Matre PRESAGE

Page 1


MATRE

preSage for Orchestra

Score

ØRJAN MATRE

preSage

for Orchestra

(2013 / 2015)

POD PETERS on demand

Instrumentation

Piccolo Flute (doubling Alto Flute)

Flute 1

Flute 2

Oboe 1

Oboe 2

English Horn

Clarinet in B b 1

Clarinet in B b 2

Bass Clarinet

Bassoon 1

Bassoon 2

Contrabassoon

Horn in F 1

Horn in F 2

Horn in F 3

Horn in F 4

Trumpet in C 1

Trumpet in C 2

Trumpet in C 3

Tenor Trombone 1

Tenor Trombone 2

Bass Trombone

Tuba

Timpani

Percussion 1

Percussion 2

Percussion 3

Percussion 4

Harp

Strings

The score is transposed.

Tam-tam (small and large) Gran cassa Guiro

Crotales (highest octave) Marimba

Metal blocks (2) Woodblock Tubular bells

Crotales (lowest octave) Glockenspiel Bongos (2)

Tom-toms (5) Temple blocks (5) Log drum

Vibraphone Sandpaper (medium grit) Piccolo snare drum

Piano/Celesta (one player)

Durata: approximately 12 minutes

A note from the composer preSage was commissioned by Oslo Philharmonic, to be performed at a concert also containing Stravinsky's “Rite of Spring”. I have therefore decided to establish a vague, but hopefully perceivable link to Stravinsky, although the outright references are few and far between. From the short interlude "The Sage", I have derived a simple two-note rhythm and a string harmonic chord. These two elements make the basis for the rhythmic and harmonic structures throughout the piece.

First performance: 28.08.13 by Oslo Philharmonic Orchestra (Conductor: Vasily Petrenko)

Recording: Stavanger Symphony Orchestra (Conductor: Rolf Gupta) Hellstenius & Matre – Violin Concertos (BIS-2152)

Dynamic markings with quotation marks indicate the intensity of the performance action and not the resulting absolute volume of the action.

All trills should span a minor second up, unless otherwise indicated by a note in parenthesis. When a trill to the same note is indicated, use an alternate fingering.

Strings: unmeasured tremolo

Air sound - no pitch. The oboes are to remove their mouthpieces when performing this action, contrabassoon is to blow into either B or C key.

Flutes: "Pitch-coloured" air sound. Finger notated pitches.

Trombones/trumpets: closed harmon mute Horns: stopped horn

Trombones/trumpets: open harmon mute Horns: not stopped

Trombones/trumpets: a quick tremolo effect with the hand rapidly covering and opening the exit of a harmon mute.

Niente
Flutter tongue

Commissioned by Oslo Philharmonic Orchestra

Ørjan Matre (b. 1979)

Tutti: Molto leggiero

Tutti: Molto leggiero

Tutti: Molto leggiero

Tutti: Molto leggiero

(sempre staccato e marcato)

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Edition Peters

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Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.

Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

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Photo © Irène Zandel

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