MATRE
Chant for Bass Clarinet and Tenor Trombone
Score
and Parts
ØRJAN MATRE
Chant
for Bass Clarinet and Tenor Trombone (2008)
POD PETERS on demand
ALLE
EDITION PETERS
LEIP ZI G · L ONDO N · NE W YOR K
Piano possibile
Forte possibile
Dynamic markings with quotation marks indicate the intensity of the performance action and not the resulting absolute volume of the action
Niente
Fluttertongue
Notes in parentheses with a trill sign above indicates the note that is to be trilled. When a trill to the same note is indicated, use an alternate fngering.
Clarinet: harmonic trill. Change harmonic register while trilling – the bottom wavy line inside the box indicates the fundamental.
Trombone: diamond note heads are to be sung through the instrument
Trombone: open harmon mute
Trombone: closed harmon mute
Trombone: a quick tremolo effect with the hand rapidly covering and opening the exit of a harmon mute
Trombone: a quick opening (and closing) of the harmon mute
Trombone: roman numbers indicate slide position
Breath accent – use breating (no tongue) to emphasise
Multiphonic passages are notated with suggested fngerings and the desired pitches. If the given fngering does not work, the player is encouraged to explore alternatives that will preserve the notated pitches as faithhfully as possible.
TRANSPOSING SCORE
Duration: ca. 14 minutes
Commissioned by Oslo Chamber Music Festival with support from Arts Council Norway
First performance by Rold Borch and Marius Hesby at Oslo Chmaber Music Festival on the 19th August 2008
Commissioned by Oslo Chamber Music Festival
For Bass Clarinet and Tenor Trombone (2008)
Edition Peters
For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage.
Today, with its offces in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with award-winning critical and pedagogical editions.
Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage.
Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.
The Peters Contemporary Chamber Series offers the opportunity to discover new works to programme, study and play. Representing the full breadth of our library of modern chamber music, this curated series of performance materials ranges from established repertoire to pieces recently premiered.
Mit einer sorgfältigen Auswahl aus unserem breitgefächerten Katalog moderner Kammermusik lädt die Peters Contemporary Chamber Series dazu ein, neues Repertoire zu entdecken, zu erkunden und zu Gehör zu bringen. In Form von Aufführungsmaterialien umfasst sie etablierte Werke ebenso wie erst kürzlich uraufgeführte Kompositionen.
Photo © Irène Zandel
The offces of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße