Richard Rodney Bennett
FOUR SONGS arranged by Scott Dunn for voice and orchestra
Full Score
NOVELLO
ORCHESTRATION 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling English Horn) 2 Clarinets in B (2nd doubling Bass Clarinet) 2 Bassoons 4 Horns in F
2 Trumpets in B 2 Tenor Trombones Bass Trombone Tuba Timpani Percussion (3 players): Triangle, Glockenspiel, Marimba, Maracas, Claves, Woodblock, Tambourine, Bongos, Congas, Small gong (or suspended cymbal), Snare drum, Bass drum, Drum kit
Harp Acoustic Guitar Piano (doubling Celesta) String Bass Strings
Title 1. 2. 3. 4.
Goodbye for now Early to Bed I Never Went Away Let’s Go and Live in the Country
Duration 3’30� 3’ 3’30� 3’
Page Number 1 19 41 51
GOODBYE FOR NOW Charles Hart
Richard Rodney Bennett arranged Scott Dunn 2016
Freely and colla voce q Flutes 1 & 2
C
Oboe 1
C
English Horn
C
Clarinets in Bb 1 & 2
C
rit.
INTRO
(col viola and colla voce) solo espr Bassoon 1 & 2
C mp
Horns 1 & 3 in F
C
Horn 2 & 4 in F
C
Trumpets 1 & 2 in Bb
C
Tenor Trombones 1 & 2
C
Bass Trombone & Tuba
C to maracas
Perc1 - Maracas/Conga/Triangle
C glock solo
Perc2 - Glockenspiel/Marimba
C mf
Timpani
p
C solo colla voce
C mp
MNMOMNMM
Harp
C§ F§
C GŒ„Š7
Acoustic Guitar
Eb Bb
A7/G
FŒ„Š7
A‚7
FŒ„Š7
A‚7
C mf
C Piano
C
String Bass
C
Perc3 - Claves/Drum kit
C
Voice
pizz
to clave
C
GŒ„Š7
f
When
A7/G
I for rea sons of my own see
ďŹ t to quite this sphere,
to
those of you
I leave be hind I
hope and pray that you may ďŹ nd some
q
Freely and colla voce Violin I
mutes
rit.
1st desk
C
div p
Violin II
1st desk
C
mutes p
Viola
C
(col bassoon and colla voce) solo espr
mute
(mutes) 1st desk div p
mp Violoncello
C
Contrabass
C 2
Copyright Š 2016 Novello & Company Limited.
3
4
5
2 2
q
h
rit.
in two
A
Slow samba VERSE 1A
Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
maracas Perc 1 p To Mar.
Marimba
soft mallet
Perc 2. p Timp.
non arp
p MMLOMMMM
Hp.
B¨7(“4)/E¨
A¨/E¨
D9(“4)
D13
G9(“4)
CŒ„Š7
G13(“4)
CŒ„Š7
G13(“4)
CŒ„Š7
3fr
A. Gtr. p
Pno.
pizz S. Bass mp clave Perc 3 pp B¨7(“4)/E¨
A¨/E¨
D9(“4)
D13
G9(“4)
G9(“4)
CŒ„Š7
voice plea sure and some peace of mind in
all that fol lows here
To an y
q
h
in two
rit.
sib llings
A
who
may
sur
vive
Slow samba tutti (sord)
pizz
tutti (sord)
pizz
tutti (sord)
pizz
div tutti (sord)
pizz
div
Vln. I p
Vln. II p
Vla.
1st desk
mutes
p
Vc. p 1st desk
tutti pizz
arco
p
arco
pizz
Cb. 6
p
7
8
9
mp
10
11
3 3 a2 Fl.1&2 mp Ob.1
Eng. Hn.
Cl.1&2/Bcl mp 1. Bsn.1&2 mp
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
4 Perc 1
Perc 2
Timp.
Hp.
G13(“4)
A‹
A‹7
D‹
G9(“4)
A. Gtr.
Pno.
S. Bass p Perc 3 G13(“4)
A‹
A‹(Œ„Š7)
A‹7
D‹11
G9(“4)
voice I
leave
my
scrib
lings
to
prove
I
rea
lly
was
a
live
GOOD
div pizz
arco Vln. I div
arco
pizz
Vln. II pizz
arco Vla.
poco espr arco
pizz
arco
Vc. arco
pizz
Cb. 12
13
14
15
16
BYE
FOR
4 B
4
VERSE 1B Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2 cup mutes Tbn.1&2 p
p
p
p
cup mute B Tbn B. Tbn&Tba.
4 Perc 1
Perc 2 p
Timp.
Hp.
CŒ„Š7
G9(“4)
C9
G13(“4)
G9(“4)
C9
G13(“4)
A. Gtr.
Pno.
S. Bass mp
p
Perc 3
CŒ„Š7
voice NOW.
To
all
my
ex
's
I
B arco
pizz
arco
pizz
arco
Vln. I p arco Vln. II p div arco
pizz
p pizz
arco
arco
Vla.
Vc. p Cb. 17
mp
p
18
19
20
leave
my
5 5 Fl.1&2
Ob.1
Eng. Hn. mp espr Cl.1&2/Bcl
Bsn.1&2 mp Hn.1&3 mp Hn.2&4 mp
Tpt.1&2
Tbn.1&2 p B. Tbn&Tba. p
4
To Congas
Perc 1
Perc 2 mp Timp.
Hp.
CŒ„Š7
G13(“4)
A‹
A‹(Œ„Š7)
A‹7
D13
G9(“4)
CŒ„Š7
A. Gtr.
Pno.
arco
pizz
S. Bass mp to drum kit Perc 3 CŒ„Š7
G13(“4)
A‹
A‹(Œ„Š7)
A‹7
D13
by my
be
G9(“4)
CŒ„Š7
voice bed.
And
trust
that
sex
is
not
ham pered
ing
dead
GOOD BYE
FOR
NOW.
div Vln. I div
pp
Vln. II pp espr
div Vla. pp pizz
pizz
espr.
div
arco
Vc. mp arco
pizz
Cb. mp 21
22
23
24
25
26
27
6 6
C
BRIDGE
Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Perc 1
Perc 2
Timp.
mf
Hp.
LMLOLMML
mp
E¨13
A. Gtr.
pp
Pno.
mp
S. Bass mf
mf
2
brushes slow samba
2
Perc 3 pp
E¨13
A¨Œ„Š7
E¨(“9)
A¨Œ„Š7
E¨13
A¨Œ„Š7
E¨9(“4)
voice Good
bye
for
now.
C
To
molto vib
make
a
mends
to
all
my
friends
for
div
Vln. I p
p div
molto vib Vln. II p
p
molto vib Vla. mf
p
p
mf
p 1/2 arco 1/2 pizz
p
arco Vc.
Cb. 28
mf
29
30
31
32
33
34
an
y
7 7
a1, solo
D Fl.1&2
mp espr
a1 solo Ob.1 mp
mf
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Perc 1
Perc 2 mp Timp.
mf
Hp.
mp MMLOMNMM
Gb
GŒ„Š7/B
D13(“4)/A
GŒ„Š7
CŒ„Š9
A. Gtr. mp
Pno.
S. Bass
2
2
2
2
Perc 3 A¨
A¨Œ„Š7/E¨
D13
D(“9)/C
D13
GŒ„Š7/B
D13(“4)/A
GŒ„Š7
CŒ„Š9
voice wrongs I've
done I
leave the sun and
stars.
My mo
dest
flat
goes
to my
cat
to
D Vln. I pp Vln. II pp div Vla. pp arco
pizz Vc. pp Cb. 35
36
37
38
39
pp
40
41
42
keep
her
8 E
8
VERSE 2 Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl p 2.
a1
Bsn.1&2 mp
mp dolce
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Congas Perc 1 p
Perc 2 mp Timp.
F§ B§
Hp.
FŒ„Š7/C
E¨Œ„Š7/B¨
A¨9
mp
mf
G9(“4)
G7(“4)
CŒ„Š7
A. Gtr.
Pno.
(pizz) S. Bass mp
2
To Clv.
claves
Perc 3 pp FŒ„Š7/C
E¨Œ„Š7/B¨
A¨9
G9(“4)
G7(“4)
CŒ„Š7
voice tucked a
way
from
beasts of
prey
and
cars
.
And to my
lo
ver
E
pizz
Vln. I p
p pizz
Vln. II p
p pizz
Vla. p
p pizz
arco
pizz
div
pizz
Vc. p
pizz
arco
Cb. 43
44
45
46
p
47
48
mp dolce 49
p
9 9 Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
2
2
2
Perc 1
Perc 2
Timp.
Hp.
G13(“4)
CŒ„Š7
G13(“4)
A‹
A‹(Œ„Š7)
A‹7
D13
G7(“4)
G13(“4)
CŒ„Š7
G13(“4)
A‹
A‹(Œ„Š7)
A‹7
D13
G7(“4)
there's a
sea
A. Gtr.
Pno.
S. Bass
Perc 3
voice I
leave
the
wish
that
you'll
dis
cov
er
that
of
o ther fish.
And
in
the
div arco Vln. I
arco Vln. II
arco
pizz
arco
Vla.
arco
pizz
arco
Vc. pizz
arco
Cb. 50
51
52
53
54
55
56
10 F
10 Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl a2 Bsn.1&2 mf sord Hn.1&3 p
p
p
p
p
p
p
p
sord Hn.2&4
Tpt.1&2 (sord) Tbn.1&2 (sord) B. Tbn&Tba.
2
2
2
Perc 1
Perc 2
Timp.
Eb
Hp.
C‹7
C‹7
F‹7
D9(“4)
D9(“4)
A. Gtr. p
mf
Pno.
S. Bass
Perc 3 C‹7
F‹7/A¨
F‹7
D9(“4)
D9
voice sea
F
a
friend
ly
face
that
is
n't
me
but
fills
a
space, you'll
mud
dle
through some
how,
you
div
pizz
mutes off
Vln. I pizz
mutes off
pizz
mutes off
Vln. II
Vla. pizz Vc. mf Cb. 57
58
59
60
61
62
won't
be
11 11 Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2 mp Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
2
2
Perc 1 to glock Perc 2 p Timp.
Hp.
D9(“4)
D9(“4)
G9(“4)
A. Gtr.
Pno.
S. Bass to Drum kit Perc 3 G9(“4)
G9(“4)
G9(“4)
CŒ„Š7
CŒ„Š7
E¨13
A¨Œ„Š7
voice lieve
it
but
we
do
some how
and
so
GOOD BYE FOR
NOW,
ord
div arco
mp
ord
p arco div p
mp
ord
arco div
GOOD BYE FOR
NOW.
Vln. I
Vln. II
Vla.
mute off
ord arco
p
mp
p
mp
Vc.
Cb. 63
64
65
66
p
67
68
69
12 12 INSTRUMENTAL
G
Fl.1&2
Ob.1 mp solo espr
mf
col 1.
Eng. Hn. mf
mf a2
Cl.1&2/Bcl mf
mf
a2 Bsn.1&2 mp solo ord
mutes off
1. col tpts
Hn.1&3 mf
mp
mf
f
mutes off
ord
Hn.2&4 mf
f
ord
Tpt.1&2 ord
mf
Tbn.1&2 mf ord B. Tbn&Tba. mf Perc 1 Glockenspiel Perc 2 mp Timp. mp Dflat major
LMLOLMLL mf
Hp.
A. Gtr.
Pno.
arco
pizz
S. Bass mf Samba groove sticks
2
2
2
Perc 3 mp
p E¨(“9)
Instrumental
A¨Œ„Š7
E¨13
A¨Œ„Š7
E¨9(“4)
A¨
A¨Œ„Š7/E¨
D13
D(“9)/C
voice
G Vln. I p con calor
Vln. II p con calor non div Vla. p con calor Vc. p con calor Cb. 70
71
p con calor
72
73
74
75
76
77
78
D13
13 H
13
Fl.1&2 mf Ob.1 mf Eng. Hn. mf Cl.1&2/Bcl
Bsn.1&2
Hn.1&3 `
f
Hn.2&4 mf
f
Tpt.1&2 f
Tbn.1&2 f B. Tbn&Tba. f Perc 1
Perc 2. mp Timp. mf
MMLOMMMM f
Hp.
Eb
Ab
A§
A. Gtr.
f
Pno.
S. Bass
2
2
To Clv.
Perc 3 mf GŒ„Š7/B
f D13(“4)/A
GŒ„Š7
CŒ„Š9
FŒ„Š7/C
E¨Œ„Š7/B¨
A¨9
voice
H
3
Vln. I mp
3
f 3
Vln. II mp
f div
Vla. mp
f
mp
f
Vc.
Cb. 79
mp
80
81
82
83
f
84
85
14 14
molto rit.
a tempo
I VERSE 3
Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
1. solo espr Hn.1&3 mp Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
2
Conga Perc 1 p To Mar.
Marimba
Perc 2. p dolce Timp. pp
mp
Ab Gb
Hp.
A¨7(“4)
D¨Œ„Š7
D¨Œ„Š7
D¨Œ„Š7
A¨13(“4)
A¨13(“4)
D¨Œ„Š7
A¨13(“4)
G¨Œ„Š7
A. Gtr. mf
p dolce
Pno.
arco
pizz
S. Bass mp claves perc 3 pp G9(“4)
A¨7(“4)
D¨Œ„Š7
G¨Œ„Š7
voice And you my
molto rit.
a tempo
lo
ver
should
feel
no
shame,
when
you
re
a1 solo
I
Vln. I mp
a1 solo
Vln. II mp Vla.
Vc. pizz Cb. 86
87
88
89
90
91
15 15
J Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
2
2
2
Perc 1
Perc 2.
Timp.
Hp.
B¨‹
B¨‹(Œ„Š7)
B¨‹7
E¨13
A¨7(“4)
D¨‹7
B¨‹
B¨‹(Œ„Š7)
B¨‹7
E¨13
A¨7(“4)
D¨‹7
A. Gtr.
Pno.
S. Bass
perc 3
voice co
ver
and
find you
can't
re
call my name.
And
all
sord gli altri
the
rest that
I've
left
out,
J
Vln. I mp div gli altri
sord Vln. II
mp div Vla. pp sord
mp
pp
mp
Vc. arco Cb. pp 92
93
94
mp 95
96
97
you
were
the
16 16 Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
sord Hn.1&3
sord
p
Hn.2&4 p Tpt.1&2 cup mutes Tbn.1&2 p cup mute B. Tbn&Tba. p
2
2
2
to Tri
Perc 1
Perc 2.
Timp.
non arp.
mf LNLOLMLL
Hp.
F©‹7
F©‹7
E¨9(“4)
p
E¨9
A¨9(“4)
A¨9(“4)
A¨9(“4)
E¨9
A¨9(“4)
A¨9(“4)
A¨9(“4)
6fr
A. Gtr.
Pno.
S. Bass
perc 3 F©‹7
F©‹7
E¨9(“4)
voice best wiith
out
a
doubt and you'll
get
by some how,
my funds
ran
dry and
so
did
I some how,
and
div Vln. I
Vln. II
Vla.
Vc.
Cb. 98
99
100
101
102
103
104
sfz
so
17 17
K CODA Fl.1&2
Ob.1
Eng. Hn.
Cl.1&2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
solo cup mute Tpt.1&2 mp Tbn.1&2
B. Tbn&Tba.
Perc 1
Perc 2. p
pp
Timp.
Hp.
D¨Œ„Š7
D¨Œ„Š7
E13(b9;5)
E13
6fr
A. Gtr. mp
Pno.
S. Bass p perc 3 D¨Œ„Š7
D¨Œ„Š7
E13(b9;5)
E13
voice GOOD BYE FOR
NOW,
GOOD
BYE
FOR
NOW,
K Vln. I p Vln. II p Vla. p Vc. p` pizz
arco
Cb. 105
106
p
107
108
18 q
18
Slower and relaxing to end
a2
Fl.1&2 mp Ob.1
Eng. Hn.
Cl.1&2/Bcl a1 Bsn.1&2 p
Hn.1&3 mp Hn.2&4 mp Tpt.1&2 pp
cup mutes
Tbn.1&2 cup mute
p
B. Tbn&Tba. p Triangle Perc 1 mf
Perc 2.
Timp. p
mp
Hp.
LNMOMNNM
l.v.
A¨13(“4)
D¨Œ„Š7
A. Gtr. p
p
Pno.
pizz S. Bass p
mf perc 3 A¨13(“4)
AŒ„Š9
AŒ„Š7
D¨(„ˆˆ2)
D¨Œ„Š7
voice GOOD
BYE
FOR
NOW
q
Slower and relaxing to end Vln. I p Vln. II p Vla. p div Vc. p div Cb. p 109
110
111
112
113
solo
19 Early to Bed Jazz Waltz in 1 Con brio h.
Franklin Underwood
Richard Rodney Bennett orchestrated Scott Dunn, 2016
INTRO a1
Flutes 1
Piccolo/Flute 2
Oboes 1
English Horn
Clarinet 1 in Bb
3 4
mp 4
4
3 4
picc mp 4
3 4 3 4 3 4
sim
mp
mp Clarinet 2 in Bb/Bkl
3 4
Cl 2
mp
Bassoon 1 & 2
Horns 1 & 3 in F
mp
3 4
sim
mp
3 4
mp sim
mp Horn 2 & 4 in F
Trumpets 1 & 2 in Bb
Tenor Trombones 1 & 2
Bass Trombone & Tuba
Percussion1 Tambourine/Glock/Bongos Percussion 2 - Marimba
Timpani
3 4
sim
mp
3 4
mp
3 4 3 4 3 4
to tambourine
3 4 3 4 3 4
Harp
mp
pdlt
mp
3 4
MMMOMNMM
3 4 Celesta/Piano
String Bass
Perc 3 - Drum Set
3 4 3 4 3 4
mf
pizz mp
GŒ„Š7
Voice
D9(“4)
3 4
GŒ„Š7
D9(“4)
GŒ„Š7
D9(“4)
5
6
GŒ„Š7
Jazz Waltz in 1 Con brio h. Violin I
3 4
senza sord pizz mp
Violin II
senza sord pizz
3 4
mp Viola
pizz
3 4
senza sord mp pizz
Violoncello
3 4
mp Contrabass
3 pizz 4 mp
2
3
Copyright © 2016 Novello & Company Limited.
4
7
20 A
2
VERSE 1 Fl.1 solo Picc p Ob.1
Eng. Hn. a1 Cl. mp Cl.2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Perc.1.
Mar.
Timp. ord non arp p
Hp.
to Pno.
Cel.
S. Bass p Dr. D9(“4)
GŒ„Š7
D9(“4)
GŒ„Š7
bed,
Ear
D9(“4)
GŒ„Š7
rise.
I
CŒ„Š13
B‹7
E9(“4)
voice Ear
ly
to
ly
to
greet the
dawn
as
I
o
pen my
eyes.
A div arco
sim
sim
div sim
sim
sim
sim
Vln. I p arco Vln. II p arco
div
Vla. p
1/2pizz 1/2 arco Vc. p
1/2pizz 1/2 arco Cb. 8
9
p
10
11
12
13
14
15
16
21 3 a1 Fl.1 mp Picc
Ob.1
Eng. Hn.
Cl. mp Cl.2/Bcl mp Bsn.1&2 mp Hn.1&3
Hn.2&4
Tpt.1&2 cup mutes Tbn.1&2 mp B Tbn cup mute B. Tbn&Tba. mp
Perc.1.
Mar.
Timp.
mf
Hp.
Pno.
S. Bass brushes/jazz waltz Dr. p A‹7
B‹7
C6
B‹7
E7(b9)
A‹7
C‹6/B
CŒ„Š7
D7(b9)
voice Fresh
as
a
dai
sy
as
some
bo
dy
said.
How
do
I
do
it?
I'm
pizz
arco
pizz
pizz
arco
pizz
pizz
arco
pizz
arco
pizz
arco
EAR
Vln. I
Vln. II pizz
Vla. tutti pizz
Vc. pizz
Cb. 17
18
19
20
21
22
23
LY
TO
22 B 4
VERSE 2 a1 Fl.1 mp Picc
Ob.1
Eng. Hn.
Cl. mp Cl.2/Bcl mp Bsn.1&2
sord Hn.1&3 p sord Hn.2&4 p Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Perc.1.
Mar.
Timp.
mp
Hp.
solo
mf
Pno.
4
mp
S. Bass mp 4
Dr. GŒ„Š7
D9(“4)
GŒ„Š7
D9(“4)
mp
GŒ„Š7
D9(“4)
GŒ„Š7
bed,
up
D9(“4)
voice BED.
Ear
ly
to
with
the
lark,
B pizz Vln. I mf pizz Vln. II mf pizz Vla. mf Vc. mf Cb. 24
25
26
27
28
mf
29
30
31
23 5 Fl.1 3
3
3
p 3
3
3
Picc
Ob.1
Eng. Hn.
Cl.
Cl.2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2 (sord) Tbn.1&2 mp B Tbn (sord) B. Tbn&Tba. mp
Perc.1.
Mar.
Timp.
Hp.
Pno.
S. Bass p sub 8
12
Dr. GŒ„Š7
CŒ„Š13
B‹7
E9(“4)
A‹7
dark.
You
B‹7
C6
B‹7
voice out
on
a
spree
arco
but
I'm
home
be
fore
pizz
arco
pizz
arco
can
go
dis
co
and
paint
the town
red,
Vln. I p sub arco Vln. II p sub arco Vla. p sub arco Vc. p sub arco Cb. 32
33
34
35
36
p sub
37
38
39
E7(b9)
24 C
6 Fl.1
mf to second flute
Flute
Picc mf Ob.1
Eng. Hn. 1. poco marc Cl. mf Cl.2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2 mp
Tbn.1&2
B. Tbn&Tba. p Perc.1.
Mar. mf hard mallet Timp. mp damp
non arp
f MMMOMNMM
Hp.
ff
Pno.
S. Bass mf 16
Dr. A‹7
C‹6/B
CŒ„Š7
D7(b9)
GŒ„Š7
D9(“4)
GŒ„Š7
D(“4)
G
voice I'll
take a
rain check
I'm
EAR
LY
TO
BED.
C
Used
pizz
Vln. I pizz Vln. II pizz Vla. pizz Vc. pizz Cb. 40
41
42
43
44
45
46
to
25 D
7 BRIDGE
Fl.1 flute Fl.2 mf Ob.1
Eng. Hn.
Cl. to B. Cl. Cl.2/Bcl a2
mf
Bsn.1&2 mp Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2 mp mp B. Tbn&Tba. p tamb Perc.1. mf Mar. mp
Timp.
Hp.
Pno.
S. Bass
Dr. C©‹7
F©7
BŒ„Š7
EŒ„Š7
C©‹7
F©9
BŒ„Š7
B6/F©
voice bun ny hop
and
boo
gie
and
cha
cha and
Charles
ton and
shim
my
and
shake
with the
best.
Used to
D
arco
Vln. I mp arco Vln. II mp arco Vla. mp Vc. arco Cb. 47
48
49
50
51
52
53
54
mp
26 8
E Fl.1
Fl.2
Ob.1
Eng. Hn.
Cl.
B. Cl.
Bsn.1&2 ord solo Hn.1&3 mf Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
to Glock. Perc.1.
Mar.
Timp.
non arp
F# D#
MMMOMMMM mf
Hp.
D§
Pno.
S. Bass
Dr. D‹7
F%/G
CŒ„Š9
FŒ„Š7
B7
B7
voice tur key trot
and
tan
go,
me
ren
gue
and
mam
bo,
but
now
I
need
E Vln. I
Vln. II
Vla. arco Vc. mp Cb. 55
56
57
58
59
60
my
27 F 9 VERSE 3 Fl.1
Fl.2
Ob.1
Eng. Hn.
Cl.
B. Cl.
Bsn.1&2
Hn.1&3
Hn.2&4
cup mutes Tpt.1&2 p
pp
cup mutes Tbn.1&2 p
pp
B Tbn cup mute B. Tbn&Tba. p
pp Glock
Perc.1. mp Mar.
Timp.
non arp
A#
f
Hp.
Pno.
S. Bass p Dr. B7(“4)/E
A‹11
A‹11/D
D6
it's
ear
D9(“4)
GŒ„Š7
bed,
ear
A‹11/D
GŒ„Š7
rise.
I
voice rest.
So
to mutes
ly
to
ly
to
F
Vln. I to mutes Vln. II to mutes Vla. to mutes Vc.
Cb. 61
62
63
64
65
66
67
can't
hang
28 10
G Fl.1
Fl.2
Ob.1
Eng. Hn.
Cl.
B. Cl. a2 Bsn.1&2 mp
Hn.1&3 p Hn.2&4 p Tpt.1&2 p
Tbn.1&2 p B. Tbn&Tba. pp Perc.1.
Mar.
Timp.
Eb F§ Bb D b
G#
Hp.
Pno.
S. Bass 4
Dr. mp
D7(b13)/C
B‹7
E7(;5)
A‹7
guys.
Ain't
B‹7
C6
B‹7
voice out
with
the
rest
of
sord
you
sim
got
the
en
er
gy,
ain't
got
the
bread
G
Vln. I mp sord
sim
Vln. II mp sord
sim
Vla. mp sord
(arco)
sim
Vc. mp Cb. mp 68
69
70
71
72
73
74
and
I
29 H
11
Fl.1 mf Fl.2 mf Ob.1 mf Eng. Hn. mf Cl. mf
BCl
B. Cl. mf
a2
Bsn.1&2
Hn.1&3 pp Hn.2&4 pp mutes away Tpt.1&2 mutes away Tbn.1&2 mute away B. Tbn&Tba.
to tambourine Perc.1. mp Mar.
Timp.
mp
Hp.
Pno.
pizz
(arco) S. Bass p 8
Dr. mp B¨‹
C‹
C©Œ„Š7
C‹7
pp
A‹7(;5)
B‹7
CŒ„Š7
B‹7
voice don't want
to
wake with
an
ache
in
my
head.
I
got
sweet dreams
and
sun
rise
and
bright
eyes
in
stead.
H Vln. I pp Vln. II pp Vla. pp arco Vc. pp pizz
(arco) Cb. p 75
76
77
78
79
80
81
82
30 12
I INSTRUMENTAL Fl.1 to Picc. Fl.2 swing Ob.1 f Eng. Hn.
Cl. sim B. Cl. poco f Bsn.1&2 poco f
ord Hn.1&3 mf ord Hn.2&4 mf
solo swing it ord Tpt.1&2 f
4
ord Tbn.1&2 mf
mf
mf
ord B. Tbn&Tba. mf Perc.1.
Mar.
Timp. mp
MMMOMNMM
Hp.
poco f
Pno.
S. Bass f
to sticks
4
Dr. mf A‹7
B7(#5)
C
C(„ˆˆ9)/G
GŒ„Š7
D9(“4)
GŒ„Š7
D9(“4)
voice Got
to
go
home
now,
I'm EAR
LY
TO
BED.
I sim
mutes away
sim
mutes away
sim
mutes away
Vln. I
Vln. II
Vla. pizz
arco
mutes away
Vc.
arco Cb. 83
84
85
86
87
88
89
90
31 13 Fl.1
Fl.2 3
Ob.1 3
Eng. Hn. 1. solo BCl to 2nd Cl Cl. to Cl.
mf
Clarinet in Bb
B. Cl.
sim Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2 3
3
Tbn.1&2 mf B. Tbn&Tba.
Perc.1.
Mar.
Timp.
Hp.
Bb
G#
B§
G§
Bb
B§ D#
D§
mf
Pno.
S. Bass 4
8
Dr. GŒ„Š7
CŒ„Š13
B‹7
E9(“4)
A‹7
B‹7
C6
B‹7
voice
Vln. I
Vln. II
Vla.
Vc.
Cb. 91
92
93
94
95
96
97
98
E7(b9)
32 14
J Fl.1 mf picc Picc mf Ob.1 f Eng. Hn. mf a2 Cl. mp
to B. Cl.
Cl 2 Cl.2/Bcl mp Bsn.1&2 mf
mp
Hn.1&3
Hn.2&4
Tpt.1&2 mp
Tbn.1&2 mp B. Tbn&Tba. mp Perc.1.
Mar.
Timp. mp damp
ff
f
Hp.
Pno.
S. Bass 12
16
Dr. A‹7
C‹6/B
CŒ„Š7
D7(b9)
GŒ„Š7
D9(“4)
GŒ„Š7
D(“4)
G
voice Used
J
ord
sim
Vln. I mp ord
sim
Vln. II mp ord
sim
Vla. mp ord (arco) Vc. mp (arco) Cb. 99
100
101
102
mp
103
104
105
to
33 15
K BRIDGE 2 Fl.1
Picc
Ob.1
Eng. Hn.
Cl.
Cl.2/Bcl
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2 poco sostenuto cup mutes Tbn.1&2 mp poco sostenuto cup mute B. Tbn&Tba. mute
mp
tambourine
to Bongos
Perc.1. mf Mar.
Timp.
Hp.
solo
mp
Pno.
S. Bass mp take brushes Dr. C©‹7
F©7
BŒ„Š7
EŒ„Š7
C©‹7
F©9
BŒ„Š7
B6/F©
voice bun ny hop
and
boo
gie
and
cha
cha and
Charles
ton
and
shim
my
and
shake
with the
best.
Used to
K Vln. I
Vln. II
Vla.
Vc. arco Cb. 106
107
108
109
110
111
112
113
mp
34 16
L Fl.1
Picc
Ob.1
Eng. Hn. solo
raunchy
Cl. mf Cl.2/Bcl a1 Bsn.1&2 mf
Hn.1&3 mp
Hn.2&4 mp Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Bongos
ad lib
Perc.1. mp suave Mar.
Timp.
non arp
Hp.
F# D#
MMMOMMMM mf
D§
Pno.
S. Bass
Dr. D‹7
F%/G
CŒ„Š9
FŒ„Š7
B7
B7
B7(“4)/E
A‹11
A‹11/D
voice tur key trot
and
tan
go,
mer
ren
gue
and
mam bo,
but
now
I
need
my
rest.
So
L arco Vln. I mp arco Vln. II mp arco Vla. mp arco Vc. mp Cb. 114
115
116
117
118
119
120
121
it's
35 M 17 VERSE 4 Fl.1
Picc
Ob.1 mp Eng. Hn.
Cl.
Cl.2/Bcl a1 Bsn.1&2 mp sord Hn.1&3 p sord Hn.2&4 p Tpt.1&2
Tbn.1&2 Tu B. Tbn&Tba. p ad lib
4
Perc.1.
Mar.
Timp.
mp dolce
Hp.
G#
A§ C#
A#
Pno.
S. Bass
Dr. D6
D9(“4)
GŒ„Š7
BED,
ear
A‹11/D
GŒ„Š7
rise.
I
D7(b13)/C
B‹7
E13(;5)
voice EAR
LY
TO
ly
to
can't hang
out
with
the
rest
of
you
guys.
M pizz Vln. I pizz Vln. II pizz Vla. pizz
1/2pizz 1/2arco
Vc.
Cb. 122
123
124
125
126
127
128
129
36 18
N Fl.1 mp Picc
Ob.1
Eng. Hn.
Cl.
Cl.2/Bcl
Bsn.1&2 mp Hn.1&3
Hn.2&4
bucket mute 2. Tpt.1&2 mf Tbn.1&2
B. Tbn&Tba.
To Glock.
4
Perc.1. piu p Mar.
Timp.
Hp.
Pno.
pizz S. Bass mp
snare and sus brushes/dolce
Dr. A‹7
B‹7
C6
B‹7
B¨‹
C‹
C©Œ„Š7
p
C‹7
voice Ain't
got
the
en er
gy,
ain't
got
the
bread
N
and I
don't want
sord
to
wake with
an
ache
in
my
head.
I
got
arco
Vln. I
sord
p dolce arco
Vln. II p dolce arco sord Vla. p dolce solo
sord Vc. pizz
mp
arco
Cb. 130
131
132
133
134
135
136
137
37 19
O
CODA Fl.1
Picc
Ob.1 mp Eng. Hn. mp Cl.
Cl.2/Bcl a1 Bsn.1&2 p
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Perc.1.
Mar.
Timp.
sim
MMMOMNMM mf ma dolce
Hp.
D#
Pno.
pizz S. Bass mp 4
Dr. A‹7(;5)
B‹7
CŒ„Š7
B‹7
A‹7
B7(b9)
C
B7
voice sweet dreams and
sun
a2 sempre dim
div
rise
and
bright
eyes in
stead.
Got
to
go
home
now,
I'm gon na
O
Vln. I p div a2 sempre dim Vln. II p a2 sempre dim
div
Vla. p
a2 sempre dim
Vc. p a2 Cb. 138
139
140
141
142
mp
143
144
145
38 20
a1 Fl.1 p Picc
Ob.1 p Eng. Hn.
Cl.
Cl.2/Bcl 2.
1.
pp
ppp
Bsn.1&2
Hn.1&3
Hn.2&4 (bucket mutes) a1 Tpt.1&2 mf
p bucket mute
Tbn.1&2 p bucket mute B Tbn B. Tbn&Tba. p
Perc.1.
Mar. p sempre decrescendo
soft mallet
Timp. p
Hp.
Pno.
pizz S. Bass p take mallet for sus
4
Dr. A‹7
B7(b9)
C
B‹7
A‹7
B7(b9)
CŒ„Š9
A‹11/D
voice dis con nect
the
phone
now.
Got
to
go
home now,
I'm EAR
tutti pizz Vln. I pp tutti pizz Vln. II pp tutti pizz Vla. pp
tutti pizz
Vc. pp
tutti pizz
Cb. pp 146
147
148
149
150
151
152
153
LY
TO
39 P
21
rit.
Fl.1 mp
(picc)
Picc p Ob.1
Eng. Hn. a1 Cl. mf
Bass Clarinet in Bb Cl.2/Bcl f Bsn.1&2
Hn.1&3 mp Hn.2&4 mp Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Glockenspiel Glock. mp Mar. mp
Timp. p
p
pp l.v. D#
poco f
mf MNMOMNMM
Hp.
G#
solo, ad lib. l.v.
Celesta
mf
Cel.
mp
S. Bass soft mallet on sus
l.v.
Dr. mp GŒ„Š7
p CŒ„Š7/G
GŒ„Š7
pp CŒ„Š7/G
CŒ„Š7/G
CŒ„Š7/G
BŒ„Š9(#11)
G©7(“4)
C©(„ˆˆ2)/B
voice BED
P
rit.
arco
Vln. I p arco Vln. II p arco Vla. p arco Vc. p arco Cb. p 154
155
156
157
158
159
160
161
162
40
41 I Never Went Away Richard Rodney Bennett
Richard Rodney Bennett orchestrated Scott Dunn, 2016
Slow Waltz q
Flutes 1 & 2/piccolo
Oboe 1
English Horn
Clarinets in Bb 1 & 2
Bassoon 1 & 2
Horns 1 & 3 in F
Horn 2 & 4 in F
Trumpet 1 in Bb
INTRO
3 4 3 4 3 4 3 4 3 4 3 4 3 4
harmon, no stem solo
3 4
mp espr
Tenor Trombones 1 & 2
Bass Trombone & Tuba
Perc 1 - Small gong or large sus
Perc 2 - Glockenspiel
3
mf harmon solo
3 4
mp espr
3 4 3 4 3 4 p medium mallet
Timpani
3 4
mp bisbigliando
3 4 MMLOMMM
Harp
pp
C#
3 4
Db
Eb
E§
p C§
Eb
Gb
G§ D§
Db
3 4 Piano
Perc 3 - Drum Set
String Bass
3 4 3 4 3 4
soli pizz
mp Voice
GĂ˜7/F
3 4 Slow Waltz q sord
Violin I
3 4
1st desk only
pp sord
Violin II
3 4
1st desk only
pp
Viola
3 4
1st desk only
sord
pp
Violoncello
Contrabass
3 4 3 4
1st desk only
soli 1st desk only pizz
sord
pp
mp
Copyright Š 2016 Novello & Company Limited.
I
42 A
2
q
10 VERSE 1
Fl.1&2/picc
Ob.1
Eng. Hn.
Cl.1&2
Bsn.1&2
Hn.1&3 p Hn.2&4 p
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
soft mallet Gong/sus pp Perc 2.
Timp. pp ord
Hp.
mf
C#
D§
C
Gb
F#
G§
F§
Eb
E§ mf
Pno.
Dr. pizz
arco S. Bass FŒ„Š9
FŒ„Š9(#5)
B¨Œ„Š7/F
F13(b9;5)
B¨%/F
B¨&/F
G‹7
B¨(„ˆˆ2)/C
C13(;5)
voice tried
A
to get a
way from you,
to leave the past
be hind me.
I went on trains
and boats and planes
where love would ne ver find
me.
But
q
gli altri/sord div
p
pp
Vln. I
gli altri/sord Vln. II p
pp div
gli altri/sord
Vla. p top line solo, ord and poco marc mp Vc. p arco Cb. p
pp
43 3 18
Fl.1&2/picc
Ob.1
Eng. Hn.
Cl.1&2 mp espr.
Bsn.1&2 mp espr
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
damp Gong/sus
Perc 2.
Timp.
Hp.
Gb
sim
F# B§
C#
E§G#
E#
F§ Bb
Pno.
brush time
4
8
Dr. pp S. Bass C‹7
F7(b9)
B‹7
E7(;5) E7(b9)
AŒ„Š9
DŒ„Š13
G©Ø7
D¨7
voice oh my dear,
how ever far a
Vln. I div Vln. II
Vla. end solo gli altri/sord Vc. pp gli altri Cb. pp
way I flew,
no mat ter where I
tra velled to,
I ne ver went a
way from you,
I NE VER WENT A
44 B VERSE 2 a1 solo (col tpt)
4 26
Fl.1&2/picc mp espr Ob.1
Eng. Hn.
Cl.1&2
2. Bsn.1&2 p sempre (sord) Hn.1&3 p sord Hn.2&4 p legato sempre
(harmon, no stem)
solo
Tpt.1&2 mp Tbn.1&2
B. Tbn&Tba.
Gong/sus
Perc 2.
Timp.
Hp.
F major
mp C§
Pno.
Slow jazz waltz brushes
2
2
Dr. p S. Bass mf G‹7
C7
C13(b9)
FŒ„Š9
A7/C©
B¨(„ˆˆ9)/F
F13(b9)
B¨%/F
B¨&/F
voice WAY.
When e ver
I would lose my way,
with out a star
to guide me,
I
al ways found
B Vln. I pp Vln. II pp Vla. mf
mf Vc. mf
p
mf
p
Cb.
I'd turn a round
and
45 5 34
Fl.1&2/picc
Ob.1
Eng. Hn.
Cl.1&2 p 1. Bsn.1&2
Hn.1&3 p legato sempre
pp
open
Hn.2&4 p legato sempre
pp
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Gong/sus
Perc 2.
Timp.
non arp
F# B§
Gb
mp
MMLOLMMM
Hp.
E§ G# C#
E#
Pno.
2
2
2
2
Dr. arco S. Bass p G‹7
C13
C‹7
F7(b9) F13(b9;5)
B‹7
D‹/E
E7
AŒ„Š9
AŒ„Š13
DŒ„Š13
voice you'd
be there be side
me.
And
so my dear,
how e ver far a
ord Vln. I p ord Vln. II p ord
div
Vla. p Vc. mf
p
Cb. p
way I
flew,
no mat ter where I
tra velled to,
I ne ver went a way from
46 6
C
42
VERSE 3
a2
Fl.1&2/picc mp Ob.1
Eng. Hn.
Cl.1&2
Bsn.1&2 mp a2
open
Hn.1&3 p espr Hn.2&4
Tpt.1&2 cup mutes Tbn.1&2 mp cup mutes B. Tbn&Tba. mp
mp damp
Gong/sus mp solo Perc 2. p
Timp. mp
F§ Bb
Hp.
G§ mf
Eb Db Cb
Gb
mp solo
ff
Ab
D§
Fb
Db
mf
Pno.
r.h.
2
to sticks at edge
Dr. p
pizz S. Bass
G©Ø7
C©7(b9)
G‹7
C¨Œ„Š9(b5)/D¨
G¨Œ„Š9
B¨/G¨
C¨6/G¨
G¨7(b9) G¨13(b9;5)
voice you,
I NE VER WENT A
WAY.
I
tried
to get a
C Vln. I
Vln. II
div
espr
Vla. mp subito Vc. p sub Cb. p sub
way from you,
to find my self
a
new love.
A
47 D 50
7
to Picc.
Fl.1&2/picc
Ob.1
Eng. Hn.
Cl.1&2 mp solo 1. Bsn.1&2 mp p Hn.1&3 mp
Hn.2&4 mp Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Gong/sus
Perc 2.
Timp.
G§
Hp.
F§
Fb
Pno.
Dr.
S. Bass C¨6/G¨
G¨%
E¨&/G¨
A¨‹7 E¨‹11/A¨
D¨9
D¨9
D¨‹7
G¨7
G¨7(b9)
C‹7
C‹11
C‹11/F
F¨9
voice diff' rent face,
a warm em brace,
but
all
I found was you
love.
I
know my dear,
D Vln. I pp Vln. II pp
Vla. pp Vc.
Cb.
how e ver far a
way I
flew,
no mat ter where I
48 8 58
Picc.
Ob.1
Eng. Hn. poco marc Cl.1&2 mp poco marc Bsn.1&2 mp
Hn.1&3 p
pp
p
pp
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Gong/sus
Perc 2.
Timp.
Hp.
p
MMLOLMM
Ab Cb
F#
E§
Db
F§
Gb
Pno.
back to brushes snare and ride 4
Dr. pp (pizz) S. Bass B¨Œ„Š7
E¨Œ„Š9
A7(#9;5)
D7(b9)
A¨‹7
D¨7
G¨Œ„Š7
voice tra velled to,
I
ne ver went a
way from you,
Vln. I
Vln. II espr Vla. pp Vc. pp Cb. pp
I
ne
ver
went a
way,
I
ne
ver
went a
way
49 E
q
meno mosso al fine
9
rall.
q OUTRO
65
ad lib
Piccolo
Picc. p
pp
solo
ad lib
Ob.1 p
pp
Eng. Hn.
Cl.1&2 pp Bsn.1&2 pp
Hn.1&3
Hn.2&4 solo - lazily (harmon, no stem) Tpt.1&2 mp espr Tbn.1&2
B. Tbn&Tba.
l.v. Gong/sus p Perc 2.
solo Timp. mp
p
mp MMMOMMMM
C§ Hp.
pp
solo col tpt
Pno.
mp
ppp
pp dolce
l.v.
4
Dr. p arco
pizz
S. Bass C11
FŒ„Š9
F%
voice I NE VER WENT A
E
WAY. q
meno mosso al fine
q
rall.
Vln. I
Vln. II
Vla. pizz Vc. pizz Cb.
50
51 Let's Go and Live in the Country Richard Rodney Bennett
Freely and colla voce
Flutes 1 & 2
Oboes 1
Oboe 2
4 4
Trumpets 1 & 2 in Bb
Tenor Trombones 1 & 2
Bass Trombone & Tuba
2nd Cl to BCl
4 4 4 4 4 4 4 4 4 4 4 4 4 4
Triangle
Percussion 1 Triangle/Sus Cymbal/ Bass Drum
4 4
Glockenspiel
Percussion 2 Glockenspiel/Sus Cymbal
4 4
Snare Drum
Percussion 3 Snare Drum/Wood Block
Timpani
poco rall.
4 4
Bass Clarinet/Cl 2 in Bb
Horn 2 & 4 in F
q
Richard Rodney Bennett orchestrated Scott Dunn 2016
4 4
Clarinet 1 in Bb
Horns 1 & 3 in F
q INTRO
4 4
4 4
Bassoon 1 & 2
molto rit.
4 4 4 4
Harp
4 4 4 4
Piano
Freely solo
colla voce sempre
mf
p
press ahead
4 4
String Bass
4 4
solo pizz
mf F(“4)
Voice
4 4
D‹/F
C‹7
B¨
I'm
Freely and colla voce Violin I
Violin II
Viola
Violoncello
Contrabass
4 4
senza sord
4 4
senza sord
4 4
senza sord
4 4
senza sord
G7(b9)
so
tired
C‹
of the
F13
grime and the squa lor
B¨/D
of the
ci
q
C‹
ty
q
molto rit.
poco rall.
4 4 1
2
Copyright © 2016 Novello & Company Limited.
3
4
5
F7
52 A 2
q
q
poco rall.
q
Fl.1&2
Ob.1
Ob.. 2 a1 solo espr Cl.1 mp B Cl/Cl2
Bsn.1&2
Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Perc 1. Glockenspiel Perc 2. mp
Perc 3.
Timp.
Hp.
Pno/Cel r.h.
S. Bass B¨
G7(b9)
C‹
F(“4)
D‹
G7
C‹
F(“4)
D‹
G‹
voice I'm
so
wea
ry
of
liv ing
in this terr
i
ble
town.
Woul dn't
it
be grand to
be,
stand ing hand in hand to
A
q
poco rall.
q
Vln. I
q
Vln. II
Vla.
Vc.
Cb. 6
7
8
9
10
11
be
53 3
q
poco rall.
3 4
Fl.1&2
3 4
Ob.1
3 4
Ob.. 2 flutter tongue
col BCl Cl.1
3 4
p BCl solo
3 4
B Cl/Cl2 mp a1 Bsn.1&2
3 4
mp
3 4
Hn.1&3
3 4
Hn.2&4
3 4
Tpt.1&2
3 4
Tbn.1&2
3 4
B. Tbn&Tba.
3 4
Perc 1.
3 4
Perc 2. snares on at edge (Snare Drum) Perc 3.
3 4
pp
3 4
Timp.
3 4 Hp.
3 4 3 4 r.h.
Pno/Cel
43 3 4
S. Bass C9
F(“4)
F7
B¨‹
E¨9(“4)
E¨7
C‹7
C‹(Œ„Š7) C‹
F9
voice watch ing
the sun
go
down?
Stroll ing un der won der ful
age
old
trees,
com mun ing with the birds, and the
3 4
bugs, and the bees.
q
poco rall.
3 4
Vln. I
3 4
Vln. II
3 4
Vla.
3 4
Vc.
3 4
Cb. 12
13
14
15
16
17
54 B 4
Lively jazz waltz in one h. VERSE 1 a1
3 4
Fl.1&2
mp
3 4
Ob.1
3 4
Ob.. 2
3 4
Cl.1
mp
3 4
B Cl/Cl2
mf
3 4
Bsn.1&2
mp
3 4
Hn.1&3
3 4
Hn.2&4
3 4
Tpt.1&2
3 4
Tbn.1&2
3 4
B. Tbn&Tba.
3 4
Perc 1.
Triangle
p
3 4
Perc 2.
3 4
Perc 3.
pp
3 4
Timp.
3 4 Hp.
3 4 3 4
Pno/Cel
43 3 4
S. Bass
p
pizz
mf
3 4
voice
B¨
Let's
B Vln. I
F7(“4)
go
and
live
B¨Œ„Š7
in
the
coun
F9(“4)
try
B¨
Let's
F7(“4)
leave
the
ci
B¨Œ„Š7
ty
for
good.
h.
Lively jazz waltz in one pizz
3 4
div
mf pizz
3 4
Vln. II
mf pizz
3 4
Vla.
mf
3 4
Vc.
3 4
Cb. 18
pizz
mf
pizz
arco
mf
p
19
20
21
22
23
24
25
pizz
55 5 a2 Fl.1&2 3
3 3
Ob.1 p
3
Ob.. 2 p 3
3
Cl.1 p B Cl/Cl2 p Bsn.1&2 sfz Hn.1&3
Hn.2&4
Tpt.1&2 mp
Tbn.1&2 mp
B. Tbn&Tba. mp to Sus Cymb Perc 1.
Perc 2.
Perc 3. mp
pp hard mallet
Timp. mp
Hp.
Pno/Cel
S. Bass A‹11
D7
G
G/D
G‹
C7
F(“4)
F7
voice Why
don't
we
pack
up
and
lock
up
and
shack
up
in
some litt
le
shack
in
the
wood?
arco
pizz
div Vln. I arco
pizz
Vln. II arco pizz Vla. pizz arco
arco
Vc. mf
sfz
Cb. 26
27
28
29
30
31
32
33
56 C
6
VERSE 2 Fl.1&2
Ob.1
Ob.. 2
Cl.1
B Cl/Cl2 mp Bsn.1&2
Hn.1&3 mp
mp
Hn.2&4
to sord Tpt.1&2
Tbn.1&2 p B. Tbn&Tba.
p Perc 1. (Glock) Perc 2. mp
Perc 3.
Timp.
MMLOLMMM mp dolce
Hp.
to Cel.
mp dolce
Pno/Cel
arco S. Bass mp dolce
p
B¨
F7(“4)
B¨Œ„Š7
F9(“4)
B¨
F7(“4)
B¨Œ„Š7
voice Let's leave
the
rat
race
be
hind
us,
live
in
a
beau
ti
ful
dream.
C Vln. I mp dolce Vln. II mp dolce Vla. mp dolce Vc. mp dolce arco Cb. 34
mp dolce
35
36
37
38
39
40
41
p
57 7
D
BRIDGE
Fl.1&2
Ob.1
Ob.. 2 BCl to 2nd Cl Cl.1 to 2nd clarinet B Cl/Cl2 a1 Bsn.1&2 p
Hn.1&3 p
p
Hn.2&4 p a1straight mute
p
Tpt.1&2 mf
p Tbn.1&2
B. Tbn&Tba. pp Sus Cymbal
sticks on dome
Perc 1. p Perc 2.
sim Perc 3. p Timp.
non arp
mf
Hp.
B flat major F#
E§ B§
poco f
F#
F§ Bb
C#
Pno/Cel
pizz S. Bass mf A‹11
D7
G
G/D
G‹
C7
F7
E‹9
A7
D
E13
We'll
have
time
to
B‹(“4)/F©
voice Far from
D
the
rabb le
we'll happ
i
lly
dabb le
our
toes
in some
ba
bb'l ing stream.
re
flect
arco
Vln. I p
mp
arco Vln. II p
mp
div arco
Vla. poco f
mp
mp
Vc. p
mp pizz
arco
Cb. 42
p
43
44
45
46
47
48
49
mp
50
51
52
58 E
8 a1 Fl.1&2 mp 3
3
mp 3
3
a1 Ob.1
Ob.. 2
Cl.1
B Cl/Cl2 a1 Bsn.1&2 mp
Hn.1&3
a1 Hn.2&4
(a1) Tpt.1&2 p Tbn.1&2
B. Tbn&Tba.
to triangle Perc 1. mp Perc 2.
Perc 3. mp Timp. p
f
B§
Hp.
G#
G§
Bb
Eb C§
F§
Celesta
Pno/Cel
S. Bass mf F©‹7
B‹7
E7
A
F‹9
B¨7
E¨
F13
ways.
And
we
won't
see
D‹
G‹
voice on
the
world and
its
lun
a
tic
pizz
arco
poco f
mp
E
a
soul,
not
div
Vln. I mf
Vln. II mp
mf div
Vla. mp
mf
Vc. mf
mp
pizz Cb. 53
54
55
56
57
mf
58
mp
59
60
61
for
59 F Gradually returning to tempo colla voce
molto rall.
9
VERSE 3 Fl.1&2 p
pp
mp
pp
mp
pp
mp
Ob.1
Ob.. 2 a2 Cl.1 p Cl 2 B Cl/Cl2 p Bsn.1&2 pp
Hn.1&3
Hn.2&4
(2. sord)
pp Tpt.1&2
pp Tbn.1&2
B. Tbn&Tba. pp
Perc 1.
Perc 2. mf
Perc 3. pp
p dolce
Timp. p
mp
Hp.
F#
pp
mp
F§
(cel)
Piano
mp
Pno.
mf
S. Bass p F(“4)
C7(“4)
spoken..........................
Aº/F
B¨
sung
F7(“4)
B¨
F13
B¨
F7(“4)
B¨
B¨9
voice days
and days
and days
and
days.... But
what if the
wea ther's
ap
pall ing?
What if the
F Gradually returning to tempo colla voce
molto rall. pizz
non div pizz
roof starts
to leak?
arco
pizz
arco
pizz
arco
pizz
Vln. I p
mp
pizz
pizz
p
mp
pizz
pizz
Vln. II
Vla. mp pizz
pizz
arco, solo
Vc. p
mp espr arco
pizz
Cb. p 62
63
64
65
66
67
68
69
70
71
72
73
60 G h.
10
h.
Fl.1&2
Ob.1 p Ob.. 2
Cl.1
B Cl/Cl2
Bsn.1&2 mp Hn.1&3
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
Triangle Perc 1. mp to Sus Cymbal/felt mallets Perc 2.
to Wood Block with rubber mallet Perc 3.
Timp.
Hp.
Pno.
S. Bass mf A‹11
D7
G
G/D
G‹
C7
F(“4)
F9
voice What
G
if
we're
lone
ly
and
bored with
our
own
litt
le
world
af
ter
on
ly
one
week?
h.
h. div
Vln. I mf
arco sul tasto
nondiv
Vln. II mf non div Vla. mf
sul tasto gli altri
arco Vc. mf
p arco
Cb. 74
75
76
77
78
79
80
81
p
61 H
11
h.
VERSE 4 Fl.1&2
Ob.1
Ob.. 2
Cl.1 2nd to Bass Clarinet B Cl/Cl2
Bsn.1&2
Hn.1&3 p Hn.2&4 p Tpt.1&2
Tbn.1&2 (Tuba) B. Tbn&Tba. mp Perc 1.
Perc 2.
Wood Block Perc 3. mp Timp. p
Hp.
Pno.
S. Bass B¨
F(“4)
B¨Œ„Š7
F7(“4)
B¨
F7(“4)
B¨
B¨/F
voice I've
got
this
horr or
of
hor
ses;
we're
both
all
er
gic
to
hay.
H
h.
arco sul tasto
pizz
arco
pizz
arco
arco
pizz
arco
arco
pizz
arco
Vln. I mp pizz Vln. II arco sul tasto
mp
pizz
Vla. mp Vc. mp Cb. 82
mp
83
84
85
86
87
88
89
62 q
I pushing ahead
12
a2
Fl.1&2 mp a2 Ob.1 mp Ob.. 2 mp Cl.1
B Cl/Cl2
Bsn.1&2 mp
Hn.1&3 pp
poco f
pp
poco f
Hn.2&4
Tpt.1&2
Tbn.1&2
B. Tbn&Tba.
to Bass Drum Perc 1. p
mp
mf
f
felt mallets on sus cymbal
l.v.
to Glockenspiel
Perc 2. mf to Snare Drum Perc 3.
Timp. mp
mf
f
MMMOMMMM
Hp.
Bb
ff
colla voce Piano with bravura p
mf
Piano
Pno.
S. Bass mf
f A/C© AŒ„Š7/C© A7/C©
B¨‹11
E¨7
C‹11
F13
D‹11
G7
(spoken)
C13
voice Pic ture
I
us
free zing and
cough ing
and
sneez ing
and
gasp ing
and
whee zing
all
day.
Why
q
pushing ahead div
ord
p
f
Vln. I
div
div
ord
Vln. II p
f
div
ord
Vla. f
p arco
pizz Vc. p
mp
mf
f
(arco) Cb. 90
p
91
92
mp
93
94
mf
95
96
f
97
98
dont
we
J
63
h. VERSE 5 13
Fl.1&2 mf
mp
p
mp
p
mp
p
a1 Ob.1 mf Ob.. 2 a1 Cl.1 mf BCl B Cl/Cl2 p
mp a1 Bsn.1&2 mp
p
Hn.1&3
Hn.2&4 to harmon mutes Tpt.1&2 to harmon mutes Tbn.1&2 tbn to harmon mute B. Tbn&Tba.
Perc 1.
Perc 2.
Snare Drum Perc 3. p Timp. damp
non arp
mf MMLOMMMM
Hp.
mp
Eb B§
Pno.
S. Bass mp
p
D‹
(sung)
G‹7
C‹11
car,
drive
F9(“4)
B¨Œ„Š7
bit,
look
GŒ„Š7
C7
C9
voice take
J
the
a
at
the
view
til
we're
sick
of
it,
h. pizz
arco
pizz
arco
pizz
arco
pizz
arco
pizz
arco
pizz
arco
pizz
Vln. I p
mp arco
pizz Vln. II mp
arco
pizz
p
arco
Vla. mp
p
pizz
arco non div
Vc. mp
p
pizz
arco
pizz
Cb. 99
mp
100
101
102
103
104
105
106
p
64 a tempo
K
molto rall.
h.
14
CODA Fl.1&2 mp
f
a1
Ob.1 f
mp
Ob.. 2 Cl.1 mp
f B Cl/Cl2 sfp
mp
sfp
mp
Bsn.1&2
Hn.1&3 pp
sfp
Hn.2&4 pp
sfp
(harmon mutes)
mutes off
Tpt.1&2 p (harmon mutes)
mutes off
Tbn.1&2 (harmon mute)
p mute off
B. Tbn&Tba. p
pp Bass Drum/small beater
Perc 1. mp to Sus Cymb
Glockenspiel Perc 2. mp
mf
Perc 3. mp
mf Timp.
mp damp
f
Hp.
Ab Bb
mf
mp
colla voce
("then
mf
Pno.
come
back")
arco
pizz
S. Bass mp
f E¨6/G
E¨%
D‹7
G7(„ˆˆ9)
G13(;5)
(spoken)
E¨‹(„ˆˆ9)/G
G‹7
come
back
B¨6/F
(sung)
D‹
G(„ˆˆ9)
voice sit
in
the
sun
till
it
starts
to
rain?
Then
K
molto rall.
to
the
ci ty
a
gain.
that
a tempo h. non div
Vln. I f
sfz non div
mp
f
sfz
mp
f
sfp
mp
f
sfp
Vln. II
Vla.
Vc.
arco
pizz
Cb. 107
108
109
110
f
111
112
mp
113
114
115
L
65
Out of tempo
a tempo
e
h.
15
sim Fl.1&2 mp
mp
mp
mp
f
sim
sfp
Ob.1 f
Ob.. 2 sim
f
Cl.1 mp
mp
mp
mp
sfp
sim
B Cl/Cl2 sim
Bsn.1&2 sfp
p
f
rip
Hn.1&3 f Hn.2&4 f ord Tpt.1&2 pp
f
pp
f
ord Tbn.1&2 ord B. Tbn&Tba. pp
f
damp
Perc 1. mp
f
Sus Cymbal felt mallet
damp
Perc 2. sfp
f
sfp
f
Perc 3. pp Timp. mp
f damp
damp
Db f
Hp.
damp
ff
sfp
ff
Pno.
f
arco
sfp
pizz
arco
S. Bass C‹7
E¨/F
D‹7
G‹7(;5)
C‹7
wit ty,
come back
f
E¨/F
B¨
sfp
E¨/F
f
B¨‹7
voice fab
u lous
ci ty
so
wi cked
to
to
the
ci ty
arco
pizz
a
gain.
L
Out of tempo
a tempo
sim
e
h.
f
sim
sfp
f
f
sim
sfp
f
sfp
f
sfp
f
Vln. I mf pizz
arco
mf pizz
arco
Vln. II
Vla. f
mf pizz
arco
Vc. mp
mp
mp
mf arco
f
pizz
arco
Cb. 116
117
118
119
120
121
122
f
123
124
sfp
125
f