MATRE
Concerto for Percussion and Orchestra
Score
Concerto for Percussion and Orchestra
Score
Commissioned by Hans-Kristian Kjos Sørensen (2021) for Percussion and Orchestra
Solo percussion
Flute 1, doubling Piccolo
Flute 2, doubling Piccolo
Oboe 1
Oboe 2
Clarinet in B b 1
Clarinet in B b 2
Bassoon 1
Bassoon 2
Horn in F 1
Horn in F 2
Horn in F 3
Horn in F 4
Trumpet in C 1
Trumpet in C 2
Trumpet in C 3
Tenor Trombone 1
Tenor Trombone 2
Bass Trombone
Tuba
Strings
The score is transposed.
Durata: Approximately 25 minutes
Commissioned by Hans-Kristian Kjos Sørensen. First performance by Hans-Kristian Kjos Sørensen and Kristiansand Symphony Orchestra (Conductor: Tabita Berglund) October 21st 2021 in Kilden Performing Arts Centre, Kristiansand.
Snare drum (snares off)
Temple blocks (5)
Metal Blocks (5)
Bongos (2)
Tom-Toms (5)
Tuned Metal Bars (4 pitches)
Glockenspiel
Vibraphone (with motor)
Cow bells
Sleigh bells
Guiro
Vibraslap
Gliss gongs (2)
Rattling metal - suspended (2)
Cymbals played with bow (3-4)
Tuned gongs (7 pithces)
Dynamic markings with quotation marks indicate the intensity of the performance action and not the resulting absolute volume of the action.
Quarter tone flat/sharp
1/6 tone flat, always representing the 7th harmonic
Diminuendo al niente
Flutter tongue
Brass: valve tremolo
Winds/Brass: Air sound - no pitch. Air sounds on bassoons can be produced by blowing a few centimeters from the reed.
Trumpets/Trombones: Closed harmon mute Horns: Stopped horn
Trumpets/Trombones: Open harmon mute Horns: Not stopped
Trumpets/Trombones: A quick tremolo effect with the hand rapidly covering and opening the exit of a harmon mute.
Strings: Circular bowing (i.e. sul pont. ↔ sul tasto). The sounding result should be vague and unstable, but still with a clear projection of the notated pitches.
Strings: Hit (do not pluck) the middle of the string gently with the finger while fingering the notated pitch. The result should be a vague trembling sound.
Strings: Highest possible pitch on given string.
Heavy bow pressure, destroyed sound.
All trills should span a minor second up, unless otherwise indicated by a note in parenthesis. When a trill to the same note is indicated, use an alternate fingering.
Multiphonics (Clarinet 1) are notated with suggested fingerings and the desired pitches. If the given fingering does not work, the player is encouraged to explore alternatives that will preserve the notated pitches as faithfully as possible.
Flutter tongue if
gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss. gliss.
gliss. gliss. gliss. gliss.
*The musicians should whistle the notated pitches, micro variations in pitch are
Shift of octaves (up or down) is possible, but not desirable. For rehearsal purpose, the flute players
musicians should whistle the notated pitches, micro variations in pitch are intended. Shift of
Tranquillo q»56
Tranquillo q»56
Tranquillo q»56
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