Panisello LE MALENTENDU (SUITE) by ScoresOnDemand

PANISELLO

Le Malentendu Suite for Chamber Ensemble Score

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Le Malentendu Suite

(2016) for Chamber Ensemble

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8: Interrogation (IV from the Opera)

Trumpet

TAPE 7

Viola

Vibraphone medium mallets

Marimba medium mallets

3-Hyper-mar "a"

TAPE 7 ("Breath")

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(Hyper-mar "a")

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Muta

Perc.1

Perc.2

Pno.

Vln.

Vla.

"a")

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Perc.1

Perc.2

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Perc.1 (Vib.)

Perc.2

(Mar)

Perc.1 (Vib.)

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(click track)

TAPE 7

4-Hyper-mar "b"

(Hyper-mar "a")

TAPE 8 ("Electronic Saturation")

ord. al tall. pizz.

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Perc.1

Perc.2 Keyb.

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Piatto

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Perc.2

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Hrn.

Keyb. 1

Pno.

TAPE 7

Vln.

Vla.

Cb.

(Piatto)

(Hyper-mar. "b")

Perc.1 (Vib.)

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Perc.2

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*(cluster: include all the notes between the indicated notes)

*During bars 50 to 72 (figure 5 until four bars before the end of the piece) each instrument repeats an individual free chosen group of

bars from the former section (figure 4, bars 34-48), always incrementing the tension, until the stop sign of the

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Edition Peters Rental Library

For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to acquire new works by composers such as Brahms, Grieg and Liszt, continuing into the twentieth century with Richard Strauss, Arnold Schoenberg and John Cage.

Today, as the publisher of living composers from around the world, Edition Peters continues its role as a champion of new music while continuing to develop its historic and education catalogues with award-winning critical and pedagogical editions.

Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Tastenmusik. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie hinzugekommen. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt. Diese Tradition fand ihre Fortsetzung im 20. Jahrhundert in der Zusammenarbeit mit Richard Strauss, Arnold Schönberg und John Cage.

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