Panisello LE MALENTENDU

Page 1

ISSUU Version For perusal only

Peters Contemporary Library

PANISELLO Le Malentendu An Opera for four Singers, Actor, Ensemble and Electronics Libretto by Juan Lucas Adaptation of the original text by Albert Camus

Full Score

EP 14159


ISSUU Version For perusal only


ISSUU Version For perusal only FABIÁN PANISELLO

Le Malentendu An Opera for four Singers, Actor, Ensemble and Electronics (2015/2016)

Libretto by Juan Lucas Adaptation of the original text by Albert Camus

Commissioned by Teatro Colón Buenos Aires, Neue Oper Wien and Warsaw Autumn Festival

POD PETERS on demand ALLE RECHTE VORBEHALTEN

· ALL RIGHTS RESERVED

EDITION PETERS L E I P Z I G · L O N D O N · NEW YORK


ISSUU Version For perusal only

To Ema Alexeeva, Christian Panisello and Martín Panisello, my beloved family

Work composed with the support of the programme Ayudas Fundación BBVA a investigadores y creadores culturales

First performance: 7 April 2016, CETC/Teatro Colón, Buenos Aires Ensemble Teatro Colón, conducted by Walter Kóbera


ISSUU Version For perusal only ,QGH[

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ISSUU Version Le Malentendu For perusal only I: Prelude

Fabián Panisello, 2014/2015

q = q.= 80

1

Picc SD

Vieux - cenital light

very light mallets

4 12 4 8

Percussion 1

4 4

sf ppp non cresc.

4 12 4 8 G.C

3 4 98 f

pp f p

p

pp

4 12 4 8

pp

4 12 4 8

Perc 2.

pp

Vieux - cenital light

6

Perc 1. (Picc SD)

mf

ppp

sf

3 4 98

sfp

f

f

1*

4 12 4 8

2**

sf f

4 12 4 8 ff

5- Hyper-percussion

pp

f

3***

5

3 4 98

4 12 4 8 f

Kbd 1 (Hyper-percussion)

4 12 4 8

3 4 98

4 12 4 8

3 4 98

4 12 4 8

5

5- Hyper-percussion

4 12 4 8

Kbd 2.

3

f

(Hyper-percussion)

TAPE 1 ("Wurm")

4 12 4 8

TAPE 1

3 4 98

4 12 4 8

1* Volume ped.: The most of section 1, 2, 3 is f , nevertheless are some moments where cresc. or dim. needs a local use of this pedal 2** Sustain pedal: if it is not indicated, the interprete can choice among "phrase-pedal" or "motive-pedal", but pedal is always present 3*** Hyper-percussion: the written notes only represent the location of the percussion instruments in the keyboard and not actual pitches (see description)

10

Perc 1. (Picc SD)

p

sfp

f

Perc 2. (G.C)

f

sf mf 5

Kbd 1 (Hyper-perc)

Kbd 2. (Hyper-perc)

ff

f

f

TAPE 1

Litolff/Peters

33875

Music © 2016 by Henry Litolff's Verlag Ltd & Co. KG, Leipzig Text based on the play by Albert Camus © Editions Gallimard, 1958 7/17


ISSUU Version For perusal only

2 14

Perc 1. (Picc SD)

Maria - cenital light

Perc 2. (G.C) 5

Kbd 1 (Hyper-perc) ff

Kbd 2. (Hyper-perc)

ff

f

ff

f

5

f

TAPE 1

18

Perc 1. (G.C)

p

Perc 2. (Picc SD)

p

5

5

5

Kbd 1 (Hyper-perc) 5

ff 5

Kbd 2. (Hyper-perc)

5 5

5

TAPE 1

22

Perc 1. (Picc SD)

Perc 2. (G.C)

Kbd 1 (Hyper-perc)

loco

3

Kbd 2. (Hyper-perc) ff

Litolff/Peters

33875


26

Perc 1. (Picc. S.D)

JAN - cenital light

sf p

f

ISSUU Version For perusal only f

p

3

f

G.C Toms

p

G.C

Perc 2. (G.C. Toms) f

p

ff

Kbd 1 (Hyper-perc)

Kbd 2. (Hyper-perc) ff

TAPE 2/a ("Wurm 2") TAPE 2/a

30

Perc 1. (G.C) f

ff

p

p

Perc 2. (Picc SD)

mf

Kbd 1 (Hyper-perc)

p

3

Kbd 2. (Hyper-perc)

TAPE 2/a

2

34

Perc 1. (Picc SD)

Mère + Martha - cenital light

ff

f

Perc 2. (G.C)

mf

ff

Kbd 1 (Hyper-perc)

ff 5

5

mf

ff

5 5

Kbd 2. (Hyper-perc)

ff

TAPE 2/a

Litolff/Peters

33875


ISSUU Version For perusal only

4

S.D

38

Perc 1. (Picc SD)

p

Perc 2. (G.C)

p 3

Kbd 1 (Hyper-perc)

3

ff 5

5

5

Kbd 2. (Hyper-perc)

ff

ff 5

5

ff

5

f

TAPE 2/a

Piatto S.D. 41

Perc 1. (S.D.) p Perc 2. (G.C) f

p loco

3

5

5

5

Kbd 1 (Hyper-perc) 5

5

Kbd 2. (Hyper-perc)

3

3

3

fff

3

TAPE 2/a

44

Perc 1. (S.D Piatto)

Perc 2. (G.C)

5

5

Kbd 1 (Hyper-perc)

3

3 5

Kbd 2. (Hyper-perc)

3

3

TAPE 2/a

Litolff/Peters

33875

5


ISSUU Version For perusal only

46

Perc 1. (S.D Piatto)

cresc.

5

2 4

Piatto G.C

2 4

Perc 2. (G.C)

cresc. 3

3

2 4

Kbd 1 (Hyper-perc)

3

3 5

3

ff 5

5

5

2 4

Kbd 2. (Hyper-perc)

2 4

TAPE 2/a

(click track)

3 48

2 4

Perc 1.

4 12 4 8 f

2 4

Perc 2.

4 12 4 8 f 3

Kbd 1 (Hyper-perc)

3

4 12 4 8

2 4

3 5

5

2 4

Kbd 2. (Hyper-perc)

5

4 12 4 8 ff

TAPE 2/b (Wurm 2")

2 4

TAPE 2/a

4 12 4 8

50

205

Perc 1. (S.D )

p

G.C leggero Perc 2. (Piatto G.C)

p 3

3

3

Kbd 1 (Hyper-perc)

3

ff 3 5

5

5

5

TAPE 2/b

33875

3

ff

ff

Kbd 2. (Hyper-perc)

Litolff/Peters

3

3

5

5


ISSUU Version For perusal only

6 53

Perc 1. (S.D Piatto)

Perc 2. (G.C)

3

Kbd 1 (Hyper-perc)

3

f 3

3

ff

5

5

3

3

3 5

5

5

3 5

Kbd 2. (Hyper-perc)

TAPE 2/b

56

Perc 1. (S.D Piatto)

Perc 2. (G.C)

3

Kbd 1 (Hyper-perc)

ff

3

3

3

3

3

5

5

5

5

5

5

Kbd 2. (Hyper-perc)

TAPE 2/b

59

Perc 1. (S.D Piatto)

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

p poco a poco cresc.

Perc 2. (G.C)

p poco a poco cresc.

Kbd 1 (Hyper-perc) p poco a poco cresc. 5

Kbd 2. (Hyper-perc)

5

5

5

p poco a poco cresc.

TAPE STOPS

2 4

TAPE 2/b

Litolff/Peters

33875

4 4


ISSUU Version For perusal only

7

4 Very energetic q = q. 160 63

Picc.

4 4 mf

5

Cl.

5

5

5

4 4 mf

Hn.

4 4 f

Tbn.

4 4 f

Vib. 5

P.1 (Vib.)

5

5

5

4 4 mf Pedal, 1/2 pedal ad libitum

Glsp P.2 (Glsp)

4 4 mf

12- E bass

4 128 4 Kbd 1 (E-bass)

4 128 4 mf

4 4 f

Pno.

4 4 4 Very energetic q = q. 160 5

5

Vln.

5

5

4 4 mf

ord. Vla.

4 4 f

Vc.

4 4 f

pizz Cb.

4 12 4 8 f

Litolff/Peters

33875


ISSUU Version For perusal only

8 65

Picc. p

5

5

Cl. 5

B. Sax.

12 8

Hn.

Tbn.

5

5

5

P.1 5

(Vib)

P.2 (Gslp)

Kbd 1 (E Bass)

Pno.

5

5

Vln. 5

Vla.

Vc.

Cb.

Litolff/Peters

33875

5


ISSUU Version For perusal only

67

Picc.

5

9

5

5

Cl. 5

B. Sax.

Hn.

Tbn.

5

5

P.1 (Vib)

5

ped, 1/2 ped ad lib.

P.2 (Gslp)

simile

Kbd 1 (E bass )

Pno.

5

5

5

Vln.

Vla.

Vc.

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

10 69

Picc.

5

5

5

5

5

5

5

Cl.

B. Sax.

Hn.

Tbn.

5

5

P.1 (Vib)

P.2 (Gslp)

Kbd 1 (E bass)

Pno.

5

5

5

Vln.

Vla.

Vc.

Cb.

Litolff/Peters

33875

5

5


ISSUU Version For perusal only

72

Picc.

11

p súb.

5

5

Cl.

B. Sax.

Hn. 3

3

3

Tbn.

5

5

5 5

P.1 (Vib)

P.2 (Gslp)

Kbd 1 (E bass )

Pno.

5

5

Vln. 5

Vla. 3

Vc.

Cb.

Litolff/Peters

33875

3


ISSUU Version For perusal only

12 74

Picc.

5

5

Cl.

B. Sax.

Hn. 3

3

3

Tbn.

5

P.1 (Vib)

P.2 (Gslp)

Kbd 1 (E bass)

Pno.

5

5

Vln.

Vc.

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

75

Picc.

ppp

f

5

5

13

mf

5

5

Cl.

(E bass) B. Sax.

3

Hn. 3

sord. straight Tbn. sf 5

5

5

P.1 (Vib)

P.2 (Gslp)

Kbd 1 (E bass)

Pno.

5

5

5

Vln.

sul pont.

3

ord. Vla. 3

3

3

Vc.

Cb.

Litolff/Peters

33875

3


ISSUU Version For perusal only

14 77

Picc.

5 5

5

Cl.

B. Sax.

Hn. 3

3

Tbn.

5 5

P.1 (Vib)

P.2 (Gslp)

Kbd 1 (E bass)

Pno.

5

5

Vln.

3

Vla. 3

3

sul pont. Vc. sf

Cb.

Litolff/Peters

33875

3


ISSUU Version For perusal only

79

Picc.

5

15

5

5

Cl.

3

Hn. 3

3

Tbn. sf

sf

P.2 (Gslp)

Kbd 1 (E bass)

Pno.

5

5

5

5

Vln.

3

3

Vla. 3

sul pont. Vc.

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

5 Marcatissimo

16 82

ff staccatissimo Picc.

ossia ff staccatissimo

ossia

Xil P.1 (Xil)

ff staccatissimo

P.2 (Gslp) ff staccatissimo

ff staccatissimo Pno.

5 Marcatissimo Vln. sff p

sff p

simile

Vla. sff p

sff p

simile

Vc. sff p

Litolff/Peters

simile

33875


ISSUU Version For perusal only

85

Picc.

17

ossia

P.1 (Xil)

P.2 (Gslp )

senza sord. Pno.

Vln. ff

ff

simile

Vla. ff

ff

simile

Vc. ff

Litolff/Peters

ff

simile

33875


ISSUU Version For perusal only

18 87

Picc.

P.1 (Xil)

P.2 (Gslp )

Pno.

Vln. sff

sff

sff

sff

Vla. sff

sff

sff

Vc. sff

sff

sf

89

Picc.

P.1 (Xil)

P.2 (Gslp)

Pno.

Vln. sff

p

sff

p

Vla. sff

sff

p

Vc. sff

Litolff/Peters

sff

33875

sff


ISSUU Version For perusal only

6 Soft 91

Fl. loco

19

Cl. 3

3

mp

3

3

3

3

3

3

3

3

3

3 3

Vib P.1 (Vib)

Piatto

medium mallets

3

P.2 (Piatto)

6 Soft

pp

ppp

pp

Kbd 1 (E bass)

3

mf

Vln. mf

3

3

3

3

3

3

3

3

3

3

3

3

3

Vc. sf p

pp

Cb. mf

94

3

Cl. 3

3 3

P.1 (Vib)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

P.2 (Piatto)

3

3

3

pp

pp

Kbd 1 (E bass) p

Vln. 3

3

3

3

3

3

3

Vc.

Cb. p

Litolff/Peters

33875

3

3


ISSUU Version For perusal only

7 Fluent

20 97

Cl.

mf

più f

5

5

5

5

5

5

B. Sax. mf

sord. straight Tbn. mf

P.2 (Piatto)

p

pp

pp

pp

3- Hyper-marimba "a"

Kbd 2. (Hyper-mar. "a")

mf

più f

7 Fluent Vln.

pizz. Vla. poco sf

pizz.

5

5

5

5

Cb. mf

Litolff/Peters

33875

5

5


ISSUU Version For perusal only

100

8 4 4

2 4

Cl.

5

5

5

2 4

B. Sax.

21

4 4 mf

2 4

Hn.

4 4 sfp

Tbn.

2 4

4 4

P.1 (G.C.)

2 4

4 4

G.C

mf

P.2 (Piatto)

Kbd 1 (E bass )

2 4

4 4

2 4

4 4

2 4

4 4 mp

2 4

4 4

2 4

4 4

2 4

8 4 4

Kbd 2. (Hyper-mar. "a")

Vla.

pizz.

2 4

Vc.

5

Cb.

5

2 4

4 4

5

4 4 mp

Litolff/Peters

33875

sf

p

sf


ISSUU Version For perusal only

22 103

B. Sax. mp

3 4

3 4

Hn. p

sf

p

3 4

Tbn. sf p

sf p

sf p

3 4

P.1 (G.C) p

3 4 Kbd 1 (E bass)

3 4

Vc.

3 4

Cb.

3 4 p dim.

Litolff/Peters

33875


ISSUU Version For perusal only 9 Intense

105

Picc.

3 4

4 4

ff

Cl.

3 4

4 4 ff

B. Sax.

3 4

4 4 ff

Hn.

3 4

4 4

C Tpt.

3 4

4 4 ff

Tbn.

3 4

4 4 ff

Xil hard mallets P.1 (Xil)

3 4

4 4 ff

Mar medium hard mallets P.2 (Mar)

3 4

4 4 ff

4- Hyper-mar. "b"

3 4

4 4

3 4

4 4

Kbd 1 (E bass)

Piano

3 4

4 4 ff

Pno.

3 4

4 4 9 Intense

Vln.

3 4

4 4 ff pizz.

Vla.

3 4

4 4 ff

Vc.

3 4

4 4

Cb.

3 4

4 4 ff

Litolff/Peters

33875

23


ISSUU Version For perusal only

24 108

Picc.

non legato Cl. 5

5

3

5

3

B. Sax.

5

5

5

3

non legato 3

C Tpt.

Tbn.

P.1 (Xil.)

P.2 (Mar.)

5

5

5

3

3

Kbd 1 (Hyper-mar "b")

Pno.

5

Vln.

Vla.

5

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

25

non legato

110

Picc.

ff p

3

3

3

ff p

3

sim.

Cl. 3

3

3

3

3

3

3

3

ff

5

p

ff

5

p

sim. 3

3

3

B. Sax. ff p

ff p

3

sim.

Hn.

3

3

3

3

3

3

3

ff

p

ff

p

ff

p

ff

p

ff

p

ff

p

sim.

3

C Tpt. 5

5

sim

Tbn. sim.

Vibraphone same mallets P.1 (Xil)

P.2 (Mar)

3

3

3

3

3

3

3

3

Kbd 1 (Hyper-mar "b")

Pno.

5

ff* p

5

5

p

ff

p

ff* p

5

5

ff

3

sim.

ff* p

sim.

5

ff* p

sim.

3

3

ff* p 3

5

5

ff* p

3

sim. 3

3

3

Vln. ff p

3

3

3

ff p

3

sim.

Vla. ff

5

5

5

3

5

3

3

Cb. ff p

ff* p

sim.

* accentuate first note of each group

Litolff/Peters

33875

3


ISSUU Version For perusal only

26 113

Picc. 3

3

3

3

3

3

3

3

3

3

3

2 4

3

2 4

Cl. 5

5

5

5

3

3

5

5

3

2 4

B. Sax. 3

3

3

3

3

3

3

3

3

Hn.

2 4

C Tpt.

2 4 5

5

5

5

5

5

Tbn.

2 4

P.1

2 4

(Vib)

5

5

5

5

5

5

2 4

P.2 (Mar)

5

5

5

5

5

5

2 4 Kbd 1 (Hyper-mar "b")

2 4

3

Pno.

3 3

3

3 3

3

3

3

3 3

3

3 3

3

3

3

3 3

3 3

3

2 4

3 3

2 4

2 4

Vln. 3

3

3

3

3

3

3

3

3

3

3

3

3

Cb.

Litolff/Peters

33875

3

3

3

3

3

3

3

3

3

3

3

2 4


ISSUU Version For perusal only

27

10

116

Picc.

Cl.

B. Sax.

2 4

3 4

3

4 4

ff-pp

2 4

5

2 4

ppp poco a poco crescendo

3 4

4 4 ff-pp

ppp poco a poco crescendo

3 4

7

4 4 ff-pp

3

7

ppp poco a poco crescendo

Flatt. Hn.

2 4

3 4

4 4 ff-pp

C Tpt.

2 4

5

ppp poco a poco crescendo

3 4

4 4 ff-pp ppp poco a poco crescendo

Tbn.

2 4

3 4

4 4 ff-pp

ppp poco a poco crescendo medium mallets

P.1

2 4

5

(Vib)

P.2 (Mar)

2 4

5

3 4

4 4 ppp poco a poco crescendo

3 4

4 4 ff-pp ppp poco a poco crescendo

3-Hyper-mar "a"

2 4

3 4 ff-pp

Kbd 1 (Hyper-mar "b")

2 4

7

4 4 ppp poco a poco crescendo

3 4

7

4 4 ff-pp 7

2 4

3 4

3

4 4 ppp poco a poco crescendo

Pno. 3

2 4

3 4

7

4 4 10 7

Vln.

2 4

3 4

3

4 4 ppp poco a poco crescendo

ff-pp

arco Vla.

2 4

3 4

4 4 ppp poco a poco crescendo arco

Vc.

2 4

3 4

4 4 ppp poco a poco crescendo

3

Cb.

2 4

7

3 4

4 4 ff-pp

Litolff/Peters

ppp poco a poco crescendo

33875


28 7

120

Picc.

ISSUU Version For perusal only 7

7

p poco a poco cresc

Cl. p poco a poco cresc 7

7

7

B. Sax. p poco a poco cresc

Hn. p poco a poco cresc

C Tpt. p poco a poco cresc

Tbn. p poco a poco cresc

P.1 (Vib) p poco a poco cresc

P.2 (Mar)

Kbd 1 (Hyper-mar "a")

p poco a poco cresc

7

7

7

7

7

7

p poco a poco cresc

7

Pno.

7

7

p poco a poco cresc

7

7

7

7

7

7

Vln. p poco a poco cresc

Vla. p poco a poco cresc

Vc. p poco a poco cresc 7

7

7

Cb. p poco a poco cresc

Litolff/Peters

33875


7

123

Picc.

ISSUU Version For perusal only 7

29 7

mf poco a poco crescendo

Cl. mf poco a poco crescendo 7

7

7

B. Sax.

mf poco a poco crescendo

Hn. mf poco a poco crescendo

C Tpt. mf poco a poco crescendo

Tbn. mf poco a poco crescendo

P.1 (Vib) mf poco a poco crescendo

P.2 (Mar)

mf poco a poco crescendo

7

Kbd 1 (Hyper-mar "a")

7

mf poco a poco crescendo

7

Pno.

7

mf poco a poco crescendo

7

7

7

7

7

7

7

7

7

7

7

Vln. mf poco a poco crescendo

Vla. mf poco a poco crescendo

Vc. mf poco a poco crescendo 7

7

Cb. mf poco a poco crescendo

Litolff/Peters

33875

7


ISSUU Version For perusal only

30 126

Picc.

f crescendo

Cl. f crescendo

7

7

7

B. Sax.

f crescendo 5

5

Hn. 5

5

f crescendo

5

f crescendo

5

5

C Tpt. f crescendo

Tbn. 5

5

5

5

5

P.1 (Vib) f crescendo

P.2 (Mar) f crescendo

7

Kbd 1 (Hyper-mar "a")

f crescendo

7

7

7

7

7

f crescendo

Pno.

Vln. f crescendo 5

5

5

5

5

5

Vla. f crescendo

Vc. 5

5

5

5

f crescendo

7

7

7

Cb. f crescendo

Litolff/Peters

33875

5

5


ISSUU Version For perusal only

129

Picc. ff senza crescendo

Cl. ff senza crescendo 7

B. Sax. ff senza crescendo 3

Hn. 5

ff senza crescendo

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

C Tpt. ff senza crescendo

Tbn. 5

3

ff senza crescendo

3

P.1 (Vib) ff senza crescendo

P.2 (Mar) ff senza crescendo

3

3

Kbd 1 (Hyper-mar "a")

ff senza crescendo

ff senza crescendo Pno.

Vln. ff senza crescendo 5

Vla. ff senza crescendo

Vc. 5

ff senza crescendo 7

Cb. ff senza crescendo

Litolff/Peters

33875

31


ISSUU Version For perusal only

32 132

Picc.

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

ppp subito crescendo

Cl. ppp subito crescendo

B. Sax. ppp subito crescendo

Hn. ppp subito crescendo

C Tpt. ppp subito crescendo

Tbn. ppp subito crescendo

P.1 (Vib.)

ppp subito crescendo

P.2 (Mar.) ppp subito crescendo

Kbd 1 (Hyper-mar "a")

Pno.

ppp subito crescendo

ppp subito crescendo

Vln. ppp subito crescendo

Vla. ppp subito crescendo

Vc. ppp subito crescendo

Cb. ppp subito crescendo

Litolff/Peters

33875


134

Picc.

5 4

Cl.

ISSUU Version For perusal only

33

4 4

5 4

5 4

4 4

5 4

B. Sax.

5 4

4 4

5 4

Hn.

5 4

4 4

5 4

C Tpt.

5 4

4 4

5 4

Tbn.

5 4

4 4

5 4

P.1 (Vib.)

5 4

4 4

5 4

5 4

4 4

5 4

5 4

4 4

5 4

5 4

4 4

5 4

P.2 (Mar.)

Kbd 1 (Hyper-mar "a")

loco

5 4

4 4

5 4

5 4

4 4

5 4

Vln.

5 4

4 4

5 4

Vla.

5 4

4 4

5 4

Vc.

5 4

4 4

5 4

Cb.

5 4

4 4

5 4

Pno.

Litolff/Peters

33875


34 136

ISSUU Version For perusal only

Muta in Flute

Picc.

5 4

Cl.

5 4

3 4

B. Sax.

5 4

3 4

Hn.

5 4

3 4

C Tpt.

5 4

3 4

Tbn.

5 4

3 4

P.1 (Vib)

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

5 4

3 4

Vln.

5 4

3 4

Vla.

5 4

3 4

Vc.

5 4

3 4

Cb.

5 4

3 4

P.2 (Mar)

3 4

Kbd 1 (Hyper-mar. "a")

Pno.

Litolff/Peters

33875


ISSUU Version For perusal only

11 Leggero, staccatissimo q = 138 (click track) 2'' - 3''

137

Fl.

3 4 2'' - 3'' ppp sub.

Cl.

Flute

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

4 4

5 4

3 4

f

3 4 ppp sub. 2'' - 3''

B. Sax.

35

pp

3 4 ppp sub.

f

2'' - 3'' Hn.

3 4 ppp sub. 2'' - 3''

C Tpt.

Tbn.

3 4

ppp sub. 2'' - 3''

f

3 4 ppp sub. 2'' - 3''

P.1 (Vib)

3 4 ppp sub. 2'' - 3''

f hard mallets

P.2 (Mar)

3 4

ppp sub. 2'' - 3''

f

3 4 ppp sub. 2'' - 3''

Kbd 1 (Hyper-mar. "a")

f

3 4 ppp sub.

f

2'' - 3''

3 4 ppp sub. 2'' - 3''

Pno.

f

3 4 ppp sub.

f

TAPE 3 ("Mikro-Oper") * (click track) TAPE 3 ("Mikro-Oper")

3 4 2'' - 3''

Vln.

Vla.

11 3 4

ppp sub. 2'' - 3''

3 4 ppp sub. 2'' - 3''

Vc.

Cb.

f

3 4

f

ppp sub. 2'' - 3''

f

3 4 ppp sub.

f

*TAPE 3 starts by the first part of bar 137 after the fermatta

Litolff/Peters

33875


36 140

ISSUU Version For perusal only

Fl.

3 4

Cl.

3 4

4 4

B. Sax.

3 4

4 4

Hn.

3 4

4 4

C Tpt.

3 4

4 4

Tbn.

3 4

4 4

P.1

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

TAPE 33

3 4

4 4

Vln.

3 4

4 4

Vla.

3 4

4 4

Vc.

3 4

4 4

Cb.

3 4

4 4

P.2 (Mar)

Kbd 1 (Hyper-mar. "a")

4 4

Pno.

Litolff/Peters

33875


143

ISSUU Version For perusal only

37

3 4

2 4

Cl.

3 4

2 4

B. Sax.

3 4

2 4

Hn.

3 4

2 4

C Tpt.

3 4

2 4

Tbn.

3 4

2 4

P.1 (Vib)

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

TAPE 33

3 4

2 4

Vln.

3 4

2 4

Vla.

3 4

2 4

Vc.

3 4

2 4

Cb.

3 4

2 4

Fl.

P.2 (Mar)

Kbd 1 (Hyper-mar. "a")

Pno.

Litolff/Peters

33875


38 146

Fl.

2 4

Cl.

ISSUU Version For perusal only 3 4

5 4

4 4

2 4

3 4

5 4

4 4

B. Sax.

2 4

3 4

5 4

4 4

Hn.

2 4

3 4

5 4

4 4

C Tpt.

2 4

3 4

5 4

4 4

Tbn.

2 4

3 4

5 4

4 4

P.1 (Vib)

2 4

3 4

5 4

4 4

2 4

3 4

5 4

4 4

2 4

3 4

5 4

4 4

2 4

3 4

5 4

4 4

2 4

3 4

5 4

4 4

2 4

3 4

5 4

4 4

TAPE 3 3

2 4

3 4

5 4

4 4

Vln.

2 4

3 4

5 4

4 4

Vla.

2 4

3 4

5 4

4 4

Vc.

2 4

3 4

5 4

4 4

Cb.

2 4

3 4

5 4

4 4

P.2 (Mar)

Kbd 1 (Hyper-mar. "a")

Pno.

Litolff/Peters

33875


149

Fl.

4 4

ff f

ff f

sf

ff

2 4 ff f

sf

4 4

2 4 ff

5 4 ff

sf

4 4

2 4 ff f

5 4 ff

sf

4 4

2 4 ff

5 4 ff f

sf

4 4

2 4 ff f

5 4 sf p

ff f

sf

4 4

2 4 ff f

5 4 sf p

Kbd 1 (Hyper-mar. "a")

2 4

5 4

sf p

P.2 (Mar)

sf

4 4

sf p

P.1 (Vib)

ff f

5 4

sf p

Tbn.

ff f

4 4

sf p C Tpt.

sf

2 4

5 4

sf p Hn.

ff f

4 4 sf p

B. Sax.

39

5 4

sf p

Cl.

ISSUU Version For perusal only

ff f

sf

2 4 ff f

4 4

5 4

2 4

4 4

5 4

2 4

sf p

Pno.

ff f

sf

ff f

4 4

5 4

2 4

TAPE 3 3

4 4

5 4

2 4

Vln.

4 4

5 4

2 4

sf p

Vla.

ff f

sf

4 4

2 4 ff f

5 4 ff f

sf

4 4

2 4 ff f

5 4 sf p

Litolff/Peters

ff f

5 4

sf p

Cb.

sf

4 4 sf p

Vc.

ff f

ff f

sf

33875

2 4 ff f


40 152

Fl.

2 4

6 4

ISSUU Version For perusal only 5 4

ff

Cl.

2 4

2 4

6 4

5 4

3 4 f

6 4

5 4

3 4

ff

Hn.

2 4

f

6 4

5 4

3 4

ff

C Tpt.

2 4

f

6 4

5 4

3 4

ff

Tbn.

2 4

f

6 4

5 4 ff

P.1 (Vib)

2 4

2 4

6 4

5 4

6 4

5 4

5 4 ff

3 4 f

2 4

6 4

5 4

3 4

2 4

6 4

5 4

3 4

ff

Pno.

TAPE 33

3 4 f

6 4

Kbd 1 (Hyper-mar "a")

3 4 f

ff

2 4

3 4 f

ff

P.2 (Mar)

3 4

f

ff

B. Sax.

12

f

2 4

6 4

5 4

3 4

2 4

6 4

5 4

3 4 12

Vln.

2 4

6 4

5 4 ff

Vla.

2 4

6 4

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(noise) 175

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16 Progressively degrading the sound into noise (strings scratching, winds overblowing) 3

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ng)

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3 2

TAPE 3

3 2

Vln.

3 2

Vla.

3 2

Vc.

3 2

Cb.

3 2

Litolff/Peters

Voice in off: .........Non, je n'avais pas à veiller sur mon frère...le voilà qui a obtenu ce qu'il voulait...Non.........

33875


ISSUU Version For perusal only

69

II: Scene 1 Mère-Martha/Jan-Maria (simultaneous scene) "spectral phasing" (the staff above indicates the number of microtonal digitations inside a half-tone (around 5) 3

1 Susurrato, Fuggevole q = 72/76 "solo"

Flute

4 4

5

pp

Clarinet in Bb

5

sfp

4 4 f mf sub

p leggerissimo

B.G with the fingers P.1

4 4 pp

S.D leggerissimo

with extreme light mallets

P.2

4 4 pp susurrato mf

Martha

4 4 mf

Mère

Il te l'a dit?

5

5

4 4 Il re vien dra

oui

Quand tu es sor tie

3

marc.

3

3

Fl. 3

f

Cl. Bb

P.1 (B.G)

Piatto

with soft mallets

P.2 (S.D)

Martha Il revien dra seul?

Est

il

riche?

3

Mère Je ne

sais

pas vib.

Vln. p

Litolff/Peters

33875


ISSUU Version For perusal only

70

5

2 4

Cl. Bb mf

3 8 p

P.1 (B.G)

2 4

3 8

2 4

3 8

2 4

3 8

2 4

3 8

quasi f

S.D P.2 (S.D)

Martha Il faut au ssi qu'il soit seul

ord.

Spoken: Parlato, Suspirando, irónico ironically laughing quasi Sprechg. 5

5

5

5

glis

Mère Il ne s'est pas in quie té du prix mf

seul et riche, oui...

Vln.

parlato

s. et a lors nous de vrons re com men

cer.

2 4

3 8

2 4

3 8

pizz

Vla. f

Litolff/Peters

33875


ISSUU Version For perusal only

71

2 Light, as a Waltz e = 144 8

Cl. Bb

Tbn.

3 8

pp

ppp

3 8 fp

Tp P.1 (Tp)

3 8 mp secco

Piatto impulsivo P.2 (Piatto)

3 8 mp

mp

sim.

1- Hyper vib "a"

3 8 mf

Kbd. 1 (Hyper vib "a")

3 8

1- Hyper vib "a"

3 8 mf

mf

Kbd. 2. (Hyper vib "a")

3 8 mf

p

Maria

3 8 Par

don

ne

moi

je

ne pou

vais

Sprechg. exclamate p

Jan

3 8 Tu

m'as sui

vi!

2 Light, as a Waltz e = 144 espr

Vln.

3 8 f

sord.

Vla.

Litolff/Peters

arco

vib.

ppp

p

3 8 33875

pas.

Je

par

ti

rai


ISSUU Version For perusal only

72

13

Cl. Bb pppp

p

pp

P.1 (T.P)

P.2 (Piatto)

Kbd. 1 (Hyper vib "a")

Kbd. 2. (Hyper vib "a")

pp

3

Maria tout

à

l'heure

mais

laisse

pizz.

Vln.

Vla. pppp

Litolff/Peters

33875

moi

voir

l'en

droit

je

te

lais


ISSUU Version For perusal only

17

Cl. Bb f

73

4 4

mf

4 4

P.1 (T.P) l.v.

4 4

P.2 (Piatto)

4 4 Kbd. 1 (Hyper vib "a")

4 4

4 4 pp

Kbd. 2. (Hyper vib "a")

4 4 4 4

Maria pizz

se.

4 4

Vln. p

3 Susurrato, intenso q = 72/76 20

Fl.

3

"solo"

4 4

2 4 f

f

p

3

Muta in Bass Cl. Cl. Bb

4 4

2 4 f p sub

f sord. Harm

C Tpt.

4 4

2 4 sf

B. G. P.1 (B.G)

p

4 4

2 4 p

f p súb

S.D. P.2 (S.D)

Martha

4 4

2 4

4 4

2 4 Je vous re con nais mal

de puis quel que temps 5

Mère

3 Susurrato, intenso q = 72/76

gliss.

spoken parlato

2 4 Je vou

drais me re po ser.

(pizz)

4 4

2 4 f

Litolff/Peters

5

4 4 Je suis fa ti guée.

Vln.

3 3

33875


ISSUU Version For perusal only

74

4 Nostalgic q = 50

Bass Cl.

22

2 4

B. Cl.

4 4

poco rit.

2 4 p

2 4

C Tpt.

pp

2 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

colla parte

sord cup

Tbn.

pp

4 4 ff

4 4

4 4 fp

p

sf

pp

Timpani

2 4

P.1 (Timp)

4 4 gliss.

mp

2 4

gliss.

4 4 colla parte

Kbd. 2. (Hyper vib "a")

3

2 4

4 4 pp sprechgesang

mf

2 4

Jan

3

4 4 Oui, c'est i ci

sprechg.

ord.

3

J'ai pris cette por te,

ord.

il y_a vingt ans. Ma soeur é tait une pe tite

sprechg.

3

3

fil le. Elle jou ait dans ce coin.

4 Nostalgic q = 50 colla parte

2 4

Vc.

poco rit.

non leg.

4 4 p

fp

5 Fuggevole, metallico q = 72 "solo"

28

Fl.

4 4 p

Bg, Cga

soft mallets 3

P.1 (Bg,Cga)

3

3

4 4

3

3

3

pp

Bg, Cga with S.D. mallets (or with hands)

P.2 (Bg,Cga)

S.D

10

7

4 4 pp

sf pp

Piano

4 4 mp

Pno.

4 4 susurrato metallico, fuggevole mf

Martha

6

4 4 Je puis pren dre sur

moi

ce

qui

vous

res

te_en

core

à

faire

dans la mai

son. 5

Mère

mf

4 4 ce

Vln.

5 Fuggevole, metallico q = 72 pizz. 4 4 poco sf

Litolff/Peters

33875

n'est


ISSUU Version For perusal only

29

espr.

5

3

3

75

3

3

5 4

3 8

5 4

3 8

5 4

3 8

5 4

3 8

fuggevole

Fl. 7

pp

with tp mallets

Piatto P.1 (Piatto)

ppp

P.2 (S.D)

8-E-waterphone

5 4

3 8 mp

Kbd. 1 (E-waterphone)

colla parte

5

5 4

3 8

5 4

3 8

7

f

Pno.

5 4

5

5

3

5 4

Mère pas de ce re

3 8

pos

que je par

le.

parlato

gliss.

3 8

5

c'est un rêve de vieille femme. J'as pire seule ment à la paix.

Non,

Vln.

5 4

3 8

Cb.

5 4

3 8 sf pp sub

Litolff/Peters

33875


ISSUU Version For perusal only

6 Delicate e = 132/144

76 31

Fl.

3 8

mf

Cl. Bb

3 8 pp

mf

3

sord. Harm

C Tpt.

3 8 ppp

Timp coperto leggiero P.1

3 8 p

(Timp)

pp

mp

mp

pp

ppp

mp

1- Hyper-vib "a"

3 8 Kbd. 2. (Hyper-vib "a")

3 8

mf

Maria

3

3 8 Jan

je ne puis pas

croire

qu'elles

ne

t'aient

pas re

6 Delicate e = 132/144

con

nu

tout

à

l'heure.

vib.

3 8 p

p

arco

Vla.

3 8 p

Litolff/Peters

33875

mère

flaut.

arco

Vln.

Une


ISSUU Version For perusal only quasi Recitative q = 48 - 50

77

3

36

3

Fl. mf 3

4 4

3

sf p

3 4

f

C Tpt.

4 4

Tbn.

4 4

3 4 gliss

3 4 pp

sf

(non coperto)

P.1 (Timp)

sub pp

l.v.

3

3

4 4 pp

3 4

gliss sf sub. gliss

p

leg.

4 4

3 4

4 4

3 4

Kbd. 1 (E-waterphone)

Piano

7

4 4 Pno.

7

7

3 4

7

4 4

3 4 f dim.

3

4 4

Maria re con nait

tou

jours

son

3 4

fils. f intense, nostalgic

3

3

Jan

3

3

4 4 J'é

tais

un

a do les cent,

sprechg. 3

3

3 4 pres

que un

jeune gar çon.

quasi Recitative q = 48 - 50 Vln.

7

4 4 sf(f)

7

sf(mf) 7

Vla.

7

3 4 sf(mf) 7

7

3 4 sf(mf)

7

4 4 sf(f)

Litolff/Peters

sf(pp)

4 4 sf(f)

Cb.

sf(pp)

4 4 sf(f)

Vc.

3 4

33875

sf(pp)

7

sf(mf)

sf(pp)

3 4


ISSUU Version For perusal only

78

7 Leggerissimo, effimero q = 72

colorful

3 4

3

39

Fl.

3

3

3 4

3

3

1 4

3

p

3 4

sf f

mf 7:6

3 4

B. Cl.

1 4

3 4 f

sord Harm.

3

3

3 4

C Tpt.

p

1 4

3 4

ppp

B.G Piatto

intensive

with fingers.

3 4

P.1 (Bg, Cga)

1 4

l.v.

3 4

pp

B.G with fingers intensive

3 4

P.2 (Bg, Cga)

3 3

3

pp 3

3

3

3

Vous

n'êtes

3 4 f

3

susurrato

Martha

Piatto

1 4

3

3 4

3

3

3

3

1 4

pas si vieil

le,

ma

3 4

mère. f

3 4

Mère

1 4

5

3 4 Tu sais

7 Leggerissimo, effimero q = 72 3 4

Vln.

f

5

bien

5

que je plai san te. vib

Mas quoi!

sv

ord. espr

1 4

3 4 f

42

3

3

3

3

Fl. p

mf 5:3

4:3

B. Cl. mf

sord. Harmon

C Tpt. ppp Sprechg. 5

5

pp

ord. 5

spoken

ord.

5

spoken ord.

3

Mère

gliss À la fin d'u ne vie,

on peut bien se lai sser a ller.

Ne te dur cis

pas,

Mar tha!

5

spoken

. Bien

ton âge

des filles de

ne son gent

Vln. sord. di piombo (iron mute)

Vla. ppp

Litolff/Peters

p

33875

ppp

p

ppp


ISSUU Version For perusal only

Poco più mosso q = 76 45

Fl.

3

3

3

3

3

3

3

sf p

79

3

1 4

3 8

1 4

3 8

ff

B. Cl. fpsub

ppp

ff

without sord.

7

7

7

Tbn.

1 4

3 8

1 4

3 8

1 4

3 8

1 4

3 8

1 4

3 8

1 4

3 8

1 4

3 8

1 4

3 8

f

P.1 (Tp)

mp

ppp

ff

Pno. martellato

7

7

7

ff sf

f

fff

half spoken

ironically, exclamate, intense, susurrato

ff intense

Martha au près des

Leurs fo lies ne sont rien

tres,

vous le

sa vez.

Mère qu'à

des folies

Poco più mosso q = 76 3

Vln. f

p

Cb. pp

Litolff/Peters

fpsub

ff

33875


ISSUU Version For perusal only

8 Transparent e = 144 - 152

80 48

Fl.

3 8

B. Cl.

3 4

3

mf

Quasi recitative, somber, intense q = 50 ca.

mf

3

cresc.

p

3 8

3 4 ppp

p 7

Bass Sax.

3 8

3 4 p

pp 7

Hn.

3 8

3 4 pp

p without sord.

C Tpt.

3 8

7

3 4 pp p

pp 7

Tbn.

3 8

3 4 p

pp

Timpani 7

coperto, leggiero

P.1 (Timp)

3 8

3 4 p

f

Mar P.2 (Mar)

3 8

3 4 pp

p

1- Hyper vib "a"

3 8

3 4 p

Kbd. 1 (Hyper vib "a")

3 8

3 4

3 8

3 4

7

l.v.

quasi f

Pno.

pp secco

3 8

7

3 4

7

p f

intense

Maria

3 8

3 4 Il au rait mp

suf

fi

d'un

mot. Sprechg.

Jan

3 8

3 4 p

8 Transparent e = 144 - 152 Vln.

3 8

Cb.

Litolff/Peters

Je ne l'ai pas trou vé.

Mais quoi,

Quasi recitative, somber, intense q = 50 ca.

3 4

p cresc s.p.

3 8

poco a poco intensive 5

3 4

p

33875


ISSUU Version For perusal only

52

B. Cl.

81

mf

7

7

7

Bass Sax. mf

f

7

7

7

Hn. p

sord. wawa

mf

f

7

7

7

C Tpt. mf

p

f

7

sord. wawa

7

7

Tbn. p

P.1 (Timp)

mf

f

mf

mf

4- Hyper mar "b"

7

7

p

Kbd. 1

gliss.

gliss.

gliss. sf

pp

6

pp

7

7

7

mf

simile

(Hyper mar "b")

7

7

7

mf

pp simile

Pno. 7

7

7

7

7

mf

ord. 3

mf

3

3

Sprechg.

3

ap por ter ma

for

3

gliss.

Jan je

ne suis pas

si

pres

sé.

Je

suis

ve

pizz. 7

Litolff/Peters

i

ci

7

7

Cb. mf

nu

simile

33875

7

tune


ISSUU Version For perusal only

82 54

B. Cl.

ff

7

7

7

7

7

7

7

7

7

7

Bass Sax.

Hn.

7

C Tpt.

7

Tbn.

gliss. P.1 (Timp) ff

7

7

Kbd. 1 (Hyper mar "b")

pp

7

7

7

f

ff

7

7

7

Pno. 7

7

7

7

7

ff

ord.

3

Sprechg.

ff dim.

Jan et,

si

je

le

7

puis

du

bon

heur.

Mais

7 7

Cb. ff

Litolff/Peters

33875

ce

n'est pas


ISSUU Version For perusal only

83

Poco più mosso q = 54

56

B. Cl.

7

7

7

Bass Sax.

7

f

7

p

7

7

7

Hn. f dism

p

7 7

7

7

C Tpt. f dism

7

p

7

7

7

Tbn. f dism

P.1 (Timp)

p

p

ff

7

7

7

ff

Kbd. 1 (Hyper mar "b")

7

dim

Pno. 7

7

7

7

f 7

7

7

7

7

ff

carismatic ord.

3

3

vib.

port.

3

ff

3

Jan si

fa

qu'on le

cile

dit

de

ren

trer

chez

soi,

il

faut

un

peu

de

temps

Poco più mosso q = 54 7

7

Vln. p 7

7

Vc. p

7

7

7

7

Cb. ff

Litolff/Peters

f

dim

33875

7

7


ISSUU Version For perusal only q = 76

9

84

"solo"

58

3

3

3

3 3

3

3

3

glis s.

jet whistle

3

4 4

Fl.

p

sf

intense cresc.

3

f

Muta in Cl in Bb B. Cl.

4 4

Bass Sax.

4 4

7

p

pp

sf

mf

4 4

Hn. p

sord. straight

4 4

C Tpt.

ff

p

7

4 4

Tbn. p

f

pp

gliss.

4 4

P.1 (Timp)

Bg, Cga

4 4

P.2

p intensive sempre, cresc al f

4 4 mf

Pno.

7

7

7

7

4 4

7

7

sf

p crec

spoken, in a very high register

4 4

Martha

Mère!

Ah,

Sprechg.

ord.

mf

3

Quand nous au rons a ma ssé beau coup d'ar gent

espr.

4 4

Jan pour faire un fils

d'un é tran ger.

9

q = 76 intense 3

f

p

4 4

Vc. f 7

Litolff/Peters

vib.

espr

3

4 4

Vln.

Cb.

3

7

4 4

33875

f

ff


ISSUU Version For perusal only

85

3 3

60

3

3

3

Fl.

3

mf cresc.

3

3

3

gliss

3 3

3

3

Cl. Bb f

7

7

Bass Sax. f

Hn. ff (sord straight) 3 3

3

3

3

3

gliss

C Tpt. f cresc

Tbn.

P.2 (Bg, Cga) 3

3

3

pp

Kbd. 1 (Hyper mar "b")

3

ff

Pno. 7

7

7

7

mf cresc

spoken

5

3

5

Martha et

que

nous

pour

rons

quit

ter

ces

ter

res sans ho

ri zon,

le

mf cresc 3 3

3

3 3

Vln. mf 3

Vla.

pizz.

7

7

Cb. f

Litolff/Peters

f

33875

gliss

jour


ISSUU Version For perusal only

86

3

3

3

3

61

Fl.

3

f

f

3 3

3

Cl. Bb pp

f

f 7 7

7

7

Bass Sax.

3

Hn. f 3

3

C Tpt.

7

Tbn.

7

7

7

P.1 (TP)

P.2 (Bg, Cnga)

pp 3

3

1- Hyper vib "a"

3

Kbd. 1 (Hyper vib "a")

Pno.

ff

martellato 7

7

7

7

f cresc.

suspira getting more and more anxious

ord.

spoken

où nous se rons en

fin

de

ord.

spoken

vant la mer

dont

breath deeply

ord.

5

Martha j'ai

3

3

3

3

tant rê

vé,

3

Vln. f

f 7

arco

7

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only half air - half sound

3

62

3

3

Fl.

87

3

3

3

3 3

3

3

ff

3

3

7

Bass Sax. f

3

3

3

3

3

3

3

C Tpt. mf

7

7

P.1 (Tp)

p

P.2 (Bg, Cnga)

3 3

Kbd. 1

f

3

ff

f

(Hyper vib "a")

3

ff

3

Pno. 7

7

ff

susurrato, intenso

ord.

7

ff

Martha ce

jour

vous

me

ver rez sou rire.

7

Cb. sf

Litolff/Peters

33875


ISSUU Version For perusal only

88 63

senza flatt. 3

3

Fl. 3

ff

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cl. Bb 3

ff

3

3

3

3

3

3

3

7

Bass Sax.

3

3

3

C Tpt. 3

7

3

3

3

3

3

3

7

Tbn.

7

P.1 (Tp)

P.2 (Bg, Cnga)

Pno. 7

7

spoken in a very high register ff

Martha Mais

senza flatt. 3

3

il

faut

beau

coup

3

3

d'ar

gent

3

Vln. 3

ff 3

3

3

3

3

3

3

3

3

3

3

3

3

Vla. ff

3

3

3

7

Cb.

Litolff/Peters

33875

3

3

3

3

3

3


ISSUU Version For perusal only 3

3

64

Fl. 3

3

3

3

89

3

3

3

3

3 3

Cl. Bb 3

3

f 7

Bass Sax. ff 3

Hn. 3

C Tpt. 3

3

3

7

3

7

Tbn. f

P.1 (Tp)

P.2 (Bg, Cnga)

fff p

f dism 7

7

7

7

7

Kbd. 1 (Hyper vib "a")

7

Pno.

susurrato

ord.

Martha C'est pour ce

la

qu'il

faut

s'oc

cu

per

de 3

3

3

3

gliss.

Vln. 3

3 3

gliss.

gliss.

Vla. 3 3

3 3

gliss.

3

7

Vc. 3

ff 7

pizz.

arco 7

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

90

3

65

3

3

Fl.

3

f

3

3 3

3

3 8

3

sf

cresc

sord. 7

3 8

Hn. pp

ppp 3

3

3

3 3

C Tpt.

3

3 8

sf 7

3 8

Tbn. f

3 8

P.1 (Tp)

mallets (hand)

3 8

P.2 (Bg, Cnga)

3 8 Kbd. 1 (Hyper- vib "a")

7

7

7

7

3 8

ff

3 8 7

7

Pno.

7

7

3 8

ff

ord.

Sprechg.

mix of laughing and crying very short...

3 8

Martha ce lui qui doit ve

nir.

3

3 8

Vln. 3

3

3

3

f cresc

gliss.

3

3 8

Vla. f cresc pizz.

7

7

arco 7

3 8

Vc. f cresc

3 8

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

91

10 Waltz, inquiring and light q. = 63/66 67

3 8

Hn.

ppp

Timpani (waltz) sord.

3 8

P.1 (Timp)

p

pp

Marimba

p

3

3 8

P.2 (Mar)

3

3

3 8 p cresc.

Kbd. 1 (Hyper vib "a")

3 8 mf

3

3 8

Maria

Mais

pour

quoi

n'a

voir

pas

sim

ple

ment

10 Waltz, inquiring and light q. = 63/66 espressivo, elegante

vib

3 8

Vln.

mp

71

Hn.

P.1 (Timp) 3

3 3

3

3

3

3

3

P.2 (Mar)

Kbd. 1

p sub

mf

(Hyper vib "a")

exclamating 3

più f

Maria cé

ton ar

ri

vée?

Non,

non,

Vln.

Litolff/Peters

33875

tout

ce

la

n'est pas sain

an non


ISSUU Version For perusal only

92 77

P.1 (Timp)

3 3

3

P.2 (Mar)

f

Kbd. 1 (Hyper vib "a")

3

3

3

Maria Par tons!

Jan,

nous

ne

trou ve

rons

pas

le bon

heur

i

ci.

Vln.

q. = 56 sord. plunger frull. possibile 81

4:3

5:3

7:6

4:3

4 4

Tbn. pp

mp

pp

gliss.

P.1 (Timp)

pp

pp

gliss.

mp

4 4

gliss.

4 4

P.2 (Mar)

pp

p

4- Hyper mar "b"

4 4 p

Kbd. 1

8:6

(Hyper mar "b")

mf

f

f

8:6

8:6

8:6

4 4

8:6

4 4 Pno.

4 4 mf crec anxious

ord.

Sprechg.

3

Sprechg.

3

4 4

Jan Ce

n'est

pas

le bon

heur, que nous sommes

ve nus cher cher.

Le

bon

heur,

nous l'a vons

q. = 56

4 4

Vln. s pont

14:12

14:12

9:12

11:12

4 4

Cb. pp

Litolff/Peters

cresc.

33875

mp


ISSUU Version For perusal only

93

11 Somber q = 44/46 85

Fl.

5

4 4

4 4

sfpp

B. Cl.

4 4

4 4 sfpp

senza sord.

Hn.

4 4

4 4 mp

mp

C Tpt.

mp

5

4 4

4 4

sfpp

Tbn.

4 4

4 4 sfpp

parlando ord. p 5

Mère

4 4 Je

Jan

Litolff/Peters

suis

5

las se

5

5

et

j'ai me rais

5

qu'au moins

5

ce lui là

4 4

vib.

5

soit

5

le

der nier. Tu

5

5

er

est

3

5

ter ri ble ment

5

4 4

fa ti gant.

4 4

33875


94

ISSUU Version For perusal only

q = 50

12 e=144 89

Fl.

4 4

3 8 pp

Cl. Bb

4 4

Steps on the stairs

3 4

ppp

3 8

3 4 f

B. Cl.

4 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

pp

Hn.

4 4 pp

C Tpt.

4 4 pp

Tbn.

4 4 pp

P.1 (Timp)

P.2 (Mar)

4 4

f

4 4

3 8

gliss.

gliss.

p súb

3 4 ff

12- E-bass

4 4

3 8

3 4

4 4

3 8

3 4

Kbd. 1 (E. bass)

9:8

mp

9:8

4 4

3 8

3 4

4 4

3 8

3 4

Pno.

9:8

9:8

secco, poco f f

Maria

4 4

3 8

3 4 Pour quoi

ne pas

s'en con ten

ter? mf Sprechg.

Jan

4 4

3 8

3

ord. cresc. sub 3

3 4 Le bon heur n'est pas tout.

Vln.

4 4

12 e=144 3 8

Mon

q = 50

vib.

3 4 p pizz.

Cb.

4 4

3 8

3 4 mf

Litolff/Peters

33875

9

de


95

ISSUU Version For perusal only

Jan pushes María toward the steps. The old servant crosses the room without noticing him 3

P.1 (Timp)

3

3

3

sfpp

95

3

piú f

3

pp

3

3

Kbd. 1 (E. Bass)

9:8

9:8

9:8

7:4

9

9

7

9

7

Pno. 9:8

9:8

9:8

9:8

7:4

6

port.

3

Jan voir

TAPE. 4

est

de

re trou

ver ma

mère,

une

trie...

TAPE 4 ("Vieux" 1)

9

9

9

7

9

Cb. f

Litolff/Peters

pa

33875

mf


ISSUU Version For perusal only

96 97

P.1 (Timp)

4 4

4 4 Kbd. 1 (E. bass)

10

9

4 4

4 4 Pno. 9

spoken, quasi susurrato 3

11

10

intenso

Mets toi

4 4

slow vibrato in low reg, imitating the piano 7

4 4

Jan On vient!

9

là.

mmm

4 4

TAPE. 4

11

4 4

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

13 Dynamic, Intense q = 80 99

Picc.

half air

4 4

ppp

p

pp

p

Percussion 1 and 2 repeat the bars 99-102 indefinitely until bar 103 included very light sticks

P.1 (S.D)

P.2 (S.D)

4 4 ppp secco

4 4 ppp seco

4- Hyper mar "b"

4 4 Kbd. 1 (Hyper mar "b")

4 4 ppp

4 4 Pno.

4 4 pp

mf susurrato

Martha

spoken

4 4 Vous sa

vez

bien

qu'il ne

s'a

git

même

13 Dynamic, Intense q = 80 sord.

Vln.

4 4 pp

arco

Cb.

4 4 ppp

Litolff/Peters

97

33875

pas

de

tu

er.


ISSUU Version For perusal only

98 100

Fl. sf

p

P.1 (SD)

P.2 (SD)

Kbd. 1 (Hyper mar "b")

Pno.

3

irritated, free, almost susurrato-crying

Martha Il

boi

ra

son

thé,

il

Vln.

Cb.

Litolff/Peters

33875

dor

mi

ra,


ISSUU Version For perusal only

101

Picc.

P.1 (SD)

P.2 (SD)

Kbd. 1 (Hyper mar "b")

Pno.

crying ord.

Martha et

tout

vi

sord.

Vln.

Cb.

Litolff/Peters

33875

vant

en

core,

99


ISSUU Version For perusal only

100 102

Senza tempo

Muta in Flute

Picc.

2 4

2 4

P.1 (SP)

2 4

P.2 (SP)

2 4 Kbd. 1 (Hyper mar "b")

2 4

2 4 Pno.

2 4 Senza tempo Speaking acting On le retrouvera dans longtemps, collé contre un barrage, avec d'autres qui n'auront pas eu sa chance et qui seront jetés dans l'eau, les yeux ouverts

3

3

Martha nous

le por

à

te rons

la

ri

vière.

2 4

Vln.

2 4

Cb.

2 4

14 Free q = 54 (e = 108) Jan

He looks around

imperative

3

3

104

3

3

2 4 Et

Litolff/Peters

mainte

nant

pars

vite.

Tu

vois,

33875

la

chan

5

ce

est

a

vec

3 8 moi.


ISSUU Version For perusal only

e = 108 107

Fl.

3 8

101

3 4

f

Cl. Bb

3 8

3 4 mf

C Tpt.

cresc

3 8

3 4 mf cresc

Bg, Cnga

Vib P.1 (Vib)

7:6

3 8

3 4 f dim.

mp

7:6

1- Hyper-vib "a"

3 8

3 4 p

f dim.

Kbd. 1 (Hyper-vib "a")

3 8

3 4

l.v.

3 8

3 4 pf

Pno.

mf

mp

p

pp

3 8

3 4

intense f

Martha

3 8

3 4 Mère,

mf irritated

Maria

3

3 8

3 4 Je veux res

ter.

Je me tai

près de toi

rai et, j'at ten drai

que tu sois re con nu.

spoken, quasi susurrato, intenso

Jan

3

3 8

3 4 Non,

tu me

tra hi rais!

e = 108 vib

Vln.

3 4 fp

Litolff/Peters

espr

3 8 fp

fp

fp

fp

33875


102

ISSUU Version For perusal only

q= 84

15

3

3

115

3 4

Fl.

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3 3

3

3 4

P.1 (Bg. Cnga)

3

3

3

3

3

3

3

3

3 4

Kbd. 1 (Hyper vib "a")

f p

fp

fp

fp

Martha danse alra. She imagines to be in a beautiful beach excited 3

3 4

Martha

est il vrai

le sa ble des pla

ges

3

pizz

mp

3

sfp 3

3

3 4

aux pieds?

3

3

sfp

Cb.

brû lures

fasse des

q= 84

15 3 4

Vln.

que, là bas,

3

3

3

3

3

p

16 Calm q = 40-48 118

3:2

Fl. sf

p

5

Cl. Bb sf p

Sfp 5

Bass Sax. sf p

Hn. sf

sff pp

S.D P.2 (SD)

spoken

5

5

ord.

5 spoken

ord.5

5

5

Mère Je

n'y suis pas

al

lée,

tu

le sais.

Mais

on m'a

dit

16 Calm q = 40-48 Cb.

Litolff/Peters

33875

que

le

so

leil

vo rait

tout.

3


ISSUU Version For perusal only

103

q = q. = 66 ca

17

3

121

Fl. 3

f

sfp

sfpp

3

3

sfpp

sfpp

sfpp

Cl. Bb mf cresc

sfpp

f

3

3

3

sfpp

3 3

3

Hn. mf cresc

sfpp

sfpp

sfpp

sfpp

p sfpp

C Tpt. mf cresc sfpp

3

p

3

3

mf cresc

Piano.

Naive, Protesting

with an emotional cresc.

f

Maria

9 3 8 4 Jan, il y_a cinq ans

17

que nous sommes ma riés.

J'ai

peur

de

q = q. = 66 ca

3

3

ce

lit

dé sert

tu

me ren voies

3

Vln. mf cresc

sfpp

sfpp

33

Vla. mf cresc

Litolff/Peters

33875

sfpp

3

sfpp


ISSUU Version For perusal only

104

3

123

Fl. 3

sfp

sfp

Muta in Picc.

3

3

sfp

Cl. Bb sfpp

3 3

sfpp

3

3 3

3

3

Hn. 3

C Tpt. sfpp

sfpp

p sfpp

3

3

Tbn. sf pp

Maria et j'ai peur

3

peur

peur

que tu

m'a ban

don

nes

3

3

3

Vln.

3 3

3

Vla. 3

Litolff/Peters

33875

3 3

3


ISSUU Version For perusal only

125

Picc.

sff pp

sff p

p sff

p oscuro

sf mf

sf f

sff

105

f

sf ff

Cl. Bb

Hn. sf p

ff

sf mf

sf f

ff

C Tpt. sf p

sff p

sff

p

(p)

6- Hyper-Bells

Kbd. 1 (Hyper-bells)

mf cresc.

f

mf cresc.

f

7- Mixturen

Kbd. 2. (Mixturen)

Taking her in his arms. sprechg.

ord. f

ord.

7

Sprechg.

gliss.

Jan Ce la

est

pué ril.

Ma ri

a,

j'ai une

pa ro

le_à

te

nir.

Celle que

me suis don née

je

le jour où j'ai com pris

que

Vln. sff p

sff mf

sf f

sf f

ff

Vla.

pizz

Cb. sff

Litolff/Peters

33875


ISSUU Version For perusal only

106

3

129

Picc. sfp

ff

3

sff

f cresc

Cl. Bb f cresc

Hn. sfp

ff

sff

3

C Tpt. ff

sfp

sff

mf cresc

Tp

9 8

P.1 (TP)

mf

Kbd. 1 (Hyper-bells) f

ff

f

ff

f

1- Hyper-vib "a"

Kbd. 2. (Hyper-vib. "a") f

offended ff

3

Maria Tu

ord. ff

5

as une au tre parole a te nir

celle que

tu m'as don

3

Jan ma mère

a vait be soin

de moi.

La

quelle?

3

Vln. ff

sff

f cresc

3

Vla. ff

f cresc

Cb. sff

Litolff/Peters

33875

née


ISSUU Version For perusal only

3

132

Picc.

107

4 4

3

Muta in Bass Cl.

Muta in Cl. Bb

4 4

Cl. Bb pp 7

4 4

gliss

Bass Sax. f

4 4

Hn. 3

3

4 4

C Tpt. 3

3

3 7:6

gliss

4 4

Tbn. mf

P.1 (Tp)

f

4 4

9 8 G.C.

4 4

P.2 (G.C.)

pp

mf

4 4 Kbd. 1 (Hyper-bells)

4 4

4 4 Kbd. 2. (Hyper-vib. "a")

4 4

3

4 4 Maria

le

jour

tu as

pro mis ossia

tu as

pro mis

de vi vre a vec moi 3

self sufficient, almost arrogant

de vi vre a vec moi

7

4 4

gliss

Jan ff

on peut tout con

ci

lier

Vln.

4 4

Vla.

4 4 p

7:6

4 4

Vc. ff espr

Litolff/Peters

33875

p sub


ISSUU Version For perusal only

18 q = 76/80

108

flaut 135

Fl.

3

3

4 4 pp cresc molto sub

3

7

Cl. Bb

3

3

3 3

3

3

3

f

7

7

4 4 pp cresc molto sub

f

7

cresc molto súb

Piano 3

3

3

4 4

3

pp cresc molto sub

Piano.

4 4

intense pronouncing each word with delight ord.

susurrato 5

Martha

susurrato p

4 4 J'ai

lu

dans un

li

qu'il

vre

Sprechg. 6

gliss.

man geait jus

18 q = 76/80 metallico sul pont.

Vln.

3

3

3

4 4 f

pp cresc molto sub

metallico sul pont. 3

Vla.

4 4 pp

sul pont. 3

Vc.

4 4 pp metallico

mp

sul pont 3

Cb.

4 4 pp metallico

Litolff/Peters

33875

qu'aux

âmes


ISSUU Version For perusal only 3

3

136

109

3

jet whistle

3

Fl.

3

f

3

sff

3

f

3

3

3

3

3

7

7

7

Cl. Bb f

sf

3

3

3

p

3

ff

Piano.

dreamy susurrato

ord.

3

5

gliss.

Martha et

qu'il

fai sait

les

corps

res

plen

3

3

sants,

3

Vln. f

sp

3

Vc. pp

3

3

Cb. pp sim

Litolff/Peters

dis

33875


ISSUU Version For perusal only

110

air

3

137

3

3

3

Fl.

3

3 3

3

3

3

7

3

ff

7

3

7

Cl. Bb ff sord harm

C Tpt. ppp

pp

f p sub

pp

3 3

3

ff

Piano.

like a witch

gridato, crying gliss.

Martha mais

dés

vi

par

3

3

l'in

té rieur.

3

Vln. ff sul pont.

3

Vc. ppp 3

3

(sp)

Cb. pp

ppp

Free

q = 80

138

Fl.

2 4

4 4

2 4

4 4

p sub

Cl. Bb p sub

Tom tom

2 4

P.2 (Tom tom)

Piano.

mf

ff

2 4

4 4

2 4

4 4

2 4

4 4

p súb

spoken free grave

susurrato 5

5

la, Mar tha

qui

spoken

5

Mère Est-ce

ce

te

fait

ver?

Free

q = 80

2 4

Vln. p sub

Litolff/Peters

4 4

33875

4 4


ISSUU Version For perusal only 7

140

Fl.

111

4 4 f

Cl. Bb

4 4 f

Tom Toms P.2 (Tom Toms)

4 4 f

p cresc sub

3

4 4 f

cresc sub

Piano. martellato

4 4 ff

with increasing emotion ord. f cresc

Martha

4 4 Oui,

Vln.

Sprechg.

ord.

Sprechg.

ord.

gliss.

gliss.

j'en ai_as sez

3

gliss.

de

por

spoken exclamate

ter

tou jours

mon âme,

j'ai

4 4 sfp

ff

3

Vla.

4 4 sfp

ff

3

Vc.

4 4 sfp

Cb.

ff

4 4 sfp

Litolff/Peters

33875

ff


ISSUU Version For perusal only

112 141

3

3

2 4

Senza tempo

2 4

Fl. p sub

4 4 ff

5

Muta in Bass Cl

2 4

Cl. Bb

4 4 5

2 4

Bass Sax.

4 4 ff

5

2 4

Hn.

p subito

4 4 ff

p subito

2 4

C Tpt. pp

4 4 ff

Tom tom

2 4

P.2 (Tom tom)

4 4 fff

2 4

4 4 secco ff 5

Kbd. 1 (Hyper vib "a")

1- Hyper vib "a"

2 4

4 4

Mixturen

2 4

4 4

2 4

4 4

Piano. 3

3

loco

p

3

3

2 4

Martha hâte de trou ver ce pa ys

le

ossia

so leil

Ma demeure n'est pas ici tue

2 4

Vln.

crying

les

ques

4 4

tions.

Senza tempo

5

4 4 ff

2 4

Vla.

5

4 4 ff

Litolff/Peters

33875


ISSUU Version For perusal only

Calm q = 52 144

Fl.

4 4

113

5 4

ppp calm

Muta in Bb Cl.

5

B. Cl.

4 4

Bass Sax.

4 4

Hn.

4 4

5

5

5

5

5

5

5 4

Timpani

5

5

4 4

(Tp)

3

Piatto P.2 (Piatto)

5 4

5 4

5

P.1

5

5

f secco

5

3

3

5

5 4

p

f

5

5

5

3

5

5

sf pp

5

3

4 4

5 4 9- Hyper-clarinet 5

4 4

5

5

5

5 4

Kbd. 1 (Hyper clarinet)

4 4

5 4 7- Mixturen

Kbd. 2. (Mixturen)

*

5

4 4

5

5

sf

5

sf

sf

*

5

5

5 4 sf

4 4

5 4

*chromatic cluster between the indicated notes

Mère

4 4

5

parlando with serenity ord.

spoken

5

5

hé las!

Au pa ra vant,

mf

spoken

Sprech. exclamato

susurrato

5

Nous a vons beau coup à

5 4 Pré pa

faire.

re tout,

Mar tha!

Calm q = 52 5

Vln.

5

5

5

5

5

5

5

4 4

5 4 scratch

f 5

5

5

5

4 4

5

5

5 4 scratch

Litolff/Peters

5

f 5

Vc.

5

5 4 scratch

Vla.

5

4 4

f

33875


114

Senza tempo 146

Fl.

5 4

ISSUU Version For perusal only 19 Transparent, light, effimero q. = 44 3 8

3

p

3

Bb Cl. Cl. Bb

5 4

3 8 p

Bass Sax.

5 4

3 8 ppp

Hn.

5 4

3 8 3

sord. Harm

C Tpt.

5 4

3 8 3

p pedal gliss. gliss softly up and down ad lib.

P.1 (Timp)

5 4

3 8 mf

Hyper-vib "a"

5 4

3 8 pp

Kbd. 1 (Hyper-vib "a")

5 4

3 8 Piano

5 4

3 8

5 4

3 8

Piano.

speaking acting

Mère

5 4

Si vraiment cela en vaut la peine

3 8 Capricieux, Naif

Maria

5 4

3 8 la

TAPE. 4

sé pa

ra

tion

5 4

3 8

Senza tempo

19 Transparent, light, effimero q. = 44

5 4

3 8

est

tou

jours

ord. Vln.

p

p

ord. Vla.

5 4

3 8 p

Litolff/Peters

33875

quel


ISSUU Version For perusal only

115

q = 44

3 4

Fl. 3

ff

f

ff

f

ff

fff

ff

fff

ff

fff

3 4

Cl. Bb

3

3 4

Hn. pppp

pppp

ff

3 4

C Tpt.

ff

f

6- Hyper bells

3 4 ff

Kbd. 1 (Hyper vib "a")

3 4

3 4 Piano.

3 4

speaking acting Pour ceux qui s'aiment

3 4

Maria que chose

Taking her, passionate susurrato Sprechg.

Jan

Sprechg.

ord. 3

spoken, parlato

3

3

3 4 tu sais bien

Sau vage,

TAPE. 4

susurrato intenso 3

3

que

je

t'ai

me

comme il faut.

3 4 q = 44

Vln.

Vla.

Litolff/Peters

3 4 ff

f

ff

f

3 4 33875

ff

fff


ISSUU Version For perusal only

116

q = 72 153

Kbd. 1

f

Piano.

secco 5:6

5:6

crying dim molto spoken free

spoken

susurrato 3

3

3

5:6

5

3

Jan a,

Ma ri

je

sire que

tu

q = 72

me

lais ses seul

st

a

fin de

voir

plus

clair

5:6

Cb. pp

156

Piano. 5:6

5:6

5:6

susurrato

spoken

5

3

3

3

Jan ce

la n'est pas

si

ter ri ble

et ce n'est pas une grande

5:6

5:6

Cb.

Litolff/Peters

33875

af - faire

que de

cou cher sous le même toit


ISSUU Version For perusal only

159

117

2 4

Piano. 5:6

5:6

2 4 spoken

susurrato

2 4

Jan que

mère

sa

Dieu

fe

ra

le

res

te!

5:6

2 4

Cb.

Transparent, explicitly slow q = 40 3

162

3

3

2 4

Fl.

f

p

3

pp 3

3

3

3

2 4

Cl. Bb

f

mf

p

5:4

5:4

5:4

2 4

P.1 (G.C.)

f dim

protesting 3

2 4

Maria

Oh,

con

nue de rê ver!

ti

Qu'im

Transparent, explicitly slow

por

te

3

3

si

je

3

gar

de

ton

3

2 4

Vln.

f

mf

p

pp

Maria stays on stage and interacts with the video in "Marias Instrumentaspiel"

attacca

165

Cl. Bb

5:4

P.1 (G.C.)

pp 3

Vln.

Litolff/Peters

33875

a

mour


ISSUU Version For perusal only III: Interlude "The Garden of Maria"

118

1 Transparent e = 132 Fl.

3 8 p

1 8

5 8

4 8

6 8

1 8

5 8

4 8

6 8

1 8

5 8

4 8

6 8

1 8

5 8

1 8

5 8

1 8

5 8

1 8

5 8

soft mallets

3 8 pp

mp

Marimba Perc.2 (Mar.)

6 8

pppp

Vibraphone Perc.1 (Vib)

4 8

p

soft mallets

3 8 p

3

1- Hyper-vib. "a" Keyb. 1

3 8

(Hyper-vib "a")

p

3- Hyper-mar. "a" Keyb. 2 (Hyper-mar "a")

pp p

mf

3

3 8

4 8 p

3

6 8 3

sim.

1 Transparent e = 132 sord. de piombo (iron mute)

Vla.

3 8

4 8

6 8

pppp

pizz.

5:4

5:4

Cb.

3 8

4 8 p

Litolff/Peters

5:4

3

6 8

3

33875

3


6

Fl.

ISSUU Version For perusal only

e=116

119

e=120

5 8

2 8

3 8

pppp

almost imperceptible

Cl. Bb

3

5 8

2 8

3 8

pppp

pppp

sord. wa-wa Trumpet in C

5 8

2 8

3 8 pppp

Perc.1 (Vib)

5 8

2 8

Perc.2 (Mar.)

5 8

2 8

3 8

Keyb. 1 (Hyper-vib "a")

5 8

2 8

3 8

pppp

3 8 senza trem.

3

3

Keyb. 2 (Hyper-mar "a")

5 8

2 8

3

3

e=116 Vln.

3 8

e=120

5 8

2 8

3 8 pppp

Vla.

5 8

2 8

3 8

2 8

3 8

pppp

5

Cb.

5 8

5

5:4

5:4

3

Litolff/Peters

33875

3


120

ISSUU Version For perusal only

e=116

2 Impulsive e=132 11

flatt.

very short

senza flatt.

3

3

4 8

Fl.

6 8

3

p

3 8

3

sf

pp very short

4 8

Cl. Bb

6 8

3 8

pppp very short 3

4 8

Bass.Sax.

3

6 8

mp

3 8

pp

very short

sord wa-wa

4 8

Trumpet in C

3

3

6 8 pppp

3 8 pppp

very short

Vib. 2

medium mallets

4 8

Perc.1 (Vib)

6 8

3 8 pp

3

4 8

Perc.2 (Mar.)

6 8

3 8 pp

4 8

Keyb. 1 (Hyper-vib "a")

very short

p

pp

mp

6 8

3 8

mp very short

Keyb.2 (Hyper-mar "a")

4 8

6 8

3 8

pppp

pppp

2 Impulsive e=132

e=116

ord.

very short

4 8

Vln. mf

espr.

6 8 p

mf

3 8 p

p sub

mf

(without sord.) flautando

4 8

Vla.

6 8

3 8 pp very short

pizz.

5:4

Vc.

4 8

5:4

5:4

5:4

5:4

6 8

5:4

3 8

mp very short arco s.t.

Cb.

4 8

5:4

6 8

3 8 pp

pp

Litolff/Peters

5:4

sim.

14159


poco marc. 7:6

15

Fl.

3 8

ISSUU Version For perusal only

121

6 8

3 8

6 8

3 8

mf

Cl. Bb

3 8

ppppp

pppp

Bass.Sax.

3

3 8

3

6 8

3 8

poco marc. 7:6

Perc.2 (Mar.)

3 8

6 8

3 8

6 8

3 8

6 8

3 8

6 8

3 8

mf

Keyb. 1 (Hyper-vib "a")

3 8

Keyb.2 (Hyper-mar "a")

3 8

3

pppp

vib.

Vln.

Vc.

3 8

3 8

5:4

arco

5

5:4

6 8

3

5:4

3 8

poco cresc.

pizz.

Cb.

5:4

5:4

3 8

6 8

arco

3

5

sfz pp sub.

Litolff/Peters

33875

3 8


ISSUU Version For perusal only

3 More intense e=104

122 18

Fl.

3 8 mf

Cl. Bb

4 8

3 8

2 8

4 8

3 8

quasi f

cresc.

3 8 mf

2 8

pp

cresc.

f

3

Bass.Sax.

3 8

2 8

4 8

3

p

3

mf

sord. straight

Trombone

3 8

3

3 8

3

2 8

4 8

3 8

4 8

3 8

mf

Perc.1 (Vib)

3 8

2 8

pppp

pppp

Keyb.2 (Hyper-mar "a")

3 8

2 8

4 8

3 8

2 8

4 8

3 8

2 8

4 8

3 8

pppp

3 More intense e=104 vib.

Vln.

3 8 mf

Vla.

cresc

3 8

pppp

ppppp

arco vib.

Vc.

3 8

2 8

4 8

3 8

mf

arco

5:6

5:6

Cb.

3 8

2 8 mf

Litolff/Peters

mf

p

4 8

3 8 p

33875

mf


ISSUU Version For perusal only

22

3 8

Fl.

123

4 8

quasi f

3 8

Cl. Bb

4 8 quasi f 3

3 8

Bass.Sax.

3

4 8

3

3 8

Horn in F

3

3

5

4 8

pppp

Keyb.2 (Hyper-mar "a")

3 8

Vln.

3 8

4 8 pppp

4 8 quasi f

f

f

vib.

3 8

Vc.

4 8 mf

5:6

5:4

5:4

3 8

Cb.

4 8 quasi f

short

rall. 25

6 8

Fl. 5:6

f

short

6 8

Cl. Bb f 3

3

short 3

3

6 8

Bass.Sax. 3

3

short

6 8

Horn in F

short 3

3

6 8

Keyb. 2 (Hyper-mar "a") pppp

short

rall.

6 8

Vln. 5:4 3

Litolff/Peters

5:4

3

33875

5:4

short

6 8

Cb. 5:4

mf

f


124

ISSUU Version For perusal only

4 Very soft e=120 28

Fl.

6 8

short

4 8

pp

2 8

3 8

5 8

ppp short

Cl. Bb

6 8

4 8

2 8

3 8

5 8

ppp

short sord. wa-wa

Trombone

5:6

6 8

5

4 8

p

pp

2 8

3 8

5 8

p

short

Perc.1 (Vib)

6 8

4 8

2 8

3 8

p dim.

5 8

pp

short

Perc.2 (Mar.)

6 8

4 8

2 8

pp dim.

3 8

5 8

pp

short

Keyb. 1 (Hyper-vib. "a".)

6 8

4 8

2 8

3 8

5 8

pp

p dim.

Hyper-vib "a"

Keyb.2 (Hyper-mar. "a".)

Vln.

6 8

5:4

5:4

5:4

5

5

5

5

5

5

5

4 8

2 8

3 8

p dim.

4 Very soft e=120 6 8

short

5

5 8

pp sord. sul tasto flaut. 5

5

5

4 8

short

5

2 8

3 8

5 8

ppppp almost imperceptible

sul tasto flaut. sord.

short

5

Vla.

6 8

4 8

2 8

3 8

5 8

ppppp almost imperceptible

sul tasto flaut. sord.

5

5

Vc.

6 8

5

short

5

4 8

2 8

3 8

5 8

ppppp almost imperceptible short

sord. sul tasto flaut. 5

Cb.

6 8

4 8

2 8 ppppp almost imperceptible

Litolff/Peters

33875

3 8

5 8


ISSUU Version For perusal only

5 Intense e=120 34

Fl.

5 8

125

2 8

6 8

5 8

2 8

6 8

5 8

f sub

Cl. Bb

5 8 f sub

sord. Harmon

Trumpet in C

5 8

2 8

6 8

5 8 sf p

pp

(sord. wa-wa) 3

Trombone

5 8

2 8

6 8

5 8

Perc.1 (Vib)

5 8

2 8

6 8

5 8

2 8

6 8

5 8

f sub

Perc.2 (Mar.)

5 8 f sub

5

5 8

5

2 8

6 8

2 8

6 8

2 8

6 8

5

5 8

f

Keyb. 1 (Hyper-vib "a")

5

5 8

5 8

leggiero

Keyb. 2 (Hyper-vib "a")

5

5 8

leggierissimo

5 8

cresc.

5 Intense e=120 5

Vln.

5 8

5

2 8 senza sord.

5

6 8

5

5 8

f sub 5

Vla.

5 8

2 8

6 8 pp

senza sord.

p

3

Vc.

5 8

2 8 f senza sord.

5 8

6 8

pp

3

3

5 8 3

3

pizz.

Cb.

5 8

2 8 senza sord.

Litolff/Peters

6 8

5 8

f sub

33875


ISSUU Version For perusal only

126 38

Fl.

5 8

short

3 8

4 8

short

Cl. Bb

5 8

3 8

4 8

short sord. Harmon

Trumpet in C

5 8

3 8

4 8

pppp

short

3

Trombone

5 8

3 8 pp

4 8 mp

short

Perc.1 (Vib)

5 8

3 8

4 8

short

Perc.2 (Mar.)

5 8

3 8

4 8

short

5 8

3 8

4 8

mf

Keyb. 1 short

(Hyper-vib "a")

5

5 8

3 8 5

4 8

5

short

Keyb. 2 (Hyper-vib "a")

5 8

3 8

4 8

short 5

Vln.

5 8

3 8 5

4 8

5

short

Vla.

5 8

3 8

4 8 mf

3

Vc.

short

vib.

5 8

3 8

3

f

short

pizz

Cb.

5 8

3 8

4 8 f

f

Litolff/Peters

4 8

33875


ISSUU Version For perusal only

e=116 40

Fl.

4 8

2 8

Cl. Bb

4 8

4 8

5:6

pp

127

2 8

4 8

pp

Trumpet in C

4 8

5

2 8

4 8 pppp

3

Trombone

sord. wa-wa

4 8

2 8

4 8

pp

Perc.1 (Vib)

mf

4 8

2 8

4 8

2 8

4 8

pp

pp

Perc.2 (Mar.)

4 8

5:6

pp

5

Keyb. 1

4 8

4 8

2 8

e=116 Vln.

4 8 pppp

pp

(Hyper-vib "a")

Keyb.2 (Hyper-vib. "a".)

5

2 8

4 8

5

4 8

5

2 8

4 8 pppp

pp

sord.

5

Vla.

4 8

2 8

4 8 pppp

pppp

3

Vc.

3

4 8

2 8 pp

Litolff/Peters

4 8

3

33875


ISSUU Version For perusal only

128

half sound, half air

43

Fl.

5:6

mf dim.

p

5:6

p dim

half sound, half air

Cl. Bb p dim

sord. Harmon

Trumpet in C pppp

ppp

very soft mallets

Perc.1 (Vib)

pppp

sul pont.

5

5

5

5

Vln. mf dim.

p dim.

(without sord)

sul pont.

Vla. pppp

3

3

3

sul pont.

Vc. mf dim.

3

p dim.

pizz.

Cb.

Litolff/Peters

33875

l.v.

3


ISSUU Version For perusal only

Intense e=120 48

3 8

Fl. pp

f sub

129

5 8

4 8 ff

p cresc.

3 8

Cl. Bb pp

5 8

4 8 f

f sub

ff

sord. straight 3

3

3 8

Trombone

5 8 3

f sub

3 8

Perc.1 (Vib)

4 8 ff

p

5 8

4 8 f

f sub

3 8

Perc.2 (Mar.)

dim.

ff

5 8

4 8 ff

p

f sub

dim

5 5

3 8

Keyb. 1 (Hyper-vib "a")

5

5

5

5 8

4 8

5 8

4 8

f sub cresc.

3 8

Keyb. 2 (Hyper-vib "a") f sub

cresc.

Intense e=120 vib.

5

f sub

3

4 8

3 8

5 8

4 8

3 8

5 8

vib.

Vc.

3

4 8

3

f sub

pizz.

3 8

Cb.

5 8

f

33875

3

3

ff dim.

arco

Litolff/Peters

5

5

5 8

cresc.

Vla.

3

5

5

3 8

Vln.

4 8


ISSUU Version For perusal only

130 53

Fl.

6 8

2 8

6 Fuggevole e=144 4 8

6 8

2 8

4 8

6 8

2 8

4 8

ff

Cl. Bb ff

Bass.Sax.

5

ppp

3

3

Trombone mf

6 8

2 8

4 8

6 8

2 8

4 8

p

3

Perc.1 (Vib)

6 8

Perc.2 (Mar.)

2 8

4 8

2 8

4 8

ff

5

5

5

5

5

6 8 Keyb. 1 (Hyper-vib. "a".)

3

ppp

ff

ff

3

3

3

ppp

ff

6 8

2 8

4 8

Keyboard 2 11- Hyper-DoubleBass

6 8

2 8

4 8

6 8

2 8

4 8

Keyb. 2 (Hyper-vib "a")

arco

ff

mf

5

ff

sul tasto

5

6 8

Vln.

6 Fuggevole e=144

5

5

5

2 8

4 8

Vc.

3

6 8

ff

3

mp

3

3

p

5

pizz.

2 8

4 8

2 8

4 8

pp

arco

6 8

Cb. ff

Litolff/Peters

pp

ppp

ff

3

pp

33875

5


ISSUU Version For perusal only

57

3 8

Cl. Bb

131

4 8 pppp

ppp 5

3 8

Bass.Sax.

4 8 3

3

Perc.1 (Vib)

3 8

3

3

4 8

3

3

soft mallets

3 8

Perc.2 (Mar.)

mp 3

pp 3 dim.

3

3

3

3

3

3 8

Keyb. 1 (Hyper-vib. "a".)

3

4 8 3

4 8

arco

pizz

pizz.

3 8

Keyb.2 (Hyper-Db)

4 8

p

pp "Solo"

espr. sord.

mf

flautando s.v

vib.

s.v

3 8

Vln.

3

4 8

mf

pp mf

pizz.

5

3 8

Vc.

4 8

ppp 5

3 8

Cb.

5

5

4 8

5

pp 61

5 8

Cl. Bb

3 8 pppp

ppp

ppp 5:6

5:6

5 8

Bass.Sax.

4 8

3 8

ppp

pp

3

3

3

Perc.2 (Mar.)

5 8

3 8

3

3

5 8

4 8 p

3

3

3

3

3

3 8

3

4 8

3

3

3

3

Vln.

5 8

Vc.

5 8

arco

3

Cb.

Litolff/Peters

3 8

4 8

3 8

4 8

5

ppp pizz.(optional: gettato)

arco (optional: pizz.)

3

3

3

p

Keyb. 1 (Hyper-vib. "a".)

3

4 8

3

pp 3

3 8

3

3

3

3

3

5 8

Perc.1 (Vib)

5:6

4 8

5 8

arco

3 8 33875

4 8


ISSUU Version For perusal only

132 65

5 8

Cl. Bb

pppp

5

ppp

3

Bass.Sax.

3

Perc.1 (Vib)

Perc.2 (Mar.)

3

5 8

5

5

3

5 8

3

3

3

3

3

3

3

3

3

3

3

pp

mp

3

3

Keyb. 1 (Hyper-vib. "a".)

3

5 8

3

3

3

pp sub

pp sub

3

3

3

3

3

3

3

3

3

flautando

espr. sempre

espr.

5 8

Vln.

5

Vc.

pizz.

5

5

5 8

ppp

Litolff/Peters

5

5

5 8 mp

Cb.

ppp

pppp

arco

5 8 33875

ppp


ISSUU Version For perusal only

133

7 Sensitive e=120

68

Fl.

4 8

mp

3

p sub.

3

3

4 8

Cl. Bb pppp

mp

5

5

Bass.Sax.

4 8

Horn in F

4 8 sfppp

sfppp

sord. wa-wa

4 8

Trombone sfpp

3

3

l.v.

3

3

Perc.1 (Vib)

4 8 mp

4 8

Perc.2 (Mar.)

3

3

3

3

l.v.

3

4 8

Keyb. 1 (Hyper-vib. "a".)

4 8 7 Sensitive e=120 ord.

4 8

Vln. mp

4 8

Vla. mp

5 5

5

4 8

Vc. mp

pizz.

arco

3

5

pizz.

4 8

Cb. 3

Litolff/Peters

33875


ISSUU Version For perusal only

134

e=116

72

4 8

Fl.

1 8

3 8

4 8

1 8

3 8

1 8

3

Horn in F

4 8

Trombone

4 8

1 8

piu f

pp possibile

Cl. Bb

5

piu f

5

1 8

3 8

1 8

1 8

3 8

1 8

sfpp

5

4 8

Perc.1 (Vib)

1 8

3 8

1 8 mp

4 8

Perc.2 (Mar.)

1 8

3 8

1 8 mp

4 8

Keyb. 1

1 8

3 8

1 8

(Hyper-vib "a") mp

3- Hyper-mar "a" Keyb. 2 (Hyper-mar "a")

4 8

1 8

3 8

1 8 mp

e=116 Vln.

4 8

Cb.

4 8

5

1 8

3 8

1 8

3 8

1 8 piu f

3

pizz

1 8 piu f

e=104 3

76

Fl.

1 8

4 8

5 8 mp

Cl. Bb

1 8

mf

6 8

4 8

6 8

4 8

6 8

4 8

6 8

mf

p sub.

4 8

4 8

5 8 mf

qf

p

sord.

Horn in F

1 8

4 8

5 8 ppp sord. wa-wa

Trombone

1 8

4 8

5 8

3

mp

e=104 Vln.

1 8 1 8

senza dim.

5

5

5 8

4 8 mf

3

3

4 8

5 8 mp

Cb.

Litolff/Peters

3

4 8

quasi f.

4 8

6 8

4 8

6 8

pizz.

5 8 mf

6 8

mf

pizz.

1 8

5

vib.

5

4 8 mf

Vla.

mp

3

3

33875


ISSUU Version For perusal only 8 Transparent e=120

e=92 80

6 8

Fl.

mf

mp

3

mf

mp

3 8

4 8

6 8

2 8

3 8

4 8

6 8

2 8

3 8

4 8

6 8

2 8

3 8

4 8

6 8

p

6 8

Horn in F

2 8

3

6 8

Cl. Bb

ppp

Perc.1 (Vib)

6 8

Perc.2 (Mar.)

6 8

Keyb. 1

6 8

135

Vib.

soft mallets

ppp 3

Marimba

2 8

3 8

4 8

3

6 8

ppp

2 8

3 8

(Hyper-vib "a")

4 8

6 8

4 8

6 8

ppp

11- Hyper-Db

Piano

6 8

Keyb. 2

2 8

3 8 ppp

arco

5

(Hyper-Db)

6 8

5

2 8

5:4

5:4

3

3 8

3

4 8

6 8

ppp

e=92

ppp

3

8 Transparent e=120

3

6 8

Vln.

mf

mf pizz.

4 8

6 8

2 8

3 8

4 8

6 8

2 8

3 8

4 8

6 8

mp 5

5

5

6 8

Cb.

3 8

mp

6 8

Vla.

2 8

mf

mp

p

85

Perc.1 (Vib)

6 8

1 8

5 8

Perc.2 (Mar.)

6 8

1 8

5 8

Keyb. 1 (Hyper-vib. "a")

6 8

1 8

5 8

2 8

1 8

5 8

2 8

6 8

1 8

5 8

6 8

1 8

5 8

3

3

6 8 Keyb. 2 (Hyper-vib "a")

Vln.

5:4

3

3

5

pp

Litolff/Peters

2 8

33875

2 8

5

2 8

2 8


136

ISSUU Version For perusal only

9 Slow

88

Fl.

2 8

3 8

p dim.

3

Cl. Bb

2 8

3 8 p dim.

Perc.1 (Vib)

2 8

3 8 p

Perc.2 (Mar.)

2 8

3 8

Keyb. 1

2 8

3 8

3

3

3

(Hyper-vib. "a")

p

3

2 8

3 8 p

Keyb. 2 (Hyper-vib "a")

5:4

2 8

3

3

5:4

3 8 p

9 Slow Vln.

2 8

3

3 8 p

pp

sordina de piombo (iron mute)

Vla.

2 8

3 8 ppppp

Vc.

2 8

3 8 p

Litolff/Peters

33875


ISSUU Version For perusal only

94

Fl. p dim.

137

pp

ppp

3

3

Cl. Bb p dim.

ppp

3

3

Perc.1 (Vib) p dim.

5

5

Perc.2 (Mar.)

5

5

p dim.

ppp

p dim.

Keyb. 1 (Hyper-vib "a")

ppp 3

3

p dim.

ppp

Keyb. 2 (Hyper-vib "a") 3

3

Vla.

Vc. 3

Cb.

Litolff/Peters

33875

3


138

ISSUU Version For perusal only IV: Scene 2 Jan, Martha

1 Free q = 80

more air than pitch 6

3 4

Bass Saxophone

mf

Vibraphone medium mallets

3 4

Perc.1

pp

Piatti

brush

Glockenspiel

l.v.

medium mallets

3 4

Perc.2

sf

p sub (mute parcially)

mf

12- E-Bass 5:3

Keyb. 1

5:3

5:3

3 4 p sempre

3 4 Piano

3 4 sf mf 5

3 4

Martha

Je

sais

on va

la pré

3

3 4

Jan

Bon jour

1 Free q = 80 3 4

Contrabass

je viens

pour la

cham

bre.

secco pizz.

mf

5

Perc.1 (Vib.)

pp

pp

Piatto Perc. 2 (Glsp.) pp 5:3

5:3

5:3

Keyb. 1 (E-Bass)

sf

Pno.

gliss. staccatissimo

3

3

5

gliss. spoken

Martha parer.

Il

faut

que

je

vous ins

crive

sur

no

tre

li

Cb. ppp

Litolff/Peters

33875

vre.


ISSUU Version For perusal only

9

139

Fl. pp

7

Bass Sax. sf

pppp

Perc.1 (Vib.) p

Glsp. Perc. 2 (Piatto) ppp

f

p

5:3

5:3

Keyb. 1 (E-Bass)

5:3

Pno.

sf p

staccatissimo

mf

free 3

Martha Il

5

ironic Sprechgesang

3

3

Jan vous

a

vez

un

do mes

ti

que

bi

TAPE 5 ("Vieux 2") Tape 5

pizz.

Cb. f

Litolff/Peters

33875

za

rre.

fait

tou jours

e

xac te

ment


ISSUU Version For perusal only

140

13

2 4

Fl. ff

5

2 4

Bass Sax. pp 5:3

Keyb. 1 (E-Bass)

più f

5:3

mf

5:3

2 4

p

dim. staccatissimo

2 4 più f

Pno.

mp

2 4 pp

almost crying

3

feroce

pp

sf

sf

2 4

Martha ce

qu'il

faut

faire

3

2 4

Jan Il

ne

res

2 4

Tape 5

pizz

2 4

Cb.

5

16

Bass Sax.

2 4

3 4

Perc. 2 (Piatto)

2 4

Keyb. 1 (E-Bass)

2 4

3 4

2 4

3 4

Piatto

3 4 pp

sf

cresc sub

pp

Pno.

2 4

3 4 sf

p

ironic

sf (mf)

ord.

5:6

Sprechgesang

Jan

2 4

3 4 sem

Cb.

2 4

Litolff/Peters

5:6

pas

ble

à

tout

3 4 33875

gliss

gliss

le

mon

de.

Est

il

muet?


ISSUU Version For perusal only

19

141

Fl. sf p

pp

ord. 5

Bass Sax.

f

very fast arpeggio

Perc.1 (Vib.) p

SD

Piatto

Perc. 2 sf

5:3

Keyb. 1 (E-Bass)

5:3

più f

dim.

Pno.

fuggevole 5

3

Martha Ce

n'est

pas

ce la.

Le

moins

pos si ble

5

Jan Il par

le

donc?

Vln. mp

p

Litolff/Peters

33875

p


ISSUU Version For perusal only

142

22

4 4

Fl. p

fuggevole, legatissimo 3

5:3 3

3

3

3

Bass Sax.

3 4 3

4 4

5:3 3

3

3

3

3

3

3 4

pp pp *

4 4

Perc.1 (Vib.)

3 4

Glsp *

4 4

Perc. 2 (Glsp)

3 4

* grace notes before the indicated part of the bar and the chords of the piano 5:3

Keyb. 1 (E-Bass)

4 4

Pno.

4 4 sff espress.

3

5:3

3 4

3 4

dim. serious

3

3

3

4 4

Martha et

seule ment pour l'es

sen

tiel.

Mais

je dois vous

de

man

der

vo

3 4

tre

nom

2 Interrogation 1 q = 92 25

Fl.

3 4 f

Bass Sax.

3

3 4

3

3

3

p sub

fpp

Perc.1 (Vib.)

3 4

Perc. 2 (Glsp)

3 4

Keyb. 1 (E-Bass)

f

secco

f 5:3

3 4 metallico

3 4 p sub

sf p cresc.

Pno.

3 4 sf p

p

mf

3

Martha

3 4 et

vos

pré

Date

noms.

Spoken 5

Jan

5

3 4 Ha

Litolff/Peters

33875

neutral

sek,

Karl.

et

lieu


29

ISSUU Version For perusal only

3

Fl.

143

f

5

5

5

Bass Sax. pp

Perc.1 (Vib.)

Perc. 2 (Glsp) f

5:3

5:3

Keyb. 1 (E-Bass)

5:3

Pno.

secco

3

Martha de

nais

san

ce?

5

5

5

Jan J'ai trente

huit

vib

Vln. mf

Litolff/Peters

33875

ans.


ISSUU Version For perusal only

144 32

3

Fl.

4 4 ff

5

4 4

Bass Sax. pp

Perc.1 (Vib.)

4 4

Perc. 2 (Glsp)

4 4

5:3

Keyb. 1 (E-Bass)

5:3

5:3

4 4

4 4 Pno. loco

3

3

4 4

Martha Où

êtes

vous

4 4

né?

5

4 4

Jan En

Bo

me.

4 4

Vln. mf

pizz.

4 4

Cb.

Litolff/Peters

33875


ISSUU Version For perusal only

35

145

Fl.

4 4

3 4

Cl.

4 4

3 4 pp

mf 5:6

Bass Sax.

4 4

C Tpt.

4 4

3 4 sord. straight

3 4 pp

f

Perc.1 (Vib.)

4 4

3 4

Perc. 2 (Glsp)

4 4

3 4

Keyb. 1 (E-Bass)

4 4

sfp

5:3

5:3

5:3

3 4 str. sp trp.

4 4

3 4

4 4

3 4

Pno.

3

Martha

Pro

3

3

4 4 fes sion?

il

5:6

ê tre

faut

3

très pau

vre

3 4

très riche

4 4

Jan

3

3

3

ou

3 4 Sans

fes

pro

sion.

vib.

4 4

Vln.

3 4 f

p 5:6

39

2 4

Bass Sax.

ppp

Piatto

2 4

Perc.1 (Vib.)

SD

2 4

Perc. 2 (SD) pp

p

pp

p

pp

pp 5:3

5:3

Keyb. 1 (E-Bass)

p

mp

5:3

2 4

2 4 Pno.

2 4 f 3

3

3

3

2 4

Martha pour vi

Jan

vre

sans

un

ord.

mé tier.

Je

Cb.

Litolff/Peters

5

2 4 2 4 33875

ne

suis pas

très

pauvre

et,


ISSUU Version For perusal only

146 44

3 4

Fl.

3

3

4 4

fp

3 4

Cl.

4 4 pp

3 4

Bass Sax.

4 4 5:4

Vib.

Perc.1 (Vib.)

3 4

4 4

Perc. 2 (SD)

3 4

4 4

p senza cresc. 3

Keyb. 1 (E-Bass)

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

ppp

Pno.

3

3

Martha

Do mi

pour bien des

3 4 rai

ci le_ha bi tuel?

He expresses happiness

5

5

Jan

3

4 4

sons,

j'en

suis con

tent. 3

48

3 4

Fl.

4 4 f

3 4

4 4

Perc.1 (Vib.)

3 4

4 4

Perc. 2 (SD)

3 4

4 4

Cl. 3

f

f

p 5:3

3

Keyb. 1 (E-Bass)

5:3

3 4

4 4

3 4

4 4

3

f

Pno. 5

3

3 4

4 4 3

3 4

Martha

4 4 Vous

spoken

en

ve

nez?

5:6

Jan La

Bo

Cb.

3 4

4 4

3 4

4 4

me.

f

Litolff/Peters

33875


ISSUU Version For perusal only

147

51

Fl.

4 4 p sub.

ord.

Bass Sax.

7

4 4 più f

Perc.1 (Vib.)

4 4

Perc. 2 (SD)

4 4

p

S.D

5:3

Keyb. 1 (E-Bass)

Glsp

5:3

5:3

5:3

4 4

intense

4 4 mp

cresc.

Pno.

f sub

4 4 f

p sub.

Martha

4 4 Je sais!

Ord. Jan

5

5:6

je viens

d'A fri que.

Ord.

7

(gliss.)

4 4 Non,

Cb.

Spoken

De l'au

4 4 mp

Litolff/Peters

33875

tre

de

la

mer.


ISSUU Version For perusal only

148

55

3 4

Fl.

more air than pitch 5

Bass Sax.

3 4

Perc.1 (Vib.)

3 4 ff

3 4

Perc. 2 (SD) ff

5:3

5:3

3 4

Keyb. 1 (E-Bass)

3 4 fff

2nd voice loco

Pno.

cresc.

p sub

3 4

with huge curiosity

3

3 4

Martha Vous

y

al

lez

sou vent?

Spoken 5

3 4

Jan

A

pizz.

3 4

Vln. ff pizz.

3 4

Vla. ff

secco

Cb.

3 4 p subito

Litolff/Peters

33875

ssez

sou vent.


ISSUU Version For perusal only 58

3

3

3:2

149

Fl. 5

3

f

Hn. sff p

sordina ( wa-wa)

C Tpt. sff p sordina ( wa-wa)

Tbn. sff p

Perc.1 (Vib.)

sff p

Gslp Perc. 2 (Glsp) sff p

5:3

5:3

5:3

Keyb. 1 (E-Bass)

Pno.

più f

3

3

3:2

5

3

Martha je

sup

pose

que

vous

a

vez une

piè

ce

d'i

den

ti

té.

ord. Jan Un

arco sul pont.

Vln. pp arco sul pont.

Vla. pp

sul pont.

Vc. pp

Litolff/Peters

33875


ISSUU Version For perusal only

150

61

Bass Sax.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

ff

Hn. sfff

C Tpt. sfff

Tbn. sfff

Vibr

2 4

Perc.1 (Vib.)

4 4 ff

Glsp

2 4

Perc. 2 (Glsp)

4 4 ff

5:3

5:3

Keyb. 1 (E-Bass)

2 4

Pno.

2 4

4 4

2 4

4 4

5:3

4 4

ff

Martha

ord.

5:6

7:8

2 4

Jan passe

port.

4 4 Le

Vln.

voi

là.

vou

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

sfff

Vla. sfff

Vc. sfff

pizz.

Cb. ff

Litolff/Peters

Sprechgesang

33875

lez

vous

le

voir


ISSUU Version For perusal only

3 64

The old man enters in the reception very slow, almost in slow camera "camara lenta" (?). Martha takes the passaport but looks at the old man as hipnotized and give the passaport (maquinalmente) without having a look at it. All that happens as in a dream.

The conductor waits ca.25'' The first 6 "steps" of the TAPE and continue by figure 4

8 4

Cl.

151

4 Confidential q = 108 3 4 p

f 5:3

Keyb. 1 (E-Bass)

8 4

3 4

Pno.

8 4

3 4 sf

3

8 4

Martha

Je

ca. 25''

3

ne

t'ai

pas

ap

5:4

3 4 pellé

electronic ressonance of this phrase

quand vous

al

lez

bas,

TAPE 6 ("Vieux 3")

8 4

Tape 5

3 4

67

Cl. p

Piatto

SD Perc. 2 (SD)

5:3

5:3

5:3

Keyb. 1 (E-Bass)

Pno.

Martha vous

ha

bi

tez

près

de

la mer?

vous

Sprechg. 5

Jan Oui

Tape 5

Litolff/Peters

33875

almost sighing

a


152

Piatto

70

ISSUU Version For perusal only SD

Perc.1 (Vib.)

5:3

Keyb. 1 (E-Bass)

Pno.

Martha vez

de

la

fa

mil

le?

melancholic

parlando

3

Jan J'en

a

vais.

Mais

sord Vln. ppp

sord

4

Vla. ppp

sord

4

Vc. ppp

pizz. Cb. mf

Litolff/Peters

33875

il

y_a

long

temps


ISSUU Version For perusal only

74

153

Fl. pp

mp

sord. Harmon.

C Tpt. pp

7:6

Perc.1 (Vib.)

p

5:4

Perc. 2 (Glsp)

5:3

5:3

5:3

Keyb. 1 (E-Bass)

3

Pno.

3

mp

3

3

Martha Non,

je veux dire:

"Etes vous ma

ri

é?

as talking to himself almost spoken

5

5

Jan que

je

l'ai quit tée.

Oui,

(sord.)

Vln.

(sord.)

Vla.

(sord.)

Vc.

Litolff/Peters

33875

poco dim.


ISSUU Version For perusal only

154

78

Fl. 3

3

Vibr. Perc.1 (Vib.)

5:6

Glsp

Perc. 2 (Glsp)

5:3

Keyb. 1 (E-Bass)

5:3

5:3

5:3

Pno. p dim.

pp dim.

3

3

Martha Je

Sprechg.

ord.

5:6

3

Jan je

suis

ma

ri

é.

D'ail leurs

sul tasto

vous

a vez

sul pont.

Vln. p

sul tasto

sul pont.

Vla. p

sul pont.

sut tasto Vc. p

pizz.

Cb. mf

Litolff/Peters

33875

voir

mon al

liance.

ne l'ai pas vue!


ISSUU Version For perusal only

82

Fl.

155

6:4

Perc.1 (Vib.)

5:4

ff

6:4

3:2

Ped.

dim. 3:2

5:4

3:2

Perc. 2 ff dim.

3:2

f dim.

Ped.

5:3

5:3

5:3

Keyb. 1 (E-Bass)

3

ff dim.

f dim.

Pno. 3

5

3 7:8

3

f cresc.

3

Martha Pou

vez

vous

me

don

Vln.

Vla.

Vc.

Litolff/Peters

33875

ner

l'a

dres

se

de


ISSUU Version For perusal only

156

3

85

2 4 ff

Fl.

3 4

2 4

5:6

2 4

Bass Sax.

3:2

3 4

2 4

f

Perc.1 (Vib.)

2 4

3 4

2 4

Perc. 2 (Glsp)

2 4

3 4

2 4

2 4

3 4

2 4

2 4

3 4

2 4

2 4

3 4

2 4

5:3

Keyb. 1 (E-Bass)

5:3

Pno.

fff

ff

suddenly furious ff

2 4

Martha vo

tre

3 4

2 4

femme! 3

cool

spoken

5:6

Jan

2 4

3 4

2 4 Elle

Litolff/Peters

33875

est

res

tée

dans


ISSUU Version For perusal only

88

157

Bass Sax.

2 4

3 4

4 4

Perc.1 (Vib.)

2 4

3 4

4 4 pp

Perc. 2 (Glsp)

2 4

3 4

4 4 pp

2 4

3 4

4 4 sf

Pno.

ppp

2 4

3 4

Like a witch! Martha

2 4

4 4

vib. molto

3

3 4

4 4 Ah!

Par

fait!

5:4

Jan

2 4

3 4 son

Litolff/Peters

pa

4 4

ys.

33875


ISSUU Version For perusal only

158 91

Flute

5 Interrogation 2 q = 120 4 4

sf

sf

sf

sord.

Bass sax

4 4 mf sord. straight

Trumpet in C

4 4 mf

Vibraphone Perc.1

medium mallets

4 4 mf

Marimba Perc.2

medium mallets

4 4 mf

3- Hyper-mar "a" Keyb.1

4 4 p

Piano

4 4

mf

Martha

mf

she starts mf and increases the dynamic progressively.

the tension increases poco a poco

3

3:2

6:4

4 4 Date

et lieu

de nais ssance

êtes

vous

né?

pro fe

he remains in a medium dynamic

mf Jan

4 4 trente huit ans.

TAPE 7

4 TAPE 7 ("Breath") 4

Violín I

4 4

Interrogation 2 q = 120

non legato

mf

non legato

Viola

4 4 mf

Litolff/Peters

33875

Bo hê

me.


ISSUU Version For perusal only

94

159

Fl. simile

sf pp

sim.

sf pp

sim.

Cl.

Bass sax

Tpt. sord. straight

Tbn. f

Perc.1 (Vib.)

Perc.2

Keyb. 1 (Hyper-mar "a")

Pno.

menacing

Martha ssion?

Do

mi

cile

ha bi tuel?

Vous en ve nez?

calm

3

Jan Sans

3

pro fes sion.

la

TAPE 7

Vln.

Vla.

non legato

Vc. mf

non legato

Cb. mf

Litolff/Peters

33875

Bo hê

me.

Je

viens

de


ISSUU Version For perusal only

160

97

non legato

Fl.

Cl. sf

sf

pp

p sf

sf

p

sf

p sim

Bass sax

Tpt.

Tbn.

Perc.1 (Vib.)

Perc.2 (Mar.)

Keyb. 1 (Hyper-mar. "a")

Pno.

mf cresc.

f cresc.

3

Martha pièce d'i den ti té?

Vous y_a llez sou vent?

vous

elegant. 3

Jan l'A fri que.

A

ssez

sou vent.

TAPE 7

Vln.

Vla.

Vc.

Cb.

Litolff/Peters

33875

passe

port.

ha

bi


ISSUU Version For perusal only ord.

flatt

100

161

Fl. sf

sf

sf

sf

f cresc

Muta in Cl Bass Cl. sf

sf

sf

sf

f

Bass sax

Tpt.

Tbn.

Perc.1 (Vib.)

Perc.2 (Mar.)

Keyb. 1

sub. cres. 3

3

excited

3

Martha tez

près de

la

mer?

ê tes vous

ma

rié?

Vous a vez

de la fa

mi

lle?

very expressive

Jan Oui

Oui

TAPE 7

Vln.

Vla.

Vc.

Litolff/Peters

33875

J'en a

vais


ISSUU Version For perusal only

162

103

flatt

ord.

3 4

Fl.

Bass Clarinet

ord.

Bass Cl.

3 4

Bass sax

3 4

Tpt.

3 4

Tbn.

3 4

Perc.1 (Vib.)

3 4

Perc.2 (Mar.)

3 4

3 4 Keyb. 1

3 4

Martha Etes

vous ma ri é?

l'a dresse

de vo

tre

femme?

3 4

Jan Elle

Oui

est

res

tée

dans

TAPE 7

3 4

Vln.

3 4

Vla.

3 4

Vc.

3 4

Litolff/Peters

33875


ISSUU Version For perusal only

163

6 Interrogation 3 q = 126

106

Fl.

3 4

4 4 sf

Bass Cl.

3 4

mp

4 4 sf more intensive

Bass sax

3 4

4 4 ff sord. (straight)

Tpt.

3 4

4 4 f

Tbn.

3 4

4 4 ff

Perc.1 (Vib.)

3 4

4 4 ff

Perc.2

3 4

4 4

3 4

4 4

Keyb. 1 (Hyper-mar. "a")

ff

3 4

4 4 f

Martha

3 4

3

spoken

ord. 3

san

ce?

Où êtes vous né?

4 4 Date

de nai

f

3

Jan

3 4

4 4 son

TAPE 7

3 4

pa

ys.

Sprechgesang gliss.

trente

4 4 q = 126 more intense sul pont.

Vln.

3 4

4 4 ff

Vla.

3 4

sul pont.

4 4 ff pizz. ord

pizz .

Cb.

3 4

4 4 ff

Litolff/Peters

33875

huit

ord.

ans.

la

Bo


ISSUU Version For perusal only

164

109

Fl. f

Bass Cl. f

f

Bass sax

Hrn.

Tbn.

Perc.1 (Vib.)

Perc.2 (Mar)

Keyb. 1 (Hyper-mar. "a")

Pno.

3

Martha Pro fes sion?

do mi cile?

marcato

almost spoken

Jan hême.

sans

pro

fes

sion.

la

TAPE 7

Vln.

Vla. pizz. ord

pizz. ord

Cb.

Litolff/Peters

33875

Bo

hême.


ISSUU Version For perusal only

112

165

Fl.

Bass Cl.

Bass sax

Hrn.

Tpt.

Tbn.

Perc.1 (Vib.)

Perc.2 (Mar)

Keyb. 1 (Hyper-mar "a")

Pno.

Martha i den ti té?

Vous en ve nez?

fa

flagmatic

mil

le?

Jan non

passe

port

non

TAPE 7

Vln.

Vla.

pizz ord.

pizz ord.

Cb.

Litolff/Peters

33875

pizz ord.


ISSUU Version For perusal only

166

Fl.

5 4

Interrogation 4 q = 132 7 Agitato, sharp 4 4

Bass Cl.

5 4

4 4

Bass sax

5 4

4 4

Hrn.

5 4

4 4

Tpt.

5 4

4 4

115

ord.

Tbn.

5 4

4 4

Perc.1 (Vib.)

5 4

4 4

Perc.2 (Mar)

5 4

4 4

5 4

4 4

5 4

4 4

G.C

Keyb. 1

Pno.

5 4

Martha rié?

Ma

tre

femme?

5 4 oui

3

Pro

fes sion?

3

4 4 n'est

pas

Sans pro fes sion.

Interrogation 4 Agitato, sharp TAPE 7

5 4

4 4

Vln.

5 4

4 4 ord all tall

5 4

Vla.

pizz ord.

Cb.

Litolff/Peters

3

4 4 Vo

Jan

f

4 4 pizz ord.

5 4

4 4

33875

Do mi cile?


ISSUU Version For perusal only

118

167

Bass Cl. 3

Bass sax

Hrn.

Tpt.

Tbn.

Perc.1 (Vib.)

Perc.2 (Mar)

Keyb. 1 (Hyper-mar)

Pno.

threatening

3

3

3

3

3

3

Martha Ma rié?

Fa mi lle?

ironic

3

3

3

i

3

den

ti

té?

Il faut

3

3

3

Jan la

Bo

hême.

Non

Oui

TAPE 7

Vla.

Litolff/Peters

33875

Ha

sek

Karl.

ê

tre


ISSUU Version For perusal only

168

8 Electronic saturation q = 144

Muta in Bb. Cl.

121

Bass Cl.

Bass Sax. Bass sax

metallic

Hrn. ff

Tpt. metallic

Tbn. ff

Vib. Perc.1 (Vib.)

ff hard mallets

Perc.2 (Mar.)

ff

4- Hyper-mar "b"

Keyb. 1 (Hyper-mar "a")

ff

Pno.

3

Martha ri

3

che

i den ti

té?

ff exasperated, crying

sprechg. gliss.

Jan Oui

Ha sek

Karl.

TAPE 8 ("Electronic Saturation")

(click track) TAPE 7

ord. al tall.

Vln. ff

Vla.

pizz.

Cb. ff

Litolff/Peters

33875

ff


ISSUU Version For perusal only

169

Bb Clarinet

125

Cl. ff

Bass sax ff

Hrn. pp

sf pp

ff

sf

sf pp

ff

sf pp

ff

Tbn. ff

Perc.1 (Vib.)

Perc.2 (Mar)

Keyb. 1 (Hypermar "b")

ff Pno.

p

ff

TAPE 7

pizz.

Vln. ff pizz.

Vla. ff

pizz.

Cb.

Litolff/Peters

33875


170

128

ISSUU Version For perusal only

Cl.

Bass sax sff pp

ff

ff

sff pp

ff

ff

sff pp

ff

sf pp

ff

sf pp

sf pp

Hrn.

Tpt. ff

Tbn.

G.C Perc.1 (Vib.) ff

f

Piatto Perc.2 (Mar.)

Keyb. 1 (Hyper-mar "b")

Pno.

TAPE 7

pizz.

arco

Vln.

pizz. ord.

Vla.

pizz. ord.

Cb.

Litolff/Peters

33875

pizz. ord.


131

ISSUU Version For perusal only

171

Cl.

Bass sax

Hrn.

Tpt.

Tbn.

l.v

Perc.1 (Vib.)

l.v.

S.D

Perc.2 (Piatto)

Keyb. 1 (Hyper-mar. "b")

Pno.

TAPE 7

pizz.

Vln.

pizz.

Vla.

pizz. ord.

Cb.

Litolff/Peters

33875

arco


ISSUU Version For perusal only

172

134

Cl.

Bass sax ppp

fff

sff pp

ppp

fff

sff pp

ppp

fff

sff pp

Hrn.

Tpt.

Tbn.

Perc.1 (Vib.) pp

Perc.2 (S.D) pp

mf

f pp sub

f

pp

ff

Keyb. 1 (Hyper-mar. "b") pp

Pno.

TAPE 7

arco

Vln.

arco

Vla.

pp

arco

Cb. ff

Litolff/Peters

33875

sempre


137

ISSUU Version For perusal only 9

173

very long

23

Cl. pp

pp

pppp very long

23 Bass sax ffff very long

23 Hrn. ffff very long

23 Tpt. ffff

pp very long

23 Tbn. ffff

very long

23 Perc.1 (Vib.) ffff

Piatto

very long

23

l.v

Perc.2 (Piatto)

very long

23 Keyb. 1 (Hyper-mar "b")

ffff

very long

23 ffff

very long

23

* Pno. *(cluster: include all the notes between the indicated notes)

TAPE STOPS

very long

TAPE 7

23

very long

Vln. ffff

23

very long

Vla. ffff

pizz.

23

Cb.

Litolff/Peters

33875

very long


ISSUU Version For perusal only

174

V: Scene 3 Mère - Jan - Martha

1 q = 60 Vibraphone

3 4

Percu. 1 (Vib.)

soft mallets

f

f

pp

pp

soft mallets

Marimba

3 4

Perc. 2 (Mar.)

pp

f

* the first time a new note appears is "f", all the repetitions are "pp"

4- Hyper-marimba "b"

3 4 sff pp

Keyboard 1. (Hyper-mar "b")

3 4 f

p

p

f

3 4

Piano

sff pp

f quasi f

3

3 4

Mère

Bon

q = 88

jour,

Mon

sieur.

Vo

tre

cham

bre

est

prête.

f pp

3

Perc.1 (Vib.)

pp

f

dynamics simile *

Perc.2 (Mar.)

pp

f

* the first time new note appears is f, all the repetitions of the same note are pp

p

pp

Kbd. 1 (Hyper-mar "b")

Pno. 5

quasi f Sprechgesang

ord.

5

5

Jan Je

Litolff/Peters

vous

re

mer

cie,

Ma dame.

33785


ISSUU Version For perusal only

q = 66 5

2 4

Perc.1 (Vib.)

Perc.2 (Mar.)

2 4

3 4

2 4

3 4

pp

pp

f

Kbd. 1 (Hyper-mar "b")

175

2 3 4

2 4

3 4

2 4

3 4

dim.

Pno.

3

sff pp

3

2 4

Mère Tu as

dim.

sff pp

rem pli

la

fi

3 4

che?

Ain si,

2 4

Martha

sff pp

te nez,

3 4 Oui.

q = 66

2 3 4

2 4

Cb.

pizz.

p/pp

8

Perc.1 (Vib.)

Perc.2 (Mar.)

pp

ff

Kbd. 1 (Hyper-mar. "b")

Pno. sff pp sff 3

Sprech.

ord.

fi lle a

o mis

de

4

Mère ma

no

ter

les rai sons

(pizz.)

Cb.

Litolff/Peters

33785

de vo tre

vi

si

te.


176

ISSUU Version For perusal only

q = 80

11

4 4

Perc.1 (Vib.)

4 4

Perc.2 (Mar.)

4 4 f

Kbd. 1 (Hyper-mar. "b")

4 4

4 4 Pno.

sf pp

pp

4 4

7

5

Sprechgesang 5

4 4

Jan Je su

ppose

qu'il s'a git de tou ris me.

ord. passionate

5

5

J'ai vou lu

au ssi re voir

cette

gion

q = 80

4 4

Cb.

3 q = 88

q = 72 14

3 4

Perc.1 (Vib.)

mf

3 4

Perc.2 (Mar.)

mf 3

3

3 4 3

mf

Kbd. 1 (Hyper-mar. "b")

3 4 5

3 4 4:3

sff pp

Pno.

3 4 sff pp 6

3 4

Martha

Vousy_a vez ha

bi

té?

ord. mf

spoken Jan

que j'ai connue autrefois

Il

q = 72 Cb.

y_a

très long temps,

3 q = 88

3 4 mf

Litolff/Peters

5

3 4

33785

mf


ISSUU Version For perusal only

17

Perc.1 (Vib.)

simile mf

Perc.2 (Mar.)

177

simile 3

3

3

3

3

simile

Kbd. 1 (Hyper-mar. "b")

4:3

sff pp

Pno.

sffpp

sempre ord. 5

to the Mère, spoken:

5

5

Il y a donc

Jan J'ai

eu

l'o

cca

sion

de

pa

sser

par

i

ci.

Je

ne l'ai

pas

ou

bli

é.

Cb. pp

20

Perc.1 (Vib.)

Perc.2 (Mar.)

Kbd. 1 (Hyper-mar. "b")

3

2 4

5 4

2 4 3

3

Pno.

5 4

2 4

5 4

2 4

5 4

2 4

5 4

2 4

sf pp

5

si long

Litolff/Peters

5

5

5 4

Jan

Cb.

3

5 4

temps

2 4 que

vous

5 4

ha

bi

tez

cet

tel?

2 4

33785


178

ISSUU Version For perusal only

q = 60-56

22

2 4

Perc.1 (Vib.)

2 4

Perc.2 (Mar.)

3

2 4

Kbd. 1 (Hyper-mar. "b")

3

2 4 sff pp

Pno.

2 4 Sprechgesang

ord.

Sprechgesang 3

ord. gliss.

et des an

nées

3

sprechg sang

2 4

Mère

Il

y

a

des

an

nés

de

ce

la.

Telle ment des an

q = 60-56

2 4

Cb.

25

Perc.1 (Vib.)

Perc.2 (Mar.)

3

3

Kbd. 1 (Hyper-mar. "b")

Pno.

3

3

3

3

Mère nées

que je n'en sais

plus

le

com men

Cb.

Litolff/Peters

33785

ce ment

et que j'ai

ou

bli

é


ISSUU Version For perusal only Irritated q = 72

28

Perc.1 (Vib.)

Perc.2 (Mar.)

179

5 4

3 4

5 4

3 4 3

3

5 4

Kbd. 1 (Hyper-mar. "b")

3 4

3 3

5 4

3 4 sff p

Pno.

3 4

5 4

3 4

ord.

Sprechgesang Mère

que j'é tais

ce

5 4

a

lors. 6

6

6

5 4

Martha

3 4 Mère,

vous n'a avez pas de rai

son de ra con ter ces

cho

ses

5 4

Cb.

3 4 f dim.

30

Perc.1 (Vib.)

q = 100

4 3 4

4 4

2 4 f dim

Perc.2 (Mar.)

3 4

mf

4 4

2 4 f dim

mf

3-Hyper-mar. "a"

3 4

4 4

2 4 f dim.

Kbd. 1 (Hyper-mar. "a")

3 4

mf

4 4

2 4 mf

3 4

4 4 5:3

Pno.

3 4

2 4 f dim.

4 4

2 4

4 4

2 4

speaking acting

Mère

3 vrai, 4 C'est Martha.

Sprechgsang 5

speaking acting

Jan

Je comprends votre sentiment,

3 4

3 4

Litolff/Peters

2 4 Ma

dame.

C'est

ce lui

qu'ontrou

ve

au bout d'une vie

q = 100

4 4 pp

5

4 4

4 Cb.

5

5

2 4 f dim.

33785


ISSUU Version For perusal only q = 60

180

33

2 4

Perc.1 (Vib.)

3 4

2 4

p

pp cresc.

2 4

Perc.2 (Mar.)

3 4

2 4

p

pp cresc.

2 4

3 4

2 4 pp

Kbd. 1 (Hyper-mar. "a")

Pno.

2 4

3 4

2 4

2 4

3 4

2 4 pp cresc.

ord.

2 4

Mère

3 4

Sprechgsang 3

ord. 3

2 4 Oh!

çu

je l'ai re

dans le temps,

Spoken - looking intensively to the mother 5

2 4

Jan

Mais peut-être serait-il changé si vous aviez reçu l'appui d'un bras d'homme.

3 4 de

tra

2 4

vail.

q = 60

2 4

Cb.

3 4

2 4

37

Perc.1 (Vib.) ff

mf

f

mf

mp

Perc.2 (Mar.)

p

ff

mf

mf

ff

mf

Kbd. 1 (Hyper-mar. "a")

mf

pp

mf

ff

Pno.

Sprechgsang

ord.

3

3

3

3

Mère Mais

il y_a vait

trop

à

faire.

Mon ma

ri

Cb.

Litolff/Peters

33785

et moi

y

su

ffi

sions

à

pei

ne.

Nous


ISSUU Version For perusal only

41

Perc.1 (Vib.)

p

pp

ff

f

181

3 4

mf

pp

pp

3 4

Perc.2 (Mar.)

f

pp

mp

mf

pp

ff

3 4 f

Kbd. 1 (Hyper-mar. "a")

mp

mp

p

pp

3 4

3 4 mp

f

ff

Pno.

3 4 3

3

3

3

3 4

Mère n'a vions même

pas le temps

de pen ser

l'un à l'au

tre

et

a vant

mème qu'il fût mort,

je

crois

que je

3 4

Cb.

q = 100-104 46

Perc.1 (Vib.)

Perc.2 (Mar.)

3 4

4 4

2 4 f

3 4

4 4

2 4 1- Hyper-vib. "a"

Kbd. 1 (Hyper-mar. "a")

3 4

4 4

2 4 f

7:6

3 4

4 4

Mère

f

f

Pno.

2 4

3 4

4 4

2 4

3 4

4 4

2 4

4 4

2 4

l'a vais ou bli é.

Martha

3 4

5

Jan

3 4

3 4

Litolff/Peters

5

più forte 5

5

4 4 Je

Cb.

5

5

2 4 qui vous au rait prê té son bras,

com prends. Mais...un fils

4 4

vous ne l'au riez

peut ê

tre

2 4

33785


ISSUU Version For perusal only Impatient q = 72-76

182

50

Perc.1 (Vib.)

2 4

3 4

fdim.

Perc.2 (Mar.)

2 4

3 4 pp.

3 4

2 4 fdim.

pp.

Kbd. 1 (Hyper-vib. "a")

2 4

pp.

2 4 fdim.

2 4

2 4

3 4

2 4 fdim.

2 4

3 4

2 4 sffp

sffp

Pno.

2 4

3 4

2 4

6

Martha

2 4

3

3 4

6

6

2 4 Un fils

qui_en tre

rait i

ci

trou ve rait

ce que n'im por te quel

5

Jan

2 4

3 4 pas ou

bli

2 4

é?

Irrumpiendo, impatient q = 72-76

Cb.

2 4

3 4

2 4 f dim.

Litolff/Peters

33785

3

cli ent est a ssu ré d'y trou ver:


ISSUU Version For perusal only

5 Humoreske, meccanico e = 84

Disgusted q = 66

short

54

Perc.1 (Vib.)

183

3 4

4 8

2 8

4 8

2 8

2 8

4 8

2 8

medium hard mallets

Perc.2 (Mar.)

3 4

4 8 pocosf

4- Hyper-mar "b" 5

3 4

5

4 8

5

5

5

2 8

4 8

2 8

2 8

4 8

2 8

mf

Kbd. 1 (Hyper-vib. "a")

3 4

4 8

5

3 4

4 8

2 8

2 8

sfpp

dim.

Pno.

4 8 sf 5

3 4

4 8

2 8

4 8

2 8 sf

dim.

short

ord.

Mère

3 4 Mar

tha!

Laisse

4 8

2 8

4 8

2 8

4 8

2 8

4 8

2 8

4 8

2 8

ce la.

Spoken, ironic, cold Martha

3 4

une indifférence bienveillante.

mf stacc. with a different, quite a artificial character. Jan

3 4

4 8

2 8 et je dé

J'ai beau coup d'ar gent

sire

res ter un peu

Disgusted q = 66

5 Humoreske, meccanico e = 84 Vln.

3 4

4 8

al tallone

2 8

4 8

2 8

2 8

4 8

2 8

pocosf mf

al tallone

Vla.

3 4

4 8 pocosf mf

pizz.

arco

5

5

Cb.

3 4

4 8

2 8 pocosf mf

Litolff/Peters

33785

5

5

4 8

5

2 8


184

ISSUU Version For perusal only

59

Perc.1 (Vib.)

Perc.2 (Mar.)

2 8

4 8

2 8

4 8

2 8

4 8

2 8

4 8

2 8

2 8

4 8

2 8

4 8

2 8

2 8

4 8

2 8

2 8

4 8

2 8

2 8

4 8

2 8

5

2 8

4 8

2 8

4 8

2 8

4 8

2 8

4 8

Kbd. 1 (Hyper-mar. "b")

5

sff

5

2 8

4 8

2 8

4 8

Pno.

sff 5

2 8

5

4 8

5

2 8

4 8

5

5

5

2 8

5

5

4 8

2 8

legato, different pp

p sub.

Jan

2 8

4 8 dans cet hô

2 8 tel,

4 8

si vous m'y a ccep tez.

2 8 blié

J'ai_ou

de vous dire

4 8 que je pou

2 8 vais

pa yer d'a vance.

Vln.

2 8

4 8

2 8

4 8

2 8

4 8

2 8

Vla.

2 8

4 8

2 8

4 8

2 8

4 8

2 8

arco 5

Cb.

2 8

Litolff/Peters

4 8

5

2 8

5

5

4 8

33785

5

5

2 8

5

4 8

5

2 8


ISSUU Version For perusal only 6 q = 60 5 4

65

2 8

Perc.1 (Vib.)

185 3

3

f soft mallets

2 8

Perc.2 (Mar.)

3

5 4

3

f

2 8

Kbd. 1 (Hyper-mar. "b")

3

5 4 p 5

2 8

5 4 f

pp

Pno.

2 8

5 4 f f sub

2 8

Mère

5 4 n'est pas

Ce

2 8

Jan

ce la

que

nous

de

man dons.

5 4 6 q = 60 pizz.

2 8

Cb.

5 4 f dim

Poco accel. q = 72-76 67

3

3

3

3

3 4 Kbd. 1

3 4

(Hyper-mar. "b")

intenso

p

mp

3

mf

3

f

3

3

3 4

Martha Si

Litolff/Peters

vous

êtes

ri

che,

ce

la

est

bien

Mais

33785

ne

par

lez

plus


186

soft mallets

68

Perc.2 (Piatto)

ISSUU Version For perusal only

3 4

f

pp

pp

l.v

f

3

3 4 Kbd. 1 (Hyper-mar "b")

3 4 p

ff

4- Hyper-mar. "b" Kbd. 2 (Hyper-mar. "b")

3 4 ff

p

speaking acting 3

Martha

despective like a witch

3

Nous ne pouvons rien pour lui.

3 4

Pre nez vo tre clé,

de vo tre coeur

Cb.

3 4 ff

Litolff/Peters

p

33785

as su rez vous de vo tre cham

bre.


ISSUU Version For perusal only

72

187

secco

Fl.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

f

secco

Cl. f

secco

Bass. Sax.

secco

Hn. f

sord straight

secco

C Tpt. f

sord straight

secco

Tbn. f

3

Perc.1 (Vib.)

3

3

f

S.D

Marimba

4 4

Perc.2

3 4 p

4 4

Kbd. 1 ("Hyper-mar. "b")

3 4

Piano

secco

4 4

3 4

4 4

3 4

f

Kbd. 2 ("Hyper-mar. "b")

3

ff-p 3

3

3

4 4

Martha Mais sa chez!

vous êtes dans

une

mai

pp Sprechgesang 3

son

sans

3 4

re ssour ces

pour

le cœur.

scratching

4 4

Vln. f

3 4 p

scratching

4 4

Vla. f

f

Litolff/Peters

p

4 4

Cb. secco

33785

3 4

3 4


188

75

ISSUU Version For perusal only

The mother stands up, Jan tries to help her

q = 60

7 f

3 4

Perc.1 (Vib.)

4 4

f

f

pp pp

3 4

Perc.2 (Mar.)

4 4 f

f

3 4

4 4 pp

f

pp

f

Kbd. 1 ("Hyper-mar. "b")

3 4

4 4

3 4

4 4 f

Pno.

dim.

3 4

4 4 Sprechgesang 3

3

3 4

Mère

N'y faites pas

7 3 4

Cb.

pp

pp

trop a tten tion,

ord.

4 4 Mon

sieur.

Il

y

a

des su

jets

qu'elle

n'a jamais

pu

su ppor ter.

q = 60

4 4

78

3 4

Perc.1 (Vib.)

3 4

Perc.2 (Mar.) l.v

10- Hyper-winds

3 4 mf cresc.

Kbd. 1 (Hyper-winds)

3 4

3 4 mf cresc.

Pno.

sf

p

3 4 speaking to Jan Mère

Laissez, mon fils, je ne suis pas infirme. Voyez ces mains qui sont encore fortes.

Susurrato

Elles pou rraient main te

3

3

nir les jambes d'un hom

3 4 me.

3 4

Cb.

Litolff/Peters

looking at the audience

3

33785


81

ISSUU Version For perusal only q = 66

q = 104

3 4

Perc.1 (Vib.)

189

5 4

f

3 4

Perc.2 (Mar.)

5 4 f

3- Hyper-mar. "a"

3

3

3 4

p sub

3

f

6- Hyper-bells

3

5 4

f

Kbd. 1 (Hyper-mar "a")

3

3

3

3 4

5 4

3 4

5 4 sffp

f

Pno.

3 4

dim...

5 4 dim... 3

3 4

Mère

5 4 C'é

tait une ma

niére

de

par

ler.

7

3 4

Jan

5 4

Pour quoi m'a vez

vous

ap pellé "mon

fils"?

q = 66

q = 104 pizz.

3 4

Cb.

5 4 f dim.

p

q = 104

84

3 4

Perc.1 (Vib.)

pp

3 4

Perc.2 (Mar.)

pp

3 4 pp

f

Pno.

3 4 f 3

f

3 4

Jan Je

com

prends.

Puis

je

mon

q = 104

3 4

Cb.

Litolff/Peters

p

3

33785

ter

dans

ma

cham

bre?


190

ISSUU Version For perusal only

8 q = 66 free, gestual 3

3

87

Perc.1 (Vib.)

pp

f

3

f

hard mallets pp f

secco

f hard mallets

free, gestual

Perc.2 (Mar.)

pp

pp

f

6- Hyper-bells

f

Kbd. 1 (Hyper-Bells) ff

f

Pno.

f

p

Mère speaks more to herself than to Jan. 3

intense

3

Mère A llez,

Mon

sieur.

Le

vieux

do mes

tique

vous a

ttend

TAPE 9 (Vieux 4) TAPE 9

8 q = 66

pizz. ord.

Cb. ff dim.

20``-30``(scenic decision)

90

Perc.1 (Vib.) sim.

20``-30``(scenic decision)

Perc.2 (Mar.) 20``-30``(scenic decision)

Kbd. 1 (Hyper-Bells)

20``-30``(scenic decision)

Pno.

ppp

dim.

20``-30``(scenic decision)

Mère dans le cou loir.

mmm

(Tape's fade out) TAPE 9

20``-30``(scenic decision)

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

191

VI: Scene 4 Mère's Monologue

1 q = 52-56

Mère performs the monologue in front of the audience, Jan and Martha perform it as "shadows" giving the back to the audience. All three move line in a choreography as a kind of "family constellation".

Vibraphone soft mallets Perc 1

3 4

2 4 mp

pedale sempre sim.

Gran Cassa Perc 2.

mp

3 4

2 4 Pour

quoi?

1- Hyper-vib "a"

Keyboard 1

3 4

2 4 mp

3 4

2 4 sim.

fp

Piano

3 ** 4

2 4

8- E- Waterphone

Keyboard 2 (E-Waterphone)

Martha

3 4

2 4 pp

3 4

ad lib.*

in background of the mère p pp 3

Pour

lui

quoi

a

sf

3

2 4 voir

par

de

mes

mains?

Sweet, quasi susurrato

Like an actress

in foreground mf

Mère

3

3 4

3

2 4 Pour

quoi lui

a

voir

par

de

in background of the mère p pp

Jan

3 4 quoi

lui

a

* (The Keyboard 2 -Hyper-waterphone- has to be played by one of the musicians of the ensemble seated close to the keyboard. The pitches are orientative.)

Litolff/Peters

par lé

voir

mes

mains?

3

3

2 4 Pour

Si, pourtant, il les avait regardées,

de mes mains?

**Begin close to the hammers and move up about 1cm per step looking. for a new sound. When the distance is too big come back. The position of the fingers on the strings must be oblicua. Look for a complex sound, different everytime. Avoid the low resonances.

33785


ISSUU Version For perusal only

192

5

Perc 1. (Vib.)

3 4

2 4

3 4

Perc 2. (G. C.)

3 4

2 4

3 4

Kbd. 1 (Hyper-vib "a")

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

Pno.

Kbd. 2 (E-Waterphone)

3 4

Martha être

peut

sim

3

3

2 4 au

rait

il

com

3 4

pris...

quasi susurato 3

Mère ê

peut

3

3 4

tre

au

rait

il

2 4

com

Mais il ne comprend pas

3 4

pris...

3

3 4

Jan peut

Litolff/Peters

ê

2 4 tre

au

rait

33785

il

com

pris...

3 4


ISSUU Version For perusal only

193

8

Perc 1. (Vib.)

3 4

2 4

Perc 2. (G. C.)

3 4

2 4

3

3

3

Kbd. 1 (Hyper-vib "a")

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3

Pno.

3

Kbd. 2 (E-Waterphone)

Martha

Il

Mère

mou

rir.

Et

moi

veut

mou

rir.

Et

veut

vou

drais

moi

je

vou

drais

3

3

3 4

je

3

2 4

Il

Litolff/Peters

veut

2 4

3 4 Il

Jan

3

3

3 4

2 4 mou

rir.

Et

moi

33785

je

vou

drais


ISSUU Version For perusal only

194

11

3

Perc 1. (Vib.)

3 4

2 4

3

3

3

3 4

Perc 2. (G. C.)

2 4

3

3

Kbd. 1 (Hyper-vib "a")

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3

3

Pno.

3

3

Kbd. 2 (E-Waterphone)

Martha seule ment

sim

pour

que

speaking acting

je puis

3

3 4

qui'il s'en aille!

Mère seule ment

pour

que

je

puis

se,

3 4

Jan seule ment

Litolff/Peters

pour

que

3

te

puis

33785

3

speaking acting

2 4

en core ce soir,

2 4

me coucher et dormir


17

ISSUU Version For perusal only

2 *

3

3

3

3 4

Perc 1. (Vib.) trop

vieil

*

3

le

trop

3

3 4

Perc 2. (G. C.) trop

vieil

le

3

3

2 4 vieil

3

195

le

trop

3

3

le

trop

3

3

3

3

2 4 trop

vieil

* Percussions 1 and 2 : the text "trop vieille" close to their microphones

3

3

3:2

3 4 Kbd. 1 (Hyper-vib "a")

3

2 4 3:2

3

3 4

3

3

2 4

3

3

3

3 4

2 4

Pno.

3 4

2 4

3 3

Kbd. 2 (E-Waterphone)

3

3

3 4

2 4

3 4

2 4

slow gliss.

Trop

vieille

trop

vieille trop vieille

pour

vieille!

Je

suis trop vieille

pour

à nou

re fer mer

3

3 4 Trop

3

2 4

ord. Mère

3

3

3 4

Martha

3

3

3

2 4 à

re fer mer

nou

3

3 4

Jan Trop

Litolff/Peters

vieille

trop

vieille trop vieille

veau

veau

3

2 4 pour

33785

re fer mer

à nou

veau


ISSUU Version For perusal only

196

3

3

23

3

3

3 4

Perc 1. (Vib.) le

vieil

2 4

trop

vieil

3

3

le

3

3

3 4

Perc 2. (G. C.) vieil

le

3

2 4

trop

vieil

le

3

3

3

3 4

2 4

Kbd. 1 (Hyper-vib "a") 3

3

3

3

3 4

3

2 4

3

3

3

3 4

2 4

Pno.

3 4

2 4

3 3

3 4

Kbd. 2 (E-Waterphone)

2 4

3

3

3 4

2 4

3 4

Martha mes

mains

au

tour

2 4 vi

trop vieille

trop

Sprechg. 3

ord.

3 4

Mère mes

mains

au

tour

de

ses

che

vi

lles

3 4

Jan mes

Litolff/Peters

2 4

mains

au

tour

2 4 vi

33785

et

trop vieille

trop


ISSUU Version For perusal only 3

3

28

197

3

3

4 4

Perc 1. (Vib.) trop

vieil

3

3

le

3

3 4

trop

vieil

3

3

4 4

Perc 2. (G. C.) trop

vieil

3

3

2 4 le

3

3 4

le

trop

2 4

vieil

le

loco 3

3

3

3

3

4 4 Kbd. 1 (Hyper-vib "a")

3 4

3

3

3

4 4

3:2

3:2

3:2

2 4 3

3

3 4

3:2

2 4

3

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

Pno.

3 3

3

Kbd. 2 (E-Waterphone)

3

3

3

3

4 4

Martha vieille

trop vieille

trop

vieille

trop

vieille

trop

3

con

te

nir

le

ba

lan ce

ment

de

3

son

trop vieille

trop

vieille

le

corps,

trop

vieille

2 4 long

3

3 4 tout

le

2 4 long

3

4 4 vieille

tout

3

Jan

Litolff/Peters

vieille

3

4 4

Mère

3

3 4

3 4 trop

33785

vieille

2 4 tout

le

long


ISSUU Version For perusal only

198

3

32

Perc 1. (Vib.)

2 4 vieil

trop

3

Perc 2. (G. C.)

3

3

3

3

3

3

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

le

3

2 4 Kbd. 1 (Hyper-vib "a")

3 4

3

vieil

3

2 4

le

2 4 trop

3 4

3

3

2 4

3

2 4 3

3

Pno.

2 4

3 3 3

2 4 Kbd. 2 (E-Waterphone)

2 4

Martha

du

Mère

che

je suis

3

che

trop

3

qui mène à

min

3

la ri vière.

3

je suis

vieille

trop

trop

5:3

3 4

vieille pour ce der nier e

2 4 ffort qui

3

2 4

3 4 du

Litolff/Peters

qui mène à

min

3

2 4 du

Jan

3

3

3

2 4

che

min

qui mène à

je suis

33785

trop

2 4 vieille

trop


ISSUU Version For perusal only

38

199

Perc 1. (Vib.)

2 4

3 4

Perc 2. (G. C.)

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

Kbd. 1 (Hyper-vib "a")

Pno.

Kbd. 2 (E-Waterphone)

3

Martha

3

2 4

3 4 vieille

trop

vieille

trop

vieille

3

Mère

les

3

2 4

3 4 le

jet

te

ra

dans

l'eau

trop

vieille

qui

me

lais se

ra

les

3 3

Jan

2 4

3 4 vieille

Litolff/Peters

trop

vieille

33785

trop

vieille

les


ISSUU Version For perusal only

200

43

Perc 1. (Vib.)

3 4

2 4

Perc 2. (G. C.)

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

Kbd. 1 (Hyper-vib "a")

Pno.

Kbd. 2 (E-Waterphone)

Martha

3 4 bras

Mère

3

3

bal

bras

lants,

bal

res

lants,

trop vieille

pi

ra

tion

5

la

res

3

cou pée

3

pi

ra

tion

2 4

cou pée

5

3 4

2 4 bras

Litolff/Peters

la

3

3

Jan

3

2 4

3

3 4

5

bal

lants,

trop vieille

33785

la

res

pi

ra

tion


ISSUU Version For perusal only

46

Perc 1. (Vib.)

2 4

3 4

2 4

201

3 4

trop

vieille

trop

vieille

str. Perc 2. (G. C.)

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

Kbd. 1 (Hyper-vib "a")

Pno.

Kbd. 2 (E-Waterphone)

Martha

trop vieille

trop

3

Mère

2 4

flexible

3

3 4 trop vieille

3

sans for ce

pour es

3

viei

3

2 4

su yer

ma fi gure

trop

3

3 4 sur

lle

l'eau qui_au ra

re

jail lir

sous le poids

du dor meur

lle

trop

3

Jan

2 4

3 4

2 4

3 4

trop vieille

Litolff/Peters

trop

33785

viei


202

ISSUU Version For perusal only 4

52

2 4

Perc 1. (Vib.)

3 4

trop

vieille

trop

vieil

le

trop

vieil

le

trop

vieil

5

2 4

Perc 2. (G. C.)

3 4

trop

vieille

trop

vieil

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

Kbd. 1 (Hyper-vib "a")

Pno.

Kbd. 2

f pp gliss.

3

2 4

Martha Je

suis trop

vieille

f pp 3

Je

suis

trop

vieille

f pp gliss.

3

2 4

Jan Je

Al lons,al - lons!

3

3

2 4

Mère

Litolff/Peters

time 3

suis trop

vieille

3

la

la

3

3

Al lons, al lons!

3

3

vic

Je

3

3

Al lons, al - lons!

3

3 4

3

3 4 vic

ti me

est

par

3

faite.

3

Je

3

33785

vic

time

3

dois lui

3

3 4 la

dois

Je

dois


ISSUU Version For perusal only

58

203

2 4

Perc 1. (Vib.)

le

2 4

Perc 2. (G. C.) le

trop

vieil

2 4 Kbd. 1 (Hyper-vib "a")

2 4

2 4 Pno.

2 4

2 4 Kbd. 2 (E-Waterphone)

2 4

f

3

2 4

Martha trop

vieille

je

sou

hai

tais

3

3

2 4

Mère don ner

le som

meil

que

je

sou hai

tais

pour

ma

3

2 4

Jan le

Litolff/Peters

som

meil

33785

trop

vieille

pro


ISSUU Version For perusal only

204

62

5 Senza tempo

Perc 1. (Vib.)

Perc 2. (G. C.) le

Kbd. 1 (Hyper-vib "a")

Pno.

*Slow free imrpovisation with the E- Watherphone in dialogue with the Mere's voice during the e-monologue

Kbd. 2 (E-Waterphone)

3

Martha nuit.

glissando

3

Mère pre

nuit.

3

Jan nuit.

TAPE 10 ("Mère's e-monologue") TAPE 10

Litolff/Peters

33785


ISSUU Version For perusal only

205

VII Interlude 2 "Mère"

Delicate, fluent q = 40 (click track)

Piccolo

4 4 pp

medium mallets 21:16

Percussion 1 (Vib.)

4 4 Pedal. 1/2 pedal ad lib.

mf

mf

pp

mallets: choose mallets appropiate for both Glsp. and Mar.

Glockenspiel

Marimba 21:16

Percussion 2 (Glsp)

4 4 mf mf

pp

pp

mf

1-Hyper-vib. "a" 34:32

4 4 mf legatissimo

Keyboard (Hyper-vib "a")

Ped, 1/2 ped. ad libitum

4 4

55:64

4 4 mf legatissimo

Piano

Ped, 1/2 ped. ad libitum

4 4

TAPE 11 ("Doppelgänger 1") TAPE 11

4 4 pp * The sound engineer plays with the dynamic from ppp until fff. Nevertheless, the composer provides one posible dynamic's version for the tape "Doppelgänger 1"

Delicate, fluent q = 40 (click track)

Violin I

4 4 p

Violoncello

4 4 p

Litolff/Peters

33785

mf


206

ISSUU Version For perusal only

2

Picc.

3

B. Cl. fp

f

mf

13:16

Bass. Sax. mf sord. straight

pp

3

Tbn. mf p sub

pp

13:16

Perc. 1 (Vib.)

fp

Glsp 13:16

Perc. 2 (Mar)

Kbd. 1 (Hyper-vib "a") 21:16

55:64

Pno.

mf cresc.

TAPE 11 pp

pp

Vln.

Vc.

13:16

Cb. p

Litolff/Peters

sfp

mf

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ISSUU Version For perusal only

3

Picc.

207

senza flatt.

Bass. Sax. pp

55:64

Perc. 1 (Vib.) fp

fp

Mar.

fp

55:64

Perc. 2 (Mar.)

fp

f

fp

fp

fp

55:64

mf cresc.

Kbd. 1 (Hyper-vib "a")

mfsub

f

f 55:64

Pno. f

Kbd. 2

TAPE 11 pp

f

Vln.

55:64

Vla. sfpp

Vc.

55:64

Cb. fp

Litolff/Peters

f

fp

33785

f


208

ISSUU Version For perusal only

4

Picc.

Bass. Sax. pp 55:64

Perc. 1 (Vib.)

p cresc.

f

Perc. 2 (Mar.)

fp f

p

13:16

Kbd. 1 (Hyper-vib "a")

p cresc.

55:64

Pno. p cresc.

f

TAPE 11 pp

Vln.

Vla. sf pp

Vc.

Cb. f

Litolff/Peters

33785

ff


ISSUU Version For perusal only

5

Picc. p cresc.

13:16

Bass. Sax. pp

mf

13:16

Hn. pp

13:16

Perc. 1 (Vib.)

fp

f

13:16

Perc. 2 (Mar.)

fp

fp

21:16

Kbd. 1 (Hyper-vib "a") f cresc.

loco

Pno.

34:32

f cresc.

TAPE 11 pp

ff/ mf

Vln.

34:32

Vla. sf pp

Vc. p cresc. 13:16

Cb. f

Litolff/Peters

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209


210

6

Picc. mf

ISSUU Version For perusal only

Bass. Sax. pp

ff

sord. wa-wa

Tbn. f

Perc. 1 (Vib.)

f

Perc. 2 (Mar.) fp

13:16

Kbd. 1 (Hyper-vib "a")

34:32

Pno.

TAPE 11

Vln. mf

Vla. pp

f

Vc. mf

sul pont.

Cb. f

Litolff/Peters

33785

pp


ISSUU Version For perusal only

loco 7

Picc.

211

Tbn. sf p

34:32

Perc. 1 (Vib.)

ff

5:4

Perc. 2 (Mar.)

Kbd. 1 (Hyper-vib "a")

ff

ff

Pno. 34:32

TAPE 11 pp cresc.

Vln.

Vla.

Vc.

ord.

5:4

Cb. f

Litolff/Peters

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ff

p

ff


212

ISSUU Version For perusal only

8

Picc.

34:32

B. Cl.

34:32

Bass. Sax. sfp

ff

34:32

C Tpt.

34:32

Perc. 1 (Vib.) ff

f p sub

f p sub

f p sub 34:32

Perc. 2 (Mar.)

3

3

3

3- Hyper-mar "a"

Kbd. 1 34:32

(Hyper-mar "a")

ff

34:32

Pno.

ff

TAPE 11 f cresc.

Vln.

Vla. sfp

sfp

sfp

Vc. 34:32

pizz

Cb. ff

Litolff/Peters

33785

sfp


ISSUU Version For perusal only

9

Picc.

213

slap 13:16

B. Cl. sff

ff slap 13:16

Bass. Sax. sff

ff

C Tpt. ff

13:16

sord. wa-wa

Tbn. f

21:16

Perc. 1 (Vib.)

Perc. 2 (Mar.)

ff 13:16

Kbd. 1 (Hyper-mar "a") ff dim.

21:16

Pno. ff dim.

TAPE 11 ff dim..

Vln.

Vla. p cresc.

Vc.

arco

Cb. ff dim.

Litolff/Peters

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ISSUU Version For perusal only

214 10

Picc.

7:8

B. Cl. p

7:8

Bass. Sax. p

21:16

Perc. 1 (Vib.)

Glsp 21:16

Perc. 2 (Glsp.)

21:16

f cresc.

Kbd. 1 (Hyper-mar "a")

21:16

Pno.

f cresc.

TAPE 11

scratch

Vln.

Vla. p

ff

Vc.

21:16

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

11

Picc.

B. Cl. p

Bass. Sax. p

sord. harmon

C Tpt. fpp

5:4

Perc. 1 (Vib.) ff dim.

5:4

Perc. 2 (Mar.)

ff dim.

Kbd. 1 (Hyper-mar "a") ff dim.

21:16

Pno. ff dim.

TAPE 11

Vln.

ord.

Vla. p

Vc.

Litolff/Peters

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215


ISSUU Version For perusal only

216 12

Picc. p

C Tpt. fpp

fpp

3:2

Perc. 2 (Mar.)

p

5:4

Kbd. 1 (Hyper-mar "a")

21:16

Pno.

TAPE 11 pp cresc.

Vln.

ord.

Vla. p

ppp

Vc. p

Litolff/Peters

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ISSUU Version For perusal only

13

Picc.

217

p cresc.

Bass. Sax. p cresc.

C Tpt. fp

fp

fp

Perc. 1 (Vib.)

fp

p cresc.

Perc. 2 (Mar.)

5:4

Kbd. 1 (Hyper-mar "a")

p cresc.

13:16

13:16

13:16

Pno. p cresc.

TAPE 11 ff

pp

mp

f

Vln. p cresc.

Vla. p cresc.

Vc.

13:16

Cb.

Litolff/Peters

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ISSUU Version For perusal only

218 15

Bass. Sax. mp

fpp

fpp

fpp

fpp

fpp

fpp

fpp

C Tpt.

3

Tbn. fp

3

fp

simile

5

Perc. 1 (Vib.)

3:2

3:2

Perc. 2 (Mar.)

6- Hyper-bells 3:2

f cresc.

Kbd. 1 (Hyper-mar "a")

3:2

5:4

3:2

mf cresc.

13:16

loco

13:16

mf cresc.

Pno.

ff

TAPE 11 pp

pp

f

ff

ff

pp

Vln. 3

mf cresc.

3

Vla.

Vc. mf cresc.

Cb. 3:2

Litolff/Peters

33785

f


ISSUU Version For perusal only

19

Fl.

219 13:16

13:16

Bass. Sax. fp

C Tpt. fp 3:2

Tbn. fp

13:16

Perc. 1 (Vib.)

fp

Perc. 2 (Mar.)

fp

7- Mixturen

5

13:16

ff

Kbd. 1 (Hyper-Bells)

5

13:16

loco

5:4

Pno.

f

TAPE 11

5

Vln.

13:16

Cb. f

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220

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22

Fl.

ff

21:16

B. Cl.

Bass. Sax. ff

Tbn.

21:16

Perc. 1 (Vib.)

ff

Perc. 2 (Mar.)

21:16

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Kbd. 1 (Mixturen) 21:16

21:16

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5:4

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221

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34:32

B. Cl. fp

fp

f

5

sord. wa-wa

Tbn.

5:4

Perc. 2 (Mar.)

34:32

Kbd. 1 (Mixturen)

34:32

34:32

Pno.

cresc. 5:4

TAPE 11 ppp

Vln.

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222 Fl.

legatissimo

5:4

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55:64

C Tpt. ff

ff

55:64

Tbn. ff

p

Perc. 1 (Vib.)

55:64

Perc. 2 (Mar.) f

Kbd. 1 (Mixturen)

fff

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p sub

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55:64

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Pno. 55:64

TAPE 11

55:64

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3:2

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C Tpt. ff 3:2

Tbn. 55:64

3:2

Perc. 2 (Vib.)

ff dim. 55:64

Perc. 2 (Mar.) ff

fp

fp

55:64

Kbd. 1 (Mixturen)

55:64

Pno.

55:64

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pp

pp sub.

55:64

Vln. ff

fp 3:2

55:64

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55:64

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B. Cl.

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p

Bass. Sax. p

3:2

Hn. ff dim. 34:32

Tbn. f

f

3:2

Perc. 1 (Vib.)

ff dim.

34:32

Perc. 2 (Mar.)

1- Hyper-vib "a"

Kbd. 1 (Hyper-vib "a")

ff dim.

34:32

loco 34:32

Pno.

ff dim.

34:32

TAPE 11 f 3:2

Vln. f dim. 34:32

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Cb.

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Hn.

3:2

Tbn. f dim

Glockenspiel hard sticks

Perc. 2 (Glsp.)

ppp

21:16

Kbd. 1 (Hyper-vib "a") dim.

Pno.

21:16

dim.

21:16

TAPE 11 dim.

Vln. 3:2

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3:2

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13:16

C Tpt. f dim.

3:2

Tbn. f dim.

l.v.

Perc. 2 (Glsp.)

4- Hyper-mar "b"

Kbd. 1 (Hyper-mar "b")

13:16

dim. f dim.

loco

dim.

Pno.

13:16

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TAPE 11

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3:2

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227

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3

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Bass. Sax. sfp

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sfp

sfp

pp 3:2 6:4

Hn. sfp

sfp

sfp

sfp 3:2

Tbn.

Crotales arco

3

Perc. 1

Perc. 2 (Mar.)

6- Hyper-bells

Kbd. 1

5

poco marc.

3

f dim.

5

f dim.

3

Pno. poco marc.

3 5

TAPE 11 pp

mf7 pp sub.

f/ pp

mf

loco

Vln. mf dim.

5

Vla. mf dim.

p

Vc.

gliss.

gliss.

Cb. mf dim.

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ppp

9:8

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B. Cl. f

3

pp

f

5

pp

f

pp

f

pp

legatissimo, quasi gliss. 5:4

5:4

Bass. Sax.

p sub

Hn. mp dim. sord. wa-wa

C Tpt. mp dim.

Perc. 2 (Mar.)

mp dim.

Kbd. 1 (Hyper-bells)

Keyboard 2 6- Hyper-Bells

Kbd. 2 (Hyper-bells)

p

TAPE 11 pp

ff dim.

Vln.

3

Vla.

gliss. ppp

3

Vc.

s. pont. gliss. ppp

Cb. pp

Litolff/Peters

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B. Cl.

5:4

bisbigliando more air than sound

3

3

3

3

5:4

229

ppp

3

Bass. Sax. ppp

3:2

Hn.

C Tpt.

(sord. ad lib.)

Tbn. p dim.

Timpani Perc. 1 (Tp.)

3:2

gliss. 3:2

ppp dim.

pppp

3:2

Perc. 2 (Mar.)

Kbd. 1 (Hyper-bells)

Piano 5:4

3:2

Kbd. 2 (Hyper-bells)

TAPE 11 ppp

pp

p

pp

5:4

Vln.

gliss.

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gliss.

Vla. f pp dim.

f pp dim.

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Vc. fpp

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Cb.

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pp

Hn.

C Tpt.

Tbn.

Perc. 1 f ppp

f pp

(Tp.)

Gong Thai Perc. 2 (G.T.)

l.v mf

loco

5:4

p

Kbd. 1 (Hyper-bells)

poco f dim.

13:16

Pno.

p

poco f dim.

TAPE 11 ppp

f

ppp

pp

Vc.

13:16

3:2

Cb. pp

Litolff/Peters

più f dim.

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loco


46

B. Cl.

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ppppp

pppp

dim.

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231

Bass. Sax.

Hn. ppppp

pppp dim.

C Tpt. ppp dim.

pppp dim.

ppppp

Tbn. ppppp

pppp dim.

ppp dim.

Gran Cassa

5

3

Perc. 1 (G.C) pp

ppp

ppppp

dim.

loco

3:2

Kbd. 1 (Hyper-bells)

loco

Pno.

ppppp

TAPE 11 ppp

mf

ppp

mf

ppp

Vc. pppp

3:2

ppp

3:2

Cb. pppp

Litolff/Peters

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VIII: Scene 5 Jan-Martha

Flute

Clarinet in Bb

1 Intense q = 52-66 4 4 pp

mf

pp

mf

4 4 sord. Harmon

Trumpet in C

4 4 mf

pp

sord. Harmon

Trombone

4 4 mf

pp

Vib. P1 (Vib.)

secco

5

4 4 mp

f

1- Hyper-vib "a"

4 4 p

f

Keyboard 1. (Hyper-vib "a")

4 4 f

4 4 p

f

Piano

5

4 4 mf secco drammatico

Serious, free, parlando

f

mf

Jan

4 4 Ma ri

Violin

5

a

a rai son

cette heure

est

1 Intense q = 52-66 4 4

di ffi ci le.

3

gliss.

Que fait elle,

sord.

pp

mf

pp

mf

sord.

Viola

4 4

pizz.

Contrabass

4 4 p

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que pense t

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Picc.

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3 4

1 4

3 4

1 4

3 4

1 4

3 4

f

p 3

3 4

Cl.

f

p 3

3 4

Bass. Sax.

p 3

3 4

C Tpt.

f 3

3 4

Tbn.

p

f

p

medium mallets

3 4

P1 (Vib.)

3

mf

3

3

3 4 f

Kbd 1. (Hyper-vib "a")

3

3

3 4 f

p

f

3 3

secco

Pno.

f

almost spoken

intimamente 3

3

5

Jan dans sa cham

vib.

bre d'hô

5

Exclamatio, intense 3

les yeux secs,

toute

3

nou

ée

au creux d'une chai se?

3

3 4

Vln.

secco

3 4

le coeur fer mé,

tel,

secco

f espr

f 3

Vc.

3 4 f

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3 4

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3 4 Kbd 1.

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(Hyper-vib "a")

3 4 staccatissimo martellato loco

3 4 sff dim.

Pno.

3 4 p tender

3

3

3

f sub.

pp

5

3

3

3

3

3 4

Jan

soirs de là

Les

bas

sont

des pro me sses

de bon heur.

Mais

i ci,

3

au

con traire... Al lons,

pp 3

in quié tude est

cette

3 4

Vln.

ff espr.

dim. pizz.

3 4

Cb.

f

10

16

Cl. pp

p

Bass. Sax. f

p

p sub

pp

Hn. p

P1 (Vib.)

sfpp

p 3

mp

Pno.

sf

p sub

f

p

3

pp

f

3

Jan sans

rai sons

Il

faut sa voir ce que l'on veut

C'est dans

Cb.

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cette cham bre

que tout

se ra ré

glé.


q=120

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Fl.

3 8

3 4

3 8

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3 8

3 4

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Cl. p

Bongo, Conga P1 (Bg, Cga)

f

Piatto P2 (Piatto)

S.D.

3

5

3 8

3 4

3 8

3 4

(with snares)

p

f

5

3

Martha Je vou

drais

chan

ger

vos

ser

viet tes

et

vo

tre eau

Go to the door

She follows as if nothing happened mf

silence

3 8

Jan

3 4 je cro yais

2 q=120

3

pizz.

3 8

Cb. f

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que cela

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27

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Fl.

ca.2"

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3 4

3 8

3 4

3 8

3 4

ca.2"

3 8

Cl.

3 4

ca.2"

5

3 8

P1 (Bg, Cga)

5

3 4

f

ca.2"

Piatto P2 (S.D.)

3 8

ca.2"

3

3 8

Martha

Piatto

3 4

3

le vieux do mes ti que

a

3 4

3 8

3 4

3 8

3 4

3

3 4 Non

3 8

quel

que fois

ca.2"

3 8

Jan é

tait

fait

3 8

TAPE 12

3 4

ca.2"

TAPE 12 ("Vieux 5")

3 4

STOP TAPE after the fermata

3 8

3 4

3 8

3 4

ca.2" 3

Cb.

3

3 8

3 3 4

3

mf

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Piatto

33

P1 (Piatto)

P2 (Piatto)

3 4 p

3 4

7- Mixturen

3

3

3 4

3

mf sf mf

Kbd 1. (Mixturen)

simile

3 4

15- Silben simile

3 4 mf

Kbd 2 (Silben)

3 4

Martha

3 4 des

dis

trac

tions!

je

3

Cb.

3 4

re

3

gret

te

3

3

f

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36

P2 (Piatto)

3 8

3 8 Kbd 1. (Mixturen)

3 8

3 8 Kbd 2 (Silben)

3 8

3

3 8

Martha que

cette

cham

bre

ne

soit

pas

ssi

con for

ta

ble

3

3

3 8

Cb. 3

Litolff/Peters

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39

C Tpt.

239

3 8

3 4

3 8

3 4

sfpp

f

Bg, Cga P1 (Bg, Cga)

P2 (Piatto)

3 8

3 4

3 8

3 4 3

f

3 8

3

3 4

3

p

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

5

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

Kbd 1. 5

(Mixturen)

5

Kbd 2 5

(Silben)

Martha

que

Vln.

3 8

vous

pourriez

5

le

dé si rer

3 4 f

pizz.

Vla.

3 8

3

3 4 f 3

3

3 8 f

3

3

3 4

pizz.

Cb.

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3 4

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4

without sord. ord.

45

C Tpt.

3 4

3 8

3 4 fp

P1 (Bg, Cnga)

3 4

3 8

3 4

3

f

S.D (with snares) P2 (S.D)

3 4

3 8

3 4

p

f

2- Hyper-vib "b"

3 4

3 8 f

p cresc

Kbd 1.

3 4 f

(Mixturen)

3 4

3 8

3 4

3 4

3 8

3 4

p cresc

f

f

Kbd 2 (Silben)

Martha

3 4

3 8

3 4

3 4

3 8

3 4 En

f

p cresc

Jan

3

3 4 Elle

Vla.

3

est par ti cu lière ment pro

cas

exclamate

3 8 pre

tout

c'est le

plus im

4 3 4

3 4

por tant

3

3 8

3

3 4

f

pizz.

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Cb.

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2 4

Fl. fp

2 4

Cl. fp

2 4

C Tpt. sf pp

5

P2 (S.D)

5

5

5

5

5

2 4

loco

2 4 5

5

5

5

5

Kbd 1. (Hyper-vib "b")

2 4

5

5

5

5

2 4

Kbd 2 (Silben)

2 4

2 4

Martha 3

bien des cli ents

re

gret tent

l'ab

sen

ce

d'eau

cou

ran

te

é léc trique

et d'une am poule

3

arco

3

3

3

2 4

Vc. sfp

3

sfp

sfp

pizz. 3

3

3

sfp 3

3

sfp

3

2 4

Cb. mf cresc.

Litolff/Peters

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55

2 4

C Tpt.

3 4

3 8 f intense 3

2 4

P1 (Bg, Cga)

3 4

3

3

3 8

ff

TomToms P2 (Toms)

2 4

3 4

intense 3

3 8 ff

2 4

Martha

3 4

3 8 au

2 4

Cb.

3 4

du

dessus

3

lit

3

3

3 8

5 60

Piatto

S.D

P2 (Piatto)

3 4 p

3 4 p

Kbd 1. (Hyper-vib "b")

3 4 7- Mixturen

3 4 p

Kbd 2 (Mixturen)

3 4

Jan vous

Litolff/Peters

3

3 4 êtes

sin gu lière

On

33785

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rait,

que vous


ISSUU Version For perusal only

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65

Fl. fp

Cl. fp

Hn. fp sord. straight

C Tpt. fp

Piatto P1 (Piatto)

p cresc.

P2 (S.D.)

Kbd 1.

p cresc.

(Hyper-vib "b")

p cresc.

Kbd 2 (Mixturen)

p cresc.

Martha n'est

Ce

pas tout a fait

ma

pen

sée

3

3

Jan cher chez a

me per sua der

de

par

tir.

q = 112 pizz. 3

Cb. p cresc

Litolff/Peters

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3

3

3

3


ISSUU Version For perusal only

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2 4

Fl.

5

3 4

3 8

f

3

3

2 4

Cl.

3

3

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

2 4

3 4

3 8

2 4

3 4

3 8

2 4

3 4

3 8

2 4

3 4

3 8

2 4

3 4

3 8

f

2 4

Hn.

f

2 4

C Tpt.

f

2 4

P1 (Piatto) 5

P2 (S.D)

6

2 4

p cresc

6

p cresc

Kbd 1. (Hyper-vib "b")

Kbd 2 (Mixturen)

3

3

3

Martha Mais il

3

Cb.

Litolff/Peters

3

est

vrai

3

que

ma mère

et

hé si tions beau coup à vous re ce voir

moi

2 4

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73

Fl.

5

3 8

ISSUU Version For perusal only 5

5

245

q = 120-112

5

3 4

ff

3

Cl.

3 8

3 4 ff

Hn.

3 8

3 4

C Tpt.

3 8

3 4 f

Bongo, Conga

P1 (Bg, Cga)

P2 (S.D)

3 8 f

3

3

3 4

3

ff

3 8

3 4 ff

Martha

3 8

3 4

Jan

3 8

3 4 Je

q = 120-112

s.t

Vln.

3 8

3 4 pp

ppp

pizz.

Vla.

3 8

3 4 f

Litolff/Peters

ne com prends pas pour quoi

3

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Bb, Cga

79

P1 (Bg, Cga)

4 4

mf

4 4

P2 (S.D) p

p

7- Mixturen

4 4 p

Kbd 1. (Mixturen)

4 4

15- Silben

4 4 mf

Kbd 2 (Silben)

4 4

3

4 4

Martha 3

Nous de vons quit ter

cet ho tel,

et

de

puis

quel ques temps

3

nous

pro jet tions

chaque

4 4

Vln.

pizz. 3

3

3

3

Cb. p

Litolff/Peters

mp

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3

3

3

3

4 4


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Bass. Sax.

4 4

3 8

247

3 4

mf

p sord. wa-wa

Tbn.

4 4

3 8

3 4 p

mf

mf

p

3

P1 (Bg, Cga)

P.2 (S.D)

4 4

3 8

3 4 p

5

4 4

mf

f

3 8

3 4

p

2- Hyper-vib "b"

5

5

4 4

3 8

3 4 pp

Kbd 1. (Mixturen)

4 4

3 8

3 4

7- Mixturen

5

4 4

3 8

3 4 pp

Kbd 2 (Silben)

4 4

Sprech.

Martha

3

4 4 jour

de

fer

5

mer

3 8

3 4

3 8

3 4

l'é ta blisse ment...

pp

Jan

4 4

3 8

Je

pizz.

Vla.

3

3 4 dois

dire

ce pen dant

que

ce la

3

4 4

3 8 f

3 4

3

colla parte

Vc.

4 4

3 8

3

3 4 mf

3

Cb.

4 4

3

3 8

3 4

f

Litolff/Peters

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ISSUU Version For perusal only

248 89

Cl.

3

pp

Bass. Sax. mf

pp

p

sord. wa-wa

Tbn. pp

Piatto

6

P1 (Piatto)

p 6

Piatto P.2 (Piatto)

f

sim.

6

p cresc.

3

3

3

3

3

p cresc.

Kbd 1.

3

3

3

5

5

3

3

mf

(Hyper-vib "b")

Kbd 2

p cresc.

mf

(Mixturen)

3

3

3

3

Jan m'ar ran ge rait de

res ter

un ou deux

jours

J'ai

Vc. mf

Litolff/Peters

mp

33785

des

af

faires à me ttre en ordre,

a vant de re pren dre

mes


ISSUU Version For perusal only

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249

3 8

Cl.

3 4

f

pp

3 8

Bass. Sax.

3 4 f

pp

3 8

Tbn.

3 4 f

pp

Bg, Cnga P1 (Bg, Cga)

S.D

5

P.2 (S.D)

3

3

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

pizz 3

3

3

Kbd 1. (Hyper-vib "b")

Jan vo

yages 3

pizz.

3

3 8

Vla.

3

3 4 f

f

3 8

Vc.

3 4 f

pp

6 98

P.2 (S.D.)

6

3 4

6

6

6

6

6

6

3 8

13- Stimmen Kbd 1. (Stimmen)

3 4

3 8 f

15- Silben

3 4

3 8

Kbd 2 (Silben)

f

3 4

3 8 3

Martha

A llez vous donc

Litolff/Peters

3

3

3 4 re

3 8 tour

ner

au

33785

pa

ys

d'où

vous

ve nez?


ISSUU Version For perusal only

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101

Fl.

3 8

3 4

3 8

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3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

fp

Cl.

3 8

3 4 fp

Bass. Sax.

3 8

3 4

C Tpt.

3 8

3 4

sord. Harmon

fp

P1 (Bg, Cga)

3 8

3 4

f

S.D

Piatto

3

P.2 (S.D)

3 8

3 4 ff

3 8

3 4

mf

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

Kbd 1. (Stimmen)

excited

Martha

3 8

3 4 5

C'est un beau pa ys,

n'est_ce

pas?

mf

Jan

3 8

3 4

breathes 3

3 8

Peut ê tre

Litolff/Peters

Oui

33785

3

3 4 c'est

un


ISSUU Version For perusal only

109

Fl.

251

f

Cl. f

Bass. Sax. f

C Tpt. f 6

3

5

S.D

3

Steel Drums

P.2 (Piatto)

mf poco cresc.

3

3

Kbd 1. (Stimmen)

3

mf cresc.

3 3

3

3

Kbd 2 (Silben)

mf cresc.

3

3

3

3

Martha dit que, dans ces ré gions,

On

3

il y_a des pla ges

tout à fait

ser

tes?

Sprech. with tenderness

3

3

Jan beau

pa ys

C'est vrai

s.t

Vln. s.t

pp

pp

pp

pp

pp

pp

pp

pp

Vla. s.t

Vc.

s.t

Cb.

Litolff/Peters

33785

5


252 115

ISSUU Version For perusal only

3 4

3 8

3 4

3 8

Fl.

pp

Cl.

pp

3 8

Bass. Sax.

3 4 pp

3 8

C Tpt.

3 4 pp

3 8

P1 (Bg, Cnga)

3 4 f

3 8

P.2 (Steel Drums) f

p

f

p

f

p

f

p

3 4 2- Hyper-vib "b"

3 8

3 4 p

Kbd 1. (Stimmen)

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

Kbd 2 (Silben)

spoken 3

ord. 3

3

Jan Rien n'y rap pelle

l'ho mme.

Au

pe tit ma tin,

on

trou

ve

sur le sa ble

Vln. mf

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

pp

Vla. mf

pp

Vc. mf

pp

Cb. mf

Litolff/Peters

les

pp

33785

tra

ces


ISSUU Version For perusal only

253

Lentamente, parlando quasi rall.

Più lento

121

2 4

3 4

Cl.

2 4

3 4

Bass. Sax.

2 4

3 4

C Tpt.

2 4

3 4

Tbn.

2 4

3 4

Fl.

gliss.

3

fp

2 4

P1 (Bg, Cnga)

3 4 p cresc.

f

Snare Drum 6

6

6

6

P.2 (S.D)

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

f 3

l.v.

Kbd 1. (Hyper-vib "b")

3

Kbd 2 (Silben)

3

Martha

Quant aux soirs, 3

3

tes

des

oi

seaux

3

Jan breathes sprech

2 4

Jan lais sées par les pat

Mon sieur?

de mer.

Quant aux soirs...

Ils

Più lento

pizz.

2 4

Vla.

3 4 f

Litolff/Peters

33785

3

3 4 sont

boule ver


ISSUU Version For perusal only

7 A tempo q = 120-112

254 128

Fl.

f

Cl. f

fpp

Bass. Sax. f

p

gliss.

Tbn. f

Vibraphone P1 (Bg, Cnga )

f

Steel Drums P.2 (Steel Drums) f

1- Hyper vib "a"

f

Kbd 1. (Hyper-vib "b")

cresc.

1- Hyper-vib "a"

f cresc.

Kbd. 2 (Hyper-vib "a")

3

Martha J'y ai

sou vent

pen sé.

gliss.

Jan sants

Oui,

c'est

un

beau

pa

ys.

7 A tempo q = 120-112 Vln. f

Vla.

Litolff/Peters

33785

Sou vent


ISSUU Version For perusal only

134

Fl.

3 8

3 4

3 8

3 4

255

3

Cl. fpp

f

f

sord. straight

3 8

C Tpt.

3 4 p cresc.

same vib mallets Bg, Cga

P1 (Bg, Cga)

6

5

3 8

3 4

3 8

3 4

3 8

3 4

Piatto

6

P.2 (Steel Drums)

3

sff

p

f

Kbd 1. (Hyper vib "a")

3 8

3 4

3 8

3 4

3 8

3 4

3

Kbd. 2 (Hyper-vib "a")

always intense p cresc.

3

3 8

Martha comme au

jourd'

hui,

3

je pense à

au mi lieu de l'ai gre prin temps de ce pa ys,

3

3 8

Vln. f

Litolff/Peters

3 4

33785

3 4

la mer et aux

fleurs

de


ISSUU Version For perusal only

256 139

Fl.

3 8

3 4

3 8

3 4

f

Cl. p

f p

pp

f 3

3 8

Bass. Sax. f

3 4

p sub

pp

C Tpt.

3 8

3 4

3 8

3 4

f

P1 (Bg, Cga)

f

3

3

3

Steel Drums P.2

(Piatto)

3 8

3 4

3 8

3 4

3 8

3 4

3 8

3 4

Kbd 1. (Hyper- vib "a")

Martha bas.

creating a very "moving" atmosphere 3

3

3 8

Jan là bas

de

Le prin temps

vous prend

à

la gor ge

3 4 les

fleurs

vib.

Vln. f

3 8

3 4

3 8

3 4

f pizz.

3

Vla. f 3

Litolff/Peters

33785

é

clo sent

par mil liers


ISSUU Version For perusal only

257

8 Slower q = 60 ca.

146

3

Fl.

ppp

3

Cl. ppp

Bass. Sax.

Hn. ppp

sord. wa-wa

C Tpt. ppp

sord. wa-wa

Tbn. ppp

Piatto

Steel Drum

5

P.2 (St. Dr.)

f

6

5

6

5

p

2- Hyper-vib "b"

Kbd 1. (Hyper-vib "b")

7- Mixturen

Kbd 2 (Mixturen)

quasi solo

3

gliss.

Martha Je

n'ai plus de pa tience

Jan au

Litolff/Peters

de

ssus

des

murs

blancs

33785

en

ré serve

pour cette

Eu


ISSUU Version For perusal only

258 151

Fl.

Cl.

Hn.

C Tpt.

Tbn.

P1 (Piatto)

sff

S.D

Piatto

P.2 (St. Dr.)

5

f

ff

1- Hyper-vib "a" free, accel. colla parte

mp

Kbd 1. (Hyper vib "b")

Kbd 2 (Mixturen)

Change mood

free, accel.

Martha ro

Litolff/Peters

pe

où l'au tomme a le vi sage de prin

temps

et le prin temps

33785

o deur

de mi sère.


ISSUU Version For perusal only

157

259

3

Fl. mf

gliss .

Cl.

3

3

3

mf

sord. straight

3

3

C Tpt. pp

mf

Bg, Cga P1 (Bg, Cnga)

S.D P.2 (S.D)

3

3

Kbd 1. (Hyper-vib "a")

2- Hyper-vib "b" 3

Kbd. 2 (Hyper-vib "b")

suddently out of control

sweet

gliss.

Martha Mais

a vec dé lices

j'i ma gine

pizz.

3

3

où l'e té

cet au tre pa ys

3

é crase

3

Vln. f

Litolff/Peters

anguish

deeper sad

3

33785

tout, où les plui es no

yent les villes

et

où,

en fin,


ISSUU Version For perusal only

260

A tempo q = 120-112

163

3 8

Cl.

4 4

3 4 sfpp

with SD mallets

3 8

P1 (Bg, Cga)

S.D

3 3

3

4 4

3 4 Steel Drum

P.2 (Steel Drums)

3

3 8

4 4

3 4

3 8

4 4

3 4

3 8

4 4

3 4

3 8

4 4

3 4

3 8

4 4

3 4

3 8

4 4

3 4

3 8

4 4

5

Kbd 1. (Hyper-vib "a")

5

Kbd 2 (Hyper-vib. "b")

5

Martha 3

les cho

ses sont ce qu'elles sont

3

Jan

3 4 Il me sem ble

A tempo q = 120-112 Vln.

3 8

4 4

3

que

pour

3 4 sf p

Vla.

3 8

4 4

3 4 sf p

Vc.

3 8

4 4

3 4 sf p

Litolff/Peters

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ISSUU Version For perusal only

261

170

Cl.

3 4

2 4

3 8

Tom Tom P.2 (St. Dr.)

6

5

3 4

same mallets

6

2 4

3 8 ff

3

Jan

3

3

3

2 4 la pre mière fois

sul tasto

Vln.

3

3

3

3 4 vous ve nez

de te

nir

un

lan

ga ge

3 8 hu

main.

sul pont.

3 4

2 4

3 8

2 4

3 8

2 4

3 8

pp

Vla.

3 4 pp

Vc.

3 4 pp

Litolff/Peters

33785


ISSUU Version For perusal only

Martha's aria Intense, sharp q = 72-66

262

5

5

175

4 4

Picc.

mp

p

p

5

5

4 4

Cl.

mp

p

p

5

5

4 4

C Tpt.

mp

p

Vibraphone

very hard mallets

p

Crot

Vib

Crot 5

5

4 4

Perc. 1 (Vib)

mf

Glockenspiel very hard sticks Perc. 2 (S.D)

3

3

4 4

p

mf

3

3

3

f

p

f

ff

3

1-Hyper-vib "a"

4 4 ff

Kbd 1. (Hyper-vib "a")

3

ff

4 4 ff

3

3

Piano

3

3

4 4 mp

Pno.

mf

pp

3

3

3

3

3

differently, calm 5:4

3

3

3

3

vous trom pez sans dou

Si même p dolce

te.

Martha's aria Intense, sharp q = 72-66 3

4 4

3

3

3

pizz.

3

ce

pizz.

3

3

la

ê

tait

vous n'au riez pas de rai sons de p sub

f sub

3

arco

sf p

3

3

f

3

3

3

3

3

3

p

arco

3

4 4 mf

sf p

p

pizz. 3

3

3

3

Litolff/Peters

arco

3

4 4 mf

sf p

33785

3

7:8

3

3

mf

Vc.

3

excited pregressively again

4 4 Vous

Vla.

3

f

excited

Vln.

3

Ped, 1/2 Ped ad lib.

4 4

Martha

3

3

p


ISSUU Version For perusal only

179

Picc. p

mp

p

p

p

mp

p

p

p

mp

p

p

263

Cl.

C Tpt.

Vib

Crot P1 (Crot)

mf cresc.

f

sff

Kbd 1. (Hyper-vib "a")

sff secco

3

f

Pno.

3

3

p

3

3

3

f 3

3

3

3

3

threatening

sweet, seductive

progressively sweet again

3

5:4

3

3

3

Martha vous

en

pizz.

3

3

jouir

Ce que j'ai d'hu

3

3

main

n'est

pas

ce

pizz.

arco

3

3

que j'ai

3

de

meil

leur.

Ce

que j'ai d'hu

3

Vln. mf pizz.

mf 3

3

3

pizz.

arco

sff 3

3

3

3

Vla. mf

mf pizz. 3

3

3

3

sff

pizz.

arco 3

3

3

3

Vc. mf mf

Litolff/Peters

33785

sff


ISSUU Version For perusal only

264 183

Picc. mf

p

Cl. mf

p

Hn.

C Tpt. mf p

Vib 3

Crot. P1 (Vib)

f

3

3

p f

mp

f

p

P.2 (Glsp)

p

p

pp

Kbd 1. (Hyper-vib "a")

pp

pp

3

pp

Pno.

3 3

3

3

stacc. non cress.

3

she is calm

3

Martha ce que je dé

main, c'est

si

re,

3

arco 3

et

pour ob te nir

ce

que

je

si

re,

je

3

3

3

3

crois

que j'é

cra

3

3

3

3

3

3

Vln. f 3

arco

mp

3

3

3

3

Vla. f

mp

arco 3

3

3

3

3

3

Vc. mp

f

Litolff/Peters

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ISSUU Version For perusal only

187

Picc. cresc.

265

mf

p

mp sub

mf

p

mp sub

Cl. cresc.

Hn. mf

p

C Tpt. p

mf

cresc.

Crot.

3

Vib

mp sub.

3

3

3

3

P1 (Vib) mf

f

mf

p

f

f 3

P.2 (Glsp)

f

f

mf

ff

Kbd 1. (Hyper-vib "a")

f

Pno.

3

3

3

f

3

3

3

f

3

p sub 3

3

f 3

3

3

3

5

3

3

ff sub.

3

Martha se rais

tout sur mon pas

pizz. 3

sa

ge.

3

J'é tais ve nue pres que dé ci

dée à

vous

de man der de

arco sul pont.

3

3

3

3

par

3

tir,

mais,

vous

le

vo

pizz.

3

pizz.

3

3

Vln. cresc.

f pizz. 3

3

3

3

3

arco sul pont. 3

3

3

Vla. cresc.

f

arco sul pont.

pizz. 3

3

3

3

3

Vc. cresc.

Litolff/Peters

f

33785

pizz.

3 3

3

3


ISSUU Version For perusal only

266 191

Picc.

5

p 5

Cl. mf

p

Hn.

5

C Tpt. p

P.2 (Glsp) 5

Perc. 2 (Vib) pp

Kbd 1. (Hyper-vib "a")

3

3

3

3

3

3

3

3

3

3

3

3

f

f

Pno.

3

3

7:8

3

3

3

3

3

3

je sou haite

main

5

Martha yez,

vous a vez ap pe

à

ce que j'ai d'hu

main

pizz.

3 3

3

arco

et

arco

3

3 3

3

te nant que vous res tiez.

3

3

Vln. f

f 3

arco 3

3

3

f 3

pizz.

arco 3 3

3

3

Vla. f

f 3

3

arco 3 pizz.

3

f 3

arco 3 3

3

3

Vc. f

Litolff/Peters

f

f

33785


ISSUU Version For perusal only Poco più mosso q = 80 ca.

267

staccatissimo

194

Picc. p

sfpp

mf

sfpp

11

sff

p

sf

Cl. f

Crot. P1 (Vib)

3

3

3

f 3

Glsp

3

3

3

3

P2 (Glsp) f

3

Kbd 1. (Hyper-vib "a")

5 3

6

f Ped.

ff

f

Pno.

Ped. 1/2 Ped. ad lib. 3

5 3

6

Martha Ha ha ha ha...

Res tiez

ff

Poco più mosso q = 80 ca. 3

ord.

s. pont.

Vln. mp

Litolff/Peters

f

3

cresc.

33785


ISSUU Version For perusal only

268

11:8

196

Picc. 11:8

ff

3

P1 (Crot.)

3

3

l.v. ff

cresc.

3

3

3

3

l.v.

Perc.2 (Glock) ff

Kbd 1. (Hyper-vib "a")

l.v.

Pno.

Martha

Vln.

Vla. ff

Litolff/Peters

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14:8

197

ISSUU Version For perusal only

269

Picc. fff

l.v.

P1 (Crot.)

l.v. P.2 (Glock)

Kbd 1. (Hyper-vib "a")

l.v.

Pno.

Martha starts singing ord. and go processively into a "histerical" witch like laughin

Martha ha

ha

ha

ha

(...)

ord. non leg. 21:8

Vln. ff

sfp fff

Vla.

leg.

Vc. 12:8

ff leg.

13:8

Cb. ff

Litolff/Peters

33785


270 198

Picc.

ISSUU Version For perusal only 9 16

10 16

pppp

Cl.

9 16

15 16

4 4

15 16

4 4

15 16

4 4

15 16

4 4

15 16

4 4

15 16

4 4

pp

10 16 pp

Bass. Sax.

9 16

10 16 pp sord.

Hn.

9 16

10 16 pp

C Tpt.

9 16

10 16 pp sord.

Tbn.

9 16

10 16 pp mf

9 16

10 16

15 16

4 4

9 16

10 16

15 16

4 4

Kbd 1. (Hyper-vib "a")

pp

mf

9 16

10 16

15 16

4 4

9 16

10 16

15 16

4 4

15 16

4 4

Pno.

pp

Martha

9 16

10 16

Ha ha ha ha...

10 16

Vln.

9 16

TAPE 13 ("e-laughing")

10 16

15 16

4 4

15 16

4 4

15 16

4 4

15 16

4 4

15 16

4 4

pp

Vla.

9 16

10 16 pp

Vc.

9 16

10 16 pp ppp

Cb.

9 16

10 16 pp ppp

Litolff/Peters

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ISSUU Version For perusal only

202

Picc.

4 4

271 Tacet while Tape 13 sounds

pppp

Cl.

4 4 pppp

Bass. Sax.

4 4 pppp

Hn.

C Tpt.

4 4

pppp

4 4 pppp

Tbn.

4 4 pppp

4 4 pppp

Kbd 1.

4 4 ppp

p

4 4 Pno.

4 4 Martha continues laughing ad lib. Martha

4 4

TAPE 13

4 4

Vln.

4 4

Vla.

pppp

4 4 pppp

Vc.

4 4 pppp

Cb.

4 4 pppp

Litolff/Peters

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ISSUU Version For perusal only

272

IX: Scene 6 Jan-Martha

After a few moments Jan notices the bell which communicates with reception. He approaches it and presses it. After a few seconds the door opens and Vieux appears. He stops on the threshold looking at Jan.

1 q_x = 40 (in 1) Sprechgesang

5 16

Jan

Ce n'est

rien.

Ex cu sez moi.

Je

vou lais sa voir

Jan is more and more anxious. He lights another cigarette. And he walks round the room.

Vieux steps backwards and closes the door. His steps are heard in the corridor.

10

si quel qu'un ré pon dait.

seu le ment

B. Cl. f

*

Bass. Sax f * The grace notes should be played before the notes, respecting the rythm of these.

Piatto Perc.1 pp

mf

Piatto Perc.2 sf

f Sprechg.

p

ord.

Jan Tout

ce

la

est

stu

pide.

Qu'est

ce

Jan looks at the suitcase, he approaches the raincoat he has left on the chair. He hesitates.

16

B. Cl. mf gliss

gliss.

Bass. Sax mf

Piatto Perc.1 ff

Perc.2 sf

p

Jan que

Litolff/Peters

je

fais

i

ci?

Mais

33785

non,


ISSUU Version For perusal only

273

23

B. Cl. mf

f

Bass. Sax mf

Perc.1 p

Perc.2 sf f

Jan j'ai

la

char

ge

de

ma mère

et

29

B. Cl. p

Bass. Sax

Perc.1 f

pp

Perc.2 sf

p

f

Jan de

ma

soeur

Je

les

ai

He puts the case on the bed. He opens it and begins to take things out. Birds are heard squawking through the open window. Jan stops and looks at the window. The full moon occupies the center of the rectangule. He leaves the luggage and approaches. Opposite the window he is completely bathed in the light of the moon. After a few moments a mass of clouds appears from the left, covering the moon. Everything is in shadow. 36

Bass. Sax Repeat a few times. Each time, more air and less note. Finally only air.

Perc.2 sf p

Jan ou

Litolff/Peters

bli ées

trop

long temps

33785


ISSUU Version For perusal only

274

41

B. Cl. p

Bass. Sax

Perc.1

Perc.2 pp

sf p cresc.

Jan Le

ciel

Et

se cou vre.

voi ci

ma vieille an gois

se

48

Bass. Sax p

Perc.2 sf

p

p

Jan là,

au

creux

de

mon

corps,

comme

une

mau

54

Bass. Sax p p

to himself

Jan bles

su

re

que

chaque

mouve ment

60

B. Cl. sfp

f

mf

Bass. Sax f

Perc.1 p

pp

mf

mf

Jan i

Litolff/Peters

rri

te.

Je

con

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nais

son

nom.

vaise


ISSUU Version For perusal only

275

67

B. Cl. f

Bass. Sax

Perc.1 fff

pp

spoken p sub

Jan Elle

est

peur

de

la

so

li

é

tude

ter

nelle.

quasi susurrato, almost air

73

Bass. Sax pp

Perc.2 ppp ord. p

susurrato

Jan crain

qu'il

te

n'y_ait

pas

de

pon

se.

Et

Someone knocks the door.

Muta in Bb Cl. 80

B. Cl. f

Bass. Sax mf cresc.

p cresc.

f

Perc.1 f

pp susurrato, intenso

Jan qui

Litolff/Peters

ré pon drait

dans

une

cham bre

33785

d'hô tel.


ISSUU Version For perusal only

276

2 Free, faster 89

Cl. pp

f psub

Martha comes in with a tea service

f

pp

ord.

4

Martha Le

thé

que

vous

a

vez

de

dé.

man

Sprechg.

Jan Qu'est–ce que

c'est?

2 - 3''

94

Cl.

Snare dum Perc.2 ff f

exclamated

ff

6: 5

Martha Ah?

Le vieux

au

ra

mal

en

ten

du.

Jan Je

n'ai

rien de man dé.

TAPE 14/a ("Vieux 7") TAPE 14

103

gliss.

Martha Il

com

prend

sou

à

vent

tié.

moi

Dois

je

le

rem

por

Martha puts the tray on the table and leaves. Jan looks at the tray, he takes the teapot and pours a cup, which he brings to the lips. Piatto

111

Perc.1

p sub.

Martha ter?

spoken

Jan Non,

non,

je

vous

TAPE 14/b & STOP TAPE 14/a TAPE 14

Litolff/Peters

33785

re

mer

cie

au

con

traire.


3 A tempo q x = 40 117

ISSUU Version For perusal only

277

B. Cl. p

Bass. Sax pp

Perc.1 pp poco a poco cresc. in dynamics and dramatic intensity

p

mp

Jan mon

Oh

Dieu!

don

nez

f

mf

pp

moi

122

Bass. Sax p

Perc.2 sf cresc. espr.

Jan de

trou

ver

mes

127

B. Cl. f

p

Bass. Sax

Perc.1 ppp

Jan mots

ou

faites

que

j'a

ban

donne

cette

vai

132

B. Cl. mf

f

f

Bass. Sax mp

p

Perc.1 pp

f

Jan ne

Litolff/Peters

en

tre

pri

se

pour

33785

re

trou ver


ISSUU Version For perusal only

278

138

B. Cl. mf

Bass. Sax mf

Jan l'a

mour

de

Ma

ri

143

B. Cl. f

Bass. Sax f

p

f

Perc.1 pp

Piatto Perc.2 sf

p

Jan a.

Don

nez

moi

a

lors

150

B. Cl. mf

3:5

f

half air

Bass. Sax f

pp

Perc.1

3:5

Jan la

154

for

ce

de

choi

sir

ord.

half air

Bass. Sax pp

p

più f

Jan ce

Litolff/Peters

que

je

pré fère

et

33785

de

m'y

te

nir.


ISSUU Version For perusal only

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6:5

160

Muta in Bb Clar.

B. Cl.

4 4

Bass. Sax

4 4 6:5 6

4 4

Perc.1 mp

pp

exclamating with irony. Allons, faisons honneur au festin du prodigue !

Jan

4 "Festin du prodigue", grotesque "like circus music" q = 160 163

Picc.

4 4 f 5

5

Cl.

5

5

5 5

4 4

5

ff

C Tpt.

4 4 f

Tbn.

gliss

gliss.

4 4

gliss. p

Perc.1

f

f

4 4 p

Perc.2 (S.D)

4 4 pp

p

ff

10- Hyper-winds 5

Kbd. 1 (Hyper-winds)

5

4 4 ff

5

5

5

12- E-Bass Kbd. 2 (E-Bass)

4 4 ff

Vln.

4 4 ff

Cb.

4 12 48 ff

Litolff/Peters

5

5

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4 4


ISSUU Version For perusal only

280

167

Picc.

5

5

5

5

5

5

Cl. 5

C Tpt.

Tbn.

gliss.

gliss.

gliss

Perc.1 ff

Perc.2

5

Kbd. 1 (Hyper-winds)

5

5

5

5

5

5

Kbd. 2 (E-Bass)

Vln. f

ff

f

ff

f

ff

Vla.

Vc.

Cb. ff

Litolff/Peters

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ISSUU Version For perusal only

281

171

Picc.

5

5

5

5

Cl.

3

C Tpt. 3

3

3

3

Tbn.

gliss.

Perc.1

Perc.2 pp

5

5

ff

5

5

Kbd. 1 (Hyper-winds) 5

Kbd. 2 (E-Bass)

Cb.

Litolff/Peters

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ISSUU Version For perusal only

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174

Picc.

5

5

5

5

5

5

Cl.

3 3

3

C Tpt. 3

3

3

3

3

3

gliss.

Tbn.

3

gliss.

Perc.1

Perc.2 pp

ff

5

5

5

5 5

Kbd. 1 (Hyper-winds)

Kbd. 2 (E-Bass)

Cb.

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ISSUU Version For perusal only

283

5

177

Picc.

5 5

5

5

Cl.

Bass. Sax fp

3

3

3

3

3

ff

3

3

C Tpt. 3

3

Tbn.

S.D

5

5

Perc.1

5

Perc.2

5

5

5

5

Kbd. 1 (Hyper-winds)

Kbd. 2 (E-Bass)

TAPE 15

TAPE 15 ("Festin du prodigue")

5

Cb.

Litolff/Peters

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5


ISSUU Version For perusal only

284

6

180

Picc.

5

5

Cl.

3

C Tpt. 3

3

Tbn.

Perc.1

Perc.2

5

5

Kbd. 1 (Hyper-winds)

Kbd. 2 (E-Bass)

6 TAPE 15

Cb.

186

7 BG, Cga intense, impulsive, free, improvising with similar rhythms to cf. 4/5

Perc.1 (Bg, Cga)

BG, Cga

intense, impulsive, free, improvising with similar rhythms to cf. 4/5

Perc.2 (Bg, Cga)

8 192

198

12

Perc.1

Stop improvisation

12

Perc.2

TAPE.

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285

X: Scene 7 Mère-Jan

Flute

1 Fluent q = 108 4 4

colla parte 3

sf

3

sf

Xylophone

Perc 1 (Xylophone)

4 4 sff

p

sff

p

ppp

4 4 pp

ppp

sff

Piano

4 4 mf

mf Mère

f

3

3

Par don nez moi,

Mon sieur,

ma fille me dit

qu'elle vous a don

1 Fluent q = 108 Viola

gliss.

3

3

4 4

du

thé.

colla parte gliss.

4 4 p

ord. Violoncello

4 4 f

Litolff/Peters

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286

5

4

Fl.

fp

Muta in Bass Clarinet

Cl. p

Perc 1. (Xyl.)

ff

più f

ff

Pno.

pf

più f

pp

worried

(gliss.) Mère

anxious

5

5

vib.

3

(ossia)

Vous l'a vez

bu?

Ce n'est rien.

En

rea

li

curious 3

3

Jan Vous

vo

yez.

Oui, pour quoi?

vib. 3

Vla. mf

7

5

gliss.

vib. intenso

5

Fl.

2 2 4

4 4

2 4

4 4

p

f sub. Perc 1. (Xyl.)

pp

12- E- bass 3

2 4

Kbd.1 (E-bass)

3

4 4

mf

2 4 sff

Pno.

pp

4 4

ppp staccatissimo 3

2 4

3 3

4 4

mf f sub. 5

mp cresc.

vib. intenso gliss.

5

5

5

2 4

Mère té,

ce

thé

ne

vous é

tait

4 4 né.

des ti

2 5

Vla.

2 4

4 4

2 4

4 4

loco

Vc.

Litolff/Peters

33785


10

B. Cl.

3

ISSUU Version For perusal only

3

3

4 4

3

3

3

pp

3

Bass Sax.

287

3

3

sf

3

3

4 4

3

3

3

3

pp sf 3

gliss. Hn.

4 4 sf

3

sord. wa-wa

Tpt.

3

3

3

3

3

4 4 sf sord. wa-wa 3

Tbn.

3

3

3

4 4 pp

sf

4 4 Kbd.1 (E Bass)

3

3

4 4

3

3

3

3

3

3

3

3

33

3

3

3

3

3

3

3

4 4 mf Pno. 3

4 4

3

mf Mère

3

3 3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

p sub.

4 4 Oui? 3

Jan

Ma dame!

3

3

4 4 Je

viens de

pren

3

Vc.

3

dre_une dé

vib.

4 4 mf

Litolff/Peters

3

3

33785

ci

sion:

3

je

crois

que

je

par

ti rai

ce soir,


ISSUU Version For perusal only

288

13

3 4

Fl.

4 4 f espr.

3

3

3

3

Muta in Cl in Bb

3

B. Cl. mp

3

3

pp

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

mp

3 3

3

Bass Sax. mp

3

3

sord (wawa)

pp

mp 3

Tbn. mp

pp

mp

Kbd.1 3

(E -bass)

3 3

3

3

3

3

3 3

3

3

3

3

3

3 4 3

3

4 4

3

3 4

4 4

Pno. 3 3

3

3 3

3

3

3 3

3

3

33

3

3

3

3 4

3

4 4

5

relieved

3 4

Mère Mon 3

3

vous êtes tout à fait

sieur,

3

Jan a

près

le dî

4 4 li

bre.

3 4

4 4

3 4

4 4

3 4

4 4

ner.

vib. Vla. sf p 3

vib.

Vc. mf

Litolff/Peters

33785


16

Bass Sax.

ISSUU Version For perusal only

3 4 4

289

3

3

mf (secco sempre)

6 6

Perc 1. (Tmp)

6

4 4 pp

Glsp (very hard stab, l.v. until the comma) Perc 2. (Glsp)

4 4

4 4 f Pno. 6

6

6

6

6

4 4 mf

6

6

6

pp

Sprechgsang 3

Jan

6

Mais

Vc.

3

3

4 4 mé

je ne suis pas du tout

3 4 4

pizz.

con

tent.

3

3

Au

con

6

6

ord.

traire,

6

je suis très re con nai

6

sf pizz. 6

Cb.

6

4 4 sf

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290

18

3

Bass Sax.

6

6

6

6

Perc 1. (Tmp )

Perc 2. (Gslp)

Pno. 6

6

6

6

6

6

6

6

sim. till bar 32

intense 3

3

3

3

Jan ssant

de

m'a

voir

ac

cueil

li

comme vous l'a

6

Vc.

6

6

Cb.

Litolff/Peters

33785

vez

fait.


20

ISSUU Version For perusal only

3

Bass Sax. p

mf

291

p

6

6

6

6

6

6

6

6

6

Perc 1. (Tmp) Perc 2. (Gslp)

Pno.

6

6

6

3

6

3

3

Jan Il

m'a

blé

sem

sen

tir

chez

vous

6

une sorte

de bien

veil

lance

6

Vc. 6

6

6

Cb.

22

3

Cl. ppp 6

6

6

6

6

6

Perc 1. (Tmp) Perc 2. (Gslp)

Pno. 6

6

6

6

6

6

indifferent 3

Mère sensitive

Je

3

n'a vais

pas de

rai

sons

per

3

Jan à

mon

é

gard vib. 3

Vla. 3

3

6

Vc.

6

6

6

Cb.

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son nelles


ISSUU Version For perusal only

292

24

Fl.

Cl. colla parte 3

3

Bass Sax.

6

6

6

6

6

6

6

6

6

6

6

6

Perc 1. (Tmp)

Perc 2. (Gslp)

Pno. 6

più f

6

3

Mère de

vous mar quer

de

l'hos ti

li

té.

3

3

3

3

3

Jan Si

je

vous

dis

ce la,

c'est

6

Vc.

6

6

Cb.

Litolff/Peters

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6

que

je

si re


ISSUU Version For perusal only

293

3

26

Bass Sax. p

6

6

6

6

6

6

6

6

6

6

6

3

3

3

3

Perc 1. (Tmp)

Perc 2. (Gslp)

Pno. 6

6

6

3

3

Jan vous qui tter

en

bons termes.

Plus

tard,

arco. vib.

6

3

Vc. mf espress.

Litolff/Peters

33785

être,

peut

3


ISSUU Version For perusal only

294

28

3

3

Bass Sax. f

6

6

6

6

6

6

6

6

Perc 1. (Tmp)

Perc 2. (Gslp)

Pno. 6

3

6

6

3

3

Jan je

re vien

drai.

Mais pour l'ins tant

j'ai

pizz.

6

Vc. 6

Cb.

Litolff/Peters

33785

l'im

pres sion

ni

ble

6

que

cette mai

6


ISSUU Version For perusal only

30

295

2 4

Cl. ppp

Piatto 6

6

6

l.v.

6

6

6

2 4

Perc 1. (Tmp)

sf

6

6

2 4

Perc 2.

6

3 6

2 4 Pno. 6

6

6

6

6

6

6

2 4

2 4

Mère f

Je 3

3

vous com prends,

3

2 4

Jan son

n'est

pas

la

mienne.

3

2 4

Vln. p

2 4

Vla. pp

f

Litolff/Peters

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296

4 4 4

32

Fl.

2 4

6

6

f

Cl.

2 4

4 4 quasi f very hard mallets

6

6

Xyl. 6

Perc 1. (Tmp)

6

2 4

4 4 sf (mf)

2 4

4 4

2 4

4 4

Kbd.1 (E-bass)

6

6

6

6

6

6

6

6

6

6

mf

6

2 4

6

4 4 mf

6

Pno. 6

6

6

2 4

mf

3

Mère

2 4 Mon sieur,

Vln.

2 4

4 4 4

et

6

6

6

6

6

j'au

rais vou lu

6

que les cho ses

s'a rran

gent 6

4 4 6

Litolff/Peters

6

4 4

p

mf

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ISSUU Version For perusal only

35

Fl.

297

f

Cl. pp

6 6

Perc 1. (Xyl.)

Kbd.1 (E-bass)

6

6

6

6

6

6

6

sim.

6

6

6

6

6

Pno. 6

6

6

6

6

6

6

sim.

6

6

Mère pour

vous.

Dans

un

cer

tain sens,

6

6

Vln. p

6

vib. 6

Vla. f

Litolff/Peters

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ce

la

m'en


ISSUU Version For perusal only

298

37

3

Fl. 3

p

f

6 6

Perc 1. (Xyl.)

G.C Perc 2. (G.C)

6

6

6

6

6

6

6

6

6

6

p

Kbd.1 6

(E-Bass)

6

6

6

6

6

Pno. 6

6

6

p sub.

vib.

6

3

3

Mère nuie

aus si

que

vous

a

6

yez

6

Vln. f

Litolff/Peters

f

6

pp

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pp

ci


ISSUU Version For perusal only

299

6

39

Perc 1. (Xyl.)

6

6

6

Perc 2. (G.C)

Kbd.1 (E-bass)

6

6

6

6

6

6

6

6

6

6

6

6

3

6

6

6

6

Pno. 6

6

Mère de

par

tir.

with emotion 6

6

Jan Je

6

ne

6

6

sau

rai bien

vous

ex

6 6

Vln. f

vib.

Vla. pp sub. 6

esspr.

6

Vc. mp

Litolff/Peters

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mf

f


ISSUU Version For perusal only

300

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

41

Perc 1. (Xyl.) 6

6

6

6

Perc 2. (G.C)

Kbd.1 (E-bass)

6 6

6

6

6

6

6

6

Pno. 6

3

3

6

Jan pri

à

mer

quel point

ce

6

que

vous

ve

nez

de

dire

me

6

6 6

Vln.

Litolff/Peters

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6


ISSUU Version For perusal only

43

301

Bass Sax. mf 6

6

Perc 1. (Xyl.)

6

6

6

6

6

6

Perc 2. (G.C)

Kbd.1 6

6

(E-bass)

6

6

6

6

6

6

me

fait

6

6

6

6

6

6

Vo

6

6

6

6

6

yez

vous...

Pno.

6

Jan touche

et

6

plai

sir.

6

6

6

6 6

Vln.

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ISSUU Version For perusal only

302 Flatt 45

Fl. 3

Cl. ppp

6

6

Perc 1. (Xyl.)

6

6

6

6

6

6

Perc 2. (G.C)

Kbd.1 (E-bass)

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

3

6

6

Pno. 6

6

3

Mère C'est

no

tre

(ossia)

tier

6

nous

ren

dre

6 6

6

6

Vln.

Litolff/Peters

de

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6

a gré


ISSUU Version For perusal only

47

Cl.

6

6

6

6

303

6

6

6

6

6

Perc 1. (Xyl.)

6

Perc 2. (G.C)

Kbd.1 (E-bass)

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Pno. 6

6

Mère a

bles

à

tous

nos

cli

ents.

disappointed 6

Jan En 6

6

Vln.

Vla.

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6

6

somme...


ISSUU Version For perusal only

304

49

Bass Sax. f

f

p

6

6 6

Perc 1. (Xyl.) 6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

Perc 2. (G.C)

Kbd.1 (E-bass)

6

6

6

Pno. 6

6

6

6

6

6

6

3

3

3

Jan je

vous dois seule ment

des

ex

cu

ses

6

si

vous

le

ju gez bon

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un

6

Vln.

Litolff/Peters

et,

6


ISSUU Version For perusal only

305

3

51

Fl. f

p

6

6

Perc 1. (Xyl.) 6

6

6

6

6

6

6

6

Perc 2. (G.C)

Kbd.1 (E-bass)

6

6

6

6

6

6

6

6 6

Pno. 6

6

6

6

6

6

6

3

Mère Nous

3

n'a vons certes

pas

de

gliss.

Jan dom

mage

ment 6 6

6

6

Vln. f

f

Litolff/Peters

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dé dom ma ge

ment


ISSUU Version For perusal only

306

5 Meno Mosso q = 96 ca.

53

6

6

6

Perc 2. (G.C)

6

6

2 4

4 4 secco

2 4

mf

dim

4 4

Kbd.1 6

6

(E-bass)

6

2 4

6

4 4

6

6

6 6

2 4

6

4 4 mf dim

Pno. 6

6

6

6

6

6

6

2 4

4 4

2 4

4 4

3

Mère à

vous

de man der.

His strength fails him. entonated Sprechg.

Jan

gliss.

2 4

6

3

4 4

Ma

dame! mf dim

Je

5 Meno Mosso q = 96 ca. pizz.

Vc.

2 4

6

4 4 mf dim

Litolff/Peters

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6


secco

56

Perc 2. (G.C)

ISSUU Version For perusal only

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6

6

6

6

6

6

6

6

6

6

6

6

6

6

6

mf dim.

mf dim.

Pno.

mf dim.

6

6

3

6

6

6

Jan vou

drais...

pizz.

du

moins..

vous re mer cier...

6

6

ce

6

n'est

pas

6

Cb. mf dim.

59

6

6

6

6

Perc 2. (G.C) 6

Pno.

6

6

6

6

6

6

6

6

6

6

6

6

6

3

3

Jan hôte

comme un

62

in

dif

6

6

6

6

6

6

rent

que

je

6

Perc 2. (G.C)

Pno.

6

6

The mother leaves the room Mère Je

vous

prie,

Mon sieur.

Jan drugs himself weakly to the bed. 3

6

Jan rai

Litolff/Peters

cette mai son.

Je

33785

re

vien

drai...

de

gliss. main...

quit te


ISSUU Version For perusal only

308

65

6

6

6

Perc 2. (G.C)

p

6

6

6

p

Pno. 6

6

6

mf

almost spoken 5

very tender

f

3

ord.

glis

Jan a

vec

Ma

ri

a...

et

je

di

rai:

"C'est

s.

moi."

vib.

vib.

Vc. pp

f pizz.

6

Cb. p

68

3

3

Bass Sax. p 6

Perc 2. (G.C)

6

6

6

6

6

p

6

Pno.

p

6

6

6

speaking acting

poco a poco dim. y morendo

Sprechg. Je les rendrai heureuses Tout

ce

la...

est

é

6

p

poco sf

mf 6

Jan

dim.

vi

3

dent...

6

ord. mf

3

Ma

ri

3

3

Vc. p dim.

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ISSUU Version For perusal only

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309

6

Perc 2. (G.C)

6

6

6

Pno. 6

6

sighing 3

Jan a

75

vait

rai

son.

Oh!

6

6

6

Perc 2. (G.C) pp dim

6

6

Pno.

6

6

pp dim 6

susurrato 3

6

6

p dim 3

p quasi spoken

disappearing

tout

3

Jan Je

n'aime

pas

ce soir

78

6

6

Perc 2. ppp

6

6

Pno.

6

ppp 6

6

susurrato 3

ppp

3

Jan tain.

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XI: Interlude 3 "Jan"

1 q = 80 , with an intense "latent" energy Bass Clarinet in Bb

3

3

4 4

5 4

*que les

3 Bass Saxophone

des rai sons

pp

Horn in F

5

3

4 4 *pas

s'ar ran gent pour vous

choses

pp

5 4

per son nel

de l'hos ti li té

les

4 4

5 4 pp

pp

(ossia loco) 7

Trombone

loco

3

gliss

4 4

5 4 espress.espress. sfp

*a gré a ble

sf (f)

Gong Thai Percussion 1.

3

4 4

pp

pp

Marimba soft mallets Percussion 2.

4 4

5 4

5

5 4 pp

pp

1- Hyper-vib "a" intenso Keyboard 1. (Hyper-vib. "a")

*l'a

3

3

4 4 vez

é tait des ti né

bu

pp

5

3

mf

5 4 pas

dé do ma

de

p

ge ment

mf

4 4 Piano

5 4 pp

4 4 *tout

li

bre 5

3

à

fait

9

vo tre mé

5 4

à tous nos cli ents

tier

1 q = 80 , with an intense "latent" energy ord. Viola

sul pont.

4 4

5 4 pp 3

Violoncello

3

4 4

5 4 *vous man quer

f pizz. Contrabass

arco ord.

sul pont.

4 4

5 4 *ce

p

thé

f

* Text susurrato (whispern) by the instrumentalists. Text of the winds susurrato by the singers in off.

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B. Cl.

5 4

311 3

3

4 4

3

6 4 piú f

3

Bass. Sax.

5 4

3

4 4

6 4 piú f

5

Hn.

5 4

4 4

6 4 p sordina wa-wa

Tbn.

5 4

4 4

6 4 sf

Perc 1. (Gong Thai)

7

5 4

sf

pp

4 4

6 4

ppp 3

Perc 2.

5 4

4 4

6 4

4 4

6 4

6-Hyper-bells 5

5 4 Kbd. 1 (Hyper-bells)

f

5

7

5 4

5

4 4

6 4 più f

7

3

5 4

3

3

3

6 4

più f

secco

Pno.

3

4 4

f

5

5 4

4 4

6 4

f

Vc.

5 4

molto sp

sul pont.

3

3

4 4

6 4

Píu f vib. Cb.

5 4

4 4 de par tir

f

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5

B. Cl.

5

7

6 4

4 4

sff

Bass. Sax.

6 4

Hn.

6 4

f cresc marc.

ppp

ff

3

do

ma

ge

4 4

4 4 sf p

Tbn.

6 4

Perc 2.

6 4

f

3

4 4

5

Mar.

l.v

7

medium mallets

4 4

p

5

6 4

4 4 p

f

Kbd. 1

7- Mixturen

(Hyper-bells)

6 4

4 4 f cresc marc. staccatissimo

6 4

3

3

3

3

4 4 ff

Pno.

6 4

4 4 f

molto sul pont. gliss Vc.

ord sul pont.

6 4 ff

pppp

molto sul pont.

ord sul pont.

2 more intense 4 4

Cb.

more intense

4 4 ff

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5

f cresc marc.

de

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6 4

vous l'a

3

3

dés

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3


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313

5

B. Cl.

7

f 7

7

5

7

Bass. Sax.

f

7

Hn.

sfp

sfp

f

metallico 3

3

3

3

f 3

C Tpt.

f cresc. mettalico

3

3

3

Tbn.

f cresc.

Timpani Perc 1. (Tp.)

pp

7

Mar. Perc 2.

Kbd. 1 (Mixturen) 3

3

Pno. 3

3

3

3

3

3

Vla.

p

p

Cb. 5

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1 4

Fl.

3 4 4

p 5

5

1 4

B. Cl.

4 4 mp cresc

ff

5

5

1 4

Bass. Sax.

5

4 4 mp cresc

ff 7

1 4

Hn.

4 4

sf p subito

f

mp

sordina wa-wa Tbn.

f

Perc 1. (Tp.)

1 4

4 4

1 4

4 4

1 4

4 4

p

ppp

mf

Gong Thai Perc 2.

mp poco st

3

3

3

3

mp

Kbd. 1 (Mixturen)

3

1- Hyper-vib. "a"

3

1 4

4 4

1 4

4 4

ff

3

3

3

7

3

1 4

4 4 mp cresc

ff

Pno.

Vla.

1 4

4 4

1 4

3 4 4 mp cresc. 3

1 4

Vc.

4 4 mp cresc.

pizz.

7

1 4

Cb.

ff

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315

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Fl.

pp

pppp

3

3

B. Cl.

quasi f

5

5

5

5

5

5

5

Bass. Sax.

quasi f

7

7

5

Hn.

f

ppp

f

sord. straight

3

Tbn.

mp

3

f

p

Vibraphone Perc 1. (Vib.)

pp

pp

Marimba

3

Perc 2.

p

f

7

7

Kbd. 1 (Hyper-vib "a")

7

quasi f 7

5

7

7

Pno.

quasi f

sul pont. Vla.

pp 3

vib.

Vc. 3

f pizz.

Cb.

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4 15

3

Fl.

5 4

pp cresc molto sub. 3

3

5 4

B. Cl.

pp cresc molto sub. 3

3

3

3

3

3

3

5 4

Bass. Sax.

pp

f

p

f

5 4

Hn.

pp cresc molto sub.

sordina Harmon

5 4

C Tpt. 3

pp cresc molto sub. 3

5 4

Perc 1.

pp cresc molto sub. 3

3

5 4

Perc 2. (Mar.) 3

pp cresc molto sub.

6- Hyper-bells

5 4

Kbd. 1

(Hyper-bells) f

4 5 4

Vln. 3

pp cresc molto sub.

pizz.

5 4

Vla.

pizz.

arco

3

vib.

3

5 4

Vc. 3

pp cresc molto sub.

3

3

5 4

Cb.

mf

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17

Fl.

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317

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

f B. Cl.

5 4

4 4 f cresc

Bass. Sax.

3

5 4

4 4 f cresc

f

Hn.

pp

5 4

4 4 f

p sordina Harmon

C Tpt.

5 4

4 4 mf

mf

pp

sordina Harmon Tbn.

5 4

4 4

3 4 mf

4 4 mf

pp

pp

3

Perc 2. (Mar.)

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

5 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

Hyper-vib "a"

Kbd. 1 (Hyper-vib "a")

f cresc

Pno.

5 4

4 4 mf

f

5 Transparent sul pont. Vln.

5 4

4 4 ppp arco

3

Vla.

5 4

pizz.

4 4

3 4

4 4

f cresc

sul pont.

arco Vc.

5 4

4 4

3 4 f cresc

Cb.

5 4

mf

4 4 pp

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6 Subtle, fexible 20

Fl.

4 4 p dolce

B. Cl.

4 4 p dolce

Bass. Sax.

4 4 p dolce

soft mallets Perc 1. (Vib.)

4 4 ppp

pppp

ppp

pppp

soft mallets Perc 2.

(Mar.)

4 4 ppp

pppp

5:6

Pno.

3

4 4 f

p dolce

dim

6 Subtle, fexible Vln.

3

4 4 p dolce

Vla.

3

4 4

3

p dolce

Vc.

4 4 p dolce

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7 A tempo, leggerissimo 23

Fl.

pp

3

3

3

5:6e

B. Cl.

3

3

3

f

3

pp p

3

mf

f

3

Bass. Sax. 3

pp

f

medium mallets Perc 1.

(Vib.)

f

pp

3

Gong Thai Perc 2. (Gong Thai)

p

5:6

Kbd. 1 (Hypervib "a")

pp

3

3

3

Pno.

pp

f

7 A tempo, leggerissimo Vln.

pp 3

3

Vla.

ppp

pp

Vc.

p pizz. Cb.

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3

3

Fl. 3

3

3

f

B. Cl.

f

3

3

Bass. Sax.

p

f

7:4e

Hn.

pp 3

sord. Tbn.

f

f

Perc 1. (Vib.)

3

3

3

f

3

ppp

Marimba Perc 2. (Mar. )

f

6- Hyper-bells 5

Kbd. 1 (Hyper-bells)

3

Pno.

3

f

3

3

f

Vla.

(ppp)

3

vib. 3

3

Vc. 3

3

arco Cb.

f

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Fl. 3

321

Muta in picc.

3 4

3

7

7

3 4

B. Cl.

sfpp

f cresc 7

7

3 4

Bass. Sax.

pp

senza sord.

7

7

3 4

Tbn.

f

cresc

5

3 4

Perc 1. (Vib.)

pp

Glockenspiel 3

Perc 2. (Glsp.)

3

3 4

f cresc

staccatissimo

5

3 4 f cresc. Pno.

f sub

3 4

8

3

3 4

Vln.

ppp

pp

ppp

f cresc 7

3 4

Vla. 3

arco

3

7

f

3 4

Vc.

f cresc 7

3 4

Cb.

f cresc

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9 4 4

29

Picc.

3 4 f

B. Cl.

3 4

Bass. Sax.

3 4

Hn.

3 4

7

3 4 cresc.

3

7

7

7

4 4

3 4

4 4

3 4

4 4

3 4 7

C Tpt.

7

3 4

7

7

4 4

3 4 f

7

Tbn.

3 4

4 4

3 4 pp

7

5

Perc 1. (Vib.)

7

3 4

4 4

3 4 f

f

7

Perc 2.

(Glsp.)

3 4

7

4 4 p

3 4

f

7

3 4 Kbd. 1 (Hyper-bells)

4 4

3 4

7

7

3 4

4 4

3 4 7

3 4

4 4

3 4

Pno.

5:6

7

Vln.

3 4

4 4

3 4

9 4 4

7

3 4

7

7

7

7

3 4 7

Vla.

3 4

4 4

3 4 f

7 7

Vc.

3 4

vib.

7

4 4

3 4 f

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10 Dark, flexible, slower

7

31

Picc.

Muta in Fl.

7

3 4

4 4

ff

3 4

6 4

3 4

6 4

4 4

3 4

6 4

4 4

3 4

6 4

3 4

6 4

fff

ff

5:6

5

B. Cl.

3 4

4 4 ppp

7

Perc 1. (Vib.)

7

3 4 ff

fff

7

Perc 2. (Glsp.)

3 4 ff

fff

7

7

7

2- Hyper vib "b"

3 4

4 4 ff

Kbd. 1 (Hyper-bells)

5:8

3 4

5:4

5:4

4 4

3 4

6 4

3 4

6 4

3 4

6 4

10 Dark, flexible, slower 4 4

3 4

6 4

4 4

3 4

6 4

4 4

3 4

6 4

ppp

3 4

4 4 ff

fff

Pno.

5:6

3 4

4 4 ppp

vib.

Vln.

3 4 ff

Vc.

3 4 ff

Cb.

3 4

ppp

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11 A tempo 35

B. Cl.

6 4

Bass. Sax.

6 4

5

5:4

5 4

4 4

5 4

4 4

5:3

ppp 5:3

6 4

Tbn.

5 4

4 4 ppp

5:6

5:4

6 4

Kbd. 1 (Hyper-vib. "b")

5

5 4

6 4

5 4

4 4

5:3

Pno.

6 4

5

4 4

5:6

6 4

Vc.

5:3

5 4

11 A tempo

5:3

4 4

5 4

4 4

ppp 5:4e

6 4

Cb.

5:4x

5 4

4 4

12 Scorrevole

Flute

38

6

Fl.

f marcato 3:2e

B. Cl.

5:4

sfpp

7- Mixturen

3

3

Kbd. 1 (Hyper-vib. "b")

p

3

cresc. senza

5:6

Pno. 3

12 Scorrevole 3

3

3

3

Vc.

sfp

3

3

Cb.

p

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6

6

6

325

6

6

6

Fl.

6

6

B. Cl.

sfpp

f marcato

f

3 Bass. Sax.

ppp 3 Perc 1. (Vib.)

3

sfpp

sfpp

sfpp

sfpp

sfpp

sfpp

sfpp

sfpp

Marimba 3

3

Perc 2. (Mar.)

sfpp

Kbd. 1 (Mixturen)

sfpp

3

3

3

3

3

3

3

3

p

3

3

3

Pno.

p

6

6

6

6

Vln.

f marcato 6

6

6

6

Vc.

f

3

3

3

3

f

3

3

Cb.

p

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42

6

Fl.

6

6

6

6

6

6

3

3

3

B. Cl.

3

3

Bass. Sax.

sfpp

sfpp

Perc 1. (Vib.)

pp

3

3 Perc 2. (Mar.)

sfpp

sfpp 3

3

sfpp

sfpp

sfpp

6

3

Kbd. 1 (Mixturen)

3

Pno. 3

6

sfpp

6 3

3

3

6

6

6

non legato

6

6

6

6

6

Vln.

6

6

6

Vla.

3

6

Vc. 6

3

6

Cb.

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6

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ISSUU Version For perusal only

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f

6

6

6

6

p

6

f 6

6

327

3 4

6

4 4

ff

6

6

6

B. Cl.

f

sfp

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

ff

3 Bass. Sax.

sfpp

sfpp

3

Perc 1. (Vib.)

3

pp

sfpp

f

Perc 2. (Mar.)

6

6

6

Kbd. 1 (Mixturen)

mf

6

7

6

6

6

6

ff

3 4 ff

6

6

6

4 4

ff

3 4

Pno.

3

6

4 4

ff

6

6

6

6

6

6

3 4

Vln.

f

p

6

4 4

ff

6

6

6

6

6

5

3 4

Vc.

4 4

ff

pizz. 6

6

6

6

6

6

6

3 4

Cb.

f

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13 Dark, articulated rall.

47

B. Cl.

4 4

3 4

2 4

5

pp

rall. Bass. Sax.

4 4

3 4

4 4

5

2 4

4 4 pp

Gong Thai Perc 2. (Gong Thai)

4 4

3 4

2 4

4 4 pp

ppp

1- Hyper-vib. "a"

4 4

3 4

2 4

4 4

4 4

3 4

2 4

4 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

p senza cresc. Kbd. 1 (Hyper-vib "a")

p senza cresc. Pno.

4 4 p senza cresc.

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14 Transparent, flowing 50

Fl.

4 4 ppp

B. Cl.

sf ppp

ppp

4 4 f

ppp

ppp

sordina Harmon C Tpt.

4 4 ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

sordina Harmon Tbn.

4 4 ppp

Perc 1.

4 4 pp

(Vib.)

pp

pp

Glsp. Perc 2. (Glsp.)

4 4 ppp

6- Hyper-bells

ppp

7

7

7

7

7

7

7

7

7

7

7

4 4 p

Kbd. 1 (Hyper-bells)

ppp

7

4 4 p

ppp

4 4 Pno.

secco p

7 7

4 4

Vln.

14 Transparent, flowing 4 4 ppp

Vla.

4 4 ppp

secco Cb.

7 7

4 4 ppp

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Fl.

ppp

p

Muta in Cl. in Bb B. Cl.

ppp

C Tpt.

pp

pp

pp

pp

pp

pp

pp

pp

pp

mp

Tbn.

Perc 1. (Vib.)

pp Perc 2. (Glsp.)

pp

7

7

7

Kbd. 1 7

(Hyper-bells)

7

7

7

7

Pno. 7

7

7

Vln.

ppp vib. Vla.

ppp

ppp 7

7 7

Cb.

pp

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7

5

7

331 5

Muta in Picc

3 4

Fl.

4 4

ff

5

5

Muta in Bass Clarinet

5

3 4

Cl. in Bb

4 4

ff

5

without sord.

7

3 4

C Tpt.

4 4

without sord.

7

3 4

Tbn.

4 4

ff sub.

7

hard mallets

5

7

5

3 4

Perc 1. (Vib.)

4 4

ff

Marimba

hard mallets 5

5

5

5

7

3 4

Perc 2. (Mar.)

4 4

ff

4- Hyper-mar. "b"

1- Hyper-vib. "a"

7

Kbd. 1 (Hyper-vib "a")

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

ff

Pno.

ff

15 Suddenly agressive Vc.

ff sub.

7

3 4

Cb.

4 4 ff

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56

Picc.

16 4 4

f

B. Cl.

4 4 p cresc.

Bass. Sax.

4 4 p cresc.

Hn.

4 4 p cresc.

C Tpt.

4 4 p

Tbn.

f

mf

4 4 p cresc.

4 4 Kbd. 1 (Hyper-mar. "b")

p cresc.

4 4

4 4 p cresc.

Pno.

4 4

Vln.

16 4 4

pizz.

p senza cresc. arco

pizz. Vla.

4 4 p senza cresc. pizz.

Vc.

4 4 p senza cresc. pizz.

Cb.

4 4 p senza cresc.

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Picc.

mf cresc.

f

333

5 4 3

3

3

5 4

B. Cl. 3

3

mf

cresc.

5 4

Bass. Sax.

mf

5 4

Hn.

mf cresc. 3

5 4

C Tpt. 3

mf

sfpp

cresc.

sfp

3

5 4

Tbn.

mf cresc.

6- Hyper-bells 3

Kbd. 1

mf

3

cresc.

3

3

3

5 4

(Hyper-bells)

5 4

3

Pno.

mf cresc.

3

5 4

3

3

3

3

3

5 4 3

3

5 4

Vln.

pizz.

arco

5 4

Vla.

pizz.

3

5 4

Vc. 3

cresc. pizz.

5 4

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

334 60

Picc.

5 4 3

B. Cl.

3

sfp

f cresc.

6 4 sfp

3

5 4

6 4

f cresc. sord. straight Bass. Sax.

3

5 4

6 4 f cresc.

Hn.

3

3

5 4

3

3

6 4

f cresc. sord. straight 3

C Tpt.

5 4

6 4 sfp

Tbn.

3

5 4

6 4 sfp

f cresc.

5 4

3 3

f cresc.

Kbd. 1

p

6 4

3

ff

(Hyper-bells)

3

5 4

6 4

f cresc.

loco 3

5 4

6 4

3

3

Pno.

3

ff

f cresc. 3

5 4

6 4 f cresc.

3

arco Vln.

5 4 3 3

Vla.

3

fcresc.

6 4 sfp

arco

5 4

6 4 p

f

Vc.

pizz. Cb.

6 4 fcresc.

3

fcresc.

5 4

arco

3

5 4

sfp

3

6 4

f cresc.

Litolff/Peters

33785


ISSUU Version For perusal only

335

XII: Scene 8 Mère-Martha

1 Calm q = 42 Vib. Percussion 1.

5

2 4

3

3

p Vib. (as a shadow of the "Mère")

piú f

Ped. sempre

1- Hyper-vib"a" Keyboard 1 (Hyper-vib"a")

3

2 4

3

Pf as shadow of the shadow

l.v.

3

ppp calm spoken

Martha

2 4

5

Il dort

p parlando

Mère

2 4

5

sempre p

Il dort

3

3

Je n'ai me

pas

cette fa

çon

de me for

cer

la

main,

Mar

tha.

wild accel. 3

7

Picc. mf colla parte

Cl.

sord. straight colla parte

C Tpt. sf p

fp

più marcato 5

3

Perc 1. (Vib.)

Glockenspiel

pedal sempre.

5

Perc 2. ff sempre 3

Kbd.1 (Hyper-vib "a")

3

3

p

loco

Piano ff sempre

intensive, poco a poco

Martha là. Tout est prêt.

Voi 5

3

Mère p

Litolff/Peters

Tu com mences,

à

pour m'o bli ger

33785

fi

nir.

Dans un ins tant


ISSUU Version For perusal only

336

3

flatt.

3

11

Picc. più f

3

pp súb

ff

3

3

pp súb

ff

Cl. fp

senza sord. colla parte

3

Hn. fp sf p

ff

C Tpt.

sord. straight

colla parte

Tbn. fp

5

5

sf p

5

5

5

5

fp

5

5

Perc 2. (Glock)

loco

loco

Piano

3

Martha les

eaux

de la ri vière

se ront plei nes.

Des cen dons.

Nous vien drons

le cher cher

Vln. sf p

Vla. sf p

Vc. sf p

Litolff/Peters

33785


ISSUU Version For perusal only

337

q = 42

q = 84

3

3

15

3

Muta in Flauto

Picc. p

3

ff 3

f

sff 3

f súb

Cl. f

Hn. f

ff p

pp

C Tpt. f

Tbn. f

5

5

5

5

5

5

5

5

Perc 2. (Glock)

f súb loco

loco

Piano f sub

5

f dism

f sub

3

Martha quand nous en ten drons

l'eau

cou

rir par

des

sus

le

ba

rrage

Ve nez

slow irregular microtonal vibrato

Mère Non fp

q = 84

q = 42

Vln. 5

fp

f

pp

fp

f

pp

fp

f

pp

Vla. 5

Vc. 5

Litolff/Peters

33785

p


ISSUU Version For perusal only

338 20

3

Fl.

mp 3

3

Cl. mp

5

Perc 1. (Vib.)

3

3

3

3

mp

Kbd.1 (Hyper-vib "a")

defiant f

ff

3

Martha Mais...

Ne cro yez

pas

que ce

la

m'e ffraie.

At ten dons

i

ci.

5

Mère nous sommes bien

i

ci.

sul pont.

sul tasto 3

3

Vln. mp ord. 3

Vla.

3

ord.

Vc.

24

gliss.

Fl. pp

ppppp pppp

gliss.

vib.

vib.

gliss.

gliss.

Cl. pp

ppppp

pppp

sul pont. open string

spectral phasing (overtones)

Vln. pp

ppppp

pppp gliss.

Vla. pp

ppppp

pppp

gliss.

Vc. pp

Litolff/Peters

ppppp

pppp

33785


ISSUU Version For perusal only

339

2 Calm

36

3 4

Fl.

2 4

sff

3 4

Cl.

2 4 sff

3 4

Perc 1. (Vib)

6

3

2 4

5

mf

3 4

3

2 4

pp

mp

Kbd.1 (Hyper-vib "a")

3 4

2 4

mp

3 4

Mère

6

3

2 4

Il dort.

Il en a ter mi né

mf sub

dim

p

a vec ce monde.

Tout lui se ra fa cile,

5

dé sor mais.

2 Calm 3 4

Vln.

2 4 sff

3 4

Vla.

2 4 sff

3 4

Vc.

2 4 sff

44

3

Cl. ppp sord.

Hn. ppp 6

3

Perc 1. (Vib) più f

3

3

pp

Kbd.1 (Hyper-vib "a")

piú f

p

6

3

Mère Il pas se

Litolff/Peters

ra

seule ment.

d'un som

meil peu plé d'i mages

33785

à un

som meil sans rêves.

Et

ce

qui,


ISSUU Version For perusal only

340

49

Cl.

3 4

Hn.

3 4

6

3

Perc 1.

3 4

(Vib)

3 4

Perc 2.

3

Kbd.1 (Hyper-vib "a")

3

5

3

3 4

pp

pp ped sim

pp

6

3

3 4

Mère pour

Litolff/Peters

tout

le

monde,

est un

af

freux

a

33785

rra che

ment

ne

se

ra pour lui


ISSUU Version For perusal only

341 3

3 Wild, flexible

53

Picc.

3 4

2 4

sffp

sffp

Cl.

3 4

2 4 fff

Hn.

3 4

2 4 ff

fff sord. straight

C Tpt.

3 4

2 4

Tbn.

3 4

2 4 ff

fff

Crotales Perc 1. (Crot.)

3 4

3

3 4

3

3

2 4

3

fff

3 4

6

2 4

Kbd.1 (Hyper-vib "a")

3 4

2 4

5

3 4

5

5

2 4 ff

Piano

3 4

2 4 ff

ff

f

Martha

3 4

2 4 les eaux mon

tent.

ff

Mère

3 4

continue until natural dissapearing

2 4 qu'un long dor

mir.

3 Wild, flexible free bowing

Vln.

3 4

2 4 f

Vc.

ff

3 4

2 4 f

Litolff/Peters

5

ff

Glockenspiel Perc 2. (Glsp)

5

5

2 4

ff

33785

3


ISSUU Version For perusal only

342

5

57

Muta in Flauto

3 4

Picc.

2 4

fff

ff

3 4

Cl.

2 4 pp

p

3 4

Bass. Sax.

2 4 pp

p

3 4

Hn.

2 4

p

pp

3 4

C Tpt.

2 4

p

pp

3 4

Tbn.

2 4

p

pp

5

5

5

5

5

3 4

Perc 1. (Crot)

3

3

3

2 4

3

3

3 4

Perc 2. (Glock)

3

2 4

ffff

5

5

5

5

5

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

Piano

Vln. p

f

Vla. p

f

Vc. p

f

Cb.

p

Litolff/Peters

33785

pp


ISSUU Version For perusal only

4 Calm q = 42 61

Fl.

2 4

343

ppp

3

Cl.

3

2 4

3

3

pppp

Hn.

2 4 sf ppp

sf ppp

5

Perc 1. (Vib)

5

2 4

3

7:4

5

pp

3

3

2 4

3

3

ppp

Kbd.1 (Hyper-vib"a")

2 4

calm

Mère

Vla.

2 4

5

5

Il dort. mp

Il ne con naît

plus la fa tigue

3

7:4

5

du tra vail

à ter mi ner.

Il ne por te plus

4 Calm q = 42 2 4 ppp

ppp

Litolff/Peters

33785


ISSUU Version For perusal only

344

67

Fl.

3

Cl. pppp

Hn. sf pp

sf

7

Perc 1. (Vib)

pp

5

6

3

5

6

3

dim.

3

Kbd.1

ppp

dim.

(Hyper-vib "a")

7

Mère la croix

de cette vie in

rieure

qui pros

crit

le re pos,

la dis

trac tion,

la fai bles

gliss.

Vla.

accel.

73

3

5 Very calm q = 42

3

Cl.

Hn. ppp

motor on 5

Perc 1. (Vib) poco piú f 3

Kbd.1 (Hyper-vib "a")

3

3

.ppp interrupting, anxiros

Martha Mère,

Mère,

tout se

ra

fi

ni,

bien

tôt.

f

mf

5

Mère se.

Litolff/Peters

Il

33785

dort

et

ne


78

ISSUU Version For perusal only

6

Perc 1. (Vib)

345

6

5

cresc. pp

as a shadow

3

Kbd.1 (Hyper-vib "a")

6

6

5

Mère pense

82

plus,

il

n'a plus

de

de

5

Perc 1. (Vib)

voirs

ni

tâches,

de

et

moi,

7

3

f

poco cresc.

mf

Kbd.1 (Hyper-vib "a")

5

7

3

Mère f vieille et

fa

ti

guée,

oh,

je

l'en

vie

de

dor mir main te

nant

et

de

de

voir

86

Perc 1. (Vib) f cresc.

Kbd.1 (Hyper-vib "a")

violent, fast f

Martha J'é

spoken

sprechg.

Mère mou rir

Litolff/Peters

bien tôt.

Tu ne dis rien, f

Mar tha?

33785

cou te.

J'at

tends

le bruit des eaux.


ISSUU Version For perusal only

346

Violent, free accel fino a

Xylophone

91

Perc 1. (Vib)

fff

5

Glockenspiel

5

5

Perc 2.

fff

Kbd.1 (Hyper-vib "a")

3

3

fff

Piano

fff

free 3

3

Martha f

inquisitive

3

Non,

sound

je

ne le sa vais pas.

Mais, le sa chant,

j'au rais a gi

breath

Mère Sa vais tu

qu'il vou lait

par tir ce soir?

Violent, free accel fino a Vln. p

Litolff/Peters

33785

de


ISSUU Version For perusal only q = 84

96

347

rall.

Cl. pppp

Perc 1. (Xyl.)

5

5

5

5

l.v.

5

Perc 2. (Glsp.)

l.v.

Kbd.1 (Hyper-vib "a")

l.v. 3

3

Piano 3

3

6

f accel.

6

mp

Martha même.

Je l'a vais dé ci dé...

Vous l'a

vez donc vu?

mp parlando

3

Mère Je

q = 84 Vln. ff

Litolff/Peters

33785

suis mon tée

rall.

i ci,

pour l'em pê cher

de


ISSUU Version For perusal only

348

6 q = 42

101

Picc.

5

5

5

5

5

5

mp poco a poco crescendo

3

Cl. f

sfp

3

senza sord.

Hn. sfp

Perc 1. (Xyl.)

5

5

5

5

5

Perc 2. (Glsp.) mp

5

poco a poco crescendo

6- Hyper-Bells fp

Kbd.1 (Hyper-vib "a")

3

3

Piano 3

f poco a poco

ff

5

3

il é tait trop tard!

Et

3

3

3

Martha Oui,

puis qu'il faut

vous le

dire,

internally agitated 5

Mère boire. Mais

il é tait trop tard.

TAPE 16 ("Heimlich") TAPE 16

6 q = 42

3 3

Vln. f

p

Vla.

Litolff/Peters

33785

p


5

5

ISSUU Version For perusal only

349

5

106

Picc.

mf

cresc. poco a poco

5

f

Cl. p

mf

p

mf

Hn.

3

Perc 1. (Xyl.) f

f 5

Perc 2. (Glsp.)

5

5

5

5

5 5

mf cresc. poco a poco

3

mf cresc. poco a poco

Kbd.1 (Hyper-bells)

3

3

Martha c'est

lui

qui m'y a

dé ci dée.

si tais. J'hé mf cresc. poco a poco

il m'a par lé

Mais

des

TAPE 16

loco 3

3

5

Vln. ffp

mf cresc. poco a poco

Vla. ppp

mf

sfp

mf

Vc.

Litolff/Peters

33785


ISSUU Version For perusal only

350 110

Picc.

sfp

sfp

sfp

ff

Cl. mf

f

mf

f

Hn.

Tbn. sfp

f

Perc 1. (Xyl.) ff

f cresc.

3

3

Perc 2. (Glsp.) f cresc.

3

Kbd.1 (Hyper-bells)

ff

3

5

5

5

5

5

5

Piano ff

5

f cresc.

3

gliss

Martha pa

ys que

j'at tends

et,

pour

a

voir

su

me

tou

cher,

il

TAPE 16

5

5

5

Vln. f cresc.

Vla. mf

f

mf

f

Vc.

Litolff/Peters

33785

5

.


ISSUU Version For perusal only

113

Picc.

ff

351

fp sub. ff

sfp

Cl. f

p

f

p

f

p

Hn.

Tbn.

3

3

3

Perc 1. (Xyl.) ff

Perc 2. (Glsp.)

ff

fp sub.

3

3

Kbd.1 (Hyper-bells)

ff cresc.

5

5

5

5

5

5

fp sub.

Piano

ff cresc.

5

3

Martha m'a

don

des

ar

mes

con ff

tre lui.

mf

TAPE 16

5

5

5

5

Vln. ff

fp sub.

Vla.

Vc. f

Litolff/Peters

p

33785

5


ISSUU Version For perusal only

352

13

13

13

13

116

Picc.

sfp

f

Cl.

Hn.

Tbn.

5

5

5

Perc 1. (Xyl.)

13

13

13

13

Perc 2. (Glsp.)

5

5

Kbd.1 5 5

(Hyper-bells)

Piano

3

Sprechg.

3

3

3

Martha C'est

ain

si

que

l'in

no

TAPE 16

Vln.

Vla.

Vc.

3

Cb. sfp

Litolff/Peters

33785

cen

ce

est

com


ISSUU Version For perusal only

13

13

13

13

118

353

Picc. sf

mp

ff

cresc.

Cl. pcresc.

cresc.

Hn. pcresc. without sord.

3

C Tpt. cresc molto

Tbn. pcresc. 5

5

5

Perc 1. (Xyl.)

5

cresc molto 13

13 13

13

5

5

Perc 2. (Glsp.) cresc molto

5

5

cresc molto

Kbd.1 (Hyper-bells)

Piano

cresc molto 3

3

Martha pen

sée.

A ssez main

te

TAPE 16

Vln. cresc molto

Vla.

Vc.

Cb.

Litolff/Peters

33785

nant,

l'eau

coule


ISSUU Version For perusal only

354 13

13

13

13

120

Picc. sf

sf

sf

p

p

ff

Cl.

Hn. mf cresc. 3

C Tpt. 3

Tbn. mf cresc.

5

5

Perc 1. (Xyl.) 5

5

13

13

5

5

13

13

5

5

Perc 2. (Glsp.)

Kbd.1 (Hyper-bells)

Piano

3

3

Martha par

des

sus

le

ba

rra ge!

TAPE 16

Vln.

Vla.

Vc.

Cb.

Litolff/Peters

33785

fi

nis

sons


ISSUU Version For perusal only 13

122

Picc.

355

13

fff

Cl. ff

mf

ff

mf

Hn.

C Tpt. sfp

mf

ffff

Tbn. ff

mf 5

Perc 1. (Xyl.) fff

5 13

13

l.v.

Perc 2. (Glsp.)

5

l.v.

5

Kbd.1 (Hyper-bells)

fff

l.v.

Piano fff

Martha ff

en!

STOP TAPE TAPE 16

Vln. fff

f

ff

Vla. mf

Vc. ff

mf

ff

mf

Cb.

Litolff/Peters

33785


356

7 Slower 124

Perc 1. (Vib.)

Vibraphone 3

ISSUU Version For perusal only 3

pp

l.v. Perc 2. (Glsp.)

Hyper-vib "a"

l.v. Kbd.1 (Hyper-bells)

3

pp

l.v. Piano

3

3

Mère Il

me

sem

ble

que cette aube

n'a

mf poco dim

Litolff/Peters

33785

ri

ve

ra

Ja

mais


ISSUU Version For perusal only

357

XIII: Interlude 4 "Water"

1 h = 40 (q = 80)

11:12

Bass Clarinet in Bb

3 2

3 4 Il en pp

Bass Saxophone

a

ter mi

3

3 2 pp

a

loco

eaux

mon

3 4

3 2 ppp

tent

loco

sord. straight

Trombone

vec ppp

3

les

3 2

11

3 2

3 4

3 2

pp n'aime

Je

pas

cela

ce mon- de

Gong thai Percussion 1. (Gong Thai)

3

3 2

3 4

pp

Mar Percussion 2.

3 2

7:8

3 2

3

3 4 pp

(Mar.)

at ten

dons i

3 2

ci

11- Hyper -Db.

3 2

3

3 4 d'uns

som

plé

meil peu

d'i

ma ges

à

3

3 2

som meil sans rêves

un

Keyboard 1. (Hyper- Db.)

3

3 2

3

pp Les eaux de

3

J'at

la

tends

le

pizz.

3

bruit

3 4

3 2 pp

des eaux

3 2

3 4

3 2 Keyboard 2

Piano

1-Hyper vib "a"

13 5

5

3 2

3 4

3 2

pp ri vière

Il dort

Violoncello

1 h = 40 (q = 80) 3 2

se ront

plei

sul pont.

nes

c'est ain si que

pizz.

3

l'in no cence est re com pen

3

arco

3 4 pp

arco

Contrabass

pp

Litolff/Peters

for

cer

3 2

pizz.

3 4 la main

3

pp

ppp

9

5

3 2

vie in té rièure qui pros

crit

33785

3 2


ISSUU Version For perusal only

358 loco

3

B. Cl.

11:12

11:12

3 2

3

3 4

3 2

7 3

Bass Sax.

3 2

Hn.

3 2

Tbn.

3 2

3

3 4

3 2

3 4

3 2

3

7

3 4

3 2 pp

Perc 1. (Gong Thai)

3 2

3 4

Mar. Perc 2. (Mar.)

Kbd 1. (Hyper- Db.)

3 2

7:8

3 2 pp

p

3

3 4

3 2

3 4

3 2

3 4

3 2

pp

13

3 2

3 2

3

3

Piano Kbd 2. (Hyper- vib "a")

3

3 2

3

5

5

3

3 4

3

3

3 2

pf

pizz.

7

Vc.

3 2

3 4

arco Cb.

3 2

Litolff/Peters

3

7

3 2 pizz. 7:8

3 4

3 2

33785


ISSUU Version For perusal only

359

5

B. Cl.

3 2 Il

il

dort pp

dort

il

dort

7:8

3

Bass Sax.

3 2 j'at p

Hn.

le

3 2 Il pp

Tbn.

tends

dort

3

3 2 j'at

tends

le

3

bruit

des eaux

3 2 3- Hyper-marimba "a" Kbd 1. 3

(Hyper-mar "a")

3 2 Il

dort

5

3 2

les

5

les

eaux

de

la

3

eaux

mon

tent

5

ri

vière

5

se

ront

plei

nes

Pno. 3

3 2 Il

Cb.

dort

les

eaux

mon

tent

Il

dort

3 2 les pp

Litolff/Peters

33785


360

6

Non flatt

5

ISSUU Version For perusal only 5

5

B. Cl. j'at p

tends

le

bruit

7:8

des

eaux pp

poco sf

7:8

7:8

Bass Sax. bruit des mf

eaux pp

pp

mf

mf

pp

5

5

Hn. j'at mf

tends

le

bruit

pp

9:8 Tbn. il

dort

Kbd 1. (Hyper-mar "a")

Il

dort

6

le

eaux

mon

tent

les

eaux mon tent

Pno. 5

9:8

5

les

eaux mon

tent

les

arco

eaux

mon tent

les

7:8

7:8

Vc. les eaux de la mf 6

6

Cb. eaux

Litolff/Peters

de

la

ri

vière

se ront plei nes

33785

mf

ri

vière


ISSUU Version For perusal only

7

5

B. Cl.

361

5

5

4 4

5

4 4

Hn. des

eaux

7

9:8

4 4

Tbn. mf

leseaux de la ri vière se ront plei nes

pp sempre

4 4 Kbd 1. (Hyper-mar "a") 5

les eaux

4 4

mon tent

4 4 13

les eaux montent

Pno. 9:8

eaux

3

mon

tent

il

les eaux

mon

tent

les

eaux mon

tent

4 4 dort

7:8

7:8

4 4

Vc. se ront

plei

nes

4 4

Cb. pp

Litolff/Peters

33785


ISSUU Version For perusal only

362

8

B. Cl.

2 q = q = 80 4 4 pp sempre

Bass Sax.

4 4 pp sempre

Hn.

4 4 pp sempre

Tbn.

4 4

4 4 pp sempre

Kbd 1. (Hyper-mar "a")

4 4 pp sempre

loco

4 4 Pno.

4 4 loco

2 q = q = 80 Vc.

4 4 pp sempre marc. pizz.

Cb.

4 4

Litolff/Peters

33785


ISSUU Version For perusal only

10

Bass Sax.

Tbn.

Kbd 1. (Hyper-mar "a")

Pno.

Vc.

arco

Cb.

13

B. Cl. pp poco cresc.

Bass Sax. pp poco cresc.

Tbn. pp poco cresc.

Kbd 1. (Hyper-mar "a")

mf

Pno.

pp poco cresc.

pp poco cresc.

Vc. pp poco cresc.

Cb. pp poco cresc.

Litolff/Peters

33785

363


ISSUU Version For perusal only

364

16

B. Cl.

3 4

Bass Sax.

3 4

Hn.

3 4 non leg.

3 4

Tbn. p

f

3 4 Kbd 1. (Hyper-mar "a")

3 4

loco

Pno.

3 4

Vc.

3 4

non leg.

3 4

Cb. quasi

Litolff/Peters

f

33785

f

p


ISSUU Version For perusal only

19

365

4 4

B. Cl.

flatt

Bass Sax.

4 4

Hn.

4 4

4 4 Kbd 1. (Hyper-mar "a")

4 4

4 4 Pno.

4 4

non leg.

non leg.

non leg.

4 4

Vc. p sub

pizz

4 4

Cb. mf

Litolff/Peters

33785


ISSUU Version For perusal only

366

3 Doppio tempo q = e = 80 (click track) 5 1 3 4 4 4

22

Fl.

4 4

4 4

1 4

4 4

1 4

p

B. Cl.

4 4

5 4 f

mf

Bass Sax.

4 4 f

4 4

Tpt.

1 4 f

f

mf

4 4

pp

3 4 f

5 4 sf

3 4 p

5 4 mf

Hn.

1 4

1 4 f

3 4

1 4

1 4 ff

4 4

1 4

4 4

1 4

pp

3 4 pp

Tbn.

f

4 4 pp

p

5 4

p

f

4 4

5 4

1 4

3 4

4 4

1 4

4 4

5 4

1 4

3 4

4 4

1 4

Kbd 1. (Hyper-mar "a")

p

f

4 4

5 4

1 4

pp

3 4

f

4 4

1 4 f

4 4

5 4

1 4 f

3 4

4 4

1 4

3 4

4 4

1 4

3 4

4 4

1 4

3 4

4 4

1 4

3 4

4 4

1 4

3 4

4 4

1 4

p

pp

Pno.

4 4

5 4

1 4

f

mf

TAPE 17 "Verwandlung Doppelgänger" TAPE 17

4 4

5 4

1 4

3 Doppio tempo q = e = 80 (click track)

Vln.

4 4

5 4

1 4

pp

Vc.

4 4

5 4

1 4 f

mf

p

arco

Cb.

4 4

5 4 mf

Litolff/Peters

sf

p

1 4 f

p

33785

f


ISSUU Version For perusal only

27

Fl.

1 4

5 4 p

B. Cl.

1 4

5 4

1 4

pp

f

1 4

pp

p

1 4

6 4

4 4 p

6 4

4 4

6 4

4 4

6 4

4 4

p

pp

f

4 4

pp

3 4

5 4

6 4 p

3 4

5 4

4 4 p

3 4

5 4

1 4

6 4 pp

f

4 4 f

3 4

ppp

Kbd 1. (Hyper-mar "a")

6 4 pp

5 4

4 4 p

3 4

5 4

1 4

4 4

6 4 p

pp

Tbn.

6 4

3 4

5 4

1 4

4 4

p

pp

f

Tpt.

3 4

5 4

1 4

e=h

p

f

f

Hn.

6 4

pp

pp

pp

Bass Sax.

3 4

367

3 4 ppp

p

Pno.

1 4

5 4 ff

3 4 pp

pp

p

TAPE 17

1 4

5 4

3 4

6 4

Vln.

1 4

5 4

3 4

6 4

4 4

e=h ff

Vc.

1 4

5 4 p

Cb.

1 4

Litolff/Peters

p

3 4

6 4 pp

pp

5 4 p

pp

pp

4 4 p

3 4 pp

4 4

6 4 p

33785

4 4


ISSUU Version For perusal only

368

4 q=h h = 80 (q = 160) 31

Fl.

4 4

3 4

4 4

3 4 p

pp

Bass Sax.

4 4

5 4

3 4

4 4

3 4

pp

f sub.

5 4 p

Vib Perc 1. (Vib)

4 4

3 4

4 4

3 4

pp

5 4 p

f sub.

pp staccatisimo senza cosa

Kbd 1. (Hyper-mar "a")

4 4

3 4 p

TAPE 17

4 4

4 4

3 4

p

f sub.

5 4 p

3 4

4 4

3 4

5 4

3 4

4 4

3 4

5 4

4 q=h h = 80 (q = 160) Vln.

4 4 pp

Vla.

4 4

3 4

4 4

3 4 f sub.

pp

Vc.

4 4

3 4

4 4

4 4

3 4 f sub.

3 4

4 4

5 4 p

3 4

pp

Litolff/Peters

5 4 p

pp

Cb.

p

f sub.

f sub.

33785

5 4 p


ISSUU Version For perusal only q = 132

35

Fl.

5 4

4 4 f

B. Cl.

pp staccatisimo senza cresc.

5 4

4 4 pp staccatisimo senza cresc.

Bass Sax.

5 4

4 4 f

Perc 1. (Vib)

5 4

4 4 f

Kbd 1. (Hyper-mar "a")

5 4

4 4 f

Pno.

5 4

pp staccatisimo senza cresc.

4 4 pp staccatisimo senza cresc.

TAPE 17

5 4

4 4 q = 132

Vln.

5 4

4 4 f

Vla.

5 4

pp staccatisimo senza cresc.

4 4 f

Vc.

5 4

4 4 f

Cb.

pp staccatisimo senza cresc.

5 4

4 4 f

Litolff/Peters

33785

369


ISSUU Version For perusal only

370

38

Fl.

5 4

B. Cl.

5 4

5 4

Perc 1. (Vib)

Pno.

5 4

TAPE 17

5 4

Vc.

5 4 loco

5 4

Cb.

q = 120

41

Fl.

5 4

4 4

3 4 p cresc.

B. Cl.

5 4

4 4

3 4 p cresc.

Perc 1. (Vib)

5 4

4 4

3 4 p cresc.

Pno.

5 4

4 4

3 4

TAPE 17

5 4

4 4

3 4 q = 120

Vla.

5 4

4 4

3 4 p cresc.

Vc.

5 4

4 4

3 4 p cresc.

Litolff/Peters

33785


ISSUU Version For perusal only q = 132

44

Fl.

371

3 4

4 4 mf

5 4

4 4

p cresc.

f

Muta in Cl in Bb Cl. in Bb

3 4

4 4

5 4

4 4

4 4

5 4

4 4

Vib. Perc 1. (Vib.)

3 4 mf

p cresc.

f

Mar. Perc 2. (Mar.)

TAPE 17

3 4

4 4

4 4

p cresc.

mf

3 4

5 4 f

4 4

5 4

4 4

5 4

4 4

q = 132 Vln.

3 4

4 4 p cresc.

mf

Vc.

3 4

f

4 4

5 4

4 4

p cresc.

mf

f

loco

Cb.

3 4

4 4 mf

Litolff/Peters

5 4 p cresc.

4 4 f

33785


ISSUU Version For perusal only

372

q = 112

q = 132

47

Fl.

Muta in Picc.

4 4 p cresc.

Cl. in Bb

Perc 1. (Vib.)

4 4

4 4 p

Perc 2. (Mar.)

TAPE 17

4 4

p

4 4 q = 112

Vln.

Vla.

Cb.

cresc.

q = 132

4 4

p

cresc.

4 4

4 4

Litolff/Peters

p

cresc.

p

cresc.

33785


ISSUU Version For perusal only Piccolo 50

Picc. p cresc.

Cl. in Bb

Perc 1. (Vib.)

Perc 2. (Mar.)

TAPE 17

Vln.

Vla.

Vc.

Litolff/Peters

33785

373


ISSUU Version For perusal only

374

53

Picc.

6 4

4 4

Cl. in Bb

6 4

4 4 mf

Perc 1.

6 4

4 4

(Vib.)

Glsp Perc 2.

6 4

4 4 mf

(Mar.)

6 4

4 4 mf

Pno.

6 4

4 4 ff

TAPE 17

6 4

4 4

Vln.

6 4

4 4 mf

Vla.

Litolff/Peters

6 4

4 4

33785


ISSUU Version For perusal only

Sparkling q = 112 55

375

4 4

Picc.

mf cresc. molto

cresc.

p

3

3

4 4

Cl. in Bb

mf

cresc.

4 4

Perc 2. (Glsp.)

cresc. molto

3

3

3 3

4 4 mf cresc. molto

Pno.

4 4

4 4

TAPE 17

Sparkling q = 112

4 4

Vln.

mf cresc. molto cresc.

57

Picc. f

9

p

f

ff

Cl. in Bb

Perc 2. (Glsp)

3

3 3

3

3

3

3

Pno. 3

mf cresc.

f

TAPE 17

Vln. sf

Litolff/Peters

33785

p

f


ISSUU Version For perusal only

376

7

5

59

Picc. p

ff

ff

Cl. in Bb

Perc 1. (Vib)

Perc 2. (Glsp)

f cresc.

sempre pp

f cresc.

3 3

3 3

3

f

Pno.

TAPE 17

5 Vln. sempre pp

Litolff/Peters

f cresc.

33785

3

3


ISSUU Version For perusal only

377

5

61

Picc. p

f

Cl. in Bb f

cresc.

Perc 1. (Vib) f

f l.v. ( )

Perc 2. (Glsp)

f

3

3

3

3

3

mf

Pno.

TAPE 17

Vln.

Litolff/Peters

3 3

33785


ISSUU Version For perusal only

378

9

63

6 4

Picc. ff p

ff

ff

6 4

Cl. in Bb ff

6 4

Perc 1. (Vib)

( )

Perc 2.

6 4

( )

(Glsp)

3

3

6 4

Pno. 6

ff

6

6

6

p

6 4

TAPE 17

loco

6 4

Vln. ff

Litolff/Peters

ff

33785


ISSUU Version For perusal only

379

q = 50-52 3

65

Picc.

6 4

3 4 sfp

Cl. in Bb

Perc 1. (Vib.)

Perc 2. (Glsp)

ff

6 4

ff

p

ff 3

p

ff 3

p sub.

3 4

6 4

3 4 ff

6 4

3 4 ff 3

3

3

Pno.

6 4

3 4 ff 3

ff

TAPE 17

6 4

3 4 q = 50-52

Vln.

6 4

3 4 ff 3

Litolff/Peters

33785

p sub.


380

ISSUU Version For perusal only XIV: Scene 9 Mère-Martha

q. = 44-48

1

Mère and Martha are ecstatic like dolls in a Marionettentheater Flute

flatt.

9 8

pp 5:6

mf

2

Cl

9 8 pp

pp

p

pp

p

sord. (wa wa)

Trumpet in C

9 8 mp

Vibraphone (motor on) Per1 (Vib.)

9 8 ppp

simile

1- Hyper-vibraphone "a" f

9 8

3

mf

Keyboard 1 (Hyper-vib. "a")

9 8

2

2

9 8 ppp

Piano

p

pppp

p simile

pp

5:6

9 8 p

ppp

without expression both as estatic mf 3

Martha

3

3

3

9 8 Vous vo yez bien que cet te aube

est a rri vée. 2

Mére

Ce ma tin

mf

2

2

9 8 Oui,

1

c'est une bonne chose

d'en

a voir fi ni.

Main

te nant,

je

ne sens

p

mp

q. = 44-48 sul tasto flaut.

Violin

9 8 pppp

sord.

Viola

3

9 8 pp

Litolff/Peters

33785


ISSUU Version For perusal only

381

5

Fl. pp

mf

2

Cl pp sim con sord.

Hn. pp sord (wa wa)

Trp. p

Per1 (Vib.)

Kbd. 1. (Hyper-vib. "a")

2

2

p

Pno.

pp

mf

3

Martha de puis des an nées,

est,

le

où je res pi re.

pre mier

Il

me sem ble

que

j'en tends dé jà la mer.

c'est une

bon

ne chose

mf

4:6

Mère que ma fa ti

gue.

Oui,

2

Vln. I pppp 4:6

Vla. p vib. espressivo

Vc. mf

Litolff/Peters

33785


ISSUU Version For perusal only

382

4:6

9

Fl. f

2

Cl

senza sord.

Hn. pp

sord (wa wa.)

Trp. pp

Per1 (Vib.)

3

3

Kbd. 1. (Hyper-vib. "a")

2

2 4:6

p

mfpp

p

ppp

p

ppp

p

Pno.

p 3

3

3

Martha Il y a en moi

une joie

qui va me faire

crier.

mp

Mère c'est

une

bonne

chose

vib. espressivo

Vln. I pp

vib. espressivo Vla. mf

Vc.

Litolff/Peters

33785

Je re de viens

la jeune fille que j'é tais.

De nou veau,


ISSUU Version For perusal only

383

espress.

13

Fl. f quasi

p

2

Cl

sord. wa-wa - Stem in flatt

Trp. ppp

Per1 (Vib.)

3

f

Kbd. 1. (Hyper-vib. "a")

2

2

pp

p mf

mp

pp

Je re de viens la jeune fi lle qui j'é tais.

De nou veau, mon

mf

Pno.

3

Martha mon corpsbrû le,

J'ai en

vie

de cou rir.

corps brûle,

J'ai en vie de cou rir.

ord. espressivo

Vln. I mp

Vc. pp

Litolff/Peters

33785

ppp


ISSUU Version For perusal only

384

4:6

17

Fl. mf

p

2

Cl

Trp.

Per1 (Vib.)

5

ossia

2

Kbd. 1. (Hyper-vib. "a")

2

2

4:6

pp

ppp

p

Pno.

ossia 2

2

2

2

2

5:6

5:6

Martha Ce

ma

tin

de

puis

des

an nées,

le pre mier

je

res

pi.re.

Il

me sem

Vln. I ppp

Litolff/Peters

33785

ppppp

ble


ISSUU Version For perusal only

21

385

Fl.

2

Cl

Hn. sfp

Trp. pp

mf

Per1 (Vib.)

4

Kbd. 1. (Hyper-vib. "a")

2 5 2

Pno.

4:6

Martha que j'en tends dé

la

mer.

oh!

di

Mère

tes moi

Mère Qui

a

t-il

Mar tha?

Vln. I pppp

ppp

pppp

mf

pp

Vla.

vib.

Vc.

Litolff/Peters

33785


ISSUU Version For perusal only

386

Quasi senza tempo

2

24

Fl.

5

5

Cl pp with an almost broken sound

5

5

5

2

Hn.

sord (wawa)

stem out

Trp. 2

mp

Per1 (Vib.)

2

2

2

mf

Pno.

romantic, looking herself as a mirror 5

4

2

5

4

2

2

Martha Suis je_en core bel le?

suis je

quasi senza tempo

bel

le

suis

Sprechg.

je

3

be

f

2

2

2

Mère Tu l'es, ce ma tin.

Le

crime

est beau.

Le

Quasi senza tempo 2

Vln. I pppp almost imperceptible

Litolff/Peters

33785

crime


ISSUU Version For perusal only

387

A tempo

30

Fl. f

ff

2

5

2

Cl p

mf

Trp. f

Per1 (Vib.)

p

pp

3

3

f

Kbd. 1. (Hyper-vib. "a")

f

Pno.

2

f

3

3

Martha lle

Qu'im por

te

mainte nant

le crime.

Je vais

pour la se conde fois

Je

Le

crime

2

2

Mère c'est

beau.

A tempo Vln. I ppppp

2

Vla. mf

Litolff/Peters

2 f

33785

vais


ISSUU Version For perusal only

388

33

2-5" scenic decision

Fl. f

ppp

2-5" scenic decision

2

Cl

2-5" scenic decision

Hn. fp? 2-5" scenic decision

Trp. f

p

2-5" scenic decision

Per1 (Vib.)

2-5" scenic decision 3

ff

3

Kbd. 1.

2-5" scenic decision

(Hyper-vib. "a")

2

2

f

2-5" scenic decision

p

pp

mf

Pno.

2-5" scenic decision

TAPE 18 ("Vieux 8") 2-5" scenic decision 3

3

3

3

Martha re join dre

la ter re

je se rai heu

ren reu

2-5" scenic decision

slow vib.

Mère est

Litolff/Peters

se

beau.

33785


ISSUU Version ForXV:perusal only Scene 10 Mère-Martha

389

1 Dark h = 60 G.C

2 2

Percussion 1 (Gran Cassa)

Gong Thai 11

11

11

11

11

p

Gong Thai

Gran Cassa

3

3

2 2

Percussion 2.

11

3

mp

(Gong Thai)

1- Hyper- vib. "a"

2 2 mf Keyboard 2. (Hyper-vib "a")

2 2

TAPE 18 ("Vieux 8")

1 2 2

4

3

2 Fexible q = 120 3 4

3

Percussion 1 (G.T) 11

11

11

11

3 4

Percussion 2. (G.C)

1- Hyper vib. "a"

3 4 p

sf (f) pp

Keyboard 1. (Hyper-vib "a")

3 4

3 4 p legatissimo

Keyboard 2. (Hyper-vib "a")

3 4 pp susurrato, intenso

3 4

Martha

p intense Sprechgesang

Son

3

3 4

Mère

Qu'est–ce

STOP TAPE TAPE 18 ("Vieux 8")

2 Fexible q = 120 3 4 pizz.

3 4

Cb.

p

Litolff/Peters

33785

que

c'est?

passe port.

Li


ISSUU Version For perusal only

390

7

pp

p

p

Keyboard 1.

mf

pp

(Hyper vib "a")

Keyboard 2. (Hyper vib "a")

Martha sez!

Son passe port, 3

3

li

sez!

Li

spoken acting

3

3

3

3

cela tournerait

Mère Je

sa

vais bien

qu'un

p

mp

jour

de

cette

fa

çon

et

Cb.

10

Keyboard 1.

p

quasi f

p

mf

(Hyper-vib. "a")

6

Keyboard 2. (Hyper-vib. "a")

Martha sez!

Son

passe

port.

3

3

re

spoken

3

3

3

re

Mère qu'a

lors

il

fau

drait

fi

nir

Lai

Cb.

Litolff/Peters

33785

se,

Mar

tha.


ISSUU Version For perusal only

391

Meno mosso q = 112 13

Flute

Muta in Picc.

ppp

3

3

3

f

3

senza pedal

3

f

Keyboard 1. (Hyper- vib. "a")

3

3

3

3

p

3

Keyboard 2. (Hyper- vib. "a")

f

3

Martha Mère

son

passe port 3

3

re

Li

sez!

spoken

3

Mère vé

J'ai

cu

plus

long temps

que mon fils.

Je

ne

l'ai

pas

re con nu

Cb.

3 Poco meno mosso 16

Keyboard 1. (Hyper- vib. "a")

dim.

ff

Keyboard 2. (Hyper- vib. "a")

gliss .

Martha re 3

3

3

Mère et

je

l'ai

tu

é.

3 Poco meno mosso Viola mp

f

Cb.

Litolff/Peters

33785

Je

veux

le

re join

dre

au fond


ISSUU Version For perusal only

392 19

Keyboard 1. (Hyper vib "a")

4 4 4 4

Keyboard 2. (Hyper vib "a")

Piano

4 4 quasi parlato

3

4 4

Mère de

cette

ri

viè

re

cou vrent dé

les her bes

son

vi

sa

ge.

4 4

Viola f

p

4 4

Cb.

22

Picc.

4 q = 120-132 4 4 ppp half air

Bass Clarinet

4 4 pp

Horn in F

4 4 fp

ppp

fp

ppp

sord. wa-wa Trombone

4 4 pp

3- Hyper-mar "a"

4 4 ppp Keyboard 1. (Hyper- mar. "a")

staccatíssimo

4 4

Piano

Piano

4 4 ppp

(speedy)

pp Martha

Mère

gliss.

4 4 re!

vous n'a llez

pas me

lai sser

seu

le?

4 4 Quand

Cb.

Litolff/Peters

4 q = 120-132 4 4

pizz.

33785

une


ISSUU Version For perusal only

24

Picc.

ppp

393

p

Bass Clarinet pp

Horn in F fp

ppp sord. wa-wa

Trumpet in C pp

sord. wa-wa Trombone pp

pp

Keyboard 1. (Hyper- mar. "a")

Piano

5

gliss

Martha Vous n'a llez

pas

me lai sser seu

le?

Non,

3

3

Mère mère

n'est

plus

ca

pa

ble

de

arco s. pont Cb. p

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con

.


ISSUU Version For perusal only

394 26

Bass Clarinet

ppp

pp

Bass Saxophone pp

Horn in F fp

ppp

Trumpet in C p

ppp

Trombone

Keyboard 1. (Hyper- mar. "a")

Piano

spoken

gliss.

3

3

le bon heur

de

3

ord.

Martha si

sa

fil

le

est

3

à

en core

cons

3

Mère naî

tre

son

fils,

son

rôle

sord. Vln. pppp

Cb.

Litolff/Peters

33785

sur

la

terre

est

fi

ni.


ISSUU Version For perusal only

28

Picc.

pp

395

mf

Bass Clarinet pp

pp

Bass Saxophone pp

pp

pp

Horn in F fp

f

Trombone

4- Hyper-mar "b"

Keyboard 1. (Hyper- mar "a")

Piano

spoken, high register 3

ord.

Martha truire.

N'a

vez vous pas

a

à

pris

ne rien res pec ter

Mère Oui

Sur

mais j'a vais tort.

sord. Vln. pp

flaut Vlc. pp

Cb. pp

Litolff/Peters

33785

cette


ISSUU Version For perusal only

396 30

Picc.

pp

mp

Bass Clarinet p

Bass Saxophone pp

Horn in F ppp

fp

Trombone p

2- Hyper-vib "b"

Keyboard 1. (Hyper-mar "b")

Piano

3

Martha Vous

3

3

Mère ter

re

rien

n'est

as

ré,

su

nous

a

vons

nos

flaut.

Vln. mp

Vlc. pp

Cb. p

Litolff/Peters

mp

33785

pp

cer

ti


ISSUU Version For perusal only

32

Picc.

f

397

p

Bass Clarinet f

pp

p

Bass Saxophone pp

Trumpet in C f

Trombone

Keyboard 1. (Hyper- vib "b")

Piano

3

3

spoken

ord. 3

Martha te nez un lan gage

que je mé

pri

se.

Vous

ne di siez pas ce la. Et

pen

dant tou tes ces

an nées,

vous

spoken Mère tu

des.

vib.

vib.

Vln.

Vlc.

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

398

5 35

Picc.

sfp

Bass Clarinet quasi f

pp

Bass Saxophone pp Trumpet in C sord. Harmon

Trombone f

Keyboard 1. (Hyper- vib "a")

Piano

3

3

Sprechg.

3

gliss.

3

Martha a

vez

con

ti

nué

près

de

moi

à

pren

dre

d'une

main

fer me

les

3

Mère J'ai

con

ti

nué

c'est

vrai.

Mais

il

5 Vln.

Cb. p

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quasi f

pp

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37

399

Picc. pp

Bass Clarinet pp

Bass Saxophone pp frull. Trombone pp

Keyboard 1. (Hyper- vib "b")

Piano

ord.

ironically

5

Martha jam

bes

3

de

ceux qui de

vaient

mou

rir

3

3

3

Mère suf

fi

sait

de

la

dou leur

pour

tout

trans for mer.

C'est

vib. Vln. sfp

vib. Cb. sfp

Litolff/Peters

33785

ce

la


ISSUU Version For perusal only

400

Senza tempo 39

Picc.

Bass Clarinet

Bass Saxophone

Trombone l.v.

Keyboard 1. (Hyper- vib "b")

Piano

Spechgesang

5

Mère que

mon

fils

est

ve

nu

chan

ger.

Je

sais

Mar

tha

ce

la

Vln.

Cb.

Senza tempo, free 41

4 4

Picc.

Muta in Bb Clar Bass Clarinet

4 4

Bass Saxophone

4 4

Trombone

4 4 7

4 4

Mère ce

n'est

pas

rai

so

na

ble. Que

sig

ni

fie

la

dou

leur

pour

une

cri

mi

ne

lle

Vln.

4 4

Cb.

4 4

Litolff/Peters

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43

6 4 4

1- Hyper-vib "a"

ISSUU Version For perusal only

401

p

Keyboard 1. (Hyper- vib "a")

4 4

4 4

Piano

p

p

gliss.

4 4

Martha

Non,

re,

vous

ne

me

ord.

Sprechgesang

Lui

é

quit

te

rez

pas.

Je

45

Keyboard 1. (Hyper vib "a")

Piano

Sprechgesang 3

3

ord.

Sprechgesang

3

Martha suis

ce

lle

qui

est

res

tée.

tait

par

ti. Cela doit

en

trer

dans

le comp te.

2-5 "

47

3 4

Horn in F sfp

2-5 "

l.v.

3 4 2-5 "

Keyboard 1. (Hyper vib "a")

3 4 2-5 "

3 4

Piano

f subito

2-5 "

Sprechesang

3 4

Martha Et

c'est

vers

moi

que vous

de

vez re ve nir

f

veloce 3

spoken 2-5 "

3 4

Mère Il

Litolff/Peters

est

vrai,

mais

33785

lui,

je l'ai tu é!


ISSUU Version For perusal only

402

7 Recitative q=72-80 Clarinet in Bb

50

Bass Clarinet

3 4

Horn in F

3 4 mf

Gong Thai

l.v

Gran Cassa

l.v

3 4 Percussion 2.

to perc.

3 4

accel. >

Keyboard 1. (Hyper- vib "a")

a Tº 10

3 4 p

f

Keyboard. 2 1- Hyper-vib. "a"

a tempo

accel.

3

3 4 f

p

Keyboard 2. (Hyper- vib "a")

5

non accel.

3 4 3

f recitativo Martha

Tout

3

3

3 4 ce

que la vie

peut

Recitative q=66-72-80

7

Vln.

3 4

sord. di piombo (iron mute) Viola

3 4 pp

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403

53

Flute ppp 3

Muta in Bass Cl.

Clarinet in Bb mf p 3 6 3

Percussion 1 (Vib)

3:2 3

pp

Percussion 2

(G.T/G.C)

3

pp

5

6

6:4

f

6

Keyboard 1. (Hyper- vib "a")

3

3

pp

5

3:2

3

6

5

f

Keyboard 2. 5

(Hyper- vib "a")

spoken

ord.

3

3

libero

un hom me

lui a_é

5

a Tº

Martha don ner

à

te

Viola

Litolff/Peters

33785

don

ord.

5

7:4


ISSUU Version For perusal only

404

Piccolo

56

Flute ppp

3

Horn in F p sord. Trumpet in C pp

f

Gong Thai

Percussion 2

(G.T/G.C)

Gran Cassa

6

f

Keyboard 1. (Hyper- vib "a")

6

p

p

f

5

p Keyboard 2. (Hyper- vib "a")

f

7

f

spoken gliss. 3

f

3

5

Martha la

mer,

des ê tres li bres.

Moi,

sord. di piombo (iron mute)

Vln. p

Viola p

Litolff/Peters

33785

je suis res tée ici

pe tite


ISSUU Version For perusal only

405

59

Picc.

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

5 8

3 4

sf pp 3

6

Bass Clarinet sf pp

ff 5

Bass Saxophone sf

ff

Horn in F p

f

cresc.

Gong Thai Percussion 1 (G.T)

f dim.

mf

Percussion 2 (G.T,/G.C.)

Gran Cassa

7

3

3

sf pp

ff

Keyboard 1. (Hyper- vib "a")

5

5 8

6

3 4

5

3

5 8 sf pp

3 4

ff

Keyboard 2. 5

(Hyper- vib "a")

5

5 8

3 4

sf

3

espr.

quasi spoken 3

3

Martha et som bre,

dans

l'en

nui,

en

5

5 8 fon

cée

3 4 au coeur du con ti nent.

Vln.

5 8

3 4

Viola

5 8

3 4

Litolff/Peters

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406

62

Bass Clarinet

3 4

2 4 sf

Horn in F

sfpp

pp

p

3 4

2 4 sord. wa-wa

Trombone

3 4

2 4 pp

Percussion 1 (Gong)

Vib.

3

3 4

2 4

3

3 4

2 4 5

6

3 4

2 4

3 4

2 4

Keyboard 1. (Hyper- vib "a")

5

3 4

2 4

Keyboard 2. (Hyper- vib "a")

3

3 4

3

2 4

3

Martha

3 4

2 4 Per sonne

Vln.

Litolff/Peters

n'a em bras sé

ma bouche,

vib.

s.v.

gliss.

per sonne

3 4

n'a

vu

2 4

33785


Slower, free

ISSUU Version For perusal only Senza tempo

x3

64

Picc.

2 4

3 4

5

f

p subito

5

Bass Clarinet

x3

2 4

3 4 f

Bass Saxophone

407

p subito

x3

5

2 4

3 4

f

p subito

senza sord. Trumpet in C

colla parte

2 4

3 4 pp

x3 Percussion 1 (Vib.)

colla parte

2 4

3 4 sf

x3

2 4

( )

3 4

2 4

( )

3 4

2 4

( )

3 4

2 4

( )

3 4

Keyboard 1.

x3

Keyboard 2.

dreamy Martha

5

3 4 mon corps sans

sord. Vlc.

x3

2 4 vête

ments

mon

corps,

mon

corps,

mon corps,

mon

corps.

x3

2 4

3 4 pppp sord.

Cb.

x3

2 4

3 4 pppp

Litolff/Peters

33785


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408

A tempo q = 72-80 66

Picc.

Muta in Fl.

7

3

3 4

ff 3

Bass Clarinet

3 4

Bass Saxophone

3 4

7

3

ff colla parte

7

Trumpet in C

7

3 4 f

ff 7

Trombone

3 4 ff

Percussion 1 (Gong)

3 4

Percussion 2. (G.T)

3 4

3

3

3

7

3 4 ff

Keyboard 1. (Hyper- vib "a")

5

ff 7

3 4 ff

7 3

3 4 ff Keyboard 2. (Hyper- vib "a")

ff 7

3

3 4

3

fp

ff

7

Martha

Mère,

Vln.

3 4

Vlc.

3 4

Cb.

3 4

Litolff/Peters

3

7

3 4 je vous jure,

ce la doit se pa

yer!

33785

Et sous

le

vain

pré tex te qu'un homme est


ISSUU Version For perusal only Free

409

A tempo

68

Trumpet in C p

pp

5

loco Percussion 1 (Vib)

Percussion 2. (G.T)

loco

3

5

3

Keyboard 1. (Hyper- vib "a")

5

3

Keyboard 2. (Hyper- vib "a")

3

3

dolcissimo più libero pp 3

5

3

Martha mort,

vous ne pou vez

vous dé ro ber

au mo ment

Viola pp

Litolff/Peters

33785

j'al

lais

re ce voir

ce qui m'est dû

f


ISSUU Version For perusal only

410 71

Flute f

2 4

f p subito

Bass Clarinet

2 4

Trombone

2 4 f

2 4

Percussion 1 (Vib.) ff

loco

2 4

Keyboard 1. (Hyper- vib "a") f

2 4 Keyboard 2. (Hyper- vib "a")

2 4

p murmurando

2 4

Martha m'est

dû.

Ce

qui

m'est

dû.

Ce

qui

susurrato

2 4

Mère Trop

tard .

Je

ne

peux

plus

rien

pour

toi

est-ce que

tu pleures

Mar

tha?

2 4

Vln. f

f

Viola

2 4

Vlc.

2 4 f

2 4

Cb. f

Litolff/Peters

p subito

33785


73

parlando

ISSUU Version For perusal only vib. lento

2 4

Flute

gliss. f

Percussion 1

2 4

Keyboard 1. (Hyper- vib "a")

2 4

411

f

2 4 Piano

2 4 parlando Martha

vib. lento

2 4

gliss. m'est

du.

5

5

Mère

2 4 Non

Viola

tu

ne

sau

rais

pas.

2 4 ppp

Cb.

2 4 pp

Litolff/Peters

33785

p


ISSUU Version For perusal only

412

XVI: e-Monologue "Martha"

1 Senza tempo q = 60 ca. p espr. Piano

Martha sings, changing the colour of the "d", changing vowels.

pp

ppp

Martha (o)

(e)

(a)

(ae)

(ü)

(e)

(e)

TAPE 19 ("E-monologue Martha") Non! Je n'avais pas à veiller sur mon frère,

TAPE 19

et pourtant me voilà exilée

ma mère, elle-même,

dans mon propre pays;

5

Pno.

pp

sf p

pp

(a)

(i

Martha (e)

u)

(e)

(ae)

Le voilà qui a obtenu maintenant ce qu'il voulait.

m'a rejetée.

Je le hais,

je le hais...

TAPE 19

9

Pno.

dim. al niente

vib. molto Martha (u)

(a)

(o)

(e)

(i)

(ü)

(e)

pour avoir obtenu ce qu'il voulait!

(a)

Qu'elle meure donc, puisque

(e)

je ne suis pas aimée!

TAPE 19

Litolff/Peters

33785


ISSUU Version For perusal only XVII: Interlude 5 "Martha"

413

1 Suspended* q = 40 - 48 (click track) Bass Clarinet pp

Bass Saxophone mp

ppp

sfz

Vibraphone *2

Percussion 1

p

mf

pp

pp 1/2 Pedal ad lib.

Marimba *2

mp

ppp

mp

ppp

mp

ppp

Percussion 2

mf p

p

mf p

mf

p

mf

mf

p

p

fp

f

9- Hyper-clarinet Keyboard mp

f

mf

TAPE 20 "Doppelgänger 3"

ff

(click track)

TAPE 20

pizz. Violoncello ff

f

p

pp cresc.

ff

mf

arco Double Bass mf f mp *1 Each voice plays very clearly its own pattern with individual dynamics and articulations. *2 Accentuated notes with medium mallets, nonaccentuated notes with soft mallets.

Litolff/Peters

33785

p

pp


ISSUU Version For perusal only

414 4

Bass Cl.

mf

Bass Sax.

p

Perc. 1 (Vib.)

pp

mf

f

p

p

pp

p

p

mf

mf

mf

p

f

f

Perc. 2 (Mba.)

mf

p

pp

p

pp

pp

Kbd. 1 (Hyper-clarinet) pp

p

mp

TAPE 20

Vc. pp

dim.

mf

Cb. mf

Litolff/Peters

mp

pp

33785

pp


ISSUU Version For perusal only

7

Bass Cl.

415

pp

Bass Sax. f

mf pp

Perc. 1 (Vib.)

mf

p

f

( ) pp

f

mf

p

pp

p

( ) pp

p

f

pp

Perc. 2 (Mba.)

mf

Kbd. 1 (Hyper-clarinet)

mf

p

p

p

pp

mf f

pp

f

TAPE 20

Vc. pp

Cb. ff pp

Litolff/Peters

mf

p

33785

pp


ISSUU Version For perusal only

416 10

2

Bass Sax.

f

. Tbn. pp

f

Perc. 1 (Vib.) ( )

pp

sf

p

Perc. 2 (Mba.)

Kbd. 1 (Hyper-clarinet)

Pno wild, unexpected

staccatissimo metallico

7

6

(

)

6

(

ff

)(

) fff

TAPE 20 pp

fff

Vc.

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

11

Bass Sax.

417

ff

. Tbn. f

sf pp

mp Perc. 1 (Vib.)

pp

sf pp

Perc. 2 (Mba.)

pp

Kbd. 1 (Hyper-clarinet)

Pno 3

3

ff

6

3

loco

3

fff

secco

TAPE 20 pp

ff

Vc.

Cb. ff p

Litolff/Peters

33785


ISSUU Version For perusal only

418 12

Bass Sax.

. Tbn.

pp

p

f

Perc. 1 (Vib.)

piú f p

sf

Perc. 2 (Mba.)

p

pp ff

pp

pp

Kbd. 1 (Hyper-clarinet) ff

Pno martellato 6

6

3

5:4

5:4

l.v. ( )

loco

f

fff

TAPE 20 fff

Vc.

Cb.

Litolff/Peters

33785

( )


13

3

ISSUU Version For perusal only

419

Playing the individual dynamics within the general cresc.

Bass Cl. p cresc.

sf

pp

Playing the individual dynamics within the general cresc. Bass Sax. p cresc.

p

quasi f

Playing the individual dynamics within the general cresc. Hn. p cresc.

Playing the individual dynamics within the general cresc. (open) Tpt. p

Playing the individual dynamics within the general cresc. . Tbn. p cresc.

12- E-Bass Playing the individual dynamics within the general cresc.

p cresc.

Kbd. 1 (E- Bass)

pp

Playing the individual dynamics within the general cresc.

p cresc.

ff

ff

ff

Playing the individual dynamics within the general cresc.

sf

p

pp

Pno

TAPE 20

Playing the individual dynamics within the general cresc. pizz. Vla. p

mp

f

p

Playing the individual dynamics within the general cresc. arco Vc. p

sf

Playing the individual dynamics within the general cresc. Cb. p

Litolff/Peters

33785

p

cresc.


420 16

ISSUU Version For perusal only vib.

Bass Cl. ( f ) cresc.

( ff) cresc.

sf

pp

Bass Sax. ( ff ) cresc.

( f ) cresc.

Hn. ( ff) cresc.

Tpt. ( ff) cresc.

( f ) cresc.

. Tbn. ( f ) cresc. ( ff) cresc.

ff

( f ) cresc. ( ff) cresc.

Kbd. 1 (E-Bass) ( f ) cresc.

p

ff

( f ) cresc.

( ff) cresc.

ff

Pno

( f ) cresc.

( ff) cresc.

piú f

TAPE 20 pp

Vla. ( f ) cresc.

( ff) cresc.

Vc. ( f ) cresc.

( ff) cresc.

fp

Cb. ( f ) cresc.

Litolff/Peters

f

( ff) cresc.

33785

ff


ISSUU Version For perusal only

4 Maximum intensity, as a

421

massive explosion of energy 18

3

Martha acts like a witch, as if she were provocating the impulses of the music.

Bass Cl. ff

7:4 3

Bass Sax. ff

pp

ff

3

Hn. sf p

p

7:8

. Tbn. p

f

sf

l.v.

f

Vib.

Perc. 1

Cymbals

pp

ff

3

or Perc. 2 (Mba.)

ff

f

mf

10- Hyper-winds

mp

Kbd. 1

mf

ff

(Hyper-winds)

3

f

ff

pp

mf

pp sub.

f Pno

TAPE 20 f

pp

pizz.

pizz. (ord.)

arco

Vla. f

ff

p

f

Vc. sf pp

f

pizz.

arco

Cb. sf f

Litolff/Peters

33785

ff

pp

f


ISSUU Version For perusal only

422 19

Bass Cl.

3

3

f cresc.

Bass Sax. f

pp sub.

mf cresc.

5:4

Hn. pp sub

f

mf straight mute

sf p sub. 5:4

Tpt. f

mf 9:8

. Tbn. ff

mf

p

f

p

Perc. 1 (Vib.)

l.v. pp

ff 5:4

Perc. 2 (Mba.)

p sub.

f

f marcato

5:4

5:4

mf Kbd. 1

f

(Hyper-winds)

ff secco

mf Pno

f

3:2

3

f

mf

f

TAPE 20 fff

pizz.

arco

vib.

Vla. f

p

f

f

vib. Vc.

pizz.

3

arco

3

pizz.

Cb. pp

Litolff/Peters

f

33785

pp

f


20

3

3

ISSUU Version For perusal only

3

Bass Cl.

423

ff 5:4

7:4

3

3

3

Bass Sax. f pp 3

5:3

3

3

3

Hn. 3

sf pp

f

p sub.

f

p

f 9:8

. Tbn. f

( ) l.v.

Perc. 1

mf ( p

ff

)

ff 3 3

7:8

5:4

3

Perc. 2 (Mba.) f

f

ff

f

Kbd. 1

(Hyper-winds)

Pno

f

f

TAPE 20 ff

pizz.

arco

Vla. p

vib. Vc. sf p

f s.p arco

metallico

Cb. ff

f

Litolff/Peters

33785


ISSUU Version For perusal only

424

3

21

3

5:3

Bass Cl.

p

mf

3

3

ff

Bass Sax. f

p

ff

mf

p

Hn.

p

p

f

f straight mute

Tpt. sf p 5:4

. Tbn. ff

ff

sf p

Perc. 1 l.v. ( fff

) p

9:8

Perc. 2 (Mba.) sf p

ff

3

3

Kbd. 1

pp

f

5:4

(Hyper-winds) mp

p

f 9:8

9:8

9:8

) Pno ( ) f

f

TAPE 20 ppp

fff

p sub.

Vla.

Vc. sf p

Cb. 3

Litolff/Peters

f

sf p

33785

3

3

ff

ppp


ISSUU Version For perusal only

5:4

425

5:4

22

Bass Cl.

f 9:8

5:4

Bass Sax. f p 5:4

Hn. mf

mf

ff

mf

3

Tpt. f

. Tbn. ff

Perc. 1 p

l.v. ( p

f

)

fff 3

3

hard mallets Perc. 2 (Mba.)

ff

p

ff

3

Kbd. 1

mf cresc.

f

(Hyper-winds)

5:3

pp

Pno

f

p

TAPE 20 pp

ppp

pizz. Vla. f vib.

vib.

mf

p

Vc.

3

3

3

pizz

arco

Cb. mf

Litolff/Peters

ff

pp

33785


ISSUU Version For perusal only

426 23

Bass Cl. (f)

p sub. 7:4

Bass Sax. ff

Hn. ff

p

3

5:4

9:8

Tpt. f p

f

sf p

p

mf

. Tbn.

Perc. 1 (Vib.) pp

Perc. 2 (Mba.) f

f poco cresc.

p

Kbd. 1

ff

(Hyper-winds)

f

3

ff

sf

Pno

sf

ff

sf

sf

p

ff

ff

sf 6

sf pp

f

3

ff sub.

TAPE 20 fff

pizz. Vla. poco

sf

sim.

sul pont.

vib.

6

Vc. pp pizz. Cb. ff

Litolff/Peters

ff

33785

3

3


ISSUU Version For perusal only

427

8:6

24

Bass Cl. f

ff

Bass Sax.

Hn.

3

Tpt. mf

f

. Tbn. pp

ff

vib. Perc. 1 (Vib.)

( ) ff

Perc. 2 (Mba.)

p Kbd. 1

(Hyper-winds)

3

3

f ff

f 3

f cresc. Pno

3

3

3

7:4

f cresc.

5:4

mf

TAPE 20

Vla.

ord. vib. Vc. ff

ff

p 5:4

(pizz.)

7:4

Cb. ff

Litolff/Peters

33785

p


ISSUU Version For perusal only

428

leggero

5:4

25

Bass Cl.

f

5:4

5:4

ff

f

3

Bass Sax. p cresc. f

Hn.

6

Tpt. p

. Tbn. ff

ff

Perc. 1 (Vib.)

fp

l.v. p

ff

Perc. 2 (Mba.)

5:3

f

7:8

mp

Kbd. 1

(Hyper-winds)

9:8

f

pp

p

ff 3

f

marc.

Pno

3

3

p

ff

TAPE 20

arco Vla. ff

ff vib.

Vc.

arco

senza vib.

Cb. mp

Litolff/Peters

mf

f p

f

33785


ISSUU Version For perusal only

26

3

Bass Cl. f

f

429 3

9:8

3

5 4

p sub.

pp

3

5 4

Bass Sax. sf p

ff

3

5:4

5 4

Hn. ff flatt.

5 4

Tpt. (

p

f )

5 4

. Tbn. ff

p

p

f

5 4 Perc. 1 (Vib.)

pp

5 4

p

ff

14:12

5 4

Perc. 2 (Mba.) f

p

f

3

5 4 p

f

Kbd. 1

f

f

f

(Hyper-winds) 5:4

f

5 4 ff

5 4 f marc. sempre

Pno 3

5 4 sff

5 4

TAPE 20 ppp

5 4

Vla. fp sul pont.

pp

all tall.

3

Vc. pp

f

5 4

Cb. f

Litolff/Peters

5 4

f

p

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ISSUU Version For perusal only

430 27

Bass Cl.

3

3

5 4

3

f

4 4

p sub.

7:8

Bass Sax.

Muta in Bb. Cl.

3

5 4

4 4

f

f 3

Hn.

5 4

4 4 f

Tpt.

5 4

4 4 f

. Tbn.

f

mp

mf

5 4

4 4

5 4

4 4 f

Perc. 1 (Vib.)

l.v.

5 4

4 4 p 5:4

Perc. 2 (Mba.)

9:6

5 4

4 4 p

f

f

mf

Hyperclarinet

7:8

7:8

7:4

5 4

4 4

f

Kbd. 1

(Hyper-winds)

3

5 4

7:8

5 4

3

3

3

3

4 4

3

4 4 ff

ff

Pno

TAPE 20

f

f

5 4

4 4

5 4

4 4 fff

pizz. Vla.

5 4

4 4 f marcato pizz.

3

Vc.

5:3

5 4

4 4 sf pp

Cb.

3

5 4 sf p

Litolff/Peters

3

4 4 p

p

33785


431

5 With inner restlessness

28

Fl.

ISSUU Version For perusal only

4 4 p

p

pp

sim.

pp

Bb. Clarinet

Cl.

4 4 pp

Bass Sax.

Hn.

3

4 4

3

3

3

7:4

7:4

4 4

pp

p

p sub.

3

7:4

7:4

p

3

mf

mute

7:4

7:4

p

pp

mf

Harmon mute or wa-wa mute closed Tpt.

5:4

4 4

5:4

5:4

p

5:4

5:4

5:4

pp

pp

f

Harmon mute or wa-wa mute closed 7:4

. Tbn.

7:4

p

Vibraphone Perc. 1

7:4

4 4

7

7:4

7:4

7:4

pp

mf

pp

soft mallets

4 4 ped. pp soft mallets

Marimba Perc. 2

4 4 pp

9- Hyper-clarinet Kbd. 1

3

3

5:4

5:4

4 4

3

3

(Hyper-clar) 9- Hyper-clarinet Kbd 2.

5:4

4 4

5:4

5:4

p

TAPE 20

5:4

5:4

pp

p

4 4 bar 30-end TAPE always alternating p-pp-ppp-pppp

s.t Vln. I

4 4 pp

p

f

pizz. Vla.

4 4

arco

5:4

p

5:4

5:4

5:4

5:4

5:4

5:4

5:4

p

pp

5:4

5:4

5:4

5:4

p

pp

pp

ord. Vc.

7:4

4 4 sf p 3

Cb.

f sul tasto

7

sf p 3

3

3

7:4

f

sf p 3

3

3

3

4 4 p sub.

Litolff/Peters

7:4

pp

mf

33785

s.t


ISSUU Version For perusal only

432 31

Fl. pp

mf

f

mf

p

Cl. pp

p

mf

3

3

pp

p

f

mf

p

pp

3

pp

3

3

3

3

Bass Sax.

7:4

mf 7:4

7:4

f

mf

7:4

7:4

p 7:4

Hn. f

mf

p

5:4

f

mf

5:4

5:4

5:4

pp

5:4

5:4

Tpt. mf

f 7:4

7:4

7:4

7:4

p 7:4

7:4

7:4

. Tbn. f

mf

f

p

p

pp

Perc. 1 (Vib.)

Perc. 2 (Mba.)

3

3

3

3

3

3

Kbd. 1

(Hyper-clar) f

mf

5:4

5:4

p 5:4

5:4

mf 5:4

5:4

5:4

Kbd 2.

(Hyper-clar) mf

f

f

p

TAPE 20

vib.

ord. vib. Vln. I p

mf

mf

(arco sul tasto) 5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

Vla. sempre pp

7:4

pizz.

7:4

7:4

Vc. f

f

pp pizz.

ord. 3

3

3

3

3

3

3

Cb. pp

Litolff/Peters

p

mf

f

mf

33785

mp

pp

3


ISSUU Version For perusal only

34

Fl.

433

sim.

Cl. mf

p

pp

3

p cresc.

3

3

3

3

3

Bass Sax.

pp 7:4

7:4

7:4

7:4

ord.

7:4

7:4

Hn. ff

ppp

5:4

5:4

5:4

5:4

5:4

5:4

Tpt.

7:4

7:4

p

mf

7:4

7:4

7:4

7:4

7:4

7:4

. Tbn. pp

Perc. 1 (Vib.)

p

pp

p

f

p

Ped. pp

Perc. 2 (Mba.)

pp

3

3

3

3

3

3

3

Kbd. 1

(Hyper-clar) sf (mf)

sim.

5:4

5:4

5:4

5:4

5:4

5:4

Kbd 2.

(Hyper-clar) sf pp

pp sub.

sf

pp

TAPE 20

vib. Vln. I pp sub. 5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

5:4

3

3

3

Vla.

(pizz.)

7:4

7:4

Vc. p

f (pizz.) 3

3

3

3

3

3

3

3

3

Cb. pp

Litolff/Peters

p

mf

f

pp

33785

p

mf

f

pp


ISSUU Version For perusal only

434

6 Very calm

until the end, move progressively from ord. mode through half air - half sound to "almost only breathing" sound.

37

Fl.

sfpppp sub. sim.

sfppp sub. sim.

Cl. f

sfpppp sub.

3

3

3

3

sfppp sub.

3

sim.

3

3

3

3

3

Bass Sax. sfppp sub.

sim.

sfpppp sub.

until the end, move progressively from ord. mode through half air - half sound to "almost only breathing" sound. 7:4

7:4

7:4

7:4

7:4

7:4

sim.

Hn. sfpppp sub.

5:4

5:4

sim.

sfpp sub.

sim.

wa-wa mute closed Harmon mute or

5:4

5:4

5:4

Tpt. sfpp sub. Harmon mute or wa-wa mute closed

sfpppp sub. 7:4

7:4

7:4

7:4

. Tbn. mf

f

mf

sfpppp sub.

5:4

Kbd. 1

sfpppp sub.

loco

(Hyper-clar)

5:4

5:4

5:4

3

5:4

5:4

sim.

sim.

3

5:4

5:4

3

3

sfppp sub. (ord.) 5:4

5:4

sf

Kbd 2.

(Hyper-clar)

pp

ppp

5:4

sfpppp sub.

5:4

5:4

5:4

sfppp sub.

sim.

TAPE 20

(ord.) Vln. I sf 5:4

pp

p

sfpppp sub.

pp

sfppp sub. ord.

5:4

5:4

5:4

7:4

7:4

7:4

7:4

Vla. sfpppp sub. arco ord. 7:4

3

3

sim.

sfppp sub.

3

3

sim. 3

Vc. sfpppp sub. 3

3

3

sfppp sub.

sim.

Principal voice, independent arco ord.

Cb. mf

Litolff/Peters

f

sfppp sub.

sim.

33785

sim.


ISSUU Version For perusal only

40

Fl. sfpp sub.

sfp sub.

sim.

435

sfmp sub.

sim.

sim.

Cl. sfpp sub.

sfp sub.

sim. 3

3

3

sfmp sub.

sim.

3

3

3

3

3

3

sim.

Bass Sax. sfpp sub.

sim.

sfp sub.

7:4

7:4

sfmp sub.

sim.

7:4

sim.

7:4

7:4

7:4

Hn. sfpp sub.

sfp sub.

sim.

5:4

sfmp sub.

sim.

5:4

5:4

5:4

sim.

5:4

5:4

Tpt. sfp sub.

sfpp sub.

sim.

7:4

7:4

sim.

7:4

7:4

. Tbn. sfpp sub. rubbing softly with superball

Piatto

sfmp sub.

sim. l.v.

Perc. 2

( p

(

)

)

senza dim.

dita: rubbing very softly with the fingertip, producing a continuous sound.

G.C. Perc. 2

p

5:4

5:4

5:4

5:4

3

5:4

5:4

sfpp sub.

Kbd. 1

(Hyper-clar)

senza dim.

5:4

5:4

5:4

sfp sub. 3

sim.

3

3

3

sim.

sim. 5:4

Kbd 2.

5:4

sfmp sub. 3

3

5:4

5:4

5:4

5:4

5:4

sfp sub.

sim.

5:4

5:4

5:4

5:4

sfmp sub.

sim.

(Hyper-clar)

sfpp sub.

sim.

TAPE 20

Vln. I sfpp sub. p

sfp sub. 7:4

7:4

7:4

sfmp sub.

sim. 7:4

7:4

7:4

Vla. sfpp sub.

sfp sub.

sim.

3

3

3

3

sim. 3

3

3

sfmp sub.

sim.

3

3

Vc. sfpp sub.

sfp sub.

sim.

sfmp sub.

sim.

sim.

Scordatura (C string to Bb) Cb. sfpp sub.

Litolff/Peters

33785

sfp sub.

sfmp sub.

sim.


ISSUU Version For perusal only

436 43

Fl. sfmf sub.

sf f sub.

sim.

sf ff sub. sim.

sim.

Cl. sfmf sub.

6:4

6:4

6:4

sf f sub.

sf ff sub.

sim. 6:4

6:4

6:4

sim.

6:4

6:4

6:4

Bass Sax. sfmf sub.

sf f sub.

sim.

7:4

sim.

sf ff sub.

7:4

7:4

7:4

sim.

7:4

7

7:4

Hn. sfmf sub.

sf f sub.

sim.

5:4

5:4

5:4

sf ff sub.

sim.

sim. 5:4

5:4

Tpt. sfmf sub.

sf f sub.

sf ff sub. 7:4

7:4

. Tbn. sf f sub.

sfmf sub.

l.v. Perc. 2

(Ptto)

)

( pp sub.

Perc. 2

(Bss dr.)

6:4

6:4

5:4

5:4

sfmf sub.

5:4

5:4

5:4

6:4

5:4

5:4

sfmf sub.

5:4

5:4

5:4

5:4

sf ff sub.

sf f sub.

sim.

5:4

5:4

5:4

5:4

5:4

6:4

sim.

5:4

sf f sub.

sim. 5:4

Kbd 2.

6:4

6:4

sim.

Kbd. 1

(Hyper-clar)

6:4

5:4

sf ff sub.

sim.

(Hyper-clar)

TAPE 20

Vln. I sfmf sub.

sf f sub.

7:4

sim. 7:4

7:4

7:4

7:4

7:4

Vla. sfmf sub. 3

sf f sub.

sim. 3

3

3

sf ff sub.

sim. 3

3

3

sim. 3

Vc. sfmf sub.

sim.

sf f sub.

sim.

sf ff sub.

sim.

Cb. sf f sub.

Litolff/Peters

33785

sf ff sub.

sim.


ISSUU Version For perusal only

46

Fl. sf fff sub.

437 6-8"

ffff

sim.

6-8" Cl. sf fff

3

sub.

ffff

3

3

6-8"

Bass Sax. sf fff sub.

ffff

sim.

7:4

7:4

7:4

6-8"

Hn. sf fff sub.

ffff

sim.

5:4

6-8" Tpt. sf fff sub.

ffff 6-8"

. Tbn. ffff 6-8" l.v. Perc. 2

(

pp

(Ptto)

) dita 6-8"

Perc. 2

(Bss dr.) ffff

Kbd. 1

(Hyper-clar)

6-8"

3

3

5:4

5:4

6-8"

5:4

5:4

sf fff 5:4

sub.

5:4

6-8"

sf fff

Kbd 2.

ffff 6-8"

sub.

(Hyper-clar)

TAPE 20

6-8" Vln. I sf fff sub.

ffff

7:4

7:4

6-8" Vla. sim.

sf fff sub. 3

3

ffff

3

3

6-8"

Vc. sf fff

sim. sub.

ffff 6-8"

Cb. ffff

sf fff sub.

Litolff/Peters

33785

o


ISSUU Version For perusal only

438

XVIII: Scene 12 Maria-Martha

1 q = 76-66 quasi Recitative Flute

4 4 p

Clarinet in Bb

4 4 p colla parte 5

Horn in F

4 4 p

Trumpet in C

f

4 4 f

Vibraphone Percussion 1. (Vib.)

4 4

mf Percussion 2. (G.C)

Gran Cassa

4 4

4 4 mf

f Piano

4 4 mf

f

f Martha

3

4 4

On ne re çoit plus de cli ents.

Qui est là?

f Maria

3

3

5

Qui est vo tre ma ri?

3

4 4 Une vo ya geu

se.

Je viens re join dre

mon ma

ri.

Il

1 q = 76-66 quasi Recitative pizz Violin I

4 4 f pizz colla parte

Violoncello

4 4 f

Litolff/Peters

5

33785


ISSUU Version For perusal only

439

7

4

Fl. f

f

Cl. p

sord Harmon C Tpt. f

p

7

Perc 1. (Vib)

Perc 2. (C.G)

f

Pno.

p

3

Martha Vo

tre

ma 3

3

3

3

3

Maria est

a

rri

vé i

ci

hi er

et de vait

me re join

TAPE 22

TAPE 23

Litolff/Peters

33785

dre

ce ma tin

ri

n'est

plus

i ci.


ISSUU Version For perusal only

440

3 3

7

Fl. pp 3

Cl. pp

3

3

3

secco

Perc 1. (Vib)

Tom tom Perc 2. (C.G)

p

Pno. 3

3

3

Martha vo

tre

ri

n'est

plus

3

3

3

3

ma

Maria Que dites vous

là?

N'a

t–il

pas

pris

une

cham bre

sord Vln. ppp

sord Vla. ppp colla parte vib Vc. ppp

Litolff/Peters

f

33785

chez

vous?

i

ci.


ISSUU Version For perusal only

441

3

10

Fl. 3

3

Cl.

3

3

Perc 1. (Vib) p dim.

Perc 2. (C.G)

p dim.

p dim.

Pno.

3

3

Martha Il

a

vait

pris

une

cham

bre,

mais il

Vln.

Vla.

vib. espr. Vc. 3

Litolff/Peters

33785

l'a quit tée

dans la

nuit.


ISSUU Version For perusal only

442

flatt

12

Fl.

pp

ff

sordina wah-wah

3

C Tpt. pp

f

pp

f

Perc 1. f

(Vib)

Perc 2. (C.G)

f Pno.

f

3

vib.

3

3

Martha

5

3

3

Maria Je

ne

puis

le

croire,

mais

vo

tre

ton

m'in quiè

Vln. p

Vla.

espr Vc. f

Litolff/Peters

33785

te.

Dites


ISSUU Version For perusal only

14

443

Fl. p

pp

p

pp

pp

pp

Cl.

Bass Sax.

senza sord. C Tpt. f

Perc 1. (Vib)

f

Perc 2. (C.G)

f Pno. mf sub.

f

mp sub

3

Martha Je

poco gliss.

n'ai

rien

à vous dire,

si

non

mp

3

Maria moi

ce que vous a vez

à

me

dire.

Vo

Vln. p

Vla. p sord. Vc. fp

Litolff/Peters

p

33785

tre


ISSUU Version For perusal only

444

3

16

Fl.

ff

3

Perc 1. (Vib)

p 1-Hyper-vib "a"

Kbd 1. (Hyper-vib "a") 3

f Pno.

f

f cresc

3

5

3

Martha que

vo

tre

ma

ri

n'est

plus

là.

3

cresc

Il

f

3

Maria ton

m'in quiè

te.

Dites

Vln.

Vla.

Vc.

Litolff/Peters

33785

moi.

nous

a

quit

tées


ISSUU Version For perusal only

18

Fl.

445

p

Cl. p

sordina Harmon C Tpt. p

Perc 1. (Vib)

f

Perc 2. (C.G)

3

Kbd 1. (Hyper vib "a")

f Pno.

Martha dé

fi

ni

tive ment.

n. ribat. . . . . . . . . . .. . . .

3

Maria É

cou

tez...

L'homme

Vln.

Vla.

Vc.

Litolff/Peters

33785

qui

est

a

rri


ISSUU Version For perusal only

446 20

Fl.

Cl.

C Tpt.

Perc 2. (C.G)

3

3

Kbd 1. (Hyper vib "a")

p sub Pno.

She breaths deeply

3

3

3

3

3

Maria chez vous,

hier

ma

tin,

est

le

frère

dont

Vln.

Vla.

Vc.

Litolff/Peters

33785

vous n'en

ten

diez

plus par

ler

de puis


ISSUU Version For perusal only

24

Fl. p

447

Cl. p

C Tpt. p 3

hard sticks Perc 1. (Vib)

3

f cresc 3

3

Glsp Perc 2. (Glsp)

f cresc 3

3

f cresc

3

Kbd 1. (Hyper- vib "a")

3

3

Pno.

5

3

3

f cresc

3

Martha ossia.

ossia.

Vous ne m'ap pre nez rien.

Sprechg. 3

Maria looks at her intensively.

mf

3

3

Maria des

an

nées.

Mais

a

lors,

Vln.

Vla.

Vc.

Litolff/Peters

33785

qu'est

il

donc


448

ISSUU Version For perusal only

3

26

3

Perc 1. (Vib)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Perc 2. (Glsp)

3

Kbd 1. (Hyper vib "a")

3

3

ff

ff

3

3

fff Pno. 3

3

3

3

5

Martha ossia.

ossia.

3

3

5

3

3

3

3

Maria a

rri

vé?

Pour quoi vo tre

3

28

frère

3

n'est

pas

3

Perc 1. (Vib) 3

3

(Glsp)

3

3

Kbd 1.

il

pas

2 Cold q = 88-104 2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

3

Perc 2.

3

n'est

3

3

3

(Hyper-vib a")

Pno.

3

3

Martha ossia. 3

gliss.

Maria dans

Litolff/Peters

cette

mai

son?

33785


ISSUU Version For perusal only

30

Fl.

4 4

449

pp

Cl.

4 4 pp staccatissimo

f

sord. Hrn.

4 4 pp sord. Harmon.

Tbn.

4 4 pp

Piatto Perc 1.

4 4 Piatto

Perc 2.

4 4 pp

7- Mixturen

4 4 pp

Kbd 1. (Hyper- vib "a")

stacc.

4 4 p

15- Silben

4 4 Kbd 2. (Silben)

loco

4 4 pp

mp Martha

4 4 Vo

tre

ma

ri

n'est plus

parce

qu'il

est

mort

est

mort.

3

Maria

4 4 Vous

plai

arco senza sord. 3

pizz Vln.

4 4 pp

Vla.

pp

pizz

4 4 pp pizz

Cb.

4 4 pp

Litolff/Peters

33785

san

tez


ISSUU Version For perusal only

450 32

Hrn.

Tbn.

Perc 1. (Piatto)

Perc 2. (Piatto)

Kbd 1. (Mixturen)

Kbd 2. (Silben)

Martha est

mort,

est

3

Maria n'est

-ce-

pas?

Jan

m'a

sou

pizz. Vln. f

Vla. più f

f

Cb.

Litolff/Peters

33785

vent


ISSUU Version For perusal only

3

33

Fl. ff

451

ff

Hrn.

Tbn.

Perc 1. (Piatto)

Perc 2. (Piatto)

Kbd 1. (Mixturen)

Kbd 2. (Silben)

Martha mort.

est mort

3

3

Maria dit

que,

pe

tite

fille,

jà,

vous vous plai siez

pizz. Vla. f

Cb.

Litolff/Peters

33785

à dé con cer ter.

Nous

sommes


ISSUU Version For perusal only

452

36

Fl. ff

ff

Hrn.

Tbn.

Perc 1. (Piatto)

Perc 2. (Piatto)

Kbd 1. (Mixturen)

Kbd 2. (Silben)

3

3

3

Martha Ne me tou chez pas.

Res

tez

à votre place.

Il n'y–a rien

de com mun

en tre nous

Maria pres que sœurs

Nous sommes pres que sœurs

et

pizz. Vln. mf

Cb.

Litolff/Peters

33785

Noussommes pres

que

sœurs,

con


ISSUU Version For perusal only 3

3 Più lento q = 60

39

3

Fl.

453 Muta in Picc.

pp 3

3

Cl.

pp

Slow 3

3

gliss.

Bass Sax. pp

pp

3

3

3

3

3

3

Hrn. pp f C Tpt. pp gliss.

Tbn. pp

(Piatto) Perc 1. f

ff

Perc 2. (Piatto)

f

Kbd 1. (Mixturen)

f

Kbd 2. (Silben)

p more calm

Slow

3

3

pp

gliss.

Martha Vo

tre

ma

ri

est

mort

cette

vib. molto

Slow

nuit,

ff Maria cer

ter.

3

3 Più lento q = 60

3

gliss.

Vln.

p

pp Slow

gliss.

Vla.

pp Slow Vc.

pp Cb. f

Litolff/Peters

33785

gliss.


ISSUU Version For perusal only

4 q = 88

454

Solo, exclamating 42

sprechg.

3

3

3

Martha ce

la

n'est

pas

une

plai

san

te

rie.

43

Picc. f

Perc 1. (Piatto)

p

f

pp cresc molto

Perc 2. (Piatto)

pp cresc molto

pp cresc molto

Kbd 1. (Mixturen)

loco

pp cresc molto

Kbd 2. (Silben)

ord.

3

3

Sprechg.

Martha vous n'a vez

plus rien que faire 3i

ci. 3

gliss.

Maria Mais vous êtes fol

le,

fol

pizz. Vln. f

p

pp cresc molto

pizz. Vc. pp cresc molto

pizz. Cb. pp cresc molto

Litolff/Peters

33785

le

à

lier!

Où est il?

Faites


ISSUU Version For perusal only

455

46

2 4

Picc.

12 8

p sub

ff

l.v.

2 4

Perc 1.

12 8 l.v.

Perc 2.

2 4

12 8

2 4

12 8

2 4

12 8

Kbd 1. (Mixturen)

ff

Kbd 2. (Silben)

2 4

12 8 ff

ff

gliss. Maria que

je

le

Vln.

2 4

12 8

2 4

12 8

voie!

ff

Vc.

2 4

12 8

Cb.

2 4

12 8 ff

Litolff/Peters

33785


ISSUU Version For perusal only

456

q = q. = 138-152 Tribal, wild

5

leggero, plastic 48

Picc.

Bass Cl.

12 8 sf (mf)

p

sf

p

sf (mf)

p

sf

p

12 8

colla parte C Tpt.

12 8 mf

Bg. hands with the hands Perc 1. (Piatto)

12 4 8 4 Conga Toms

Perc 2. (Piatto)

with the hands secco, leggero

12 8 sf

Kbd 1. (Mixturen)

simile

pp

sf

pp

sim.

12 4 8 4

2- Hyper-vib. "b" leggero, plastic Kbd 2. (Hyper-vib. "b")

12 8 sf

f Martha

wild

12 8 C'est

im

pos

si

ble.

Il

est

q = q. = 138-152 Tribal, wild

5

pizz Vln.

12 8 f

Litolff/Peters

33785

au

fond

de

la

ri

vière


ISSUU Version For perusal only

457

50

Picc. pp sub

Bass Cl. pp sub

C Tpt.

Perc 1. (B.G hands)

pp sub

Perc 2. (Conga Toms)

pp sub

Kbd 1. (Mixturen)

pp súb loco

Kbd 2. (Hyper-vib "b")

pp súb

Martha où

ma

mère

et

moi

l'a

vons

Vln.

Litolff/Peters

33785

por

té,

cette


ISSUU Version For perusal only

458

52

Picc.

Bass Cl.

Perc 1. (B.G hands)

Perc 2. (Conga Toms)

Kbd 1. (Mixturen)

Kbd 2. (Hyper-vib "b")

Martha nuit,

a

près

l'a

voir

en

dor

mi.

qui

suis

fol

4:6

Maria C'est moi

3

Vln.

arco Vla. f

Litolff/Peters

33785

le...

je

ne

suis

pas prête


ISSUU Version For perusal only

459

54

Picc.

Bass Cl.

Perc 1. (B.G hands)

4:6

4:6

Perc 2. (Conga Toms)

Kbd 1. (Mixturen)

Kbd 2. (Hyper-vib "b")

4:6

4:6

Maria à_en trer

dans

cette

men

ce!

4:6

Vla. f

Litolff/Peters

33785

Pour

quoi,


ISSUU Version For perusal only

460 56

Picc.

Bass Cl.

C Tpt.

Perc 1. (B.G hands) 4:6

Conga Toms

Perc 2. (B.G Conga) 4:6

4:6

6- Hyper bells

Kbd 1. (Hyper-bells")

Kbd 2. (Hyper-vib "b")

Martha Au nom

Maria pour

quoi_a

vez

vous

fait

ce

pizz. Vln.

Vla.

Litolff/Peters

33785

la?

de

quoi

me

ques

tion


ISSUU Version For perusal only

58

Picc.

461

Bass Cl.

C Tpt. p

f

Perc 1. (hands) 4:6

Perc 2. (Conga Toms)

Kbd 1. (Hyper-bells)

Piano

Kbd 2. (Hyper-vib "b")

sfp

Sprechgesang

ord.

Martha nez

vous?

Ha,

Ha,

qu'est–ce que

ce

mot

veut

dire

ha

4:6

Maria Au nom

de

l'a

mour!

pizz. Vln.

Vla. f

Litolff/Peters

33785

ha

ha

ha


ISSUU Version For perusal only

462 60

Picc.

Bass Cl.

Hrn.

C Tpt.

Perc 1. (B.G hands) 4:6

Perc 2. (Conga, Toms)

Kbd 1. (Hyper-bells)

Pno.

like a spasmodic laugh (ord.)

4:6

4:6

4:6

4:6

ff

vibr. intense

Martha ha

ha

ha

ha

ha

ha

ha

ha

ha

ha

ha

getting furious "out of herself" Maria Il

Vln. f

Vla. f

Litolff/Peters

33785

veut

dire

ce

lire


ISSUU Version For perusal only

463

62

Picc.

Bass Cl.

Hrn.

C Tpt.

Tbn. mf

Perc 1. (B.G hands)

4

Perc 2. (Conga Toms)

7-Mixturen

Kbd 1.

Pno.

Maria qui,

à

pré

sent,

me

chire

et

me

Vla.

Litolff/Peters

33785

mord!

N'é

tait

cette

in

cro


ISSUU Version For perusal only

464

64

Picc

9 8

Bass Cl.

9 8

Hrn.

9 8

C Tpt.

9 8

9 8

Perc 1. (B.G hands)

4

Perc 2.

9 8

(Conga, Toms)

93 84

Kbd 1. (Mixturen)

9 8 Pno.

9 8

9 8

Maria yance

Vla.

Litolff/Peters

en

tée

qui me

res

te

dans le

9 8

33785

cœur,


ISSUU Version For perusal only

465

67

Picc.

Muta in Bb.Cl. Bass Cl.

Hrn. f

C Tpt. f

Tbn.

Perc 1. (B.G hands) Perc 2. (Conga Toms)

Kbd 1. (Mixturen)

Maria vous

ap

pren

driez,

fol

le,

ord.

Vla.

Litolff/Peters

33785

ce

que

ce

mot veut

dire


ISSUU Version For perusal only

466 70

Picc.

2 4

Hrn.

2 4

C Tpt.

2 4 Timpani

2 4

Perc 1. (B.G hands)

pp

Perc 2. (Conga Toms)

2 4 6- Hyper-bells

2 4

Kbd 1. (Hyper-bells) gliss.

2 4

Maria en

sen tant

vo

tre

vi

sage

se

chi

rer

sous

mes

on

loco

loco Vln.

2 4

Vla.

2 4

73

Perc 1. (Timpani) Perc 2. (Conga Toms)

6 q = 88 2 4 4 4 ff

2 4

gliss. soft

gliss. soft

gliss. soft

Piatto

4 4 pp

cold, almost indiferent Sprechgesang, like susurrato, spoken f dim. sempre Martha

2 4

4 4 Vous par

Maria

2 4

lez

un

lan gage

que

je ne

com

prends

pas.

J'en tends mal les mots d'a mour,

4 4 gles!

Vln.

6 q = 88 2 4 4 4

half pressure

pppp ppp

pppp

pppp

pppp

half pressure Vla.

2 4

4 4 ppp

Litolff/Peters

pppp

ppp

33785

pppp


ISSUU Version For perusal only

467

7 q. = 138-144 Furious, civilized

77

Vib

gliss. soft

12 8

Perc 1. (Timb) Perc 2.

12 8

(Piatto) susurrato

12 8

Martha de joie

persuasive

ou de dou leur.

susurrato Maria

É

cou

ord.

4

12 8 tez,

ces sons

ce

jeu,

Vln.

7 q. = 138-144 Furious, civilized 12 8

Vla.

12 8

si c'en est

un.

Dites

4:6

80

Fl. f

p

pp

Vib Perc 1. (Tp) f

S. D Perc 2. (Piatto)

p

pp

1- Hyper-vib "a" Kbd 1. (Hyper-vib "a")

ord. 4:6

Martha Il

est dif

fi cile

d'ê

tre

plus clai

re

Maria moi,

bien claire

ment,

ce que je

veux

sa

voir

Vla.

Vc. p

Litolff/Peters

33785

pp

que je l'ai_é té.


ISSUU Version For perusal only

468 83

Fl. f sub

p sub

Hrn.

Tbn.

Piatto sim.

l.v.

Perc 2. (S.D)

Kbd 1. (Hyper-vib "a")

Pno.

4

4

Martha é

Nous a vons tu

vo tre ma

ri

cette

nuit,

pour lui pren

dre son ar

gent,

comme nous l'a

Vc. pp

86

Fl. pp

6 8

12 8

4 4

6 8

12 8

4 4

Bb. Cl.

Cl.

pppp

S.D 4

4

4

Perc 1. (Vib.)

4

4

6 8

4

4

12 8

4

4

4 4

Perc 2. (S.D)

6 8

12 8

4 4

Martha

6 8

12 8

4 4

vions fait dé jà

pour quel ques

vo

ya geurs

a vant

6 8

Maria

12 8 mère

Sa

lui.

et

4 4 sœur

sa

é taient

donc

des

cri

mi

Vln.

6 8

12 8

4 4

Vla.

6 8

12 8

4 4

12 8

4 4

f Vc.

Litolff/Peters

pp

6 8

33785


90

ISSUU Version For perusal only

q = 88

4 4

Fl.

469

3

2 2

2 4

2 2

p

3

4 4

Bass Cl.

2 4

Vib (S.D) Perc 1.

l.v.

4 4

2 4 Glsp

Perc 2.

Martha

l.v.

4 4

2 4

2 2

4 4

2 4

2 2

2 4

2 2

2 4

2 2

2 4

2 2

Oui

mp sub.

3

3

3

3

3

4 4

Maria

2 2

nelles?

A

viez

vous

ap pris

qu'il

é

tait

vo

tre frère?

q = 88

4 4

Vln.

ppppp

4 4

Vc.

8 Very calm h = 66

imperceptible entrance sord. whisper

94

C Tpt.

2 2 ppppp

Tbn.

imperceptible entrance sord. whisper

2 2 ppppp

Perc 1. (Vib)

Perc 2. (Glsp)

2 2 p

pp

ppp

p

pp

ppp

2 2

speaking, acting Martha

Vln.

Si vous voulez le savoir

2 2

8 Very calm h = 66 2 2 ppppp

Vla.

Il y a eu malentendu.

vous ne vous en étonnerez pas.

Et pour peu que vous connaissiez le monde,

sord. imperceptible entrance

ppppp

imperceptible entrance sord.

2 2 ppppp

Vc.

imperceptible entrance sord.

2 2 ppppp

Litolff/Peters

33785


ISSUU Version For perusal only

470

99

Cl.

4 4

C Tpt.

4 4

Tbn.

4 4

4 4

Perc 1. (Vib)

Perc 2. (Glsp)

4 4

Kbd 1. (Hyper-vib. "a")

4 4

Vln.

4 4

Vla.

4 4

Vc.

4 4

Litolff/Peters

33785


9 Free q = 132 104

Fl.

4 4

ISSUU Version For perusal only

471

fff

Cl.

4 4 fff

Hrn.

4 4 fff

C Tpt.

4 4 fff

Tbn.

4 4 fff

4 4 f

Kbd 1. (Hyper-vib. "a")

4 4

4 4 f

Pno.

4 4

Sprechg. 3

Maria

5

3

4 4 Oh, mon

Dieu!,

je

sa

vais

que cette co mé

die

ne

pou

ê

vait

9 Free q = 132 Vln.

4 4 fff

Vla.

4 4 fff

Vc.

4 4 fff

Litolff/Peters

33785

tre

que san glan te.


ISSUU Version For perusal only

472 108

3

3

Fl. fff

f

p

3

3

Cl. fff

f

p

3

3

Hrn. fff

f

p without sord

3

5

3

C Tpt. f

fff

f

p

3

sff

p

3

Tbn. fff

f

p

Kbd 1. (Hyper-vib. "a")

Pno.

ord.

Sprechg.

5:6

3

5

ord.

Il vou lait

se faire re con naî

tre

3

Maria Le

mal heur

é

(scratch / noise) without sord 3

tait dans ce

ciel.

de

3

Vln. fff (scratch / noise) without sord

f

p

3

5

3

sul pont.

Vla. fff

f

p

mf

(scratch / noise) without sord 3

3

Vc. fff

Litolff/Peters

f

p

33785

pppp


ISSUU Version For perusal only

112

473

3

Fl. sff

p

f 3

Cl. sff

p

f

3

Hrn. sff

p

f

sff

p

f

3

C Tpt.

without sord.

3

Tbn. sff

p

f

3

Kbd 1. (Hyper-vib. "a")

sff

p

f

sff

p

f

sff

p

f

sff

sff

f

3

3

1- Hyper-vib. "a"

Kbd 2. (Hyper-vib. "a")

7:4

3

sff

sff

3

3

3

Maria vous,

re trou ver sa mai son,

vous

ap

por

ter

le

bon

heur,

3

Vln. sff

p

f 3

Vla. sff

p

f 3

Vc. sff

Litolff/Peters

p

f

33785

mais

il

ne sa

vait


ISSUU Version For perusal only

474 115

simile

gliss.

Fl. f

p

mf

p

mf

p

mf

p

mf

p

mf

p

mf

gliss. Cl. f

gliss.

Bass Sax. f

gliss. Hrn. f

gliss.

f

gliss.

C Tpt.

Tbn. f

8- E-waterphone 1- Hyper vib "a"

gliss.

Kbd 1. (E-waterphone)

p

mf

p

mf

8- E-waterphone gliss.

Kbd 2. (E-waterphone)

Sprechg. exagerate the gliss. 5

ord.

Maria pas trou ver la pa ro

le

qu'il

fal

lait.

Et

pen

dant

qu'il

cher chait

ses

mots,

gliss. Vln. f

p

mf

p

mf

p

mf

gliss. Vla. f Vc. gliss. Cb. f

Litolff/Peters

p

33785


ISSUU Version For perusal only

119

475

Fl. f

sfff

f

sfff

Cl.

Bass Cl. f

Hrn. f

sfff

C Tpt. f

sfff

Tbn. f

sfff

Piatto with bow

arco

Perc 1. (Piatto)

pp

Piatto with bow

arco

Perc 2. (Piatto) pp

sfff

Kbd 2. (Hyper-vib. "a")

exclamate!

spoken

3

ord.

5:6

ê tre vo tre_or gueil, comme il

é

look at Martha, "out of herself"

5

Maria on

le

tu

ait!

Il

pou

vait

sul pont.

ord.

tait

le

mien.

ord. sul tasto

Vln. f

pp

sfff

pppp

Vla. f

sfff

f

sfff

Vc.

Litolff/Peters

33785


ISSUU Version For perusal only

476

123

Fl. p sub. dim.

Cl. p sub. dim.

Hrn. p sub. dim. C Tpt. p sub. dim.

Tbn. p sub. dim.

l.v. Perc 1.

l.v. Perc 2.

2- Hyper-vib. "b"

ppp sempre. Kbd 1. (Hyper-vib "b")

Kbd 2. (Hyper vib "a")

ppp sempre.

Exclamate, furious half susurrato/half spoken

susurrato, intense

6

5

Maria Mais, hé las,

vous é tiez son en ne mie,

vous

qui pou vez par ler

Vln. p sub. dim.

Vla. p sub. dim.

Vc. p sub. dim.

Litolff/Peters

33785

froide

ment

de ce qui de vrait


ISSUU Version For perusal only

126

477

3 4

Fl. pppp

3 4

Cl. pppp

3 4

Hrn. pppp

3 4

C Tpt. pppp

3 4

Tbn. pppp

Perc 2.

3 4 pp

pppp

3 4 ppp

Kbd 1. (Hyper-vib "b")

3 4

3 4 Kbd 2. (Hyper-vib "a")

3 4

3

3

3

3

3 4

Maria vous

je

ter

dans

la

rue

et

vous

ti

rer

des

cris

de

bête!

3 4

Vln. pppp

3 4

Vla. pppp

3 4

Vc. pppp

Litolff/Peters

33785


478

10 q = 104/108 128

Fl.

Cl.

Bass Sax.

Hrn.

C Tpt.

Tbn.

3 4

ISSUU Version For perusal only

sf p

p

sf f

p

sf p

p

sf f

p

sf f

p

sf f

p

sf f

p

sf f

p

3 4 3 4

3 4 3 4 sf p

p

sf p

p

3 4

Vib medium mallets Perc 1.

3

3 4 1- Hyper vib "a"

2-Hyper vib "b"

3 4 Kbd 1.

p

sf f

p

sf p

(Hyper-vib "a")

3 4

Piano

3 4 Kbd 2.

p

sf p

(Hyper-vib "a")

pf

p

3 4

spoken very expressive Martha

ord.

3

3 4 Ne ju gez de rien,

car vous ne sa vez

pas

À

tout.

l'heure

qu'il est,

ma mère

a

TAPE 21/a ("Noise 1") TAPE 21 ("Noise")

Vln.

Vla.

Vc.

Cb.

3 4 10 q = 104/108 3 4 sf p

p

sf p

p

sf f

p

sf f

p

sf f

p

sf f

p

3 4 3 4 3 4

Litolff/Peters

33785

re


ISSUU Version For perusal only

133

Fl.

479

sf p

p

Cl.

sf

p

sf p

p

sf

p

sf p

p

sf

p

sf p

p

sf

p

sf p

p

sf

p

sf p

p

Bass Sax.

Hrn.

C Tpt.

Tbn.

3

3

3

Perc 1. 5

Kbd 1. (Hyper-vib "b")

Pno.

sf

p

sf

p

sf

p

sf

p

3

3

Sprechg.

3

5

secco

On les dé cou vri

ra bien tôt

Martha joint son fils.

le

flot

com

mence

à

les ron

ger.

TAPE 21 ("Noise")

Vln. sf

p

sf p

p

sf

p

sf p

p

sf

p

sf p

p

sf

p

Vla.

Vc.

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

480 139

Fl. p senza dim. Cl. p senza dim. Bass Sax. p senza dim.

Hrn. p senza dim. C Tpt. p senza dim. Tbn. p senza dim.

GC Perc 2.

3

3

3

3

1- Hyper-vib. "a"

Kbd 1.

p senza dim.

(Hyper vib "a")

6- Hyper bells

Kbd 2.

p senza dim.

(Hyper-bells)

Sprechg.

ord.

Martha et

ils

se

re

trou ve ront

dans

la

TAPE 21/b ("Noise 2") TAPE 21 ("Noise")

Vln. p senza dim. Vla. p senza dim. Vc. p senza dim.

Litolff/Peters

33785

même

te

rre.


ISSUU Version For perusal only

144 11

481

12

Fl. fff

sf

Cl. fff

sf

fff

sf

fff

sf

fff

sf

fff

sf

Bass Sax.

Hrn.

C Tpt.

Tbn.

colla parte Perc 1. (Vib)

fff

2- Hyper-vib. "b"

Kbd 1. (Hyper-vib "b")

fff

Kbd 2. (Hyper- bells)

fff

Martha Moi aus si,

(micro)

fff

Maria Je

vous

en

tends

à

pei

ne.

TAPE 21 ("Noise")

11

12

Vln. fff

sf

fff

sf

Vla.

Vc. fff

Litolff/Peters

sf

33785

j'en ai

as

sez vu_et en

ten


ISSUU Version For perusal only

482 151

Fl. sf

distord. Cl. sf

fffff

sf

fffff

ppp

fff

ppp

fff

Bass Sax.

sf Hrn. fffff C Tpt. sf

fffff

Tbn. sf

fffff l.v.

Perc 1.

Perc 2. (GC) sfff

sf

Kbd 1. (Hyper vib "b")

sf

sf

Kbd 2. (Hyper bells)

sf

Sprechg.

spoken susurrato gliss.

3

3

Sprechg. 3

3

3

Martha du,

j'ai

ci

de mou

rir

à

mon tour.

Mais je ne veux pas

TAPE 21 ("Noise") scratch Vln. sf

fffff

Vla. sf

fffff

Vc. sf Cb. fffff

Litolff/Peters

33785

me

ler

à eux.


ISSUU Version For perusal only

483

colla parte 3

157

3

3

4 4

Fl.

1 4

f

4 4 3

colla parte 3

vib.

3

4 4

Cl. sf pp

ffff

sfff

ppp

ffff

sfff

p

ffff

sfff

4 4

1 4

4 4

4 4

1 4

4 4

1 4

4 4

ppp

Hrn. sf pp

p

ppp

colla parte 3

vib.

4 4

C Tpt. sf pp

ffff

sfff

ppp

3

f

4 4

Tbn. sf pp

4 4 3

f

Bass Sax. sf pp

1 4

sfff

ffff

p

4 4

1 4

4 4

ppp 3

3

3

1 4 3

3

4 4

Perc 1. (Vib)

3

6- Hyper- bells

4 4

1 4

4 4

sf pp

Kbd 1. (Hyper-bells)

ppp

4 4 ff

Kbd 2.

sfff

1 4

4 4

4 4

1 4

4 4

4 4

1 4

4 4

ppp

p

sf pp

(Hyper-bells)

sfff

ff Sprechg.

ord. 3

3

gliss.

ppp

p ord. p sub.

3

3

Martha Qu'ai je

à faire dans leur com pag nie?

Je

les lais

TAPE 21 ("Noise")

Vln. sf pp

ffff

sfff

p

sf pp

ffff

sfff

p

ffff

sfff

p

ffff

sfff

p

33785

à

4 4

re trou vée,

leur ten dres se

4 4

1 4

4 4

4 4

1 4

4 4

4 4

1 4

4 4

4 4

1 4

4 4

4 4

1 4

4 4

ppp

Cb. sf pp

se

3

ppp

Vc. sf pp

1 4

ppp

Vla.

Litolff/Peters

3

4 4

ppp


ISSUU Version For perusal only

484 163

Fl.

4 4

1 4

3 4

pppp

ppp senza cresc.

colla parte 3

Cl.

Bass Sax.

4 4

1 4

3 4

4 4

1 4

3 4

3

pppp

Hrn.

4 4

1 4

ppp senza cresc.

3 4 pppp

ppp senza cresc. sord. straight

C Tpt.

4 4

1 4

colla parte

3 4 pppp

Tbn.

4 4

1 4

3 4 pppp

ppp senza cresc.

Mar Perc 2.

4 4

1 4

3 4 1-Hyper vib "a"

4 4

1 4 ppp

Kbd 1. (Hyper bells)

3 4

p

4 4

pp

1 4

3 4 pp

ppp senza cresc.

2- Hyper vib "b"

4 4

1 4

3 4 pp

Kbd 2. (Hyper bells)

4 4

1 4

3 4 pp

parlando, Sprechg.

Martha

Vln.

3

4 4

1 4 à

TAPE 21 ("Noise")

ord.

susurrato

5

leur

ca

re

sses

obs cu res.

Ni

4 4

1 4

3 4

4 4

1 4

3 4

vous

ni

pppp

Vla.

4 4

1 4

4 4 4 4

ils

1 4

ppp senza cresc.

3 4

1 4

ppp senza cresc. arco

3 4 pppp

Litolff/Peters

n'y a vons plus de part,

3 4

pppp

Cb.

moi

ppp senza cresc.

pppp

Vc.

3

3 4

33785

nous

sont


ISSUU Version For perusal only

485

2-3''

168

Fl.

pp senza cresc.

ppp sub. 2-3''

Cl. pp senza cresc.

ppp sub. 2-3''

Bass Sax. pp senza cresc.

ppp sub.

2-3'' Hrn.

ppp sub.

2-3''

3

C Tpt. 2-3'' Tbn. pp senza cresc.

ppp sub. 2-3''

Vibraphone

Perc 1. ppp

2-3'' Perc 2. (Mar.)

ppp 2-3''

6- Hyper bells

ppp sub

Kbd 1. (Hyper vib "a")

2-3''

Pno.

pp senza cresc. accel

ff

ppp

pp senza cresc.

ff

ppp

Sprechg.

she laughs in a very high register

rall

3

ord.

Martha in

fi

les

à

ja mais.

Heu

TAPE 21 ("Noise")

2-3'' Vln. pp senza cresc.

ppp sub. 2-3''

Vla. pp senza cresc. 2-3''

ppp sub.

Vc. pp senza cresc.

2-3''

ppp sub.

Cb. pp senza cresc.

Litolff/Peters

ppp sub.

33785

reuse

ment,

il me res te


ISSUU Version For perusal only

486 172

Fl.

4 4

senza cresc

4 4

Cl. senza cresc

4 4

Bass Sax. fff

4 4

Hrn. fff

4 4

C Tpt. senza cresc

4 4

Tbn. fff

4 4

Perc 1.

Perc 2.

4 4 fff

4 4 senza cresc

Kbd 1. (Hyper vib "a")

4 4 Keyboard 2 4- Hyper-mar "b"

4 4 ffff

Pno.

4 4

Sprechg. free

ord.

3

4 4

Martha ma chan bre,

il

se

ra

bon

d'y

mou

rir

seu

le.

TAPE 21/c

4 4

TAPE 21 ("Noise")

4 4

Vln. senza cresc.

4 4

Vla. senza cresc.

4 4

Vc. fff

4 4

Cb. fff

Litolff/Peters

33785


ISSUU Version For perusal only

13 q = 66 176

Cl.

3

4 4 ff

p

ff

p

p

ff

p

ff

p

p

ff

p

p

ff

p

ff

p

ff

p

487

3

Bass Sax.

4 4 ff

Hrn.

3

4 4 ff

p

C Tpt.

3

4 4 ff

Tbn.

3

4 4 ff

Crotales arco Perc 1.

4 4 Hyper vib "b" 3

4 4 ff

Kbd 1. (Hyper- vib "b")

p 3

4 4 p

4 4 3

Kbd 2. (Hyper-mar "b")

ff

4 4

p

3

pp > parlando

ord. 3

Maria

4 4 Je

TAPE 21 ("Noise")

Vc.

calm

3

vous

en

tends à

Mon

cœur

p

ff

p

p

ff

p

pei

ne.

mon

4 4 13 q = 66 3 4 4 ff 3

Cb.

4 4 ff

+ TAPE - Ruido ensordecedor

Litolff/Peters

33785

cœur

est

chi

ré.


ISSUU Version For perusal only

488 182

3

Cl.

3 4

p

ff 3

3 4

Bass Sax. ff

p

3

3 4

Hrn. ff

p 3

3 4

C Tpt. p

ff 3

3 4

Tbn. ff

p

3 4

Perc 1.

3

6- Hyper-bells

3 4 ff

Kbd 1. (Hyper-bells)

p 3

3 4

3

7- Mixturen

3 4 Kbd 2. (Mixturen)

p ff

Piano

3

3 4

suddenly, deep pain 3

3

3 4

Maria Il

n'y_a

de

cu

rio

si

que

pour

ce

lui

a vez tu

é.

3 4

TAPE 21 ("Noise")

3

3 4

Vc. ff

p

3

3 4

Cb. p

ff

Litolff/Peters

que vous

33785


14

ISSUU Version For perusal only

q = 108-112

185

Fl.

Cl.

489

3 4 poco

a

poco

cresc.

ff

p

poco

a

poco

cresc.

ff

p

3 4

5

Bass Sax.

3 4 p

Hrn.

C Tpt.

3 4 poco

a

poco

cresc.

ff

poco

a

poco

cresc.

ff

3 4

Perc 2. (Mar)

3 4

p

5

3

pp

3

ff

3

Vibraphone Perc 1. (Vib)

p

3 4 poco

a

poco

cresc.

a

poco

cresc.

sf(f) pp

1- Hyper-vib "a"

3 4 poco

Kbd 1.

5

(Hyper vib "a")

3 4 p staccatissimo

f

mf

sf(f) pp p

3 4 poco

a

poco

sf(f) pp

cresc.

Pno.

3 4 p staccatissimo

mf

f

pp Martha

Vln.

ff

3

3

5

3 4 Tai sez vous!

TAPE 21 ("Noise")

p

sf(f) pp

Je

ne veux plus en

ten dre

par

ler

de

lui,

je le dé tes te.

3 4

14 3 4

q = 108-112 poco

a

poco

cresc. 3

Vla.

3 4 poco

Cb.

a

poco

p

cresc.

3 4 p

Litolff/Peters

33785

3


ISSUU Version For perusal only

490 188

Fl. 3

ff

Cl.

5

Bass Sax.

Hrn. 3

3

C Tpt.

5

Tbn.

3

3

Perc 1. (Vib)

3

ff

Perc 2. (Mar.) ff

Kbd 1. (Hyper vib "a") ff

Pno.

ff

3

3

Martha Il

ne vous

est

plus

rien.

Il

est en tré

TAPE 21 ("Noise")

Vln.

pizz. Vc. ff pizz. Cb. ff

Litolff/Peters

33785

dans la mai

son

a

re


ISSUU Version For perusal only

191

Fl.

sf pp

491

f

Cl. 7

f

sf pp Bass Sax. f

sf pp

Hrn.

C Tpt.

Tbn. sf pp

Perc 1. ff Perc 2.

sf pp

Kbd 1. (Hyper vib "a")

ff

mf

10-Hyper- winds

1-Hyper vib "a"

Kbd 2.

sf pp

ff

mf

(Hyper-winds)

5:4

5

3

5

Maria où

l'on

est

e

xi

pour tou jours

L'im

ci

le!

TAPE 21 ("Noise") 3

3

Vln. sf pp

ff

sf pp

ff

f

Vla.

5

arco Vc. sf pp

ff

arco

3

Cb. sf pp

Litolff/Peters

ff

33785

3

Il

a


ISSUU Version For perusal only

492

7:6

194

Fl.

7:6

Piú f

f

3

3

Cl. Piú f C Tpt. Piú f 5

5

Tbn. f

Piú f

pp

Kbd 1. (Hyper-vib "a")

3

3

Pno. f 3

ord. a bit slower

3

3

ff

3

to voice

Maria ce qu'il vou lait,

il

a

ce

qu'il cher chait

Nous

voi

tous

dans l'or dre.

TAPE 21 ("Noise")

7:6

Vln. f

Piú f 3

3

3

3

Vla. f Piú f

3

Cb.

15 197

3

Speaking, acting senza tempo A mixed of emotions: she is destroyed, she is resigned, she doesn't really understand. Oh ! mon Dieu, je ne peux pas, je ne peux pas supporter ce langage.

Maria

3 4

TAPE 22 15 ("Collapse 1") Speaking, acting senza tempo

3 4

TAPE 22

Litolff/Peters

33785


16 q = 88 198

Fl.

ISSUU Version For perusal only

493

gliss.

3 4

1 4

ppp

3 4

sfpp gliss.

Cl.

3 4

1 4

ppp

3 4 sfpp

staccatissimo Hrn.

3 4

1 4

3 4 sfpp sord. wa-wa 3

gliss. C Tpt.

3 4

1 4

3 4

ppp

Tbn.

ppp

sfpp

3 4

1 4

sord. wa-wa

3 4 ppp vib.

Perc 1. (Vib)

3 4

1 4

3 4 f

10- Hyper-winds

3 4

1 4

3 4 gliss.

Kbd 1.

ppp

gliss.

(Hyper- winds)

3 4

1 4

3 4

1 4

3 4

1 4

3 4

ppp gliss.

3 4 Kbd 2. (Hyper-winds)

ppp gliss.

3 4 ppp

Speaking, acting Martha

like an ortodox priest, mix of lament and irony

3 finir, écoutez 1 4 Et pour 4 mon conseil

3

3 4

3

Pri ez vo tre Dieu

TAPE 23

1 4

3 4

1 4

3 4

gliss. Vln.

ppp

qu'il vous fasse sem bla ble à la pier

TAPE 23/a ("F sharp 1")

16 q = 88 3 4

sin vib.

3 4 sfpp

gliss. Vla.

3 4

ppp

1 4

3 4 sfpp gliss.

Vc.

3 4

Litolff/Peters

ppp

1 4

3

6

3 4

33785

re.

Faites comme lui,


ISSUU Version For perusal only

494

203

gliss.

Fl. ppp

f

Hrn. f

sf p 3

gliss. C Tpt. f

3

sf p

Tbn. f

Perc 1. (Vib)

sf p

f

tender

ironic Sprechg.

ord.

3

soft gliss.

3

3

Martha ren dez

vous

sour

de

à tous les

cris,

re

TAPE 23

Vln. f

Vla. f

Litolff/Peters

33785

joig

nez

la

pierre pen dant qu'il est temps.


207

ISSUU Version For perusal only

q = 132-144

Fl.

495

ff

mf

ff

mf

5:6

ff

mf

8:12

ff

mf

ff

mf

5:6

ff

mf

8:12

ff

mf

ff

mf

5:6

ff

mf

8:12

Cl.

Bass Sax.

5:6

8:12

Hrn. ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

5:6

ff

mf

8:12

5:6

ff

mf

8:12

C Tpt.

Tbn. ff

mf

6- Hyper-bells 5:6

Kbd 1. (Hyper-bells)

ff

mf

ff

mf

Piano

8:12

mf

8

5

ff

Pno.

ff

mf

mf

ff

ff

5

mf

8

gliss.

3

Martha Mais

si

vous

vous

sen

tez

trop

q = 132-144 TAPE 23

Vln. ff

mf

ff

mf

5:6

ff

mf

8:12 8:12

5:6

Vla. ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

ff

mf

5

ff

mf

8

5

ff

mf

8

Vc.

Cb.

Litolff/Peters

33785

che


ISSUU Version For perusal only

496 211

Fl. ff

13:12

mf

13:12

Cl. ff

mf

ff

mf

ff

mf

Bass Sax. 13:12

Hrn. 13:12 13:12

C Tpt. ff

mf

ff

mf

Tbn. 13:12

13:12

ff

mf

Kbd 1.

13:12

(Hyper-bells)

13:12

Pno.

ff

mf

Sprechgesang

13:12

3

ord.

Martha pour

en

trer

dans

TAPE 23

Vln. ff

mf

13:12

13:12

Vla. ff

mf

ff

mf

ff

mf

Vc. 13:12

Cb.

Litolff/Peters

13:12

33785

cette

paix


ISSUU Version For perusal only

212

Fl. ff

497

21:24

mf

21:24

Cl. ff

mf 21:24

Bass Sax. ff

mf

ff

mf

Hrn. 21:24 21:24

C Tpt. ff

mf

ff

mf

Tbn. 21:24 21:24

Kbd 1.

ff

mf 21:24

Pno.

ff

21:24

mf

21:24

gliss.

3

Martha muet

te,

TAPE 23

21:24

Vln. ff

mf

21:24

Vla. ff

mf 21:24

Vc. ff

mf

21:24

Cb. ff

Litolff/Peters

mf

33785

a

lors


ISSUU Version For perusal only

498 213

13:12

Fl. ff

mf

ff

8

mf

f

13:12

8:12

Cl. ff

mf

ff

mf

f 8

Bass Sax. ff

13:12

mf

ff

mf

f

8:12

Hrn. ff

mf 8:12

13:12

C Tpt. ff

mf

ff

mf

ff

mf

ff

mf

f

Tbn. 13:12

8:12

13:12

Kbd 1.

ff

f

8:12

ff

mf

mf

f

13:12

8 8:12 13:12

ff

ff

mf

mf

f

Pno.

8:12 13:12

3

Martha ve

nez

nous

re

join

dre

dans

la

mai

son

com mu

ne.

TAPE 23

8:12

Vln. ff

mf

13:12

ff

mf

f 8:12

Vla. ff

mf

13:12

Vc. ff

f

mf 13:12

Cb. ff

mf ff

Litolff/Peters

33785

mf

8:12

f


215

ISSUU Version For perusal only

q = 88

499

q = 132

4 4

Fl. ff p

ppp

pp

4 4

Cl. ff p

ppp

4 4

Bass Sax. ff p

4 4

Hrn. ff p

4 4

C Tpt. ff p

4 4

Tbn. ff p

ppp

4 4

Perc 1.

susurrato

slow gliss.

3

4 4

Martha A

dieu

ma

soeur!

Tout

q = 88

est

fa

ci

le,

q = 132

TAPE 23

4 4

Vln.

4 4 ff p

4 4

Vla. ff p

ppp

Vc.

4 4

Cb.

4 4

Litolff/Peters

33785


ISSUU Version For perusal only

500

Fl.

4 4

Perc 1.

Perc 2.

q = 88

q = 66

218

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

ord. Martha

f

3

4 4 vous

3 4

le

vo

yez

4 4

Vous

a

vez

q = 88

q = 66 TAPE 23

4 4

3 4

4 4

Vc.

4 4

3 4

4 4

Fl.

q = 152

eolian

220

7:4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

ppp 7:4

Cl.

eolian

7:4

4 4 ppp eolian

Bass Sax.

4 4

Tbn.

4 4

7:4

7:4

Piatto Perc 2.

l.v.

4 4

3 4 ppp

4 4

pp

p intense Martha

4 4 à

choi

sir

3

3

3 4 en

tre

le

bon heur

3

stu

pi

4 4 de

des

cail

TAPE 23

4 4

3q = 152 4

4 4

Vln.

4 4

3 4

4 4

Vla.

4 4

3 4

4 4

3 4

4 4

3 4

4 4

sul pont. eolian

sul pont. eolian Vc.

7:4

7:4

4 4 sul pont. eolian 7:4

Cb.

4 4

7:4

7:4

7:4

7:4

Litolff/Peters

33785


ISSUU Version For perusal only Free q = 88

223

4 4

Fl.

501

lunga

3

3 4 sff

p

3

4 4

Perc 1. (Vib)

3 4 sff ff

like a witch 3

3

4 4

Martha

3 4 loux

et

le

lit

glu

ant

Free q = 88 TAPE 23

4 4

3 4

Vln.

4 4

3 4

17

María acts out the last scene while Martha leaves by the stairs. Vieux observesMaría from back of the stage

227

Martha

17

TAPE 23/b ("F sharp 2")

TAPE 23

Litolff/Peters

33785

nous

vous

at

ten

dons.

p


ISSUU Version For perusal only

502

XIX

In a virtual, religious atmosphere created with video and scenography

q = 72

1 Intimate q = 77

q = 66

q = 69

velocissimo possibile

5

6 4

Vibraphone

11 4

4 4

mf mf

6 4

Maria

11 4 Oh!

5

4 4 Je ne puis vi vre dans ce dé

mon Dieu!

6 4

TAPE 23/b

3

3

C'est à

sert!

11 4

vous

que

je

par

le rai

4 4

q = 63

q = 60

q = 58

q = 56

5

10 4

Vib.

4 4

7 8

6 4

6

9

3

3

10 4

Maria

et

je

sau

rai

trou ver

mes

10 4

TAPE 23/b

7 8 A yez pi tié

mots.

6 4 de

4 4

q = 54

9

5

4 4

7 8

don nez moi vo tre main!

6 4

q = 52

6

moi,

q = 50

Vib.

9 4

8 4

3 4

Maria

9 4

8 4

3 4

A

TAPE 23/b

Litolff/Peters

9 4

yez

pi

tié,

Seig

neur,

de

8 4

33785

ceux

qui

s'ai

et qui sont sé pa rés!

ment

3 4


ISSUU Version For perusal only q = 50

q = 44, Calmo

503

q = 42 Intenso

4

12

Vib.

9 8

4 4

Maria

9 8

4 4 Je

ne

sais

pas!

Mais

ai

dez

moi,

car j'ai be soin

qu'on m'ai de.

speaking, acting Vous m'avez appellé?

Vieux.

TAPE 23/b

9 8

4 4

9 8

4 4

rall.

q = 40

16

Vib.

5 4

7

l.v.

7 4 pppp

Maria

q = 38 pp

4 4

pppp

5 4

3

7 4 A

yez

pi

tié

et

con

4 4 sen

tez

à

m'ai

der!

Vieux.

5 4

7 4

4 4

TAPE 23/b

5 4

7 4

4 4

Litolff/Peters

33785


ISSUU Version For perusal only

q = 38/40 (click track)

504

legatissimo

18

Fl.

4 4

Muta in Piccolo

34:32

fff

ppp

34:32

gliss.

B. Cl.

4 4 ppp fff gliss.

Hn.

4 4 fff

ppp Tpt.

4 4 ppp

fff gliss.

Tbn.

Perc.1

Perc. 2 (Mar.)

4 4 ppp

fff

ppp

fff Glsp

4 4 Mar.

4 4 fff 21:16

(fff) K1 (Hypervib. "a")

4 4 55:64

fff

ppp

non leg.

4 4 Pno. fff

34:32

4 4 fff Vieux.

TAPE 24

4 Non! 4

legatissimo

TAPE 24 ("Doppelgänger 4" "Non") 4

4 q = 38/40 (click track)

non leg. 34:32

gliss.

Vln. I

4 4 fff

ppp

fff

gliss.

Vla.

4 4

fff

ppp

Vc.

4 4 ppp

fff 34:32

gliss.

Cb.

non leg.

4 4

ppp fff

* Note for the conductor: the instruments start imperceptibly during the resonance of the vibraphone

Litolff/Peters

33785


ISSUU Version For perusal only 21:16

505

non leg.

20

Picc.

55:64

B. Cl. 13:16

Bass Sax.

Hn.

Tpt.

55:64

Tbn.

Perc.1

Glsp.

Mar.

13:16

Perc. 2 (Mar.) 21:16

non leg.

K1 (Hypervib. "a")

(fff)

21:16

55:64

8

Pno.

55:64

TAPE 24 55:64

Vln. I

Vla.

Vc. 55:64

marcatissimo Cb. fff

Litolff/Peters

33785


506

ISSUU Version For perusal only

21

Picc. sff p

55:64

B. Cl.

55:64

Bass Sax. fff

Hn.

Tpt.

55:64

Tbn.

3

Perc.1 55:64

Perc. 2 (Mar.) fff

ff

ff 55:64

K1 (Hypervib. "a")

55:64

Pno. 55:64

TAPE 24 55:64

Vln. I

5:4

Vla.

Vc. fff molto legato 55:64

Cb.

Litolff/Peters

33785

f


non legato

ISSUU Version For perusal only 34:32

22

Picc. ff dim. non legato

34:32

B. Cl. ff dim. Bass Sax.

ff dim.

3

Hn. ff dim. Tpt. ff dim.

34:32

Tbn. ff ff dim.

Timp. 3

Perc.1 ff dim. Perc. 2 (Mar.) ff dim.

13:16

non leg.

K1 (Hypervib. "a")

ff dim.

Pno.

ff dim.

55:64 55:64

TAPE 24 34:32

Vln. I ff dim.

Vla. 7:8

ff dim.

Vc. ff dim.

34:32

Cb. ff dim.

Litolff/Peters

33785

507


ISSUU Version For perusal only 21:16

508

23

Picc.

ff dim.

21:16

B. Cl. ff

dim. 13:16

Bass Sax. ff dim.

Tpt.

21:16

Tbn. ff dim. Perc.1 (Timp)

13:16

Perc. 2 (Mar.) ff dim. 21:16

K1 (Hypervib. "a")

ff dim.

loco non legato

Pno.

ff dim.

34:32

21:16

non legato

ff TAPE 24

Vln. I

Vla. 11:8

Vc.

21:16

Cb. ff dim.

Litolff/Peters

33785


24

Picc.

ISSUU Version For perusal only 13:16

509

B. Cl. 13:16

Bass Sax.

13:16

Tpt. f dim. Tbn.

Perc.1 (Timp)

Perc. 2 (Mar.) 13:16

K1 (Hypervib. "a")

34:32

Pno.

TAPE 24

13:16

Vln. I ff dim.

Vla. 7:8

Vc.

13:16

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only

510

25

B. Cl. f dim.

5:4

Bass Sax. f dim.

Tpt. (f dim.)

Tbn.

Perc.1

5:4

Perc. 2 (Mar.) f dim.

K1 (Hypervib. "a")

f dim. 34:32

Pno. f dim.

TAPE 24

Vln. I f dim. Vla. f dim.

Vc.

Cb.

Litolff/Peters

33785


ISSUU Version For perusal only till the tape finishes

26

511

30'' - 60''

B. Cl. pppp

30'' - 60'' Bass Sax.

30'' - 60'' Tpt. pppp

30'' - 60'' Tbn.

34:32

30'' - 60''

Perc.1

G.C.

spectral phasing with superball mallet

Perc. 2 (Mar.) pppp

spectral phasing "dita" or superball mallet

30'' - 60''

K1 (Hypervib. "a")

pppp

30'' - 60'' l.v.

30'' - 60''

ppp

30'' - 60'' l.v.

Pno.

30'' - 60'' TAPE 24

30'' - 60'' Vln. I pppp

30'' - 60''

Vla. pppp

30'' - 60''

Vc.

30'' - 60'' Cb.

Litolff/Peters

33785


ISSUU Version For perusal only


ISSUU Version For perusal only


ISSUU Version For perusal only Edition Peters For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, by 1802 the company had acquired Beethoven’s First Symphony. In the years following, an active publishing policy enabled the company to expand its catalogue with new works by composers such as Brahms, Grieg and Liszt, followed in the 20th century by Richard Strauss, Arnold Schoenberg and John Cage. Today, with its offices in Leipzig, London and New York publishing the work of living composers from around the world, Edition Peters maintains its role as a champion of new music. At the same time, the company’s historic and educational catalogues continue to be developed with awardwinning critical and pedagogical editions. Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Musik für Tasteninstrumente. Schon 1802 kamen die Rechte an Beethovens erster Sinfonie hinzu. In der Folgezeit wuchs der Katalog um neue Werke von Komponisten wie Brahms, Grieg und Liszt sowie – im 20. Jahrhundert – Richard Strauss, Arnold Schönberg und John Cage. Als Verleger zahlreicher zeitgenössischer Komponisten aus aller Welt ist die Edition Peters mit ihren Standorten Leipzig, London und New York auch weiterhin Anwalt neuer Musik. Zugleich wird das Verlagsprogramm im klassischen wie im pädagogischen Bereich kontinuierlich durch vielfach preisgekrönte Ausgaben erweitert.

Photo © Irène Zandel The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße

EDITION PETERS GROUP L E I P Z I G

·

L O N D O N

·

N E W

w w w . e d i t i o n p e t e r s . c o m

Y O R K


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