The Choral and Organ Music of John Joubert
Joubert at 90
CAT07920 Joubert at 90 Brochure v8.indd 2
2/08/2016 10:17
Op.177
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John Joubert
An Appreciation As a student at Birmingham University in 1968, I had my first encounter with John Joubert, then Reader in the Music Department. Although a full participant in the departmental work, seminars and tutorials, lecturing perhaps on unexpected subjects like nineteenth-century Italian opera or perhaps more appropriately, Marenzio and Gesualdo, generations of musical alumni will chiefly remember his Motet Choir sessions, distinct from the University Choir: Wednesday afternoons, not quite obligatory… just the BMus students knocking out some tolerably advanced choral works to an impressive standard: Copland, Hindemith, Gordon Crosse, Kenneth Leighton, Peter Dickinson, Malcolm Williamson, Richard Rodney Bennett, not to mention more standard repertoire. Once, when a rehearsal for Dixit Dominus overran into the lunch hour, John admonished us: “Who needs food when we have Handel?” Above all, though, we remember early runs through of John’s own choral pieces, possibly newly published or as yet unpublished. He told us “An occupational hazard of Motet Choir membership is the frequent performance of John Joubert”: Let there be light, The Beatitudes, How are my foes increased, O tristia secla… John was a fine orchestral conductor, too, certainly unconfined to choral works. I remember an intensely cultured, widely read opera-lover. He towered over us in intellect as well as stature; one of the girls remarked that, when he stood up at his desk, she thought he would go on growing forever. It was therefore my good fortune to arrive at Novello some eighteen years ago to discover that not only did the publishing house handle most of his output but that he was still creating with the same fluency as in the 1960s, still widely admired, even loved, not just as the resident Ossian of the West Midlands but way beyond. A composer whose professional composing career spans a remarkable seven decades, with an output of over 160 works across the whole range of genres, John Joubert continues to provide us with his recognisably intricate, lyrical and personal statements. Nowhere is this felt more than in his choral works. Though far from exclusively sacred, Eliot, Hopkins and Yeats figuring among the texts he has used, it is in his liturgical or more broadly Christian settings that he has reached the widest public: Torches!, There is no rose and O Lorde, the maker of al thing, heard around the world now for half a century. From such perfect miniatures to his recent larger-scale works, An English Requiem (2010), Northumbrian Triptych (settings of Bede, 2011) and the St Mark Passion (2015), every piece successfully combines direct spiritual statement with an almost Romantic immediate appeal: an exceptional voice still creating in the twenty-first century.
Howard Friend Managing Editor, Chester Music Limited, Novello & Company Limited
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John Joubert John Joubert was born in Cape Town in 1927. His father was a descendant of the French Protestant (Huguenot) settlers who were granted land at the Cape – then a Dutch colony – in 1688. His forebears on his mother’s side, who were Dutch, had become anglicised when the Cape became a British colony in 1815. Joubert’s upbringing and education were both English and, through his school, the Diocesan College Rondebosch, Anglican. He received his early musical education from his mother, a pianist and a pupil of Harriet Cohen. The Head of Music at his school, as a former assistant to Sir Ivor Atkins at Worcester Cathedral, had greatly developed its musical life to the extent that Joubert was able to have his early compositions performed by the College’s chapel choir and eventually to matriculate in music preparatory to his starting a degree course in 1945 at the South African College of Music. He had already been having composition lessons privately with a previous principal of the College, W.H. Bell, who had been a pupil of Frederick Corder at the Royal Academy of Music and a well-known English composer before his departure for South Africa in 1912. Some of Joubert’s early works were performed by the Cape Town Municipal Orchestra during his studies with Bell, culminating in the orchestral Threnody on Bell’s death in 1946. Later the same year, Joubert competed for and won a Performing Right Society Scholarship to the Royal Academy of Music which enabled him to have four years’ study in London, during which time his composition teachers were Theodore Holland, Howard Ferguson and Alan Bush. It also enabled him to hear some of the foremost conductors of the day, including Beecham, Furtwängler, Bruno Walter and Richard Strauss. While at the Academy he won several awards for composition, including the Lionel Tertis Prize (for a viola concerto), the Frederick Corder Prize (for a work for chorus and orchestra) and the Royal Philharmonic Society Prize (for a Symphonic Study for orchestra). During the final two years of his scholarship he composed a String Quartet and a Divertimento for Piano Duet which were subsequently published as his op.1 and op.2 respectively. At the same time, he was studying privately for a Durham University External BMus and graduated successfully in 1950, the year his scholarship at the Academy came to an end. The next twelve years were spent as Lecturer in Music at the University of Hull. Here, despite the demands of a new job and a growing family (Joubert was married in 1951 and his two children were born in 1954 and 1957) new works from his pen continued to appear, many of them the result of commissions. Some of his best known and most popular works date from this time, including the two carols Torches! and There is no rose of such virtue and the anthem O Lorde, the maker of al thing which won the Novello Anthem Composition Prize in 1952. Other works from this period include the Violin Concerto (York Festival, 1954),
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the First Symphony (released on CD by Lyrita) and the Piano Concerto (Hallé Orchestra, 1957). His first full-length opera, Silas Marner, received its world premiere in Cape Town in 1961 and its European premiere in London later the same year. Among the smaller-scale works of the ’50s and early ’60s are an Octet, a String Trio and a one-movement Piano Sonata. In 1962, Joubert was appointed to a Lectureship in Music at the University of Birmingham. He was subsequently promoted to a Senior Lectureship and then to a Readership. As at Hull, new works continued to appear at regular intervals including three more String Quartets, two more Piano Sonatas, several song-cycles and a considerable amount of church music (including two settings of the Anglican Evening Canticles and two of the Latin Mass). Larger-scale projects are represented by the Second Symphony (Royal Philharmonic Society), two more three-act operas (Under Western Eyes, premiered in 1968, and Jane Eyre) and a succession of works for chorus and orchestra. The full-length oratorio Wings of Faith received its premiere in 2007 as part of the ‘Joubertiade’, a nation-wide celebration of the composer’s 80th birthday. An English Requiem for soloists, chorus and orchestra was the centrepiece of Joubert’s time as Composer in Residence at the 2010 Three Choirs Festival. Joubert was featured composer at the new music wells 73-13 festival in June 2013 which included a new mass setting and anthem for the choir of Wells Cathedral. His new St Mark Passion received its first performance at Wells on 20 March 2016 -- his 89th birthday. In 1979, Joubert was appointed to a Visiting Professorship at the University of Otago, New Zealand. Further academic honours include Honorary Doctorates from Durham University (1991) and the University of Birmingham (2007). Joubert was made a Fellow of the Royal Academy of Music in 1957 and awarded an Honorary Fellowship of Birmingham Conservatoire in 2014. He continues to live and work in Birmingham. Top: With John McCabe, Presteigne Festival, August 2013. Below: Cheltenham Music Festival, 1953: (from left) William Alwyn, Iain Hamilton, Arthur Benjamin, JJ, Peter Racine Fricker, Phyllis Tate, William Wordsworth. Bottom right: John and his wife Mary working on a production at Hull University in the 1950s.
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Works for Upper Voices and Piano or Organ Accompaniment
The God Pan Op.18 (1955) SSA/Piano John Fletcher NOV510613
I will lift up mine eyes unto the hills Op.63 (1969) SSAA/Piano Psalm 121 NOV290434
All wisdom cometh from the Lord Op.62 (1969)
In the bleak mid-winter Op.177 (2013)
SA/Organ Ecclesiasticus 1:1-5, 8-10 NOV290345
SA/Organ Christina Rossetti
Autumn Rain Op.105 (1985)
NOV294129
SSAA/Piano D.H. Lawrence
Universal Nature Op.133 (Rochester Triptych No.2) (1991)
NOV950468
SA/Organ John Wilmot, 2nd Earl of Rochester NOV290676 ber 1985, y, Septem Centenar ts. Lawrence nds Ar the D. H. by East Midla mus for ed nta vid Ca pro ds JOHN oned by aid of fun Commissi with the
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stone;
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on snow,
2/08/2016 10:18
Commissioned by Music Sales to commemorate the 400th anniversary of Shakespeare’s death.
Be not afeard John Joubert (b.1927) Op. 179
The Tempest III:ii Shakespeare
Poco Lento
SOLO SOPRANO
SOPRANO
ALTO
p
p
BASS
Be not a - feard:
p Be not a - feard: p
PIANO ( for rehearsal only)
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5
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f hurt f
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not.
not.
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Works for Unaccompanied Mixed Voices Antiphon Op.182 (2016)
Five Songs of Incarnation Op.163 (2007) Of a Rose, a lovely Rose Make we joy now in this feast I sing of a Maiden Let us gather hand in hand When Christ was born of Mary Tenor/SATB
SATB
NOV020790
NOV296560
Be not afeard Op.179 (2015) Soprano/SATB William Shakespeare The Tempest NOV165748
The Beatitudes Op.47 (1964)
Four Motets Op.89 (Edington Festival – 1976)
Introit* (Ecclesiasticus 15.5/Psalm 92:1) Gradual (Psalm 89:21) Offertory (Psalm 37:31-32) Communion (Psalm 92:11) SATB Divisi
Soprano/Tenor/SATB Matthew 5:3 -12
Oxford University Press/ Banks Music Publications (9278)
NOV290421
*Introit – ‘In medio Ecclesiae’ also appears in the collection ‘Cantica Nova’ (Oxford University Press)
The Christ-child lay Op.136a (1996)
Four Stations on the Road to Freedom Op.73 (1972)
SATB G.K. Chesterton NOV290687
SSAATTBB Dietrich Bonhoeffer trans. Frank Clarke
Coverdale’s Carol Op.75 (1972)
NOV200160
SATB Miles Coverdale
Here we come a-wassailing (1964)
NOV290185
SATB NOV050020-01
A Hymne to God the Father Op.114 (1987)
2 9
p
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p
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mf
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airs, mf
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Hymn to the Virgin (Three Carols Op.102 No.1) (1984) 2 Sopranos/SATB NOV290591-01
I sing of a Maiden (Five Songs of Incarnation Op.163) (2007) Tenor/SATB NOV020790-03
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A little child there is yborn Op.48 (1965)
Introit – Lord, in the strength of grace Op.115 (1981/2011)
SATB Soli/SATB 15th Century anon.
SATB Charles Wesley
Oxford University Press/ Banks Music Publications (X156)
NOV060148
Joy in the Morning Op.136b (1996) SATB Kenneth Grahame NOV290688
Let there be light Op.56 (1968) SATB Saint Augustine of Hippo
Lines from ‘The Youth of Man’ Op.90 (1977) SATB Matthew Arnold NOV160179
Locus iste Op.175 (2013) SATB Divisi
NOV290433
NOV293788
Libera Plebem Op.19 (Pro Pace Motet No.1) (1955)
Love came down at Christmas Op.176 (2013)
SAATBB Sedulius Scottus
SATB Christina Rossetti
NOV290422
NOV294140
CAT07920 Joubert at 90 Brochure v8.indd 8
2/08/2016 10:18
Missa Wellensis Op.174 (2013)
Preces and Responses Op.168 (2010)
SATB NOV293700
SATB
O tristia secla priora Op.32 (Pro Pace Motet No.2) (1959)
NOV060082
SATB Eugenius Vulgarius
Libera plebem Op.19 (1955) O tristia secla priora Op.32 (1959) Solus ad victimam Op.29 (1959)
Pro Pace Motets
NOV290429
SSAATTBB
Pilgrimage Song Op.169 (2010)
NOV030142
Baritone/SATB Stephen Tunnicliffe
Rorate Coeli Op.107 (1985)
NOV060093
SATB Liber Usualis NOV290619
ssetti Christina Ro zza ) – con tenere (1830–1894 Poco lento
M 1 5 G
SOPRANO
5 5
4 5 G
5 5 5
5 5
5
5
came down
love
mas,
-
NOV160172
at
5 5
4 5
Soprano/Tenor/SATB Sir Thomas Browne, Julian of Norwich
5
came down
love
, Christ - mas
at
e down Love cam p
t John Jouber Op.176
5 5
5M
5 B
5M
5
5
5
p
Sleep Canticle Op.81 (1974)
MAS
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LOVE CAM
5 5
5 p 5 5M at down 5M 5 5 love came , mas G Christ at e down 5 5 5 i 5 Love cam 4 5 p 5 5 5 5 5 5 5 5 came down love 4 - mas, at Christ 2
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i - son,
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2/08/2016 10:18
Solus ad victimam Op.29 (Pro Pace Motet No.3) (1958) SSATBB Peter Abelard NOV030142-03
ng
Pilgrimage So Poco lento
SOPRANO
SATB Algernon Charles Swinburne NOV950466
Sweet Content Op.40 (1962) SATB Thomas Dekker
TENOR
BASS
Piano ((for only) rehearsal only
SATB NOV290171
B.
ah
ah
ah
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mf
mf
with its tons
of
stone
più f
Three Carols Op.102 (1984)
3
hewn
3
stone sto n - i - ly
3
ah
hewn
ah
ah
più f
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ah
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ah
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ted
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down
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slope ah mf
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ah ah ah
A.
This is the gate of the Lord Op.164 (2007) NOV720016
T.
slope
© 2010 by
SATB Psalm 118
S.
NOV160160
There is no rose of such virtue Op.14 (1954)
climb
pile
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p
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2
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ALTO
SOLO BARITONE
ah
Sonnet Op.123 (1989)
John Joubert Op. 169
nicliffe
Stephen Tun
Hymn to the Virgin Be mery Lullay SATB NOV290591
Three Portraits Op.97 (1983) SATB John Skelton NOV160183
on the n Wilkinson For Stephe
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Tenor
Whitsun Carol – Come, holy ghost, who ever one Op.115b (1987) SATB St Ambrose trans. J.H. Newman
heart of
Bass
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non troppo
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ty,
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63
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NOV951115
fire, of love's
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NOV401375
cresc. poc
the
p
Welcome Yule Op.27 (1956)
with Hid round e's fire, ice of lov
p of hearts, O heart
4 4
bert John Jou Op.123
o a poco
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4 4
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of his occasion
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2/08/2016 10:18
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ty
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bloom;
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19
SOLO mf
S. O
rt hn Joube Op.123
A.
with Hid round
re,
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heart,
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li
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life
a
lyre;
s fire,
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ty,
and all
the
ty,
and all
n the bou
ty,
CAT07920 Joubert at 90 Brochure v8.indd 11
2/08/2016 10:18
For the beauty of the earth Hymn-anthem on the tune ‘Moseley’
F.S. Pierpoint
John Joubert
p
p
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Works for Mixed Voices and Piano or Organ Accompaniment All and some (Nowell sing we) Op.58 (1968) SATB/Organ
NOV296527
For the beauty of the earth – Hymn Tune ‘Moseley’ (1965)
For the beauty of the earth – Hymn-Anthem on ‘Moseley’ (2001)
NOV020746
SATB/Organ or Piano F.S. Pierpoint
Behold the Tabernacle Op.70 (1974)
NOV296505
Give us the wings of faith – Hymn Tune ‘Edgbaston’ (1993)
NOV860040
SATB with Descant/Organ Isaac Watts
Blest Glorious Man Op.126 (Rochester Triptych No.3) (1991)
NOV290682
SATB/Organ John Wilmot, 2nd Earl of Rochester
SATB/Organ The Alternative Service Book
V b mfŠ Š Š Š Š Š Š Š V b Š Š =ŠŠ Š Š Š Š mf Bb # Š Š # Š =Š Š Š. U our grate - ful
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hymn
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God rest you merry gentlemen (1963)
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praise.
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Glory and honour Op.106 (1985) NOV290589
13
the each
Unison Voices/SATB/Organ
NOV290425
2
T. B.
Communion Service in D Op.46 (1964)
And thou, child, shalt be called Op.158 (2006)
NOV290661
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NOV281417
SATB/Organ F.S. Pierpont
SATB/Organ Sarum Antiphon
{
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NOV950332
SATB/Organ St Luke 1:76-79
This
Christ is risen Op.36 (1960)
each ho ur of thine
Of To
the our
{
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and so
Great Lord of Lords Op.16 (1954) SATB/Organ Anon. NOV290424
The Holy Mountain Op.44 (1963) SATB/2 Pianos (or Piano Duet) Isaiah 11:1-9 Vocal Score – NOV950467 Piano Duet Part – NOV950467-01
20
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night, giv’n,
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2/08/2016 10:18
How are my foes increased, Lord! Op.61 (1970) SATB/Organ George Herbert NOV860029
An Hymne of the Nativity Op.146 (1987) Countertenor or Alto/Baritone/SATB/Organ Richard Crashaw NOV290713
Leaves of Life Op.41 (1962) Soloists/SATB/Piano NOV070181
Let me rejoice Op.94 (1980) SATB/Organ Isaiah 61:10-11
Lord, make me an instrument of thy peace Op.84 (1976) Soprano/SSAATTBB/Organ St Francis of Assisi Oxford University Press/ Banks Music Publications (A319)
Lord, thou hast been our refuge Op.53 (1967) SATB/Organ Psalm 90:1-7, 9, 13, 17 NOV860001
Magnificat and Nunc Dimittis in A Op.57 (1968)
Addington Press/Royal School of Church Music (RAP209)
SATB/Organ
Let this mind be in you Op.34 SATB/Organ Philippians 2:5-11
Magnificat and Nunc Dimittis in C Op.103 (1984)
Originally intended as an anthem, it became the final chorus for Urbs beata Op.42
NOV290584
CAT07920 Joubert at 90 Brochure v8.indd 14
NOV950416
SATB/Organ
2/08/2016 10:18
Missa Beata Ioannis Op.37 (1961) SATB/Organ NOV070182
O Lorde, the maker of al thing Op.7b (1952) SATB/Organ Attributed to King Henry VIII
Northumbrian Triptych – Three Settings of Bede Op.170 (2010)
NOV290250
O praise God in his holiness Op.52 (1967)
Tenor/SATB/Organ The Venerable Bede
SATB/Organ Psalm 150
NOV293106
NOV401499
O Lord our Lord Op.45 (1963) SATB/Organ Psalm 8
O search me, God Op.127 (1991) SATB/Organ Psalm 138 (Grail Translation)
NOV290427
NOV959387
YCH N TRIPT UMBRIA NORTH ee Settings of Bede Thr Bede
A History
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ch and Pe
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TENOR
u, I pray yo
CAT07920 Joubert at 90 Brochure v8.indd 15
joy
2/08/2016 10:18
Psalm 100 (Jubilate) Op.167 (2009) SATB/SATB/Organ NOV060060
Seek the Lord Op.148 (2002) SATB/Organ Thomas Campion NOV016214
The Souls of the Righteous Op.142 (1998) SATB/Organ The Wisdom of Solomon 3:1-3 NOV290702
St Mark Passion Op.180 (2015) 2 Tenors/3 Baritones/SATB/Cello/Organ Vocal Score – NOV295757 Cello Part – NOV295757-01
Te Deum Op.49 (Malvern College) (1964) Soprano/SATB/Organ/Optional Unison Part for Congregation
To Anna and
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PSALM 1
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Chorus Part – NOV290430 Congregational Part – NOV290430-01
Te Deum Op.8 (St Bartholomew’s Smithfield) (1953) SATB/Organ Oxford University Press/ Banks Music Publications (9279)
Torches! Op.7a (1951)
They are happy Op.119 (1988)
Unison Voices (Optional 2nd Part)/Organ Traditional Spanish trans. J.B. Trend
SATB/Organ Psalm 33:12-15, 20-22 (Grail Translation)
NOV290170
NOV951126
Two Hymn Tunes (1967)
Three Hymns to St Oswald Op.74 (1972/1974)
Bishops – To mercy, pity, peace and love William Blake
Plumstead – He that is down need fear no fall
SATB/Organ
John Bunyan
NOV950465
SATB/Organ or Piano NOV290431
Torches! Op.7a (1951)
Vision and Prayer Op.111 (1986)
SATB/Organ Traditional Spanish trans. J.B. Trend
SATB/Piano Duet
NOV290249
NOV950464
CAT07920 Joubert at 90 Brochure v8.indd 16
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2 6 I
pre - sence with
II
fore his
pre - sence with
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song.
song.
I
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CAT07920 Joubert at 90 Brochure v8.indd 17
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An English Requiem
Lento
pp
Piano
8
15
S. A.
T. B.
21
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the
pp
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pp
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© Novello & Company Limited 2010
CAT07920 Joubert at 90 Brochure v8.indd 18
p f
world,
no - thing
JOHN JOUBERT (Op. 166)
I Intimations (Chorus)
take
no - thing
2
f 27
out.
f
p
32
pp
38
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they flou r - ish p 2/08/2016 10:18
Works for Unaccompanied Men’s Voices
Works for Choir and Ensemble/ Orchestra
Jolly Good Ale Op.117 (1987)
Blest Glorious Man (Rochester Triptych Op.139) (1997)
AATBBB William Stevenson
SATB/Orchestra (3333/4331/timp.2perc/ org.hp/str)
NOV166221
Two Antiphons Op.80 (1974) AATTBB George Herbert NOV290549
Works for Men’s Voices and Piano or Organ Accompaniment
Vocal Score – NOV290661 Score/Parts – Hire Only
The Burghers of Calais Op.12 (1953) Soprano/Countertenor/2 Tenors/Baritone/ Bass/SATB/Orchestra (1111/1110/timp.perc/ pf/str (11111)) G.K. Turner Vocal Score, Score and Parts – Hire Only
The Choir Invisible Op.54 (1968) Baritone/SATB/Orchestra (3(pic)333/4331/ timp.3perc.xyl/hp.pf.org/str) Stephen Spender and George Eliot
Impartial Death Op.132 (Rochester Triptych No.1) (1992)
Vocal Score – NOV070376 Score/Parts – Hire Only
TB/Organ John Wilmot, 2nd Earl of Rochester
An English Requiem Op.166 (2010)
NOV290675
Soprano/Baritone/Junior Chorus/SATB/ Orchestra (3(pic)3(ca)3(bcl)3(cbn)/4331/ timp.2perc/hp.org/str) Vocal Score – NOV958782 Score/Parts – Hire Only
2
27
John Wilmot, 2nd Earl of Rochester
f
out.
f
p
p p f pp 32 poco più mosso p mf The days of mor - tals are as grass; p mf poco più mo sso pp mf p mf 38 p mf they flou r - ish as the flowers p of the CAT07920 mf Brochure v8.indd at 90 19 Joubert
For the beauty of the earth Op.124 (1989) Soprano/Baritone/Boys’ Choir/SATB/Orchestra (2(pic)222/4331/timp.1perc/hp.org/str) Gerard Manley Hopkins Vocal Score – NOV072462 Score/Parts – Hire Only
God rest you merry gentlemen (1963) SATB/Orchestra (2(pic)/222(cbn)/4331/ timp.2perc/hp.org/str) Vocal Score – NOV290423 Score/Parts – Hire Only
2/08/2016 10:18
Gong-Tormented Sea Op.96 (1981)
Nowell Op.58 (1968/2002)
Baritone/SATB/Orchestra (3(2pic)3(ca) 3(bcl)3(cbn)/4331/timp.4perc/hp/str) Walt Whitman, Roy Campbell and W.B. Yeats
SATB/Orchestra (222/4231/timp.3perc/ cel.org/str)
Vocal Score, Score and Parts – Hire Only
Vocal Score – NOV290426 Score/Parts – Hire Only
Herefordshire Canticles Op.93 (1979)
Psalm 100 (Jubilate) Op.167 (2009)
Soprano/Baritone/Boys’ Choir/SATB/ Orchestra (3(pic)3(ca)3(bcl)3(cbn)/4331/ timp.4perc/2hp.cel.org/str) T.S. Eliot, Gerard Manley Hopkins and Liturgical Latin
SATB/SATB/Orchestra (0000/4341/timp/hp.org)
Vocal Score, Score and Parts – Hire Only
Impartial Death (Rochester Triptych Op.139) (1997) TB/0000/0331/timp/org John Wilmot, 2nd Earl of Rochester
Vocal Score – NOV060060 Score/Parts – Hire Only
The Raising of Lazarus Op.67 (1970) Mezzo-Soprano/Tenor/SATB/Orchestra (3(pic)333/4441/timp.perc/2hp.pf.org/str) Vocal Score – NOV296549 Score/Parts – Hire Only
Vocal Score – NOV290675 Score/Parts – Hire Only
Rochester Triptych Op.139 (1997)
The Magus Op.83 (1976)
Blest Glorious Man
Tenor/2 Baritones/SATB/Orchestra (03(ca)03(cbn)/0330/timp.2perc/pf/org/str) Stephen Tunnicliffe Vocal Score – NOV070447 Score/Parts – Hire Only
The Martyrdom of St Alban Op.59 (1968) Speaker/Tenor/Baritone/Orchestra (1111/ 1000/timp.perc/pf.org/str(11111)) Vocal Score, Score and Parts – Hire Only
Missa Brevis Op.122 (1988) Soprano/Alto/Tenor/Bass/SATB/Orchestra (1(pic)222/2000/str) Vocal Score – NOV296538 Score/Parts – Hire Only
Music for a Pied Piper Op.108 (1985) AATBBB/Descant Recorder/2 Lutes/2 Violins, Bass Viol, Violone Robert Browning Alt. version Op.108a (Peacock Press) for Countertenor/Descant Recorder/ Chamber Organ/Harp
CAT07920 Joubert at 90 Brochure v8.indd 20
SATB/Orchestra (3333/4331/timp.2perc/ org/hp/str) Vocal Score – NOV290661
Universal Nature Vocal Score – NOV290676
Impartial Death Vocal Score – NOV290675
A Song for St Stephen Op.150 (2003) Soprano/Alto/Tenor/Bass/Junior and Senior Choirs/SATB/Orchestra (2222/4331/ timp.2perc/hp.org.str) Stephen Tunnifcliffe Vocal Score – NOV078782 Score/Parts – Hire Only
South of the Line Op.109 (1985) Soprano/Baritone/SATB/timp.2perc/2pf Thomas Hardy Vocal Score – NOV070504 Score/Parts – Hire Only
Torches! Op.7a (1951) Unison Voices (Optional 2nd Part)/Small Orchestra Traditional Spanish trans. J.B.Trend Vocal Score – NOV290170 Score/Parts – Hire Only
2/08/2016 10:18
Torches! Op.7a (1951) SATB/Strings Traditional Spanish trans. J.B. Trend Vocal Score – NOV290249 Score/Parts – Hire Only
Torches! Op.7a (1979) SATB/Orchestra (2222/4231/timp.perc/hp/str) Traditional Spanish trans. J.B. Trend Vocal Score – NOV290249 Score/Parts – Hire Only
Universal Nature (Rochester Triptych Op.139) (1997) SA/Orchestra (3333/4000/perc/org.hp/str) John Wilmot, 2nd Earl of Rochester Vocal Score – NOV290676
Urbs beata Op.42 (1963) Tenor/Baritone/SATB/Orchestra (333/4331/ timp.perc/hp.org/str) Genesis 28:10-22, Psalm 22, Revelation 21:1-4, Philippians 2:5-11 Vocal Score – NOV070185 Score/Parts – Hire Only
Wings of Faith Op.143 (2003) Speaker/Soprano/Alto/Tenor/2 Baritones/ Chamber Choir/Youth Choir/Orchestra (1(pic) 1(ca)1(ca)1/1000/timp.perc/pf+org/str(11111)) Stephen Tunnicliffe Vocal Score – NOV072528 Full Score – NOV950533 Parts – Hire Only
Works for Solo Organ Prelude on ‘Old Hundredth’ Op.15 (1955) Oxford University Press/Allegro Music
Passacaglia and Fugue Op.35 (1963) NOV620012
Prelude on ‘Picardy’ Op.55 (Easy Modern Organ Music Vol.2) (1967) Oxford University Press/Allegro Music
Prelude on ‘York’ Op.152 (2004) Edition Peters (EP71420)
Reflections on a Martyrdom Op.141 (1997) NOV950287
Six Short Preludes on English Hymn Tunes for Chamber Organ Op.125 (1990) Picardy Song One Southwell Abridge Mon Dieu, prête-moi l’oreille Old Hundredth NOV360125
CAT07920 Joubert at 90 Brochure v8.indd 21
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CAT07920
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