JOHN McCABE
CELLO CONCERTO (Songline) 2007
FULL SCORE
NOVELLO
INSTRUMENTATION
*
* *
2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 2 Tenor Trombones Bass Trombone Tuba Timpani Percussion: Maracas Suspended Cymbal Bass Drum Tam-tam Slapstick High Wood Block Xylophone Vibraphone Harp Strings
* Clarinet, Horns and Trumpets are written in C (i.e. as sounding). This work was commissioned by the Hallé Concerts Society for first performance by Truls Mørk and the Hallé Orchestra, conducted by Mark Elder CBE at the Bridgewater Hall, Manchester, England, on 17th January 2008. Duration: c. 23 minutes COMPOSER’S NOTE The Songlines are the invisible pathways of the Australian aboriginals, routes that they sing into life, naming or relating to everything they see or encounter. These are both physical ways that they walk, during which process every feature of the landscape also has some tribal or mythical significance, and also psychological routes by which they trace their culture. Bruce Chatwin’s memorable book The Songlines vividly conveys the various meaning of these routes. It has for a long time seemed to me that we all do something like this anyway, when we travel anywhere, revisit old haunts, encounter old friends, and so on, and this Cello Concerto “sings” its journey through the exploration of its material – though the use of the singular “Songline” indicates that this is just one of many possible routes through the music. Not all songs need to be slow – indeed, the beginning of the Concerto exploits a very quick tempo for quite a long time, and the short ending resumes this quietly energetic progress, albeit briefly (the actual ending may give some listeners a bit of a start, so to speak). The heart of the work, however, is to be found in the elaborate song melody played by the cello in the central slow section. The work plays without a break and lasts about 23 minutes. It is scored for a normal symphony orchestra, but with only double woodwind, and a fairly restricted percussion section (though from time to time the xylophone has a good deal to do). The scoring is, on the whole, fairly light and (I hope) clear, to allow the cello to sing its journey. Programme Note © Copyright 2007 by John McCabe
For Truls Mørk and the Hallé Orchestra
CELLO CONCERTO (SONGLINE) Flute 1
Allegro vivace
Flute 2
Oboe 1
Oboe 2
Clarinet 1 in Bb
Clarinet 2 in Bb
Bassoon 1
Horn 1 in F Bassoon 2
Horn 3 in F
Horn 2 in F
Trumpet 1 in Bb Horn 4 in F
Trumpet 2 in Bb
Tenor Trombone 1
Tenor Trombone 2
Bass Trombone
Timpani Tuba
Suspended Cymbal Maracas
Tam-tam Slapstick High Wood Block
Bass Drum
Vibraphone
Viola
Violoncello
p legg.
Violin II
Double Bass
Solo Violoncello
Violin I
mp
Harp
Xylophone
JOHN McCABE 2007
q = 138
© 2007 Novello and Company Limited
rev. 06/08 All Rights Reserved
2
Fl. 1
5
Fl. 2
Xyl.
Solo Vc.
Fl. 1
Fl. 2
Xyl.
Solo Vc.
5
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Vc.
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Db.
Vc.
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5
mp
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Vla
Vc.
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20
Fl. 2
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Fl. 1
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Ob. 2
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Ob. 1
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40
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Fl. 1
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Fl. 2
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53
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Fl. 2
Cl. 1
Cl. 2
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pp
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pp
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61
Fl. 2
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68
Fl. 1
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75
Fl. 2
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82
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96
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Fl. 1 123
Fl. 2
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Solo Vc.
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13
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14
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159
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3
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3
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174
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Ob. 1
5
6
5
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Cl. 1
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6
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7
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17
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19
201
Fl. 1
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p
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Cl. 2
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5
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5
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20
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Fl. 1
208
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5
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Fl. 1 211
21
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5
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5
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22
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213
p
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1. Solo
Vc.
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218
Solo Vc.
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5
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5
5
5
5
5
5
5
5
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div.
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1. Solo
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5
5
f
5
M
Fl. 1
223
Fl. 2
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Cl. 1
Cl. 2
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6
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3
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5
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5
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6
5
p
6
Tpt 1 Tpt 2
6
p
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5
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23
3
24
Fl. 1 227
p
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3
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div. Vln II
5
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5
5
Vib.
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Tpt 2
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p
Ob. 1
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232
Solo Vc.
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5
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5
5
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5
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cresc.
5
5
5
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Fl. 1
238
Fl. 2
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5
5
5
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dim.
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5
5
5
cresc.
5
5
f
f
5
f
cresc.
cresc.
5
5
5
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5 5 5 5 5 5 cresc. 5
p
Db.
pp
p Vc.
pp
5 p unis.
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pp
unis. 5 Vln I
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26
Fl. 1 243
Fl. 2
Cl. 1
Cl. 2
Solo Vc.
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Vln I
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p
mf
p
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pp
pp
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248
Solo Vc.
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[Cadenza]
250
Tba.
pp
Tam-tam
p
p
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trem. nat.
p
sim. (sempre)
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ppp
div.
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ppp
Db.
ppp
ppp
Allegro vivace q = 138
Vla
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Tba. 254
pp
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Solo Vc.
p
Db. Vc.
nat.
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Adagio ma liberamente q = 60
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Db.
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veiled tone
28
O
256
Vib.
mp
Solo Vc.
pizz.
p
accel.
cresc.
Solo Vc.
p
cresc.
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accel.
p
f
f
257 pizz.
a tempo arco
p
5 5 5 5 5 5 p 5 5
258
Solo Vc.
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dim.
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dim.
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260
p 3
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3
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3
3
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3
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3
3
3
3
Q
Allegro vivace q = 138
Vln I Vln II
Vla
Vc.
Db.
Lento q = 60
Rall.
273
Solo Vc.
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f ruvido
Vib.
3
Solo Vc.
270
Vib.
3
3
3
3
3
5
5
5 pp p 7 6 5 dim. 5
Solo Vc.
Ob. 1
5
ff agitato
p
div.
ppp
div.
ppp div.
ppp
div.
ppp
gliss.
sul tasto gliss.
ppp
p poco lib.
div.
mp espress.
dim.
29
Fl. 1
Cl. 1
Cl. 2
280
Fl. 2
Vln I Vln II
Vc.
Fl. 2
6
Cl. 1
Solo Vc.
Vln I
6
6
5
5
5
5
6
6
6
6
6
3 3
3 Vln I 3
3
3
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6
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5
3
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6
3
3
f 3 3 3 3 3 3 3 3 3 3 3 3
3 3
6
6
3 3 nat. 3 3 3 3 3 3 3 3 f
290
Solo Vc.
5
5
Allegro q = 104
6
5
Cl. 2
6
R
5
pp
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pp
285 5 5 5 5 5 5 Fl. 1
pp
5 nat. arm.
5
arm.
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6
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5
5 nat.
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Db.
1. Solo
3
3
3
3
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296
Solo Vc.
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3 Vln I Vln II 3
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ppp
fpp sub.
unis. fpp sub. unis. fpp sub.
unis. pizz.
f
ppp
ppp
unis.
fpp sub.
Db.
ppp
30 Moderato q. = 80
302 Cl. 1
Tpt 1
mp
mf
con sord.
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mp
Solo Vc.
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mf
mf
mp
mf
mp
mf
p
p
p
p
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Db.
4 4 4
4
4
4
p
4 4 4 4 4 4
p
p
p (pizz.)
p
S
Cl. 1 312
Tpt 1
Tpt 2
Vln I
mp
mf
mp
mp
mf
mf
mp
mf
mp
mp
mf
p
mf
p
p
Vln II
Vla
4
div. Vla
Vc. div.
Vc.
Db.
4
4
4
4
4
4
4
4
4
4
4
4
4
cresc.
mp
cresc.
mp
mp
cresc.
cresc.
mp
mp
cresc.
322
Bsn. 1
Bsn 2
Solo Vc.
Vln I
31
f
f
Tpt 1 Tpt 2
T
f marcato
p
p
senza sord. f senza sord.
mp
f
mp
mf
4
4
4
4
Vln II
Vla
4 4
4
div.
Vla
4
f
f
Vc. div. Vc.
Db.
f
f
f
Tpt 1 332
Tpt 2
Tba.
4
4
mf
4
4
mf
f
f
f
Vln II
Vla
Vc.
Db.
f 4 4 4 4 4 4 marcato
Solo Vc.
Vln I
32 Allegro q = 116
Fl. 1
Tba.
341
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Tpt 1
Tpt 2
Solo Vc.
p
Fl. 1 348
Fl. 2
Cl. 2
Bsn. 1
Vla
Db.
p
f
f
f f
f
p
p
mf
mf
mf
f
3
3 3
dim.
mf
dim.
div.
p
unis.
f
3
p
f
f
f Vc.
Vln I Vln II
f
Tpt 1 Tpt 2
p
p
Vln I
metal beaters, pedal off
f
p
Vib.
p
dim.
dim.
U
355
Fl. 1
Flessibile q. = 80
Fl. 2
Ob. 1
Cl. 1
Bsn. 1 p
Tpt 1
p
Tpt 2
p
p
p
p
33
p
Solo Vc.
Vln I
1. Solo
mp
Vln II
gli altri
mp
div. Vla
mp 1. Solo
Vc.
mp
Db.
1. Solo
Vla
mp
articulato
Fl. 1 361
Fl. 2
Ob. 1
Cl. 1
Solo Vc.
mp
mp
mp
p
p
mp
p
mp
mp
p
mp
p
p
mp
p
mp
p
mp
mp
mp
34
V Vivo q = 132 Fl. 1 p 365
p
Fl. 2
Ob. 1
p
Cl. 1
mp
p
Bsn. 1
Tpt 1
mp
mf
Tpt 2
Timp.
mf
hard sticks
p
Xyl.
f
Vib.
p
Solo Vc.
mf leggiero
p
Vln I
Vln II
Vla
Vc.
Db.
tutti unis.
p
unis.
f
p
f
tutti unis.
f
tutti unis.
f
373
Fl. 1
Fl. 2
Cl. 1
Bsn. 1
Bsn 2
Timp.
Vib.
p
Vln I
Vln II
Vla
Vc.
W
p
p
f
Hn. 1
Hn. 2
Tpt 1
Xyl.
Vln II
Vla
Vc.
Db.
f
f
Solo Vc.
Vln I
f
f
p
p
ff sub.
f
f
f
f
f
f
Allegro vivace q. = 120
380 Bsn. 1
Bsn 2
f
f
35
mp
Solo Vc.
Db.
Xyl.
mp
mf
mf unis. arco
mf
36
Hn. 1
391
Hn. 3
Hn. 4
Tpt 1
Vln I
f
f
f
mf
dim.
pp
3
3
p
dim.
3
f
mf
p
p
p
mf
3
p leggiero
p leggiero
dim.
p
dim.
Db.
pp
dim.
pp
dim.
Allegro danzato q = 120
Vc.
mf
Vla
p
Vln II
Solo Vc.
f
Xyl.
f
Hn. 2
dim.
400
Xyl.
3
3
Vln I
Vln II
Vla
3
3
3
3
3
p leggiero
Vc.
p leggiero
Db.
3
3
3
3
3
3 3
3
3
p leggiero
37
X
Bsn. 1 406
Bsn 2
Hn. 2
Allegro q = 96
Vc.
p
p leggiero
mf
p poco a poco cresc.
pp poco a poco cresc.
poco a poco cresc.
mf
mf
mf
f
(mf)
p poco a poco cresc.
pp poco a poco cresc.
mp
Vc.
mp
p
poco a poco cresc.
Vc.
Db.
Vla
Vla
Vln II
Bsn 2 Hn. 2
Vln I
poco a poco cresc.
411
Solo Vc.
poco a poco cresc.
Bsn. 1
Hp.
p
Vln II Vla div. Vla div.
Vln I
Vc.
p
Solo Vc.
Hp.
Db.
p
Xyl.
mf
mf
mf
mf
mf
38
Bsn. 1 416
Bsn 2
Hn. 2
dim.
p
dim.
dim.
p
p
dim. mp
Solo Vc.
Y
l. h. pizz.
Vln I
pizz.
pp
div. Vln I
Vln II
Vla
pizz.
pp
pp
dim.
Vc.
pp
dim.
div.
Vc.
pp
dim.
Vla
div.
pp
dim. Db.
pp
dim.
421
Solo Vc.
Vln I div.
l. h. pizz.
Vln I
pizz.
Vln II
div. Vln II
Vla
Vc.
Db.
pp
pizz.
pp
unis. pizz.
p unis. pizz.
p
427
Solo Vc.
Vln I div.
Vln II div.
Vla
Vln II
Vln I
Vc.
Fl. 1
Fl. 2
Ob. 1
Cl. 1
Cl. 2
Bsn. 1
Bsn 2
cresc.
div.
Vln I
cresc.
Vln II div. Vln II
Vla
cresc.
cresc.
cresc.
cresc.
f
f
f
f
f
f
f
f f
Vc.
Db.
cresc. f
Vln I
f
Solo Vc.
f
f
Allegro vivo q. = 96 433
39
f
f
arco
f arco f f
40
Fl. 1 442
Fl. 2
Ob. 1
Cl. 1
Cl. 2
f
f
Bsn. 1
f
Bsn 2
Hn. 2
f
f
Hn. 4
f
Solo Vc.
Vln I
unis. arco
f
unis. arco Vln II
Vla
f
f
Vc.
f
Db.
f
Fl. 1
452
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn 2
Hn. 2
Hn. 4
Solo Vc.
Vla
f
Db.
f
f
f
f
pizz.
ff
ff pizz.
ff
pizz. Vc.
f
pizz. Vln II
f
Vln I
41
ff
42
461 Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Timp. Cl. 2
Solo Vc.
Vln I
Vln II
Vla
Vc.
Db.
Ob. 2
Cl. 1
Xyl.
Solo Vc.
Vc.
Db.
ff
ff ruvido
f
f molto marcato
ff
ff ruvido
ff
ff
ff
ff
ff ruvido
ff
f
Cl. 2 Timp.
f
Fl. 1
Ob. 1
arco f
471
Fl. 2
Z
ff ruvido
ff
f
480 Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn 2
AA
Fl. 2
43
f
f
4 4 4 4 Tpt 1
4 4 4
f
ff
4
Tpt 2
f
Tbn. 1
Timp.
Xyl.
Solo Vc.
ff
ff
4
f
ff
f
Vln I
Vln II
Vla
Vc.
Db.
f
44
489
Fl. 1
f
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn 2
Hn. 1
f
Hn. 3
Hn. 2
Hn. 4
Ob. 1
f
f
Fl. 2
f
f
f
Tbn. 1
Tbn. 2
B. Tbn.
Tpt 1
Tpt 2
Tba. f
Timp. Solo Vc.
Vln I
Vln II
Vla
Vc.
f arco
f arco
f
Db.
f
arco
f
f
f
f
f
f
45
498
Fl. 1
Ob. 1
Ob. 2
Fl. 2
BB ff cresc. f ff f ff
f Cl. 2 f Bsn. 1 Bsn 2
Cl. 1
Hn. 1
cresc.
Timp.
Vc.
B. Tbn.
Vla
Tbn. 2
Vln II
ff
Tbn. 1
Vln I
cresc.
Tpt 2
Solo Vc.
ff
Hn. 4
Tba.
cresc.
Hn. 2
Tpt 1
Hn. 3
cresc.
ff
ff
ff
ff
cresc.
ff
ff
cresc.
cresc.
ff
ff
ff cresc. f cresc. ff cresc. ff cresc.
ff ff
ff
ff
ff
cresc.
cresc.
f
Db.
ff
cresc.
f
46
504 Fl. 1 Fl. 2 Ob. 1 Ob. 2 Cl. 1
Bsn. 1
Hn. 1
ff
ff
Tbn. 2
B. Tbn.
Tbn. 1
Timp.
Tpt 2
Tba.
Hn. 2
Tpt 1
Hn. 3
Hn. 4
Cl. 2
Bsn 2
Vln I Vln II
Vla
Vc.
Db.
510
Fl. 1
Fl. 2
Ob. 1
ff
ff
ff
CC Lento passionato
Cl. 1 Cl. 2 Bsn. 1 Bsn 2 Hn. 1
Tpt 2
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Vln I div. Vln II Vla div. Vc. ff Db. ff div.
ff
ff
ff
ff
ff
ff
ff
Hn. 4
Hn. 2
Tba.
Hn. 3
Tpt 1
47
q = 60
ff
Ob. 2
fp sub.
fp sub.
ff
ff
ff
ff
fp sub.
fp sub.
fp sub.
fp sub.
fp sub.
fp sub.
fp sub.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
unis. ff
ff
unis.
f
5 5
unis.
ff
ff
3
3
3
5
48
Fl. 1
Cl. 2
Bsn. 1
516
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Bsn 2
Hn. 1
Hn. 2
Tpt 1
Hn. 3
Hn. 4
Tbn. 1
Tbn. 2
B. Tbn.
Timp.
Solo Vc.
5
5
3
5
3
5
3
5
Vc.
Vla
5
Vln II
Vln I
Db.
Tpt 2
Tba.
5
5
5
49
Fl. 1
524
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn 2
Hn. 1
Hn. 3
Hn. 2
Hn. 4
Tpt 1
Tpt 2
Tbn. 1
Tba.
Timp.
Vln II
Db.
ff
5
5
5
5
5 5
5
ff
ff
ff
ff
ff
ff
ff
ff
ff
6
5
5
5
5
5
5
5
Vc.
5
Vla
Solo Vc.
ff
B. Tbn.
ff
Tbn. 2
Vln I
5
5
5
5
5 unis.
5
50 Tempo comenciato q = 138
Fl. 1
Fl. 2
Cl. 1
Maracas
Susp. Cymb.
Xyl.
Hp.
p
p
soft stick p
p leggiero
p
p
528
p
5 5 6
Solo Vc.
p
dim.
Vln I
ff
con sord. div.
Fl. 1
pp con sord. div. (1. Solo tacet)
pp
con sord. pp
534
Fl. 2
Cl. 1
Xyl.
Solo Vc.
Vln I
f
Vc.
Maracas
Vla
Vln II
Db.
Vln II
mp
Vla
Vc.
Db.
Maracas
540
Xyl.
Xyl.
Solo Vc.
Vln II
Vla
Vc.
Db.
Maracas
547
pizz.
Vla
mp gli altri
Vc.
Db.
ff
arco
cresc.
hold pose
hold pose
fff
1. Solo (senza sord.)
div.
Vc.
Vln II
ff
Solo Vc.
Xyl.
Vln I
Slapstick
High W. Bl.
543
Vln I
Vc.
Maracas
Vla
Vln II
Db.
Solo Vc.
Vln I
51
cresc.
fff