ISSUU Version For perusal only
Peters Contemporary Library
PANISELLO Le Malentendu An Opera for four Singers, Actor, Ensemble and Electronics Libretto by Juan Lucas Adaptation of the original text by Albert Camus
Full Score
EP 14159
ISSUU Version For perusal only
ISSUU Version For perusal only FABIÁN PANISELLO
Le Malentendu An Opera for four Singers, Actor, Ensemble and Electronics (2015/2016)
Libretto by Juan Lucas Adaptation of the original text by Albert Camus
Commissioned by Teatro Colón Buenos Aires, Neue Oper Wien and Warsaw Autumn Festival
POD PETERS on demand ALLE RECHTE VORBEHALTEN
· ALL RIGHTS RESERVED
EDITION PETERS L E I P Z I G · L O N D O N · NEW YORK
ISSUU Version For perusal only
To Ema Alexeeva, Christian Panisello and Martín Panisello, my beloved family
Work composed with the support of the programme Ayudas Fundación BBVA a investigadores y creadores culturales
First performance: 7 April 2016, CETC/Teatro Colón, Buenos Aires Ensemble Teatro Colón, conducted by Walter Kóbera
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ISSUU Version Le Malentendu For perusal only I: Prelude
Fabián Panisello, 2014/2015
q = q.= 80
1
Picc SD
Vieux - cenital light
very light mallets
4 12 4 8
Percussion 1
4 4
sf ppp non cresc.
4 12 4 8 G.C
3 4 98 f
pp f p
p
pp
4 12 4 8
pp
4 12 4 8
Perc 2.
pp
Vieux - cenital light
6
Perc 1. (Picc SD)
mf
ppp
sf
3 4 98
sfp
f
f
1*
4 12 4 8
2**
sf f
4 12 4 8 ff
5- Hyper-percussion
pp
f
3***
5
3 4 98
4 12 4 8 f
Kbd 1 (Hyper-percussion)
4 12 4 8
3 4 98
4 12 4 8
3 4 98
4 12 4 8
5
5- Hyper-percussion
4 12 4 8
Kbd 2.
3
f
(Hyper-percussion)
TAPE 1 ("Wurm")
4 12 4 8
TAPE 1
3 4 98
4 12 4 8
1* Volume ped.: The most of section 1, 2, 3 is f , nevertheless are some moments where cresc. or dim. needs a local use of this pedal 2** Sustain pedal: if it is not indicated, the interprete can choice among "phrase-pedal" or "motive-pedal", but pedal is always present 3*** Hyper-percussion: the written notes only represent the location of the percussion instruments in the keyboard and not actual pitches (see description)
10
Perc 1. (Picc SD)
p
sfp
f
Perc 2. (G.C)
f
sf mf 5
Kbd 1 (Hyper-perc)
Kbd 2. (Hyper-perc)
ff
f
f
TAPE 1
Litolff/Peters
33875
Music © 2016 by Henry Litolff's Verlag Ltd & Co. KG, Leipzig Text based on the play by Albert Camus © Editions Gallimard, 1958 7/17
ISSUU Version For perusal only
2 14
Perc 1. (Picc SD)
Maria - cenital light
Perc 2. (G.C) 5
Kbd 1 (Hyper-perc) ff
Kbd 2. (Hyper-perc)
ff
f
ff
f
5
f
TAPE 1
18
Perc 1. (G.C)
p
Perc 2. (Picc SD)
p
5
5
5
Kbd 1 (Hyper-perc) 5
ff 5
Kbd 2. (Hyper-perc)
5 5
5
TAPE 1
22
Perc 1. (Picc SD)
Perc 2. (G.C)
Kbd 1 (Hyper-perc)
loco
3
Kbd 2. (Hyper-perc) ff
Litolff/Peters
33875
26
Perc 1. (Picc. S.D)
JAN - cenital light
sf p
f
ISSUU Version For perusal only f
p
3
f
G.C Toms
p
G.C
Perc 2. (G.C. Toms) f
p
ff
Kbd 1 (Hyper-perc)
Kbd 2. (Hyper-perc) ff
TAPE 2/a ("Wurm 2") TAPE 2/a
30
Perc 1. (G.C) f
ff
p
p
Perc 2. (Picc SD)
mf
Kbd 1 (Hyper-perc)
p
3
Kbd 2. (Hyper-perc)
TAPE 2/a
2
34
Perc 1. (Picc SD)
Mère + Martha - cenital light
ff
f
Perc 2. (G.C)
mf
ff
Kbd 1 (Hyper-perc)
ff 5
5
mf
ff
5 5
Kbd 2. (Hyper-perc)
ff
TAPE 2/a
Litolff/Peters
33875
ISSUU Version For perusal only
4
S.D
38
Perc 1. (Picc SD)
p
Perc 2. (G.C)
p 3
Kbd 1 (Hyper-perc)
3
ff 5
5
5
Kbd 2. (Hyper-perc)
ff
ff 5
5
ff
5
f
TAPE 2/a
Piatto S.D. 41
Perc 1. (S.D.) p Perc 2. (G.C) f
p loco
3
5
5
5
Kbd 1 (Hyper-perc) 5
5
Kbd 2. (Hyper-perc)
3
3
3
fff
3
TAPE 2/a
44
Perc 1. (S.D Piatto)
Perc 2. (G.C)
5
5
Kbd 1 (Hyper-perc)
3
3 5
Kbd 2. (Hyper-perc)
3
3
TAPE 2/a
Litolff/Peters
33875
5
ISSUU Version For perusal only
46
Perc 1. (S.D Piatto)
cresc.
5
2 4
Piatto G.C
2 4
Perc 2. (G.C)
cresc. 3
3
2 4
Kbd 1 (Hyper-perc)
3
3 5
3
ff 5
5
5
2 4
Kbd 2. (Hyper-perc)
2 4
TAPE 2/a
(click track)
3 48
2 4
Perc 1.
4 12 4 8 f
2 4
Perc 2.
4 12 4 8 f 3
Kbd 1 (Hyper-perc)
3
4 12 4 8
2 4
3 5
5
2 4
Kbd 2. (Hyper-perc)
5
4 12 4 8 ff
TAPE 2/b (Wurm 2")
2 4
TAPE 2/a
4 12 4 8
50
205
Perc 1. (S.D )
p
G.C leggero Perc 2. (Piatto G.C)
p 3
3
3
Kbd 1 (Hyper-perc)
3
ff 3 5
5
5
5
TAPE 2/b
33875
3
ff
ff
Kbd 2. (Hyper-perc)
Litolff/Peters
3
3
5
5
ISSUU Version For perusal only
6 53
Perc 1. (S.D Piatto)
Perc 2. (G.C)
3
Kbd 1 (Hyper-perc)
3
f 3
3
ff
5
5
3
3
3 5
5
5
3 5
Kbd 2. (Hyper-perc)
TAPE 2/b
56
Perc 1. (S.D Piatto)
Perc 2. (G.C)
3
Kbd 1 (Hyper-perc)
ff
3
3
3
3
3
5
5
5
5
5
5
Kbd 2. (Hyper-perc)
TAPE 2/b
59
Perc 1. (S.D Piatto)
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
p poco a poco cresc.
Perc 2. (G.C)
p poco a poco cresc.
Kbd 1 (Hyper-perc) p poco a poco cresc. 5
Kbd 2. (Hyper-perc)
5
5
5
p poco a poco cresc.
TAPE STOPS
2 4
TAPE 2/b
Litolff/Peters
33875
4 4
ISSUU Version For perusal only
7
4 Very energetic q = q. 160 63
Picc.
4 4 mf
5
Cl.
5
5
5
4 4 mf
Hn.
4 4 f
Tbn.
4 4 f
Vib. 5
P.1 (Vib.)
5
5
5
4 4 mf Pedal, 1/2 pedal ad libitum
Glsp P.2 (Glsp)
4 4 mf
12- E bass
4 128 4 Kbd 1 (E-bass)
4 128 4 mf
4 4 f
Pno.
4 4 4 Very energetic q = q. 160 5
5
Vln.
5
5
4 4 mf
ord. Vla.
4 4 f
Vc.
4 4 f
pizz Cb.
4 12 4 8 f
Litolff/Peters
33875
ISSUU Version For perusal only
8 65
Picc. p
5
5
Cl. 5
B. Sax.
12 8
Hn.
Tbn.
5
5
5
P.1 5
(Vib)
P.2 (Gslp)
Kbd 1 (E Bass)
Pno.
5
5
Vln. 5
Vla.
Vc.
Cb.
Litolff/Peters
33875
5
ISSUU Version For perusal only
67
Picc.
5
9
5
5
Cl. 5
B. Sax.
Hn.
Tbn.
5
5
P.1 (Vib)
5
ped, 1/2 ped ad lib.
P.2 (Gslp)
simile
Kbd 1 (E bass )
Pno.
5
5
5
Vln.
Vla.
Vc.
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
10 69
Picc.
5
5
5
5
5
5
5
Cl.
B. Sax.
Hn.
Tbn.
5
5
P.1 (Vib)
P.2 (Gslp)
Kbd 1 (E bass)
Pno.
5
5
5
Vln.
Vla.
Vc.
Cb.
Litolff/Peters
33875
5
5
ISSUU Version For perusal only
72
Picc.
11
p súb.
5
5
Cl.
B. Sax.
Hn. 3
3
3
Tbn.
5
5
5 5
P.1 (Vib)
P.2 (Gslp)
Kbd 1 (E bass )
Pno.
5
5
Vln. 5
Vla. 3
Vc.
Cb.
Litolff/Peters
33875
3
ISSUU Version For perusal only
12 74
Picc.
5
5
Cl.
B. Sax.
Hn. 3
3
3
Tbn.
5
P.1 (Vib)
P.2 (Gslp)
Kbd 1 (E bass)
Pno.
5
5
Vln.
Vc.
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
75
Picc.
ppp
f
5
5
13
mf
5
5
Cl.
(E bass) B. Sax.
3
Hn. 3
sord. straight Tbn. sf 5
5
5
P.1 (Vib)
P.2 (Gslp)
Kbd 1 (E bass)
Pno.
5
5
5
Vln.
sul pont.
3
ord. Vla. 3
3
3
Vc.
Cb.
Litolff/Peters
33875
3
ISSUU Version For perusal only
14 77
Picc.
5 5
5
Cl.
B. Sax.
Hn. 3
3
Tbn.
5 5
P.1 (Vib)
P.2 (Gslp)
Kbd 1 (E bass)
Pno.
5
5
Vln.
3
Vla. 3
3
sul pont. Vc. sf
Cb.
Litolff/Peters
33875
3
ISSUU Version For perusal only
79
Picc.
5
15
5
5
Cl.
3
Hn. 3
3
Tbn. sf
sf
P.2 (Gslp)
Kbd 1 (E bass)
Pno.
5
5
5
5
Vln.
3
3
Vla. 3
sul pont. Vc.
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
5 Marcatissimo
16 82
ff staccatissimo Picc.
ossia ff staccatissimo
ossia
Xil P.1 (Xil)
ff staccatissimo
P.2 (Gslp) ff staccatissimo
ff staccatissimo Pno.
5 Marcatissimo Vln. sff p
sff p
simile
Vla. sff p
sff p
simile
Vc. sff p
Litolff/Peters
simile
33875
ISSUU Version For perusal only
85
Picc.
17
ossia
P.1 (Xil)
P.2 (Gslp )
senza sord. Pno.
Vln. ff
ff
simile
Vla. ff
ff
simile
Vc. ff
Litolff/Peters
ff
simile
33875
ISSUU Version For perusal only
18 87
Picc.
P.1 (Xil)
P.2 (Gslp )
Pno.
Vln. sff
sff
sff
sff
Vla. sff
sff
sff
Vc. sff
sff
sf
89
Picc.
P.1 (Xil)
P.2 (Gslp)
Pno.
Vln. sff
p
sff
p
Vla. sff
sff
p
Vc. sff
Litolff/Peters
sff
33875
sff
ISSUU Version For perusal only
6 Soft 91
Fl. loco
19
Cl. 3
3
mp
3
3
3
3
3
3
3
3
3
3 3
Vib P.1 (Vib)
Piatto
medium mallets
3
P.2 (Piatto)
6 Soft
pp
ppp
pp
Kbd 1 (E bass)
3
mf
Vln. mf
3
3
3
3
3
3
3
3
3
3
3
3
3
Vc. sf p
pp
Cb. mf
94
3
Cl. 3
3 3
P.1 (Vib)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
P.2 (Piatto)
3
3
3
pp
pp
Kbd 1 (E bass) p
Vln. 3
3
3
3
3
3
3
Vc.
Cb. p
Litolff/Peters
33875
3
3
ISSUU Version For perusal only
7 Fluent
20 97
Cl.
mf
più f
5
5
5
5
5
5
B. Sax. mf
sord. straight Tbn. mf
P.2 (Piatto)
p
pp
pp
pp
3- Hyper-marimba "a"
Kbd 2. (Hyper-mar. "a")
mf
più f
7 Fluent Vln.
pizz. Vla. poco sf
pizz.
5
5
5
5
Cb. mf
Litolff/Peters
33875
5
5
ISSUU Version For perusal only
100
8 4 4
2 4
Cl.
5
5
5
2 4
B. Sax.
21
4 4 mf
2 4
Hn.
4 4 sfp
Tbn.
2 4
4 4
P.1 (G.C.)
2 4
4 4
G.C
mf
P.2 (Piatto)
Kbd 1 (E bass )
2 4
4 4
2 4
4 4
2 4
4 4 mp
2 4
4 4
2 4
4 4
2 4
8 4 4
Kbd 2. (Hyper-mar. "a")
Vla.
pizz.
2 4
Vc.
5
Cb.
5
2 4
4 4
5
4 4 mp
Litolff/Peters
33875
sf
p
sf
ISSUU Version For perusal only
22 103
B. Sax. mp
3 4
3 4
Hn. p
sf
p
3 4
Tbn. sf p
sf p
sf p
3 4
P.1 (G.C) p
3 4 Kbd 1 (E bass)
3 4
Vc.
3 4
Cb.
3 4 p dim.
Litolff/Peters
33875
ISSUU Version For perusal only 9 Intense
105
Picc.
3 4
4 4
ff
Cl.
3 4
4 4 ff
B. Sax.
3 4
4 4 ff
Hn.
3 4
4 4
C Tpt.
3 4
4 4 ff
Tbn.
3 4
4 4 ff
Xil hard mallets P.1 (Xil)
3 4
4 4 ff
Mar medium hard mallets P.2 (Mar)
3 4
4 4 ff
4- Hyper-mar. "b"
3 4
4 4
3 4
4 4
Kbd 1 (E bass)
Piano
3 4
4 4 ff
Pno.
3 4
4 4 9 Intense
Vln.
3 4
4 4 ff pizz.
Vla.
3 4
4 4 ff
Vc.
3 4
4 4
Cb.
3 4
4 4 ff
Litolff/Peters
33875
23
ISSUU Version For perusal only
24 108
Picc.
non legato Cl. 5
5
3
5
3
B. Sax.
5
5
5
3
non legato 3
C Tpt.
Tbn.
P.1 (Xil.)
P.2 (Mar.)
5
5
5
3
3
Kbd 1 (Hyper-mar "b")
Pno.
5
Vln.
Vla.
5
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
25
non legato
110
Picc.
ff p
3
3
3
ff p
3
sim.
Cl. 3
3
3
3
3
3
3
3
ff
5
p
ff
5
p
sim. 3
3
3
B. Sax. ff p
ff p
3
sim.
Hn.
3
3
3
3
3
3
3
ff
p
ff
p
ff
p
ff
p
ff
p
ff
p
sim.
3
C Tpt. 5
5
sim
Tbn. sim.
Vibraphone same mallets P.1 (Xil)
P.2 (Mar)
3
3
3
3
3
3
3
3
Kbd 1 (Hyper-mar "b")
Pno.
5
ff* p
5
5
p
ff
p
ff* p
5
5
ff
3
sim.
ff* p
sim.
5
ff* p
sim.
3
3
ff* p 3
5
5
ff* p
3
sim. 3
3
3
Vln. ff p
3
3
3
ff p
3
sim.
Vla. ff
5
5
5
3
5
3
3
Cb. ff p
ff* p
sim.
* accentuate first note of each group
Litolff/Peters
33875
3
ISSUU Version For perusal only
26 113
Picc. 3
3
3
3
3
3
3
3
3
3
3
2 4
3
2 4
Cl. 5
5
5
5
3
3
5
5
3
2 4
B. Sax. 3
3
3
3
3
3
3
3
3
Hn.
2 4
C Tpt.
2 4 5
5
5
5
5
5
Tbn.
2 4
P.1
2 4
(Vib)
5
5
5
5
5
5
2 4
P.2 (Mar)
5
5
5
5
5
5
2 4 Kbd 1 (Hyper-mar "b")
2 4
3
Pno.
3 3
3
3 3
3
3
3
3 3
3
3 3
3
3
3
3 3
3 3
3
2 4
3 3
2 4
2 4
Vln. 3
3
3
3
3
3
3
3
3
3
3
3
3
Cb.
Litolff/Peters
33875
3
3
3
3
3
3
3
3
3
3
3
2 4
ISSUU Version For perusal only
27
10
116
Picc.
Cl.
B. Sax.
2 4
3 4
3
4 4
ff-pp
2 4
5
2 4
ppp poco a poco crescendo
3 4
4 4 ff-pp
ppp poco a poco crescendo
3 4
7
4 4 ff-pp
3
7
ppp poco a poco crescendo
Flatt. Hn.
2 4
3 4
4 4 ff-pp
C Tpt.
2 4
5
ppp poco a poco crescendo
3 4
4 4 ff-pp ppp poco a poco crescendo
Tbn.
2 4
3 4
4 4 ff-pp
ppp poco a poco crescendo medium mallets
P.1
2 4
5
(Vib)
P.2 (Mar)
2 4
5
3 4
4 4 ppp poco a poco crescendo
3 4
4 4 ff-pp ppp poco a poco crescendo
3-Hyper-mar "a"
2 4
3 4 ff-pp
Kbd 1 (Hyper-mar "b")
2 4
7
4 4 ppp poco a poco crescendo
3 4
7
4 4 ff-pp 7
2 4
3 4
3
4 4 ppp poco a poco crescendo
Pno. 3
2 4
3 4
7
4 4 10 7
Vln.
2 4
3 4
3
4 4 ppp poco a poco crescendo
ff-pp
arco Vla.
2 4
3 4
4 4 ppp poco a poco crescendo arco
Vc.
2 4
3 4
4 4 ppp poco a poco crescendo
3
Cb.
2 4
7
3 4
4 4 ff-pp
Litolff/Peters
ppp poco a poco crescendo
33875
28 7
120
Picc.
ISSUU Version For perusal only 7
7
p poco a poco cresc
Cl. p poco a poco cresc 7
7
7
B. Sax. p poco a poco cresc
Hn. p poco a poco cresc
C Tpt. p poco a poco cresc
Tbn. p poco a poco cresc
P.1 (Vib) p poco a poco cresc
P.2 (Mar)
Kbd 1 (Hyper-mar "a")
p poco a poco cresc
7
7
7
7
7
7
p poco a poco cresc
7
Pno.
7
7
p poco a poco cresc
7
7
7
7
7
7
Vln. p poco a poco cresc
Vla. p poco a poco cresc
Vc. p poco a poco cresc 7
7
7
Cb. p poco a poco cresc
Litolff/Peters
33875
7
123
Picc.
ISSUU Version For perusal only 7
29 7
mf poco a poco crescendo
Cl. mf poco a poco crescendo 7
7
7
B. Sax.
mf poco a poco crescendo
Hn. mf poco a poco crescendo
C Tpt. mf poco a poco crescendo
Tbn. mf poco a poco crescendo
P.1 (Vib) mf poco a poco crescendo
P.2 (Mar)
mf poco a poco crescendo
7
Kbd 1 (Hyper-mar "a")
7
mf poco a poco crescendo
7
Pno.
7
mf poco a poco crescendo
7
7
7
7
7
7
7
7
7
7
7
Vln. mf poco a poco crescendo
Vla. mf poco a poco crescendo
Vc. mf poco a poco crescendo 7
7
Cb. mf poco a poco crescendo
Litolff/Peters
33875
7
ISSUU Version For perusal only
30 126
Picc.
f crescendo
Cl. f crescendo
7
7
7
B. Sax.
f crescendo 5
5
Hn. 5
5
f crescendo
5
f crescendo
5
5
C Tpt. f crescendo
Tbn. 5
5
5
5
5
P.1 (Vib) f crescendo
P.2 (Mar) f crescendo
7
Kbd 1 (Hyper-mar "a")
f crescendo
7
7
7
7
7
f crescendo
Pno.
Vln. f crescendo 5
5
5
5
5
5
Vla. f crescendo
Vc. 5
5
5
5
f crescendo
7
7
7
Cb. f crescendo
Litolff/Peters
33875
5
5
ISSUU Version For perusal only
129
Picc. ff senza crescendo
Cl. ff senza crescendo 7
B. Sax. ff senza crescendo 3
Hn. 5
ff senza crescendo
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
C Tpt. ff senza crescendo
Tbn. 5
3
ff senza crescendo
3
P.1 (Vib) ff senza crescendo
P.2 (Mar) ff senza crescendo
3
3
Kbd 1 (Hyper-mar "a")
ff senza crescendo
ff senza crescendo Pno.
Vln. ff senza crescendo 5
Vla. ff senza crescendo
Vc. 5
ff senza crescendo 7
Cb. ff senza crescendo
Litolff/Peters
33875
31
ISSUU Version For perusal only
32 132
Picc.
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
ppp subito crescendo
Cl. ppp subito crescendo
B. Sax. ppp subito crescendo
Hn. ppp subito crescendo
C Tpt. ppp subito crescendo
Tbn. ppp subito crescendo
P.1 (Vib.)
ppp subito crescendo
P.2 (Mar.) ppp subito crescendo
Kbd 1 (Hyper-mar "a")
Pno.
ppp subito crescendo
ppp subito crescendo
Vln. ppp subito crescendo
Vla. ppp subito crescendo
Vc. ppp subito crescendo
Cb. ppp subito crescendo
Litolff/Peters
33875
134
Picc.
5 4
Cl.
ISSUU Version For perusal only
33
4 4
5 4
5 4
4 4
5 4
B. Sax.
5 4
4 4
5 4
Hn.
5 4
4 4
5 4
C Tpt.
5 4
4 4
5 4
Tbn.
5 4
4 4
5 4
P.1 (Vib.)
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
P.2 (Mar.)
Kbd 1 (Hyper-mar "a")
loco
5 4
4 4
5 4
5 4
4 4
5 4
Vln.
5 4
4 4
5 4
Vla.
5 4
4 4
5 4
Vc.
5 4
4 4
5 4
Cb.
5 4
4 4
5 4
Pno.
Litolff/Peters
33875
34 136
ISSUU Version For perusal only
Muta in Flute
Picc.
5 4
Cl.
5 4
3 4
B. Sax.
5 4
3 4
Hn.
5 4
3 4
C Tpt.
5 4
3 4
Tbn.
5 4
3 4
P.1 (Vib)
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
Vln.
5 4
3 4
Vla.
5 4
3 4
Vc.
5 4
3 4
Cb.
5 4
3 4
P.2 (Mar)
3 4
Kbd 1 (Hyper-mar. "a")
Pno.
Litolff/Peters
33875
ISSUU Version For perusal only
11 Leggero, staccatissimo q = 138 (click track) 2'' - 3''
137
Fl.
3 4 2'' - 3'' ppp sub.
Cl.
Flute
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
f
3 4 ppp sub. 2'' - 3''
B. Sax.
35
pp
3 4 ppp sub.
f
2'' - 3'' Hn.
3 4 ppp sub. 2'' - 3''
C Tpt.
Tbn.
3 4
ppp sub. 2'' - 3''
f
3 4 ppp sub. 2'' - 3''
P.1 (Vib)
3 4 ppp sub. 2'' - 3''
f hard mallets
P.2 (Mar)
3 4
ppp sub. 2'' - 3''
f
3 4 ppp sub. 2'' - 3''
Kbd 1 (Hyper-mar. "a")
f
3 4 ppp sub.
f
2'' - 3''
3 4 ppp sub. 2'' - 3''
Pno.
f
3 4 ppp sub.
f
TAPE 3 ("Mikro-Oper") * (click track) TAPE 3 ("Mikro-Oper")
3 4 2'' - 3''
Vln.
Vla.
11 3 4
ppp sub. 2'' - 3''
3 4 ppp sub. 2'' - 3''
Vc.
Cb.
f
3 4
f
ppp sub. 2'' - 3''
f
3 4 ppp sub.
f
*TAPE 3 starts by the first part of bar 137 after the fermatta
Litolff/Peters
33875
36 140
ISSUU Version For perusal only
Fl.
3 4
Cl.
3 4
4 4
B. Sax.
3 4
4 4
Hn.
3 4
4 4
C Tpt.
3 4
4 4
Tbn.
3 4
4 4
P.1
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
TAPE 33
3 4
4 4
Vln.
3 4
4 4
Vla.
3 4
4 4
Vc.
3 4
4 4
Cb.
3 4
4 4
P.2 (Mar)
Kbd 1 (Hyper-mar. "a")
4 4
Pno.
Litolff/Peters
33875
143
ISSUU Version For perusal only
37
3 4
2 4
Cl.
3 4
2 4
B. Sax.
3 4
2 4
Hn.
3 4
2 4
C Tpt.
3 4
2 4
Tbn.
3 4
2 4
P.1 (Vib)
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
TAPE 33
3 4
2 4
Vln.
3 4
2 4
Vla.
3 4
2 4
Vc.
3 4
2 4
Cb.
3 4
2 4
Fl.
P.2 (Mar)
Kbd 1 (Hyper-mar. "a")
Pno.
Litolff/Peters
33875
38 146
Fl.
2 4
Cl.
ISSUU Version For perusal only 3 4
5 4
4 4
2 4
3 4
5 4
4 4
B. Sax.
2 4
3 4
5 4
4 4
Hn.
2 4
3 4
5 4
4 4
C Tpt.
2 4
3 4
5 4
4 4
Tbn.
2 4
3 4
5 4
4 4
P.1 (Vib)
2 4
3 4
5 4
4 4
2 4
3 4
5 4
4 4
2 4
3 4
5 4
4 4
2 4
3 4
5 4
4 4
2 4
3 4
5 4
4 4
2 4
3 4
5 4
4 4
TAPE 3 3
2 4
3 4
5 4
4 4
Vln.
2 4
3 4
5 4
4 4
Vla.
2 4
3 4
5 4
4 4
Vc.
2 4
3 4
5 4
4 4
Cb.
2 4
3 4
5 4
4 4
P.2 (Mar)
Kbd 1 (Hyper-mar. "a")
Pno.
Litolff/Peters
33875
149
Fl.
4 4
ff f
ff f
sf
ff
2 4 ff f
sf
4 4
2 4 ff
5 4 ff
sf
4 4
2 4 ff f
5 4 ff
sf
4 4
2 4 ff
5 4 ff f
sf
4 4
2 4 ff f
5 4 sf p
ff f
sf
4 4
2 4 ff f
5 4 sf p
Kbd 1 (Hyper-mar. "a")
2 4
5 4
sf p
P.2 (Mar)
sf
4 4
sf p
P.1 (Vib)
ff f
5 4
sf p
Tbn.
ff f
4 4
sf p C Tpt.
sf
2 4
5 4
sf p Hn.
ff f
4 4 sf p
B. Sax.
39
5 4
sf p
Cl.
ISSUU Version For perusal only
ff f
sf
2 4 ff f
4 4
5 4
2 4
4 4
5 4
2 4
sf p
Pno.
ff f
sf
ff f
4 4
5 4
2 4
TAPE 3 3
4 4
5 4
2 4
Vln.
4 4
5 4
2 4
sf p
Vla.
ff f
sf
4 4
2 4 ff f
5 4 ff f
sf
4 4
2 4 ff f
5 4 sf p
Litolff/Peters
ff f
5 4
sf p
Cb.
sf
4 4 sf p
Vc.
ff f
ff f
sf
33875
2 4 ff f
40 152
Fl.
2 4
6 4
ISSUU Version For perusal only 5 4
ff
Cl.
2 4
2 4
6 4
5 4
3 4 f
6 4
5 4
3 4
ff
Hn.
2 4
f
6 4
5 4
3 4
ff
C Tpt.
2 4
f
6 4
5 4
3 4
ff
Tbn.
2 4
f
6 4
5 4 ff
P.1 (Vib)
2 4
2 4
6 4
5 4
6 4
5 4
5 4 ff
3 4 f
2 4
6 4
5 4
3 4
2 4
6 4
5 4
3 4
ff
Pno.
TAPE 33
3 4 f
6 4
Kbd 1 (Hyper-mar "a")
3 4 f
ff
2 4
3 4 f
ff
P.2 (Mar)
3 4
f
ff
B. Sax.
12
f
2 4
6 4
5 4
3 4
2 4
6 4
5 4
3 4 12
Vln.
2 4
6 4
5 4 ff
Vla.
2 4
6 4
f
5 4 ff
Vc.
2 4
6 4
2 4
5 4
6 4
3 4 f
5 4 ff
Litolff/Peters
3 4 f
ff
Cb.
3 4
3 4 f
33875
156
Fl.
3 4
Cl.
3 4
B. Sax.
3 4
Hn.
3 4
C Tpt.
3 4
Tbn.
3 4
P.1 (Vib)
3 4
P.2 (Mar)
ISSUU Version For perusal only
3 4
3 4 Kbd 1 (Hyper-mar "a")
3 4
3 4 Pno.
3 4
TAPE 33
3 4
Vln.
3 4
Vla.
3 4
Vc.
3 4
Cb.
3 4
Litolff/Peters
33875
41
42 159
Fl.
ISSUU Version For perusal only 5 4
Cl.
5 4
B. Sax.
5 4
Hn.
5 4
C Tpt.
5 4
Tbn.
5 4
P.1 (Vib)
5 4
5 4
P.2 (Mar)
5 4 Kbd 1 (Hyper-mar. "a")
5 4
5 4 Pno.
5 4
TAPE 33
5 4
Vln.
5 4
Vla.
5 4
Vc.
5 4
Cb.
5 4
Litolff/Peters
33875
ISSUU Version For perusal only
13 Progressively degrading sound into noise (string scratching, winds overblowing) 3
162
43
3
4
Fl. f
Cl. f
B. Sax. f
Hn. f
C Tpt. f
Tbn.
4 ff
sf
p
3
sf
ff
3
ff
4 4
P.1 (Vib) ff
3
p
3
3
4 4
P.2 (Mar)
ff
sf
p
ff
4- Hyper-mar "b" 3
Kbd 1
ff
(Hyper-mar. "b")
3
4 4
ff
sf 3
3
4 4 3
3
4 4 ff
Pno.
sf
ff 3
3
4 4
4 4
TAPE 33
13 Progressively degrading sound into noise (string scratching, winds overblowing) scratch
3
4 4
Vln. ff scratch
sf
3
p
3
ff
3
4 4
Vla. ff
sf
scratch
3
p 3
4 4
Vc. ff scratch
sf
p
ff 3
3
4 4
Cb. ff
Litolff/Peters
ff
sf
ff
p
33875
44 165
Picc.
ISSUU Version For perusal only 3
3
3
4 4
Cl.
4 4
B. Sax.
4 4
Hn.
4 4
C Tpt.
4 4
Tbn.
4 sf p 3
sf p 3
sf p
3
6 4 sf p
3
3
3
sf p 3
3
6 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ff
3
3
3
6 4 sf p
ff
3
3
6 4 sf p
3
ff 3
3
3
6 4
Cb.
4 4
3
3
sf p
sf p
Litolff/Peters
3
6 4
Vc.
3 4
ff
6 4
Vla.
4 4
3
6 4
Vln.
3 4
3
6 4
TAPE 3 3
4 4
ff 3
3
3 4 ff
3
Pno.
4 4
3
6 4
3
3 4
ff
3
Kbd 1 (Hyper-mar. "b")
3
6 4
P.2 (Mar.)
4 4
ff
3
P.1 (Vib.)
4
ff
33875
ISSUU Version For perusal only 3
168
45 3
Fl.
4 4
Cl.
4 4
4 4
B. Sax.
4 4
4 4
Hn.
4 4
4 4
C Tpt.
4 4
4 4
Tbn.
4 4 ff
P.1 (Vib.)
ff
4
2 4
5 4
3
4 4 ff
3
ff
Kbd 1
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
4 4
ff
2 4
5 4
4 4
TAPE 33
4 4
2 4
5 4
4 4
Vln.
4 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
3
3
4 4 ff
Vc.
ff
3
4 4 ff
Litolff/Peters
3
4 4
sf p 3
Cb.
4 4
sf p 3
4 4
4 4
sf p 3
Vla.
4 4 3
3
ff
4 4
sf p 3
4 4
4 4
3
3
4 4 Pno.
3
sf p 3
(Hyper-mar. "b")
4 4
sf p
3
4 4
4 4
sf p 3
P.2 (Mar.)
4 4
sf p 3
4 4
4
4 4
3
sf p
33875
4 4
46 171
Fl.
3
4 4 f
Cl.
ISSUU Version For perusal only
4 4
3 4 3 4
f
B. Sax.
4 4
3 4 f
Hn.
4 4
3 4 f
C Tpt.
4 4
3 4 f
4 4
4
3 4
8 4
3 4
8 4
3 4
8 4
3 4
8 4
3 4
8 4
3 4
4 4
8 4
3 4
TAPE 33
4 4
8 4
3 4
Vln.
4 4
8 4
3 4
8 4
3 4
8 4
3 4
8 4
3 4
Tbn.
ff
P.1 (Vib.)
3
4 4 ff
P.2 (Mar.)
3
4 4 ff
3
4 4 Kbd 1 (Hyper-mar. "b")
ff
3
4 4
3
4 4 ff
Pno.
3
3
ff 3
Vla.
4 4 ff
Vc.
3
4 4 ff
3
Cb.
4 4 ff
Litolff/Peters
33875
ISSUU Version For perusal only 14 Leggero, staccatissimo
(noise) 175
Fl.
3 4
ppp sub.
Cl.
p
cresc.
4 4 pp
3 4
4 4 ppp sub.
Hn.
4 4
3 4 ppp sub.
B. Sax.
47
(ord. sound)
p
cresc.
3 4
4 4 ppp sub.
C Tpt.
3 4
4 4 ppp sub.
Tbn.
p
cresc.
3 4
4 4 ppp sub.
P.1 (Vib.)
P.2 (Mar.)
3 4
4 4 ppp sub.
p
cresc.
3 4
4 4 p
ppp sub.
cresc.
3 4
4 4 ppp sub.
Kbd 1
p
cresc.
(Hyper-mar. "b")
3 4
4 4 ppp sub.
p
cresc.
3 4
4 4 ppp sub.
p
cresc.
Pno.
TAPE 3 3
3 4
4 4
3 4
4 4 14 Leggero, staccatissimo
Vln.
3 4 fff
Vla.
p
cresc.
4 4 ppp sub.
p
cresc.
3 4
4 4 fff
Cb.
ppp sub.
3 4 fff
Vc.
4 4
ppp sub.
p
cresc.
3 4
4 4 fff
Litolff/Peters
ppp sub.
p
33875
cresc.
ISSUU Version For perusal only
48 177
Fl.
4 4
5 4
Cl.
4 4
5 4
B. Sax.
4 4
5 4
Hn.
4 4
5 4 pp
C Tpt.
4 4
5 4
Tbn.
4 4
5 4 pp
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
TAPE 3
4 4
5 4
Vln.
4 4
5 4
Vla.
4 4
5 4
Vc.
4 4
5 4
Cb.
4 4
5 4
P.1 (Vib.)
P.2 (Mar.)
Kbd 1 (Hyper-mar. "b")
Pno.
Litolff/Peters
33875
179
Fl.
5 4 5 4
4 4 (ff)
3 4 ff
B. Sax.
49
3 4
ff
Cl.
ISSUU Version For perusal only
4 4 (ff)
5 4
3 4
4 4 (ff)
ff
Hn.
5 4
3 4 ff
C Tpt.
(ff)
5 4
3 4
5 4
3 4
4 4 (ff)
ff
P.1 (Vib.)
4 4 (ff)
ff
Tbn.
4 4
5 4
3 4
4 4 (ff)
ff
P.2 (Mar.)
5 4
3 4 ff
4 4 (ff)
5 4
3 4
4 4 (ff)
ff
Kbd 1 (Hyper-mar. "b")
5 4
3 4
4 4
5 4
3 4
4 4
ff
Pno.
(ff)
5 4
3 4
4 4
TAPE 3
5 4
3 4
4 4
Vln.
5 4
3 4
4 4
ff
Vla.
(ff)
5 4
3 4 (ff)
ff
Vc.
5 4
3 4 ff
Cb.
4 4 (ff)
5 4
3 4
4 4 (ff)
ff
Litolff/Peters
4 4
33875
50 182
Fl.
Cl.
B. Sax.
Hn.
C Tpt.
Tbn.
P.1 (Vib.)
P.2 (Mar.)
4 4 p
cresc.
p
cresc.
p
cresc.
p
cresc.
p
cresc.
p
cresc.
ISSUU Version For perusal only
4 4
4 4
4 4
4 4
4 4
4 4 p
cresc.
4 4 p
cresc.
4 4 p
Kbd 1 (Hyper-mar. "b")
cresc.
4 4
4 4 Pno.
p
cresc.
p
cresc.
p
cresc.
p
cresc.
p
cresc.
4 4
TAPE 3
4 4
Vln.
4 4
Vla.
Vc.
Cb.
Litolff/Peters
4 4
4 4
4 4
33875
184
Fl.
ISSUU Version For perusal only 3 4
ff
3 4
Cl. ff
3 4
B. Sax. ff
3 4
Hn. ff
3 4
C Tpt. ff
3 4
Tbn. ff
3 4
P.1 (Vib.) ff
3 4
P.2 (Mar.) ff
3 4 Kbd 1 (Hyper-mar. "b")
ff
3 4
3 4 Pno.
ff
3 4
TAPE 3
3 4
Vln.
3 4 ff
3 4
Vla. ff
3 4
Vc. ff
3 4
Cb. ff
Litolff/Peters
33875
51
52 187
ISSUU Version For perusal only 3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
2 4
3 4
5 4
2 4
3 4
5 4
2 4
3 4
5 4
TAPE 3
2 4
3 4
5 4
Vln.
2 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
5 4
Fl.
2 4
sf p
ff
2 4
Cl. sf p
ff
2 4
B. Sax. sf p
ff
2 4
Hn. sf p
ff
2 4
C Tpt. sf p
ff
2 4
Tbn. sf p
ff
2 4
P.1 (Vib.) sf p
ff
2 4
P.2 (Mar.) sf p
ff
2 4 Kbd 1 (Hyper-mar. "b")
Pno.
sf p
ff
sf p
ff
sf p
ff
2 4
Vla. sf p
ff
2 4
Vc. sf p
ff
2 4
Cb. sf p
Litolff/Peters
ff
33875
192
Fl.
5 4
ISSUU Version For perusal only 4 4
53
3 4
sff p
Cl.
5 4
4 4
ff
3 4 sff p
B. Sax.
5 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
3 4
4 4
4 4 ff
3 4 sff p
Kbd 1 (Hyper-mar. "b")
4 4 ff
sff p
5 4
4 4 ff
sff p P.2 (Mar.)
4 4 ff
sff p
P.1 (Vib.)
4 4 ff
sff p
Tbn.
4 4 ff
sff p
C Tpt.
4 4 ff
sff p
Hn.
4 4
4 4 ff
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
sff p
ff
Pno.
5 4
4 4
3 4
4 4
TAPE 3
5 4
4 4
3 4
4 4
Vln.
5 4
4 4
3 4
4 4
sff p
Vla.
5 4
4 4
ff
3 4 sff p
Vc.
5 4
4 4
ff
3 4 sff p
Cb.
5 4
4 4
33875
4 4 ff
3 4 sff p
Litolff/Peters
4 4
4 4 ff
54 195
Fl.
4 4
5 4
f
Cl.
ISSUU Version For perusal only ff
4 4
5 4 f
B. Sax.
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
2 4 ff
4 4
5 4
2 4 ff
f
P.2 (Mar.)
2 4 ff
f
P.1 (Vib.)
2 4 ff
f
Tbn.
2 4 ff
f
C Tpt.
2 4 ff
f
Hn.
2 4
4 4
5 4 f
2 4 ff
5 4
4 4 f
2 4 ff
Kbd 1 (Hyper-mar. "b")
4 4
5 4
2 4
4 4
5 4
2 4
f
Pno.
ff
4 4
5 4
2 4
TAPE 3
4 4
5 4
2 4
Vln.
4 4
5 4
2 4
f
Vla.
ff
4 4
5 4 f
Vc.
ff
4 4
5 4 f
Cb.
2 4 ff
4 4
5 4 f
Litolff/Peters
2 4
2 4 ff
33875
197
ISSUU Version For perusal only
55
Fl.
2 4
6 4
Cl.
2 4
B. Sax.
2 4
Hn.
2 4
5 4
C Tpt.
2 4
5 4
Tbn.
2 4
5 4
P.1 (Vib.)
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
5 4
TAPE 3
2 4
5 4
Vln.
2 4
5 4
Vla.
2 4
5 4
Vc.
2 4
5 4
Cb.
2 4
P.2 (Mar.)
4 4
5 4
6 4
4 4
5 4
6
4
5 4
Kbd 1 (Hyper-mar. "b")
Pno.
Litolff/Peters
4
4
33875
5 4
56
ISSUU Version For perusal only 15
200
Fl.
5 4
3 4
Cl.
5 4
3 4
B. Sax.
5 4
3 4
Hn.
5 4
3 4
C Tpt.
5 4
3 4
Tbn.
5 4
3 4
P.1 (Vib.)
5 4
3 4 p
P.2 (Mar.)
5 4
3 4 p
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
TAPE 3
5 4
3 4
Vln.
5 4
3 4
Vla.
5 4
3 4
Vc.
5 4
3 4
Cb.
5 4
3 4
Kbd 1 (Hyper-mar. "b")
Pno.
sff
Litolff/Peters
33875
p
202
Fl.
3 4
ISSUU Version For perusal only fff
Cl.
3 4 fff
B. Sax.
3 4 fff
Hn.
3 4
C Tpt.
3 4 fff
Tbn.
3 4
P.1 (Vib.)
3 4 fff
P.2 (Mar.)
3 4 fff
3 4 fff
Kbd 1 (Hyper-mar. "b")
3 4
3 4 fff
Pno.
3 4
TAPE 3
3 4
Vln.
3 4 fff
Vla.
3 4 fff
Vc.
3 4 fff
Cb.
3 4 fff
Litolff/Peters
33875
57
58 205
Fl.
ISSUU Version For perusal only
Cl.
B. Sax.
Hn.
C Tpt.
Tbn.
P.1 (Vib.)
P.2 (Mar.)
Kbd 1 (Hyper-mar. "b")
Pno.
TAPE 3
Vln.
Vla.
Vc.
Cb.
Litolff/Peters
33875
207
Fl.
ISSUU Version For perusal only
Cl.
B. Sax.
Hn.
C Tpt.
Tbn.
P.1 (Vib.)
P.2 (Mar.)
Kbd 1 (Hyper-mar. "b")
Pno.
TAPE 3
Vln.
Vla.
Vc.
Cb.
Litolff/Peters
4
4
33875
59
60
ISSUU Version For perusal only
16 Progressively degrading the sound into noise (strings scratching, winds overblowing) 3
210
Fl.
3
3 4 3
3 4
Cl.
3
B. Sax.
3
Hn.
3 4
3 4
3
3 4
C Tpt.
3
3 4
Tbn.
3
P.1 (Vib.)
3 4
3
3 4
P.2 (Mar.)
6 3
Kbd 1 (Hyper-bells)
3 4
3
3 4 3
3 4 Pno. 3
3 4
3 4
TAPE 3
ng)
16
3
3 4
Vln.
3
3 4
Vla.
3
Vc.
3 4
3
Cb.
3 4
4 fff
Litolff/Peters
33875
ISSUU Version For perusal only
213
Fl.
3 4
61 3
3 4 3
Cl.
3 4
B. Sax.
3 4
Hn.
3 4
C Tpt.
3 4
Tbn.
3 4
P.1 (Vib.)
3 4
3 4 3
3
3
3
3
3 4
3 4
3 4
3 4
3 4
3
P.2 (Mar.)
3 4
3 4
3
3 4 Kbd 1 (Hyper-bells)
3 4
3
3 4
3 4 3
3 4
3 4
Pno. 3
3 4
TAPE 3
3 4
3 4
3 4 3
Vln.
3 4
Vla.
3 4
Vc.
3 4
Cb.
3 4
3 4 3
3
3
4 fff
Litolff/Peters
33875
3 4
3 4
3 4
62
3
216
Fl.
ISSUU Version For perusal only
3 4
3
4 4 3
Cl.
3 4
B. Sax.
3 4
Hn.
3 4
C Tpt.
3 4
Tbn.
3 4
P.1 (Vib.)
3 4
4 4 3
3
3
3
3
4 4
4 4
4 4
4 4
4 4
3
P.2 (Mar.)
3 4
4 4
3
3 4 Kbd 1 (Hyper-bells)
4 4
3
3 4
4 4 3
3 4
4 4
Pno. 3
3 4
TAPE 3
3 4
Vln.
3 4
Vla.
3 4
Vc.
3 4
Cb.
3 4
4 4
4 4
3
4 4 3
3
3
4 ff
Litolff/Peters
33875
4 4
4 4
4 4
218
ISSUU Version For perusal only
63
Fl.
4 4
Cl.
4 4
4 4
B. Sax.
4 4
4 4
Hn.
4 4
4 4
C Tpt.
4 4
4 4
Tbn.
4 4
4 4
P.1 (Vib.)
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
4 4
TAPE 3
4 4
4 4
Vln.
4 4
4 4
Vla.
4 4
4 4
Vc.
4 4
4 4
Cb.
4 4
P.2 (Mar.)
Kbd 1 (Hyper-bells)
4 4
Pno.
Litolff/Peters
4 4
4
33875
64 221
Fl.
3
4 4 sf
Cl.
ISSUU Version For perusal only
4 4
4 4
4 4 sf
B. Sax.
4 4
4 4 sf
Hn.
4 4
4 4 sf
C Tpt.
4 4
4 4 sf
Tbn.
4 4
4 4 sf
P.1 (Vib.)
4 4
4 4 sf
P.2 (Mar.)
4 4
4 4 sf
4 4
4 4 sf
Kbd 1 (Hyper-bells)
4 4
4 4
4 4
4 4 sf
Pno.
4 4
4 4
TAPE 3
4 4
4 4
Vln.
4 4
4 4 sf
Vla.
4 4
4 4 sf
Vc.
4 4
4 4 sf
Cb.
4 4
4 sf p
Litolff/Peters
33875
4
4 4
224
Fl.
65
3
4 4 f
Cl.
ISSUU Version For perusal only
4 4
4 4
4 4 f
B. Sax.
4 4
4 4 f
Hn.
4 4
4 4 f
C Tpt.
4 4
4 4 f
Tbn.
4 4
4 4 f
P.1 (Vib.)
4 4
4 4 f
P.2 (Mar.)
4 4
4 4 f
4 4
4 4 Kbd 1 (Hyper-bells)
f
4 4
4 4
4 4
4 4 f
Pno.
4 4
4 4
TAPE 3
4 4
4 4
Vln.
4 4
4 4 f
Vla.
4 4
4 4 f
Vc.
4 4
4 4 f
Cb.
4 4
4
4
ffff
Litolff/Peters
33875
4 4
66 227
Fl.
3
4 4 d
Cl.
ISSUU Version For perusal only
4 4
8 4
8 4 d
B. Sax.
4 4
8 4 d
Hn.
4 4
8 4 d
C Tpt.
4 4
8 4 d lo
Tbn.
4 4
8 4 d
P.1 (Vib.)
4 4
8 4 d
P.2 (Mar.)
4 4
8 4 d
4 4 Kbd 1 (Hyper-bells)
8 4 d
4 4
8 4
4 4
8 4 d
Pno.
4 4
8 4
TAPE 3
4 4
8 4
Vln.
4 4
8 4 d
Vla.
4 4
8 4 d
Vc.
4 4
8 4 d
Cb.
4 4
4 dim.
Litolff/Peters
33875
8 4
230
ISSUU Version For perusal only
67
Fl.
8 4
Cl.
8 4
3 2
B. Sax.
8 4
3 2
Hn.
8 4
3 2
C Tpt.
8 4
3 2
Tbn.
8 4
3 2
P.1 (Vib.)
8 4
3 2
8 4
3 2
8 4
3 2
8 4
3 2
8 4
3 2
8 4
3 2
TAPE 3
8 4
3 2
Vln.
8 4
3 2
Vla.
8 4
3 2
Vc.
8 4
3 2
Cb.
8 4
3 2
P.2 (Mar.)
3 2
Kbd 1 (Hyper-bells)
Pno.
ppp
Litolff/Peters
33875
68 232
Fl.
3 2
Cl.
3 2
B. Sax.
3 2
Hn.
3 2
C Tpt.
3 2
Tbn.
3 2
P.1
3 2
P.2
3 2
ISSUU Version For perusal only
3 2 Kbd 1
3 2
3 2 Kbd 2.
3 2
3 2 Pno.
3 2
TAPE 3
3 2
Vln.
3 2
Vla.
3 2
Vc.
3 2
Cb.
3 2
Litolff/Peters
Voice in off: .........Non, je n'avais pas à veiller sur mon frère...le voilà qui a obtenu ce qu'il voulait...Non.........
33875
ISSUU Version For perusal only
69
II: Scene 1 Mère-Martha/Jan-Maria (simultaneous scene) "spectral phasing" (the staff above indicates the number of microtonal digitations inside a half-tone (around 5) 3
1 Susurrato, Fuggevole q = 72/76 "solo"
Flute
4 4
5
pp
Clarinet in Bb
5
sfp
4 4 f mf sub
p leggerissimo
B.G with the fingers P.1
4 4 pp
S.D leggerissimo
with extreme light mallets
P.2
4 4 pp susurrato mf
Martha
4 4 mf
Mère
Il te l'a dit?
5
5
4 4 Il re vien dra
oui
Quand tu es sor tie
3
marc.
3
3
Fl. 3
f
Cl. Bb
P.1 (B.G)
Piatto
with soft mallets
P.2 (S.D)
Martha Il revien dra seul?
Est
il
riche?
3
Mère Je ne
sais
pas vib.
Vln. p
Litolff/Peters
33875
ISSUU Version For perusal only
70
5
2 4
Cl. Bb mf
3 8 p
P.1 (B.G)
2 4
3 8
2 4
3 8
2 4
3 8
2 4
3 8
quasi f
S.D P.2 (S.D)
Martha Il faut au ssi qu'il soit seul
ord.
Spoken: Parlato, Suspirando, irónico ironically laughing quasi Sprechg. 5
5
5
5
glis
Mère Il ne s'est pas in quie té du prix mf
seul et riche, oui...
Vln.
parlato
s. et a lors nous de vrons re com men
cer.
2 4
3 8
2 4
3 8
pizz
Vla. f
Litolff/Peters
33875
ISSUU Version For perusal only
71
2 Light, as a Waltz e = 144 8
Cl. Bb
Tbn.
3 8
pp
ppp
3 8 fp
Tp P.1 (Tp)
3 8 mp secco
Piatto impulsivo P.2 (Piatto)
3 8 mp
mp
sim.
1- Hyper vib "a"
3 8 mf
Kbd. 1 (Hyper vib "a")
3 8
1- Hyper vib "a"
3 8 mf
mf
Kbd. 2. (Hyper vib "a")
3 8 mf
p
Maria
3 8 Par
don
ne
moi
je
ne pou
vais
Sprechg. exclamate p
Jan
3 8 Tu
m'as sui
vi!
2 Light, as a Waltz e = 144 espr
Vln.
3 8 f
sord.
Vla.
Litolff/Peters
arco
vib.
ppp
p
3 8 33875
pas.
Je
par
ti
rai
ISSUU Version For perusal only
72
13
Cl. Bb pppp
p
pp
P.1 (T.P)
P.2 (Piatto)
Kbd. 1 (Hyper vib "a")
Kbd. 2. (Hyper vib "a")
pp
3
Maria tout
à
l'heure
mais
laisse
pizz.
Vln.
Vla. pppp
Litolff/Peters
33875
moi
voir
l'en
droit
où
je
te
lais
ISSUU Version For perusal only
17
Cl. Bb f
73
4 4
mf
4 4
P.1 (T.P) l.v.
4 4
P.2 (Piatto)
4 4 Kbd. 1 (Hyper vib "a")
4 4
4 4 pp
Kbd. 2. (Hyper vib "a")
4 4 4 4
Maria pizz
se.
4 4
Vln. p
3 Susurrato, intenso q = 72/76 20
Fl.
3
"solo"
4 4
2 4 f
f
p
3
Muta in Bass Cl. Cl. Bb
4 4
2 4 f p sub
f sord. Harm
C Tpt.
4 4
2 4 sf
B. G. P.1 (B.G)
p
4 4
2 4 p
f p súb
S.D. P.2 (S.D)
Martha
4 4
2 4
4 4
2 4 Je vous re con nais mal
de puis quel que temps 5
Mère
3 Susurrato, intenso q = 72/76
gliss.
spoken parlato
2 4 Je vou
drais me re po ser.
(pizz)
4 4
2 4 f
Litolff/Peters
5
4 4 Je suis fa ti guée.
Vln.
3 3
33875
ISSUU Version For perusal only
74
4 Nostalgic q = 50
Bass Cl.
22
2 4
B. Cl.
4 4
poco rit.
2 4 p
2 4
C Tpt.
pp
2 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
colla parte
sord cup
Tbn.
pp
4 4 ff
4 4
4 4 fp
p
sf
pp
Timpani
2 4
P.1 (Timp)
4 4 gliss.
mp
2 4
gliss.
4 4 colla parte
Kbd. 2. (Hyper vib "a")
3
2 4
4 4 pp sprechgesang
mf
2 4
Jan
3
4 4 Oui, c'est i ci
sprechg.
ord.
3
J'ai pris cette por te,
ord.
il y_a vingt ans. Ma soeur é tait une pe tite
sprechg.
3
3
fil le. Elle jou ait dans ce coin.
4 Nostalgic q = 50 colla parte
2 4
Vc.
poco rit.
non leg.
4 4 p
fp
5 Fuggevole, metallico q = 72 "solo"
28
Fl.
4 4 p
Bg, Cga
soft mallets 3
P.1 (Bg,Cga)
3
3
4 4
3
3
3
pp
Bg, Cga with S.D. mallets (or with hands)
P.2 (Bg,Cga)
S.D
10
7
4 4 pp
sf pp
Piano
4 4 mp
Pno.
4 4 susurrato metallico, fuggevole mf
Martha
6
4 4 Je puis pren dre sur
moi
ce
qui
vous
res
te_en
core
à
faire
dans la mai
son. 5
Mère
mf
4 4 ce
Vln.
5 Fuggevole, metallico q = 72 pizz. 4 4 poco sf
Litolff/Peters
33875
n'est
ISSUU Version For perusal only
29
espr.
5
3
3
75
3
3
5 4
3 8
5 4
3 8
5 4
3 8
5 4
3 8
fuggevole
Fl. 7
pp
with tp mallets
Piatto P.1 (Piatto)
ppp
P.2 (S.D)
8-E-waterphone
5 4
3 8 mp
Kbd. 1 (E-waterphone)
colla parte
5
5 4
3 8
5 4
3 8
7
f
Pno.
5 4
5
5
3
5 4
Mère pas de ce re
3 8
pos
que je par
le.
parlato
gliss.
3 8
5
c'est un rêve de vieille femme. J'as pire seule ment à la paix.
Non,
Vln.
5 4
3 8
Cb.
5 4
3 8 sf pp sub
Litolff/Peters
33875
ISSUU Version For perusal only
6 Delicate e = 132/144
76 31
Fl.
3 8
mf
Cl. Bb
3 8 pp
mf
3
sord. Harm
C Tpt.
3 8 ppp
Timp coperto leggiero P.1
3 8 p
(Timp)
pp
mp
mp
pp
ppp
mp
1- Hyper-vib "a"
3 8 Kbd. 2. (Hyper-vib "a")
3 8
mf
Maria
3
3 8 Jan
je ne puis pas
croire
qu'elles
ne
t'aient
pas re
6 Delicate e = 132/144
con
nu
tout
à
l'heure.
vib.
3 8 p
p
arco
Vla.
3 8 p
Litolff/Peters
33875
mère
flaut.
arco
Vln.
Une
ISSUU Version For perusal only quasi Recitative q = 48 - 50
77
3
36
3
Fl. mf 3
4 4
3
sf p
3 4
f
C Tpt.
4 4
Tbn.
4 4
3 4 gliss
3 4 pp
sf
(non coperto)
P.1 (Timp)
sub pp
l.v.
3
3
4 4 pp
3 4
gliss sf sub. gliss
p
leg.
4 4
3 4
4 4
3 4
Kbd. 1 (E-waterphone)
Piano
7
4 4 Pno.
7
7
3 4
7
4 4
3 4 f dim.
3
4 4
Maria re con nait
tou
jours
son
3 4
fils. f intense, nostalgic
3
3
Jan
3
3
4 4 J'é
tais
un
a do les cent,
sprechg. 3
3
3 4 pres
que un
jeune gar çon.
quasi Recitative q = 48 - 50 Vln.
7
4 4 sf(f)
7
sf(mf) 7
Vla.
7
3 4 sf(mf) 7
7
3 4 sf(mf)
7
4 4 sf(f)
Litolff/Peters
sf(pp)
4 4 sf(f)
Cb.
sf(pp)
4 4 sf(f)
Vc.
3 4
33875
sf(pp)
7
sf(mf)
sf(pp)
3 4
ISSUU Version For perusal only
78
7 Leggerissimo, effimero q = 72
colorful
3 4
3
39
Fl.
3
3
3 4
3
3
1 4
3
p
3 4
sf f
mf 7:6
3 4
B. Cl.
1 4
3 4 f
sord Harm.
3
3
3 4
C Tpt.
p
1 4
3 4
ppp
B.G Piatto
intensive
with fingers.
3 4
P.1 (Bg, Cga)
1 4
l.v.
3 4
pp
B.G with fingers intensive
3 4
P.2 (Bg, Cga)
3 3
3
pp 3
3
3
3
Vous
n'êtes
3 4 f
3
susurrato
Martha
Piatto
1 4
3
3 4
3
3
3
3
1 4
pas si vieil
le,
ma
3 4
mère. f
3 4
Mère
1 4
5
3 4 Tu sais
7 Leggerissimo, effimero q = 72 3 4
Vln.
f
5
bien
5
que je plai san te. vib
Mas quoi!
sv
ord. espr
1 4
3 4 f
42
3
3
3
3
Fl. p
mf 5:3
4:3
B. Cl. mf
sord. Harmon
C Tpt. ppp Sprechg. 5
5
pp
ord. 5
spoken
ord.
5
spoken ord.
3
Mère
gliss À la fin d'u ne vie,
on peut bien se lai sser a ller.
Ne te dur cis
pas,
Mar tha!
5
spoken
. Bien
ton âge
des filles de
ne son gent
Vln. sord. di piombo (iron mute)
Vla. ppp
Litolff/Peters
p
33875
ppp
p
ppp
ISSUU Version For perusal only
Poco più mosso q = 76 45
Fl.
3
3
3
3
3
3
3
sf p
79
3
1 4
3 8
1 4
3 8
ff
B. Cl. fpsub
ppp
ff
without sord.
7
7
7
Tbn.
1 4
3 8
1 4
3 8
1 4
3 8
1 4
3 8
1 4
3 8
1 4
3 8
1 4
3 8
1 4
3 8
f
P.1 (Tp)
mp
ppp
ff
Pno. martellato
7
7
7
ff sf
f
fff
half spoken
ironically, exclamate, intense, susurrato
ff intense
Martha au près des
Leurs fo lies ne sont rien
nô
tres,
vous le
sa vez.
Mère qu'à
des folies
Poco più mosso q = 76 3
Vln. f
p
Cb. pp
Litolff/Peters
fpsub
ff
33875
ISSUU Version For perusal only
8 Transparent e = 144 - 152
80 48
Fl.
3 8
B. Cl.
3 4
3
mf
Quasi recitative, somber, intense q = 50 ca.
mf
3
cresc.
p
3 8
3 4 ppp
p 7
Bass Sax.
3 8
3 4 p
pp 7
Hn.
3 8
3 4 pp
p without sord.
C Tpt.
3 8
7
3 4 pp p
pp 7
Tbn.
3 8
3 4 p
pp
Timpani 7
coperto, leggiero
P.1 (Timp)
3 8
3 4 p
f
Mar P.2 (Mar)
3 8
3 4 pp
p
1- Hyper vib "a"
3 8
3 4 p
Kbd. 1 (Hyper vib "a")
3 8
3 4
3 8
3 4
7
l.v.
quasi f
Pno.
pp secco
3 8
7
3 4
7
p f
intense
Maria
3 8
3 4 Il au rait mp
suf
fi
d'un
mot. Sprechg.
Jan
3 8
3 4 p
8 Transparent e = 144 - 152 Vln.
3 8
Cb.
Litolff/Peters
Je ne l'ai pas trou vé.
Mais quoi,
Quasi recitative, somber, intense q = 50 ca.
3 4
p cresc s.p.
3 8
poco a poco intensive 5
3 4
p
33875
ISSUU Version For perusal only
52
B. Cl.
81
mf
7
7
7
Bass Sax. mf
f
7
7
7
Hn. p
sord. wawa
mf
f
7
7
7
C Tpt. mf
p
f
7
sord. wawa
7
7
Tbn. p
P.1 (Timp)
mf
f
mf
mf
4- Hyper mar "b"
7
7
p
Kbd. 1
gliss.
gliss.
gliss. sf
pp
6
pp
7
7
7
mf
simile
(Hyper mar "b")
7
7
7
mf
pp simile
Pno. 7
7
7
7
7
mf
ord. 3
mf
3
3
Sprechg.
3
ap por ter ma
for
3
gliss.
Jan je
ne suis pas
si
pres
sé.
Je
suis
ve
pizz. 7
Litolff/Peters
i
ci
7
7
Cb. mf
nu
simile
33875
7
tune
ISSUU Version For perusal only
82 54
B. Cl.
ff
7
7
7
7
7
7
7
7
7
7
Bass Sax.
Hn.
7
C Tpt.
7
Tbn.
gliss. P.1 (Timp) ff
7
7
Kbd. 1 (Hyper mar "b")
pp
7
7
7
f
ff
7
7
7
Pno. 7
7
7
7
7
ff
ord.
3
Sprechg.
ff dim.
Jan et,
si
je
le
7
puis
du
bon
heur.
Mais
7 7
Cb. ff
Litolff/Peters
33875
ce
n'est pas
ISSUU Version For perusal only
83
Poco più mosso q = 54
56
B. Cl.
7
7
7
Bass Sax.
7
f
7
p
7
7
7
Hn. f dism
p
7 7
7
7
C Tpt. f dism
7
p
7
7
7
Tbn. f dism
P.1 (Timp)
p
p
ff
7
7
7
ff
Kbd. 1 (Hyper mar "b")
7
dim
Pno. 7
7
7
7
f 7
7
7
7
7
ff
carismatic ord.
3
3
vib.
port.
3
ff
3
Jan si
fa
qu'on le
cile
dit
de
ren
trer
chez
soi,
il
faut
un
peu
de
temps
Poco più mosso q = 54 7
7
Vln. p 7
7
Vc. p
7
7
7
7
Cb. ff
Litolff/Peters
f
dim
33875
7
7
ISSUU Version For perusal only q = 76
9
84
"solo"
58
3
3
3
3 3
3
3
3
glis s.
jet whistle
3
4 4
Fl.
p
sf
intense cresc.
3
f
Muta in Cl in Bb B. Cl.
4 4
Bass Sax.
4 4
7
p
pp
sf
mf
4 4
Hn. p
sord. straight
4 4
C Tpt.
ff
p
7
4 4
Tbn. p
f
pp
gliss.
4 4
P.1 (Timp)
Bg, Cga
4 4
P.2
p intensive sempre, cresc al f
4 4 mf
Pno.
7
7
7
7
4 4
7
7
sf
p crec
spoken, in a very high register
4 4
Martha
Mère!
Ah,
Sprechg.
ord.
mf
3
Quand nous au rons a ma ssé beau coup d'ar gent
espr.
4 4
Jan pour faire un fils
d'un é tran ger.
9
q = 76 intense 3
f
p
4 4
Vc. f 7
Litolff/Peters
vib.
espr
3
4 4
Vln.
Cb.
3
7
4 4
33875
f
ff
ISSUU Version For perusal only
85
3 3
60
3
3
3
Fl.
3
mf cresc.
3
3
3
gliss
3 3
3
3
Cl. Bb f
7
7
Bass Sax. f
Hn. ff (sord straight) 3 3
3
3
3
3
gliss
C Tpt. f cresc
Tbn.
P.2 (Bg, Cga) 3
3
3
pp
Kbd. 1 (Hyper mar "b")
3
ff
Pno. 7
7
7
7
mf cresc
spoken
5
3
5
Martha et
que
nous
pour
rons
quit
ter
ces
ter
res sans ho
ri zon,
le
mf cresc 3 3
3
3 3
Vln. mf 3
Vla.
pizz.
7
7
Cb. f
Litolff/Peters
f
33875
gliss
jour
ISSUU Version For perusal only
86
3
3
3
3
61
Fl.
3
f
f
3 3
3
Cl. Bb pp
f
f 7 7
7
7
Bass Sax.
3
Hn. f 3
3
C Tpt.
7
Tbn.
7
7
7
P.1 (TP)
P.2 (Bg, Cnga)
pp 3
3
1- Hyper vib "a"
3
Kbd. 1 (Hyper vib "a")
Pno.
ff
martellato 7
7
7
7
f cresc.
suspira getting more and more anxious
ord.
spoken
où nous se rons en
fin
de
ord.
spoken
vant la mer
dont
breath deeply
ord.
5
Martha j'ai
3
3
3
3
tant rê
vé,
3
Vln. f
f 7
arco
7
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only half air - half sound
3
62
3
3
Fl.
87
3
3
3
3 3
3
3
ff
3
3
7
Bass Sax. f
3
3
3
3
3
3
3
C Tpt. mf
7
7
P.1 (Tp)
p
P.2 (Bg, Cnga)
3 3
Kbd. 1
f
3
ff
f
(Hyper vib "a")
3
ff
3
Pno. 7
7
ff
susurrato, intenso
ord.
7
ff
Martha ce
jour
là
vous
me
ver rez sou rire.
7
Cb. sf
Litolff/Peters
33875
ISSUU Version For perusal only
88 63
senza flatt. 3
3
Fl. 3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cl. Bb 3
ff
3
3
3
3
3
3
3
7
Bass Sax.
3
3
3
C Tpt. 3
7
3
3
3
3
3
3
7
Tbn.
7
P.1 (Tp)
P.2 (Bg, Cnga)
Pno. 7
7
spoken in a very high register ff
Martha Mais
senza flatt. 3
3
il
faut
beau
coup
3
3
d'ar
gent
3
Vln. 3
ff 3
3
3
3
3
3
3
3
3
3
3
3
3
Vla. ff
3
3
3
7
Cb.
Litolff/Peters
33875
3
3
3
3
3
3
ISSUU Version For perusal only 3
3
64
Fl. 3
3
3
3
89
3
3
3
3
3 3
Cl. Bb 3
3
f 7
Bass Sax. ff 3
Hn. 3
C Tpt. 3
3
3
7
3
7
Tbn. f
P.1 (Tp)
P.2 (Bg, Cnga)
fff p
f dism 7
7
7
7
7
Kbd. 1 (Hyper vib "a")
7
Pno.
susurrato
ord.
Martha C'est pour ce
la
qu'il
faut
s'oc
cu
per
de 3
3
3
3
gliss.
Vln. 3
3 3
gliss.
gliss.
Vla. 3 3
3 3
gliss.
3
7
Vc. 3
ff 7
pizz.
arco 7
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
90
3
65
3
3
Fl.
3
f
3
3 3
3
3 8
3
sf
cresc
sord. 7
3 8
Hn. pp
ppp 3
3
3
3 3
C Tpt.
3
3 8
sf 7
3 8
Tbn. f
3 8
P.1 (Tp)
mallets (hand)
3 8
P.2 (Bg, Cnga)
3 8 Kbd. 1 (Hyper- vib "a")
7
7
7
7
3 8
ff
3 8 7
7
Pno.
7
7
3 8
ff
ord.
Sprechg.
mix of laughing and crying very short...
3 8
Martha ce lui qui doit ve
nir.
3
3 8
Vln. 3
3
3
3
f cresc
gliss.
3
3 8
Vla. f cresc pizz.
7
7
arco 7
3 8
Vc. f cresc
3 8
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
91
10 Waltz, inquiring and light q. = 63/66 67
3 8
Hn.
ppp
Timpani (waltz) sord.
3 8
P.1 (Timp)
p
pp
Marimba
p
3
3 8
P.2 (Mar)
3
3
3 8 p cresc.
Kbd. 1 (Hyper vib "a")
3 8 mf
3
3 8
Maria
Mais
pour
quoi
n'a
voir
pas
sim
ple
ment
10 Waltz, inquiring and light q. = 63/66 espressivo, elegante
vib
3 8
Vln.
mp
71
Hn.
P.1 (Timp) 3
3 3
3
3
3
3
3
P.2 (Mar)
Kbd. 1
p sub
mf
(Hyper vib "a")
exclamating 3
più f
Maria cé
ton ar
ri
vée?
Non,
non,
Vln.
Litolff/Peters
33875
tout
ce
la
n'est pas sain
an non
ISSUU Version For perusal only
92 77
P.1 (Timp)
3 3
3
P.2 (Mar)
f
Kbd. 1 (Hyper vib "a")
3
3
3
Maria Par tons!
Jan,
nous
ne
trou ve
rons
pas
le bon
heur
i
ci.
Vln.
q. = 56 sord. plunger frull. possibile 81
4:3
5:3
7:6
4:3
4 4
Tbn. pp
mp
pp
gliss.
P.1 (Timp)
pp
pp
gliss.
mp
4 4
gliss.
4 4
P.2 (Mar)
pp
p
4- Hyper mar "b"
4 4 p
Kbd. 1
8:6
(Hyper mar "b")
mf
f
f
8:6
8:6
8:6
4 4
8:6
4 4 Pno.
4 4 mf crec anxious
ord.
Sprechg.
3
Sprechg.
3
4 4
Jan Ce
n'est
pas
le bon
heur, que nous sommes
ve nus cher cher.
Le
bon
heur,
nous l'a vons
q. = 56
4 4
Vln. s pont
14:12
14:12
9:12
11:12
4 4
Cb. pp
Litolff/Peters
cresc.
33875
mp
ISSUU Version For perusal only
93
11 Somber q = 44/46 85
Fl.
5
4 4
4 4
sfpp
B. Cl.
4 4
4 4 sfpp
senza sord.
Hn.
4 4
4 4 mp
mp
C Tpt.
mp
5
4 4
4 4
sfpp
Tbn.
4 4
4 4 sfpp
parlando ord. p 5
Mère
4 4 Je
Jan
Litolff/Peters
suis
5
las se
5
5
et
j'ai me rais
5
qu'au moins
5
ce lui là
4 4
vib.
5
soit
5
le
der nier. Tu
5
5
er
est
3
5
ter ri ble ment
5
4 4
fa ti gant.
4 4
33875
94
ISSUU Version For perusal only
q = 50
12 e=144 89
Fl.
4 4
3 8 pp
Cl. Bb
4 4
Steps on the stairs
3 4
ppp
3 8
3 4 f
B. Cl.
4 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
pp
Hn.
4 4 pp
C Tpt.
4 4 pp
Tbn.
4 4 pp
P.1 (Timp)
P.2 (Mar)
4 4
f
4 4
3 8
gliss.
gliss.
p súb
3 4 ff
12- E-bass
4 4
3 8
3 4
4 4
3 8
3 4
Kbd. 1 (E. bass)
9:8
mp
9:8
4 4
3 8
3 4
4 4
3 8
3 4
Pno.
9:8
9:8
secco, poco f f
Maria
4 4
3 8
3 4 Pour quoi
ne pas
s'en con ten
ter? mf Sprechg.
Jan
4 4
3 8
3
ord. cresc. sub 3
3 4 Le bon heur n'est pas tout.
Vln.
4 4
12 e=144 3 8
Mon
q = 50
vib.
3 4 p pizz.
Cb.
4 4
3 8
3 4 mf
Litolff/Peters
33875
9
de
95
ISSUU Version For perusal only
Jan pushes María toward the steps. The old servant crosses the room without noticing him 3
P.1 (Timp)
3
3
3
sfpp
95
3
piú f
3
pp
3
3
Kbd. 1 (E. Bass)
9:8
9:8
9:8
7:4
9
9
7
9
7
Pno. 9:8
9:8
9:8
9:8
7:4
6
port.
3
Jan voir
TAPE. 4
est
de
re trou
ver ma
mère,
une
trie...
TAPE 4 ("Vieux" 1)
9
9
9
7
9
Cb. f
Litolff/Peters
pa
33875
mf
ISSUU Version For perusal only
96 97
P.1 (Timp)
4 4
4 4 Kbd. 1 (E. bass)
10
9
4 4
4 4 Pno. 9
spoken, quasi susurrato 3
11
10
intenso
Mets toi
4 4
slow vibrato in low reg, imitating the piano 7
4 4
Jan On vient!
9
là.
mmm
4 4
TAPE. 4
11
4 4
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
13 Dynamic, Intense q = 80 99
Picc.
half air
4 4
ppp
p
pp
p
Percussion 1 and 2 repeat the bars 99-102 indefinitely until bar 103 included very light sticks
P.1 (S.D)
P.2 (S.D)
4 4 ppp secco
4 4 ppp seco
4- Hyper mar "b"
4 4 Kbd. 1 (Hyper mar "b")
4 4 ppp
4 4 Pno.
4 4 pp
mf susurrato
Martha
spoken
4 4 Vous sa
vez
bien
qu'il ne
s'a
git
même
13 Dynamic, Intense q = 80 sord.
Vln.
4 4 pp
arco
Cb.
4 4 ppp
Litolff/Peters
97
33875
pas
de
tu
er.
ISSUU Version For perusal only
98 100
Fl. sf
p
P.1 (SD)
P.2 (SD)
Kbd. 1 (Hyper mar "b")
Pno.
3
irritated, free, almost susurrato-crying
Martha Il
boi
ra
son
thé,
il
Vln.
Cb.
Litolff/Peters
33875
dor
mi
ra,
ISSUU Version For perusal only
101
Picc.
P.1 (SD)
P.2 (SD)
Kbd. 1 (Hyper mar "b")
Pno.
crying ord.
Martha et
tout
vi
sord.
Vln.
Cb.
Litolff/Peters
33875
vant
en
core,
99
ISSUU Version For perusal only
100 102
Senza tempo
Muta in Flute
Picc.
2 4
2 4
P.1 (SP)
2 4
P.2 (SP)
2 4 Kbd. 1 (Hyper mar "b")
2 4
2 4 Pno.
2 4 Senza tempo Speaking acting On le retrouvera dans longtemps, collé contre un barrage, avec d'autres qui n'auront pas eu sa chance et qui seront jetés dans l'eau, les yeux ouverts
3
3
Martha nous
le por
à
te rons
la
ri
vière.
2 4
Vln.
2 4
Cb.
2 4
14 Free q = 54 (e = 108) Jan
He looks around
imperative
3
3
104
3
3
2 4 Et
Litolff/Peters
mainte
nant
pars
vite.
Tu
vois,
33875
la
chan
5
ce
est
a
vec
3 8 moi.
ISSUU Version For perusal only
e = 108 107
Fl.
3 8
101
3 4
f
Cl. Bb
3 8
3 4 mf
C Tpt.
cresc
3 8
3 4 mf cresc
Bg, Cnga
Vib P.1 (Vib)
7:6
3 8
3 4 f dim.
mp
7:6
1- Hyper-vib "a"
3 8
3 4 p
f dim.
Kbd. 1 (Hyper-vib "a")
3 8
3 4
l.v.
3 8
3 4 pf
Pno.
mf
mp
p
pp
3 8
3 4
intense f
Martha
3 8
3 4 Mère,
mf irritated
Maria
3
3 8
3 4 Je veux res
ter.
Je me tai
près de toi
rai et, j'at ten drai
que tu sois re con nu.
spoken, quasi susurrato, intenso
Jan
3
3 8
3 4 Non,
tu me
tra hi rais!
e = 108 vib
Vln.
3 4 fp
Litolff/Peters
espr
3 8 fp
fp
fp
fp
33875
102
ISSUU Version For perusal only
q= 84
15
3
3
115
3 4
Fl.
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3 3
3
3 4
P.1 (Bg. Cnga)
3
3
3
3
3
3
3
3
3 4
Kbd. 1 (Hyper vib "a")
f p
fp
fp
fp
Martha danse alra. She imagines to be in a beautiful beach excited 3
3 4
Martha
est il vrai
le sa ble des pla
ges
3
pizz
mp
3
sfp 3
3
3 4
aux pieds?
3
3
sfp
Cb.
brû lures
fasse des
q= 84
15 3 4
Vln.
que, là bas,
3
3
3
3
3
p
16 Calm q = 40-48 118
3:2
Fl. sf
p
5
Cl. Bb sf p
Sfp 5
Bass Sax. sf p
Hn. sf
sff pp
S.D P.2 (SD)
spoken
5
5
ord.
5 spoken
ord.5
5
5
Mère Je
n'y suis pas
al
lée,
tu
le sais.
Mais
on m'a
dit
16 Calm q = 40-48 Cb.
Litolff/Peters
33875
que
le
so
leil
dé
vo rait
tout.
3
ISSUU Version For perusal only
103
q = q. = 66 ca
17
3
121
Fl. 3
f
sfp
sfpp
3
3
sfpp
sfpp
sfpp
Cl. Bb mf cresc
sfpp
f
3
3
3
sfpp
3 3
3
Hn. mf cresc
sfpp
sfpp
sfpp
sfpp
p sfpp
C Tpt. mf cresc sfpp
3
p
3
3
mf cresc
Piano.
Naive, Protesting
with an emotional cresc.
f
Maria
9 3 8 4 Jan, il y_a cinq ans
17
que nous sommes ma riés.
J'ai
peur
de
q = q. = 66 ca
3
3
ce
lit
dé sert
où
tu
me ren voies
3
Vln. mf cresc
sfpp
sfpp
33
Vla. mf cresc
Litolff/Peters
33875
sfpp
3
sfpp
ISSUU Version For perusal only
104
3
123
Fl. 3
sfp
sfp
Muta in Picc.
3
3
sfp
Cl. Bb sfpp
3 3
sfpp
3
3 3
3
3
Hn. 3
C Tpt. sfpp
sfpp
p sfpp
3
3
Tbn. sf pp
Maria et j'ai peur
3
peur
peur
que tu
m'a ban
don
nes
3
3
3
Vln.
3 3
3
Vla. 3
Litolff/Peters
33875
3 3
3
ISSUU Version For perusal only
125
Picc.
sff pp
sff p
p sff
p oscuro
sf mf
sf f
sff
105
f
sf ff
Cl. Bb
Hn. sf p
ff
sf mf
sf f
ff
C Tpt. sf p
sff p
sff
p
(p)
6- Hyper-Bells
Kbd. 1 (Hyper-bells)
mf cresc.
f
mf cresc.
f
7- Mixturen
Kbd. 2. (Mixturen)
Taking her in his arms. sprechg.
ord. f
ord.
7
Sprechg.
gliss.
Jan Ce la
est
pué ril.
Ma ri
a,
j'ai une
pa ro
le_à
te
nir.
Celle que
me suis don née
je
le jour où j'ai com pris
que
Vln. sff p
sff mf
sf f
sf f
ff
Vla.
pizz
Cb. sff
Litolff/Peters
33875
ISSUU Version For perusal only
106
3
129
Picc. sfp
ff
3
sff
f cresc
Cl. Bb f cresc
Hn. sfp
ff
sff
3
C Tpt. ff
sfp
sff
mf cresc
Tp
9 8
P.1 (TP)
mf
Kbd. 1 (Hyper-bells) f
ff
f
ff
f
1- Hyper-vib "a"
Kbd. 2. (Hyper-vib. "a") f
offended ff
3
Maria Tu
ord. ff
5
as une au tre parole a te nir
celle que
tu m'as don
3
Jan ma mère
a vait be soin
de moi.
La
quelle?
3
Vln. ff
sff
f cresc
3
Vla. ff
f cresc
Cb. sff
Litolff/Peters
33875
née
ISSUU Version For perusal only
3
132
Picc.
107
4 4
3
Muta in Bass Cl.
Muta in Cl. Bb
4 4
Cl. Bb pp 7
4 4
gliss
Bass Sax. f
4 4
Hn. 3
3
4 4
C Tpt. 3
3
3 7:6
gliss
4 4
Tbn. mf
P.1 (Tp)
f
4 4
9 8 G.C.
4 4
P.2 (G.C.)
pp
mf
4 4 Kbd. 1 (Hyper-bells)
4 4
4 4 Kbd. 2. (Hyper-vib. "a")
4 4
3
4 4 Maria
le
jour
où
tu as
pro mis ossia
tu as
pro mis
de vi vre a vec moi 3
self sufficient, almost arrogant
de vi vre a vec moi
7
4 4
gliss
Jan ff
on peut tout con
ci
lier
Vln.
4 4
Vla.
4 4 p
7:6
4 4
Vc. ff espr
Litolff/Peters
33875
p sub
ISSUU Version For perusal only
18 q = 76/80
108
flaut 135
Fl.
3
3
4 4 pp cresc molto sub
3
7
Cl. Bb
3
3
3 3
3
3
3
f
7
7
4 4 pp cresc molto sub
f
7
cresc molto súb
Piano 3
3
3
4 4
3
pp cresc molto sub
Piano.
4 4
intense pronouncing each word with delight ord.
susurrato 5
Martha
susurrato p
4 4 J'ai
lu
dans un
li
qu'il
vre
Sprechg. 6
gliss.
man geait jus
18 q = 76/80 metallico sul pont.
Vln.
3
3
3
4 4 f
pp cresc molto sub
metallico sul pont. 3
Vla.
4 4 pp
sul pont. 3
Vc.
4 4 pp metallico
mp
sul pont 3
Cb.
4 4 pp metallico
Litolff/Peters
33875
qu'aux
âmes
ISSUU Version For perusal only 3
3
136
109
3
jet whistle
3
Fl.
3
f
3
sff
3
f
3
3
3
3
3
7
7
7
Cl. Bb f
sf
3
3
3
p
3
ff
Piano.
dreamy susurrato
ord.
3
5
gliss.
Martha et
qu'il
fai sait
les
corps
res
plen
3
3
sants,
3
Vln. f
sp
3
Vc. pp
3
3
Cb. pp sim
Litolff/Peters
dis
33875
ISSUU Version For perusal only
110
air
3
137
3
3
3
Fl.
3
3 3
3
3
3
7
3
ff
7
3
7
Cl. Bb ff sord harm
C Tpt. ppp
pp
f p sub
pp
3 3
3
ff
Piano.
like a witch
gridato, crying gliss.
Martha mais
dés
vi
par
3
3
l'in
té rieur.
3
Vln. ff sul pont.
3
Vc. ppp 3
3
(sp)
Cb. pp
ppp
Free
q = 80
138
Fl.
2 4
4 4
2 4
4 4
p sub
Cl. Bb p sub
Tom tom
2 4
P.2 (Tom tom)
Piano.
mf
ff
2 4
4 4
2 4
4 4
2 4
4 4
p súb
spoken free grave
susurrato 5
5
la, Mar tha
qui
spoken
5
Mère Est-ce
ce
te
fait
rê
ver?
Free
q = 80
2 4
Vln. p sub
Litolff/Peters
4 4
33875
4 4
ISSUU Version For perusal only 7
140
Fl.
111
4 4 f
Cl. Bb
4 4 f
Tom Toms P.2 (Tom Toms)
4 4 f
p cresc sub
3
4 4 f
cresc sub
Piano. martellato
4 4 ff
with increasing emotion ord. f cresc
Martha
4 4 Oui,
Vln.
Sprechg.
ord.
Sprechg.
ord.
gliss.
gliss.
j'en ai_as sez
3
gliss.
de
por
spoken exclamate
ter
tou jours
mon âme,
j'ai
4 4 sfp
ff
3
Vla.
4 4 sfp
ff
3
Vc.
4 4 sfp
Cb.
ff
4 4 sfp
Litolff/Peters
33875
ff
ISSUU Version For perusal only
112 141
3
3
2 4
Senza tempo
2 4
Fl. p sub
4 4 ff
5
Muta in Bass Cl
2 4
Cl. Bb
4 4 5
2 4
Bass Sax.
4 4 ff
5
2 4
Hn.
p subito
4 4 ff
p subito
2 4
C Tpt. pp
4 4 ff
Tom tom
2 4
P.2 (Tom tom)
4 4 fff
2 4
4 4 secco ff 5
Kbd. 1 (Hyper vib "a")
1- Hyper vib "a"
2 4
4 4
Mixturen
2 4
4 4
2 4
4 4
Piano. 3
3
loco
p
3
3
2 4
Martha hâte de trou ver ce pa ys
où
le
ossia
so leil
Ma demeure n'est pas ici tue
2 4
Vln.
crying
les
ques
4 4
tions.
Senza tempo
5
4 4 ff
2 4
Vla.
5
4 4 ff
Litolff/Peters
33875
ISSUU Version For perusal only
Calm q = 52 144
Fl.
4 4
113
5 4
ppp calm
Muta in Bb Cl.
5
B. Cl.
4 4
Bass Sax.
4 4
Hn.
4 4
5
5
5
5
5
5
5 4
Timpani
5
5
4 4
(Tp)
3
Piatto P.2 (Piatto)
5 4
5 4
5
P.1
5
5
f secco
5
3
3
5
5 4
p
f
5
5
5
3
5
5
sf pp
5
3
4 4
5 4 9- Hyper-clarinet 5
4 4
5
5
5
5 4
Kbd. 1 (Hyper clarinet)
4 4
5 4 7- Mixturen
Kbd. 2. (Mixturen)
*
5
4 4
5
5
sf
5
sf
sf
*
5
5
5 4 sf
4 4
5 4
*chromatic cluster between the indicated notes
Mère
4 4
5
parlando with serenity ord.
spoken
5
5
hé las!
Au pa ra vant,
mf
spoken
Sprech. exclamato
susurrato
5
Nous a vons beau coup à
5 4 Pré pa
faire.
re tout,
Mar tha!
Calm q = 52 5
Vln.
5
5
5
5
5
5
5
4 4
5 4 scratch
f 5
5
5
5
4 4
5
5
5 4 scratch
Litolff/Peters
5
f 5
Vc.
5
5 4 scratch
Vla.
5
4 4
f
33875
114
Senza tempo 146
Fl.
5 4
ISSUU Version For perusal only 19 Transparent, light, effimero q. = 44 3 8
3
p
3
Bb Cl. Cl. Bb
5 4
3 8 p
Bass Sax.
5 4
3 8 ppp
Hn.
5 4
3 8 3
sord. Harm
C Tpt.
5 4
3 8 3
p pedal gliss. gliss softly up and down ad lib.
P.1 (Timp)
5 4
3 8 mf
Hyper-vib "a"
5 4
3 8 pp
Kbd. 1 (Hyper-vib "a")
5 4
3 8 Piano
5 4
3 8
5 4
3 8
Piano.
speaking acting
Mère
5 4
Si vraiment cela en vaut la peine
3 8 Capricieux, Naif
Maria
5 4
3 8 la
TAPE. 4
sé pa
ra
tion
5 4
3 8
Senza tempo
19 Transparent, light, effimero q. = 44
5 4
3 8
est
tou
jours
ord. Vln.
p
p
ord. Vla.
5 4
3 8 p
Litolff/Peters
33875
quel
ISSUU Version For perusal only
115
q = 44
3 4
Fl. 3
ff
f
ff
f
ff
fff
ff
fff
ff
fff
3 4
Cl. Bb
3
3 4
Hn. pppp
pppp
ff
3 4
C Tpt.
ff
f
6- Hyper bells
3 4 ff
Kbd. 1 (Hyper vib "a")
3 4
3 4 Piano.
3 4
speaking acting Pour ceux qui s'aiment
3 4
Maria que chose
Taking her, passionate susurrato Sprechg.
Jan
Sprechg.
ord. 3
spoken, parlato
3
3
3 4 tu sais bien
Sau vage,
TAPE. 4
susurrato intenso 3
3
que
je
t'ai
me
comme il faut.
3 4 q = 44
Vln.
Vla.
Litolff/Peters
3 4 ff
f
ff
f
3 4 33875
ff
fff
ISSUU Version For perusal only
116
q = 72 153
Kbd. 1
f
Piano.
secco 5:6
5:6
crying dim molto spoken free
spoken
susurrato 3
3
3
5:6
5
3
Jan a,
Ma ri
dé
je
sire que
tu
q = 72
me
lais ses seul
st
a
fin de
voir
plus
clair
5:6
Cb. pp
156
Piano. 5:6
5:6
5:6
susurrato
spoken
5
3
3
3
Jan ce
la n'est pas
si
ter ri ble
et ce n'est pas une grande
5:6
5:6
Cb.
Litolff/Peters
33875
af - faire
que de
cou cher sous le même toit
ISSUU Version For perusal only
159
117
2 4
Piano. 5:6
5:6
2 4 spoken
susurrato
2 4
Jan que
mère
sa
Dieu
fe
ra
le
res
te!
5:6
2 4
Cb.
Transparent, explicitly slow q = 40 3
162
3
3
2 4
Fl.
f
p
3
pp 3
3
3
3
2 4
Cl. Bb
f
mf
p
5:4
5:4
5:4
2 4
P.1 (G.C.)
f dim
protesting 3
2 4
Maria
Oh,
con
nue de rê ver!
ti
Qu'im
Transparent, explicitly slow
por
te
3
3
si
je
3
gar
de
ton
3
2 4
Vln.
f
mf
p
pp
Maria stays on stage and interacts with the video in "Marias Instrumentaspiel"
attacca
165
Cl. Bb
5:4
P.1 (G.C.)
pp 3
Vln.
Litolff/Peters
33875
a
mour
ISSUU Version For perusal only III: Interlude "The Garden of Maria"
118
1 Transparent e = 132 Fl.
3 8 p
1 8
5 8
4 8
6 8
1 8
5 8
4 8
6 8
1 8
5 8
4 8
6 8
1 8
5 8
1 8
5 8
1 8
5 8
1 8
5 8
soft mallets
3 8 pp
mp
Marimba Perc.2 (Mar.)
6 8
pppp
Vibraphone Perc.1 (Vib)
4 8
p
soft mallets
3 8 p
3
1- Hyper-vib. "a" Keyb. 1
3 8
(Hyper-vib "a")
p
3- Hyper-mar. "a" Keyb. 2 (Hyper-mar "a")
pp p
mf
3
3 8
4 8 p
3
6 8 3
sim.
1 Transparent e = 132 sord. de piombo (iron mute)
Vla.
3 8
4 8
6 8
pppp
pizz.
5:4
5:4
Cb.
3 8
4 8 p
Litolff/Peters
5:4
3
6 8
3
33875
3
6
Fl.
ISSUU Version For perusal only
e=116
119
e=120
5 8
2 8
3 8
pppp
almost imperceptible
Cl. Bb
3
5 8
2 8
3 8
pppp
pppp
sord. wa-wa Trumpet in C
5 8
2 8
3 8 pppp
Perc.1 (Vib)
5 8
2 8
Perc.2 (Mar.)
5 8
2 8
3 8
Keyb. 1 (Hyper-vib "a")
5 8
2 8
3 8
pppp
3 8 senza trem.
3
3
Keyb. 2 (Hyper-mar "a")
5 8
2 8
3
3
e=116 Vln.
3 8
e=120
5 8
2 8
3 8 pppp
Vla.
5 8
2 8
3 8
2 8
3 8
pppp
5
Cb.
5 8
5
5:4
5:4
3
Litolff/Peters
33875
3
120
ISSUU Version For perusal only
e=116
2 Impulsive e=132 11
flatt.
very short
senza flatt.
3
3
4 8
Fl.
6 8
3
p
3 8
3
sf
pp very short
4 8
Cl. Bb
6 8
3 8
pppp very short 3
4 8
Bass.Sax.
3
6 8
mp
3 8
pp
very short
sord wa-wa
4 8
Trumpet in C
3
3
6 8 pppp
3 8 pppp
very short
Vib. 2
medium mallets
4 8
Perc.1 (Vib)
6 8
3 8 pp
3
4 8
Perc.2 (Mar.)
6 8
3 8 pp
4 8
Keyb. 1 (Hyper-vib "a")
very short
p
pp
mp
6 8
3 8
mp very short
Keyb.2 (Hyper-mar "a")
4 8
6 8
3 8
pppp
pppp
2 Impulsive e=132
e=116
ord.
very short
4 8
Vln. mf
espr.
6 8 p
mf
3 8 p
p sub
mf
(without sord.) flautando
4 8
Vla.
6 8
3 8 pp very short
pizz.
5:4
Vc.
4 8
5:4
5:4
5:4
5:4
6 8
5:4
3 8
mp very short arco s.t.
Cb.
4 8
5:4
6 8
3 8 pp
pp
Litolff/Peters
5:4
sim.
14159
poco marc. 7:6
15
Fl.
3 8
ISSUU Version For perusal only
121
6 8
3 8
6 8
3 8
mf
Cl. Bb
3 8
ppppp
pppp
Bass.Sax.
3
3 8
3
6 8
3 8
poco marc. 7:6
Perc.2 (Mar.)
3 8
6 8
3 8
6 8
3 8
6 8
3 8
6 8
3 8
mf
Keyb. 1 (Hyper-vib "a")
3 8
Keyb.2 (Hyper-mar "a")
3 8
3
pppp
vib.
Vln.
Vc.
3 8
3 8
5:4
arco
5
5:4
6 8
3
5:4
3 8
poco cresc.
pizz.
Cb.
5:4
5:4
3 8
6 8
arco
3
5
sfz pp sub.
Litolff/Peters
33875
3 8
ISSUU Version For perusal only
3 More intense e=104
122 18
Fl.
3 8 mf
Cl. Bb
4 8
3 8
2 8
4 8
3 8
quasi f
cresc.
3 8 mf
2 8
pp
cresc.
f
3
Bass.Sax.
3 8
2 8
4 8
3
p
3
mf
sord. straight
Trombone
3 8
3
3 8
3
2 8
4 8
3 8
4 8
3 8
mf
Perc.1 (Vib)
3 8
2 8
pppp
pppp
Keyb.2 (Hyper-mar "a")
3 8
2 8
4 8
3 8
2 8
4 8
3 8
2 8
4 8
3 8
pppp
3 More intense e=104 vib.
Vln.
3 8 mf
Vla.
cresc
3 8
pppp
ppppp
arco vib.
Vc.
3 8
2 8
4 8
3 8
mf
arco
5:6
5:6
Cb.
3 8
2 8 mf
Litolff/Peters
mf
p
4 8
3 8 p
33875
mf
ISSUU Version For perusal only
22
3 8
Fl.
123
4 8
quasi f
3 8
Cl. Bb
4 8 quasi f 3
3 8
Bass.Sax.
3
4 8
3
3 8
Horn in F
3
3
5
4 8
pppp
Keyb.2 (Hyper-mar "a")
3 8
Vln.
3 8
4 8 pppp
4 8 quasi f
f
f
vib.
3 8
Vc.
4 8 mf
5:6
5:4
5:4
3 8
Cb.
4 8 quasi f
short
rall. 25
6 8
Fl. 5:6
f
short
6 8
Cl. Bb f 3
3
short 3
3
6 8
Bass.Sax. 3
3
short
6 8
Horn in F
short 3
3
6 8
Keyb. 2 (Hyper-mar "a") pppp
short
rall.
6 8
Vln. 5:4 3
Litolff/Peters
5:4
3
33875
5:4
short
6 8
Cb. 5:4
mf
f
124
ISSUU Version For perusal only
4 Very soft e=120 28
Fl.
6 8
short
4 8
pp
2 8
3 8
5 8
ppp short
Cl. Bb
6 8
4 8
2 8
3 8
5 8
ppp
short sord. wa-wa
Trombone
5:6
6 8
5
4 8
p
pp
2 8
3 8
5 8
p
short
Perc.1 (Vib)
6 8
4 8
2 8
3 8
p dim.
5 8
pp
short
Perc.2 (Mar.)
6 8
4 8
2 8
pp dim.
3 8
5 8
pp
short
Keyb. 1 (Hyper-vib. "a".)
6 8
4 8
2 8
3 8
5 8
pp
p dim.
Hyper-vib "a"
Keyb.2 (Hyper-mar. "a".)
Vln.
6 8
5:4
5:4
5:4
5
5
5
5
5
5
5
4 8
2 8
3 8
p dim.
4 Very soft e=120 6 8
short
5
5 8
pp sord. sul tasto flaut. 5
5
5
4 8
short
5
2 8
3 8
5 8
ppppp almost imperceptible
sul tasto flaut. sord.
short
5
Vla.
6 8
4 8
2 8
3 8
5 8
ppppp almost imperceptible
sul tasto flaut. sord.
5
5
Vc.
6 8
5
short
5
4 8
2 8
3 8
5 8
ppppp almost imperceptible short
sord. sul tasto flaut. 5
Cb.
6 8
4 8
2 8 ppppp almost imperceptible
Litolff/Peters
33875
3 8
5 8
ISSUU Version For perusal only
5 Intense e=120 34
Fl.
5 8
125
2 8
6 8
5 8
2 8
6 8
5 8
f sub
Cl. Bb
5 8 f sub
sord. Harmon
Trumpet in C
5 8
2 8
6 8
5 8 sf p
pp
(sord. wa-wa) 3
Trombone
5 8
2 8
6 8
5 8
Perc.1 (Vib)
5 8
2 8
6 8
5 8
2 8
6 8
5 8
f sub
Perc.2 (Mar.)
5 8 f sub
5
5 8
5
2 8
6 8
2 8
6 8
2 8
6 8
5
5 8
f
Keyb. 1 (Hyper-vib "a")
5
5 8
5 8
leggiero
Keyb. 2 (Hyper-vib "a")
5
5 8
leggierissimo
5 8
cresc.
5 Intense e=120 5
Vln.
5 8
5
2 8 senza sord.
5
6 8
5
5 8
f sub 5
Vla.
5 8
2 8
6 8 pp
senza sord.
p
3
Vc.
5 8
2 8 f senza sord.
5 8
6 8
pp
3
3
5 8 3
3
pizz.
Cb.
5 8
2 8 senza sord.
Litolff/Peters
6 8
5 8
f sub
33875
ISSUU Version For perusal only
126 38
Fl.
5 8
short
3 8
4 8
short
Cl. Bb
5 8
3 8
4 8
short sord. Harmon
Trumpet in C
5 8
3 8
4 8
pppp
short
3
Trombone
5 8
3 8 pp
4 8 mp
short
Perc.1 (Vib)
5 8
3 8
4 8
short
Perc.2 (Mar.)
5 8
3 8
4 8
short
5 8
3 8
4 8
mf
Keyb. 1 short
(Hyper-vib "a")
5
5 8
3 8 5
4 8
5
short
Keyb. 2 (Hyper-vib "a")
5 8
3 8
4 8
short 5
Vln.
5 8
3 8 5
4 8
5
short
Vla.
5 8
3 8
4 8 mf
3
Vc.
short
vib.
5 8
3 8
3
f
short
pizz
Cb.
5 8
3 8
4 8 f
f
Litolff/Peters
4 8
33875
ISSUU Version For perusal only
e=116 40
Fl.
4 8
2 8
Cl. Bb
4 8
4 8
5:6
pp
127
2 8
4 8
pp
Trumpet in C
4 8
5
2 8
4 8 pppp
3
Trombone
sord. wa-wa
4 8
2 8
4 8
pp
Perc.1 (Vib)
mf
4 8
2 8
4 8
2 8
4 8
pp
pp
Perc.2 (Mar.)
4 8
5:6
pp
5
Keyb. 1
4 8
4 8
2 8
e=116 Vln.
4 8 pppp
pp
(Hyper-vib "a")
Keyb.2 (Hyper-vib. "a".)
5
2 8
4 8
5
4 8
5
2 8
4 8 pppp
pp
sord.
5
Vla.
4 8
2 8
4 8 pppp
pppp
3
Vc.
3
4 8
2 8 pp
Litolff/Peters
4 8
3
33875
ISSUU Version For perusal only
128
half sound, half air
43
Fl.
5:6
mf dim.
p
5:6
p dim
half sound, half air
Cl. Bb p dim
sord. Harmon
Trumpet in C pppp
ppp
very soft mallets
Perc.1 (Vib)
pppp
sul pont.
5
5
5
5
Vln. mf dim.
p dim.
(without sord)
sul pont.
Vla. pppp
3
3
3
sul pont.
Vc. mf dim.
3
p dim.
pizz.
Cb.
Litolff/Peters
33875
l.v.
3
ISSUU Version For perusal only
Intense e=120 48
3 8
Fl. pp
f sub
129
5 8
4 8 ff
p cresc.
3 8
Cl. Bb pp
5 8
4 8 f
f sub
ff
sord. straight 3
3
3 8
Trombone
5 8 3
f sub
3 8
Perc.1 (Vib)
4 8 ff
p
5 8
4 8 f
f sub
3 8
Perc.2 (Mar.)
dim.
ff
5 8
4 8 ff
p
f sub
dim
5 5
3 8
Keyb. 1 (Hyper-vib "a")
5
5
5
5 8
4 8
5 8
4 8
f sub cresc.
3 8
Keyb. 2 (Hyper-vib "a") f sub
cresc.
Intense e=120 vib.
5
f sub
3
4 8
3 8
5 8
4 8
3 8
5 8
vib.
Vc.
3
4 8
3
f sub
pizz.
3 8
Cb.
5 8
f
33875
3
3
ff dim.
arco
Litolff/Peters
5
5
5 8
cresc.
Vla.
3
5
5
3 8
Vln.
4 8
ISSUU Version For perusal only
130 53
Fl.
6 8
2 8
6 Fuggevole e=144 4 8
6 8
2 8
4 8
6 8
2 8
4 8
ff
Cl. Bb ff
Bass.Sax.
5
ppp
3
3
Trombone mf
6 8
2 8
4 8
6 8
2 8
4 8
p
3
Perc.1 (Vib)
6 8
Perc.2 (Mar.)
2 8
4 8
2 8
4 8
ff
5
5
5
5
5
6 8 Keyb. 1 (Hyper-vib. "a".)
3
ppp
ff
ff
3
3
3
ppp
ff
6 8
2 8
4 8
Keyboard 2 11- Hyper-DoubleBass
6 8
2 8
4 8
6 8
2 8
4 8
Keyb. 2 (Hyper-vib "a")
arco
ff
mf
5
ff
sul tasto
5
6 8
Vln.
6 Fuggevole e=144
5
5
5
2 8
4 8
Vc.
3
6 8
ff
3
mp
3
3
p
5
pizz.
2 8
4 8
2 8
4 8
pp
arco
6 8
Cb. ff
Litolff/Peters
pp
ppp
ff
3
pp
33875
5
ISSUU Version For perusal only
57
3 8
Cl. Bb
131
4 8 pppp
ppp 5
3 8
Bass.Sax.
4 8 3
3
Perc.1 (Vib)
3 8
3
3
4 8
3
3
soft mallets
3 8
Perc.2 (Mar.)
mp 3
pp 3 dim.
3
3
3
3
3
3 8
Keyb. 1 (Hyper-vib. "a".)
3
4 8 3
4 8
arco
pizz
pizz.
3 8
Keyb.2 (Hyper-Db)
4 8
p
pp "Solo"
espr. sord.
mf
flautando s.v
vib.
s.v
3 8
Vln.
3
4 8
mf
pp mf
pizz.
5
3 8
Vc.
4 8
ppp 5
3 8
Cb.
5
5
4 8
5
pp 61
5 8
Cl. Bb
3 8 pppp
ppp
ppp 5:6
5:6
5 8
Bass.Sax.
4 8
3 8
ppp
pp
3
3
3
Perc.2 (Mar.)
5 8
3 8
3
3
5 8
4 8 p
3
3
3
3
3
3 8
3
4 8
3
3
3
3
Vln.
5 8
Vc.
5 8
arco
3
Cb.
Litolff/Peters
3 8
4 8
3 8
4 8
5
ppp pizz.(optional: gettato)
arco (optional: pizz.)
3
3
3
p
Keyb. 1 (Hyper-vib. "a".)
3
4 8
3
pp 3
3 8
3
3
3
3
3
5 8
Perc.1 (Vib)
5:6
4 8
5 8
arco
3 8 33875
4 8
ISSUU Version For perusal only
132 65
5 8
Cl. Bb
pppp
5
ppp
3
Bass.Sax.
3
Perc.1 (Vib)
Perc.2 (Mar.)
3
5 8
5
5
3
5 8
3
3
3
3
3
3
3
3
3
3
3
pp
mp
3
3
Keyb. 1 (Hyper-vib. "a".)
3
5 8
3
3
3
pp sub
pp sub
3
3
3
3
3
3
3
3
3
flautando
espr. sempre
espr.
5 8
Vln.
5
Vc.
pizz.
5
5
5 8
ppp
Litolff/Peters
5
5
5 8 mp
Cb.
ppp
pppp
arco
5 8 33875
ppp
ISSUU Version For perusal only
133
7 Sensitive e=120
68
Fl.
4 8
mp
3
p sub.
3
3
4 8
Cl. Bb pppp
mp
5
5
Bass.Sax.
4 8
Horn in F
4 8 sfppp
sfppp
sord. wa-wa
4 8
Trombone sfpp
3
3
l.v.
3
3
Perc.1 (Vib)
4 8 mp
4 8
Perc.2 (Mar.)
3
3
3
3
l.v.
3
4 8
Keyb. 1 (Hyper-vib. "a".)
4 8 7 Sensitive e=120 ord.
4 8
Vln. mp
4 8
Vla. mp
5 5
5
4 8
Vc. mp
pizz.
arco
3
5
pizz.
4 8
Cb. 3
Litolff/Peters
33875
ISSUU Version For perusal only
134
e=116
72
4 8
Fl.
1 8
3 8
4 8
1 8
3 8
1 8
3
Horn in F
4 8
Trombone
4 8
1 8
piu f
pp possibile
Cl. Bb
5
piu f
5
1 8
3 8
1 8
1 8
3 8
1 8
sfpp
5
4 8
Perc.1 (Vib)
1 8
3 8
1 8 mp
4 8
Perc.2 (Mar.)
1 8
3 8
1 8 mp
4 8
Keyb. 1
1 8
3 8
1 8
(Hyper-vib "a") mp
3- Hyper-mar "a" Keyb. 2 (Hyper-mar "a")
4 8
1 8
3 8
1 8 mp
e=116 Vln.
4 8
Cb.
4 8
5
1 8
3 8
1 8
3 8
1 8 piu f
3
pizz
1 8 piu f
e=104 3
76
Fl.
1 8
4 8
5 8 mp
Cl. Bb
1 8
mf
6 8
4 8
6 8
4 8
6 8
4 8
6 8
mf
p sub.
4 8
4 8
5 8 mf
qf
p
sord.
Horn in F
1 8
4 8
5 8 ppp sord. wa-wa
Trombone
1 8
4 8
5 8
3
mp
e=104 Vln.
1 8 1 8
senza dim.
5
5
5 8
4 8 mf
3
3
4 8
5 8 mp
Cb.
Litolff/Peters
3
4 8
quasi f.
4 8
6 8
4 8
6 8
pizz.
5 8 mf
6 8
mf
pizz.
1 8
5
vib.
5
4 8 mf
Vla.
mp
3
3
33875
ISSUU Version For perusal only 8 Transparent e=120
e=92 80
6 8
Fl.
mf
mp
3
mf
mp
3 8
4 8
6 8
2 8
3 8
4 8
6 8
2 8
3 8
4 8
6 8
2 8
3 8
4 8
6 8
p
6 8
Horn in F
2 8
3
6 8
Cl. Bb
ppp
Perc.1 (Vib)
6 8
Perc.2 (Mar.)
6 8
Keyb. 1
6 8
135
Vib.
soft mallets
ppp 3
Marimba
2 8
3 8
4 8
3
6 8
ppp
2 8
3 8
(Hyper-vib "a")
4 8
6 8
4 8
6 8
ppp
11- Hyper-Db
Piano
6 8
Keyb. 2
2 8
3 8 ppp
arco
5
(Hyper-Db)
6 8
5
2 8
5:4
5:4
3
3 8
3
4 8
6 8
ppp
e=92
ppp
3
8 Transparent e=120
3
6 8
Vln.
mf
mf pizz.
4 8
6 8
2 8
3 8
4 8
6 8
2 8
3 8
4 8
6 8
mp 5
5
5
6 8
Cb.
3 8
mp
6 8
Vla.
2 8
mf
mp
p
85
Perc.1 (Vib)
6 8
1 8
5 8
Perc.2 (Mar.)
6 8
1 8
5 8
Keyb. 1 (Hyper-vib. "a")
6 8
1 8
5 8
2 8
1 8
5 8
2 8
6 8
1 8
5 8
6 8
1 8
5 8
3
3
6 8 Keyb. 2 (Hyper-vib "a")
Vln.
5:4
3
3
5
pp
Litolff/Peters
2 8
33875
2 8
5
2 8
2 8
136
ISSUU Version For perusal only
9 Slow
88
Fl.
2 8
3 8
p dim.
3
Cl. Bb
2 8
3 8 p dim.
Perc.1 (Vib)
2 8
3 8 p
Perc.2 (Mar.)
2 8
3 8
Keyb. 1
2 8
3 8
3
3
3
(Hyper-vib. "a")
p
3
2 8
3 8 p
Keyb. 2 (Hyper-vib "a")
5:4
2 8
3
3
5:4
3 8 p
9 Slow Vln.
2 8
3
3 8 p
pp
sordina de piombo (iron mute)
Vla.
2 8
3 8 ppppp
Vc.
2 8
3 8 p
Litolff/Peters
33875
ISSUU Version For perusal only
94
Fl. p dim.
137
pp
ppp
3
3
Cl. Bb p dim.
ppp
3
3
Perc.1 (Vib) p dim.
5
5
Perc.2 (Mar.)
5
5
p dim.
ppp
p dim.
Keyb. 1 (Hyper-vib "a")
ppp 3
3
p dim.
ppp
Keyb. 2 (Hyper-vib "a") 3
3
Vla.
Vc. 3
Cb.
Litolff/Peters
33875
3
138
ISSUU Version For perusal only IV: Scene 2 Jan, Martha
1 Free q = 80
more air than pitch 6
3 4
Bass Saxophone
mf
Vibraphone medium mallets
3 4
Perc.1
pp
Piatti
brush
Glockenspiel
l.v.
medium mallets
3 4
Perc.2
sf
p sub (mute parcially)
mf
12- E-Bass 5:3
Keyb. 1
5:3
5:3
3 4 p sempre
3 4 Piano
3 4 sf mf 5
3 4
Martha
Je
sais
on va
la pré
3
3 4
Jan
Bon jour
1 Free q = 80 3 4
Contrabass
je viens
pour la
cham
bre.
secco pizz.
mf
5
Perc.1 (Vib.)
pp
pp
Piatto Perc. 2 (Glsp.) pp 5:3
5:3
5:3
Keyb. 1 (E-Bass)
sf
Pno.
gliss. staccatissimo
3
3
5
gliss. spoken
Martha parer.
Il
faut
que
je
vous ins
crive
sur
no
tre
li
Cb. ppp
Litolff/Peters
33875
vre.
ISSUU Version For perusal only
9
139
Fl. pp
7
Bass Sax. sf
pppp
Perc.1 (Vib.) p
Glsp. Perc. 2 (Piatto) ppp
f
p
5:3
5:3
Keyb. 1 (E-Bass)
5:3
Pno.
sf p
staccatissimo
mf
free 3
Martha Il
5
ironic Sprechgesang
3
3
Jan vous
a
vez
un
do mes
ti
que
bi
TAPE 5 ("Vieux 2") Tape 5
pizz.
Cb. f
Litolff/Peters
33875
za
rre.
fait
tou jours
e
xac te
ment
ISSUU Version For perusal only
140
13
2 4
Fl. ff
5
2 4
Bass Sax. pp 5:3
Keyb. 1 (E-Bass)
più f
5:3
mf
5:3
2 4
p
dim. staccatissimo
2 4 più f
Pno.
mp
2 4 pp
almost crying
3
feroce
pp
sf
sf
2 4
Martha ce
qu'il
faut
faire
3
2 4
Jan Il
ne
res
2 4
Tape 5
pizz
2 4
Cb.
5
16
Bass Sax.
2 4
3 4
Perc. 2 (Piatto)
2 4
Keyb. 1 (E-Bass)
2 4
3 4
2 4
3 4
Piatto
3 4 pp
sf
cresc sub
pp
Pno.
2 4
3 4 sf
p
ironic
sf (mf)
ord.
5:6
Sprechgesang
Jan
2 4
3 4 sem
Cb.
2 4
Litolff/Peters
5:6
pas
ble
à
tout
3 4 33875
gliss
gliss
le
mon
de.
Est
il
muet?
ISSUU Version For perusal only
19
141
Fl. sf p
pp
ord. 5
Bass Sax.
f
very fast arpeggio
Perc.1 (Vib.) p
SD
Piatto
Perc. 2 sf
5:3
Keyb. 1 (E-Bass)
5:3
più f
dim.
Pno.
fuggevole 5
3
Martha Ce
n'est
pas
ce la.
Le
moins
pos si ble
5
Jan Il par
le
donc?
Vln. mp
p
Litolff/Peters
33875
p
ISSUU Version For perusal only
142
22
4 4
Fl. p
fuggevole, legatissimo 3
5:3 3
3
3
3
Bass Sax.
3 4 3
4 4
5:3 3
3
3
3
3
3
3 4
pp pp *
4 4
Perc.1 (Vib.)
3 4
Glsp *
4 4
Perc. 2 (Glsp)
3 4
* grace notes before the indicated part of the bar and the chords of the piano 5:3
Keyb. 1 (E-Bass)
4 4
Pno.
4 4 sff espress.
3
5:3
3 4
3 4
dim. serious
3
3
3
4 4
Martha et
seule ment pour l'es
sen
tiel.
Mais
je dois vous
de
man
der
vo
3 4
tre
nom
2 Interrogation 1 q = 92 25
Fl.
3 4 f
Bass Sax.
3
3 4
3
3
3
p sub
fpp
Perc.1 (Vib.)
3 4
Perc. 2 (Glsp)
3 4
Keyb. 1 (E-Bass)
f
secco
f 5:3
3 4 metallico
3 4 p sub
sf p cresc.
Pno.
3 4 sf p
p
mf
3
Martha
3 4 et
vos
pré
Date
noms.
Spoken 5
Jan
5
3 4 Ha
Litolff/Peters
33875
neutral
sek,
Karl.
et
lieu
29
ISSUU Version For perusal only
3
Fl.
143
f
5
5
5
Bass Sax. pp
Perc.1 (Vib.)
Perc. 2 (Glsp) f
5:3
5:3
Keyb. 1 (E-Bass)
5:3
Pno.
secco
3
Martha de
nais
san
ce?
5
5
5
Jan J'ai trente
huit
vib
Vln. mf
Litolff/Peters
33875
ans.
ISSUU Version For perusal only
144 32
3
Fl.
4 4 ff
5
4 4
Bass Sax. pp
Perc.1 (Vib.)
4 4
Perc. 2 (Glsp)
4 4
5:3
Keyb. 1 (E-Bass)
5:3
5:3
4 4
4 4 Pno. loco
3
3
4 4
Martha Où
êtes
vous
4 4
né?
5
4 4
Jan En
Bo
hê
me.
4 4
Vln. mf
pizz.
4 4
Cb.
Litolff/Peters
33875
ISSUU Version For perusal only
35
145
Fl.
4 4
3 4
Cl.
4 4
3 4 pp
mf 5:6
Bass Sax.
4 4
C Tpt.
4 4
3 4 sord. straight
3 4 pp
f
Perc.1 (Vib.)
4 4
3 4
Perc. 2 (Glsp)
4 4
3 4
Keyb. 1 (E-Bass)
4 4
sfp
5:3
5:3
5:3
3 4 str. sp trp.
4 4
3 4
4 4
3 4
Pno.
3
Martha
Pro
3
3
4 4 fes sion?
il
5:6
ê tre
faut
3
très pau
vre
3 4
très riche
4 4
Jan
3
3
3
ou
3 4 Sans
fes
pro
sion.
vib.
4 4
Vln.
3 4 f
p 5:6
39
2 4
Bass Sax.
ppp
Piatto
2 4
Perc.1 (Vib.)
SD
2 4
Perc. 2 (SD) pp
p
pp
p
pp
pp 5:3
5:3
Keyb. 1 (E-Bass)
p
mp
5:3
2 4
2 4 Pno.
2 4 f 3
3
3
3
2 4
Martha pour vi
Jan
vre
sans
un
ord.
mé tier.
Je
Cb.
Litolff/Peters
5
2 4 2 4 33875
ne
suis pas
très
pauvre
et,
ISSUU Version For perusal only
146 44
3 4
Fl.
3
3
4 4
fp
3 4
Cl.
4 4 pp
3 4
Bass Sax.
4 4 5:4
Vib.
Perc.1 (Vib.)
3 4
4 4
Perc. 2 (SD)
3 4
4 4
p senza cresc. 3
Keyb. 1 (E-Bass)
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ppp
Pno.
3
3
Martha
Do mi
pour bien des
3 4 rai
ci le_ha bi tuel?
He expresses happiness
5
5
Jan
3
4 4
sons,
j'en
suis con
tent. 3
48
3 4
Fl.
4 4 f
3 4
4 4
Perc.1 (Vib.)
3 4
4 4
Perc. 2 (SD)
3 4
4 4
Cl. 3
f
f
p 5:3
3
Keyb. 1 (E-Bass)
5:3
3 4
4 4
3 4
4 4
3
f
Pno. 5
3
3 4
4 4 3
3 4
Martha
4 4 Vous
spoken
en
ve
nez?
5:6
Jan La
Bo
Cb.
hê
3 4
4 4
3 4
4 4
me.
f
Litolff/Peters
33875
ISSUU Version For perusal only
147
51
Fl.
4 4 p sub.
ord.
Bass Sax.
7
4 4 più f
Perc.1 (Vib.)
4 4
Perc. 2 (SD)
4 4
p
S.D
5:3
Keyb. 1 (E-Bass)
Glsp
5:3
5:3
5:3
4 4
intense
4 4 mp
cresc.
Pno.
f sub
4 4 f
p sub.
Martha
4 4 Je sais!
Ord. Jan
5
5:6
je viens
d'A fri que.
Ord.
7
(gliss.)
4 4 Non,
Cb.
Spoken
De l'au
4 4 mp
Litolff/Peters
33875
tre
cô
té
de
la
mer.
ISSUU Version For perusal only
148
55
3 4
Fl.
more air than pitch 5
Bass Sax.
3 4
Perc.1 (Vib.)
3 4 ff
3 4
Perc. 2 (SD) ff
5:3
5:3
3 4
Keyb. 1 (E-Bass)
3 4 fff
2nd voice loco
Pno.
cresc.
p sub
3 4
with huge curiosity
3
3 4
Martha Vous
y
al
lez
sou vent?
Spoken 5
3 4
Jan
A
pizz.
3 4
Vln. ff pizz.
3 4
Vla. ff
secco
Cb.
3 4 p subito
Litolff/Peters
33875
ssez
sou vent.
ISSUU Version For perusal only 58
3
3
3:2
149
Fl. 5
3
f
Hn. sff p
sordina ( wa-wa)
C Tpt. sff p sordina ( wa-wa)
Tbn. sff p
Perc.1 (Vib.)
sff p
Gslp Perc. 2 (Glsp) sff p
5:3
5:3
5:3
Keyb. 1 (E-Bass)
Pno.
più f
3
3
3:2
5
3
Martha je
sup
pose
que
vous
a
vez une
piè
ce
d'i
den
ti
té.
ord. Jan Un
arco sul pont.
Vln. pp arco sul pont.
Vla. pp
sul pont.
Vc. pp
Litolff/Peters
33875
ISSUU Version For perusal only
150
61
Bass Sax.
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
ff
Hn. sfff
C Tpt. sfff
Tbn. sfff
Vibr
2 4
Perc.1 (Vib.)
4 4 ff
Glsp
2 4
Perc. 2 (Glsp)
4 4 ff
5:3
5:3
Keyb. 1 (E-Bass)
2 4
Pno.
2 4
4 4
2 4
4 4
5:3
4 4
ff
Martha
ord.
5:6
7:8
2 4
Jan passe
port.
4 4 Le
Vln.
voi
là.
vou
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
sfff
Vla. sfff
Vc. sfff
pizz.
Cb. ff
Litolff/Peters
Sprechgesang
33875
lez
vous
le
voir
ISSUU Version For perusal only
3 64
The old man enters in the reception very slow, almost in slow camera "camara lenta" (?). Martha takes the passaport but looks at the old man as hipnotized and give the passaport (maquinalmente) without having a look at it. All that happens as in a dream.
The conductor waits ca.25'' The first 6 "steps" of the TAPE and continue by figure 4
8 4
Cl.
151
4 Confidential q = 108 3 4 p
f 5:3
Keyb. 1 (E-Bass)
8 4
3 4
Pno.
8 4
3 4 sf
3
8 4
Martha
Je
ca. 25''
3
ne
t'ai
pas
ap
5:4
3 4 pellé
electronic ressonance of this phrase
quand vous
al
lez
là
bas,
TAPE 6 ("Vieux 3")
8 4
Tape 5
3 4
67
Cl. p
Piatto
SD Perc. 2 (SD)
5:3
5:3
5:3
Keyb. 1 (E-Bass)
Pno.
Martha vous
ha
bi
tez
près
de
la mer?
vous
Sprechg. 5
Jan Oui
Tape 5
Litolff/Peters
33875
almost sighing
a
152
Piatto
70
ISSUU Version For perusal only SD
Perc.1 (Vib.)
5:3
Keyb. 1 (E-Bass)
Pno.
Martha vez
de
la
fa
mil
le?
melancholic
parlando
3
Jan J'en
a
vais.
Mais
sord Vln. ppp
sord
4
Vla. ppp
sord
4
Vc. ppp
pizz. Cb. mf
Litolff/Peters
33875
il
y_a
long
temps
ISSUU Version For perusal only
74
153
Fl. pp
mp
sord. Harmon.
C Tpt. pp
7:6
Perc.1 (Vib.)
p
5:4
Perc. 2 (Glsp)
5:3
5:3
5:3
Keyb. 1 (E-Bass)
3
Pno.
3
mp
3
3
Martha Non,
je veux dire:
"Etes vous ma
ri
é?
as talking to himself almost spoken
5
5
Jan que
je
l'ai quit tée.
Oui,
(sord.)
Vln.
(sord.)
Vla.
(sord.)
Vc.
Litolff/Peters
33875
poco dim.
ISSUU Version For perusal only
154
78
Fl. 3
3
Vibr. Perc.1 (Vib.)
5:6
Glsp
Perc. 2 (Glsp)
5:3
Keyb. 1 (E-Bass)
5:3
5:3
5:3
Pno. p dim.
pp dim.
3
3
Martha Je
Sprechg.
ord.
5:6
3
Jan je
suis
ma
ri
é.
D'ail leurs
sul tasto
vous
a vez
sul pont.
Vln. p
sul tasto
sul pont.
Vla. p
sul pont.
sut tasto Vc. p
pizz.
Cb. mf
Litolff/Peters
33875
dû
voir
mon al
liance.
ne l'ai pas vue!
ISSUU Version For perusal only
82
Fl.
155
6:4
Perc.1 (Vib.)
5:4
ff
6:4
3:2
Ped.
dim. 3:2
5:4
3:2
Perc. 2 ff dim.
3:2
f dim.
Ped.
5:3
5:3
5:3
Keyb. 1 (E-Bass)
3
ff dim.
f dim.
Pno. 3
5
3 7:8
3
f cresc.
3
Martha Pou
vez
vous
me
don
Vln.
Vla.
Vc.
Litolff/Peters
33875
ner
l'a
dres
se
de
ISSUU Version For perusal only
156
3
85
2 4 ff
Fl.
3 4
2 4
5:6
2 4
Bass Sax.
3:2
3 4
2 4
f
Perc.1 (Vib.)
2 4
3 4
2 4
Perc. 2 (Glsp)
2 4
3 4
2 4
2 4
3 4
2 4
2 4
3 4
2 4
2 4
3 4
2 4
5:3
Keyb. 1 (E-Bass)
5:3
Pno.
fff
ff
suddenly furious ff
2 4
Martha vo
tre
3 4
2 4
femme! 3
cool
spoken
5:6
Jan
2 4
3 4
2 4 Elle
Litolff/Peters
33875
est
res
tée
dans
ISSUU Version For perusal only
88
157
Bass Sax.
2 4
3 4
4 4
Perc.1 (Vib.)
2 4
3 4
4 4 pp
Perc. 2 (Glsp)
2 4
3 4
4 4 pp
2 4
3 4
4 4 sf
Pno.
ppp
2 4
3 4
Like a witch! Martha
2 4
4 4
vib. molto
3
3 4
4 4 Ah!
Par
fait!
5:4
Jan
2 4
3 4 son
Litolff/Peters
pa
4 4
ys.
33875
ISSUU Version For perusal only
158 91
Flute
5 Interrogation 2 q = 120 4 4
sf
sf
sf
sord.
Bass sax
4 4 mf sord. straight
Trumpet in C
4 4 mf
Vibraphone Perc.1
medium mallets
4 4 mf
Marimba Perc.2
medium mallets
4 4 mf
3- Hyper-mar "a" Keyb.1
4 4 p
Piano
4 4
mf
Martha
mf
she starts mf and increases the dynamic progressively.
the tension increases poco a poco
3
3:2
6:4
4 4 Date
et lieu
Où
de nais ssance
êtes
vous
né?
pro fe
he remains in a medium dynamic
mf Jan
4 4 trente huit ans.
TAPE 7
4 TAPE 7 ("Breath") 4
Violín I
4 4
Interrogation 2 q = 120
non legato
mf
non legato
Viola
4 4 mf
Litolff/Peters
33875
Bo hê
me.
ISSUU Version For perusal only
94
159
Fl. simile
sf pp
sim.
sf pp
sim.
Cl.
Bass sax
Tpt. sord. straight
Tbn. f
Perc.1 (Vib.)
Perc.2
Keyb. 1 (Hyper-mar "a")
Pno.
menacing
Martha ssion?
Do
mi
cile
ha bi tuel?
Vous en ve nez?
calm
3
Jan Sans
3
pro fes sion.
la
TAPE 7
Vln.
Vla.
non legato
Vc. mf
non legato
Cb. mf
Litolff/Peters
33875
Bo hê
me.
Je
viens
de
ISSUU Version For perusal only
160
97
non legato
Fl.
Cl. sf
sf
pp
p sf
sf
p
sf
p sim
Bass sax
Tpt.
Tbn.
Perc.1 (Vib.)
Perc.2 (Mar.)
Keyb. 1 (Hyper-mar. "a")
Pno.
mf cresc.
f cresc.
3
Martha pièce d'i den ti té?
Vous y_a llez sou vent?
vous
elegant. 3
Jan l'A fri que.
A
ssez
sou vent.
TAPE 7
Vln.
Vla.
Vc.
Cb.
Litolff/Peters
33875
passe
port.
ha
bi
ISSUU Version For perusal only ord.
flatt
100
161
Fl. sf
sf
sf
sf
f cresc
Muta in Cl Bass Cl. sf
sf
sf
sf
f
Bass sax
Tpt.
Tbn.
Perc.1 (Vib.)
Perc.2 (Mar.)
Keyb. 1
sub. cres. 3
3
excited
3
Martha tez
près de
la
mer?
ê tes vous
ma
rié?
Vous a vez
de la fa
mi
lle?
very expressive
Jan Oui
Oui
TAPE 7
Vln.
Vla.
Vc.
Litolff/Peters
33875
J'en a
vais
ISSUU Version For perusal only
162
103
flatt
ord.
3 4
Fl.
Bass Clarinet
ord.
Bass Cl.
3 4
Bass sax
3 4
Tpt.
3 4
Tbn.
3 4
Perc.1 (Vib.)
3 4
Perc.2 (Mar.)
3 4
3 4 Keyb. 1
3 4
Martha Etes
vous ma ri é?
l'a dresse
de vo
tre
femme?
3 4
Jan Elle
Oui
est
res
tée
dans
TAPE 7
3 4
Vln.
3 4
Vla.
3 4
Vc.
3 4
Litolff/Peters
33875
ISSUU Version For perusal only
163
6 Interrogation 3 q = 126
106
Fl.
3 4
4 4 sf
Bass Cl.
3 4
mp
4 4 sf more intensive
Bass sax
3 4
4 4 ff sord. (straight)
Tpt.
3 4
4 4 f
Tbn.
3 4
4 4 ff
Perc.1 (Vib.)
3 4
4 4 ff
Perc.2
3 4
4 4
3 4
4 4
Keyb. 1 (Hyper-mar. "a")
ff
3 4
4 4 f
Martha
3 4
3
spoken
ord. 3
san
ce?
Où êtes vous né?
4 4 Date
de nai
f
3
Jan
3 4
4 4 son
TAPE 7
3 4
pa
ys.
Sprechgesang gliss.
trente
4 4 q = 126 more intense sul pont.
Vln.
3 4
4 4 ff
Vla.
3 4
sul pont.
4 4 ff pizz. ord
pizz .
Cb.
3 4
4 4 ff
Litolff/Peters
33875
huit
ord.
ans.
la
Bo
ISSUU Version For perusal only
164
109
Fl. f
Bass Cl. f
f
Bass sax
Hrn.
Tbn.
Perc.1 (Vib.)
Perc.2 (Mar)
Keyb. 1 (Hyper-mar. "a")
Pno.
3
Martha Pro fes sion?
do mi cile?
marcato
almost spoken
Jan hême.
sans
pro
fes
sion.
la
TAPE 7
Vln.
Vla. pizz. ord
pizz. ord
Cb.
Litolff/Peters
33875
Bo
hême.
ISSUU Version For perusal only
112
165
Fl.
Bass Cl.
Bass sax
Hrn.
Tpt.
Tbn.
Perc.1 (Vib.)
Perc.2 (Mar)
Keyb. 1 (Hyper-mar "a")
Pno.
Martha i den ti té?
Vous en ve nez?
fa
flagmatic
mil
le?
Jan non
passe
port
non
TAPE 7
Vln.
Vla.
pizz ord.
pizz ord.
Cb.
Litolff/Peters
33875
pizz ord.
ISSUU Version For perusal only
166
Fl.
5 4
Interrogation 4 q = 132 7 Agitato, sharp 4 4
Bass Cl.
5 4
4 4
Bass sax
5 4
4 4
Hrn.
5 4
4 4
Tpt.
5 4
4 4
115
ord.
Tbn.
5 4
4 4
Perc.1 (Vib.)
5 4
4 4
Perc.2 (Mar)
5 4
4 4
5 4
4 4
5 4
4 4
G.C
Keyb. 1
Pno.
5 4
Martha rié?
Ma
tre
femme?
5 4 oui
3
Pro
fes sion?
3
4 4 n'est
pas
là
Sans pro fes sion.
Interrogation 4 Agitato, sharp TAPE 7
5 4
4 4
Vln.
5 4
4 4 ord all tall
5 4
Vla.
pizz ord.
Cb.
Litolff/Peters
3
4 4 Vo
Jan
f
4 4 pizz ord.
5 4
4 4
33875
Do mi cile?
ISSUU Version For perusal only
118
167
Bass Cl. 3
Bass sax
Hrn.
Tpt.
Tbn.
Perc.1 (Vib.)
Perc.2 (Mar)
Keyb. 1 (Hyper-mar)
Pno.
threatening
3
3
3
3
3
3
Martha Ma rié?
Fa mi lle?
ironic
3
3
3
i
3
den
ti
té?
Il faut
3
3
3
Jan la
Bo
hême.
Non
Oui
TAPE 7
Vla.
Litolff/Peters
33875
Ha
sek
Karl.
ê
tre
ISSUU Version For perusal only
168
8 Electronic saturation q = 144
Muta in Bb. Cl.
121
Bass Cl.
Bass Sax. Bass sax
metallic
Hrn. ff
Tpt. metallic
Tbn. ff
Vib. Perc.1 (Vib.)
ff hard mallets
Perc.2 (Mar.)
ff
4- Hyper-mar "b"
Keyb. 1 (Hyper-mar "a")
ff
Pno.
3
Martha ri
3
che
i den ti
té?
ff exasperated, crying
sprechg. gliss.
Jan Oui
Ha sek
Karl.
TAPE 8 ("Electronic Saturation")
(click track) TAPE 7
ord. al tall.
Vln. ff
Vla.
pizz.
Cb. ff
Litolff/Peters
33875
ff
ISSUU Version For perusal only
169
Bb Clarinet
125
Cl. ff
Bass sax ff
Hrn. pp
sf pp
ff
sf
sf pp
ff
sf pp
ff
Tbn. ff
Perc.1 (Vib.)
Perc.2 (Mar)
Keyb. 1 (Hypermar "b")
ff Pno.
p
ff
TAPE 7
pizz.
Vln. ff pizz.
Vla. ff
pizz.
Cb.
Litolff/Peters
33875
170
128
ISSUU Version For perusal only
Cl.
Bass sax sff pp
ff
ff
sff pp
ff
ff
sff pp
ff
sf pp
ff
sf pp
sf pp
Hrn.
Tpt. ff
Tbn.
G.C Perc.1 (Vib.) ff
f
Piatto Perc.2 (Mar.)
Keyb. 1 (Hyper-mar "b")
Pno.
TAPE 7
pizz.
arco
Vln.
pizz. ord.
Vla.
pizz. ord.
Cb.
Litolff/Peters
33875
pizz. ord.
131
ISSUU Version For perusal only
171
Cl.
Bass sax
Hrn.
Tpt.
Tbn.
l.v
Perc.1 (Vib.)
l.v.
S.D
Perc.2 (Piatto)
Keyb. 1 (Hyper-mar. "b")
Pno.
TAPE 7
pizz.
Vln.
pizz.
Vla.
pizz. ord.
Cb.
Litolff/Peters
33875
arco
ISSUU Version For perusal only
172
134
Cl.
Bass sax ppp
fff
sff pp
ppp
fff
sff pp
ppp
fff
sff pp
Hrn.
Tpt.
Tbn.
Perc.1 (Vib.) pp
Perc.2 (S.D) pp
mf
f pp sub
f
pp
ff
Keyb. 1 (Hyper-mar. "b") pp
Pno.
TAPE 7
arco
Vln.
arco
Vla.
pp
arco
Cb. ff
Litolff/Peters
33875
sempre
137
ISSUU Version For perusal only 9
173
very long
23
Cl. pp
pp
pppp very long
23 Bass sax ffff very long
23 Hrn. ffff very long
23 Tpt. ffff
pp very long
23 Tbn. ffff
very long
23 Perc.1 (Vib.) ffff
Piatto
very long
23
l.v
Perc.2 (Piatto)
very long
23 Keyb. 1 (Hyper-mar "b")
ffff
very long
23 ffff
very long
23
* Pno. *(cluster: include all the notes between the indicated notes)
TAPE STOPS
very long
TAPE 7
23
very long
Vln. ffff
23
very long
Vla. ffff
pizz.
23
Cb.
Litolff/Peters
33875
very long
ISSUU Version For perusal only
174
V: Scene 3 Mère - Jan - Martha
1 q = 60 Vibraphone
3 4
Percu. 1 (Vib.)
soft mallets
f
f
pp
pp
soft mallets
Marimba
3 4
Perc. 2 (Mar.)
pp
f
* the first time a new note appears is "f", all the repetitions are "pp"
4- Hyper-marimba "b"
3 4 sff pp
Keyboard 1. (Hyper-mar "b")
3 4 f
p
p
f
3 4
Piano
sff pp
f quasi f
3
3 4
Mère
Bon
q = 88
jour,
Mon
sieur.
Vo
tre
cham
bre
est
prête.
f pp
3
Perc.1 (Vib.)
pp
f
dynamics simile *
Perc.2 (Mar.)
pp
f
* the first time new note appears is f, all the repetitions of the same note are pp
p
pp
Kbd. 1 (Hyper-mar "b")
Pno. 5
quasi f Sprechgesang
ord.
5
5
Jan Je
Litolff/Peters
vous
re
mer
cie,
Ma dame.
33785
ISSUU Version For perusal only
q = 66 5
2 4
Perc.1 (Vib.)
Perc.2 (Mar.)
2 4
3 4
2 4
3 4
pp
pp
f
Kbd. 1 (Hyper-mar "b")
175
2 3 4
2 4
3 4
2 4
3 4
dim.
Pno.
3
sff pp
3
2 4
Mère Tu as
dim.
sff pp
rem pli
la
fi
3 4
che?
Ain si,
2 4
Martha
sff pp
te nez,
3 4 Oui.
q = 66
2 3 4
2 4
Cb.
pizz.
p/pp
8
Perc.1 (Vib.)
Perc.2 (Mar.)
pp
ff
Kbd. 1 (Hyper-mar. "b")
Pno. sff pp sff 3
Sprech.
ord.
fi lle a
o mis
de
4
Mère ma
no
ter
les rai sons
(pizz.)
Cb.
Litolff/Peters
33785
de vo tre
vi
si
te.
176
ISSUU Version For perusal only
q = 80
11
4 4
Perc.1 (Vib.)
4 4
Perc.2 (Mar.)
4 4 f
Kbd. 1 (Hyper-mar. "b")
4 4
4 4 Pno.
sf pp
pp
4 4
7
5
Sprechgesang 5
4 4
Jan Je su
ppose
qu'il s'a git de tou ris me.
ord. passionate
5
5
J'ai vou lu
au ssi re voir
cette
gion
ré
q = 80
4 4
Cb.
3 q = 88
q = 72 14
3 4
Perc.1 (Vib.)
mf
3 4
Perc.2 (Mar.)
mf 3
3
3 4 3
mf
Kbd. 1 (Hyper-mar. "b")
3 4 5
3 4 4:3
sff pp
Pno.
3 4 sff pp 6
3 4
Martha
Vousy_a vez ha
bi
té?
ord. mf
spoken Jan
que j'ai connue autrefois
Il
q = 72 Cb.
y_a
très long temps,
3 q = 88
3 4 mf
Litolff/Peters
5
3 4
33785
mf
ISSUU Version For perusal only
17
Perc.1 (Vib.)
simile mf
Perc.2 (Mar.)
177
simile 3
3
3
3
3
simile
Kbd. 1 (Hyper-mar. "b")
4:3
sff pp
Pno.
sffpp
sempre ord. 5
to the Mère, spoken:
5
5
Il y a donc
Jan J'ai
eu
l'o
cca
sion
de
pa
sser
par
i
ci.
Je
ne l'ai
pas
ou
bli
é.
Cb. pp
20
Perc.1 (Vib.)
Perc.2 (Mar.)
Kbd. 1 (Hyper-mar. "b")
3
2 4
5 4
2 4 3
3
Pno.
5 4
2 4
5 4
2 4
5 4
2 4
5 4
2 4
sf pp
5
si long
Litolff/Peters
5
5
5 4
Jan
Cb.
3
5 4
temps
2 4 que
vous
5 4
ha
bi
tez
cet
hô
tel?
2 4
33785
178
ISSUU Version For perusal only
q = 60-56
22
2 4
Perc.1 (Vib.)
2 4
Perc.2 (Mar.)
3
2 4
Kbd. 1 (Hyper-mar. "b")
3
2 4 sff pp
Pno.
2 4 Sprechgesang
ord.
Sprechgesang 3
ord. gliss.
et des an
nées
3
sprechg sang
2 4
Mère
Il
y
a
des
an
nés
de
ce
la.
Telle ment des an
q = 60-56
2 4
Cb.
25
Perc.1 (Vib.)
Perc.2 (Mar.)
3
3
Kbd. 1 (Hyper-mar. "b")
Pno.
3
3
3
3
Mère nées
que je n'en sais
plus
le
com men
Cb.
Litolff/Peters
33785
ce ment
et que j'ai
ou
bli
é
ISSUU Version For perusal only Irritated q = 72
28
Perc.1 (Vib.)
Perc.2 (Mar.)
179
5 4
3 4
5 4
3 4 3
3
5 4
Kbd. 1 (Hyper-mar. "b")
3 4
3 3
5 4
3 4 sff p
Pno.
3 4
5 4
3 4
ord.
Sprechgesang Mère
que j'é tais
ce
5 4
a
lors. 6
6
6
5 4
Martha
3 4 Mère,
vous n'a avez pas de rai
son de ra con ter ces
cho
ses
5 4
Cb.
3 4 f dim.
30
Perc.1 (Vib.)
q = 100
4 3 4
4 4
2 4 f dim
Perc.2 (Mar.)
3 4
mf
4 4
2 4 f dim
mf
3-Hyper-mar. "a"
3 4
4 4
2 4 f dim.
Kbd. 1 (Hyper-mar. "a")
3 4
mf
4 4
2 4 mf
3 4
4 4 5:3
Pno.
3 4
2 4 f dim.
4 4
2 4
4 4
2 4
speaking acting
Mère
3 vrai, 4 C'est Martha.
Sprechgsang 5
speaking acting
Jan
Je comprends votre sentiment,
3 4
3 4
Litolff/Peters
2 4 Ma
dame.
C'est
ce lui
qu'ontrou
ve
au bout d'une vie
q = 100
4 4 pp
5
4 4
4 Cb.
5
5
2 4 f dim.
33785
ISSUU Version For perusal only q = 60
180
33
2 4
Perc.1 (Vib.)
3 4
2 4
p
pp cresc.
2 4
Perc.2 (Mar.)
3 4
2 4
p
pp cresc.
2 4
3 4
2 4 pp
Kbd. 1 (Hyper-mar. "a")
Pno.
2 4
3 4
2 4
2 4
3 4
2 4 pp cresc.
ord.
2 4
Mère
3 4
Sprechgsang 3
ord. 3
2 4 Oh!
çu
je l'ai re
dans le temps,
Spoken - looking intensively to the mother 5
2 4
Jan
Mais peut-être serait-il changé si vous aviez reçu l'appui d'un bras d'homme.
3 4 de
tra
2 4
vail.
q = 60
2 4
Cb.
3 4
2 4
37
Perc.1 (Vib.) ff
mf
f
mf
mp
Perc.2 (Mar.)
p
ff
mf
mf
ff
mf
Kbd. 1 (Hyper-mar. "a")
mf
pp
mf
ff
Pno.
Sprechgsang
ord.
3
3
3
3
Mère Mais
il y_a vait
trop
à
faire.
Mon ma
ri
Cb.
Litolff/Peters
33785
et moi
y
su
ffi
sions
à
pei
ne.
Nous
ISSUU Version For perusal only
41
Perc.1 (Vib.)
p
pp
ff
f
181
3 4
mf
pp
pp
3 4
Perc.2 (Mar.)
f
pp
mp
mf
pp
ff
3 4 f
Kbd. 1 (Hyper-mar. "a")
mp
mp
p
pp
3 4
3 4 mp
f
ff
Pno.
3 4 3
3
3
3
3 4
Mère n'a vions même
pas le temps
de pen ser
l'un à l'au
tre
et
a vant
mème qu'il fût mort,
je
crois
que je
3 4
Cb.
q = 100-104 46
Perc.1 (Vib.)
Perc.2 (Mar.)
3 4
4 4
2 4 f
3 4
4 4
2 4 1- Hyper-vib. "a"
Kbd. 1 (Hyper-mar. "a")
3 4
4 4
2 4 f
7:6
3 4
4 4
Mère
f
f
Pno.
2 4
3 4
4 4
2 4
3 4
4 4
2 4
4 4
2 4
l'a vais ou bli é.
Martha
3 4
5
Jan
3 4
3 4
Litolff/Peters
5
più forte 5
5
4 4 Je
Cb.
5
5
2 4 qui vous au rait prê té son bras,
com prends. Mais...un fils
4 4
vous ne l'au riez
peut ê
tre
2 4
33785
ISSUU Version For perusal only Impatient q = 72-76
182
50
Perc.1 (Vib.)
2 4
3 4
fdim.
Perc.2 (Mar.)
2 4
3 4 pp.
3 4
2 4 fdim.
pp.
Kbd. 1 (Hyper-vib. "a")
2 4
pp.
2 4 fdim.
2 4
2 4
3 4
2 4 fdim.
2 4
3 4
2 4 sffp
sffp
Pno.
2 4
3 4
2 4
6
Martha
2 4
3
3 4
6
6
2 4 Un fils
qui_en tre
rait i
ci
trou ve rait
ce que n'im por te quel
5
Jan
2 4
3 4 pas ou
bli
2 4
é?
Irrumpiendo, impatient q = 72-76
Cb.
2 4
3 4
2 4 f dim.
Litolff/Peters
33785
3
cli ent est a ssu ré d'y trou ver:
ISSUU Version For perusal only
5 Humoreske, meccanico e = 84
Disgusted q = 66
short
54
Perc.1 (Vib.)
183
3 4
4 8
2 8
4 8
2 8
2 8
4 8
2 8
medium hard mallets
Perc.2 (Mar.)
3 4
4 8 pocosf
4- Hyper-mar "b" 5
3 4
5
4 8
5
5
5
2 8
4 8
2 8
2 8
4 8
2 8
mf
Kbd. 1 (Hyper-vib. "a")
3 4
4 8
5
3 4
4 8
2 8
2 8
sfpp
dim.
Pno.
4 8 sf 5
3 4
4 8
2 8
4 8
2 8 sf
dim.
short
ord.
Mère
3 4 Mar
tha!
Laisse
4 8
2 8
4 8
2 8
4 8
2 8
4 8
2 8
4 8
2 8
ce la.
Spoken, ironic, cold Martha
3 4
une indifférence bienveillante.
mf stacc. with a different, quite a artificial character. Jan
3 4
4 8
2 8 et je dé
J'ai beau coup d'ar gent
sire
res ter un peu
Disgusted q = 66
5 Humoreske, meccanico e = 84 Vln.
3 4
4 8
al tallone
2 8
4 8
2 8
2 8
4 8
2 8
pocosf mf
al tallone
Vla.
3 4
4 8 pocosf mf
pizz.
arco
5
5
Cb.
3 4
4 8
2 8 pocosf mf
Litolff/Peters
33785
5
5
4 8
5
2 8
184
ISSUU Version For perusal only
59
Perc.1 (Vib.)
Perc.2 (Mar.)
2 8
4 8
2 8
4 8
2 8
4 8
2 8
4 8
2 8
2 8
4 8
2 8
4 8
2 8
2 8
4 8
2 8
2 8
4 8
2 8
2 8
4 8
2 8
5
2 8
4 8
2 8
4 8
2 8
4 8
2 8
4 8
Kbd. 1 (Hyper-mar. "b")
5
sff
5
2 8
4 8
2 8
4 8
Pno.
sff 5
2 8
5
4 8
5
2 8
4 8
5
5
5
2 8
5
5
4 8
2 8
legato, different pp
p sub.
Jan
2 8
4 8 dans cet hô
2 8 tel,
4 8
si vous m'y a ccep tez.
2 8 blié
J'ai_ou
de vous dire
4 8 que je pou
2 8 vais
pa yer d'a vance.
Vln.
2 8
4 8
2 8
4 8
2 8
4 8
2 8
Vla.
2 8
4 8
2 8
4 8
2 8
4 8
2 8
arco 5
Cb.
2 8
Litolff/Peters
4 8
5
2 8
5
5
4 8
33785
5
5
2 8
5
4 8
5
2 8
ISSUU Version For perusal only 6 q = 60 5 4
65
2 8
Perc.1 (Vib.)
185 3
3
f soft mallets
2 8
Perc.2 (Mar.)
3
5 4
3
f
2 8
Kbd. 1 (Hyper-mar. "b")
3
5 4 p 5
2 8
5 4 f
pp
Pno.
2 8
5 4 f f sub
2 8
Mère
5 4 n'est pas
Ce
2 8
Jan
ce la
que
nous
de
man dons.
5 4 6 q = 60 pizz.
2 8
Cb.
5 4 f dim
Poco accel. q = 72-76 67
3
3
3
3
3 4 Kbd. 1
3 4
(Hyper-mar. "b")
intenso
p
mp
3
mf
3
f
3
3
3 4
Martha Si
Litolff/Peters
vous
êtes
ri
che,
ce
la
est
bien
Mais
33785
ne
par
lez
plus
186
soft mallets
68
Perc.2 (Piatto)
ISSUU Version For perusal only
3 4
f
pp
pp
l.v
f
3
3 4 Kbd. 1 (Hyper-mar "b")
3 4 p
ff
4- Hyper-mar. "b" Kbd. 2 (Hyper-mar. "b")
3 4 ff
p
speaking acting 3
Martha
despective like a witch
3
Nous ne pouvons rien pour lui.
3 4
Pre nez vo tre clé,
de vo tre coeur
Cb.
3 4 ff
Litolff/Peters
p
33785
as su rez vous de vo tre cham
bre.
ISSUU Version For perusal only
72
187
secco
Fl.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
f
secco
Cl. f
secco
Bass. Sax.
secco
Hn. f
sord straight
secco
C Tpt. f
sord straight
secco
Tbn. f
3
Perc.1 (Vib.)
3
3
f
S.D
Marimba
4 4
Perc.2
3 4 p
4 4
Kbd. 1 ("Hyper-mar. "b")
3 4
Piano
secco
4 4
3 4
4 4
3 4
f
Kbd. 2 ("Hyper-mar. "b")
3
ff-p 3
3
3
4 4
Martha Mais sa chez!
vous êtes dans
une
mai
pp Sprechgesang 3
son
sans
3 4
re ssour ces
pour
le cœur.
scratching
4 4
Vln. f
3 4 p
scratching
4 4
Vla. f
f
Litolff/Peters
p
4 4
Cb. secco
33785
3 4
3 4
188
75
ISSUU Version For perusal only
The mother stands up, Jan tries to help her
q = 60
7 f
3 4
Perc.1 (Vib.)
4 4
f
f
pp pp
3 4
Perc.2 (Mar.)
4 4 f
f
3 4
4 4 pp
f
pp
f
Kbd. 1 ("Hyper-mar. "b")
3 4
4 4
3 4
4 4 f
Pno.
dim.
3 4
4 4 Sprechgesang 3
3
3 4
Mère
N'y faites pas
7 3 4
Cb.
pp
pp
trop a tten tion,
ord.
4 4 Mon
sieur.
Il
y
a
des su
jets
qu'elle
n'a jamais
pu
su ppor ter.
q = 60
4 4
78
3 4
Perc.1 (Vib.)
3 4
Perc.2 (Mar.) l.v
10- Hyper-winds
3 4 mf cresc.
Kbd. 1 (Hyper-winds)
3 4
3 4 mf cresc.
Pno.
sf
p
3 4 speaking to Jan Mère
Laissez, mon fils, je ne suis pas infirme. Voyez ces mains qui sont encore fortes.
Susurrato
Elles pou rraient main te
3
3
nir les jambes d'un hom
3 4 me.
3 4
Cb.
Litolff/Peters
looking at the audience
3
33785
81
ISSUU Version For perusal only q = 66
q = 104
3 4
Perc.1 (Vib.)
189
5 4
f
3 4
Perc.2 (Mar.)
5 4 f
3- Hyper-mar. "a"
3
3
3 4
p sub
3
f
6- Hyper-bells
3
5 4
f
Kbd. 1 (Hyper-mar "a")
3
3
3
3 4
5 4
3 4
5 4 sffp
f
Pno.
3 4
dim...
5 4 dim... 3
3 4
Mère
5 4 C'é
tait une ma
niére
de
par
ler.
7
3 4
Jan
5 4
Pour quoi m'a vez
vous
ap pellé "mon
fils"?
q = 66
q = 104 pizz.
3 4
Cb.
5 4 f dim.
p
q = 104
84
3 4
Perc.1 (Vib.)
pp
3 4
Perc.2 (Mar.)
pp
3 4 pp
f
Pno.
3 4 f 3
f
3 4
Jan Je
com
prends.
Puis
je
mon
q = 104
3 4
Cb.
Litolff/Peters
p
3
33785
ter
dans
ma
cham
bre?
190
ISSUU Version For perusal only
8 q = 66 free, gestual 3
3
87
Perc.1 (Vib.)
pp
f
3
f
hard mallets pp f
secco
f hard mallets
free, gestual
Perc.2 (Mar.)
pp
pp
f
6- Hyper-bells
f
Kbd. 1 (Hyper-Bells) ff
f
Pno.
f
p
Mère speaks more to herself than to Jan. 3
intense
3
Mère A llez,
Mon
sieur.
Le
vieux
do mes
tique
vous a
ttend
TAPE 9 (Vieux 4) TAPE 9
8 q = 66
pizz. ord.
Cb. ff dim.
20``-30``(scenic decision)
90
Perc.1 (Vib.) sim.
20``-30``(scenic decision)
Perc.2 (Mar.) 20``-30``(scenic decision)
Kbd. 1 (Hyper-Bells)
20``-30``(scenic decision)
Pno.
ppp
dim.
20``-30``(scenic decision)
Mère dans le cou loir.
mmm
(Tape's fade out) TAPE 9
20``-30``(scenic decision)
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
191
VI: Scene 4 Mère's Monologue
1 q = 52-56
Mère performs the monologue in front of the audience, Jan and Martha perform it as "shadows" giving the back to the audience. All three move line in a choreography as a kind of "family constellation".
Vibraphone soft mallets Perc 1
3 4
2 4 mp
pedale sempre sim.
Gran Cassa Perc 2.
mp
3 4
2 4 Pour
quoi?
1- Hyper-vib "a"
Keyboard 1
3 4
2 4 mp
3 4
2 4 sim.
fp
Piano
3 ** 4
2 4
8- E- Waterphone
Keyboard 2 (E-Waterphone)
Martha
3 4
2 4 pp
3 4
ad lib.*
in background of the mère p pp 3
Pour
lui
quoi
a
sf
3
2 4 voir
lé
par
de
mes
mains?
Sweet, quasi susurrato
Like an actress
in foreground mf
Mère
3
3 4
3
2 4 Pour
quoi lui
a
voir
par
lé
de
in background of the mère p pp
Jan
3 4 quoi
lui
a
* (The Keyboard 2 -Hyper-waterphone- has to be played by one of the musicians of the ensemble seated close to the keyboard. The pitches are orientative.)
Litolff/Peters
par lé
voir
mes
mains?
3
3
2 4 Pour
Si, pourtant, il les avait regardées,
de mes mains?
**Begin close to the hammers and move up about 1cm per step looking. for a new sound. When the distance is too big come back. The position of the fingers on the strings must be oblicua. Look for a complex sound, different everytime. Avoid the low resonances.
33785
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192
5
Perc 1. (Vib.)
3 4
2 4
3 4
Perc 2. (G. C.)
3 4
2 4
3 4
Kbd. 1 (Hyper-vib "a")
3 4
2 4
3 4
3 4
2 4
3 4
3 4
2 4
3 4
3 4
2 4
3 4
3 4
2 4
3 4
Pno.
Kbd. 2 (E-Waterphone)
3 4
Martha être
peut
sim
3
3
2 4 au
rait
il
com
3 4
pris...
quasi susurato 3
Mère ê
peut
3
3 4
tre
au
rait
il
2 4
com
Mais il ne comprend pas
3 4
pris...
3
3 4
Jan peut
Litolff/Peters
ê
2 4 tre
au
rait
33785
il
com
pris...
3 4
ISSUU Version For perusal only
193
8
Perc 1. (Vib.)
3 4
2 4
Perc 2. (G. C.)
3 4
2 4
3
3
3
Kbd. 1 (Hyper-vib "a")
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3
Pno.
3
Kbd. 2 (E-Waterphone)
Martha
Il
Mère
mou
rir.
Et
moi
veut
mou
rir.
Et
veut
vou
drais
moi
je
vou
drais
3
3
3 4
je
3
2 4
Il
Litolff/Peters
veut
2 4
3 4 Il
Jan
3
3
3 4
2 4 mou
rir.
Et
moi
33785
je
vou
drais
ISSUU Version For perusal only
194
11
3
Perc 1. (Vib.)
3 4
2 4
3
3
3
3 4
Perc 2. (G. C.)
2 4
3
3
Kbd. 1 (Hyper-vib "a")
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3
3
Pno.
3
3
Kbd. 2 (E-Waterphone)
Martha seule ment
sim
pour
que
speaking acting
je puis
3
3 4
qui'il s'en aille!
Mère seule ment
pour
que
je
puis
se,
3 4
Jan seule ment
Litolff/Peters
pour
que
3
te
puis
33785
3
speaking acting
2 4
en core ce soir,
2 4
me coucher et dormir
17
ISSUU Version For perusal only
2 *
3
3
3
3 4
Perc 1. (Vib.) trop
vieil
*
3
le
trop
3
3 4
Perc 2. (G. C.) trop
vieil
le
3
3
2 4 vieil
3
195
le
trop
3
3
le
trop
3
3
3
3
2 4 trop
vieil
* Percussions 1 and 2 : the text "trop vieille" close to their microphones
3
3
3:2
3 4 Kbd. 1 (Hyper-vib "a")
3
2 4 3:2
3
3 4
3
3
2 4
3
3
3
3 4
2 4
Pno.
3 4
2 4
3 3
Kbd. 2 (E-Waterphone)
3
3
3 4
2 4
3 4
2 4
slow gliss.
Trop
vieille
trop
vieille trop vieille
pour
vieille!
Je
suis trop vieille
pour
à nou
re fer mer
3
3 4 Trop
3
2 4
ord. Mère
3
3
3 4
Martha
3
3
3
2 4 à
re fer mer
nou
3
3 4
Jan Trop
Litolff/Peters
vieille
trop
vieille trop vieille
veau
veau
3
2 4 pour
33785
re fer mer
à nou
veau
ISSUU Version For perusal only
196
3
3
23
3
3
3 4
Perc 1. (Vib.) le
vieil
2 4
trop
vieil
3
3
le
3
3
3 4
Perc 2. (G. C.) vieil
le
3
2 4
trop
vieil
le
3
3
3
3 4
2 4
Kbd. 1 (Hyper-vib "a") 3
3
3
3
3 4
3
2 4
3
3
3
3 4
2 4
Pno.
3 4
2 4
3 3
3 4
Kbd. 2 (E-Waterphone)
2 4
3
3
3 4
2 4
3 4
Martha mes
mains
au
tour
2 4 vi
trop vieille
trop
Sprechg. 3
ord.
3 4
Mère mes
mains
au
tour
de
ses
che
vi
lles
3 4
Jan mes
Litolff/Peters
2 4
mains
au
tour
2 4 vi
33785
et
trop vieille
trop
ISSUU Version For perusal only 3
3
28
197
3
3
4 4
Perc 1. (Vib.) trop
vieil
3
3
le
3
3 4
trop
vieil
3
3
4 4
Perc 2. (G. C.) trop
vieil
3
3
2 4 le
3
3 4
le
trop
2 4
vieil
le
loco 3
3
3
3
3
4 4 Kbd. 1 (Hyper-vib "a")
3 4
3
3
3
4 4
3:2
3:2
3:2
2 4 3
3
3 4
3:2
2 4
3
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
Pno.
3 3
3
Kbd. 2 (E-Waterphone)
3
3
3
3
4 4
Martha vieille
trop vieille
trop
vieille
trop
vieille
trop
3
con
te
nir
le
ba
lan ce
ment
de
3
son
trop vieille
trop
vieille
le
corps,
trop
vieille
2 4 long
3
3 4 tout
le
2 4 long
3
4 4 vieille
tout
3
Jan
Litolff/Peters
vieille
3
4 4
Mère
3
3 4
3 4 trop
33785
vieille
2 4 tout
le
long
ISSUU Version For perusal only
198
3
32
Perc 1. (Vib.)
2 4 vieil
trop
3
Perc 2. (G. C.)
3
3
3
3
3
3
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
le
3
2 4 Kbd. 1 (Hyper-vib "a")
3 4
3
vieil
3
2 4
le
2 4 trop
3 4
3
3
2 4
3
2 4 3
3
Pno.
2 4
3 3 3
2 4 Kbd. 2 (E-Waterphone)
2 4
Martha
du
Mère
che
je suis
3
che
trop
3
qui mène à
min
3
la ri vière.
3
je suis
vieille
trop
trop
5:3
3 4
vieille pour ce der nier e
2 4 ffort qui
3
2 4
3 4 du
Litolff/Peters
qui mène à
min
3
2 4 du
Jan
3
3
3
2 4
che
min
qui mène à
je suis
33785
trop
2 4 vieille
trop
ISSUU Version For perusal only
38
199
Perc 1. (Vib.)
2 4
3 4
Perc 2. (G. C.)
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
Kbd. 1 (Hyper-vib "a")
Pno.
Kbd. 2 (E-Waterphone)
3
Martha
3
2 4
3 4 vieille
trop
vieille
trop
vieille
3
Mère
les
3
2 4
3 4 le
jet
te
ra
dans
l'eau
trop
vieille
qui
me
lais se
ra
les
3 3
Jan
2 4
3 4 vieille
Litolff/Peters
trop
vieille
33785
trop
vieille
les
ISSUU Version For perusal only
200
43
Perc 1. (Vib.)
3 4
2 4
Perc 2. (G. C.)
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
Kbd. 1 (Hyper-vib "a")
Pno.
Kbd. 2 (E-Waterphone)
Martha
3 4 bras
Mère
3
3
bal
bras
lants,
bal
res
lants,
trop vieille
pi
ra
tion
5
la
res
3
cou pée
3
pi
ra
tion
2 4
cou pée
5
3 4
2 4 bras
Litolff/Peters
la
3
3
Jan
3
2 4
3
3 4
5
bal
lants,
trop vieille
33785
la
res
pi
ra
tion
ISSUU Version For perusal only
46
Perc 1. (Vib.)
2 4
3 4
2 4
201
3 4
trop
vieille
trop
vieille
str. Perc 2. (G. C.)
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
Kbd. 1 (Hyper-vib "a")
Pno.
Kbd. 2 (E-Waterphone)
Martha
trop vieille
trop
3
Mère
2 4
flexible
3
3 4 trop vieille
3
sans for ce
pour es
3
viei
3
2 4
su yer
ma fi gure
trop
3
3 4 sur
lle
l'eau qui_au ra
re
jail lir
sous le poids
du dor meur
lle
trop
3
Jan
2 4
3 4
2 4
3 4
trop vieille
Litolff/Peters
trop
33785
viei
202
ISSUU Version For perusal only 4
52
2 4
Perc 1. (Vib.)
3 4
trop
vieille
trop
vieil
le
trop
vieil
le
trop
vieil
5
2 4
Perc 2. (G. C.)
3 4
trop
vieille
trop
vieil
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
Kbd. 1 (Hyper-vib "a")
Pno.
Kbd. 2
f pp gliss.
3
2 4
Martha Je
suis trop
vieille
f pp 3
Je
suis
trop
vieille
f pp gliss.
3
2 4
Jan Je
Al lons,al - lons!
3
3
2 4
Mère
Litolff/Peters
time 3
suis trop
vieille
3
la
la
3
3
Al lons, al lons!
3
3
vic
Je
3
3
Al lons, al - lons!
3
3 4
3
3 4 vic
ti me
est
par
3
faite.
3
Je
3
33785
vic
time
3
dois lui
3
3 4 la
dois
Je
dois
ISSUU Version For perusal only
58
203
2 4
Perc 1. (Vib.)
le
2 4
Perc 2. (G. C.) le
trop
vieil
2 4 Kbd. 1 (Hyper-vib "a")
2 4
2 4 Pno.
2 4
2 4 Kbd. 2 (E-Waterphone)
2 4
f
3
2 4
Martha trop
vieille
je
sou
hai
tais
3
3
2 4
Mère don ner
le som
meil
que
je
sou hai
tais
pour
ma
3
2 4
Jan le
Litolff/Peters
som
meil
33785
trop
vieille
pro
ISSUU Version For perusal only
204
62
5 Senza tempo
Perc 1. (Vib.)
Perc 2. (G. C.) le
Kbd. 1 (Hyper-vib "a")
Pno.
*Slow free imrpovisation with the E- Watherphone in dialogue with the Mere's voice during the e-monologue
Kbd. 2 (E-Waterphone)
3
Martha nuit.
glissando
3
Mère pre
nuit.
3
Jan nuit.
TAPE 10 ("Mère's e-monologue") TAPE 10
Litolff/Peters
33785
ISSUU Version For perusal only
205
VII Interlude 2 "Mère"
Delicate, fluent q = 40 (click track)
Piccolo
4 4 pp
medium mallets 21:16
Percussion 1 (Vib.)
4 4 Pedal. 1/2 pedal ad lib.
mf
mf
pp
mallets: choose mallets appropiate for both Glsp. and Mar.
Glockenspiel
Marimba 21:16
Percussion 2 (Glsp)
4 4 mf mf
pp
pp
mf
1-Hyper-vib. "a" 34:32
4 4 mf legatissimo
Keyboard (Hyper-vib "a")
Ped, 1/2 ped. ad libitum
4 4
55:64
4 4 mf legatissimo
Piano
Ped, 1/2 ped. ad libitum
4 4
TAPE 11 ("Doppelgänger 1") TAPE 11
4 4 pp * The sound engineer plays with the dynamic from ppp until fff. Nevertheless, the composer provides one posible dynamic's version for the tape "Doppelgänger 1"
Delicate, fluent q = 40 (click track)
Violin I
4 4 p
Violoncello
4 4 p
Litolff/Peters
33785
mf
206
ISSUU Version For perusal only
2
Picc.
3
B. Cl. fp
f
mf
13:16
Bass. Sax. mf sord. straight
pp
3
Tbn. mf p sub
pp
13:16
Perc. 1 (Vib.)
fp
Glsp 13:16
Perc. 2 (Mar)
Kbd. 1 (Hyper-vib "a") 21:16
55:64
Pno.
mf cresc.
TAPE 11 pp
pp
Vln.
Vc.
13:16
Cb. p
Litolff/Peters
sfp
mf
33785
ISSUU Version For perusal only
3
Picc.
207
senza flatt.
Bass. Sax. pp
55:64
Perc. 1 (Vib.) fp
fp
Mar.
fp
55:64
Perc. 2 (Mar.)
fp
f
fp
fp
fp
55:64
mf cresc.
Kbd. 1 (Hyper-vib "a")
mfsub
f
f 55:64
Pno. f
Kbd. 2
TAPE 11 pp
f
Vln.
55:64
Vla. sfpp
Vc.
55:64
Cb. fp
Litolff/Peters
f
fp
33785
f
208
ISSUU Version For perusal only
4
Picc.
Bass. Sax. pp 55:64
Perc. 1 (Vib.)
p cresc.
f
Perc. 2 (Mar.)
fp f
p
13:16
Kbd. 1 (Hyper-vib "a")
p cresc.
55:64
Pno. p cresc.
f
TAPE 11 pp
Vln.
Vla. sf pp
Vc.
Cb. f
Litolff/Peters
33785
ff
ISSUU Version For perusal only
5
Picc. p cresc.
13:16
Bass. Sax. pp
mf
13:16
Hn. pp
13:16
Perc. 1 (Vib.)
fp
f
13:16
Perc. 2 (Mar.)
fp
fp
21:16
Kbd. 1 (Hyper-vib "a") f cresc.
loco
Pno.
34:32
f cresc.
TAPE 11 pp
ff/ mf
Vln.
34:32
Vla. sf pp
Vc. p cresc. 13:16
Cb. f
Litolff/Peters
33785
209
210
6
Picc. mf
ISSUU Version For perusal only
Bass. Sax. pp
ff
sord. wa-wa
Tbn. f
Perc. 1 (Vib.)
f
Perc. 2 (Mar.) fp
13:16
Kbd. 1 (Hyper-vib "a")
34:32
Pno.
TAPE 11
Vln. mf
Vla. pp
f
Vc. mf
sul pont.
Cb. f
Litolff/Peters
33785
pp
ISSUU Version For perusal only
loco 7
Picc.
211
Tbn. sf p
34:32
Perc. 1 (Vib.)
ff
5:4
Perc. 2 (Mar.)
Kbd. 1 (Hyper-vib "a")
ff
ff
Pno. 34:32
TAPE 11 pp cresc.
Vln.
Vla.
Vc.
ord.
5:4
Cb. f
Litolff/Peters
33785
ff
p
ff
212
ISSUU Version For perusal only
8
Picc.
34:32
B. Cl.
34:32
Bass. Sax. sfp
ff
34:32
C Tpt.
34:32
Perc. 1 (Vib.) ff
f p sub
f p sub
f p sub 34:32
Perc. 2 (Mar.)
3
3
3
3- Hyper-mar "a"
Kbd. 1 34:32
(Hyper-mar "a")
ff
34:32
Pno.
ff
TAPE 11 f cresc.
Vln.
Vla. sfp
sfp
sfp
Vc. 34:32
pizz
Cb. ff
Litolff/Peters
33785
sfp
ISSUU Version For perusal only
9
Picc.
213
slap 13:16
B. Cl. sff
ff slap 13:16
Bass. Sax. sff
ff
C Tpt. ff
13:16
sord. wa-wa
Tbn. f
21:16
Perc. 1 (Vib.)
Perc. 2 (Mar.)
ff 13:16
Kbd. 1 (Hyper-mar "a") ff dim.
21:16
Pno. ff dim.
TAPE 11 ff dim..
Vln.
Vla. p cresc.
Vc.
arco
Cb. ff dim.
Litolff/Peters
33785
ISSUU Version For perusal only
214 10
Picc.
7:8
B. Cl. p
7:8
Bass. Sax. p
21:16
Perc. 1 (Vib.)
Glsp 21:16
Perc. 2 (Glsp.)
21:16
f cresc.
Kbd. 1 (Hyper-mar "a")
21:16
Pno.
f cresc.
TAPE 11
scratch
Vln.
Vla. p
ff
Vc.
21:16
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
11
Picc.
B. Cl. p
Bass. Sax. p
sord. harmon
C Tpt. fpp
5:4
Perc. 1 (Vib.) ff dim.
5:4
Perc. 2 (Mar.)
ff dim.
Kbd. 1 (Hyper-mar "a") ff dim.
21:16
Pno. ff dim.
TAPE 11
Vln.
ord.
Vla. p
Vc.
Litolff/Peters
33785
215
ISSUU Version For perusal only
216 12
Picc. p
C Tpt. fpp
fpp
3:2
Perc. 2 (Mar.)
p
5:4
Kbd. 1 (Hyper-mar "a")
21:16
Pno.
TAPE 11 pp cresc.
Vln.
ord.
Vla. p
ppp
Vc. p
Litolff/Peters
33785
ISSUU Version For perusal only
13
Picc.
217
p cresc.
Bass. Sax. p cresc.
C Tpt. fp
fp
fp
Perc. 1 (Vib.)
fp
p cresc.
Perc. 2 (Mar.)
5:4
Kbd. 1 (Hyper-mar "a")
p cresc.
13:16
13:16
13:16
Pno. p cresc.
TAPE 11 ff
pp
mp
f
Vln. p cresc.
Vla. p cresc.
Vc.
13:16
Cb.
Litolff/Peters
33785
ff
ISSUU Version For perusal only
218 15
Bass. Sax. mp
fpp
fpp
fpp
fpp
fpp
fpp
fpp
C Tpt.
3
Tbn. fp
3
fp
simile
5
Perc. 1 (Vib.)
3:2
3:2
Perc. 2 (Mar.)
6- Hyper-bells 3:2
f cresc.
Kbd. 1 (Hyper-mar "a")
3:2
5:4
3:2
mf cresc.
13:16
loco
13:16
mf cresc.
Pno.
ff
TAPE 11 pp
pp
f
ff
ff
pp
Vln. 3
mf cresc.
3
Vla.
Vc. mf cresc.
Cb. 3:2
Litolff/Peters
33785
f
ISSUU Version For perusal only
19
Fl.
219 13:16
13:16
Bass. Sax. fp
C Tpt. fp 3:2
Tbn. fp
13:16
Perc. 1 (Vib.)
fp
Perc. 2 (Mar.)
fp
7- Mixturen
5
13:16
ff
Kbd. 1 (Hyper-Bells)
5
13:16
loco
5:4
Pno.
f
TAPE 11
5
Vln.
13:16
Cb. f
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220
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Fl.
ff
21:16
B. Cl.
Bass. Sax. ff
Tbn.
21:16
Perc. 1 (Vib.)
ff
Perc. 2 (Mar.)
21:16
ff
Kbd. 1 (Mixturen) 21:16
21:16
Pno.
ff
5:4
TAPE 11 fff
21:16
Vln.
21:16
Cb. ff
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sfp
sfp
33785
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Fl.
221
f
34:32
B. Cl. fp
fp
f
5
sord. wa-wa
Tbn.
5:4
Perc. 2 (Mar.)
34:32
Kbd. 1 (Mixturen)
34:32
34:32
Pno.
cresc. 5:4
TAPE 11 ppp
Vln.
Vla.
Vc.
34:32
Cb. sf p
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pizz.
ISSUU Version For perusal only
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222 Fl.
legatissimo
5:4
B. Cl. fff
55:64
Bass. Sax. fff
55:64
C Tpt. ff
ff
55:64
Tbn. ff
p
Perc. 1 (Vib.)
55:64
Perc. 2 (Mar.) f
Kbd. 1 (Mixturen)
fff
fff
p sub
55:64
55:64
fff
Pno. 55:64
TAPE 11
55:64
Cb.
Litolff/Peters
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223
3:2
B. Cl. ff dim.
55:64
Bass. Sax. fff
3:2
Hn. ff dim. 55:64
C Tpt. ff 3:2
Tbn. 55:64
3:2
Perc. 2 (Vib.)
ff dim. 55:64
Perc. 2 (Mar.) ff
fp
fp
55:64
Kbd. 1 (Mixturen)
55:64
Pno.
55:64
TAPE 11 ff
pp
pp sub.
55:64
Vln. ff
fp 3:2
55:64
Vc.
55:64
Cb.
Litolff/Peters
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ISSUU Version For perusal only 34:32
224
26
B. Cl.
f
p
Bass. Sax. p
3:2
Hn. ff dim. 34:32
Tbn. f
f
3:2
Perc. 1 (Vib.)
ff dim.
34:32
Perc. 2 (Mar.)
1- Hyper-vib "a"
Kbd. 1 (Hyper-vib "a")
ff dim.
34:32
loco 34:32
Pno.
ff dim.
34:32
TAPE 11 f 3:2
Vln. f dim. 34:32
Vla.
Cb.
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B. Cl.
3:2
Hn.
3:2
Tbn. f dim
Glockenspiel hard sticks
Perc. 2 (Glsp.)
ppp
21:16
Kbd. 1 (Hyper-vib "a") dim.
Pno.
21:16
dim.
21:16
TAPE 11 dim.
Vln. 3:2
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226
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28
Fl. f dim.
3:2
Hn.
13:16
C Tpt. f dim.
3:2
Tbn. f dim.
l.v.
Perc. 2 (Glsp.)
4- Hyper-mar "b"
Kbd. 1 (Hyper-mar "b")
13:16
dim. f dim.
loco
dim.
Pno.
13:16
f dim. 13:16
TAPE 11
Vln. 3:2
3:2
Cb.
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B. Cl.
227
f dim.
5
3
3
Bass. Sax. sfp
sfp
sfp
sfp
pp 3:2 6:4
Hn. sfp
sfp
sfp
sfp 3:2
Tbn.
Crotales arco
3
Perc. 1
Perc. 2 (Mar.)
6- Hyper-bells
Kbd. 1
5
poco marc.
3
f dim.
5
f dim.
3
Pno. poco marc.
3 5
TAPE 11 pp
mf7 pp sub.
f/ pp
mf
loco
Vln. mf dim.
5
Vla. mf dim.
p
Vc.
gliss.
gliss.
Cb. mf dim.
Litolff/Peters
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228 33
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ISSUU Version For perusal only
gliss.
Fl. mf dim.
gliss.
gliss.
gliss.
gliss.
ppp
9:8
6
B. Cl. f
3
pp
f
5
pp
f
pp
f
pp
legatissimo, quasi gliss. 5:4
5:4
Bass. Sax.
p sub
Hn. mp dim. sord. wa-wa
C Tpt. mp dim.
Perc. 2 (Mar.)
mp dim.
Kbd. 1 (Hyper-bells)
Keyboard 2 6- Hyper-Bells
Kbd. 2 (Hyper-bells)
p
TAPE 11 pp
ff dim.
Vln.
3
Vla.
gliss. ppp
3
Vc.
s. pont. gliss. ppp
Cb. pp
Litolff/Peters
33785
3
ISSUU Version For perusal only
37
B. Cl.
5:4
bisbigliando more air than sound
3
3
3
3
5:4
229
ppp
3
Bass. Sax. ppp
3:2
Hn.
C Tpt.
(sord. ad lib.)
Tbn. p dim.
Timpani Perc. 1 (Tp.)
3:2
gliss. 3:2
ppp dim.
pppp
3:2
Perc. 2 (Mar.)
Kbd. 1 (Hyper-bells)
Piano 5:4
3:2
Kbd. 2 (Hyper-bells)
TAPE 11 ppp
pp
p
pp
5:4
Vln.
gliss.
gliss.
gliss.
Vla. f pp dim.
f pp dim.
gliss.
gliss.
Vc. fpp
fpp
f pp dim.
gliss. fpp
gliss. fpp
Cb.
Litolff/Peters
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gliss. fpp
fpp
230
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43
5:4
5:4
B. Cl.
Bass. Sax. f
p
pp
Hn.
C Tpt.
Tbn.
Perc. 1 f ppp
f pp
(Tp.)
Gong Thai Perc. 2 (G.T.)
l.v mf
loco
5:4
p
Kbd. 1 (Hyper-bells)
poco f dim.
13:16
Pno.
p
poco f dim.
TAPE 11 ppp
f
ppp
pp
Vc.
13:16
3:2
Cb. pp
Litolff/Peters
più f dim.
33785
loco
46
B. Cl.
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dim.
ppppp
pppp
dim.
ppppp
231
Bass. Sax.
Hn. ppppp
pppp dim.
C Tpt. ppp dim.
pppp dim.
ppppp
Tbn. ppppp
pppp dim.
ppp dim.
Gran Cassa
5
3
Perc. 1 (G.C) pp
ppp
ppppp
dim.
loco
3:2
Kbd. 1 (Hyper-bells)
loco
Pno.
ppppp
TAPE 11 ppp
mf
ppp
mf
ppp
Vc. pppp
3:2
ppp
3:2
Cb. pppp
Litolff/Peters
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ISSUU Version For perusal only
232
VIII: Scene 5 Jan-Martha
Flute
Clarinet in Bb
1 Intense q = 52-66 4 4 pp
mf
pp
mf
4 4 sord. Harmon
Trumpet in C
4 4 mf
pp
sord. Harmon
Trombone
4 4 mf
pp
Vib. P1 (Vib.)
secco
5
4 4 mp
f
1- Hyper-vib "a"
4 4 p
f
Keyboard 1. (Hyper-vib "a")
4 4 f
4 4 p
f
Piano
5
4 4 mf secco drammatico
Serious, free, parlando
f
mf
Jan
4 4 Ma ri
Violin
5
a
a rai son
cette heure
est
1 Intense q = 52-66 4 4
di ffi ci le.
3
gliss.
Que fait elle,
sord.
pp
mf
pp
mf
sord.
Viola
4 4
pizz.
Contrabass
4 4 p
Litolff/Peters
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que pense t
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elle
ISSUU Version For perusal only
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3
4
3 4
Picc.
1 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
3 4
1 4
3 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
1 4
3 4
f
p 3
3 4
Cl.
f
p 3
3 4
Bass. Sax.
p 3
3 4
C Tpt.
f 3
3 4
Tbn.
p
f
p
medium mallets
3 4
P1 (Vib.)
3
mf
3
3
3 4 f
Kbd 1. (Hyper-vib "a")
3
3
3 4 f
p
f
3 3
secco
Pno.
f
almost spoken
intimamente 3
3
5
Jan dans sa cham
vib.
bre d'hô
5
Exclamatio, intense 3
les yeux secs,
toute
3
nou
ée
au creux d'une chai se?
3
3 4
Vln.
secco
3 4
le coeur fer mé,
tel,
secco
f espr
f 3
Vc.
3 4 f
Litolff/Peters
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3 4
P1 (Vib.)
sff
3 4 Kbd 1.
sff
(Hyper-vib "a")
3 4 staccatissimo martellato loco
3 4 sff dim.
Pno.
3 4 p tender
3
3
3
f sub.
pp
5
3
3
3
3
3 4
Jan
soirs de là
Les
bas
sont
des pro me sses
de bon heur.
Mais
i ci,
3
au
con traire... Al lons,
pp 3
in quié tude est
cette
3 4
Vln.
ff espr.
dim. pizz.
3 4
Cb.
f
10
16
Cl. pp
p
Bass. Sax. f
p
p sub
pp
Hn. p
P1 (Vib.)
sfpp
p 3
mp
Pno.
sf
p sub
f
p
3
pp
f
3
Jan sans
rai sons
Il
faut sa voir ce que l'on veut
C'est dans
Cb.
Litolff/Peters
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cette cham bre
que tout
se ra ré
glé.
q=120
2
ISSUU Version For perusal only
235
21
Fl.
3 8
3 4
3 8
3 4
3 8
3 4
p
Cl. p
Bongo, Conga P1 (Bg, Cga)
f
Piatto P2 (Piatto)
S.D.
3
5
3 8
3 4
3 8
3 4
(with snares)
p
f
5
3
Martha Je vou
drais
chan
ger
vos
ser
viet tes
et
vo
tre eau
Go to the door
She follows as if nothing happened mf
silence
3 8
Jan
3 4 je cro yais
2 q=120
3
pizz.
3 8
Cb. f
Litolff/Peters
que cela
)
33785
3 4
3
3
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3
27
3 8
Fl.
ca.2"
3 4
3 8
3 4
3 8
3 4
3 8
3 4
ca.2"
3 8
Cl.
3 4
ca.2"
5
3 8
P1 (Bg, Cga)
5
3 4
f
ca.2"
Piatto P2 (S.D.)
3 8
ca.2"
3
3 8
Martha
Piatto
3 4
3
le vieux do mes ti que
a
3 4
3 8
3 4
3 8
3 4
3
3 4 Non
3 8
quel
que fois
ca.2"
3 8
Jan é
tait
fait
3 8
TAPE 12
3 4
ca.2"
TAPE 12 ("Vieux 5")
3 4
STOP TAPE after the fermata
3 8
3 4
3 8
3 4
ca.2" 3
Cb.
3
3 8
3 3 4
3
mf
Litolff/Peters
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3
ISSUU Version For perusal only
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Piatto
33
P1 (Piatto)
P2 (Piatto)
3 4 p
3 4
7- Mixturen
3
3
3 4
3
mf sf mf
Kbd 1. (Mixturen)
simile
3 4
15- Silben simile
3 4 mf
Kbd 2 (Silben)
3 4
Martha
3 4 des
dis
trac
tions!
je
3
Cb.
3 4
re
3
gret
te
3
3
f
Litolff/Peters
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36
P2 (Piatto)
3 8
3 8 Kbd 1. (Mixturen)
3 8
3 8 Kbd 2 (Silben)
3 8
3
3 8
Martha que
cette
cham
bre
ne
soit
pas
ssi
con for
ta
ble
3
3
3 8
Cb. 3
Litolff/Peters
au
33785
ISSUU Version For perusal only sord. Harmon
39
C Tpt.
239
3 8
3 4
3 8
3 4
sfpp
f
Bg, Cga P1 (Bg, Cga)
P2 (Piatto)
3 8
3 4
3 8
3 4 3
f
3 8
3
3 4
3
p
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
5
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
Kbd 1. 5
(Mixturen)
5
Kbd 2 5
(Silben)
Martha
que
Vln.
3 8
vous
pourriez
5
le
dé si rer
3 4 f
pizz.
Vla.
3 8
3
3 4 f 3
3
3 8 f
3
3
3 4
pizz.
Cb.
3 8
3 4
3 8 mf
Litolff/Peters
33785
3 4
ISSUU Version For perusal only
240
4
without sord. ord.
45
C Tpt.
3 4
3 8
3 4 fp
P1 (Bg, Cnga)
3 4
3 8
3 4
3
f
S.D (with snares) P2 (S.D)
3 4
3 8
3 4
p
f
2- Hyper-vib "b"
3 4
3 8 f
p cresc
Kbd 1.
3 4 f
(Mixturen)
3 4
3 8
3 4
3 4
3 8
3 4
p cresc
f
f
Kbd 2 (Silben)
Martha
3 4
3 8
3 4
3 4
3 8
3 4 En
f
p cresc
Jan
3
3 4 Elle
Vla.
3
est par ti cu lière ment pro
cas
exclamate
3 8 pre
tout
c'est le
plus im
4 3 4
3 4
por tant
3
3 8
3
3 4
f
pizz.
3
Cb.
Litolff/Peters
3 4
3 8
33785
3 4
3
3
ISSUU Version For perusal only
51
241
2 4
Fl. fp
2 4
Cl. fp
2 4
C Tpt. sf pp
5
P2 (S.D)
5
5
5
5
5
2 4
loco
2 4 5
5
5
5
5
Kbd 1. (Hyper-vib "b")
2 4
5
5
5
5
2 4
Kbd 2 (Silben)
2 4
2 4
Martha 3
bien des cli ents
re
gret tent
l'ab
sen
ce
d'eau
cou
ran
te
é léc trique
et d'une am poule
3
arco
3
3
3
2 4
Vc. sfp
3
sfp
sfp
pizz. 3
3
3
sfp 3
3
sfp
3
2 4
Cb. mf cresc.
Litolff/Peters
33785
ff
ISSUU Version For perusal only
242
55
2 4
C Tpt.
3 4
3 8 f intense 3
2 4
P1 (Bg, Cga)
3 4
3
3
3 8
ff
TomToms P2 (Toms)
2 4
3 4
intense 3
3 8 ff
2 4
Martha
3 4
3 8 au
2 4
Cb.
3 4
du
dessus
3
lit
3
3
3 8
5 60
Piatto
S.D
P2 (Piatto)
3 4 p
3 4 p
Kbd 1. (Hyper-vib "b")
3 4 7- Mixturen
3 4 p
Kbd 2 (Mixturen)
3 4
Jan vous
Litolff/Peters
3
3 4 êtes
sin gu lière
On
33785
di
rait,
que vous
ISSUU Version For perusal only
243
q = 112
65
Fl. fp
Cl. fp
Hn. fp sord. straight
C Tpt. fp
Piatto P1 (Piatto)
p cresc.
P2 (S.D.)
Kbd 1.
p cresc.
(Hyper-vib "b")
p cresc.
Kbd 2 (Mixturen)
p cresc.
Martha n'est
Ce
pas tout a fait
ma
pen
sée
3
3
Jan cher chez a
me per sua der
de
par
tir.
q = 112 pizz. 3
Cb. p cresc
Litolff/Peters
33785
3
3
3
3
3
ISSUU Version For perusal only
244 69
2 4
Fl.
5
3 4
3 8
f
3
3
2 4
Cl.
3
3
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
2 4
3 4
3 8
2 4
3 4
3 8
2 4
3 4
3 8
2 4
3 4
3 8
2 4
3 4
3 8
f
2 4
Hn.
f
2 4
C Tpt.
f
2 4
P1 (Piatto) 5
P2 (S.D)
6
2 4
p cresc
6
p cresc
Kbd 1. (Hyper-vib "b")
Kbd 2 (Mixturen)
3
3
3
Martha Mais il
3
Cb.
Litolff/Peters
3
est
vrai
3
que
ma mère
et
hé si tions beau coup à vous re ce voir
moi
2 4
33785
3 4
3 8
73
Fl.
5
3 8
ISSUU Version For perusal only 5
5
245
q = 120-112
5
3 4
ff
3
Cl.
3 8
3 4 ff
Hn.
3 8
3 4
C Tpt.
3 8
3 4 f
Bongo, Conga
P1 (Bg, Cga)
P2 (S.D)
3 8 f
3
3
3 4
3
ff
3 8
3 4 ff
Martha
3 8
3 4
Jan
3 8
3 4 Je
q = 120-112
s.t
Vln.
3 8
3 4 pp
ppp
pizz.
Vla.
3 8
3 4 f
Litolff/Peters
ne com prends pas pour quoi
3
33785
ISSUU Version For perusal only
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Bb, Cga
79
P1 (Bg, Cga)
4 4
mf
4 4
P2 (S.D) p
p
7- Mixturen
4 4 p
Kbd 1. (Mixturen)
4 4
15- Silben
4 4 mf
Kbd 2 (Silben)
4 4
3
4 4
Martha 3
Nous de vons quit ter
cet ho tel,
et
de
puis
quel ques temps
3
nous
pro jet tions
chaque
4 4
Vln.
pizz. 3
3
3
3
Cb. p
Litolff/Peters
mp
33785
3
3
3
3
3
4 4
ISSUU Version For perusal only
83
Bass. Sax.
4 4
3 8
247
3 4
mf
p sord. wa-wa
Tbn.
4 4
3 8
3 4 p
mf
mf
p
3
P1 (Bg, Cga)
P.2 (S.D)
4 4
3 8
3 4 p
5
4 4
mf
f
3 8
3 4
p
2- Hyper-vib "b"
5
5
4 4
3 8
3 4 pp
Kbd 1. (Mixturen)
4 4
3 8
3 4
7- Mixturen
5
4 4
3 8
3 4 pp
Kbd 2 (Silben)
4 4
Sprech.
Martha
3
4 4 jour
de
fer
5
mer
3 8
3 4
3 8
3 4
l'é ta blisse ment...
pp
Jan
4 4
3 8
Je
pizz.
Vla.
3
3 4 dois
dire
ce pen dant
que
ce la
3
4 4
3 8 f
3 4
3
colla parte
Vc.
4 4
3 8
3
3 4 mf
3
Cb.
4 4
3
3 8
3 4
f
Litolff/Peters
33785
p
ISSUU Version For perusal only
248 89
Cl.
3
pp
Bass. Sax. mf
pp
p
sord. wa-wa
Tbn. pp
Piatto
6
P1 (Piatto)
p 6
Piatto P.2 (Piatto)
f
sim.
6
p cresc.
3
3
3
3
3
p cresc.
Kbd 1.
3
3
3
5
5
3
3
mf
(Hyper-vib "b")
Kbd 2
p cresc.
mf
(Mixturen)
3
3
3
3
Jan m'ar ran ge rait de
res ter
un ou deux
jours
J'ai
Vc. mf
Litolff/Peters
mp
33785
des
af
faires à me ttre en ordre,
a vant de re pren dre
mes
ISSUU Version For perusal only
94
249
3 8
Cl.
3 4
f
pp
3 8
Bass. Sax.
3 4 f
pp
3 8
Tbn.
3 4 f
pp
Bg, Cnga P1 (Bg, Cga)
S.D
5
P.2 (S.D)
3
3
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
pizz 3
3
3
Kbd 1. (Hyper-vib "b")
Jan vo
yages 3
pizz.
3
3 8
Vla.
3
3 4 f
f
3 8
Vc.
3 4 f
pp
6 98
P.2 (S.D.)
6
3 4
6
6
6
6
6
6
3 8
13- Stimmen Kbd 1. (Stimmen)
3 4
3 8 f
15- Silben
3 4
3 8
Kbd 2 (Silben)
f
3 4
3 8 3
Martha
A llez vous donc
Litolff/Peters
3
3
3 4 re
3 8 tour
ner
au
33785
pa
ys
d'où
vous
ve nez?
ISSUU Version For perusal only
250
101
Fl.
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
fp
Cl.
3 8
3 4 fp
Bass. Sax.
3 8
3 4
C Tpt.
3 8
3 4
sord. Harmon
fp
P1 (Bg, Cga)
3 8
3 4
f
S.D
Piatto
3
P.2 (S.D)
3 8
3 4 ff
3 8
3 4
mf
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
Kbd 1. (Stimmen)
excited
Martha
3 8
3 4 5
C'est un beau pa ys,
n'est_ce
pas?
mf
Jan
3 8
3 4
breathes 3
3 8
Peut ê tre
Litolff/Peters
Oui
33785
3
3 4 c'est
un
ISSUU Version For perusal only
109
Fl.
251
f
Cl. f
Bass. Sax. f
C Tpt. f 6
3
5
S.D
3
Steel Drums
P.2 (Piatto)
mf poco cresc.
3
3
Kbd 1. (Stimmen)
3
mf cresc.
3 3
3
3
Kbd 2 (Silben)
mf cresc.
3
3
3
3
Martha dit que, dans ces ré gions,
On
3
il y_a des pla ges
tout à fait
dé
ser
tes?
Sprech. with tenderness
3
3
Jan beau
pa ys
C'est vrai
s.t
Vln. s.t
pp
pp
pp
pp
pp
pp
pp
pp
Vla. s.t
Vc.
s.t
Cb.
Litolff/Peters
33785
5
252 115
ISSUU Version For perusal only
3 4
3 8
3 4
3 8
Fl.
pp
Cl.
pp
3 8
Bass. Sax.
3 4 pp
3 8
C Tpt.
3 4 pp
3 8
P1 (Bg, Cnga)
3 4 f
3 8
P.2 (Steel Drums) f
p
f
p
f
p
f
p
3 4 2- Hyper-vib "b"
3 8
3 4 p
Kbd 1. (Stimmen)
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
Kbd 2 (Silben)
spoken 3
ord. 3
3
Jan Rien n'y rap pelle
l'ho mme.
Au
pe tit ma tin,
on
trou
ve
sur le sa ble
Vln. mf
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
pp
Vla. mf
pp
Vc. mf
pp
Cb. mf
Litolff/Peters
les
pp
33785
tra
ces
ISSUU Version For perusal only
253
Lentamente, parlando quasi rall.
Più lento
121
2 4
3 4
Cl.
2 4
3 4
Bass. Sax.
2 4
3 4
C Tpt.
2 4
3 4
Tbn.
2 4
3 4
Fl.
gliss.
3
fp
2 4
P1 (Bg, Cnga)
3 4 p cresc.
f
Snare Drum 6
6
6
6
P.2 (S.D)
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
f 3
l.v.
Kbd 1. (Hyper-vib "b")
3
Kbd 2 (Silben)
3
Martha
Quant aux soirs, 3
3
tes
des
oi
seaux
3
Jan breathes sprech
2 4
Jan lais sées par les pat
Mon sieur?
de mer.
Quant aux soirs...
Ils
Più lento
pizz.
2 4
Vla.
3 4 f
Litolff/Peters
33785
3
3 4 sont
boule ver
ISSUU Version For perusal only
7 A tempo q = 120-112
254 128
Fl.
f
Cl. f
fpp
Bass. Sax. f
p
gliss.
Tbn. f
Vibraphone P1 (Bg, Cnga )
f
Steel Drums P.2 (Steel Drums) f
1- Hyper vib "a"
f
Kbd 1. (Hyper-vib "b")
cresc.
1- Hyper-vib "a"
f cresc.
Kbd. 2 (Hyper-vib "a")
3
Martha J'y ai
sou vent
pen sé.
gliss.
Jan sants
Oui,
c'est
un
beau
pa
ys.
7 A tempo q = 120-112 Vln. f
Vla.
Litolff/Peters
33785
Sou vent
ISSUU Version For perusal only
134
Fl.
3 8
3 4
3 8
3 4
255
3
Cl. fpp
f
f
sord. straight
3 8
C Tpt.
3 4 p cresc.
same vib mallets Bg, Cga
P1 (Bg, Cga)
6
5
3 8
3 4
3 8
3 4
3 8
3 4
Piatto
6
P.2 (Steel Drums)
3
sff
p
f
Kbd 1. (Hyper vib "a")
3 8
3 4
3 8
3 4
3 8
3 4
3
Kbd. 2 (Hyper-vib "a")
always intense p cresc.
3
3 8
Martha comme au
jourd'
hui,
3
je pense à
au mi lieu de l'ai gre prin temps de ce pa ys,
3
3 8
Vln. f
Litolff/Peters
3 4
33785
3 4
la mer et aux
fleurs
de
là
ISSUU Version For perusal only
256 139
Fl.
3 8
3 4
3 8
3 4
f
Cl. p
f p
pp
f 3
3 8
Bass. Sax. f
3 4
p sub
pp
C Tpt.
3 8
3 4
3 8
3 4
f
P1 (Bg, Cga)
f
3
3
3
Steel Drums P.2
(Piatto)
3 8
3 4
3 8
3 4
3 8
3 4
3 8
3 4
Kbd 1. (Hyper- vib "a")
Martha bas.
creating a very "moving" atmosphere 3
3
3 8
Jan là bas
de
Le prin temps
vous prend
à
la gor ge
3 4 les
fleurs
vib.
Vln. f
3 8
3 4
3 8
3 4
f pizz.
3
Vla. f 3
Litolff/Peters
33785
é
clo sent
par mil liers
ISSUU Version For perusal only
257
8 Slower q = 60 ca.
146
3
Fl.
ppp
3
Cl. ppp
Bass. Sax.
Hn. ppp
sord. wa-wa
C Tpt. ppp
sord. wa-wa
Tbn. ppp
Piatto
Steel Drum
5
P.2 (St. Dr.)
f
6
5
6
5
p
2- Hyper-vib "b"
Kbd 1. (Hyper-vib "b")
7- Mixturen
Kbd 2 (Mixturen)
quasi solo
3
gliss.
Martha Je
n'ai plus de pa tience
Jan au
Litolff/Peters
de
ssus
des
murs
blancs
33785
en
ré serve
pour cette
Eu
ISSUU Version For perusal only
258 151
Fl.
Cl.
Hn.
C Tpt.
Tbn.
P1 (Piatto)
sff
S.D
Piatto
P.2 (St. Dr.)
5
f
ff
1- Hyper-vib "a" free, accel. colla parte
mp
Kbd 1. (Hyper vib "b")
Kbd 2 (Mixturen)
Change mood
free, accel.
Martha ro
Litolff/Peters
pe
où l'au tomme a le vi sage de prin
temps
et le prin temps
33785
o deur
de mi sère.
ISSUU Version For perusal only
157
259
3
Fl. mf
gliss .
Cl.
3
3
3
mf
sord. straight
3
3
C Tpt. pp
mf
Bg, Cga P1 (Bg, Cnga)
S.D P.2 (S.D)
3
3
Kbd 1. (Hyper-vib "a")
2- Hyper-vib "b" 3
Kbd. 2 (Hyper-vib "b")
suddently out of control
sweet
gliss.
Martha Mais
a vec dé lices
j'i ma gine
pizz.
3
3
où l'e té
cet au tre pa ys
3
é crase
3
Vln. f
Litolff/Peters
anguish
deeper sad
3
33785
tout, où les plui es no
yent les villes
et
où,
en fin,
ISSUU Version For perusal only
260
A tempo q = 120-112
163
3 8
Cl.
4 4
3 4 sfpp
with SD mallets
3 8
P1 (Bg, Cga)
S.D
3 3
3
4 4
3 4 Steel Drum
P.2 (Steel Drums)
3
3 8
4 4
3 4
3 8
4 4
3 4
3 8
4 4
3 4
3 8
4 4
3 4
3 8
4 4
3 4
3 8
4 4
3 4
3 8
4 4
5
Kbd 1. (Hyper-vib "a")
5
Kbd 2 (Hyper-vib. "b")
5
Martha 3
les cho
ses sont ce qu'elles sont
3
Jan
3 4 Il me sem ble
A tempo q = 120-112 Vln.
3 8
4 4
3
que
pour
3 4 sf p
Vla.
3 8
4 4
3 4 sf p
Vc.
3 8
4 4
3 4 sf p
Litolff/Peters
33785
ISSUU Version For perusal only
261
170
Cl.
3 4
2 4
3 8
Tom Tom P.2 (St. Dr.)
6
5
3 4
same mallets
6
2 4
3 8 ff
3
Jan
3
3
3
2 4 la pre mière fois
sul tasto
Vln.
3
3
3
3 4 vous ve nez
de te
nir
un
lan
ga ge
3 8 hu
main.
sul pont.
3 4
2 4
3 8
2 4
3 8
2 4
3 8
pp
Vla.
3 4 pp
Vc.
3 4 pp
Litolff/Peters
33785
ISSUU Version For perusal only
Martha's aria Intense, sharp q = 72-66
262
5
5
175
4 4
Picc.
mp
p
p
5
5
4 4
Cl.
mp
p
p
5
5
4 4
C Tpt.
mp
p
Vibraphone
very hard mallets
p
Crot
Vib
Crot 5
5
4 4
Perc. 1 (Vib)
mf
Glockenspiel very hard sticks Perc. 2 (S.D)
3
3
4 4
p
mf
3
3
3
f
p
f
ff
3
1-Hyper-vib "a"
4 4 ff
Kbd 1. (Hyper-vib "a")
3
ff
4 4 ff
3
3
Piano
3
3
4 4 mp
Pno.
mf
pp
3
3
3
3
3
differently, calm 5:4
3
3
3
3
vous trom pez sans dou
Si même p dolce
te.
Martha's aria Intense, sharp q = 72-66 3
4 4
3
3
3
pizz.
3
ce
pizz.
3
3
la
ê
tait
vous n'au riez pas de rai sons de p sub
f sub
3
arco
sf p
3
3
f
3
3
3
3
3
3
p
arco
3
4 4 mf
sf p
p
pizz. 3
3
3
3
Litolff/Peters
arco
3
4 4 mf
sf p
33785
3
7:8
3
3
mf
Vc.
3
excited pregressively again
4 4 Vous
Vla.
3
f
excited
Vln.
3
Ped, 1/2 Ped ad lib.
4 4
Martha
3
3
p
ISSUU Version For perusal only
179
Picc. p
mp
p
p
p
mp
p
p
p
mp
p
p
263
Cl.
C Tpt.
Vib
Crot P1 (Crot)
mf cresc.
f
sff
Kbd 1. (Hyper-vib "a")
sff secco
3
f
Pno.
3
3
p
3
3
3
f 3
3
3
3
3
threatening
sweet, seductive
progressively sweet again
3
5:4
3
3
3
Martha vous
en
pizz.
ré
3
3
jouir
Ce que j'ai d'hu
3
3
main
n'est
pas
ce
pizz.
arco
3
3
que j'ai
3
de
meil
leur.
Ce
que j'ai d'hu
3
Vln. mf pizz.
mf 3
3
3
pizz.
arco
sff 3
3
3
3
Vla. mf
mf pizz. 3
3
3
3
sff
pizz.
arco 3
3
3
3
Vc. mf mf
Litolff/Peters
33785
sff
ISSUU Version For perusal only
264 183
Picc. mf
p
Cl. mf
p
Hn.
C Tpt. mf p
Vib 3
Crot. P1 (Vib)
f
3
3
p f
mp
f
p
P.2 (Glsp)
p
p
pp
Kbd 1. (Hyper-vib "a")
pp
pp
3
pp
Pno.
3 3
3
3
stacc. non cress.
3
she is calm
3
Martha ce que je dé
main, c'est
si
re,
3
arco 3
et
pour ob te nir
ce
que
je
dé
si
re,
je
3
3
3
3
crois
que j'é
cra
3
3
3
3
3
3
Vln. f 3
arco
mp
3
3
3
3
Vla. f
mp
arco 3
3
3
3
3
3
Vc. mp
f
Litolff/Peters
33785
ISSUU Version For perusal only
187
Picc. cresc.
265
mf
p
mp sub
mf
p
mp sub
Cl. cresc.
Hn. mf
p
C Tpt. p
mf
cresc.
Crot.
3
Vib
mp sub.
3
3
3
3
P1 (Vib) mf
f
mf
p
f
f 3
P.2 (Glsp)
f
f
mf
ff
Kbd 1. (Hyper-vib "a")
f
Pno.
3
3
3
f
3
3
3
f
3
p sub 3
3
f 3
3
3
3
5
3
3
ff sub.
3
Martha se rais
tout sur mon pas
pizz. 3
sa
ge.
3
J'é tais ve nue pres que dé ci
dée à
vous
de man der de
arco sul pont.
3
3
3
3
par
3
tir,
mais,
vous
le
vo
pizz.
3
pizz.
3
3
Vln. cresc.
f pizz. 3
3
3
3
3
arco sul pont. 3
3
3
Vla. cresc.
f
arco sul pont.
pizz. 3
3
3
3
3
Vc. cresc.
Litolff/Peters
f
33785
pizz.
3 3
3
3
ISSUU Version For perusal only
266 191
Picc.
5
p 5
Cl. mf
p
Hn.
5
C Tpt. p
P.2 (Glsp) 5
Perc. 2 (Vib) pp
Kbd 1. (Hyper-vib "a")
3
3
3
3
3
3
3
3
3
3
3
3
f
f
Pno.
3
3
7:8
3
3
3
3
3
3
je sou haite
main
5
Martha yez,
vous a vez ap pe
lé
à
ce que j'ai d'hu
main
pizz.
3 3
3
arco
et
arco
3
3 3
3
te nant que vous res tiez.
3
3
Vln. f
f 3
arco 3
3
3
f 3
pizz.
arco 3 3
3
3
Vla. f
f 3
3
arco 3 pizz.
3
f 3
arco 3 3
3
3
Vc. f
Litolff/Peters
f
f
33785
ISSUU Version For perusal only Poco più mosso q = 80 ca.
267
staccatissimo
194
Picc. p
sfpp
mf
sfpp
11
sff
p
sf
Cl. f
Crot. P1 (Vib)
3
3
3
f 3
Glsp
3
3
3
3
P2 (Glsp) f
3
Kbd 1. (Hyper-vib "a")
5 3
6
f Ped.
ff
f
Pno.
Ped. 1/2 Ped. ad lib. 3
5 3
6
Martha Ha ha ha ha...
Res tiez
ff
Poco più mosso q = 80 ca. 3
ord.
s. pont.
Vln. mp
Litolff/Peters
f
3
cresc.
33785
ISSUU Version For perusal only
268
11:8
196
Picc. 11:8
ff
3
P1 (Crot.)
3
3
l.v. ff
cresc.
3
3
3
3
l.v.
Perc.2 (Glock) ff
Kbd 1. (Hyper-vib "a")
l.v.
Pno.
Martha
Vln.
Vla. ff
Litolff/Peters
33785
14:8
197
ISSUU Version For perusal only
269
Picc. fff
l.v.
P1 (Crot.)
l.v. P.2 (Glock)
Kbd 1. (Hyper-vib "a")
l.v.
Pno.
Martha starts singing ord. and go processively into a "histerical" witch like laughin
Martha ha
ha
ha
ha
(...)
ord. non leg. 21:8
Vln. ff
sfp fff
Vla.
leg.
Vc. 12:8
ff leg.
13:8
Cb. ff
Litolff/Peters
33785
270 198
Picc.
ISSUU Version For perusal only 9 16
10 16
pppp
Cl.
9 16
15 16
4 4
15 16
4 4
15 16
4 4
15 16
4 4
15 16
4 4
15 16
4 4
pp
10 16 pp
Bass. Sax.
9 16
10 16 pp sord.
Hn.
9 16
10 16 pp
C Tpt.
9 16
10 16 pp sord.
Tbn.
9 16
10 16 pp mf
9 16
10 16
15 16
4 4
9 16
10 16
15 16
4 4
Kbd 1. (Hyper-vib "a")
pp
mf
9 16
10 16
15 16
4 4
9 16
10 16
15 16
4 4
15 16
4 4
Pno.
pp
Martha
9 16
10 16
Ha ha ha ha...
10 16
Vln.
9 16
TAPE 13 ("e-laughing")
10 16
15 16
4 4
15 16
4 4
15 16
4 4
15 16
4 4
15 16
4 4
pp
Vla.
9 16
10 16 pp
Vc.
9 16
10 16 pp ppp
Cb.
9 16
10 16 pp ppp
Litolff/Peters
33785
ISSUU Version For perusal only
202
Picc.
4 4
271 Tacet while Tape 13 sounds
pppp
Cl.
4 4 pppp
Bass. Sax.
4 4 pppp
Hn.
C Tpt.
4 4
pppp
4 4 pppp
Tbn.
4 4 pppp
4 4 pppp
Kbd 1.
4 4 ppp
p
4 4 Pno.
4 4 Martha continues laughing ad lib. Martha
4 4
TAPE 13
4 4
Vln.
4 4
Vla.
pppp
4 4 pppp
Vc.
4 4 pppp
Cb.
4 4 pppp
Litolff/Peters
33785
ISSUU Version For perusal only
272
IX: Scene 6 Jan-Martha
After a few moments Jan notices the bell which communicates with reception. He approaches it and presses it. After a few seconds the door opens and Vieux appears. He stops on the threshold looking at Jan.
1 q_x = 40 (in 1) Sprechgesang
5 16
Jan
Ce n'est
rien.
Ex cu sez moi.
Je
vou lais sa voir
Jan is more and more anxious. He lights another cigarette. And he walks round the room.
Vieux steps backwards and closes the door. His steps are heard in the corridor.
10
si quel qu'un ré pon dait.
seu le ment
B. Cl. f
*
Bass. Sax f * The grace notes should be played before the notes, respecting the rythm of these.
Piatto Perc.1 pp
mf
Piatto Perc.2 sf
f Sprechg.
p
ord.
Jan Tout
ce
la
est
stu
pide.
Qu'est
ce
Jan looks at the suitcase, he approaches the raincoat he has left on the chair. He hesitates.
16
B. Cl. mf gliss
gliss.
Bass. Sax mf
Piatto Perc.1 ff
Perc.2 sf
p
Jan que
Litolff/Peters
je
fais
i
ci?
Mais
33785
non,
ISSUU Version For perusal only
273
23
B. Cl. mf
f
Bass. Sax mf
Perc.1 p
Perc.2 sf f
Jan j'ai
la
char
ge
de
ma mère
et
29
B. Cl. p
Bass. Sax
Perc.1 f
pp
Perc.2 sf
p
f
Jan de
ma
soeur
Je
les
ai
He puts the case on the bed. He opens it and begins to take things out. Birds are heard squawking through the open window. Jan stops and looks at the window. The full moon occupies the center of the rectangule. He leaves the luggage and approaches. Opposite the window he is completely bathed in the light of the moon. After a few moments a mass of clouds appears from the left, covering the moon. Everything is in shadow. 36
Bass. Sax Repeat a few times. Each time, more air and less note. Finally only air.
Perc.2 sf p
Jan ou
Litolff/Peters
bli ées
trop
long temps
33785
ISSUU Version For perusal only
274
41
B. Cl. p
Bass. Sax
Perc.1
Perc.2 pp
sf p cresc.
Jan Le
ciel
Et
se cou vre.
voi ci
ma vieille an gois
se
48
Bass. Sax p
Perc.2 sf
p
p
Jan là,
au
creux
de
mon
corps,
comme
une
mau
54
Bass. Sax p p
to himself
Jan bles
su
re
que
chaque
mouve ment
60
B. Cl. sfp
f
mf
Bass. Sax f
Perc.1 p
pp
mf
mf
Jan i
Litolff/Peters
rri
te.
Je
con
33785
nais
son
nom.
vaise
ISSUU Version For perusal only
275
67
B. Cl. f
Bass. Sax
Perc.1 fff
pp
spoken p sub
Jan Elle
est
peur
de
la
so
li
é
tude
ter
nelle.
quasi susurrato, almost air
73
Bass. Sax pp
Perc.2 ppp ord. p
susurrato
Jan crain
qu'il
te
n'y_ait
pas
de
ré
pon
se.
Et
Someone knocks the door.
Muta in Bb Cl. 80
B. Cl. f
Bass. Sax mf cresc.
p cresc.
f
Perc.1 f
pp susurrato, intenso
Jan qui
Litolff/Peters
ré pon drait
dans
une
cham bre
33785
d'hô tel.
ISSUU Version For perusal only
276
2 Free, faster 89
Cl. pp
f psub
Martha comes in with a tea service
f
pp
ord.
4
Martha Le
thé
que
vous
a
vez
de
dé.
man
Sprechg.
Jan Qu'est–ce que
c'est?
2 - 3''
94
Cl.
Snare dum Perc.2 ff f
exclamated
ff
6: 5
Martha Ah?
Le vieux
au
ra
mal
en
ten
du.
Jan Je
n'ai
rien de man dé.
TAPE 14/a ("Vieux 7") TAPE 14
103
gliss.
Martha Il
com
prend
sou
à
vent
tié.
moi
Dois
je
le
rem
por
Martha puts the tray on the table and leaves. Jan looks at the tray, he takes the teapot and pours a cup, which he brings to the lips. Piatto
111
Perc.1
p sub.
Martha ter?
spoken
Jan Non,
non,
je
vous
TAPE 14/b & STOP TAPE 14/a TAPE 14
Litolff/Peters
33785
re
mer
cie
au
con
traire.
3 A tempo q x = 40 117
ISSUU Version For perusal only
277
B. Cl. p
Bass. Sax pp
Perc.1 pp poco a poco cresc. in dynamics and dramatic intensity
p
mp
Jan mon
Oh
Dieu!
don
nez
f
mf
pp
moi
122
Bass. Sax p
Perc.2 sf cresc. espr.
Jan de
trou
ver
mes
127
B. Cl. f
p
Bass. Sax
Perc.1 ppp
Jan mots
ou
faites
que
j'a
ban
donne
cette
vai
132
B. Cl. mf
f
f
Bass. Sax mp
p
Perc.1 pp
f
Jan ne
Litolff/Peters
en
tre
pri
se
pour
33785
re
trou ver
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278
138
B. Cl. mf
Bass. Sax mf
Jan l'a
mour
de
Ma
ri
143
B. Cl. f
Bass. Sax f
p
f
Perc.1 pp
Piatto Perc.2 sf
p
Jan a.
Don
nez
moi
a
lors
150
B. Cl. mf
3:5
f
half air
Bass. Sax f
pp
Perc.1
3:5
Jan la
154
for
ce
de
choi
sir
ord.
half air
Bass. Sax pp
p
più f
Jan ce
Litolff/Peters
que
je
pré fère
et
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ISSUU Version For perusal only
279
6:5
160
Muta in Bb Clar.
B. Cl.
4 4
Bass. Sax
4 4 6:5 6
4 4
Perc.1 mp
pp
exclamating with irony. Allons, faisons honneur au festin du prodigue !
Jan
4 "Festin du prodigue", grotesque "like circus music" q = 160 163
Picc.
4 4 f 5
5
Cl.
5
5
5 5
4 4
5
ff
C Tpt.
4 4 f
Tbn.
gliss
gliss.
4 4
gliss. p
Perc.1
f
f
4 4 p
Perc.2 (S.D)
4 4 pp
p
ff
10- Hyper-winds 5
Kbd. 1 (Hyper-winds)
5
4 4 ff
5
5
5
12- E-Bass Kbd. 2 (E-Bass)
4 4 ff
Vln.
4 4 ff
Cb.
4 12 48 ff
Litolff/Peters
5
5
33785
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4 4
ISSUU Version For perusal only
280
167
Picc.
5
5
5
5
5
5
Cl. 5
C Tpt.
Tbn.
gliss.
gliss.
gliss
Perc.1 ff
Perc.2
5
Kbd. 1 (Hyper-winds)
5
5
5
5
5
5
Kbd. 2 (E-Bass)
Vln. f
ff
f
ff
f
ff
Vla.
Vc.
Cb. ff
Litolff/Peters
5
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281
171
Picc.
5
5
5
5
Cl.
3
C Tpt. 3
3
3
3
Tbn.
gliss.
Perc.1
Perc.2 pp
5
5
ff
5
5
Kbd. 1 (Hyper-winds) 5
Kbd. 2 (E-Bass)
Cb.
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33785
5
ISSUU Version For perusal only
282
174
Picc.
5
5
5
5
5
5
Cl.
3 3
3
C Tpt. 3
3
3
3
3
3
gliss.
Tbn.
3
gliss.
Perc.1
Perc.2 pp
ff
5
5
5
5 5
Kbd. 1 (Hyper-winds)
Kbd. 2 (E-Bass)
Cb.
Litolff/Peters
33785
5
ISSUU Version For perusal only
283
5
177
Picc.
5 5
5
5
Cl.
Bass. Sax fp
3
3
3
3
3
ff
3
3
C Tpt. 3
3
Tbn.
S.D
5
5
Perc.1
5
Perc.2
5
5
5
5
Kbd. 1 (Hyper-winds)
Kbd. 2 (E-Bass)
TAPE 15
TAPE 15 ("Festin du prodigue")
5
Cb.
Litolff/Peters
33785
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5
ISSUU Version For perusal only
284
6
180
Picc.
5
5
Cl.
3
C Tpt. 3
3
Tbn.
Perc.1
Perc.2
5
5
Kbd. 1 (Hyper-winds)
Kbd. 2 (E-Bass)
6 TAPE 15
Cb.
186
7 BG, Cga intense, impulsive, free, improvising with similar rhythms to cf. 4/5
Perc.1 (Bg, Cga)
BG, Cga
intense, impulsive, free, improvising with similar rhythms to cf. 4/5
Perc.2 (Bg, Cga)
8 192
198
12
Perc.1
Stop improvisation
12
Perc.2
TAPE.
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285
X: Scene 7 Mère-Jan
Flute
1 Fluent q = 108 4 4
colla parte 3
sf
3
sf
Xylophone
Perc 1 (Xylophone)
4 4 sff
p
sff
p
ppp
4 4 pp
ppp
sff
Piano
4 4 mf
mf Mère
f
3
3
Par don nez moi,
Mon sieur,
ma fille me dit
qu'elle vous a don
1 Fluent q = 108 Viola
gliss.
3
3
4 4
né
du
thé.
colla parte gliss.
4 4 p
ord. Violoncello
4 4 f
Litolff/Peters
33785
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286
5
4
Fl.
fp
Muta in Bass Clarinet
Cl. p
Perc 1. (Xyl.)
ff
più f
ff
Pno.
pf
più f
pp
worried
(gliss.) Mère
anxious
5
5
vib.
3
(ossia)
Vous l'a vez
bu?
Ce n'est rien.
En
rea
li
curious 3
3
Jan Vous
vo
yez.
Oui, pour quoi?
vib. 3
Vla. mf
7
5
gliss.
vib. intenso
5
Fl.
2 2 4
4 4
2 4
4 4
p
f sub. Perc 1. (Xyl.)
pp
12- E- bass 3
2 4
Kbd.1 (E-bass)
3
4 4
mf
2 4 sff
Pno.
pp
4 4
ppp staccatissimo 3
2 4
3 3
4 4
mf f sub. 5
mp cresc.
vib. intenso gliss.
5
5
5
2 4
Mère té,
ce
thé
ne
vous é
tait
4 4 né.
des ti
2 5
Vla.
2 4
4 4
2 4
4 4
loco
Vc.
Litolff/Peters
33785
10
B. Cl.
3
ISSUU Version For perusal only
3
3
4 4
3
3
3
pp
3
Bass Sax.
287
3
3
sf
3
3
4 4
3
3
3
3
pp sf 3
gliss. Hn.
4 4 sf
3
sord. wa-wa
Tpt.
3
3
3
3
3
4 4 sf sord. wa-wa 3
Tbn.
3
3
3
4 4 pp
sf
4 4 Kbd.1 (E Bass)
3
3
4 4
3
3
3
3
3
3
3
3
33
3
3
3
3
3
3
3
4 4 mf Pno. 3
4 4
3
mf Mère
3
3 3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
p sub.
4 4 Oui? 3
Jan
Ma dame!
3
3
4 4 Je
viens de
pren
3
Vc.
3
dre_une dé
vib.
4 4 mf
Litolff/Peters
3
3
33785
ci
sion:
3
je
crois
que
je
par
ti rai
ce soir,
ISSUU Version For perusal only
288
13
3 4
Fl.
4 4 f espr.
3
3
3
3
Muta in Cl in Bb
3
B. Cl. mp
3
3
pp
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
mp
3 3
3
Bass Sax. mp
3
3
sord (wawa)
pp
mp 3
Tbn. mp
pp
mp
Kbd.1 3
(E -bass)
3 3
3
3
3
3
3 3
3
3
3
3
3
3 4 3
3
4 4
3
3 4
4 4
Pno. 3 3
3
3 3
3
3
3 3
3
3
33
3
3
3
3 4
3
4 4
5
relieved
3 4
Mère Mon 3
3
vous êtes tout à fait
sieur,
3
Jan a
près
le dî
4 4 li
bre.
3 4
4 4
3 4
4 4
3 4
4 4
ner.
vib. Vla. sf p 3
vib.
Vc. mf
Litolff/Peters
33785
16
Bass Sax.
ISSUU Version For perusal only
3 4 4
289
3
3
mf (secco sempre)
6 6
Perc 1. (Tmp)
6
4 4 pp
Glsp (very hard stab, l.v. until the comma) Perc 2. (Glsp)
4 4
4 4 f Pno. 6
6
6
6
6
4 4 mf
6
6
6
pp
Sprechgsang 3
Jan
6
Mais
Vc.
3
3
4 4 mé
je ne suis pas du tout
3 4 4
pizz.
con
tent.
3
3
Au
con
6
6
ord.
traire,
6
je suis très re con nai
6
sf pizz. 6
Cb.
6
4 4 sf
Litolff/Peters
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ISSUU Version For perusal only
290
18
3
Bass Sax.
6
6
6
6
Perc 1. (Tmp )
Perc 2. (Gslp)
Pno. 6
6
6
6
6
6
6
6
sim. till bar 32
intense 3
3
3
3
Jan ssant
de
m'a
voir
ac
cueil
li
comme vous l'a
6
Vc.
6
6
Cb.
Litolff/Peters
33785
vez
fait.
20
ISSUU Version For perusal only
3
Bass Sax. p
mf
291
p
6
6
6
6
6
6
6
6
6
Perc 1. (Tmp) Perc 2. (Gslp)
Pno.
6
6
6
3
6
3
3
Jan Il
m'a
blé
sem
sen
tir
chez
vous
6
une sorte
de bien
veil
lance
6
Vc. 6
6
6
Cb.
22
3
Cl. ppp 6
6
6
6
6
6
Perc 1. (Tmp) Perc 2. (Gslp)
Pno. 6
6
6
6
6
6
indifferent 3
Mère sensitive
Je
3
n'a vais
pas de
rai
sons
per
3
Jan à
mon
é
gard vib. 3
Vla. 3
3
6
Vc.
6
6
6
Cb.
Litolff/Peters
33785
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ISSUU Version For perusal only
292
24
Fl.
Cl. colla parte 3
3
Bass Sax.
6
6
6
6
6
6
6
6
6
6
6
6
Perc 1. (Tmp)
Perc 2. (Gslp)
Pno. 6
più f
6
3
Mère de
vous mar quer
de
l'hos ti
li
té.
3
3
3
3
3
Jan Si
je
vous
dis
ce la,
c'est
6
Vc.
6
6
Cb.
Litolff/Peters
33785
6
que
je
dé
si re
ISSUU Version For perusal only
293
3
26
Bass Sax. p
6
6
6
6
6
6
6
6
6
6
6
3
3
3
3
Perc 1. (Tmp)
Perc 2. (Gslp)
Pno. 6
6
6
3
3
Jan vous qui tter
en
bons termes.
Plus
tard,
arco. vib.
6
3
Vc. mf espress.
Litolff/Peters
33785
être,
peut
3
ISSUU Version For perusal only
294
28
3
3
Bass Sax. f
6
6
6
6
6
6
6
6
Perc 1. (Tmp)
Perc 2. (Gslp)
Pno. 6
3
6
6
3
3
Jan je
re vien
drai.
Mais pour l'ins tant
j'ai
pizz.
6
Vc. 6
Cb.
Litolff/Peters
33785
l'im
pres sion
pé
ni
ble
6
que
cette mai
6
ISSUU Version For perusal only
30
295
2 4
Cl. ppp
Piatto 6
6
6
l.v.
6
6
6
2 4
Perc 1. (Tmp)
sf
6
6
2 4
Perc 2.
6
3 6
2 4 Pno. 6
6
6
6
6
6
6
2 4
2 4
Mère f
Je 3
3
vous com prends,
3
2 4
Jan son
n'est
pas
la
mienne.
3
2 4
Vln. p
2 4
Vla. pp
f
Litolff/Peters
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296
4 4 4
32
Fl.
2 4
6
6
f
Cl.
2 4
4 4 quasi f very hard mallets
6
6
Xyl. 6
Perc 1. (Tmp)
6
2 4
4 4 sf (mf)
2 4
4 4
2 4
4 4
Kbd.1 (E-bass)
6
6
6
6
6
6
6
6
6
6
mf
6
2 4
6
4 4 mf
6
Pno. 6
6
6
2 4
mf
3
Mère
2 4 Mon sieur,
Vln.
2 4
4 4 4
et
6
6
6
6
6
j'au
rais vou lu
6
que les cho ses
s'a rran
gent 6
4 4 6
Litolff/Peters
6
4 4
p
mf
33785
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35
Fl.
297
f
Cl. pp
6 6
Perc 1. (Xyl.)
Kbd.1 (E-bass)
6
6
6
6
6
6
6
sim.
6
6
6
6
6
Pno. 6
6
6
6
6
6
6
sim.
6
6
Mère pour
vous.
Dans
un
cer
tain sens,
6
6
Vln. p
6
vib. 6
Vla. f
Litolff/Peters
33785
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la
m'en
ISSUU Version For perusal only
298
37
3
Fl. 3
p
f
6 6
Perc 1. (Xyl.)
G.C Perc 2. (G.C)
6
6
6
6
6
6
6
6
6
6
p
Kbd.1 6
(E-Bass)
6
6
6
6
6
Pno. 6
6
6
p sub.
vib.
6
3
3
Mère nuie
aus si
que
vous
a
6
yez
6
Vln. f
Litolff/Peters
f
6
pp
33785
pp
dé
ci
dé
ISSUU Version For perusal only
299
6
39
Perc 1. (Xyl.)
6
6
6
Perc 2. (G.C)
Kbd.1 (E-bass)
6
6
6
6
6
6
6
6
6
6
6
6
3
6
6
6
6
Pno. 6
6
Mère de
par
tir.
with emotion 6
6
Jan Je
6
ne
6
6
sau
rai bien
vous
ex
6 6
Vln. f
vib.
Vla. pp sub. 6
esspr.
6
Vc. mp
Litolff/Peters
33785
mf
f
ISSUU Version For perusal only
300
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
41
Perc 1. (Xyl.) 6
6
6
6
Perc 2. (G.C)
Kbd.1 (E-bass)
6 6
6
6
6
6
6
6
Pno. 6
3
3
6
Jan pri
à
mer
quel point
ce
6
que
vous
ve
nez
de
dire
me
6
6 6
Vln.
Litolff/Peters
33785
6
ISSUU Version For perusal only
43
301
Bass Sax. mf 6
6
Perc 1. (Xyl.)
6
6
6
6
6
6
Perc 2. (G.C)
Kbd.1 6
6
(E-bass)
6
6
6
6
6
6
me
fait
6
6
6
6
6
6
Vo
6
6
6
6
6
yez
vous...
Pno.
6
Jan touche
et
6
plai
sir.
6
6
6
6 6
Vln.
Litolff/Peters
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302 Flatt 45
Fl. 3
Cl. ppp
6
6
Perc 1. (Xyl.)
6
6
6
6
6
6
Perc 2. (G.C)
Kbd.1 (E-bass)
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
3
6
6
Pno. 6
6
3
Mère C'est
no
tre
mé
(ossia)
tier
6
nous
ren
dre
6 6
6
6
Vln.
Litolff/Peters
de
33785
6
a gré
ISSUU Version For perusal only
47
Cl.
6
6
6
6
303
6
6
6
6
6
Perc 1. (Xyl.)
6
Perc 2. (G.C)
Kbd.1 (E-bass)
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Pno. 6
6
Mère a
bles
à
tous
nos
cli
ents.
disappointed 6
Jan En 6
6
Vln.
Vla.
Litolff/Peters
33785
6
6
somme...
ISSUU Version For perusal only
304
49
Bass Sax. f
f
p
6
6 6
Perc 1. (Xyl.) 6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
Perc 2. (G.C)
Kbd.1 (E-bass)
6
6
6
Pno. 6
6
6
6
6
6
6
3
3
3
Jan je
vous dois seule ment
des
ex
cu
ses
6
si
vous
le
ju gez bon
33785
dé
un
6
Vln.
Litolff/Peters
et,
6
ISSUU Version For perusal only
305
3
51
Fl. f
p
6
6
Perc 1. (Xyl.) 6
6
6
6
6
6
6
6
Perc 2. (G.C)
Kbd.1 (E-bass)
6
6
6
6
6
6
6
6 6
Pno. 6
6
6
6
6
6
6
3
Mère Nous
3
n'a vons certes
pas
de
gliss.
Jan dom
mage
ment 6 6
6
6
Vln. f
f
Litolff/Peters
33785
dé dom ma ge
ment
ISSUU Version For perusal only
306
5 Meno Mosso q = 96 ca.
53
6
6
6
Perc 2. (G.C)
6
6
2 4
4 4 secco
2 4
mf
dim
4 4
Kbd.1 6
6
(E-bass)
6
2 4
6
4 4
6
6
6 6
2 4
6
4 4 mf dim
Pno. 6
6
6
6
6
6
6
2 4
4 4
2 4
4 4
3
Mère à
vous
de man der.
His strength fails him. entonated Sprechg.
Jan
gliss.
2 4
6
3
4 4
Ma
dame! mf dim
Je
5 Meno Mosso q = 96 ca. pizz.
Vc.
2 4
6
4 4 mf dim
Litolff/Peters
33785
6
secco
56
Perc 2. (G.C)
ISSUU Version For perusal only
307
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
mf dim.
mf dim.
Pno.
mf dim.
6
6
3
6
6
6
Jan vou
drais...
pizz.
du
moins..
vous re mer cier...
6
6
ce
6
n'est
pas
6
Cb. mf dim.
59
6
6
6
6
Perc 2. (G.C) 6
Pno.
6
6
6
6
6
6
6
6
6
6
6
6
6
3
3
Jan hôte
comme un
62
in
dif
6
6
6
6
6
6
fé
rent
que
je
6
Perc 2. (G.C)
Pno.
6
6
The mother leaves the room Mère Je
vous
prie,
Mon sieur.
Jan drugs himself weakly to the bed. 3
6
Jan rai
Litolff/Peters
cette mai son.
Je
33785
re
vien
drai...
de
gliss. main...
quit te
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65
6
6
6
Perc 2. (G.C)
p
6
6
6
p
Pno. 6
6
6
mf
almost spoken 5
very tender
f
3
ord.
glis
Jan a
vec
Ma
ri
a...
et
je
di
rai:
"C'est
s.
moi."
vib.
vib.
Vc. pp
f pizz.
6
Cb. p
68
3
3
Bass Sax. p 6
Perc 2. (G.C)
6
6
6
6
6
p
6
Pno.
p
6
6
6
speaking acting
poco a poco dim. y morendo
Sprechg. Je les rendrai heureuses Tout
ce
la...
est
é
6
p
poco sf
mf 6
Jan
dim.
vi
3
dent...
6
ord. mf
3
Ma
ri
3
3
Vc. p dim.
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309
6
Perc 2. (G.C)
6
6
6
Pno. 6
6
sighing 3
Jan a
75
vait
rai
son.
Oh!
6
6
6
Perc 2. (G.C) pp dim
6
6
Pno.
6
6
pp dim 6
susurrato 3
6
6
p dim 3
p quasi spoken
disappearing
où
tout
3
Jan Je
n'aime
pas
ce soir
78
6
6
Perc 2. ppp
6
6
Pno.
6
ppp 6
6
susurrato 3
ppp
3
Jan tain.
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XI: Interlude 3 "Jan"
1 q = 80 , with an intense "latent" energy Bass Clarinet in Bb
3
3
4 4
5 4
*que les
3 Bass Saxophone
des rai sons
pp
Horn in F
5
3
4 4 *pas
s'ar ran gent pour vous
choses
pp
5 4
per son nel
de l'hos ti li té
les
4 4
5 4 pp
pp
(ossia loco) 7
Trombone
loco
3
gliss
4 4
5 4 espress.espress. sfp
*a gré a ble
sf (f)
Gong Thai Percussion 1.
3
4 4
pp
pp
Marimba soft mallets Percussion 2.
4 4
5 4
5
5 4 pp
pp
1- Hyper-vib "a" intenso Keyboard 1. (Hyper-vib. "a")
*l'a
3
3
4 4 vez
é tait des ti né
bu
pp
5
3
mf
5 4 pas
dé do ma
de
p
ge ment
mf
4 4 Piano
5 4 pp
4 4 *tout
li
bre 5
3
à
fait
9
vo tre mé
5 4
à tous nos cli ents
tier
1 q = 80 , with an intense "latent" energy ord. Viola
sul pont.
4 4
5 4 pp 3
Violoncello
3
4 4
5 4 *vous man quer
f pizz. Contrabass
arco ord.
sul pont.
4 4
5 4 *ce
p
thé
f
* Text susurrato (whispern) by the instrumentalists. Text of the winds susurrato by the singers in off.
Litolff/Peters
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a
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B. Cl.
5 4
311 3
3
4 4
3
6 4 piú f
3
Bass. Sax.
5 4
3
4 4
6 4 piú f
5
Hn.
5 4
4 4
6 4 p sordina wa-wa
Tbn.
5 4
4 4
6 4 sf
Perc 1. (Gong Thai)
7
5 4
sf
pp
4 4
6 4
ppp 3
Perc 2.
5 4
4 4
6 4
4 4
6 4
6-Hyper-bells 5
5 4 Kbd. 1 (Hyper-bells)
f
5
7
5 4
5
4 4
6 4 più f
7
3
5 4
3
3
3
6 4
più f
secco
Pno.
3
4 4
f
5
5 4
4 4
6 4
f
Vc.
5 4
molto sp
sul pont.
3
3
4 4
6 4
Píu f vib. Cb.
5 4
4 4 de par tir
f
Litolff/Peters
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p
6 4 Píu f
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2
5
B. Cl.
5
7
6 4
4 4
sff
Bass. Sax.
6 4
Hn.
6 4
f cresc marc.
ppp
ff
3
dé
do
ma
ge
4 4
4 4 sf p
Tbn.
6 4
Perc 2.
6 4
f
3
4 4
5
Mar.
l.v
7
medium mallets
4 4
p
5
6 4
4 4 p
f
Kbd. 1
7- Mixturen
(Hyper-bells)
6 4
4 4 f cresc marc. staccatissimo
6 4
3
3
3
3
4 4 ff
Pno.
6 4
4 4 f
molto sul pont. gliss Vc.
ord sul pont.
6 4 ff
pppp
molto sul pont.
ord sul pont.
2 more intense 4 4
Cb.
more intense
4 4 ff
Litolff/Peters
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5
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6 4
vous l'a
3
3
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3
3
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313
5
B. Cl.
7
f 7
7
5
7
Bass. Sax.
f
7
Hn.
sfp
sfp
f
metallico 3
3
3
3
f 3
C Tpt.
f cresc. mettalico
3
3
3
Tbn.
f cresc.
Timpani Perc 1. (Tp.)
pp
7
Mar. Perc 2.
Kbd. 1 (Mixturen) 3
3
Pno. 3
3
3
3
3
3
Vla.
p
p
Cb. 5
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3
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1 4
Fl.
3 4 4
p 5
5
1 4
B. Cl.
4 4 mp cresc
ff
5
5
1 4
Bass. Sax.
5
4 4 mp cresc
ff 7
1 4
Hn.
4 4
sf p subito
f
mp
sordina wa-wa Tbn.
f
Perc 1. (Tp.)
1 4
4 4
1 4
4 4
1 4
4 4
p
ppp
mf
Gong Thai Perc 2.
mp poco st
3
3
3
3
mp
Kbd. 1 (Mixturen)
3
1- Hyper-vib. "a"
3
1 4
4 4
1 4
4 4
ff
3
3
3
7
3
1 4
4 4 mp cresc
ff
Pno.
Vla.
1 4
4 4
1 4
3 4 4 mp cresc. 3
1 4
Vc.
4 4 mp cresc.
pizz.
7
1 4
Cb.
ff
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315
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Fl.
pp
pppp
3
3
B. Cl.
quasi f
5
5
5
5
5
5
5
Bass. Sax.
quasi f
7
7
5
Hn.
f
ppp
f
sord. straight
3
Tbn.
mp
3
f
p
Vibraphone Perc 1. (Vib.)
pp
pp
Marimba
3
Perc 2.
p
f
7
7
Kbd. 1 (Hyper-vib "a")
7
quasi f 7
5
7
7
Pno.
quasi f
sul pont. Vla.
pp 3
vib.
Vc. 3
f pizz.
Cb.
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4 15
3
Fl.
5 4
pp cresc molto sub. 3
3
5 4
B. Cl.
pp cresc molto sub. 3
3
3
3
3
3
3
5 4
Bass. Sax.
pp
f
p
f
5 4
Hn.
pp cresc molto sub.
sordina Harmon
5 4
C Tpt. 3
pp cresc molto sub. 3
5 4
Perc 1.
pp cresc molto sub. 3
3
5 4
Perc 2. (Mar.) 3
pp cresc molto sub.
6- Hyper-bells
5 4
Kbd. 1
(Hyper-bells) f
4 5 4
Vln. 3
pp cresc molto sub.
pizz.
5 4
Vla.
pizz.
arco
3
vib.
3
5 4
Vc. 3
pp cresc molto sub.
3
3
5 4
Cb.
mf
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17
Fl.
5 4
317
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f B. Cl.
5 4
4 4 f cresc
Bass. Sax.
3
5 4
4 4 f cresc
f
Hn.
pp
5 4
4 4 f
p sordina Harmon
C Tpt.
5 4
4 4 mf
mf
pp
sordina Harmon Tbn.
5 4
4 4
3 4 mf
4 4 mf
pp
pp
3
Perc 2. (Mar.)
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Hyper-vib "a"
Kbd. 1 (Hyper-vib "a")
f cresc
Pno.
5 4
4 4 mf
f
5 Transparent sul pont. Vln.
5 4
4 4 ppp arco
3
Vla.
5 4
pizz.
4 4
3 4
4 4
f cresc
sul pont.
arco Vc.
5 4
4 4
3 4 f cresc
Cb.
5 4
mf
4 4 pp
Litolff/Peters
4 4
3 4
pp
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6 Subtle, fexible 20
Fl.
4 4 p dolce
B. Cl.
4 4 p dolce
Bass. Sax.
4 4 p dolce
soft mallets Perc 1. (Vib.)
4 4 ppp
pppp
ppp
pppp
soft mallets Perc 2.
(Mar.)
4 4 ppp
pppp
5:6
Pno.
3
4 4 f
p dolce
dim
6 Subtle, fexible Vln.
3
4 4 p dolce
Vla.
3
4 4
3
p dolce
Vc.
4 4 p dolce
Litolff/Peters
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7 A tempo, leggerissimo 23
Fl.
pp
3
3
3
5:6e
B. Cl.
3
3
3
f
3
pp p
3
mf
f
3
Bass. Sax. 3
pp
f
medium mallets Perc 1.
(Vib.)
f
pp
3
Gong Thai Perc 2. (Gong Thai)
p
5:6
Kbd. 1 (Hypervib "a")
pp
3
3
3
Pno.
pp
f
7 A tempo, leggerissimo Vln.
pp 3
3
Vla.
ppp
pp
Vc.
p pizz. Cb.
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3
3
Fl. 3
3
3
f
B. Cl.
f
3
3
Bass. Sax.
p
f
7:4e
Hn.
pp 3
sord. Tbn.
f
f
Perc 1. (Vib.)
3
3
3
f
3
ppp
Marimba Perc 2. (Mar. )
f
6- Hyper-bells 5
Kbd. 1 (Hyper-bells)
3
Pno.
3
f
3
3
f
Vla.
(ppp)
3
vib. 3
3
Vc. 3
3
arco Cb.
f
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27
Fl. 3
321
Muta in picc.
3 4
3
7
7
3 4
B. Cl.
sfpp
f cresc 7
7
3 4
Bass. Sax.
pp
senza sord.
7
7
3 4
Tbn.
f
cresc
5
3 4
Perc 1. (Vib.)
pp
Glockenspiel 3
Perc 2. (Glsp.)
3
3 4
f cresc
staccatissimo
5
3 4 f cresc. Pno.
f sub
3 4
8
3
3 4
Vln.
ppp
pp
ppp
f cresc 7
3 4
Vla. 3
arco
3
7
f
3 4
Vc.
f cresc 7
3 4
Cb.
f cresc
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9 4 4
29
Picc.
3 4 f
B. Cl.
3 4
Bass. Sax.
3 4
Hn.
3 4
7
3 4 cresc.
3
7
7
7
4 4
3 4
4 4
3 4
4 4
3 4 7
C Tpt.
7
3 4
7
7
4 4
3 4 f
7
Tbn.
3 4
4 4
3 4 pp
7
5
Perc 1. (Vib.)
7
3 4
4 4
3 4 f
f
7
Perc 2.
(Glsp.)
3 4
7
4 4 p
3 4
f
7
3 4 Kbd. 1 (Hyper-bells)
4 4
3 4
7
7
3 4
4 4
3 4 7
3 4
4 4
3 4
Pno.
5:6
7
Vln.
3 4
4 4
3 4
9 4 4
7
3 4
7
7
7
7
3 4 7
Vla.
3 4
4 4
3 4 f
7 7
Vc.
3 4
vib.
7
4 4
3 4 f
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10 Dark, flexible, slower
7
31
Picc.
Muta in Fl.
7
3 4
4 4
ff
3 4
6 4
3 4
6 4
4 4
3 4
6 4
4 4
3 4
6 4
3 4
6 4
fff
ff
5:6
5
B. Cl.
3 4
4 4 ppp
7
Perc 1. (Vib.)
7
3 4 ff
fff
7
Perc 2. (Glsp.)
3 4 ff
fff
7
7
7
2- Hyper vib "b"
3 4
4 4 ff
Kbd. 1 (Hyper-bells)
5:8
3 4
5:4
5:4
4 4
3 4
6 4
3 4
6 4
3 4
6 4
10 Dark, flexible, slower 4 4
3 4
6 4
4 4
3 4
6 4
4 4
3 4
6 4
ppp
3 4
4 4 ff
fff
Pno.
5:6
3 4
4 4 ppp
vib.
Vln.
3 4 ff
Vc.
3 4 ff
Cb.
3 4
ppp
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11 A tempo 35
B. Cl.
6 4
Bass. Sax.
6 4
5
5:4
5 4
4 4
5 4
4 4
5:3
ppp 5:3
6 4
Tbn.
5 4
4 4 ppp
5:6
5:4
6 4
Kbd. 1 (Hyper-vib. "b")
5
5 4
6 4
5 4
4 4
5:3
Pno.
6 4
5
4 4
5:6
6 4
Vc.
5:3
5 4
11 A tempo
5:3
4 4
5 4
4 4
ppp 5:4e
6 4
Cb.
5:4x
5 4
4 4
12 Scorrevole
Flute
38
6
Fl.
f marcato 3:2e
B. Cl.
5:4
sfpp
7- Mixturen
3
3
Kbd. 1 (Hyper-vib. "b")
p
3
cresc. senza
5:6
Pno. 3
12 Scorrevole 3
3
3
3
Vc.
sfp
3
3
Cb.
p
Litolff/Peters
senza cresc.
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f
cresc.
3
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6
6
6
325
6
6
6
Fl.
6
6
B. Cl.
sfpp
f marcato
f
3 Bass. Sax.
ppp 3 Perc 1. (Vib.)
3
sfpp
sfpp
sfpp
sfpp
sfpp
sfpp
sfpp
sfpp
Marimba 3
3
Perc 2. (Mar.)
sfpp
Kbd. 1 (Mixturen)
sfpp
3
3
3
3
3
3
3
3
p
3
3
3
Pno.
p
6
6
6
6
Vln.
f marcato 6
6
6
6
Vc.
f
3
3
3
3
f
3
3
Cb.
p
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3
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42
6
Fl.
6
6
6
6
6
6
3
3
3
B. Cl.
3
3
Bass. Sax.
sfpp
sfpp
Perc 1. (Vib.)
pp
3
3 Perc 2. (Mar.)
sfpp
sfpp 3
3
sfpp
sfpp
sfpp
6
3
Kbd. 1 (Mixturen)
3
Pno. 3
6
sfpp
6 3
3
3
6
6
6
non legato
6
6
6
6
6
Vln.
6
6
6
Vla.
3
6
Vc. 6
3
6
Cb.
Litolff/Peters
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p
3
6
6
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f
6
6
6
6
p
6
f 6
6
327
3 4
6
4 4
ff
6
6
6
B. Cl.
f
sfp
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ff
3 Bass. Sax.
sfpp
sfpp
3
Perc 1. (Vib.)
3
pp
sfpp
f
Perc 2. (Mar.)
6
6
6
Kbd. 1 (Mixturen)
mf
6
7
6
6
6
6
ff
3 4 ff
6
6
6
4 4
ff
3 4
Pno.
3
6
4 4
ff
6
6
6
6
6
6
3 4
Vln.
f
p
6
4 4
ff
6
6
6
6
6
5
3 4
Vc.
4 4
ff
pizz. 6
6
6
6
6
6
6
3 4
Cb.
f
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f
cresc.
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4 4
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13 Dark, articulated rall.
47
B. Cl.
4 4
3 4
2 4
5
pp
rall. Bass. Sax.
4 4
3 4
4 4
5
2 4
4 4 pp
Gong Thai Perc 2. (Gong Thai)
4 4
3 4
2 4
4 4 pp
ppp
1- Hyper-vib. "a"
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
p senza cresc. Kbd. 1 (Hyper-vib "a")
p senza cresc. Pno.
4 4 p senza cresc.
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14 Transparent, flowing 50
Fl.
4 4 ppp
B. Cl.
sf ppp
ppp
4 4 f
ppp
ppp
sordina Harmon C Tpt.
4 4 ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
ppp
sordina Harmon Tbn.
4 4 ppp
Perc 1.
4 4 pp
(Vib.)
pp
pp
Glsp. Perc 2. (Glsp.)
4 4 ppp
6- Hyper-bells
ppp
7
7
7
7
7
7
7
7
7
7
7
4 4 p
Kbd. 1 (Hyper-bells)
ppp
7
4 4 p
ppp
4 4 Pno.
secco p
7 7
4 4
Vln.
14 Transparent, flowing 4 4 ppp
Vla.
4 4 ppp
secco Cb.
7 7
4 4 ppp
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Fl.
ppp
p
Muta in Cl. in Bb B. Cl.
ppp
C Tpt.
pp
pp
pp
pp
pp
pp
pp
pp
pp
mp
Tbn.
Perc 1. (Vib.)
pp Perc 2. (Glsp.)
pp
7
7
7
Kbd. 1 7
(Hyper-bells)
7
7
7
7
Pno. 7
7
7
Vln.
ppp vib. Vla.
ppp
ppp 7
7 7
Cb.
pp
Litolff/Peters
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7
5
7
331 5
Muta in Picc
3 4
Fl.
4 4
ff
5
5
Muta in Bass Clarinet
5
3 4
Cl. in Bb
4 4
ff
5
without sord.
7
3 4
C Tpt.
4 4
without sord.
7
3 4
Tbn.
4 4
ff sub.
7
hard mallets
5
7
5
3 4
Perc 1. (Vib.)
4 4
ff
Marimba
hard mallets 5
5
5
5
7
3 4
Perc 2. (Mar.)
4 4
ff
4- Hyper-mar. "b"
1- Hyper-vib. "a"
7
Kbd. 1 (Hyper-vib "a")
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ff
Pno.
ff
15 Suddenly agressive Vc.
ff sub.
7
3 4
Cb.
4 4 ff
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56
Picc.
16 4 4
f
B. Cl.
4 4 p cresc.
Bass. Sax.
4 4 p cresc.
Hn.
4 4 p cresc.
C Tpt.
4 4 p
Tbn.
f
mf
4 4 p cresc.
4 4 Kbd. 1 (Hyper-mar. "b")
p cresc.
4 4
4 4 p cresc.
Pno.
4 4
Vln.
16 4 4
pizz.
p senza cresc. arco
pizz. Vla.
4 4 p senza cresc. pizz.
Vc.
4 4 p senza cresc. pizz.
Cb.
4 4 p senza cresc.
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Picc.
mf cresc.
f
333
5 4 3
3
3
5 4
B. Cl. 3
3
mf
cresc.
5 4
Bass. Sax.
mf
5 4
Hn.
mf cresc. 3
5 4
C Tpt. 3
mf
sfpp
cresc.
sfp
3
5 4
Tbn.
mf cresc.
6- Hyper-bells 3
Kbd. 1
mf
3
cresc.
3
3
3
5 4
(Hyper-bells)
5 4
3
Pno.
mf cresc.
3
5 4
3
3
3
3
3
5 4 3
3
5 4
Vln.
pizz.
arco
5 4
Vla.
pizz.
3
5 4
Vc. 3
cresc. pizz.
5 4
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
334 60
Picc.
5 4 3
B. Cl.
3
sfp
f cresc.
6 4 sfp
3
5 4
6 4
f cresc. sord. straight Bass. Sax.
3
5 4
6 4 f cresc.
Hn.
3
3
5 4
3
3
6 4
f cresc. sord. straight 3
C Tpt.
5 4
6 4 sfp
Tbn.
3
5 4
6 4 sfp
f cresc.
5 4
3 3
f cresc.
Kbd. 1
p
6 4
3
ff
(Hyper-bells)
3
5 4
6 4
f cresc.
loco 3
5 4
6 4
3
3
Pno.
3
ff
f cresc. 3
5 4
6 4 f cresc.
3
arco Vln.
5 4 3 3
Vla.
3
fcresc.
6 4 sfp
arco
5 4
6 4 p
f
Vc.
pizz. Cb.
6 4 fcresc.
3
fcresc.
5 4
arco
3
5 4
sfp
3
6 4
f cresc.
Litolff/Peters
33785
ISSUU Version For perusal only
335
XII: Scene 8 Mère-Martha
1 Calm q = 42 Vib. Percussion 1.
5
2 4
3
3
p Vib. (as a shadow of the "Mère")
piú f
Ped. sempre
1- Hyper-vib"a" Keyboard 1 (Hyper-vib"a")
3
2 4
3
Pf as shadow of the shadow
l.v.
3
ppp calm spoken
Martha
2 4
5
Il dort
p parlando
Mère
2 4
5
sempre p
Il dort
3
3
Je n'ai me
pas
cette fa
çon
de me for
cer
la
main,
Mar
tha.
wild accel. 3
7
Picc. mf colla parte
Cl.
sord. straight colla parte
C Tpt. sf p
fp
più marcato 5
3
Perc 1. (Vib.)
Glockenspiel
pedal sempre.
5
Perc 2. ff sempre 3
Kbd.1 (Hyper-vib "a")
3
3
p
loco
Piano ff sempre
intensive, poco a poco
Martha là. Tout est prêt.
Voi 5
3
Mère p
Litolff/Peters
Tu com mences,
à
pour m'o bli ger
33785
fi
nir.
Dans un ins tant
ISSUU Version For perusal only
336
3
flatt.
3
11
Picc. più f
3
pp súb
ff
3
3
pp súb
ff
Cl. fp
senza sord. colla parte
3
Hn. fp sf p
ff
C Tpt.
sord. straight
colla parte
Tbn. fp
5
5
sf p
5
5
5
5
fp
5
5
Perc 2. (Glock)
loco
loco
Piano
3
Martha les
eaux
de la ri vière
se ront plei nes.
Des cen dons.
Nous vien drons
le cher cher
Vln. sf p
Vla. sf p
Vc. sf p
Litolff/Peters
33785
ISSUU Version For perusal only
337
q = 42
q = 84
3
3
15
3
Muta in Flauto
Picc. p
3
ff 3
f
sff 3
f súb
Cl. f
Hn. f
ff p
pp
C Tpt. f
Tbn. f
5
5
5
5
5
5
5
5
Perc 2. (Glock)
f súb loco
loco
Piano f sub
5
f dism
f sub
3
Martha quand nous en ten drons
l'eau
cou
rir par
des
sus
le
ba
rrage
Ve nez
slow irregular microtonal vibrato
Mère Non fp
q = 84
q = 42
Vln. 5
fp
f
pp
fp
f
pp
fp
f
pp
Vla. 5
Vc. 5
Litolff/Peters
33785
p
ISSUU Version For perusal only
338 20
3
Fl.
mp 3
3
Cl. mp
5
Perc 1. (Vib.)
3
3
3
3
mp
Kbd.1 (Hyper-vib "a")
defiant f
ff
3
Martha Mais...
Ne cro yez
pas
que ce
la
m'e ffraie.
At ten dons
i
ci.
5
Mère nous sommes bien
i
ci.
sul pont.
sul tasto 3
3
Vln. mp ord. 3
Vla.
3
ord.
Vc.
24
gliss.
Fl. pp
ppppp pppp
gliss.
vib.
vib.
gliss.
gliss.
Cl. pp
ppppp
pppp
sul pont. open string
spectral phasing (overtones)
Vln. pp
ppppp
pppp gliss.
Vla. pp
ppppp
pppp
gliss.
Vc. pp
Litolff/Peters
ppppp
pppp
33785
ISSUU Version For perusal only
339
2 Calm
36
3 4
Fl.
2 4
sff
3 4
Cl.
2 4 sff
3 4
Perc 1. (Vib)
6
3
2 4
5
mf
3 4
3
2 4
pp
mp
Kbd.1 (Hyper-vib "a")
3 4
2 4
mp
3 4
Mère
6
3
2 4
Il dort.
Il en a ter mi né
mf sub
dim
p
a vec ce monde.
Tout lui se ra fa cile,
5
dé sor mais.
2 Calm 3 4
Vln.
2 4 sff
3 4
Vla.
2 4 sff
3 4
Vc.
2 4 sff
44
3
Cl. ppp sord.
Hn. ppp 6
3
Perc 1. (Vib) più f
3
3
pp
Kbd.1 (Hyper-vib "a")
piú f
p
6
3
Mère Il pas se
Litolff/Peters
ra
seule ment.
d'un som
meil peu plé d'i mages
33785
à un
som meil sans rêves.
Et
ce
qui,
ISSUU Version For perusal only
340
49
Cl.
3 4
Hn.
3 4
6
3
Perc 1.
3 4
(Vib)
3 4
Perc 2.
3
Kbd.1 (Hyper-vib "a")
3
5
3
3 4
pp
pp ped sim
pp
6
3
3 4
Mère pour
Litolff/Peters
tout
le
monde,
est un
af
freux
a
33785
rra che
ment
ne
se
ra pour lui
ISSUU Version For perusal only
341 3
3 Wild, flexible
53
Picc.
3 4
2 4
sffp
sffp
Cl.
3 4
2 4 fff
Hn.
3 4
2 4 ff
fff sord. straight
C Tpt.
3 4
2 4
Tbn.
3 4
2 4 ff
fff
Crotales Perc 1. (Crot.)
3 4
3
3 4
3
3
2 4
3
fff
3 4
6
2 4
Kbd.1 (Hyper-vib "a")
3 4
2 4
5
3 4
5
5
2 4 ff
Piano
3 4
2 4 ff
ff
f
Martha
3 4
2 4 les eaux mon
tent.
ff
Mère
3 4
continue until natural dissapearing
2 4 qu'un long dor
mir.
3 Wild, flexible free bowing
Vln.
3 4
2 4 f
Vc.
ff
3 4
2 4 f
Litolff/Peters
5
ff
Glockenspiel Perc 2. (Glsp)
5
5
2 4
ff
33785
3
ISSUU Version For perusal only
342
5
57
Muta in Flauto
3 4
Picc.
2 4
fff
ff
3 4
Cl.
2 4 pp
p
3 4
Bass. Sax.
2 4 pp
p
3 4
Hn.
2 4
p
pp
3 4
C Tpt.
2 4
p
pp
3 4
Tbn.
2 4
p
pp
5
5
5
5
5
3 4
Perc 1. (Crot)
3
3
3
2 4
3
3
3 4
Perc 2. (Glock)
3
2 4
ffff
5
5
5
5
5
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
Piano
Vln. p
f
Vla. p
f
Vc. p
f
Cb.
p
Litolff/Peters
33785
pp
ISSUU Version For perusal only
4 Calm q = 42 61
Fl.
2 4
343
ppp
3
Cl.
3
2 4
3
3
pppp
Hn.
2 4 sf ppp
sf ppp
5
Perc 1. (Vib)
5
2 4
3
7:4
5
pp
3
3
2 4
3
3
ppp
Kbd.1 (Hyper-vib"a")
2 4
calm
Mère
Vla.
2 4
5
5
Il dort. mp
Il ne con naît
plus la fa tigue
3
7:4
5
du tra vail
à ter mi ner.
Il ne por te plus
4 Calm q = 42 2 4 ppp
ppp
Litolff/Peters
33785
ISSUU Version For perusal only
344
67
Fl.
3
Cl. pppp
Hn. sf pp
sf
7
Perc 1. (Vib)
pp
5
6
3
5
6
3
dim.
3
Kbd.1
ppp
dim.
(Hyper-vib "a")
7
Mère la croix
de cette vie in
té
rieure
qui pros
crit
le re pos,
la dis
trac tion,
la fai bles
gliss.
Vla.
accel.
73
3
5 Very calm q = 42
3
Cl.
Hn. ppp
motor on 5
Perc 1. (Vib) poco piú f 3
Kbd.1 (Hyper-vib "a")
3
3
.ppp interrupting, anxiros
Martha Mère,
Mère,
tout se
ra
fi
ni,
bien
tôt.
f
mf
5
Mère se.
Litolff/Peters
Il
33785
dort
et
ne
78
ISSUU Version For perusal only
6
Perc 1. (Vib)
345
6
5
cresc. pp
as a shadow
3
Kbd.1 (Hyper-vib "a")
6
6
5
Mère pense
82
plus,
il
n'a plus
de
de
5
Perc 1. (Vib)
voirs
ni
tâches,
de
et
moi,
7
3
f
poco cresc.
mf
Kbd.1 (Hyper-vib "a")
5
7
3
Mère f vieille et
fa
ti
guée,
oh,
je
l'en
vie
de
dor mir main te
nant
et
de
de
voir
86
Perc 1. (Vib) f cresc.
Kbd.1 (Hyper-vib "a")
violent, fast f
Martha J'é
spoken
sprechg.
Mère mou rir
Litolff/Peters
bien tôt.
Tu ne dis rien, f
Mar tha?
33785
cou te.
J'at
tends
le bruit des eaux.
ISSUU Version For perusal only
346
Violent, free accel fino a
Xylophone
91
Perc 1. (Vib)
fff
5
Glockenspiel
5
5
Perc 2.
fff
Kbd.1 (Hyper-vib "a")
3
3
fff
Piano
fff
free 3
3
Martha f
inquisitive
3
Non,
sound
je
ne le sa vais pas.
Mais, le sa chant,
j'au rais a gi
breath
Mère Sa vais tu
qu'il vou lait
par tir ce soir?
Violent, free accel fino a Vln. p
Litolff/Peters
33785
de
ISSUU Version For perusal only q = 84
96
347
rall.
Cl. pppp
Perc 1. (Xyl.)
5
5
5
5
l.v.
5
Perc 2. (Glsp.)
l.v.
Kbd.1 (Hyper-vib "a")
l.v. 3
3
Piano 3
3
6
f accel.
6
mp
Martha même.
Je l'a vais dé ci dé...
Vous l'a
vez donc vu?
mp parlando
3
Mère Je
q = 84 Vln. ff
Litolff/Peters
33785
suis mon tée
rall.
i ci,
pour l'em pê cher
de
ISSUU Version For perusal only
348
6 q = 42
101
Picc.
5
5
5
5
5
5
mp poco a poco crescendo
3
Cl. f
sfp
3
senza sord.
Hn. sfp
Perc 1. (Xyl.)
5
5
5
5
5
Perc 2. (Glsp.) mp
5
poco a poco crescendo
6- Hyper-Bells fp
Kbd.1 (Hyper-vib "a")
3
3
Piano 3
f poco a poco
ff
5
3
il é tait trop tard!
Et
3
3
3
Martha Oui,
puis qu'il faut
vous le
dire,
internally agitated 5
Mère boire. Mais
il é tait trop tard.
TAPE 16 ("Heimlich") TAPE 16
6 q = 42
3 3
Vln. f
p
Vla.
Litolff/Peters
33785
p
5
5
ISSUU Version For perusal only
349
5
106
Picc.
mf
cresc. poco a poco
5
f
Cl. p
mf
p
mf
Hn.
3
Perc 1. (Xyl.) f
f 5
Perc 2. (Glsp.)
5
5
5
5
5 5
mf cresc. poco a poco
3
mf cresc. poco a poco
Kbd.1 (Hyper-bells)
3
3
Martha c'est
lui
qui m'y a
dé ci dée.
si tais. J'hé mf cresc. poco a poco
il m'a par lé
Mais
des
TAPE 16
loco 3
3
5
Vln. ffp
mf cresc. poco a poco
Vla. ppp
mf
sfp
mf
Vc.
Litolff/Peters
33785
ISSUU Version For perusal only
350 110
Picc.
sfp
sfp
sfp
ff
Cl. mf
f
mf
f
Hn.
Tbn. sfp
f
Perc 1. (Xyl.) ff
f cresc.
3
3
Perc 2. (Glsp.) f cresc.
3
Kbd.1 (Hyper-bells)
ff
3
5
5
5
5
5
5
Piano ff
5
f cresc.
3
gliss
Martha pa
ys que
j'at tends
et,
pour
a
voir
su
me
tou
cher,
il
TAPE 16
5
5
5
Vln. f cresc.
Vla. mf
f
mf
f
Vc.
Litolff/Peters
33785
5
.
ISSUU Version For perusal only
113
Picc.
ff
351
fp sub. ff
sfp
Cl. f
p
f
p
f
p
Hn.
Tbn.
3
3
3
Perc 1. (Xyl.) ff
Perc 2. (Glsp.)
ff
fp sub.
3
3
Kbd.1 (Hyper-bells)
ff cresc.
5
5
5
5
5
5
fp sub.
Piano
ff cresc.
5
3
Martha m'a
don
né
des
ar
mes
con ff
tre lui.
mf
TAPE 16
5
5
5
5
Vln. ff
fp sub.
Vla.
Vc. f
Litolff/Peters
p
33785
5
ISSUU Version For perusal only
352
13
13
13
13
116
Picc.
sfp
f
Cl.
Hn.
Tbn.
5
5
5
Perc 1. (Xyl.)
13
13
13
13
Perc 2. (Glsp.)
5
5
Kbd.1 5 5
(Hyper-bells)
Piano
3
Sprechg.
3
3
3
Martha C'est
ain
si
que
l'in
no
TAPE 16
Vln.
Vla.
Vc.
3
Cb. sfp
Litolff/Peters
33785
cen
ce
est
ré
com
ISSUU Version For perusal only
13
13
13
13
118
353
Picc. sf
mp
ff
cresc.
Cl. pcresc.
cresc.
Hn. pcresc. without sord.
3
C Tpt. cresc molto
Tbn. pcresc. 5
5
5
Perc 1. (Xyl.)
5
cresc molto 13
13 13
13
5
5
Perc 2. (Glsp.) cresc molto
5
5
cresc molto
Kbd.1 (Hyper-bells)
Piano
cresc molto 3
3
Martha pen
sée.
A ssez main
te
TAPE 16
Vln. cresc molto
Vla.
Vc.
Cb.
Litolff/Peters
33785
nant,
l'eau
coule
ISSUU Version For perusal only
354 13
13
13
13
120
Picc. sf
sf
sf
p
p
ff
Cl.
Hn. mf cresc. 3
C Tpt. 3
Tbn. mf cresc.
5
5
Perc 1. (Xyl.) 5
5
13
13
5
5
13
13
5
5
Perc 2. (Glsp.)
Kbd.1 (Hyper-bells)
Piano
3
3
Martha par
des
sus
le
ba
rra ge!
TAPE 16
Vln.
Vla.
Vc.
Cb.
Litolff/Peters
33785
fi
nis
sons
ISSUU Version For perusal only 13
122
Picc.
355
13
fff
Cl. ff
mf
ff
mf
Hn.
C Tpt. sfp
mf
ffff
Tbn. ff
mf 5
Perc 1. (Xyl.) fff
5 13
13
l.v.
Perc 2. (Glsp.)
5
l.v.
5
Kbd.1 (Hyper-bells)
fff
l.v.
Piano fff
Martha ff
en!
STOP TAPE TAPE 16
Vln. fff
f
ff
Vla. mf
Vc. ff
mf
ff
mf
Cb.
Litolff/Peters
33785
356
7 Slower 124
Perc 1. (Vib.)
Vibraphone 3
ISSUU Version For perusal only 3
pp
l.v. Perc 2. (Glsp.)
Hyper-vib "a"
l.v. Kbd.1 (Hyper-bells)
3
pp
l.v. Piano
3
3
Mère Il
me
sem
ble
que cette aube
n'a
mf poco dim
Litolff/Peters
33785
ri
ve
ra
Ja
mais
ISSUU Version For perusal only
357
XIII: Interlude 4 "Water"
1 h = 40 (q = 80)
11:12
Bass Clarinet in Bb
3 2
3 4 Il en pp
Bass Saxophone
a
ter mi
3
3 2 pp
né
a
loco
eaux
mon
3 4
3 2 ppp
tent
loco
sord. straight
Trombone
vec ppp
3
les
3 2
11
3 2
3 4
3 2
pp n'aime
Je
pas
cela
ce mon- de
Gong thai Percussion 1. (Gong Thai)
3
3 2
3 4
pp
Mar Percussion 2.
3 2
7:8
3 2
3
3 4 pp
(Mar.)
at ten
dons i
3 2
ci
11- Hyper -Db.
3 2
3
3 4 d'uns
som
plé
meil peu
d'i
ma ges
à
3
3 2
som meil sans rêves
un
Keyboard 1. (Hyper- Db.)
3
3 2
3
pp Les eaux de
3
J'at
la
tends
le
pizz.
3
bruit
3 4
3 2 pp
des eaux
3 2
3 4
3 2 Keyboard 2
Piano
1-Hyper vib "a"
13 5
5
3 2
3 4
3 2
pp ri vière
Il dort
Violoncello
1 h = 40 (q = 80) 3 2
se ront
plei
sul pont.
nes
c'est ain si que
pizz.
3
l'in no cence est re com pen
3
arco
3 4 pp
arco
Contrabass
pp
Litolff/Peters
for
cer
3 2
pizz.
3 4 la main
3
pp
ppp
9
5
3 2
sé
vie in té rièure qui pros
crit
33785
3 2
ISSUU Version For perusal only
358 loco
3
B. Cl.
11:12
11:12
3 2
3
3 4
3 2
7 3
Bass Sax.
3 2
Hn.
3 2
Tbn.
3 2
3
3 4
3 2
3 4
3 2
3
7
3 4
3 2 pp
Perc 1. (Gong Thai)
3 2
3 4
Mar. Perc 2. (Mar.)
Kbd 1. (Hyper- Db.)
3 2
7:8
3 2 pp
p
3
3 4
3 2
3 4
3 2
3 4
3 2
pp
13
3 2
3 2
3
3
Piano Kbd 2. (Hyper- vib "a")
3
3 2
3
5
5
3
3 4
3
3
3 2
pf
pizz.
7
Vc.
3 2
3 4
arco Cb.
3 2
Litolff/Peters
3
7
3 2 pizz. 7:8
3 4
3 2
33785
ISSUU Version For perusal only
359
5
B. Cl.
3 2 Il
il
dort pp
dort
il
dort
7:8
3
Bass Sax.
3 2 j'at p
Hn.
le
3 2 Il pp
Tbn.
tends
dort
3
3 2 j'at
tends
le
3
bruit
des eaux
3 2 3- Hyper-marimba "a" Kbd 1. 3
(Hyper-mar "a")
3 2 Il
dort
5
3 2
les
5
les
eaux
de
la
3
eaux
mon
tent
5
ri
vière
5
se
ront
plei
nes
Pno. 3
3 2 Il
Cb.
dort
les
eaux
mon
tent
Il
dort
3 2 les pp
Litolff/Peters
33785
360
6
Non flatt
5
ISSUU Version For perusal only 5
5
B. Cl. j'at p
tends
le
bruit
7:8
des
eaux pp
poco sf
7:8
7:8
Bass Sax. bruit des mf
eaux pp
pp
mf
mf
pp
5
5
Hn. j'at mf
tends
le
bruit
pp
9:8 Tbn. il
dort
Kbd 1. (Hyper-mar "a")
Il
dort
6
le
eaux
mon
tent
les
eaux mon tent
Pno. 5
9:8
5
les
eaux mon
tent
les
arco
eaux
mon tent
les
7:8
7:8
Vc. les eaux de la mf 6
6
Cb. eaux
Litolff/Peters
de
la
ri
vière
se ront plei nes
33785
mf
ri
vière
ISSUU Version For perusal only
7
5
B. Cl.
361
5
5
4 4
5
4 4
Hn. des
eaux
7
9:8
4 4
Tbn. mf
leseaux de la ri vière se ront plei nes
pp sempre
4 4 Kbd 1. (Hyper-mar "a") 5
les eaux
4 4
mon tent
4 4 13
les eaux montent
Pno. 9:8
eaux
3
mon
tent
il
les eaux
mon
tent
les
eaux mon
tent
4 4 dort
7:8
7:8
4 4
Vc. se ront
plei
nes
4 4
Cb. pp
Litolff/Peters
33785
ISSUU Version For perusal only
362
8
B. Cl.
2 q = q = 80 4 4 pp sempre
Bass Sax.
4 4 pp sempre
Hn.
4 4 pp sempre
Tbn.
4 4
4 4 pp sempre
Kbd 1. (Hyper-mar "a")
4 4 pp sempre
loco
4 4 Pno.
4 4 loco
2 q = q = 80 Vc.
4 4 pp sempre marc. pizz.
Cb.
4 4
Litolff/Peters
33785
ISSUU Version For perusal only
10
Bass Sax.
Tbn.
Kbd 1. (Hyper-mar "a")
Pno.
Vc.
arco
Cb.
13
B. Cl. pp poco cresc.
Bass Sax. pp poco cresc.
Tbn. pp poco cresc.
Kbd 1. (Hyper-mar "a")
mf
Pno.
pp poco cresc.
pp poco cresc.
Vc. pp poco cresc.
Cb. pp poco cresc.
Litolff/Peters
33785
363
ISSUU Version For perusal only
364
16
B. Cl.
3 4
Bass Sax.
3 4
Hn.
3 4 non leg.
3 4
Tbn. p
f
3 4 Kbd 1. (Hyper-mar "a")
3 4
loco
Pno.
3 4
Vc.
3 4
non leg.
3 4
Cb. quasi
Litolff/Peters
f
33785
f
p
ISSUU Version For perusal only
19
365
4 4
B. Cl.
flatt
Bass Sax.
4 4
Hn.
4 4
4 4 Kbd 1. (Hyper-mar "a")
4 4
4 4 Pno.
4 4
non leg.
non leg.
non leg.
4 4
Vc. p sub
pizz
4 4
Cb. mf
Litolff/Peters
33785
ISSUU Version For perusal only
366
3 Doppio tempo q = e = 80 (click track) 5 1 3 4 4 4
22
Fl.
4 4
4 4
1 4
4 4
1 4
p
B. Cl.
4 4
5 4 f
mf
Bass Sax.
4 4 f
4 4
Tpt.
1 4 f
f
mf
4 4
pp
3 4 f
5 4 sf
3 4 p
5 4 mf
Hn.
1 4
1 4 f
3 4
1 4
1 4 ff
4 4
1 4
4 4
1 4
pp
3 4 pp
Tbn.
f
4 4 pp
p
5 4
p
f
4 4
5 4
1 4
3 4
4 4
1 4
4 4
5 4
1 4
3 4
4 4
1 4
Kbd 1. (Hyper-mar "a")
p
f
4 4
5 4
1 4
pp
3 4
f
4 4
1 4 f
4 4
5 4
1 4 f
3 4
4 4
1 4
3 4
4 4
1 4
3 4
4 4
1 4
3 4
4 4
1 4
3 4
4 4
1 4
3 4
4 4
1 4
p
pp
Pno.
4 4
5 4
1 4
f
mf
TAPE 17 "Verwandlung Doppelgänger" TAPE 17
4 4
5 4
1 4
3 Doppio tempo q = e = 80 (click track)
Vln.
4 4
5 4
1 4
pp
Vc.
4 4
5 4
1 4 f
mf
p
arco
Cb.
4 4
5 4 mf
Litolff/Peters
sf
p
1 4 f
p
33785
f
ISSUU Version For perusal only
27
Fl.
1 4
5 4 p
B. Cl.
1 4
5 4
1 4
pp
f
1 4
pp
p
1 4
6 4
4 4 p
6 4
4 4
6 4
4 4
6 4
4 4
p
pp
f
4 4
pp
3 4
5 4
6 4 p
3 4
5 4
4 4 p
3 4
5 4
1 4
6 4 pp
f
4 4 f
3 4
ppp
Kbd 1. (Hyper-mar "a")
6 4 pp
5 4
4 4 p
3 4
5 4
1 4
4 4
6 4 p
pp
Tbn.
6 4
3 4
5 4
1 4
4 4
p
pp
f
Tpt.
3 4
5 4
1 4
e=h
p
f
f
Hn.
6 4
pp
pp
pp
Bass Sax.
3 4
367
3 4 ppp
p
Pno.
1 4
5 4 ff
3 4 pp
pp
p
TAPE 17
1 4
5 4
3 4
6 4
Vln.
1 4
5 4
3 4
6 4
4 4
e=h ff
Vc.
1 4
5 4 p
Cb.
1 4
Litolff/Peters
p
3 4
6 4 pp
pp
5 4 p
pp
pp
4 4 p
3 4 pp
4 4
6 4 p
33785
4 4
ISSUU Version For perusal only
368
4 q=h h = 80 (q = 160) 31
Fl.
4 4
3 4
4 4
3 4 p
pp
Bass Sax.
4 4
5 4
3 4
4 4
3 4
pp
f sub.
5 4 p
Vib Perc 1. (Vib)
4 4
3 4
4 4
3 4
pp
5 4 p
f sub.
pp staccatisimo senza cosa
Kbd 1. (Hyper-mar "a")
4 4
3 4 p
TAPE 17
4 4
4 4
3 4
p
f sub.
5 4 p
3 4
4 4
3 4
5 4
3 4
4 4
3 4
5 4
4 q=h h = 80 (q = 160) Vln.
4 4 pp
Vla.
4 4
3 4
4 4
3 4 f sub.
pp
Vc.
4 4
3 4
4 4
4 4
3 4 f sub.
3 4
4 4
5 4 p
3 4
pp
Litolff/Peters
5 4 p
pp
Cb.
p
f sub.
f sub.
33785
5 4 p
ISSUU Version For perusal only q = 132
35
Fl.
5 4
4 4 f
B. Cl.
pp staccatisimo senza cresc.
5 4
4 4 pp staccatisimo senza cresc.
Bass Sax.
5 4
4 4 f
Perc 1. (Vib)
5 4
4 4 f
Kbd 1. (Hyper-mar "a")
5 4
4 4 f
Pno.
5 4
pp staccatisimo senza cresc.
4 4 pp staccatisimo senza cresc.
TAPE 17
5 4
4 4 q = 132
Vln.
5 4
4 4 f
Vla.
5 4
pp staccatisimo senza cresc.
4 4 f
Vc.
5 4
4 4 f
Cb.
pp staccatisimo senza cresc.
5 4
4 4 f
Litolff/Peters
33785
369
ISSUU Version For perusal only
370
38
Fl.
5 4
B. Cl.
5 4
5 4
Perc 1. (Vib)
Pno.
5 4
TAPE 17
5 4
Vc.
5 4 loco
5 4
Cb.
q = 120
41
Fl.
5 4
4 4
3 4 p cresc.
B. Cl.
5 4
4 4
3 4 p cresc.
Perc 1. (Vib)
5 4
4 4
3 4 p cresc.
Pno.
5 4
4 4
3 4
TAPE 17
5 4
4 4
3 4 q = 120
Vla.
5 4
4 4
3 4 p cresc.
Vc.
5 4
4 4
3 4 p cresc.
Litolff/Peters
33785
ISSUU Version For perusal only q = 132
44
Fl.
371
3 4
4 4 mf
5 4
4 4
p cresc.
f
Muta in Cl in Bb Cl. in Bb
3 4
4 4
5 4
4 4
4 4
5 4
4 4
Vib. Perc 1. (Vib.)
3 4 mf
p cresc.
f
Mar. Perc 2. (Mar.)
TAPE 17
3 4
4 4
4 4
p cresc.
mf
3 4
5 4 f
4 4
5 4
4 4
5 4
4 4
q = 132 Vln.
3 4
4 4 p cresc.
mf
Vc.
3 4
f
4 4
5 4
4 4
p cresc.
mf
f
loco
Cb.
3 4
4 4 mf
Litolff/Peters
5 4 p cresc.
4 4 f
33785
ISSUU Version For perusal only
372
q = 112
q = 132
47
Fl.
Muta in Picc.
4 4 p cresc.
Cl. in Bb
Perc 1. (Vib.)
4 4
4 4 p
Perc 2. (Mar.)
TAPE 17
4 4
p
4 4 q = 112
Vln.
Vla.
Cb.
cresc.
q = 132
4 4
p
cresc.
4 4
4 4
Litolff/Peters
p
cresc.
p
cresc.
33785
ISSUU Version For perusal only Piccolo 50
Picc. p cresc.
Cl. in Bb
Perc 1. (Vib.)
Perc 2. (Mar.)
TAPE 17
Vln.
Vla.
Vc.
Litolff/Peters
33785
373
ISSUU Version For perusal only
374
53
Picc.
6 4
4 4
Cl. in Bb
6 4
4 4 mf
Perc 1.
6 4
4 4
(Vib.)
Glsp Perc 2.
6 4
4 4 mf
(Mar.)
6 4
4 4 mf
Pno.
6 4
4 4 ff
TAPE 17
6 4
4 4
Vln.
6 4
4 4 mf
Vla.
Litolff/Peters
6 4
4 4
33785
ISSUU Version For perusal only
Sparkling q = 112 55
375
4 4
Picc.
mf cresc. molto
cresc.
p
3
3
4 4
Cl. in Bb
mf
cresc.
4 4
Perc 2. (Glsp.)
cresc. molto
3
3
3 3
4 4 mf cresc. molto
Pno.
4 4
4 4
TAPE 17
Sparkling q = 112
4 4
Vln.
mf cresc. molto cresc.
57
Picc. f
9
p
f
ff
Cl. in Bb
Perc 2. (Glsp)
3
3 3
3
3
3
3
Pno. 3
mf cresc.
f
TAPE 17
Vln. sf
Litolff/Peters
33785
p
f
ISSUU Version For perusal only
376
7
5
59
Picc. p
ff
ff
Cl. in Bb
Perc 1. (Vib)
Perc 2. (Glsp)
f cresc.
sempre pp
f cresc.
3 3
3 3
3
f
Pno.
TAPE 17
5 Vln. sempre pp
Litolff/Peters
f cresc.
33785
3
3
ISSUU Version For perusal only
377
5
61
Picc. p
f
Cl. in Bb f
cresc.
Perc 1. (Vib) f
f l.v. ( )
Perc 2. (Glsp)
f
3
3
3
3
3
mf
Pno.
TAPE 17
Vln.
Litolff/Peters
3 3
33785
ISSUU Version For perusal only
378
9
63
6 4
Picc. ff p
ff
ff
6 4
Cl. in Bb ff
6 4
Perc 1. (Vib)
( )
Perc 2.
6 4
( )
(Glsp)
3
3
6 4
Pno. 6
ff
6
6
6
p
6 4
TAPE 17
loco
6 4
Vln. ff
Litolff/Peters
ff
33785
ISSUU Version For perusal only
379
q = 50-52 3
65
Picc.
6 4
3 4 sfp
Cl. in Bb
Perc 1. (Vib.)
Perc 2. (Glsp)
ff
6 4
ff
p
ff 3
p
ff 3
p sub.
3 4
6 4
3 4 ff
6 4
3 4 ff 3
3
3
Pno.
6 4
3 4 ff 3
ff
TAPE 17
6 4
3 4 q = 50-52
Vln.
6 4
3 4 ff 3
Litolff/Peters
33785
p sub.
380
ISSUU Version For perusal only XIV: Scene 9 Mère-Martha
q. = 44-48
1
Mère and Martha are ecstatic like dolls in a Marionettentheater Flute
flatt.
9 8
pp 5:6
mf
2
Cl
9 8 pp
pp
p
pp
p
sord. (wa wa)
Trumpet in C
9 8 mp
Vibraphone (motor on) Per1 (Vib.)
9 8 ppp
simile
1- Hyper-vibraphone "a" f
9 8
3
mf
Keyboard 1 (Hyper-vib. "a")
9 8
2
2
9 8 ppp
Piano
p
pppp
p simile
pp
5:6
9 8 p
ppp
without expression both as estatic mf 3
Martha
3
3
3
9 8 Vous vo yez bien que cet te aube
est a rri vée. 2
Mére
Ce ma tin
mf
2
2
9 8 Oui,
1
c'est une bonne chose
d'en
a voir fi ni.
Main
te nant,
je
ne sens
p
mp
q. = 44-48 sul tasto flaut.
Violin
9 8 pppp
sord.
Viola
3
9 8 pp
Litolff/Peters
33785
ISSUU Version For perusal only
381
5
Fl. pp
mf
2
Cl pp sim con sord.
Hn. pp sord (wa wa)
Trp. p
Per1 (Vib.)
Kbd. 1. (Hyper-vib. "a")
2
2
p
Pno.
pp
mf
3
Martha de puis des an nées,
est,
le
où je res pi re.
pre mier
Il
me sem ble
que
j'en tends dé jà la mer.
c'est une
bon
ne chose
mf
4:6
Mère que ma fa ti
gue.
Oui,
2
Vln. I pppp 4:6
Vla. p vib. espressivo
Vc. mf
Litolff/Peters
33785
ISSUU Version For perusal only
382
4:6
9
Fl. f
2
Cl
senza sord.
Hn. pp
sord (wa wa.)
Trp. pp
Per1 (Vib.)
3
3
Kbd. 1. (Hyper-vib. "a")
2
2 4:6
p
mfpp
p
ppp
p
ppp
p
Pno.
p 3
3
3
Martha Il y a en moi
une joie
qui va me faire
crier.
mp
Mère c'est
une
bonne
chose
vib. espressivo
Vln. I pp
vib. espressivo Vla. mf
Vc.
Litolff/Peters
33785
Je re de viens
la jeune fille que j'é tais.
De nou veau,
ISSUU Version For perusal only
383
espress.
13
Fl. f quasi
p
2
Cl
sord. wa-wa - Stem in flatt
Trp. ppp
Per1 (Vib.)
3
f
Kbd. 1. (Hyper-vib. "a")
2
2
pp
p mf
mp
pp
Je re de viens la jeune fi lle qui j'é tais.
De nou veau, mon
mf
Pno.
3
Martha mon corpsbrû le,
J'ai en
vie
de cou rir.
corps brûle,
J'ai en vie de cou rir.
ord. espressivo
Vln. I mp
Vc. pp
Litolff/Peters
33785
ppp
ISSUU Version For perusal only
384
4:6
17
Fl. mf
p
2
Cl
Trp.
Per1 (Vib.)
5
ossia
2
Kbd. 1. (Hyper-vib. "a")
2
2
4:6
pp
ppp
p
Pno.
ossia 2
2
2
2
2
5:6
5:6
Martha Ce
ma
tin
de
puis
des
an nées,
le pre mier
où
je
res
pi.re.
Il
me sem
Vln. I ppp
Litolff/Peters
33785
ppppp
ble
ISSUU Version For perusal only
21
385
Fl.
2
Cl
Hn. sfp
Trp. pp
mf
Per1 (Vib.)
4
Kbd. 1. (Hyper-vib. "a")
2 5 2
Pno.
4:6
Martha que j'en tends dé
jà
la
mer.
oh!
di
Mère
tes moi
Mère Qui
a
t-il
Mar tha?
Vln. I pppp
ppp
pppp
mf
pp
Vla.
vib.
Vc.
Litolff/Peters
33785
ISSUU Version For perusal only
386
Quasi senza tempo
2
24
Fl.
5
5
Cl pp with an almost broken sound
5
5
5
2
Hn.
sord (wawa)
stem out
Trp. 2
mp
Per1 (Vib.)
2
2
2
mf
Pno.
romantic, looking herself as a mirror 5
4
2
5
4
2
2
Martha Suis je_en core bel le?
suis je
quasi senza tempo
bel
le
suis
Sprechg.
je
3
be
f
2
2
2
Mère Tu l'es, ce ma tin.
Le
crime
est beau.
Le
Quasi senza tempo 2
Vln. I pppp almost imperceptible
Litolff/Peters
33785
crime
ISSUU Version For perusal only
387
A tempo
30
Fl. f
ff
2
5
2
Cl p
mf
Trp. f
Per1 (Vib.)
p
pp
3
3
f
Kbd. 1. (Hyper-vib. "a")
f
Pno.
2
f
3
3
Martha lle
Qu'im por
te
mainte nant
le crime.
Je vais
pour la se conde fois
Je
Le
crime
2
2
Mère c'est
beau.
A tempo Vln. I ppppp
2
Vla. mf
Litolff/Peters
2 f
33785
vais
ISSUU Version For perusal only
388
33
2-5" scenic decision
Fl. f
ppp
2-5" scenic decision
2
Cl
2-5" scenic decision
Hn. fp? 2-5" scenic decision
Trp. f
p
2-5" scenic decision
Per1 (Vib.)
2-5" scenic decision 3
ff
3
Kbd. 1.
2-5" scenic decision
(Hyper-vib. "a")
2
2
f
2-5" scenic decision
p
pp
mf
Pno.
2-5" scenic decision
TAPE 18 ("Vieux 8") 2-5" scenic decision 3
3
3
3
Martha re join dre
la ter re
où
je se rai heu
ren reu
2-5" scenic decision
slow vib.
Mère est
Litolff/Peters
se
beau.
33785
ISSUU Version ForXV:perusal only Scene 10 Mère-Martha
389
1 Dark h = 60 G.C
2 2
Percussion 1 (Gran Cassa)
Gong Thai 11
11
11
11
11
p
Gong Thai
Gran Cassa
3
3
2 2
Percussion 2.
11
3
mp
(Gong Thai)
1- Hyper- vib. "a"
2 2 mf Keyboard 2. (Hyper-vib "a")
2 2
TAPE 18 ("Vieux 8")
1 2 2
4
3
2 Fexible q = 120 3 4
3
Percussion 1 (G.T) 11
11
11
11
3 4
Percussion 2. (G.C)
1- Hyper vib. "a"
3 4 p
sf (f) pp
Keyboard 1. (Hyper-vib "a")
3 4
3 4 p legatissimo
Keyboard 2. (Hyper-vib "a")
3 4 pp susurrato, intenso
3 4
Martha
p intense Sprechgesang
Son
3
3 4
Mère
Qu'est–ce
STOP TAPE TAPE 18 ("Vieux 8")
2 Fexible q = 120 3 4 pizz.
3 4
Cb.
p
Litolff/Peters
33785
que
c'est?
passe port.
Li
ISSUU Version For perusal only
390
7
pp
p
p
Keyboard 1.
mf
pp
(Hyper vib "a")
Keyboard 2. (Hyper vib "a")
Martha sez!
Son passe port, 3
3
li
sez!
Li
spoken acting
3
3
3
3
cela tournerait
Mère Je
sa
vais bien
qu'un
p
mp
jour
de
cette
fa
çon
et
Cb.
10
Keyboard 1.
p
quasi f
p
mf
(Hyper-vib. "a")
6
Keyboard 2. (Hyper-vib. "a")
Martha sez!
Son
passe
Mè
port.
3
3
Mè
re
spoken
3
3
3
re
Mère qu'a
lors
il
fau
drait
fi
nir
Lai
Cb.
Litolff/Peters
33785
se,
Mar
tha.
ISSUU Version For perusal only
391
Meno mosso q = 112 13
Flute
Muta in Picc.
ppp
3
3
3
f
3
senza pedal
3
f
Keyboard 1. (Hyper- vib. "a")
3
3
3
3
p
3
Keyboard 2. (Hyper- vib. "a")
f
3
Martha Mère
son
Mè
passe port 3
3
re
Li
Mè
sez!
spoken
3
Mère vé
J'ai
cu
plus
long temps
que mon fils.
Je
ne
l'ai
pas
re con nu
Cb.
3 Poco meno mosso 16
Keyboard 1. (Hyper- vib. "a")
dim.
ff
Keyboard 2. (Hyper- vib. "a")
gliss .
Martha re 3
3
3
Mère et
je
l'ai
tu
é.
3 Poco meno mosso Viola mp
f
Cb.
Litolff/Peters
33785
Je
veux
le
re join
dre
au fond
ISSUU Version For perusal only
392 19
Keyboard 1. (Hyper vib "a")
4 4 4 4
Keyboard 2. (Hyper vib "a")
Piano
4 4 quasi parlato
3
4 4
Mère de
cette
ri
viè
où
re
cou vrent dé
les her bes
jà
son
vi
sa
ge.
4 4
Viola f
p
4 4
Cb.
22
Picc.
4 q = 120-132 4 4 ppp half air
Bass Clarinet
4 4 pp
Horn in F
4 4 fp
ppp
fp
ppp
sord. wa-wa Trombone
4 4 pp
3- Hyper-mar "a"
4 4 ppp Keyboard 1. (Hyper- mar. "a")
staccatíssimo
4 4
Piano
Piano
4 4 ppp
(speedy)
pp Martha
Mè
Mère
gliss.
4 4 re!
vous n'a llez
pas me
lai sser
seu
le?
4 4 Quand
Cb.
Litolff/Peters
4 q = 120-132 4 4
pizz.
33785
une
ISSUU Version For perusal only
24
Picc.
ppp
393
p
Bass Clarinet pp
Horn in F fp
ppp sord. wa-wa
Trumpet in C pp
sord. wa-wa Trombone pp
pp
Keyboard 1. (Hyper- mar. "a")
Piano
5
gliss
Martha Vous n'a llez
pas
me lai sser seu
le?
Non,
3
3
Mère mère
n'est
plus
ca
pa
ble
de
arco s. pont Cb. p
Litolff/Peters
33785
re
con
.
ISSUU Version For perusal only
394 26
Bass Clarinet
ppp
pp
Bass Saxophone pp
Horn in F fp
ppp
Trumpet in C p
ppp
Trombone
Keyboard 1. (Hyper- mar. "a")
Piano
spoken
gliss.
3
3
le bon heur
de
3
ord.
Martha si
sa
fil
le
est
3
à
en core
cons
3
Mère naî
tre
son
fils,
son
rôle
sord. Vln. pppp
Cb.
Litolff/Peters
33785
sur
la
terre
est
fi
ni.
ISSUU Version For perusal only
28
Picc.
pp
395
mf
Bass Clarinet pp
pp
Bass Saxophone pp
pp
pp
Horn in F fp
f
Trombone
4- Hyper-mar "b"
Keyboard 1. (Hyper- mar "a")
Piano
spoken, high register 3
ord.
Martha truire.
N'a
vez vous pas
a
à
pris
ne rien res pec ter
Mère Oui
Sur
mais j'a vais tort.
sord. Vln. pp
flaut Vlc. pp
Cb. pp
Litolff/Peters
33785
cette
ISSUU Version For perusal only
396 30
Picc.
pp
mp
Bass Clarinet p
Bass Saxophone pp
Horn in F ppp
fp
Trombone p
2- Hyper-vib "b"
Keyboard 1. (Hyper-mar "b")
Piano
3
Martha Vous
3
3
Mère ter
re
où
rien
n'est
as
ré,
su
nous
a
vons
nos
flaut.
Vln. mp
Vlc. pp
Cb. p
Litolff/Peters
mp
33785
pp
cer
ti
ISSUU Version For perusal only
32
Picc.
f
397
p
Bass Clarinet f
pp
p
Bass Saxophone pp
Trumpet in C f
Trombone
Keyboard 1. (Hyper- vib "b")
Piano
3
3
spoken
ord. 3
Martha te nez un lan gage
que je mé
pri
se.
Vous
ne di siez pas ce la. Et
pen
dant tou tes ces
an nées,
vous
spoken Mère tu
des.
vib.
vib.
Vln.
Vlc.
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
398
5 35
Picc.
sfp
Bass Clarinet quasi f
pp
Bass Saxophone pp Trumpet in C sord. Harmon
Trombone f
Keyboard 1. (Hyper- vib "a")
Piano
3
3
Sprechg.
3
gliss.
3
Martha a
vez
con
ti
nué
près
de
moi
à
pren
dre
d'une
main
fer me
les
3
Mère J'ai
con
ti
nué
c'est
vrai.
Mais
il
5 Vln.
Cb. p
Litolff/Peters
quasi f
pp
33785
ISSUU Version For perusal only
37
399
Picc. pp
Bass Clarinet pp
Bass Saxophone pp frull. Trombone pp
Keyboard 1. (Hyper- vib "b")
Piano
ord.
ironically
5
Martha jam
bes
3
de
ceux qui de
vaient
mou
rir
3
3
3
Mère suf
fi
sait
de
la
dou leur
pour
tout
trans for mer.
C'est
vib. Vln. sfp
vib. Cb. sfp
Litolff/Peters
33785
ce
la
ISSUU Version For perusal only
400
Senza tempo 39
Picc.
Bass Clarinet
Bass Saxophone
Trombone l.v.
Keyboard 1. (Hyper- vib "b")
Piano
Spechgesang
5
Mère que
mon
fils
est
ve
nu
chan
ger.
Je
sais
Mar
tha
ce
la
Vln.
Cb.
Senza tempo, free 41
4 4
Picc.
Muta in Bb Clar Bass Clarinet
4 4
Bass Saxophone
4 4
Trombone
4 4 7
4 4
Mère ce
n'est
pas
rai
so
na
ble. Que
sig
ni
fie
la
dou
leur
pour
une
cri
mi
ne
lle
Vln.
4 4
Cb.
4 4
Litolff/Peters
33785
43
6 4 4
1- Hyper-vib "a"
ISSUU Version For perusal only
401
p
Keyboard 1. (Hyper- vib "a")
4 4
4 4
Piano
p
p
gliss.
4 4
Martha
mè
Non,
re,
vous
ne
me
ord.
Sprechgesang
Lui
é
quit
te
rez
pas.
Je
45
Keyboard 1. (Hyper vib "a")
Piano
Sprechgesang 3
3
ord.
Sprechgesang
3
Martha suis
ce
lle
qui
est
res
tée.
tait
par
ti. Cela doit
en
trer
dans
le comp te.
2-5 "
47
3 4
Horn in F sfp
2-5 "
l.v.
3 4 2-5 "
Keyboard 1. (Hyper vib "a")
3 4 2-5 "
3 4
Piano
f subito
2-5 "
Sprechesang
3 4
Martha Et
c'est
vers
moi
que vous
de
vez re ve nir
f
veloce 3
spoken 2-5 "
3 4
Mère Il
Litolff/Peters
est
vrai,
mais
33785
lui,
je l'ai tu é!
ISSUU Version For perusal only
402
7 Recitative q=72-80 Clarinet in Bb
50
Bass Clarinet
3 4
Horn in F
3 4 mf
Gong Thai
l.v
Gran Cassa
l.v
3 4 Percussion 2.
to perc.
3 4
accel. >
Keyboard 1. (Hyper- vib "a")
a Tº 10
3 4 p
f
Keyboard. 2 1- Hyper-vib. "a"
a tempo
accel.
3
3 4 f
p
Keyboard 2. (Hyper- vib "a")
5
non accel.
3 4 3
f recitativo Martha
Tout
3
3
3 4 ce
que la vie
peut
Recitative q=66-72-80
7
Vln.
3 4
sord. di piombo (iron mute) Viola
3 4 pp
Litolff/Peters
33785
ISSUU Version For perusal only
403
53
Flute ppp 3
Muta in Bass Cl.
Clarinet in Bb mf p 3 6 3
Percussion 1 (Vib)
3:2 3
pp
Percussion 2
(G.T/G.C)
3
pp
5
6
6:4
f
6
Keyboard 1. (Hyper- vib "a")
3
3
pp
5
3:2
3
6
5
f
Keyboard 2. 5
(Hyper- vib "a")
spoken
ord.
3
3
libero
un hom me
lui a_é
5
a Tº
Martha don ner
à
te
Viola
Litolff/Peters
33785
don
né
ord.
5
7:4
ISSUU Version For perusal only
404
Piccolo
56
Flute ppp
3
Horn in F p sord. Trumpet in C pp
f
Gong Thai
Percussion 2
(G.T/G.C)
Gran Cassa
6
f
Keyboard 1. (Hyper- vib "a")
6
p
p
f
5
p Keyboard 2. (Hyper- vib "a")
f
7
f
spoken gliss. 3
f
3
5
Martha la
mer,
des ê tres li bres.
Moi,
sord. di piombo (iron mute)
Vln. p
Viola p
Litolff/Peters
33785
je suis res tée ici
pe tite
ISSUU Version For perusal only
405
59
Picc.
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
sf pp 3
6
Bass Clarinet sf pp
ff 5
Bass Saxophone sf
ff
Horn in F p
f
cresc.
Gong Thai Percussion 1 (G.T)
f dim.
mf
Percussion 2 (G.T,/G.C.)
Gran Cassa
7
3
3
sf pp
ff
Keyboard 1. (Hyper- vib "a")
5
5 8
6
3 4
5
3
5 8 sf pp
3 4
ff
Keyboard 2. 5
(Hyper- vib "a")
5
5 8
3 4
sf
3
espr.
quasi spoken 3
3
Martha et som bre,
dans
l'en
nui,
en
5
5 8 fon
cée
3 4 au coeur du con ti nent.
Vln.
5 8
3 4
Viola
5 8
3 4
Litolff/Peters
33785
ISSUU Version For perusal only
406
62
Bass Clarinet
3 4
2 4 sf
Horn in F
sfpp
pp
p
3 4
2 4 sord. wa-wa
Trombone
3 4
2 4 pp
Percussion 1 (Gong)
Vib.
3
3 4
2 4
3
3 4
2 4 5
6
3 4
2 4
3 4
2 4
Keyboard 1. (Hyper- vib "a")
5
3 4
2 4
Keyboard 2. (Hyper- vib "a")
3
3 4
3
2 4
3
Martha
3 4
2 4 Per sonne
Vln.
Litolff/Peters
n'a em bras sé
ma bouche,
vib.
s.v.
gliss.
per sonne
3 4
n'a
vu
2 4
33785
Slower, free
ISSUU Version For perusal only Senza tempo
x3
64
Picc.
2 4
3 4
5
f
p subito
5
Bass Clarinet
x3
2 4
3 4 f
Bass Saxophone
407
p subito
x3
5
2 4
3 4
f
p subito
senza sord. Trumpet in C
colla parte
2 4
3 4 pp
x3 Percussion 1 (Vib.)
colla parte
2 4
3 4 sf
x3
2 4
( )
3 4
2 4
( )
3 4
2 4
( )
3 4
2 4
( )
3 4
Keyboard 1.
x3
Keyboard 2.
dreamy Martha
5
3 4 mon corps sans
sord. Vlc.
x3
2 4 vête
ments
mon
corps,
mon
corps,
mon corps,
mon
corps.
x3
2 4
3 4 pppp sord.
Cb.
x3
2 4
3 4 pppp
Litolff/Peters
33785
ISSUU Version For perusal only
408
A tempo q = 72-80 66
Picc.
Muta in Fl.
7
3
3 4
ff 3
Bass Clarinet
3 4
Bass Saxophone
3 4
7
3
ff colla parte
7
Trumpet in C
7
3 4 f
ff 7
Trombone
3 4 ff
Percussion 1 (Gong)
3 4
Percussion 2. (G.T)
3 4
3
3
3
7
3 4 ff
Keyboard 1. (Hyper- vib "a")
5
ff 7
3 4 ff
7 3
3 4 ff Keyboard 2. (Hyper- vib "a")
ff 7
3
3 4
3
fp
ff
7
Martha
Mère,
Vln.
3 4
Vlc.
3 4
Cb.
3 4
Litolff/Peters
3
7
3 4 je vous jure,
ce la doit se pa
yer!
33785
Et sous
le
vain
pré tex te qu'un homme est
ISSUU Version For perusal only Free
409
A tempo
68
Trumpet in C p
pp
5
loco Percussion 1 (Vib)
Percussion 2. (G.T)
loco
3
5
3
Keyboard 1. (Hyper- vib "a")
5
3
Keyboard 2. (Hyper- vib "a")
3
3
dolcissimo più libero pp 3
5
3
Martha mort,
vous ne pou vez
vous dé ro ber
au mo ment
où
Viola pp
Litolff/Peters
33785
j'al
lais
re ce voir
ce qui m'est dû
f
ISSUU Version For perusal only
410 71
Flute f
2 4
f p subito
Bass Clarinet
2 4
Trombone
2 4 f
2 4
Percussion 1 (Vib.) ff
loco
2 4
Keyboard 1. (Hyper- vib "a") f
2 4 Keyboard 2. (Hyper- vib "a")
2 4
p murmurando
2 4
Martha m'est
dû.
Ce
qui
m'est
dû.
Ce
qui
susurrato
2 4
Mère Trop
tard .
Je
ne
peux
plus
rien
pour
toi
est-ce que
tu pleures
Mar
tha?
2 4
Vln. f
f
Viola
2 4
Vlc.
2 4 f
2 4
Cb. f
Litolff/Peters
p subito
33785
73
parlando
ISSUU Version For perusal only vib. lento
2 4
Flute
gliss. f
Percussion 1
2 4
Keyboard 1. (Hyper- vib "a")
2 4
411
f
2 4 Piano
2 4 parlando Martha
vib. lento
2 4
gliss. m'est
du.
5
5
Mère
2 4 Non
Viola
tu
ne
sau
rais
pas.
2 4 ppp
Cb.
2 4 pp
Litolff/Peters
33785
p
ISSUU Version For perusal only
412
XVI: e-Monologue "Martha"
1 Senza tempo q = 60 ca. p espr. Piano
Martha sings, changing the colour of the "d", changing vowels.
pp
ppp
Martha (o)
(e)
(a)
(ae)
(ü)
(e)
(e)
TAPE 19 ("E-monologue Martha") Non! Je n'avais pas à veiller sur mon frère,
TAPE 19
et pourtant me voilà exilée
ma mère, elle-même,
dans mon propre pays;
5
Pno.
pp
sf p
pp
(a)
(i
Martha (e)
u)
(e)
(ae)
Le voilà qui a obtenu maintenant ce qu'il voulait.
m'a rejetée.
Je le hais,
je le hais...
TAPE 19
9
Pno.
dim. al niente
vib. molto Martha (u)
(a)
(o)
(e)
(i)
(ü)
(e)
pour avoir obtenu ce qu'il voulait!
(a)
Qu'elle meure donc, puisque
(e)
je ne suis pas aimée!
TAPE 19
Litolff/Peters
33785
ISSUU Version For perusal only XVII: Interlude 5 "Martha"
413
1 Suspended* q = 40 - 48 (click track) Bass Clarinet pp
Bass Saxophone mp
ppp
sfz
Vibraphone *2
Percussion 1
p
mf
pp
pp 1/2 Pedal ad lib.
Marimba *2
mp
ppp
mp
ppp
mp
ppp
Percussion 2
mf p
p
mf p
mf
p
mf
mf
p
p
fp
f
9- Hyper-clarinet Keyboard mp
f
mf
TAPE 20 "Doppelgänger 3"
ff
(click track)
TAPE 20
pizz. Violoncello ff
f
p
pp cresc.
ff
mf
arco Double Bass mf f mp *1 Each voice plays very clearly its own pattern with individual dynamics and articulations. *2 Accentuated notes with medium mallets, nonaccentuated notes with soft mallets.
Litolff/Peters
33785
p
pp
ISSUU Version For perusal only
414 4
Bass Cl.
mf
Bass Sax.
p
Perc. 1 (Vib.)
pp
mf
f
p
p
pp
p
p
mf
mf
mf
p
f
f
Perc. 2 (Mba.)
mf
p
pp
p
pp
pp
Kbd. 1 (Hyper-clarinet) pp
p
mp
TAPE 20
Vc. pp
dim.
mf
Cb. mf
Litolff/Peters
mp
pp
33785
pp
ISSUU Version For perusal only
7
Bass Cl.
415
pp
Bass Sax. f
mf pp
Perc. 1 (Vib.)
mf
p
f
( ) pp
f
mf
p
pp
p
( ) pp
p
f
pp
Perc. 2 (Mba.)
mf
Kbd. 1 (Hyper-clarinet)
mf
p
p
p
pp
mf f
pp
f
TAPE 20
Vc. pp
Cb. ff pp
Litolff/Peters
mf
p
33785
pp
ISSUU Version For perusal only
416 10
2
Bass Sax.
f
. Tbn. pp
f
Perc. 1 (Vib.) ( )
pp
sf
p
Perc. 2 (Mba.)
Kbd. 1 (Hyper-clarinet)
Pno wild, unexpected
staccatissimo metallico
7
6
(
)
6
(
ff
)(
) fff
TAPE 20 pp
fff
Vc.
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
11
Bass Sax.
417
ff
. Tbn. f
sf pp
mp Perc. 1 (Vib.)
pp
sf pp
Perc. 2 (Mba.)
pp
Kbd. 1 (Hyper-clarinet)
Pno 3
3
ff
6
3
loco
3
fff
secco
TAPE 20 pp
ff
Vc.
Cb. ff p
Litolff/Peters
33785
ISSUU Version For perusal only
418 12
Bass Sax.
. Tbn.
pp
p
f
Perc. 1 (Vib.)
piú f p
sf
Perc. 2 (Mba.)
p
pp ff
pp
pp
Kbd. 1 (Hyper-clarinet) ff
Pno martellato 6
6
3
5:4
5:4
l.v. ( )
loco
f
fff
TAPE 20 fff
Vc.
Cb.
Litolff/Peters
33785
( )
13
3
ISSUU Version For perusal only
419
Playing the individual dynamics within the general cresc.
Bass Cl. p cresc.
sf
pp
Playing the individual dynamics within the general cresc. Bass Sax. p cresc.
p
quasi f
Playing the individual dynamics within the general cresc. Hn. p cresc.
Playing the individual dynamics within the general cresc. (open) Tpt. p
Playing the individual dynamics within the general cresc. . Tbn. p cresc.
12- E-Bass Playing the individual dynamics within the general cresc.
p cresc.
Kbd. 1 (E- Bass)
pp
Playing the individual dynamics within the general cresc.
p cresc.
ff
ff
ff
Playing the individual dynamics within the general cresc.
sf
p
pp
Pno
TAPE 20
Playing the individual dynamics within the general cresc. pizz. Vla. p
mp
f
p
Playing the individual dynamics within the general cresc. arco Vc. p
sf
Playing the individual dynamics within the general cresc. Cb. p
Litolff/Peters
33785
p
cresc.
420 16
ISSUU Version For perusal only vib.
Bass Cl. ( f ) cresc.
( ff) cresc.
sf
pp
Bass Sax. ( ff ) cresc.
( f ) cresc.
Hn. ( ff) cresc.
Tpt. ( ff) cresc.
( f ) cresc.
. Tbn. ( f ) cresc. ( ff) cresc.
ff
( f ) cresc. ( ff) cresc.
Kbd. 1 (E-Bass) ( f ) cresc.
p
ff
( f ) cresc.
( ff) cresc.
ff
Pno
( f ) cresc.
( ff) cresc.
piú f
TAPE 20 pp
Vla. ( f ) cresc.
( ff) cresc.
Vc. ( f ) cresc.
( ff) cresc.
fp
Cb. ( f ) cresc.
Litolff/Peters
f
( ff) cresc.
33785
ff
ISSUU Version For perusal only
4 Maximum intensity, as a
421
massive explosion of energy 18
3
Martha acts like a witch, as if she were provocating the impulses of the music.
Bass Cl. ff
7:4 3
Bass Sax. ff
pp
ff
3
Hn. sf p
p
7:8
. Tbn. p
f
sf
l.v.
f
Vib.
Perc. 1
Cymbals
pp
ff
3
or Perc. 2 (Mba.)
ff
f
mf
10- Hyper-winds
mp
Kbd. 1
mf
ff
(Hyper-winds)
3
f
ff
pp
mf
pp sub.
f Pno
TAPE 20 f
pp
pizz.
pizz. (ord.)
arco
Vla. f
ff
p
f
Vc. sf pp
f
pizz.
arco
Cb. sf f
Litolff/Peters
33785
ff
pp
f
ISSUU Version For perusal only
422 19
Bass Cl.
3
3
f cresc.
Bass Sax. f
pp sub.
mf cresc.
5:4
Hn. pp sub
f
mf straight mute
sf p sub. 5:4
Tpt. f
mf 9:8
. Tbn. ff
mf
p
f
p
Perc. 1 (Vib.)
l.v. pp
ff 5:4
Perc. 2 (Mba.)
p sub.
f
f marcato
5:4
5:4
mf Kbd. 1
f
(Hyper-winds)
ff secco
mf Pno
f
3:2
3
f
mf
f
TAPE 20 fff
pizz.
arco
vib.
Vla. f
p
f
f
vib. Vc.
pizz.
3
arco
3
pizz.
Cb. pp
Litolff/Peters
f
33785
pp
f
20
3
3
ISSUU Version For perusal only
3
Bass Cl.
423
ff 5:4
7:4
3
3
3
Bass Sax. f pp 3
5:3
3
3
3
Hn. 3
sf pp
f
p sub.
f
p
f 9:8
. Tbn. f
( ) l.v.
Perc. 1
mf ( p
ff
)
ff 3 3
7:8
5:4
3
Perc. 2 (Mba.) f
f
ff
f
Kbd. 1
(Hyper-winds)
Pno
f
f
TAPE 20 ff
pizz.
arco
Vla. p
vib. Vc. sf p
f s.p arco
metallico
Cb. ff
f
Litolff/Peters
33785
ISSUU Version For perusal only
424
3
21
3
5:3
Bass Cl.
p
mf
3
3
ff
Bass Sax. f
p
ff
mf
p
Hn.
p
p
f
f straight mute
Tpt. sf p 5:4
. Tbn. ff
ff
sf p
Perc. 1 l.v. ( fff
) p
9:8
Perc. 2 (Mba.) sf p
ff
3
3
Kbd. 1
pp
f
5:4
(Hyper-winds) mp
p
f 9:8
9:8
9:8
) Pno ( ) f
f
TAPE 20 ppp
fff
p sub.
Vla.
Vc. sf p
Cb. 3
Litolff/Peters
f
sf p
33785
3
3
ff
ppp
ISSUU Version For perusal only
5:4
425
5:4
22
Bass Cl.
f 9:8
5:4
Bass Sax. f p 5:4
Hn. mf
mf
ff
mf
3
Tpt. f
. Tbn. ff
Perc. 1 p
l.v. ( p
f
)
fff 3
3
hard mallets Perc. 2 (Mba.)
ff
p
ff
3
Kbd. 1
mf cresc.
f
(Hyper-winds)
5:3
pp
Pno
f
p
TAPE 20 pp
ppp
pizz. Vla. f vib.
vib.
mf
p
Vc.
3
3
3
pizz
arco
Cb. mf
Litolff/Peters
ff
pp
33785
ISSUU Version For perusal only
426 23
Bass Cl. (f)
p sub. 7:4
Bass Sax. ff
Hn. ff
p
3
5:4
9:8
Tpt. f p
f
sf p
p
mf
. Tbn.
Perc. 1 (Vib.) pp
Perc. 2 (Mba.) f
f poco cresc.
p
Kbd. 1
ff
(Hyper-winds)
f
3
ff
sf
Pno
sf
ff
sf
sf
p
ff
ff
sf 6
sf pp
f
3
ff sub.
TAPE 20 fff
pizz. Vla. poco
sf
sim.
sul pont.
vib.
6
Vc. pp pizz. Cb. ff
Litolff/Peters
ff
33785
3
3
ISSUU Version For perusal only
427
8:6
24
Bass Cl. f
ff
Bass Sax.
Hn.
3
Tpt. mf
f
. Tbn. pp
ff
vib. Perc. 1 (Vib.)
( ) ff
Perc. 2 (Mba.)
p Kbd. 1
(Hyper-winds)
3
3
f ff
f 3
f cresc. Pno
3
3
3
7:4
f cresc.
5:4
mf
TAPE 20
Vla.
ord. vib. Vc. ff
ff
p 5:4
(pizz.)
7:4
Cb. ff
Litolff/Peters
33785
p
ISSUU Version For perusal only
428
leggero
5:4
25
Bass Cl.
f
5:4
5:4
ff
f
3
Bass Sax. p cresc. f
Hn.
6
Tpt. p
. Tbn. ff
ff
Perc. 1 (Vib.)
fp
l.v. p
ff
Perc. 2 (Mba.)
5:3
f
7:8
mp
Kbd. 1
(Hyper-winds)
9:8
f
pp
p
ff 3
f
marc.
Pno
3
3
p
ff
TAPE 20
arco Vla. ff
ff vib.
Vc.
arco
senza vib.
Cb. mp
Litolff/Peters
mf
f p
f
33785
ISSUU Version For perusal only
26
3
Bass Cl. f
f
429 3
9:8
3
5 4
p sub.
pp
3
5 4
Bass Sax. sf p
ff
3
5:4
5 4
Hn. ff flatt.
5 4
Tpt. (
p
f )
5 4
. Tbn. ff
p
p
f
5 4 Perc. 1 (Vib.)
pp
5 4
p
ff
14:12
5 4
Perc. 2 (Mba.) f
p
f
3
5 4 p
f
Kbd. 1
f
f
f
(Hyper-winds) 5:4
f
5 4 ff
5 4 f marc. sempre
Pno 3
5 4 sff
5 4
TAPE 20 ppp
5 4
Vla. fp sul pont.
pp
all tall.
3
Vc. pp
f
5 4
Cb. f
Litolff/Peters
5 4
f
p
33785
ISSUU Version For perusal only
430 27
Bass Cl.
3
3
5 4
3
f
4 4
p sub.
7:8
Bass Sax.
Muta in Bb. Cl.
3
5 4
4 4
f
f 3
Hn.
5 4
4 4 f
Tpt.
5 4
4 4 f
. Tbn.
f
mp
mf
5 4
4 4
5 4
4 4 f
Perc. 1 (Vib.)
l.v.
5 4
4 4 p 5:4
Perc. 2 (Mba.)
9:6
5 4
4 4 p
f
f
mf
Hyperclarinet
7:8
7:8
7:4
5 4
4 4
f
Kbd. 1
(Hyper-winds)
3
5 4
7:8
5 4
3
3
3
3
4 4
3
4 4 ff
ff
Pno
TAPE 20
f
f
5 4
4 4
5 4
4 4 fff
pizz. Vla.
5 4
4 4 f marcato pizz.
3
Vc.
5:3
5 4
4 4 sf pp
Cb.
3
5 4 sf p
Litolff/Peters
3
4 4 p
p
33785
431
5 With inner restlessness
28
Fl.
ISSUU Version For perusal only
4 4 p
p
pp
sim.
pp
Bb. Clarinet
Cl.
4 4 pp
Bass Sax.
Hn.
3
4 4
3
3
3
7:4
7:4
4 4
pp
p
p sub.
3
7:4
7:4
p
3
mf
mute
7:4
7:4
p
pp
mf
Harmon mute or wa-wa mute closed Tpt.
5:4
4 4
5:4
5:4
p
5:4
5:4
5:4
pp
pp
f
Harmon mute or wa-wa mute closed 7:4
. Tbn.
7:4
p
Vibraphone Perc. 1
7:4
4 4
7
7:4
7:4
7:4
pp
mf
pp
soft mallets
4 4 ped. pp soft mallets
Marimba Perc. 2
4 4 pp
9- Hyper-clarinet Kbd. 1
3
3
5:4
5:4
4 4
3
3
(Hyper-clar) 9- Hyper-clarinet Kbd 2.
5:4
4 4
5:4
5:4
p
TAPE 20
5:4
5:4
pp
p
4 4 bar 30-end TAPE always alternating p-pp-ppp-pppp
s.t Vln. I
4 4 pp
p
f
pizz. Vla.
4 4
arco
5:4
p
5:4
5:4
5:4
5:4
5:4
5:4
5:4
p
pp
5:4
5:4
5:4
5:4
p
pp
pp
ord. Vc.
7:4
4 4 sf p 3
Cb.
f sul tasto
7
sf p 3
3
3
7:4
f
sf p 3
3
3
3
4 4 p sub.
Litolff/Peters
7:4
pp
mf
33785
s.t
ISSUU Version For perusal only
432 31
Fl. pp
mf
f
mf
p
Cl. pp
p
mf
3
3
pp
p
f
mf
p
pp
3
pp
3
3
3
3
Bass Sax.
7:4
mf 7:4
7:4
f
mf
7:4
7:4
p 7:4
Hn. f
mf
p
5:4
f
mf
5:4
5:4
5:4
pp
5:4
5:4
Tpt. mf
f 7:4
7:4
7:4
7:4
p 7:4
7:4
7:4
. Tbn. f
mf
f
p
p
pp
Perc. 1 (Vib.)
Perc. 2 (Mba.)
3
3
3
3
3
3
Kbd. 1
(Hyper-clar) f
mf
5:4
5:4
p 5:4
5:4
mf 5:4
5:4
5:4
Kbd 2.
(Hyper-clar) mf
f
f
p
TAPE 20
vib.
ord. vib. Vln. I p
mf
mf
(arco sul tasto) 5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
Vla. sempre pp
7:4
pizz.
7:4
7:4
Vc. f
f
pp pizz.
ord. 3
3
3
3
3
3
3
Cb. pp
Litolff/Peters
p
mf
f
mf
33785
mp
pp
3
ISSUU Version For perusal only
34
Fl.
433
sim.
Cl. mf
p
pp
3
p cresc.
3
3
3
3
3
Bass Sax.
pp 7:4
7:4
7:4
7:4
ord.
7:4
7:4
Hn. ff
ppp
5:4
5:4
5:4
5:4
5:4
5:4
Tpt.
7:4
7:4
p
mf
7:4
7:4
7:4
7:4
7:4
7:4
. Tbn. pp
Perc. 1 (Vib.)
p
pp
p
f
p
Ped. pp
Perc. 2 (Mba.)
pp
3
3
3
3
3
3
3
Kbd. 1
(Hyper-clar) sf (mf)
sim.
5:4
5:4
5:4
5:4
5:4
5:4
Kbd 2.
(Hyper-clar) sf pp
pp sub.
sf
pp
TAPE 20
vib. Vln. I pp sub. 5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
5:4
3
3
3
Vla.
(pizz.)
7:4
7:4
Vc. p
f (pizz.) 3
3
3
3
3
3
3
3
3
Cb. pp
Litolff/Peters
p
mf
f
pp
33785
p
mf
f
pp
ISSUU Version For perusal only
434
6 Very calm
until the end, move progressively from ord. mode through half air - half sound to "almost only breathing" sound.
37
Fl.
sfpppp sub. sim.
sfppp sub. sim.
Cl. f
sfpppp sub.
3
3
3
3
sfppp sub.
3
sim.
3
3
3
3
3
Bass Sax. sfppp sub.
sim.
sfpppp sub.
until the end, move progressively from ord. mode through half air - half sound to "almost only breathing" sound. 7:4
7:4
7:4
7:4
7:4
7:4
sim.
Hn. sfpppp sub.
5:4
5:4
sim.
sfpp sub.
sim.
wa-wa mute closed Harmon mute or
5:4
5:4
5:4
Tpt. sfpp sub. Harmon mute or wa-wa mute closed
sfpppp sub. 7:4
7:4
7:4
7:4
. Tbn. mf
f
mf
sfpppp sub.
5:4
Kbd. 1
sfpppp sub.
loco
(Hyper-clar)
5:4
5:4
5:4
3
5:4
5:4
sim.
sim.
3
5:4
5:4
3
3
sfppp sub. (ord.) 5:4
5:4
sf
Kbd 2.
(Hyper-clar)
pp
ppp
5:4
sfpppp sub.
5:4
5:4
5:4
sfppp sub.
sim.
TAPE 20
(ord.) Vln. I sf 5:4
pp
p
sfpppp sub.
pp
sfppp sub. ord.
5:4
5:4
5:4
7:4
7:4
7:4
7:4
Vla. sfpppp sub. arco ord. 7:4
3
3
sim.
sfppp sub.
3
3
sim. 3
Vc. sfpppp sub. 3
3
3
sfppp sub.
sim.
Principal voice, independent arco ord.
Cb. mf
Litolff/Peters
f
sfppp sub.
sim.
33785
sim.
ISSUU Version For perusal only
40
Fl. sfpp sub.
sfp sub.
sim.
435
sfmp sub.
sim.
sim.
Cl. sfpp sub.
sfp sub.
sim. 3
3
3
sfmp sub.
sim.
3
3
3
3
3
3
sim.
Bass Sax. sfpp sub.
sim.
sfp sub.
7:4
7:4
sfmp sub.
sim.
7:4
sim.
7:4
7:4
7:4
Hn. sfpp sub.
sfp sub.
sim.
5:4
sfmp sub.
sim.
5:4
5:4
5:4
sim.
5:4
5:4
Tpt. sfp sub.
sfpp sub.
sim.
7:4
7:4
sim.
7:4
7:4
. Tbn. sfpp sub. rubbing softly with superball
Piatto
sfmp sub.
sim. l.v.
Perc. 2
( p
(
)
)
senza dim.
dita: rubbing very softly with the fingertip, producing a continuous sound.
G.C. Perc. 2
p
5:4
5:4
5:4
5:4
3
5:4
5:4
sfpp sub.
Kbd. 1
(Hyper-clar)
senza dim.
5:4
5:4
5:4
sfp sub. 3
sim.
3
3
3
sim.
sim. 5:4
Kbd 2.
5:4
sfmp sub. 3
3
5:4
5:4
5:4
5:4
5:4
sfp sub.
sim.
5:4
5:4
5:4
5:4
sfmp sub.
sim.
(Hyper-clar)
sfpp sub.
sim.
TAPE 20
Vln. I sfpp sub. p
sfp sub. 7:4
7:4
7:4
sfmp sub.
sim. 7:4
7:4
7:4
Vla. sfpp sub.
sfp sub.
sim.
3
3
3
3
sim. 3
3
3
sfmp sub.
sim.
3
3
Vc. sfpp sub.
sfp sub.
sim.
sfmp sub.
sim.
sim.
Scordatura (C string to Bb) Cb. sfpp sub.
Litolff/Peters
33785
sfp sub.
sfmp sub.
sim.
ISSUU Version For perusal only
436 43
Fl. sfmf sub.
sf f sub.
sim.
sf ff sub. sim.
sim.
Cl. sfmf sub.
6:4
6:4
6:4
sf f sub.
sf ff sub.
sim. 6:4
6:4
6:4
sim.
6:4
6:4
6:4
Bass Sax. sfmf sub.
sf f sub.
sim.
7:4
sim.
sf ff sub.
7:4
7:4
7:4
sim.
7:4
7
7:4
Hn. sfmf sub.
sf f sub.
sim.
5:4
5:4
5:4
sf ff sub.
sim.
sim. 5:4
5:4
Tpt. sfmf sub.
sf f sub.
sf ff sub. 7:4
7:4
. Tbn. sf f sub.
sfmf sub.
l.v. Perc. 2
(Ptto)
)
( pp sub.
Perc. 2
(Bss dr.)
6:4
6:4
5:4
5:4
sfmf sub.
5:4
5:4
5:4
6:4
5:4
5:4
sfmf sub.
5:4
5:4
5:4
5:4
sf ff sub.
sf f sub.
sim.
5:4
5:4
5:4
5:4
5:4
6:4
sim.
5:4
sf f sub.
sim. 5:4
Kbd 2.
6:4
6:4
sim.
Kbd. 1
(Hyper-clar)
6:4
5:4
sf ff sub.
sim.
(Hyper-clar)
TAPE 20
Vln. I sfmf sub.
sf f sub.
7:4
sim. 7:4
7:4
7:4
7:4
7:4
Vla. sfmf sub. 3
sf f sub.
sim. 3
3
3
sf ff sub.
sim. 3
3
3
sim. 3
Vc. sfmf sub.
sim.
sf f sub.
sim.
sf ff sub.
sim.
Cb. sf f sub.
Litolff/Peters
33785
sf ff sub.
sim.
ISSUU Version For perusal only
46
Fl. sf fff sub.
437 6-8"
ffff
sim.
6-8" Cl. sf fff
3
sub.
ffff
3
3
6-8"
Bass Sax. sf fff sub.
ffff
sim.
7:4
7:4
7:4
6-8"
Hn. sf fff sub.
ffff
sim.
5:4
6-8" Tpt. sf fff sub.
ffff 6-8"
. Tbn. ffff 6-8" l.v. Perc. 2
(
pp
(Ptto)
) dita 6-8"
Perc. 2
(Bss dr.) ffff
Kbd. 1
(Hyper-clar)
6-8"
3
3
5:4
5:4
6-8"
5:4
5:4
sf fff 5:4
sub.
5:4
6-8"
sf fff
Kbd 2.
ffff 6-8"
sub.
(Hyper-clar)
TAPE 20
6-8" Vln. I sf fff sub.
ffff
7:4
7:4
6-8" Vla. sim.
sf fff sub. 3
3
ffff
3
3
6-8"
Vc. sf fff
sim. sub.
ffff 6-8"
Cb. ffff
sf fff sub.
Litolff/Peters
33785
o
ISSUU Version For perusal only
438
XVIII: Scene 12 Maria-Martha
1 q = 76-66 quasi Recitative Flute
4 4 p
Clarinet in Bb
4 4 p colla parte 5
Horn in F
4 4 p
Trumpet in C
f
4 4 f
Vibraphone Percussion 1. (Vib.)
4 4
mf Percussion 2. (G.C)
Gran Cassa
4 4
4 4 mf
f Piano
4 4 mf
f
f Martha
3
4 4
On ne re çoit plus de cli ents.
Qui est là?
f Maria
3
3
5
Qui est vo tre ma ri?
3
4 4 Une vo ya geu
se.
Je viens re join dre
mon ma
ri.
Il
1 q = 76-66 quasi Recitative pizz Violin I
4 4 f pizz colla parte
Violoncello
4 4 f
Litolff/Peters
5
33785
ISSUU Version For perusal only
439
7
4
Fl. f
f
Cl. p
sord Harmon C Tpt. f
p
7
Perc 1. (Vib)
Perc 2. (C.G)
f
Pno.
p
3
Martha Vo
tre
ma 3
3
3
3
3
Maria est
a
rri
vé i
ci
hi er
et de vait
me re join
TAPE 22
TAPE 23
Litolff/Peters
33785
dre
ce ma tin
ri
n'est
plus
i ci.
ISSUU Version For perusal only
440
3 3
7
Fl. pp 3
Cl. pp
3
3
3
secco
Perc 1. (Vib)
Tom tom Perc 2. (C.G)
p
Pno. 3
3
3
Martha vo
tre
ri
n'est
plus
3
3
3
3
ma
Maria Que dites vous
là?
N'a
t–il
pas
pris
une
cham bre
sord Vln. ppp
sord Vla. ppp colla parte vib Vc. ppp
Litolff/Peters
f
33785
chez
vous?
i
ci.
ISSUU Version For perusal only
441
3
10
Fl. 3
3
Cl.
3
3
Perc 1. (Vib) p dim.
Perc 2. (C.G)
p dim.
p dim.
Pno.
3
3
Martha Il
a
vait
pris
une
cham
bre,
mais il
Vln.
Vla.
vib. espr. Vc. 3
Litolff/Peters
33785
l'a quit tée
dans la
nuit.
ISSUU Version For perusal only
442
flatt
12
Fl.
pp
ff
sordina wah-wah
3
C Tpt. pp
f
pp
f
Perc 1. f
(Vib)
Perc 2. (C.G)
f Pno.
f
3
vib.
3
3
Martha
5
3
3
Maria Je
ne
puis
le
croire,
mais
vo
tre
ton
m'in quiè
Vln. p
Vla.
espr Vc. f
Litolff/Peters
33785
te.
Dites
ISSUU Version For perusal only
14
443
Fl. p
pp
p
pp
pp
pp
Cl.
Bass Sax.
senza sord. C Tpt. f
Perc 1. (Vib)
f
Perc 2. (C.G)
f Pno. mf sub.
f
mp sub
3
Martha Je
poco gliss.
n'ai
rien
à vous dire,
si
non
mp
3
Maria moi
ce que vous a vez
à
me
dire.
Vo
Vln. p
Vla. p sord. Vc. fp
Litolff/Peters
p
33785
tre
ISSUU Version For perusal only
444
3
16
Fl.
ff
3
Perc 1. (Vib)
p 1-Hyper-vib "a"
Kbd 1. (Hyper-vib "a") 3
f Pno.
f
f cresc
3
5
3
Martha que
vo
tre
ma
ri
n'est
plus
là.
3
cresc
Il
f
3
Maria ton
m'in quiè
te.
Dites
Vln.
Vla.
Vc.
Litolff/Peters
33785
moi.
nous
a
quit
tées
ISSUU Version For perusal only
18
Fl.
445
p
Cl. p
sordina Harmon C Tpt. p
Perc 1. (Vib)
f
Perc 2. (C.G)
3
Kbd 1. (Hyper vib "a")
f Pno.
Martha dé
fi
ni
tive ment.
n. ribat. . . . . . . . . . .. . . .
3
Maria É
cou
tez...
L'homme
Vln.
Vla.
Vc.
Litolff/Peters
33785
qui
est
a
rri
vé
ISSUU Version For perusal only
446 20
Fl.
Cl.
C Tpt.
Perc 2. (C.G)
3
3
Kbd 1. (Hyper vib "a")
p sub Pno.
She breaths deeply
3
3
3
3
3
Maria chez vous,
hier
ma
tin,
est
le
frère
dont
Vln.
Vla.
Vc.
Litolff/Peters
33785
vous n'en
ten
diez
plus par
ler
de puis
ISSUU Version For perusal only
24
Fl. p
447
Cl. p
C Tpt. p 3
hard sticks Perc 1. (Vib)
3
f cresc 3
3
Glsp Perc 2. (Glsp)
f cresc 3
3
f cresc
3
Kbd 1. (Hyper- vib "a")
3
3
Pno.
5
3
3
f cresc
3
Martha ossia.
ossia.
Vous ne m'ap pre nez rien.
Sprechg. 3
Maria looks at her intensively.
mf
3
3
Maria des
an
nées.
Mais
a
lors,
Vln.
Vla.
Vc.
Litolff/Peters
33785
qu'est
il
donc
448
ISSUU Version For perusal only
3
26
3
Perc 1. (Vib)
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Perc 2. (Glsp)
3
Kbd 1. (Hyper vib "a")
3
3
ff
ff
3
3
fff Pno. 3
3
3
3
5
Martha ossia.
ossia.
3
3
5
3
3
3
3
Maria a
rri
vé?
Pour quoi vo tre
3
28
frère
3
n'est
pas
3
Perc 1. (Vib) 3
3
(Glsp)
3
3
Kbd 1.
il
pas
2 Cold q = 88-104 2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
3
Perc 2.
3
n'est
3
3
3
(Hyper-vib a")
Pno.
3
3
Martha ossia. 3
gliss.
Maria dans
Litolff/Peters
cette
mai
son?
33785
ISSUU Version For perusal only
30
Fl.
4 4
449
pp
Cl.
4 4 pp staccatissimo
f
sord. Hrn.
4 4 pp sord. Harmon.
Tbn.
4 4 pp
Piatto Perc 1.
4 4 Piatto
Perc 2.
4 4 pp
7- Mixturen
4 4 pp
Kbd 1. (Hyper- vib "a")
stacc.
4 4 p
15- Silben
4 4 Kbd 2. (Silben)
loco
4 4 pp
mp Martha
4 4 Vo
tre
ma
ri
n'est plus
là
parce
qu'il
est
mort
est
mort.
3
Maria
4 4 Vous
plai
arco senza sord. 3
pizz Vln.
4 4 pp
Vla.
pp
pizz
4 4 pp pizz
Cb.
4 4 pp
Litolff/Peters
33785
san
tez
ISSUU Version For perusal only
450 32
Hrn.
Tbn.
Perc 1. (Piatto)
Perc 2. (Piatto)
Kbd 1. (Mixturen)
Kbd 2. (Silben)
Martha est
mort,
est
3
Maria n'est
-ce-
pas?
Jan
m'a
sou
pizz. Vln. f
Vla. più f
f
Cb.
Litolff/Peters
33785
vent
ISSUU Version For perusal only
3
33
Fl. ff
451
ff
Hrn.
Tbn.
Perc 1. (Piatto)
Perc 2. (Piatto)
Kbd 1. (Mixturen)
Kbd 2. (Silben)
Martha mort.
est mort
3
3
Maria dit
que,
pe
tite
fille,
dé
jà,
vous vous plai siez
pizz. Vla. f
Cb.
Litolff/Peters
33785
à dé con cer ter.
Nous
sommes
ISSUU Version For perusal only
452
36
Fl. ff
ff
Hrn.
Tbn.
Perc 1. (Piatto)
Perc 2. (Piatto)
Kbd 1. (Mixturen)
Kbd 2. (Silben)
3
3
3
Martha Ne me tou chez pas.
Res
tez
à votre place.
Il n'y–a rien
de com mun
en tre nous
Maria pres que sœurs
Nous sommes pres que sœurs
et
pizz. Vln. mf
Cb.
Litolff/Peters
33785
Noussommes pres
que
sœurs,
dé
con
ISSUU Version For perusal only 3
3 Più lento q = 60
39
3
Fl.
453 Muta in Picc.
pp 3
3
Cl.
pp
Slow 3
3
gliss.
Bass Sax. pp
pp
3
3
3
3
3
3
Hrn. pp f C Tpt. pp gliss.
Tbn. pp
(Piatto) Perc 1. f
ff
Perc 2. (Piatto)
f
Kbd 1. (Mixturen)
f
Kbd 2. (Silben)
p more calm
Slow
3
3
pp
gliss.
Martha Vo
tre
ma
ri
est
mort
cette
vib. molto
Slow
nuit,
ff Maria cer
ter.
3
3 Più lento q = 60
3
gliss.
Vln.
p
pp Slow
gliss.
Vla.
pp Slow Vc.
pp Cb. f
Litolff/Peters
33785
gliss.
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4 q = 88
454
Solo, exclamating 42
sprechg.
3
3
3
Martha ce
la
n'est
pas
une
plai
san
te
rie.
43
Picc. f
Perc 1. (Piatto)
p
f
pp cresc molto
Perc 2. (Piatto)
pp cresc molto
pp cresc molto
Kbd 1. (Mixturen)
loco
pp cresc molto
Kbd 2. (Silben)
ord.
3
3
Sprechg.
Martha vous n'a vez
plus rien que faire 3i
ci. 3
gliss.
Maria Mais vous êtes fol
le,
fol
pizz. Vln. f
p
pp cresc molto
pizz. Vc. pp cresc molto
pizz. Cb. pp cresc molto
Litolff/Peters
33785
le
à
lier!
Où est il?
Faites
ISSUU Version For perusal only
455
46
2 4
Picc.
12 8
p sub
ff
l.v.
2 4
Perc 1.
12 8 l.v.
Perc 2.
2 4
12 8
2 4
12 8
2 4
12 8
Kbd 1. (Mixturen)
ff
Kbd 2. (Silben)
2 4
12 8 ff
ff
gliss. Maria que
je
le
Vln.
2 4
12 8
2 4
12 8
voie!
ff
Vc.
2 4
12 8
Cb.
2 4
12 8 ff
Litolff/Peters
33785
ISSUU Version For perusal only
456
q = q. = 138-152 Tribal, wild
5
leggero, plastic 48
Picc.
Bass Cl.
12 8 sf (mf)
p
sf
p
sf (mf)
p
sf
p
12 8
colla parte C Tpt.
12 8 mf
Bg. hands with the hands Perc 1. (Piatto)
12 4 8 4 Conga Toms
Perc 2. (Piatto)
with the hands secco, leggero
12 8 sf
Kbd 1. (Mixturen)
simile
pp
sf
pp
sim.
12 4 8 4
2- Hyper-vib. "b" leggero, plastic Kbd 2. (Hyper-vib. "b")
12 8 sf
f Martha
wild
12 8 C'est
im
pos
si
ble.
Il
est
q = q. = 138-152 Tribal, wild
5
pizz Vln.
12 8 f
Litolff/Peters
33785
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fond
de
la
ri
vière
ISSUU Version For perusal only
457
50
Picc. pp sub
Bass Cl. pp sub
C Tpt.
Perc 1. (B.G hands)
pp sub
Perc 2. (Conga Toms)
pp sub
Kbd 1. (Mixturen)
pp súb loco
Kbd 2. (Hyper-vib "b")
pp súb
Martha où
ma
mère
et
moi
l'a
vons
Vln.
Litolff/Peters
33785
por
té,
cette
ISSUU Version For perusal only
458
52
Picc.
Bass Cl.
Perc 1. (B.G hands)
Perc 2. (Conga Toms)
Kbd 1. (Mixturen)
Kbd 2. (Hyper-vib "b")
Martha nuit,
a
près
l'a
voir
en
dor
mi.
qui
suis
fol
4:6
Maria C'est moi
3
Vln.
arco Vla. f
Litolff/Peters
33785
le...
je
ne
suis
pas prête
ISSUU Version For perusal only
459
54
Picc.
Bass Cl.
Perc 1. (B.G hands)
4:6
4:6
Perc 2. (Conga Toms)
Kbd 1. (Mixturen)
Kbd 2. (Hyper-vib "b")
4:6
4:6
Maria à_en trer
dans
cette
dé
men
ce!
4:6
Vla. f
Litolff/Peters
33785
Pour
quoi,
ISSUU Version For perusal only
460 56
Picc.
Bass Cl.
C Tpt.
Perc 1. (B.G hands) 4:6
Conga Toms
Perc 2. (B.G Conga) 4:6
4:6
6- Hyper bells
Kbd 1. (Hyper-bells")
Kbd 2. (Hyper-vib "b")
Martha Au nom
Maria pour
quoi_a
vez
vous
fait
ce
pizz. Vln.
Vla.
Litolff/Peters
33785
la?
de
quoi
me
ques
tion
ISSUU Version For perusal only
58
Picc.
461
Bass Cl.
C Tpt. p
f
Perc 1. (hands) 4:6
Perc 2. (Conga Toms)
Kbd 1. (Hyper-bells)
Piano
Kbd 2. (Hyper-vib "b")
sfp
Sprechgesang
ord.
Martha nez
vous?
Ha,
Ha,
qu'est–ce que
ce
mot
veut
dire
ha
4:6
Maria Au nom
de
l'a
mour!
pizz. Vln.
Vla. f
Litolff/Peters
33785
ha
ha
ha
ISSUU Version For perusal only
462 60
Picc.
Bass Cl.
Hrn.
C Tpt.
Perc 1. (B.G hands) 4:6
Perc 2. (Conga, Toms)
Kbd 1. (Hyper-bells)
Pno.
like a spasmodic laugh (ord.)
4:6
4:6
4:6
4:6
ff
vibr. intense
Martha ha
ha
ha
ha
ha
ha
ha
ha
ha
ha
ha
getting furious "out of herself" Maria Il
Vln. f
Vla. f
Litolff/Peters
33785
veut
dire
ce
dé
lire
ISSUU Version For perusal only
463
62
Picc.
Bass Cl.
Hrn.
C Tpt.
Tbn. mf
Perc 1. (B.G hands)
4
Perc 2. (Conga Toms)
7-Mixturen
Kbd 1.
Pno.
Maria qui,
à
pré
sent,
me
dé
chire
et
me
Vla.
Litolff/Peters
33785
mord!
N'é
tait
cette
in
cro
ISSUU Version For perusal only
464
64
Picc
9 8
Bass Cl.
9 8
Hrn.
9 8
C Tpt.
9 8
9 8
Perc 1. (B.G hands)
4
Perc 2.
9 8
(Conga, Toms)
93 84
Kbd 1. (Mixturen)
9 8 Pno.
9 8
9 8
Maria yance
Vla.
Litolff/Peters
en
tê
tée
qui me
res
te
dans le
9 8
33785
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465
67
Picc.
Muta in Bb.Cl. Bass Cl.
Hrn. f
C Tpt. f
Tbn.
Perc 1. (B.G hands) Perc 2. (Conga Toms)
Kbd 1. (Mixturen)
Maria vous
ap
pren
driez,
fol
le,
ord.
Vla.
Litolff/Peters
33785
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que
ce
mot veut
dire
ISSUU Version For perusal only
466 70
Picc.
2 4
Hrn.
2 4
C Tpt.
2 4 Timpani
2 4
Perc 1. (B.G hands)
pp
Perc 2. (Conga Toms)
2 4 6- Hyper-bells
2 4
Kbd 1. (Hyper-bells) gliss.
2 4
Maria en
sen tant
vo
tre
vi
sage
dé
se
chi
rer
sous
mes
on
loco
loco Vln.
2 4
Vla.
2 4
73
Perc 1. (Timpani) Perc 2. (Conga Toms)
6 q = 88 2 4 4 4 ff
2 4
gliss. soft
gliss. soft
gliss. soft
Piatto
4 4 pp
cold, almost indiferent Sprechgesang, like susurrato, spoken f dim. sempre Martha
2 4
4 4 Vous par
Maria
2 4
lez
un
lan gage
que
je ne
com
prends
pas.
J'en tends mal les mots d'a mour,
4 4 gles!
Vln.
6 q = 88 2 4 4 4
half pressure
pppp ppp
pppp
pppp
pppp
half pressure Vla.
2 4
4 4 ppp
Litolff/Peters
pppp
ppp
33785
pppp
ISSUU Version For perusal only
467
7 q. = 138-144 Furious, civilized
77
Vib
gliss. soft
12 8
Perc 1. (Timb) Perc 2.
12 8
(Piatto) susurrato
12 8
Martha de joie
persuasive
ou de dou leur.
susurrato Maria
É
cou
ord.
4
12 8 tez,
ces sons
ce
jeu,
Vln.
7 q. = 138-144 Furious, civilized 12 8
Vla.
12 8
si c'en est
un.
Dites
4:6
80
Fl. f
p
pp
Vib Perc 1. (Tp) f
S. D Perc 2. (Piatto)
p
pp
1- Hyper-vib "a" Kbd 1. (Hyper-vib "a")
ord. 4:6
Martha Il
est dif
fi cile
d'ê
tre
plus clai
re
Maria moi,
bien claire
ment,
ce que je
veux
sa
voir
Vla.
Vc. p
Litolff/Peters
33785
pp
que je l'ai_é té.
ISSUU Version For perusal only
468 83
Fl. f sub
p sub
Hrn.
Tbn.
Piatto sim.
l.v.
Perc 2. (S.D)
Kbd 1. (Hyper-vib "a")
Pno.
4
4
Martha é
Nous a vons tu
vo tre ma
ri
cette
nuit,
pour lui pren
dre son ar
gent,
comme nous l'a
Vc. pp
86
Fl. pp
6 8
12 8
4 4
6 8
12 8
4 4
Bb. Cl.
Cl.
pppp
S.D 4
4
4
Perc 1. (Vib.)
4
4
6 8
4
4
12 8
4
4
4 4
Perc 2. (S.D)
6 8
12 8
4 4
Martha
6 8
12 8
4 4
vions fait dé jà
pour quel ques
vo
ya geurs
a vant
6 8
Maria
12 8 mère
Sa
lui.
et
4 4 sœur
sa
é taient
donc
des
cri
mi
Vln.
6 8
12 8
4 4
Vla.
6 8
12 8
4 4
12 8
4 4
f Vc.
Litolff/Peters
pp
6 8
33785
90
ISSUU Version For perusal only
q = 88
4 4
Fl.
469
3
2 2
2 4
2 2
p
3
4 4
Bass Cl.
2 4
Vib (S.D) Perc 1.
l.v.
4 4
2 4 Glsp
Perc 2.
Martha
l.v.
4 4
2 4
2 2
4 4
2 4
2 2
2 4
2 2
2 4
2 2
2 4
2 2
Oui
mp sub.
3
3
3
3
3
4 4
Maria
2 2
nelles?
A
viez
vous
ap pris
dé
jà
qu'il
é
tait
vo
tre frère?
q = 88
4 4
Vln.
ppppp
4 4
Vc.
8 Very calm h = 66
imperceptible entrance sord. whisper
94
C Tpt.
2 2 ppppp
Tbn.
imperceptible entrance sord. whisper
2 2 ppppp
Perc 1. (Vib)
Perc 2. (Glsp)
2 2 p
pp
ppp
p
pp
ppp
2 2
speaking, acting Martha
Vln.
Si vous voulez le savoir
2 2
8 Very calm h = 66 2 2 ppppp
Vla.
Il y a eu malentendu.
vous ne vous en étonnerez pas.
Et pour peu que vous connaissiez le monde,
sord. imperceptible entrance
ppppp
imperceptible entrance sord.
2 2 ppppp
Vc.
imperceptible entrance sord.
2 2 ppppp
Litolff/Peters
33785
ISSUU Version For perusal only
470
99
Cl.
4 4
C Tpt.
4 4
Tbn.
4 4
4 4
Perc 1. (Vib)
Perc 2. (Glsp)
4 4
Kbd 1. (Hyper-vib. "a")
4 4
Vln.
4 4
Vla.
4 4
Vc.
4 4
Litolff/Peters
33785
9 Free q = 132 104
Fl.
4 4
ISSUU Version For perusal only
471
fff
Cl.
4 4 fff
Hrn.
4 4 fff
C Tpt.
4 4 fff
Tbn.
4 4 fff
4 4 f
Kbd 1. (Hyper-vib. "a")
4 4
4 4 f
Pno.
4 4
Sprechg. 3
Maria
5
3
4 4 Oh, mon
Dieu!,
je
sa
vais
que cette co mé
die
ne
pou
ê
vait
9 Free q = 132 Vln.
4 4 fff
Vla.
4 4 fff
Vc.
4 4 fff
Litolff/Peters
33785
tre
que san glan te.
ISSUU Version For perusal only
472 108
3
3
Fl. fff
f
p
3
3
Cl. fff
f
p
3
3
Hrn. fff
f
p without sord
3
5
3
C Tpt. f
fff
f
p
3
sff
p
3
Tbn. fff
f
p
Kbd 1. (Hyper-vib. "a")
Pno.
ord.
Sprechg.
5:6
3
5
ord.
Il vou lait
se faire re con naî
tre
3
Maria Le
mal heur
é
(scratch / noise) without sord 3
tait dans ce
ciel.
de
3
Vln. fff (scratch / noise) without sord
f
p
3
5
3
sul pont.
Vla. fff
f
p
mf
(scratch / noise) without sord 3
3
Vc. fff
Litolff/Peters
f
p
33785
pppp
ISSUU Version For perusal only
112
473
3
Fl. sff
p
f 3
Cl. sff
p
f
3
Hrn. sff
p
f
sff
p
f
3
C Tpt.
without sord.
3
Tbn. sff
p
f
3
Kbd 1. (Hyper-vib. "a")
sff
p
f
sff
p
f
sff
p
f
sff
sff
f
3
3
1- Hyper-vib. "a"
Kbd 2. (Hyper-vib. "a")
7:4
3
sff
sff
3
3
3
Maria vous,
re trou ver sa mai son,
vous
ap
por
ter
le
bon
heur,
3
Vln. sff
p
f 3
Vla. sff
p
f 3
Vc. sff
Litolff/Peters
p
f
33785
mais
il
ne sa
vait
ISSUU Version For perusal only
474 115
simile
gliss.
Fl. f
p
mf
p
mf
p
mf
p
mf
p
mf
p
mf
gliss. Cl. f
gliss.
Bass Sax. f
gliss. Hrn. f
gliss.
f
gliss.
C Tpt.
Tbn. f
8- E-waterphone 1- Hyper vib "a"
gliss.
Kbd 1. (E-waterphone)
p
mf
p
mf
8- E-waterphone gliss.
Kbd 2. (E-waterphone)
Sprechg. exagerate the gliss. 5
ord.
Maria pas trou ver la pa ro
le
qu'il
fal
lait.
Et
pen
dant
qu'il
cher chait
ses
mots,
gliss. Vln. f
p
mf
p
mf
p
mf
gliss. Vla. f Vc. gliss. Cb. f
Litolff/Peters
p
33785
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119
475
Fl. f
sfff
f
sfff
Cl.
Bass Cl. f
Hrn. f
sfff
C Tpt. f
sfff
Tbn. f
sfff
Piatto with bow
arco
Perc 1. (Piatto)
pp
Piatto with bow
arco
Perc 2. (Piatto) pp
sfff
Kbd 2. (Hyper-vib. "a")
exclamate!
spoken
3
ord.
5:6
ê tre vo tre_or gueil, comme il
é
look at Martha, "out of herself"
5
Maria on
le
tu
ait!
Il
pou
vait
sul pont.
ord.
tait
le
mien.
ord. sul tasto
Vln. f
pp
sfff
pppp
Vla. f
sfff
f
sfff
Vc.
Litolff/Peters
33785
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476
123
Fl. p sub. dim.
Cl. p sub. dim.
Hrn. p sub. dim. C Tpt. p sub. dim.
Tbn. p sub. dim.
l.v. Perc 1.
l.v. Perc 2.
2- Hyper-vib. "b"
ppp sempre. Kbd 1. (Hyper-vib "b")
Kbd 2. (Hyper vib "a")
ppp sempre.
Exclamate, furious half susurrato/half spoken
susurrato, intense
6
5
Maria Mais, hé las,
vous é tiez son en ne mie,
vous
qui pou vez par ler
Vln. p sub. dim.
Vla. p sub. dim.
Vc. p sub. dim.
Litolff/Peters
33785
froide
ment
de ce qui de vrait
ISSUU Version For perusal only
126
477
3 4
Fl. pppp
3 4
Cl. pppp
3 4
Hrn. pppp
3 4
C Tpt. pppp
3 4
Tbn. pppp
Perc 2.
3 4 pp
pppp
3 4 ppp
Kbd 1. (Hyper-vib "b")
3 4
3 4 Kbd 2. (Hyper-vib "a")
3 4
3
3
3
3
3 4
Maria vous
je
ter
dans
la
rue
et
vous
ti
rer
des
cris
de
bête!
3 4
Vln. pppp
3 4
Vla. pppp
3 4
Vc. pppp
Litolff/Peters
33785
478
10 q = 104/108 128
Fl.
Cl.
Bass Sax.
Hrn.
C Tpt.
Tbn.
3 4
ISSUU Version For perusal only
sf p
p
sf f
p
sf p
p
sf f
p
sf f
p
sf f
p
sf f
p
sf f
p
3 4 3 4
3 4 3 4 sf p
p
sf p
p
3 4
Vib medium mallets Perc 1.
3
3 4 1- Hyper vib "a"
2-Hyper vib "b"
3 4 Kbd 1.
p
sf f
p
sf p
(Hyper-vib "a")
3 4
Piano
3 4 Kbd 2.
p
sf p
(Hyper-vib "a")
pf
p
3 4
spoken very expressive Martha
ord.
3
3 4 Ne ju gez de rien,
car vous ne sa vez
pas
À
tout.
l'heure
qu'il est,
ma mère
a
TAPE 21/a ("Noise 1") TAPE 21 ("Noise")
Vln.
Vla.
Vc.
Cb.
3 4 10 q = 104/108 3 4 sf p
p
sf p
p
sf f
p
sf f
p
sf f
p
sf f
p
3 4 3 4 3 4
Litolff/Peters
33785
re
ISSUU Version For perusal only
133
Fl.
479
sf p
p
Cl.
sf
p
sf p
p
sf
p
sf p
p
sf
p
sf p
p
sf
p
sf p
p
sf
p
sf p
p
Bass Sax.
Hrn.
C Tpt.
Tbn.
3
3
3
Perc 1. 5
Kbd 1. (Hyper-vib "b")
Pno.
sf
p
sf
p
sf
p
sf
p
3
3
Sprechg.
3
5
secco
On les dé cou vri
ra bien tôt
Martha joint son fils.
le
flot
com
mence
à
les ron
ger.
TAPE 21 ("Noise")
Vln. sf
p
sf p
p
sf
p
sf p
p
sf
p
sf p
p
sf
p
Vla.
Vc.
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
480 139
Fl. p senza dim. Cl. p senza dim. Bass Sax. p senza dim.
Hrn. p senza dim. C Tpt. p senza dim. Tbn. p senza dim.
GC Perc 2.
3
3
3
3
1- Hyper-vib. "a"
Kbd 1.
p senza dim.
(Hyper vib "a")
6- Hyper bells
Kbd 2.
p senza dim.
(Hyper-bells)
Sprechg.
ord.
Martha et
ils
se
re
trou ve ront
dans
la
TAPE 21/b ("Noise 2") TAPE 21 ("Noise")
Vln. p senza dim. Vla. p senza dim. Vc. p senza dim.
Litolff/Peters
33785
même
te
rre.
ISSUU Version For perusal only
144 11
481
12
Fl. fff
sf
Cl. fff
sf
fff
sf
fff
sf
fff
sf
fff
sf
Bass Sax.
Hrn.
C Tpt.
Tbn.
colla parte Perc 1. (Vib)
fff
2- Hyper-vib. "b"
Kbd 1. (Hyper-vib "b")
fff
Kbd 2. (Hyper- bells)
fff
Martha Moi aus si,
(micro)
fff
Maria Je
vous
en
tends
à
pei
ne.
TAPE 21 ("Noise")
11
12
Vln. fff
sf
fff
sf
Vla.
Vc. fff
Litolff/Peters
sf
33785
j'en ai
as
sez vu_et en
ten
ISSUU Version For perusal only
482 151
Fl. sf
distord. Cl. sf
fffff
sf
fffff
ppp
fff
ppp
fff
Bass Sax.
sf Hrn. fffff C Tpt. sf
fffff
Tbn. sf
fffff l.v.
Perc 1.
Perc 2. (GC) sfff
sf
Kbd 1. (Hyper vib "b")
sf
sf
Kbd 2. (Hyper bells)
sf
Sprechg.
spoken susurrato gliss.
3
3
Sprechg. 3
3
3
Martha du,
j'ai
dé
ci
dé
de mou
rir
à
mon tour.
Mais je ne veux pas
TAPE 21 ("Noise") scratch Vln. sf
fffff
Vla. sf
fffff
Vc. sf Cb. fffff
Litolff/Peters
33785
me
mê
ler
à eux.
ISSUU Version For perusal only
483
colla parte 3
157
3
3
4 4
Fl.
1 4
f
4 4 3
colla parte 3
vib.
3
4 4
Cl. sf pp
ffff
sfff
ppp
ffff
sfff
p
ffff
sfff
4 4
1 4
4 4
4 4
1 4
4 4
1 4
4 4
ppp
Hrn. sf pp
p
ppp
colla parte 3
vib.
4 4
C Tpt. sf pp
ffff
sfff
ppp
3
f
4 4
Tbn. sf pp
4 4 3
f
Bass Sax. sf pp
1 4
sfff
ffff
p
4 4
1 4
4 4
ppp 3
3
3
1 4 3
3
4 4
Perc 1. (Vib)
3
6- Hyper- bells
4 4
1 4
4 4
sf pp
Kbd 1. (Hyper-bells)
ppp
4 4 ff
Kbd 2.
sfff
1 4
4 4
4 4
1 4
4 4
4 4
1 4
4 4
ppp
p
sf pp
(Hyper-bells)
sfff
ff Sprechg.
ord. 3
3
gliss.
ppp
p ord. p sub.
3
3
Martha Qu'ai je
à faire dans leur com pag nie?
Je
les lais
TAPE 21 ("Noise")
Vln. sf pp
ffff
sfff
p
sf pp
ffff
sfff
p
ffff
sfff
p
ffff
sfff
p
33785
à
4 4
re trou vée,
leur ten dres se
4 4
1 4
4 4
4 4
1 4
4 4
4 4
1 4
4 4
4 4
1 4
4 4
4 4
1 4
4 4
ppp
Cb. sf pp
se
3
ppp
Vc. sf pp
1 4
ppp
Vla.
Litolff/Peters
3
4 4
ppp
ISSUU Version For perusal only
484 163
Fl.
4 4
1 4
3 4
pppp
ppp senza cresc.
colla parte 3
Cl.
Bass Sax.
4 4
1 4
3 4
4 4
1 4
3 4
3
pppp
Hrn.
4 4
1 4
ppp senza cresc.
3 4 pppp
ppp senza cresc. sord. straight
C Tpt.
4 4
1 4
colla parte
3 4 pppp
Tbn.
4 4
1 4
3 4 pppp
ppp senza cresc.
Mar Perc 2.
4 4
1 4
3 4 1-Hyper vib "a"
4 4
1 4 ppp
Kbd 1. (Hyper bells)
3 4
p
4 4
pp
1 4
3 4 pp
ppp senza cresc.
2- Hyper vib "b"
4 4
1 4
3 4 pp
Kbd 2. (Hyper bells)
4 4
1 4
3 4 pp
parlando, Sprechg.
Martha
Vln.
3
4 4
1 4 à
TAPE 21 ("Noise")
ord.
susurrato
5
leur
ca
re
sses
obs cu res.
Ni
4 4
1 4
3 4
4 4
1 4
3 4
vous
ni
pppp
Vla.
4 4
1 4
4 4 4 4
ils
1 4
ppp senza cresc.
3 4
1 4
ppp senza cresc. arco
3 4 pppp
Litolff/Peters
n'y a vons plus de part,
3 4
pppp
Cb.
moi
ppp senza cresc.
pppp
Vc.
3
3 4
33785
nous
sont
ISSUU Version For perusal only
485
2-3''
168
Fl.
pp senza cresc.
ppp sub. 2-3''
Cl. pp senza cresc.
ppp sub. 2-3''
Bass Sax. pp senza cresc.
ppp sub.
2-3'' Hrn.
ppp sub.
2-3''
3
C Tpt. 2-3'' Tbn. pp senza cresc.
ppp sub. 2-3''
Vibraphone
Perc 1. ppp
2-3'' Perc 2. (Mar.)
ppp 2-3''
6- Hyper bells
ppp sub
Kbd 1. (Hyper vib "a")
2-3''
Pno.
pp senza cresc. accel
ff
ppp
pp senza cresc.
ff
ppp
Sprechg.
she laughs in a very high register
rall
3
ord.
Martha in
fi
dè
les
à
ja mais.
Heu
TAPE 21 ("Noise")
2-3'' Vln. pp senza cresc.
ppp sub. 2-3''
Vla. pp senza cresc. 2-3''
ppp sub.
Vc. pp senza cresc.
2-3''
ppp sub.
Cb. pp senza cresc.
Litolff/Peters
ppp sub.
33785
reuse
ment,
il me res te
ISSUU Version For perusal only
486 172
Fl.
4 4
senza cresc
4 4
Cl. senza cresc
4 4
Bass Sax. fff
4 4
Hrn. fff
4 4
C Tpt. senza cresc
4 4
Tbn. fff
4 4
Perc 1.
Perc 2.
4 4 fff
4 4 senza cresc
Kbd 1. (Hyper vib "a")
4 4 Keyboard 2 4- Hyper-mar "b"
4 4 ffff
Pno.
4 4
Sprechg. free
ord.
3
4 4
Martha ma chan bre,
il
se
ra
bon
d'y
mou
rir
seu
le.
TAPE 21/c
4 4
TAPE 21 ("Noise")
4 4
Vln. senza cresc.
4 4
Vla. senza cresc.
4 4
Vc. fff
4 4
Cb. fff
Litolff/Peters
33785
ISSUU Version For perusal only
13 q = 66 176
Cl.
3
4 4 ff
p
ff
p
p
ff
p
ff
p
p
ff
p
p
ff
p
ff
p
ff
p
487
3
Bass Sax.
4 4 ff
Hrn.
3
4 4 ff
p
C Tpt.
3
4 4 ff
Tbn.
3
4 4 ff
Crotales arco Perc 1.
4 4 Hyper vib "b" 3
4 4 ff
Kbd 1. (Hyper- vib "b")
p 3
4 4 p
4 4 3
Kbd 2. (Hyper-mar "b")
ff
4 4
p
3
pp > parlando
ord. 3
Maria
4 4 Je
TAPE 21 ("Noise")
Vc.
calm
3
vous
en
tends à
Mon
cœur
p
ff
p
p
ff
p
pei
ne.
mon
4 4 13 q = 66 3 4 4 ff 3
Cb.
4 4 ff
+ TAPE - Ruido ensordecedor
Litolff/Peters
33785
cœur
est
dé
chi
ré.
ISSUU Version For perusal only
488 182
3
Cl.
3 4
p
ff 3
3 4
Bass Sax. ff
p
3
3 4
Hrn. ff
p 3
3 4
C Tpt. p
ff 3
3 4
Tbn. ff
p
3 4
Perc 1.
3
6- Hyper-bells
3 4 ff
Kbd 1. (Hyper-bells)
p 3
3 4
3
7- Mixturen
3 4 Kbd 2. (Mixturen)
p ff
Piano
3
3 4
suddenly, deep pain 3
3
3 4
Maria Il
n'y_a
de
cu
rio
si
té
que
pour
ce
lui
a vez tu
é.
3 4
TAPE 21 ("Noise")
3
3 4
Vc. ff
p
3
3 4
Cb. p
ff
Litolff/Peters
que vous
33785
14
ISSUU Version For perusal only
q = 108-112
185
Fl.
Cl.
489
3 4 poco
a
poco
cresc.
ff
p
poco
a
poco
cresc.
ff
p
3 4
5
Bass Sax.
3 4 p
Hrn.
C Tpt.
3 4 poco
a
poco
cresc.
ff
poco
a
poco
cresc.
ff
3 4
Perc 2. (Mar)
3 4
p
5
3
pp
3
ff
3
Vibraphone Perc 1. (Vib)
p
3 4 poco
a
poco
cresc.
a
poco
cresc.
sf(f) pp
1- Hyper-vib "a"
3 4 poco
Kbd 1.
5
(Hyper vib "a")
3 4 p staccatissimo
f
mf
sf(f) pp p
3 4 poco
a
poco
sf(f) pp
cresc.
Pno.
3 4 p staccatissimo
mf
f
pp Martha
Vln.
ff
3
3
5
3 4 Tai sez vous!
TAPE 21 ("Noise")
p
sf(f) pp
Je
ne veux plus en
ten dre
par
ler
de
lui,
je le dé tes te.
3 4
14 3 4
q = 108-112 poco
a
poco
cresc. 3
Vla.
3 4 poco
Cb.
a
poco
p
cresc.
3 4 p
Litolff/Peters
33785
3
ISSUU Version For perusal only
490 188
Fl. 3
ff
Cl.
5
Bass Sax.
Hrn. 3
3
C Tpt.
5
Tbn.
3
3
Perc 1. (Vib)
3
ff
Perc 2. (Mar.) ff
Kbd 1. (Hyper vib "a") ff
Pno.
ff
3
3
Martha Il
ne vous
est
plus
rien.
Il
est en tré
TAPE 21 ("Noise")
Vln.
pizz. Vc. ff pizz. Cb. ff
Litolff/Peters
33785
dans la mai
son
a
mè
re
ISSUU Version For perusal only
191
Fl.
sf pp
491
f
Cl. 7
f
sf pp Bass Sax. f
sf pp
Hrn.
C Tpt.
Tbn. sf pp
Perc 1. ff Perc 2.
sf pp
Kbd 1. (Hyper vib "a")
ff
mf
10-Hyper- winds
1-Hyper vib "a"
Kbd 2.
sf pp
ff
mf
(Hyper-winds)
5:4
5
3
5
Maria où
l'on
est
e
xi
lé
pour tou jours
bé
L'im
ci
le!
TAPE 21 ("Noise") 3
3
Vln. sf pp
ff
sf pp
ff
f
Vla.
5
arco Vc. sf pp
ff
arco
3
Cb. sf pp
Litolff/Peters
ff
33785
3
Il
a
ISSUU Version For perusal only
492
7:6
194
Fl.
7:6
Piú f
f
3
3
Cl. Piú f C Tpt. Piú f 5
5
Tbn. f
Piú f
pp
Kbd 1. (Hyper-vib "a")
3
3
Pno. f 3
ord. a bit slower
3
3
ff
3
to voice
Maria ce qu'il vou lait,
il
a
ce
qu'il cher chait
Nous
voi
là
tous
dans l'or dre.
TAPE 21 ("Noise")
7:6
Vln. f
Piú f 3
3
3
3
Vla. f Piú f
3
Cb.
15 197
3
Speaking, acting senza tempo A mixed of emotions: she is destroyed, she is resigned, she doesn't really understand. Oh ! mon Dieu, je ne peux pas, je ne peux pas supporter ce langage.
Maria
3 4
TAPE 22 15 ("Collapse 1") Speaking, acting senza tempo
3 4
TAPE 22
Litolff/Peters
33785
16 q = 88 198
Fl.
ISSUU Version For perusal only
493
gliss.
3 4
1 4
ppp
3 4
sfpp gliss.
Cl.
3 4
1 4
ppp
3 4 sfpp
staccatissimo Hrn.
3 4
1 4
3 4 sfpp sord. wa-wa 3
gliss. C Tpt.
3 4
1 4
3 4
ppp
Tbn.
ppp
sfpp
3 4
1 4
sord. wa-wa
3 4 ppp vib.
Perc 1. (Vib)
3 4
1 4
3 4 f
10- Hyper-winds
3 4
1 4
3 4 gliss.
Kbd 1.
ppp
gliss.
(Hyper- winds)
3 4
1 4
3 4
1 4
3 4
1 4
3 4
ppp gliss.
3 4 Kbd 2. (Hyper-winds)
ppp gliss.
3 4 ppp
Speaking, acting Martha
like an ortodox priest, mix of lament and irony
3 finir, écoutez 1 4 Et pour 4 mon conseil
3
3 4
3
Pri ez vo tre Dieu
TAPE 23
1 4
3 4
1 4
3 4
gliss. Vln.
ppp
qu'il vous fasse sem bla ble à la pier
TAPE 23/a ("F sharp 1")
16 q = 88 3 4
sin vib.
3 4 sfpp
gliss. Vla.
3 4
ppp
1 4
3 4 sfpp gliss.
Vc.
3 4
Litolff/Peters
ppp
1 4
3
6
3 4
33785
re.
Faites comme lui,
ISSUU Version For perusal only
494
203
gliss.
Fl. ppp
f
Hrn. f
sf p 3
gliss. C Tpt. f
3
sf p
Tbn. f
Perc 1. (Vib)
sf p
f
tender
ironic Sprechg.
ord.
3
soft gliss.
3
3
Martha ren dez
vous
sour
de
à tous les
cris,
re
TAPE 23
Vln. f
Vla. f
Litolff/Peters
33785
joig
nez
la
pierre pen dant qu'il est temps.
207
ISSUU Version For perusal only
q = 132-144
Fl.
495
ff
mf
ff
mf
5:6
ff
mf
8:12
ff
mf
ff
mf
5:6
ff
mf
8:12
ff
mf
ff
mf
5:6
ff
mf
8:12
Cl.
Bass Sax.
5:6
8:12
Hrn. ff
mf
ff
mf
ff
mf
ff
mf
ff
mf
ff
mf
ff
mf
5:6
ff
mf
8:12
5:6
ff
mf
8:12
C Tpt.
Tbn. ff
mf
6- Hyper-bells 5:6
Kbd 1. (Hyper-bells)
ff
mf
ff
mf
Piano
8:12
mf
8
5
ff
Pno.
ff
mf
mf
ff
ff
5
mf
8
gliss.
3
Martha Mais
si
vous
vous
sen
tez
lâ
trop
q = 132-144 TAPE 23
Vln. ff
mf
ff
mf
5:6
ff
mf
8:12 8:12
5:6
Vla. ff
mf
ff
mf
ff
mf
ff
mf
ff
mf
ff
mf
ff
mf
5
ff
mf
8
5
ff
mf
8
Vc.
Cb.
Litolff/Peters
33785
che
ISSUU Version For perusal only
496 211
Fl. ff
13:12
mf
13:12
Cl. ff
mf
ff
mf
ff
mf
Bass Sax. 13:12
Hrn. 13:12 13:12
C Tpt. ff
mf
ff
mf
Tbn. 13:12
13:12
ff
mf
Kbd 1.
13:12
(Hyper-bells)
13:12
Pno.
ff
mf
Sprechgesang
13:12
3
ord.
Martha pour
en
trer
dans
TAPE 23
Vln. ff
mf
13:12
13:12
Vla. ff
mf
ff
mf
ff
mf
Vc. 13:12
Cb.
Litolff/Peters
13:12
33785
cette
paix
ISSUU Version For perusal only
212
Fl. ff
497
21:24
mf
21:24
Cl. ff
mf 21:24
Bass Sax. ff
mf
ff
mf
Hrn. 21:24 21:24
C Tpt. ff
mf
ff
mf
Tbn. 21:24 21:24
Kbd 1.
ff
mf 21:24
Pno.
ff
21:24
mf
21:24
gliss.
3
Martha muet
te,
TAPE 23
21:24
Vln. ff
mf
21:24
Vla. ff
mf 21:24
Vc. ff
mf
21:24
Cb. ff
Litolff/Peters
mf
33785
a
lors
ISSUU Version For perusal only
498 213
13:12
Fl. ff
mf
ff
8
mf
f
13:12
8:12
Cl. ff
mf
ff
mf
f 8
Bass Sax. ff
13:12
mf
ff
mf
f
8:12
Hrn. ff
mf 8:12
13:12
C Tpt. ff
mf
ff
mf
ff
mf
ff
mf
f
Tbn. 13:12
8:12
13:12
Kbd 1.
ff
f
8:12
ff
mf
mf
f
13:12
8 8:12 13:12
ff
ff
mf
mf
f
Pno.
8:12 13:12
3
Martha ve
nez
nous
re
join
dre
dans
la
mai
son
com mu
ne.
TAPE 23
8:12
Vln. ff
mf
13:12
ff
mf
f 8:12
Vla. ff
mf
13:12
Vc. ff
f
mf 13:12
Cb. ff
mf ff
Litolff/Peters
33785
mf
8:12
f
215
ISSUU Version For perusal only
q = 88
499
q = 132
4 4
Fl. ff p
ppp
pp
4 4
Cl. ff p
ppp
4 4
Bass Sax. ff p
4 4
Hrn. ff p
4 4
C Tpt. ff p
4 4
Tbn. ff p
ppp
4 4
Perc 1.
susurrato
slow gliss.
3
4 4
Martha A
dieu
ma
soeur!
Tout
q = 88
est
fa
ci
le,
q = 132
TAPE 23
4 4
Vln.
4 4 ff p
4 4
Vla. ff p
ppp
Vc.
4 4
Cb.
4 4
Litolff/Peters
33785
ISSUU Version For perusal only
500
Fl.
4 4
Perc 1.
Perc 2.
q = 88
q = 66
218
3 4
4 4
4 4
3 4
4 4
4 4
3 4
4 4
ord. Martha
f
3
4 4 vous
3 4
le
vo
yez
4 4
Vous
a
vez
q = 88
q = 66 TAPE 23
4 4
3 4
4 4
Vc.
4 4
3 4
4 4
Fl.
q = 152
eolian
220
7:4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ppp 7:4
Cl.
eolian
7:4
4 4 ppp eolian
Bass Sax.
4 4
Tbn.
4 4
7:4
7:4
Piatto Perc 2.
l.v.
4 4
3 4 ppp
4 4
pp
p intense Martha
4 4 à
choi
sir
3
3
3 4 en
tre
le
bon heur
3
stu
pi
4 4 de
des
cail
TAPE 23
4 4
3q = 152 4
4 4
Vln.
4 4
3 4
4 4
Vla.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
sul pont. eolian
sul pont. eolian Vc.
7:4
7:4
4 4 sul pont. eolian 7:4
Cb.
4 4
7:4
7:4
7:4
7:4
Litolff/Peters
33785
ISSUU Version For perusal only Free q = 88
223
4 4
Fl.
501
lunga
3
3 4 sff
p
3
4 4
Perc 1. (Vib)
3 4 sff ff
like a witch 3
3
4 4
Martha
3 4 loux
et
le
lit
glu
où
ant
Free q = 88 TAPE 23
4 4
3 4
Vln.
4 4
3 4
17
María acts out the last scene while Martha leaves by the stairs. Vieux observesMaría from back of the stage
227
Martha
17
TAPE 23/b ("F sharp 2")
TAPE 23
Litolff/Peters
33785
nous
vous
at
ten
dons.
p
ISSUU Version For perusal only
502
XIX
In a virtual, religious atmosphere created with video and scenography
q = 72
1 Intimate q = 77
q = 66
q = 69
velocissimo possibile
5
6 4
Vibraphone
11 4
4 4
mf mf
6 4
Maria
11 4 Oh!
5
4 4 Je ne puis vi vre dans ce dé
mon Dieu!
6 4
TAPE 23/b
3
3
C'est à
sert!
11 4
vous
que
je
par
le rai
4 4
q = 63
q = 60
q = 58
q = 56
5
10 4
Vib.
4 4
7 8
6 4
6
9
3
3
10 4
Maria
et
je
sau
rai
trou ver
mes
10 4
TAPE 23/b
7 8 A yez pi tié
mots.
6 4 de
4 4
q = 54
9
5
4 4
7 8
don nez moi vo tre main!
6 4
q = 52
6
moi,
q = 50
Vib.
9 4
8 4
3 4
Maria
9 4
8 4
3 4
A
TAPE 23/b
Litolff/Peters
9 4
yez
pi
tié,
Seig
neur,
de
8 4
33785
ceux
qui
s'ai
et qui sont sé pa rés!
ment
3 4
ISSUU Version For perusal only q = 50
q = 44, Calmo
503
q = 42 Intenso
4
12
Vib.
9 8
4 4
Maria
9 8
4 4 Je
ne
sais
pas!
Mais
ai
dez
moi,
car j'ai be soin
qu'on m'ai de.
speaking, acting Vous m'avez appellé?
Vieux.
TAPE 23/b
9 8
4 4
9 8
4 4
rall.
q = 40
16
Vib.
5 4
7
l.v.
7 4 pppp
Maria
q = 38 pp
4 4
pppp
5 4
3
7 4 A
yez
pi
tié
et
con
4 4 sen
tez
à
m'ai
der!
Vieux.
5 4
7 4
4 4
TAPE 23/b
5 4
7 4
4 4
Litolff/Peters
33785
ISSUU Version For perusal only
q = 38/40 (click track)
504
legatissimo
18
Fl.
4 4
Muta in Piccolo
34:32
fff
ppp
34:32
gliss.
B. Cl.
4 4 ppp fff gliss.
Hn.
4 4 fff
ppp Tpt.
4 4 ppp
fff gliss.
Tbn.
Perc.1
Perc. 2 (Mar.)
4 4 ppp
fff
ppp
fff Glsp
4 4 Mar.
4 4 fff 21:16
(fff) K1 (Hypervib. "a")
4 4 55:64
fff
ppp
non leg.
4 4 Pno. fff
34:32
4 4 fff Vieux.
TAPE 24
4 Non! 4
legatissimo
TAPE 24 ("Doppelgänger 4" "Non") 4
4 q = 38/40 (click track)
non leg. 34:32
gliss.
Vln. I
4 4 fff
ppp
fff
gliss.
Vla.
4 4
fff
ppp
Vc.
4 4 ppp
fff 34:32
gliss.
Cb.
non leg.
4 4
ppp fff
* Note for the conductor: the instruments start imperceptibly during the resonance of the vibraphone
Litolff/Peters
33785
ISSUU Version For perusal only 21:16
505
non leg.
20
Picc.
55:64
B. Cl. 13:16
Bass Sax.
Hn.
Tpt.
55:64
Tbn.
Perc.1
Glsp.
Mar.
13:16
Perc. 2 (Mar.) 21:16
non leg.
K1 (Hypervib. "a")
(fff)
21:16
55:64
8
Pno.
55:64
TAPE 24 55:64
Vln. I
Vla.
Vc. 55:64
marcatissimo Cb. fff
Litolff/Peters
33785
506
ISSUU Version For perusal only
21
Picc. sff p
55:64
B. Cl.
55:64
Bass Sax. fff
Hn.
Tpt.
55:64
Tbn.
3
Perc.1 55:64
Perc. 2 (Mar.) fff
ff
ff 55:64
K1 (Hypervib. "a")
55:64
Pno. 55:64
TAPE 24 55:64
Vln. I
5:4
Vla.
Vc. fff molto legato 55:64
Cb.
Litolff/Peters
33785
f
non legato
ISSUU Version For perusal only 34:32
22
Picc. ff dim. non legato
34:32
B. Cl. ff dim. Bass Sax.
ff dim.
3
Hn. ff dim. Tpt. ff dim.
34:32
Tbn. ff ff dim.
Timp. 3
Perc.1 ff dim. Perc. 2 (Mar.) ff dim.
13:16
non leg.
K1 (Hypervib. "a")
ff dim.
Pno.
ff dim.
55:64 55:64
TAPE 24 34:32
Vln. I ff dim.
Vla. 7:8
ff dim.
Vc. ff dim.
34:32
Cb. ff dim.
Litolff/Peters
33785
507
ISSUU Version For perusal only 21:16
508
23
Picc.
ff dim.
21:16
B. Cl. ff
dim. 13:16
Bass Sax. ff dim.
Tpt.
21:16
Tbn. ff dim. Perc.1 (Timp)
13:16
Perc. 2 (Mar.) ff dim. 21:16
K1 (Hypervib. "a")
ff dim.
loco non legato
Pno.
ff dim.
34:32
21:16
non legato
ff TAPE 24
Vln. I
Vla. 11:8
Vc.
21:16
Cb. ff dim.
Litolff/Peters
33785
24
Picc.
ISSUU Version For perusal only 13:16
509
B. Cl. 13:16
Bass Sax.
13:16
Tpt. f dim. Tbn.
Perc.1 (Timp)
Perc. 2 (Mar.) 13:16
K1 (Hypervib. "a")
34:32
Pno.
TAPE 24
13:16
Vln. I ff dim.
Vla. 7:8
Vc.
13:16
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
510
25
B. Cl. f dim.
5:4
Bass Sax. f dim.
Tpt. (f dim.)
Tbn.
Perc.1
5:4
Perc. 2 (Mar.) f dim.
K1 (Hypervib. "a")
f dim. 34:32
Pno. f dim.
TAPE 24
Vln. I f dim. Vla. f dim.
Vc.
Cb.
Litolff/Peters
33785
ISSUU Version For perusal only till the tape finishes
26
511
30'' - 60''
B. Cl. pppp
30'' - 60'' Bass Sax.
30'' - 60'' Tpt. pppp
30'' - 60'' Tbn.
34:32
30'' - 60''
Perc.1
G.C.
spectral phasing with superball mallet
Perc. 2 (Mar.) pppp
spectral phasing "dita" or superball mallet
30'' - 60''
K1 (Hypervib. "a")
pppp
30'' - 60'' l.v.
30'' - 60''
ppp
30'' - 60'' l.v.
Pno.
30'' - 60'' TAPE 24
30'' - 60'' Vln. I pppp
30'' - 60''
Vla. pppp
30'' - 60''
Vc.
30'' - 60'' Cb.
Litolff/Peters
33785
ISSUU Version For perusal only
ISSUU Version For perusal only
ISSUU Version For perusal only Edition Peters For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage. Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions. Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage. Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.
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