BOLLON
Waiting for my plane for orchestra
Full Score
FABRICE BOLLON
Waiting for my plane for
orchestra
(2010)
Waiting for my plane
Duration: 6'30"
Orchestration:
3 Flutes (picc)
2 Oboes
1 English horn
2 Clarinets in Bb
1 Bassclarinet in Bb
2 Bassoons
1 Contrabassoon
4 Horns
3 Trumpets
3 Trombones
1 Tuba
Timpani
Drumset
Percussion
1 Harp
Strings
Score is written in C. Picc, Double basses, Glock. etc are written in the usuals transpositions
Every accidental incl. quater tones remains in effect for the note to the end of the bar
Percussion:
Marimba
Vibraphone
Glockenspiel
Crotales
Tub. Bells
Drumset (Hi-hat, snare drum, 3 toms, pedalbassdrum)
Claves
1 Wood block medium
1 Tam Tam medium
1 Thai gong in D2
Tumba (very low)
Congas
2 Bongos
4 Rototoms
Susp. cymbal large
1 Jembe
1 Bassdrum
1 Tamburin
1 Rattle
1 Maracas
Pour Marion et Thies, en toute amitié.
Remark:
The idea to compose this piece came as I was waiting for my plane at the airport in Belgrade. Don't look for more references in the music, as the joy to play ironically with the musical idea itself: there is no waiting room, and no plane... Fabrice Bollon
Waiting for my plane
Score in C 1965*
Allegro ( q = c 120}
3 Flutes
2 Oboes
English Horn
Clarinet 1
Bass Clarinet
2 Bassoons
Contrabassoon
Horns 1&3
Horns 2&4
3 Trumpets
3 Trombones
Tuba
Percussion
Drumset
Timpani
soli
with very small and slow gliss.
Bass drum NB: except for bars 152-161, this drumsetpart is to be played strictly as notated
Allegro ( q = c 120} on bridge, only air, no sound, mute all strings on bridge, only air, no sound, mute all strings
others on bridge, only air, no sound, mute all strings P on bridge, only air, no sound, mute all strings
slow and smal gliss.
Fabrice Bollon
* play this note allways lightly accentuated, and early in the beat
Bsn.
Congas
Tumba
Sord.
Sord.
Hn.
Hn.
Tbn.
Marimba
play this note allways lightly accentuated, and early in the
Senza sord.
Tub. bells
Tumba
Drumset Db-bs
Senza sord.
Tbn.1,2,3
Tub. bells
Congas
Drumset
Vle.
Tub.
Edition Peters Rental Library
For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to acquire new works by composers such as Brahms, Grieg and Liszt, continuing into the twentieth century with Richard Strauss, Arnold Schoenberg and John Cage.
Today, as the publisher of living composers from around the world, Edition Peters continues its role as a champion of new music while continuing to develop its historic and education catalogues with award-winning critical and pedagogical editions.
Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Tastenmusik. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie hinzugekommen. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt. Diese Tradition fand ihre Fortsetzung im 20. Jahrhundert in der Zusammenarbeit mit Richard Strauss, Arnold Schönberg und John Cage.
Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.
THIS IS RENTAL MATERIAL AND MUST BE RETURNED AFTER USE
EDITION PETERS GROUP Rental Library
Tel: +49 (0341)9604707 · Fax: +49 (0341)9603120
kbm@editionpeters.com · rentals.uk@editionpeters.com · rentals.us@editionpeters.com
www.editionpeters.com
The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße