La Curandera Comic Opera in One Act (Piano/Vocal Score )
Music
Robert Xavier RodrĂguez Libretto
Mary Medrick
G. Schirmer, Inc.
La Curandera Synopsis The opera is set in present-day Tepoztlán, an actual village near Mexico City known for its curanderos/curanderas, practitioners of folk magic. Scene One. It is afternoon in the outdoor lobby of the fictitious Hotel Tepoztecatl, named for the Aztec god of the alcoholic drink, pulque. The elderly and distinguished General Godofredo de la Barca (bass) enters, accompanied by his pretty young nurse, Dionisia (mezzo-soprano). Ramón (baritone), proprietor of the hotel, has just given an annual fiesta in honor of the famous General de la Barca. All three, especially the guest of honor, are happily tipsy, and they join in a threeperson conga line. General de la Barca expresses his gratitude to Ramón for the tribute and to Dionisia for her devoted care. La Curandera (contralto) enters, inquiring about The General’s health and about his American grand-nephew, Alberto, whom The General has not seen since the funeral of his beloved wife, Estela, two years ago. When The General and Dionisia leave, Ramón asks La Curandera about the potion she has given him to bring more lucrative tourist business to his hotel. La Curandera scoffs at his doubts and assures him of the power of her magic. Scene Two. Later that same day, The General’s grand-nephew, Alberto (tenor), and his fiancée, Alba (soprano), count their luggage in an American airport, on their way to pay “Uncle Godo” a surprise visit. Alberto warmly recounts his childhood with “tio Godo” and “tia Estela” in Mexico, and the couple agree to name their first child “Godofredo,” after Alberto’s celebrated, and now only living, relative. Alberto leaves for a moment to get a luggage tag. While he is gone, the cell phone in his bag rings. Alba answers and hears a woman’s voice asking in Spanish for Alberto. Alba, not understanding the language, hangs up. When Alberto returns, Alba confronts him as to the woman’s identity, but he brushes off her question and hurries her onto their flight. Scene Three. That evening in Tepoztlán, on the patio of General de la Barca’s hacienda, The General repairs his deceased wife’s silver watch and muses on the passing of time. Dionisia enters, brightly, bringing him a delicious dinner. She jokes, teases and dances with him. Soon he cheers up and observes, as she leaves, that “Time is the cure!” Scene Four. The next morning, Alberto and Alba arrive at the Hotel Tepoztecatl and check in with Ramón. Alba, obviously upset, again questions Alberto about the suspicious female caller with the “beautiful voice.” Ramón tries, in vain, to follow their heated argument, as Alba presses Alberto for the woman’s name and Alberto persists in his innocence. Alberto further enrages Alba by repeatedly correcting her faulty Spanish. When Alba storms off to the room, Ramón tries to console Alberto. Alberto dejectedly calls Dionisia to arrange the surprise visit, sans fiancée, with his uncle. He tells Dionisia of his misunderstanding with Alba, and Dionisia suggests that Alberto send Alba to La Curandera for a dose of her magic. Dionisia tells Alberto that she will bring his uncle to meet him at La Curandera’s house. Ramón reluctantly promises Alberto that he will take Alba for her visit, and he calls La Curandera to make an appointment. Scene Five (Finale) is set in La Curandera’s house, where the interior and exterior are both clearly visible. Inside, La Curandera gleefully awaits her new American client. Ramón brings Alba to the door and convinces her to ring the bells. Before Alba can ring them, the bells ring by themselves, and La Curandera invites her inside. Alba tells La Curandera she doesn’t think she can help her. La Curandera roughly answers that, if Alba doesn’t believe that magic can help her, then she should leave. Taken aback, Alba decides to stay, and she accepts La Curandera’s offer of tea. Instead of serving Alba tea to drink, however, La Curandera throws tea leaves over Alba’s
head “to purify the air.” Little by little, La Curandera presses Alba to reveal her suspicions about the mysterious voice of the “other woman” on the telephone. When La Curandera cleverly pretends to agree with Alba about Alberto’s philandering ways, Alba abruptly changes her attitude and begins, instead, to defend Alberto and to affirm her trust and love for him. Alberto approaches the house in the midst of the proceedings, and throughout the scene, Alberto and Ramón listen outside La Curandera’s door. They comment and speculate nervously on the action inside as La Curandera performs a series of intense and exotic incantations, waving herbs, lighting candles, giving Alba a flower to hold and taking her pulse (to “listen” to her “blood”), eventually causing Alba to swoon. When General de la Barca and Dionisia arrive, uncle and nephew are joyously reunited. Alberto and Dionisia finally meet in person, and Alberto discovers that Dionisia was the mysterious female caller. All anxiously await the outcome of Alba’s continuing encounter with La Curandera. The scene culminates as Alba crushes the flower, which, La Curandera declares, has absorbed all of Alba’s jealous suspicions. At the moment Alba emerges, however, she sees Alberto kissing Dionisia, and she immediately assumes the worst. The old argument erupts anew. Eventually, however, Alba learns that Dionisia is The General’s nurse and that she had called Alberto to invite him to visit his uncle, with Alberto not knowing who she was and with Dionisia not knowing that he was already on his way. With everything understood, Alberto is finally able to present his fiancée to his beloved uncle. Ramón, encouraged by The General and Dionisia, renews his hope for La Curandera’s promise of a more prosperous life, and Alba and Alberto again declare their love for each other. La Curandera comes out to join the happy scene. She meets Alberto and receives his thanks, and, in a joyous finale, everyone praises La Curandera for her magic and her wisdom. There is general rejoicing as the curtain falls.
Notes
La Curandera (2005) is a comedy in one act, commissioned by Opera Colorado. The premiere production in 2006 was presented on a double bill with Mozart’s Bastien und Bastienne (1768). The libretto of La Curandera is based on an original story inspired by Mozart’s three-character opera. The new Mexican setting replaces the original sorcerer with a curandera, or practitioner of folk healing and magic, and adds three additional characters. Although the libretto is primarily in English, there are frequent Spanish words and phrases, including many popular proverbs and idiomatic expressions from both Mexico and Spain. The libretto also incorporates actual curandera incantations, rituals and procedures from Mexican folklore as well as from current practice in Mexico and in the United States. In treating the natural and the supernatural as two sides of the same coin, the central character of the opera, La Curandera, embodies what conductor/ composer Eduardo Mata described as an essential feature of his childhood in Mexico, “living close to witches and sorcerers. Their sons and daughters were my friends. I grew up in a world where magic and the interplay between the real and the objective and the unreal and the magic coexisted on a daily basis. This [syncretism] has been a way of life in many of the cultures of Hispano-America...” The music of La Curandera, likewise, pays homage to Mozart, with a Mexican flavor. The six singers are joined by eight instrumentalists: clarinet (doubling alto saxophone), trumpet, bass trombone, percussion, accordion, piano, violin and cello. In the overture, the distinctive entrance music for Mozart’s sorcerer is heard, then transformed into sounds of mariachi. Authentic Mexican melodies are employed throughout the opera, including the national anthem, Mexicanos al grito de guerra, the traditional march, Zacatecas, the folk song, La chinita and several melodies, textures and harmonic patterns derived from the traditional son jarocho-style music of Veracruz: El guapo, Coni coni, El huerfanito, El borracho, El buscapies and La bruja. Arias, spoken dialogue and accompanied recitative alternate with intricate opera buffa ensembles in a score filled with Rodriguez' characteristic "richly lyrical" (Musical America) writing, in a style "romantically dramatic" (Washington Post) and full of the composer's "all-encompassing sense of humor" (Los Angeles Times).
English Translations of Some Spanish Phrases
Valor sin dolor - Valor without pain Valor sin temor - Valor without fear Como México no hay dos – There is no place like Mexico Con nuestros hijos llenos de gloria – With our sons filled with glory. Como El General tampoco hay dos. – There is also no one like The General. Un laurel para él de victoria – A laurel of victory for him ¿Listo? - Ready? Hasta la próxima vez – See you later Dudas – Doubts Tio, Tia – Uncle, Aunt Vajilla de plata – Silver place setting Empanadas sabrosas – Delicious turnovers Relojito – Little watch Muy amable – Very nice (of you) Querida – Dear Mujeres – Women Espíritu de los siete cielos - Spirit of the Seven Heavens Espíritu de la llama sagrada – Spirit of the Sacred Flame Espíritu del misterio y la oscuridad – Spirit of Mystery and Darkness Espíritu de belleza y deseo – Spirit of Beauty and Desire Espíritu de amor – Spirit of Love Dios los crea, pero ellos se juntan. – God made them, but they got together on their own. (Those two deserve each other.) El amor sin celos no es amor. – Love without jealousy is not love. Amor es locura – Love is madness La Curandera se arreglará. – The Curandera will fix (everything). Tú debes amarla con todo el corazón. – You must love her with all your heart. Casamiento y mortaja del cielo bajan. – Heaven decides when we die and whom we marry. Hijo, Hija – Son, Daughter (used to address young people) ¿Que puedo hacer? – What can I do? Así es la vida – That’s life De aquí en adelante – From now on
LA CURANDERA I. Overture
Robert Xavier RodrĂguez
Mary Medrick
G
0
B :: B
B: B :
B :: B
GGGGGGGGGGGGGGGGGG
p
Piano
B: ! B :
GGGGGGGGGGGGGGGGGG
))))))) B: G
GGGGGGGGGGGGGGGGGG
Adagietto misterioso q. = 56 (e = 168)
B: ! B :
))))))))))))))))))))))))))))))))))) B: B: B: B:
B :: B
5 5 5 5 5: 5 B:
5 5 5 5 5: 5 5 5 5: G
7
5 5 5 5 5: 5 B:
5 5 5 5 5: 5 5 5 5:
))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) )))))))))))))))))))))))))))))))))))))))) B: B: B: B: B: B: B: B: B: B: B: B: G
5 5 5 5 5 5 : 5 5 5 5 5 5: 5 5 5 5 5 5 : 5 5 5 5 5 5: G
13
)))))))))))))))))))))))))))))))))))))))))))))))) ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 5: E5: B: B: G EB: 5: B: B: B: 5:
e=e 5 5 5 5 5 5 : 5 5 5 5 5 5: 5 5 5 5 5 5 : 5 5 5 5 G
17
)))))))))))))))))))))))))))))))))))))))))))))))))) ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) B: 5: E5: 5: G E!B: 5: B: 5: B: 5:
20
Poco piĂš mosso e = 168 (q = 84)
G ' ?
3
4 5 5 5 B:
E5 5 5 B :
3
3
!5 5
5 B:
E5 5 5 B :
3
!5 5
5
mp 3
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Copyright Š 2006 by G. Schirmer, Inc. (ASCAP), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
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12/1/2005
2
25
G
3
3
3
3
3
3
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 poco f '
' 28
3
'
' 3
3
3
3
3
3
'
'
3
3
3
E5 5 5 5 5 5 5 5 5 555555 555
3
3
3
e=e
3 555 5 = G 5 5 5 5 555 5555 5 555 5 55E55 55 5 5 555 5 5555 5 5 5 555 5 55 5 55555 3
3
3
'
'
3
3
3
3
3
3
'
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Tempo I (q. = 56; e = 168)
30
G 5 5 5555 5 mp sub. 5 55 555 5 5 5 5
55 55 5
555 55 5 5 5
5 5 55 5 55 5 5 5 5 5 5 5 55 55 5 5 555 5 5 5 55 55 E 555 555 555 555 ! 55 55 55 55 E 555 555 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5
5555 5 5 5 5 5 5 5 5 55E5 55 5 5 5 5 5!5 5 55 5 5 5 5 5 5 5 555 5 55 G 55
32
mf
55 5
5 5
! 55 55 E 55 55 5 5 5 5 5 5 55 5 5 5 5
55 5
5 5 5 5
55 5
! 55 55 E 55 55 5 5 5 55 5 5 5 5 5 5 5 e=e
34
G 55 G 4:
5 5
55 5
5 5
!5 55 55 5 55 5 5 55E555 5 5 5 5 555 5!555555 5 5 5 5 E5 5555 55 !5 5 5: E5 5 5 5 : !5 5 E5 5 5 5: 5 5 : !5 5 5 5 : E5 5 5 5 !5 5 5 5 : E5 5 5 5 5 = 5 = 5 = 5 = = 5 = 5= 5 = 5 = 5= = 5 = 5 5 5 5 5 5 5 5 5 5 5
3 36
Subito piĂš mosso (q = 84; e = 168)
3
3
4 !5 5 E5 5 5 5 5 5: B G 5 !5 5 5 E5 5 5 5 !5 5 5 E5 5 5 5 5 5 5 5 5 5 mf 3 f 3 ' ' ' ' 3
3
3
38
3
3
3
3
3
rit. molto
5 5 !5 5 5E5 5 5 5 5 5 5 5 G 5 5 5 5 5: 5 B 3
3
40
3 5 5 5 !5 5 5
E5 3
3
5 5 5 55 5 : 5E55 4 5 5 I I
'
'
3
5 55 I
A tempo (e = 168)
p 555555555 = = = 555555555 = = = G
= 555555555 = =
0
mp
55 5 =
5 5: 5 B: 5= 4:
5 =
p
=
55 55 5 5 5 5 5: 5 5= = 5= = 5
5 5 5=
=
55 5: 5 5 5
44
G 55 5555 5 55 555 ::: 5 5 5: 5 5 = = = = 5 5 5
B :55 55 55 55 5 55 5 5 55 5 5 B: 55 555p 5 5 = = 5 = = 5 5 5 5 5
48
G 55555555= 55
5 55 55 5= 5 = 5 5 5 51
G
5 = 5 = 55
5 55 5 55 55 5 = 5 5= 5 5 5
55 = = = 5 5 5 5 5 55555
55 55 55 55
55 55 55 55 5 5= = = 5 = 5 5 5 5 5 5 5
5 5
5 = 5555= 55 555 5555= 55 55= 5555= 55 mf
5 5
55 55 5 5
5 5
55 55 5 5
5 5
55 5
55 5
5 5
55 55 5 5
5 5
55 55 5 5
5 5
55 55 5 5
4
5 5 5 5 5 5 5 5 5 5 5 5 G 5 5
54
5 5 57
55 5
55 5
55 5 5 5 5 55 5 55 5 5 G 55
5 5
55 55 5 5
55 55 55 5 5 5 G ff 55 5 55 55 55 5 5 5 5 5 5 5 5
55 55 5 5 = =
55 5 55 55 5 5 5 5 5 55 5
5 5
55 5 55 55 5 5
55 55 5 5 = =
55 55 = 55 5 55 5 5 5 5 5 5 5 5 = 5 5 5 55 5 55 5 55 5 5 5 5 55 5
55 5 5 5
55 5 =
55 5 55 55 5 5
55 55 = 5 5
55 55 55 5 5 5 55 5 55 55 55 5 5 5 5 = = 5 5 5 5 5 5 55 5
55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 55 = 5 5 5 5 5 5 5 5 55 5 55 55 55 5 5 5 5 5 5 555 5 5 5 5 5 5 5 5 5 5
55 55 55 5 5 5 55 55 55 55 5 5 5 5 5 5 5 5 5 55 G 5
67
5 5
55 5 55 5 5
55 55 55 = 5 5 5 55 5 55 = = 5 5 5 5 5 5 5 5
= G 55 55 55 55 55 5 5 5 5 5 5 5 55 5
f
55 55 5 5
55 5
60
63
55 5
55 55 = 5 5 55 55 5 5 5 5 5 5 5
55 5 55 5
55 5 55 5
55 5
55 55 55 = 5 5 5 55 5 55 55 55 5 5 5 5 5 5
55 55 55 e = e 5 5 5 55 55 55 55 5 5 5 5 5 5 G 5 5 5
5
Subito misterioso (q = 84; e = 168)
5 E5 5 5 5 5 5 5
70
G
mf
f
5 G E5B 5 5
5555 5 5 5 5
E5
555 5 5 5 5B 5
5 E5 5 5 5 5 5 5
71
G mp
E5 5 5 G E5B 5
555
5555 5 5 5 5
e=e
p
555 555 5B5
555
e = 168 (q = 56)
a ` 72 5 5 5 5 5: 5 B: 5 5 5 5 5: 5 B: 5 5 5 5 5: 5 G )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) : : : : : G EBBB :: BBB :: BBB :: BBB :: BBB ::
`
GGGGGGGGGGGGGGGGGG
5 5 5 5 5: 5 5 5 5 5 5: 5 B :: B G EB : ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) BB :: BB :: BB :: G B : B : EB :
77
B :: B B: BB :: B:
(off-stage party sounds)
0
= = 4: 5 5 attacca
6
II. Scene One (Lights up on the open-air lobby of the Hotel Tepoztecatl in the village of Tepoztlรกn, Mexico. Off-stage party sounds continue.)
Allegro brillante q = 132
5 55 55 :: !55 55 =
5 5 55 !!55 55 5 5 5 G
f 55 55 5 555 0
55 55 55 55 5 !5 55 55 55 5 5 55 5
55 55 :: 5 5 !5 5 5! 5 55 55 5 5 5 55 55 55 5
55 55 55!!55 5= 4
mf 4
55 G 5: 5 : !!55 55 55 55 5 5!55 55 5 55 5 55 55 55 5 55 55 5 5
55 55 :: 5 5 5 5 !55 55 55 55 55 5 55 5 5 5
55 :: !55 55 55 55 55 55 !5 55 5 5 !5 55 5 !55 5 5 5 5 5 5 5 5 5 5 555 55 55 555 55 55 555 55 55 5 5 5
(The elderly and distinguished General Godofredo de la Barca enters in full-dress military regalia, gloriously tipsy. He is supported by his pretty young nurse, Dionisia. She wears a white uniform with a short skirt.)
7
5: G 5 :
55 55 !55 5 5 5 5 55 55 55 5
: 55 55 !55 55 55 : !55 55 55 55 55 55!55 55 5: 5 : !!55 55 55 55 55 55 55 555 555 555 555 555 5 5= 4 5 5 5 555 5 5 5
5 55 G = = 55 55 5 5 5 5
55 5= = 55 55 5 555
10
5 55 55 5
5 BB = 5 B 55 55 55 55 5 5 55 5 5 5
55 55 55 555 5 55 = = 55 55 = 4 5 555
5 55 55 5
55 55 55 55 5 5 5 5= 4
55 5 = = 55 55 5 555
(Party noises fade)
55 = 5 5 5 5 55 = 5 55 55 5 5
13
BB G B
55 !55 5! 5 4
55 5 5
! 55 = = !5 555 555 555 5
55 55 5 = = 5 5 5 5 5 55 55 5 55
5 5 55 5
7 15
D.
4
2
f
5 B = =
Dionisia:
1 G ?
3
G.
(Suddenly alarmed, as the General starts to lose his balance)
ยกCui - da
0
!!!!!
B -
do!
?
f
5 = = !!!!!
General:
4
3
55 55 55 5 = = 5 5 = = 5 5 5 5 5 5 55 55 55 5 55 55 5 5
BB G B
55 55 !55 = 5 5 !5 5 555 555 555 5 = 4 5
ยกVa -
55 5 555
!!!!! !!!!!
rit. molto 17
D.
G.
1 G 2
0
: EB
? =
55
EB
3
= E5 5 5 5 4
Gen - er - al... 3
3 y ho - nor!
lor
E 55 G ? !E55 = 4 f E 55 ? !E55 = 4
?
5
= 5
...be care - ful
= = 5 B
3
4
= E5
E5
ยกY va-
ยกHo - nor
rit. molto
?
3
= E5 E5
4
E 55 55 EE 55 55
E55 ? = E 5 E 5 5 E 5 E 5 p B E55 = 4 G B5:EB E5 EB 5: EE 55
EB
E 5
A tempo (q = 126), poco meno mosso
1 ! ' 2
'
20
G.
0
lor!
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 55 55 5 5 !5 G ' 5 5 5 '5 '
''
B
BB
5 555 5 5 5 5 5 5 555 5 5 5 5 5
8
molto rit.
23
D.
1 G = 5 5 5 5 : 5 5
0
0
0
You’ll fall andhurt your- self!
G.
2
0
(Imagining a cheering crowd)
5 5 5 5 5 5 5 f
4
3 3 Lov-ers of lib - er - ty
G !'
'
'
'
5 55 55 = 4
molto rit.
4
5
55 = 4 5
4
5 5
5 B 5 B
Andante religioso q = 104 (fervently) 26
G.
1 = 5 2 I
5 5 5: ac-cept
5 5 5 5: =
5 5: 5 B: your grat - i - tude.
Once
5
a - gain
you
55 55 E 55 55 ! 55 55 5 55 55 :: E5 !55 55E!55 BB = : G = 5 5 5 5 5:
5 ' '
'
p
1 5 5 5 5 5 5 5 5 5 5 5 5 B 2 5: 3 29
G.
5 5:
5 =5 : 55 55E55 555 5 5 55 5 5 = 5 355 = 5 =
3 hon - or us with the sto
G 55':: 55 55 5 !5 ' '
BB '
- ries and bal - lads of this land.
= 55
(dreamily)
: 5 B 5 E 5 = La,
la,
la, la
5: 5 E5 B
5
5 E5 5 :
=
55 3 55 55 55 = = '
' G
9
Poco movente 32
G.
1 4 2
5
5:
5
Long
years
a
5:
E5
5:
=
'
G =
5
5 E5
5 G 5
=
55
3 55 55
=
55
!B -
4
5
=
go
you
55 55 ! 55
= 5 !B
55
'
poco rit. 34
G.
1 5 5 5 5 5 2 wel- comed
G
us home.
BB
= E5 La,
BB = 5 5 E5
G
0
5:
5 5:
5
la,
la,
la
la,
5 5 55 =5 55 55 55 E555 555: !5 5 5 : ?
5:
4
5
A tempo (q = 104) (The Mexican national anthem sounds softly in the distance) 36
G.
1 !' 2
(wistfully)
0
= = 5 5 5 5 3
la
G G
BB BB ' 'B 5 5: 5 5 ' 5 5: 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 3
B
3 Your child - ren were young,
5:
5 5 5:
5:
5 5 5555
5
10
poco rall.
39
G.
1 2 ?
4
=
p
'
3
5
5
now they’re
55 ::
5 G
B
G 5
5:
5 5
55 E55 ! 55 ::
55 !55
5:
5 5
5 5 5 5
G.
1 B 2
4
B 5 5 B G
mf
(a little anxious)
and
gone
5
= 5
5: 5 5
G 5 5: 5 B
5
55 ::
55
5 5 5 5
poco accel.
movente 41
grown
5: 5 B
B:
4
a way. 3
5: 5 5 5 5 5
5 ! 55 = 4
?
f
5 : 5
5 fp
' 55 = 4 ! 5
5 555 3
?
Allegretto spiritoso (piĂš mosso) q = 126 44
D.
R.
G.
1 G
(Celebration is, again heard from within the hotel. RamĂłn, the hotel proprietor, enters, throwing confetti after the General.)
? 2
0
0
f
5: Still,
RamĂłn:
'
$ 5 5 5 ÂĄVi va
5 5 5 ÂĄVi -
(with a renewed burst of enthusiasm) 3
marcato agitato
va
B: 5 5 5 5 5 : 5 5 5 5 5
our
stor - ies of brav - ery
'
=:
?
0
Allegretto spiritoso (piĂš mosso) q = 126
'
=:
?
0
0
B:
B:
will
long
be told.
= 5 ! 5 5 55 5 5 5 5 5 E5 5 55 5 5 5 = 4 = 5 = 5 5 5 5
G
11 47
D.
1 G 5 : 5 B
= 5 5 5 5 5 5 5 5 5 5 5: 5 5
4
3 3 3 3 ÂĄVi - van los hĂŠ - ro- es de la re - pĂş - bli - ca!
MĂŠx - i - co!
R.
5 : 5 B
5 5 5 5 5 5 5 5 5 5 5 : 5 5 =
4
3 3 3 3 ÂĄVi - van los hĂŠ -ro- es de la re - pĂş - bli - ca!
MĂŠx - i - co!
G.
? 2
5 := 5 5 !5 Va
-
lor,
= 5 5 5 5 5 5 = 55 G 5 !55 5 5 5 5 55 5 5 = = 5 = 4 5 = 5 5 5 5 5 1 ' G 50
D.
4
=:
5 5 !5 5 ho
-
5 5 3 5 =: ÂĄSĂ,
se-
5 5 3 5 =: ÂĄSĂ,
se-
5 5 E 5 =: 3
4
nor,
ÂĄSĂ,
se-
5 5 E55 55 ! 55 55 55 55 55 = 55 E!55 55 5 55 55 !55 5 5 5 5 55 5= 5 = 4 5 = 5 = = 4 5
'
5 = 4
?
'
5 = 4
?
Ăąor!
R.
' Ăąor!
G.
2
'
'
5 = 4
4
Ăąor!
5 5 5 5 5 5 5 5 5 G 5 555 5 555 555 555 5 5 5 5 5
5 5 5 5 5 5 555 5 B ' ' B
5 =
ÂĄHo -
5 = 555555555555 5555 5 5 = 4
?
12
(The General gets carried away and grabs Dionisia around the waist to begin a conga line....) 53
D.
=: 5 535 5
1 ? G
ÂĄSĂ,
R.
ÂĄSĂ,
G.
5 5 53 5 5 = 4 2 nor con
= : 5 535 5
se - Ăąor,
5 5 5 5 =: 3
?
4
sĂ,
4
sĂ,
4
se -
5 =: 5 53 sĂ,
se -
5 5 ! 5 53 = = 4
ÂĄVa - lor
55 5 5M 5M 5M 5M 35 555M 5M G 5 MM 55 5
f sfz 5 = 5 = 5 35 4 5 5 5 5
sĂ,
se - Ăąor,
5 = !5 = 4
va - lor!
=: 5 53 5
se - Ăąor,
5 5 5 5 =: 3
se - Ăąor,
4
4
sin
M 5M 5M 5M 3 5 555M 5M 55 5 5 5 MM 55 5
sfz 5 = 5 = 5 3 5 4 5 5 5 5
do - lor!
MM 5!5 5M 5M 5 55M 5M 5 55 55 555 5 M
sfz 5 = 5 = 5 3 5 4 5 5 5 5
(...Ramón grabs the General’s waist to steady him and finds himself joining the dance for a few steps...) 56
D.
1 5 G
4
:= 5 53 5 5
Ăąor,
R.
5
sĂ,
4
4 2
se - Ăąor,
sĂ,
5 5 5 5 =: 3
Ăąor,
G.
4
sĂ,
:= 5 53 5 5
4
5 = 5 = 4 ÂĄHo - nor
5 MM MM G 555 5M 5M5M 5M 553 55 !555 5
sfz 5 = 5 = 5 3 5 4 5 5 5 5
se - Ăąor,
5 5 5 5 =: 3
se - Ăąor,
sĂ,
sĂ,
4
va - lor!
5 55 5 5 5 5 5 3 5 !555 5 M M M M M M 55 5 M M
sfz 5 = 5 = 5 3 5 4 5 5 5 5
4
se -
5 = : 5 53
se - Ăąor,
3 5 = 5 5 5 = 4 con
4
5 5 : = 35
sĂ,
se -
5 = 5 = 4 ÂĄVa - lor,
5 555 5 55 5 3 5 !555M 5M M M M M M M 55 5
sfz 5 = 5 = 5 3 5 4 5 5 5 5
13
5 5 35
59
D.
1 5 G
=:
4
Ăąor,
R.
ÂĄSĂ,
5 Ăąor,
G.
ÂĄSĂ,
5 = !5 5 3 2 sin
5 =
se -
4
?
4
?
Ăąor!
5 5 3 5
=:
4
se -
5 5 Ăąor!
4
?
4
5
=
te - mor!
ÂĄHo -
5 !5 5M 5M 5 5 5M 5M 5 5 5M 5 5 5 5 5 !5 5 5 5 5 5M 5M 5 5 5 5 5 5 5 G 55 M M M M 5 5 = 5
61
D.
1 ? G
sfz
=: 5 535 5 ÂĄSĂ,
R.
?
5 5 53 5 5 = 4 2 nor con
se
se
va - lor!
55 5 5M 5M 5M 5M 35 555M 5M G 5 MM 55 5
sfz 5 = = 5 35 4 5 5 5 5
5
4
sĂ,
4
5 5
=
4
sĂ,
=
4
=: 5 53 5
se - Ăąor,
sĂ,
5 5 5 5 =: 3
Ăąor,
4
5 5
= : 5 535 5
Ăąor,
5 5 5 5 =: 3 ÂĄSĂ,
G.
5 5 =
5 354 5
5
5 = 5
4
5 =: 5 53
se - Ăąor,
5 = !5 = 4 ÂĄVa - lor
M 5M 5M 5M 3 5 555M 5M 55 5 5 5 MM 55 5
sfz 5 = 5 = 5 3 5 4 5 5 5 5
se -
sĂ,
se -
5 5 ! 5 53 = = 4 sin
do - lor!
MM 5!5 5M 5M 5 55M 5M 5 55 55 555 5 M
sfz 5 = 5 = 5 3 5 4 5 5 5 5
14
:= 5 53 5 5
64
D.
1 5 G
4
Ăąor,
R.
sĂ,
5 Ăąor,
G.
se - Ăąor,
sĂ,
sĂ,
4
sĂ,
con
4
sĂ,
se -
:= 5 53 5
4
se - Ăąor,
= 5 5 3 5 5 = 4
ÂĄHo - nor
:= 5 53 5
se - Ăąor,
5 53 5 5 =:
se - Ăąor,
= 5 5 = 4
4 2
4
5 53 5 5 =:
4
5 5 : = 35 5
sĂ,
se -
= 5 5 = 4
4
va - lor!
ÂĄVa - lor,
5 55M5M 5 55 5 3 5 !555M 5M 5 55 5 5 5 5 5 3 5 !555 5 5 555 5 55 5 3 5 !555M 5M G M M M M 55 5 M M M M M M 55 5 M M M M M M M M 55 5
sfz sfz
sfz
5 = = 5 3 5 4 5 5 5 5
5 67
D.
1 5 G
=:
4
Ăąor,
R.
5 5 3 5 ÂĄsĂ,
5
=:
4
Ăąor,
G.
5 = = 5 3 5 4 5 55 5 5
5 = !5 5 3 2 sin
5 =
se -
5 5 3 5 ÂĄsĂ,
se -
5
5 = = 5 3 5 4 5 55 5 5
4
?
Ăąor!
5
4
=
Ăąor!
4
5
5 5
Co
-
mo
0
te - mor!
5 !5 5M 5M 5 5 5M 5M 5 5 5M 5 5 5 5 5 !5 5 5 5 5 5M 5M 5 3 5 5 5 5M 5M G
5 5 55 M M M M 5 = 5
sfz
5 = 5
5 354 5
5
5 5 =
5 5
=
5 5
sfz
354 5
15 (... before helping Dionisia take hold of the General to settle him down.) 69
D.
1 ? G
= 5 Co
R.
5:
5:
mo
MĂŠ
5
B
-
5 5:
MĂŠ
G.
5 5
-
xi - co
5 5
5:
mo
MĂŠ
E55 55 55 55 55 55 5 55 !5
5:: 5
Co
55 :: G
-
5 5 5 5 5 5 5 55 55 5 55 5 55 55 5 55
71
D.
1 = 5 G
5 5 5:
con
R.
5: -
= 5 2 con
G 55 ::
hi
jos
lle
-
hi
jos
lle
5 5
5
nos
5 5 5: nues - tros
5
de
5 -
glo
lle
5 5 55 55 !55 55 E!55 55 5 5
55 ::
55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5
4 5 5
5 = 5 5 5 -
5
con
nues - tros
4
xi - co no_hay dos,
-
-
-
5 5 5 55 55
5 3 5 4 5 5
sfz
5 5
nos
de glo
ria.
co
- mo_el
5 5
nos
de glo
5
-
5 !5
5:
555
5
5 =
ria.
! 55 55 !55
55 55
55 55
5: 5
5
jos
5
xi - co no_hay dos,
55 55 E!55 55 55 55 5 5 5 5 5
5 -
5 5
hi
G.
nues - tros
-
no_hay dos,
= 5
? 2
5 5 !5
5 -
ria.
55 55
55 55
5 3 5 4 5
5 sfz
16 73
D.
1 = G 5 Co
R.
G.
-
: 5 ge
: 5 5 5 mo_el ge
5 E5 5 -
2
5
ne - ral tam - po
!5 5 E 5 5: - ne - ral tam - po
5 5: !5 -
co_hay dos.
5 !B -
5 =
co_hay - dos.
0
4 5
ÂĄUn
=:
?
lau -
5 5 3 5 ÂĄSĂ,
55 :: G
!55 55 E55 55 55 55 55 55
5 5 5 5 5 5 5 55 55 5 55 5 55 55 5 55
!5
5: 5:
55
55 55
55 55 !55
5 5 5 5 55 55 5 55
-
se -
55
5 3 5 4 5
5 sfz
75
D.
1 G = !5
5 5 5:
5 5 5 5 B
lau - rel
par - a_el de - vic - to
ÂĄUn
R.
G.
5:
5 5
5:
rel
pa - ra_el
de
5 2
4
4
-
-
5 B -
=:
Ăąor!
5: G 5:
5
vic - to
!55 55 55 55 55 55 5 55 !5
5 5 5 5 5 5 5 55 55 5 55 5 55 55 5 55
-
5 B ÂĄVic - to
ria!
5 -
-
4
ria!
5 -
4
4
ria!
M M 55 :: E!55 55 55 5 5 3 5 5 5 5 5
5 55 55 5 5 5 5 5 5 5 55 3 5 4 G
sfz
poch. riten. q = 120 77
G.
1 2
(laughter, applause)
17
0
5
!5
=:
4
4
My friends, M M
5 5 5 5M 5M 5 5 5 5 5 5 5M 5M 5 5 5 5 M 5M 5 5 5 5 5 5 55 5 5 55 5 3 3 G
mp
sfz
G E!5B 79
G.
1 E5 5 : = 2 mu
G.
55 =
5
-
55 ::
4
5 5 35 5 = chas gra
-
= E5 5:
cias,
5 !5 3 5 5
mis
a - mi
-
gos.
M M
5 ! 5 5M 5M 5 5 5M 5M 5 5 5 5 5 5 5 5 5 5M 5M 5 5 5 5 !5
5 !5 5 5M 5M 5 3 3 G M 55M 5 M E 5 5 4 = !55 = E5M 5 55M 3 3 4 G = 5 = 5 M 5
81 1
5 5 B : = 5 4 = 5 5 5 E 5 5 !5 5 5
2 Ra
-
mรณn,
you are too
G 5 5 5 5 5 5 5 5 5 5 5M 5M 5M 5M 5M 5M =
E5B 5 5 5 5B 4
5
5
5 55 B
This
glor
4 84
G.
5 55 3E!55 4 5
5 5 E5 55 !5
1 2 4
-
ious fies
5 G 5 5M 5M 5M 5M 5M 5M G !B 55 4 5 B5 :
to
555 = 4 5E5 =
ta
hon - or me.
M M 5 5 = 55 !5B 5 5 5
5
5 -
kind
4
warmed
= 55 E!55 55 55 55 55!55 55 5 !5 55 4 ' ' = 5 ' '5 5 5 5 5 B 5
5 5
5 5 5:
= 5 B has
G=
my
M M M M 5555 55 5 5 = 5 35 4 5 5
18
5 55 5 = 5
87
R.
G.
1 4
0
0
3 De na - da, se - Ăąor.
2 B:
4
4
heart.
!5
5:
5 5:
You
work
so hard
5 5 5 5 to keep it
M M M M
I I 5 5 5 5 5 5 5 !5 5 5 5 5 5M 5M 5 5 = 5 5 5 5 5 M M 5 5 5 = = 4 5 3 = 4 4 5 5 5 5M = = !55 B G5 E 5
5
5 5 G ' ' 5 = 5 90
R.
G.
1
0
5 2
4
0 = 5
4
B:
? 55 5 3 af - ter
year,
55 :: E55 55 55 !55 55 55!55 55 G
55 :: 5 5 B 5 5E!55 B
' 5 5 5 ! E5 = = 3 4
5 5 35 !' = E5 = 4
93
R.
1 !5 hum
G.
5 5 5 5 -
B 2
5 5 5
?
!5 !B :
5
3 !5 5
!5 My
E' year.
I5 5 5 5 5 3
' !' ' E'
B
?
?
=:
3 is your home.
3 ble ho - tel
G
4
5 5 5 5 It
G 5 I 4
up,
5: 5 : !55 55 55 55 55 55 !55 ' 5 5 = 5 3 4 E5 =
3 is the
55
19
ritard.
95
R.
G.
1
0
?
3 SĂ, se -
5 2
5 5 5 5 5
3
5
= 5 5 5 5 5 5 5 5
3 3 of our vil - lage.
heart
Ev
3 en with - out the tu - ris
-
G 5: 5 : 55 55 ! 55 5' = E5 =
BB 5 3 5 4
GGGGGGGGGGGGGGGGGGGGG
ritard.
I5
5
5
3
-
tas.
' ' ' E'
G
1 5 4
?
0
0
2
5 =
= 5 5 5 5 5
0
4
4
And Di - o - ni - sia,
Andantino affetuoso q = 104
355 5: G 5 5
I 5 = E5 5 5 G ? I I '
G.
5
5 5
Ăąor. G.
3
Andantino affetuoso q = 104
97
R.
= E5 5
4
100 1 B 2
sweet
G
5:
'
B
5 = 4
5 5 :
my
5 B
'
?
'
5
=: 5$ 5 5 B' '
4
5 B '
5 '
5 5 !5 G
5:
'
5I 5I ! 5I
= = 5 5 5 5 5 3
nurse.
!5 5 :
= !5
3 You care for me so
!5
5: '
5
20
ritard.
5 5 5 5 5 ' 4 ==
103
G.
1 5 : 2
5 B
pa
-
3
tient - ly,
5B !5 5 5 5: ' 5 5 5 G ' ' '
D.
G.
own.
5 ' '
5 5:
G B= :
106
3 as if I were your
'
5 5 5 =
'
'
Allegretto grazioso q = 138
1 4 G 2
4
5
B:
5 5 5 B
Don
Go
do, our
B:
0
5 5 : 5 5 B
lit
-
0
tle
vil
0
-
lage
5
holds
0
0
Allegretto grazioso q = 138
B: : 5 5 !B: B: B 5 5 5 B: G 5 5 5 5 5 5 5 5 G
5B : 5
5
5B:5
5 5B :5 5 5 5 5 5 5B :!5 5 5B: 5B:
112
D.
1 B : G you
G.
2
4
B:
4
dear.
0
B:
B :
5 5
5
5:
I would
be
lone
5
B:
Your
fam
5
-
i - ly’s
B:
!B :
ly with - out
you.
5 5 -
-
5
5
!B : G
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
!5 5 5B: G
5B : 5
5 5B : 5
5
5B: 5 5
5B : !5
5
21 117
D.
R.
1 G B
5
far
a
2
5 -
5
way,
0
4
4
5
5 5
5
but
you make
us
5
B:
Don
Go
!5 : hap
5 5 -
py
5 5
5
do,
our
B: B: 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G
!B: 5 5
5
G B:
5B : !5
5
5B :
5
5
5
5B: 5
121
D.
1 G B:
4
here.
R.
B lit
G.
-
2
5
5
B:
Yes,
dear
Gen
5
5
5
5
tle
vil
-
lage
0
4
4
5 My
B
!B : -
-
5
holds
B:
eral,
B: you
5
5
wife
5 is
B: G B : = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 4 5 G 5B:
5
5B : 5 B:
5
5B : 5 5 B:
5B : !5 B:
5
22 125
D.
1 4 G
though your
R.
5
5
5
5
fam
B :
-
i
4
-
4
dear
G.
B 2 gone,
5
5:
my
fam
5
5
ly’
far
5
B:
Your
fam
5 5 -
i - ly’s
5 5
!B :
a
-
way
5 -
B
5
-
-
5
5
i
-
ly’s
B:
far
a
-
-
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B: G B: 4 !5 5 5 5
4 5 B : B:
4 B: B:
5
5
4 B: B:
5 5
B: B:
129
D.
R.
G.
1 G
0
4
B
5
far
a
B: 2 way,
5 -
5
5
5 5
5
5
we
are
grate - ful
to
have
5
5
5 5
but
you have
way,
4
4
5
B:
but
you
you...
5 5 ! ! !!!
5 !5 : us
hap
5 !!!!!
!5
-
5 5 make
B : 5 5 5 !B: 5 5 55 5 55 5 B: 5 5 5 5 5 5 5 5 5 G 4 5 5 4 5 5 4 !5 4 : B B: B: B: B: B: B: B:
py...
5
!!!!!
me...
5 !!!!! 5 G
!!!!!
Subito misterioso q = 84
23
(La Curandera is suddenly heard, singing offstage)
fp
f
133
Curandera: 1 La = C. G E 5 2
5
5 5 !5 5 E 5 5 5 5
5
5 5 E5 5 5 5 5 5
ÂĄA
G
fp
fp
E5 5 5 G E5 5
555
5 5 5 55
555
1 fp C. 2G EB : 134
f
5 E5 5 5 5 5 5 5
yĂ!
G
4
5 555 5 5 5 5 fp
fp
5E5 5 5 G E5
555 55 5 5 5
fp
135
f
1 = C. G E 5 2 G
5 55 55
5 55
a `5
5
555
5 E5 5 5 !5 5 5 5
5
ÂĄA
fp
f
4
EB : yĂ!
5
5
5
5:
3
5
'
3
))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' G E'' ''
137
(Then she enters, still singing, wearing a lace mantilla.)
1 = C. 2G
fp
E5 ÂĄA
G fp
G
5E5 5 5 E5
5 5 5 E5 5 5 5 5 5
f
5
fp
555 55 5 5 5
5 5 5 5 5E5 !5 5 55555 5 5 5 555
24 138
1 C. 2G
fp
f
4 EB : yĂ!
5 E5 5 5 5 5 5 5
G G
E5 5
5 5E5
555
fp
139
1 C. 2G
=
5555 5 5 5 5
f
E5
5
fp
5 E5 5 5 !5 5 5 5
5
ÂĄA
5
5 5 5
5 5 5 55
f
4 EB : yĂ!
5
' 5 G 3 3 )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) ' ' '' E'' 5
5
5:
141
D.
3 3 1 G 4 = = 5 5 5 = 5 5 B 5 : Se - Ăąo - ra,
R.
G.
3 Se Ăąo - ra,
G
'
=
0
0
=
0
0
Cu -ran - de - ra
' 0
0
3 Cu - ran - de - ra
4 = =3 3 = 3 5 5 5 5 5 B 5 : 2 Se - Ăąo - ra,
0
3 Cu -ran - de - ra
5 4 = = 5 5 5 = 5 B 5 : 3
=
?
' 3 4 5 =4 ? 5 5 5 E 55
= 4 ? 5 = 4 ? 5 5
25
Adagietto movente e = 176
(She chuckles at his dishelveled state)
145
1 : C. 2G 4
5 5= 5 55 ÂĄHo - la,
55M 5
mp
5 5M
M G5 55
Gen - e - ral!
55M 5 5 5M
5 5M
How was your fies - ta?
55M !55M 5 5 5 5 5M 5M
5 5M
: 5?
= = 3 $ 5 5 555 55M 5
55M 5
5 5M
M 5
55M 5
G5 5
5 5M
5 5M
55M !55M 5 5 5 5 5 5M 5M 5M
55M 5
Poco ritenuto e = 160 147
1 = 3 C. 5 2G 5 5 5
5 5
(Pulling Dionisia aside)
5 5 !5 :
4:
= = 5 5 5
Up to its usu - al stan - dards, I see.
G
55M 5
55M 5
55M 5 5 5M
5 5M
5 5M
5 5M
5 5M
A tempo e = 176 149
D.
1 G
How is he?
!55M 5
55M 5
55 55M 5 5 ! 5 5 5 5 5 5 5 5 5 5 5M
subito sostenuto
G
= 3 55555 55 5 5 5 5 5 5 5 5 5
Poco ritenuto e = 160
(As Dionisia and La Curandera talk, RamĂłn picks up a broom and begins sweeping up the confetti. The General supervises.)
4:
0
= 5 5 5 5 SĂ, se - Ăąo - ra.
C.
4: 2G
=
4:
5 5 5 5 5 5:
= =
5
He’s
0
Are you tak - ing him home?
A tempo e = 176
55 5 55M G 5 G 5: 55 M
55M 5
Poco ritenuto e = 160
!55M 5
55M 5 5 5M
5 5M
55M = 3 5 555555 5 5 5 5 5 55 55 5 5 5 5 5 5 555 5 5 5M 5 5 5
5 5 5 5!5 55 55 ! 55 55 5 5 5 5
55 55 5
26 151
D.
A tempo e = 176
1 5 G 5 5 5 5 5 5 = 5 5: had a big day, and he’s off
C.
G 2
0
his feet.
4:
0
= = 5 5 5 5 5 ! 5 Re - mem - ber my hier - bas
A tempo e = 176
55M 5 G 5: 55M 5 5 5 5 5M 5M 5M
55M 5
!55M 5
55M 5 5 5M
5 5M
5 5 55M 5 5 ! 5 5 5 5 5 5 5 5 5 5 5M
subito sostenuto
0
G
153
1 = C. 2G 5 5 5 5 5 5 in his bath
to help
4:
5 5:
= =
him sleep.
155
D.
C.
3
0
5 G 2
5 5:
5 5 5 5 Po -bre - ci - to.
5 5 5 5 5 5 !5 5 5 5 5 5 5: 55 G 5 M 5 : 5: 5 5: G 5: 5M 1 G
= = !5 5
555 5 55 5 55 5 5 5M 5
= = 35 5
5 : 555 !5555 5 555 5 5 5 5 5 5 G
5 5 = 5 5 5:
A grand neph - ew
?:
sin fa -
4:
in the states.
0
mi - lia.
5: G
5 5
5 5:
! 5 5 5 ': 555
5 5 5 5 5 5 !5 5 5 B : 5 5 G 5 sostenuto
5
55
555555 5:
5 5 5
27
157
D.
1 5 = = = 5 5 5: 4: 5 = 3 5 5 5 B: 5 5 2G Al - ber - to. He was here ': is all he has: ': 55 5 555555555 555 555 555555 G B: G
!5 5 5 B :
5:
159
D.
$ 1 = = 3 5 5 555 5 5 G 2 at Tia
G
': 5 5 5 5 5
5: e = e (q = 89)
5 4:
4 5 5 5 5 '
Es - te - la’s fun - eral,
5
: G B
5 5 5
5 5 5 5 5 5
' '
two
years
3
a - go.
0
5:
' !5 5 5
B
4 5 5: 5 5 : 5 B
0
162
5: 5 B She
G
was love -
0
0
his wife
' !' E'
for for - ty years.
0
0
p
!55 = 4 ? E 5 167
D.
ly,
0
1 G
(A sudden inspiration, spoken) C. 2G
0
= 4 ? 5 5
0
(Conspiratorially, spoken)
0
' !' E'
G accel.
0
I do have a number for emergency, but I have never needed it. Thank you, seĂąora, for the excellent advice.
0
0
0
55 55 5 5 = 5 5 55 55 55
Ah! Do you know how to call the nephew? Perhaps it’s time for a visit.
G
0
GGGGGGGGGGGGGGGGGGGGG
1 ? C. 2G
accel.
0
28
Allegretto q = 120
169
D.
1 5 = 5 = ? G (to the General)
ยฟLis
C.
-
(to Ramรณn)
5 5 5 =
4
to? (to the General and Dionisia)
G ?
Gra - cias.
= 5
4
5M 5M
(to La Curandera)
5
Has
4
?
4
?
-
ta
la
A - diรณs
R.
5 =
(to the General and Dionisia)
?
4
5
A - diรณs G.
(to Dionisia)
? 2
5 = 5 =
ยกLis
-
4
to!
Allegretto q = 120
5 G 55 55 !55 55 55 55 55 5 p
(to La Curandera) 5 5 M 5M ! 5 5 =
(to Ramรณn)
0
Gra - cias.
Has
-
ta
55 ::
!55 55 55 55 55 55 5 55 !5
5 5 5 5 5 5 3 5 4 5 G
171
prรณ
G.
-
5 = 2 prรณ
: G 55 : G 173
R.
5: !5 B
1 2
5
xi
-
5 : !5 B -
xi
-
0
!!!!!
0
!!!!!
ma vez.
ma vez.
55 55 ! !55 5 5 5
BB 5 3 5 4 5
5
GGGGGGGGGGGGGGGGGGGGG
D.
1 5 = G
la
I5
I5
5 3 5 5
' !' !'
?
!!!!!
5 E5
(Ramรณn interrupts his sweeping and approaches La Curandera)
0
!!!!!
4
3 Bue - nas
M M 3 5 5 5 5 5 E!55 :: EE55 55 55 55 E55 55!!55 EE55
G 5 5 5M 5M 5M 5M 5M 5M 5 5
sfz mp 5 = = 5 3 5 4 5 5 5
5 5
E5
!5 E 5
5
5
5
29
R.
175 1 E 5 2
tar
5
3 5 E5 E5 5
4
= 5 E5 E5
4
3 des se- Ăąo - ra.
-
E55 55 EE55 G EE55 :: ! 5 5 E 5 B E5 5E 5 B E5 = 4 3 5 5 5 E5 5 5 5 55 = 4 !5 177
=
I I = !5 G 5 5 5 5 5 5 M 5 E5 5
E5
5
Muy
bien,
3 !5 5 I
5: G E5 : G E5 =
55 55 EE55 4
5
the Gen
-
ÂżY
tĂş?
= 5 Your
eral
3
5
55 5 B
seems
a suc - cess.
55 55 :: 5 5 EE55 3 5 5 5 E5 5 5 5 55 = 4
M M 5 =:
!5 5
BB 3
?
SĂ
I 55 5 5 5M 5M !5 5 5= 5 I5 5 5= 5 5 I5 5 5 5 3 G M M ' E5 5M 5M 5 5M 5M G E' ' 5 5 GGGGGGGGGGGGGGGGG
R.
5 5 5 E5 5 5 5
= 5 E5 =
4
BB
181
1 ? 2
3
G
=5 5 5 3 55 5 5 5 5 55 :: EE55 55 55 55 E55 55 E55 55 5 5 5M 5M 5M 5 5 5 E5 5 5 G E5 5
179
for
=
BB
Ra - mĂłn.
3 3 1 C. 2G 5 E 5 5 E5 5 5: Fie - sta
4
3 ÂżCo - mo_es - tĂĄ_us - ted?
55 :: E
1 4 C. 2G
5
5 5 5 E5 5 5M 5M
5 : 5 5 = 3 now
5I
5 3 5 5
if
30
ritard.
1 5 2 183
R.
5
5
5
5
-
-
55
=:
ly
55
the
ho - tel
EE55
3
GGGGG
5
Meno mosso andantino q = 100
184
1 C. G ? 2
had
BB
G !EBB
R.
5 E5
5
E5
5
3
on
G
5
= E5
E5 5
Be
B:
4
pa - tient,
4
= 3
guests.
more
pay
5
5 E5
= 5
B
5
5
I’d
be
my
3
5
-
ing
5M
5M
friend,
E5 5
a wealth
3
5 5 -
y
man.
Meno mosso andantino q = 100
G =: G
55EE55 I55 55 E55 55M 5 55 E55 :: E5
5 5
186
C.
1 4 2G
5 5 5 5 = 5 E5
3
5 5 5 5 5
the po - tion
I
$ 55 EE55 55 55 E 55 55 5 55 E5 5 5 5 5 5 5 5 5 G =:
188
C.
5 5
55 55 EE55 I
BB
5 5
3
3
poco rall.
3
= = 5 !5 E 5 E5 gave you does not : 5 E5 : 5 5 5 5 EE55 BB 5 5 5
5 5 5 E5 5 5M 5M
5
3
5
E5
5 work
3 -
ov
er -
G
5 5 5 E5 5 5M 5M G
a tempo
1 E' 2G
night.
5 5 5
5 5 5
G
6 6
G
5 5 5
5 5 5
5 5 5 5
6
5 5 5 5 5 5
6
5 5
189
5
5 5 5
G
5 5 5
6 6
G
5
5 5 5
190
1 = =3 3 5 5 5 5 C. G
3
Suc - cess will come
5 5
5 5 to
R.
2
R.
6
5
5 5
(He looks around to be sure no one is listening.)
you.
May
G ' '
5 5
0
5 =
3
5 5 5
0
G ?
5 6
(shushing her)
31
5 5
5 5 5 E 5 5 5M 5M
'
5 5 5 = = mf
5 55 = =
192 1 5 : 5 E5 5 : = = 5 5 4 2
= 5 5
for now that’s our sec - ret.
On - ly
5 5 5 = 5 5 5 -
be yes,
may - be no,
: 4
: ?
: 4
= 3 5 5 5 ! 5 5 5 5 =
5 5 : 5 5 if
194
R.
1 2 =
=
5
E 5k
5 5 = = 55 E 55 :: mf
E 5k 5 = = = 5:
55M 5
mp
5 5
=
=
5 5 = =
= 5 5 5 5 55 55 :: 55 E 55 ::
p mf
= = 5M = = 5 : GE5k 5 = = 5M 5 5 5 5 5 5 5 5 5 5 = =
5:
you and your po - tions will get the cred - it.
then
55M G = 5
5 : 4
suc - cess comes,
E 5k
G = 55 55 5 5 : 5 5:
p = = 5M = 5M
=
55 5 5 5
55 5
55 :: 5: =
=
M E55 5 5 5
55M 5
55M 5
=
=
55 5 5 5
55 5
55 :: 5: =
=
32
195
R.
5
1 : 2 4 55M E G 5 5 5
55M 5 =
Un
55M 5
55 5
=
5 5
196
5
5
-
til
no
one
=
55 5
=
=
=
55 55 5 5 55
=
55
=
=
= = 5 5:
=
55 :: 5: =
then,
0
1 C. G R.
-
5 5 5 :
= =
and no one
4:
I see,
: 4 : 4
`a
E 5k 5 55 5 = = G 5 = = 4 : f = = E5k 5 = = 4 : 55 G
?:
55 5
5 5 5
55 :: 5:
5 5 5
5 55 55
5 5
5 55 55
5 55 55
5 55 :::: 55 :
5 55 fp 55 G ' :: '
= ff
G ?:
4: 55 5
Du - das!
G ?:
E5 5 Se - Ăąor
0
198
5 5:
will
will laugh.
5 G 55 = = 55 = = 5 55 = = 55 = =
1 C. 2G 5
5
(insulted)
IB : 5 = 5 5 5 35 2 know,
3
: 555 ::
?: ?:
5: 5 5 With
4:
my
quaint
?: '' ::
5
5 5 lit - tle
33
ritard. K 5 : 5: 4 : 5 : E5 5 5 5 5 5:
200
1 = 3 5 C. 5 5 5 5 5 5 5: 2G po - tions
G
555 :::
for lit - tle aches and pains,
4:
?: '' ::
: G ' ':
fp
1 C. 2G E B :
a tempo
?:
you?
K B : B : B :
':
: ' ':
sub. p
0
B:
5 5 E5 5 5 3 !5 You on - ly see what
5 E 5 ! 5 5 E 5 5 E 5 ! 5 5 3E 5
B: B : = 5 5 5 5 555 G 55 55 55 55 5 % pp f
5 5 5 5 5 mp 55 555 555 555 555 5
5 5 3 G : B: 5 5 EB 5 5 5 5
206
1 EB : C. 2G
4:
see.
G EEBB :: 55 55 5 5
5 5
55 E55 55 E 55
5 5 55 55 = = E 555 555 E555 555 5 5 5 f mp 5 = = 5 = = k GE5
5 5 5
known.
55 3 55 5 55 55 55 5 55 = = 5 5
55 55
you
555 3 !555 5 !5
= = 5 = = 5
5 5 E5 5 5 3 5 5 5 5: You on - ly know what is
E 5k
B:
G B :
':
':
203
from
how could I de - serve re - spect
4:
`a
E 5k 5 5 55 5:: 55 55 = = 5 f
E5k 5 = = 5 G 5
34 209
1 5 5 E5 C. 2G
5 5 3 !5 EB :
And if there’s more
G
55 55 mp 5 5
55 55
55 55
E555 E5
to
555 5
5 = 5
= =
learn,
5 5 E5 5 5 3 5
4:
5 5 = = 4: E 5 : 3 !555 5 5 5 5 !5 E5 : f = 5 5 = = 4: G E5k
5
you wait un - til you
E 5k
5 E 555 mp 5 5
55 E55 55 55 3 55 55 5 55 55 55 = = 5 = = 5
212
1
C. 2G 5 5
4:
0
5:
5 5
shown.
G
= 5 5
Du - das,
are
Se - Ăąor
5
5
Du - das,
5 55 5 5: 5 5 5 5 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5: 555 5 5 5 5 5 5 5 5 5 5
216
1 : C. 2G 4
= 5 5 do you
G 5 5 5 5 55 5
55 5 5 55 55 E 55 55 5 5 5 5 5
219
1 C. 2G 5 5 : 5 5 you think the sun
5
5M 5 5 : 5 5 5 5 5 5 5: 5 555 555 555 555 555 55 55 55 5 5 5 5 5 5 4 : = = 5 5 5 5 5 5: 5 5:
doubt there is blue
5
5 E 555 5 5
5 5 won’t rise
5
in
the sky?
5 5 5: 55 55 55 5 5 5 5 5 5 5
ma - Ăąa - na?
5 5 5 5 5 5 : 5 55 5 5 55 55 55 :: 5 5 5 G 5 5 5 5 5 5: 5 5 555 555 555 555 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5
4 :
4:
Do
55 55 5 5 5 5 5 5
55 55 5 5
55 55 5 5 5 5
= 5 5 !5 5: E5 If you don’t tell
: 55 : 55 5 55 5 : 55 55 5 5: 55 55 E 55 55 5 5 5 5 5 5 5 5 5 5
it
5 5 5 5 55 55 5 5
35 222
1 B: C. 2G
0
5 5
= 5 5 5
why?
This is not
how
5 5 5:
you
were taught:
5 5 5 5 5: 5 5 5 5 5 5 5 5 5 5 : 5 5 5 5 5 5 5 4: ! 5 5 5 5 55 55 5 5 5 5 5 5 5 5 55 55 55 55 5 55 55 55 55 55 55 55 G 5 5 5 5 5 5 5 5 5 5 5
5: G 5 :
226
= = 5 5 5 5 5 5
1 4 : C. 2G
to
doubt and nev
5 5
-
er
5 5: 5 5 5 5 5 5 5: 5 5 G 5 5 : 5 5 5 5 5 5 5 5 5 :
55 55 55 55 G 5 55 55 5 5
4:
5 5 5:
trust
the earth.
4:
5 5 5 5 5 5 5 5 5 5
55 55 !55 55 5 5 G 5 5
(Confidentially, gradually drawing him in) 229
1 = = C. G 5 5 2
5 5
Your moth - er
= = 5 5 5 3
5 5 5:
came
to me
three days
poco rall.
5: 5
af5 5- ter your
5 5 5 5 5: 5 5 5 5 5 5 G 5 5 5 5 5 : 5 5 5 5 5 5
5 5 5 5 : 5 5 5 : 5 5 5 5 5: 5 5 5: 5
55 55 G 55 55 5 5
55 55
232
1 C. 2G
: 4
= =
E5 : birth.
: ' : G ' % G ' ' ::
5
5 ! 5 5 5 “A
':
55 55
5 5 5 5 55 55 5 5
bless - ing
5 5 5 5 for my child,�
5
55 55
5 5 !5 :
5
= =
she asked,
5 5 “Cu - ran
`a
55 55 ! 55 5 :: 55 5 : E 5k 5 5 E5 : 5 = = = sfz
':
55 55
: !' ':
E' :
36
234
1 C. 2G 5
4:
= 5 5 : 5 !5 :
de
-
ra,
4:
5
por fa - vor.�
55 5
“Make
55 55 ! 55 5 :: 55 5 : `k a! 5 5 E 5 :E 5 !5 = = G = loco
5 5 5: 5
him strong
and
ver - y
loco 55M 55M ! 55 5 :: 55 5M 55M 55M 55 5 :: 55 5 5 E5 =
sfz
G ': !':
E' :
236
C.
wise.
And
M M
55 55 55 5 :: 55 5 ! 5 G E 5B : G B : B:
e=e
5 = 5I = 5I = 5 = B : I
1 : 2G B
B:
!' :
: ' ':
one
thing
= = 4: 5
more.�
: ?
!' ' ::
: ?
' ' ::
55 5
=
5 5 !5
5 !5 !5 ff
55 5 5 ! 55
5 555
5 555
55 :: 55 5: 5
5 : 5 555 ::: 555 G
(drawing out the suspense) 239
1 C. 2G =
fp
f
5
5
5 5 5 E5 5 5 5 5
5
ÂĄA
5E5 5
G
55
555
555
55 555
mp
G
5 5 E 5 5
5
55
55555
5
55 5
37
1 fp C. 2G : B
f
240
4
yรญ!
5E5 5
G G
5 5 E 5 5
5
555
1 = 2G
55 555
555 5 5 5 5
5
555
fp
241
C.
55 555
f
5
5
5 5 5E5 5 5 5 5
5
ยกA
G
`a 5
5
5:
55 5 5 55 E 5 5
5 G 5 5E5
5
E5
55 5 5 55 5 5
3
G
242
5
E5
3
55
55555
fp
5
55
f
1 C. 2G B:
5
4
yรญ!
` ' G 5 E5 5
G 5 G 5 5E5
5
555
5 55
55 55
55555
5
555
55
55
5
38 243
1 : C. 2G 4
5 E5 5 !5 5 5 ' : “If
he comes to you for
E'' ::
G
0
wealth,
`a B:
?:
pp
G '' ::
1 5 5 !5 5 3 C. 2G 5 5 5: “kick
him
out
5 5 = = 4 :
?:
f
E BBBB ::::
?:
246
5k 5
5k
5 = = 4 :
?:
(RamĂłn is taken aback; then he realizes La Curandera has been putting him on, and the two of them have a good laugh.)
4:
the door!�
E5 5 5 ! 5 5 E 5 55 G E5 5 5 !5 5 3 E5 = = 4 : G 5 5 5 5 5 3 5 5 = = 4 : 5 5 5 5 5 5 5
0
55 ! 5 = = 4 :
E 5k
E5k
ff
= = 4: 5 5 ! 5
248
G 5 5 E5 5 5 4: 5: E 5 mf
E5k 5 5k 5 5k 5 5k 5 !5 : 5 B: ': ':
5
E5 5!5 5 E 5 5 5 5E5 5 5
E5k 5 5k 5 5k 5 5k 5 !5 : 5 B: ': ':
250
G 5:
E5 5 5 5 E5 5!5 5 E5
: E5 5 5 E5k 5 5k 5 5k 5 5k 5 !5 : 5 5 ': ':
E5k
E55 55 55 55 55 55 55 55 55 55 55 55 = mp
f
5 E 5 ! 5 5 E 5 5 E 5 ! 5 5 3E 5
5 5 5 5 5 5 5 5 5 5 5 55 55 55 55 55 5 E E5k 55 55 55 55 55 55
5 5 5 5 5 3 5 5
39 252
1 C. G
0
E 5 5 : 5 E5 :
0
5 5 3!5 5:
You on - ly see
R.
2
what you see.
I5 I5E I5 I5 I5 !5 E B : 3
0
I on - ly see what
I
?:
see,
5 5 = = E B : 3 !555 55 55 5 5 55 !5 EB : f 5 = = 5 = k 5 5 G E5
5 E 5k
G E55 55 55 55 E5555 5555 E555 5555 E5 5 5 5 5 mf 5 5 = = 5 5 5 5 5 5 255
1 C. G
55 55 =
: 5 E5 : 5 5
0
You on - ly
R.
E 5 !5 5 !5 5 5 5 3 5 2 I
G E 555 5 5 5
on - ly know what
is
! 5 55 E55 !55 55 3 55 5 55 55 E 55 5 ! 55 55 55 ! 5 5 = = 5 = = 5 5 5
257
1 : C. G 4
And
R.
2
if
there’s
5: 5:
`a
E 5k 5 5 55 55 = =
E5k 5 = = G 5
if there’s more
loco
5 G E555
55 55
E555 E5
5 = 5
=
to
more
learn
5 !5 B:
4:
4:
to learn,
5 5 E 5 5 5 3 !5 E B : And
4:
is known.
?:
5 E5 :
5 E5 :
what
5:
5 5
5 E5 : !5 5:
know
known.
4:
?:
5 5 55 55 3 !55 E5 : E 5 : 55 55 = 55 55 5 !5
=
?:
5 =
=
?:
5 = 5
=
55
E 5k
G E5k
40
259
C.
1 G
E5
0
5 5 5 5: 5 B :
You’ll wait un - til (Ramón hesitates for a moment...) R.
2
0
5
))))))))))))))))))))) : 5: 5: 5 5 G E 555 pp f ))))))))))))))))))))) G 5: 5: 5: 5 5
263
R.
G
you’re shown.
5 E 5 !5 5 : 5 B:
B:
(...then answers, true to form.)
I’ll
1 2
B:
wait un - til
I’m
shown.
55 E55 !55 55 3 55 B :E5 5 5 5 E5 5 5 5 55 55 55 55 55 5 ! 55 55 5 B : 55 55 55 55 5 5 = = 5 = = 5 5 5 5 5 5 5
(He sweeps the confetti back into the hotel, and La Curandera exits, with a wink.)
0
55 E 55
55 55
E 55 E55
55 55
0
0
55 !55 E B : 5 5 55 3 !55 EB : 5 5
55 55 55 E55
ff
5 = = = = 5 5 5 ! 5 E55 5 5 : 5 5 E555 G !5 55 5 5 : 5 5 5
266
5 5
5 5
55 E 55 55 E55
55 E 55 ! 55 55 5 55 5 !55 55 3 555
5 5
5 5
5 = = = = 5 5 5
55 55
555 !555 E B : 5 5 5 3 !5 EB : 5 5
55 55 5 E5 5 E 5 ! 5 EE55 5 E5 5 E 5 !5 3
5 = = 5 = = 5 5
5 5
5 5
55 55 55 55 55 55 5 5 5 5 5 35 attacca
41
III. Scene Two (Scene changes to an American airport)
Allegretto deciso e = 200 (4+4+3)
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 mp
= 5 = = = 5 5 5 5M 5M M 5M M M M
5M = 5 = = = 5 5M 5 5M M 5M M M (Airport noises grow gradually louder...)
5
5 5 5 5 55555555 5 5 5555555 5 5 5 5 5 55 5= = 55 5= =
3
= = = = 5M 5M 5M 5M 5M 5M 5
5 5 5 5 = = 55 = ?
5M
5M
5M 5 5 5 5 5 5M 5 M 5 M 5M 5M 5M M M
5M 5 5 5 5 5 5 5M 5M 5M M 5M M 5M M 5M 5M 5M
5 5
5 5 55555555 5 5 = = = = 5M 5 5 5 5 5 5 5M 5M M 5M M 5M M 5M 5M 5M
7
G 55 55555555555 55555555 5555555555555 55555555
5 5 5 5 4: 0 = ? mf
5M 5M 5M 5 55 5 5M 5M 5M M 5M 5M 5M 5M
9
G 5555555555555 55555555 5M 5M 5M 5 55 5 5M 5M 5M M 5M 5M 5M 5M 11
5 = ? 5 5 5 G
5M
5M
5M 5 5 5M 5 5 5 5M 5M 5M M 5M M 5M 5M 5M 5
5 5 = = 5 5 5 5 = = 5 5 5 5 5 5 5 5M 5 5 5 5 5 5 5M 5M M 5M M 5M M 5M 5M 5M
= = 5 5 5 5 = = 5 5 5 5 = = 5 5 5 5 5 5 5 5
5M 5 5 5 5 5 5M 5 M 5 M 5M 5M 5M M M
5M 5 5 5 5 5 5 5M 5M M 5M M 5M M 5M 5M 5M
42 13
G 15
G
5 5 5 5 5 5 555 5555 55 5 5 5 5 5 5 5 555 5555 5 5 5 5 5 55 5 5 55 5 5 f
5M 5M 5M 5 M 5M 5M 5M 5M 5 5 5 5 5 5 5 5
5M 5 5 5 5 5M 5M 5M 5 5M 5M M 5M M 5M 5M 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5M 5M 5M 5 5
p
5M
5M
5M
5M
5M
5M
5 5M
5 5M
5M 5M
5 5M
(...then fade as Alba and Alberto, young engaged couple, rush in with luggage. Alba wears very high heels.)
M M 5
5 5 5M 5 5 5 5 5M 5 5 5 5 5 5 5 5 5 5 5 !55 5= E!55 = G E5 = mf 5M 5M M M 5 M M 5 5 4 G 5M 4 5 4 4 5M
16
5 5
5 5 ! 5 5 M= M = 55 ! 5 5 E5 5 5M
5M
4
G
5M
5M 4
19
Alberto: 1 5: 5 5 5 = 4 Albt. G 5 2 i Is eve - ry - thing here? 5 5 5 5 5 5 5 5 5 5 E55 4 G 5M M 5 5M 5M 4 4 22
1 4: Alba G
Alba:
= = 5 5 !5 5 5 4 :
0
2G i
!5 :
4:
5 5 5 5 5= 555= 5 = 5M = 4: = 5 oh,
0
will be board
5555
I think so Albt.
5
5= = = = = 5 5 5 5 5 Our plane
0
-
ing
5 5 55 5 55 5 5 4: 5M = 555 5 35 Al - ber - to, this
0
soon.
G = = = 5 E! 55 5 5 = 5 = 5 = 5 5 5
= E!55 = = M M5 5M 5 5 = 55
= 5 5 5 5 = 5 5 5 5 = 5 5 5M 5M 5M M M 5= 5 5= 5 5= 5 5
5 5 5 5 5 5 5 5 = = 5M !55 M5 5 E = 5 = 5 5M
43
26
Alba
1 G 5 5: 5 5
5
0
0
bag needs a name tag. Albt.
2G i
= = 5 5
0
=
555
5
Do I look
all
=
0
0
O. K.
E! 55 55 55 5 5555 5 55 55 5 = = : 4 = = = = 5 = G !5 55 sostenuto 5
5 = 5 5 = !5 5G 5 = 5 55 5 = 5 5 55 55 55 5 5 5 5 5 5
5
30
1 B: Alba 2G
=
= 5 5
5
5:
I
to
look
right?
want
5: nice
G 5 5 5 5 5 5 5 5 5 5 55 :5 5 5 5 5 55:5 5 5 5 5 55 :5 5 5 5 5 55:5 5 5 5 5 G 5 5 55 55 5 55 = =
5:
33
1 Alba 2G =
=
5
5
5
5
for
5
5
your
fam
-
5:
5
5
5
5:
ous
un
-
-
G 55 :5 5 5 5 5 55: 5 5 5 5 5 55 :5 5 5 5 5 55: 5 5 5 5 5 0 G B: 35
(4+4+3)
1 Alba G 5:
= ?
cle. Albt.
4 2G i
= 5 ? Well...
4: 5 5 = may - be...
0 ?
= 5 The
5 shoes.
4:
= = 55 55 5 55 5 55 5 55 55 5 55 G = 55 5 55 5 55 5 55 5 55 55 = 5= 5= 5 = = = = = 5 = = = = = 5 G 5 5 5 5 5 5 5 5 5 5 (4+4+3)
44
(He whistles admiringly.)
poch. rit.
37
3 3 1 B = = ? 4 = Albt. 5 5 5 5 5 5 2G 5 i You can’t do much walk - ing in those.
55555555 5k!5 55= = 555 5 = k k 4 = G 5 5 E5 5 5 5 B mf ' 5 5M ' 5 5 ' 5M 5 5 ' G ' M M ' 5 5M 5M M 5M 5M 5M 5M
GGGGG
39
1 = 5 5 Albt. 2G i Small
5 5 : 5 5 = 5 5
5: towns
5 G E5 = 4 5 E55 = 4 5
in
?
GGGGGGGGGGGGGG
Mex - i - co
:
5
have more
cob - ble - stones
= 5 5 5 55 = 5 5 5
42
1 Alba G
0
0
than
= E!55 = 4 : mf 5 5 5 5 5 = 5 5 5 =
0 p
?
5 5 5 = !5
(She laughs)
5 = 5 5 5 =
=
O how sil - ly Albt.
5 5 !5 :
5 2G i tax
-
5:
i - cabs.
f
0
0
5 5 5 5 5 5 5 5 = = = =
= 55 =
= ! 5 G E5 =
4:
5 = = 5
5
5
G
mp
4:
5 5
5
5 = = rit.
45
Alba
1 = = G 5 5 2
5 3 5 5 5 3 5 5:
4:
= = 5 5 5 5
I’ll change them while you get the tag.
G 4: G 5
= 55
5
= 5 5 5 5 = = = =
5
55
4:
You’d nev
=
=
-
5:
er
know
5 5 5 5 5 5 5 5 5 5
55 5 5 = 55 5 = 5 5 = 5 5 55 5
5 5 5 5 5 5
G
5:
49
Alba
45
Andante e = 168 (q = 84)
1 5 2G
5 5: 5 5
5
my fami - ly’s from Mex
G
5 E5 : -
i - co,
4:
0
G 5B 5 5 5 5 :
5
= =
5 5 5 5 5B : 5
I can’t ev - en “ha - blar
G
55 55
=
5555
5 5 5B :
55
=
5 5
5
(Spoken) = = 5 5 5 5 5 5= 5 5 5 4 ?
1 Alba G 4:
G
too.
(with a strong American accent)
52
Albt. 2G i
B:
0
es - pa -
0
55555555
ùol.� Are you sure we should’nt tell your Uncle we’re coming? What if he’s not there? (Spoken)
0
He’ll be there. Besides it’ll spoil the surprise.
= =
0
0
?
5 5 5 5 5 5 5 4: 5 5
= 5 5 5
1 A tempo, andante q 0= 104 = 5 5 5 5 5 5 5 5 Albt. 2G i 3 Af ter the mil - i - tar - y = B 5: G 5 5: 5 5 5 5 5 5M M 5 5M M ! 5 ! 5 M 5 5 55 M 5 5 5M M 5 5 ! 5 ! 5 5 5 5 G 5 G 5 5 5 55
57
1 = Albt. 2G i G 5: 5
5
5
tĂ_o - Go
5! 5
5 -
5 5:
5 5M M 5
G
5
5
5 5 5 5
do
3 trav - elled to buy
5 M 5 ! 5 5 5
5M
5
5
5
and
sell
sil
5
-
ver,
?
B
5
5 5M M ! 5 5 5G
5 ! 5 5 M 5 5M 5
46 59
1 5 Alba G
5
Sil
-
?
0
ver?
? Albt. G 2 i
=
? G
=
5
5 5
!5 :
but
now that
tĂ
5
5 !5
5:
5:
5 -
5
a_Es - te
-
la’s
E5 5:
5
M M 5 !5 5 5 5M G !5 5 5 5 !5 5 5 5M G !5 5 5 5 M 5M 5 M 5M 5 5 5 5 61
Alba
Albt.
1 G =
5
5 5
I
re - mem
B 2G i gone,
=
-
5 he
!B G
=
0
5
5
ber
5 5
5
5: 5 B
stays a - lone
5 !5
in
his house.
5
5:
M M 5 !5 5 5 5M G !5 5 5 5 !5 5 5 5M 5 M 5M 5 5 5
5: G
5
5 !5 5 5M 5M 5
63
1 Alba G
0
?
=
5I = 5 Oh,
3 = 5 5 5 5 5 5: Albt. 2G i 3 He won’t ev - en al - low
B G 5
? 5 5M M ! 5 5 5
G
5
5
5:
a
tel
= M 5 ! 5 5 5 5M 5
5 B -
I
4
e - phone.
5 5 5! 5
= 5M 5M 4 55 5M 5M M 5 ! 5 5 5M G 5 5
47
65
Alba
Subito meno mosso, adagio expressivo e = 144
1 G 5:
4:
0
0
see,
Albt.
= = 5 5:
4 : G 2 i
TĂo
5 5 5 5 5
5
Go - do_and tĂa_Es - ste -la raised my
G 55= 5555= 55 5555 55 55 5 5
5
-
5 5
5
5
5:
a came
here,
I
stayed
G 5 5 5 5 5 5 5 5 5 5
5
5
5
4:
er.
Then when
5 5 5 5 5 5 5 5 5 with them in Mex - i - co un - til he
4:
5 5
5
5 5
70
1 Albt. 2G 5 5 5 i sent for me.
fath -
= = 5 55 5 = 5 5 5 5 55 55 55 5 5 5 5 5 5 5 5 5 5
5
68
1 5 : Albt. 2G i Pap
5M = 5 5
5M
= 5 5
4:
When I
= =
5 =
5 5 5
5
5
5
5
5
5: 5 5
left
tĂo
Go - do had
5 = 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5 = 5 555= 55 555= 55 55= 5 555= 5 5 5
55
5
55
5
5
5 5
5
5 5
5
5 5
5
5
48 73
1 Alba G
0
5 : Albt. G 2 i tears
5 5 5:
5
55 5
=
TĂ - o
4:
Go
-
=
0
= 5
5:
TĂo
Go
do
in his eyes.
5 5 5 5 5 -
do sold sil - ver, tĂa_Es -
G 5 5 555 5 5 =5 5 5 55 5 = 5 55 5 = 5 5 5 5 5 555 5 5 =5 5 5 5= 55 55 5= 55 5
5 5
5 5 5
55 5 55
5
5
5 5
76
1 : Alba G 4
tĂ
5 : Albt. G 2 i ste
-
a
5 -
-
5
Es
-
ste
5 5 -
la made
78
5
5
5
EEEE 4 : 2G E i
4:
5
EEEE 5 G E5
55 55 M 5 E 5M 5 5 5M EEEE 5 5 5 E5 3
-
55 55 5M 5
5 5 5
5
lla de pla -
ta,
55 M 5M E 5 5 5
3
EEEE E
4:
EEEE E EEEE E
5
Pla
=
M 5M 5 5 5 3
5
EEEE E
5
=
-
ta
5
5 5 5 5
sil
-
ver for the
55 55
55 55 55
= 5
5 5
5: = 5
=
= 5 5:
Poch. movente e = 152
3
5
5
5
4:
Va - ji
5:
55 55 = 55 5 55 5 5 5 5 5 = =
de
=
5
pies.
Poch. movente e = 152
1 EEEE 5 : Alba G E Albt.
5
5 5
la
5:
G 55 5 = 5 55 5 = 55 5 5 5 5
5
5 -
5
5
M 5M E 5 5 5 3
5
55 M 5M 5 5 5 3
49 81
1 EEEE Alba G E
0
4:
0
= 5
=
sa -
EEEE Albt. 2G E 5 i tab
: 5 4 -
EEEE G E 55
4:
=
le.
Em - pa - na
=
55
-
55 55
55 55
55 55 55
5 5 5
5 5 5:
5
das sa - bro
55
=
-
sas
55 55
M 5M M 5M M 5M M 5M M 5M M 5M 5 5 5 5 E 5 5 E 5 5 E 5 5 5 5 E EE E 5 5 5 5 55 55 55 E 5 5 3
3
84 1 EEEE 5 Alba G E
bro
3
5 5 = -
=
3
3
0
0
sas
EEEE Albt. 2G E = i
= 5 5:
EEEE G E 55
55 55
the scent
5 5 5:
(spoken)
of warm pies.
Now that my parents and tía Estela are gone,
M 5M M E 5 5 E EE E 5 555 E5 5 3
3
3
55 55 5M
5
4:
3
55 = 55 55 5 5555 5
=
55
M M 5 5E5 5
0
sostenuto
pp
3
G
5E5M 5M 5 5
5 5 5 5 5 5
87 1 EEEE 0 0 0 0 Albt. 2G E i he is my only family. I want to surprise him with the beautiful girl I’m going to marry.
EEEE 5 55 5 5 55 5 5 55 5 5 5 55 5 5 5 55 55 55 555 5 5 G E EEEE G E
55 55 55 5 5 5 5 5 5 5 5 5 5 5 5
55 = 5 5 = 5 5 5
50
(spoken, aproximate rhythms)
91 1 EEEE = Albt. 2G E i
= 2 2 2
= =
=
=
He’ll be proud.
2 2 2
2 2 2
And when I
have a son,
5 5 5 5 = 5 5 5 5 5 E 5 55 5 5 5 5 5 EE E 5 5 = 5 5 5 5 = G E = 5 EEEE 5 5 5 G E 5 5 5 5 5 5 5 93 1 EEEE = = Albt. 2G E i EEEE 55 5 G E =
EEEE G E5 95
2
2
2 2 2
when
we
have a son,
5 55 5 5 5 =
5 5
5
5
=
3 2 2 I want
5
2
to
2
name him...
5 = 5 5 5 5 5 5 5 5 5 =5 5 5
55 5
5
5
5
5
5
(playfully interrupting him)
1 EEEE Alba G E=
2
5 5 5
5 5 4:
4:
0
5
5
(thinking it over)
=
Go - do?
55 Go-do -
EEEE 4 : 5 4: 5 5 5 = = 0 E Albt. G 2 i Go - do - fre do = EEEE 55 5 = 55 5 55 5 = 5 5 55 5 55 5 5 5 5 5 5 55 5 55 5 55 5 55 5 = 55 5 = G E = EEEE G E 5 5 55 5 5 55 55 55 5 5 5 5 5 5 98 (trying the name out together) 1 EEEE 5 = = 5 = = Alba G E 5 5 5 5 5 5 5 5 5 5 5 5 5 5: Go - do - fre - do, Go - do - fre - do, Go - do fre - do, EEEE fre: - do 5 5 = 5 5 5 5 = 5 5 5 5 5 5: 4 = = 5 5 E Albt. G 2 i Go - do - fre - do, Go - do - fre - do, Go - do fre - do, EEEE 55 5 55 5 5 5 5 5 = G E EEEE G E
5
=
= 5 5 555
5 5 5 5 5 5 5 5 5 5 5 55 5 55 5 55
5
= = 55
55555
51 101
1 EEEE 4 : Alba G E
=
(then getting used to it.)
=
5 5 5
5 5
=
=
5 5 5
5 5
103 1 EEEE Alba G E B:
EEEE B : Albt. 2G E i
5 5 5
=
=
5 5
5 5 5 5 5
5
4:
0
4:
0
B:
5 5
Tempo I e = 200
5
4: (spoken)
4:
: 4
EE
: 4
EE
5 5
5
BB :: B:
BBB ::: 5 5
: 4
EE
5 !5 = = 4: !5
EE
4: mf
(Alberto rushes off. Alba digs around in her bag, finds more sensible shoes and starts changing into them...)
EE(4+4+3) G 5 5 5 5 5 5 5 5 EE 5 5M M 5M 5M 5M
108
We’d better hurry!
EEEE 5 5 5 G E
106
5:
Go - do - fre - do
EEEE 5 5 G E5 5 5 5 5 5 5 5 = EEEE 5 5 G E 5 5 5 5
5
Go - do - fre - do
EEEE 4 : Albt. 2G E i
EEEE G E
5:
5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5M 5 55 5 5M 5M M 5M 5M
E G E 5 5 = = 5 5 5 5 = = 5 5 5 5 5 5 5 5 5 55
EE 5 5 5 5 5 5 5 M 5M 5M M 5M M 5M M 5M 5M 5M 5M
5M 55 5 5M 5 5 M 5 M 5 5M 5 5M 5M 5M M M M 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 = 5M
5M 5M 5 55 5 5M 5M M 5M 5M 5M 5M
52
EE ?5 5 5 5 5 5 5 5 ? 5 5 5 E5 5 G
= 5 = 5 5 55 55 5 5 5
EE
5M
110
5M
5M
= 111 5 EE 5 55 5 5 G EE
5M
5M
5M 5M
= = = 5 5 5 5 5 5 5 E5 5 5 5
5M
5 5M
5 5M
5 5M
5 5 5 55 55 5 5 5 ! 5 5 5 ! 5 5 5
f
5M
5M
5M
5M
5M
5M
5 5M
5 5M
5M 5M
5 5M
G
!!
(... when a cell phone rings. She sees that it’s not hers and looks around for Alberto, then she tries the various pockets of his bag until she finds it...)
'
112
!'
'
'
'
'
G fp
G E' 116
% !'
E'
'
'
E'
'
E'
%
(... and answers it.)
0
1 (spoken) Alba G
Hello (pause) Hello. Oh..., uh, hola. Who is it? (comical American accent) No comprende EspaĂąol. (just then Alberto returns with the tag for the bag. Startled, she hands him the phone.) Your phone... it rang. It was a woman... (spoken) Albt.
'
'
I don’t know. All I got was “Hola, Alberto...� She was talking so fast... all in Spanish, then she hung up. Who could it be?
0
2G i
55 5 G
What did she say?
=
4
?
=
4
4
mf
55 5
=
5
= 3
5
53 117
1 (spoken) Albt. 2G i I don’t know. G
5 5 5
0
0 Come on, let’s go.
5:
pp
= = 5 5 5 5 5
4:
?:
p
': 5 5 5 5 = 5 5 5 5
': ?:
5:
' 5: 5 5 = 5 G 5 5 5 5
I
': ?:
119
1 Albt. 2G i
0 The plane is boarding!
!5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
G
5 5
mp
G 555
55
5
55
5
55
5
55
5
120 (Alberto exits, gathering up the luggage...)
= = 55 5 5 5
G
5 5 5
mf = = = 5 5 5 5 5 5 5 5 122
GGGGGGGGGGGGGGGGGGGG
G
4: 5 5 5 5 : B:
55
5
55
5
55
5
55
5
=
(... but Alba pauses, disturbed.)
!5 55 5 5 5 5 55 5 5 5 5 55 5 5 5 5 55 5 55 55
(She thinks for a moment.)
0
(spoken)
0
5k! 5
She sounded pretty...
0 pp
' ' ::: ' ' ' ::
0 We’ll see about that!
5 : 5kE 5 5: E 5k 5 ' : ':
fp
'' ::: ! G ! !' ' ' ::
55
5
55 55 55 55 55 55 55 55 55 55 55 55 55 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5
0
1 Alba 2G
55
5
': ':
`a5M E5 5 = = 4 : ?: : : ? = = 4 5 E attacca 55M
54
IV. Scene Three Allegretto deciso e = 200 (... then turns on her heel and follows him off.)
(Airport noises return,...)
5 5 5 5 5 5 5 5 5 (4+4+3) 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 f
5 5
5 5 5 5 5 5
55= = 5555= =
3
5 5
55 5 55 5
5 5 55 5 5 5 5 5 5 55555555 G
55 5 5 5 5 5 5 5 5
5 5
5 5 5 5 5 5
5 5 55 5 5 5 5 5 5
5 5 55 5 5 5 5 5 5 5 5 5 5 55 5 5 5 = 5 5 5 5 5 = = 55 5 ?
5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5
= = =5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 55 5 5 5 5 = 5: 5
5
5 5
5 5 5 5 5 5
55 5 5 5 5 5 5 5 5
5 5
5 5 5 5 5 5
55 5 5 5 5 5 5 5 5
PiÚ mosso q = 132 (... then fade, as the scene changes to the patio of the General’s hacienda in Tepoztlån.) 7
G 5
5 5 !5 5
5: 5 5
B
3
'
' '
5: 5 5
3
'
' '
G
fp
10
5
'
' ' fp
5 5 !5 5
B
G G ' '
5 5 !5
5: 5 5
'
3
' ' fp
B
5 5 !5 '
3
5 ' ' fp
B
3
5 5 5 '
55
Adagietto e = 152 13
(The General sits, tinkering with a woman’s pendant watch on a silver chain.) G 55 5 5 5 5 5 5 5 55!5 55 5 5 5 5 5 5 5 55 5 5 5 5
5 55 555555
legato, espressivo 55 5 5 55 55 55 55 55 ! 55 55 ! 55 5 5 5 5 5 5 5 5 5 5 5 55 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
mp sub.
5 55 5 5 55 55 5 5 5 5 5 55 55 !55 55 55 5 5 5 = = 5 5 5 G 5 5 5 5 5 5 5 5 5
15
5
5 : 16
5 G 5
5
!5
5:
5
55 55 55 5 55 55 55 55 55 55 55
5:
5
5
5
5
5 !5 5 5 5 5 5 5
55 5 55
5:
5
G
!5
5
5
Poco piĂš mosso e = 160 17
(The General listens to the watch...)
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G G B:
!BB ::
!BB ::
B: B:
poco rit. 5 5 1 = = 5 5 5 = 5 5 5 = 5 5 = 5 5 5 5 = 5 B: 2 19 General: (... then talks to it.)
Ve - ry good, relo - ji
555 G G B: B:
555
-
to,
now
you can tell me
555555 555 !B :: B
B: B:
the time.
5 55
GGGGGGGGGGGGGGG
G.
e=e
5B :5 5 5 5 5
!B :: B
56
Andante e = 160 (q = 80)
K a piacere I5 5 5 5 5 I5 : 5 5 1 5 5 = 3 5 5 5 5 2 21
G.
(Then, as if talking to his wife.)
Mi - ra,
G
!55 = 5 24
G.
que - ri -da_Es - te - la,
0
4
A tempo, andante grazioso (q = 80)
5 =
5 =
1 2 ?
G 3
5
=
I,
5 5 55 5 5 5 35
4
I5
I5 I5
we
had our
5 3! 5M 5 5 5 5 5 5
M M 5 !5 5 55 55 ! 55M 55 55 5 5 5 53 3 3 35 5 3 3 3 35 3 3 5 5 5 5 5 5 5 5
time.
G.
B
5 5
26
G
0 = 4 5 5
3
5 5 5 5 5 5 5 5:
? 1 B 2
and
a - gain.
0 0
You
G.
now it’s beat - ing
0
5555 55 5 353 5
?
You were thekeep - er of my time.
5I 3 5M 5 5 5 5 5 5 5:
5
3
5
5
55 55 ! 55 55 55 5 5 335 5353 335 53 5 5 3 5 5 5 5 28 M 5M B 5 M 1 4 M 5 = 5 5 2 And now
5 : 5 5 5 5 5 5 G 555
I
have my
535
3
555 5555 5 5 5 5
5 55 55 55M 5 5 353 33 5 5353 33 5 5 5 5 5 5 5 5 =
time
back
a -
5 3!5 5 5 5 5 5 5 55 M M 5!5 5 5 5
55 5 !5 5 5 5 3 3 5 5 3 55 3 3 3 55 55 3 3 55 3 3 5 5 5 5 5 5 5 5 5 5
55 55 55M 353 335 5353 5 5 5
57 30
D.
(He chuckles. Dionisia enters, carrying the General’s supper)
1 G ?
Dionisia:
4
=
35 5 5
5 4 5 5 !5 5 5 5
Bue - nas tar - des, Don Go - do.
G.
B 2
?
You’re in good
5 5 5 5 = =
4
gain.
Ah,
I5 3 5M 5 5 5 5 5 5 5 : G
Di - o - ni
535 5 5 5 555 5
55 55 ! 55 55 55M 55 55 5 3 3 5 5 3 5 3 5 3 3 5 5 3 5 3 5 3 3 5 5 3 5 3 3 3 5 5 5 5 5 5 5 5 5 535
32
D.
1 5 5 G spir - its!
G.
2
4
= 5
4
5 5 =
5 5 5 !5
3
3 3 you beenwork - ing
Have
4
3
5 5 5 5 5 since the fies
-
5 -
sia,
55 5 5 55 53
5 3G 5
5 5 ta?
= 5 5 5 5
?
3 3 Here al - read y?
my saint!
5 5 5 5 5:
5555 55555 G
5 5 5
5
5 5 5 5555
sostenuto
55 5 G 34
D.
1 = G
5 5 5 5 It’s
G.
? 2
5 55 5 !5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
near - ly
4
?
4
dark.
=
No...
5 !5 : The
G 5 5 5 5 5 5 5 5 5
5
time
5 B
?
55 5 5
has flown.
5 5 5 5 5:
55 5555 55 5 !5 5 5 555 55 5 5 55 5 5 5 5 55 55 5 55 55 55 5 5
58 36
D.
1 G 4
(teasing)
3
?
5 5 5 Gen - er - al,
G.
2
you
5
4
0
5 5 5 5
5
=
still have your
?
No?
G
5 5 5 5 5
5 5 5
D.
=
time, G.
2
4
(pointing to the watch)
55 5
5
5
=:
ÂżCĂł - mo?
G
= 5
4
sĂ, se - Ăąor,
3
5
your
5 5 5 5
5 5 5 5
5 5 =: time
is...
right
40
D.
ÂĄDĂ - ga - me!
I5 3 5M 5 5 5 5 5 5 5 5 5: 5 5!5 5 5
(they laugh together)
?
0
hand! G.
2
0
in your
0
5 3! 5 5 5 5 5 5 5
M M 55 55 55 ! 55 55 55 55 5 5 5 53 35 5 353 33 5 3 53 33 5 53 35335 5 5 5 5 5 5 5 5 1 B G
5
55 55 5 3 3 5 5 3 5 3 5 5
?
0
38
1 G !5
5 5 5 5 5 5:
5 5 5 5
5 35 55 53 3 5 5
0 (suddenly serious)
0
= = 5 5 5 5
5
4
3
Ah, 3 3 53 5 5 5 55555555 5 55 555 G M 5
! 55 55 5 335 5353? 0 5 5
3
3
3 Di - o - ni - sia,
3
3
555555555 555 B: 55 5 : B 3
59 43
G.
1 5 2
h = h.
3 ! 5 5 == 5 5:
4
5 5 5 5 5 B
3
if we could on
-
3 time in our hands,
ly hold
5 5 5 5 == 3 3
to keep it from
3 3 3 3 3 3 3 3 3 3 3 3 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 B : 5 5 5 B: !5 5 5 B: : B 3 3 3
46
G.
h. = 40
1 5 : 5 5 2 fly - ing a
B: -
0
way.
5 B:
!5 :
4
5 5
1 2 B mor
h. = h (q = 80)
B
y
tiem
!5 = -
po,
5 5 5
B:
!5 5 5
56
G.
5
: 5 5 5 G
1 2
!5
5 B:
52
G.
0
5 5
5 a -
5 555
55 5 5 55
B: B:
5 5
5
poco rit.
5 555 B 5 5 5 and yet when time
has
?
flown,
B'
5 = 4
5 = 4 ? '
?
5 = 4
5 = 4 ?
Adagio affetuoso q = 66
?
4
Tiem - po_y_a - mor
: 5 5 5 5 5 5 5 5 5 5 : 5 5 5 5 5 5 5 5 G B :
4
5 = 5 5 ...Love
B
?
re - mains.
5 = G 5 4 3 5 5 5 5 5 5 5 5 5 : 5 5 5 3!5 5 5 5 5 5 5 5 5 5 5 5 5 !5
5 5 55 555 55 5 ! 5 5 5 5 5 = 5 5 4 ? 55 55 55 5 5 sostenuto
60
poco rit.
59
D.
1 = 5 5 5 5 5 5 : 5 55 2G
=
Ca - da co - sa a su tiem - po,
5 4
55 5 5 5 5 5 5
a time for ev’ - ry - thing.
3 3 G 5 35 5 5 5 5 5 5 5 : 5 5 5 35 5 5 5 555 5 5555 555555 5 5 5 55 ! 5 55 5 5 5 5 55 55 0 5 5 5 = 4 55 55 5 5
62
D.
A tempo, andante grazioso q = 80
1 ? G
= 5 5 5 5 5 5 5:
55 = ?
Ca - da co - sa a su tiem - po
G.
= 5 5 5 5 5 5 5: 2
55 =
Ca - da co - sa a su tiem
-
=
po,
55 5 5 5 55 5 = a time
for
ev’ - ry -thing.
A tempo, andante grazioso q = 80
G 5 5 5 5 5 5M 5M M 5 55
5 5 5 5 5 : 5 3 5 5 3!5M 5 5 5 5 5 5 5! 5 5 5 5 5 5 sim. M 5 5 55 555 M5 5M 5 M 5M 5 5 5M M ! 5 5 5 5 M M 555 5 55 55 5
64
D.
1 = 5 5 5 5 5 5 : 5 G Ca - da - co - sa a su tiem
G.
55 = -
Ca - da - co - sa a su tiem
po,
55 =
= 5 5 5 5 5 5 5: 2 -
=:
po,
$ 5 5 3 5 5 sĂ,
=:
se - Ăąor!
! 5 5 5 5 3 sĂ,
4 4
se - Ăąor!
5M 3 5 5 5 5 5 5 5 : G 5 35 5355 5 5 55555555
5 M
5 5 555 = 4 5 5 5 5 5 !5 5 5 55 55 5 5 55 5 5 5 5
61 (The General and Dionisia dance a stately little dance.)
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 EE 5 5 5 5 5 5 5 5 5 5 : 5 35 G 5 55 55 55 55 5 5 EE 5 5 55 55 0 5 5 5 5
66
sempre staccato
M 5 5 5 5 5 5 ! 5
5 5 5 EE 5 5 5 5 5: 3 5 5 35 5 3 5 5 5 5 G E5 5 E5 5 5 555 555 555 5 5 55 55 5 5 5 5 5 EE 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
68
70
EE 5 3 5M 5 5 5 3 5 55 5555 G 5 5 5 5 5 5 5 5 53 55 5 5 5 5 5 5 5 : 5: 5 5 E5 5 55 555 555 5 5 5 5 EE 5 5 5 5 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
72
EE G
55:
EE E5
3
5
M
E5
55
55 !5
5 5
5
5
5 5
M M
EE 3
G !5 5 5 5 5 5 5 5 5: 5 5 5 5 5 5 5 5 5:
55 5
5 5 5 5
5 55
5
55 55
5
5
5
5
5
5
5
55
5
5
5 (At the finish, they bow to each other and clap.)
M
73
EE 5 5 5
55 55 E 55 55
5
3 3 5 5 5 5 5 55 55 E5
55
55 55 = 5
E5 5 54 555 5 5 5 5 5 5 55 55 5 5 5 5
5 = 5
62 75
D.
1 EE 2G
(Spoken)
(pointing to his dinner)
0
0
And now...
it’s time to eat. Pollo con mole.
3 3 3 3 5 5 5 5 5 5 B EE 3 G 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 3 3 3 3 4 5 B B 3 B BB 55 B B EE B G
h = h.
77
D.
1 EE 2G
0
0
Then you must go to bed. It has been a busy day.
5 5 5 5 B 5 5 EE 5 5 5 5 5 5 5 5 5 5 5 5 3 5 5 5 5 5 5 5 5 5 5 5 5 5 G 3 3 3 3 3 3 3 3 3 EE 4B 5 B B BB 55 B G B B 79
G.
h. = 40
1 2
(Spoken)
0
0
0
Gracias, seĂąorita.
5: G B:
5B : 5 5
G B: 83
G.
0
You dance like my Estela.
5 5 5 5B : 5 5 B:
5: B:
5
B:
5
5
5B : 5
5 5 5 5B : 5 B: !5
5
5 h. = h
(He samples the sauce with his finger.)
1 2
0
0
0
And your mole...
5 G B: B: G B:
5 5B : 5
0 muy sabroso!
5 5 5 5B : 5 5 B:
5: B:
5
B:
5
5
5B : 5
5 5 B: 5 B:
!5
5
5
63
87
D.
h. = 40
(He watches her thoughtfully as she leaves.)
1 2G
0
0
0
0
Gracias, Don Godo. I will come back en la maĂąana to make your breakfast.
'
' G
G.
1 2 ?
p
'
?
3
5 5 5 B : '
!5 5 5
3 3 3 4 = 5 5 55555 5 5 El tiem - po to - do lo cu - ra.
ff 55 555 = 4 ? ' '
'
%
G
'
f with sudden energy
3 is the cure.
'
'
3
!5 5 5 B : '
5 =55 ' '
'
3
5 5 5 B: '
Time
' G
' 3
G ' B:
91
'
' '
pp
0
molto
0
(He smiles and picks up Dionisia’s package.)
5 95 G = 4 E 5k
a tempo
3 5 5 5 5 5 5 5 5 5: 5
?
p
mf
!5k 5 G = 4
?
0
= 4 ? 5
5
55
5 5: 5 5 5 5 5 5 3
G
(Blackout) 55 55 = 4 ?
pp
5 = 4 5
? attacca
64
V. Scene Four (Scene changes to the outdoor lobby of the Hotel Tepoztecatl, as in Scene One.)
Allegro spiritoso q =144
55 5 55 5 55 5 55 5
f
5 5 4
5 5M 5 = 5
5 5
5 5
5 5
55 5 55 5 55 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5
5 5M 5 5 5 5 = 5 5 5 = 5 = 5 = 5 = 5 5 5 5
M M 5 5 5 5 5 5 5 5 5 = 5 5 5 5 5 55 5 55 = G5 5 5 55 5 5 55 5 55 = 5 5 5 5 5 55 55 = 5 = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
M 5 5 5 !5 5 5 5 5 555 555 5 555 5 555 5 555 5 555 5 555 5 555 5 5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 p
7
5 B:: 55
55 5
10
55 5
f
5 5 M G 5 5 5 5:
5 = 5
12
5 5
5 5
= 4 5 55 5 5 55: 5 5 55 5 55 5 =G 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5
M 5 5 5 5 5 5 5 = 5 5 5 5M 5 5 5 5 = 5 5 5 5 : 55 5 = =
= 5 = = 5 = = 5 = 5 5 = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5
55 5 5 = 55 5 = 5 = 5 5
65 5 5M 5 5 5 5 5 !5 G 5 5 5 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
15
= = = = 5 5 5 5 5 5 5
p
= = 5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 5 5 5 5 5 5
M
5 5 555 5 G B :: 5 5 5 5 55 5 5 : 5 5 = 5 4 5 = 5 5 5 5 : 5 = 55 55 55 55 55 55 55
f 5 5 5 5 5 5 5 5 = 5 = 5 5 55 5 5 5 5 5 5 5 5 5 5
19
(It is the next morning. Alberto and Alba arrive with luggage.)
(Alba is conspicuously upset...)
5 5 55 = 5 = 5 = 5 5
(... and pulls away from Alberto...) M M 22 5 M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 = 5 5 5 5: 5 5 5 5 5: 5 = G = 4 =
p = = = = = = 5 = = 5 = 5 = 5 = 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 25
R.
as they approach the desk.) 1 (... 0 2
RamĂłn: (rushing forward to greet them)
4
0
5
B
Bue
-
=5 5 5 5 5 5 5 5 5 5 5 5 5 5: 5 5 5 = 55 5 55 G p
f
5 = = 5 = = 5 = = G 5 5' 5 5 5 5 5 5 1 5 2 28
R.
dĂ
3 -
G G !555'
4
=
3 se Ăąo - res.
5
54
?
55= ? 5
3
3 se - Ăąo - ri
3 Al - low me,
5 5: 5 =5 5 55 55 5 5 = 55 55'
4
=
5 5 55 =
55
3 3 ta, bien - ve -
-
5
!5 55'
55 5 55
5 5 5 5 5 5 (taking Alba’s bag) 5 5 5 !5 5 !5 : = 4 == = 3 as,
nos
54
?
55= ? 5
66 31
3 1 Alberto: 4 = Albt. G 5 55 54 i Muy am - a - ble. 5: 5 4 =5 R. 2 ni
-
G 4
dos.
?
Gra - cias,
= 55
5
4 5= 5
55 5
0 M !555' =
0 5 5 5 =
0
2
0
GGGGGG
p
0
5
0 the grand nephew of General Godofredo de la Barca.
0
'
0 5 = 4 5M 5
pp
?
0
0
0
Yes, but don’t tell him yet. I want to surprise him with my fiancÊe. Can you help me set it up?
0
Oh! SeĂąor Alberto! You have come to visit. Your uncle will be so happy to see you.
' ! ' ' G
55 5
...de la Barca!
?
1 Albt. G i
0 (Spoken) 0
0
M !555' = 4
= 55 4 5 5' = 4 5 =
I am Alberto de la Barca,
3 Bue - no
G
4
4?
(Spoken)
? 2
0
3 name is Ra - mĂłn.
34
R.
3 we have a res - er - va - tion.
Ra mĂłn,
5 5 5 5 ?
My
1 Albt. G i
37
= 5 5 5 5 5 5 5
poco rit.
5 ' = 4
R.
poco rit.
3 5 5 55 5 3
0
Of course, seĂąor. We will call his nurse to arrange your surprise. They were just here for a party yesterday. I will give you her number.
'
pp
? 0
4
= 0
5 5
Allegretto q = 126 40
1 (to RamĂłn) 5 = B Albt. G 4 i A - quĂ R.
2
5 5 5 5 5
0
?
es - tĂĄ mi_a - mor, Al - ba (to Alberto)
5
4
5
=
' 5 '5 = = 4
1 G
Albt.
R.
2
0
G 5 5 5
5
tells
3
3 me,“you are my
Albt. G 2 i G ?
0 5 5 5 5 5 5:
love.
?
3 3 Wel - come, se - Ăąo - ri
5 '
=
'5 5 B:
B
'
=
= 5 5 : but I’m
5
que - ri
ta.
5 5
5 5
af - raid
he has
5 -
0
da
?
5 5 5 5 B: ' 4
-
==
3
?
' 5555 = '5 5 5 5 5 = = =3 4
love,�
5
5 5 5 5 B:
(back in her own voice)
Yes,
4
4 4 5
'
= 5 5 5
0
5 =
He
= 5 5 5 5 5 '
5 5 5 5 5
1 5 Alba G
5 5 5 5 5
?
' 5 '5 5 = 5 = 4 G = = 5 = 4 46
muy bien
(to RamĂłn, imitating Alberto) 3
0
5 5 5 5 5 5 G 3 i 3 told him that you are my 0
?
5 ' 5 = '5 = = 4
43
Alba
5 5 =
5 5 5 5 5:
55 5 5 5
5 ' 5 '5 = = 4 =
4 4 5 I
Ah
Allegretto q = 126
G 5 5 5
3
5 5 ?
67 (to Alba)
' 5 5 5 5 5 5 '5 5 B:
= 5 5 5 '
68 49
(pointedly to Alberto)
1 5 5 5 5 5 5 Alba G
= 5 5 5 5 B
0
3 spread his love to oth - ers.
Albt.
? G 2 i
3
Now Al - ba,
G 5:
52
?
5 5 B:
' ?
5 5 5 5 = 55'
4 '
Some - bod - y’s keep - ing a
5 5 G 5 5 5
4 = = 55
5 5 5B B !B EB
5
sec - ret,
5
with a wom
-
an
' '
!' E'
5
B BB EB
G
3
G ' E'
?
' '
54
3 1 Alba 2G 5 5 5 5
4
call - ing him,
G 5
3 that’s not true.
you know
3 3 5 !5 5 5 5 5 5 5 = 5 5 5 : 3 3
1 ? Alba 2G
' G E'
? 3
55555
'5 5= 4 M
5 5 5 B
= 55 5 5 = 555
4
3 do I know?
How
3
= 5 5 speak - ing
' '
3
4
3
5 5 5 5
so
I won’t un - der -
' '
' E' 3
3 = 3 5 5 5 5 5 5
on - ly in Span - ish,
5 5 5 5 5 = = 5 5 5
= = 5 5
5 5 5
4 = 5 5 5
5 5
56
1 Alba G 5
B
= 5 5 5 5 5 !5 5 5
4
= 5 5 5 5 Albt. G 2 3 i
5 5 5 5 5
3 I don’t know what you’re talk - ing
5 G 5
5
58
1 = = 5 !5 Alba G
3 I heard her voice,
3
5 G 2 i
3 sec -
3
3 No - bod - y’s keep - ing a
5 5
Al - ber 3
3
ret.
3
I still
5
don’t
5
5
5
What
is
her
5 5 B
4
3 know what you mean.
5 5 5 5 5 5 55 5 G 5 5 5 5 5 5 = = 5 5 5 3 ' ' ' G E' ' E' 60 1 ' Alba G
5 4
5
4
to.
5
3
55 5 5 5
=
55 55
' ' 4 ==
' E'
= = 5 5
5 4
5 5 5 5 5 5 5
a - bout!
5 5 5
3
4
' '
G E' '
5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5
' '
'
name?
? Albt. G 2 i
5 5 G
5 555 G 5 55 G E5
4
3 3 You don’t know what I’m talk -ing a - bout?
stand. 3
Albt.
69
3
5 5
5 555
5 5
5 555
5 55 5
5 55 5
5
5
What
is
5 555
5 5
5 555
5 55 5
5 55 5
B
B
who’s
name?
5 555
=
5 555
5 5 5 5 5 5
5
5 555 555
5 5
5 555
B: B:
5 555
5 555
5 555
5 555
5 555
5 555
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 E5
70
62
0
1 Alba G Albt. G 2 i
You should tell me the truth, if I’m going to be your “espouza,� (pronounced to rhyme with “howza�)
= 5
5 64 1 Alba G 5 Albt.
R.
G i 2
name.
4
4
!5k5
5 = 5
4
mf
G
? 4 5k
0
A tempo, piĂš mosso q = 132
3
3
5 5 5 5 5 do I
con - vince
5 = 4
4
5 5 5 5
5 5
5
=
heard her
5
5 ? 3 her... 5 5 5 5 5 5 5 5 3 3 what doesshe want you to tell her?
4 = 55 5 5 5 5 5 5 5 = 555 5 5
5 5 5 5
G
I
5
?
0
Se - Ăąor,
G
5 5 5 5
?
How
4
5 =
?
(to RamĂłn)
3
You mean “esposa.� Remember, “o� is like “ought.� And there’s no “z� sound in Spanish.
? % ?
4
= =
(Spoken, to Alba)
'
f p sub.
3
Just tell me her
0
55 55 ' G = 4
A tempo, piĂš mosso q = 132
?
(Spoken, to Alberto)
5 5 5
5
5 ?
5
=
5
5
5
5 5
55
66
1 Alba G 5
4
?
5
5 5 5 5 5
voice.
Albt. G 4 i 4 R. 2
...there’s
= 5 Who’s
0
3
no oth
5 = 4 voice?
3
-
er
5 wom
4
5 ?
3
5 -
an,
5 5 5 5 5 5 5 5 3 What does she mean?Who
5 = 5 5 5 5 5 G 4 5 =5 5 5 55 5 5 5 5 5 5
G 5k 5 5 5 5 5 5 5 5 5 5 5
3 is this
5
5 5 = 5 5 ?
5
5 5 5 5
71 68
1 Alba G
3
3 Why don’t you tell me
Albt.
R.
G ? i
= 5 How
5
5
do
I
5 5 5 5 4
5 5 5 2
=
5
G 5k 5
the
truth, Al - ber to?
=
There
= 5 5
4
5
= 5
know?
5 = 4
5
4 = 55 5 5= 5 5 5 5 5 5 5
5 5
5 5 5
5 5 = 55 ?
5
5 5 5 5 5 5
5
5
5 5 5 5
5
5k
5
70
1 ? Alba G
4
5
=
So
Albt.
5 G i
more
R.
is
3 You don’t know?
3 wom - an who speaks in Span - ish?
G 54
5 5 5 5
5 5 5 5 5 5
0
5
5
3 than
one
4 2
5
5
3 wom - an
5
5
5
5
who
speaks
in
Span
5 -
ish.
5
5
5
=
5
More
3 than
5
one
wom
-
an?
? 5
5
5
5
5
5
5
5
5 G 4
5
=5
5
G 5k 5
5
5
5
5
=
72
71
Alba
1 5 G
5
now
Albt.
R.
5
5
5
5
5
3 there
is
more
3 than
one
G ? i = 2
4 5 3 Do
G !5
-
5
5
ing
what?
5
wom
-
5
=
=
?
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
3 And
is
72
1 ? Alba G Albt.
R.
G 5 i not
4 5
5
5
3 what
I
meant!
2 4 G 5 G 5
an!
That’s
p
G 5
5
=
5
5
=
EEE
=
?
5
5
5
I
don’t
3 un
5
5 4
EEE
5
5
EEE
=
- der - stand.
5
5 =
55
5
mf
5
5
5
5
5
5
5
EEE EEE
73
1 EEE 5 5 5 5 Alba G 3
Albt.
R.
2
EEE this one G i E E E ?
?
Or
0 5 = 5 =
5
5 5
5 4 = '
3 is she here?
4
5
Poco ritenuto q = 126
5
5 5 5 B
4
at home?
Which
EEE G
73
Poco ritenuto q = 126
?
Who?
?
4
=
5 5 3 Is she
one?
=
5 5 5 5 5 = 5 = 5 = 5'
5 5 5 5 4 ' 5 =
EEE = 5' 75 3 3 1 EEE 0 Alba G 4 5 5 5 5 5 5 5 5 Why are you hid - ing her from me? EEE 5 5 5 5 5 0 4 Albt. G i 3 5 I’m not hid - ing her. 5 EEE 5 5 5 4 4 4 = 4 = R. 2 here? Who’s hid - ing? Who’s EEE = 5 5 G 5: 5 5 5 5 5 5 5 5 5 EEE = 5 5'
4 '
=
5 =
' 5 '5 = = 4
5 =
77
3 3 1 EEE 5 5 5 5 5 5 5 5 5 5 5 5 4 Alba G = 3 3 Oh, so it’s al - read - y out in the o - pen? E EE 5 5 5 0 4 Albt. G i 3 5 5 I did - n’t 5 E 5 E 4 ? = = R. = 2 E 3 hid - ing?
EEE 5 5 5 G ' 5 5 EEE =
? 5 5 5 5 mean that eith - er.
?
Se - ñor...
=
5 '
=
4
5
'
5 5 '5 !5
B:
=
5 = = 555 5 5
4
3
74
79 3 1 EEE = 5 5 5 Alba G ? 5 You can tell me. EEE 0 Albt. G i EEE = 5 = 5 5 = 4 R. 2
Oh,
EEE G
se - ñor,
= 5
4 3
Who
= 5 5
5 5 5 5
I
don’t un - der - stand.
still
0 3
4 = = 555 = 5 5 5 5 B: ' G '
' 4
' ? EEE 5 5 B:
?
5 5
5
81
1 EEE 5 Alba G is
B
4
?
5 5 5
4
3 What do you
she?
EEE 5 5 5 5 = 5 5 5 5 0 = = Albt. G 3 i 3 3 I real ly don’t know what you mean. E = 5 5 5 5 5 5 5 5 5 5 5 5 4 E ? R. 2 E 3 What
3 3 3 is al - read - y out in the
EEE 5 5 5 G EEE G
o -
5: 5:
= 55 55 55 '
'
pen?
5 5
5
5
5
5
'
'
83
1 EEE 5 5 5 Alba G
4
B
0
3 mean you don’t know?
EEE Albt. G i EEE R. 2
EEE 5 G 5 ' EEE 4
0
?
4
0
= = 5 E5 5 5 5 3
5 5
B: B:
' 555 5 5 5
= = 3
=
5 5 5B B E ! BB
4
G
EB !B
E5 5 I don’t
4
3 Who is she, se - ñor?
?
3
3
= = 55 BB
85
3 1 EEE = Alba G E5 5 5 EEE You don’t know? 4 Albt. G 5 i know E E R. 2 E ?
3
Who is she, Al -ber - to?
?
?
= = E5 5 5 5
EEE G 87
1 EEE E5 5 = Alba G
5 4
= = 5
89
Alba
R.
Who
is
3
3 You real - ly don’t
' ' 5 !5 5 5
know?
accel.
' ' 4
E' !' ? 3 = = 5 5 5 5 5 !5 ?
is
= 5 5 B
she!
5
4
?
3 I don’t know! (aside)
G 5 5M 5 G 5 5 5
5
= 5 5 5 5 5 5
5
5 5 = 5 5 5 5 = 5 = 5
= !5 5
5 5 5
4
A tempo, piĂš mosso q = 144
5
0
3 she? Who
'
B
2
5
0
A tempo, piĂš mosso q = 144
G 4 i
E5
3 she? Who is
1 B G
Albt.
= = 55
5 5 5
5
E5 5 5 5 = =
5
4
?
EEE E' G !' EEE 5 G
3
accel.
3
4
3 I don’t
' '
!E' '
5
= E5 5
?
?
3 You don’t know?
EEE 5 Albt. G i know. EEE ? R. 2
4
5
' '
!E ' '
4
3 You real - ly don’t know?
5 !5 5 5
5
75
3
= = 5 5 5 5 4 E5 5
?
3
EEE 5 G
3
3
5 5 5 5
3 3 3 If he’s tell - ing the truth, why won’t she be -
5M
5
5
5
5 5
5 5 5 =
=
5 5
5
=
76
91
Alba
1 = 5 5 5 5 5 5 = G 3 3 But I heard
Albt.
R.
G ? i 5 2
5
=
=
?
5 5
5
f
“Ho - la,
= 5 5 5 5 5
lieve
G 5
4
her voice
3 I
p
5 5 5 5 ))))))))))) 5 =
(comically vampy)
5
3 am tell - ing the
Al - ber
-
to.� 3
3
4
= 5 5 5 5 5 Why won’t you be -
truth.
0
him?
5M
5
=
5 5 5 5 5 5 !5
5
5
5
5
5
5
p
G 5 93
1 4 Alba G
5
5
5
5
3
(her own voice)
!5 G i lieve
R.
2
5 5 5 5 5 3
= = 5 5 5 5 5 5 5 5 3
Albt.
5 =
=
=
5
A beau - ti - ful wom - an, no
=
doubt!
3 3 I have noth - ing
me?
5 5 5 5 3 What did he
4
= 5 5 5 5 5
?
=
?
to
0
do?
G 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
=
5
=
5
=
5
=
77 95
Poco piĂš deciso q = 138
1 Alba G Albt.
R.
0
(vampy)
3
= 5 5 555 5 5
4
3 I’ll just bet she’s“muy bo -
: B G i hide!
4
? 2
0
= 5 5 5 5 5
4
3 Is he
Poco piĂš deciso q = 138
G ? G 4'
4
3 tell - ing the
5 5 = 55
=
5 =
?
truth?
5 5
5 5
5 55 5 = 5 555 5 5M 5 5 5 ? 5
555 5 5 5 f 5 55 M 5 5 5 5 5M = 5 = 5 5 5
= 55 55 = 5M G
97
1 5 Alba G
5
ni Albt.
-
G ? i
?
0
to,� 3 = 5 5 55 5 5
4
For a
R.
5 5 5 5 5 = = 5 5 5 = 2 3
3 3 fem - i - nine noun,
4
3 3 He said he had noth - ing to hide.
G 5 5 5 5 = G 4 5 55 M M M 5 5 5 G 5 5 5 5 5 M M M M M
M 5 =
5 M 5 5 M
5 M 5 =
3
3
it has
to be
“Bo -
= 5 5 5 = 4 3 Oh, se - Ăąor...
= 55 5 5 5
5 5 555 5
5 5 M 5 5 5 M M
5 5 5 M M 5 5 5 5 M M
5 5 = 55 ? M M M 5 5 5 5 = 5 = M M
78 99
1 ? Alba G
Albt.
R.
5
= 5 5 5 5 5 5
(her own voice)
3 3 So her name is“Bo - ni
5
5 G i ni
-
?
-
ta?�
5
4
ta.�
5
4
5
3 who’s“Bo - ni
=
=
5 55 5 55 5 5 = 3
5 5 5 Thenwho
3
Albt.
R.
G 5 5 5 5 i ad - ject- ive re 4 2
3 -
is
5
5 5M
555 5 5 55 5 5
5 5M =
5 5 5 =
5 5 5
3 = = 5 5 5 5 !5
quir - es a fem - i - nine end
-
ing.
5 5 5 5
=
=
3
-
ject,
? 3
5 5 5 5 55 3
What did he do?
5 5 5 5 5 5 !5 p 5M 5 5 = = 5 5
= 55 55M 5 =
5
You’re chang-ing the sub
5
ta?�
?
3
=
5 =
-
5 5
she?
5 5 !5 5 = 4
3 I meant the
5 5 5 5 5 5
3 3 !5 5 5 5 5 5 5
3 What doesshe mean?
5 5 G 5M 5M
=
5
5 5 5 5 5 5 5 1 Alba G 4
3
= 5 5 5 =
4
3 I still don’t un der - stand,
101
5 = = 5 5
No.
= 3 5 5 5 5 2 5 G 5 5 G 4
?
Who is this wom - an she’s
5
5
5
5 5
5
=
5 5
=
5 =
4
5 G
79
103
Alba
1 4 G
= 5 5 5 5 5 5 5 5 3 3 and you still have - n’t told me
Albt.
R.
Poch. riten. q = 132
3
B
her
5 5 5 5 2 3
3
I tell her there’s
no
-
one else?
5 5 5 !5 5 4
?
3 Who was the wom - an?
Poch. riten. q = 132
5
5 5
G 5 = 5
-
5 B
!5 5
talk - ing a - bout?
G 5
Al
3
3 How do
= 5
name,
5 5 5 5 5 5
G ? i
4
5 = 5
5
5
5
=
5
5
4
?
4
= = 55 3
p sub.
' '
!' ''
105
1 B Alba G ber
Albt.
R.
G 4 i
B -
-
0
to
3
5 5 5 5
5
5
3 There was a
? 2
phone
call.
= 5 5 5 5 5 3 3 I’m be - gin - ning to
5 5 5 G G !'' '
5
= 5 5 5 5 5 5 5 Al
-
ba heard a wom - an’s
5 !5 5 5 ? see the prob - lem.
4 ? 5 5 = = 5 5 5 5 5 5 5 5 =5 5 5 3
' '
!' ''
' '
80 107
1 Alba G
0
?
4
=
5
'
Al
Albt.
R.
B G i voice
?
5 5 5 = = = 5 5 2
5
4
5 5 5 4
' '
to
Al
ยกAy,
-
ber
-
ยกAy,
'
'
-
ay ay!
ยกAy,
ay ay!
5 5
5 5
5 5 !555 555
-
5 :
ay ay!
5 :
5 5 =
ยกAy,
5 5
ay ay!
5 5 3
-
5 5 =
ยกAy,
5 5 =
4
5 5 5 5
-
5 5 =
3
''
3
''
5 :
=
mu - je - res!
3
5 :
mu - jer - es!
5 5 5 5 5 5 5 5 5 5 5 5 G G
5
mu - je - res!
'
5 5 5 5 5 4 G = i ยกAy, mu - jer - es! 5 5 5 5: = 2
-
5 5 5 5 5 55 5 5 5 5 = = 5 5 5 5 5 5 5 == 5 5
' '
5 =
110
1 B : Alba G
ยกAy,
ยกAy,
5
!' ''
-
5 5 55 5 = 4
Youโ re in troub - le!
5 = 55 5 5 5
ber
5 5 5 5 5 = 4
I know that.
5 55 G G !' ''
R.
5 5 5 =
?
I see the prob - lem.
Albt.
-
= 3
5555 5555 5555 5555 5555 5555 5555
5 5 5 5 3
5555 5555 5555
81 112
1 ' G to! 5 : Albt. G i ยกAy,
5 : R. 2
0
Alba
ยกAy,
5 : 5 5 =
5 5 =
ay ay!
5 : 55 =
ay ay!
ay ay!
ay ay!
ยกAy,
0
55 =
ยกAy,
0
5 5 B: 5 5 B: G
'
ff
3
3
3
3
3 3 3 3 G !555 555 555 555 555 555 555 555 555 555 555 555 5 5 5 5 5 5 5'5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 '
Poco allargando q = 120
114
1 = 5 5 5 1 5 5 5 5 Alba 2G
mp
!5 5: 5
(aside, growing more and more agitated)
4
3 Now theyโ re laugh - ing at me!
55 ::
55 55
(to Alberto, fed up)
1 Alba 2G 4
55 :: 55 55 55 :: 55 55
B
5 5
3 go - ing
5
3
'
5 5 5 5 5 5
'
'
(Alba starts to make a grand exit...)
3
5 5 B :
5
up
p
'
' ' 4
to the room.
= =3
4 1' 1'
5 5 B:
?
4 ==
f
Iโ m
G
5 4
!5
of them!
Both
G ?' 1 fp )))))))))))))))))))))))))))))))))))))))) = 4 ? G !'' ' 5 ?
5 117
f
5 5 5
3
3
5 5 5 '
5 5 5
5 3
5 15 3
5' 5 5 5 5 5
82 119
1 4 Alba 2G
5
5 5 5 5
Don’t
both - er
com - ing
B
with
me.
5
G 5 1 5 B: 3
1B
5 5 5 5
4 3
3
3
5 5 5 5 5 5 5'5 5 5 5 5 '
3
3
3
3
5 5 5 5 5 5 5'5 5 5 5 5 ' (...then she stops...)
121
1 4 Alba 2G
5
5
5
I
want
to
1B G
= 4 5
' rest
55 :: 55 55M = ?
5 5 5M 5 5M = 4
B
M 5 M 5 5 5 M 5 5 5 5 5 5 5 5 5'5 5 5 5 5 55 4 ' 3
124
3
3
?
55M = 4
3
?
(with exaggerated sweetness)
Grandioso q = 108
1 (...and suddenly turns 0back to confront Alberto.) Alba 2G
0
?
5 !5
5
4 5 5 B: '_ 5 5 5 5 5 !' ' _ =
ff sub. ? = 4 ! 55 !' 5 '_ !'
GGGGGGGGGGGGGGGGGG
“So - la -
G G
' ' p sub.
' ' '
83 (letting out a squeal of frustration.) 127
1 ' Alba G Albt. G 2 i
0
'
men
-
ff
te�
0
'
Aaaaah!!
0
(spoken)
0
0
“Solamente� means “only.� If you mean “alone,� then you need to say “sola.�
' ' G
' '
' G ' '
' ' '
E 5k 5
!5 !5 = 4 mf
k E55
!5 = 4
?
0
?
0
Allegro spiritoso q = 144
131 5 1 = 4 Alba 2G
(Alba grabs the key and her bag from RamĂłn,...)
0
?
`a 5 loco 55 5 5 = 3 3 3 G 555555555
ff 3 55 5555555555 5 = 3 3 3
134
5 5M G 5 = 5
137
5 5 5 5 5 5 = 5 = 5
= 55 5 = 5
3
0
3
3
5 5M 5 5 5 = 5 = 5 5
5 5 5 = 5
3
? 4 = 55 555555555555 5 55 55 55 5 5 5 5 5 5 = 5 = 5 = 5 = 55 5 55 5 5 5 5 5 5 5 M = 5 5 5 5 5 5 5 5 = 5 5 5 = 5
5 = 5 = 5 = 5 = 5 5 5 5
(... going out of her way to avoid Alberto, and stomps off into the hotel.)
5 5M 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G ' p
f
5 55 55 55 5 5 5 = = 5 = = 5 = = 5 = = 5 = = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5
84 141
(The two men watch her leave...)
G ?
4
=
5 5 5 5M 5 5 mp 5 5 5 55 55 55 55 5 M = = 5 M5 M5 5M 5 5 5 5 5M M 144
= = 5 5 5M M
= = 5 5 5M M
= = 5 5 5M M
(... and continue to stare for a moment, in disbelief.)
1 2
0
0
(spoken)
0
0
0
'
' '
' !'
' ' pp I !' ! 55 ! = = = = = = = = !!I55 = 4 ? = 4 ? 5 5 5 5 5 5 5 5 5M M 5M M 5M M 5M M Allegretto q = 120 150 1 (spoken) 0 Albt. G No, only as our wedding Thanks, RamĂłn. i R.
2
R.
G
'
approaches. I don’t know what to do. How can I get her to trust me? (spoken)
0
EE Allegretto q = 120
4
5
5
? 0
EE
0 =
=
'
For now I’ll call my Uncle’s nurse.
(Alberto walks a few steps away and dials his cell phone.)
1 E 2 E
' '
I wish I could help you, SeĂąor.
G ? 5 5 151
0
Is she always like this?
GGGGGGGGGGGGGGG
R.
5 5 = 5 5 5 5M 5 5 5 5 5
0
(spoken, aside)
0
5
EE G
0
EE
0
This is why I will have no wife, only this hotel.
EE 5 5 5 5 5 5 5 5 5 5 5 5 5 5 : 5 5 5 5 5 5 5 5 5 5 5 5 5 G mp
EE !5 G B 5 ! 55
B: B : 5 5 E5B 5 55 B 5
5 5 !5B 5 ! 55
B: 5 5 5
85 157
R.
1 E 2 E
0
0
0
!!
0
A man who tries to please a woman will only have trouble.
EE 55 55 5 5 G E GE
0
5
B
B : 55 B: 5
5=
5
55!B : 5 5 =5=
=5=
5
B : 55 5
55 5
B: 55 5 = 5=
= 55 =
!!
55 5
! =G !
5 =5=
(Lights up on Dionisia, phone to her ear, on the opposite side of the stage from Alberto talking, in pantomime, with him.)
Adagietto misterioso e = 168
162 (spoken, as if continuing their conversation)
0
0
0
0
I know someone who might help you, Alberto.
2G i
(spoken)
0
A woman...
0
0
0
Really? Who is it?
Adagietto misterioso e = 168
B:
pp
))))))))))))))))) B :
0
G
B:
B:
BB ::
BB :: ))))))))))))))))) B : B : B: B:
GGGGGGGGGGGGGGGGG
: G B
B:
A woman! Oh, no! That’s all I need...
GGGGGGGGGGGGGGGGG
Albt.
0
0
B:
B:
EBB ::
GGGGGGGGGGGGGGGGG
D.
1 G
B: B:
167
Not that kind of woman, Alberto...
B:
B:
0 ...a magic woman,
B:
0
0
... La Curandera.
B:
BB::
B:
We have many of them here in TepoztlĂĄn.
BB ::
)))))))))))))))))))))))) )))))))))))))))))))))))) B: B : B : B: B:
G
0
GGGGGGGGGGGGGGGGG
G
0
GGGGGGGGGGGGGGGG
D.
1 2G
B:
86 171
0
0
G
0
She has cures...
B:
! BB ::
GGGGGGGGGGGGGGGGGGG
D.
1 2G
0
... like a doctor...
5 5 5 5 5: 5 B:
... for all kinds of problems, even romantic problems.
5 5 5 5 5: 5
))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) B: B: B: B: B: B:
:: B G B
e=e
175
D.
1 G
0
0
0
If you could get your fiancĂŠe to visit her,...
R.
2
0
(spoken, listening to Alberto’s side of the conversation)
0
0
0
0
...she might forget her suspicions.
0
0
La Curandera?
5 5 5: 5 5 5 5: e = e 5 5 5: 5 5 5 5 5: 5 B: 5 5 G )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) B: B: B: B: B: B: B: B: B: B: G 180
1 Albt. 2G i
0 Don’t tell me she casts spells! Is she a witch?
G !5 5 E 5 G 5E5
E5 E5 5
5 5 5
E5 5 5
5 5 !5 !5 5 5 5 5 !5E5
555
55 !5 5 5
87
e=e
181
D.
1 G
0
0
0
0
Not the way the Americanos think. (she laughs) R.
2
(aside)
0
0
0
0
People still believe she has powers... crazy woman!
5 5 5 5 5 5 : 5 5 5 5 5 5: 5 5 5 5 5 5 : 5 5 5 5 5 5: e = e G ))))))))))))))))))))))))))))))))))))))))))) ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 5: B: B: E5: G EB: 5: B: B: B: 5: e=e
185
D.
1 2G
0 She uses a broom only to sweep her house.
E5E 5 5
G
5 5
5 5 5
E5 5 5
!5 5 E 5 G 5E5
555 !5 5 5 !5E5
186
D.
1 2G
55
0 If the seĂąorita believes in magic, La Curandera could put her at ease.
555 e=e
0
55 5
0 Take Alba to La Curandera. I’ll bring the General there...
5 5 5 5 5: 5 5 : 5 5 5 5 5 5 5 5 5 5 5 : 5 5 5 5 G ))))))))))))))))))))))))))))))))))))))))))))))) )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) B: 5: 5: E5: G EB: 5: B: 5: B: 5: 189
D.
1 2G
0 ... to meet her.
G G 5 E 5 E5 5 !5
AdiĂłs.
5 !5 5 5 5 5 E 5 E5 !5 5 5
5 !5 5 5 5 5 5 E5 !5 5 5 !5 E5
!5 5 5
88 190
1 Albt. 2G i
ritard. molto (colla voce)
(aside)
0
Alba would not go to see this Curandera,... especially if I suggest it.
`a 5 E5 5 ! 5 5 5
G
loco
5 !5
!5 E5 5 E 5 G 5E5 191
1 Albt. G i 2
(idea)
0
RamĂłn...
0
(objecting)
0
But SeĂąor...
B
G
' E ' G '
p
fp
5 = 4 E 55
I don’t know... I don’t like to get involved in the personal business of my guests...
= 4 5
B
?
p
poco
?
5k
5 = 4
?
G
Andantino q = 100
(RamĂłn thinks it over for a moment, ...)
(Alberto takes out his wallet and hands RamĂłn some bills.)
I55 5 5 5M 5 5 : 5 5 ! 5 G = : E5 5 5 5E55 5 5 : 55 55E 55 BB 5 5E5 M mp = ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) G ' ' ' ' ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
194
55
... tell her that a visit to La Curandera will make me faithful forever. She’ll go!
0
E' ' '
5 !5
5 5 !5E5 5 5 5 E 5
0
0
loco
(Alberto looks around for RamĂłn and sees that RamĂłn has been right behind him, listening.)
But RamĂłn could take her there!
GGGGGGGGGGGGGGGGGGGGGGGG
R.
`a 5 5 5 !5 5 5
55 :: 55 55M E 5 BB E5
!' ' '5 :
E5 !5 : 5
' '
5M = 5M = 5M 3 5 4G
89 198
2
Good! Make an appointment. Then Tell Alba you have an important message for her.
0
(... then relents.)
R.
0
0
1 Albt. G i
0
0
Well, since you are the grand-nephew of the great Godofredo de la Barca, I will try to help you.
5 G k E 55
=
4
?
=
4
?
pp
G 5
k E 55
poco rit. (... and reluctantly picks up (RamĂłn turns back to the hotel desk...) the telephone.)
(Before RamĂłn can respond, Alberto exits.)
G 4 : 5 5 5 : E5 5 5 5 5 5 !5 5 5 5 5E5 5 5 5 5 mf G ': ': ': ':
R.
(He grudgingly punches three digits...)
(muttering, to himself)
II I 1 5 5 I5 5 I5 35I 5: 2 203
4:
I on - ly see what I see
BB ::: B
5 = = 5 = = G
207
R.
1 5k 5 2
G
0
))) )))) 5 : 5 : 55 :: 5 : 55::!5 :
I I5 I5 5 I5 I5 35 I on - ly know what is
55 :: 5: 5 = = GE 55k 5 = = ?:
55k
5 55 55 :: E 5 = = = = 4: 5: mf = =E 55k 5 = = 55k 5 = = 4 : 5
5 = = 5k = = 4 : = = = = 5 E 5 5
5 5 5 5 5 5 I 5 I5 I5 3E5 = k E!55
and if there’s an - y - thing more
k E 55
5:
5 k
k E 55 5 5 5 E 55 55 BB :: : = = = = = = 4 B:
(... then two more...)
= 4:
5: B :
k ! 55
known,
G
'
'
e = 168 200
!BBB :::
to learn,
BB :: B:
= = = = = = 5 5 5
= = 5
90
210
5
G
5 E5 E 5 5
5 G 5 E5 E5 211
R.
1 2
(... then two more...)
0
1 2
0
0
5 E5
5 !5 5 5
(... and then the last one.)
0
I’ll wait un - til I am shown.
5 k
!5 E 55 !! 5 5 = = ?: = = G mf
k ! 55 5 G = = ! !5k 5 E5 = = ?:
(He listens while the phone 216 rings three times...)
5 !5
5 5 5 5 5 5 B:
5k5
R.
5 !5 5 5
5 E5 E 5 5
5 G 5 E5 E5
5 !5 5 5 E5
5 !5 5 E5 5:
5 !5 E5 E 5
5:
G
212
55 ! 5 5 5 5:
5 E5 5 5 !5 E5
0
0
k ! 55
5 = = 4:
f
0
0
k ! 55
5 : = = 4
(speaking, after a pause, (... followed by a click.) with professional politeness)
0
0
0
(blackout)
0
0
Hola...
5
5
5 G 4: = = 4: = = 4: = =
f
5 = = : : : E 5 E 5 E 4 = 4 = 4 = = G
0 0
0
0
0
0
5 555 = = 4: ff
= = 4: 5 555
attacca
91
VI. Scene Five (Finale) (Scene change to La Curandera’s brightly colored house, with both the exterior and living room portion of the interior clearly visible.)
Allegro agitato q = 144
G '' ''
5
B: '
' '' '
5
6
' '
B: '
5 5 5 5 5
'' ''
6
5
B: '
5
5 5 5 5 5
'' ''
B: '
5
E' '' 5 5 !5 5 E' G =! 555 5555 55 5555555 !555 555 E'' '' E'' 5
6
' E5!5 5 5 5 E B : 5 E' ' E' E'
12
E' '' G E''
E' '' E''
E' '' E''
!5 5 5E5 5 5 E B : E' 6
E' E'
EB: E'
555 5 55 55 5 55E5 55 G = 5 5 5 5 E5
16
55 E 55 55 E55
!555 5 ff
' '
6
8
' '' '
(Inside are a table, a chair, a flask, an image of La Virgen de Guadalupe, candles, incense, hanging peppers and garlic, flowers, brancehs of herbs, bottles of oils, a jar of tea leaves, sheets of parchment, a pen, a cloth bag, eggs, and other props associated with Mexican magic.)
G '' ''
5 5 5 5 5
6
f
5 5 5 5 5
' '' '
E' E'
B: '
5 55 5
5 55 5
5 55 5
5 55 5
5 5 5 5 5 6
B : '
5
E' '' E''
!5 5E5 5 5 6
EB: E'
5
E' '' E''
!5 5 5E5 5 5 E B : E'
!5 5 5E5 5 5
6
5 E 5 E 5 E 5 5 55 55 55 5 E5 E5 E55 6
5!5 5 5 5 5 ' '
55 55
55 55
6
55 55
55 55
55 55
55 55
55 55
92
!5555 G
19
5 555
5 555
5 555
5 555
5 E 5 E 5 555 55 55 E5 E5
E 555 E5
5 5!5 5 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 555
5 55 5
5 555
5 555
5 555
5 555
5 E 5 E 5 555 55 55 E5 E5
6
B: ' 22
5 5 555 555 G
5
5 555
5 555
5 555
5 E 5 E 5 555 55 55 E5 E5
5 5!5 5 5
' '
5 5 555 555
B: '
5 555
5 555
5 555
5 E 5 E 5 555 55 55 E5 E5
6
B: '
5
5 5!5 5 5 6
5 E 555 E5
5 5!5 5 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
5 55 5
6
B: '
5
' '
G
Misterioso giocoso
55M 5 G 5
55M 55
555M 55 555M 555M 555M 55 5 55 5 5 5 55
(La Curandera is inside, in her lace mantilla, talking on the telephone in pantomime.)
25
M 555 5
' ' ' '
55M 55
M 55M 555 55M 55M 55M E55M 55 5 55 55 55E 55
555 5
55 55
BB :: BB ::
p sub.
G 5E5M 5M 5 5M 5M 5E5M 5M 5 5M 5M 5E5M 5M 5 5M 5M 5 5 5M M 5M M 5M M 5M M 5M M 5M M 5M 5M E5M M 5M 5M 5M M 29 55M 55M 55M 5 55M 55M 55M 5 ' M 5M 5M 55M 5M 5M 5M E 5M 5 5 B : ' 5 5 5 5 5 5 5 5 5 ' 55 55 55 55 555 555 55 55 555 55 BB ::: G 5 5 5 55 5 5 5 55 ' 555 5E 5 5B M M M G 5E5M 5M 5 5M 5M 5E5M 5M 5 5M 5M 5E5M 5M 5 5M 5M 5 5 5M M 5M M 5M M 5M M 5M M 5M M 5M 5M E5M M 5 5 5 Poco riten. q = 132 (She laughs and gestures vigorously as she talks, ...) 33
G ? ? G E '
E 55 55 E55 55 55 =
= 5 5 5' 5 55 55 55
55 = ?
5 = ? 5
E5555 =
' ' ' G '
0 5
5
5M
5M
5 555
5 555
5 555
55 55
55 55
5 5 E5M 5M 5 5 5M 5M
36
G 5 5 !5M 5M
5 555
'
(... then hangs up.)
0
fp
'
93
Moderato misterioso q = 100 39
La Curandera: (gleefully) 3
1 C. 2G 5
p
!B = 5 = 5 5 5 5 5 5: !5 5 5 5 5 5
So!
My lit - tle se-Ăąor Du - das
0
G G = 4 5
?
is
bring - ing me some
0
0
G !'
' '
4
-
ness!
3
3
5 5 5 5 5: 5
0
p
0
'
'' mf
= !5 5 5 5 5 5 5 5 5 B : 3 3
3 La chi - ca_a -mer - i - ca - na
5k! 5
busi
p
43
1 5 5 C. 2G 4 = !5 5 5 5 5 B:
B
3 I must take care not to fright - en it...
5 5E5k5 B
!'
' '
!'
' '
''
'
''
'
mp
G ! ''
'
'
''
47
1 = C. 2G
5
5 3
be
G
5
-
fore
!5 5 5 G 5E5
5
learns
555 5
E5 5 5 p
it
5
5
3
5
5
what
it
555 5
E5 5 5 5
55 !5 5 !5E5 5 5
55 5
48
1 C. 2 G 5
5 5
5
to
be
means
G
555 5
E5 5 5
!5 5 5 G 5E5
5
5 !B a
wife.
555 5
E5 5 5 555 !5 5 5 !5E5
5
5 5 5
94
49
(She raises her hands in the air, palms up.)
1 ? C. 2G
4
=
3
3
B ! 5 5 5 5 5 5 Hear my prayer,
5 E5 5 5 !B :
To - nan - tzin,
5 5 5 B: G 3
Moth - er of the Gods.
0 '
'
? '
'
4 '
'
G
)))) 3 3 4 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B 5 5
52
1 ? C. 2G
6
G !5
5 5 5 3
5 5
Come to
3 from a - bove.
6
me with your gift
5!B :
5 5 5 4 3
?
0
G
'
'
'
'
'
(She holds her pose, as if in a trance.)
55
1 ' C. G 2
0
55' G 55 mp
G 57
55 55
55 55
55 55
55 55
6
6
55 55
55 55
55 55
' ' ' '
6
6
6
6
6
6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
55 G 55 G
'
55 55 6
55 55
555 5 6
55 55
55 55 6
55 55
555 5 6
55 55
55 55 6
BB ::: BB : 6
6
6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
95
p
59
1 C. 2G
0
5
4
5 :
Re
5 555
55 55
G
55 55
55 55
55 55
55 55
55 55
55 55
-
5
store
a
' ' ' '
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 6
6
6
6
6
6
6
6
61
1 C. 2G B
5 :
once
G
hap
5555
555 5
555 5
555 5
-
55 55
55 55
5
'
py
heart
55 55
555 ! 555 5! 5
555 5
BBB ::: B:
5 55 55 55 55 5 55 55 55 55 55 5 55 55 55 55 55 5 55 55 55 55 55 5 5 5 5 5 5 G 6 63
6
6
6
to this
6
' fp 5 = 4 5 5
6
poor
lit - tle
?
'
K Aptempo q = 100 6 6 ))) 1 C. 2 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ' '
66
with
G
%
f
' %
0
0
love.
K
)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
' '
sick
p
0
0
one,
0
'
G
'
6
6
)))) 4 5 5 5 5 ! 5 : 5 5 5 5: 5 ! 5 5 5 5 5 5 5 5 5 5 5 5
a piacere
1 4 C. 2G
6
6
'
'
p
mp
mf
' '
' '
' '
' f
' '
96
L’istesso tempo, molto maestoso 71
3 G 5 555555 55 555 = 4
55 ff B: 5
5 B :
74
1 ? C. 2G
4
3
:: 55 55 55 55 = 5!5 555 G 5 5 5 5 55 6 :: !5 B: !5 B : f
5
5 5
5 5
5
3
!5 55 = 555555 55 555 = 5 5G
6
!5 !5
B:
B :
5 5 B
4
1. To - nan- tzin, bless my and my sight. herbs 2. To - nan - tzin, times have changed, now’s the test. 3
= 5 5 5 5 = 4 G 5 5 5 5 5 55
5 55 = 4
mf 5=4
5
4 B:
B : 77 1 5 5 5 5 C. 5 5 B 2G
wings and will fly with - out care. rules, some are old, some are new.
55 = 4
5 mf
5 5 = 4 G
55 = 4
5
5 5 = 4
1 B C. 2G
Love has Love has
55 = 4
5 5 = 4
5
5 55 555 = 55 55 =4 5 f
5 5 5 5 = 5 555= 4
4
5
3
5 5
5 5 5
She must learn not to hold And it all will work out 3
5 55 = 4
mf 5= 4
5
= 55 55 55 555 = 4 5 5 f 5 5 5 5 = 4 = 5 5 5 5
p sub.
80
4 5 5 5 5 5
3
f
3
= 5 5 5 G 555 f
= 5 5 5 5
5 5
5 5
5 55 = 4
5 5 = 4
55 = 4
5 mf 5 = 4
5
mp
5 5 If their With this
3
= 55 55 5 = 5
5
on too for the
55 = 4
5 5= 4
5 4
5 5 5 B
555 = 4
5 = 4
5
5 5
(more animated)
3 3 E - ven fire can - not burn with - out air. if the lov - ers have hearts that are true.
tight. best,
5 5
5 55
5 55 = 4
5 5 5 = 4
5 5 5
97 83
C.
1 5 5 5 5 5 5 5 2G
5 5 5 5 5 5
=
love is a love that is strong, flow er to hold to her heart,
G 555 5
55 5 5
5 5 M 85
5 5M
5 5M
5 5M
55
55 5 5 5M
mf
1 5 5 5 5 5 C. 5 5 2G
mp
555
5
5 5 M
55 4 5 5 = 5M
55 = 5M 5 = 5M
K 55 = 4 5M = 4 5 5M
555 = M 5 = 5M
Allegro spiritoso q =132 (coyly, enjoying herself...)
87
(... then with playful abandon)
1 : 5: E5 : : E5 5 : 5 5 : 5 5M !5M 5 5 5 = = = C. 2G If... If...
you... you...
G B
BB !EBB
0
90
1 C. 2G 5
5
de - ra, de - ra,
G 55
are... are...
sick, you come and see La Cu -ran - de sad, you come and see La Cu -ran - de -
5 ra, ra,
= 5M 5M 5 M La Cu -ran La Cu -ran -
= 55 55 mf 5 5 5 5 5 5 5 55 55 55 5 5 5 55 55 55 5 5 5
55 ::!E55 55 :: 55 55 :: 55
M = 5 M 5 5M 5
5
La Cu -ran - de - ra. La Cu -ran - de - ra.
= 55 55 55 55 55 5 5 5 5 55
K 4
3 3 if the lov - ers are lov - ers to stay. and my mag - ic will calm ev - ery care.
5 5M
5 5M
= :: !5$ 5 5 5 ! 5 5 5M f 5= 4 5
= 5 5 5 5 5 5 5 5 5
55 5 5
5 5 And we’ll our two
3
all know be - fore ver - y long, lov - ers will not stay a - part,
G
=
you will tell me the right words to say. and some tea and some spice in the air,
55 5 55 5
5 5M
5 5 5
55M !55M 55
55
55 55
5
f
5 E 5 5p:sub.
E5 5 : 5 5 : 5 5 ! 5 = 5 You’ll feel much bet - ter when you see La Cur -ran You will be hap - py that you met La Cu - ran -
55 = 5
5 E 5 55 :: E 5 55 :: 5 55 :: 5 55M ! 5M 5 ! 5 5 :! 5 5 : 5 5 : 5 5 5 5 E5 E5 5 5 !5
55 55 55 p 5 5 55 5 55 5 f 5 5 5 5 55 55 5 5 5 5 5 5 5 5 5 5 5M 5 5 5
98 93
f
1 5 C. 2G de de
55 G 5
-
5
= 5
5 5
5
ra. ra.
A A
lit - tle lit - tle
mag mag
55 55 = 5 5 55 55 55 5 5 5 5 5 5 5 95
55 5
-
55 5
ic... ic...
4
well.
5 G 55
la,
la, la,
98
3 trĂĄ - gi - co!
G 55
= 55 5 ÂĄEs
5 55
3 mĂĄ - gi - co!
5
la, la, La Cu -ran - de
= 5 55!E55 55 :: !E55 55 :: 55 55 55 5 5 5 5 5 5 5 = 4 5 55 5 5 4
1 5 5 5 C. 2G
will is
make you all it
55 5
= 5 5 E5 5 : E5 5 : 5 5 5 5 !5 La, la, la,
5 5
55 = 5 55 5 5 5 5 5 5 5 5 5 5 55 5
PiĂš mosso q = 144
1 C. 2G 5
= 5
5
5 -
55 55 5 5 5
5 5
= 5 5 5
ra.
ÂĄNo
55 :: 55 55M !55M 55 55 = 5 5 5 5 55 55 5 5 5 55 55
es -
55 55 55 5 5
55 55
5
p
= 5 5 E5 5 : E5 5 : 5 5 55 55 !55 =
f
2x:
La, la,
55 =5
la, la,
la, la,
la, la, La Cu - ran -
55 !E 55 55 :: !E 55 55 :: 55 55 55 5 E5 5 : E 5 5 : 5 5 5
55M ! 55M 5 !5
= 55 55 55 55 55 f p 5 5 5 5 5 5 5 5 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5M 5 5 5 f
2x poco rit. 101 2x ossia: 5 5 5 1 55 5 5 = 5 5 = 5 5 5 C. G 5 2
de ra. A lit - tle mag ic is all it 55 5 5 5 5 5 5 55 5 5 555 5 5 5 55 5 5 5 = 5 5 5 = 5 5 5 G 5 mf 55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55
99
1.
C.
2.
Subito maestoso q = 100
103
1 B 2G
K
:: '
?
takes!
takes!
2.
1. 3
5 5 5 5 G 5 5 5 5 5 5 5 = 4
55 f 5 B:
5 B :
5
5 :: 55 55 55 55 5 5 5 5 fp 3 f 55 55 5 5 5 :: 5 5
5
Poco meno mosso q = 132
5 55 =
K
ff
= 5
5
(La Curandera carefully arranges her props, lighting candles, spraying aerosol, etc.)
55 5
104
55 5 = 5 55 !E 55
55 :: !E 55 55 ::
55 55 :: 55 55M ! 55M
mf
mp
5
5 = 4 5
5
)))))))))))) 5 !5 5 =
M M 5 M 55M 5M M 5 5 5 5 5 5 5 5 5 5 5 5 5 5= = 5 = = 5 5M 5 5 5 = 4 5M 5 5 5 = 4 5M 5 5 5M 5 5 M M 109 55 ::!E 55 55 :: 55 55 :: 55 55 ! 55 55 55M 55 55M 5M = = 5 )))))))) ))))))) 5 !5 5 = 5 5 = 5M 5 5 5 5 5 = 4 M 5M 106
55
5
)))))))))))) 5 =
55 55 !E 55 55M = =
5M 5 5 5 5 5 = M 5M 55 55M = = 5 5 5M 5 5 5 5 5 = 5M M
4
5 5 5 5 4
L’istesso tempo (q = 132) 112
1 Alba 2G
(Then she listens at the door as Alba and RamĂłn approach outside.)
0
(spoken)
0
' M 55 5 5 5 5 5 5 5 5 = 4 4 G= = p
3
' 5 = 5= 5= 5 =
0
0
Take me back to the hotel... please! What are we doing here?
'
? '
3
4 = = 55
' ' ' = = = = = = = = 5 5 5 5 5 5 5 5 5 = 5 = 5 = 5 =
100 116
R.
1 (spoken) 0 2
0
0
0
But seĂąorita Alba! I have promised La Curandera you would come to visit. 3
5 5M 5 5 5 5 5 G
? !'
'
4 ==
M 55 5 55555 5
pp
' 5 = 5 = 5 = 5 = 5' = 5 = 5 = 5 = 5' = 5 = 5 = 5 =
' 5 = 5 = 5 = 5 =
120
1 Alba G
0
0
0 But I don’t believe in magic. And I don’t even speak the language.
R.
2
0
0
0
Everyone who visits TepoztlĂĄn must see “La Curandera,...â€? and she wants to meet you, too.
G
'
!'
' 5 = 5 = 5 = 5 =
'
' 5 = 5 = 5 = 5 =
' ?
5 = 4 M
123
1 Alba G
0
0
0
0
0
0
How can I talk to a magic woman in a foreign country?
0
0
0
Ah, but La Curandera doesn’t need words! She always knows what is in the heart.
G
' ' ?
5 = 4
' '
' ' 5 = 4
?
GGGGGGGGGGGGGGGGGGGG
R.
2
0
G
' ! ' '
' ' '
!' ' '
' ' '
colla voce
(pause)
101 128
Alba
Adagio misterioso q. = 63
1 G
0
0
0
0
0
And are you rich? R.
2
0
0
0
0
It is easy to doubt her power. I have asked her to make me very rich...
Adagio misterioso q. = 63
G
0
0
0
=
I5 I5 I5 I5 I5 B : 5 5 5 5 5 B:
0
p sostenuto
G 5 5 5 !5 5 5 5 5 5!5 5 5 5 5 5 !5 5 5 5 5 5 !5 5 5 5 5 5 !5 5 5 133
1 Alba G
0
0
0
0
Well then... R.
2
0
0
(with conviction)
0
0
But I believe I could be.
No, I am not.
I5 I5 I5 I5 ! I5 I5 I5 = 5 5 5 5 5 5 5 G G 5 5 5 !5 5 5
55 ::
0
=
`I5a I I5 I I 5 5 5 5 5 5 55
5 5 5 !5 5 5 5 5 5 !5 5 5 5 5 5 !5 5 5
137
1 Alba G
0
0
0
0
0
0
0
0
0
So? What of the magic?
R.
2
0
She is a good woman,... at least talk to her.
` BB :: G
0
I5 I5 I5 I I5 I5 5 : I 5 5 5 5 5 !55 5 5 5 : =
Come, put aside your doubts, and ring the bells.
0
G 5 5 5!5 5 5 5 5 5!5 5 5 5 5 5 !5 5 5 5 5 5!5 5 5 5 5 5!5 5 5
102
(Alba works up the courage and timidly raises her hand...) 142
G
loco
0
!B :
!B :
!B :
!B :
B:
B:
B:
q. = q.
B:
E
molto )))))))))))))))))))))))))))))))))) )))))))))))))))))))))))))))))))))))))) E B: B: B: G 5 5 5 !5 5 5 !B :
(... but before she can touch the bells, they suddenly begin ringing, as if by themselves. La Curandera opens the door and Alba jumps back.)
E !E' ' ::: '' G
147
ff
E
148
G
pp
E 55E55 G
149
1 E 4: C. 2G
`a 5 55 E5
5 5E 5 5
E
B: B:
: G E5 5:
5:
5 : * blur
loco
5 55 E5
`a
loco
`a
5 5 5E 5
55
555
(sweetly)
55
5555
= = 5 5 5 5 5 5 5 = 4 :
G E': ': E pp G
': 0
loco
5 55 5 loco
5
55
55
5 : 5 : 5 5 = 5 5 5:
Come in, Se - Ăąo - ri - ta,
E
`a 5 55 5
5555
I have been ex -pect
B : E': E BB :: ': 0
': 0
-
ing
103 (to Ramón, frightened, sotto voce)
152
1 E Alba G E
C.
4:
0
<> ! 5 5 5 = = 5 = = = = Stay right here,
5 = = 4:
2G B:
please!
0
you.
E
G EB : B: E ?: G
B:
=
`k a k 5 5 5k 5 5 5 5k 5 5k 5
5k
':
5k
k 5
':
=
5 5k 5 5k5 5k 5 5k 5
(Ramón and La Curandera exchange nods, and Ramón remains outside, pacing nervously, as La Curandera leads Alba slowly into the house.) 154
1 E ?: C. 2G
= 5 5 5 5 B: Gra - cias,
G
E
159
C.
0
0
)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) B: 5: B: 5: B: 5: B: 5: pp fp f B : 5 : B: 5: B : 5 : ! B : 5: B : 5 : B : 5 : B : 5 : !B : 5 :
0
Subito più mosso q = 84
1 E 2G
0
Ra - món.
0
E
4:
(Inside, Alba looks around incredulously at La Curandera’s props.)
0
0
0
?
(waving her to a chair) 3 3
=5 5 5
5 5
Sit here, chi - ca...
E ? G
pp
5 4 3 5 5 E'
E !'' E'' 5 5 5 5 5 5 5 5
?
5 4 3 5 5 E'
!'' E'' !'' E'' 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
!'' E'' 5 5 5 5 5 5
5 5
G
104
163
Alba
1 E 4 2G
(Alba sits)
=
5 !5 3 I
donâ&#x20AC;&#x2122;t
3
5
5
think you
5
can
5
help
K !
5 5 me.
' '
B E B G GGGGGGGGGGGGGGGGGGGGGG
!5
3
K
!
pp
)))))))))))))))))))))))))))) )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) E B ! gliss. B' G EBB
165
1 C. 2G
f (sharply)
Subito Agitato q = 132
0
=
If
4 f
3
5 5
5EB mf
p
E555 555 5 5 5 5E5 5 5 5
5 5 167
1 C. 2G EB
=
mind,
4
you have made
4
3
f
p
5
I can - not
5 5 5 E 5 5 5
5 ?
5
5 5
E5
E5
up
your
5EB mf
E5555 5555 5 5 5 5E5 5 5 5
3 5 5 5 5 then
3 5 5 5E 5 5 5 5 G E5 5 5 5
E 5 5 5 5
3
5 5 5
5
4 f
G
5 E5
E 5 5 5 5
5 =
=
Go a -
help you.
3 5 5 5
55
EB
E 555 5 555 5 5 5 5 5 5 5 5 5
mf
E 5 5 5 5
105
f (standing to leave)
169
3 1 = Alba G 5 5
3
3
5 5 5 EB
4
5
I donâ&#x20AC;&#x2122;t know why I came
=
here!
5 5 5 5 5 5 E5 3 3
Ra - mĂłn said you were a
(she turns away) C.
= 2G E5
4
4
=
way!
5 5 E5 : Go
a - way!
5 5 5 E 5 5 5 3 5 5 5 5 5 5 5 E 5
3 5 5 5 EB
G 4 p
= ?
5 5 G E 5 5 5 5 5 5 5 5 5 5 5 5E=5 = 5 5 !5 5 5 E5 E5 5 55 55
3 p
171
1 EB Alba 2G
mf
'
B
wo
good
E5 E5 5 5 E 5 G 4 = E5 5 3
G !!EBBB B
E'' '
mf
B
5 3 -
-
5 5
5
'
man.
'
0
3
'
' ' E' '' E 5 5 E 5 5 E' ''5E5 5 B 4 = 3
3
175
1 C. 2G
(reassuringly)
0
(La Curandera puts her hand on Albaâ&#x20AC;&#x2122;s shoulder and Alba returns to the chair.)
5: = ?
0
0
?
4
Sit...
0
G
0
pp
'
'
'
5 EB I
0 '
' ' '
' ' '
'
poco rit.
see
? '
5 5
EEE
you have
4
E5 5
EEE EEE
106 181 Adagio espressivo e = 144 1 EEE 0 Alba G EEE = C. 2G 5 5 5 5 5 5
trou
-
ble
with a lov
= = E5 5 5 5 4 :
0
-
How did you know?
=
5 5 er?
Adagio espressivo e = 144
BBB ::: E ! BB :: 4:
: 55= 5555= 5 5 55555555= = 4 B: 5 5 E 5 5 EE 5 5 5 5 5 5 5 5 =
5: This
EEE G EEE
5 5 5
= 5
5 5 5 5 5
186
1 = = E5 5 I5 Alba G You can do
C.
2G
5
= 5
0
EEE G
184 1 EEE : C. 2G 4
5:
5 5:
I
can help.
= = 55 !5E5 5 !!! !!!
5 5 5 5 5 5 5 5 5 5 5 5
E5 4 :
5
5
5
5 5
5
G
!!!
PiĂš mosso q = q. = 72
0
that? (La Curandera studies her young subject.)
?:
0
= 5: !5 : 5 First some tea.
PiĂš mosso q = q. = 72
5 5 = E5 5 5 5 5E5 5 5 = E 5 5 = = G G B:
E5 5 E5
`a 5 E5 5 5: E5 B:
': E' :
'' ::
107 188
1 Alba G 4:
5: = 5 = E5 5 : 5 Well,
0
that would be nice. (La Curandera scoops up some tea leaves, but instead of brewing them, she tosses them over Albaâ&#x20AC;&#x2122;s head.)
C.
2G
= E5 5 5 5 5
?:
0
It will pur - i - fy
`
5 E5 !5 5: E5 5 5 = G
190
1 5 C. 2G
the
G =
E5
4:
air.
!5
5:
E5
!5k5
G f
5
5
5 5 5 E5 5
5 G
55 5 5 E5
5
5
5
=
5555 5
5555 = 5
=
5
55 5 5 E5
5 5
5
5
5
5
55555 5 5 E5 5
G
k 55
5
5 5 5 E5 5 5 5 5 5
191
5
'' ::
G E'' ::
'' ::
E'' ::
5 EB :
5
5
5 E5 5 5: E5 B: =
5:
'' ::
': G E' :
loco
G
5 5 5E5 5
5
5
5
5
e=e
5555 5
=
5555 = 5 5
108
Moderato e = 216 (q = 108)
192
(Taking a branch of Rosemary, she waves it, slowly at first, then more and more vigorously over Albaâ&#x20AC;&#x2122;s shoulders.)
f
1 C. 2G 4
))))) 5 E 5 5 5 5 5 5 5 5 5 5 5 5 : 5 5
(with intensity)
5 5 5:
6
ÂĄA
G
k 55
6
yĂ!
5 = 5
fp
'
'
'
1 5 5 5 5 5 5 5 5 5 5 ))) 5 5 5 E5 5 C. 2G 6
a tempo
k 5 5
6
0
G
5 5 =
'
'
!B
'
'
3 = 5 5 5 5 EB
?
yĂ!
5k5
?
!B % fp
'
195
ÂĄA
k 5 5 !B
0
0
a tempo
! 5 4 E5 : !5
Give me your hand.
!'
0
!' fp
gli
'
'
ss.
'
'
G
Allegro q = 132 (Alba extends her palm, as if for a reading. La Curandera brushes it with the rosemary.)
5M 55M E55M E 55 :: =
198
G G
200
1 Alba 2G
fp
mf
55 55M
55 55 ::
6
6
6
M !! 55 6
!5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 5 5 5 5
p
(Surprised, Alba pulls her hand away.)
(spoken)
0
0 Ooh! That tickles!
E 5k
G
B
EE 55 55 ::
5 5
5k
6
55 55M 55M 5M 5
5 5 5 E5 6
6
6
G !5E5E5 55 555 5 5 5 5 55 5 5 55 5 55 5 5 5
5k
E 55
M M 55 55 E 55 55M
55 5 5
5k
5 55 5 5 5 5 5 5 5 5 5 55 55 5 5 5 E 5 5 5 5 5 6
6
6
6
109
202
1 C. 2G ?
4
5 Now,
E 5k
G
55
5k
55
6
E5 E5 ! 5 G ?
E55
? 6
6
6
5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 55 5 5 55 5 5 E5 = E 5 M M M
203
1 C. 2G 5
4
5
5 con
G
5
5 E5
5 5
5
5 5
5 5
-
5
5 5
6
6
E55 555 ::
-
trate
5 5
55
6
55
5
5 5
1 2G 5
=
(Alba closes her eyes and, outside, Alberto rushes in.)
'
5 5 E5 5 on
your young
man.
55 55 555 55 ? E 5 5 5 5 5 5 5 5 5 5 5 6
6
G 55 : 5:
E 55 555 ::
6
6
5 55 55 = 4 E5 4 4 3
5 4
=
204
G
cen
5 5
p sost.
G !555 ::
C.
!5
6
0
M 5 5 E5 5 5 !5 5 5 5 4 == 3
3
3
E5 5 5 5 55 ' '
!' ' = = = = 5 5 5 5
110 207
(to RamĂłn)
1 4 Albt. G i R. 2
= 5 E5 5 = E5 5 5: !5 B 3 Is it work - ing?
Where is she?
0
0
0
? ' ' '
' ' 5 = 5 = 5 = 5 =
3 start - ed
212
1 C. 2G
5
' 5 = 5 = 5 =
5
3
'
=
5: I 5 5 = = 5 5
4
3
se - Ăąor,
'
5
3 we must not dis - turb
them.
' =
' 5
5 = 5 = 5 =
Allegretto q = 120
55 55 G
M 5 5 E5 5 5 !5 5 5
poco rit.
1 5 5 5 B 2
' 5
?
4 ==
210
G
5 5 =5 5 5
(listening at the door)
3 3 They are just get - ting
G
R.
0
6
E 555 E5
55 55
5
=
55 55
6
555 5 6
55 55
E' ' E' '
55 55
E5
3 3 I must sum - mon the spir
6
6
G
5 = 5 =
= E5 5 5 5 5 5:
0 55 55
=
6
-
its:
6
6
G 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 214
1 C. 2G B
(She lights candles as she calls the spirits.)
G ?
f
4 6
6
3
3
= E5 E5 5 5 5 5 5 5
Es - pĂ - ri - tu de los sie E5 '555 555 555 E 555 555 = 5 5 5 E 5 5
4
fp 6
6
p
6
6
5 - te
55 55
6
5 cie -
5 los,
555 E555 5E5 6
G 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
111 216
1 C. 2G B
3 3 = E5 E5 5 5 5 5 5 5 5 5 5 E5
4
Es
55 G 55
555 5
555 ::: 5:
555 5
-
E5
3 de la lla - ma sa - gra - da,
pĂ - ri - tu
'
fp 6
6
6
6
6
6
6
6
G 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 218
1 C. 2G ?
4
Es
G
55 55
55 55
E 55 E55
55 55
55 55
3
= E5
55 55
55 55
3
3
3 5 5 5 5
-
rio
E5 5 5 5 5 5 5 -
pĂ - ri - tu
del mis - te
y
la_os
' E 5555 E '' ' E ' 5 fp
6
6
6
6
6
6
6
6
G 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 220
3 1 C. 2G 5 E5 5 5
3 3 = E5 E5 5 5 5 5 5 5 5 5 5
4
cu - ri - dad,
Es
G ?
-
pĂ - ri - tu
'555 5
E5 =
4
fp 6
6
6
p
6
555 5
3 de bel - lez - a_y de - se
555 E 555 555 5 E 5 5
6
6
55 55 6
3
5
-
o,
555 E555 5E5 6
G 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 222
1 C. 2G B 55 5 G 5
3 = E5 E5 5 5 5
4
Es
555 5 6
555 ::: 5:
555 5 6
E5
-
pĂ - ri - tu
6
5k
5 EB
de_a - mor,
'
fp 6
3
6
6
6
6
G 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
112
mf (aside)
224
1 Alba G
0
0 = E5 5 5 5 : Dios
5
What is she do
f (aside)
G '
C.
E5 5 5 5
= !5
los cre
-
B
-
ing?
= 5 5 5 3
a,
pe
- 3 ro
mf (aside)
Albt.
R.
2
0
G i
0
0
f (aside)
5 = E5 5
?
Dios
fp
p
Alba
1 4 G
5 5
G 5 i do
Albt.
R.
2
se jun
4
5 -
ing?
= = 5 5 3
G
5: 5:
G E' '
pe
3 -
B -
5 5
55 5 5 E5
3 3 ro e - llos se
5 5 5 5I 5 5
5 5 5 5 5 5 5 5 ' G
0
?
E
0
3
tan.
p
mf
B:
5
EB
jun
E' '
3 4 4 5 5 5: 5 E
(to Alba)
0
B -
I see youâ&#x20AC;&#x2122;re in
E
0
0
0
0
E
4
= 55 E
'
E
her?
tan.
5 E5 5 5 5 5 B : 5 E5 5 5 5 5 B : ? 4 4 '
a,
E' '
5 ?
Can she help
5 5
-
me?
3
e - llos
cre
poco rit.
5
EB G 5 5 5 E5
C.
What is she
5 B
mf
B
Can she help 3
5:
mf
'
E' G 4 B 5 E' ' )))))))))))))))))))))))))))) 227
los
5 5 E5 5 5 5 5 E5 5 5
4 B 5 5: G E' 5: )))))))))))))))))))))))))
= 5 E5 5
?
'
3
3
poco rit.
? E 5 5 5 ' E5 5 5 5 mp ' 3 E' E' '
'
231
1 E? Alba G C.
113
Andante espressivo q = 104
= = 5
4
3
E G ' 2
Oh,
B
5
=
4
=
5
5 5
You
are in
yes
?
love.
Andante espressivo q = 104
E5 G = p
E 5
4 5 M M 5E 5 5 5 5
marcato la melodia
5 4 M 5M
= 5 5 5=
0
?
G
5 E5 5 5M 5M 5
4 5 M M 5E 5 5 5 5
5
G
5 E5 5 5M 5M 5
233
Alba
C.
1 E G 2G
EB love,
E 5: G =
5
E 5 235
1 E Alba G B Etrue. C. G E Albt. G 4 i E ? R. 2 E5 G = E
5
5
5 5
5
yet
you
are not
hap
5
5 5
5 =
5 5 5 5
M 5 E 5 5 5 5M
=
5
5 5 thatâ&#x20AC;&#x2122;s
4
py
!5 5 E 5 5 ?
E5 5 5M 5M 5 E 5 5 5 M 5 5 G 5 G 5 E5 5 5 5 M M M 5 5 ?
0
0
?
5 5 5 5
5
3 What are they say - ing?
5 E 55 M M 5E5 5 5
5 Yes,
B -
= 55
5 4 M 5M
4
4
4
0
3
5
5
If
the
(back at the door)
= 5 5 5
4
?
3 I donâ&#x20AC;&#x2122;t know.
5 M 5M
= 5 5 5= !55 4 E5 M 5 5M E 5 5 G 5E5 5 5 5 5 M M 5 4
5 M 5M G
4
= 5 5
5 5E5 5M 5M 5
114 237
1 E5 C. G
3 of
love
G i
Albt.
R.
2
5
5
5
5
5
this
man
3 makes
you
suf
5
E
0
-
fer,
=
? =
0
5
5 5 5
You
E 5 !5 4 G = 5 E5 M E 5 E5 5 5M 5
5 M 5M
4
G
= 5 5 5: =
5 E5 5 5M 5M 5
5
5
(to Ramón)
(to Alberto)
E
?
5
make her
suf
5 5 5 M 5M
5 E 5 M 5 M 5 E5 5
G
0
2
= 5 5:
E G 5 i what?
4
E 4
2
E 5
5 =
-
fer.
5 E 5 5 5 M 5M 5
?
4
will
?
5
5 =
cast
?
5 :
5 5
out
the love!
?
4
(alarmed) f
= 5
No!
?
4
=
5
55 M 5 M 5E 5 5
5
E5
5 5 5 5 =
3 3 Now they’re cast - ing you out!
Shhh!
E5 G =
=
No!
I
R.
make her
(alarmed) p < >
E G 4
Albt.
I
5 !5 5
239
1 E Alba G C.
5 5
5 ? M 5M
=
5 G 5 E5 5M 5 M 5 5
5
5M
5M
5 5M 5E 5
5M
?
G
5 E5 5 5M 5M 5
115
5 5 =
241
1 E4 Alba G
5
Don’t do
R.
2
?
that!
5 5 =
G 4 i E
It’s
5
Don’t do
4
E
G = G
(pushing him back)
?
5
5M 5M
M 5E 5 5 5 5M
5
R.
2
4
=
-
-
55 5
5 M 4
5 E5 5 5M
5M 5
5
5 5 5
3 to who makes me
-
0
suf
5 -
= M M 5 E 5 5 5 5
?
fer
3
?
5 = 5 5
=
No?
5 5 5 5 5 3
4
0
Then are
0
3 What are they do - ing?
E
55
4 5 M
5 =
5 5 5
E
E4 G i
Albt.
=
They’ll hear you, se - ñor.
5 E5 5 5M 5M 4 5
ber
5 5 5 5 3
5
=
243
G
not Al -
that!
1 EB Alba G C.
5 5
0
Shhhh!
E
5
=
(rushing to the door)
E
Albt.
4
=
5 5 5 55 5 =
4
3 3 I can’t hear an - y - more.
5: 5 5 E G = M G
E 5
5 5E5 5M
5 5 5 M 5M
5
5
5 5 5 =
M M 5 E 5 5 5 5
5
!5 E5 5 ? M M
5 5E5 5M 5M 5 5
M 5E5 5 5 5M
116 245
1 E? Alba G
4 3
E G 5
C.
G i
Albt.
E
3 No! 3
You
5 5 5 5
5 5
mak - ing your - self
suf - fer?
0
3
3
3
= 5
= 5 5 5 5 5 Thereâ&#x20AC;&#x2122;s an - oth - er wom
-
4 5 an.
0 ?
3 = = E5
4
What
5 5 5 5 5 3 =
(suddenly catching something) R.
2
E
?
0
3 An - oth - er wom - an!
E
5
5 E55 M
55 5 4 = = M 5E5 5 5 5M 5 5 5
5 M
G = E G 5E5 5 5M 5
5M
! 55 4 E5 5 4 M M E5 5 5M 5 5 M
= M 5 E5 5 5
55 5M
247
1 E Alba G
0
5
?
4
No, C.
E4 G
3
= = 5 5 5: 5 5 5 5
3 Have you seen
How do you know?
5 54 2G 5 5 i
3
oth - er wom - an?
E
5
! 55
4 E5 M
G = E 5 G 5 E5 5M 5
her?
55 5 5 5 5 5 5 5 5 5 = 3 = 5 5 5 5
E
Albt.
5 ?
What
5 M 5M
is
3 she talk-ing a bout? There is no oth - er wom - an!
5 5 5 ! 5 5 5 5 E5 5 4 = = M M M M M 5 5 E 5 5 E 5 5 5 5 55 55 E 5 5 5 M 5M 5 5:
5 5M
117 249 1 E 5 5 5 5 5 Alba G =
3 But
R.
2
3
3 3 I heard her voice,
E 2
4
5 5 5 5: Iâ&#x20AC;&#x2122;m sure sheâ&#x20AC;&#x2122;s beau
?
5B -
ti - ful!
= 5 5 5 5 !
?
3 3 They will hear you!
Shhh!
E !5 G =
5
55 5 M M
?
E
G 5 E5 5 5M 5M 5 251
1 4 C. 2G
=
5 I
p
G 253
5
= 5 M 5E 5 5 5M
This
' %
5M 5M
5
is
a
se
5 E5
'
%
0
5 5 5 5 3
-
fp
5 !5 E 5
5 E5
3
5
0 =
= = 5 5 ! 5 5 E 5 5 E 5 E5 !5 !5
5 5 5
5
3 Then what can
3
!
ri - ous mat - ter.
A tempo q = 104
4
5 5M M 5
'
1 ? Alba 2G
!
?
5 E5 5 5M 5M 5 5
3 5 5 5 !5
B see.
colla voce
G '
!
4
5 4
5 4
5
3
5 5 5 !B
B
E5
I
5
118 (La Curandera holds up a bouquet of flowers and begins to whirl with it in a circle.) 254
1 ' Alba 2G
5
=
4
?
do?
55
5
5
5 B:!5
5 3
3
))))))))))))))))))))))))))))))))))))))))))))))))) '
5
'
'
5 5
?
5
5
55 5 5 5 55 5 55 5 5 5 5 55 5 55 5 5 5 5 55 5 55 5 5 5 5 55 5 5 5 G
mf 53 53 53 5 5 5 5 5 5 5 5 sfz sfz sfz
256
258
(Alba takes it and squeezes it)
1 Alba G
0
4
?
5
Just (Then she stops and hands Alba a daisy.)
= C. G 2
5 5 5 5: Take
G 55 5 =
5
this flow
=
= 5 5 -
55 55 55 55 =
er,
3
=
= 5 5 5 5 5 5 : hold it
=
3
to your breast.
55 55 55 55 55 55 55 55 55 55 55 5:
5:
55
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5E55 5 5 4 4 3
119 260
1 !5 : Alba G
5 5
tell
C.
4
R.
G i
5 !5 3
3
= 5 5 5 5 !5 !5
0
!5 3
3
5
262
3 ber - to love
G
5 5
3
3 ask - ing
an - oth - er wom
0
3 -
Sheâ&#x20AC;&#x2122;s
55 55 55 ! 5 5 5 5 5
G
B
B
5 5 5 5 5
1 5 5 5 Alba G
4
!5 = =
B
'
=
do you hear?
?
5 !5 !5
'
3 does Al -
3 tight - er!
Now what
2
= !5 5
0
0
5
C.
4
Canâ&#x20AC;&#x2122;t you just tell me
3 3 G = 5 5 !5 5 4
3 !5 5 5 !5 5
me!
Hold it tight - er, Albt.
3
4
5 5
5
0
an?
4
= !5 5 5
3
3 We must lis -
Albt. G i R. 2 4
=
0
4
5 55
5 !5 5 5 5
3 â&#x20AC;&#x153;Do you love
G 55 55 = = 5 !5
5 =
3
= 5 5 55 ten
?
What?
5 4
?
3 an - oth - er wom - an?â&#x20AC;?
=
=
55 55 55 55 55 55 55 55 55 55 55 55 :: 55555 5 5 5 5 5 5 5 5 5 55555 5 5 555 5 5 5 5 55 55 55
to the
55
= 3
55
555 5
120
(La Curandera again assumes a trance-like attitude, hands in the air, palms up...)
264
1 C. G B
5
spir
-
4
0
its. 3
? Albt. G 2 i
G
=
3 5 5 5 5 5 5 What a
!5 5 5 5 5
ri - dic - u - lous
5
= =
5: ques
5 ? -
tion!
5 5 !5 5 5 5 5
3
B
'
'
B
5 5
5
55 55 5 5
5 5 5 55 5
(... as if receiving a mysterious message) 266
C.
1 ' G â&#x20AC;&#x153;Al
' Albt. 2G i Al
G
B -
-
-
-
-
ba
B -
55 5 5 55 =
-
=
-
55 55 55 55 = 5555
-
-
=
4
4
ba
55 55 55 55 55 55 55 55 55 55 55 55 :: 5 5 5 5 5 5 5 5 5 5 5 5:
5
!5
3 is
the
5
5
3 is
the
55 5
5555555555555555 55555555 5555555 G 5
riten. molto
B
! 5:
3 The
dawn
(delighted) p
268
1 Alba G ? C.
a piacere
4
B G
5
dawn
!B Albt. G i dwan R. 2
5: 3 of
5
5 5 !5 3
!5 B his
of
his
3 of
4
day!
4
=
5 5
day.
But at
5 ! B
5:
121
a tempo
my
?
day.
?
0
5 5 !5
=
=
SĂ, se - Ăąor.
riten. molto
55 ! 55 ! 55 5 !5 !5
! 55 !5 G 4 p sub.
3
a piacere
a tempo
BB B
55 5
55 ! 5 5 5 5 5 !55 55 G 5 5
3
'
' G '
B
B B
270
(suddenly horrified)
4
4
5 5
% 1 ? Alba G
mf
f
5
?
4
No! C.
5 5: G 2
5 5 5 5 5:
night
he will play,
5
No!
5 =
= 5 5 5 5 5 55 :
5
= 5
when she looks the oth - er way!â&#x20AC;?
5 5
5 5 = = !55 55 55 55 = = 55 55 555 555 555 555 55 55 55 55 55 55 :: 55 5 5 5 5 5 5: 5 5 55 55
55 = 5 555555 5 5555555 55 5 5 5 5 555555555 5 5 5 G
272
1 Alba 2G = 5 5
3
5
5 5 5
Not
my
5 55 5 =
Al
EEE 5 : -
ber
5 -
EEE 5 5 55 =
-
?
to!
55 55 55 55 = = 55 55 55 5 E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E 5 5 5 E 5 G 5 5 55
=
122
(Putting her fingers on Alba’s wrist to take her pulse.) 274
1 EEE 4 C. G
3
= E5 5 5
Are you sure?
R.
EEE 2
Let me
touch
EEE 5 5 5 5 5 55 55 5 5 : 5 5 E55 : G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 EEE 5 5
276
5 5 5 5
55
=
your wrist
= 5 5
5 5 5 5
G5 5 55
!!!
! 55 5 ! 5 !! 5 5
5 5
=
!!!
3 But, se -
5 55 5 =
!!!
5 5
4
0
1 ? Alba G
3
3
= 5 5 5
0
3 Yes, I am sure. C.
G 5 =
Albt. G ? i 5 = R. 2
ñor,
5 5 G 55= 5
4
?
=
5
5
5 5
3 3 your blood will talk
4
=
5 5 5 5
5 4
3
5 That’s
5 5
4
5 5 to me.
?
eas - y
0
3 why is she jeal - ous?
= E55 55 55 55 =
5555555
5
=
55 55 55 55 55 55 55 55 55 55 55 55 ::
55 5 5555
55 =
555555 555555555 5
123 278 B 1 = 5 5 5 Alba G
EB
I know he loves
?
2
=
EB
55 55
E555 E555 E5 E5
55 55
55 55
555 5
5
3 I donâ&#x20AC;&#x2122;t be - lieve
3
C.
G E 5 5 5 5
?
5
5
Albt.
R.
= 55 5
5 5 E 5 4 =
3 El a - mor
'
555 5
555 E555 5 E5
!55 !55 '
55 55
555 5
?
3 3 I can hear
5
5
3
sin
ce
-
4
=
!5 5
4 5
5 5 5 3 no es
los
5 5 5
E555 5 E5 5
5 5
B: B:
=
it!
5 4
3 3 so she loves you?
Sheâ&#x20AC;&#x2122;s jeal - ous,
555 G 5
=
5
5 5 5 5 5 5 5
= 5 5 5
4
4
4 2
4
you!
blood does - nâ&#x20AC;&#x2122;t lie.
G ? i
The
3 I donâ&#x20AC;&#x2122;t un - der - stand.
5 5 5 5 5 5 5
5 5 5 E 5 =
280
E5
555 E' ' E ' 5 '
'
1 ? Alba G
Yes!
5 5 5 = = E5 5
mf
'
3
me.
0
55 G 55
5
?
3
E5 3
B 5 5 G = 5 i Be - cause she loves
Albt.
R.
me.
0
G
C.
?
a-
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
124 282
1 Alba G ?
= 5 5 5 5 ! 5 5 5 5 3
3 3 can you say such a thing?
How C.
G = 5 5 !5 5 5 5 = 4
5 5 5 5
4
3 On - ly
3 3 Heâ&#x20AC;&#x2122;s like all oth - er men. Albt.
R.
5 4 ? G i mor. 3 = = 5 5 5 5 5 E5 4 2 Love
55 55
'
'
55 55
?
R.
5 2
5 5 !5 5 5 5 : 5 5 E5 = = 3
-
to.
3
cu
555 G 5
'
4
=
54
-
ra!
555 5
?
3 would nâ&#x20AC;&#x2122;t
He
5 E5 5
4
! 555 !5
55 55 '
55 55
!!!
do that!
!!!
3 How do you know?
5 4
4
5 5 5 5 ÂĄAy,
555 5
lo -
e=e
5 5 5 !B
4
3 3 ÂĄSĂ, lo - cu - ra! 3
es
55 ! ' ' 55 !' '
= 5 55 5 5
G ? i
5 5
ÂĄA - mor
hus -band is do - ing all of the time. Albt.
= = 5 5
3
3 Not my Al - ber
C.
3
3
5 5 5 5 5 5 55 5 5 5 5 555 5
!5 5 5 5 3
3 3 a wi - dow knows what her
0
555 5
284
3 G E5 5 5 5
5 5
5 !5
3 is mad ness!
3
55 55 ! 55 ! 5 5 5 5 5 G 5 5 !5 !55
1 Alba G 4
?
3
3 Thatâ&#x20AC;&#x2122;s why Iâ&#x20AC;&#x2122;m
54
3 mu - je - res!
555E555 5 5 B : 5 E5 5 5 B : 5 5 5 55 5 5
!5 5 5 !! !
!!! e=e
!!!
5
5 5 5 5 5 5 5 ! !! 5
125
e = 208
286
1 : Alba G ?
4:
5 E5 = =
= 5 5 B: I am sure
5: = = 5 5 5 5 G
C.
= = 5 5 5 5 5 5 5 5
4:
How can you be sure? Albt.
R.
How can you be sure, se - ño - ri -
5 = = E5
G B: i sure.
he loves
She loves
5 5 5 5 555 5 = = 2
5 5: = =
5 4: me!
4: 5 5 B: G 5 5 5 5 5: 5 5 5:
':
Più allargando e = 176
1 : ))))))))))))) )))))))))))) ? : Alba G ))))))
G.
0
G i 2
ta?
me!
: 5 5 5 5 B 5 5 5 sure,
se - ñor?
E5 5 5 5 5 5!5 55: 5 5B: 5 5 5 5 5
5 5E5 5 5
':
':
(Alba swoons, and La Curandera fans her and massages her temples to comfort her. Outside, Dionisia and the General arrive. Dionisia steadies him at first, but when he sees his nephew, he leaves her behind.)
0
Aaah! Albt.
5
f
': 288
me!
5:
She loves
How can you be sure, se - ñor? How can you be
e = 208
5
4:
= = 5 5 ¡Tío Go -
0 Più allargando e = 176
?:
5 4: do!
General:
4:
5
5
¡Mi_hi - jo!
?: 4: 5:
G 5 555555 55 555 5555 5555 5 5 555 5555555 555 5 5 5
(f) dolce ed espressivo
55 55 5 5
5 5
E 55 55 555 555 ! 55 55 55 55 E 55 55 55 55 55 55 5 5 55 5 5 5 5 5 5 55 5 5 55 5 5 G 5 5 5 5 5 5 5 5
126 290
and nephew embrace.) 1 (Uncle Albt. G ?: i
G.
=
?: 2
=
p sub.
5
5
5
=
5
E5
¡Qué
bue
5
5
¡Qué
bue
5 -
5 -
5
5
5
5
5
5
5
5
291
1 ?: Albt. G i G. 2 = =
G G
4:
5
5
5
¡Dos
a
5
5
5
292
1 Albt. G 5 i soon G.
2
=
5 5 5 5 5 -
ños
y
qué hom
-
5:
5 E5
bre
a - ho
5 !5 5 5 5 5 5 5 5 5 5
5
5 5 I
will
5
5
5
5
!5
5
5
have
a
wife.
?:
=
G 5 5 5 5
= 3
5 5
=
!5 5 5 5 5 5 5 5 5 5
5
5
5
5
5
5
5
E5
And
5 -
ra!
5 5 5 5 5 5 5
5
E5
4:
5 5 5 5
E5 -
des!
3 5 Where
5 5 E5 5 5 5 5 5
pp
5
no!
5
=
¡Fe - li - ci - da
G
no!
5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5
G 5 5 G
=
5
5
5
E5
127 293
D.
Dionisia: (to RamĂłn, pointing to the house)
1 G ?:
=
3 5 5 5 5 How is
Albt.
G.
2
3 5$ 5
G = = i 5 5 is
In - side
5 5 5 5 5 with La Cu - ran - de
4:
=
5 -
go
-
ing in there?
4:
ra.
?:
she?
5 5 5 5 5 !5 5 5 5 5 5 5 5 G G
it
5 5 5
5
5 5
5
5
5
5 E5 5 5 5 5
5 5
5 5
5
5
E5
Subito meno mosso (Chanting, her hands on Albaâ&#x20AC;&#x2122;s head)
fp
294
C.
1 = 2G
5
f
5 5 5 E5 5 5 5 5
5
ÂĄA
5 5 5 5
5 5 E5 5
G 5 G 5 5 E5
5 5E5 5
5
5
5 E5
5 5 5 5
1 C. 2G B : yĂ!
G 5 G 5 5 E5
5 5 5 5
5 5 E5 5 5 5 E5 5
5 5 5 E5 5 5 5 5
128
a piacere (imitating La Curandera)
(to Dionisia)
(in his own voice) 5 5 5 E 5 5 5 5 5 5 5 5 5 5 5 5 1 5 5 5: 3 3 2
K
295
R.
Af
ter the mag
colla voce
55 ::: 5
5: 5:
-
GGGGGGGGGGGGGGGGGGGGG
G
-
7
-
ic,
glis s.
5M k E 55 5 M k E 55
55 :: 5:
: G 4
Al
-
ba may
!5 5
need
a
=
= = =
=
=
5 5
: 4
296
and RamĂłn muffle their laughter, fingers to their lips.) 1 ?(Dionisia 4: C. G :
=
=
5 Donâ&#x20AC;&#x2122;t
Albt.
R.
G 4: i 5
=
5: No,
=
5 5
5 5: a
4:
mis
-
5
5 5 5 5
un - der - stand - ing
be - tween us.
?:
nurse!
G.
= 2
=
5 5 5 Is
5: G 5: 5M
5
5
=
4:
=
=
she sick?
5 5
mp
=
5 Donâ&#x20AC;&#x2122;t
5 5
5M E5
5 5
5 5
5
5M
5
5 5 5
!5 : !5 : 5M
5 5 5 5 5
5
129 297
1 Alba G ?:
!5 = = 5 Oh,
G 5
C.
G ?: i 5 2
5 = 5 5 5 5 5 5
Oh,
wor - ry.
5 G 5
If you love her, La
5 5: 5 5:
5: 5: =
5M 5 5 5M 5
299
what
G.
5M
5
5
5
can
I
do?
G 4: 2
!5
5 5
5 5 5 5
= 4:
5 5 5 5 = 5 5
4:
=
yes!
As you loved tía_Es - te
5
5 5 5 E5
5 5
5 -
la.
= 4:
Cu - ran - de - ra se_a -rre - gla - rá.
4: 55 5 5 5 55 5 !55 M M M M M 5 5 G 5 5 5M
5 555 5 E555 5 555 5 5 5 5 E5 M 5 5 M 5 5 5M 5
55 5 5 5 55 5 !55 5 5
5 5M
5
(La Curandera holds Alba’s hands in hers, and, together, they squeeze the flower. Outside, the General waves at Dionisia to join him and Alberto.)
1 5 Alba G C.
E5
Then
Cu - ran - de - ra se_a -rre - gla - rá.
5 = = 5
Albt.
G.
If you love him, La
= = 5
4:
yes!
= 5 5 5 5 5 E5 5
wor - ry.
?:
=
=
=
=
?:
5
5
5
I’ll
show
you...
?:
=
=
4:
3 5 5 Al - ber
G 55 5M
55 5
5 E55 5 5
5
5
5
5
5M
55 5
5 =
E5 5M
5 5 5 5 -
to, you
re -
= 55 !5 5 5 5 5 5 5 5 5 5 3 5 5 5 G 5 5M
130 300
1 ?: C. G
= 5
Squeeze
G ?: i
Albt.
G.
2
mem
5: 5 5 5 5 -
ber Di - o - ni
5: 5 5 5 G 5M
301
D.
1 = G
5
5 -
er 3
5
5
Sí,
tío,
3 5 5 we’re al -
5 5 5
5 5
sia,
-
my nurse,
=
my saint.
5 5 5 5 55 5 5 !5 5 5 55 : 5 5 5 55 5 5 5 E5 5 5 5 5 5
5M
5
E5
5
5M 5
= 5
5 = 2G 5 5 i read - y friends.
E5 : plea
-
5
5 5
5
sure
to meet
you
4:
5
!5
in
per
4:
5
5
5M
(to Alberto)
A
Albt.
the flow
4:
5
5
5 5 !5
=
-
5
5
son,
Al
=
5
-
I
5: !55 : 5 5 55 55 5 E55 : 5 5 55 55 5 5 5 5 5 5 5 5 5 5 5 G 5 5 5M
5 5
5M
5
E5 5M
5
5 G
5M
5
5
131
302
D.
1 5 G
5
ber
C.
-
4:
=
to.
G 4:
5 5 5 5 5 5 5 5
5 On
=
5
5
-
ly
yes - ter - day
I tried to
?:
Thatâ&#x20AC;&#x2122;s right
Albt.
5 5 5 5 5 5 5 2G i called a - bout La Cu - ran - de
5: G 5
5 5 5
G 5 M
5
5
5 ?: -
E55 : 5 5M E5
ra.
5
5: 5:
5
5M
5
5
5: 3 5 5 5 5 5 5 5 M5
303
D.
1 G 5 call
Albt.
2G = i
5
5
you,
too,
G 5: 5 5 5 5 5M
hop
3 5 5 5 5 You tried to
5
5
3 5 5 5 5 5 5
4:
call
5
-
5
ing you would vis - it
5 your
?:
me!
E5: 5 5 5M E5
5 5
55 : 55 : M 5M
55 5
5
M
M
5
5
4: 55 5 M 5M
5 !55 M M 5
5
132
304
(La Curandera takes the daisy from Alba and dramatically showers her with the petals.)
1 ?: Alba G
2: ))))))))))
4:
))))))))))))
)
Oooh!
G
D.
5 Un
G =
C.
5
=
=
3 5 5 5 5
- cle,
and here you
are!
=
?:
5 E5
=
4:
=
Now, watch
?: Albt. 2G i G 5 5M 5M
1 G = i
5 5M
55 5M
5
5
E55M 5 5M
55M 5
5M
5M
E5
5
5M
55M 5 5
55M 5
5M 5 G
=
3 5 5
=
3 5 5 5 =
4:
=
3 It was you! (to Dionisia)
?: 2
5
5
5M
=
=
3 5 5 5 3
It was you!
G.
!55M
5M
ritard.
Of course!
R.
)))))))))))) )
Oooh!
305
Albt.
2:))))))))))))
4:
?:
4:
=
=
=
(to Dionisia) 3
=
3 5 5 It was
G 5 5M 5M
55 5M 5
5 5M 5
E55M 5
5M
5M
5
55M 5 E5
ritard.
5M
55M 5
5M
5M
5
5
55M 5
=
5M
5
5 5 5
133 306
a tempo
1 = C. G G.
=
5 2
5
5
These
pet
=
4:
-
5
5
5
5
5
5
5
5
als
have
tak
-
en
up
all
your
5 5
!5 : !5 :
5
M 5 5:
?:
you!
a tempo
5: G 5:
5 5
mf
M 5 5:
5 5
5 5
5 5
E5
M 5 5:
5
M 5 5:
5
5
5
5
5
5
When
you
tell
her,
sheâ&#x20AC;&#x2122;ll
5
5
5
5
5
5 5
5 5 5
5
307
D.
1 = G G
C.
5
jeal - ous Albt.
R.
sus
-
pi
G 4: i
Mys
4:
E5 :
2
E5 :
4:
Mys
5 G 5 M 5 5:
-
5:
Mys G.
E5
5
5 5
5: 5:
5
M 5 5:
5
te - ry
5 -
5
te - ry
5 -
5
te - ry
5
5
5
5
no
more
of
her
=
=
4:
=
=
4:
=
=
4:
5 M 5
4: 55 5 M M 5 5:
5 M
!55 M
5
have
5
?:
cions.
5 -
5
E5
5 solved!
5 solved!
5
solved!
5: 55 : M M 5 5:
55 5 M 5
G5
5
134 D.
308
1 5 G
5
5
jeal - ous
C.
G =
sus
-
5
=
pi
D.
Albt.
R.
55M 5
5M
!55M
5
5
M 5 5:
5
5
!5
find
it
in
5
5
4:
E55M 5
5M
55M 5
M 5 5:
5
then
she’ll
5
heart
to
trust
5
5
5
5
No
more
of
her
5
5
= 5
sus - pi
5
E5 -
5
5
5 E55 5 5 M 5 5 5:
5
5 5
-
5
jeal - ous
cions.
55 5 E5
5
5
5 her
to,
5 sus
5
5 -
pi
-
cions.
5
5
5
5
Tú
de
bes
a
?: =
55 5
5M M 5 5:
E5
5
5
have
Al - ber
?: 2 G 55 M 5 5:
5M
5 5M
5
G = i 5
55M 5
55 5M
5
G
her
5
5
your
of
she’ll
5
in
5
more
her,
5
it
5
no
tell
5 E5
!5
5
you
=
find
5
5
When
5
5
5
5
5
5
must
5
jeal - ous G.
you
5
And
C.
5
5
5
G 5 5M
?:
cions.
5
= 2
M 5 5: 309 1 G =
-
E5
Now
R.
E5
5
5 = M 5 5:
=
= 55 !5 5 5 5 3 5 5
-
-
= = 5 5 5 5 5 55 5 M 5 5:
G5
5
135
310
1 = Alba G
D.
C.
R.
5 5
5
in
heart
my
5
5 5
5
to
learn
5
5
5
5
5
heart
to
trust
5 5
5:
5:
with your
whole
heart,
G
G =
=
=
5
E5
and
G.
5
5: 2 mar
E5 you,
5
then
Al
5 sheâ&#x20AC;&#x2122;ll
5: -
-
5: G 5:
-
ber
-
5
5
to
trust
him
5
4:
to,
4:
5 5
5
!5
find
it
in
5 5
!5 : !5 :
5
5 her
?:
la
5 5
5 5
5 5
5 5
5 5 5 5
5 5 5 5 5 E5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 G M 5 5:
5
5
M 5 5:
5
E5
M 5 5 5:
5
M 5 5:
5
5
136 D.
311
1 = G
5
5
with your C.
Albt.
R.
G =
=
G ?: i 5
5:
whole
heart,
5
5
con
to
5
4:
5
5
5
5
do_el
co
-
ra
2 =
=
5 G 5 5 5 5 5 5 G M 5 5:
Albt.
R.
G 5 i la_a 2 =
zón.
5
5
5
to
trust
you,
5
E5
con
to
5 5
E5 : E5 :
5 -
M 5 5:
5
5
5
5
5
do_el
co
-
ra
5 5
= 5
5
5
5
con
to
-
5 E5
5
con
5
to
with
her
whole
- mo
5:
5 -
5
5
M 5 5:
5
?:
5 5 5 5
5 5 5 5
5 Sí,
5
5: -
!5 : !5 :
5: 5: 5 5 5 M
E5
zón,
5
5 5 5 5 5 5 5 5
5
M 5 5:
5 5: !5
5
5
5
5
do_el
co
-
ra - zón.
5
5
5
5
do_el
co
-
ra - zón.
5:
5
G5
5
= =
4:
heart.
5: 5 5 5 E55 : 5 G 55 : E 5: M G 5 5:
-
=
312
1 = Alba G
!5 :
4:
heart
G.
5:
5
5 E5
5 : 55 :: M 5 5:
5
!5 : 53 : 5 5 5 5 5 M 5 5 5 5 5:
137
accel.
(repeating after La Curandera)
313
1 Alba G ?:
4:
=
f
Ca
G ?:
D.
=
f
5
E5 Ca
G 4:
C.
=
f
E5 Ca -
sa - mien
G ?: i
Albt.
4:
R.
2
sa - mien
5 5 -
-
=
E5
5
5:
sa - mien
5 5 -
-
=
5
E5 Ca
-
5
E5
5
-
sa
-
5 -
5:
sa - mien
ja,
f
to_y mor - ta
f
?:
-
5
5 =
sa
to_y mor -
Ca
f
-
5 5
to_y mor - ta
4:
Ca -
G.
5
5:
-
5:
5
E5
ja,
5 5 -
to_y mor -
accel.
G 5: 55 : M 5 5:
5 5 5 EE 55: 5: 5 M 5 5 E5 5 5:
5 5
5: 5:
4: f
4: B:
E5 = E5 B:
138
314
Andantino amoroso q = 132
5 5
1 : Alba G 5
B
mien - to_y mor - ta D.
G B
5
ta
C.
-
-
ja,
Albt.
R.
-
B -
ta -
-
ja, -
-
You will
?:
?: ':
5 5
4 5 5 You will
5
B 5 ! 5 4 = 5
ja,
del cie - lo ba
5 -
0
jan.
?:
0
del cie - - lo
5 5
4
jan.
You will
ba-
-
5
?:
-jan.
-
Andantino amoroso q = 132
G 5 5 5 5
4 5 5
?:
0
5 !5 5 B 4 = -
jan.
jan.
5
del cie - lo ba
G.
-
-
0
jan.
5 4 = ! 5 5 B 5
ba
5
?:
5
5
- to_y mor - ta
B 2
del cie - lo ba
del cie - lo
del cie - lo ba
5 5
ja,
4 = 5 !5 5 B
G 4 = 5 !5 5 B
G 5: i mien
5
B 5 ! 5 4 = 5
(La Curandera leads Alba to the door,...)
5 5 5 5
5 5
' '
4 5 ':
5
B ':
?: -
E5 5 E5 5 5
B ':
5
4 -
5 5
- You will -
5 5 5 5 5 5 5 55 55 5 5 5 4 5 5 B ':
5 ?: ':
139
317
1 Alba G
?:
0
4
5 5 We will
G B
D.
walk
G B
C.
walk
R.
5
5
B
B
5
through life
B
5
':
5 5
-
B
5
-
B
5 -
to - -geth
4 EE55 B 5 B 5 ':
4
B
We will
walk
4
4
4
er.
5
5
4
5
B
B B
through life
4
er.
5
B
Through life
-
4 -
5 5 5 5 5 5 55 5 5B 5 5 5 ?: B 5 ':
4
5 5
5 5 4 --
4
Through life
5 5
B
4
through life
er.
4
-
walk
B
K
':
4 -
4
5
Through life -
5 5 5 5 5 5
':
B
5 to -
K
Through life
5 5 4
B
to - geth
4
B
er.
?:
walk - through- life
' G 'B B
5 5 4
B
to - geth
through life
5
B
to - geth
0
walk
2
B
through life
G i
Albt.
G.
5
5
5 to -
K K
5 to -
5 to -
K 5
to -
K 5
- to -
5 5 5 5 5 5
':
140
molto ritard.
(... hugs her, then disappears into her house. Outside, Alberto and Dionisia embrace warmly, kisses on both cheeks.)
320 1 ': Alba G geth : D. G '
geth
G ': geth ': G i geth ':
C.
Albt.
R.
geth
G.
2
': geth -
G
5 5
': -
-
-
-
-
er.
-
-
-
-
-
er.
-
-
-
-
-
-
-
-
-
-
5 5
-
-
-
-
-
5 5
5 5
-
5 5
-
5 5
ff
':
':
':
':
(to La Curandera)
1 (4+4+3) Alba G ?
4
mf
5
Thank
? Albt. G 2 i
(to Dionisia) mf
4
5
Thank
':
er.
-
er.
': ' 5: 5
-
-
55 =
-
-
5 5
5: 5:
-
molto ritard.
5 5
5 5
B
B
5 5
':
':
Allegretto deciso e = 200 322
er.
B
er.
-
-
':
-
-
-
':
-
-
(Just then, Alba comes out of the door, ringing the bells, and sees them kissing. Alberto and Dionisia draw back, startled.)
0
you!
55 =
0
you!
Allegretto deciso e = 200 (4+4+3)
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ==
mp
5 5
5 5 5 5 5 5
5 5
5 5 5 5 5 5 5 5 5 5
5 5 5 5 5 5
5 5
5 55 5 5 5 5 5
141 324
1 Alba 2G ?
?
=
f
5
=
Al
-
= = = 5 = 55 55 5 5 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
325
5 5M
5 5M
5 5M
5 5M
5 5M
5 5M
5 5M
Allegro agitato q = 132
1 B Alba 2G
B
ber
-
-
?
4
to
5 5 5 5 5 5 5 5 4 = = 5 5 5 = = G B E BB 5 5 5 5 5 f
B B EB
1 5 Alba 2G 328
do
3 -
ing?
=
5 5 =
3
'
3
5 5 5 5 Right
5 5 5 3 What are you
fp
G E'
=
5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5
'
' E'
5 5
5 5M
Oh, no!
3
fp
E5 E5M
G
out in the
'
5 5 5 = 5 5 5 = 3 3 o - pen?
Kiss - ing!
= !5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 E 5 5 5 5 5
5 E 55 5 55
G 4 E5M 5M E 55 55M 55M 55M 55M 55M 5 M 5M 5M 5
5 5 = 5 5 55 55 M M
142
5 !5 5 5 =
330
1 = 5 5 5 5 B Alba 2G 3 You
could - nâ&#x20AC;&#x2122;t
5
3 Al - ber - to, who
wait!
5 5 B : 5 5 B : G
' '
fp
G E 55 55M 55M
55 M
55 55 55 55 M M M M
332
1 5 5 4 Alba 2G is
4
4
=
this?
!5 5 5 5 E 5 5 5M 5 5M M M E 5
5 5 5 5
5 Al
)))))))))))))))))))))))))))))))))))))))))))))))))))))))))
-
ber
3
-
to, say
5
5 4
some - thing!
'
'' G ' )))))))))))))))))))))))))))))))))))))))))))))))))))) fp fp
!5 5 5 5 M GE 5 5
E 5 5M 5 5M M
334
1 Alba G
Subito meno mosso q = 100
(tenderly) Albt.
2G i
4
5 = ! 555' 4 fp
K
a tempo
0
= = 5 5 5 5
?
3
B Al
5 -
4 '
3 This
ba
a tempo
3 That fig - ures, I
= 5 5 5 5 5 5 is
4
3 Di - on - is - ia
3
= = 5 5 5
5
5 5 5 5
%
! 55 G 55 = 4
5 5 5
5 5 ! 5
p
Subito meno mosso q = 100
G
4
= = 5 5 3
?
'
'
143 336
1 5 Alba G knew Albt.
5
5
3 there
was
5 =
5
' Allegro moderato q = 120
2 G 5 : i ster
3
= 5 5 I
G 4
ious
5
5 5 5 3 on the
voice
339
5 5 5
5
'
' 1 5 Alba G
'
5
3 the
my
-
5
5 5
3
= 5 5 5 5 5 5
5
3 3 re - mem - ber her voice. How could
I 3
5 5 5 5
=
you!
?
tel - e - phone?
5
4 B
5 5 5 5 B '
'
4
? 4
0 3
5 5 5 5 Wel - come to
5
5
(Dionisia rushes to Albaâ&#x20AC;&#x2122;s side.)
2G ? B G 4
ber
3
it!
knew
5 !5 -
5
Allegro moderato q = 120
D.
5
-
5
'
1 ? Alba G Albt.
Re - mem
5
5
5
5
5
= 3
G 5
337
?
3 some - one.
2G 4 i
G
5
5
B 5 '
5
MĂŠx
3
5 5 -
=
i - co,
M = 5 ' !5
M
= 55 5 5
'5 5 =
4
?
5 5 5 5 se - Ăąor - i
55
55
-
ta
144 (Dionisia extends her hand to Alba. Alba is confused by Dionisiaâ&#x20AC;&#x2122;s calm.)
341
1 Alba G D.
2G
0 5
5
Al - ba.
3
Iâ&#x20AC;&#x2122;m
= G '
55 =
=
M
55 55
so hap - py
55
3 meet you
to
at
5
?
last.
55
0 colla voce
4
=
Who
5 5 = 5 5 5 5 5 5 5 3
4
55
4
?
0
?
G
a piacere
343
a tempo
1 Alba 2 G 5 5 5 are
= = 5 5 3
you?
3 You seem
55 = 55 55 55
G =
3 5 5 5 5 5 5 5 5 to
know
Al - ber - to pret - ty well.
0
55 colla voce
0
G ''
Andante grazioso q = 96
345
D.
4
1 2G = 5 5 I
G 4
am
%
3
5 5 5 5 5
4
the Gen - er - alâ&#x20AC;&#x2122;s nurse.
=
5 5 55
B
B
pp
B
3
55
55 55 B
3
3
5 5 5 5
5 5 5
We have ar - ranged this hap - py
55 55 BB :: '
' G
145 347
D.
3 3 3 1 5 5 5 5 5 5 5 5 5 5 5 5 G 5 5 55 3
3 meet - ing for you and Al - ber - toâ&#x20AC;&#x2122;s be - lov Albt.
-
0 3
4 !5
G 55
5 5 5
BB ::
' ' '
0
G
4
5 5 5 5 5 5 5 5 5 5 5 5 55 55 =
: G 555 :: 353
4
55M 55M G = 5 = 5 G 355
Alba
1 4 2G
55 5 5 5 55 55
?
called you on the phone
= 55 55 55 55 55
555 ::: short pause
0
5
= ? (sheepishly) <>
5 = 4
3 at the air - port?
? G 55 55 55 0
'
4
0 5 = 5 5
she
why
0
?
5 5 5 5 5
5
=
0
3 at the air - port.
0
= ?
1 a5tempo 4 Alba 2G
So thatâ&#x20AC;&#x2122;s
5 = 5 5 5
called me on the phone
4
5 <I5> I5 4 = =
0 ?
she
3
' '
I5 5 5 5 5
5
55M 55M 55 5 5 5 5 55 55 5 = =
5 5 5
350
1 Alba G 2G i
4
And thatâ&#x20AC;&#x2122;s why
G ?
Albt.
5 = 5 5
ed un - cle.
0
2G i
0
?
Oops!
0
0
mp
5M = 4
?
0
G
146 358
D.
poco riten.
Adagietto e = 168
1 4 : 2G
= 5: 5 5: 5 5 5 5 I
G
was hop - ing you would vis
5 5 5 5 5: 5 B: p
1 G 5
5 5 5 5 5
read
-
4 : Albt. G 2 i
5 5 5 = =
but
you were
al -
5 55 3 55 5 5 = 55 55 5 55 55 55 55 55
1 : Alba 2G 4
5
E5
5
she
sug
= 5 ...and
0
-
gest
(imitating La Curandera)
5 !5 5 : 5
-
ed â&#x20AC;&#x153;La Cu - ran-
5 5 5 5 5: 5 = 5 5 = 55 55 5 55 5 555 55 5 55 5 55555 5 !5 5: 55 55 4 : 55 55 BB :: 5 5
=
55 5 5 G 5 5 363 1 5 Albt. 2G i de 5 G G 5
4:
=
=
G =
5
5
(in his own voice)
=
=
5 5
=
- raâ&#x20AC;?
to
5
5:
5 5 5 5
5
bless
0 5 5 5 5
B:
5
5:
our
mar
5: -
riage.
55 ::
55 55 55 ::
5:
4:
= 3 5 5 5 5 5 5 5 5 5 = =
(greatly relieved)
= = 5 5 : I
G
it,
y on your way!
a tempo
366
5
a tempo
361
D.
-
5: 5 5
=
B:
5 5 5 5 5
55 55 55 55 G 5 5
5
(laughing)
0
G 5 = = 4 :
see.
Well, then Iâ&#x20AC;&#x2122;m hap - py to meet
you.
0
0
0
0
147
(Alba slowly takes Dionisiaâ&#x20AC;&#x2122;s hand, and they embrace.)
5 5 5 5 5 5 5 5 5 5 G = 5 5 5 5 5 5 5 5' 5 5
= 55 = 55 55' 55 55 '
B B'
369
mf
G ' 372
1 Albt. 2G i
'
0 5 5
' ' 375
2
5
5
An
hon
5 5 5
-
I5 : G 3
G.
4
5
B
4 !5 5 G
I5 :
3
B G B
B
' '
3 -
Al
B: B:
ba.
4 !5 5 '
3
5
5 B 5 = 5 3
- Mi
4
hi- - ja
lin -
3 -
= 5 5 5 B 3
G
3 see how
mi
0
-
5
5 5:
I
3
5
a tempo
5 B
- da!
you lost
5 5
3
B
3
your
heart.
4
3
'
e=e
? 5 5 5 B = 3
' '
ritard.
B
5
5
'
5
3
' '
(Alba and the General embrace.)
3
5 B
a tempo
'
(to Alberto)
1 4 2
-
3
' '
5 5 ? ' '
4
molto rit. -
5 5
5 5
Go - do.
0 -
es - tĂĄ
5 5
3 or, TĂo
-
a - quĂ
5 5 '
' ' molto rit.
3
1 4 Alba G
5 5
5 5
'
B
5 5 5 5 = 5
4
B B
3
3
TĂ - o,
p
377
4
(Alberto then leads Alba to his uncle.)
5 5 5 B
5 4 !5 5 5 3
4 G
G.
5 3
'
e=e
148
380
R.
e = 168
1 4 : 2
(The General and Dionisia turn to RamĂłn as he approaches them. Alba remains with Alberto, hugging RamĂłn.)
5 5 5 5 5 = = But Iâ&#x20AC;&#x2122;m still
4: G
5 5 5 5:
M M M M M5 5M 5 5M = 5 5 !5 =
= 4:
not rich!
La Cu - ran-de - raâ&#x20AC;&#x2122;s mag - ic
!5 5 5 5 :
5 5 5: 5
!5 5 5
mp
M M M M M 5M M 5M 5 5 5 5 5 5 5 5 G 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5 = 5M 5M M M 382
D.
1 : G 4
= = = 5M 5M 5 4: = 5 5 5 5 5 5 5 M M 5M M M
(to RamĂłn)
But there is
R.
al - ways hope.
M 5M 5M M M 5 5 5 5 = must work bet - ter for love
G.
2
Ca - da co
-
sa
a su
M 5M !5M 5 5 M = =
= = !5 5 5M = 5 4 : M than for mon - ey
bet - ter for
love,
M M5 5M 5M 5M = 5 5 M = =
4:
0
= !5M 5 M
But there is al - ways hope.
G
5:
55 5 M 5 5 5 5 M M
55 5 M 5 5M
55 5 M
55 !55 5 5 M M 5 5 5 5M 5M 5M
55 5 M
55 5 M 5 5M
55 5 M 5 5M
55 5 M 5 5M
55 5 M 5 5M
5 5M
!55 5 M
55 5 M 5 5M
149 384
D.
1 G 5 = M tiem
R.
G.
4:
5M
-
G =
=
po.
=
5M
5M
than
for
mon
4:
M 5M 5
5
5
5M
Ca - da
co
-
sa
=
5M
= -
-
=
=
=
5M
sĂ
5M
=
ey.
But
=
3 $ 5 5 5 5 5 5 5 = 5 5 5 5 = = 5 = 5 5M 5M M
5 = 5M
!5M
5M A
4 : = 2
=
!5M
5M
A
su
3
5 5 5 5 5 !5 5 5 5 = = 5M 5M
385
D.
R.
1 : G 4 M 5 what
G.
= !5M 5M
5M
can
do?
5 2 M tiem
G
5 5
M 55
= -
I
5M
5M es =
5M
la
=
=
5M vi
=
-
4:
5M da.
=
!5
5 ÂżQue
4:
=
=
pue
5M
!5M
5
do
ha
=
=
-
po.
A
=
5 5 5 5 5 5 5 = 3 5 5
3 5 !5 5 5 5 5 5
=
5M 5
=
5M 5
=
5M 5
=
5M 5
-
-
5
sĂ
=
5M 5
=
G
150 386
1 Alba G D.
R.
0
G =
=
5
=
cer? G.
5M es 5M
5M la 5M
5M = 5 = !5 5 5 : 4 : M vi - da. ÂĄSĂ se - Ăąor! M5 5 5 5: 5M = = 4:
A - sĂ
es
la
vi
-
da.
ÂĄSĂ, se - Ăąor!
5 5: M 5M 5M 5M 5 5 = = = es
55 5 5 G 5 M 5 G 5 5M 5M
la
55 5 M
vi
55 5 M
5 5M
5 5M
Adagio amoroso e = 126
1 Alba 2G
0
=
-
55 5 M
da.
5 5M
B:
pp
4 : 391
1 = Alba G
= = 55
! 55 5 M
= 5
5
5 5M
! 55 5 M
5
% 5
5 5
5
5:
I
doubt
5
5 wrong
5 5
5 5 -
4:
ed you.
5
5 5
5 0
with me.
=
= 5 5 I
5 5 5
5
5
5 5 5:
4:
0
5 5 5
?:
': colla voce
555555 55 5 5 5 = 5 5 5 5 = 5 5
0 ':
sor - ry
mp molto espressivo
= 5 5 5 5 5
G 2 i
: 4
?:
55 5555 55 5555 5555 55 = = =
I donâ&#x20AC;&#x2122;t know what was Albt.
= = 5 5 5 Al - ber - to ?:
ÂĄSĂ, se - Ăąor!
Iâ&#x20AC;&#x2122;m
G B :
a piacere
5M 5M a - sĂ M 5M 5
: 2 4
388
: ?
5 5 5
5
love
4:
5 5 you
=
5 5 = 55 = =
5 5 5 5 5 5 5 5
151 394
Alba
1 = G
= 5 5 I
4 : Albt. G 2 i
5 55
5
know
=
you
= 5 I
5 5 love
4:
me
all
my
5
to
-
do_el
4:
5: heart
5 55 55 5 55 5 55 5 5 5 5= 5 5 55 5 55 5 5= 55 5= 55 5= 55 = 55 5=
5 5 5 5 5 5
5
5
5
5
5
5
5
5
397
5
5
5
5
rit.
1 Alba G 5
5
5
co
-
ra
= Albt. G 2 i
con
55
5 5 5 5:
love you with
= 5 5
=
5
=
Te
0
5: -
zรณn,
5 a
5
5 5 -
mo
con
to
-
5
5
do_el
co
5 -
ra
-
rit. 5 = 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 5 5 = 5 5 = 5 5 5 5 5 5 5 5 5 5 5 5 399
a tempo
poco rit.
= =5 5 5 5 5
1 : Alba G 4
5 5 Albt. G i zรณn. R. 2
Te
= = 5 Te
0
a - mo con
to
5 -
5 5 5 5 a - mo con
to
do_el
5 -
do_el
poco rit. a tempo
5
a tempo (bells ring...)
5:
co
5
-
ra -
5
zรณn.
co
-
ra -
zรณn.
5
5 5
La
Cu - ran
4:
0
5
5:
a tempo = 5 55 5 55 5 5 5 5 5= 55 5 55 5 = 55 5 55 5 = 55 5 55 5 55 5 5 5G = 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
152
(... as La Curandera opens her door and comes outside to join the happy scene. The General warmly takes her hand and brings her to Alba and Alberto.) 402
1 Alba G
= 5
=
0
My
D.
Cu
C.
Albt.
R.
5 55
G 5 -
ran - de
-
=
G i
ra,
5
I
see
5
5 5 5 5
5 -
5 5
5
5
5
raâ&#x20AC;&#x2122;s come
to
see
them.
(to La Curandera)
5 55
5 2 -
55 5 G
ran - de
3
-
55 55 5 5
f dolce
55
5
5 55
5 5
5
5 G5
=
5 =
ra,
55 5 3
=
5 55 5 3
55 5 5 55
it
5 5
Es
te
5 -
laâ&#x20AC;&#x2122;s
4:
5: out
B:
light from now on.
5 5 5
5 5
5
Now that they
are back
to -
=
5
come join
55 5
5
5 5:
= 5 5
us.
that they worked
Al - ba, my
Cu
5 =
5
come join
= 5
0
de
G.
= 5
=
4:
5:
light from now on.
(to the General)
G 4:
5
5 5
5:
= 55 5 3
us.
55 55 55 5 5 5 5 5 5
5 5
5
5 = 5
5 =
Es
te
55 5 55 5 5
55 5
3
-
laâ&#x20AC;&#x2122;s
55 5 5 5 5 55 5 3
153
405
1 4 : Alba G
=
=5 De_a
D.
G 5
5 55
smil - ing on us
C.
G
55 5
5 quĂ
5
5
in
heav
0
Albt.
R.
=
5
5 =
geth
G.
2
= 5
5
quĂ
5 55
5
5
smil - ing on us
in
heav
55 3
55 5 55
55 55 55
= 3
5 5 5
5
5 they
5 -
5 5
5
en
a
5 -
5:
G5
5
-
ing
4:
would.
5 5 5
5
4:
5
4:
5 5 5
Thank you for help
5 55
55 5
55 5
=
5 -
ing
55 55 55
3 3 5 5 5 5 5 55 5 5 5 5 5 5 G5 5 G 5 5 5 5 5 5 5 5 5 3
5
5
de - lan - te.
en.
5 5 55 5
5 55
5 5 5
de - lan - te.
5 4: -
4:
Thank you for help
5
a
5
de - lan - te.
en.
en
5
5
5 55
de_a
55 G 5
-
-
as I thought
De_a - quĂ
5 =
a
: 4 5
55
er,
5
-
5 just
G 4: i
en
5
3
154
poco rit. 408
(to La Curandera)
1 4 : Alba G D.
5 G Al
C.
-
5 5:
5
5 5 5
Thank
you, se - Ăąo
ra.
5 5
5 5:
5:
ba and
Al - ber
G
-
0 5 5
5 Thank
5 5
Al
-
5: -
Al - ber
0
0
ra.
5 5:
ba and
0
So their
5:
you, se - Ăąo
= = 5 5
4:
0
(to La Curandera)
Albt. G 4: i 5 G. 2
to.
0
5: -
to.
poco rit.
55 555 5
55 G 5 5 5
5 5 5
5
5 5 5 5
3
411
C.
55 5 55 5 5 5
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 B: 5 5 B:
3
A tempo e = 126
5 5 5 55 5
3
=
love is a love that is strong,
mp
5 5 M
55 5 5
555 5 5 5M
3
poco a poco accel. molto
1 5 5 5 5 5 5 5 2G G
5 5
5 5 5
=
and I found all the right words to say.
55 5 5 5M
5 5 5 5 5 5
5 5M
55 5
55 5
55 5 5 5M
5 5M
And we
555 5 5 5M
5 5 55 5 5
5 5M
155 413
1 (accel.) Alba G D. G C.
Albt.
R.
0
?
0
?
G 5 5 5 5 5 5 5 G i 2 G
Yes, our
4
= 5 5
3
4
So their
3 3 that the lov - ers are lov - ers to stay.
0
?
4
= 5 5 Yes, our
0 (accel.)
?
55 55
555 5 5 5M
55 4 5 5 5M
5 = 5M
= 5 5
4
55 = 5 5 = 5M
So their
555 = 5 = 5M
55 5 5 5M
55 5 5 5M
Moderato q = 108
1 5 5 5 55 5 Alba G 5 love is D.
= 5 5
= 5 5 5 5 5 5 5 5 5
all knew be - fore ver - y long,
5 5 M 415
4
a
love that is strong,
G 5 5 5 5 5 5 5 love is
a
= 5 5 5 5 5 5 5 5 5
love that is strong,
and she found all the right words to say,
=
5 5 5 5 5 5 5 5 5 and she found all the right words to say,
=5 5 and we
=5 5 and we
= 5 5 5 5 5 5 5 5 5 = C. G = 5 5 5 5 5 5 5 5 = 5 so their love is a love that is strong, and I found all the right words to say. 5 5 5 55 5 =5 5 = 5 5 5 5 5 Albt. G 5 5 5 5 5 i love is a love that is strong, and she found all the right words to say, and we 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = = R. love is a love that is strong, and she found all the right words to say, and we 5 5 5 5 5 5 5 5 5 5 = = 5 5 5 5 5 5 5 5 = = G. 2 so their love is a love that is strong,
and she found all the right words to say.
Moderato q = 108 55 55 55 55 55 G 555 5 5 5 5 555 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 M M M M 5M 5M 5M 5M
156 417
5 5 5 5 5 5 1 Alba G 5
3
= 5 5 5555 5 5 5
G 5 5 5 5 5 5 5
=
allknew be - fore ver - y long C.
4
4
4
4
4
3 3 that our love is a love that will stay.
allknew be - fore ver - y long
D.
4
3
3
5 5 5555 5 5 5 3
that our love is a love that will stay. 3 3 3
G = 5 5 5 5 5 5 5 5 5555 5 5 5 5 5 5
And we all knew be - fore ver - y long that their love is a love that will stay.
Albt.
R.
5 5 5 5 5 5 5 G i allknew be - fore ver - y long 5 5 5 5 5 5 5
=
3
3
5555 5 5 5
3 that our love is a love that will stay.
=
5 5 5555 5 5 5
3 3 3 that our love is a love that will stay. 3
allknew be - fore ver - y long
G.
5 5
= 5 5 5 5 5 5 55 5555 5 5 5 5 5 5 2
3 3 And we all knew be - fore ver - y long that their love is a love that will stay.
G
555 5
5 5 M
419
55 5 5
55 4 5 5 5M
5 5M
5 5M
If...
4 G 4
=
= =
5 555 555 555 =
f 5 = 5M 5
5
Allegro spiritoso q = 132
rit. molto
1 B C. 2G
55 = 55 5 5 5 = 5 5M 5M
B you...
EB
5 : E5 5 :
are...
5
5
5 E 5 5 555 = 4 55 = 4 !E 55 =
5 ! 5 5 5 = 4 !5 = 4 5 =
sad,
you come
55 :: E55 55 :: 5
55
5
5 5:
and see
55 55 ::
5 5 !5 La Cu - ran -
55 55 !55
55 5 5 5
5
55
157
421
1 Alba G ?
= 5 5 5
5
La Cu - ran - de D.
C.
G ?
R.
G ? i ?
5 -
= 5 5 5 5 5 5 = = 5 5 5
5
5 5 = 5 5 G 5 5 5 5 M 55 55 55 5 5 5 5 5 5 5
hap
-
ra,
-
py that
you met
La Cu - ran
55 5
55M :: 5:
55M 5
55M 5
! 55M !5
-
ra.
-
5
La Cu - ran - de
55 55 M 55 5
5 de
55 5
-
You will be
5
La Cu - ran - de
5 5 = 5
-
? = 5 5 E5
-
55 55 55 = M 55 5 5 5 5 5 55 5
5 5 !5
ra.
5
= 5 5 5 La Cu - ran - de 5 5 5 5 =
ra,
5 5:
?
?
ra,
5 -
-
5
5 -
5
5
La Cu - ran - de
ra,
E5 5 :
55 :: E 55 55 :: : : G 5 E5 5
= 5 5 5
5
5
La Cu - ran - de
424
-
5
La Cu - ran - de
5
5
La Cu - ran - de
1 5: C. 2G
ra,
0
La Cu - ran - de
G.
= 5 5 5
?
ra.
? 2
-
5
La Cu - ran - de
G 5 de
Albt.
=5 5 5
5
?
ra.
5
?
ra.
5 -
?
ra.
5 5 =5
55 !E 55 5 E5
55 55 55 M 5 5 55 55 5 55 55 5 5 5 5 5 5 5 5
= 5
5 5
ra.
A
lit - tle
55 55 = 5 5 p mf 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5
55 5 55 5
158
426
1 Alba G
0
= 5 5 E5
?
La
D.
G
0
?
C.
mag
Albt.
R.
5 -
= 5
ic
is
G i
0
2
0
5 5 all
it
55 = 5 5 5 5 5 5 5 5 5 5
= 5 5 E5
?
5 55
la
la
5 5 !5 =
?
55 55 5 5
la
takes.
La
55 5
la
?
B
La
55 G 5
la
= 5 5 !5 La
G 5
la
4
la
la
= 5 55 !E55
55 55 5 5 5 5 5 = 4 5 5 5 5
159
428
1 : 5 : E5 5 : Alba G : la
D.
G :: 5 : la
C.
5 5:
5 5 !5
la la
la la
la Cu - ran
!5 5 :
5 5:
5 5 5
la la
la la
la Cu - ran
R.
de
-
5 -
de
-
5 : E5 5 : G :: i la la la
5
:: 5:
la la la
la la la
5 5:
5 5 !5
la la
la Cu - ran
!5 5:
5 5:
5 5 5
la la
la la
la Cu - ran
:: = 5 5 5 5 5 5 5 5 5 = 2 La la la
: : G :: 55 : !E55 55 :
la la la
55 55 ::
La
-
de
5 -
de
55 55 !55
-
La
55
=
es
5 5 es
5 = -
ra
5
5 5
ยกNo
es
5 =
ra
5 5
ยกNo
5
Cu - ran - de
55
ยกNo
5
ra
5 5
5 5
ยกNo
Cu - ran - de
5
= 5
la la la
5 5
5
= 5
ra
5 -
=
ra
5
= 5
la
G.
-
5
5 = G :: = 5 5 5 5 5 5 5 5 La la la
Albt.
5
es
5 = -
= 55
ra
5 5 5 5
55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 :: 5 5 5 5 5 5 5 5
160
430
1 5 Alba G
5 5
5
=
3 trรก - gi - ca,
D.
G 5
3
es
5 5
C.
Albt.
R.
5
5 5
ยกNo
es
5 trรก
3
= 5 5
=
5
5 =
5 5
ยกNo
es
55
5 5 5 5
5 trรก
5
3
= 5
5 5
Es
5
5 5
5
La
5 5 =
5 5
= 5
55 5 M 5M
5 5
la
= 5 5 !5 La
5
3
la
la
5 5 =
= 5 5 E5 La
la
la
5 5 !5 = La
5
la
la
5 5 =
3 mรก - gi - ca!
Es
55
la
mรก - gi - ca!
3 mรก - gi - ca!
- gi - ca!
= 55
5 5
= 5 5 E5
3 mรก - gi - ca!
es
= 5 2
G 55
5 es
5 5
3 mรก - gi - ca!
- gi - ca!
5 5 5 G i trรก 3- gi - ca,
5 5
3 mรก - gi - ca!
es
3 trรก - gi - ca,
G.
5 5
= 5
trรก - gi - ca,
G =
5 5
5
55
5 5 = 5 f
55 !E 55 5 E5
55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
161
432
1 5 : Alba G la
D.
G 5: la
C.
E5 5 :
5 5:
5 5 !5
la la
la la
la Cu - ran
!5 5 :
5 5:
5 5 5
la la
la la
la Cu - ran
R.
de
-
5 -
de
-
5: G i la
E5 5 :
5 5:
5 5 !5
5
la la
la la
la Cu - ran
5:
!5 5:
5 5:
5 5 5
la la
la la
la Cu - ran
la la la
la la la
= 5 5 5 5 5 5 5 5 5 = 2 La la la
55 :: !E 55 55 :: : : G 5 E5 5 p
la la la
55 5
55 :: 5:
La
-
de
5 -
de
55 55 ! 55 5 5 !5
-
= 5
la la la
La
55 5 mf
5 5
5
5 5
a
lit - tle
= 5
ra,
a
5 5 lit - tle
5
5 =
Cu - ran - de
-
ra
5
5 5
ra,
a
lit - tle
5
= 5
5 5
ra,
a
lit - tle
5 -
=
ra,
5
= 5
la
G.
-
5
5 = G = 5 5 5 5 5 5 5 5 La la la
Albt.
5
5 5
=
5
Cu - ran - de
55 5
5 = -
55 = 5
ra
55 5 5 55
55 55 55 55 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
162
434
1 5 Alba G
5
mag
D.
-
G 5
C.
Albt.
R.
-
5 5
a
lit - tle
5 -
5 mag
G.
-
= 5 is
5
= 5
5
5 =
ic
is
a
lit - tle
all
5
it
5 5 all
mag - ic is all
is
5 5
5 5
it
5 5 5 5
ic
= 5 2
55 G 5
is
ic
G = 5 5 G i mag
= 5
ic
5
mag
1.
it
5 5 all
it
5 5 all
it
5 5 5 5
mag - ic is all
it
B
= 5 5 E5 ::
takes!
La, la,
la
= 5 5 !5 ::
B takes!
La, la,
la
::
?
B takes!
B
= 5 5 E5 ::
takes!
La, la,
la
5 5 !5 : = :
B takes!
La, la,
B
?
la
::
takes!
1.
55 5
55 = 5
55 55 5 5
5 55
4
= 5 55 !E55 ::
55 55 5 5 5 5 5 5 5 5 5 5 5 = 4 5 5 5 5 5 5 5
::
163
2. 435a
Alba
Poco grandioso e = 200
1 5: G
5 = =
0
takes!
D.
ยกVi - va La Cu - ran - de
5 = =
G 5 : takes!
C.
5 5 5 5
R.
G 5 :
= = 5
4:
5: G i takes!
5 = =
5: -
5 5: 5 5 ยกLa Cu - ran - de
0
-
5:
5 = =
4:
5 = =
5 5 5 5:
takes!
5 5 5 5
-
5 5:
ยกVi - va La Cu - ran - de
5
5:
4:
= 5 5
ra!
ยกSรญ, se -
5: -
4:
ra!
ra!
=
ra!
5: -
ra!
Vi - va La Cu - ran-
5: -
ra!
5 5 5 5 5: 5 5:
ยกLa Cu - ran - de
5: 2
5:
5 5 5 5
ยกVi - va La Cu - ran - de
takes!
G.
5 5:
ยกVi - va La Cu - ran - de
takes!
Albt.
5 5 5 5 5: 5 5:
5 5
ยกSรญ, se -
5 5 5 5
5
Vi - va La Cu - ran-
2.
Poco grandioso e = 200
55 55 G
55 55
555 5
55 55
555 ::: 555 B: 5 5 5: 5 B: 5 5
5: 5:
5 5
f
5: 5:
55 55 5555 5555 5555 5 5
5: 5:
55 55
555 ::: 555 B: 5 5 5: 5 B: 5 5
5: 5:
5 5
55 55 5 5
164
439
Subito piĂš mosso q = 144
1 = Alba G
La
D.
G 5 de
C.
R.
-
G 5 =
=
ra,
ÂĄSĂ,
de
ra.
La
5
4
4
Cu - ran - de
-
=
ra.
4
-
ra,
ra,
La
La
5
se - Ăąor!
Cu - ran - de
5 -
ra
4
se - Ăąor!
5 -
Cu - ran -
4
5 5 5
4
ra
5 5 5
5 5 5 5 La
Cu - ran - de
-
5 5 5
ÂĄSĂ,
5 5 5
=
5
se - Ăąor!
=
Cu - ran - de
ÂĄSĂ,
5
5
5 5 5 5
se - Ăąor!
5 -
=
5 5 5
La
= 5 5 5 G 5 i La Cu - ran - de 5 = 5 5 5 5 2
-
5 5 5 ÂĄSĂ,
Ăąor!
G.
Cu - ran - de
5
Ăąor!
Albt.
5
5 5 5 5
ra,
=
5 5 5 La
Cu - ran -
Subito piĂš mosso q = 144
3 55 3 3 55 3 55 G 3 55 3 5 5 5 5 5 5 555 5 5 5 5 555 5 55555 5 = 5 M
5 = 5M
5 354 5 5M
sfz
5 = 5M
5 = 5M
5 354 5 5M
sfz
165
441
Alba
1 ? G
=
5
5 La
D.
G 5 de
C.
5 -
G 4
ra,
5 ÂĄSĂ,
Albt.
R.
5
se - Ăąor!
= 5
5 2
G 3
5 5
5
se - Ăąor!
5 -
5
=
ra,
5
5
5 La
5
5
5
5
5 La
5 La
5
5 = 5 M
5 = 5M
5 5M
3 55 4
sfz
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
'
Cu - ran - de
3 55 55 3 5 5 555 5 55555
-
'
Cu - ran - de
5
-
'
Cu - ran - de
5
-
'
Cu - ran - de
5
-
'
Cu - ran - de
La
4
de
5
' '
Cu - ran - de
La
G ? i
ÂĄSĂ,
G.
=
5
M M M M M M 5 5 5 5 5 5 5 5 5 5
5 5 5 5M 5M 35
5 = 5M
3 55 4
5 = 5M
5 5M
sfz
166 443
1 ' Alba G
5
=
4
?
5
=
4
?
5
=
4
?
5
=
4
?
5
=
4
?
5
=
4
?
ra!
D.
' G ra!
C.
G ' ra!
Albt.
R.
' G i ra! ' ra!
G.
' 2 ra!
G
M M M M M M 5 5 5 5 5 5 5 5 5
5 = 5 M
5 = 5M
5 5 5 5M 5M 5 M M 5 5M 5M 5 M 5M 5 5 5M 5M !5 5 5 5 5555555 535 5 !5 5 5 5 5 5 5 5 = 5M
5 354 5M
5 sfz
5 = 5M
5 354 5M
5
G
sfz
Subito misterioso q = 84 445
exultantly ossia: 8va fp
1 C. 2G = ! 5 5
a piacere
5
ÂĄA
G G
! ''
ff
5 5 5 5 5 E5 !5 5 ! ' yĂ!
'' ! '' fp
f
?
BB !BB
''
! ''
''
167 (La Curandera laughs and everyone cheers.)
(playfully imitating her)
fp
f
5 5!5 1 5 E 5
5 !B Alba G = !5 5 5 5 5 447
ยกA
5 5
ff
s. glis
yรญ!
2 = 4 ?
ยกYa!
(playfully imitating her)
fp
D.
f
5 5!5
5 E 5 5 !B G = !5 5 5 5 5 ยกA
5 5
ff
s. glis
yรญ!
2 = 4 ?
ยกYa!
(playfully imitating her)
fp
Albt.
f
5 5!5
5 E 5 5 !B G = !5 5 5 5 5 i ยกA yรญ!
ff
gliss. 2 5 5 = 4 ?
ยกYa!
(playfully imitating her)
fp
f
ossia: 8va
R.
5 5!5 5 E 5 = 5 !B ! 5 5 5 5 5 ยกA
ff
s. 2 glis = 4 ? 5 5
yรญ!
ยกYa!
(playfully imitating her)
fp
5 5!5 5 E 5 = 5 5 !B 2 ! 5 5 5 5 ยกA
G ' !' fp
ff
. liss 2 = 4 ? g 5 5
yรญ!
''
! ''
''
55 55 = 4 ?
ff
f
= !5 5 5 5 5E5 5 5!5 5 !' !5 5 5 5 5
ยกYa!
gli ss.
G.
f
!'
= 4 ? 5 5
168
450
Alba
K 5 5 5 B: 5 5
A tempo, allegro e = 200
1 G
0
f
ยกLa
D.
de - ra!
K 5 5 5 B: 5 5
G
0
Cu - ran
-
0
de - ra!
K 5 5 5 5 5 B : f
G
0
ยกLa
Albt.
-
f
ยกLa
C.
Cu - ran
0
Cu - ran
-
0
de - ra!
K 5 5 5 B: 5 5 f
G i
0
ยกLa
Cu - ran
-
0
de - ra!
K : 5 5 5 B 5 5 f
R.
0
ยกLa
G.
Cu - ran
-
0
de - ra!
K 5 5 5 5 B: 5 f
2
0
ยกLa
Cu - ran
-
de - ra!
A tempo, allegro e = 200
BB ::
5 5 ! 5 5 E 5 ! BB :: = 5 E 5 5 ! 5 G !5 f
5 5 sfz
55 55
55 55
55 55
55 55
55 55 B : B:
0
0
5 555 = 4
?
ff
0
= 4 5
5
? attacca
169
Curtain Call/Conga Line/Clap-along Music Allegro spiritoso q = 145
G
= 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 mf 5 = = 5 3 5 4 5 = 5 = 5 3 5 4 5 5 5 5 5M 5M 5M M 5M 5 sfz sfz M 3
M G 5 5M 5 5 5 5 = 5 5 5 5M 5 5 5 5 = 5 5 5 5 5 5 5 5 = 5 5 5 = 5 = 5 3 5 4 5 5 M 5M 5M sfz
6
G 5 5 5 5 !5 5
5 = 5M
5 5 = 5 354 5M 5M sfz
5M 5M 5 5 5M 5 5 5
= = 5 3 5 4 5 5 5 5M 5M 5M p sfz
5 = 5M
= 5 354 5 5 5 5M M sfz
5 5 5 5 5 5
5 = 5 = 5 3 5 4 5 5M 5M 5M sfz
5 = = 5 5M 5M
9
= 55 G 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 5 5 5 5 5 5 5 5 5 5 5 5 = 5 M
5 = 5M
5 354 5 5M sfz
5 = 5M
5 = 5M
5 354 5 5M sfz
170
M 5 5 M 5 5 5 M 5 5 5 5 5 5 5 5 5 5 = 55 5 = 55 5 5 5 5 5 5 5 G 5 5 5 5 5 5 5 5 5
5 5 5 5 55 5 5 5 5 = 55
5 = 5 = 5 3 5 4 5 5 M 5M 5M sfz
= 354 5 55 5 M sfz 5M
11
5 = 5M
5 5 = 5 354 5M 5M sfz
5 = 5M
5M 5M 5 5 5M 5 5 5 5 5 5 5 5 5 5 5
5 5 5 5 !5 5 G 5 5 5 5 !5 5
14
5 5 5 5 5 5 5 5 5 5 5 5
5 = 5 = 5 3 5 4 5 5M 5M 5M sfz
= = 5 3 5 4 5 5 5 5M 5M 5M p sfz
5 = = 5 5M 5M
17
5 55 55 !55 5 5 5 ! 5 5 G 5 5 5 5 5 5 5 5 5 5 5 5 55 E 5 5 5 5 5 5 5 5 5 f
5 5 M 19
=
5 5M
=
5 5M
Conga line
5 = 4 5
3 55 4 sfz
55 5 5 5 5M 5M 5M 5M 5 5 5 5M 5M 3 G 5 55 5 M M sfz 5 = 5 = 5 3 5 4 5 5 5M M 5M
?
5 5 5 5M 5M M 5M 5M 5M 3 5 5 5 5 5 M M 55 5 5 = 5M
sfz
= 5 5M
5 5M
3 55 4
21
5 !5 5 5 5 5 5M 5M 5 5 5 5 5M 5M 5 5 5M 5M 5 5 5 5 5 5 5M 5M G 5 5M 5 M M M M M M 5 5 3 5 !5 5 = 5 M
sfz
5 = 5M
5 5M
3 55 4
5 = 5M
sfz
5 = 5M
5 5M
5 354
171
23
5 55555555 5 5 5M 5M G 5 5M 5M 5M 5M 5M 5M 5 5 3 55 !5 5 5M 5M M M M M M M 5 5 3 5 !5 5 = 5 M
sfz
5 = 5M
5 5M
3 55 4
sfz
5 = 5M
5 = 5M
5 5M
3 55 4
25
5 !5 5M 5M 5 5 5M 5M 5 5 5M 5 5 5 5 5 !5 5 5 5 5 5M 5M 5 3 5 5 5 5M 5M G 5 5 55 M M M M 5 = 5 M
sfz
5 = 5M
5 5M
5 354
sfz
5 5 =
5 = 5
5 5
5 5 3 = 5 5
5 5 5 5M 5M 5 5 5 5M 5M M 5M 5M 5M 5M 5M M 5M 5M 5M 5M 5M 5 5 5 5 55 5 5 55 5 5 3 3 G
27
sfz
5 = 5 M
5 = 5M
5 5M
3 55 4
sfz
5 = 5M
5 = 5M
5 5M
3 55 4
M 5M 5 5 5M 5M 5 5 5M 5 5 5 5M 5M 5 5 5M 5M 5M 5M 5M 5M 5 ! 5 5 5M 5M 5 ! 5 5 5535 5 G
29
sfz
5 = 5 M 31
G
5 = 5M
5 5 5M 5M 5M 5M 5M 5M
5 = 5 M
5 354 5 5M
5 = 5M
5 35 4 5 5M
M 5M M 5M 5 5 5M 5M 5M 5M 5M 5M 5 5 5 5 5 5 ! 5 ! 5 5535 5535 sfz
5 = 5M
5 = 5M
sfz
5 35 4 5 5M
5 = 5M
sfz
5 = 5M
5 35 4 5 5M
172 33
D.
1 G
0
?
=
5 5
5 Co
R.
2
0
?
mo
5 5
5
=
Co
mo
Stop Congaâ&#x20AC;&#x201D;lead audience clap-along
M M 5 ! 5 5M 5M 5 5 5M 5M 5 5 5M 5 5 5 5M 5M 5 ! 5 5M 5M 5 5 5M 5M 5 5 5 5 5 5 5 5 35 G sfz
5 = 5 M
5 = 5M
5 354 5 5M
35
1 Alba G ? D.
MĂŠ C.
Albt.
R.
5 5: -
=
G ? i 5:
5:
mo
MĂŠ
Co
5
5 5
5:
Co
mo
MĂŠ
5 5
mo
5
= 5 55 5 55 5
=
5 5 5 -
5:
MĂŠ
B
5 5
5:
mo
MĂŠ
5 5 55 5
BB B
55 5 = = 55 55 5 5 5 5
5
4
5
xi - co no_hay dos,
5 5
= 5 5 5 5 -
-
no_hay dos,
Co
5 55 = = G 55 55 5 5 5 5
5 = 5
B
5
xi - co
2 ?
sfz
5 5 35 5 = 5 5
no_hay dos,
= 5 Co 5 5: -
5 5
xi - co
G ?
MĂŠ G.
= 5
5: G
5 5
nues - tros
4
xi - co no_hay dos,
5 5 5
4
5
xi - co no_hay dos,
5 5
5 =
5 5 5 -
5
con
5
con
nues - tros
4
xi - co no_hay dos,
55 55 5 5
5
55 5
55 55 5 5
55 = 5
5 3 5 4 5 5 sfz
173
37
5 5 5:
1 = 5 Alba G con
D.
5: G -
G = 5
R.
G.
nues - tros
nues - tros
con
-
lle
5 5
5
nos
hi
de
glo
5
5
jos
lle
5
5
jos
lle
5 5
5
-
hi
-
5 5 -
= 5 2
lle
jos
-
5 5 5:
G = 5 i con 5: hi
jos
5
5 5 5:
con
Albt.
hi
5 5
hi
C.
nues - tros
5
jos
lle
-
nos
5 5 5: nues - tros
5 55 = = G 55 55 5 5 5 5
5 55 55 5
hi
de
5 -
55 5 = = 55 55 5 5 5 5
glo
-
5:
5 5
nos
de glo
5 -
-
-
-
5 -
-
ria.
= 5
ria.
Co
5:
5 5
nos
de glo
5:
5 5
nos
de glo
5
5 5 !5 -
ria.
5 -
Co
5:
5 5
nos
de glo
La
5 -
ria.
5 =
ria.
mo
5 !5 -
mo
La
5
jos
lle
-
ria.
5 5 55 5
BB B
55 = 5
5 5 5 5 55 55 5 55
5 3 5 4 5 5
55 !55 5! 5
sfz
174
39
1 = 5 Alba G
5: ! 5 5
Co - mo La Cu
D.
G 5: Cu
C.
5 !5 5 -
!5 5 E5 = 5 -
ran - de - ra
G
= 5
ran - de - ra
5:
5
5
tam - po - co_hay dos.
5 5 !B
= 5
tam - po - co_hay dos.
0
4 5
ยกUn
lau -
$ 5 5 3 5
=:
?
ยกSรญ,
Albt.
R.
G = 5 i Co : 5 Cu
G.
2
5: 5 5 - mo La Cu
!5 5 E 5 -
5 E5 5 -
5 =
ran - de - ra
= 5
ran - de - ra
5:
5
5
se -
4
tam - po - co_hay dos.
5 5 !B
5 =
tam - po - co_hay dos.
0
?
5
ยกUn
=:
55 ! BB = = 5 !B 555 555 555 5 555 555 555 5 5
!5 lau
5 5 3 5 ยกSรญ,
55 E 55 55 G 5 = = E 5 5 5 5 5 5 55 55 5 55 5
!5
55 = 5
se -
55 !55 5 !5
5 3 5 4 5 5 sfz
175
41
1 = 5 Alba G
5 5 5
B = 5 5
lau - rel
de vic - to
ÂĄUn
D.
C.
G 5:
5 5:
rel
pa - ra_e
G 5
4
5 5: -
4
R.
lla de
vic - to
=:
5 B ÂĄVic - to
G.
2 5
pa - ra_e
4
4
-
-
de vic - to
5 5: -
-
-
vic - to
=:
5 B
Ăąor!
ÂĄVic - to
ria!
5 5
ria! Co
-
5 = -
-
-
-
ria!
4
ria!
5 5
5 5 -
-
ria! Co
-
5 = -
-
mo
4
5 =
5 B
lla de
4
5 5
= 5 5 B
5 G = !5 5 5 i ÂĄUn lau - rel 5 5: : 5 rel
5 =
5 B
Ăąor!
Albt.
poco accel.
mo
4
ria!
poco accel.
55 55 55 5 G 5 = = 5 = = 5 5 5 5 5 5 55 55 5 55 5 55 55 5
55 5 555
55 5 !5 5 55 5 5
= 5 5 5 5 5 5 55 5 5 5 5 5 5
55 55 5
55 555
3 55 4 sfz
5 555 5
176
43
Stretto brillante
1 ? Alba G
= 5 Co
D.
5: G MĂŠ
C.
R.
-
G.
mo
MĂŠ
5
B
-
xi - co
G ?
Co
5 5
5:
mo
MĂŠ
5 5
5:
mo
MĂŠ
5
B
-
= 5 -
5 5: -
xi - co
-
Co
5 5
5:
mo
MĂŠ
5 5 55 5
BB B
-
4
5
xi - co no_hay dos,
5 5
= 5 con
5 5 5 -
5 5 5 -
nues - tros
5
4
xi - co no_hay dos,
4
5
xi - co no_hay dos,
5 5
5 =
no_hay dos,
= 5
? 2
5 5 5
no_hay dos,
= 5
G ? i 5: MĂŠ
5:
5 5:
Co
Albt.
5 5
5 5 5 -
5
con
nues - tros
4
xi - co no_hay dos,
Stretto brillante
5 55 = = G 55 55 5 5 5 5
5 55 55 5
55 5 = = 55 55 5 5 5 5
55 55 55 5 5 5 5 5
55 55 5 5
55 = 5
5 3 5 4 5 5 sfz
177
45
5 5 5:
1 = 5 Alba G con
D.
5 55
-
G = 5
R.
G.
nues - tros
nues - tros
con
jos
-
hi
nos
5
5
jos
lle
5
5
jos
lle
5 5
5
-
-
nos
5 55 = = G 55 55 5 5 5 5
5 55 55 5
hi
5 5 55 55
de
5 -
jos
5: 5:
55 55 55 5 5 5 5 5
-
5 glo
5 5 5: nues - tros
lle
de
-
hi
lle
jos
5 55
5 5 -
= 5 2
lle
5
5:
5
5 5 5:
G = 5 i con 5: hi
jos
-
5 5 5:
con
Albt.
hi
ossia:
5: G hi
C.
nues - tros
5
glo
-
-
-
-
5 lle
5 55 5 5
-
5:
5 5
nos
de glo
5 -
5
= 5
ria
Co
5:
5 5
nos
de glo
5:
5 5
nos
de glo
5 !5
-
Co
de glo
55 5
5 5 5 5 55 55 5 55
la
ria.
-
ria
nos
mo
5
5 = 5 5
-
5
5
5:
ria.
ria.
5 !5 -
mo
la
5 -
ria.
55 = 5
55 !55 5! 5
5 3 5 4 5 5 sfz
178
47
1 = 5 Alba G
5: ! 5 5
Co - mo La
D.
G 5: Cu
C.
Cu
5 !5 5 -
!5 5 E5 = 5 -
ran - de - ra
G
= 5
ran - de - ra
5
5:
5
tam - po - co_hay dos.
5 5 !B
= 5
tam - po - co_hay dos.
0
4 5
ยกUn
lau -
$ 5 5 3 5
=:
?
ยกSรญ,
Albt.
R.
G = 5 i Co : 5 Cu
G.
2
5: 5 5 - mo La
!5 5 E 5 -
Cu
5 E5 5 -
5 =
ran - de - ra
= 5
ran - de - ra
5: !5
5
se -
4
tam - po - co_hay dos.
5 5 !B
5 =
tam - po - co_hay dos.
0
!5
5
ยกUn
=:
?
lau
5 5 3 5 ยกSรญ,
55 E 55 55 :: ! 55 5 E 55 ! 55 : 5 5 5 !5 G 5 = = E 5 5 5 5 5 5 5 5 5 5 5 55 55 5 55 5 55 55 5 55 5 55 55
55 = 5
55 5 5
555
!5
se -
55 !55 5 !5
5 3 5 4 5 5 sfz
179
a tempo
49
1 = 5 5 5 5 Alba G ÂĄUn
D.
G 5: G 5
=
lau - rel
R.
par_a e -
4
lla de
vic - to
=:
5 '
4
ÂĄVic - to
5 5 ' = !5 5 5 5 = G i ÂĄUn lau - rel de vic - to 5 5: 5 5 : 5 ' : 5 rel
G.
'
de vic - to
Ăąor!
Albt.
55 55
2 5
5 == 5 5=4 -
-
-
5 5 : 5 5: 5 '
rel
C.
ossia:
'
par_a e -
4
lla de
vic - to
=:
5 '
4
Ăąor!
ÂĄVic - to
55 = 5
55 5=
55 G 5 = 5 5 5 5 5 555 55 555 555 55
55 = 5 555 5
ria!
ÂĄO - lĂŠ!
5 = = 5 5 = 4 -
-
-
ria!
ÂĄO - lĂŠ!
5 = = 5 5 = 4 -
-
-
ria!
ÂĄO - lĂŠ!
5 == 5 5=4 -
-
-
ria!
ÂĄO - lĂŠ!
5 5 5 == =4 -
-
-
ria!
ÂĄO - lĂŠ!
5 = = 5 5 = 4 -
-
-
ria!
ÂĄO - lĂŠ!
a tempo
5 55 5 55 5 5M 5M 5M 5M 5 5 5M 5M 5M 5M 55 M M 5 5 = 5 = 5 MM 5 = 4
5
5 = 4
5
5 = 5 =
5 5
5 555 =4 = 4 5
5