ebma7
Gtr
Pno
Vln 1
Vln 2
Vla
Vc.
Db.
Abma9
''AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA ''AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA ''AAAA AAAA AAAA AAAA AAAA + I I + @ + I + I I + @ + I 'A+ I I A+ @ 'A A A 'A A A ' A ' A ' A A A A A A N N 'N 'N 'N N r N N 'N 'N 'N N AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA ' AA AA AA AA AA AA AA AA ' ' A I I A @ s
+ + ' A I I A N
A I
'' AA AA AA AA AA AA AA AA ' A I I A @
A I
AA AA AA AA AA AA + A I A
AA AA AA
'A A A A ' AAA AAA AAA AAA + + 'A I I A ' A A
AA AA AA AA AA AA AA AA + @ A I A
N
N
N
N
AA AA AA AA AA AA AA AA
'' AA AA AA AA AA AA AA AA '' AA AA AA AA AA AA AA AA ' A I I A @
A I
' A I I A @
A I
33 310
Cl./ B.Cl./ Eb Cl.
r s ' A+
JAMIE
r A s
I
de
I
+ A
+ ' A
N
'A
'A
A
-
vil
rode
be
I
I
A
A
-
hind
him
+ A
+ - A
N @
A
A
and
then
burnt
Nor
-
thern
AAAA AAAA AAAA AAAA AAAA @
+ A A
+ A A
''AAAA AAAA AAAA AAAA AAAA AAAA AAAA
I
+ 'A ' A
I
I
+ A A
@
+ A A
AAAA ---AAAA
AAAA
AAAA
AAAA
AAAA
AAAA
AAAA
AAAA
I
I
I
+ A A
@
+ A A
I
+ -A - A 3
'N A A 'A ' A
N
3
3
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
-AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
'' AA
AA
AA
AA
AA
AA
AA
AA
-- AA
AA
AA
AA
AA
AA
AA
AA
' A
I
I
A
@
A
I
'A
I
I
A
@
A
I
-A
I
I
A
@
A
I
s
a
A
3
Vln 2
Db.
A
N
Vln 1
Vc.
N
'N
r
Vla
+ A A
Dsus4
''AAA AAA AAA A A A + I I 'A ' A
Pno
I
A
Dbma7
Gtr
I
Cl./ B.Cl./ Eb Cl. ANNIE
JAMIE
313 r s -A
I
I
A
r s
N
<
<
@ @
@
Vln 1
Vln 2
Vla
AAAA AAAA AAAA + I I A A 3 r 3 A A A A A A
Db.
s
I
I
I A+ A+ I @
@
Hey up
@
Hey up and a - way
A
I A I @
@
Hey up
A
I A A A A Hey up and a - way
<
AAAA AAAA AAAA AAAA AAAA
<
<
<
+ @ A A
<
<
<
<
<
<
<
<
<
AA
AA
+ I A A
AA
AA
AA
A
@
A
I
I A+ A A A A
<
AA AA AA AA AA AA AA AA
A
<
<
Vc.
A
I A I @ Hey up
D(' 9)
Pno
@
Hey up
N trail.
Gtr
I A+ A+ I @
<
unis.
A A
A A A A A A A A A A A A A A
A A A A A A A A
A A
A A A A A A
A A A A A A
A A
A A A A A A A A
A A
A A A A A A A A A A
A A A A
A A A A A A A A
34
Fl./ Picc/ A.Fl.
ANNIE
317 A A 'A A A A 'A A A r A 'A A A A ' A A A I @ s
K
<
f
r
<
I A+ A+ I @
@
I A+ A+ I @
@
Hey up
JAMIE
s
<
@
Vln 2
Hey up and a - way
I A A I @
@
Hey up
Pno
I A+ A A A A
@
Hey up
A
I A I @
'A A A A ' A A A ' A A A A ' A A A A A A I @
Vln 1
<
I A A A A A
@
Hey up
K
Hey up and a - way
<
<
<
<
K
<
<
K
<
<
f
<
A r A 'A A A A ' A A f 'A A A A ' A A A A
<
' A A A ' A A A A A A I @ ' A A A ' A A A A A A I @
f
Vla Vc.
Db.
s
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A A A A A A A
A A
A A
A A
A A
A A A A A A A A
A A
A A
A A
A A
A A
A
A
A
A
A
A
A
A
A A A A A A A A A A A A A A A A A A A A A A A A
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
ANNIE
JAMIE
321 A ' A A A A ' A A ' A 'A A ' A ' A A ' A ' A A A A - A A A A A A A - A r A 'A A A A ' A A A -A A 'A 'A -A 'A + A I @ CLARINET A - A -A A 'A 'A -A 'A + I @ A 'A A A 'A A 'A 'A 'A A A A -A A A A A A ' A ' A A ' A A A ' A A A A A A s A 'A A
f
<
<
<
'
<
<
<
'
<
<
s
Pipes
Vln 1
Vln 2
M
A r A 'A A A A ' A A f 'A A A A ' A A A A
Vla
Vc.
s
K
@
I
AAA A 'A A A A ' A A A ' A A A A ' A A A A A A ' A ' A A ' A ' A - A A A A A A - A -A A 'A 'A A -A 'A + I @ A f < < <
f
Db.
'
r
(solo)
Pno
'
' A A A ' A A A 'A 'A A A A -A A A A A A A A - A -A A 'A 'A -A A A A ' A ' A A 'A A+ I @ ' A A A ' A A A A A + 'A 'A A A A -A A A A A A A -A A A 'A 'A A -A A 'A 'A - A ' A A I @
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
+ I @ A A I @ A I @
3
AA
' '
' ' ' '
' '
35
CUMCLEUGH GHYLL
q = 136
P Poco piĂš mosso
324 VIBES soft mallets, with motor
N
Perc.
'A
mp
' @ mf
Harp
' N
N
N
N NNN
NNN N
@
@
'A
N
N
N NNN
NNN N
@
'A
N
N NNN
@
A N NNN
@
arp.
N
N
N
N
N
3 3 3 3 3 3 3 3 3 3 AAAAAAA AAAAAAA 3 AAAAAA AA A A A A A A A ' A A A A A A A A A A A AA AA A A AA A A A AA A
Pipes
3
Bbma7 '
Gtr
Fma7
Bbma7
Fma7
3
3
3
3
3
Bbma7
3
Am7
jazz waltz style
q = 136
P Poco piĂš mosso Vla
r N '
'A
N
N
'A
N
N
'A
N
A
'A
N
N
'A
N
N
'A
N
A
A
N
N
A
N
N
A
N
A
mp
N
'
Vc.
mp pizz.
Db.
s
' N
A
A
mp
330
N
Perc.
N NNN
' @ Harp
N
A
N NNN N
@
' N
'A N NNN
@
N
N
N NN NN
@
N
@
'A N NNN
N
N
3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A ' A A A A A A A A A 3 3
Pipes
3
Bbma7
Gtr
'
Vla
3
C
r N '
A
N
N
A
N
Vc.
'
' N
A
N
Db.
s
3
3
3
3
3
3
Bbma7
A
3
3
3
Fma7
Bbma7
N
'A
N
N
'A
N
'A
N
N
'A
N
A
N
N
A
A
36
335
Perc.
N
N NNN N
' @ Harp
'
'
Pipes
@
N
N NNN
@
N
N NNN
@
N
N
N
A N NNN
@
N
N
N
NNN N
@
3 3 3 A A A A A A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3
3
'
Vla
r N ' N
Vc.
'
Db.
' N
3
3
Fma7
Gtr
s
'A
Bbma7
Am7
A
3
3
3
N
'A
N
N
'A
N
N
A
N
3
3
3
3
Bbma7
C
A
3
N
A
N
N
A
N
N
A
N
A
340
Perc.
N
'A N NNN
' @ Harp
N ' 3
N NNN
@
NNN N
3
Bbma7
'
Vla
Fma7
r N '
'A
N
N
'A
N
N s '
A
N
'
3
Bbma7
A
Fma7
N
'A
N
N
'A
N
N
A
N
N
N NNN
A
A
N
3
3 3 3 3 3 AAAAA AAAA AA A A AA AA A 3
3
Bbma7
N @ NNNN
N NNN
N
AAAA 3
A
@
N
N 3
'A
@
AAAAAAA ' AN A A A A A A A A AN A A A A A A A A A A A A A A A A A A A 3 N N 3 3
Gtr
Db.
3
3
N
N
N 3
3
'A
@
N 3
Vc.
NNN N
@
with F & C drone Pipes
N
N
Am7
N
'A
N N
Bbma7
N
A
N
A
'A
N
A
N
A
A
N
A
N
A
37
347
N
Perc.
NNN N
' @ Harp
N
' N '
Pipes
A A A
C
'
N @ NNN
@
N
N
N
A®+
N
N
A
NNN N
Fma7
Bbma7
N
'A
N
N
N
'A
N
N
A
N
s '
N
A
3
3
r N '
Db.
NNN N
@ N
3
'
N NNN
3 A A A A A A+ A A A N
Vc.
N
N
N
N
Bbma7
'A
@
Gtr
Vla
'A
A
A
@
N
N
A
N @ NNN
@ NNNN
@
N
N
N
N
A®+
A®+
A
A
N NNN
AAAAA AA A A
A
-A®+
3
Fma7
'A
Bbma7
Am7
3
3
Bbma7
N
'A
N
N
'A
N
N
A
N
'A
N
N
'A
N
N
A
N
A
N
N
A
N
N
A
'A
-N
A
A
355
N
Perc.
NNN N
' @ Harp
N
'A N NNN
@
' N
N
N NNN N
@
@
N
N
NNN N
@ N
N
N NNN
@ N
3 3 3 3 3 3 3 3 3 AA AAAAAA A AA AA AAAAAAAA AAAAAAA A A A A A ' A A A A A A A A A AA AA AA A A AA A A
Pipes
3
3
3
C
'
Gtr
Bbma7
<
Pno
SYNTH
'
<
3
3
C
Bbma7
@
@
3 I A A A A®+ A -A N
3
'
Vla
N NNN
'A
N
light comp, with fill-in figures
Bbma7
C
3
Bbma7
Bbma7
3
3
etc.
C
3
C
Bbma7
r N '
N
'A
N
N
'A
-N
N
'A
N
N
'A
N
N
'A
- N
N
'A
N
A
N
N
A
N
N
A
Vc.
'
Db.
'
s
N
A
A
A
38
361
-N
Perc.
NNN N
' @ Harp
A
N NNN N
@
' N
N NNN N
@
N
N
N
3 3 3 3 3 A A A ' A A A A A A A A A A A A A
Pipes
'A
NNN N
@ NNNN
@
N
N
N
A
A®+
Gtr
Pno
Vla
Dm
'
'
'
C
Dm
Dm
Dm
NNN N
N
3
3
C
Bbma7
C
A
C
C
N
A
A®+
Am7
Bbma7
A
@ NNNN
N
3
Bbma7
@
N
3 A A A A A A+ A A A N
N
Bbma7
N NNN
@ N
3
C
-N
'A
N
N
Am7
r -N '
N
A
N
N
'A
N
N
'A
-N
N
A
- N
N
A
N
N
'A
N
N
'A
- N
N
A
N
A A N
A
N
A
N
N
A
N
N
A
Vc.
'
Db.
'
s
N
A
A
A
Q 369
LARGE TAMBOURINE
Perc.
' @ Harp
A
N NN NN
Pipes
A®+
A
N
N
Dm
' '
Pno
' Dm
3
3
Gsus4
C
Gsus4
C
3
'
<
<
<
' N
A
N
A
N
N
A
N
A
N
A
A
@
N NNN
A
N 3
3
3
3
3
Fma7
3
3
3
Bbma7
N
A
N
Fma7
Bbma7
3
3
3
3
3
3
3
3
3
mf 3
3
3
3
3
3
3
3
3
A AA AA AAA A A AAAAAAAAA AA AA AA A A A AA AA AAAAAAAAA AAAAAAAA A AAAA
mf
N
'A
N
A
N
A
N
N
'A
A
N
A
A
N
A
mf pizz.
N N
NNN N
A
A AA AA AAA AAAAAAAAA AAAAAAAA A A
Q
Vln 2
s
(as written)
Bbma7
Vln 1
'
@
A
(background comp)
<
Db.
@
N
Bbma7
<
'
N NNN
A
3
3
3
<
Vc.
A
N
r '
Vla
@
@
AA AA A A A AA AAAAAAAAA
A
-A®+
A
mf
NNN N
@
N
3
Gtr
N
NNNN
@
' N '
A
A
mf
N
mf
39 375
Harp
Pipes
A
@
' @
NNN N
Perc.
M
'
A
Vln 1
Vln 2
N NNN
A
@
@
N NNN
A
A
A
@
N NNN
A
A
@
@
NNN N
A
N
N
N
3
3
3
A
@
@
N NNN
A
N
3
3
Bbma7
3
3
Am7
Bbma7
3
3
3
3
3
C
3
3
3
Bbma7
'
'
' Fma7
Bbma7
Am7
Bbma7
C
Bbma7
3 r 'AAAAA AAA AAAAAA 3 A A AAAAAAAAA A AAA AAAAAAAAA AAAAAAAAA AAA AAAA 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 AAAAA A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A ' A A A A A A A A A A A AA A 3
Vla
' N
Vc.
'
Db.
@
A
3 AAA AAA AAAAAA 3 A AAAAAAA AAAAAAAAA A AAA AAAAAAAAA AAAAAAAAA A ' A A
Fma7
Pno
A
N
N
3
Gtr
A
N
A
N s '
3
3
3
3
3
3
3
3
3
3
3
N
'A
N
A
N
A
N
N
A
N
A
N
A
N
A
N
A
A
@
@
N NNN
A
N
A
A
@
@
N NNN
A
N
A
A
@
@
NNN N
A
N
A
A
A
@
N NNN
3
3
3
3
N
'A
A
N
A
A
N
A
A
A
A
@
N NNN
381
Perc.
Harp
Pipes
A
@
' @
NNN N
' '
N
N
3
3
Fma7
Pno
Vln 1
Vln 2
3
Bbma7
3
3
3
3
Fma7
Bbma7
3
3
3
Am7
3
3
3
Bbma7
'
'
Fma7
'
Bbma7
Fma7
Bbma7
Am7
Bbma7
3 3 3 r 'AAAAA A A A A A A A A A A A A A3 -A A A AAA AAAAAAAA AAAAAAAA A A A A A A A A AAA A A A 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 A AAAAA A A A A A A A A A A A A3 -A A A A A AAAA AAA A A AAAA AA AAAAAAAAA AA AAAAA ' 3 3 3 3
Vla
' N
Vc.
'
Db.
N
N
3 3 3 AAAA A AAAA AAAAAA 3 A AAA A AAAAAAAA AAAAA AAA A A A -A A A A A A AAAAAAAA A 3
Gtr
N
N
A
3
3
N
'A
N
N
3
3
3
'A
N
3
3
3
3
3
N
A
N
A
N
A
N
A
N
A
N
A
N
A
N s '
A
N
A
N
A
N
A
N
A
N
A
40
R Poco piu mosso q = 144 A AAAAAAAA AAAAAAAA PICC. AAAAAAAAA AAAAAAAA AAAAAAAAA A A
387
Fl./ Picc/ A.Fl.
r '
Cl./ B.Cl./ Eb Cl.
s '
Perc.
<
f
3
3
3
3
3
3
3
3
3
3
3
f
@
' @
NNN N
3
3
3
3
3 3 3 3 3 3 3 3 3 3 A AAAAAAAA AAAAAAAA AAAAAAAAA AAAAAAAA AAAAAAAAA A A
<
A
3
A
A
@
@
N NNN
A
A
@
@
NNN N
A
A
A
@
N NNN
A
A
@
@
NNN N
3
3
3
A
3
A
A
@
N NNN
A
Harp
' N
N
N
N
N
N
3 3 3 3 3 3 3 3 3 3 AAA AAA AAAAAA 3 A AAA ' A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Pipes
3
3
3
C
Gtr
Bbma7
Fma7
Bbma7
3
3
3
Fma7
3
Bbma7
'
'
Pno C
'
Bbma7
Fma7
Bbma7
Fma7
Bbma7
R Poco piu mosso q = 144 3 3 3 3 3 3 3 3 3 r 'AA AAAAAAA AAAAAAA 3 AAAAAAA AAAAAAAAA AAAAAAAAA AAAAAAAAA AA AA 3
Vln 1
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 AAAAAAA AAAAAAA 3 ' A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AA
Vln 2
3
Vla
' N
Vc.
' N
Db.
' N
s
3
3
N
'A
N
A
N
A
N
A
N
A
N
N
'A
N
A
N
A
N
A
N
A
N
3
3
3
3
N
'A
A
N
A
A
N
A
41
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
AAAAAA 393 A A A AAAAAAAAA AAAAAAAAA AAAAAAA r AAAAAAAAA AAAAA A AA AAA ' 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 A A AAAAAAAAA AAAA A AAAA AAAA AAA A 'AAAAAAAAA AAAAAAAAA AAA AAAA A s 3 3 3
A
@
' @
N NNN
Perc.
3
3
A
A
@
@
N NNN
A
3
3
3
3
A
@
@
NNN N
3
A
3
3
A
@
@
N NNN
3
3
A
3
A
@
@
NNN N
A
A
A
@
N NNN
A
Harp
'
N
N
N
N
N
N
3 3 AAAAAA A AAAAAAA AAAAAAAAA AAAAAA 3 ' A A A A A A A A A A A A A A A A A A A AAA AAA
Pipes
3
3
3
Am7
Gtr
Bbma7
3
3
3
3
3
C
3
3
3
3
Bbma7
3
3
Fma7
3
Bbma7
'
'
' Am7
Pno
Vln 1
Bbma7
C
Bbma7
Fma7
Bbma7
3 3 3 r ' AAAAAA A AAAAAAA AAAAAAAAA AAAAA AAAA AAA AAAAAAAAA AAAAAAAAA A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 AAAAAA A AAAAAAA AAAAAAAAA AAAAA AAAA AAA ' A A A A A A A A A A A A A A A A A A A 3 3
Vln 2
3
3
3
3
3
3
Vla
' N
A
N
A
N
Vc.
'
N
A
N
A
N
' N
A
N
A
N
Db.
s
3
3
3
3
3
3
N
'A
N
A
N
A
N
A
N
A
N
3
N
'A
A
N
A
A
N
A
42
Poco piu mosso
399
Fl./ Picc/ A.Fl.
r '
Cl./ B.Cl./ Eb Cl.
s '
Perc.
S AAAAA A q = 152 A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3 3 3 3 3 3 AAAAA A A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3
3
A
@
' @
NNN N
3
3
A
A
A
@
N NNN
A
3
3
3
A
@
@
N NNN
A
3
3
A
A
@
N NNN
3
A
3
3
A
A
@
NNN N
f
A
A
@
@
N NNN
A
Harp
'
'
Pipes
N
N
N
3 3 3 3 3 3 AAAAA A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AAAAAAAAA 3
3
3
3
Fma7
Gtr
N
N
N
Bbma7
3
3
3
Am7
3
3
3
Bbma7
3
3
C
Bbma7
'
'
' Fma7
Pno Bbma7
Am7
Bbma7
C
Bbma7
S Vln 1
Poco piu mosso q = 152
3 3 3 3 3 r 'AAAAAA 3 AAA A AAAAAAAA AA A A -A A A A A A A AAAAAAAA A AAAAAAA AAAAAAAAA 3
'
Vln 2
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 AAAA A A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AAAAAAAAA 3
Vla
' N
Vc.
'
N
Db.
' N
s
3
3
3
3
3
N
'A
N
A
N
A
N
A
N
A
N
3
3
3
3
3
3
N
A
N
A
N
A
N
A
N
A
N
3
N
'A
A
N
A
A
N
A
43
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
Perc.
405 A AA AA AAA AAAAAAAAA AAAAAAAA AAAAAA AA AAAAAAAAA A A r 'AA AA AA A A A A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 A AA AA AAA AAAAAAAAA AAAAAAAA AAAAAA AA AAAAAAAAA A A ' A A A A A A A A A A s 3
A
@
' @
NNN N
A
A
A
@
N NNN
A
A
@
@
NNN N
3
3
3
A
3
A
A
@
N NNN
3
A
3
3
A
@
@
N NNN
A
3
3
@
A
@
N NNN
@
Harp
'
Pipes
N
N
N
N
3 3 3 3 3 3 3 AAAAAAA AAAAAAA 3 AAAAAA AA AAAAAAAAA A A A A A A A A ' A A A A A A A AA A A A AA A 3
Fma7
Gtr
N
N
Bbma7
3
3
3
Fma7
3
3
Bbma7
3
3
Am7
3
3
Bbma7
'
'
' Fma7
Pno
Vln 1
Bbma7
Fma7
Am7
Bbma7
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 AAA AAA AAAAAA 3 A A A A A A A A A A AAAAAAAAA A A A ' A A A A A A A A A A A A AA A A A AA A 3
Vla
' N
Vc.
'
Db.
3 3 3 3 3 3 r ' 3A 3A A AA AA AAAAAAAA AAAAAAA A A A A A A A A A A A A A A A A A AA A A A AA A A AAAAA A 3
Vln 2
Bbma7
N
'A
N
3
3
3
3
3
3
3
3
3
N
'A
N
A
N
A
N
A
N
A
N
A
N
A
N
A
N
A
N s '
A
N
A
N
A
N
A
N
A
N
A
44
411
Fl./ Picc/ A.Fl.
r '
Cl./ B.Cl./ Eb Cl.
s '
Perc.
A A A A A A A A A A A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3 A A -A A A A A A A 3 3 3 3
3
A
A
' @
NNN N
3
A
3
3
A
@
@
N NNN
3
3
A
3
3
A
A
@
NNN N
A
A
@
@
N NNN
A
A
A
@
NNN N
A
Harp
' N
'
Pipes
N
3
3
C
Pno
Vln 1
N
3 A A A A A A A A A A A A A3 -A A A A A A A A A A A A A A A A A A A A A A A A A 3 A A A A A A A 3 3 3 3
Gtr
N
N
3
3
3
3
Bbma7
3
3
Fma7
Bbma7
Fma7
'
'
' C
Bbma7
Fma7
Bbma7
Fma7
3 3 3 r A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A -A ' A A A A A A A 3
3
3
3
3
3
3
3
3
3
3
3
3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3 A ' A -A A A A A A A 3 3 3
Vln 2
3
Vla
' N
Vc.
' N
Db.
' N
s
3
3
3
3
3
3
N
'A
N
A
N
A
N
A
N
A
N
3
3
N
'A
N
A
N
A
N
A
A
N
A
N
A
45
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3 A
# 3
-
3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A ' A 3 s
# 3
-
416
r '
3
3
3
3
3
A
Perc.
3
@
A
3
A
3
3
3
3
A
3
A
3
3
A
3
3
3
A
@
3
3
3
A
3
3
@
@
D555555555555555555555555555555555555 # 3 3
solo
ff - shake!
3 3 3
# 3 3 3
3 3 3
# 3 3 3
3 3 A A A A A A A A A A A A A A A A A A A A A 3 A A A A A A A A A ' A A A A A A
# 3
-
N NNN
' @
N NNN
@
N NNN
@
NNN N
@
Harp
' N
Pipes
3
3
N
N
N
3
3
3
3
3
3
3
3
3 3 3
# 3 3 3
-
3 3 3
# 3 3 3
-
3 3 3
# 3 3 3
-
3 3 A A A A A A A r 'A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3
# 3
-
# 3
-
Bbma7
'
Gtr
Am7
'
Bbma7
C
Pno Bbma7
'
Vln 1
Am7
3
3
3
Bbma7
3
3
3
C
3
3
3
3
3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A ' A A A A A 3 A
Vln 2
3
3
3
Vla
' N
'A
N
Vc.
' N
A
N
Db.
'
A
N
s
N
3
3
3
3
3
3
3
N
A
N
3
# 3
-
A
N
A
N
arco 3
# 3
-
A
N
A
N
arco 3
# 3
-
46
THE SOUND OF DEEP WATERS
Guitar
Tape
T q = 88 <
Cma7
<
3
<
3
<
3
Dm7
3
Em7
Fma9
3
Cma7
NA N N
AA AA A A A A
AA AA AA A A
@ AA A A A A
Dm7
3
Em7
AA AA A A A A
AA AA AA A A
@ AA A A A A
A
3
Fma9
NA N N
A
<
RAVENS/ WIND FX
430
ANNIE
r s
K
<
@
@
A The
Cma7/E
Gtr
Am/G
A A AAA A A A
F/G
NN NN
AA+ AA
A AAA
G7sus4
N
A
A
sound
of
deep
G7
3 N3 3 3
C
A
wa - ters Fma7
F6
@
N
A
A
N
sang
in
my
sleep
C
A N 3 3 3
I A+ AA A A AAA A A N
N
N
A A so I
Fma7
F6
A N 3 3 3
I + AA A AAA A A A AA A
436
ANNIE
r s N foll
-
Dm(' 9)
Gtr
A
A
owed
the
A
N
stream
Dm/C#
Dm/Cยง
A
N
A
A
N
to
search
for
a
thief
Dm/B
Bbma7(#4)
3 AA AA AA AA A A A A A 3 AA 3 A A A A AA A AA N -N N '3
A A
N
so
fol
I
-
A
A
lowed
a
Dm9
NA N 33 N 3
+ A A A A N A A
A AAA @
441
ANNIE
r s A dark
N
A
N
A
stream
that
ran
un
A7(#5)/E
-AA Gtr A A
Bbma7/F
AA A ' AA
A AA + A A A N A
-
der
@
N
A
- ground
Bbma7
N
A A by the
Bm7(b5)
sound
'A
A
of
deep
A A N
Am7
A+ AAA A A A 3 3 A N -3 3
AAA A A A A A AAA N N
446
ANNIE
r s A A A A ' A lo - ver
was
3
<
3
my
Dm9
C
AA AA A
A + A AA A A
A
K
<
@ @
found.
Bbsus2
Gtr
3
A
wa - ters
the
Cma7
Dm7
@ AA AAAA
3 '3 '3 3
A
Em7
Fma9
Cma7
AA AA AAA AAA NA A AA A A KA A N N
Dm7
@ A A AAAA
Em7
Fma9
Cma7/E
AA AA AAA AAA NA A AA A A KA A N N
Am/G
AA A AA A A A
F/G
G7sus4
G7
A A+ 33 AAA AAA N3 N 3
NN NN
ANNIE
453 U r s N
sound
A
A
A N
A
N
A
of
fast
wa - ter
that
runs
in
C
Gtr
Fma7
+ A A IA A A A AN A AA
F6
A
my blood
C
Fma7
I A+ AA A A AAA A A A A
A3 N 3 3
@
N
A
N
that played F6
Dm(' 9)
A
A
me
the
Dm/C#
A
N
A
mu - sic
that
Dm/Cยง
Dm/B
AAA A AA AA A AA A AA A A A A A A A A A A N -N N
A3 N 3 3
459
ANNIE
r s N I Bbma7(#4)
Gtr
33 3 '3
A
A
N
un - der - stood
N N 3A3 N 3
A A when I
N
A
A
heard
the
dark
Dm9
N
A
N
mu - sic
I
thought
A A7(#5)/E
A AA A + A + -AAA AAA A A A A A A @ N A A A A N
Bbma7/F
A
A
N
A A
I
would
drown
by the
Bbma7
Bm7(b5)
AAA A+ AAA A A A 3 3 ' AA A N -3 3
47
465
ANNIE
r N s sound
'A
A
of
deep
Am7
Gtr
A A A A AA AA A A A N N
A A N
A
wa - ters
my
A A N
'A
3
lo - ver
was
found.
Dm9
C
Bbsus2
AA AA A
A + A AA A A
'33 3 '3
A
3
Cma7
Dm7
AA A A
@ AA A A A A
AA A
Em7
AA AKA
A
Fma9
NA N N
AA A A
A
470
ANNIE
r s 3
<
Cma7
Gtr
Dm7
@ A A A AA A
Em7
AA AA
Fma9
AA AKA
AA A A
AA A A
K
<
NA N N
Cma7/E
Am/G
F/G
AA A N AA A A A NNN
A
@
AA+ AA
A AAA
@
G7sus4
G7
3 N3 3 3
N
A
A
through
a
ANNIE
474 V r s N
pool
A
A
A N
A
N
A
A
N
of
dark
wa - ter
run
fresh
from
the
fell
C
Gtr
Fma7 F6
C
A N 3 3 3
A I +A A A A A AN A AA
@
A A N ran the fast
Fma7 F6
Dm(' 9)
N
A A
run - ning
wa - ters
Dm/C#
Dm/Cยง
to a Dm/B
AAA A AA AA A AA A AA A A A A A A A A A A N -N N
A N 3 3 3
I + AA A AAA A A A A A A
A
A
A
480
ANNIE
r s N deep
A
A
N
soun - ding
well
Bbma7(#4)
Gtr
A A
33 3 '3
N
by the sound
A
A
of
dark
N
A
laugh - ter
Dm9
A7(#5)/E
A + -AAA AA AA A A A @ N A A A
NA N 33 N 3
A
N
and
thyme
A AA + A A A N A
-
Bbma7/F
N
A A
ground
in the
A
A
co - vered Bbma7
Bm7(b5)
AA A+ AAA A A A 3 3 A ' AA A N -3 3
486
ANNIE
r N s
'A
fast
run
A - ning
Am7
Gtr
A AA A AA A A A A A N N
A A N
A
wa - ters
my
A A N
'A
3
lo - ver
was
found.
Dm9
C
Bbsus2
A AAA A
A + A AA A A
'33 3 '3
<
A
3
Cma7
@ A A AA A A
Dm7
AA AA
Em7
AA A KA
AA A A
AA A
Fma9
NA A N N
Molto rall.
491
ANNIE
r s 3 Cma7
Gtr
@ A A A AA A
< Dm7
AA AA AA A A
Em7
AA AA A A KA A
Fma9
NA A N N
Cma7/E
Am/G
A A NN AAA A A A NN
F/G
AA AA
< G7sus4
AA+ N33 AA 3 3
<
G7
N
<
# <
C5
I AA+ N A NN 3
3 3 3 3
# <
A
DURHAM GAOL 5
48
W q = 120 Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
498
r ALTO FLUTE ' 3
mp s
@
3
3
3
3
' 3
3
3
3
@
A A A A A I K
BASS CL
3
mp
CABASA
<
Perc.
'A f
Harp
JAMIE
A A A A A A @
f
pp
mf
pp
+I K A A A A
@
A A
@
N N
<
<
p
<
<
<
<
<
<
<
<
<
<
<
r s
<
<
<
<
A
K
A
A
A A
N
Matt - hew crossed the bor - der
'A mf
Pno
Vln 1
A
+I K A A A
<
<
<
<
<
<
<
<
<
<
<
W q = 120 r div. 3 3
3 3
3 3
3 3
3 3
unis.
3
mp Vln 2
3
3
3
3
3
3
Vla
3
3
3
3
3
3
3 3
3 3
3 3
3 3
3 3
mp
mp Vc.
s
div. 3 3 mp
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
JAMIE
504
r
(sim.)
3
N
'N
N
N
A N
3
'3
3
3
3
3
3
3
3
3
(sim.)
s 3
N
r A A A A A 3 s @ I he took the qui - et
3
@
roads
A
A
A A
loo - king for
a
a
man of
3 3
3 3
3 3
3
3
-3
3
3
3
3
3
3
3
'3 3
div.
3 3
3 3
N N
@
Vln 2
3
3
3
3
N
@
Vla
3
3
3
3
N
@
3 3
'3 '3
3 3
3 3
N N
@
s
<
<
<
<
A
tin - ker
r 3
Db.
A
A
Vln 1
Vc.
N
A 'N
K
solo pizz.
N
mf
A A A A no
a - bode
then cree - ping down
unis.
3 N
N
A 'N
49
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
JAMIE
512
r s
3 3
r ' A s
N
3
3
N
A
A
Thief Sike
3
and
A
o - ver
A
A
Lid - del
'3
3
3
'3
3
3
3
3
N
'A -N
A
Wat - ta
he
A
A
A
N
A
pipes
that
A
heard the sound of
33
33
''3 3
3
-3
3
3
'3 3
3
3
-3
3
3
3
3
N
3
3
3
Vla
3
3
div.
N
laugh - ter
33
Vln 2
div.
3 s
in - to
'' 3 3
Vln 1
3 3
Db.
whit - tled
A
A
A
3 3
3 3
Vc.
A
3 3
r 3 3
3 '3
A
N
A
N
-N
N
N
N
N
N
N
N
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
X Pi첫 mosso q = 136
519
r s
Perc.
'3
N
3
N
A A A I
< 'A
K
@
'A
-A
+ 'A I
@
K 'A
@ 'A
mf
Pno
A
A
N
A
A
-A
A
A
A
N
(sim.)
A
-A
A
A
A
A
mf
K
<
<
<
<
<
<
<
<
<
<
<
I A
A A A A
He rode up La - dy
K
A A
A A
A
<
r A s
(sim.)
A
mf
A
mf
f
Harp
JAMIE
@
-A
+ 'A I
<
A
3 Know
NN ' NNN mp
<
<
A
N N
A
A A
A
A
3
and down to Harts - garth Flow
NNN NN
NN ' NNN
NNN NN
N 'NNN
NN NN
N N
N N
N N
N N
N N
X Pi첫 mosso q = 136 3 3 3 3
r 3 3
3 3
Vln 2
3 3
3 3
33
33
'33
Vla
3 3
3 3
'33
33
3 3
3
3
3
3
Vln 1
Vc.
Db.
s
3
N
N
N
N
N
N
N
3 3
N
N
N
50
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
524
r N
A
A
A
A
A
A
N
A
A
3
A A
A
A
N
A
A
'A
A
A
A
N
'A
A
3
A A
A
A
K
A A A I
K
@
A A
s
Perc.
<
<
<
mf
'A
'A
-A
f
Harp
+ 'A I K
<
r s K
<
@
A he
'A
'A
mf
Pno
K
Vln 1
A
+ 'A I '-NNNN
Vla
s
A
A
A
A
'A
'A
-A
A
<
'A
N N
A
win - ter
A
snow
he
NN ' NNN
NNN NN
NNNN
NNN N
AAAA
N N
N N
N N
N N
N N
N N
A A
'A
3 3
3 3
3 3
33
33
3 3
3 3
33
33
3
3
3
3
N
N
N
N
N
A
N
NNN NN
3 3
in
A
NN ' NNN
'3 3
N
A -A deep
33
3
A
+ 'A I @ <
Rea - gill Boggs still
3 3
N
@
trot - ted through the
3 3
Vc.
A
<
mp
r 3 3
Vln 2
Db.
-A
<
f
<
<
A
JAMIE
f
N
A
mf
'A
-A
+ 'A I AA AA A
@
@
A A
A
A
A
51
accelerando Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
529
r A
'A
N
A
A
@
K
N
A
A
'3
'N
N
N
A
A
'3
'N
N
K
@
cresc.
s
A
A
cresc.
A
Perc.
I
<
<
A
A
mf
<
<
<
<
'A
@
'A
-A
Harp
JAMIE
r s
A
thought
A he
NNN 'N Pno
<
'A caught
<
'N
A
A
'A
A
a
sight
down
on
the
Win
N ' NNN
NNN N
N N
N N
N N
@
A <
A
NNN N
+ 'A I
A -
dy
N
A
Slack
''NNNN
NNNN
''AAAA
N N
N N
A A
but
'A
'A
-A
+ 'A I
AAAA
@
A A
A
A
A
cresc.
N N
@
accelerando Vln 1
r -3 3
3 3
'3 3
3 3
3 3
'33
33
3 3
3 3
3 3
3
3 3
3 3
cresc.
-3 3
Vln 2
cresc.
'3 3
Vla
cresc.
Vc.
3 cresc.
Db.
s
a2 A cresc.
A
A
A
N
N
A
A
A
A
A
A
A
52
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
533
r A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
'A
A
A
A
A
A
A
A
A
A
A
A
A I @
K
f
s
'A f
Perc.
JAMIE
A
r 'A s when
<
A
A
A
he
reached
the
A
Star - cleugh
+ + + + ''AAAA I AAAA I AAAA I AAAA I
+ ''AAAA I
N Edge
+ + + AAA I AAA I AAA I A A A
<
A
A
A
A
3
He
was
way
off
track
AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA
f
Pno
'A A A A A A A A 'A A A A A A A A
Vln 1
'A
<
r 'A A f
'AA
Vln 2
f
AA
'AA
AA
AA AA AA AA AA AA
'AA
AA AA AA AA AA AA
AA
AA AA AA AA
'3 '3
Vla
'A A A A A A A A 'A A A A A A A A
AA AA AA AA
AA
A A A A A A A A
A A
A A A A A A
A A A A A A
A
A A A A A A
A A A A A A
A
A A A A A A
unis.
A
unis.
A
unis.
3 3
-3
3
3
3
3
'A A A A A A A A
A A A A A A A A
A A
f
Vc.
'3 f
Db.
s
'A A A A A A A A
A A A A
@
53
HEY UP AND AWAY 2 Fl./ Picc/ A.Fl.
A tempo
537
r
PICC.
<
<
@
<
A ' A A A ' A A A ' A A A A A A I @
K
ff
A ' A A A ' A A A ' A A A A A A I @
CLARINET
Cl./ B.Cl./ Eb Cl.
ANNIE
s
<
<
r @
s
@
I A+ A+ I @
@
I A A I @ Hey up
<
@
I A+ A+ I @
@
Hey up
@
I A A I @ Hey up
<
I A+ A A A A A
@
K
@
I A+ A+ I @
The de - vil on their back.
@
I A A A A A A
Hey up
@
K
@
I A A I @
The de - vil on their back.
<
@
Hey up
A ' A A A ' A A A ' A A A A A A I @
K
ff
Pno
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Vln 1
K
ff
Hey up
JAMIE
<
A tempo
r
<
<
<
@
A A
A A
A A
A A
A A
A A A A A A A A A A A A A A A A
A ' A A A ' A A A ' A A A A A A I @
K
ff
A A A A A A A A A A A A A A A A A A A A A A A A A A A
Vln 2
A
A
A
A
A
A A A A A A A A
A A A A A A A A A A A A A A A A A A A A A A A A A A A
A
A
A
A
A
A A A A A A A A
A A A A A A A A A A A A A A A A A A A A A A A A A A A
A
A
A
A
A
A A A A A A A A
A
A
A
A
A
ff
Vla
ff
Vc.
ff
Db.
s
arco A A A A A A A A A A A A A A A A A A A A A A A A A A A ff
pizz.
A I I A @
A I
54
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
@
A A ' A A A ' A A A ' A A A ' A A A A I I
@
A ' A A A ' A A A ' A A A A A
542
r
<
<
<
s
<
<
<
<
<
r @
+ I A A+ I @
<
@
Hey up
JAMIE
s
@
+ I A A A A A
A
' N + I 'A+ I N A
@
K
<
A I A I @
@
A I A A A A
A
@
K
<
<
<
@
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Vln 1
Vln 2
<
<
A A
A A
A A
A A
A A
@
A
A
A
A
A
A A 'A 'A A 'A A A A 'A
A A 'A A A A A A A 'A
A A A A A A A A A A A A A A A A
A A A
A
A
A
A
A
Vc.
A A A A A A A A A A A A A A A A
A A A
A
A
A
A
A
A I I
A
@
A
I
A I I A @
A I
+ I + I -N ' A A
A A A
A I
- A A ' A A A ' A A A ' A A A A A A I ' A I
Vla
Db.
I
- N A ' A A A ' A A A ' A A A A A A ''AA I N A I
A A A A A A
@
A A A A A A A A A A A A A A A A
s A I I A @
@
The de - vil on their back.
Pno
r
I
The de - vil on their back.
Hey up
<
@
N A ' A ' NN A I 'A I
Harp
ANNIE
A + I ' A I A
I
A A ' A A III+ II ' A A I I
I
@
I
@
55
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
A 546 ' A r A I I
A + I ' A I A s
I
@
I
@
' NN A ' A N A I 'A I Harp
' N A+ I 'A+ I N
<
A ' A A ' A - A A ' A 'A A ' A A 'A A 'A A A A 'A -A A 'A 'A A 'A -A A
<
O
<
<
O
£¤ A ' A A ' A - A A '' AA ' A ' A A A 'A A 'A A A A 'A -A A ' A 'A A 'A -A A
O
- N A+ I 'A+ I
A ' A A ' A - A A ' A ' A ' A A 'A A 'A A A A 'A -A A ' A 'A A 'A 'A A A -A A
O
A ' A A ' A - A A ' A 'A A ' A A 'A A 'A A A A 'A -A A 'A 'A A 'A -A A
O
- A ' A r A I I
I
@
A A 'A 'A A 'A A A A 'A
A 'A A 'A -A 'A 'A A 'A A 'A A A A 'A -A 'A 'A A A 'A A A 'A - A A
Vla
A A 'A A A A A A A 'A
A ' A A 'A -A A 'A 'A A 'A A 'A A 'A A A A 'A -A A 'A 'A A 'A -A A
Db.
O
<
Vln 2
Vc.
O
- NN ' A A A I 'A I Pno
Vln 1
<
O
O
A A ' A A III+
I
@
<
<
O
' A II A I I s
I
@
<
<
O
56
THE GYPSY PIPER
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
Y PiĂš mosso q = 156 549 r O A I I I I A I I A I
I A
<
A I A I A
I A I A
I A I
I A+
<
+ A I A I A
I A I A
I A+ I
O A I I I I A A A A A A A A A
<
A I A I AAA A I AAA A I
f sempre marcato
O + I I I I A+ I s A
I A+ I
f sempre marcato
SNARE DRUM
Perc.
mf
JAMIE
r O A s
A
'A
He
then
went
A
'A<
O
Pno
'A
O A
A
Vln 2
Vla
up
to
A A
f staccato
O
Vc.
s
O
+ A I I I I A f A I I I I
A
We
-
A
ther
'A
'A <
A
+ A I I A I A I
A
'A
A
Law
A
A
'A+ I A A I
A
A
Y PiĂš mosso q = 156 r O A 'A A A A A A A A A f O A 'A A A A A A A A A f staccato O A 'A A A A A A A A A div.
Db.
A
A A
f sempre marcato
Vln 1
2
A
A
A
A
A 'A
A
'A
A
and
to
the
A
A A
A
A A A A
A A A
A A A A
A 'A A A A A A A A A A A 'A A A A A A A A A A
A A
A A A A A A A A
A A A A A A
'A I A I A+ A A A
I A I A A A
+ I A I A
I A
f
p
f
p
A I A I A
<
Fl./ Picc/ A.Fl.
r 'A I I @
K
'A A A I I
U W U 'A A A A A I I I I I I I I
Cl./ B.Cl./ Eb Cl.
+ s 'A I I @
K
'A I A I A
I 'A I A I
Perc.
A I I @
K
A I A I A A A A A @
JAMIE
Light
Pno
A Vln 1
Vln 2
Vla
Vc.
Db.
N
'A
r A s -
'A A
ning
Hill
-A
< 'A 'A A
A
2
A
he
A
A
non div. r -A+ I I A 'A A - A A A A A A A A ' A 'A A A - A A A A A A A A A ' A A A 'A A -A A A A A A A A A 'A A + non div. 'AA I 'A I I @ K ' A 'A I ' A I I @ K s
A
A
I A I
I A I A+ I I A+ I
I A+ I I A+ I A+ I
caught
A
f
I A I A
f
A I A A A A A I A I I A A A A A A 'A A A
He thought
A
U U W A A A I I I I I
a
-A+ I A+ I A+ I A+ I A+ I 'A ' A ' A 'A 'A 'A
'A
A
I A+ I A+ 'A A 'A A A A A A A A A A A
<
A
A A
A ' A A A A A ' A A A A
A
A
A
f
552
A< A
A
+ I A A
A
A
A I I A I A A A A N
whiff
(sim.) I A+ I A+ I I A+ I I A+ I I A+ I A+ I A A A A A A A 'A A A A A A A A A A
A A I AA
A A I ' A I A I
+ + AA I A I A A A A A A A A A A A I A I A I
A A I
' A A I I I
A I I A I I A I
+ + + + AA I AA I 'AA I AA I I A A A A ' A A A A A A A A A 'A A A A A
I A+ I A
I A+ I A A A A A A A A A A A A A A A I A I I A I
I A+ I A+ I A A A A A A A A A A A A A A I A I A I
I A I I A I A I
57 Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
U U W 557 r A I I A I I A I I A I A I A I A I @
U U W A I I A I @ A I I A I I
I A I A I A
+ I I + I I + I I + I + I + I + I @ A A A A A A s A
+ I I + I @ A A
I A+ I A I A
A I I A I I A A A A A A A A I A I A A A A I A I I A A A A I A I I A A A A I A I A I A
Perc.
JAMIE
r s I
A ' A
2
A - long
+ + AA I I AA I I A A A A
Pno
Vln 1
Vln 2
Vla
Vc.
Db.
+ I I + I I A A
r + I AA A A A A A A I s
2 A 2 A A A
2
A
A
the
'N
A
Cum - cleugh
A
@
A I
@
Gill
A+ I I A+ I A+ I A A A A A A -A
I A+ I I A+ I A A A A A A A A A A A A A A A A I A I I A I
A
He
+ + -'AA I AA I @ A 'A A A
was at
'A+ I I A+ I @ 'A A
A+ I I A+ I I I A+ I A I A A A A A A A A A A A A A A A A
'A A
I A+ I A
+ + + 'A+ I A I 'A I A I @ A - A A A A A A A - A A A A 'A A A A 'A A A A A -A A A A 'A A A A 'A A A - A A AA I I A I A I - A I A I @
A I I A I I A I I A I A I -A I A I @
heard I
I A+ I A+ I A+ I I A+ I I I A+ I A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A I A I @
AA I I AA I I
A I I A I @
A I I A I I
+ + A I A A A A A A A
I A I A I A I A I A I A
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
563 r A A A A I A I A @
A A A A A I I I I I @
A I
A I A I A I I A @
A I
I A I A+ @ s A A A A
+ + + + + A I A I A I A I I A @
+ A I
+ + + + A I A I A I I A @
+ A I
A A A A I A I A A A A A I A I A I A I I A A A A A I
A I A I A I I A @
A I
Perc.
JAMIE
r s
- A Lang
Pno
Vln 1 Vln 2
Vla
-
burn
N
s
3
2
I A
Shiel
+ + + A A I ''AA I 'AA I 'AA I I A @ A
A A A A A A A A A
A 'A A
A A
A
and with
A 'A A -A 'A A 'A A A
A
A
A 'A
A
A A A A
A A I 'A I A I A I I A @ A ' A A ' A A A A A A A A A A 'A A 'A A A A A A A A A
- A A A A I A I A @
A A A A A I I I I I @
- A A A A I A I A @
A A A A A I I I I I @
r A A -A A 'A A 'A A A A A A A A A A A A A A A
Vc.
Db.
A
2
A
A
2
A
A
the Con - sta - ble
+ + + 'AA I --AA I AA I AA I I AA @ A
A A I
A A A A A A
A
A
A A
A A
-A I A I A I I A @ - A A - A A
2
A gave
+ AA I A A I
A A A A A A A A A A A A A A A A A A A A
+ + + A div. -A+ A A A I I I I I @ A A A A A A A A A I I I I I @
+ A I A A I
58
567
Fl./ Picc/ A.Fl.
r A I I A I A @
A I A I A I I A
I A @
A I A
I
<
Cl./ B.Cl./ Eb Cl.
+ I I + I + @ A A s A
+ + + + A I A I A I I A
I A+ @
+ + A I A
I
<
A I I AAA A AAA A I AAA
A I @
K
3
@
Perc.
JAMIE
A I I A I A A A A A I A I r 3 s chase
+ + + A I A I -A I I A A A A A
I A @ A
+ + A I A A A
I
Vln 1
Vln 2
Vla
Vc.
Db.
A A
A
A
A
A
A
A A
A
A
A
A
A
A
rode hard
Pno
A
A
They
+ AA I I AA I AA @
'A
A
A
and they rode
<
A A
A A A A
A A
A A
r A I I A I A @
A I A I -A I I A
I A @
A A I
I
<
A A A A A A A
A A A A A A A A A
A A A
A A A A
A
<
A A A A A A A
A A A A A A A A A
A A A
A A A A
A
+ + + A I I A I A @ A A A A I I A I A @ s
+ A I A+ I A+ I I A+ A A A A A A A A I I I I
+ I A @ A I A @
+ A I A+ A A A A I
A A A
I
I
A A @
A A A
A A
A A
A A
A
A
A
A
A
A
A
A
A
A
I
A
@
570
JAMIE
r + s 'A I
@
@
long
But
Vln 1
Vln 2
Vla
Vc.
Db.
A A A A A A A A A A A A A A r A+ I A + AA I
A
+ A I 'A
they could
not
-A I keep
<
Pno
A
A s A
A A
A A A A A A
K
@
@
K
@
A A A A A A A @ @ I
+ A I
+ 'A I
a
pace
-
<
@
A A A A A A A
I
A+ A + A A
@
@
<
A A A A A A A A A A
A A A A A A A A A A A A A A A A
<
O
<
O
A A A A A A A A
O
I
K
<
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O
I
K
<
<
O
A
A A A
A A A A A
A A A A A A A A
A A
A A
A A A A A @ I A
A A
A A A @
A A A A A A A @ @ I
A A
A A A
A A A A A A A @
O O O
59
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
574
r O @
O s @
A A
I I
A A
I I
f
Vln 1
Vln 2
Vla
A A
I I A
f
Pno
I I
O @
Db.
O @
s
A A
I I A
AA 'A A A A A A A O f O I I I @ A A A A r O A+ I I @ I + A ' A O AA 'A A A A A A A A O A 'A A A A A A A
Vc.
A A
I I
I
I
I
I
A A
I I
A A
I I
A A
I
I
I
I
A A
I I
A A
I I
A A
I
I
I
I
A A
I I
A A
I I
f
O
A I I A
Perc.
A A
A A
AAA A
I I
A A
I I
A A
I I AAA A A
A A
I I
A A
AAA A
I I A
I I
A A
I I A
A A
I I
A A
I I
AAA AAA A A
I I
A A
A A A 'A A A
A A A
A A A
A A A 'A A A
A A A
A A A
A A
I
I
I I
I
I I
I
I I
I I
I
A A
I I A A
A A
I
A A
A A
I I A A
I
A A
A A
A A
I A
I
+ I I @ A A
I
+ ' A I A
I A + I I @ A
I
+ ' A I A
I A
A A
A A A 'A A A
A A A
A A A
A A A 'A A A
A A A
A A A
A A
A A
A A A 'A A A
A A A
A A A
A A A 'A A A
A A A
A A A
A A
pizz.
+ + + A I I A I I A I
I A+ I I A+ I I A+ I
I A+ I I A+ I I A+ I
I A+ I I A+ I I
pizz.
I A
I A
I A
A
I I A
I I A
I
I I A
I I A
I
I I A
I I A
I
I I A
I I
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl. Perc.
JAMIE
Pno
Vln 2
Vla
<
A A A I I I I I I I I A
<
AI A I A I AI A I AI
+ + + A I I I I A I I A I I A+
<
+ + AI A I A I AI A I AI
A I I I I A AAA A AAA A
<
A I A I AAA A I AAA A I
f sempre marcato
s
<
f sempre marcato
A I I @ r s
K
mf
<
A A 'A A A A A A A A A A A
Vln 1
Z
577
r
<
A
A
'A
When
they
found
f sempre marcato
A
'A A A
AA
< 'A A
A
A
A
me
I
was
'A 'A
A
'A
A slee -
'A
A
A
ping
u
-
'A
A
pon
a
< < 'A A 'A ' A 'A 'A 'A A A A A A A A A A A A AA A A A A
Z r A+ I I @ K A 'A A A A A A A A 'A A A A A A A I A A A A A f A A 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A f staccato A A 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A
+I + A A ' A A A A A A A A A A A A A A A ' A A A A A A ' A A A AA
AAA A A A A A
AAA A A A A A
f staccato
Vc.
Db.
arco A I I @
K
arco A I I @ s
K
div.
+ A I I I A I I I A I I I
+ + I 'A I I A I I A+ I A I I A I I A I A I I A I I A
< <
'A I A I A+ I A I A I A I p f A A A I I I f
p
A I A I A+ I A I A I A I f A A I I A I f
60 581
Fl./ Picc/ A.Fl.
r 'A I I @
K
Cl./ B.Cl./ Eb Cl.
+ I I @ s 'A
K
Perc.
A I I @
@
JAMIE
bed
Pno
A
of
'A
+ + I A I A I I A I
I A+ I I A+ I A+ I
A I A I A A A A I A A A A A I A I I A A A A A I I A I A A A
@
A
@
hea - ther
< 'A 'A
-A A
U U W A A A I I I I I
'A I A I A I 'A I A I
A 2 A A
'A
r A s
U W U 'A A A 'A A A A A I I I I I I I I I I
A
A
A
A
Vla
Vc.
' A I I @
K
' A I I @
K
r
Vln 2
Db.
s
A a
'A
A
gun
a
-A+ I A+ I A+ I A+ I A+ I 'A 'A 'A 'A 'A 'A
non div. -A+ I 'A A - A A A A A A A A ' A A A 'A A A A A A A A A ' A A A A A 'A A -A A A A A A A A A 'A A
Vln 1
A
They put
'A A
2
I
A
A
A
A
A
gainst
me
-
I A+ I A+ I I A+ I A A A
A 'A
A
A A
+ + + + + + AA I AA I 'AA I AA I I AA I A I A A A A A ' A A A A A A A A A A A A A ' A A A A A A A A A A A A A A A non div. 'A I A I A I ' A I A I I A I AA I A A A A A A ' ' A I I I I I I I I
A
N
(sim.)
I A+ I I A+ I A+ I A A A
A A
A A
I A+ I A
I A+ I A A A A A A A A A A A A A A A I A I I A I I A I I A I
A
A
I A+ I A+ I A A A A A A A A A A A A A A I A I A I I A I A I
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
U U W 586 r A I I A I I A I I A I A I A I A I @
U U W A I I A I @ A I I A I I
I A I A I A
+ + + + + + + s A I I A I I A I I A I A I A I A I @
+ I I + I @ A A
I A+ I A I A
A I I A I I A A A A A A A A I A I A A A A I A I I A A A A I A I I A A A A I A I A I A
Perc.
JAMIE
r s I
A ' A
2
and tied
A me
A
A
to
a
'N
'A
te
-
-
+ + + + + + + AA I I AA I I AA I I AA I AA I -'AA I AA I @ Pno
Vln 1
Vln 2
Vla
Vc. Db.
+ I I + I I A A
A A
r + I AA A A A A A A I s
A A
A A
I A+ I I A+ I A A A A A A A A A A A A A A A A I A I I A I
A
I A+ I A
-A
+ + A I 'A I - A A A A A A A A - A A A A A -A A A A A - A I A I A I - A I
@
In
'A+ I I A+ I @ 'A A 'A A
'A+ I I A+ I A+ I A A A 'A A A A 'A A A A A A 'A A A A 'A A A A A A
2
A the
A+ I I A+ I I A A
A A A
+ A I @ A A A
@
ther
'A A A
A
A
A
A A
2 A 2 A A A
good name of
his
I A+ I A I A A A
A A A
A
A A
A+ I I A+ I I I A+ I A+ I A+ A A A A A A A A A A A A A A A A A A A A A A A A A A
A A I @
AA I I AA I @
AA I I AA I I
A I I A I I A I I A I A I -A I A I @
A I I A I @
A I I A I I
I A I A I A I A I A I A
61
Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl. Perc.
JAMIE
592
r A A A A I A I A @
A A A A A I I I I I @
A I
A I A I A I I A @
A I
I A I A+ @ s A A A A
+ + + + + A I A I A I A I I A @
+ A I
+ + + + A I A I A I I A @
+ A I
A A A A I A I A A A A A I A I A I A I I A A A A A I N 3 - A A r s
A I A I A I I A @
A I
ma
-
jes
-
ty
I
A 'A A -A 'A A 'A A A Pno
Vln 1 Vln 2
Vla
Vc.
Db.
A A A A A A
@
A A A A A A A A A A A
you
for
this
+ + A A I ''AA I 'AA I 'AA I I A I A
+ + + + I 'AA I --AA I AA I AA I I A I I AA I A
A 'A A
A
A
A 'A
A
A
A A A A
A A I 'A I A I A I I A @ ' A A A A A A A A A A ' A A A 'A A 'A A A A A A A A A
- A A A A I A I A @
A A A A A I I I I I @
- A A A A I A I A @ s
A A A A A I I I I I @
r A A -A A 'A A 'A A A A A A A A A A A A A A A
ar - rest
A
A
A I
A
A A
A A
-A I A I A I I A @
A A A A A A
- A A - A A
A A I
A A A A A A A A A A A A A A A A A A A A
+ A div. -A+ I A+ I A+ I I A+ @ A I I A I A I A I I A I I A I A A A A A A I I I I I @ I
596
Fl./ Picc/ A.Fl.
r A I I A I A @
A I A I A I I A
Cl./ B.Cl./ Eb Cl.
+ I I + I + @ A A s A
+ + + + + A I A I A I I A I A @
Perc.
JAMIE
A I I A I A A A A A I A I r N s
A
@
horse
Vln 1 Vln 2
Vla
Vc.
Db.
A A
A
A
r A I I A I A @ A A A A A A
A A A A A A A A
+ + + A I I A I A @ A I I A I A I A I I A I A @ s
A
I
<
+ + A I A I
< A I I AAA A AAA A I AAA
N
N
N
N
this
+ + + I AA I AA I -A I I AA A A
A I A
A I I AAA A AAA A I AAA
For
+ AA I I AA I AA I Pno
I A @
A
A A
A
A I A I - A I I A A A A A A A A A A A A A A A A A
I A I A
A A
A
+ + I A I A I A A
A A
I A @
A A I
I
A A A A
A A A
A A A A
A
A A A A
A A A
A A A A
A
I A @
A A I
I
- A I I A
A A A A A A
A A A A A A A A
A A
+ + A I A I I A I A I A A I I
A
A
A
A
+ + I AA I AA I A
A
+ + A I A I A+ I I A+ I A+ @ I A I A I A I I A I A I A A A A A I I I I I @
A
+ + + -A I I A I A I A A A
-A+ I I A+ I A+ @ -A I I A I A - A I I A I A @
A
+ + A I A I A I A I A A I I
62
PICC.
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
A 'A 'A A A A A A A A A A
599
r
<
<
ff
<
s
BASS CL.
<
3 ff
A I I A A A A A A A A I A A A
Perc.
A I I AAA A AAA A I AAA
<
A A 'A 'A A A I I I I I I
<
ff
Harp
<
JAMIE
<
r s
<
3
A
'A I
I I A+ A I I I A A
3 <
Horse!
+ + + 'AA I I 'AA I AA I Pno
Vln 1
'A A
r ' A I I A
A
A
I A @
+ + + + + I 'AA I 'AA I -AA I I AA I AA I
+ + I AA I AA I
A
A
A
A A I
A
-A A
I -A I I A
A
A
I A @
A
A
A A I
I
+ A I I A I I 'A 'A A A I I ff
A
'A
I
A A I I A I I I A
-3 ff (free bowing)
A 'A A A
Vln 2
A A A
A A A A
A
A -A A A
A A A
A A A A
A
- 3 ff (free bowing)
A 'A A A
Vla
A A A
A A A A
A
A -A A A
A A A
A A A A
A
'3 ff (free bowing)
A+ I I A+ I A+ I A I I A I A @
Vc.
+ + + I A+ I A+ I 'A I I A I A I A I A I ' A I I A I A @
+ I A I A
+ A I A
3 ff (free bowing)
Db.
s
A I I A
I A @
A A I
I 'A I I A
I A @
A A I
I
3 ff (free bowing)
63
Free - colla voce
AA Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
A 'A 'A A A A A A A A A A A 'A 'A A A A A A A A A A
602
s
3
3
<
Perc.
@
@
q = 100
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
A A A 'A
A A 'A A
TAM-TAM scrape across surface
I I + A A
3 fff
'A 'A
A
A A A A A A A A 'A 'A A A I I I I I I I I I
Harp
@
A
'A I I I + A I I A
I A 'A @
A
A I @
Molto intenso JAMIE
r s
<
<
<
+ A + A A A A 'A 'A I I A A I I A A I I 'A 'A I I A A I 'A A 'A A A I I I A I I I A @ A I @ @
Pno
N
'A
I
am the
A
gyp - sy
pi - per
and
I
<
<
<
<
<
<
<
<
Free - colla voce
Vln 1
r 3
3
AA '3
3
3
3
3 3
3 3
3 3
''3 3
3 3
3 3
3 3
div.
33
33
33
ffz
Vln 2
3
3
pp
div. ''3 3 ff
div.
Vla
3
Vc.
Db.
3
s
3
3
3
3
ff
' 33 ff
<
<
<
<
am
64
A tempo Fl./ Picc/ A.Fl.
PICC.
608
r
A A
<
colla voce
'A @
K
<
<
<
<
@
K
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
ff
A ' A A
CL.
Cl./ B.Cl./ Eb Cl.
s
Perc.
<
ff
<
<
<
sim.
A
A ' A A I K -A A A
Harp
JAMIE
N
ff
N
r A 'A s ri - ding
<
<
high
A 'A
< <
' A- AA
your
A
'N
A
gel - ding
and
A
A -A A
lau - ghing
by
and
3 by
I
@
K
<
<
<
<
I
@
K
<
<
<
<
ff
A tempo
r 3
Vln 2
Vla
Vc.
A
sad - dled on
' A ' -AA
Pno
Vln 1
A
@
s
colla voce
-3
3
3
3
3
33
-3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
33
- 3 3
33
33
33
33
65
A tempo Fl./ Picc/ A.Fl.
614
r
A -A
A tempo
colla voce
' A @
K
<
<
<
<
A -A ' A
@
K
<
<
<
<
N
<
<
<
<
<
<
<
<
<
<
<
<
Cl./ B.Cl./ Eb Cl.
s
Perc.
A
' A A A A A I
K
Harp
<
JAMIE
r s
+ I A
@
'A
A A A
you howked me on the
' A ''' AAA
A N
bor -
der
@
I A 'A
A
A
N
A '3
a cold wind tells the
@
tale
I
@
K
<
<
<
<
I
@
K
<
<
<
<
ff
Pno
- A A ' A
A tempo Vln 1
r
Vln 2
Vla
Vc.
'A
s
A tempo
colla voce
'3
3
3
3
3
33
33
33
33
33
33
33
33
33
33
-' 33
33
33
33
33
66
Fl./ Picc/ A.Fl.
Cl./ B.Cl./ Eb Cl.
619
r
s
A -A ' A
@
K
<
<
<
A -A ' A
@
K
<
<
<
@
K
<
<
<
K
<
<
<
<
<
<
BASS DRUM & LOW TOM
Perc.
AA
fff
A A
A A 'A I
Harp
<
JAMIE
r s
@
I
spitting with hate!
+ > > the
A AAA - A A A
Pno
Vln 1
r
>
de - vil
> rides
>
>
be - side
>
@
@
you
3
>
>
and
he
+ I > > drinks
the
@
> hang
+ I > -
man's
+ I @ > ale
I
@
K
<
<
<
I
@
K
<
<
<
non vib.
3
3
3
3
3
3
3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
3
fff (free bowing)
unis. non vib.
Vln 2
3 fff (free bowing)
Vla
non div.
3 3 fff (free bowing)
Vc.
non div.
3 3 fff (free bowing)
Db.
s
K
arco
3 fff (free bowing)
67
Meno mosso Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl.
' A r I @ K 623
ff
' A I @ K s ff
AA
Perc.
@ K
ff
-' AA A I @ K
' A @ I K ' A @ I K
AA @ @ -' AA @ A I K @
<
BB ' A I @ K
<
<
<
<
<
<
' A I @ K
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
JAMIE'S LAMENT 4
+ AA I @ K
<
-' AA A I @ K
<
ff
Harp
<
<
<
<
<
<
C/G drone
<
<
<
<
<
Pipes
3
<
3
mf
ff
- A A A I @ K
Pno
Vln 1
r
Vln 2
Vla
Vc.
s
3
3
3
3
solo
+ + A A®A 'A A
+ A®
® AAA
N
N
K
N
continues
A AAA I @ K
Db.
q = 88
Meno mosso
A @ A AA I K - A A @ A I K
<
A AAA I @ K
<
<
<
<
<
<
- A A A I @ K
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
q = 88
BB
3
3
3
3
3
3
3 3
3 3
3 3
<
<
<
<
<
<
3 3
3 3
3 3
<
<
<
<
<
<
3
3
3
<
<
<
<
<
<
632
Pipes
+ A 'A
+ A®
A®+ A
® AAA
A
N
N
@
N
I
+ A
A
A
N
A
A
636
Pipes
A
N
I
A
@
I
+ A
A
A 'A N
A
A
A A N
'A
A
3
THE SOUND OF DEEP WATERS 2 641
ANNIE
Pipes
r s
<
<
3
N
< @
I AAN
<
K
@ @
A
I
no drone sweetly
drone stops
@
< N
K
Em7
Fma9
A A A A A N
A A A AAA A
3
mf Cma7
Gtr
Dm7
@ A A A A A AA A AAA AA A
Em7
AA AA AKA A A
Fma9
NA A N N
Cma7
Dm7
AA AA @ A A A A A A A A A A
AA AA AKA A A
Cma7/E
Am/G F/G
NA A A A N AAA A A A N
3 3 3 3
F/G
AA AA
AA+ AA
G7sus4
G7
3 N3 3 N 3
68
ANNIE
647 CC r s N
A
A
A N
A
N
went
to
the
cas - tle
in
old
Dur - ham town
C
Fma7
C
Fma7
A I +A A A A A AN A AA
Gtr
F6
A3 N 3 3
A
A
@
N
A A N
A
A
And I asked
at
the
F6
Dm(' 9)
N
A
gate - house
Dm/C#
Dm/Cยง
Would Dm/B
AAA A AA AA A AA A AA A A A A A A A A A A N -N N
A3 N 3 3
I + AA A AA A A A AA AA
A
653
ANNIE
r s N they
A
A
bring him
Bbma7(#4)
33 3 '3
Gtr
@
N
A A N
down
The
jai Dm9
N N 3A3 N 3
A AAA @
-
A
A
lor
al
A
A
A
smi - les
he
said
A
A
A
please step
A7(#5)/E
Bbma7/F
AAA ' AA
A + A AA + -AAA A A A A A A A N A A A N
A
A
dear
wit
@
N -
hin
Bbma7
A
A
heres your
Bm7(b5)
3 A+ AAA A A A 3 A N -3 3
659
ANNIE
r N s
'A
proud
gip - sy
A A
pi - per
play and
<
Am7
C
A AAA A
A
A 'A
3
he
swing
will
3
<
Dm9
A AA A AA A A A A A N N
Gtr
A A N
<
Pipes
A
+ A A A AA A
<
Bbsus2
Cma7
@ AA A A A A
'3 33 '3
Dm7
3
K
@
Em7
Fma9
I AA 3 Cma7
A A NA AA AA AA A A AAKA AA A N A N
@ AA A A A A
Dm7
AA AA AA A A
665
ANNIE
r s
<
K
<
@ @
A
DD A N
He's been
3
Pipes
Em7
Vla
Fma9
AA AA AA A A
Gtr
r
A N
AAA A
<
NA A N N
Cma7/E
A
Am/G
AA A A AA A A <
NN NN
F/G
A AAA
G7sus4
3 N3 3 3 <
s
<
<
<
A
A
ble
and
A
N
grief
<
G7
C
N
I A+ A 3 p
Vc.
-
A A A A A N AA+ AA
trou
3 p
A AA A AN A
N his
A
A 3 3 3
A
damn
< Fma7
AA
A from
<
F6
C
N
I + A A
A A 'N
3
A A 'N
3
AA
A AA A AA AA
69
671
ANNIE
r s N
@
birth Fma7
A 3 3 3
Gtr
Vla
Vc.
N
A
de - ser F6
Dm(' 9)
A
ter
and
Dm/C#
A
N
and
ma
N
thief Dm/Cยง
Dm/B
A -
A
N
ny things
N
A A 'A -N
N
'N
N
@
A A N
worse
N
N
A AAA A+ A A A @ N A A
A N
'3
N
A
your
Dm9
N N 3A3 N 3 'A
3
mp sostenuto
'N
A
but we have
Bbma7(#4)
AAA A AA AA A AA A AA A A A A A A A 33 3 A A A N -N '3 N
N
r A A 'A -N s
-
A
A
'3
3
3
mp sostenuto
677
ANNIE
r s A A
A
tra - vel - ler
A
N
A
A
N
and
here
he
will
stay
Bbma7/F
Bbma7
A7(#5)/E
-A + A AA AA A A A A N A
Gtr
AA A+ A ' AA A
@
A A chained
Bm7(b5)
A
A 'A
up
in hea - vy
A
A A N
Am7
A 3 AA 3 A A A N -3 3
A A A 'A
ir - on
AAA A A A A A AAA N N
till
Dm9
C
AA AA A
A + A AA A A
A
his
'si - zes
Bbsus2
'3 33 '3
Vln 1
r
<
<
<
<
<
<
Vln 2
<
<
<
<
<
<
(sim.) A N
Vla
Vc.
s
A
(sim.) 3
N
N
A N
3
N
A
3
N
A
A
A
3
3
3 '3
683
ANNIE
r s
3
3
<
3
K
<
@ @
day
Cma7
@ A A AA A A
Gtr
Vln 1
But
<
Pipes
K
Dm7
mp
N
Vc.
N
Db.
arcoN
Fma9
AA AA AN A AKA A A N N
Cma7
@ A A AA A A
3 Dm7
Em7
AA AA AA A A
AAA A Fma9
AA AA AN A AKA A A N N
I AA 3
N
A AA 3
N
I AA 3
A AA 3
N
I AA 3
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N N
N
N
N mf
G7
N
3
N
3
N
N
3
N
3
N
3
mp
mp
mp
mp
mf
N
G7sus4
A A+ 3 N3 AAA AAA 3 3
mf
N
F/G
A A A A A N
NN NN
mf
mp
mp
Am/G
A
AA A A AA A A
N
mp
s
Cma7/E
A N
mf
N
@ I AA 3
A AA 3
mp
Vla
Em7
AA AA AA A A
r N
Vln 2
A A
mp
70
EE ALTO FLUTE
689
Fl./ Picc/ A.Fl.
r 3
Cl./ B.Cl./ Eb Cl.
s
3
ANNIE
r s N
BASS CLARINET
A A 'A -N
N
N
-N
N
A A 'N
3
A A 'A -N
N
N
-N
N
@
A A N
A
A
A
N
like
a
ripe
fruit
mf sost.
A
A
can
we
C
A I +A A A A A AN A AA
Gtr
r 3 s
A
A
N
his
bab
N
swal - low
-
A
A
N
by
and
me
If he hangs
Fma7
F6
C
Fma7
F6
A 3 3 3
N
I + AA A AA A A A AA AA
A 3 3 3
N
3
A A 'A -N
A A 'N
mp Vc.
3
mf sost.
what
Vla
A A 'N
<
<
<
Dm(' 9)
Dm/C#
Dm/Cยง
N
-N
A A On
Dm/B
AAA A AA AA A AA A AA A A A A A A A A A A N -N N N
<
N
<
<
Fl./ Picc/ A.Fl.
695
r '3
A N
'A
3
A N
3
3
A
f
'3
Cl./ B.Cl./ Eb Cl.
s
ANNIE
r s N
3
A N
3
A
N
A
A
N
or - chard tree
A A N
A
A
A A
A
A
N
And who
will
you
get to
play
All
day
Bbma7(#4)
33 3 '3
Gtr
3
3
Dm9
NA N 33 N 3
r '3
A N
AA AA @
'A
3
A7(#5)/E
Bbma7/F
A and
Bbma7
+ + A A -AAA A+ A A AAA AAA A A A A ' AA A N A A A N
A N
A
N
A
N
A A N
'A
A
neet
For the farm
lads
and
Bm7(b5)
Am7
AA A A 3 3 A A N -3 3
N
A N
AAA A A A A A AAA N N
A
N
f
Vc.
A
f
an
Vla
N
N
s
<
3 mp
3 f
3
3
3
3
A
71
Fl./ Picc/ A.Fl.
702
r N
A
A
N
A
A
Cl./ B.Cl./ Eb Cl.
s
ANNIE
r s A A N
N
N
N
N
'3
N
A AA 3
mf
A AA 3 N
N
N
N
mf
A
las - ses
That
A A A A 'A
3
get
wheat
<
Pipes
N
3
in
the
3
<
<
<
3
K
@
I AA 3
Em7
Fma9
3
mf sweetly
Gtr
Vln 1
Dm9
C
Bbsus2
A AAA A r
+ A A A AA A
'33 3 '3
A
<
Cma7
@ AA A A A A
<
Dm7
AA AA AA A A
N mf
<
Vln 2
<
N mf
Vla
N
Vc.
N
A A
A
3
A
'3
N
Cma7
AA AA AN A AKA A A N N
@ AA A A A A
Dm7
AA AA AA A A
Em7
Fma9
AA AA AN A AKA A A N N
A AA 3
N
I AA 3
A AA 3
N
I
A AA 3
N
I AA 3
AA 3
mf
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
mf Db.
s
<
<
N mf
FF
708
Fl./ Picc/ A.Fl.
r N
Cl./ B.Cl./ Eb Cl.
N
f
s
3
<
<
<
N
3
<
<
<
f
SIZZLE CYM
<
Perc.
N
>
<
>
>
>
>
>
>
>
>
>
>
>
A A A A A A
A
AAA A
mp (cool) solo
A A A A A A
Pipes
Cma7/E
Gtr
Pno
Vln 1
Am/G
A NN A AAA A A A NN
r N
F/G
< < N
A
N
Vla
3
Vc.
N
N
3
s
Bm7
@ AA A A A A Ama7
<
A
N
Ama7
NNN N N
速 AA
C#m7
A A A AAA AA A AAKA Bm7
+ + A A A
+ A速
Dma9
AA A
Ama7
AN A N N
A
C#m7
A
Dma9
Bm7
@ AA A A A A
A AAA
Ama7
AA A A
Bm7
3
(light upper register comp.)
N
Db.
G7sus4
<
N N
Vln 2
f
AA+ AA
AA AA
+ I A
I A A A A A N
AA AAA N
N
N
N
A
N
A
FF 3 mp
3
N
A
N
A
3
mp
A I
solo pizz.
f
A
<
<
<
<
<
<
A A
A
A
A
N
A
A A
A
72 Fl./ Picc/ A.Fl.
Perc.
ANNIE
FLUTE
< >
>
>
>
>
>
Cma7
Dma9
Cma7
>
>
> >
<
Em7
AA AA
K
> 0
>
AA N A A AN N
Em7
F#m7(b5)
AA AAK
A
Fma9
p
> 0
<
Fma9
AA AKA
AA AA
Dm7
<
A
<
> > + A
A A
3
A A
AA A A
AA A A
Am/G
AA A A
AA AA
F#m7(b5)
< AA A A
AA AA
Gm7
C7
Gm7
C7
AA A I A (sim.)
Am/G
3 r
A
M
> >
Aa
A A A A AA AAAAAA A A A
Dm7
@ AA A A A A
AA NA A A A NN
C#m7
>
<
Dma9
A AAKA
<
A A A -A A A A A A
C#m7
Vln 1
>
<
A A A
Gtr
< > >
r s
Pipes
Pno
A '3 @ A
713
r s
A A
A N
A
A
N
A A
N A A '3
A A
A N
A
A
N
A A
N
N
N
N
N
N
A A
N
N
N
A
N
N
N
N
N
A A
N
N
N
A
A A
A A
A A
A A
A N
A
A A
A A
A A
A
A
A
>
>
mf
Vln 2
3
A mf
Vla
Vc.
Db.
s
<
<
mf
A A
A
mf
A - A
A A
A A '3
Fl./ Picc/ A.Fl.
Perc.
ANNIE
>
N
3
A A '3
719 r N s
A
A
N
>
>
> >
A
+ A A
A
mf
>
>
>
>
r s 3
>
A
>
> >
>
>
+ A A
+ A
A
N
>
>
>
> > >
>
@
A
A
A
sim Fma7
Gtr
Gm7
Fma7
Pno
Vln 1
M
C7
Gm7
r N
Fma7
C7
Bbma7/C
Am7/C
Fma7
Bbma7/C
A A '3
3
N
A A '3
3
N
Am7/C
A
A
N
A
A
A
A
N
A
A
N
A
A
A
N
A
A
N
A
A
A
N
A
A
A A A
A
f
N
Vln 2
A
Vla
A
Vc.
Db.
s
A
A A
A A A A
N
A A A
A
f
A
A
A
A
A
A
f
N
A
A
A
A
A A
A
A
A
A A A
A
A A
f
A
A A
A
A A
A A A
73
GG 724
Fl./ Picc/ A.Fl.
r
Cl./ B.Cl./ Eb Cl.
s
N
A
A A A
<
A A A
A N
<
A N
<
N
N
CLARINET
<
N
A
A
f sost.
Perc.
ANNIE
N
>
r s A
> >
A
>
>
A A
A A
Bbma7/C
Gtr
>
0
>
A A N
Bbma7/C
>
@
Am7/C
>
> >
A
>
>
Am7/C
> >
A A A A A A I A A A
Bbma7/C
> > >
A
Am7/C
0
>
A N
D
I A+ AA A A AAA A A N
Bbma7/C
>
Am7/C
D
Pno
GG
Vln 1
r
N
A
N
A A A
A N
A
A
div.
A
A+ N
N
N
N
A
A
N A
A
A
A
f sost.
Vln 2
N
A
N
A A A
A N
A
A
div.
A
A+ N
N N f sost.
A
Vla
A
A
A
A A A A A A A A
A
A
A
A
3
N f sost.
Vc.
A
A
A
A
A A A A A A A A
A
A
A
A
3
3 f sost.
Db.
s
A
A A
AA
A A
+ A A
A
AA A
A
A A
A A
A A
A
N
A
74 Fl./ Picc/ A.Fl. Cl./ B.Cl./ Eb Cl. Perc.
ANNIE
729
r
N @
s A >
N > > >
Vla
Vc.
Db.
s
0
0
@
@
I A A A
Gma7
G6
I A+ AA A A AAA A A A A
A 3 3 3
N
D
G6
A A >
N >
D
N >
A >
>
+ + A A A
< A
A
N
>
>
>
A N
Em(' 9)
>
A >
A A A A A A A A
A
3
Em/D#
Em/Dยง
AA AA AA AA AA A AA A A N
AA A A A -N
Em(' 9)
Em/Dยง
Em/D#
3
Em/C#
A A A A N
Gma7
G6
A
N
A
A
N
A A
N
A
A
A
N
A
N r A
Vln 2
>
<
A > >
N
Gma7
Pno
A
G6
A 3 3 3
Gtr
N
<
N
r 3 s Gma7
Vln 1
A >
<
Em/C#
unis.
N
unis.
NA
N
A
N
A
A
N
A A
N
A
A
A
N
A
A
N
A
N
A
A
N
A A
N
A
A
A
N
A
A A N
A
3
N
N
N
A
N
A
A A
A A N N
A
A
-N A
N
- A
A
A
>
>
A
Cl./ B.Cl./ Eb Cl.
734
r s N
Perc.
ANNIE
>
A 0
A
A N
> >
>
> > >
@
I A 'A A A A A A A A A N
r 3 s Cma7(#4)
N 3A3 N 3
3 3 3 3
Gtr
A >
M
A N >
>
>
>
AAA
N
Em9
AAA A @
N
Cma7(#4)
Pno
3 >
NA 33
N
N
3
>
+ A A A A N A
3 >
A A A A A
B7(#5)/F#
Em9
>
A >
A AA + -AAA A A A A A A N B7(#5)/F#
Cma7/G
AA A AA
A A
> A A A 3
Cma7
A+ AAA A A A A N
Cma7/G
Cma7
Vln 1
r N
A
A
N
A A
A A
N
A
A
A
N
A
N
A
A
Vln 2
N
A
A
N
A A
A A
N
A
A
A
N
A
N
A
A
N
A
A
Vla
A N
A
3
A N
A
3
-3
Vc.
Db.
s
N
3 A
N
A
A
3
3
3 N
A
A
N
A
A
N
A
75
HH Cl./ B.Cl./ Eb Cl.
739
r s A
Perc.
N
>
A
N
A
>
> 0
>
>
>
N
N
>
> >
< >
<
0
<
p
<
<
33 3
<
f
Harp
<
ANNIE
<
r A A N s
@
<
+ I A A 'A A
A A N
@
I A+ and
<
Pipes
<
C#m7(b5)
Bm7
3 3 3 3
Gtr
AA A A A A N
C#m7(b5)
Em9
AAA A A
Bm7
A + A AA A A
Em9
K
D
3 3
Csus2
3 33 3
<
Csus2
3 33
3 33
3 3
3 3
HH Vln 1
r N
A A
N
A
A
non vib.
A A N
A
3
3
f
N
Vln 2
A A
N
A
A
non vib.
A A N
A
3 f
A
Vla
N
A
N
N
A
3
non div.
N
3 3
3 3
f
3
Vc.
3
3
3
3
f Db.
s
3
N
A
A
N
N my
Pno
3 £¥
found
3 3 D
A
A 'A A A N
3 3
C/G drone
<
A A AAA N
3 3
A
3 f
arco
3
76
JAMIE'S LAMENT 5 744
<
<
<
<
<
<
<
<
3
33
<
<
<
<
<
<
mp non arp.
Harp
ANNIE
r s 3
3
K
N
33 3
<
<
grief. solo - freely
Pipes
3 3
3 3
3 3
+ A 'A
+ A®
A
+ A®
3 3
A
® AAA
Vln 1
3
3
N
mp
Vln 2
3
3
3 3
Vla
3
N
3 3
3 3
3
3
3
s
3 3
3 3
3 3
3 3
3 3
3 3
3
3
3
3
3
3
p
.
3 3
div., nat. p
.
3 3
div.
K
p
. 3
mp Db.
K
NN
mp Vc.
3 3
K mp
K
N
drone continues div., nat.
r 3
N
N
p
3
3
3
3
mp
p
3 33
751
<
<
<
<
<
<
3
3
<
(sim.)
Harp
<
+ A 'A A
+ A®
'3 3
<
® AAA
@
I + A A A N
A A A N
'3 3 3
<
@
I + 'A N A A A
Pipes
A®+ A
3 3
3 3
3 3
3 3
Vln 1
3 r 3
3
3
3 3
Vln 2
3 3
3 3
-3 3
33
33
3 3
3 3
Vla
3 3
3 3
3 3
3 3
3 3
'3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
N
N
N
Vc.
Db.
N
s
A A
77
- 3
-' 33 3
758
<
<
<
'--N3 3
A
N NN
'-AA
3 3
<
<
NN
--AA
3 3
<
<
<
<
Harp
'A A A N
Pipes
A
3
<
Gtr
<
' 3 3
3
3
<
<
Vln 1
3 r 3
3 3
Vln 2
3 3
- 3 3
33
Vla
3 3
3 3
3
3
<
unis.
3 3
- N
A
<
<
<
<
K
3
solo
@
A N A A
A
N
- A
3
3
3
3 3
NN
-'AA
3 3
3 3
3 3
3 3
3 3
NN
--AA
3 3
3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Db.
' 3 3
s
766
Gtr
3
Vln 1
r N
K
N
3
@
A
N
3
N
<
3
3
3
NN
NN
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3
3
3
3
pp
NN
Vla
NN
<
<
<
<
<
<
<
<
<
<
<
.
pp
Vln 2
<
pp
.
.
Vc.
3
3
3
3 .
pp Db.
s
3
3 pp
3
3
3
3
3
3 .
78
PART TWO THE BLACK ACT
q = 100
AA AA AA AAA AAA A A A A A A A A A A A A A A A A AA AAA A A A AA AA A A A A AA AAA A A A AA AAA A A A A A
mp
Harp
N N
N N
r
ANNIE
JAMIE
s
N N
<
N N
<
<
N N
<
<
@
N N
<
@
A A A
<
A A A -A
A
@
Piano/Synth
@
I + A A
A
N N
N N
A
A
the gen - try
of
A N
when the jud - ges came to clean out their
N N
+ A A
A A
Dur -ham
<
A
laid on
fine pro -
<
A
<
pri - son
SYNTH - WHITE PAD
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A IAA A AAA A AAAA AAA A AA A AAA A AAA A AA A mp
N N N
N NN
N NN
N NN
N NN
N NN
N NN
N NN
N NN
N
A A N
N
A A N
N
A A N
N
A A A
q = 100
r solo pizz. s N
Double Bass
A
mp
10
A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A
Harp
ANNIE
'N N r A
N N
A
'N N
@
<
N N <
'N N <
N N <
@
- vi - sion
JAMIE
s
Db.
<
@
A A 'A 'A A A 'A A 'N N N r s N
@
A ' A A wi -thout ta
@
I A A theydrank
Pno/ Synth
'N N
'A A
to their health
A 'A A A A 'A 'A A A ' A 'A A A A 'A A N 'N N N N N
A A N
N
'N
A
A
and
spoke
+ A A
N
@
+ A A - king
a
'A breath
<
'N N + A A sang a
A
A 'A
sen - tence of
<
<
totheir wealth
A 'A A A A 'A 'A A A ' A 'A A A A 'A A N 'N N N N N
A A N
N
N N
A 'A A A A A ' A ' A A A ' A 'A A A 'A A N 'N N N N N N
A
+ A A
A A 'A A A A ''AA 'A A A ' A 'A A A A N 'N N N N N A
+ A A
A
A
A
79
A Cl./ B.Cl./ Eb Cl.
19
<
N
+ AI @ @ A f A+ I @ @ A
A A N
N
mp
Harp
ANNIE
BASS CLAR
r s
A A N
N
AA N
N
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AA A AA A AA A mp
N N
N N
r A I @ @
N N
<
N N
<
N N
<
N N
<
<
N N <
@
death JAMIE
s
<
<
<
@
A A A AN
@
Db.
stood be - fore them
N N @
A A A
A
A A N
at theage
of
se - ven - ty
I + A A A A
A
he'dstole a horse from
<
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AA A AAA A AAAA I
f
mp
A+ I @ @ AA r + I @ @ s A
A
A A A
Ja -mie Al - lan
+ AI @ @ A
Pno/ Synth
A A N
N NN
N NN
N NN
N NN
N NN
N NN
N NN
N NN
N
N
A A N
N
A A N
N
AA N
A A N
A
f
mp
Cl./ B.Cl./ Eb Cl.
28
r s N
r A
A
A
Gates - head where JAMIE
Pno/ Synth
Db.
A
A A N
N
A A N
N
+ AA
A A A
N
A AA A AA AAA A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A AA AA A N N N 'N N 'N N 'NN N N N N N N N
Harp
ANNIE
AA A
s
<
A
A
A
they had
<
<
N
<
<
<
@
plen - ty
<
@
@
I A A
'A A
he rode
it to
'A
A
Scot - land
A
A
+ A 'A
N
to
sell
it for
scran
@
N NN
r s N
A A A
A
'NN N
N NN
'N NN
N NN
'N NN
N NN
N
A A N
N
A A N
N
A A A
'A A A A 'A A A 'N N
A 'A N
'A
fol -lowed by
the
@
AA AA AA AAA AAA A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A 'A A 'A A 'A A 'A A 'A A 'A A A A AA AA AAAA N NN
N
<
'A A A A ' A 'A A A A 'N NN
AA
N
80
B 37
Fl./Picc./ A.Fl.
r
<
<
<
PICCOLO A A A A A A A A A A A A A A A A A A A A A A A A A A A A
<
f
Cl./ B.Cl./ Eb Cl.
s
A
+ AA
A
A
A
A
to Clarinet
+ I @ A
<
<
<
<
<
f VIBES
Perc.
<
<
<
3 3
A A
-3 3
NN
-N -N
AA I @ K
f
A 'A 'A A A
A
AAAAAAAAAA AAAAAAAA AAAAAA AAAA A A A 'A 'A -A I @ A A A A A A A A A A A A A A A A A A A A A A A A A A A A A f
Harp
N N
ANNIE
r + s A A pos - se
Pno/ Synth
A
A
A 'A
-A
A I @
who knew where he would
A 'A 'A A A 'A A
A
N NN
f
A I @
'N N
<
<
<
<
<
<
<
<
<
<
gan
N A A 'A 'A -A A A I @ 'N 'A f A I @ -N N
'N NN
<
N N
-3 3
'N -N
N 'N
A+ I @ K A
N N
3 '3
NN
-N N
+ I @ K A
B pizz. Vln. 1
r
<
<
<
A
A
A
A
A
A
A
A
A
A
A
A
A
A
<
A A A A A A A A A A A A A A A A A A A A A A A A A A A A
<
ff
Vln. 2
<
pizz.
<
<
ff
Vla.
<
pizz.
<
<
A A A A A A A A A A A A A A A A A A A A A A A A A A A
f
ff
Vc.
<
<
<
arco
Â? 3
<
<
<
<
Â?Â? 3 f
Db.
s A
+ AA
A
A
A
A
A+ I @ f
<
<
<
tutti arco
<
Â?Â? 3 f
81
45
Fl./Picc./ A.Fl.
r
<
<
<
<
<
A A A A
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
ff CLAR
Cl./ B.Cl./ Eb Cl.
s
<
<
<
<
<
A A A A ff
Perc.
<
<
<
<
<
A 'A
A A
ff
<
<
<
<
<
<
<
<
<
<
Harp
ANNIE
r K
Forceful - Gothic!
@ I + A A
A A A 'A
The judge put on
his
s
K
@ I A
A
A A A 'A
The judge put on
<
his
A
best black act
Forceful - Gothic!
JAMIE
A A A
his
A
A - N
flo - wing robes so
A A A
A
best black act
<
his
A
A
A
A
<
Vln. 1
r
<
<
<
<
<
A A A <
@ @ I + A ' A A A A A A A A
<
-N
lang
<
The judge put on his
A 'A
<
<
best black act and
A A A A A 'A A A A @ @ I
<
best black act and
A A
<
<
<
+ A A
<
<
<
<
<
<
A A A A
<
<
<
ff
<
A A A
The judge put on his
Pno/ Synth
A A A
lang
flo - wing robes so
<
A A A ff
<
-A A
<
A A A A ff
Vln. 2
<
<
<
<
<
ff
3Â?Â?
Vla.
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? N Â?
A A A A Â?Â? N ff
Vc.
Db.
s
Â?Â? 3
Â? 3Â?
f
Â?Â? 3
Â? 3Â?
Â? 3Â?
Â? 3Â?
NÂ?Â?
Â?Â? N
NÂ?Â?
Â?Â? 3
Â? 3Â?
Â?Â? 3
Â? 3Â?
Â? 3Â?
Â? 3Â?
NÂ?Â?
Â?Â? N
NÂ?Â?
Â?Â? 3
Â? 3Â?
82
54
r
<
O A A
<
<
<
<
<
<
<
<
Cl./ B.Cl./ Eb Cl.
s
<
O AA
<
<
<
<
<
<
<
<
Perc.
<
A A O 'A A
<
<
<
<
<
<
<
<
<
AA O AA A A
<
<
<
<
<
<
<
<
<
O @
<
<
<
<
<
<
<
<
Fl./Picc./ A.Fl.
Harp
ANNIE
O r A 'A A @ 'A A
@ I A+ A A A A A A 'A @ K A A A A 'A A
toldthem he willhang
JAMIE
s
Vicious
@ @ A A -A A 'A A
The judge put on his best black act his black cap and his cloak
A 'A A 'A A O @
A @ I A - A 'A A 'A A A -A A A - A 'A
A
Here's a
rope to
stroke
@ A A A his
throat
his
@ K
<
<
<
The judge put on his best black act his black cap and his cloak
toldthem he willhang
A A O 'A A
<
<
O -A A A A
<
O
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Pno/ Synth
Vln. 1
r
A A
arco
<
<
<
3 Â?
sfp
Vln. 2
O A A
<
arco
<
<
<
<
Â? '3Â?
N Â?
3Â?
Vla.
Â? N
Vc.
Â? NÂ?
Â? NÂ?
Â? O A A NÂ?
Â?Â? 3
O AÂ? NÂ?Â?
Â? 3
Â? 3Â?
Â? 3Â?
Â? N Â?
3Â?Â?
Â? 3Â?
NÂ?
sfp
arco
3 Â?Â?
Â?N Â?
3 Â?Â?
Â? -NÂ?
'3 Â?Â?
Â?N Â?
3 Â?Â?
- N Â?Â?
Â? N Â?
3Â?Â?
sfp
Â? 3Â?
sfp
sfp
sfp
Db.
s
Â?Â? N
Â? NÂ?
O AÂ?Â? NÂ?Â?
Â?Â? 3
Â? 3Â?
Â? 3Â?
sfp
sfp
N Â?Â?
Â?N
Â? 3Â? sfp
N Â?Â? sfp
64
Fl./Picc./ A.Fl.
r
<
<
<
s
Perc.
<
<
A ' A A A
<
<
<
' AA
<
<
<
A A A
<
Harp
<
<
<
<
<
<
<
<
<
r A -A @ 'A A
A
<
<
<
<
<
' A A 'A A 'A A
<
<
A A A <
<
<
<
@ K
<
<
<
<
<
<
<
NN
NN
NN
<
<
till he chokes
<
<
<
<
<
<
'A A
I
'A A
I -NN N
ff
AAAA AA AAAA A A AAA A AA mp
s
Pno/ Synth
ff
A A
<
<
wind -pipe
Vln. 1
<
ff
ff
JAMIE
to Alto Flute
ff
Cl./ B.Cl./ Eb Cl.
ANNIE
83
C A A ' A A
<
<
<
@
@
@
I A+
@
+ A A A A
+ -A A
I
an ho - nest man,
my lord
met
AAAA AA AAAA AA AAAA AA AAAA A A AAA A AA mp
N NN
N NN
N NN
N NN
r 3 Â?
'3 Â?Â?
N Â?Â?
<
C
<
<
<
<
<
3Â?
Â? 3Â?
NÂ?Â?
<
<
<
<
<
<
3 Â?
N Â?
<
<
<
<
<
<
<
<
<
<
<
<
<
N
Vln. 2
sfp
His
A A A
sfp
3Â?
Vla.
sfp div.
Vc.
3Â? Â?
Db.
3 s Â?
Â?Â? 3 3
Â?Â? NN
sfp
<
solo pizz.
<
73
ANNIE
A A A A A A A A A A A A A A A A A
NN
NN
r
A
+ A A A N
name
was ne - ver told
JAMIE
s
N
@
@
Pno/ Synth
Db.
r s
@
N N
@
<
A A A
+ A A
A A N
N
A
AA <
A
to me on the
NN
AA A AA A AA A
AA AA A A A
AA
AA
NN
<
A A A 'A A 'A
the crea - ture
A A A A A A AA A AAA A AAA A AAA A AAA A AAA I N N N NN NN NN N
A A A A A A A A AA A A A
NN
and he sold
A A N
N
mp
Harp
A A N
N
A
Aln - wick
A
Road
@
< A
'A
then
la
A A 'A A A A 'A A AAA A AAA A A ' A 'A AA A ' A 'A A A
A
N NN
N NN
'N NN
N
N
A A
'NN N A
N
A A
A
NN
< A
AAA
+ A A A -
ter when I
'A A ' A 'A
A A A
A A
84
A A ' A 'A A A
80
Harp
ANNIE
JAMIE
' N N r @
@
s A
A 'A ' A A A A
A A ' A 'A A A
N N
' N N
'A
A
+ A A A 'N
his
legs
are old and tired
<
N
rode
A A ' A 'A A A
N N
' N N
@
@
<
it
a
pos - se
A
A 'A 'A A A ' A 'A AA A ' AA 'A A A
N NN
'N NN
N NN
'N NN
r s N
N
N
A
A
A A
came a - long
< A
A A 'A
- A
with
the
con - sta - ble
that
N NN + A A
+ A A
A
@ @
<
A
A 'A 'A A A ' A 'A AA A ' AA 'A A A
A
A 'A ' A A A A A A I @ f N A N I @
<
A 'A A
'A
@
A 'A 'A A A A 'A A
Pno/ Synth
Db.
A 'A ' A A A A
A I @
@
fired
+ I @ 'A A ' A 'A AA A AA f + 'N A I @ NN AA
@
+ A I @
@
A
A
A
A
@
f
D 87
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r ALTO FLUTE A N
A
A
A
A
N
N
s 'A
A ' A
A
' A
N
N
mp
Harp
JAMIE
Vln. 1
A
N
A
A
A
'N
A
'N
N
'A
N
'A
A
A
sim.
N N
N N <
N N
N N
<
<
<
<
Bb
@
@
N N <
A I
Pno/ Synth
N
mp
N
AA AA A A A A A A A A A A A A A A A A A A A AN A A A A N A A A AN A A A A N A A A AN A A A A N A A A AN A A A A A A A A A A A A
r
s
A
sim.
mp
ANNIE
N
N
A
A
N N <
A
thought that they
A
A
< A
were rob - bers
N NN
N N @
A A A
A
with in - tent
to
N
@
A A A A A
A
so he rode the crea - ture
N NN
A
+ A A A
hard
<
to hide at
<
steal
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AA A AAA A AAA A AAA A AA A AAA A I mp
N NN D r pizz. AAAAAA mp
N NN
N NN
N NN
N NN
N NN
N NN
N NN
N NN
A A A AAAAAA AAAAAA AAAAAA AAAAAA A A AAAA AAAAAA A A AAA A A A A
pizz.
Vln. 2
AAAAAA AAAAAA AAAAAA AAAAAA AAAAAA A A AAAA AAAAAA A A AAA A AA AA A A
mp
Vla.
Vc.
pizz.
<
N
mp pizz.
<
N N
mp Db.
s
N mp
N
<
N
<
N N A A N
N
<
N
<
N N A A N
N
N
N
N N
N N
AA N
A A N
N
<
<
A A
85
96
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r A
A
A A N
A
N
A 'A N
A 'A A
A
'A
N
'A
A A A 'N
A
A
A
A s
A
'A A N
'A
N
A 'A N
A 'A A
A
A 'N
A
'A A A N
'A
A
A
Eb
AAA AAA A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A
Harp
ANNIE
<
r A
A
Lang -burn
JAMIE
s
'NN N
<
N
<
<
<
<
<
@
@
Shiel
<
'N NN
<
NN £¥
<
@
I A A
@
'A
The clerk
A
'N
A
A
+ A 'A -A N
stood
up
and
rang
a hea -vy bell
<
NN £¥
'A
A
my
Lord
@
+ A A A 'A
A A
A
willnow add -ress you, willyou
<
<
AA AAA A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A AA A A A 'A A 'A A 'A A 'A A 'A A 'A A 'A A 'A A Pno/ Synth
N N N
Vln. 1
r A
Vln. 2
A
Vla.
A
Vc.
N N
Db.
s
A
'NN N
A
A
A
A
A
N NN
'N NN
NN
N NN
NN £¥
NN
A A 'A 'A A A A 'A 'A A A A
A A 'A 'A A A A 'A 'A A A A A A ' A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A
A A 'A 'A A A A 'A 'A A A
A A 'A 'A A A A 'A 'A A A A A A ' A 'A A A A 'A 'A A A A A A 'A 'A A A A 'A 'A A A A
A
A 'A A
A
'A
'NN N
A
NN £¥
N
A
<
A A N
A
'A AA
'A
A
'A
'N NN
N
A
<
A A N
@
AA 'A
A
'A
'N NN
N
A
@
A
'A
'N NN
<
A A A
AA 'A
AA
N
@
A
<
A
+ A A A
86
105
Fl./Picc./ A.Fl.
r A
A
A
' A I @ f
Cl./ B.Cl./ Eb Cl.
s
A
' A A
A I @ f
<
<
- A A A A A A A A A A A A A A A A A A A A A A A A A A A A
<
<
ff TAM-TAM
<
Perc.
E A A - A A A A A A A A A A A A A A A A A A A A A A A A A A ff
<
N
3
N
N
N
3
<
f
Bยง
Eยง A D I ' A A @ A 'A A A
'N NN r ' A - A A A greet theEarl
<
<
<
ff
f
Harp
ANNIE
AA AAAAAAAA AAAAAAAA AAAAAA AAAA A A A A A A A A A A A A A A A A A A A A A A A A A A A A
D A I @
<
<
<
<
<
A I @
<
<
<
<
<
of
As before
K
@ I A+
Hell
The
As before JAMIE
s
<
<
<
<
<
<
<
K
@ I A The
A A 'A 'A -A A A I @ 'A Pno/ Synth
N N
-3 3
'N -N
N 'N
A+ I @ K 'A
<
N N
3 '3
NN
-N N
+ I @ K A
<
<
<
A A -A A A A A A A A A A A A A A A A A A A A A A A A A A
<
<
N 'N
f
A I @
'N NN
ff
-N N E
Vln. 1
r A 'A 'A A -A A A I @
A 'A 'A A -A A A I @
A A
'A
A
+ I @ A
'N NN
A
A
A
A
A
A
A
A
A
A
A A A A A A A A A A A A A A A A A A A A A A A A A A A
'A+ I @ A A
A+ I @
<
<
<
arco
<
s A
A
A
f
ย 3ย
ย 3
ย 3ย
f
f
Db.
arco
ย 3 f
ff
f
Vc.
A
ff
f
Vla.
A
ff
f
Vln. 2
A -A
<
<
<
tutti arco
<
ย 3 f
ย 3ย
87
113
Fl./Picc./ A.Fl.
r
<
<
<
<
A A A A
<
<
<
<
O A A
<
<
<
<
O A A
<
<
<
<
A A O 'A A
A A A
ff Cl./ B.Cl./ Eb Cl.
s
Perc.
<
<
<
<
A A A A ff
<
<
VIBES < A 'A
<
A A
ff
<
<
<
<
Harp
ff
ANNIE
<
<
s
best black act his
best black act his
<
A A -N
flo -wing robes so
<
<
<
<
A O A A
<
<
<
<
O @
O @ A 'A A 'A A A A A A 'A A A A
<
<
+ @ @ I A
flo -wing robes so
The judgeput on his
<
The judgeput on his
A 'A
<
<
<
<
<
<
<
<
-A A
r
<
<
<
<
ff
best black act and
told him he musthang
A 'A A 'A A O @ @ I A A A A A 'A A A A @
lang
Pno/ Synth
Vln. 1
AA AA AA
lang
A A - N
A A A A A A A A 'A A judge put on his
<
r A A A A 'A A A A A A judge put on his
JAMIE
A A AA A A
best black act and
told him he musthang
A A
<
<
<
<
+ A A
<
<
<
<
O -A A A A
<
<
<
<
O
<
<
<
<
O A A
A A A A
A A O 'A A
A A
ff
Vln. 2
<
<
<
<
A A A A ff
Vla.
3Â?Â?
Â? 3Â?
Â? 3Â?
Â? N Â?
Â?Â? N
Â? N Â?
Â?Â? 3
Â? 3Â?
Â? N Â?
Â? NÂ?
Â? O AÂ?
Vc.
Â?Â? 3
Â? 3Â?
Â? 3Â?
NÂ?Â?
Â?Â? N
NÂ?Â?
Â?Â? 3
Â? 3Â?
NÂ?Â?
Â? NÂ?
O AÂ?Â?
Â?Â? 3
Â? 3Â?
Â? 3Â?
NÂ?
Â? N
NÂ?
Â? 3
Â? 3Â?
NÂ?
Â? NÂ?
O AÂ?
Db.
s
88
123
Fl./Picc./ A.Fl.
r
to Flute
<
<
<
<
<
<
<
Cl./ B.Cl./ Eb Cl.
s
<
<
<
<
<
<
<
Perc.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Harp
ANNIE
r @
I A+ A The
JAMIE
s
@
judge put on his
A 'A I The
A A A
A 'A A
judge put on his
A A
A A
best black act, his
'A
A A A
black cap and his
A -A
A ' A A 'A
best black act, his
black cap and his
'A
A
'A
@
@
cloak
A
A A -A A 'A
A
'A
@
@
Here's a rope to stroke your throat,
@
A 'A
A 'A A
your wind - pipe till you
K
<
<
cloak
<
<
<
<
<
<
<
<
<
<
<
<
<
<
r
<
<
<
<
Pno/ Synth
Vln. 1
arco
3 Â?Â?
3 Â?Â?
3 Â?Â?
Â? '3Â?
Â? 3Â?
Â? 3Â?
3 Â?Â?
3 Â?Â?
3 Â?Â?
'3 Â?Â?
3 Â?Â?
3 Â?Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
sfp
Vln. 2
<
<
<
<
arco
sfp
NÂ?Â?
Vla.
Â?Â? 3
Â? 3Â?
Â? 3Â?
arco
sfp
Â? N
Vc.
Â? 3
Â? 3Â?
Â? 3Â?
sfp
Db.
s
Â?Â? N
Â?Â? 3
Â? 3Â?
Â? 3Â?
sfp
89
F 130
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
<
<
FLUTE
A
A A
<
<
A
- A A A A
3
f
s
A
A
A A
3
3
A A
A
A
A A A A A A A A A A -A A A A A
3
3 A A A -A
A
A
3
A A
A
A
3
3
3
3
3
3
3
3
3
3
A A A A A A A A A A -A A A A A
f
<
Perc.
<
TAM-TAM
3
<
3
f
<
<
A A A A A A
<
r + I @ A
K
<
@
A A
choke
f
A
Here's a
rope
s
<
@
A A
<
A
Here's a
A A A AA A
A A
A A
A A A A A A
A A
rope
A
to
stroke
A
A
to
stroke
<
N
<
F div. A A A AA A
AAA
<
r
<
A
A A A
A
A
A
A A
A A A A A A
-A
3
AAA
AAA
A A A A
@
A
A
A A
A A A A
you choke
A A A you choke
@
AAA
N
A A
A A A
till
3
AAA
<
till
your throat, your wind - pipe
N
A A
-A
your throat, your wind - pipe
@
AAA
A
A A
SYNTH - BARREL ORGAN SOUND 3
@
f rowdy!
<
A
<
Pno/ Synth
Vln. 1
A A
A A AA
<
f JAMIE
A A
f
Harp
ANNIE
A A
A A A A
A A
A
A
A
A
a
rough
hemp
rope
A
A
A
A
a
rough
hemp
rope
3
AAA
@
AAA
3
AAA
AAA
N
N
@
A A A is
fine
e -
A A A is
fine
e -
3
AA A AA A
N
A A
A A
A A A A A A
A A
A A A A A A
A A
A A
A A A A A A
A A
A A
A A A A A A
A A
A A A A A A
A A
A A
A A A A A A
A
A
A A A
A
A A A
A
A
A A A
f div. pizz.
'3Â? Â?
Vln. 2
A I
N Â?
sfp
+ AA I
Â?Â? NN Â?
Â? 3Â? 3Â?
Â? NNÂ? Â?
s
AA+ I
sfp
Db.
f unis. pizz.
@
K
f
sfp
Vc.
K
f
Â? 3Â? 3 Â?
Vla.
@
A A A A
A A f
unis.
@
N
N
N
N
N
N
N
N
N
N
f
<
<
N f
90
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
135 A A A r A A A A A A A A A A
A A A A A A A A A ' A
3 3 3 A A A A s A A A A A A A A A
A A A A A A A A A ' A
3
3
3
3
3
3
3
<
Perc.
3
A' A A A A A A A A' A A' A A A- A A A A - A A A A A A A A A A A A A A A
3
3
3
3
3
3
3
3
3
3
<
A A A A A A AA A AA A A A A A
3
3
3
3
3
3
3
A ' A A A A A A A A 'A A' A A A -A A A A -A A A A A A A A A A A A A A A
3
A AA A AA A AA A A A A A A A
3
AA AA
3
3
3
3
3
3
<
3
A A A A A A A A A A A A
3
A A A A A A A A A A A A A A A A
A A A A A A
A A A AA A A A
A A
Harp
ANNIE
<
r A
A
nough
JAMIE
s
for
A
A
nough
for
+ A
A
gyp -sies and their ilk
or pay
to
hang
A
A A
A
A
gyp -sies and their ilk
or pay
to
hang
A A A A
3
-N
+ A
<
A
A A A A
@ - AAA AAA @
Pno/ Synth
<
A
3
AAA
A
@
AAA
+ A 'N
3
' AAA A
AAA @ A
3
AAA A
AAA A
N
@
<
A A A A 'A A
like a gen - tle -man and dan
A A A A 'A A
' AAA A
'N
AAA @ A
A
3
AAA A
AAA A
@
+ A N
A
- gle in silk
'A A
A
like a gen - tle -man and dan
3
'A A
A
<
A
AAA AAA
@
A A -A
A
the judge
ga -theredup
his
A A -A
A
ga -theredup
his
A
- gle in silk
3
+ A A
A
the judge
3
AAA AAA
'N
@
3
AAA
-N
AAA
@
3
AAA AAA
A
+ A
Vln. 1
A A A r AA A A A A A A A A A A A
A A A A A A AA A AA A A A A A
AA AA
A A A A A A A A A A A A
A A A A A A A A A A A A A A A A
A A A A A A
A A A AA A A A
A A
Vln. 2
A A A A A A A A A A A A A A A A
AA A A A A A A AA A A A A A A
AA AA
A A A A A A A A A A A A
A A A A A A A A A A A A A A A A
A A A A A A
A A A A A A A A
A A
Vla.
A A A A A A A A
AA A A A A A A
A
A A A A A A
A
A A A
A A A A
A
Vc.
Db.
s
A
A A A A A A A
-N
A
+ A 'N
N
'N
A
+ A N
'N
-N
A
+ A
-N
A
+ A 'N
N
'N
A
+ A N
'N
-N
A
+ A
91
140
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
A
A A A A
A A A -A
3
s
A
A A A A
3
3
3
3
A A A A
3 A A A A
-A A A A
A A
A A A A
A A
A A
A A
A A
A A A A
3
3
3
3
3
3
3
3
3
3
3
3 3 3 A A A A A A A A A A -A A A A A A A A A A A A A A A A A 3
<
A A A A
3
3
3
3
Perc.
A A A A A A A A A A A A -A A A A A A A A A A A A A A A
<
3
A A A A A A
A A
A A
A A
A A A A
A A
A A
A A A A
A A
A A
A A A A
A A
A A
A A A A
A A
Harp
ANNIE
r
<
'A flo
JAMIE
s
- wing
flo
gown
- wing
@ Pno/ Synth
AAA
N
Vln. 1
A A
Vln. 2
A A A A
A A
Vla.
A A
A
s
N
A
fetch
3
AAA
AAA
@
I
+ I A
A
AAA
A
A I
@
A
A
fe - lon
the
3
AAA
<
the
up
N
N
A r A A A
Db.
@
I
up
A I
gown
3
AAA
fetch
N
A
+ A
+ I A
N
A
'A
<
A
3
AAA
AAA
A
A
A
A
A
A
and
tek
him
down,
the
pi
A
A
A
A
A
A
and
tek
him
down,
the
pi
A
fe - lon
@
3
AAA
AAA
N
N
<
@
3
A AA
AAA
N
@
3
- A AA
AAA
-N
'A -
per's
'A -
@
per's
3
AAA
AAA
+ A
A
A A
A A A A
A A
A A
A A A A
A A
A AA A A A
A A
A A
A A A A
A A
A A
A A
A A
A A A A
A A A A
A A
A A
A A A A
A A
A A
A A A A
A A
A A
A A A A
A A
A AA A A A
A A
A A
A A A A
A A
A A
A A
A A
A A A A
A A A A
A A
A A
A A A A
A A
A
A A
A
A
A A
A
A A A
A
A
A A
A
A
A
A
A A
A A
A
A
A A
A
N
N
N
N
N
-N
A
A A
A A
A
+ A
92
144
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
s
A A AA A A A A
A
3
A
3
3
3
3
3
3
3
3
3
3
A A A A
A A
A A A A
A A
A A
A A
3
3
<
3
Perc.
3
3
3
3
3
3
3
A A A ' A A A A A A A A 'A A A A ' A A A A A A A A A A A A -A A A A A -A
A 'A
A A AA A A A A 3
A A A 'A A A A A A A A 'A A A A 'A A A A A A A A A A A A -A A A A A -A
A ' A
A A A A
A A
3
3
3
3
3
3
<
3
A A
A A A A A A
A A
A A
3
A AA A A A
A A
A A
A A
A A
A A
A A A A AA A A
A A
A A A A
Harp
ANNIE
JAMIE
r
s
<
A
A
pipes
will
A
A
A
<
N
A
stop their sin - ging
A
A
A pipes
Pipes
A
<
will
A
A
A
A
when the
N
A
stop their sin - ging
A
when the
A A -A A 'A
<
A
A
A
3
pi - per and the rope are swin - ging
A A - A A 'A
A
A
A
3
pi - per and the rope are swin - ging
C / G drone
r s
<
<
3 3
3 3
p
@ Pno/ Synth
3
' AAA A
AAAA
' N
@
3
AAAA
AAAA
@
3
' AAA A
AAAA
'N
N
@
3
AAAA
@
AAAA
A
+ A
N
3
AAA
AAA
3
@
AAA
AAA
'N
@
3
AAA
AAA
NNN
N
-N
Vln. 1
A r A A A
A A
A A A A
A A
A A
A A
A A AA
A A
A A A A A A
A A
A A
A A
A A A A A A
A A
A A
A A
A A
A A
A A A A A A A A
A A
A A A A
Vln. 2
A A A A
A A
A A A A
A A
A A
A A
A A A A
A A
A A A A A A
A A
A A
A A
A AA A A A
A A
A A
A A
A A
A A
A A A A AA A A
A A
A A A A
Vla.
A A
A
A A
A
A
A
A
A
A A A
A
A
A
A
A
A
A
A
A
A
A A
+ A
N
Db.
s
'N
N
'N
A
A
A
'N
A
N
A
A
A
A
N
93
Fl./Picc./ A.Fl.
G r A I @ K
Cl./ B.Cl./ Eb Cl.
+ s A I @ K
148
<
<
<
<
A A A A
to Piccolo
K
<
<
<
K
<
<
<
A A K
<
<
<
AK AK A
<
<
<
<
<
<
<
ff
<
<
<
<
A A A A ff
VIBES
<
3
Perc.
<
<
<
A 'A
ff
<
<
<
<
<
A A A
<
<
<
<
<
r
<
Harp
ANNIE
K
@ I + A A
A 'A A
thejudgestood up and
JAMIE
s
<
K
@ I A A
A 'A A
thejudgestood up and
Pipes
r s
3 3
<
Pno/ Synth
3 3
3 3
<
A @ @ A A A A Ja - mie Al - lan
Ja - mie Al - lan
<
r
A A - A 'A A 'A @ I
K
fell
N N SYNTH WHITE PAD
3 3
A 'A
<
<
<
<
A A 'A A A A 'A
3 3
andthe
pi - per
to his
3 3
+ AK A
<
<
<
K
<
<
<
A A A A K
<
<
<
<
<
<
<
to his
<
<
<
3 3
pi - per
<
<
<
N
andthe
<
-A A
<
A A A -A A 'A A
A A K
<
<
N
my Lord went to his cham - bers
A
my Lord went to his cham - bers
ff
@ I A+ A A A A
K
G Vln. 1
A A A
fell
A A A A A @ @
3 3
ff
A A A
A A A A ff
<
Vln. 2
<
<
<
<
ff
Vla.
<
<
<
<
<
A A A A K ff
Â?Â? 3
Vc.
Â? 3Â?
Â? 3Â?
Â? 3Â?
NÂ?Â?
Â?Â? 3
N < Â?Â?
Â?Â? 3 Â?Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
f
Db.
s
N3 Â? f Â?
arco
K
3 Â?Â?
<
3 Â?Â?
<
3 Â?Â?
<
tutti arco
94
PICCOLO
157
Fl./Picc./ A.Fl.
r s
<
<
TAM-TAM
ANNIE
JAMIE
r s
Pipes
Vln. 1
K .
<
<
<
<
<
<
<
<
<
<
<
@ K
<
<
<
<
<
<
<
<
<
<
<
A @ K
<
<
<
<
A p reflectively
@ I A A 'A A A 'A
K
cell
r s
to Alto Fl.
N
mp
cell
3
p still
3
Perc.
'3
3
3
<
3
3
3
3
3 3
3 3
r
A A 'A
A 'A N
'N
my Lordwent to his cham -bersand the
pi - per to
his
3 3
<
<
K
@
N
N hell.
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
arco
3
'3
3
3
3
3
3
N
3
<
K
K .
p still arco Vln. 2
JAMIE
<
s
<
3
N K .
p still
H JAMIE'S LAMENT 6 r < s
DURHAM GAOL 6
<
<
spoken
<
@ I + >0
0
0
0
0
K
0
The wind comes in waves. It rolls and shifts and tastes of salt. We take up the old conversation neither of us understands.
solo freely
Pipes
<
3
3
3
3
'3
3
3
r s A3
+ A 'A
+ AÂŽ
A
ÂŽ AAA
3 3
3
3
A
N3 3
<
3 3 3
<
3 3
<
3 3
<
3 3
<
3 3
3 3
< 3 3
JAMIE
Pipes
r s
DURHAM GAOL 7
JAMIE'S LAMENT 7
179
r s
<
<
<
<
<
K
@
I + > 0
0
K
0
They showed me clemency and my sentence was commuted to transportation.
<
+ A 'A
+ AÂŽ
A3
+ AÂŽ
3 3
A
ÂŽ AAA
3
3 3
3
A
N3 3
+ AÂŽ
A
333
<
333
<
3 3
<
3 3
3 3
188
JAMIE
r s
DURHAM GAOL 8
JAMIE'S LAMENT 8
<
<
<
<
<
<
<
I + > 0
0
0
0
0
0
K
0
When I asked young Annie Bennet to marry me she refused. A week later I asked her to collect something from an old friend of mine from Rothbury who was a captain of a ship moored at South Shields. Pipes
r ÂŽ s A A 'N3
A
+ AÂŽ
3
+ AÂŽ
3
ÂŽ AA
3 3
'N
A
+ AÂŽ
3 3
ÂŽ AA
+ AÂŽ
3 3 3
3
ÂŽ AA
3 3
A 3 3
N
N
@
<
3 3
3 3
< 3 3
<
<
3 3
<
3 3
3 3
3 3
3 3
202
JAMIE
r I + s > 0
0
0
0
@
He took her with courtesy but before she knew it the crew had slipped the line and the boat was drifting on the tide. Pipes
r s
3 3
3 3
r s 0
0
3 3
3 3
I
+ > 0
0
0
0
0
K
0
Once it had passed the bar it became clear to her that she was at sea and when she rushed on deck found me grinning there, so I introduced her to the crew as 'my wife'.
3 3
3 3
3 3
3 3
3 3
3 3
212
JAMIE
Pipes
r s
0
0
K
@
She flew at me with a rage worse than any storm I've known. Then she was becalmed and we married on the waters.
3 3
3 3
3 3
<
0
<
She is my niece.
3 3
3 3
3 3
3 3
95
AWAY BOYS, AWAY
I q = 92 219
Perc.
VIBES motor on
N
N
'N
mp
Harp
JAMIE
<
<
N
N
<
<
-N
N <
'N
<
<
@
N
<
<
'NN
@@ 'A 'A N
N N
<
<
N N
<
@
<
'NN
N N
<
N N <
N N <
<
<
<
mp
<
<
<
<
<
<
<
<
<
r s
<
<
<
<
<
<
<
<
<
N
N <
N <
N <
N
<
N <
A A
<
A N
A
I asked my love
N Pno/ Synth
N
mp
<
'N
<
N
N
<
<
-N
N <
'N
<
<
N N
@ 'A 'A N
N N
@
N
N
N
N
N
N
N
@
N
<
<
'NN
'NN
to
N N
N N
N N
N
N
N
A N A N
A A A A A A
A N A N
A A A A A A
236
Perc.
Harp
Gtr.
JAMIE
N
N N
<
<
<
r N s
<
< A
+ I A and
on the swel - ling
<
N
tide
<
N
to sail the
sea
<
<
N
N
A A A A A
< # <
< N
# N
<
A N A N
A A A A A A
mp
<
<
<
<
<
<
N
# N
and the o - cean's wide
<
N
# N
N <
A A A
# <
<
N <
# N
N <
N <
A A A A A A A A AA
N
<
N <
come with me
N
N
<
N <
<
N N
<
N
my bride
N
N <
N
A N
be
Pno/ Synth
N
# <
<
N
# N
N
247
Perc.
Harp
Gtr.
ANNIE
NN
N N
NN
N N
<
NN r < s
< <
A A A
<
<
<
<
N
would not
A N
be
his bride
< N
< N
<
N
< N
<
< A
N
N
N <
I said I
Pno/ Synth
<
N
N N
N
N
N
AA
so he stole me
<
a - way
< N
<
N
<
< AA N
on the red -
ning tide
< N
N
< N
< @
A A A and sailed me
< N
N <
<
A A N
<
N
N
N
N
A A A A N
< N
<
<
N
N
N
N
<
# <
A A A A A A # N
out
to the o - cean wide
< N
# < # N
N <
< N
<
< N
# < # N
96
260
Perc.
Harp
Gtr.
JAMIE
AA NN
N N
A 'N
AA NN
N N
<
N
A 'N
N N
<
@ @
A
AA NN r s
<
<
<
<
< A A
<
I thought my
Pno/ Synth
Db.
<
<
@ @
<
N
A 'N
N
solo pizz. r A N @ @ s
A 'N
N
A
N
< A N
N
<
N
A
A A
my love would bless when I brought my love
<
<
<
< N
<
<
N
A A N
A
a
crim - son
dress
<
<
<
N
N
<
A A A
N
<
N
<
N
N
N <
N
< A
love
<
<
N
< A
N
<
N
N
N
N
N
N
N
< A
A A A
@
but the crim - son
<
<
<
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
mp
J 272
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
ALTO FLUTE
r
<
<
<
<
<
<
s
<
<
<
<
<
<
N
N
N
N
N
N
N
NN N
NN N
N
N
N
N
N
N
N
N
N NN
N NN
N NN
N NN
N NN
@
mp
mp Perc.
N
N
A
N
N
N
N NN
N
mp
Harp
<
<
N
N
A A N r A A s
A
dressdid not im - press
Pno/ Synth
N
<
A
A A
N A N
<
< A
N
< N
<
<
<
<
N N
N N
N N
N N
@
<
<
<
<
N
N
N
N
@
+ A A A N @ @ I A
N
A @ I A A A A N
a - way
N
< N
a - way boys
< N
< A
N
3
JAMIE
<
a - way boys
< N
N
N
a - way
<
@
N
a - way boys
<
< NN N
NN N
N NN
<
< NN N
<
a - way
A A A To sea and
N N
N N
N N
N N
N
N
N
N
@ A
J Db.
r s N
N
N
A
N
N
N
<
<
<
<
<
<
<
<
97
K 286
Fl./Picc./ A.Fl.
r N
# N
s N
# N
<
N
<
<
<
<
<
<
<
BASS CLARINET
Cl./ B.Cl./ Eb Cl.
Perc.
Harp
JAMIE
Db.
<
N
<
<
<
<
A 'A
<
'A
A 'A
-A A
'A
A
mf
NN N
# NN N 1 # NN
N
# N N
NN N
r s
CYM.
N N N
@ 'N N
NN
<
N N
3 A A A A # N
the o - cean
Pno/ Synth
to Bass Clarinet
<
<
<
@ A A N 'A A
@ N N 'N
@ A AA N 'A
N
N
N
N
N
+ A A A N I A
N
N
A @ @
a - way boys
0
@ N N 'N
N
wide
<
0
NN
@
@ @
N
# N N
N N
<
<
@
<
<
<
A
N
A
storm
A
N N
@ N 'N
@ A AA 'N
NN N
@
'NN
N
N
N
N
N
N
@
'N N
N
N
N
N
N
A 'A
<
N
A
blew up
mf
<
mp
<
K
# <
0
@
@ A 'A 'N
'NN
0
mp
a - way
# N N
<
NN
N
NN N
r s
@ 'AN 'A
'A
and
A -A
'A
wechanged course
NN
''NNN
N N
N
A 'A
-A A
'A
A
mf
Cl./ B.Cl./ Eb Cl.
Perc.
298
r s
'A
A
A
'A
'A
A
'A
'A
A
0
0
0
Pno/ Synth
Db.
r N s
A
'A
A
A 0
0
A
N
A
she
ripped
and
N
A
'A
tossed,
a
ra
A
A -
ging
A
N
A
horse,
she
raged
NN
'NN N
NNN
'N N
N N
N N
N N
3 '3 3
A
A
A
'A
'A
A
'A
'A
A
A
A
A
'A
+ A 'A
A
'NN
r ' A s
'A
A
mp
NN N N
'A
0
mp
mp
JAMIE
A
A
A 'A
and thre - tened my
<
A
A
A
'A
A
'A
de -
98
Cl./ B.Cl./ Eb Cl.
304
r s
A
A
A A
A
A
0 Â?Â?
0
Â?Â?
Perc.
'A A 'A A
A
A
# N
A
A
N
N
<
# <
<
<
# <
<
<
mp ANNIE
JAMIE
r
s
< A
-N mise
Pno/ Synth
Db.
my
A
A A
Cl./ B.Cl./ Eb Cl.
'A
310
r 'A s A VIBES
A
A 'A
JAMIE
'A
A 'A
Pno/ Synth
Db.
r N
s
my
love
A 'A
A
'A
said
I
A @
@
'NN mf
'N N 'A r 'A A s
A
would
not
A
A
'A A A
A
A
A
A 'A
'A
'A
# N
A
'A
'A A A
@
A
A 'A
'A
'A
N AN N
'N
A
@
A
A
A 'A A
A 'A
A
A 'A A
A
A 'A A
A
mp
mp
'A A -A be
his
<
A
N
then
I
N
bride
<
<
A A N
A A 'A
fell be calmed
<
A A
on the swel - ling
<
N
A
tide
A
the
<
<
<
''NNN
NNN
'NN
NN
'NN N
NNN
'3 3 3
N N
N
N
'N N
N N
N N
N N
A A
'A
'A A A
A
mf
A 'A
A 'A
'A
A A
'A
A
A 'A A
+ 'A A 'A A A
mu - sic my mad pi - per
NN
A 'A
N
N
A
'A
A
N
N
A
@
did des - pise
N 'A ' N N
A A A
'A
N
'A A 'A
A 'N
A
she
# NN N # N N
@
I
# A I
# N
N
N 'NN N -N
A A
mf
ANNIE
love
A
mf
Perc.
A
'NN ' N -N N
M
A
N
-3 3 3 3 3
r s
<
mp
3 A
A A 'A mp
Cl./ B.Cl./ Eb Cl. Perc.
ANNIE
319
r s
A A
A A
A A A A
r s - N
A A @
plays
A
N drove
A A A 'A A A 'A
A
A the
A A A A A A A A A A N
'N
N
storm
# <
@ #
N N
N
'A I
+ A
A
and stills
'A
A
A 'A A the
A 'A N
A
N
I
+ 'A 'A
waves
# NN
NN ' N
N NN
N NN
3 3
N N
N N
N N
N N
N N
# N N
N
'N
N
# N
r s
A
A
A A
A
A
A A A 'A
A A A A A
' N A 'A
A
# A
a - way boys
3 '3 3 Pno/ Synth
Db.
A
N ' A A
A
+ A a -
99
L 326
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r N
N
N
N
'N
N
N ' NN
'NNN
mp
s
N
N
'N
N
N
N
N
N
'N
N
N NN
'N NN
N 'NN
N ' NN
N NN
'N N N
N 'N N
N N 'N
N N N
N
N
N
N
@
N 'NN
NN ' N
@
NN N 'N
NN
mp
NN - N
Perc.
mp
Harp
<
<
<
<
<
<
<
<
M
IF + AA AA Gm I +A A A A N A A A N 'A A A
Gtr.
mp ANNIE
r s
F7 I +'AA AA Gm I I +'AA AA I +'AA AA BbI + A A I + A A Ebma7 N A 'A A A A 'A A A 'N A A A A A A N 'A+ AA A AA A A A A N N N A A ' NN ' N ' N
@
N
way
Pno/ Synth
mp
I + 'A A
A
+ A ' N
a - way boys
a - way
'NNN
N ' NN
N NN <
'N N
F7
@ N
A
<
N NN <
<
<
A 'A To
'N N
N 'N
N
N
'N
'NNN N
3
<
N N
Gm/C
N N N
I + A
A 'A A A N
A
sea and
the o - cean wide
@
NN
NN
A
N 'N
'N N
A
M
336
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r N N s
<
NN ' N
Perc.
'A
NN
Harp
M
ANNIE
A
'A A
'NN C7sus4
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
NN
N 'A A 'N
NN
'A
<
<
<
<
<
<
NN
'NN 'A A
'A A
NN
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Bb
Ebma7
A
Bb
mf
r 'A A A+ ' N
N
@
N
way boys a - way
JAMIE
s
IF + AA AA Gm I + A A F7I + 'AA AA I + 'AA AA Gm I +A A A A A A N A A A N 'A A A N A A A N A A A N 'A A A
I +A A I + AA AA I + AA AA A A K A ' A A 'N 'A A A A 'A A ' N ' N ' N
'NNN N
Gtr.
<
to Clarinet
<
'A
A A
We swore a
<
<
<
A
A 'A
We swore a
Pno/ Synth
Db.
N
A
vow
N
A
u - pon
N
A
vow
N
A
the waves
N
A
u - pon
we
N
A
the waves
we
'A
A
swore
A 'A swore
A
'N
A
a
love
be -
A
N
a
love
A be -
NN
<
<
<
<
<
<
<
<
<
'NN
<
<
<
<
<
<
<
<
<
<
M solo pizz. N
M
r s
<
<
<
<
mf
N
N
N
N
100
A tempo
Rit. 346 F7
I AA AA Ebma7 I +'AA AA BbI + AA AA N N + A A A ' A A N A A 'A A ''NN ' N ' N
Gtr.
ANNIE
JAMIE
r
s
A 'A
N
A
N
yond
the
grave
N yond
a
A
'N
'A
the
grave
a
Gm/C
'NNN N
A A A 'N
A
love that
a - way boys
a - way boys
Db.
N
A
N
A
@
'N
'N
'N
'N
N
N
N
N
'N
N
N
' N
N
N
N
N
' N
N
'N
a-
I A A A A a - way boys
'N
N
I + + ' A ' A A A a - way boys
A tempo
N
@
a - way
Rit.
r N s
Bb
a - way
+ A 'A A N I A
death could not de - stroy
Ebma7
I + AA AA I AA AA I + AA AA K + A 'A A 'N 'A A A A 'A A ' N ' N ' N
I + 'A A A+ ' N A
death could not de - stroy
' A
Bb
'NNN N
A 'A+ A A N
A
love that
A
C7sus4
a-
'N
356
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r N mp
s N
r
<
N
@
@
way
s
-N
<
@
@
way
Db.
N
N
Ebma7
Gm/C
I AA AA IF + AA AA Gm I + AA AA F7I +'AA AA I +'AA AA Gm I + AA AA F7I +'AA AA BbI AA AA N + 'A A + 'A A 'N A A A A A A A A A ' A A A N N N 'A A A N A A A N N A ' NN ' N ' N A
Gtr.
JAMIE
N
CLARINET
mp
ANNIE
N
r N s
I + 'A A
A
+ A ' N
a - way boys
a - way
+ I A A A
A N
a - way boys
a - way
N
N
<
A 'A a
<
A
'A
<
N
'N
A 'A+
A
love that
a
N
N
<
A
love that
'NNN N A A N
deathcould not de - stroy
' A A
A A 'N
I + A a-
+ IA
deathcould not de - stroy
'N
'N
a-
@
N
N
366
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r
<
<
<
<
N
N
N
N
' N
N
N
Gm
F7
p
<
s
<
<
<
N p
F
NN N N
Gtr.
ANNIE
r 'A A way boys
JAMIE
s
A A way boys
Db.
r s N
Bb
NN N N + 'A A
A
+ A 'N a
way
A 'A N
a - way boys
a
way
'N N
'N
N
N
Gm
F7
I + A A I +'AA AA I +'AA AA I + A A I +'AA AA I + AA AA A A A A N A A A N 'A A A N A A A N A A A N 'A A A N A A A
<
mp
a - way boys
+ A A
F
I +A A A A A A 'A ' N
N
A
+ A N
a - way boys
a - way
A A 'A
A A A A a - way boys
N
A -N
<
@
<
@
@
a - way
@
@
I + 'A A
A
+ A ' N
a - way boys
a - way
+ I A A A
A N
a - way boys
a - way
<
<
N N p
N
N
N
N
N
101
376
Fl./Picc./ A.Fl.
r N
Cl./ B.Cl./ Eb Cl.
s ' N
N
N
Bb
r
<
s
'A
<
a
Db.
A
A 'A a
JAMIE
N
N
N
Ebma7
Gm/C
I AA AA I A A N N + A+ A 'A A A A 'A A ''NN ' N ' N
Gtr.
ANNIE
N
r s 'N
love that
A
A
love that
A 'A+ A A N
# <
<
<
<
<
<
# <
<
<
<
NN
Ebma7
Bb
I + AA AA BbI AA AA I + AA AA + A 'A A 'N 'A A A A 'A A ' N ' N
# NN
p
# I + 'A A + 'A A + 'A A A+ ' N A A A a - wayboys
a - wayboys
a - way boys
N
a - wayboys
@
N
a - wayboys
a - way boys
a-
N
I I A+
A
a - way
a-
' N
'N
# N
N
I I + A
A
a - way
# I A+ A A A+ A A A+ A A 'A N
death could not de stroy
N
<
NN
death could not de stroy
' A A A A ' N
<
F5
'NNN N
'N
'N
to Flute
'N
p
386
<
Perc.
<
<
# <
<
O
N N
@
'A A N
NN
@
N N
@ 'A A N
N N
@
N
N
N
N
N
'N ' N
N N
# + A ' N
N
N
N
N
N
N
N
N
N N
@ 'A A N
N N
@
N
N
N
@
'N N
AN A
p
<
Harp
<
<
<
ANNIE
way
JAMIE
s
A way
Pno/ Synth
Db.
@ p
# <
<
A boys
+ A ' N a -
A 'A boys
a -
N
A
@
I + 'A A
way
# A
a - way boys
N
'N N
N
A
a -
# # + I A A A 'A N
@
way
a - way boys
a -
<
<
<
# <
@
<
<
<
<
# <
N
N
'N
N
'N
'N
# N
<
<
way
<
'N
<
way
r s N
AN A
Bb
I +A A I I + AA AA # A A + AA AA A ' A A 'N 'A A A A 'A A N ' N ' N N
N N r 'A
# <
<
< Ebma7
Bb
Gtr.
<
'N N
A A N
p
O
p
<
<
<
102
DURHAM GAOL 9 396
Perc.
N N
@
NN
@
N
N
'NN
NN
A @ 'N
'A
N N
N @ 'N
NN
'NN
N N
@ 'A 'A N
N N
@ 'N N
N N
N
N
N
N
N
0
0
N N
N N
'N 'N
N N
N N
N N
-N -N
. N
. N
. 'N
. N
. N
. N
. N
Harp
JAMIE
r s
<
<
<
<
@
<
<
<
<
<
<
(spoken)
I + > >
0
0
0
0
0
0
<
0
The wind's in a hurry tonight. It hassles the door but never the lock. It lifts the slates but nver the roof. It jabs the window and shoulders the door like a bailiff, or soldiers hunting deserters.
Pno/ Synth
N N
@
N
N
'NN
N N
@ 'AN 'A
NN
@ N @ 'N
N N
N
N
N
N
N
N
N <
'N <
N
N
-N
N <
<
<
<
<
N N
N
N
'N
N
O
NN
. N
. N
. 'N
. N
O
'N 'N
N N
@
'N N
N N
@
. 'N
. N
@ 'N N
N N
@
N
N
0
0
410
Perc.
'A N
A
'A N
A
NN
@
AN
A
N N
@
AN
A
N
N
N
N
0
0
0
0
Harp
JAMIE
<
r s 0
<
0
<
0
<
<
<
<
<
<
O O
There was another petition against the transportation, pleading my age and health and fearing my death at sea. It could have been no worse than this jail. There have been many petitions, many gentlemen have interceded for my life.
Pno/ Synth
< ' N
< N
@ @ N
'N N
N N
@ @
N
N
'A N
A
N N
@ @
N
N
AN
A
NN N
N
N <
'N <
O
N <
<
O
NARRATION 2
q = 156 P Allegro 3 3 422 O
103
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<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
f
Harp
3 3 O 3 7fr
Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;Â&#x2030;
'3 3 3 O 3
Gtr.
f
' 33 3
PIANO
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O Pno/ Synth
Vln. 1
f
3 O 3
P Allegro q = 156 staccato sempre + r O AA+ I I 'A A A A A A A I A AA I I 'A A A A A A A I A A 'A A A A A A A A A A A 'A A A A A A I A+ I A+ 'A A A A A A A A A A A A A A p p ff
staccato sempre O A 'A A A A A A A A A A A AA 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A A A A 'A A A A A A A A A A A A p p (under spoken text)
Vln. 2
ff
f
ff p
A sempre A 'Astaccato A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A A A A ' A A A A A A A A A A A A A O
Vla.
ff
A O
Vc.
ff p
p
I I @
@
ff
s
O
O
Tape
f
' A A A I I I @
I I @
K
@
I I @
K
ff
<
<
p (under spoken text)
div. pizz. + ' A A A+ 'AA+ A+ I I I I I I I A I I A A p f pizz. A A A I I I I I I I I A
ff
sul D
Db.
f p (under spoken text)
ff
SPOKEN VOICE: RALPH SOULSBY
f
<
'AA I AA AA+ AA I AA AA+ I I I I
<
AIAIAIAIAIAI
p
3
3
3
" Ralph Soulsby Esquire, Justice of the Peace, November 15 1760 : My lord, I met with a Sergeant and
427
Vln. 1
Vln. 2
Vla.
pizz. r + + A 'A A A A A A A A I A -A I A I -A A 'A A A A A A A A A A 'A A A A -A A 'A A -A A A A A A A A A 'A A A A
Vc.
Db.
Tape
s
+ 'A I I @ ' A
K
' A I I @
K
3
U W +I +I +I I A A A
U U U W U U W +I + I I +I I + I I +I +I + I I +I I + I I +I +I A A A A A A A A A A A
A A ' A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A + + + + + + + + 'AA I AA I AA I 'AA I AA I I AA I AA I I AA I I p
A A A A A A A A A A A A A A + + + AA I I AA I AA I
A A A A A A A A A A A A + + AA I I AA I I
A A A A A A - A A A A A A A -A + + + AA I I AA I AA I
'A 'A 'A 'A 'A 'A A A A A A A A A A A I I I I I I I I I I I I I I I I I I I I I I I p
N
A
A
A
N
A
A
A
N
A
A
A
Drummer belonging to Mr Sloho, Ensign of the Marines recruiting at Hexham, who had that instant apprehended a Deserter whose name is James Allan, late of Rothbury in this County,
104
U U W arco 'A+ I I A+ I A+ I A+ I I A+ I I I A+ I A+ I A+ A A -A A 'A A 'A A A A A I 'A I A I A I I A @
434
Vln. 1
r +I +I @ 'A A
Vln. 2
Vla.
Vc.
Db.
A A AA
A A A AAA
@
A I A - A A A A I A I A @
A I A I A I A I I A @
div. A I
-A I A I @
arco A I I A I A I A I I A I I I A I A I A - A A A A I A I A @
A I A I A I A I I A @
A I
N
A
'A A A A A A A 'A + + A -A I AA I s
Tape
'A A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A arco unis. AA+ AA+ AA+ AA+ AA+ I I I I A I I I I I I
A
A
N
N
A A A A A A A A A A A A A A
N
'A 'A A A A A A A A ' A ' A A AAA A A A
A I
N
and who tell me he deserted from his Grace the Duke of Richmond's Regiment but knows not his Captain's name.
A A A A A A A A A A A A
A A A A
3
He was much in liquor and through the assitance of an idle fellow
441
Vln. 1
r -A I A I A I I A I I A I A I I A I A I I A I A I -A I I A I A I I A I A
-A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A O A 'A A A A A A A A A A A AA 'A A A A A A A A A A A A -A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A O A 'A A A A A A A A A A A A 'A A A A A A A A A A A
Vln. 2
Vla.
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Vc.
Db.
O A 'A A A A A A A A A I A AA 'A A A A A A A A A I A
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A+ I A
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A+ I I A+ I A A
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A+ I I A+ I A A
+ A A+ I O A I I @ A
A I A I A I I A I I A I A I I A I A I I A I A I A I I A I A I I A I A I O A I I @
3
Tape
A+ I I A+ I A A
3
unis.
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K
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3
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then with him attempted an escape. I have issued my warrant to apprehend the person that assisted and shall publicly punish him by whipping or otherwise as your Lordship will order.
Vln. 1
446 r A+ A I I @
Vla.
A I I @
Vc.
Tape
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AA 'A A A A A -A 'A A A A A A 'A A A A A -A 'A A A A 'A A A A A -A 'A A A A A A 'A A A A A -A 'A A
Vln. 2
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A A 'A A A A 'A A A A A A A A A A A A 'A A A A A A A -A A A A A A A A 'A -A A A 'A -A A A 'A -A A A A A 'A -A A A 'A A A A 'A A A A A A A A A A A A 'A A A A A A A -A A A A A I I @
K
A I I @
K
K
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K
sul D
3
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3
A ' A I I I I K
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Allan received a most violent cut on his wrist from the drummer's sword."
DURHAM GAOL 10
Q 451
Fl./Picc./ A.Fl.
NARRATION 3
FLUTE
r
A
'A
A
A
A
A
A
A
A
A
A
A
A
A ' A A A A A ' A A A A A A A A A A A A A A A A A
A I I @
mp
Cl./ B.Cl./ Eb Cl.
A
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K
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Gtr.
to Bass Clarinet
f
3 3 3
K
+ A I I @
3 3
Harp
to Piccolo
f
mp
105
(spoken)
K
I I + > >
0
<
0
It would be a drummer. I told him you've spoiled the best pipe hand in England. PIANO
Pno/ Synth
<
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r
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Vln. 2
+ A
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A
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K
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'A A A -A A A A A A A A A
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pizz.
Vc.
A
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K
<
<
I I @
K
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f pizz. Db.
Tape
s
A
A
I
arco
K
f
f
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arco
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K
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U W U W UU W UU 455 + + + + + + + r + + + + + + + + + + I I I I I I I I I I I I I I I I I I I A A A A A I I A I A I -'AA I -A A A A A A A A A p
Vln. 2
Vla.
Vc.
'A A A A p 'A A A A p + + 'AA I AA I
' A A ' A A AA+ AA+ ' I I
A A A A
p
Db.
A A A A A A A A A A A A A A A A A A A A A A A A A- A A A A A A A A A A A A A A A A A A A A A A A A A A -A + + + + + + + + + + AA AA A A A A A AA AA AA AA+ AA+ I I I A I I A I I A I I A I A I I I I I I I I I
A A A A A A
A A AA
A A A'A A A A A A'A A A + + --AA I AA I @
'A I 'A I 'A I 'A I 'A I I 'A I A I I A I I A I I A I A I A I I A I I A I I A I A I -A I A I @ s p
Tape
+ AI@ A
N
A
A
A
N
A
A
A
N
A
A
A
N
W U U 'A+ I I A+ I A+ I A A A
'A A A A A A A A'A A A A A A + + AA I I AA I @
A I I A I @
A
A
A
"I immediately ordered a surgeon to attend him who tells me he will have the use of his hand. I have presumed to confine him in a Prison at Hexham until I am honoured with your
106
463
Vln. 1
r + + + + + A I I A I I I A I A I A A A -A A 'A A 'A A A A A I 'A I A I A I I A @ A A
A A A A A A A A A A A A A A A A A A A A A A 'A A 'A A A A A A A A A A A A -A A A A A A A A A A A A
Vln. 2
A A A A A A A A A A A A A A A A A A A A A A 'A A 'A A A A A A A A A A A A -A A A A A A A A A A A A
Vla.
Vc.
Db.
A I -A I A I A I I A I I A I
s
+ + unis. AA I I AA I I I A I A I A -A A A A I A I A @
A I A I A I A I I A @
A I I A I I I A I A I A -A A A A I A I A @
A I A I A I A I I A @
N
Tape
N
N
N
3
+ + div. A I -A I A I A A A A A I I I
A+ I I A+ I I A+ I A A A A I I A I I A I
3
Lordship's further direction. I am with great respect your Lordship's most obedient humble servant. Ralph Soulsby Esq., Justice of the Peace. PS. However unwilling to excuse an
Vln. 1
469 r + + A I I A I A I I A I A I -A I I A I A I I A I A I O AA 'A A A A A A A A A I A AA 'A A A A A A A 'A I I A I I A I I A+ A A'A A A A
Vln. 2
A A A A A A A A A A A A A A A A A A A A A A A A O A 'A A A A A A A A A A A AA 'A A A A A A A 'A A A A A 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A' A A A A A 'A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A O A A A
Vla.
+ + A I I A I A A
Vc.
Db.
Tape
s
A+ I I A+ I A A
A+ I A
A+ I I A+ I A A
+ A I I A+ I A+ I O A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
A I I A I A I I A I A I A I I A I A I I A I A I O A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
3
3
O 3
3
+ A I I @
such as this kind I humbly beg your Lordship will allow the presumption I now take of begging the poor man's life as he really is a great object."
@
@
DURHAM GAOL 11
R 474
S.D.
A 3 3
Perc.
107
A I I I I A A I I @
I I @
pp lontano
A I I @
A I I I A A A I I @
A I I I A A A
<
<
<
3 3 3
<
<
<
'3 3 3 3
<
<
<
A A
f
Harp
Gtr.
f JAMIE
r s
K
(spoken)
@
>
0
0
0
A great object, you see, not even a subject. They damaged me hand but it didn't stop the music. It made me unfit for the army though, so that
3 ' 33
Pno/ Synth
3 3
Vln. 1
R A r
I I @
K
A
I I @
K
A
I I @
K
pizz.
A+ I I @ A mp
pizz.
A+ I I @ A mp A I I @
f
Vln. 2
A s
pizz.
<
<
<
<
K
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@
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+ I I @ AA AA I I @
@
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f
p
A
A A A A A A A A A A A
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Vc.
Db.
f
Vla.
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f
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A PICCOLO
478
Fl./Picc./ A.Fl.
r s
<
'A A
JAMIE
M
A A A A A A A
<
A A
A A -A
p
A I I I A A A I I @
Perc.
Harp
<
p
A A
A A A A
A A A A
A A A A
A I I I A A A
A A A A
'A A
A A A A
AA 'AA
'AA
A A
r s 0
'A A
A A A A
AA
AA - AA
A I I I A A A
'AA
'AA
'A A A A
0
A A A A
A A A A
A A A A
A A
A A I A A I A A I A A I
A A A A
A A
<
A A
<
0
0
put an end to my many lucrative join ups and jump outs. They paid five guineas - so the more regiments you could join the more money you could make. I joined up with two
Pno/ Synth
Vln. 1
M
p
A -A
r
AA
AA AA
AA AA
AA <
Vln. 2
<
Vla.
<
AA AA
AA AA
-A A
AA
AA AA AA A+ I I @ A A+ I I @ A A A I I @
-AA
AA
AA - AA K K K
AA
AA AA
AA - AA
AA AA
AA AA
AA AA
AA AA
<
AA
<
AA
solo A A A I A+ I A A A A
+ I I @ AA
@
+ I I @ AA A A I I @
@
I
@
I A I
A A
A A -A
p
+I A
< <
Vc.
Db.
AA
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A s
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
108
Fl./Picc./ A.Fl.
A A A A A A A A -A A A A A 'A -A A 482 A A A A A A A -A A ' A A A A A A A A ' A - A - A r A A A I A A A A ' A A I I s mf
A
Perc.
A I A A A
AA A I I A A A @ @
A A
+ A A A
+ A I A A A A A AA @ @
AA
+ A AA
r s 0
+ A
A A
mp
PEDAL B.D.
JAMIE
+ A I A A AA @
0
<
0
different recruiting parties on the same day, once. It was fast money when you were hungry and prepared to take a risk.
Vln. 1
tutti A A A A A A A A -A A A A A 'A -A A A A A A A ' A A ' A A A A A A A -A A A ' A - A - A r A A A A A A A A A I I I mf
+ A A I I @ A A I I @
Vln. 2
Vla.
tutti
K
+ I I @ AA
K
@
A A A A A A A A -A A A A 'A -A -A
mf
AA I I @
K
K
K
<
<
Vc.
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A mf
Db.
s
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A mf
Fl./Picc./ A.Fl.
-A A A A A 486 A 'A A A A A A A A -A 'A 'A -A A -A -A A A A A -A r A A A 'A ' A A - A A A I A A A A A A A A A I I I s f
A A
Perc.
A A A A @ @
+ A
A A
AA
+ A I A A AA @
+ A
A A
AA A I A A I AA A I A A I AA A I A A I AA A I AA A I @ @ @ mf
Vln. 1
-A A A A A A 'A A A A A A -A A A A A A -A 'A 'A -A A -A r A A A 'A ' A A - A A A A A A A A A A A I A A A I I I f
Vln. 2
A
A
A 'A ' A
A A I I @
Vla.
A -A 'A A
A
A
@
@
A A A A A A A A A A A A s
I A
A
I A
I A
A A A
A
A
A
f
Vc.
Db.
A
-A
A A A A A A A A A A A A
A A I I @
@
A I I
A A A A A A A A A A
I
A
A A
-A A A A
A A A
-A
-A
A
'A 'A -A A I + A A A -A
A A A A A A A A I I I I I I I I I I I I I I I f
A
I
A A A A A A A A I I I I I I I I I I I I I I I I f
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A f
109
490
Fl./Picc./ A.Fl.
r s
AA
Perc.
Vln. 1
A
r
A
-A A A A A -A A A -A ' A A A A A A - A ' A A A A A A -A A A A A A A 'A A I -A I I + AI A AA @ @
+ Â? A A A
AA
+ AI AA A @ @
+ Â? A A A
AA
+ Â? A A A
+ AI AA A @ @
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ff
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Â?Â? A A
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ff b
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ff
-A A A A + A A -A A 'A A I A A A A -A ' A A A I A A I -A A A A A A A A -A 'A A -A A
Vln. 2
b - D35555555555555555555555555555555555555555555555555555555555555555555555
b - D35555555555555555555555555555555555555555555555555555555555555555555555
ff
Vla.
A A A A A A A A A A A A I I I I I I I I I I I I I I I I I I I I I I I I
A A
Vc.
A A A A A A A A A A A A I I I I I I I I I I I I I I I I I I I I I I I I
Db.
A AAAA AAAA AAA A A AAAA AA A AAA A AAAAA AA A AAA
I
A A
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A A
I
A A A A
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I
A A
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A A
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A A A A
ff
s
A A A A A A A A A A A A ff
JOIN THE ARMY!
S q = 164 - A r I I I I A O A A A A A - A A A A A A A A I A A 494
Fl./Picc./ A.Fl.
mf Cl./ B.Cl./ Eb Cl. Perc.
Gtr.
s
<
+
AA I I @
A A A A A A I A A A A A A - A A A A A I A
BASS CLARINET
O + I I + I I + I I A+ I I + I I A+ I I + I I + I I A+ I I + I I A A A A A A A A A A A A A mf + + Â? Â? O A A AA A A A A AA A A A A AA A A A A A A A A A A A A mp G C AA A A A A I I AA I I AA I I AA I I AAA I I AAA O
<
D G AA AA AA AAA I I AAA I I AAA A A A I I I I I I I I I I
mp ("chips")
JAMIE
+ A A A A A -A A A A A I A+ A A A A I I A O
r @ s
They
Pno/ Synth
Vln. 1
Vln. 2
Vla.
Vc.
< PIANO
<
- A r I I @ - A I I @ A I I @ A I I @
said join the ar - my and be
O NNN mf
a re - cruit
A A A A A A I A+ A A A A A -A A A A A I A+
they paid me five shil - lings, I bought a new suit,
+ + I I AA I I AA N A A NN
they said join the ar - my to be
+ + I I AA I I AA NN A A N
a re - cruit there's
+ + I I AA I I AA A A
O + I I + I I + I I A+ I I + I I A+ I I + I I + I I A+ I I + I I A A A A A A A A A A A A A A A A A A A A A A A A A A A A A S q = 164 O < < < O
<
<
<
O
<
<
<
arco
O + I I + I I + I I A+ I I + I I A+ I I + I I + I I A+ I I + I I A A A A A A A A A A A A A mf
Db.
s A I I @
arco + A A O I I A I I I I A I I A I I A mf
I I A I I A A A A I I A I I A I I A A A
110
498
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r A A A A A A s
+ I I + I I A A
A A
Perc.
A A
Db.
A A A A - A A A A A A I A A
+ + I I A A A A A
I A+ I
I
+ A I I A+ I I
r A A A A A A s
A A
G
AA A
I
A A A A I A+ A
A
of glo - ry and arms full of loot,
I
I
AA A A I I AA
A A -A
A
A
A A
I A+ I A
I
I
I A+ I
I
I A
+ I I + I I A A A A
+ + I I A A A A AA A A A A
I
+ I I + I I A A
+ + I I A A A A A
A+ I I A+ I I
A I I A A A A
I
I
A AA
A A
AA
+ A
AA AA AA AAA A A A I I I I I I
I I
A A
A A
D
I I
A A A A A A I A A
the shil - ling, But
+ I I AA I A
I
-A A
+ I I + I I A+ I I A A A
+ A A A
AA
+ AAA
+ + I AA I I AA AA A A A
I
r
AA I A
A A
the mar - ching and dril - ling wern't worth
NN N
M s
I
+ A A A
AA
D
plen - ty
Vc.
A
AA AA AA AAA A A I I A I I I I I I
Gtr.
Pno/ Synth
A A -A
A A
C
JAMIE
A A A A I A A A
I
let the gets
+ I AA AA A A
-A A
think I
A AA
was wil - ling so I
+ + I I AA I I AA I A A
+ I AA A
+ A I I A+ I I A A
+ I I + I I A+ I I A A A A A A A
A A A A
I
+ A I I A+ I I
+ I I + I I A+ I I A A A
A A
I
A I I A
A I I A I I A I I A
A A
I I
501
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r -A s
+ A
A A
A -A A A A I I I
I
+ I I + I I @ A A
+ A I I A+ I I
A A
A A
I
A A
Perc.
G9
AA AA
Gtr.
JAMIE
r -A s
A A
Pno/ Synth
+ A A
@
C
I
I
A A
A -A A A A I I I
A A
Cm
AA A AA I I AA I I @
played them my pipes un - til late
+ AAA A
A 'A A A A -A A
A 'A
A
A I A A A
A A
+ I I @ A
+ A
I
+ I I + I A A
I
A A
A A
A I I I I A
@
D7
slipped the
cor - po - ral one
A A
G
AA A
'AAA I I AAA I I AAA I I @ A 'A A A A -A A
I
I
I
+ + A 'A A I I I I A
A
o - ver eight,
the
+ + + 'AAA I I AAA I I AAA I I @
AA A
I
+ I I + I I @ A A A A
+ A I I A+ I I A A
+ I I @ A A
+ A A
I
+ I I + I I @ A A + A I I A I I @
+ A I I A+ I I A I I A I I
+ I I @ A
+ A
A I I @
A
I
I
Vc.
r + A
I
I
Db.
s
A
I
I
C AA A I I AAA I
A I A+ A A
ser - geant got drunk,
+ + AAAA I I AAA I I @
I
A A
A
A A
AA
+ A
D
AAA
I I
A A
A A
I
the cor - pu - lent skunk, in the
I
+ AAA
I
+ I I + I A A A A
I
I
I
I
I
I
+ I I + I A A + A I I A I
@
A A
I
I
I
+ I AA A
A A
A A A A
A
A A A A
A
111
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
504 r A ' A A A A A A A A A I -A
s
+ A
I I
A A
Perc.
G
AA A
A
+ I + I I + I I A A A A A A + A A AA AÂ? A A A A
I
C
D
AA A A I I AAA I I AA I I
G
I
I
+ r A 'A A A A A A A A A I -A A s
A
A
I I
mor - ning he found I was do - ing a bunk,
AAA + A A
@
I
A - A A -A + A I A A
AA A
Gtr.
JAMIE
A
A
AA A
A A A I A
I A+ I I A A G7
I
A I AAA
A -A A -A
I I
I
+ AA A
I
I
+ + A I I A+ I I A I I
A A
A A
AA A I I A
A A A I A
+ I I + I I A A A A A A A A A A
+ A I A
I
+ A I A
Vc.
r + A
I I
+ A I
I
+ A I
I A+ I I
Db.
s
A
I I
+ I I + I I A A A A A + I I A I I A A A A
A
I
A
A I
I
A A
A A
A A
Cm(,7)
AA AA
A I I AAA
A A I I 'AAA I I AAA I I
A
A A A -A A A A A 'A
A A
+ + + + + I AAA I I AAA I I AA I I AA I I AA I I AA AA 'AA A A + I I + + I I I A+ I I A A A AA A I I AA A AA A A A A A A
I I
I
Cma7
A A
A
but these sons of bit - ches just had - n't the puff, so I'm
+ AA I A
M
Pno/ Synth
A A A -A A A A A 'A I I
A A A
ran them through dit - ches and ran them up cluffs,
I I A+ I I AA+ I AA A
A
I I
A A A A A A
+ AAA A A A
+ + A I I A+ I I A I I A A A A A A I I A I I I I A A
112
Cl./ B.Cl./ Eb Cl.
507
r s A
+ A
A
sfp
Perc.
A
A
A
+ A
A
sfp
0
A
A
0
mp
f
A
A
Harp
JAMIE
A
r A s
r s
Pno/ Synth
Vln. 1
A
A
and
I'm
A
A
A
A A
run - ning while they do
A their
A
'A
'A
A
A
I'm
up
and
I'm
A
A
A
A
A
run - ning while they do
A their
A
3 3
3 3
+ AA
AA
A A
+ A A
A A
+ A A
A ' A
AA
A A
A A
' AA
AA
+ AA
AA
A A
A A
A A
A A
A A
+ A A
A A
A A
A A
A A
A A
A A
+ A A
A A
A A
Vln. 2
' AA
Vla.
'AA
divisi
sfp
AA
+ AA
AA
sfp
divisi
sfp
divisi
A A
A A
A
A
sfp
sfp
sfp
AA
AA
'AA
AA
+ AA
AA
AA
+ AA
A A
AA
'AA
AA
+ AA
A A
AA
+ A A
A A
A A
A A
+ A A
A A
A A
A
A
A
A
A
A
A
A A A
sfp
sfp
sfp
sfp
A
gun - ning,
G / D drone
divisi r A A
s
A
gun - ning,
sfp
Db.
ss. gli
A
sfp
Vc.
glis s.
(sim.)
gli ss .
mf
up
Pipes
f
ss . gli
A I
113
PICCOLO
'A 'A
509
Fl./Picc./ A.Fl.
r
K
<
@
I
I ff
Cl./ B.Cl./ Eb Cl.
s
A
+ A
A
sfp
Perc.
A
A
A
+ A
A
sfp
0
0
mp
f
A
A
A
A
JAMIE
r A s
r s
Vln. 1
A
A
A
A
A
on
the
run,
it's
a
A
A
A A
bat - tle
I
won, I
A
+ AA
A A
A A
+ A A
r A A
A A
+ A A A A
AA
A A
sfp
A A
+ AA
AA
AA
+ AA
A A
A A
A A
+ A A
A A
A
A
A
A
sfp
Vla.
sfp
Vc.
sfp
Db.
s
sfp
A
A
A
A
A
A
A
was
hot
on
the
trot
and
I
A
A
A
dodged their best
A I shot
' AA
AA
+ AA
AA
A A
A A
A A
A A
A A
A A
+ A A
A A
A A
A A
+ A A A A
A A
sfp
AA
'AA
ss.
sfp
sfp
'AA
g li
s.
3 3
AA
Vln. 2
s gli
A
3 3
A ' A
Pno/ Synth
ss.
A
went
Pipes
gli
ss. gli
Harp
AA
'AA
AA
+ AA
AA
AA
AA
'AA
AA
+ AA
A A
AA
A A
A A
+ A A
A A
A A
A
A
A
A
A
A A A
sfp
sfp
sfp
sfp
A a
3
A
114
A
'A 'A A A I I @ I I I I
511
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r s
3
+ I I @ A
+
AA I I @
A
'A 'A A A I I I @
AAA I I @
I I
3
3
K
ff rimshot
Perc.
'A 'A A A I I
<
+ AA I I K
<
<
+ AA I I @
+ AA
@
@
3
+ AA I I
I I K
ff (damp)
Harp
JAMIE
I I @ M A+ r A A A A I I s
K I A A A A
slash and a flash, Pipes
Pno/ Synth
Vln. 1
Vln. 2
Vla.
Vc.
Db.
r s
< A
A A A A I I
@
in my gen - tle - man's suit,
3 3
A ] ]]A I I @
chromatic cluster
cut - ting a dash
A I I
as an ar - my re - cruit!
3 3
A] ] ] A fff + A ]]] A
@
A]+ I I @ A
I A A A A A
@
3 3
A+ I I @ ff A+ I A+ A r A I ff + AA I ff + A I ff A+ I A ff A I s
A I I
I I K
I I K
A] ]A] I I A]]+ I I ] A
A] ] I I K + A I I K ]]] A ] A
I @
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I @
K
<
<
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K
<
<
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<
<
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K
<
<
I @
K
<
<
@
ff
Cl./ B.Cl./ Eb Cl.
T JAMIE'S JIG 514 r s N A mf
HIGH TRIANGLE
Perc.
>
@
@
N >
A @
> > >
O N O
>
A
A
N
A
(sim.)
@
@
> > >
>
@
@
N >
@
A
A
@
@
A > > >
mp
NNN N Harp
mf
N
AAA A
NNN N
AAA A
NN O NN
AAA A
AAA A
NNNN
AAA A
NN NN
AA AA
AAAA
AA AA
A
N
A
N O
A
A
N
A
N
A
A
A
+ A A A A A A A A A A A A N
solo
Pipes
Pno/ Synth
Db.
r A A A A +A A A A + A A s N N A A A A A A
O
A33 A
A A A A A A A A
N
A
N
A
N NNN
A AAA
NNN N
A AAA
O N NNN
A AAA
mf N
A
N
A
O N
T r s N
A
N
A
O N
mf
A A A A A+ A A A A N
A
N
AAA A
N NNN
A AAA
N NNN
A AAA
A AAA
AA AA
A
A
N
A
N
A
A
A
A
A
N
A
N
A
A
A
115
Cl./ B.Cl./ Eb Cl.
520
r s N
Perc.
Harp
Pipes
>
@
>
@
O N
A > > >
@
O
>
A
A @
> > >
@
N
>
A @
@
N >
@
A
A
@
@
N >
NN NN
AAA A
NNN N
AAA A
NN O NN
AAA A
AAA A
NNNN
AAA A
NN NN
AA AA
AA AA
NN NN
N
A
N
A
N O
A
A
N
A
N
A
A
N
r A A A A +A A A A + A A A A A A s
O
A A A A A A A A3 A A
N
A
N
A
N NNN
A AAA
NNN N
A AAA
O N NN N
A AAA
N
A
N
A
O N
r s N
A
N
A
O N
Pno/ Synth
Db.
N
A
A A A A A+ A A A A
@
A+ A A A AAA A +A A A A A A A A N A
N
A
N
AAA A
N NN N
A AAA
N NNN
A AAA
A AAA
NN NN
A
A
N
A
N
A
A
N
A
A
N
A
N
A
A
N
Cl./ B.Cl./ Eb Cl.
526 r N s
A
A A A N
N
A
A A A A
mf
>
Perc.
N
A
A
N
N
A
(sim.)
>
@
@
> > >
@
I
@
I A A N A A N I
@
> > > >
@
A
A AA AA AA A
@
<
>
@
>
@
@
A A
mf
N N
N N
mf
Harp
Pipes
A A
@
<
r A A AA A + s N A A A A A A N A A A A A A N
A
Vla.
A
M N
A
N
A A A N
A
r N
A
N
A A A N
A
A A A A
A
N
A A A N
A
A A A A
s
N mf
A A
N N
N N
<
<
<
AAAA A AAA A A A + A A A A A A A A AA AAAAA AA N A N A A N A
N
mf
Db.
<
A
mf
A A
(sim.)
A A A A AA A A A NA AN N A
SYNTH - WHITE PAD
Pno/ Synth
NN
A A A A
N
A
A
N
N
A
N
A
A
N
N
A
N
A
A
N
N
A
(sim.)
(sim.)
(sim.)
116
533
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
<
A
A
A A
A A A A
A A A -A 'A 'A -A -A A A -A A I A A A -A A A
mp
A A A A s
Perc.
> > > >
A A AA AA
Harp
Pipes
A
A A <
r s A
A
@
>
@
A A
N N
A A A N
N
@
>
@
<
> >
-A
A
N
A A A A
N
A
N
<
r
<
A
A
A
A A A
>
> >
A A A I I A
<
+ A A A A A
<
<
N
A
A A A N A A A N
N N
A+ A A A A A A A A A A A A A
N
A
A -A A A
-A A A
mf
N
A A
SD / BD
@
@
A A A A A A
N N
A A
A I I A
+ A
<
A A A A A A A AN A A A N
A A A N
N
<
A+ A A A A A A A A A N
A A A
N
Pno/ Synth
Vln. 1
<
A
A
<
<
A A A A A A A A - A ' A ' A - A - A A A -A A A A I A A A -A A
mp
Vln. 2
<
<
A A
<
A - A -A A A A
-A A A
mf
A A A A A A -A 'A 'A -A -A I + A A A A A A A A A -A A A A A -A A
A A
A
-A
mp
-A A
A A
-A A A
mf
Vla.
Vc.
A A A A
N
@
A A A
A
N
A A A N
A A I I
A A A A A A A A A A A A A A A A A A A A A A A A A A A
mp
Db.
s
A A A
A A A mp
A
A A A
N
A A A A A A A A A A A
mf
A A A A A A A A A A A A A A A A A A A A A A A A A A A
A mf
A A A A A A A A A A A
117
JOIN THE ARMY! 2
A -A A 'A A A A A A -A A -A A r I -A A A 'A A O I I 539
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
b
- D3555555555555555555555555555555555555555555555555555555555555555555555555555555555
- A
I I I I A O ff
s
N
A
+ A
I
@ A A @A
Perc.
O
Â?Â? A A
mf
3
<
O AA
+ A I A A A @ @
+ A
Â?Â? A A
Â?Â? A A
Â?Â? A A
Â?Â? A A
A+ I I @ A
Â?Â? A A
ff
N N
A A
3 3 O
O
A A I I @
<
O
ff
Harp
JAMIE
O
<
<
O
<
<
r s
<
O
<
<
A A I I @
O
+ I I A O
@
They
Pipes
r A A A A A A s A
+ O A A A A A A A A A A A 3
N
A
Pno/ Synth
N M
A
Vln. 1
A 'A A A A A A -A A -A A A A A -A r I -A 'A A O I I
3
<
O
<
O
3
3 O
<
b - D3555555555555555555555555555555555555555555555555555555555555555555555555555555555
- A
I I @
O
- A I I @
O
A A A A A I I @
O
ff
A -A A + O 'A A I A A A A -A A -A A I I -A A A 'A A
Vln. 2
- D3b555555555555555555555555555555555555555555555555555555555555555555555555555555555 ff
Vla.
<
O
<
A
I
A A
I
A A
I
ff
Vc.
A A A A A A A A A
O
A
A I I @
O
A A A A A A A A A A A A A I I @
O
A A A A A A A A A A A A
I
A A
I
A A
I
A A A A
ff
Db.
s
A A A A A A A A A
O
A A A A A A A A A A A A
ff
118
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
U 543 r O A
s
A A A A -A A A A
O + I A
I
mf
O
A A
Perc.
A I A
A A A A A A A A A A I A
A A A A A - A A A A A I A
+ I I A+ I I A
+ I I A
+ I I A+ I I + I I A A A A A
+ + A I I A+ I I A I I A A A
A A
A A
A A
+ AÂ? A A
A A
A A
+ AÂ? A A
A A
A A
A A
A A A A
mp G AAA O
Gtr.
I
AA AA I A I I A I I
AA A I I
C
D
A A AA A A I I AA I I AA I I AA I I
G
AA A A A A I I AA I I AA I I AA I I
mf JAMIE
r O A s
A A A A -A A A A
said join the ar - my and be
Pno/ Synth
Vla.
O NNN
M
I
mf
O + I A A
Db.
+ I AA N A NN
I
I AA+ I A
they said join the ar - my to be
I AA+ NN A N
I
a
re -cruit
+ I AA I A
there's
+ I AA A
+ I I A A
+ I I + I I + I I A A A A A A A A A A A A
+ I I + I I A I I A+ A A A A A A A A A A
I
+ I I A+ I I A
+ I I A
+ I I A+ I I + I I A A A A A
+ + A I I A+ I I A I I A A A
I
I A I I A I I
A I I
+ A I I A I I A I I A A A
A I I A I I A I I A A A
I
I A I I A I I
A I I
+ A I I A I I A I I A A A
A I I A I I A I I A A A
mf
O A s
+ I AA I A
they paid me five shil -lings, I bought a new suit,
+ I I A+ I I A A A
mf pizz.
Vc.
re - cruit
I
U r O pizz. A+ I O A
a
A A A -A A A A A + + + I A A A A A A A A A A A I A A A A I A
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
546 r A A A A A A A A A A I A
s
+ I I + I I + I I A A A A A A
A A
Perc.
C
Gtr.
JAMIE
AA AA A I I A I I r A A A A A A s plen - ty
Pno/ Synth
Vla.
Vc.
Db.
A A
A A D
of glo - ry andarms full of loot,
A A
-A
A
A A A A -A
+ A I
I A+
I
I
+ A I I A+
+ AÂ? A A
AAA I I AAA I I A A A A I A+
+ I I AA NNN A + I I + I I + I I A A A A A r A I I I I + I I + + A A A A+ I I A+ I I A I I + + s A I I A I I A I I
M
AA
A A
G
AA A I A A
A A AA I A A A
A A I
I
-A
A
the mar ching and dril - ling wern't worth
A A A A A A A A A A A A A A A
I
+ AA A
+ AÂ?
A A
I
A
A A
AA
+ AÂ?
A I AA
I I
A A
A I A A A A I A A -A A A -A A
+ I A A + A I
I
+ A A I A+
I
I
I
I
A I
I A
I
I
A I I A
I I
A I
I A
I
I
A I I A
I I
+ A A + A
A A D
the shil - ling,
I
+ I I + I I A+ I A A
AA AA AA I I A I I A I I A I
+ I I AA A + A I I A + A I I
+ I I AA AA A A
I
I I
AA
AA A A I I AA A A A
A A A -A A A -A A I A A I A
I
+ I AA AA A A I I I I
can tell you
I
just was - n't wil - ling, I
+ I I AA I I A
+ I I + I I A+ I A A A A A I I + + I I A+ I A A A I I A I I A I A I I A I I A I
+ AAA I I
+ I AA A
A A I A
A A A A A A
I A
A A
I A
A A
119
549
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r -A s
A A
+ I A
I
+ A
A A
Perc.
Gtr.
JAMIE
I I
A A
G9
AA AA r -A s
A -A A A A A 'A I I I
I
Vla.
A A
+ AAA I A + I A A r A+ I
Vc.
Db.
s
A A
I I I
A A
Cm
A 'A A A A A A A
A
+ I I @ A @ A A @
+ I I + I I A A
I
D7
G
A I I I I A
+ I I A
I I
AA A 'AAA AA I I AA I I @ A -A A A I I I A A 'A
sent back the horse with a note
Pno/ Synth
+ A
+ I I @ A @ A A @ C
I
A A A -A A
AA A
A A
I I AAA I I @ A A A -A A A+ I I I I A+
I I
I said thanks for the cash you old stoat
I
AA A A I I AA I I
A
A A
did
+ A A + A
I I
+ I I @ A A I I + I I @ A + I I A I I @
+ A A
I I
A A
I I
+ I I A A + A I I
+ I I @ A A + I I @ A
I I
A
I I
I I A+ I I @
A
I I
A
I I
I
A
D
A
AAA
I
C
A 'A A A A A A A
+ AAA I I AAA+ I I @
A
A A
I I
I I
A
A A + A
AAA
+ 'AAA
I
A
I
I I AA+ I I @ A
I
A A
AA A I
+ AA AA
A
A A
+ I A A A
A
it
so of - ten my name be - came known in the
I
I AA+ A
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JOIN THE ARMY! 3
A -A A 'A A A A A A -A A -A A r I -A A A A O ' A I I 587
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b
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W r O A 591
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A A
A A
G
AA A
+ I A
I
AA I A I
> > > I A+ A 'A A A A
runs like a hare"
+ + 'AAA I I AAA I I AAA+ A+ I I + I I + A A A A A r A I I + A I I A+ A I I A I I A A I I A I I A s
A 'A A A A
A A A I A
+ I A
I
A A C
I
AAA
A A
I
+ I I + I I + I I A A A A A A + A A A A A A A A A
A A A + A A A
D
D
A I AA I I
A A A I A
there's no - one can see him when he comes a - round
I
+ AAA
I
+ I A A
I
+ I A
I
I
I
I A I
I
+ I A + A I
I
I A I
I
+ A I
I I @
AAA
I I @
+ A I A
I
+ I A A
I I @
+ A I
I
I I @
A
I I @
A
@
I
A 'A A A A A A A A A I -A
G
C
AA A A I I AA I I AAA I I AAA I I A 'A A A + A A A A A A I -A
the dogs all go qui - et and cats go to ground
I I AA+ AA A A A A A A A A
I
A A A A A A
I
A A A
but
I I AA+ A
I I AA+ A
+ A I I A+ I I + I I A A A A
A A A A A A
@
+ A I I A+ I I + I I A A I I A I I A+ I I A I I A I I A+ I I
A A A A A A A A A
128
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
601 A A A r A A A A I A -A - A A A I A
s
+ I A
I
+ + + A I I A I I A A A A I I
A -A A A A A 'A I I
+ I + A I I A
I
A A A
<
A
A
sfp
A A
Perc.
A A
A A
A A
A A
A A
A A
+ A A
A
0
A A
mp
G
AA A I
Gtr.
JAMIE
I
r A A A A I A -A -A A A I A A A A s word got
I I
a - round
+ I A A
that I was a - bout
Cm(,7) AA A AA I I 'AAA I
I
r
A I AAA I I
A -A A A A A 'A
A A
and old flame be - trayed me the sol -diers gave rout so I'm
+ + + + + AA I I AA I I AAA I I AAA I I AA I AA A A A A
Pno/ Synth
Vln. 1
G7 Cma7 AA A A A A I I AAA I I AAA I I AAA I I
+ + + A I I A I I A A A A I I A A A A A A
<
+ I AAA I A
<
A
up and
+ + I 'AAA I I AAA A A A ' A
+ I I A+ I A A A
I
A A AA A A
<
A
A I'm
A
A A
A A A
A
run - ning while they do their gun - ning
AA
+ A A A A
A A
A A
A A
+ A A A A
A A
A A
A A
+ A A
A A
'AA
AA
+ AA AA
AA
'AA
AA
+ AA A A
AA
A A
A A
+ A A A A
A A
A
A
A A
A
A A
sfp
<
Vln. 2
<
sfp
A+ I
Vla.
I
+ + A I I A I I A A A A I I
+ A I I A I
I
+ I I A
sfp
A I
Vc.
I
A A A A A I I I I I I A
A I I A I
+ I A I I
sfp
Db.
s
A I
I
A I I A I I A A A A I I
A I I A I
A I A A
sfp
A 'A I'm
129
604
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
s
<
A
+ A
A
sfp
Perc.
<
A
A
A
+ A
A
sfp
0
A
A
0 mp
f
<
<
<
<
Harp
JAMIE
r 'A s up
A
A
and
I'm
A
A
A
A
A
run - ning while they do
A their
A
A
gun - ning
A
A
I
was
A
A
A
A
A
ly - ing
in
bed
and
A
A
A
A
A
they kicked in
the
door
A ' A
AA
+ AA
AA
A A
' AA
AA
+ AA
AA
A A
A A
A A
+ A A
A A
A A
A A
A A
+ A A
A A
A A
A A
+ A A
A A
A A
' AA
AA
AA
AA
+ AA
AA
+ AA
A A
+ A A
A A
A
A
Pno/ Synth
Vln. 1
r A A sfp
Vln. 2
'AA
AA
'AA
AA
A A
A A
A
A
sfp
Vla.
sfp
Vc.
sfp
Db.
s
sfp
AA AA A A A
+ AA
sfp
A A
+ A A
A A
A A
'AA
AA
+ AA
A A
AA
A A
A A
+ A A
A A
A A
A
A
A
A
A
A A sfp
sfp
sfp
sfp
I
A I
130
Db 5555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 A A A 3
606
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
s
K
@
ff
to Eb Clarinet
A
I 3
+ A
A
sfp
Perc.
I
A
<
A
A A
A A
0 f
A A
A A
f
A <
gliss .
f
Harp
JAMIE
r s
<
A
A
A
tried
to
es - cape
' AA
A
AA
A but
A
>
was kicked to
the
floor.
+ A A
A
AA
A A
Pno/ Synth
Vln. 1
r
Vln. 2
Vla.
Db.
s
A A
A A
A A
3 3
I
I
<
A A
A
sfp
ff
3 3
'A
sfp
ff
A
sfp
ff
'3 3
' A
sfp
ff
A sfp
A
A
A
A
A A
A - A A - A
A A
A A
A A
A - A A - A
A A
A A
A
I 'A
ff - ironic
A A
'3 3
Vc.
A A
+ A A
ss. gli
A
A
A
ff
A ff
I
I
A I 'A -A
I
I
I
I
A I
A
A
I
I
A
I
I
I
'A I -A
A
I
I
'A
I -A
I
I
A I
A
A
I
I
A
I
I
I
-A I A
A
I
I
-A
I A
A
A
131
CAPTURE
Fl./Picc./ A.Fl.
Perc.
D 555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 q = 84 3 X A 608 r I s
Â? A Â? A
Â?Â?
A A
Â? A Â? A
Â? A Â? A
+ A I A
@
K
@
K
<
TAM-TAM
K
@
I
A
A
glis s.
A
A Â?A Â?
A A Â?Â? A A Â?Â?
A A Â?Â? A A Â?Â?
A A Â?Â?
A A Â?Â?
A A Â?Â?
A A Â?Â?
A
A
A
A
gli ss.
I
ss. gli
A
gl iss .
A A Â?Â? Pno/ Synth
. iss gl
gli ss.
gl i ss .
(sim.) Harp
fff
ff
+ A
gli
ss.
+ A
+ A
. gliss
6
Vln. 1
Vln. 2
Vla.
Vc.
Db.
r A I
A I
A I
A I
A I s
+ Â? ' AÂ? A Â?Â?
Â?Â? A A Â?Â?
X q Â?= 84 3Â? 3Â? Â?
Â?Â? 3 3 Â?Â?
A 'A I I A+ I
Â?+ AÂ?
Â? AÂ?
Â? 3Â?
Â? 3Â?
A -A I I 'A+ I
+ Â? AÂ? Â?Â?A
Â? AÂ? Â?Â?A
Â?Â? 3 3Â? Â?
Â?Â? 3 3Â? Â?
A ' A + I I A I
+ Â? AÂ? A
Â? A Â? A
Â? 3Â? 3
Â? 3Â? 3
Â?+ AÂ? A
Â? A Â? A
Â? 3Â? 3
- A A I I
' A A I I
A I
+ A I
fff
fff
fff
fff
Â? 3Â? 3 fff
132
611
Fl./Picc./ A.Fl.
r
A ' A A A A A A AA A A A
A ' A A A A A A AA A A A
A ' A A A A A A AA A A A
fff
Eb CLARINET
Cl./ B.Cl./ Eb Cl.
A ' A A A A A A AA A A A
s
Perc.
A A A A - A - A - A A ' A - A A A A A - A - A - A ' A - A A ' A - A 'A -A
A A A A - A - A - A A ' A - A A A A A - A - A - A ' A - A A ' A - A 'A -A
fff
(secco)
I + >
@
@
A I @
glis
s.
@
A
A
I
I + >
@
@
@
A
A
'A A
N N + A ]]] A
I
I + >
@
@
@
A
A
'A A
N N + A ]]] A
I + >
I
@
fff
Harp
@
+ A] ] ] A
@
I
@
'A A
N N
@
@
+ A ]]] A
@
@
I
@
@
I
@
@
I
@
@
+ ]]A ] A
I
@
@
+ ]]A ] A
A
+ I A A
I
Â&#x2122; + A
A
+ I A A
I
Â&#x2122; + A
I
'A A
I
@
@
I
@
@
I
Â&#x2122; + A
A
+ I A A
A
+ I A A
I
Â&#x2122; + A
A
+ I A A
Â&#x2122; + 'A
A
+ A A I
I
Â&#x2122; + 'A
A
+ A A I
Â&#x2122;+ AA
+ AA AA AA I
Â&#x2122;+ AA
+ AA AA AA I
Pno/ Synth fff con tutta forza A+ I ] ]]A
Vln. 1
r I
snap pizz
+ ]]A ] A
+ I A A A
I
Â&#x2122; + A
Â&#x2122; + A
+ I A A A
I
Â&#x2122; + A
A
+ I A A
Â&#x2122; + 'A
+ A A A I
I
Â&#x2122; + 'A
A
+ A A I
Â&#x2122;+ AA
+ AA AA AA I
Â&#x2122; + A fff
snap pizz
I
Vln. 2
fff
snap pizz
I
Vla.
fff
I
Vc.
Db.
s
N Â? N
div. snap pizz
Â&#x2122;+ AA
+ AA AA AA I
I
Â? N Â? N
I
Â? N Â? N
I
Â? N Â? N
133
615
Fl./Picc./ A.Fl.
r
A ' A A A A A A A A A A A
A A A A ' A - A A ' A - A
Cl./ B.Cl./ Eb Cl.
s
Perc.
@
@
A
A
- A - A - A
I
I
+ >
A ' A A A A A A A A A A A
A A A A ' A - A A ' A - A
@
@
@
A
A
'A A
N N
+ A ]]] A
- A - A - A
I
I
A ' A A A A A A A A A A ' A
A A A A ' A - A A ' A - A
+ >
A - A A
<
A A
A
@
@
A
A I @
' N N
'A A
N N
'A A
N N
+ A ]]] A
A - A A A
A A
'A A ' A
I + >
@
Harp
N N
+ ]A ]] A
I
@
@
A+ ]] ] A
I
@
@
+ ]]A ] A
Vln. 1
r I
Â&#x2122; + A
A
A
+ I A
I
Vln. 2
I
Â&#x2122; + A
A
A
+ I A
Vla.
I
Â&#x2122; + 'A
A
A
+ A I
I
Â&#x2122;+ AA
+ AA AA AA I
'A A
I
@
@
<
I
@
@
<
I
Â&#x2122; + A
+ I A A A
I
Â&#x2122; + A A
+ I A A
+ I A
I
Â&#x2122; + A
+ I A A A
I
Â&#x2122; + A A
+ I A A
+ A I
I
Â&#x2122; + 'A
+ A A A I
Â&#x2122; I 'A+ A
+ A A I
Â&#x2122;+ AA
+ AA AA AA I
I
@
@
I
@
@
+ ]]A ] A
Â&#x2122; + A
A
A
+ I A
I
Â&#x2122; + A
A
A
I
Â&#x2122; + 'A
A
A
Â&#x2122;+ AA
+ AA AA AA I
Pno/ Synth
Vc.
Db.
s
N Â? N
I
Â? N Â? N
I
Â? N Â? N
I
Â? N Â? N
Â&#x2122;+ + AA AA AA AA I
134
619
Fl./Picc./ A.Fl.
r
Cl./ B.Cl./ Eb Cl.
s
Perc.
A ' A A A A A A A A - A
A A A A ' A - A A' A - A A
@
I
+ >
A ' A A A A A A A A - A - A A A ' A A A A A A A A - A - A ' A
A A A A ' A A A - A A A A I
A A A A ' A ' A A ' A - A A A A A A ' A A ' A - A A ' A - A A 'A -A
A A A A A A A ' A ' A - A - A I
@
@
ORCH. BASS DRUM
I + >
<
<
@
N
mf
A
A
A
A I @
A
A I @
A A
'A A
N N
'A A
N N
'A A
A+ ]]] A
I
@
A+ ]]] A
A+ ]]] A
+ ]]A ] A
I
@
+ ]]A ] A
I
+ A
I
+ A
A A
I
+ 'A
I
<
<
Harp
I
@
@
I
@
@
+ ]]A ] A
@
N N
<
I
@
@
<
<
I
@
@
<
<
I
+ A
I + A A A
@
I
+ A
I + @ A A A A A
+I + I + I @ A A A
A A @
I
+ 'A
+ A A I A 'A A @
+ + + A I 'A I A I @
+ AA
AA AA I
+ AA AA AA @
+ AA I AA+ I AA+ I @ @
Pno/ Synth
Vln. 1
r
I
+ A
Vln. 2
I
+ A
A
A
Vla.
I
+ 'A
A
A
+ AA
AA AA
I
N N
Vc.
Db.
s
I
N N
A
A
+ AA
A A
AA AA @
I
'N N
A A
N N
@
+I + I + I @ A A A
N N
135
FETCH THE MAN AWAY!
Fl./Picc./ A.Fl.
Y q = 84 Z q = 128 A A A A 'A A 624 A A A A A A A A A A A A A A A A A A A A A A A A r A A A fff
Cl./ B.Cl./ Eb Cl.
A A A A A A A A A A A A A A A A A A A A A A ' A A s
fff
3
f
(sim.)
A A A A
A
(sim.)
A A A -A
A A AA
3
A AA
3
3
3 A A A A
3 A A -A A
3 A A A A
N N
-N -N
N N
3
A A A
f
GLOCK
NÂ?Â?
Perc.
Â? NÂ?
Â? NÂ?
Â? AÂ?
@
@
Â
<
N N
mf
ff
f
A A A A A AAAA A A AA AA A A AA 3 A A A AA A A A A fff
<
(sim.)
Harp
ANNIE
A A A A A A A A A A A A A A A A A A A A A A AA A A AA 3
r s
<
-N - N
<
N N
<
A A
N N
<
N N
<
(sprechgesang)
>
> >
Fetch
theman
ff rowdy!
fff
N N
N N
A A
N N
N N
>
>
a - way
>
@ A A AA AA
AAA
N
<
Y q = 84 arco A A A A A A A A A A A A A Z q = 128 A r I I I I I I I I I I I I I I
N
>
>
> >
>
they say fetch theman
SYNTH - BARREL ORGAN SOUND 3
@ 3 AAA
<
Pno/ Synth
Vln. 1
<
@ A AA
3
a -way
3
@ A A AAA AA AA
N
N
<
<
<
<
<
<
fff
arco
A A A A A A A A A A I I A I I I I I I A I I I A I A I I
Vln. 2
fff arco
A A A A A A A A A A A A A A A A A A A A A A A A A A A I
Vla.
fff
unis.
-A - Aarco nat. A A A - A A - A A A A A A A - A A - A A - A A - A A A A A A A pizz. I N
Vc.
fff
Db.
s
N Â? N
N
N
N
N
N
N
ff
Â? N Â? N
Â? N Â? N
Â? N Â? N
AÂ? A
@
pizz. N ff
@
>
136
631
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
3
3
(sim.) 3
3
3
3
3
3
足 N N
ANNIE
r s
>
>
Fetch
Vc.
Db.
>
>
the man
AAA
>
>
a - way
3
@ Pno/ Synth
N N
N N
N
>
>
3
@
AA A AA A
>
the man
3
- AA A
>
a - way
>
>
AAA
' AAA A
I
AAAA
> >
>
>
and
tie him
to
a
@
AAAA
3
N N
+ >
3
@
AAAA
3
3
3
'N 'N
to camp
3
@
AAA
3
A A A A A A A A A
3
>
>
Fetch him back 3
@
AAA
3
N N
@
>
>
3
3
N N
N N
they say fetch
@
AAA
>
3
3
3
(sim.)
Perc.
3
A A A A A A A A A
A A A A A A A A A ' A
3
3
A A A A -A A A A A A A A
s A A A
3
A A A A A A A A A A
3
3
3
3
A A A A A A A A A ' A
A A A A A A A A A A
A A A A -A A A A A A A A
r AAA
pi - vot
3
' AAA A
@
> >
3
@
AAAA
AAAA
AAAA
N
-N
A
+ A 'N
N
'N
A
+ A
r N
N
-N
A
+ A 'N
N
'N
A
+ A
N
N
-N
A
+ A 'N
N
'N
A
+ A
s
635
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
A 'A A A A A A A A 'A A 'A A A -A A A A -A A A A A A A 3
s
3
3
3
3
3
ANNIE
Pno/ Synth
>
Paint
the
Vln. 1
3
3
3
3
3
3
3
3
N N
N N
>
>
>
3
AAA
>
cob - bles black
@
AAA
'N
N
A A AA
3
>
>
> >
with his blood,
3
AAA AAA
@
-N
>
3
3 -A AA A
3 A AA A
N N
N N
N N
@
>
>
nail and ri - vet
3
AAA
AAA
@ A
3
AAA AAA
<
<
> >
Fetch
@
>
>
the man a - way
3
AAA
@
AAA
+ A N A 'A
>
>
>
they say fetch
3
AAA
A A A
3
3 A AA A
N N
arco
r
A A A -A
3
>
@
3
AAA A AAA A
3
r s
3
A ' A A A A A A A A 'A A ' A A A -A A A A -A A A A A A A
足 A 'A A A A 'A A A
Perc.
3
A A A A
@
AAA
> > the man
3
AAA
AAA
N
N
>
3
A A A
@
>
a - way
@
3
AAA
AAA
N
A
A
A A
A
A
A 'A
A
A A A
A
A
A
A
A A
A
A
A 'A
A
A A A
A
A
A
A
A A
A
A
A 'A
A
A A A
A
A
ff arco
<
Vln. 2
<
A 'A
ff
Vla.
<
<
A 'A ff
Vc.
Db.
s
N
'N
-N
A
+ A N
N
'N
-N
A
+ A N
N
N
N
N
N
N
137 639
Fl./Picc./ A.Fl.
r AA A
Cl./ B.Cl./ Eb Cl.
s A A A
Pno/ Synth
Vln. 1
3
r s
3 3
3
3
3
A A A A -A A A A A A A
>
> >
Fetch
the man
>
N
>
>
a - way
3
AAA
M
3
3
3
@
AAA
>
3
I
>
say fetch
3
N
>
the man
-N
> >
>
Flay him
till
3
@
- AA A AA A
AAA AAA
A
3
he stays
3
@
' AA AA
+ A 'N
>
@
AAA A
>
AAA A
> @
AAA A
> > the man
a - way
3
' AA AA
@
>
>
3
@
AAA A
'N
N
3
N N
they say fetch 3
3
3
3
'N 'N
>
>
3
A A A A A A A A A
3
N N
@
>
a - way
3
@
AA A AA A
>
3
3
N N
N N
>
3
A A A A A A A A A
A A A A A A A A A ' A
3 3 A A A A A A A A A A A
3
N N
N N
@
3
3
N N
AAA A
AAA A + A
A
r A 'A
A
A A A A
A
A 'A
A A A A
A
A 'A A
A
A A A A A
A 'A
A
A A A
A
A
A 'A
A
A A A A
A
A 'A
A A A A
A
A 'A A
A
A A A A A
A 'A
A
A A A
A
A
A 'A
A
A A A A
A
A 'A
A A A A
A
A 'A A
A
A A A A A
A 'A
A
A A A
A
A
Vln. 2
Vla.
Vc.
Db.
3
3
Perc.
ANNIE
A A A A -A A A A A A A
3
A A A A A A A A A ' A
A A A A A A A A A A A
s
N
N
-N
A
+ A 'N
N
'N
A
+ A
N
N
-N
A
+ A 'N
N
'N
A
+ A
643
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r s
A 'A A A A 3
'A A A -A A A A A 'A A A -A A A A A A A
3
3
A 'A A A A 3
3
3
ANNIE
Vln. 1
3
3
3
3
3
>
>
>
>
Flay
him
till
he
3
AAA
> stays
>
>
>
>
I
say
fetch
the
man
3
@
AAA
>
AAA
'N
N
AAA
> 3
@
AAA
AAA
AAA
A
-N
A
A A
3
A
>
>
to
his
3
AA A
>
A A
A
A
A
'A
A
A
A A
A
A
A
A
A
-A
A
'A
A
A
A
A
A
A
A
A
'A
A
A
A
A
-A
A
'A
A
A
A
A
A
A
A
A
'A
A
A
A
A
-A
A
N
3 arco
N
'N
-N
A
AA A
A
A
A
AA A
A
'A
-N
and
3
'A
A
'N
>
re - gi - ment
@
AA A
>
A
A
N
>
N
A
A
+ A
A
s
>
@
A
A A
N N
Fetch him
A
Vc.
A
@
>
a - way
3
@
AAA
>
A
Vla.
A
3 3
N N
A
A A
3
N N
N N
A
3
A A
r 'A
Vln. 2
Db.
3
A A
3
@ Pno/ Synth
3
A A A A A A A A
3
r s
3
' A A A -A A A A A 'A A A -A A A A A A A
A 'A A A A 'A A A
Perc.
3
A A
@
3 + A
N
N
138 646
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
r s
-A
A A A
r s
Pno/ Synth
A
3 3
>
tie him
to
a wheel,
>
> >
+ >
> >
Bendhim, break him, rip his 3
@
>
AAA
3
@
AAA
AAA
N
N
3
A AA
>
> till
- A AA
-N
AAA
>
Flay him
till
A ' AA A
3
@
AAAA
>
fel - la,
AAAA
AAAA
r A 'A
A
A A A
A
A
A 'A
A
A A A
A
A
A
'A
A A A A
A
A 'A A
A
N
A A A A A
A 'A
A
A A A
A
A
A 'A
A
A A A
A
A
A
'A
A A A A
A
A 'A A
A
A A A A A
Vln. 2
Vla.
3
3
3
3
Vc.
3
3
3
3
Db.
>
he stays,
+ A 'N
A
>
>
3
@
AAA
3
N N
> > 3
@
AAA
3
3
@
he squeal.
3
@
N
3
N N
>
>
3
AA AAA A AA A
3
whip him
AAA
3
A A A A A A A A A A A N N
>
skin,
3 3
3
I
3
@
AAA
3 3
N N
N N
@
> AAA
3 3
N N
>
3
3 3
A A A A A A A A A -A A A A A A A A
> >
N
3
N N
AAA
3
3 3
AA AAA A AA A
A A A A A A A A A A A
A A A A A A A A A A -A A A A A A A 3
3
N N
@
Vln. 1
A A AA 3
Perc.
ANNIE
- A
s
N
N
N
N
-N
+ A 'N
A
N
Fl./Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
3
s 'A
r s
>
Vln. 1
@
M
'N
A
A 'A
3
3
3
A A A
3
3
A A A A
>
>
man
a - way,
3
' AAA A
3
@
AAAA
AAAA
A
>
>
>
Fetch
the
man
N
>
3
3
A A ' A A A -A A -A A A A A
3
AAA
>
3
3
3
A
3
N N
N N
>
a - way,
3
@
AAAA + A
3
A
3
@
>
3
A A A A A A A A
3
>
3
A A A A 'A A
3
A 'A A 'A
N N
'A A A -A A A A A 'A A A -A A A A A A A
A A A
fel
>
>
>
la,
fetch
the
man
3
@
AAA
-
>
AAA
'N
AAA
@
>
a - way.
3
@
AAA
>
3
@
AAA
AAA
A
-N
AAA
+ A
r A 'A
A
A
A
A
A
A
'A
A
A
A
A
A
A
A
A
'A
A
A
A
A
-A
A
A 'A
A
A
A
A
A
A
'A
A
A
A
A
A
A
A
A
'A
A
A
A
A
-A
A
Vln. 2
3 3
Vla.
Vc.
Db.
A 'A
3
3
3
A
3
A A A A A A
A A
fetch the
Pno/ Synth
3
'N 'N
Perc.
ANNIE
A A A A A A
A A
650 r 'A
s
'N
A
+ A
3
3
3
3
N
'N
-N
N
139
653
Fl./Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
r
<
<
s
<
<
<
<
K
<
<
K
<
I 3
I
<
<
<
@
fff
A A A A I @ 3
@
fff
<
<
<
<
<
<
<
<
+ A I @ A fff
A AA I @
<
@
@
fff
Harp
ANNIE
A I @
SD / BD
Â
Perc.
<
A A A
r s
<
<
>
>
>
>
Fetch
the
man
a
3
-
<
0
>
>
way
I
say,
3
>
>
>
fetch
the
man
3
<
> a -
0
<
0
AA I @ A
<
0
@
<
way.....
3
3
<
Pno/ Synth
A AA I @
@
fff
3 3
3 3
3 3
3 3
3 3
<
-AAA I @
@
div.
Vln. 1
r Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
:+ A A I @
N Â?Â?
@
fff
div.
3Â?
Vln. 2
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
:+ AA I @
N Â?
@
fff
div.
Â?Â? '3
Vla.
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
N Â?Â?
:+ AA I @
@
fff
Â? ' 3Â?
Vc.
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
NÂ?
: - A I @
@
fff
:> arco
Db.
s
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â? 3Â?
Â?Â? N
I @ fff
@
PART THREE
140
NARRATION 3 (SIR WALTER SCOTT)
q = 60
Vln. I
r '
<
<
<
<
<
Vln. II
'
<
<
<
<
<
Vla.
Vc.
Db.
s '
Tape
<
<
<
solo
solo
' '
<
<
@ N
A A N
3
3
A
p non vib. sempre
solo
3
K
A N
N
3
3
A A A
A A A
N
A A A A
N 3
N
3
3
3
p non vib. sempre
3
3 N
N
A A
N
A
(sim.)
p non vib. sempre
<
<
<
SPOKEN VOICE:
3
<
<
3
<
3
<
3
<
3
<
3
<
3
3
When I first saw him at the Kelso races he wore the Northumberland livery, a blue coat with a silver crescent on his arm. He was an admirable piper but a desperate reprobate. The last time I saw him he was in absolute beggary and had behaved so ill at my uncle's house that the old Gentleman, himself a most admirable piper, would not give him Quarters though I interceded earnestly for him "the Knave" as Davie tells Justice Shallow "being my very good friend."
NARRATION 4 (A LOW SKY) solo
10
Vln. I
r ' K
@
N A A A
A N
3
A A
N
' 3
A A A A A
N
A
N
A A
A A
A A 'A
N
N
A A N
A A AAA
(sim.)
p non vib. sempre Vln. II
A N
AAA A A N
N
A 'A A A
A A N
N
N
N
N N
(sim.)
' A
A N
3
N
3
3
' A '3
Vla.
N
A '3
3
N
N
A A '3
3
'3
3
3
solo
'
<
<
<
<
A
A N
<
p non vib. sempre
' 3 3
Vc.
Db.
s '
<
N
<
N
<
3
3
<
3 solo pizz.
<
<
<
N
<
3
3
3
3
N
A A A A
A 'A A
A A
3
3
3
A A A 'A A
A A N
A @ A A
N
@
N
N
N
3
A @ N
N
@
N
N
N
3
A @ 'N
N
@
3
A @ N
N
@
'N
N
'N
N
A A 'N
N
'N
' 3
N
N
N
N
N
N
N
N
N
N
N
N
N
'
3
3
@
@ N
@
@
N N
A N N
N
A -3
N
N
A -3
@
@ N
3
A N
@
@ N
3
A N
@
@
@
(sim.) Vc.
' 3
Db.
'
Tape
s
K
They had been there before and they’d be there again. if the storm hadn’t ripped they’d of made Kelso by dusk.
' N
Vla.
<
3
He was then quite like a pauper with his wife and an ass in true gypsy fashion. A low sky hung on the hills, hunched and harried, like their shoulders--and the ragged Gallowa Walter Scott, Abbotsford, Melrose. They found a cluff deep in rock below a wind that screamed like a sack of cats
20 r A A N '
Vln. II
3 3
p
3
Tape
Vln. I
3 3
3 <
3
N 3
K
K 3
3
'3 'N 3
A K
@
K 3
N
@
N <
N 3
' N 'N
N
N
N
3
@ N
N
N
3
3
3
arco
3
But anywhere is where they were going, and there was as good as it got. The Gallowa grazed and lapped a syke. Annie found a windbreak and gathered kindling beneath an overhung bush, quickly, without talking. The weather was like the border, ill-definable, and sometimes impenetrable. They ate in silence, and when they finished lay close, listening to the wind and the fire’s crack.
<
141
THE RIVER IS DARK
Meno mosso
A q = 52 3 r I + A s ' K A A A A 31
ANNIE
SYNTH: WHITE PAD
+ A A
I
The ri - ver is dark
' Pno./ Synth
@
3
@
A A A A A
A
with peat from the fell
<
A A
A A A
Cur - lews are cal - ling
<
<
+ A A
3
A A A A N
with no - thing to
A
A
tell
Leave my
<
<
mp
'
3 3
3 3
3 3
3 3
3 3
3
N
Meno mosso Vla.
A q = 52 r < ' '
Vc.
tutti nat.
@
N
+ A A A A
A
mp
tutti nat.
3
3
3
3
3
3
3
3
3
+ A A
mp tutti
s '3 mp 36 r ANNIE s ' N Db.
house
Pno./ Synth
Vln. II
and
'
M
3 A A A A A A
A A
leave
my
home
<
3
A -A A
Ja - mie pack your
<
N N
A
A A N
N
N
3
N
s '3
N
3 3
r tutti nat. ' A A N
bags
and
roam
<
NN
'
3 A A A A A A A
A A A N
A
for
like
the fox,
@
A A A A N you shall grieve
<
@
<
<
NN
3 3
3 3
N
3
3
N
A
3
N
N
3
3
N
N
3
3
K
@ I + I + A A A A A A A A A A A A
A
mp
A
' A
Vla.
A
A
A -A
A
mf
'
Vc.
Db.
42
ANNIE
r ' 3 A A 'A N
A A A A N
Like the fox JAMIE
s '
you shall
3
grieve
3
The bor - der is long,
<
@
<
K
the bor - der is
3
3
The bor - der is long,
Pno./ Synth
Vln. I
'
M
<
' N N
NN
r ' K
@ @
<
3 3 tutti nat.
A A
A A A
Vln. II
Vla.
Vc.
Db.
' N ' N ' N s ' N
A A A
A A A
N N
3 3 3 3
wide
<
3 3
3 3
A N
@
With ma - ny a wa - ter
3
and ma - ny a
<
<
3 3
3 3 + A N
3
mf
N
A
+ A N
3
3
@ N
A
+ A N
3
3
3
3
3
3
3
N
N 3
N
@
3
With ma - ny a wa - ter
A
+ A A
and ma - ny a
-A -A A A A A A A I A A A
N
non div.
N
the bor - der is
<
mf
mp
wide
-A A @ I A A A A A -A A I A A A
3 3 I + A A A A+ A A AA A A A
142
48
ANNIE
bride JAMIE
For you to
-N s ' '
Vln. I
M
'
r ' '
Vln. II
Vc.
'
Db.
'
s
love
and live be -
For you to
love
and live be -
N
3 3
And
For
N
like the fox,
you shall grieve
<
<
<
<
drown in the run - ning tide
<
< NN
3 3 3
A N
N
A A N
N
N
A
A N
N
A A A
N
N
A
A A
N
N
A N
3
3
N
N
3
N
N
A
3 3 I
A
mf
+ -A A A N
mp
I
A
mf
A
K
A A A A A
A I
N N
A
+ A A + A A
drown in the run - ning tide
A A A A A A -A <
3 A A A AA A N
NN
3 3 + A A
N
And
side
<
3 3
side
A A A A A
<
' N
Vla.
3 A A A A A A A A - A A A A A A N A A
A A -A I A A
bride
Pno./ Synth
3
r ' A A A I + N A A A
+ - A N mp
3
mf
mp
N
3
3
mf
mp
N
3
3
mf
mp
B Perc.
bowed
VIBES
55
<
<
@
<
N
N
'3
'N
mp Ped. sempre ANNIE
r 3 ' A A 'A N
A A A A N
Like the fox JAMIE
s '
you shall
K
grieve
<
@
I + A
3
A A I A+ A A A
Good - bye to the ri - ver,
<
K
I A
'
<
M
' N N N
N N N
<
3 3
Good - bye to the
A A A A -A I A
fell
I + A
3
A A A A -A A I A
<
Good - bye to the
fell
<
3 3
3
A A A A
3
A A
+ A A A A
Good - bye to the mor - ning
3
Good - bye to the ri - ver,
Pno./ Synth
3
A A A A A A
A A -A -A
too lo - ving to
A A
A A A A
3
3
Good - bye to the mor - ning
<
too lo - ving to
<
3 3
3 3
3 3
A N
'P3
N
' N
3
N
N
3
3
3
3
3
3
3
3
3
B Vln. I
r ' N
Vln. II
3
mf
mp
' N
N
3 mp
mf
N
3
3
' N mf
Vc.
'
N
s '
N mf
mf solo
N
mf
+ A A
N
A p
mp
N
mf Db.
A N
N
mf Vla.
solo
3
N
N
mp
N
3 mp
3
143
61
Perc.
ANNIE
r '
N
N
I + A A A A tell
JAMIE
-N s '
I A
Vln. I
'
N
3
A 'N
N
A
A A
3 A A A A A A A A A -A
good - bye to the
A -A A A A
A A
craic
A
Good - bye to the nights with you on my back
A A A
A A A A
3
A -A A
A
good - bye to the
<
<
3 3
craic
3 3
<
NN
N N
<
<
N
' N
N
N
A ' N
N
N
A
N
N
A
N
A N
3
N
N
3
N
N
3
N
N
Db.
3 3 3
N
'
<
NN
A
'
You shall
A I
<
N
Vc.
A A
like the fox,
Good - bye to the nights with you on my back
N
'
'N
3
A
Vla.
For
N
N
'
N
3 A A AAA A N
A A A A N
r ' N
Vln. II
3
3
N A A A
Good - bye to the drink,
'
M
N
Good - bye to the drink,
tell
Pno./ Synth
A
3
N
3
N
3
N
3
mf
s
3 3
mf
mf
67
Perc.
ANNIE
3
r s ' A A A
K
'
Vln. I
Vln. II
<
N N N
r 'P 3
N
N
3
A A
A A N
you shall
grieve
<
3 ' 3
3
N
3
Like the fox,
M
'
'A
A A 'A N
grieve
Pno./ Synth
N
< @
K
3 3
N
P3
3
I + A A A A
< 3
A @ I A+ A A A A A A
The ri - ver is black
<
N N N
<
3
I + A A A A
with peat from the fell
<
The cur -lews are
<
3 3
3 3
< 3 3
tutti
' A
A A
A A 'A
@
N
@
mf
A
N
3
A
+ A N
A
+ A N
A
+ A N
mp
tutti
N
N
mf
N mp
Vla.
Vc.
Db.
' A '
-A A A N
N
N
3
N
'A A
A
A
@ N
mp
mf
mp
mf
3
N
mp
mf
3
3
3
3
3
3
3
s '3 mp
N mf
mp
mp
N
3 mp
144
73
ANNIE
+ A A r A A s ' A cal - ling
Vln. I
'
r ' '
Vln. II
A A A A A
3 A A A A A A A A A A -A
N A A Leave me now
<
and let
<
3 3
3
+ A A
N
3
+ A A + A A
N N
me
sleep
<
3 3
' 3
Vla.
@
with no - thing to tell
' Pno./ Synth
3
<
3
Your thei - ving words are all
3 A A AAA A N
A A A A A N I'll keep
<
3 3
NN
N N
A A N
A
A A N
A A N
A
A A N
A A A
N
N
For
<
A
NN
3 3 3
N
3
N
3
N
-A
f
A
A
f
A A
A
Db.
non div.
3
3
3
N
N
N
3 3
s '3
3
3
N
N
N
3
'
youshall
<
f Vc.
A A
like the fox
f
f
80
ANNIE
r s ' A A A
K
3
A A 'A N
grieve
' Pno./ Synth
Vln. I
For like the fox
<
' 3 3 r '
A N A -A A
Vln. II
Vla.
A N A -A A mp
' N
mp
Vc.
'
3
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s '3 mp
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<
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N
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3
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f
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-
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mp
mp
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3 mf
solo
3
tutti
N
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mf
mp
3 3
-3 p
solo
3 A
tutti
3
mf
non div.
f
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A A A 'A A A A A A A A A 'A A A
mp
f
N
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mp
f
N
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solo
f
N
@
grieve
N N N
mp Db.
you shall
N N N
mp
'
A A A A N
tutti
3
A
A ' AN A N
N
3 p
mf
'A A 3 3
3
A
A
3 3 3
3 3 3 p
3
3 p
145
NARRATION 5 (HAWTHORN)
C Fl./ Picc./ A.Fl.
89
r soloA A N s A
A A AA AA N 3
3
p semplice
C
Tape
AAA
A A A
3
SPOKEN VOICE:
3
<
A A A A A A A A N
A A A A A A A A N
AAA
3
N
3
A A AA
3
3
N
N
N
N
A
3
N
N
There is a hawthorn by a wall that looks down to the valley. Its berries are red, its thorns are sharp, it's where we said we'd marry. Its blossom is white and the hail makes sharp weather. Without her now I'll make my bed in the bleeding heather.
RIVER IS DARK (INSTRUMENTAL)
AA
96
Fl./ Picc./ A.Fl.
r 3
Cl./ B.Cl./ Eb Cl.
s
AN
AA A AAA N
AA
3
3
3
f sonore 3
<
AAA
N
3
AA A A AA N
AA
3
AAA
A A A
A A A N
A A A A A A A N
AA
A A A A A A A A A N
3
3 A A A A+ A AAAN AAA
AA A
N
A A AA
3
3
3 A A N A
3 A A A A A
f sonore
Perc.
LARGE SUSP. CYMBAL
soft mallets
<
0
K
0
K
0
K
0
<
K
Hp.
<
<
K
<
K
K
N NNN
3 33 3
NNNN
K
ff
N NN
N
0
@ K
ff
ff
K
3 3 3 3
K
3 3 3 3
K
3
K
N N
NN N
NNN
NNN
K
> 0
K
ff
NN N
(sim.)
NNN
0
A
N
N
K
N NNN
3 33 3
K
K
NN N
3 3 3
K
K
NNN N
3 3 3 3
K
K
N
3
K
NNNN
N NNN
STRING PAD
Pno./ Synth
NNN N ff
N
NNN
Gtr.
<
NN NN N
K
3 3 3 3 3
NNNN
K
ff
Vln. I
r
<
AA
AN
AA A A AA N
3
AAA
3
3
AA A A AA N
AA
3
3
ff molto sost. e espress. (separate bows)
Vln. II
<
AA
AN
3
ff molto sost. e espress. (separate bows)
Vla.
<
K
div.
NN
N NN
NNN
Bm
Esus4
E5 (6)
Dm%
3 3
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NNN N
NNN N
A A A A A A A N
AA
A A A A A N A
NN NN N
AAA
3 3 3 3 3
N N
N N
K
A A A A A AAAN
3
NN
N N
NN
K
N
N
N
K
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3 3
N N
3 3
NN
3 3
NN NN
K
A A A A A A A A A A A N
NN
Esus4 b9
AAA
N
A A AA
A
3
3
AN A A
A A AA A
3
3
3
K
NNN
Dm%
K
NNN
K
NN
ff molto sost.
Vc.
div.
<
K
N N
3 3
K
K
NN
ff molto sost.
Db.
Tape
s
N
<
K
N
3
K
div.
K
N N
<
ff molto sost.
K
<
<
<
<
<
<
146
HAWTHORN Fl./ Picc./ A.Fl.
104 r 3
Cl./ B.Cl./ Eb Cl.
s 3
Perc.
0
D Piu Mosso ' <
<
<
<
'
<
<
<
<
<
<
<
<
K
ff
3 3 3 Hp.
JAMIE
<
'
<
3 3
A + I A A
A
mf arp.
3 3 3
r s
3 33
'
<
'
K
There is
Pno./ Synth
<
3 3 3
'
<
'
<
'
<
a
N
3
3 3
3 3
3 3
A A N
haw - thorn
on a
A A A
hill
thereis
A a
A
N
A
haw - thorn
that's
WHITE PAD
3 33
3
3 3
3 3
3 3
mp
3 3
Gsus2
3 3 3 3 3
Gtr.
Vln. I
r 3
<
<
D Piu Mosso '
<
3
<
3
<
3
3
3
3
3
3
3
3
3
3
3
3
A A 'A A A A A A A A A A A 'A A A A A A A A A A A mf séparé
3
Vln. II
'
3
3
3
3
A 'A A A A A A A A A A A
3
3
3
3
3
3
A 'A A A A A A A A A A A A 'A A A A
AA
A A A A A A 'A A A A A A A A A A A
mf séparé
unis.
A 'A A A A A A A A A A A A A A A '
Vla.
A 'A A A A A A A A A A A 3
3
3
A A A A A A A A A A A A A A A A
A A A A A A A A
3
mf séparé
3 3
Vc.
'
3 3
3 3
3 3
3 3
mf
Db.
s
3 3
'
3 mf
3 3
3
147
109
Hp.
JAMIE
3 ' 3 3 ' 3
M
r A s '
A A A -A
A A
gro - wing
Pno./ Synth
it sets its
' 3 3 ' 3 3
3 3 '3 3
NNN NN
N
A A A A A
roots
a - gainst the
M
'N N
A A AA
wind
A
the wor -ry -ing wind
N NN NN
3 3 '3 3
3 3 3 3 3
NNN
A A A
that's
blo - wing
A A A A its ber -ries are
-3 3 -3 -3 3
NN N ' N
3
3
3
3
Vln. I
3 3 3 3 r ' A 'A A A A A A A A -A A A
Vln. II
' A 'A A A A A A A A -A A A
3 3 3 3 3 3 3 3 3 A A A A A A A A A A A A A A ' A A A A A AAA A A A A A A A A A A A A A A 3 3 3 3 3 3 3 3 3 3 3 3 3 3 A A A 'A A A A A A A A A A A 'A A A A A A A A A A A A A A A A A A A A A A A A A A A A
' A A A A A A A A
A A A A A A A A A A A A A
3
Vla.
3
3
3
unis.
3
A A 'A A A
A
A A A A A A A
A
A
A A A A A A
Vc.
' 3
'3
N
'N
3
3 s '
3
Db.
N
'N
-3
VIBES
114
Perc.
<
<
<
N NN
3 3 3 mf
Hp.
JAMIE
N ' NN NN ' r A s ' red,
Pno./ Synth
AAAA
3 3 3
N NN
N
N
A
3 3
N
A
A
its blos -som so
white
I
thought
A A A A A A that it
was
sno -
wing
A
N
A
N
A
is
a
there
' NN
NNNN
NNNN
AAAA
3 3
N NN
' NNN
N
N
A
3 3 3
N
3 3 r ' AA A A AA A
Vln. II
' A A A A A A A
Vla.
' A A A A A
3
Db.
NNNN
A A A A
Vln. I
Vc.
NNNN
3
3
3
A A
A
3
3
3
3
3 3 3 3 3 3 3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 3 3 3 3 3 3 3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
A
A A A A A A A
3
A A
3
A A A A A A A A A
3
' N
N
N
N
s '
3
A A A A A A A A A
A
3
A A
3
A A A
N
A
N
A
A A A A A A A
A A A A A A
3
N
A
3
N
A
148
Fl./ Picc./ A.Fl.
119
r '
<
<
<
K
A A A N I
@
A A A A
f Cl./ B.Cl./ Eb Cl.
s '
Perc.
<
<
<
K
A I A A N
@
A A A A
f
-AA
NNN
NNN
- AA
AA
'- AA
A 'A
A A A A A A A A
3
-3
mf
f
-3 -AA
- NNN
N ' -NN
6 -AA
- AA
'-AA
N AA
N
3 -3
f
Hp.
' -N
A
N
3
3
r s ' A
A
haw - thorn
' Pno./ Synth
A
on a
hill
3
A A A -A there is
a
N
A
haw - thorn
-3 - AA
- NNN
- NNN
- AA
A
- AA
'- AA
'
3
N
<
N
A -A
N
A AA AA AA A A A
A
A N
3
3
N
N
-A A A A A A A A A A A A
<
3
N AA
3 -3
3
3
3
mf
N
-3 3 6
N
<
3
grow - ing
<
still
mf
' -N
Gtr.
A A
3
mf
3
JAMIE
3
-A A A A -A A A A A A A A
-A A
<
A AA AA AA A A A
3
3
3
3
mf
Vln. I
3 3 3 r ' A A A A A A A A A
3
3
3 3 3 3 3 A A A A A A A A A A A A - A A A - A A A ' A A A
3
3
3
AAAAAAAA A A
f
3
Vln. II
3
3
' A A A A A A A A A
3
3 3 3 3 3 3 A A A A A A A A A A A A - A A A - A A A ' A A A
3
3
3
AAAAAAAA A A
f
Vla.
' A -A A A A A
A A -A A -A A A A A -A A A -A - A 'A
N
N
f
Vc.
' -N
A
N
- A
-N s '
A
N
3 f
A A A A
N f
A A A N
A A A A
f
A - A A A A A A A f
A
A
- A
A
div.
N
N
-3 3 f
f
Db.
A A A
N
N
pizz.
A f
N
A
149 Fl./ Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
Perc.
124
r N '
A A
A A A
A A A A
A A A A A
A
N
N
A
A A N
N
A A N
N
AA A N A N
NN
mp
s
A A A A A
'N
A A A A
A A A A A
N
A
A
N
mp
A A A A A A A A A A A A A A A A A A A A A A 6 6 6 3
3
3
3
3
3
3
3
3
3
A A
N N
AA
N N
mp
3
3
3
' A A A A A A A A A -A A A A A A A A A A A A A A A K -A A A A A A A A A A A A
3
3
AK
I A A N
N NN
A A K AA AA
AN A A
N N
A
AA AA
NNN
l.v. Hp.
A A A A A A A A A A A A ' A A A A A A A A A -A A A A A A A A A A A A A A A K 3
JAMIE
3
3
r s '
3
3
3
<
3
3
3
<
3
3
3
<
3
NN
3
3
<
mp
<
<
K
+ A @ I A A There is a
3
3
3
3
3
3
3
3
3
3
3
3
3
A A A A A A A A A A A A ' A A A A A A A A A -A A A A A A A A A A A A A A A K
3
A
AA AA
AK
3
AN AA
N NN
NN N
Pno./ Synth
-N N
3 '3
N N
3 3
mp
NN N
3 3 3
N N
NN
NN NN N
N
N
A5 (; 3)
Gtr.
A A A A A A A A A A A A A A A- A A A A A A A A A A A A A A A A A A A A A K ' 3
Vln. I
3
3
r N '
3
3
A A
A A
A
3
3
3
A A A A
3
3
3
'
A A A A A
N
A A A A
3
3
A A A A AAAAA N 3
Vln. II
A A AA AA K
AA
3
3
A A A A 3
A A
3
AAAAN
3
A
NN NN N mp
A A
N mp
3
A
3
AN
A A N mp
Vla.
' A
Vc.
' 3 3
A
A
A
A
A
A
A A -A A A A A A A A A A A A
N
A
N
A
A A N
mp
N
A
N
A
N
A
A A N
N
N
-N N
NN
mp
Db.
s 'A
N
N
A
N
A A N
A
A
N
A N
A N mp
150
E ' A A A A A A A A
131
Hp.
JAMIE
M
r A s '
N
Vln. I
3 3
3 3
3 3
A A
N
by a
wall
' A A A A A A A A
M
A A A A A A A
mf
' 3 3
A A A
A N
that looks down
3
3
3
to the
its ber -ries are
red
val - ley
3 3
3 3
3 3
3
3
3
3
3
3
3
3
itsthorns are
A A A A A A A A
A
'3 3
3
3
3
' A 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A -A mf
' A A A A A A A A
A A A A
N
A A A A A A A
3
A + A -A A
A A A A A A A A A A A A A A A A
mf
'3 3
A A A A A
E 3 3 3 3 3 3 3 3 3 3 3 3 3 3 r 3 ' A 'A A A A A A A A A A A A 'A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A -A A A
Vln. II
A A A A A A A A
A
mf
' 3 3
haw - thorn
Pno./ Synth
A A A A A A A A A A A A A A A A
3
3
3
3
3
3 3 AA A A A A 'A A A A AAA A 3
3 3 AA A A A A 'A A A A AAA A
A A A A A A A A
A A A A A A A A A A A A A A A A
A A A A A A A
Vc.
3 ' 3
3 3
3
'3
3
3
3
Db.
s ' 3
Vla.
A
mf
mf
3 3 3
mf
136
' A A A A A A
A A A A A A A A A A A A A
A A A A A A
A A A A A A
A A A A A A
A
Hp.
N ' N JAMIE
r A s ' sharp
A A A it'swherewe
' A A A A A A Pno./ Synth
' N N
NN
N
A A A A A
A A A A N
its ber -ries are
its blos -som is white
--3 3
' NN N
A
said
we'd
A A A mar - ry
A A A A A A A A A A A A A
Vln. I
3 3 3 3 3 3 3 3 3 3 r 3 3 ' A' A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Vln. II
3 3 3 3 3 3 3 3 3 ' A'A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
3
3
3
A A A A A A
A N
A
A
makes sharp
A A A A A A
N
N
A
A
3
3
3
3
3
3
3
3
3
3
3
3
3
3
AA A A A A A A A A A A A A A A A A A A AA A A A A A A A A A A A A A A A A A A
' A A A A A A
A A A A A A A A A A A A A
Vc.
' N
N
3
N
N
N s '
'N
-3
N
N
Db.
Vla.
A
and the hail
A A A A A A
A A A A A A NN
--3 3
' NN
red
A
N
A A A A A A
A A A A A A N
A
N
A
A
151 142
Perc.
' A
Hp.
JAMIE
A
A
A
A
A
A
' 3 3 3
r A s '
A -
+ A
I
N
ther
' A
wi
A
A
A
A
A
A
<
A
A
M
wea
Pno./ Synth
<
-
M
' 3 3 3
A
A
A
-A
A
A
A
A
A
-N
N
A
A
A
A
A
her
now
I'll
make
my
A
A
A
thout
A
A
A
N
A
A
-A
A
A
A
A
-N
A
Vln. I
r ' A
A
Vln. II
' A
A
Vla.
' A
Vc.
' 3
N
A
-N
A
Db.
3 s '
N
A
-N
A
3
3
3
A A A
3
3
3
A A A A
A
A A A
A A A
A A A
A A A A
A
3
A
A
A
3 3 3 A A A A A A A A A
A A
A
3 3 3 A A A A A A A A A
A A
A
A
3
A
A
A
N
A
A
A
<
A
A
A
A
3
3
3
A
3
A A A
A
A A
A
A A
3
3
A A A -A
A
A
A A A
A
145
-AA
<
Perc.
A
A
-A
A
A
-A
'A
' AA
'A
A @
N N
f
-A
' A
Hp.
JAMIE
M
'
A
A
r N s ' -A
' A
Vln. I
M
'
-A
A
A
-A
A
-A
-A
A
A
A
A
in
the
A
A
3 -A blee
-A
-
A
N
3 A
ding
hea
A
-A
A
-A
-A
'A
f
3
N
f
Vln. II
3
3
3
A A A
A A
3 3 3 3 A A A A -A A A -A A A 'A A A
A A A
f
' A
Vla.
Vc.
'
Db.
'
-A
A
A
A
A
-A f
N
3
N
3 f
-
A
N
A
A
A
A
A
ther
A @
A
A
A
-A
A
-A
-A
'A
3
A
-A
A
A
A
A
3
A
3
3
3
3
A A A A A A A A
A A
A
3
A A A A A A A A
A A
f
s
-A
3
3 3 3 3 3 3 3 r ' A A A A A A A A A A A A - A A A -A A A 'A A A
'
A
f
N
bed
Pno./ Synth
A
A
-A A
-N
A
A
A
A
A
F
152 148
A A A A A 'A A -A A A A A A 'A A A A -A A A A 'A A A A A
Perc.
p
JAMIE
r A A A A A A A s ' comewith me oh come with me
' A
Pno./ Synth
Vln. I
p
A
comewith me my dar - ling
A -A A A A A A A A A comewith me oh come withme the
NN
NN
F at the point r ' A A A A A A A p at the point
' A A A A A A A p
NN
A A A A A A A A A A
NN
N
A A A 'A A A A
A A A A A A A A A A A A A A A
A A A A A A A -NN
NN
-A
A
A 'A A A A N
NN
A A A A A A A A A A A
A
A -A A A A A A A A A
A A A A
A
A -A A A A A A A A A
A A A A A A A A A A A A A A A
' A A A A A A -A A A A A A A A A A -A A A A A A A A A A
Vla.
A A A AA A
te -theredwind is snar - ling the ber -ries are red thethorns are sharp and the
A A A A A -A A A A A A A A A A -A A A A A A A A A A
' NN
Vln. II
A A A A A
A
leggiero
leggiero
A
A A A AA A
-A
A
A 'A A A A
p div.
' NN
Vc.
N N
p
Db.
s
'
N
pizz.
N
NN
N N
NN
N
N N
-NN
N N
N
A
A N
A
+ A A
A A
+ A -N
A
+ A A
p
A
153
Perc.
A
JAMIE
r A s '
A
A
A
A
A
A
cor - bies
' A Pno./ Synth
Vln. I
Vln. II
Vla.
Vc.
Db.
-A
are
A
A
A
A
craa - wing
A
A
A
A
A
A
A
A
A
A
A
A
A
A
-A
-A
'A
A
A
A
A
A
A
A
A
A
A
A
don't
send
me
out
don't
cut
me
down
don't
me
my
dar
-A
A
A
A
A
A
A
A
A
A
A
A
A
-NN
' N N
A A
A
A
NN N
NN N
e - xile
-A
A
-
A A
A
A
-A
A
ling
the
A
A
NN
NN N
r ' A
A
A
A
A
-A
- A
' A
A
A
A
A
A
A
A
A
A
A
A
-A
A
' A
A
A
A
A
-A
-A
'A
A
A
A
A
A
A
A
A
A
A
A
-A
A
' A
-A
-A
A
A
A
A
A
A
A
-A
A
A
A
A
A
A
A
N ' N
s ' A
A
A
A
A
-NN + A
A
NN
NN A
A
+ A
A
N N
NN A
A
A A
+ A
A
A
153
Fl./ Picc./ A.Fl.
156
PICCOLO
r '
<
<
<
<
K
I A A
A
f
Cl./ B.Cl./ Eb Cl.
Perc.
JAMIE
' s
<
<
<
<
K
I A A
A
f con vibrato sonore
A
A
A
A
r s '
thorns turn
'
A
-A
A 'A
-A red
A
-A
A
A
A A 'A
A
A
-A
A
dead
and
the
A
A
kill the
blos - som
A 'A
A
'A
NN A
-A
A A 'A
-A
-A 'A A
A A A -A 'A cru - el wind is snar -
<
<
-NN
A
3
A
@
<
K
<
ling
-A 'A A
--NN
<
<
<
N 'NN
NN
<
<
<
Pno./ Synth
' -AN N
Vln. I
r '
A
A
-A
A
A
-A
A
mf
Vln. II
'
A
A A A -A 'A
A
3
A
@
K
K
A A A I ff molto sost. e espress.
A
-A
A A 'A
A
A
-A
A
A A A -A 'A
A
3
A
@
K
K
I A A
mf
Vla.
'
A
ff molto sost. e espress.
-A
A 'A
A
'A
NN
-A
A
A
div.
-A 'A A A -N -N
3 3
3 3
NN
K
NN
3 3
3 3
N N
K
mf
Vc.
' -AN
N N
mf
Db.
s 'N mf
A
A
-A
'A
A
N
<
<
<
154
HAWTHORN (INSTRUMENTAL)
G Fl./ Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
Perc.
161 A r '
A
s '
N
A A
N
A A A
N
A A
N
A A A
3 3 '3 3
A
N
A A A A A
A A -A
A
N
A A A A A
A A -A
3 '3 3
3 3 3 3
3 '3 3
f arp.
A
N
A A A A
A
N
A A A A
3 '''3 3 3
A A 'A A A A A A A A A A A A 'A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A A A -A A A
'
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
A 'A A A A 3
3
A A A AAA A 3
3
3
Hp.
JAMIE
Pno./ Synth
Gtr.
'
<
<
<
<
<
r s '
<
<
<
<
<
' 3 33
3
3 3
3 3
3 3
' 3 3
3 3
3 3
3 3
'3 3
' A A A A A A A A
A A A A A A A A
A A A A A A A A
A A A A A A A A
A A A A A A A A
f
f
G Vln. I
r '
Vln. II
'
Vla.
A
N
A
N
A A
N
A A A A
N
N
A A A A
N
A A A A A
A A A -A
N
A A A A A
A A A -A
N
unis. AAA A A A A A 'A A A A A A A A A A A A 'A A A A A A A A -A A A ' A 'A A A A A A A A A A A A 'A A A A ff
3
unis.
Vc.
A A
3
3
3
' A A A A A A A A
3
3
3
3
3
A A A A A A A A
3
3
3
3
3
3
A A A A
A A A A
A 'A A A A 3
3
3
A A A A A A A 3
3
A A A A A A A A
A A A A A A A A
A A A A A A A A
3
3
3
ff
Db.
arco s ' 3 ff
3
155
Fl./ Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
Perc.
166 r A '
A A A
N
A
A
A A A
N
A
s
'
N 'NNN
A A A
A A A A
A A A
N
A
N
A A
A A A
A A A A
A A A
N
A
N
A A
N NNN
3 3 3 3
'NNN N
NNN 'N
NNN 'N
A A A 'A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A ' 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Hp.
'
<
<
<
<
<
<
' N NN
N NN
3 3
NN N
NNNN
NNNN
AAAA
' N N
' N
-3 -3 3
NN
N
N
A
A A A A A A
A A A A A A
A
N
A
N
Pno./ Synth
Gtr.
' A A A A A A
A Vln. I
r '
Vln. II
'
Vla.
A
Db.
A A A
N
A A A
N
A
A A A
A
A A A
A A A A
A A A
N
A A A A
A A A
N
A A
A A
A AAA A AA A AA A A A A A A A AA A A AA A A A AA AAA A A A A A AA A A ' A 'A A A A A A A A A A A A A A A A 3
Vc.
A A A A A A A A A A A A A A A A A A A A
3
3
' A A A A A A
N s '
3
3
3
3
3
3
3
3
3
A A A A A A A A A A A A A A A A A A A A
'N
-3
N
3
3
3
3
3
3
3
A A A A A A
A A A A A A
N
N
A
156 Fl./ Picc./ A.Fl.
172
r A A N '
N
A
A A -A
A A A N
A
A
N
A A N
A
Cl./ B.Cl./ Eb Cl.
' A A N s
N
A
A A - A
A A A N
A
A
N
A A N
A
N NNN
3 3 3 3
NNN N
NNN N
-AA
-AA
AA
'-AA
f
-A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A -A 'A A A 'A A ' 3
3
3
3
3
3
3
3
3
3
3
3
3
Hp.
Pno./ Synth
Gtr.
Vln. I
3
3
<
<
' 3 3 3
N NN
' 3 3
N
<
f
- NNN
A A N
A
3
<
N - NN
-3 - AA
N
3
- AA - AA
'- AA
A
-N
A
- A
N
A A
A A A N
'
A A N
N
A
A A - A
A A A N
A
A
' A
A
A
NN
' AA
A A N molto
f
N
A
fff
Vla.
N - N
3
- A A -A A A A A A -A A A A A
A
A
N
A
3 AA f
ff
' A A A A A A A A A A A A A A
r '
<
N -N
3
fff
Vln. II
3 A
fff
'
N -N
' AA
ff
3
molto
f
ff
Perc.
molto
f
ff
A A N molto
f
3 3 A A ' A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A -A A A -A A A'A A A A A A A A A A A A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
' A A A A A A A A A A A A A A
A -A A A A A A -A A A A A - A fff
Db.
3 s '
N
A
-N
A
N
3 fff
3
molto
fff
div.
A
'A
A
AA f
N N molto
3 f
molto
HAWTHORN 2 178
Fl./ Picc./ A.Fl.
r '
Cl./ B.Cl./ Eb Cl.
'
3
# <
p
s
3
<
<
<
<
# <
<
<
<
<
<
# <
<
<
<
<
<
# <
<
<
<
<
<
<
<
<
<
<
p
3 3 3 3
Perc.
157
H Meno Mosso q = 92 <
p
'
p
Hp.
JAMIE
3 3 3
3 3 '3 r s '
<
# 3 3 # K
A A + I A A
N
AA N
There is a haw -thorn
Pno./ Synth
Gtr.
Vln. I
by a
A N AA A
wall
that looksdown
A A A A A
A N + A -A A
to the val - ley
its ber - ries are
A A A
red
A
its thorns are
'
<
# <
<
<
<
<
<
'
<
# <
<
<
<
<
<
'
<
# <
<
<
<
<
<
<
<
<
<
<
<
<
<
div. 3 r 3 '
H Meno Mosso q = 92 <
# <
p
# <
div.
3 ' 3
Vln. II
p div.
3 ' 3
Vla.
< solo
# 3 3 1
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
' 3 3 p
Db.
s '3 p
A
p non vib. sempre
p
Vc.
-A A A A A A A A
# 3 3 1
solo
3 3
3 3
3 3
3
'3
# 3
solo pizz.
3
3
3
3
p non vib. sempre
3
p
185
JAMIE
r A s ' sharp
Vla.
Vc.
A A
it's where we said
r ' A A A A A N ' N
A N
A we'd
A A N mar - ry
A A A A A A A A A N A A 'N
K
3
AA I A its ber ries -
N
+ A I @
A A
A A AA N
A A N
are
itsblos -som is white
and the hail
red
A A A A A
A
A
makessharp
A AAAAA A AAAAA
A
p non vib. sempre
N
+ A I @
due soli
NN
N N
NN
A
p non vib. sempre Db.
N s '
'N
arco
3
N
+ A I @
<
<
<
158
192
JAMIE
r A s ' A A
K
K
@ A N
wea - ther
Pipes
Pno./ Synth
Vla.
wi - thout
A
A
A A A N
A A -A
her
now
I'll make my bed
in the
N
A A N
blee - ding
<
# <
<
<
<
<
<
'
<
# <
<
<
<
<
<
r ' A A A A N
<
3 3
<
<
p
# <
<
<
hea - ther
'
'
<
# 3
<
<
<
<
<
3 3 3 3
A A A A A A A -A A A A A A -A A A A A -A A A -A A -A - A 'A 3 p
3 3 3 3 <
<
mp
Db.
# 3 3 1
' 3 3
Vc.
solo
s '
N
-N
A
tutti
3
N
<
<
solo
<
3
p
p
<
3
3
mp
# <
<
A
tutti
3
3
p
p
3
THE DEATH OF JAMIE ALLAN HAWTHORN LAMENT
I 201
Free time - colla parte solo - freely
' A3 A
Pipes
AA
F/C drone continues
A A
N
I
3
' Pno./ Synth
<
' 3 3 3 3
A A AA A A
<
+ -A
AA
N
A
3
<
3 3 3 3
A A 'A A A A
3 <
<
A
AA A A
<
+ A
I A A A A A A A A
N
<
<
<
NN NN
3 3 3 3
3 3 3 3
3 3 3 3
NN NN
3 3 3 3
NN NN
I Free time - colla parte Vc.
Db.
r '3
3
N
3
3
3
N
3
N
s '3
3
N
3
3
3
N
3
N
210
Pipes
'
A I A A A A A A A A
A N
3
3 3 I A A A A+A A A A A+A A+ A A A A A 3
A -A+N
3
' Pno./ Synth
Vc.
Db.
<
<
<
<
3
A A+ A A A A $ $ A A $
<
<
<
' 3 3 3 3
3 3 3 3
3 3 3 3
NN N N
NN N N
3 3 3 3
3 3 3 3
$ $ $ $
r '3
3
3
N
N
3
3
$
s '3
3
3
N
N
3
3
$
J
159
MARK TREE
217
Perc.
TAM-TAM
# 3 3
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
mp
# 3 3 - 3 3
' Hp.
mp
# 3 3 ' -3 3 # <
'
Pipes
3 3 1
solo
F/C drone continues
A3 A A A A A
N
I
3
A A AA A A
+ -A
A A 'A A A
3
A
AA
N
A
3
A
AA A A
+ A
I A A A A A A A A
N
PIANO
# 3 3 33 3 ' Pno./ Synth
' '
Gtr.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
mp
# <
# 3 3 3 3 mp tutti
Vln. I
div. J # 3 r 3 ' pp tutti div.
# 3 3
'
Vln. II
div.
# 3 3
'
# 3 3
pp
Db.
s
NN
3 3
3 3
3 3
NN
3 3
NN
3 3
3 3
NN
3 3
3 3
3 3
NN
3 3
NN
3 3
3 3
N N
3 3
3 3
3 3
N N
3 3
N N
3 3
3 3
N N
3 3
3 3
3 3
N N
3 3
N N
3 3
3 3
N N
3 3
3 3
3 3
N N
3 3
N N
pp div.
'
Vc.
3 3
pp
tutti
Vla.
3 3
div.
# 3 3
'
pp
227
Pipes
'
A N
A A +N I A A A A A A A A -A
3
3 3 I A A A A+A A A A A+A A+ A A A A A 3
3
3
A A+A A A A 3 3 A A 3
# 3 3 3
-
r 3 3 '
3 3
3 3
NN
NN
3 3
3 3
3 3
# < -
3 ' 3 3 ' 3
3 3
3 3
NN
NN
3 3
3 3
3 3
# < -
3 3
3 3
N N
NN
3 3
3 3
3 3
# < -
Vc.
' 3 3
3 3
3 3
N N
NN
3 3
3 3
3 3
# < -
Db.
s '3 3
3 3
3 3
N N
NN
3 3
3 3
3 3
# < -
Vln. I
Vln. II
Vla.
160
K
Fl./ Picc./ A.Fl.
THE BALLAD OF JAMIE ALLAN
PICCOLO
A A A A A A A A A A A A A A A A A A A A A
q = 104
235
r s
<
<
<
<
p leggiero
GLOCK
足 light mallets A A AAA AAA A A A A AAAAAAA A A A A AAA AAA A A A A AAAAAAAA A A A A AAA AAA A A A A AAAAAAA A A
Perc.
p
Pipes
Vla.
F/C drone
3 3
K q = 104 r unis. 3
3 3
3 3
3 3
3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p unis.
3
Vc.
p unis.
Db.
s
3 p
Fl./ Picc./ A.Fl. Perc.
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 241 A A A A A A A A A A A A r A A s 足 A AAAAAAAA A A A AAA AAA AAAAAAA A AAAAAAAA A AAAA A A A A AA AAA A A A A A A A A AA AAA A A A A
Pipes
Vln. I
r
Vla.
3 3
3 3
3 3
3 3
3 3
3 3
solo
<
<
A AAAAAA A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
p leggiero
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Db.
3
s
Fl./ Picc./ A.Fl. Perc.
L 247 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A r A A s 足 A A AAA AAA A A A A AAAAAAA A A A A AAA AAA A A A A AAAAAAAA A A
<
<
<
<
F/C drone continues
A AAAAAAA A A A A AAA AAA A A A A AAAAAAAA A A AAA AAA A A AAAAAAA A A A A AA AAA A A A A A A A A
Pipes
Vln. I
L r A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
<
<
Vln. II
solo A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
<
<
p leggiero
Vla.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Db.
3
s
161
253
A AAAAAAAA A A A AAA AAA A A AAAAAAA A A AAA AAA A A AAAAAAAA A A A A AA AAA A A A A A A A A A A A
Pipes
Vln. I
tutti
r
<
<
A A A A A A A A A AAAAAAAA A A A A A A A A A A A A A A A A A A A A A A A A A A
mp tutti Vln. II
Vla.
<
<
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
mp
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Db.
3
s
Fl./ Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
M A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A r A A I @ 259
mp
<
<
<
A
mf
Perc.
Hp.
A
A
+ AA A A A A
K
<
A AAAAAAA A AAAAAAAA A A A A A AA AAA A A A A A A A A AA AAA A A A A I @
K
<
mp
<
Pno./ Synth
+ A A
足 A AAAAAAA A A A A A A A A A A I @ A A A A AA AAA A A A A A A A A AA AAA A A A A
M
<
<
<
<
<
(drone stops)
A AAAAAAA A A AAA AAA A A A A A A A A A A A I @ A A A A AA AAA A A A A A A A A
Pipes
<
BASS CLARINET
<
s
K
<
<
<
<
<
<
<
<
M
K
<
3 3
3 3
mf
A
+ A A
A A
A + A A A A A
D5 (; 3)
<
Gtr.
<
<
<
AA AA AA AA AA AA AA AA
mf
Vln. I
Vln. II
r A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Vla.
3
3
3
M A A A A A A A A A A I @ A A A A A A A A A A A A I @ A A A A
K
<
K
<
<
3
<
non div.
Vc.
Db.
s
3
3
3 3
3 3
3 3
3 3
3 3
mf solo pizz
A mf
A A
A A
A A A A A
A
162
265
Cl./ B.Cl./ Eb Cl.
r A s A A+ A A A A A+ A A A A
ANNIE
r s
<
K
+ A A
+ A A A A A
@ I
A + A A A A A
A A A
A A A A A A A A A A
Theysaid no jail could hold him at the age of twen - ty five
3 3 Pno./ Synth
Db.
3 3
A + + A A A A A A A A A A A
Gtr.
Vc.
3 3
r 3 3
3 3
3 3
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+ A A
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to
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his
3 3
3 3
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but now he is past se - ven ty and chained up
3 3
A + A A AA
A + A A AA
3 3
A
A A
A A
A
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Cl./ B.Cl./ Eb Cl.
Perc.
271
r s A 足
+ A A
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+ A A
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A A A
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A AA <
A A
A
K
mp ANNIE
r A A A A A A A
+ A A A A A A
wife and child are beg - ging JAMIE
s
for mo - ney in the street
<
+ A A
A
Gtr.
Vla.
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3 3
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while he lies in
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3 3 Pno./ Synth
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3 3
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cold crime sheet
AA
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be -neath a
AA A
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163 Cl./ B.Cl./ Eb Cl. Perc.
276
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mf
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Pno./ Synth
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Vln. II
Vla.
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r A A A A'A A A A A A mf + A A A A A A A A A A mf A A A A A A AAAA
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A AA A'A AA A A A + A AA A A A A AA A A AA A A A A AA A
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N mp
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Vc.
A A
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mp solo pizz.
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mp
282
Hp.
<
<
<
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A A 'A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A A A A A A A A A A 'A A A A A A
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solo
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Vla.
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3 3
3 3
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3 3
3 3
Db.
s
A
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164 285
<
<
<
<
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r s
<
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Hp.
ANNIE
K
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+ A
I
His Pipes
Gtr.
Vln. I
A A A A A A A A A A 'A A A A A A
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A A A A A A A A A A A A A
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3 3
3 3
Vc.
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3 3
3 3
Db.
A
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A A A
A
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A A A
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O Cl./ B.Cl./ Eb Cl.
288
r s A
+ A A
A
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+ AA A A A A
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mf ANNIE
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@ A A A A A A
daugh - ter lives in
Aln - wick
3 3 Pno./ Synth
+ A A
A Gtr.
Vc.
O r 3 3
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s
A
A A
A A A A A
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like she did be - fore
the mu - sic that she plays
+ A A A A A A A A her trade is
sweet a - mour
+ A A A A A A AA she's li - ving with a
3 3
3 3
3 3
3 3
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3 3
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165
Cl./ B.Cl./ Eb Cl.
293
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Perc.
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bout
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Pno./ Synth
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div.
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unis. ' A A A A A A A A A A
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Db.
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166
PICCOLO
Fl./ Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
P A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
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Pipes
Pno./ Synth
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Vln. II
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lan
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Db.
s A
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solo pizz.
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167 Fl./ Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
A A A A A A A A A 304 A A A r A I @ s
A
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Pipes
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309
Cl./ B.Cl./ Eb Cl.
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mf
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s
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168
ANNIE
Q 313 r s A A A A A A A I horsethief to
+ A
his ma - jes - ty
the dukes and earls heponced
3 3 Pno./ Synth
+ A
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but when he asked for
+ A A
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3 3
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no res -ponse
he was
3 3 + A A
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Gtr.
mp
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solo A ' A A ' A A A ' A ' A A r AAAAAAAA A AAAAA AAAAAAAAAA AAAAA A AAAAAA A AAAAA A AAAAAAA AAAAA mf
3 3
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Db.
s
3 3
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A A
A A
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317
Cl./ B.Cl./ Eb Cl.
r s
ANNIE
r s A A A A A
<
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his ma - jes - ty
for
3 3 Pno./ Synth
Gtr.
A A A A A
A A
earls anddukes he played
but he's
3 3
A
+ A A
A
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dy - ing
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a
cell
+ A A
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169
Cl./ B.Cl./ Eb Cl.
321
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Fl./ Picc./ A.Fl.
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mf preciso
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171 Cl./ B.Cl./ Eb Cl.
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341
Cl./ B.Cl./ Eb Cl.
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ANNIE
r K s
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Pipes
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and
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Vln. I
Ssolo r A A A A A ' A A A A A A A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A A 'A A A A A A A 'A A A A A A A A A A A A A A mp
Vln. II
3 3
<
<
<
Vla.
3 3
<
<
<
3 3
3
Vc.
3 3
3 3
mp Db.
s
'A
+ A A
A
A 'A
A mp
A A
A A
A
A
A
AA
A
A
A A
A A
172 345
Cl./ B.Cl./ Eb Cl.
r s A
+ A A
ANNIE
r s A
A A A A A A
haut - bois for
A
AA + A
counts
M
Vln. I
A
A A A A
A A
A
+ A A
A
AA
A
+ A A
A
A A A A
blee - ding on
A
AA + A
the line
+ A A
A
A
+ A A
A
A A A A A A
he played his tune for
3 3
A
A
A
A + A
ge - ne - rals
their
3 3
A
+ A A
A
AA
A
+ A A
A
A
r A A 'A A A A A A A A A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A A 'A A A A A A A A 'A A A A A A A A A A A A A A 3 3
Vc.
Db.
A
A
3 3
Gtr.
+ A A
he played his tune for sol - dier boys
3 3 Pno./ Synth
A
s
3 3
A
A A
A
A
A
AA
3 3
A
A A
A
A
3 3
A
A A
A
AA
A
A A
A
A
Cl./ B.Cl./ Eb Cl.
349
r s A
足
Perc.
A A A
<
A
A
K
A
A
A
A
A
+ A + A
A
A A A
'A
@
I
+ A
A
mf
mf ANNIE
r A buc -
JAMIE
s
A
+ A
wine
their
A A A A A kets
of
red
<
A
+ A
A
A
A
wine
The
wind
sings
Ja
A
A
A
wind
sings
Ja
A A A A A
A buc -
kets
of
red
K
@
I
A The
AA A
NN
A
A
A
Gm
Am
D5
'AAA Pno./ Synth
M
Gtr.
Vln. I
A A A
r A 'A A A A A A A A A A A A A A A
'AA A
AA A
NN N
A
A
A
Gm
Am
D5
A
A A A
AA ' AA
AA AA
'AA AA
AA AA
AA AA
-
mie
A -
mie
AA A A
AA AA
<
tutti
A
'A
A A A A A A A A A A A A A
A A A A 'A A A A A A
A
mf
<
Vln. II
Vla.
'A
A
AA
AA
A
A
div.
Vc.
Db.
s
< N
'A
A
NNNN
AA
AA
A
A
A
A
A A
N
+ A
A A A A A A A A A A
A
mf
NNNN
A
+ A A A A A A A A A A mf
unis. ' A A A A A A A A A A
A
A A
mf tutti
'A mf
A
A
A A
173 352
r s A
A
N
Perc.
足 A
A
A
ANNIE
r A
A
Cl./ B.Cl./ Eb Cl.
Al JAMIE
s
-
A Al
Pno./ Synth
Vln. I
-
-
A
A
+ A
A
A
A
A
+ A
A
A
A
lan
O
The
wind
sings
Ja
A
A
A
A
A
A
lan
O
The
wind
sings
Ja
AA
AA
'AA
N
AA
AA
'AA
AA
AA
AA
AA
NN
' AA
AA
AA
AA
Vc.
s
-
-
AA
A A A A 'A A A A A
A
A A A A N A A A A N
+ A A A A A A A A A A A A A A A A A A
A A
A A A A A A A A N
' A A A A A A A A A
A
A A A A A A A A
Vla.
A
AA AA
r A A A A 'A A A A N
Vln. II
Db.
-
'A
A
N
A
A
A
'A
AA
'A
A
N
+ A
A
A
N
+ A
A
A
N
mie
Al
lan
O
A
A
A
N
mie
Al
lan
O
AA AA
'AA
AA
NN
' AA
AA
NN
A
'A A A A A A A A N
+ A
-
-
N N
A
A A A A A A A A A A A A A A A A
A
' A A A A A A A A N
A
N
A
'A
T 355
Fl./ Picc./ A.Fl.
r
Cl./ B.Cl./ Eb Cl.
s
A
+ A A A A A
+ AA A A A A
+ + A AA A A A A A A A
A A + + + + A A A A A A A A A A A A A A A A A A A A
A
+ A A A A A
A + A A A A A
A + + A A A A A A A A A
3 3
3 3
p sotto voce
3 3
pp
Hp.
r
Vln. II
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
bisbigliando
r s
T Vln. I
+ + + + A AA A AA A A A A A A A A A A A A A A A A
p sotto voce
JAMIE
ALTO FLUTE
<
<
<
<
<
<
< K
<
@ A A
A
A
< A A
I was horse thief to his div.
. 3 3.
p (non div.)
3 3
A A A A ma - jes - ty
<
<
+ A A A
A A
N
de - ser - ter
to the
king
. 3 3.
. 3 3.
. 3 3.
. 3 3.
. 3 3.
. 3 3.
. 3 3.
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
+ @ I A I
p div.
Vla.
Vc.
Db.
s
3 3
p b
D5555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 3 3 3 3
Db555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 3 3 3 3
A A A A A A A A A A A A A A A A A A A A A A
A
p solo pizz.
p
A A A A A
A A AA
A
A
A A A A A A A A A A
174 363
Fl./ Picc./ A.Fl.
r A
Cl./ B.Cl./ Eb Cl.
s
A
Hp.
JAMIE
+ A A A A A
+ AA AA A A
+ A A
A
+ A A A A A A A
+ A A A A A
+ A A A A A A
+ A A A A
+ A A A A A
A + A A A A A
+ A A
A + A A A A A A A A
+ A A A A A
A + A A AA A
+ A A AA
3 3
3 3
3 3
<
r s A
A
played pipes for
a
N
and
N
3 3
3 3
<
A A A A A A made her
3 3
3 3
< A
du - chess
3 3
3 3
< A A
A
3 3
3 3
A
<
@
A A A
poor heart sing
I
his
+ A A
A A A A
A A to
<
ma - jes - ty
. 3 3.
. 3 3.
. 3 3.
. 3 3.
. 3 3.
. 3 3.
Vln. II
3 3
3 3
3 3
3 3
3 3
3 3
3 3
Vla.
3 3
3 3
3 3
3 3
3 3
3 3
3 3
Vc.
Db.
A
A A
for dukesand earls
. r 3 3 .
Vln. I
3 3
<
A
was horse thief
3 3
3 3
I
b b D5555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 D55555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 3 3 3 3 3 3 3 A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A AA A A A AA s
U Fl./ Picc./ A.Fl.
370
r A A A+ A A A A
+ + A AA A A A A A A A A
solo
+ A A
A
A
+ A A A A A A 3
A
N
N
A
p esp.
Cl./ B.Cl./ Eb Cl.
s
Hp.
JAMIE
A + A A A A A A 3 3
r N s piped
A + + A A A A A A A A A A
3 3
3 3
3 3
< @
3 3
<
3 3
3 3 <
+ A A
A + A A A A A A A 3 3
3 3 <
A A A A
A A
N
A
but I'm ly - ing
in this
cell
and
in
my
N shite
. 3 3.
. 3 3.
Vln. II
3 3
3 3
3 3
3 3
Vla.
3 3
3 3
3 3
3 3
D 5555555555555555555555 3
Db 5555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555555 3
3
<
< 3 A A A A A A
they said no jail could hold me
. 3 3.
3
<
3 £¥ A A A A N @ I A A A
. 3 3.
Vc.
<
3
. r 3 3 .
Vln. I
<
p
<
A A A A A A dy - ing
3 3
<
at the age of for - ty
U <
<
<
3 3
<
<
<
3 3
<
<
<
3
3
3
3
pp Db.
s
A A A A A
A
A
A A A A A A A A A A A
A A
A 3 A A A A A A A
div.
3 3
arco pp
3 3
175 Fl./ Picc./ A.Fl.
378
r s N
JAMIE
M
Db.
<
A A N
<
<
N
A
N
A
N <
N
A
<
A
<
<
3 £¥
3
r N s four
Vc.
A
N
N
N
<
Hp.
A
A
A
A
A
A
when jai - lers' wives and
3 £¥
3
3 £¥
A A N
A
daugh - ters
o - pened up
A
3
+ A N
A
A
the doors
3 £¥
A
A
but now that
A
A
I
am
3
A
A
A
old and frail
+ A A
A
A
A
and can - not pick the
r
s
3
3
3
3
3
3
3
3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
Fl./ Picc./ A.Fl.
Hp.
JAMIE
386
to Piccolo
r s N M
A
A A N
Db.
3 £¥
3
r s N
Cl./ B.Cl./ Eb Cl.
A
A
A
A N
@
3 £¥
N
N
N
N
A
I
must
die
in
A
s
3
3
N
3 3
3 3
3 3
N N
V
PICCOLO
A r s
A
A
A N
A A A
A A A
+ A
A
A
N
A but
<
<
<
<
# <
# <
<
<
<
<
# <
# <
A A N will not
N
be
N for
3 -
# 3
3
# <
got
K
<
<
<
<
<
# <
# <
K
<
<
<
<
<
# <
# <
A A A A A A A A A A A
A A A A A A A A A A
A A A A A A A A A A A A
mf
A
mf
A
Perc.
A
<
Dur - ham jail
3
397
@
N
K
r
Fl./ Picc./ A.Fl.
N
lock Vc.
A
A
+ A A
A
A
A A
+ A A
A
A
A
+ A A
A
A
A A
A
A
A
AA A
A AA
A A A A A A A AA A A
A A A A AA A AA A
A A A A A A A A AA AA
A
A
A
AA A
A AA
A A A A A A A AA A A
A A A A AA A AA A
A A A A A A A A AA AA
mf
A3
Pipes
3
3 3
3 3
3 3
D5 (; 3)
A AA AAA AAA AAA
Gtr.
V Vln. I
AA AA
mf
solo A A r
A
A
A A A
A A A
A A A A A A A A A A A
A A A A A A A A A A
A A A A A A A A A A A A
3 3
3 3
3 3
3 3
3 3
3 3
mf
3 3
Vla.
mf
3 3
Vc.
mf tutti pizz.
Db.
s
A mf
A
A
A
A
A
A A
A A A
A
A A
A
A
A
A A
A AA
176 Fl./ Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
401 r A I
s
Vln. I
K + A A
A @
< A A
<
+ A A
A
K
AA
A
<
+ A A
A
<
A A
<
AA
A
<
A ' A A ' A ' A ' A A A r AAAAAAAAAA AAAAA AAAAAAAAAA AAAAA A AAAAAAA AAAAA A AAAAAAA AAAAA
Vla.
3 3
3 3
3 3
3 3
Vc.
3 3
3 3
3 3
3 3
Db.
+ A A
A
A A A A A A A A A A 'A A A A A A A A A A A A A A A A 'A A A A A A A A ' A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A
Pipes
Gtr.
足 + A I
Perc.
@
s
A
A A
A A
A
AA
A A
A
A
A A
A A
A
A A
AA
A
Cl./ B.Cl./ Eb Cl.
405
r s 3
'3
3
f
sfp
3 3 3
3 3 3
3 33 3
3 33 3
3 3
'3 3
3 3
f
Hp.
3 3
A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A 'A A A A A A
Pipes
Fma7
COMP
Pno./ Synth
Bbma7
3 3 3
3 3 3
Bbma7
Fma7
Gtr.
Vln. I
3
r A A A A A A A A A A ' A A A A A A A A A A A A A A A A ' A A A A A A
A
A A A A A A A A A A A A ' A A A A A A A A A A A A A ' A A A A A A
3 3
3 3
div.
3 3
Vln. II
3 3
f
sfp div.
3 3
Vla.
3 3
3 3
sfp
3
Vc.
3
3
sfp Db.
s
A
A A
A A
A
3 3
f
A A
A AA
3
f
'A
+ A A
A
'A
'A
+ A A
'A AA
177
Fl./ Picc./ A.Fl.
409
r
<
<
<
K
@
I
A f
Cl./ B.Cl./ Eb Cl.
s
3
'3
3
3
f
足
Perc.
<
<
<
K
@
I
+ A f
3 3 3
3 3 3
3 33 3
3 33 3
3 3
3 3
'3 3
3 3
Hp.
ANNIE
r
<
<
<
K
@
I
+ A The
JAMIE
s
<
<
<
K
@
I
A The
A A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A 'A A A A A A A A A A A A 'A A A A A A
Pipes
Fma7
Bbma7
Pno./ Synth
Bbma7
Fma7
Gtr.
Vln. I
r A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A 'A A A A A A A A A A A A A A ' A A A A A A 3 3
Vln. II
3 3
3 3
3 3
f
3 3
Vla.
3 3
3 3
3 3
f
3
Vc.
3
3
3
f
Db.
s
A
A A
A A
A
A A
A
AA
'A
+ A A
A
'A
'A
+ A A
A
A 'A
178
Fl./ Picc./ A.Fl.
Cl./ B.Cl./ Eb Cl.
W A r 413
s
A
A
A
A A
<
A A
A
A
<
A
A
A A
<
A A
<
A
A
A
'A
A
A
A
A A
A
A
A
A A
N
f
Perc.
足 A
A
A
+ A A
A
+ A A A
A
A
+ A A
A
+ A A A
A
A
+ A A
A
+ A A
ANNIE
r A
A
A
+ A A
A
+ A A A
A
A
+ A A
A
+ A A A
A
A
+ A A
A
+ A A
wind
sings
Ja
lan
O
sings
Ja
sings
Ja
lan
O
A
A
A
A
A A
A
A
A
A
A
A A
wind
sings
Ja
lan
O
sings
Ja
sings
Ja
lan
O
JAMIE
s
Pno./ Synth
-
mie Al
-
A A -
mie Al
-
Thewind
A
Thewind
-
mie Al
-
A
A A -
mie Al
lan
-
O
Thewind
A A
lan
O
A
Thewind
- mie Al
-
A A - mie Al
-
AA AA 'AA AA AA AA
AA AA AA 'AA
N
A A AA AA 'AA AA A A
AA 'A A
AA
NN
A A A AA AA 'AA AA A A A AA AA 'AA
N
A A AA AA AA AA 'A A
AA AA AA AA
NN
A A ' AA AA AA AA A A
AA A 'A
AA
NN
A A A ' AA AA AA AA A A A AA AA AA
NN
+ AA AA AA AA AA ' AA AA AA AA NN
+ AA AA AA AA ' AA AA AA AA AA AA
+ AA ' AA AA AA AA AA AA AA AA NN
+ + AA AA AA AA ' AA AA AA AA AA AA AA AA AA AA AA ' AA AA AA AA NN
AA+ AA AA AA AA AA AA AA AA N ' N
+ AA AA AA AA 'AA AA AA AA AA AA
AA+ AA AA AA AA AA AA AA AA NN '
+ + AA AA AA AA 'AA AA AA AA AA AA AA AA AA AA AA 'AA AA AA AA NN
AA+ AA AA AA AA AA AA AA AA NN
+ AA AA AA AA AA AA AA AA AA AA
AA+ AA AA AA AA AA AA AA AA NN
+ + AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA NN
A A A A A A A A A N
' A A A A A A A A A A
A ' A A A A A A A A N
' A A A A A A A A A A A A A A A A A A A N
W divisi
Vln. I
A+ A r AA AA AA AA ' AA AA AA AA A A f
AA+ AA A A A A A A A A ' A A A A AAAA
Vln. II
f
+ A AA A A A A A A A A A A A A A AAAA
Vla.
f
'A A A A A A A A A A
Vc.
f
Db.
s
'A f
f
A
A
A
A
A
N
'A
A
A
A
'A
A
N
'A
A
A
A
A
A
N
The
The
179
A
A
A
'A
A
A
Perc.
足 A
A
ANNIE
r A
Fl./ Picc./ A.Fl. Cl./ B.Cl./ Eb Cl.
JAMIE
419
r s
s
A A
A
N
<
<
<
<
'A
A
N
<
<
<
<
A
+ A A
A
N
<
<
<
<
A
A
+ A A
A
N
<
<
<
<
wind
sings
Ja
lan
O
A
A
A
A
N
<
<
<
<
wind
sings
Ja
lan
O
A
-
mie Al
-
A A -
mie Al
-
solo
<
Pipes
<
A3 3
Pno./ Synth
AA AA 'AA AA AA A A A A A ' A A A A A
M
AA A A
AA 'A A AA ' AA
AA AA
NN NN
Vla.
+ r AA AA AA AA ' AA AA AA AA AA AA + AA AA AA AA AA AA A A A A ' A A A A + A A A A A A AA AA AA AA A A A A A A
+ AA ' AA AA AA AA AA AA AA AA NN AA+ A A A A AA AA AA AA NN AAAA ' AA+ AA AA AA AA AA AA AA AA NN
Vc.
'A A A A A A A A A A
A ' A A A A A A A A N
Vln. I
Vln. II
A A A AAA AAA A A AAAAAAA A A AAA AAA A A AAAAAAAA A3 A A3 A A3 A 3
3
3
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
unis.
3
3
3
3
3
3
3
mf
3 mf
Db.
s
'A
A
A
A
'A
A
N
<
3
<
<
mf
Fl./ Picc./ A.Fl.
425
r s
<
足
<
Perc.
<
<
<
A A A A A A A A A A A A A A A A A A A A A p leggiero
<
<
<
A
A A A AAA AAA A A AAAAAAA A A
p leggiero
Hp.
M
A AAAAAAA A AAAAAAAA A A A AAA AAA AAAAAAA A A A A AA AAA A A A A A A A A AA AAA A A A A A AAAA mf
<
<
<
<
<
A A A A3 A A A A A A A A A A3 A A A A A A A A A A3 A A A A A A A A A A3 A A A A A A A A A A A3 A A A A A A A A A A3 A A A A A A A A A
Pipes
3
Vln. I
<
3
3
3
3
3
r A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A mf
Vla.
Vc.
Db.
s
3
3
3
3
3
3
3
3
3
3
3
3
3
<
<
<
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