Matre VIOLIN CONCERTO

Page 1


MATRE

Violin Concerto

Version for Solo Violin and Orchestra

Score

Violin Concerto ØRJAN MATRE

Version for Solo Violin and Orchestra

(2014)

Score

Instrumentation

flute

Piccolo

Flute

Oboe 1

Oboe 2 (doubling English Horn)

Clarinet in B b 1

Clarinet in B b 2 (doubling Bass Clarinet)

Bassoon 1

Bassoon 2 (doubling Contrabassoon)

Horn in F 1

Horn in F 2

Trumpet in C 1

Trumpet in C 2

Trumpet in C 3

Tenor Trombone 1

Tenor Trombone 2 Bass Trombone

Tuba

Timpani

Percussion 1

Snare drums (3 sizes - piccolo/medium/large) Gran cassa Tam-tam (medium) Triangle (small)

Bongos (2) Woodblock (small) Sandpaper - medium grit Guiro (large) Tuned gongs (5 pitches)

Percussion 2

Vibraphone Glockenspiel Tam-tam (large) Guiro (large) Metal blocks (2) Triangle (medium) Temple blocks Woodblock (large)

Harp

Piano/Celesta (one player)

Strings

The score is transposed.

Score revised 2017 with support from Norwegian Society of Composers.

Durata: approximately 24 minutes

The Violin Concerto exists in two version, one for violin an orchestra and one for violin and ensemble. The two versions are not completely identical, some parts excist only in one of them, and some parts are prolonged or shortened. The first movement is also used (in a slightly transcribed version) in Matres Konsert for orkester (Concerto for orchestra)

First performance of version for violin and ensemble: 10.09.14, Utrecht: Peter Herresthal (Violin) and Asko|Schönberg Ensemble (Conductor: Christian Karlsen)

First performance of version for violin and orchestra: 19.09.14, Oslo: Peter Herresthal (Violin) and Oslo Philharmonic Orchestra (Conductor: Ilan Volkov)

Dynamic markings with quotation marks indicate the intensity of the performance action and not the resulting absolute volume of the action.

Niente

Flutter tongue

All trills should span a minor second up, unless anything else is indicated by a note in parenthesis. When a trill to the same note is indicated, use an alternate fingering.

Strings: unmeasured tremolo

Air sound - no pitch. The oboes is to remove their mouthpieces when performing this action, contrabassoon is to blow into either B or C key.

Flutes: "Pitch-coloured" air sound. Finger notated pitches.

Trombones/trumpets: closed harmon mute

Trombones/trumpets: open harmon mute

Trombones/trumpets: a quick tremolo effect with the hand rapidly covering and opening the exit of a harmon mute.

Quarter tone flat/sharp

1/6 tone flat, always representing the 7th harmonic (fundamental always given).

Strings: damp all strings with two or more fingers (aproximately at the middle of the strings). Clear pitch to be avoided.

Violin Concerto I

Edition Peters

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the twentieth century by Richard Strauss, Arnold Schoenberg and John Cage.

Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with award-winning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage. Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße
Photo © Irène Zandel

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