Kernis FOR LOVE OF THE MOUNTAINS

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to Donald, with boundless admiration and warmth

For Love of the Mountains - (Four Tableaux) Aaron Jay Kernis (2016)

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B J

E5

5

E5

5

4

4

J

J

55555 5

J

J

8B))))))))))))))))))))))))))

JJ

0

J

0

0


6

Picc. 1 (Fl. 3)

Fl. 1

35 1 EI5 5I I5 I5 5 5 5 5 5 5 5 5 5 G !

5 5 E I5 5I I5 I5 5 5 5 5 5 5 5 G

G

Fl. 2

G

Ob. 1

5 5 I5 5I I5 I5 5 5

5I

4

I5

!

sub. J !

G

Cl. 1 (EK Cl.)

Bsn. 1

5

E5

sub. J !

Cbsn. (Bn. 3)

Hn. 1-2

2

5

5

5

5

5

5

5I

G 5

sub. J

3

E5 :

C Tpt. 2

C Tpt. 3

C Tpt. 4

Timp.

Perc. 1

Perc. 2

4

G 5

5:

G 4

4

2

1 2

5

J

4

5

5 5

5

5

5

EE55 E 5 E 5 0 5 5

!

3 5 5

J

0

EI5

5 5 5E5 E5 :

5E5

EI5 EI5

E5 :

3 5:

I

E5

E5 : J

3 5:

I

E5

E5 :

I 3 5:

E5

EE55

J

5 5 5 5 E5 :

E5 E5 5 E5

E5 E5 5 E5

E5 E5 5 5

5M

5M 5M

5

J

!

5:

5

5I :

5

5 :

5

5: I

5

5 :

5

5: 5 5 5:

5 5

J

!

5 5 5 5 5 5 5: 5: 5 E5 J !

5:

J

5 E5

J

5 5

E5: !5:

0 3 E5 :

!

5 5E5 5 5 E5E5

: 5 5 5 E5 E 5

3 E5 :

E5 E5

5 5 5 5 5 :

E5

3

E5 :

5 5

E5

J

E5I E5

55 5 55 5

5 E5 : 5E 5 :

5 E5

E I5

5 5 5 5 E5 :

E5

E I5

5 5 5 5 E5 :

E5

E5

5 5 5 5 E5 :

E5

E5 5

5: 5 :

5I :

5

5:

5

5I :

5

5:

5

5: I

5

5 :

5

5 :: 5I

J

J

J

J

5 5

0

0

0

0

0

0

0

J

0

5555 5 5

E5

I 5:

B:

5I

!

5 5 5 5 5 5 5 5

=

J

5 5 5 5

5555 55

!

J

0

!

!

J

J

E5

5 E 5 5 5 5 5 E5 E5

5 5 5 5 5 5 !5 5 5 5 E55 ! 5 : 5 E5 E5 5 5

E 55 55

J

E5 :

EE55M

E5

55 E5 5 55 E5 5

8)))))))))))))))))))))))))) = E5 :

5 5 5 5 E5 :

55 55

E5 : E5:

E5 :

5 5 5 5 5

J

5 E5

=

5 5

J

5 5 E5 E I5 E5

E5

!

!

5 E 5 5 5 5 5 E5E5

J

EE55 ::

E5 :

5I : 3 5:

0

J

E5 5

5: E5 :

0

!

J

8)))))))))))))))))))))))))) 55555 N B 2N

I 3 : 5 3 5:

I

J

4

E 5M

5M

I 3 E5 : 3 E 5:

I

J

!

E5M

E5 : E 5:

4

!

E5 E5

5:

!

I 3 5:

J

0

1 8 N

E5

E5 E 5 5E5 5E5 5 E5 5

5

I5:

E5 :

J

=:

Perc. 3

5

0

5

B. Tbn.

Db.

G 4

Tbn. 1-2

E5

!

3 I5:

E5 : E5 :

0

G

C Tpt. 1 (offstage)

Tba.

5: 5

!

M 5M 5 5 5 5 I5 5 5 5 5 5 5M 5 5M 5M I5 I5 I5 5 5 5

J

Hn. 3-4

!

sub. J !

5:

E5 5

5555 5 5

=

M M! I 5 ! 5 5 5 5 5 5 5 5M 5M I5 I5 5 5M 5 5 5 5 5 5 5M 5 5 5 5 I5 5

J

55

sub. J !

J

1 G 55 E55 55

!

M E5M 5 E5 5 5 EI5 5 5 5 E5 5 5M E5 5M 5M I5 I5 I5 E5 E5 E5

J

Bsn. 2

!

4

5 5 E5 E I5 E5

5E5

5 E 5M 5 E 5M E5 E 5 E5E5M 5M I5 I5 I5 E5M 5 5 5 5 5 E 5 E5M 5 E5 5 5 EI5 E 5 E5

!

5:

sub. J !

I I I EI5E5I I5 I5 5 5 5 5 5 5 5 E 5 G

Cl. 2 (Bass Cl.)

!

M E 5M 5 E 5 5 5 E I5 5 5 5 E 5 5 5M E 5 5M 5M I I I5 E 5M 5 5 5 E5E5 E 5 E5 E5 5 5

I 5 5 5 5I I5 I5 5 5 E5 5 5 5 E I5 5

E 5 5 I5 5I I5 I5 5 5 I5 5I 5

4

M E 5M 5 E 5 5 5 E I5 5 E 5 5 E 5 5 5M E 5 5M 5M I I I5 E 5M 5 5 5 E5 E 5I E5 E5 5 5 E5

E I5 5I 5 E 5I

!

E 5 E 5 5 E5 E 5 E5 3

?

J

EI5 5I I5 I5 5 5 5 5 5 5 5 E I5 5 5 G

Ob. 2 (E.H.)

4

0


7

I I5 I 5I 5 I I I 5 5 E5 = 3 I5 5 I JJI I I 5 5 E 5IE 5 5 5 5 E 5 5 I I5 I5 ! 5 5I ! 5 E 5 ! E 5 5 5 E5 G =

1 G ? 39

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (EK Cl.)

più J

Cl. 2 (Bass Cl.)

!

E 5IE 5 5 5 5 E 5 E5 E 5 E5 5 5 I5 !I5 5I I5 G più J ! E 5I I ! !I5 I5 5 I5 E5E5 5 5 E5 E5 G E5 E5 5 5 più J E 5I ! I I5 5 !I5 E5E5 5 5 E5 E5 I ! 5 G E5 5 E5 5 più J 5I I I 5 5 5 5 5 5 5 5 !I5! 5 E 5 I5 G 5 5 più J

G

5I

!

Bsn. 2

Cbsn. (Bn. 3)

Hn. 1-2

Hn. 3-4

!

5

5 5 5 5

5

5 5 5 5 2

G

C Tpt. 2

G

C Tpt. 3

E5 :

JJ

I I I5 !I5 5 5 = JJ

5 5: 5 5

Tbn. 1-2

4

= 5 5 = I

=

= I5 5

=

4

=

4

4

0 5 = 4 55 5I 5

4

= 4 5 5 5 5 5I 5

4

5

5 5: =

0

55 = 5 5555 55

J

J

0

5 5 5 5 E5

= 5E5 5 5 5 4

4

5 5 5 5555 55 5 5

5

= 5: 5

0

J

to E.H.

= 5 5 4 55 5

0

4

J

J

=

55 5

0

0

J

5 5 5 5 5 E 5 5 5 5 5I 5 5 5 5 5 5 E 5 5E5 I E5 5 5 5 5 5 5E 5 5 5 E 5 5 5 5 5 5 E 5 5 5 5 5 5 5 5 E 5 5 5 5

I I I 5 I5 I5 5I !5 5 5I 5 5 =

J

JJ

5 !5 5 !5 5 5 5 5 = JJ

I = I5 5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

4

J

5 5I !I5 5I !5I 5 I5 I5 5I 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 = 4 I I

5

0

J

JJ

to Bn. 3

4

4

5 5 5 5 5 =

J

0

=

0

5= 4

=

5 = 4 5 E5 5

=

0

0

J

4

4 0 0 5 E5 !55 E5= 5 45 5 5 5 =5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 E5 =5 5 5 5E 5 4 5 5 = 4 5 5 5 5 5 5 5E5 5 5 5 =

= 0 4 4 J J J 0 0 0 0 0 0

5 =

4

4

0

0

0

0

5 5 G 5 5 5 5 5 5 5 5 !5 5 !5 5 5 =

4

4

0

0

0

0

5 5 5 5 5 5 5 =

4

4

0

0

0

0

5 5 !55 55!!55 55 55 55 55 = 55

4

4

0

0

0

0

5 = 5 ! 5 5 !5 5 5 5 J 5

4

4

0

0

0

0

5 5 5 5 !5 5 !5

5 5 J

G E5 :

5 5 5 5 !5 5

55 55 55 55

5 5

J

J

B. Tbn.

5 5 5 5

5

Tba.

2 5 5 5 5

5

5 = 5 ! 5 5 !5 5 5 5 J 5

4

4

0

0

0

0

5 5 5 5

5

5 !5 5 !5 5 5 5 5 =

4

4

0

0

0

0

4

4

0

0

0

0

Db.

Timp.

J

1 8)))))))))))))))))))))))))))))))) 5 !5 5 5 5 !5 5 5 5 5 = 5 2 5

J

J

1 N

0

0

0

0

0

0

Perc. 2

N

0

0

0

0

0

0

Perc. 3

2N

0

0

0

0

0

0

Perc. 1

5

J

5

J

5 4 5 5 5 55 55: 5 5 55 5 = 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 55 E55 55 55 E5 55 55 55 55 E55 E 55 5 55 = 4 5 5 5 5 E 5 5 5 5 5 5 = 4 = 4

J J J

J

C Tpt. 4

0

J I I5 5I 5I E 5 5 5E 5 5 5 5E5 5 5 5I E5 5E 5 5 5 5 5 5 5 I 5 5E5 5 5 E5 E5 5 5 5 5 5E 5 5 5 E5 5 5 5 5E5 5 5 5 5 5E 5 5

JJ

1 55 5 5 !55 : G :

C Tpt. 1 (offstage)

JJ I 5I 5I 5I 5 =

4

JJ

5 5 5 5

5: G E5 :

I5 5I ! 5I 5I =

I 5 I 5 5 5 5 5 5 5 5 !I5EI5 ! 5 !I5 5I 5I 5 I 5 5

più J

Bsn. 1

JJ

4

4


8

1 5 G = 45

Picc. 1 (Fl. 3)

J

G

Fl. 1

5

5

J

4

5:

5

I 5 5E5 E5 5E 5 5 E5 E5 5 5I 5 5 5 !I5 5 5

4 5 E5

J

5

J

G 5 =

Ob. 1

4

G

Cl. 1 (EK Cl.)

5

5 E5 5 5 E5 5 5 5

4 G = 4 E5 5E5 5 5 5 5 5 5 5 E5 5 5 5 5

5

Bsn. 2

5 555 5555 E5

2

G

5 = 5 0

4

=

J

0

0

poco mJ

to Cbn.

0 5

5 5 5 5 5 5 5M

poco mJ

5 5 M 5 = = 5 555 poco mJ

= 4:

5E5 5 5 5 5 5 5 5 5 5 = 4 4

=55 5 5 =55 5 5 5

= 4: = 4: = 4:

J 3.

5

5 5 5 5 5 5 5M = 4:

5

E5 5 5 5 5 5 5 5 5E5 5 5 555 55 5 0

0

0

0

0

0

0 0

0

4:

0

5M M 3 5 5 5M 5M 5

0

L = 100

= 4: = 4:

0

= 4:

0

0

0

= 4:

0

4:

3 5 5 M 5M 5M 5 5 M

0

0

0

= 55 55 55 5 5 = =

5 5 5 5

relaxing, rit. al

0

= 4:

0

5

55

L=L

5 5

0

0

5

J

0

0

5

5

5

0 = 4: = 4: = 4:

0

0 L = 100

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

1 2

0

0

N

0

Perc. 2

N

Perc. 3

2N

55

J

5

0

0

5 55555

5 5 5 5 5 E 5 5M

5

= 5 5 5 E5 5

0

0

5

Bass Clarinet in BK

0

0

relaxing, rit. al

0

= =

L=L

0

G

4:

0

0

0

0

Solo ("My Heart's in the Highland - Trad) E.H.

5 5E5 5 5 5 5 5 5M E5 5M E 5 5 5 5 5 5 5M E 5

0

C Tpt. 4

1

0

5

0

G

Perc. 1

= 4:

C Tpt. 3

Timp.

J

5 5 5 5 5 5 5

J

0

0

0

Db.

J

= 4:

55 !5 55 55 5 5 5 5 5 5 5 5 5 55

0

5 5555 555 5 5 5 5

5M = = 4 :

0

= 5E5 5 5 E5E5 5 5 5 E 5 E5 =

J

4 = 5 E=5E5 54 5 5 5 E 5 5 E 5 5 5 E5 3.

J

5 I5 5 5

J

55

0

0

J

5 5 5 5 5 5 5M

I 5 5 5 5 5 5 5 5 5 5 5 5 5

Bn.

0

0

G

J

5 5 5 5 5E5 5 5 5 5 E5I 5 E5 5 5 5

J

5M = = 4 :

0

C Tpt. 2

J

0

0

0

5 5 5 5 5 5 5M

J

J

=

5

5 !5 5 5 5 5 5 5 5 5

J

J

L = 100

= 4:

G

2

5 = 4

5

J

C Tpt. 1 (offstage)

Tba.

5 E5

0

B. Tbn.

5 5 E5 5

J

0

0

1 = 5 E5 : G 4 4

Tbn. 1-2

0

Hn. 3-4

5M M = 3 5 5 5M 5M 5 relaxing, rit. al

5 5

5 5 5 5 5 5 5 5 5 5 5

0

5 5 E5 E5 5 E5 5 5 5 5 E5 5

to Bs. Cl.

Bsn. 1

J

0

Cl. 2 (Bass Cl.)

5 E5

0

G

Eng. Hn. (Ob. 2)

Hn. 1-2

= 5E5 5 5 E5 5 5 5 5 E5 E5

4

J

I5 5 5 I5 5E5 5 5 E5 5 5 5 5 5 5 E5 E5 5

5 5 555 5555 5 G E5 5 E5 5 5 5 5 E5 5

Fl. 2

Bsn. 3 (Cbsn.)

J

L=L

0


9

1 G

0

G

0

52

Picc. 1 (Fl. 3)

Fl. 1

4:

0 4:

$ =: 555555 5

J Fl. 2

Ob. 1

G

0

G

0

G

Cl. 1 (EK Cl.)

G

B. Cl. (Cl. 2)

Bsn. 2

5

= 4:

0

0

5

= 4:

0

0

0

0

0

5 5 5: 5 5

J

5555

=

5

to Fl.

J

$ 5 555 55 53= =

0 0 55 5 5

5

5:

0 555 5

5 5: 5 5

E 5 5 5 5 5 5 E 5 5 5 5: E 5 5 5 5 E 5 5 legato

5 5 E5

5 5 5 5 5 E 5 5 5 5 5: 5 5 5 5 5 E 5 legato

5 E5 5

5 5 5 5 5 5 5 5 5 : 5 5 5 5 55 5

Bsn. 1

5

J

: 5 5 5 : 5 : 5 G

Eng. Hn. (Ob. 2)

5 5 5:

0

4:

5 5 5

legato

5 = = legato

5 5 5

= = 5 5 5 5 5 5 5 5 5 5 = =

5: 5 5 5 5 5 5 5 5: J

5 5 5

E5

J

5 5 5

J

5 5 5

J

5 5 5

J

5

5

E5 5

= 4: = 4: 5555555

5

5: 5 5 5: 5:

4:

J

5 555 5 5 J

= = 5

555 55555 5

5 5 5 5 5 5 5 5 E5

5 5 5 5 5 5 5 5 ! 5

5555555

4:

5 = =

4:

5 E5

5 5: 5 : 5 5 5: 5 5 5 5 E5

5 E5

, leg.

5 5 5 5

, leg.

5 5 5 5 , leg.

55555

55

J

5 5

=

0

0

0

0

0

0

1 G

0

0

0

0

0

0

Hn. 3-4

G

0

0

0

0

0

0

C Tpt. 1 (offstage)

G

0

0

0

0

0

0

C Tpt. 2

G

0

0

0

0

0

0

C Tpt. 3

G

0

0

0

0

0

0

C Tpt. 4

G

0

0

0

0

0

0

Tbn. 1-2

0

0

0

0

0

0

B. Tbn.

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

1 2

0

0

0

0

0

0

N

0

0

0

0

0

0

Perc. 2

N

0

0

0

0

0

0

Perc. 3

2N

0

0

0

0

0

0

Cbsn. (Bn. 3)

Hn. 1-2

Tba.

Db.

Timp.

Perc. 1

2

2

1


10

1 G 58

Fl. 1

Fl. 2

G

Fl. 3 (Picc.)

G

Ob. 1

Cl. 1 (EK Cl.)

= = 5 5 5 5 5 5 5I

0

= = 5 5 5 5 555 I

J

G 5

J

= =

G 5

Bsn. 1

J

Cbsn. (Bn. 3)

Hn. 1-2

55555 5 5 I I 55555 5 5 I I

= = 55 5

5555 5 5555

to Picc.

E5 5

=

=

3 $ 55 E5 5

55

0

J

5 = =

=

J

= E5 5 5 5 5 I 5 5 I

J To Cl.

= =

= = E5E 5 5 5 5

555

0

5

4:

0

4:

=

=

5

5 5 5

2

0

0

0

0

0

0

C Tpt. 2

G

0 0

G

0

G

0

0

0

0 0 0

0

0

J

5:

5:

55

5:

J

J

55

0

0 0 0 0

4:

2. sord.

4:

4. sord.

=

0

=

5

=

0

0 0

=

5

!5 5 5 5

5

=

45::

0 5 E5 5 5 5 5

poco rit. al

5=

4: E5

0

= = 5

sord.

0

0

0

B: 4:

= =

2. sord.

J

J

J

=

0 1. sord.

1.sord. =5 5

!5 5 5 5

5 =

0

0

sord.

5 5 5 5 J

0

5

5 5= 5 =5 5

0

3. sord.

0

0

5 =

0

4:

J

4:

0 5 5 5 5:

0

5 E5 5 0

C Tpt. 1 (offstage)

5:

0

5 5:

5

0

0

J

J

0

0

5

5 5

0

5

0

: 5 5 5

1 G

J

J

J

E5

5:

4:

5 5M 5 5 J

0

=

J

: 5 5 5 5 5 5k5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 : 5 5 : 5

J

J

4:

0

5 = =

5555 5 5 5

0

G

Tbn. 1-2

4:

5I

5 5 5 5 5 5 I 5I

G

C Tpt. 4

5

I5 5 : 5 5 5 5 5 :5 55 5 5 5 33

Hn. 3-4

C Tpt. 3

=

=

5 5 5 5 5 5 5:

5 5 5 5 55 5 5

5 5 5 5M

Bsn. 2

J

5I 5 5 5 5 5

M G 5 : E5 5 5 5 5

5I

Fl.

I5 5 5 5 5 5 5: 5 5 5 G 5: 5 5 5 5 5: 5 5

I5

J

0

B. Cl. (Cl. 2)

= = 55 55555 I

0

Eng. Hn. (Ob. 2)

5 5 5 5 5 5 5 5 = = 3 5 5 poco rit. al

E 55:

5 5 5 55 J

B. Tbn.

0

0

0

0

0

0

Tba.

2

0

0

0

0

0

0

poco rit. al

0

0

0

0

0

0

1 2

0

0

0

0

0

0

1 N

0

0

0

0

0

0

Perc. 2

N

0

0

0

0

0

0

Perc. 3

2N

0

0

0

0

0

0

Db.

Timp.

Perc. 1


11

Picc. 1 (Fl. 3)

1 G

Fl. 1

0

Fl. 2

Ob. 1

Eng. Hn. (Ob. 2)

Cl. 1 (EK Cl.)

5:

G G

5:

Bsn. 2

Cbsn. (Bn. 3)

555

5 5 5 5 : 5 5 5 5 E 5 G 5: G

5 5 5 555 5 5

5:

C Tpt. 1 (offstage)

C Tpt. 2

2

1 5 : G

555 5: I

J

5:

0

G 5: G

5 5 5: 0

5E5 5 5 5 5 5 5

5:

5 5 5

4:

1.

5:

J

=

5

J

8)) = = I5 : 5 5 5

5I 5 5 4 :

J

J,

=

5 5 4:

= 4:

5 J

5 5 5 5 5 5 5 5 5 : 0 3.

5 5 5 5 : 5 5

5I

J

=

0

, legato

= =

5 E5

4:

to Ob.

4:

=

5

4:

to Bs. Cl.

=

5

5 5 5 5 !5

0

4. senza sord.

5 5

5

4:

= 5 J

0

55 5

5I

= =

0

0

=

5

5

5

J

55 5

0

5 5 5 5

0 = 5 5 5 5

0

5 5

4:

=

4: 5 = =

=

4: 5 = =

=

rit.

=

0

Cbn.

5

5=

5

5

5:

05

5

B:

0

5: Slower, L = 82

=

= 5

0

0

5 : G

5 5 5 5 5 5 5 5

5:

I 5 5 5 5 5 5 5 5 5 5 5 5 5 5 =

=

0

0

0

G 5:

5 5 5 5 5 5 5 5 : 5

!5 5 5 5 5 5 5 5 5I 5 5 5 5 = 5

=

0

0

0

0

0

0

0

G

Tbn. 1-2

0

0

B. Tbn.

0

0

0

Tba.

2

0

0

Db.

0

Poch. meno L = 90

0

0

0

1 2

0

1 N

0

0

Perc. 2

N

0

Perc. 3

2N

0

0 4:

5 55 5

5 5 = 55 55 5 5

senza sord.

=

legato

5 5

= =

4 4

0

0

0

0

0

0

0

0

4:

55 =

div.

rit. Slower, L = 82 55 55 55 55 !5 B: 5 5:

J, legato

3 :

5

0

0

0

0

0

0

0

0

0

0

0

0

0

0

5: 5 5 =

0

0

Bass Drum

5

$ 3+ 5 5 5 5 5: 555I 5 5 5

0

4:

= =

= 5

2. senza sord.

5 5 !5 5 5 5 5E5 5 5 555 5

C Tpt. 4

Perc. 1

8 = I5:5 5

I5 5 5 5 5 5 5 5 5 4 : 5

555 5 =

4

J

, legato

0

Timp.

3=

0

5 5 5:

4:

5

J

I5 5 5 5 5 5 5 5

0

J

8)) = 5: 5 5 5 =

5555

5k 5 5 5 5: 5 5 5k5 5 5 5 5

5 : 5 5

5 :5 5 5 5 5 5:5 5:5 5: 5 5: 5 5 5 5: 5

=

=

J, espr.

J

0

555

J

5 5 5 5 5 5: 5 5 : E5 5 5

solo

5 ==

4

5 5 5

5: 5 5 5 5:

0

C Tpt. 3

5 5 5555 5 5 4:

5 5 5 5 5 5 5 5

4:

Picc.

0

3 = 5 5 5 5 5 = = 5

5 5 5: ! 5 5 5 5:

J

0

5 !5 5 I5 5 5 5 5 5 5

Hn. 3-4

: 5 5 5

I5 5 5 5

Poch. meno L = 90

Hn. 1-2

5:

5 ! 5 5 5 5 5 5 5 : 5

5: 5 5 5E5 5 5 5 5 G

Cl.

Bsn. 1

5 5 5:

J

J

Cl. 2

0

5 5 5 5 5 5 5 5 5 : !5 5 5 : 5 5 5 5 5 5 5: G 5 5 5 J

Slower, L = 82

rit.

64 Poch. meno L = 90

=

M 5M


12

Picc. 1 (Fl. 3)

70 k 5 I 1 5 5 5 5 5 5k5 55 5 5: G

J

0

EB : MM

4:

0

0

G

0

0

0

Ob. 2 (E.H.)

G

0

0

Cl. 1 (EK Cl.)

G

0

G

B. Cl. (Cl. 2)

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

Hn. 1-2

2

1

Hn. 3-4

C Tpt. 3

C Tpt. 4

2

4:

5:

5:

5 :

J

J

50 5

5

5

50 5:

5

5:

0 0

G

0

G

0 0

0

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

1 2 1

5 5

3 : 5 $ 5 55 5:+ 555I55 5=

0

N

5:5 5

= =

$3 = = 5

5E5 5

0

0

0

0

5:

B:

0

=

To Bn.

B:

0

1. sord.

0

0

0

0

E5 5 E5 : E5

5 E5 5 5

0

0

0

0

E5

0

E5

E5 5 E5 : E5

5 E5

0

E5

E5 5 E5 : E5

5 E5

0

(sord.)

(sord.)

con sord.

0

0

55

0 0

rit.

sord.

5

55 55 55 :: 55 5 5 5 : 5

sord.

B:

5 5

5 5

$3 5

55 5 5 5 5

E5 E5

55

5

0

5:

4:

$3 5

E5 5

5 5

$3 5 5

55

55 55

EE 55 55 3

5 5

5 5

$ 53

4:

N

0

5

E5

55

=

$ 55 5 55

5 5

5=

= 5 5 5 5 5 5:

= 55

E55 EE55 ::E55 !!55 :::: 55 55 :: E5 E 5 5 E 5 55 ! 5 5 E 5 55 5 5 55

N

soft mallets

5

5 E5

=:

G E

E5 5

pizz.., unis.

=

0

$3 5

B:

4:

E5

5E5 5

55

B:

J Chimes

5

Cyms, scrape with tri. beater 5 5 5 5: 5

J

5

0

0

8)))))))))) * = = 5:55 = = = 5 5:

$3 5

" B:

= = B :

5 E5

B:

B:

M = 3 : 55 5 5: = 5 = 5M 5

5

E5 5

E5 5 E5 : E5 E5 E5 E5 E 5 E5 E5 J

Meno mosso, misterioso, L = 72 "

55

E5

0

0

(sord.)

0 0

B:

0

Meno mosso, misterioso, L = 72

E5 G

0

0

5:

5

0

5 5 5: 5

0 M 5M

poco J

0 G E5 5 =

0

0

N 2N

B: 5:

5 5 : 5 5:

= E5 E5 E5 E5 E 5 E5 E5

0 5:

accel.

B: MM

0

3. sord.

0

0

5 0

0

rit.

0

B:

=

0

B: M M

B: MM

5:

5

B:

B: M M

fltg.

5:

0

0

accel.

B. Tbn.

Tba.

5

Tbn. 1-2

0

5 5:

G

C Tpt. 2

4:

J Bs. Cl.

0

G

C Tpt. 1 (offstage)

0

0

B: M M

0

fltg.

0

4:

to Fl.

0

G

Ob. 1

Fl. 2

Meno mosso, misterioso, L = 72

5 5k 5 5

rit.

55555 5:55:55 :55 : 55:55 :5 5

0

G

Fl. 1

accel.

5 !E55 E55!E55E!55 55 55 :: N

J

0


13

5 M 1 M G = 76

Fl. 1

Fl. 2

5 M M = G

5: MM

4

4

E5 : MM

MM 5

5 MM

MM E5

5 MM

MM B:

MM B:

MM 5 MM 5

0

0

Fl. 3 (Picc.)

G

0

0

0

0

0

Ob. 1

G

0

0

0

0

0

Ob. 2 (E.H.)

G

0

0

0

0

0

G 4

=

0

G = 5

To Clar.

Cl. 1 (EK Cl.)

B. Cl. (Cl. 2)

=

E5

=

0

0

0

0

poco J

!5

5

5

5

5

E5

5

5 5:

5

5

5

0

0

0

0

0

Bsn. 2

0

0

0

0

0

Bsn. 3 (Cbsn.)

2

0

0

0

0

0

E5

0

0

0

Bsn. 1

Hn. 1-2

1 5I G

5

5

Hn. 3-4

I G 5

5

5

C Tpt. 1 (offstage)

G

C Tpt. 2

G

C Tpt. 3

0 E5I

!5

5

I G 5

5

B. Tbn.

Tba.

Db.

Timp.

Perc. 1

55I 5I

= 2 5

1 2 1 N

5

5:

5

!5

5

5 5:

5

5 5

5

5

5

5 :

55

55

5

5

55

55 55 55

5 5

5

5 5 :

5 5

5I 5

5

J

5I 5

J

5

3

5

5 5

0

55 55

5:

5

5

5

5

55

55

=

E5

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

=

* Nipple Gongs 5 5 = N 2

E!55 ::

=

soft mallets

5

5

Tri. beater, scrape

=

5

=

5555 =

Tri. beaters, tap

55 5 5=

=

5 555 5 5

soft Tri., scrape

J

! 5 :

G = 5E55 :E!55EE55 ::!5!5 5 5 5 5!5!5 5 5 5!5!5 5 !5 5!5 5 5!5!5 5 5 !5 5 5 5 5 !5 5 = !5!5 5 5!5 =

J

5

5 5 :

5I5 55

E5 0

5I 5

J

E5 :

J

55 ::

=

Perc. 3

5

5

Perc. 2

5

5

5

!5

5:

5

5

5

5

5

5 5

5

5

55

5

0

5

5

J

I G E5

5

0

5

5

Tbn. 1-2

5 E5

C Tpt. 4

5 5

N

5 5 =

N

=

N

4:

4:

=

5 5

Tri., scrape

5 M

l.v.

5 5 55! 5:55 5

N

5

2 Triangles, light beaters

5 5 5 5 =

soft

5

0

Vibes, soft mallers

5 5 5 5 5 5 5 = = G 5

*


14

1 G

0

0

0

0

Fl. 2

G

0

0

0

0

Fl. 3 (Picc.)

G

0

0

0

0

Ob. 1

G

0

0

0

0

Ob. 2 (E.H.)

G

0

0

0

0

Cl. 1 (EK Cl.)

G

0

0

0

0

Cl. 2

G

0

0

0

0

Bsn. 1

0

0

0

0

Bsn. 2

0

0

0

0

Bsn. 3 (Cbsn.)

2

0

0

0

0

1 G

0

=

=

G

0

=

=

81

Fl. 1

Hn. 1-2

Hn. 3-4

in the hall, in or behind the audience,

5

5 E5 5 5 5 5

=

G

5 5

C Tpt. 3

G

E5 5 5

G

5

C Tpt. 4

5 5 5

C Tpt. 2

Tbn. 1-2

J, espr.

5 5 5 5 5

5

55

55 55 55

55

5

5

55 ::

$ 5 =: I5

E5 E5 5 E 5I 5 E5 : E5 5

55

=

0

=

0

5 3

5 5:

5

= 5 5

5 5 5

5 5

5

5 5 5

5

E5

5 5

5

5

5 E5 5

5

5

5 5

5

5

E5

$ 55 = :

5 5 5 E5 I

4. sord.

solo (senza sord.)

G

C Tpt. 1 (offstage)

5 5

2. sord.

55

5:

5 5 E5 E5 5

5

E5 5 5 5 5

5

E5 5

5

5 5

5

5 5

5

55

55 EE55

55 55 55

55 !55 55 55

4:

5

0

0

0

Tba.

2

0

0

0

0

Db.

0

0

0

0

1 2

0

0

0

0

B. Tbn.

Timp.

Perc. 1

Perc. 2

Perc. 3

1 M5 N G

5 MM 0

5 E5 2G 5 5E5 5 5 5 N

M5 M

=

M5

Crotales with Bow 5

=

4:

5:

!

J

5 5 E 5 5 5 E 5 5 ! 5 5: 5 N

5 MM

5 MM

Splash Cym.

5

5 5 5 5 N

5 5 5 5 5:

J

=

5 High Cym. MM M5

5 MM

5

J

=

=

5555 5E5E5 5

E5 5 5 N

Med. Cym

5 M

=

5

555 N

!

5 5 5


1 G

0

G

85

Fl. 1

Fl. 2

Fl. 3 (Picc.)

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (EK Cl.)

Cl. 2

Bsn. 1

Bsn. 2

Bsn. 3 (Cbsn.)

Hn. 1-2

Hn. 3-4

4

4

0

4

4

G

0

4

Fl.

G

0

0

G

0

0

2

0

4

4

G

0

4

Cl.

0

4

4

0

4

4

0

4

Bn.

1 G 4:

G 5 E5 5 55E55I E5E5 : G 5

5

C Tpt. 3

G 5

E5

C Tpt. 4

G 5

Tbn. 1-2

B. Tbn.

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

E5

5 E5

5

5 5

55 !!55 5

5

2G 5 5 : 5

5

5

5

5

5 :

= : E5 5:

5 5:

5

5

5:

=:

$ E5 5 :

5 5:

5

5:

5

5

!5

5

5:

5

5

5

5

5:

E5

!5

5

5

5:

E5

!5

E5

5

5

E5

5

5

5

4

4

4

4

Ob.

5

E5

5

E5

E5 E5

E5

E5 E5

E5

5

J

J

5

E5

5

5

5

5

5

5

5

E5

3.

5

5

3

3E: 5

5

5

E5

E5

E5 4

E5

5

4 5

5

4 5

2. (sord.)

!5 4

E5 4

4. (sord.)

!5 4

5

5:

5 :

poco accel. (colla Tpt.)

0

0

5: 5:

! 5 5 E5E5 5 55 I 55 5 5E 5 : 5E5 !5 5 55 E5 5 5 5555553 5 5 :5 E55E555 5 I55!5E555 !5 55 5555555!555 55

!

5 E5 !5

5

4

0

0

5 5

5

4

0

0

0

0

!

!

0

0

0

0

5 E5

5 5:

4

0

0

0

5 5:

4

E5

5 5 :

E5

5 M 5

J

E5

=

!

E5E 5 E5 ! 5 5 E5 !5 5 N

Poch. piĂš mosso L = 72

4

4

=

J

5 N

5

4

=

5

5 55 5

pizz.

5 55 5

0

5

5 5 :

5

5

poco accel. (colla Tpt.)

5 :

0

0

Crystal Glass (at pitch, rub with moistened fingertip, Metal Wind Chimes (or Mark Tree), increase swirl with cresc. - may sound 8va lower if necessary) slow gliss. let ring. gliss.

Sus. Cym, with sizzles

5

B

5 = 5: 5

4

0

5 MM

5 M

4

L=L moving (in 8ths)to

0

0

1 2

J

5 :

=

= E5

5

0

5 G

5

5

E5

0

N M5 M

5

5:

poco accel. (colla Tpt.)

!5

E5

5

E5

E5

5

5

5

J

5

5:

4

=

5 M

E5

5

5 5 E55 ::

sord.

4:

5

5

5

55

55

4: 2

1

=

1.

piĂš J

5

5

5 5:

5

5

Poch. piĂš mosso L = 72

5 5: 5 I5 :

E 5 5 !55

C Tpt. 2

4

5 55 :: 5 I

55 5 5

G 4:

4

(in 8ths) moving to L=L

C Tpt. 1 (offstage)

4

G

15

Poch. piĂš mosso L = 72

moving to L=L (in 8ths)

5^

Sus. Cym, with bow

4

EBB 555 N

N

4

G

= 5^ = J

BB

5

B

4 4

J

4 4

4

=

4

N

5^

3 Brake Drums, soft mallets

4

5

N

5

= 5

5

5^ 5

5

=

5

J

5


16

Poco più mosso, L = 76

5

1 5 G 90

Fl. 1

Fl. 2

Fl. 3 (Picc.)

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (EK Cl.)

Cl. 2

Bsn. 1

Bsn. 2

Bsn. 3 (Cbsn.)

Hn. 1-2

Hn. 3-4

C Tpt. 1 (offstage)

5

E5

G 5

poco movendo

5

5

E5

5

5:

colla tpt.

5 5

5

B

5

5

5

5

5

5

!5

5

!B

5

5

5

5

5

5

5

5

B

5

5 5E5 5 5 5 5 !5 5 5 5 5

E5

5

5

5

B

E5

B:

5

G !5

5 G

4

4

G 5

4

4

5

G E5

5

5 5 5 5 JJ

5

5

E5 :

E5 E5 :

E5

"

5555

E5 :

E5

5 5

5 5:

5

EB

5 5:

5 E5

B:

5

5

E5

5

E5

E5

5

5

5

EB

5

5

5

5

5

5

5

5

EB

5

5

5 5 E5 5 5

J

5

E5

JJ

5

4

5

E5

G 5

J

5

2 5

to Cbsn.

4

0

4

0

Poco più mosso, L = 76

0

poco movendo

colla tpt.

1 4 G 5

5 4

5 4

E5

5

5

5

5

5

5

EB

G 4 5

55

E55

55

E55

E55

E55

E55

E 55

55

BB

1.

5: 5 5 5 = G

5 5 5 E5 5 5 5 E5!5 5 : 5E5

5

: E5 5 5E5 E5

!

J

! ! 5 5 5 5E5 5 5 : 5 5E5!5 5I 5 E5 5 5 5 5!5 5 5 5 5 5 E5E5 5 5 5 !5 5E5 :5 5 5

C Tpt. 2

G

0

0

0

0

C Tpt. 3

G

0

0

0

0

C Tpt. 4

G

0

0

0

0

Tbn. 1-2

0

0

0

0

B. Tbn.

0

0

0

0

Tba.

2 =

5 5 5 5 5 5 E5 :

5 5

5

5

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

5

5

1 2

1 N 4

N 4

5

5 2N

5 4

5

B

let ring.

5

5

4

4

pizz. B

0

E5

0 let ring.

B

5^

0

5 =

5

J

4

B colla tpt.

0

Crystal Glass

G4

5

5

0

5

5

poco movendo

5 5 5 5 5 5 E5 :

5

Poco più mosso, L = 76 arco

5

= 4

J

5^

=

4

0

5

5

J

(Brake Drums)

4

5

5

=

5:

555

5

N

= 5

5

5 55 5


17

Fl. 1

94 1 5 G

G

Fl. 2

G

Fl. 3 (Picc.)

G

Ob. 1

G

Ob. 2 (E.H.)

G

EK Cl.

G

Cl. 1 (EK Cl.)

G

Cl. 2

Bsn. 1

Bsn. 2

colla tpt.

5

5 5

5

Hn. 1-2

2

5

4

4

4

4

4

4 4

5 5

5

0

0

0

0

0

0

B:

4

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

Timp.

Perc. 1

Perc. 2

Perc. 3

2

JJ EK Clar.

E5 5 5 5 5 E5 5 E5 5 5 5 + E 5 5 5 + 5 5 5 5 E5E5E5 5 5 5 E5

0

0

4

4

0

0

0

5 5 5 555 E 5 5 E 5 5 5 5 5 E 5 5 E 5 E 5 5 5 55 + E5E5 5 5 5 5 5 + E5 5 JJ

0

0

B

4

4

0

0

E B

B

0

0

Cbn. E B

B

0

1. 5 5:

0

In Tempo, L = 126 L = 126

4

4

4 4

4 4

0

0

JJ senza sord.

0

B

E5 5EB 3555

G

0

5: =

5

J senza sord.

J

JJ

J

JJ

J

5 5: 5 55 5

senza sord.

J senza sord. 3.

E 5 5 :

5 5 : 5 55 5

J

J

5 5 : 5 55 5

5 5:

5 5: 5 55 5

5 5:

5 5: 5 55 5

JJ-J

3 5 5 5 5 5E5 !

JJ J

B:

0

0

0

0

0

0

0

0

0

0

4

colla tpt.

0

N =

5:

0

N 2N

5_

Sus. Cym, with sizzles

5

5

=

5^

Tam Tams

=

l.v.

J senza sord.

E 5 5 : J

In Tempo, L = 126 L = 126

sost.

0

1 2 1

4

E 55 55 ::

5 5:

5 5: JJ

5 5 : JJ

=

5 5 : 5 5 :

5 5:

5 5 :: 5 5 5 5 5 5 5 55 5

5 5: 5 5:

5 5:

5 5: JJ

5 5: 5 5:

J

E55 55 :: 55 55 ::

5 5: 55 55 ::

J

:

5 5 5 55 5

5 5 : JJ

J

5 4

JJ-J senza sord.

E 5 5 : 5 5 :

J

0

J

J

5 5:

5:

5 5 : JJ

5 5: 5 5:

J

G

senza sord.

JJ

J

!

=

B

5 EB E5 5 5E5 5E5 5

4

5 5E5 5E5

0

4

sost.

5 5 5E5

JJ

4

G

5

0

5 5 5 5 5 5 5 5E5 + E5 5 5 5 5 + 5 5 5 E5 5 5 5 5 5 5 5 5 E5 5 E5 5

0

0

B. Tbn.

0

JJ

colla tpt.

5 5 555 + E5 5 5 5 5 + 5 5 5 E5 5 5 5 5 5 5 5 5 E5 5 E5 5

4

!

Db.

0

5 5 5 5 5 5 5 5E5 + E5 5 5 5 5 + 5 5 5 E5 5 5 5 5 5 5 5 5 E5 5 E5 5 JJ 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 E 5 E 5 5 + E5 5 5 5 5 + 5 5 5 5 5 5 E5 5 JJ

5 5E5!5!5 5 : 5 5 5 5 5 5 5 5 5 E 5 5 5 55 5 5 3 55 5 5E5 5E5 G

C Tpt. 1 (offstage)

Tba.

0

0

G 55

0

4

4

to EK Clar.

1 5 G

Hn. 3-4

4

0

Cbsn. (Bn. 3)

sost.

to Picc.

In Tempo, L = 126 L = 126

5 5:

JJ

5 5 :: 5 5 JJ

E 5 5 : 5 5 : J

5 5:

:

5 5 JJ

0 E5 5:

5 5:

5 5:

0

0

0

0

8))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) EB B

0

arco

=

JJ

J

Crotales with hard beater

5

5

J

0

5 :

5_

0

=

Chimes

J Vibes, hard mallets

5:

J

*

5

5

5 5

5

;

5

J

0

0

G

;

0

0

G

0

B M

Small Sus. Cym

l.v.

G J


18

1 G

0

G

0

G

0

G

0

G

0

G

0

G

0

99

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

EK Cl.

Cl. 2

Cbsn. (Bn. 3)

Hn. 1-2

2

JJ

5 5 5 5 E5 5 E5 E 5 E 5 5 5 5 + E5 5 5

0

0

0

0

0

0

0

B

JJ

J

EB

0

EB

E5 5 5 5 5

J

J

J

!

5 E5 5

5 5 5 5 5 5 E5

5 5 : 5 5:

55

5 5 5 5 5 5

5 5:

5 5 :

55

5 5 5

5 5 5

5 5 5 EB E 5 5 : JJ

5

5 5 :

5

5 5 5

5 5:

5

5 5 5

5 5:

5

5 5 5

JJ-J

5 5:

!5

JJ-J

!

E 55 55 ::

I5 5 E5 5 E5 E5

5 E5 E5 E5 5 5 E5

J 4. senza sord.

0

=

J

2. senza sord. E 55 55::

0

0

G =

2

J

5

5

5 5 5

0

4

4

0

4

4

5 5 E5

5 5:

E 55 55 :: JJ-J

0

55 55 ::

55

55 55 55

:

5 5

5

5 5 5

J

E 5 5 : J

Tba.

J

G 4

B. Tbn.

5 5 5 5 + E5 5 5 5 5 5 5 E5 5 5 5

0

JJ

G 4

Tbn. 1-2

E5 5 5 5 5 + 5 5 5 5 5 5 5 !5 5 E5

0

J

C Tpt. 4

E5 5 5 5 5 + 5 5 5 5 5 5 5 !5 5 E5

0

5 5 G 5 E5 5 5 5

C Tpt. 3

E5 5 5 5 5 + 5 5 5 5 5 5 5 !5 5 E5

0

!

C Tpt. 2

5 5 5 5 !5 5 E5 E5 5 5 5 5 + 5 5 5

0

JJ

G

C Tpt. 1 (offstage)

5 5 E5 E5

JJ

1 G

Hn. 3-4

=

JJ

Bsn. 2

Picc.

4

JJ

Bsn. 1

0

senza sord.

0

EB

J

Db.

Timp.

0

1 2

0

1 G 5

5

J

G 5 :

Chimes

Perc. 2

J

Perc. 3

8))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

0

2G =

5:

Vibes

J

*

5

5

5 5 E 5 5:

E5 :

5

5 !5 :

5

0 EB

J

Crotales

Perc. 1

0

E 5 5::

:

5

5

;

E5

;

0

0

N

0

N


19

5 5E5 5 5 5 5 5 5

5 5 5 5 5 E5 E5 5

5 1 5 5 G 5 5 5 5

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

0

102

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

EK Cl.

Cl. 2

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

Hn. 1-2

5

5 5 5 5 5 5 5 5 E 5 E 5 5 5 5 55 5 G

5

5 5 5 5 5 5 5 5 E 5 E 5 5 5 5 55 5 G G

5

5E5 5555555555

C Tpt. 2

JJJ

5 !5E5 5 !5 5 JJJ

5E5 5!5 5E5 JJJ

3

5

5

5 5 E 5 5 5 5 5 5 5 5 E 5 E 5 5 5 5 E 5 5 5 5 E5 E5 5 G

5 5E5E5 5

5 E 5 E5E 5 5 5 5 5 5 5 5 5 G

JJJ

JJJ

5E5 5!5 5E5 JJJ

B:

JJ

EB :

JJ

2 B:

JJ

1 E 55 55 :: G

55 55 ::

G 55 55 ::

55 55 ::

J

C Tpt. 1 (offstage)

5 !5E5 5 5 5

5 !5E5 5 5 5 5 555

5

5 5 5 5 5 5 5 5 5 5 E 5 E 5 5 E 5 G

J

Hn. 3-4

JJJ

B: G

E 5 5 : G

5 5:

G 5 5:

5 5:

G 5 5:

5 5:

55 55 :: 55 55 ::

5 5:

5 5 :: 5 5 55 55 ::

5 5 :

EE 55 55 ::

5 5 : 5 5:

! 55 55 :: JJ

E5 5 55 :: JJ

5 5 :

5 5 :

J

C Tpt. 3

JJ

5 5:

5 5:

J

C Tpt. 4

E55 55:: J

Tbn. 1-2

55 55::

5 5: 55 55::

5 5:

! 55 55 ::

5 5 :

5 5:

5 5 :

5 5 : 5 5:

JJ

5 5 :

55 55 :: JJ

J

B. Tbn.

Tba.

Db.

2

5 5:

J

B:

div. 55 55 ::

JJ

5 5:

55 55 ::

5 5:

55 55 ::

5 5:

55 55 ::

5 5:

5 5: JJ

55 55 ::

55 55 ::

J

Timp.

Perc. 1

JJ

))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))) 88 1 2 B: 1 Sus. Cyms., hard mallets = G 4 B: N M

High Sus. Cym, hard mallets

Perc. 2

5 ^

NM5 M

J J

2N 4

JJ

? =

5

Cyms.

J J

Perc. 3

JJ

4

Thunder Sheet roughly shake

5 5 5 5 5 5:

J

B

B

5 5 5 MM M

MM5

J

5 MM

5

J

5 5 5 5 5 5: M5 M

5

5

5 5 5 5 5 5 55 5 5 5 55 5555 5 5 5 5 5

5 5 5 5 5 5 5 5 MM MM

J

5 5 5 J

J J

J J J J

B: MM

MM5

5 MM

5

!

5 5 5 5 5 5 5 5 5 5 5 5


20

B

I 5555 5 5 5 5

JJ

B

5 5 5 5 5 I5 5 5 E 5

JJ

B

I

5555 5 5 5 5 55 5 5 5

JJ

5

Maestoso, = 63

1 G 104

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

G G G

B

5555

JJ

JJ

EK Cl.

JJ

Cl. 2

JJ

Bsn. 1

B

5

5

5

5 5 5 5

5E5 5 5 5 E5 5 5E5 5 E5 E5

5 5 E5 5 5 5 E5 5

5 5

5

B

555 5 5

2 B

555 5 5

5 55 55

E 5 5 I5

1 4 B G 4 5 5:

J J

J J

B 4 G 4 5 5:

J J

C Tpt. 1 (offstage)

C Tpt. 2

J J

G

5 55 5

B G 4

5 5 5

J J

B G 4

5

G 4 B

B. Tbn.

4

5

5 5 55 ::

5 5 5

0

5 : 5:

2 B I

555 5 5 I

5 55 55

E5

5 5 55 5

E5

B I

1 5 2 4 1 B: N

JJJ

5 B N JJJ J

B: N 2

JJJ

5

E5 :

555 5 5 I 4

5

I5 E5

5 5 555 5 5!5 5 E5 :

I 5 5

5

I5 E5

5 5 5 5 5 5 E5 : 5 5 !5

I 5 5

5

I5 E5

I 5 5

5

I5 E5

!

!

!

!

5E5 5 5 5 5 E 5 : 5 55

5E 5 5 5 !5 5 5 5 E 5 E 5 :

!

5

5

5:

E5

5

5:

E5

!

I 5 E55E5 5

5

55

5

J

5 E5I E5

I E5E5

5

E5

5

E5

5

5

5

5

! I 55 5 5 !5 5 E E5 55 I

55 5 E5 5 5

E5 :

J

E5 :

55 5 E5 5 5

J

E5 :

55 5 E5 5 5

JJ

JJ

E5 5 E5 5 5 5I 5 5

5 E5 5

5

E5

E5

E55 :

5

!

5

! J- J E55 5 55 55 5 5E5 5 5 5 E5

5

J

E55

E 5 5 5 5 5 5 5

=

=

E5 5

5

5:

E5

5 5

E 55

I 55 I

J

5

5

J

0

5 3 5 5 5 5 5 5 5

5

J

5

J

5

5:

5

5:

E5

5

5

5

5

I

5 55 5 5E5 5

5

55 5 E5 5 5

J

E5 :

55 5 E5 5 5

J

5

J

E5 : E5 :

5 E5 5 5 5 5 E5 5

div.

M E5M

J

unis.

J

B M

0

0

0

0

0

0

0

0

0

0

0

J

55

E5 :

0

=

5

J- J

0

4

5 EE 55 5

0

4

!

5 5 5 5 5 5

J

E5

55

I

5 55 5 5E5 5

!

E5

J- J

! 5 !5 5 5 ! 5 5 5

555

5 55 55 5

5E5 5 E5 5 5 !5 5 5 5 5

5 5 5 5 5 E5 E5 5 E5

5 EE5 5 5

J

55

J- J

I E5 E5 I

!

!

J

J

0 5E5 5 E5 5 E 5 E5

I5 E5

!

I 55

55

EE55

0

E5 5 E5 5 5 5I 5 5

5 5 5 5

J

I 5 E5

E55

J

I E5 E 5

JJ

J

E5

JJ

Perc. 3

55 E 55

5 5 55 5

J

Perc. 2

5

555 5 5 I

unis.

Perc. 1

5

5 5 5 5 5 5 5

Maestoso, = 63

Timp.

!

I 5 5

!

5 5 5 5 5 5 E5 : 5 5 !5

!

(J)

EE55

5 5 5

B I

J

Db.

55 E5

5 5 5 5 5 5 5

5

E 5 5 5 5 5 E5 5

J J

J J

J

Tba.

5

5 5 555 5 5!5 5 E5 :

J

5 5 5 5 5:: 5

J J

Tbn. 1-2

5: 5

J J

J J

C Tpt. 4

!

J

E5

5

5 5 5 5 555 5 5 55 5 5 5

0

J J

C Tpt. 3

5

E5

Maestoso, = 63

Hn. 3-4

!

J

JJ

Hn. 1-2

!

I5 E5

5 5 5 5

5 E5 5 E5 5 E5 5 E5 E5 E5 E5 E5

5 5 E5 5 E5 5

5

!

5

5 5 5 5

5 E5 5 5 5 E5 5 5 E5 5 E5 E5 ! !

E5

5 5 5 E 5 5 5 5 E 5 5 E 5 E 5 E 5 E5 E5 E5

5

!

!

I 5 5

JJ

Cbsn. (Bn. 3)

!

5 5 5 5 5 E5 : 5 5 !5 5

5 5 5 5

5 E5 5 5 5 E5 5 5 E5 5 E5 E5

5

JJ J

Bsn. 2

5 5 E 5 5 E5E 5

5 5 5 5 5 I5 E5 5 E5 E 5

E B G

5 5E5 5 5 5

5

5

5

5

55

5 5 5 5

5 E5 5 5 5 E5 5 5 E5 5 E5 E5 ! !

5 5 5 5

5E5 5 5 5 E5 5 5E5 5 E5 E5

5 5E5 5

5 5 5 5 E 5 5

I E5 5 5 5E5 E 5 5 5

B G

5 5 E5 5

5

I 5 5 5 5 E5

5 5555 5

B G

5

5


1 5: G

5

109

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

EK Cl.

Cl. 2

Bsn. 1

G G G G

5

5:

I5

I5

5

5I

I5

5

I5

5

I5

5

I5

5:

5

5:

5 5I

5

I5

E I5

5

E 5I

E5

E5 :

5 I5

5

I5

E5

5

5

E 5 5 E 5 E5 5 5 5 5 5 E 5 E5

5

E5 E5 5 5 E5 E5E5 5 5

E 5 5 E 5 E5E5 5 5 5 5 5 E 5

5

5

E5 5 E 5 E5 5 5 5 5 5 E5 E5

5

5

EI5

E5

E I5

E5

J

2 E5

+

=

G

B BI

55

E5 E 5I

J J- J

=

5

=

!5 !5

E 55

Perc. 1

Perc. 2

Perc. 3

J- J

5 5 E5 5 E 5 5 5 5

J

J

E5

E5 5 5 5 E 5 5 5 5

N 4

4

1

=

J

4

M M 5 M 5M

=::

5 5 I5 5 5 5 5 5 55

5

I5

5

I 5E5E5 5

5

I5

5

I 5E5 5

5

I5

5

5

5

5

5

5

5

4

5I

5:

5

BB

k 55

5

$ B 5 5 5 5 5 555 5 5

N

Crot.

2N

0

Hgh Sus. Cym

4

4

J J- J

J J- J

G

BB

J

B

J

55 55

J J

J

5

5:

J J- J

J

55 55E55 5 55 55 55 55 5 5 55 5

55 55E55 5 5 55 E55

5

5

5

5:

5

5 5

5

5

5

5:

5

5: 5 5

5:

5 5

55

5 5

5 : 55 55 5:

5

5:

J J- J

5

J J- J

J

4

5

5 5

J J

5 5

J

5

55

J J- J

0

55 5E5 5 5 E5

5

J

div.

4 4

5 E5E5 5 5 E 5

5

B

J J- J

J

J J

5: 5:

J J- J

J

MM 5 :

5

5

5 I5

J J- J

J

E5 5 5 5 5 E5 5 5

1 M 2 E5M

I5

0

55

Timp.

5

0

4

J

I5

55 I

4

J

5

55

5

5 :

!5 !5 5 5 !5 !5!5 5 5

55

G 5

Db.

5

55 55 E55

C Tpt. 4

2 E5

!5!5

55 I

5

Tba.

I5

55

5

J

5

55

5 5

J

I5

55 55 E55

5

5

E5

5

J

4

5:

!5!5 5 5!5 5 5

J J- J

C Tpt. 3

B. Tbn.

5

5

! 5 5 5 5 5 5 5 I5 5 5 G 5555 53

J J

Tbn. 1-2

I5

B

5

I 5: 5: I

5

J J

5

5 5 5E5 5 5 5 5 5 5 5 I5

J J

55 55 55

!5!5 5

! 5

5 5

J

I5

J J

J J- J

J J

0

5

5

5 5

!

! 5 5: ! 5 5 5 ! 5 5

J J

5

I 5 5 5E5 5 3 5 5 5 5 5 5 5 5 5 G J

5

5

4

C Tpt. 2

I5

5

5

J

55

5

5

5

J

J

!

I

1 E5 5 5 5 5E35 5 5 5 55 55 555 G 5: I

J- J

I 5: 5 E55 E55 G E5: E5 I

I5

5 E 5 5 E 5 5 ! 5 5 5E5E5

J

J

5

55 + 5 5 5E5 !5 5 E5

E 5 5 5 E5 5 5 E5 5 5

5 :

!5 !5 5 5 !5 !5!5 5 5

55 5 + 5 5 5 5 !5 5 5

EI5

E5 5 5 E 5 5 E 5 5 5 5

J- J

C Tpt. 1 (offstage)

5

E5

J J

Hn. 3-4

E 5

J

J

Hn. 1-2

5

E5 5 5 5 E 5 5 5 5

J

Cbsn. (Bn. 3)

5

5

J

Bsn. 2

I5

5:

G E5 : G

21

= 4

55 55

55 55 55 5 55 5

J J

55

5

J J

5

5:

J J- J

J

55 ::

55

J J- J

J

5 MM

B MM 4 0 0

J

= ::

$ 5


22

: 5 555 5 5 5 5 55 5

5 1 5 E5 E5 5 5 E 5 5 G E5E5 5 112

Picc. 1 (Fl. 3)

G

Fl. 1

G

Fl. 2

5 5

E5 5 E5E5 5 5 E5E5 5 5 E 5

5E5E5 5

5 5 5E5E5

G

Ob. 2 (E.H.)

G

EK Cl.

G

Cl. 2

5

5

E 5

5 5

5

I5

55 5 5 5

E5E5E5 5

5 E5 E5 E 5 E5E5 5E5E5

Bsn. 1

5

4

Bsn. 2

Cbsn. (Bn. 3)

Hn. 1-2

Hn. 3-4

2

5

I 5 5E5 E5 5 5 E 5 5 5 E55

5

5

5

J J J

4

5

5

J J J

1 E5B G

I E5 E 5 5 E 5 E 5 E 5 E 5 E 5 E55

E55E5E5E 5

E 5

5

5

5

5

5

5I E5

JJJ

5 5

E 5 E 5 5 5 5 5 5 E5 E5

JJJ

5

55EE55

JJJ

5 5 5 5 5 5 5 5 55 5 E5 E5 5 5 5 5E5 5 5 E5 5

JJJ

J

JJJ

J

E5

5

5

JJ

5

5 JJ

B

5 55 55555555 55 5

55

E55

5 B

E5

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

5

G E5 G 5

E 5

G E5

5

J

E 55 J J- J

B. Tbn.

4

5

J J- J

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

4 2 4 1 4 2 1

N

55 :: 5:

55 :: 4

5

5

$ 5 3

E5

J

55E55 E5 5 J J

5 5

E 55 E55 E55 5: 5: 5

J J

5

5

5

55

55 ! 55

J

J J

5 5

5

5 E5 E5

E 5 5 E5

5

5 5

5

5 E5

5

E5

J

E 5

5 5

J

E 55

div.

55

5:

4

55 5 55 J

4

Poco più mosso, = 69

JJ

JJ

0

0

5 55 55 5 E55 55 J

0 0

5 5

5 5 5 5 5 E5E5

5 5

5 5E5 5555

5 5 E5 5 4

5: 5 5

55 E5 5 5 5 5

5:

55 ::E 55 55 5 : 5 E5 5: 5 5 55:: 55 E 55

J

4

J

44

0

5 55 55

5 M

J

!

JJ

solo

J

JJ

!

!

E 55

5

JJ

E 55 JJ

5 JJ

B

JJ

0

5 5 5E5 5 5 E5 5 55 J

55 5 55 J

J

55 5 55

Poco più mosso, = 69

55 5 55 unis.

0

MB

J

J

0

B 5 5 5 5 555 5 5

0

0

0

EBB

0

0

0

0

0

0

G 4 2N

J

5

5:

J J- J k 55

5

5

J J- J unis.

5 5

E5 5 E5 5 E5

5

EE 55

0

J

!

0

G

J

5 I5

5 E 5 E 5 5 E 5 E 5 5 5 5 5 5 555E5 5E5 5 5E5 5 5

!

C Tpt. 1 (offstage)

0

E I5 E 5 E 5 E 5 E 5 E 5

E 5 5 5 E5E5 E5E5E555 5 E5E5E5 E5 5 E5 5

5 55 55555555 55 5

55EE55

0

I5

5 5 5 5 5 5 5 5 555 5 E5 E5 5 5 5E5 5 5 5 5 5

5

E5

555 5 5E5

5 5

E 5 E 5 5 5 5 5 5 E5E5 555 5 5E5

JJJ

5

5

J J

I5 E5

5 5

Poco più mosso, E 5 E 5 5 5 5 5 5 E5 = 69 E5 555 5 0 5E5

JJJ

5

J J

55 E55 EE55 5 5 E55 :: 5 5

5

5

I 5E5E5 5E5

5

J J

E 55 55 EE55 55 55 E55 ::

5

G EEB5

5

5

5

J J J

5

I5

5

5

4

I5 E5

5: 5555

5

5

5

5 E5 E5 5 5 E 5 5 E5E5 5 E5 5 E5E5E5E5

5I E5

5I

: 5 555 5 5 5 5 55 5

5

5 5 5: 5 5 5 5 55 5 5 5

5 5 E5 E5 5 5 E 5 5 G E5E5 5

Ob. 1

5

I5

4

J

B

J

G

G


23

1 G 4 116

Picc. 1 (Fl. 3)

solo

4

55

G ?

Fl. 2

555

G ?

Fl. 1

5

3:

555

=

55

5 5 G 5

Ob. 1

5

5

5

5 5 5

B

5

5

B

5

4

4

5

J- J

4

5

4

0

B

J- J

5

5 J

5 5 5

J- J

Tba.

2

5 5 5

J- J

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

1 4 G G 4 2G 4

J- J

4

J

4

0

5 55

4

4

= 5

4

J- J

I 5 E5 E5

J- J

5

5 5

5 5

B

5

5

5

J

5 5 E5I

J- J

5 E5 E 5 I

J- J

5 E5 I E55 55 5 5 55 E55 E55 EE55

J- J

E55 E55 4

B B

4

B

4

4 4 4

4 I 4 E5 E5 I 4

J- J solo

E5

E5 5 5 E5 5 E5 5 E5

0

0

0

0

I 5 E 5 5 55 EE55 5 E 5 5 EE55 5 E5 5 5 E5 5 I J

J- J

E5 5 5 5 5 5 J

5 5 E5 5 5

5

5

5

5

5

5 5 5 E5 5 5

BM

non cresc.

E5E 5 E 5

J- J

5 5 5 E5 5 5

B

B

E5E5

I 5 5 E5

J

5

5

3:

I 5 E5 5 5 E5 5 E5 5 E5

4

4

J

I 5 E5 E5

J- J

5 E5 E 5 I

J- J

J

div.

5 E5 E5 E 5I

J- J

0

4

4

M E I5M

J- J

Glock., medium mallets

0

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

4

0

4

4 E5 E5 5 5 5 5 5 5 5

4

4

0

4

5 4 MM

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

4

0

4

E5 5 5 5 4 E5 5 5 5 5

0

5 4 N MM

0

0

J

5 MM

Tri,

4

J

4

5

5

J- J

E5 E5 5 5 E5 5

5

5

E5E 5 E 5

5 5 =

J

solo

0

E5E5

I 5 E5 5 E5 E5 5 E5 E5 E5

4

E5

J- J

J

4

J

4

E5 5 5 E5 5 E5 5 EI5

E5 5 5 5 5 5

5

5

BM

MM

5

J- J

4

5

5

5

B

5 5 5

1 4 2

5

B

J- J

B. Tbn.

5

5 5 5 5 5 5

Tbn. 1-2

4

J

55

5

5

solo

J- J

4

5

5

0

BB

5 G 5 5 echo

4

J

0

G 4

4

5 5 E5 5 E5 5 E5 5

J

B

4

5

J

5 5 5

G

C Tpt. 4

5 @ 3:

5

5 55 @ 3 : = 5 5 5 E5 5 5

5

G 4

C Tpt. 3

5 55

J

5

J- J

C Tpt. 2

4

B

G E55 55 55

C Tpt. 1 (offstage)

55

3:

G 5 E5 5

1 G 4

Hn. 3-4

555

5 55 @ 3:

B

J- J

Hn. 1-2

3:

55 55 5

B

2

5

G E5 5 E5

J- J

Cbsn. (Bn. 3)

555

5 @ 3:

55

5

Bsn. 2

3:

5

B

J- J

Bsn. 1

5

5

5

5

G 5 5 5

J- J

Cl. 2

55

555

5

B

J- J

EK Cl.

J, espr.

5

B

J- J

Ob. 2 (E.H.)

555

5k 5 5

5

5

5 M M

0

5 MM

Crot., medium mallets

0

0

J

0

0

0


24

Picc. 1 (Fl. 3)

1 5 G G

Fl. 1

G

Ob. 1

G

Ob. 2 (E.H.)

G

Cl. 2

Bsn. 2

2

G G

C Tpt. 2

C Tpt. 3

C Tpt. 4

55

55

55

5 E5E 5 E 5 @ 3:

Perc. 3

55

55

5 5 5 5 @ 3:

B:

2

E5E5

3:

55

E5kE5 5 E5kE5 5 J

E 5kE 5 5

J

5

J

3:

5E5

5

E I5

=

E I5 E 5 E 5 E5

=

I5

E5 E5

E5kE5 5

B: B:

5

E5

5

E5kE5 5

0

0

0

0

0

B

E5 E55

EE55

5kE 5 5

0 5

I5

5

5

J

E5

B

k E5 5 E5

solo

4

5

E5

4

4

4

5 EB

B:

B: B:

4

EE5B

5

E5 5 5

non cresc.

1 5 G E5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0

0

J

5 M M N

B MM

E5 E5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0

J

0

0

k 5 5I 5 5 5 5 5

E5 5 5

B

B

5

5 5I 5

5

B

5

5 5I 5

5

5

J

5

J

J

J

J

EB5

5

J

J

5 I5 5

E5

5

E5

B

55

5B 5

5 5

k 55

5

B E 5 5 5 5

B 5 E5

5 5

4

J

0

0

5 555 E5 5

k 5 5I 5 5 5 5 5

E5

J

5B 5 55 J

E 5B

5

B

solo

5

J molto

5 5 5

B E5

5

J

5 5I 5

5 5 5 5 E5 5

5 5 5 E5

55

B

5

5 5I 5

5

B

5

5 5I 5

5

B B

5

5 55

5

J

B

E5

B

E5

M BM

4

0

0

0

5 E5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4

0

0

0

B MM

4

0

0

0

E5 E5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 4

0

0

0

B

J

J

B

J

J

Broadening little by little

0

0

0

5

5 5

E5

0

k 55

5 5

B

unis.

M BM

k 5 I5 5 E5 5 5 5

J molto

G

k 5 I5 5 5 5 5 5

J molto

5E 5 5k 5 5 5 5 E5 E5 E5

k5 E 5 I5 5 5 5 5 5 E5 E5

E55

J

1 2 5M

5kE5 E5

J molto

Broadening little by little

4

J

E5

J

B:

0

B

E BB

E5

5

E5

55 B

5

J molto

5

E5

0

E5

J

k 5 I5 5 5 5 5 5

4

E5

E5

0

5 4 4

J molto

I5

0

5

E5

4 0

4

J molto

I5

5

5 4 4

J molto

I5

Broadening little by little

J

J

B:

0

2G

E5E 5 E 5

E5 @ 3 :

555

E5

G

E5

J molto

J

0

Perc. 2

55

E5

5

B. Tbn.

Perc. 1

3:

55

B

B: 5

Tbn. 1-2

Timp.

5 E5

G 5 B:

C Tpt. 1 (offstage)

Db.

3:

E5

I5

1 B: G B:

Hn. 3-4

Tba.

E5E 5

E5 5

E 5kE 5 5

B:

Bsn. 1

Hn. 1-2

J, espr.

I5

G B

EK Cl.

Cbsn. (Bn. 3)

E5E5

E5 G @ 3:

Fl. 2

k E5 5

5

121

B B

J

J


1 4 4 5 G 126

Picc. 1 (Fl. 3)

JJ, espr.

G

Fl. 1

G

Fl. 2

5

5 5

più J

5

5 5

più J

5 G 4 4

Ob. 1

più J

5 G 4 4

Ob. 2 (E.H.)

5 5 5

k 55

I5

I5

5 5 5

k 55

più J

G

Cl. 2

E5 5 5 E5 5 5 più J

5 5 5

Bsn. 1

Bsn. 2

Hn. 1-2

5 5

5 5 I 5

E 5 5 5 5k 5 5 5 EI5 5 5 G E5

EK Cl.

2

k 55

5 5 I E5

5 B

5 E5 I5

5 5 E5 I

C Tpt. 1 (offstage)

5 G 4 4 solo

J molto

G

5 B

G 5 B

Tbn. 1-2

5I

JJ

5k

=

B:

5

JJ- J

EI5

5I

JJ

I5

=

5

5 5

5

5 5

5

5

5 5 5 5 =: 5 5

sub. J, stacc.

cresc. poco a poco

5

5

J, stacc.

5

B:

5

5

5

5

EBB 5

5 5 5

5 5 5 5 5 J

5 5

55 5B 5

55 BB

k 55 k 55

5 E5

55

5 5 I 5

I5

5 5 I 5

I5

5

B

5

5

5

E55

55

B

5

B

5 5 5 5 =: 5 5

B B

5

5

5I

5

k 55

5

5

5I

5

k 55

5

5

5I

5

k 55

5

5

5I

5

k 55

5

5

5

5

5

5

5

5

5

5 I 5 E5

Tba.

Db.

Timp.

2

5 E5 I5

5 5 5 E5

1 2 4 5 E5 J

5

5 5

5

5 5

5 5

5

JJ-J

5

5

JJ-J

Maestoso, = 63

5

5 5

5

div.

5

5 5

5

5 5

5

5

0

Perc. 2

N

0

0

0

Perc. 3

2G

0

0

0

4

4

unis.

B

JJ-J

5 5:

5 5:

5 5:

Glock.

J

J-J

5 5 :

5

5

5I

5

5 5k5 5

5

5

5

5I

5

5 5k5 5

5

5

5

5I

5

5 5k5 5

5

B5

5

5 5:

0 4

Low Med. Tam Tam

NB

JJ J

JJ-J

5

55

5

JJ-J

5

5

5 JJ-J M 5M

J-J

5 5:

5 5:

5 5

4

5

k 55

a2

5

5

5

55

5

JJ-J

5

JJ-J

5 5

M 5M 5 5:

0 B

55

JJ-J

M BM

5 M

5

5

B

M BM

J-J

0

5 5

5

5 5k5 5

B

5 M

JJ-J

1 G

Perc. 1

B:

JJ-J

5

B

JJ-J

5I

JJ

JJ-J

B

5

5

5

5 5

5

JJ-J

B. Tbn.

5

JJ-J

JJ-J

5

55

55

B B

B: B:

5

555

5

5 5

5 B

JJ

55

5

JJ-J

B

JJ

JJ

JJ

B

JJ

5 5 5 5 5 5 =:

5 5 5 5 5 5 = : 5

B

B: B:

JJ

5 5 5 5 5 5 =:

cresc. poco a poco

55

JJ

5B

JJ

5 5 5 5 5 5 =:

B

B: B:

JJ-J

5 5 5 5 5 5 =:

5 5 5 5 5

5 =:

5

!55

JJ-J

5 B5 5

G 5 5 5

Maestoso, = 63

5 5 5 5 5

0

B

5 5 5 5 5 5 =:

5 5 5 5 5 5 = :

5 5 5 5 =: !5 5

JJ-J

5 5 5 5 5 5 =:

cresc. poco a poco

B:

5

0

5 5 5 5 5 5 =:

J, stacc.

JJ- J

I5

0

poco a poco

5 5 5 5 5

5 5 5 5cresc. 5 5 5 =: =:

JJ-J

G E55 5 5 5 E5

C Tpt. 4

J, stacc.

JJ-J

Hn. 3-4

C Tpt. 3

=

B

1 G 55 EB5 5 E55 BB

C Tpt. 2

5 I5

k 55

5 5 5 5 5 5 =:

!

5 5 5 5k 5 5 5 I5

più J

Cbsn. (Bn. 3)

5

5 5 5 5 5 5 5 5 5E5 5 5 5 5 5 5 =:

5 5 5 5k 5 5 5 5

5 5 5

25

Maestoso, = 63

4

5

JJ-J

MM

5

5 5:

J-J

0 5

JJ J


26

1 G 4 132

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

EK Cl.

Cl. 2

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

5 G

4 =:

G B

=:

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

B. Tbn.

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

G 5B

5

G 5 I

5I 5I

G 5 I

5I

G 5 I

5I

B B

3:

B

5

B

5

5

B

5

5 5

BB

J

J J

BB

J J

5 5

5

I5

5

JJJ

JJ

5

5

5

5

JJ

I5

5

5

5

5

5 5: 4

5

B

5

B

5

5

5

5

5

5

5

5

5

4

M 5M

4

JJ

J-J

5

5

5

5

5

5

5

5

5

5

5

4

J

5

JJ-J

5

G

J

J

B:

Chimes

J

55

BB

5

J

5

5

5

5

JJ

5 5

5

4

I5

5

5

J

I5

JJJ

5

JJ

5

5

5

5

=

JJJ

JJ

1 2 BM

2 N B:

J J

J

5I

3:

5

J

JJ-J

B

N 4

3:

JJ J

55

JJ J

55

JJ J

I5

3:

5 5 5 5 5 5

B

JJ-J

1 5 !5 : G

3:

5 5 5 5 5 5

3:

5 5 5 5 5 5

J J

B 2

5 5 5 5 5 5

+

5 5 5

5 5 5 5 5

5 5 5 5 5 5 : @ 3

5 5 5 5 5 5

3:

5 5 5 5 5

5 5 5 5 5 5 5 5 5

+

3:

5 5 5 5 5

5 5 5 5 5 5 @ 3 :

5 5 5 5 5 5 : @ 3

5 5 5 E 5 5 5

3:

5 5 5 5 5 5 @ 3 :

5 5 5 5 5 5 5 5 5

+

5 5 5 5 5 5

5

JJ

5

5 5 5 5 5 5 5 5 5

3:

J

2 B

G 5 I

J

3:

5 5 5 5 5 5 @ 3 :

5 5 5 5 5 5 : @ 3

J

JJ

1 B G 5

+

5 5 5 E 5 5 5

B

JJ

Hn. 3-4

J

5 5 5 5 5 5

5 5

5 5 5 5 5 5 5 5 5

B

JJ

Hn. 1-2

=

5 5 5 5 5 5

5 5 5 5 5 5 @ 3 :

5 5 5 5 5 5 @ 3 :

=

5 5 5 5 5 =: G 5

3:

J

J

B

5 G

3

J

5 5 5 5 5 5

5 5 5 5 5 5 @ 3 :

J

5

5 5 5 5 5

5 5 5 5 5 5 =: G

G

5 5 5 5 5 5

5

Crot.

G

J

5

5

5

5

5

5

5

5

5

Lg. Tam Tam

5_

4 5

5

N

JJ

5 . L

5

5

5

5

5 . L

5

5


27

1 G

134

Picc. 1 (Fl. 3)

5 5 5 5 5 5 5

G

Ob. 1

5 5 5 5 5 5

G

EK Cl.

G

Cl. 2

Bsn. 1

5 5 5 E 5 5 5

55 5 55 55 55

5 5 5 5 5 5

5 5 5 5 5 5

3:

5 5 E 5 5 E 5 5

3:

+

+

5 5 E 5 5 E 5 5

3:

5 5 5 5 5 5

5 5 5 5 5 5

3:

5

B

Cbsn. (Bn. 3)

Hn. 1-2

2

G G

C Tpt. 2

5

G

C Tpt. 4

Tbn. 1-2

5

5

JJ-J

5 5

BB

J

E55

J

5

55

5

5

5

J

5

=

5 5 5

5

5

5

5

J

E 5

4 5

5

5

5

BB

5

5

5

5

E 5

5

J

5

5

5

5

5 5

5

5 5 5 5 5 5

B

5

J

E 5

=

J

E 5

4

J

BB

5

J

5

5

5

5

5

5

5

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

2

J

5

E 5

B

5

5

JJ-J

B

B

5

B

5

5

5

4

5

5

5

5

5

5

Chimes

N 4 5

5 G

5

5 5

5

5 5

J

5

5 . L

5

5

5

5

5

5

5

5

5

5

M 5M

4

JJ

5

5

J

B:

1 G 5

5

E 55

BB

JJ-J

1 2 BMM

2G

5

5

B

J

J

B. Tbn.

3:

JJ-J

E 5 E 5

G 4

C Tpt. 3

B

J

B G B

C Tpt. 1 (offstage)

5

B

1 BB G

Hn. 3-4

B

J

3:

J J

5

B

+

5 5 5

5 5 5 5 5

5 5 5 5 5 5

3:

J J

Bsn. 2

5 5 5 5 5

55 55 55 55 5

+

3:

5 5 5 5 5

5 5 55 55 @ 3 :

5 5 5 5 5 5

3:

3:

5 5 55 55 @ 3 :

55 55 55 55 5

3:

5 5 5 55 5

5 5 5 5 5 5 @ 3 :

E 5 5 5 5 5 5 @ 3 :

5 E 5 5 5 E 5 E 5

5

B

3:

5 5 E5 5 5 5 @ 3 :

5 5 5 5 E5 5 5 5 5

3:

5 5 5 55 5

5 5 5 5 5 5 @ 3 :

E 5 5 5 5 ! 5 5 @ 3 :

5 E 5 5 5 5 E 5

3:

3:

5 5 E5 5 5 5 @ 3 :

5 5 5 5 E5 5 5 5 5

+

5 5 5 5 5 5

5 5 ! 5 5 5 5 @ 3 :

5 5 5 55 5 @ 3 :

5 5 5 5 5 5

3:

3:

5 5 5 55 !5 @ 3 :

5 5 5 5 5 5 @ 3 :

5 G @ 3 :

Ob. 2 (E.H.)

+

5 5 5 5 5 5

5 5 5 5 5 5 @ 3 :

5 5 55 5 5 @ 3 :

5 G @ 3 :

Fl. 2

3:

5 5 5 5 5 5 @ 3 :

G @ 3:

Fl. 1

5 5 5 5 55

J-J

5

5

5

5

5

5 5

4 5 . L

5

5

5

E5

5

5

5 E5

5

5

5

5 E5

5

5 . L

5

5

5

5

5

5

Lg. Tam Tam

5_

N

JJ

5

5

5

5 . L

5

5


28

Picc. 1 (Fl. 3)

5 5 5 5 5 5

5 5 136 5 5 5 5 1 3: G 5

G

Fl. 1

5 5 5 5 5 5 @ 3 :

@ 3 :

Fl. 2

G

Ob. 1

E5 5 5 5 5 5

G

EK Cl.

G

Cl. 2

Bsn. 1

5 5 5 5 5 5 5 5 5

5 E 5 5 5 E 5 E 5

5 5 E 5 5 E 5 5 B:

3:

5 5 5 5 5 5

3:

JJJ

JJJ

5 5 5 5 5 5

3:

0

­ 5 5 5

JJJ

3: 3:

Cbsn. (Bn. 3)

Hn. 1-2

2

B

­ ­ ­

EB:

0

G

C Tpt. 1 (offstage)

G

C Tpt. 2

G

C Tpt. 3

G

C Tpt. 4

Tbn. 1-2

B. Tbn.

2

E 5

0

­ B :

=

5

5

5

E 5

5

5

B

5

5

5

5

5

5

5

E5

5

­

Timp.

Perc. 1

1 2

0 0

­

B

1 G 5

0

5

5

E5

5

5

5

5

5

5

Perc. 3

N 2G

5

E5

5 . L

5

5

5 JJ

5

5 . L

5

!5 JJ

­

l.v.

5 5

5

5 5

JJJ

JJJ

5

JJJ

0

B B B B

4 JJJ JJJ

JJJ

N

0

BB

B:

B

B:

B

B: M

M B:M

Bass Drum.

N

BB :

Broadly

4

JJ

B

M 5M

Lg. Tam Tam

4

B: M M B:M M B:M

M BM B M

M BM M BM

4 4 4 4

JJJ

JJJ

B

B

Med. Sus. Cym, hard sticks

4 4

JJJ

B:

J

4 4

JJJ

JJJ

M BM:

4

JJJ

B:

JJ

­ Crash

B: Cyms.

0

B:

5 5 5 5 M 5 5M

0

5 l.v.­

5

JJ Perc. 2

B:

B:

J

JJ

5

B: B:

B:

B:

0

­

B MM 5

B

J

JJ

5

B ::

JJ

­

B

M 5M

B: 5 5 5 5 5 5

JJ

5 5 5B :

J

5 5 5

JJ

Db.

B

JJ

JJ

5 5

B:

B:

JJ

5

:

B

B:

JJ

­

4

JJJ

5 ­ B:

J

B:

B

JJ

5

BB::

B:

B:

­ B:

4

JJJ

JJ

5 J

B

­ B:

B

:

B

B5 : 5 5 5 5 5

JJ B:

JJ

J

5

­ B:

JJ

B

B

Broadly

0

JJJ

B

B:

J

0

4

B

:

B

J

JJ

5

B:

J

0

JJ

5 5

B:

JJ

­ EB :

E 5

B:

0

4

JJJ

B:

JJ

5

B:

0

­

B: G B:

B

JJJ

JJJ

B:

0

JJ

B

5

B:

B

­

1 BB :: G

Hn. 3-4

Tba.

5

B: B:

JJ Bsn. 2

B:

B

0

5 5 5 5 5­

JJJ

B:

JJJ

5 5 5 5 5 5

3:

+

B:

0

5 5 5 5 5­

5 5 5 5 5 5 @ 3 :

5 5 5 5 5 5

0

JJJ

5 5 5 5 5 5 5 5 5

+

­

3:

B:

Broadly

­

5 5 5 5 5

JJJ

5 5 5 5 5 5 @ 3 :

E 5 5 5 5 5 5 @ 3 :

5 G @ 3 :

Ob. 2 (E.H.)

+

3:

5 5 5 5 5 5 @ 3 :

5 5 E5 5 5 5 @ 3 :

5 G @ 3 :

5 5 5 5 5 5

JJJ

JJJ

4 4 4 4 4 4 4

JJJ

4 JJJ

4 JJJ

4 JJ

JJ

4 4

JJ

4 JJ


to Donald, with boundless admiration and warmth

For Love of the Mountains - (Four Tableaux) Aaron Jay Kernis (2016)

Maestoso q = 60

  

 

 

 

Oboe 2 (E.H.)

 

Clarinet 1 in Bb (Clar. in Eb )

 

Bass Clarinet in Bb (Clar. 2 in Bb)

 

 

 

  

Piccolo 1 (Fl. 3)

Flute 1

Flute 2 (Picc. 2)

Oboe 1

Bassoon 1

Bassoon 2

Bassoon 3 (Cbsn.)

Maestoso

 q= 60 Horn 1-2 in F  

Horn 3-4 in F

Trumpet 1 in C (offstage)

Trumpet 2 in C

Trumpet 3 in C

Trumpet 4 in C

Tenor Trombone 1-2

Bass Trombone

Tuba

 

Timpani

Percussion 1

Percussion 2

 

mf

 

 

 

mf

 



mf

                               

f

5

3

3

3

3

6

6

3 3               f 6

 

 

 

 

  

Maestoso q = 60

Double Bass



 

   

  

         Sus. Cyms.

p

 

mp

p

     

Sus. Cyms.

pp

mp

pp

mp

 

   



mp

p

                 Percussion 3   

pp

    

pp

mp

2 Med. Tam Tams

pp

p

pp

mp

pp

p

Copyright © 2016 AJK Music (BMI). All rights administered by Associated Music Publishers, Inc.(BMI) throughout the world.

p

 

pp


2

11

Picc. 1 (Fl. 3)

 

 

 

 

Fl. 1

 

 

 

Fl. 2

 

 

 

Ob. 1

 

 

 

Ob. 2 (E.H.)

 

 

 

Cl. 1 (Eb Cl.)

 

 

 

B. Cl. (Cl. 2)







Bsn. 1

 

 

 

Bsn. 2

 

 

 

 

 

 

                                  

Bsn. 3 (Cbsn.)

Hn. 1-2

      sf-p      

     

Hn. 3-4

3

3

 

3

C Tpt. 4

Tbn. 1-2

6

       

mf

6

         3

sf

 

3

p



f



sf

  

     

 

p

 

 

     



 



 

Db.

Timp.

Perc. 1

Perc. 3

 

  

fsf

           

  

5

sf

sf





 

 

 

 

 

 

 

 

 

 

         

 

mf

         p

mf

p

pp

mf

pp

mp

p

mp

5

5

p

      sf

mp

5                     

p

                  

 





sf sf

     

mp

Perc. 2

B. Tbn.

     sf sf     

5

p

Tba.

sf

    

5

5

sf

3

3

5

     

   sf  

      

     

fsf

   fsf  

5

fsf

     

 sf

fsf

 

    

 

 

fsf

6



3.



nf

  

1.

3 3          

  

p

3

f

          6

C Tpt. 3

mf

6



 

3

                      3

C Tpt. 2

3

f

3

sf-p

C Tpt. 1 (offstage)

6

 

pp

   

pp


3

18

Picc. 1 (Fl. 3)

 

 

 

Fl. 1





Fl. 2

 

 

Ob. 1

 

 

Ob. 2 (E.H.)

 

 

Cl. 1 (Eb Cl.)

 

 

B. Cl. (Cl. 2)

 

 

Bsn. 1

Bsn. 2

Bsn. 3 (Cbsn.)

 

 

              3

 

       

  

 

3

Hn. 1-2

 

 

 

 

Hn. 3-4

sf

mf

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

 

   sf

     

C Tpt. 4

f

   

Tba.

sf

  

sf

  

  

 

    

fsf

 

 

     fp

       

fp

fp

3.

 

sf

 

   sf

5



5

 

 

 

 

sf

sf

sim.

3

   

  

  



    

  

3

f

5

5

     

  

5

     

        

        

mf

 

 



               





        

       

5

5

5



mf

f-mf`

5

 5 5                   5 sf sf

  

fsf



5

 

sf

         

   



sf

sf

Timp.

Perc. 1

Perc. 2

  

 

 

 

 

 

p

mp

p

mf

pp



mp

mf

mf

         

     mf-p

   

sf

sf

 

sf

f

         mp High Cym.

Perc. 3

 

5

fsf

Db.



 

5

f

sf

3

5



f-mf

     

 

sf

fp   5                      



 

5

sf  5 sf              5

 

 

   



   sf  



sim.

sf

sf

5

 

sf

Bsn.

sf

    sf     

 sf  

sim.



fsf

   

sf

                    5 sf              

sf

B. Tbn.

 

sf

fsf

3                      3 3

Tbn. 1-2

fsfp

f



fsf

sf

3

   fsf

sf

 

 

 

 



pp

 

       p

mf

 

p

pp

mf

mf





         mf-p

mf-p

mf-p

    

mf-p


4

24

Picc. 1 (Fl. 3)

 

 

 

Fl. 1





Fl. 2

 

 

Ob. 1





Ob. 2 (E.H.)

 

 

Cl. 1 (Eb Cl.)





 

 

B. Cl. (Cl. 2)

 

Bsn. 2

Hn. 1-2

 

 

Bsn. 1

Bsn. 3 (Cbsn.)

 ff

fsf-mf

  ff



f

 

     

 

C Tpt. 4

5 5



  5

Db.

3

 

 

Timp.

3

 

  

Perc. 1

Perc. 2

Perc. 3

 



fsf-mf

f

3

 

   

div.

sf-mf



mf

mf



3

f

fsf-mf

f-mf

 

fsf-mf

 

    

p mf Small Tam Tam

   f

 

3

 

mp

f

f-mf

    5

fsf

3     



   

fsf

f

5



3

3

3

6

    f

più f

     



3

mf

     3

fsf-mf

f

f

mf

fmf

f



f

       

3

mf

f più f

mf

f

3

                                    3 3  3 3 3 3 f

fsf-mf

    3

fsf-mf

 

3

5

6

f

mf

f

mf

    3



    



   

fsf-mf

mf

mf

f



5

   

5

unis.

3

f

3

fsf-mf

fsf-mf

f

fsf-mf 3

    

3

f

3

 

fsf-mf

  

f

fsf-mf

f

sub. p

  fmf

3

mf

       

p

fmf

      

3

mf

mf

fmf

          3

mf

f

f

           

 

f

              p

    p

f

3



        

3    



mf

3

fsf-mf

f

f

    

   

mf

p

  

 

p

mf

3

3

    

     

 

    

f

      

fsf-mf

3



  

f



                        

 

sf-mf

f

 

fsf-mf

sf-mf





       3

3

fsf-mf

  

 

sf-mf

  

sf-mf

3

sf-mf 3

f

 

      

Splash Cym.

  

3

3

fsf-mf

  



   

mf

    

5

fsf-mf





3

fsf-mf 3



3

      

ff

 

5

5

fsf-mf

fsf-mf



 

fsf-mf

            

3

   

5

Tba.

   

    

3

5

fsf-mf

 

   

       

B. Tbn.



               3



fsf-mf

3

fsf

          

5

 

3



  

f

Tbn. 1-2

fsf-mf

     

 

 

5

sf

    

C Tpt. 3

   



     



5

 

fsf-mf



fsf

(3.)

C Tpt. 2

sf-mf

   

 

ff

sf

C Tpt. 1 (offstage)





5            

Hn. 3-4





sf-mf

f sf-mf to Cbsn.

ff



   

to Cl.

f

f

 

p

   

mf

f


5

30

Picc. 1 (Fl. 3)

 

      

5

f

Fl. 1

  

Fl. 2

Ob. 1

f

 

Bsn. 1

Hn. 1-2

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

Db.

Timp.

Perc. 2

          



5

mf

                   

      

     

mf

3

3

 



ff

5

5

  

5

ff

      

  

 

ff

5

   

ff



  

 

  

 

 

 





 

   

  

3

 



mf

  



3

f





3

   

5

3

3

f

  p

       5

mf

6

   f

f

    5

mf

3

3







mf



p

 p

 

  3        fsf

 

  

       



fsf

fsf

fsf

3

3





3



         



  

 



  

 



 

 

  

ff

ff

f

 

 

 

  

     

p

5

3

        5

3

f

   

5

3

 

ff

 

3

mf

sf

unis.

3

5

        

f

   

 

3

f

  

3

fsf

  

  

5

   

fsf

3

mf

    

      

5

3

        

fsf

6

mf

   

f

mf



3

div.



mf

fsf

             5

fsf-mf

  

3

mf

      fsf-mf     

3

5

            

ff

3

  



               

ff-f

  

5

 

              

           



6

5

5

3

              

     

  

3

             

5

ff

  





            

5

 

  

mf f

  

f



f



3

f

 

5

  

3

5



     

Cbsn.

  

5

5

  

5

        

5         

mf

  

 

mf

 

      

5



6

mp

Perc. 3

5

5

p

Perc. 1

5



ff

3

Tba.

5

f

3

B. Tbn.

mf

5



f

3

C Tpt. 1 (offstage)

mf



f

3

Hn. 3-4

5

5

  

Cl.

 

Bsn. 2

Cbsn. (Bn. 3)

Cl. 2 (Bass Cl.)

ff

        

f Cl. 1 (Eb Cl.)

5

       

          

f Ob. 2 (E.H.)

      5

  

5

ff

         

f

5

  

f



 

f

   

 

 





mf

mf

  

sf

mf

3

   

mf

5



ff

sf


6

Picc. 1 (Fl. 3)

Fl. 1

35                 6               

Fl. 2

Ob. 1

       





6

sub. f 6

Cl. 1 (Eb Cl.)

Bsn. 1

 

sub. f 6

Cbsn. (Bn. 3)

Hn. 1-2



 

sub. f

 

C Tpt. 2

 

C Tpt. 3

 

C Tpt. 4



 

  

  

  

   

       

  

     

f

 

B. Tbn.

Db.

Timp.

Perc. 1

Perc. 2

 

  

 

   

 

  

  

 

   f

  

 

  

  

 

mf

   

5



    

3

3



     





     



 

      3

6



 

 

  

 

 

 

 

 

 

 

 

 

mp

mp

mf

6

    

6

 

   

   

3

   

p

3

 

   

p

mf

  

 



    

  mp

3

 

 

     

  

     

mp

mp

6

      

  

 

 



 

 



 

    

 

   

   

 

     



 

 



  

 

     



 

 



  



     



 

 

 

 

 

   

  

p

mp

mp

mp

mp

mf

 

 

 

 

sf

   

mp



6

6

              

  

p



   

mp

  



3



f

f

p

             

p



f 3

f

 

6

         

   

3

6

3

mp

p



     



 

         

f



6

6

p

f

p

p

f

    

 

   

6

p

f

p

Perc. 3

 

 

f

Tba.



f

 

 

6

 

6



    

f

Tbn. 1-2

 



6

 

 

     



6

p

f

C Tpt. 1 (offstage)

 



3

3

6

f

 

6

                      

f

Hn. 3-4

6

3

sub. f 6

 

 

3

  

3

 6                                 

  



3

3

sub. f 6

f

    

6

                     

f

Bsn. 2

6

 

      



                              

6



3

sub. f 6

                

Cl. 2 (Bass Cl.)

6

                                    

               

             

                                   

    

6

         

f

               

Ob. 2 (E.H.)


7

                      ff                              

39

Picc. 1 (Fl. 3)

Fl. 1

   

Fl. 2

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (Eb Cl.)

 

più f

Cl. 2 (Bass Cl.)

 

più f

Bsn. 1

3

6

                          più f 3 6    6                    più f 3   6                        più f 3                         più f

3

      

      



        

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

      

mf

 

 

   

Timp.

Perc. 2

Perc. 3

   

 mp

p

       

       

mp

mf

    

mp

     

p

mp

 

mf

to E.H.

  

               

mf

f

    

mf

mf

                                             

ff p

mp

p

mf

ff p

mp

p

mf

mp

p mp

mp

                            

mp

mp to Bn. 3

p mp

p

mf

mp

p

     

mf

mp

  

      

p

mf

p

mf

p mp                                                                                p mf mp p f p mp

f

p                                                                f mp p mf mf mp p        

                   

         

             

             

mf

  f

f

      

     

 

f

f

      



       



             

       



          

                    

f

f

f

mf

f

  

 

 

 

  

 

   

mf

   

ff

mp

Perc. 1

mf

Db.

 

 

          



      

mf

Tba.

     mp p

ff p

mf B. Tbn.

ff

  

   

mf

Tbn. 1-2

    

                                  

mf

C Tpt. 4

ff

         mf

Hn. 3-4

ff

mf

ff

                

mfh

Hn. 1-2

    

                                                                           3  6

mf Cbsn. (Bn. 3)

    

6

mf

Bsn. 2

ff


8

    45

Picc. 1 (Fl. 3)

mf

Fl. 1

p mf

                   



 

mf

f

mp

p mp

  

Ob. 1

p

mp

Cl. 1 (Eb Cl.)

mp

mp

Eng. Hn. (Ob. 2)

       

p

                 

Bsn. 1

p mp

 

Bsn. 2

   

p mp

p

p

  p

   

mf

 

p

mp 3.

p

mp

p

           

C Tpt. 2

C Tpt. 3

C Tpt. 4

 

 

 

mf

       mf

      

 

p mf

f

 

mf

 

     

  

p

p

mp



     



 

p

                  

mp poco mf

f

 

p

mp Bass Clarinet in Bb

        

mp

mp poco mf

mp

      

p

         poco mf

to Cbn.

     

mp mf 3.

p

mp mf

p

 

 

      e=e

e = 100

   

      





       

 

 

p



          p 

       

 

p mp

relaxing, rit. al

 

   

 p

     

p

 e = 100

 

 

 

 

 

 

Perc. 2

Perc. 3



Perc. 1

p

 

p

         

Timp.

    

relaxing, rit. al

Db.

p

 

 



p

       

p

 

    

                          

p mp Tba.

 

p

e=e

Solo ("My Heart's in the Highland - Trad) E.H.

p

p

mf

f

     

p mf



     

          

Bn.

mf

p mf

        

e = 100

p

                                

p

mf

mf

C Tpt. 1 (offstage)

      

               

mf

  

mf

  

mf

p

B. Tbn.

        

   

p

p

mp

       

Tbn. 1-2

mf

p

mp

Hn. 3-4

p

p

mp

            relaxing, rit. al

  

            

           

to Bs. Cl.

Cl. 2 (Bass Cl.)

f

p mp

Hn. 1-2

p

          

f

                

            

Fl. 2

Bsn. 3 (Cbsn.)

mp

f

e=e


9

52

Picc. 1 (Fl. 3)

 

Fl. 1

    



 

 

 

 

 

    

 

to Fl.

f



       



f Fl. 2

Ob. 1

f

      

Eng. Hn. (Ob. 2)

Cl. 1 (Eb Cl.)

B. Cl. (Cl. 2)

     

    



 

   

                   legato

  

                  legato

  

               

Bsn. 1

Bsn. 2



    legato

  



 

    

f

  



mf

p

  

mf

p

mf

  

mf



p

        

     

legato

              

    mf

    

p

mf

  

  

mp

        

mp

       

mp



p

   



 

            

 

 

 

p, leg.

   

p, leg.

    p, leg.





mf

 

 

 

 

Hn. 1-2

 

 

Hn. 3-4

 

C Tpt. 1 (offstage)

 

C Tpt. 2

 

C Tpt. 3

 

C Tpt. 4

 

Tbn. 1-2

 

B. Tbn.

 

 

 

 

 

 

Perc. 2

 

Perc. 3



 

Cbsn. (Bn. 3)

Tba.

Db.

Timp.

Perc. 1


10

              poco rit.

58

Fl. 1

Fl. 2

  

      

Ob. 1

   

         

        

Cl. 1 (Eb Cl.)

  

f

   

molto

 

mp

Bsn. 1

f

Cbsn. (Bn. 3)

Hn. 1-2

   

    





      

   

p

 

f

f

 

  



   

   

    

  

p

 

   

    



C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

 

     

 



mf

  mf To Cl.

      

 

       

 

 

 



 



  

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

  

f



mf





mf

 

p

 

   

    

 

2. sord.



 

   



4. sord.

 







poco rit.

mp

      

p

  

sord.

 

 

 

 

f

f

sord.

    

 1. sord. p

f

    



mp

1.sord.    

f

   p

pp

       

p

 

pp 3. sord.

 

 

 

    

2. sord. B. Tbn.



pp

 

 

f

 

 

 

 

 

f

mp



 

  

 

p

p

 

                         

f

  

fp

  

p

 

mf



p

Hn. 3-4





     f

mp

mf

p

to Picc.

f

                    

  

p

      

    

mp

Bsn. 2

mf

      

            

    

mf

mp

B. Cl. (Cl. 2)



Fl.

                     p

Eng. Hn. (Ob. 2)

       

mf

mf

Fl. 3 (Picc.)



 

       

        f

 

 

 

  

 

 

 

poco rit.

 

 

   

 

 

  

 

 

 

 

 

  

 

 


11

Slower, e = 82

rit.

64 A Tempo

Picc. 1 (Fl. 3)

Fl. 1

  

Ob. 1

                           mf

Fl. 2

   



  

f





    

pp



           

pp

mp

     

Eng. Hn. (Ob. 2)

     

        

   

Cl. 1 (Eb Cl.)

           

            

   

   Cl.

Cl. 2

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

   

      

f

f



pp

        

p

  

     pp

Hn. 3-4

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

   

  pp

  

Tbn. 1-2

B. Tbn.

Tba.

Timp.

Perc. 1

Perc. 2

Perc. 3



1.



   

mf



          mf,

p

mf

    p

mp

p

 

     



p

 

 



  

 



  

 

to Ob.

 

p

 

 

p

pp

p, legato

to Bs. Cl.



     

p

Cbn.



4. senza sord.

 

p

   

pp

 



  

mf

 



  

      

p

mf

rit.

          

   

2. senza sord.

 



 

mf

 

 

 

f

           

   

 

p, legato

3.

 

   



    



mp

mp

  

 



 



 Slower, e = 82

pp

     pp

 

       

              

 

 

         

              





 

 

 

 

p

pp

p

pp

 

 

  

 

      

mp

    

   

   

  

 

  



   

        

senza sord.

p legato

  mp

 

 

 

 

 

 

  

  

div.

rit. Slower, e = 82           

mf, legato

pp

 

 

 

 

 

     

3

pp

Bass Drum

pp

          

  





3

p

                 

mf

       

mf

f



              

   

      

mf

p

          

A Tempo

Db.



   

f

pp

C Tpt. 4

   

   

  

f

mp

A Tempo

Hn. 1-2

       mp

 

p

    





   pp

solo

mf, espr.

p

          mp

         

           

mf

 

Picc.

ppp

 

p


12

70

Picc. 1 (Fl. 3)

 

  

       

Ob. 2 (E.H.)

Cl. 1 (Eb Cl.)

Fl. 2

Ob. 1

Bsn. 1

   



mfp Bs. Cl.



mfp

 



mfp

Bsn. 2

Cbsn. (Bn. 3)

   

accel.

Hn. 1-2

 

Hn. 3-4

C Tpt. 3

C Tpt. 4

Tbn. 1-2

Timp.

Perc. 1

Perc. 2

   

  

        3

pp

ppp

pp

 

 

 

pp

  

 



pp

  

pp

 

pp

 

 

To Bn.



1. sord.

 

      p



 

 

 

 

 

  

 

  

  

     

  

mp (sord.)

mp con sord.

 



sord.

  

mp

 

p

p

       p

mp

      p





ppp

  

3

 

3 3

pp

 

pp

    

 

 

  

    

 

 

  

      

 

 

  

 



pp

p

pp

p

pp

p

pp

 

 3   

 

  

mp

p



mp

mp

3             3 3 3                  

            

pp

p

 



      

 



 

soft mallets

3 3

p

   p





  

  

pizz.., unis.

 

 

pp

Cyms, scrape with tri. beater        

p

 

pp





  

 



mf Chimes

   

3



p

 

 

     

          

pp

  



pp



  

pp

sord.

Meno mosso, misterioso, e = 72 

rit.

pp

 

mf

Perc. 3



  

     

 

3

 

  

 

 



 

3              p mf

 

p

  

3

 

 

  

  

(sord.)

 

 

(sord.)

 

mp

 

mp



Meno mosso, misterioso, e = 72

  

 

 

pp

    

 

 



 

 

 

    

 



poco mf

       

accel.

Db.

 

 

3         

 

    

 

  

mp 3. sord.

 

 

 

ppp

  

B. Tbn.



 

 

    

rit.



C Tpt. 2

  

C Tpt. 1 (offstage)

Tba.

   

 



    

ppp fltg.

 

to Fl.

fltg.

 

 

 

p

 

B. Cl. (Cl. 2)

f

Meno mosso, misterioso, e = 72

   

rit.

           

Fl. 1

accel.

      mf

p

ppp

     


13

      

 

 

 

 

 

 

 

     

 

 

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  





    

To Clar.

76

Fl. 1

Fl. 2

Fl. 3 (Picc.)

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (Eb Cl.)

B. Cl. (Cl. 2)

Bsn. 1

Bsn. 2

Bsn. 3 (Cbsn.)

Hn. 1-2

 

 

 

 

 

 

poco mf

C Tpt. 2

C Tpt. 3

B. Tbn.

Tba.

Db.

Timp.

Perc. 1

pp

 

 

 

 

 

 

 

 

  

 

 

 

 



 

 

 

 

 

 

   



     



 

 

 



 

 

 

 





 



  

 

p

 

mp





 

  

p

  

 

p

mp

    

 

p

 



  



  



  

 

  



 

 

  



 

3

pp

  

 

  

   

  

 

  

 

mf

pp

 

 

mf

pp

pp

 



   

pp

    

mf

 

 

 

mf

 

3

 

mf

   

 

mp

 

 

p

   

 

p

   

 

 

 

pp

  

 

  

pp

 3

pp

 

 

pp

 

  

 

 

pp

 

 

 

 

 









   









  

  

soft mallets



Tri. beater, scrape

3

3

mp 3 3

 

Tri. beaters, tap

mp

3 3

  

      

soft Tri., scrape

3

p

mp mf

3

6 3 3 3                             3

mf

Perc. 3

 



p

Perc. 2

  

mp

Tbn. 1-2

 



 

mp

C Tpt. 4



mp

C Tpt. 1 (offstage)

 

 

mp

Hn. 3-4



 Nipple Gongs         p

3

mp

3

3

3

p

pp

    





  pp

Tri., scrape

 

l.v.

3

p

p

        p pp 

  

2 Triangles, light beaters

     

soft

3

 

ppp

 

 

Vibes, soft mallers             mp

pp


14

81

  

 

 

 

 

 

 





 

 

 

Ob. 2 (E.H.)

 

 

 

Cl. 1 (Eb Cl.)

 

 

 

 





 

 

 

 

 

 

  

 

 

  

Fl. 1

Fl. 2

Fl. 3 (Picc.)

Ob. 1

Cl. 2

Bsn. 1

Bsn. 2

Bsn. 3 (Cbsn.)

Hn. 1-2

  

      

   

             

   

  

2. sord.

pp

Hn. 3-4

 

in the hall, in or behind the audience,

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

B. Tbn.

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

  

  

pp

solo (senza sord.)

 

       

 

 

 

3

 3   

 

3

 3   

 

4. sord.

      3

3

 

      

3

3

   

   



  

 

     

  

 

 

    

 

  

 

   

 

  



mf, espr.



 

     3

    

3

  

3

  

3

 

    

      

       3

 

 

 

  

 

 

 

 

 

   

 

 

     

  

  

 

Crotales with Bow   

  

pp

           mp

6

 pp

mf

                  p pp 



 

 

Splash Cym.

     mp

pp

   pp

 mf

3

 High Cym.   

mf

        mp

pp



Med. Cym

 

 pp

  

 

 

pp

   p

6

  


85

Fl. 1

 

Fl. 2

Fl. 3 (Picc.)

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (Eb Cl.)

Cl. 2

Bsn. 1

Hn. 1-2

  

   

Hn. 3-4

 

     

C Tpt. 1 (offstage)

  

 



C Tpt. 4

 

Tbn. 1-2

B. Tbn.

Tba.

Perc. 1

Perc. 2

Perc. 3

Fl.



   



 

 





 

 

Cl.



 

  

 

 

 

 



   

 

 



 







 



 





pp

pp

 

 

Bn.

mf

    pp

 

 mf

 

 



 





 









  



 







 



 



   



pp 3.





pp

 

 



           3

3

 

  

 

 

2. (sord.)



5

 



Poch. più mosso e = 72



pp 1.

  



pp

 

4. (sord.)

 

 

3

6





   



poco accel. (colla Tpt.)

 

 

 

6                  

    

 

 



pp





Ob.

poco accel. (colla Tpt.)



pp

 mf



pp

più f

6

6



 

 

 

 

 

  

  

    

 

 

  

    

 

 

    

 



  

sord.



 

moving to e=e (in 8ths)

 

  

 

  

  

  

mf

 

    pp

pp

 

 

 

pp

mf 6

         pp p 

 

p

3

   3

  

   

 

pizz.

 

poco accel. (colla Tpt.)

 

 

p

 

 

Crystal Glass (at pitch, rub with moistened fingertip, Metal Wind Chimes (or Mark Tree), increase swirl with cresc. - may sound 8va lower if necessary) slow gliss. let ring. gliss.

Sus. Cym, with sizzles

p

p

    

pp

pp



mp





p

  

Sus. Cym, with bow

mf

 

Poch. più mosso e = 72

       

    

p

    

pp Timp.

 

pp

   

pp

Db.

        

3

C Tpt. 3

 

pp

       

3

(in 8ths) moving to e=e

    

  

C Tpt. 2

 

 

Bsn. 2

Bsn. 3 (Cbsn.)

15

Poch. più mosso e = 72

moving to e=e (in 8ths)



mf

mf

 mp

pp

3 Brake Drums, soft mallets

pp

 



 

mf

 p

 

 

 

 


16

Poco più mosso, e = 76



90

Fl. 1

Fl. 2

Fl. 3 (Picc.)

Ob. 1

Ob. 2 (E.H.)

Cl. 1 (Eb Cl.)

Cl. 2

Bsn. 1

Bsn. 2

Bsn. 3 (Cbsn.)

   

pp



  

poco movendo









Hn. 3-4

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

B. Tbn.

Tba.

Perc. 1

Perc. 2

Perc. 3











   







         









pp

  

pp

  

pp

  

pp

pp

  

   

5



ff

pp



7

pp

 



 

 



mp





 

 



 

  mp







pp









   

    

mf





ff



  

5

mf

pp







pp

   

to Cbsn.

poco movendo

colla tpt.

    

 

 







   













             

 









f

6

1.

pp

pp

        

    

5 3 5 3                          3 5

 

 

 

 

 

   

3

  

3

       

 

mp



  

arco

3

       



  

   

 



 

3

 

let ring.

p

 let ring.

mf

 pp

pizz. 



  



mf p

p

 colla tpt.

Crystal Glass



poco movendo

        mp

p

Poco più mosso, e = 76

Timp.

mp

pp

p

Db.

 



Poco più mosso, e = 76

Hn. 1-2

colla tpt.



 

mf

mp

(Brake Drums)

pp





  p

  


Fl. 1

94   

Fl. 2

Ob. 1

Ob. 2 (E.H.)

 





ppp to Picc.

Cl. 1 (Eb Cl.)

Cl. 2

 

 

Bsn. 1

Bsn. 2

 

ppp

 

 

 

 

 

 

 

 

 

Hn. 1-2

ppp

 

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

6

Perc. 2

Perc. 3

 

ppp

 

Sus. Cym, with sizzles





pp

 

pp

ff

  

Cbn.   

ff

ff

1.   

    

    

     

senza sord.

f senza sord. 3.

ff





6

    

     

  

    





 

 

 

 

 

 

 

  

             

f senza sord.

    f

In Tempo, e = 126

 

    

 

   

 

   

 

Crotales with hard beater



f

   



Vibes, hard mallets

   

f

 

  ff

   

 

     

  

p sub.

   ff

   ff

p sub.

     

   ff

      p sub.

 

   ff

arco

 

 

p

  ff

     fp

   

   ff

p sub.

ff-f senza sord.

     

p sub.

ff-f

   

  ff



ff-f

6

 

p sub.

        f

    p sub.

 

    Tam Tams

f

  

ff

 

                                   

  

Chimes

l.v.

  

 

 



   

e = 126

sost.

 

  

senza sord.

    

ff

f

    

f senza sord.

colla tpt.

Perc. 1



 

fp

 

ff senza sord.

f

B. Tbn.

Timp.

                          

fp

5

5

Db.

 

 

ff Eb Clar.

fp

In Tempo, e = 126

fp

                             5

Tba.



ppp

 

Hn. 3-4

e = 126

sost.

colla tpt.

                                       ff                               

 

  

 

ppp Cbsn. (Bn. 3)



ppp

ppp

                                ff                                       ff

to Eb Clar.

 

 

ppp

 ppp

 

  

Eb Cl.

ppp

17

In Tempo, e = 126

 

ppp

 

Fl. 3 (Picc.)

e = 126

sost.

colla tpt.



3

3  



    

f

  

 

 

Small Sus. Cym

p

l.v.

 f


18

99

Picc. 1 (Fl. 3)

 

Fl. 1

Picc.

    

ff

                 

ff

Fl. 2

                 

ff

Ob. 1

                 

ff

Ob. 2 (E.H.)

                 

ff

Eb Cl.

Cl. 2

ff

Bsn. 1

                  

                   



ff

 

fp

Bsn. 2

 

 

fp Cbsn. (Bn. 3)

 

 

fp

Hn. 1-2

 

Hn. 3-4

       



f

 

C Tpt. 2

 

C Tpt. 4

f

     

3

  

    3

f

ff

  

3

      

     

 

    



     

   

  

 

 

  



  

  

   

 

  

  



  

 

  

  

ff-f



3



  

 



6

3

    

ff-f

      

Tbn. 1-2

    f

f

  

6

 

C Tpt. 3

f 4. senza sord.

6

C Tpt. 1 (offstage)

2. senza sord.  

  

   3

3

ff-f

f

B. Tbn.

   f

Tba.

   

senza sord.

 

fp

Db.

Timp.

 





fp

Crotales

Perc. 1

  



f

Chimes

Perc. 2

   f

Perc. 3

 



Vibes

f

  

   

  

  

 

    

 

 









 


19

                              

broadening

102

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

Eb Cl.

Cl. 2

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

Hn. 1-2

                      

 

C Tpt. 2

      fff

    

                  

fff

      fff

     fff

   

ff

    

ff

       

    

  

 

  

    

  

   

       

       ff



    

 

   

 

 

  

  

   ff

 

 

 

   ff

p sub. C Tpt. 4

    p sub.

Tbn. 1-2

 

    

 

   

 

   

  

  

  

  

 

   

p sub.

Tba.

Db.

  

ff

 

 

 

 ff

 

div.      

Perc. 1

  

  

  

  

  

  Sus. Cyms., hard mallets       

  

  p

fsf

   

 

 

 

 

 

 

 

 

 

 

 





 

 

 

 

 

 

 

 

 

 

 

 

 

 

 





 

 

 

broadening

broadening

ff

      

Cyms.

fsf

p

Perc. 3

 

ff

       

High Sus. Cym, hard mallets

Perc. 2

 

ff

fp

Timp.

 

ff

p sub.

B. Tbn.

 

ff

p sub.

C Tpt. 3

 

ff

     

p sub.

C Tpt. 1 (offstage)

fff

fff

                 

p sub.

Hn. 3-4

    

      

                     

 

fff

                                        

Thunder Sheet roughly shake

     

f

p

    

 3

mf

 



fsf

3

mf

p

          f

fsf fsf

 

5

 



 

                      5

        

f

         

5

3

p

 p

 

6

             3

5

 


20

 Maestoso,  q = 63        

104

Picc. 1 (Fl. 3)

5

ff

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

     



         

5

ff





ff

5

  

5

  



 

                  

        

  

 

    

                  

        

  

 

  

5

    5

   



3

3



   

  

  

   

  

ff

Maestoso, q = 63

          fsfp

Hn. 1-2

fsfp

         

      

C Tpt. 1 (offstage)

C Tpt. 2

fsfp

 

   

fsfp

  

fsfp

   

f

    

    

B. Tbn.

  

  

6

 

 

3

6

  



 

3

6

           

   

   

6

 



           

6

 

3

            3

 

fp

f 3

3

   

   

   



   



     





 





 6           

3

3

3

          3

3

  



      

ff

f

    

  ff

f

   

 



  



 

      



fp

3

3

 

  



 

 

  

f

p

        3

p

p





 

     

3

f

3      

Perc. 2

    

fff

   

 

   

 

            

div.

unis.

    f

  

 

fff sf

Perc. 3

f-p

fff

   

3

3

3

f

 

6

   

f

 

  

      3

6

 

    

f

3

 

fp

   

   6    6         

p

f

                6

f

 6  3 fp            

6

f

p

6

3



  

f

ff

   

   

 

f

          

    

 mf       mf

Maestoso, q = 63



f

      

fsfp

   

p

mf f

     

  



 

p



  

f

fp



 

 

6

ff

p

   

5

3    

mf



f

Perc. 1



3

p

   

unis.

Timp.

   

   

  

  

           

6

 mf

  

f

Db.

  

fsfp

f

Tba.

5

f

fsfp

Tbn. 1-2

6

6

p

     

fsfp

C Tpt. 4

6

p



 5 fp             5 fp f

fsfp

C Tpt. 3

3



f

fsfp

Hn. 3-4

6

3

           

mfp

ff

Cbsn. (Bn. 3)

6

6

3

ff-f

Bsn. 2

6

6

3

                  

     

6

                   3 6 6                       

5

5

3

                  

      

           5

6

6

3

   



6

3

5



5

  

3

5

    

         

ff

Bsn. 1

     

5

ff

Cl. 2

5

  

   ff

Eb Cl.



           



           

5

5

ff

                  

    
























 



 

 

109

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

Ob. 1

Ob. 2 (E.H.)

Eb Cl.

Cl. 2

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

      







     

21

 

 

Hn. 3-4

C Tpt. 2

5 5              

5 5              







 

5





          

fsf-mf

f-mf

 

 

  

3

sf 3

 

 

Tba.

Db.

Timp.

Perc. 1

   

 

f-mf



  

       

        

ff

Perc. 2

Perc. 3

 



 



        



  



    



 

 

5

5

5

   

     10

  

     10

fsf-mf

 



  



  

5

fsf-mf

  5

 

 



fsf-mf

          



      5

 









 

  

 

    



fsf

 

5

 



fsf-mf

fsf

fsf-mf

f



 

 

 

 

f

 



 



f

5



fsf



 

f

fsf-mf

  

f



 

f

f

Hgh Sus. Cym

      

f

ff

Crot.



fsf-mf

 



fsf



p

f

5

5

5

 

fsf-mf

         

f

f

5

 





 



 







  

f

fsf-mf

10

f

div.

f





     

 

       

 

fsf-mf

ff

 



 

fsf-mf

ff

  

ff

    

fsf

        



5            

C Tpt. 4

5

 

 

C Tpt. 3

B. Tbn.

5

 

mf



  

    

fsf

5

 

fsf-mf

6               3 3 sf sf 3 3               3 f 3 sf 3      



3

5          



fsf-mf

fsf

                  6



fsf

fsf



ff

 





ff

ff

sf 3  6 3 3                  mf f-mf            

sf

Tbn. 1-2

10

 

  

         

        

         

 

10

10



5

          

5

5

         

 

       

5

       

mf

C Tpt. 1 (offstage)

5

fsf

Hn. 1-2



      



 




22

              112

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

 

5

     5

   5

      5

5

      

Ob. 2 (E.H.)

Eb Cl.

Cl. 2



5

5

5









5

    5



           10

  

 

  

Tbn. 1-2

  

 



 



fsf-mf

Db.

 

 

unis.

   

fsf-mf

Timp.

Perc. 1

   

 

Perc. 3



fsf



     





 

5

            

fff

12

  

     

5

fff

5

fff

5

fff

5

fff

5

fff

5

 

 

f



fsf

 



fsf

 

fsf



  



  

   

 ff

       

 

       

6

ff

  

  

   

 

sf



 

  

 

    

sf



div.



   

sf

 

        f

 

 

f

 

ff

ff

 ff

 

f

solo

6

 

    

     

ff

 

f

Poco più mosso, q = 69

ff

 

    

 

 

   

f

ff

  



f

       



12

ff

  

5

f

12

6

   

12

                        





f

12

                          



12

 



                        



   

 

f



5

      

12                      

6

ff

         f

     f

  f

  

Poco più mosso, q = 69

     unis.

  

f

 

f

 

 

 

 

 

 

f

f

fff

6

ff



    Poco più mosso,        q = 69             

                          

mf

       

  





f

5

Perc. 2

fsf

5



 

 

5

 

fsf-mf

Tba.



fsf-mf

B. Tbn.

fsf

    

mf

 



 

C Tpt. 4



5



10

 

     

5

 

C Tpt. 3

    

       

 

C Tpt. 2

     

      

C Tpt. 1 (offstage)

10

5

 



10

           

fsfmf

  

Hn. 3-4

5

            

fsfmf

Hn. 1-2

5

  

 

5

          

fsfmf

Cbsn. (Bn. 3)

 

10

 

Bsn. 2

5

5

  

10

Bsn. 1

     

5

            

Ob. 1

          


23 solo

116

Picc. 1 (Fl. 3)

  

p



 

Fl. 1

p

 

Fl. 2

  

5

p

 





   

Ob. 1

5

 

  

 

 

 

 

 



f-mf

 

 

 f

  

f-mf

  

f-mf

Db.

f-mf

Timp.

Perc. 1

Perc. 2

Perc. 3

   

f

         

 

  

  

 

 

 

 

 

   

 mp

    5

f-mf

f-mf

      

    f-mf

          

f-mf

       

  

  

solo

f-mf

   

f-mf

f-mf

     

  

             

  

  

     

f-mf solo

  p

           

 

                   

f-mf

       f

 

    

 

       

f

 

   

f-mf

    

f-mf

f

div.

   

f-mf

  

f-mf

9

9

mp

  

9

  

mp

mp

9

pp

                                       9

pp

Crot., medium mallets

9

5



   

f

  

  

pp

f-mf

      

f

                                      

Tri,

mp

   

         

f

 

 



  

f

9

pp

p

f

 

 

f

3

non cresc.

pp

          

 

f

  

 

f-mf

f

Glock., medium mallets

  

 

 

  

  

 

f-mf

 

       

f

 

 

solo

p

echo

 

         

 

 

 



f

f-mf

Tba.

f

 

   

B. Tbn.

5

   

Tbn. 1-2

   

 

C Tpt. 4

5

      

 

f-mf

C Tpt. 3



 

f

 

    

C Tpt. 2

5



5

    

f-mf

C Tpt. 1 (offstage)

   



     

 

  

Hn. 3-4

5

 

f-mf

Hn. 1-2



    



3

  

 

f-mf

Cbsn. (Bn. 3)





 

Bsn. 2

    

f-mf

Bsn. 1

5

f, espr.

 

f-mf

Cl. 2



  

 

f-mf

Eb Cl.



      

f-mf

Ob. 2 (E.H.)

9

pp

 



 

9

          p

  

pp

          p

9


24

121

Picc. 1 (Fl. 3)

   

Fl. 1

Ob. 1

Ob. 2 (E.H.)

Eb Cl.

Cl. 2

 

 

5



 











5

       





5







5

      





 

f   f



Bsn. 2

 

C Tpt. 2

C Tpt. 3

C Tpt. 4



f



 f molto





 f molto











f

f molto

 











  

 



 solo

mf

   



f molto

   

 

Tba.

Db.

Timp.





     

 





    

  

  

            3              



f



 

 

     3

9

Perc. 1

Perc. 2

Perc. 3

9

9

mf

    

 

mf

                           9

mf

9

9

       

   

 

   

 

 

   

 

mf

f

mf

f



mf

f

  



 



 





 

 

      

  

 

 

mf

      

       

3

 

mf

 



 

    

f





 

 

solo

f molto

  

       

   



 

f



f

mf

   

 

mf

   

 

  

 

Broadening little by little

 

 

 

                  

 

 

 

 

 

                  

 

 

9

9

pp

pp

9

9

pp

  

 

f

 

 

mf

 

   

 

 

                            

       

3



 

mf

non cresc.

       

 

unis.

 

       

f molto

f B. Tbn.



mf

   

f molto, bring out

 

 



f



 

Broadening little by little

 



  

Tbn. 1-2

Broadening little by little

 

f molto

 

  

C Tpt. 1 (offstage)

  

        5



f

   

Hn. 3-4



 



   

f

f

   

5



    5







f molto



5



   

 

Bsn. 1

Hn. 1-2

f, espr.

    

Fl. 2

Cbsn. (Bn. 3)



  

mf


126

Picc. 1 (Fl. 3)

    

ff, espr.

Fl. 1

Fl. 2

   più f

 

più f

   

Ob. 1

più f

   

Ob. 2 (E.H.)

   

 

                 

        

                

 

 

       

più f

             

Eb Cl.

più f

Cl. 2

       più f

   

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

 

   

 

 

5

mf, stacc.



 

ff



 



    

 

 

Hn. 1-2

          solo

C Tpt. 1 (offstage)

f molto

C Tpt. 2

 

  

C Tpt. 3

   

C Tpt. 4

   

Tbn. 1-2

  

          mf

 

 

 

 

       

 

 

5





 

5

         

       

sub. mf, stacc.

cresc. poco a poco

 





 

5

5

    ff

 

 





 

 





 

 





 

 

  

 

    

Tba.

Db.

Timp.

  

          mf

Perc. 1

Perc. 2

Perc. 3

 

 

 



 

ff-f

 

Maestoso, q = 63

div.

  

  

 



Glock.

 

 



ff-f

  

 



 

  

 



 

  

 



 

  

 



 

ff

   

ff-f



ff-f

  



 

ff-f

unis.



 

 

 

 

 

 

 

sf-f

ff-f

 

 

ff-f

a2  



 



 

 

ff-f

ff-f

 



 

ff-f

B. Tbn.

 



ff-f

ff-f







5

   





 





      

ff

ff

 

 

ff



ff-f

 

5

5

ff

ff

         

          



ff

5

       

 

ff

       

cresc. poco a poco



ff-f

       

        mf, stacc.

Maestoso, q = 63



5







 

 

ff-f



5

cresc. poco a poco

   

 

ff-f

Hn. 3-4

5

   

5

         

 

 

5



   

5

    

ff-f

        

   

5

        

 

ff

  

5

cresc. poco a poco



 



5

         

 

 

ff-mf



   

         

mf, stacc.

ff-mf

 

         

6

ff-f

  

25

Maestoso, q= 63

mf

ff-f

  

 

 

Low Med. Tam Tam



ffsf

 

 

   

   

 





ff-f

 

   

sf-f

  

ff-f



ff-f

  

 

  ff-f   

sf-f

sf-f



 

    

ffsf

     


26

132

Picc. 1 (Fl. 3)

Fl. 1

Fl. 2

      

     

f



      

         

5

Ob. 2 (E.H.)

Eb Cl.

Cl. 2

Bsn. 1

Bsn. 2

Cbsn. (Bn. 3)

          

Hn. 1-2

Hn. 3-4

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

B. Tbn.

Tba.

Db.

Timp.

Perc. 1

Perc. 2

Perc. 3

f

5

                  

f



5

5

f



5

     

5



     

f









fsf

 



fsf

f





fff

ff



fff

5



5





ff-f

  

Chimes

f

5

 

 

sf-f

f

ff-f

ff

 

sf



    

sf

   





ff

sf

 

ff

 





 3

sf



3

ff



ff





 

f

fff



fsf





5

5

5



  

    

5

     

   ffsf    ffsf 

5



5

5

     

ffsf

 

    

5

5

5



5

         

     



     

ff-f

  

5

     

5

        

5



    

5

         

5

5

         

5

        

5



        

5

     

fsf

 

     

5

         

5



5



      

ff

   

  

     

         

         

ff

  

ff

5

           

 

ff

f

      

  

    

5

        

5

5

f

5

         

f

f

  

   

     

  



         

5

Ob. 1

5

     





5

5

f

Lg. Tam Tam

 

5



5

Crot.

5

ff

 5:3e



 5:3e


27

134

Picc. 1 (Fl. 3)

  

Fl. 1

      

5

Ob. 1

  

Eb Cl.

Cl. 2

5

Bsn. 1

5

       

       5

      5

5

5

     



5

5

5

5

       



5



5

5

        

5

       



5

     



5

5

     

5

5

5

5

     



Cbsn. (Bn. 3)

Hn. 1-2

 

C Tpt. 2



5



 

C Tpt. 3

C Tpt. 4

Tbn. 1-2

  

  sf

 





sf

3



 

5



3

sf

sf

 



sf



sf

     

3



sf



5



5





Tba.

Db.

Timp.

Perc. 1



ff-f



  



  

ff-f

5

5

Perc. 2

Perc. 3



Chimes

  

f

 

 5:3e

  

5

 

sf-f



  5:3e

5

5



 

5

ff

sf



  





 sf

5

 

sf

3

sf

B. Tbn.







sf





ff-f

  



5

 

sf

5

ff-f

    

  

C Tpt. 1 (offstage)

sf

  

Hn. 3-4



  

fsf

sf

5



5

    

     





5

    

5

fsf

Bsn. 2



    

      

     



5

5

5

5



      

     

5

    

        

5

      



5

5

         

5



        

5

    

        

         

     



5

5

         

5



         

5

     

         

       

     



5

5

     

5



       

5

     

        

5

    

5

       

    

Ob. 2 (E.H.)



        

    

Fl. 2

     

 5:3e

 5

   

 5

5

Lg. Tam Tam



ff



5:3e


28

Picc. 1 (Fl. 3)

     

 136           

Fl. 2

        

fff

    

        

Cl. 2

Bsn. 1

fff



  

Eb Cl.

5

     

5

      5

        5

        

5

5

         

5

5

        

    

Ob. 2 (E.H.)



        

Ob. 1

5

5

5

5

     



5

5

5

fff

     



5



5

5

fff

Cbsn. (Bn. 3)

Hn. 1-2

 

C Tpt. 1 (offstage)

C Tpt. 2

C Tpt. 3

C Tpt. 4

Tbn. 1-2

B. Tbn.

Tba.





ff



5



 



 

5

sf



          5   ff

 

 

 

fff

         5    ff 



fff



ff

ff

Db.

Timp.

Perc. 1

 

  



Perc. 3

5



 5:3e

 ff

 5:3e

ff

fff

 





         5

 

 

 

 

 

 

 

 

fp

  

Lg. Tam Tam

 

fff

 

pp

    

fff

 fff

fff

  

fff

 fff

 fff

 ff

 ff

 ff

Bass Drum.

 

fff



p



ff l.v.

fff

Med. Sus. Cym, hard sticks

 Crash  Cyms. 



pp

5

ff



5

ff

 l.v.

 

 

fp

ff

5

Perc. 2

 

Broadly

ff

 

     

fp





ff

  



  5      f    

fff



ff





fff

ff

 

fff

fff

ff

ff



fff

Broadly

ff

fff



  

sf

 

 

fff

sf

3

5

3





fp

  

    



ff





 

ff

ff

p

fp

ff    



fff

 

ff

   

Hn. 3-4

fp



p





fff

fff



p

ff Bsn. 2



p



fff



fff

     



p

   





5

fff



p

5



    

        

     



5



p

5

fff

         

    

5



Broadly

        

Fl. 1

5

     

 ff


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