GHOST PATROL an opera in four scenes
by
Stuart MacRae with a libretto by
Louise Welsh
Full score
Novello & Co. Ltd.
GHOST PATROL an opera in four scenes by Stuart MacRae with a libretto by Louise Welsh Dramatis Personae: Sam (tenor)
An ex-army sergeant in his thirties, who has fallen on hard times
Alasdair (baritone)
An ex-army captain in his thirties; proprietor of the pub where the action takes place; Vicki’s boyfriend
Vicki (soprano)
An aspiring singer in her late twenties or early thirties; Alasdair’s girlfriend
Setting:
The opera is set in a contemporary British city five years from now. The country is at war in a distant land, but it’s business as usual at home. There are no bombs or armed combat in the streets, but images of the conflict and its victims dominate TV news reports. The opera takes place entirely in the barroom of Alasdair’s chichi gastro-pub. The hostelry is equipped with all the usual comforts, a well-stocked bar flanked by high stools, a flat screen TV, a few tables and chairs and a comfortable looking couch. A vase of spring flowers sits on the bar. A pair of French doors opens out onto a beer garden, where a tree is heavy with blossom. The far wall is decorated with a poster advertising Vicki’s forthcoming performance. It shows Vicki in dress uniform, her cap tipped at a jaunty angle.
Orchestra: Flute Oboe Clarinet in B-flat Bassoon
(+ Piccolo) (+ Cor Anglais) (+ Bass Clarinet) (+ Contrabassoon)
Trumpet in B-flat Trombone
(with straight, cup, and Harmon mutes) (with extension down to C-sharp; with straight, cup and Harmon mutes)
Percussion
vibraphone, hi-hat, sizzle cymbal, suspended cymbal, Chinese cymbal, Small tam-tam, Chinese opera gong, log drum, 8 temple blocs, 1 woodblock, 2 cowbells, anvil, bell (E), triangle, sleigh bells, tambourine, high bongo, snare drum, 2 tom-toms, kick drum, bass drum
Harp 2 Violins Viola 2 Cellos Contrabass Tape
(with C-extension or 5 strings) A recorded semi-chorus of 4 voices (notated in score) plus electroacoustic track, prepared by the composer.
Duration: ca. 58’00” Scene 1 ca.14’30” Scene 2 ca. 6’00”
Scene 3 ca. 21’00”
Scene 4 ca. 16’30”
Text © Copyright 2010 Louise Welsh. Extract from “Ode of Remembrance” by Laurence Binyon By permission of The Society of Authors as Literary Representative of the Estate of Laurence Binyon. All Rights Reserved. International Copyright Secured. Stuart MacRae’s Ghost Patrol was co-commissioned by Scottish Opera and Music Theatre Wales. It was first performed on 30 August 2012 at the Traverse Theatre, Edinburgh
Score in C
GHOST PATROL
Text: Louise Welsh
Music: Stuart MacRae = ca.120
Scene 1 2"
ca. 5"
2"
ca. 5"
(
= ca.240)
Flute (Picc.) Oboe (Cor Anglais) Clarinet in B (Bass Clarinet) Bassoon (Contrabassoon)
Trumpet in B
Trombone High bongo (wood sticks) 2"
( = ca.150) 3
ca. 5"
Percussion
2"
ca. 5"
Harp
[ Lights up on the interior of a pub. It’s closed for the night. The room is almost in darkness. ] 2"
ca. 5"
2"
ca. 5"
2"
ca. 5"
Vicki
Sam 8
Alasdair
= ca.120
Scene 1 2"
ca. 5"
(
= ca.240)
1 Violin 2
Viola IV 1 Violoncello
IV
2
pizz.
Contrabass
8
Copyright © 2011 Novello & Co. Ltd.
2 5
= ca.104
Perc.
sul pont.
gliss.
3
Vlc.
pizz.
gliss.
Cb.
= ca.104
ord.
arco
8
A 10
Scorrevole ed agitato ( = ca.104)
Bsn.
High bongo
Susp. cymb. 5
8 Temple-blocks
[ ]
Perc. 5
2 Tom-toms
Hp.
[ SAM jemmies open a window and climbs in. He creeps through the bar quietly, looking for anything of value that he can steal. ]
A Scorrevole ed agitato ( = ca.104) 6
3
3
6
1 3 6
3
6
3
3
3
6
6
Vln.
6
6
3 3
3
3
2 3 3
Vla. sul pont. 1
Vlc. sul pont.
ord.
2 3
Cb.
8
3
3
3 marcato
14 Bsn.
Perc.
1 3
6
Vln.
3
3 3
3
3
3
3
3
3
6
6
3
6 3
6
3
6 6
3
2 3
6
3
Vla. sim.
pizz.
(break off notes early as required)
1 Vlc. 2 3
Cb.
3
8 8
18
3
Cl.
6
Bsn.
3 3
3
Perc.
1 6
3
3
3
6
3
3
Vln.
6
6
6
6
6
6
3
2 6
3 3
3
3 3
6
3
Vla.
1 Vlc.
3 3
2 3
Cb. 8
3
4 22 Fl.
Ob.
3
Cl.
3 5
Bsn.
Tpt.
Tbn.
Kick drum 3
3
3
Perc. (heartbeats)
Hp.
3
3
1 3
3
6
6
3
3
6
6
6
3
3
6
6
3
3
6
6
6
6
6
Vln.
2
3
3
3
Vla. cresc. 5
1 3
Vlc. 3
2 3
3
cresc. 5
Cb.
3 8
8
3
3
3
3
8
5 26 Fl.
Ob.
3
3
Cl.
3
Bsn. 3 3
Tpt.
Tbn. Susp. cymb. 3
3
2 Temple-blocks
[
Perc.
] Kick drum
5 3
5
5
5 3
Hp.
5 3
cresc.
3
3
1 3
3
6
3
3
6
6
6
3
3
6
6
6
cresc. Vln.
2 3
3
6
cresc. 3
Vla. 3
1 3
Vlc. 2 3
Cb.
3
8
8
3
3
3
6
B 29
fltg.
fltg.
Fl. 7
6
Ob. 3
3
3
3
3
3
3
3
3
3
3
Cl. 3
sub.
3
Bsn.
B Tpt.
Tbn.
Templeblocks
Susp. cymb.
Perc.
Kick drum
Hp.
5
[Sam is emptying the till when ALASDAIR enters, turning on the light. Alasdair quickly takes in the scene and a violent tussle commences. The two are well matched and it’s anyone’s guess who will win. ]
B
1 6
6
6
Vln. 6
2 6
6
6
6 6 6
Vla. 3 5
arco, ord. 1 Vlc.
3
2
5
Cb.
arco
8
3
3
7 32
6
6
6
marcato
6
marcato
Fl.
Ob. dim. 6
6
Cl.
Bsn.
con sord. fltg.
3
Tpt.
con sord. fltg. Tbn. 3
Low Tom-tom
Mid Templeblock
Perc.
Hp.
6
6
6
off the string
6
6
off the string
1 Vln. 6
2
Vla. dim. sul pont. 1 Vlc. sul pont. 2
sul pont. Cb.
8
3
3
8 7
36 Fl.
7
7
Ob. 3
3
7
7
Cl. 7 7 3
3
3
3
3
Bsn.
Tpt.
Tbn. 3
3
Low Hi-hat Tom-tom
3
3
3
Perc.
3
Hp. 3
3
3
3
7
1 7
7
Vln. 7
7
2 7 7
sul pont.
3
3
Vla.
1 3
3
Vlc. 3
3
3
3
3
2
Cb.
8
3
9 40
marcato
Fl.
Ob. 3
3
3
3
3
3
3
3
3
3
3
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
marcato Cl. 7 5
Bsn.
Tpt.
Tbn.
Hi-hat
5
Perc. Log drum
3
Hp. 5
off the string 1 Vln.
sul pont.
2 7
3
3
3
3
3
3
5
5
3
3
5
5
3
Vla.
ord. off the string 1 3
Vlc. 2
Cb.
8
10 3
C
44
m =
fltg.
o
= ca.78
to Picc.
Fl. 5
fltg. Ob. 5
5
3
3
3
3
3
Cl.
5
5
Bsn.
3
3
m =
C 3
3
3
o
= ca.78
3
Tpt. 5 3
3
5
3
Tbn. 3
3
Hi-hat
Low and Mid Tom-toms
Susp. cymb.
5
5
Perc. sub.
Log drum
5
Hp.
5
5
3
3
m =
C
o
= ca.78 3
3
3
3
1
Vln.
ord.
2 5
ord. Vla. 5
sul pont. 1 5
Vlc. 5
5
2
5 5
Cb.
8
11 49 Picc.
Ob. 3
5
6
3
5
6
3
5
6
3
Cl.
3
3
3
Bsn.
Tpt. 3
3
3
3
3
Tbn. 3
3
Perc.
Hp.
3
1 Vln.
sul pont.
2 3
Vla.
5
3
1
Vlc.
3
3
3
3
3
2
3
Cb.
8
6
3
12 52
Picc.
Picc.
Ob. 3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
Cl.
Bsn.
Tpt. cresc.
Tbn.
Low tom-tom Perc.
Hp.
1
Vln.
2 3
3
cresc.
Vla.
1 3
2
Cb.
3
cresc.
Vlc.
8
3
13
D
55 Picc.
Ob. (cresc.)
3
3
3
3
3
3
Cl. cresc. Bsn. 3
dim. cresc.
D Tpt. (cresc.)
3
3
3
Tbn. cresc. Temple-blocks
5
5
Low Tom-tom
5
Perc.
Kick drum près de la table
Hp.
[ A punch throws the men apart and they see each others’ faces. Their combat shudders to a halt. The two men are still wary, but there is something between them which will not allow the fight to continue. ]
D 1 3
Vln.
ord.
2 3
3
3
sul pont.
dim.
3
dim.
3
dim.
3
ord.
Vla. 3
3
3
ord. 1 3
3
3
Vlc.
ord.
3
2 cresc.
dim. ord.
Cb.
8
cresc.
8
dim.
3
14 59
to Flute
Picc.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
[ Alasdair goes to the pantry and opens a bottle of whisky. He throws the bottle’s cap on the floor, pours two drams, sets the bottle on the counter and takes a seat on the customer side of the bar. Sam joins him, leaving a vacant stool between them. His eyes wander round the room. ] *
1 poco
Vln. * 2 poco
* Vla. poco
* 1 poco
Vlc. * 2 poco
* Cb. 8
poco
* Individual dynamics; not co-ordinated between strings.
15
E
66
Meno mosso = ca.60
Flute
Fl.
Ob.
Cl.
con vib. Bsn. 3 3
3
Meno mosso
E
= ca.60
Tpt.
Tbn.
Perc.
8va
slow arp. Hp.
E
Meno mosso = ca.60
1
Vln.
2
Vla.
1
Vlc. 2
Cb. 8
16 74 Fl.
Ob.
to Bass Clar. Cl.
Bsn.
Tpt.
Tbn.
High Bongo
3
Perc.
8va
loco
sim.
Hp.
[ Sam’s gaze rests for a moment on the photograph of Vicki. ] port.
port.
port.
port.
port.
port.
port.
port.
port.
port.
port.
port.
1
Vln.
2
Vla.
1
Vlc. 2
Cb. 8
17
F Moderato 81
= ca.100
Fl.
Ob.
BCl.
Bsn.
F Moderato = ca.100 Tpt.
Tbn. High bongo (wood sticks) Perc.
Hp.
F [ The men are both exhausted by the fight.They maintain eye contact as, out of breath, they raise their glasses and drink, without making any toasts (the pair continue to drink throughout the scene). ]
Moderato SAM
8
= ca.100
ALASDAIR
Night
F Moderato = ca.100
pizz.
1 Vln.
pizz.
2
Vla.
1
Vlc. 2
Cb. 8
man oeuv
res
18
Meno mosso = ca.90
87
ten.
Fl. 3
Ob. 3 3
BCl.
Bsn.
Meno mosso = ca.90 senza sord.
3
Tpt.
Tbn.
3
Log drum Perc.
Hp.
Meno mosso
ten.
= ca.90
3
3
S. 8
I
have
no
rank
in
Civ
vy
street,
sir.
A. Ser
geant
Scott?
Meno mosso = ca.90
ten.
1 Vln. 2
Vla.
1 Vlc.
pizz.
3
2
Cb.
8
8
3
19
Poco meno mosso 90
rall.
= ca.90
= ca.84
Fl. 3
3
3 3
3
3
3 3
Ob. 3
3
3
3
3 3
3
3
BCl. 3 3
3
3
3
Bsn.
Poco meno mosso rall.
= ca.90
= ca.84
Tpt.
Tbn.
Tambourine (with jingles) Perc.
Hp.
Poco meno mosso rall.
= ca.90
= ca.84
S. 8
mockingly 3
provocatively
3
A.
So you go
rall.
= ca.90
on Ghost Winds, Strings:
Pa trol,
Ser geant?
3
Poco meno mosso
etc.
= ca.84
arco 1 3
Vln.
3
3 3
3
3
arco
3 3
2 3
3
3 3
3
3
3
3
3 3
3
3
Vla. 3
1 pizz.
Vlc.
3
3
2
pizz. Cb.
arco
3 3
3
3
3
8
3
3
3
20 93 Fl.
Ob.
BCl.
Bsn.
Tpt.
senza sord. Tbn.
Tambourine
3
3
3
3
3
3
3
Perc.
Hp.
[ Alasdair takes out a pack of cigarettes. He selects one for himself and then offers one to Sam who accepts. Alasdair lights them both up with a bashed Zippo. ] S. 8
A.
1 Vln. 2
Vla. poco
1 poco
Vlc.
arco
2 poco
Cb.
8
3
3
21 96 3
senza vib.
G
Fl. 3
3
3
5
3
5
senza vib. Ob. 3
3
3
5
5
3
3
BCl.
senza vib. Bsn. 3
G Tpt.
Tbn.
Perc.
Hp.
G S. 8
x A.
3
x
x x
x
Blood y nois y for a ghost.
3
G
1 3
3
3
5
Vln.
5 5
2 3
3
3
5
Vla. 3
1 3
Vlc. 2
Cb.
8
22 Largo
Poco più mosso
= ca.54
99
= ca.60
Fl. 5
3
Ob.
BCl.
Bsn.
Poco più mosso Largo
= ca.54
= ca.60
Tpt.
Tbn.
Chinese cymb. (soft beaters) Perc.
Hp.
Largo
Poco più mosso
= ca.54
= ca.60
parlando
3
strongly
5
S. 8
If
I’d known this place was yours
I...
would
have
left
well
a
parlando 6
3
A. ...would have been qui et
er?
Poco più mosso Largo
= ca.54
= ca.60
arco sul pont., senza vib. 5
5
1 Vln.
arco sul pont., senza vib.
2
sul pont., senza vib. Vla. sul pont., senza vib. 1 Vlc.
sul pont., senza vib.
2 senza vib. Cb.
8
5
lone.
23
101 Fl.
Ob. 3
3
BCl. 3
3
Bsn.
3
Tpt.
Tbn.
Perc.
3
3
Hp.
[ Sam pushes his glass away and gets to his feet, ready to leave the way he came. ]
[ Alasdair refreshes their glasses. ] S. 8
.
3
A. Ghost
Pa
trol,
Ghost
ord.
con poco vib.
ord.
con poco vib.
ord.
con poco vib.
Pa
trol.
Night
man oeuv
res.
1 3
Vln.
poco
2
Vla. 3
poco
sul tasto senza vib.
ord. con vib. ord.
1 3
3
Vlc.
poco
ord. 3
3
2
ord. Cb.
con vib. ord.
8
3
3
24 3
104
m = o
Fl.
Ob.
BCl.
Bsn.
3
m = o
Tpt.
Tbn.
Perc.
Hp.
3
m = o
S. 8
3
3
3
A. You
used
to
dream,
dream
of
3
m = o
1 Vln. 2
Vla.
1
Vlc.
con vib. ord.
2
Cb.
8
25
Pi첫 mosso 108
= ca.80
Fl.
3
3
3
Ob.
BCl. 3
Bsn.
Pi첫 mosso = ca.80 Tpt.
Tbn.
Perc.
3
bisbigliando
ord.
3 3
Hp.
Pi첫 mosso = ca.80 3
A. leav
ing
the
fight,
rais
ing
Pi첫 mosso = ca.80 1
3
Vln.
3
3
ord. 2 3
3
3
3
3
3
3
3
3
Vla. 3
1 3
pizz.
Vlc.
pizz. trem.
2 pizz. Cb.
8
3
pizz. trem.
a
fam
i
ly.
26
H
Meno mosso
110
= ca.60
Hp.
Meno mosso = ca.60 [ Sam turns to face Alasdair, his expression incredulous. ] incredulously
H
(to himself)
ten.
S. 8
ten.
parlando, dismissively
Saf
er?
Saf
A. But you were saf
er
in
the
ar my.
Meno mosso
H
ten.
= ca.60
Vln. 2 (bowing)
3
3
(bowing)
3
3
Vla.
113 Fl. 3
3
3
3
3
3
3 3
3
3
3
3 3
3
3
Ob. 3
3
3
3
3
to Clar. BCl. 3
3
3
pizz. 1 Vln.
3
3
3
3
3
3
3
3
3
3
3
3
pizz.
2
pizz. Vla. 3
3
3
trem. 1 Vlc.
arco trem.
2
arco trem. Cb.
8
er.
27
I Pi첫 mosso
116
= ca.80
Fl. 3
3
3
Ob. 3
3
3
Cl.
Bsn.
I Pi첫 mosso = ca.80 Tpt.
Tbn.
Perc.
Hp.
I Pi첫 mosso = ca.80 3
3
3
3
S. Stand
8
ing
I Pi첫 mosso = ca.80 arco sul pont. 1 3
3
3
Vln.
arco sul pont.
2 3
3
3
arco
sul pont.
Vla. sul pont. 1 Vlc. 2
sul pont. Cb.
8
all
night
on
a
stag
28 119
Snare drum
3
3
Perc.
3 3
3 3
S. 8
a lone
in
the
dark
and
the
black
feel
1 Vln. 2
Vla.
3
1 Vlc.
2
Cb.
8
122
3
3
Perc.
3 3
3
3
S. 8
ing
the
cold
on
your
face,
the
weight
1 cresc. Vln. 2 cresc.
Vla. cresc. 1 Vlc.
cresc.
2 cresc. Cb.
8
cresc.
3
3
29 quasi rall.
125 Fl. molto Ob. quasi rall.
Cl. molto Bsn.
Tpt.
Tbn.
Perc.
Hp.
S. 8
of
the
kit
on
your
back. quasi rall.
1 (cresc.)
molto quasi rall.
Vln.
2 (cresc.)
molto ord.
Vla. (cresc.)
1 (cresc.) Vlc. 2 (cresc.)
Cb.
8
(cresc.)
Pi첫 mosso (Moderato)
30
= ca.100
J
128 Fl. 7
5
7
5
Ob.
Cl.
Bsn.
J con sord. (Harmon) Tpt.
con sord. (Harmon) Tbn.
Perc.
Hp.
non arp.
Pi첫 mosso (Moderato) = ca.100
J
tenderly S. Re
8
cal
Pi첫 mosso (Moderato) = ca.100
ling
the
soft
ness
J ord.
1 7
5
ord. Vln. 2 7
5
Vla. ord. 1 Vlc.
ord.
2
ord. Cb.
8
of
31 131
fltg.
Picc. to Picc.
Fl.
Ob. 5
5
3
Cl.
3
Bsn.
5
5
5
5
Tpt.
Tbn.
Bass drum 3
Perc.
Hp.
5
5
5
5
3
3
S. 8
girls,
the
fizz
of
beer
on
your
tongue.
sul tasto
Your
ord.
3
1 5
Vln.
5
sul tasto
ord.
2
Vla. ord.
sul tasto 1 5
Vlc.
3
5
sul tasto
ord.
3
2 5
5
sul tasto Cb.
ord.
8
5
5
6
3
32
135 Picc.
Ob. to BClar. Cl.
3
to CBsn.
3
Bsn.
Tpt.
Tbn. Bass drum Perc.
Hp.
afraid, almost a whisper
molto S. 8
ears
fuck ing
1
Vln. 2
Vla.
1 Vlc.
2
Cb.
8
3
3
strain
ing
for the sound
of a cock
ing
gun.
33
K
140
Poco meccanico = ca.80
Picc.
Ob.
Bass Clar.
marcato
BCl.
Contrabassoon Cbsn.
8
K
Poco meccanico = ca.80
con sord. (straight)
Tpt. senza sord. Tbn. Snare drum triangle beater on metal rim Perc.
Hp.
K
Poco meccanico = ca.80
S. 8
roughly, but jaunty—a bit grotesque
.
A. Head
K
ing out
on
Poco meccanico = ca.80
1 Vln.
sul pont.
2
sul pont. Vla. sul pont. 1 Vlc.
pizz.
2
pizz. Cb.
8
Pat rol,
pock
ets
packed
with
sweets.
34
Meno mosso (ma giocoso) = ca.60
144 Picc. 3
3
3
3
3
3
3
3
3
3
3
3
3
Ob. 3
3 3
3
3
BCl. 3
Cbsn.
3
3
3
3
3
3
8
3
Meno mosso (ma giocoso) = ca.60
3
3
3
Tpt.
3
3
Tbn. 3
3
Perc.
Hp.
Meno mosso (ma giocoso) = ca.60
3
3
A. Kids
swarm
ing
the squad
like
a fuck ing
Meno mosso (ma giocoso) = ca.60 1 3
3
3
3
Vln.
3
3
3
ord.
3
2 3
3
ord.
Vla. 3 3
3
3
3
3
ord.
1 arco sul pont.
Vlc.
3
3
pizz.
3
3
arco
pizz.
3
3
arco
2 3
arco sul pont. Cb.
8
3
3
35 147
3
Picc. 3
3
3
3
3
3
3
3
3
Ob. 3
3
3
BCl. 3
3 3
Cbsn.
3
3
3
8
3
senza sord. 3
Tpt. 3
3
3 3
3
Tbn. Hi-hat 3
Perc.
quickly 8va
sim.
8va
3
Hp.
jaunty 3
3
3
3
3
A. paed
o’s
treat.
Wait ing for
pizz.
1 3
3
3
3
3
3
3
Vln. 2 pizz. Vla. 3
3
3
3
3
3
3
1 Vlc.
3
3
3
3
2 pizz. Cb.
8
3
an or
phan
to
de
36
Meno mosso rall.
= ca.54
150
to Flute
Picc. 3
3
3
3
3
3
3
Ob.
BCl.
Cbsn.
3
3
8
3
Meno mosso 3
3
rall.
3
= ca.54
Tpt. 3 3
Tbn.
3
3
3
close-open
3
3
Perc. (foot only) 8va
8va
l.v. sempre
Hp.
Meno mosso rall. 3
3
3
3
3
= ca.54 3
3
A.
x - coy you to
a bomb
that blows your brains
to fuck ing
hell
and your
bol locks
Meno mosso rall.
= ca.54
1 3
3
3
3
Vln. 2
Vla. 3
3
3
1 Vlc. 2 3
Cb.
3
3
3
8
3
arco
to
Hong
37
L 154
= ca.66
Fl.
Ob.
BCl.
Cbsn.
8
L = ca.66 Tpt.
Tbn.
Sleigh bells Perc.
Hp.
L = ca.66
3
S. 8
falsetto
Hear
ing
a
shout
down
the
wire:
“The
A. Kong.
L = ca.66 arco sul pont.
9
9
9
9
1
Vln. 9
arco sul pont. 9
2 arco sul pont. Vla. 9
9
1 Vlc. 2 arco sul pont. Cb.
8
9
38 157 Fl.
Ob.
BCl.
to Bsn. Cbsn.
8
Tpt.
Tbn.
Log drum
6
3
Perc.
Hp.
3
3
3
3
S. 8
whole
thing
just
kicked
off.�
Scream
ing
a
long
in the wag on,
A.
9
9
1 9
9
9
9
Vln. 9
9
9
9
9
2 9
9
9
9
9
Vla. 9
9 9
arco sul pont. 1 3
Vlc.
arco
2
9 9
Cb.
8
9
9
9
9
39
Più mosso 159
= ca.80
Fl. 3
3
3
3
Ob.
to Clar.
3
BCl.
Bsn.
Tpt. 3
3
3
Tbn.
5
Perc.
Hp.
3
3
5
3
5 5
S. 8
and the of
fi cer’s
a toff,
he would n’t last
your tow er
block
but
you
A.
Più mosso = ca.80 1 cresc. Vln. 2 cresc.
Vla. cresc.
1 cresc. Vlc.
2
Cb.
8
cresc.
7
40 161 Fl.
Ob.
Cl. 3
espr.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
(resigned, darkly) S. 8
fol
low
him
just
the same
cos
ord.
1 5
ord.
Vln.
2 7
7
7
5
5
3
ord. Vla. 7
ord. 1 Vlc. 3
2
Cb.
8
6
41
Con moto 163
rit.
= ca.100
= ca.60 to Picc.
Fl.
Ob.
Cl.
to Cbsn. Bsn.
8
Con moto = ca.100
rit.
= ca.60
Tpt.
Tbn.
Tamb. Perc.
Hp.
Con moto rit.
= ca.100
= ca.60
(bitterly)
S. 8
or
ders
is
or
ders
is
or
ders
and
war’s
Con moto rit.
= ca.100
= ca.60
senza vib.
1 senza vib.
Vln.
2 senza vib. Vla. (senza vib.) 1 Vlc.
3
3
3
3
2
ord. Cb.
8
a
42
M 167
sempre stacc.
Picc. 3
3
3
sempre stacc. Ob. 3
sempre stacc. Cl. 3
sempre stacc. 3
Cbsn.
8
M Tpt.
Tbn. Tamb.
3
Perc.
Hp.
M 3
3 3
S. 8
blood
y
game.
3
3
3
A. Ly
ing on
M pizz. 1 3
Vln. 2
Vla.
1 3
Vlc.
3
2 pizz. 3
Cb.
8
3
3
a pave
ment
your
43 170 Picc. 3
3
3
3 3
Ob. 3
3
3
3
3
Cl. 3
3 3
3
3
Cbsn.
3
3
3
3
8
con sord. (cup) Tpt.
Tbn.
Perc.
Hp.
S. 8
3
3
3
3
3
x
A. face
in shat tered
glass
your eye
on
a gun
site,
a
gun site on
your
arse.
arco vib. ord. 3
1 3
Vln.
3
3
3
vib. ord.
2 vib. ord. Vla. vib. ord. 1 vib. ord.
Vlc. 2 3
Cb.
8
arco
3
3
3
3
44
173
= ca.50
m =
= ca.67
m =
o
o
Picc. 3
[ ]
Ob.
[ ] 3
3
3
Cl.
Cbsn.
8
= ca.50
m =
= ca.67
o
3
[ ]
Tpt.
m =
o
m =
o
3
3
[ ]
Tbn. Snare drum (brushes) Perc. poco
sim.
poco
Hp.
= ca.50 m
=
= ca.67
o
more wistfully A. Re
mem
= ca.50
ber ing
the jobs
you’d
do.
o
[ ]
[ ] 3
Vln.
3 3
3 3
[ ]
2
prayed
= ca.67
m =
1
moth er
3 3
[ ] 3
[ ]
Vla.
[ ] 3
3
3
3
[ ]
1
[ ] 3
3
3
Vlc.
3
[ ]
2
[ ] 3
pizz. Cb.
8
3
3
45
Poco meccanico 177
= ca.72 5
Picc. 3
3
5
3
6
6
6
6
Ob.
5
Cl. 3
3
Cbsn.
3
3
5
3
3
3
3
3
3
3
3
6
3
6
8
Poco meccanico = ca.72 Tpt.
Tbn.
rim shot
rim shot
Perc.
Hp.
Poco meccanico = ca.72
3
3
3
3
3
3
A. And
the on
ly prize
if you
sur vive
is
a mug
of
NAA
FI brew.
Poco meccanico = ca.72 5
1 3
3
5
3
3
Vln.
al pont.
2 6
Vla.
1 Vlc. 2 arco Cb.
8
3
3
3
3
3
3
3
3
3
3
3
6
46
N m =
180
o
(
= ca.48)
m =
o
m =
o
m =
o
Picc. 6
6
6
cresc.
5
7
5
Ob. cresc.
5
Cl. 6
6
Cbsn.
6 6
6
7 6
5
7
8
N m =
o(
= ca.48)
Tpt.
Tbn.
(Snare drum) Perc.
Hp.
N [ The men grow physically closer. ]
m =
o(
= ca.48)
S. 8
Know
ing
ev’
ry
day
might
be your
A.
N m =
o
(
= ca.48) m =
1 molto sul pont.
Vln.
5
ord.
2 6
3
Vla.
1 Vlc. 2 5
Cb.
8
o
47
183
3
( = ca.72)
m =
o
(
= ca.144)
Picc. 5
5
6
5
6
5
6
3
3
3
3
3
3
5
Ob.
Cl.
to Bsn. Cbsn.
8
3
( = ca.72)
m =
o
(
= ca.144)
Tpt.
Tbn.
Hi-hat
Snare drum
Perc.
Hp.
3
m =
( = ca.72)
o
(
= ca.144)
S. 8
last.
Be 3
3
A. A pla toon
of
vir
gins
grow ing up
too
( = ca.72)
fast.
3
m =
o
(
1 5
5
3
3
3
3
3
Vln.
2 3
Vla. 5
5
6
1 Vlc.
5
5
6
2 pizz. Cb.
8
5
5
= ca.144)
ing
one
of
48
186
m =
o(
= ca.108)
5
3
Picc. 3
3
3
3
3
5
Ob. 3
5
5
5
5
3 3
Cl. 3
Bsn.
m =
o(
= ca.108)
Tpt. 3
Tbn.
Sizzle cymb.
3
Perc.
Hp.
m =
o(
= ca.108)
S. 8
man
y,
an
at
om
in
a
bomb.
A.
( = ca.108) m =
o
1 5
3
3
3
3
Vln. 2 3
5
3
Vla. 5
1 Vlc. 2 arco Cb.
8
3
49
188 Picc. 5
3
Ob. 3
5
Cl. 5
5
5
5
Bsn.
Tpt. 3
Tbn.
small Tam-tam Perc.
Hp.
3
S. A
8
3
A. A
tread
on
a
tyre,
1 3
5 5
5
5
5
5
5
5
5
5
5
5
Vln. 2 3
5
Vla. 5
5
1 Vlc.
5
5
5
5
2
Cb.
8
3
5
5
5
5
5
50 190 Picc.
Ob. 5
Cl. 5
5
5
5
5
5
5
Bsn.
Tpt.
Tbn.
Perc. (damp)
(damp)
(damp)
Hp.
3
3
S. 8
rock
et
in
a
laun
cher
read y
to
ex
A. a
bul let
in
a
gun,
1 5
5
Vln.
5
5
5
5
5
5
2 5
5
5
5
5
Vla. 5 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
1 Vlc. 5
2
Cb.
8
5
5
5
5
51
192 Picc. 3
3
3
3
3
3
3
3
5
3
3
3
5
5
poco Ob. 5
Cl. 5
5 5
5
poco Bsn.
con sord. (straight) Tpt. 3
3
3
3 5
Tbn.
Tam-tam (with wooden part of the stick)
3
ord.
Perc. (damp)
(hold Tam-tam to damp it)
Hp.
S. 8
- plode.
A
3
fin
ger
A. a
hun
dred
march
ing
feet,
1 3
5
5
3
3
3
3
3
3
3
5
5
5
poco
Vln. 2
3
5
5
5
3 5
poco Vla. 5
5
3
3 5
5
5
5
5
1 Vlc.
poco 5
5
2
poco Cb.
8
52 196 Picc.
Ob. 5
5
5
5
5
5
Cl. 5
5
5
5
Bsn. 5
5
5
5
5
5
5
Tpt.
Tbn.
Perc.
cresc. poco a poco
Hp.
S. 8
on
a
trig
ger,
an
edge
3
3
A. march
ing
down
a
road.
A
glint
on
1 5
5
5
5
5
5
5
5
5
5
Vln. 2 5
5
5
5
Vla.
1 5
Vlc.
5
5
5
5
5
5
5
5
5
5
5
5
2 5
Cb.
8
5
a
53 198 Picc. cresc.
Ob. 5
cresc.
5
sim.
sim.
5
5
5
3
3
Cl. 5
cresc. 5
5
5
5 5
5
3 3
5
Bsn. 5
cresc. senza sord. Tpt.
Tbn. cresc. 3
Perc. cresc.
(cresc.)
Hp.
3
S. 8
on
a 3
blade. 3
3
3
3
A. bay
o
net,
an
or
der
that’s
o
beyed.
1 cresc. 5
5
5
5
5
5
6
6
5
5
5
6
6
Vln. 2 cresc. 5
5
5
5
Vla. 5
5
3
5
5
1 cresc.
Vlc.
pizz.
5
5
5
5
3
2 (arco) Cb.
cresc.
8
5
cresc.
5
5
5
5
3
54 200
O
Picc. dim.
3
3
3
3
3
3
Ob. 5
5
3
dim.
Cl. 6
5
3
Bsn. dim.
O Tpt. molto Tbn. molto Perc.
8va
dim.
Hp.
3
3
3
3
3
8va
7
5
5
O S. 8
Fear
was
our
friend
our
friend.
a gainst
the
A. Fear
was
O 1 5
5
dim.
Vln. 2 5
5
7
dim. flautando
Vla. 5
5
dim. flautando
pizz.
1 5
5
arcodim.
Vlc.
5
3 5
2 3 6
Cb.
dim.
8
6
dim.
55 202
to Flute
Picc. 3
Ob. 3 3
3
3
3
3
3
Cl. 3
5
5
dim.
5
5
dim.
stacc.
5
Bsn. dim.
Tpt.
Tbn.
Perc.
8va
3
Hp.
dim.
8va
7
S. 8
en
e
my. 3
3
A. But
we
did n’t
fight
for coun
try
or
for
Queen,
1 3
3
3
3
3
dim. Vln.
2 7
3
3
3
3
3
Vla. arco ord.
stacc. 1 dim.
Vlc.
stacc.
5
2 dim. 5
Cb.
8
3
56 205
Meno mosso = ca.92
Fl. 3
3
3 5
dim. to Cor Ang. Ob. 3
3
3
3
3
3
3
3
Cl.
Bsn. dim.
Meno mosso = ca.92 Tpt.
Tbn.
Tam-tam Perc.
3
Hp.
Meno mosso = ca.92
3
S. 8
We
fought
for each oth er
Com
rades
and
broth
ers,
Com
rades
and
broth
ers,
A.
Meno mosso = ca.92 5
1 3
dim.
Vln.
3
3
3
3
3
3
2 3
ord. Vla.
1 dim.
Vlc. 2
Cb.
8
3
3
3
3
3
57
P
Ancora meno mosso = ca.80
Calmo
209
= ca.40
= ca.60
5
Fl. 5 5
C.A. 5
5
Cl.
Bsn.
P Ancora meno mosso
Calmo
= ca.80
= ca.40
= ca.60
Tpt.
Tbn.
Perc.
Hp.
P Ancora meno mosso
[ The mood changes. It takes on a sinister, less exuberant edge. The past has entered the room. ]
Calmo
= ca.80
= ca.40
= ca.60
3
freely
S. 8
Com
rades
and
broth
ers.
Com
rades
and
broth
ers.
Broth ers
in
blood.
A.
P Ancora meno mosso = ca.80
Calmo = ca.60
= ca.40
con sord. 1 5
Vln.
con sord.
2
Vla. con sord. 1 Vlc. 2
Cb.
8
8 8
58
Calmo 214
= ca.60
Fl. Solo espr.
3
to Ob.
3
C.A.
Cl.
Bsn.
Calmo = ca.60 Tpt.
Tbn.
Perc.
Hp.
[ Alasdair moves away from Sam and refills their glasses. Alasdair tries to maintain the jaunty tone, but ultimately cannot resist Sam’s melancholy. ]
Calmo = ca.60
marc.
S. 8
I
sleep
no
more.
I 3
A. You miss
the com
Calmo = ca.60 senza vib.
vib. ord.
1 Vln. 2 con sord. Vla.
senza sord. 1 Vlc. 2
Cb.
8
pa ny...
taste
no
59 217 3
Fl.
Ob. 3
Cl.
5
Bsn. 3
Tpt.
Tbn. 3
Perc.
Hp.
3
3
S. 8
thing.
Col ours 3
lack
lus tre.
freely, relaxed
3
3
3
3
A. ...the ca ma ra
de rie.
You miss
senza sord. col legno 1 Vln. 2 senza sord. col legno Vla.
1 3
Vlc.
3
2
Cb.
8
3
the
ar
my.
60
Q Largo
220
= ca.40-48
Fl.
Ob.
Cl. 3
Bsn.
Q Largo = ca.40-48 Tpt.
Tbn. 3
Tam-tam 3
Perc.
Hp.
Q Largo = ca.40-48
dreamily, remembering
S. 8
I close my eyes and see
a
lone ly road,
a
A.
Q Largo = ca.40-48 arco 1 Vln.
senza sord.
2 arco Vla. poco
1 Vlc. 2 poco
Cb.
col legno bounce bow
8
8 8
sim.
pret
ty
61
224 Fl.
Ob.
Cl. 6
Bsn.
con sord. (cup)
5
Tpt. con sord. (cup) Tbn. 3
High temple block
6
Perc. Log drum
Hp.
veloce
damp!
S. 8
girl,
and
far
a way,
far,
an
old
man. 3
A. You see
no
thing.
1 Vln. 2
Vla.
1 Vlc.
3
2
sim. Cb.
[
]
pizz.
8 8
62
Pi첫 mosso = ca.56
228 Fl. 3
3
poco
Ob. 3
poco
Cl. 3
poco
Bsn.
Pi첫 mosso 3
= ca.56
3
Tpt.
poco
Tbn. 3
3
poco 3
3 Temple blocks
3
3
Perc.
Hp.
Pi첫 mosso = ca.56 3
3
S. 8
A bird
sings
and I
hear
scream
ing.
Day
marcato, pointedly 3
A. The night
is
si lent.
Pi첫 mosso = ca.56 1 3
3
poco
Vln. 2 3
3
poco
Vla. 3
3
poco
1 3
3
Vlc. 3
poco 3
2 arco
poco
Cb. 8
3
3
poco
dawns,
63
232 Fl. cresc. poco a poco
3
cresc. poco a poco
3
cresc. poco a poco
3
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
3 3
3
S. 8
I
smell
the
street
van
smell
of
roast
ing
flesh
A.
1
Vln.
5
5
5
5
5
5
5
cresc.
5
5
5
cresc.
5
5
5
cresc.
2
Vla. 5
1 Vlc. 2
Cb. 8
5
64 234 Fl. 3
(cresc. poco a poco)
3
Ob. (cresc. poco a poco)
Cl. 3
3
(cresc. poco a poco)
sub.
Bsn.
senza sord. Tpt. senza sord. Tbn.
Chinese cymb.
3
damp!
Perc.
Hp.
3
[ Alasdair makes an expansive movement with his arm and a glass smashes to the floor. ]
3
3
S. 8
the
old
man
turns
his
head
and... 3
A. E nough!
1 (cresc.)
3
(cresc.)
3
(cresc.)
3
6
12
6
12
6
12
6
12
Vln. 2
Vla.
1 3
Vlc. 2
Cb.
8
8
65
Meno mosso (flexibly)
R
236
breve
= ca.50
Fl. warmly breve
Ob. breve
Cl. warmly breve
Bsn.
R
breve
Tpt. breve
Tbn. breve
Perc. breve
breve
Hp.
R [ VICKI enters. She’s wrapped in a dressing gown, tousled and sleepy, but still glamorous. ] VICKI
Meno mosso (flexibly) breve
3
Wok en by night mares?
= ca.50 espr.
My
poor
A las dair,
A.
Meno mosso (flexibly)
R
breve
= ca.50 sul tasto
1 breve
Vln.
sul tasto
2 breve
sul tasto
Vla. breve
sul tasto
1 Vlc.
breve
sul tasto
2 breve
Cb.
8
sul tasto
still fight
ing
the
war
66 = ca.60
240
Picc.
to Picc.
Fl. 3
3
3
3
3
3
3
3
Ob.
Cl.
Bsn.
Tpt.
Tbn. Hi-hat Perc.
Hp.
[ Vicki takes in the scene: Sam, the broken window, rifled till and smashed glass. The men are frozen, as if caught in the middle of a criminal act. ]
[ Vicki makes a noise that is half scream, half gasp. ]
[ The spell is broken. Sam looks stunned. Alasdair rushes to Vicki and puts an arm around her. He is back in control. ]
= ca.60
V. in
your
sleep.
A. sul pont.
ord.
= ca.60
7
(non harm.)
ord. 1 molto
molto molto
Vln.
sul pont.
pizz.
ord. 2 3
molto
molto
3
7
molto
sul pont. pizz.
ord.
arco ord.
Vla. 3
molto
molto
7
molto
ord.
sul pont.
1 Vlc.
ord.
molto
molto
7
molto
2 ord. Cb.
molto
molto
8
3
8 8
molto
molto
3
67 244
agitato
Picc. 3
6
3
Ob.
Cl. 3
6
3
6
to Cbsn.
Bsn.
agitato
Tpt. 3
Tbn.
3
6
3
Perc.
6
Hp.
[ Vicki’s daze seems more than sleep induced. She touches Alasdair’s cheek. ]
agitato V. There’s
blood on
your
A. Meet
my
man,
Ser
geant
Sam.
agitato 1 3
arco ord.
Vln. 2
Vla. 3
1 Vlc.
energico
2 6
6 3
Cb.
3
(non stacc.)
8 8
68 248
= ca.72
Picc.
Ob. 3
3
3
3
3
3
3 3
Cl.
Bsn.
= ca.72
3
Tpt.
Tbn.
Snare drum 3
3
3
Perc.
3
6
3
Hp.
[ She takes Alasdair’s hands in hers and recoils. ]
= ca.72
[ Alasdair is determinedly bright. ]
V. face.
And
on your
hands.
A. Ser
geant Sam.
= ca.72 1 3
Vln. 2
Vla. 3
softly
energico 1 6
3
Vlc.
softly
2 3
6
3
softly Cb.
8
8
69
S
252
3
m =
to Flute
o
= ca.108
o
= ca.108
Picc. 6
(non stacc.) Ob. 3
cresc. 7
3
3
7 7
7
3
3
3
poco
(non stacc.) 3
3
3
3
Cl. cresc. Cbsn.
poco
8
7
3
7
S
3
3
(non stacc.)
m =
3
Tpt. 3
cresc.
3
poco Tbn. 7
Perc.
7
cresc. 8va
Hp.
[ Alasdair pulls away the throw covering the couch and starts to arrange it into a makeshift bed, using cushion for pillows etc. His movements are economical and efficient. Sam hesitates on the sidelines, torn between the prospect of a bed for the night, the possibility of a job and his embarrassment. ]
S
3
m =
o
= ca.108
o
= ca.108
A. our
new
bar
man.
(non stacc.)
S
3
pizz.
m =
3
1 3
cresc. 7
7
3
3
poco
Vln.
7
3
7
(non stacc.)
2 cresc.
3
3
3
3
poco
(non stacc.) Vla. 3
1 Vlc. 2
Cb.
8
cresc. 7
7
3
3
3
3
poco
70 leggero
255 Fl. 3
3
3
3
3
3
3
leggero Ob. 3
leggero Cl. 3
Cbsn.
8
Tpt.
Tbn.
Snare drum Perc.
Hp.
VICKI
3
He
broke
in
but
you
A.
arco leggero 1 3
Vln. 2
Vla.
1 Vlc. 2
Cb.
8
3
3
give
him
the
key
71 259 Fl. 3
3
cresc.
3
5
4
4 4
3
Ob. 3
3
cresc.
5
4
to BClar.
3
Cl. 3
Cbsn.
3
cresc.
5
4
cresc.
5
4
cresc.
5
8
Tpt.
Tbn.
Perc.
4
Hp.
4
V. to
the door. vigorously
A. We
fought
for
each
oth er,
com
3
1 3
3
cresc.
5
4
Vln.
4 4
2 cresc.
5
4
Vla.
1 Vlc. 2
Cb.
8
dim.
72
T Meno mosso
rall.
264
= ca.90
Fl.
Ob.
BCl.
Cbsn.
8
T Meno mosso
rall.
= ca.90
Tpt.
Tbn.
Perc.
Hp.
T
[ This news galvanises Sam. He steps forward, allying himself with Alasdair. ]
Meno mosso
rall.
= ca.90 softly
V. In five
years
A. - rades
and
broth
ers.
T Meno mosso rall.
= ca.90
1 Vln.
pizz.
2
Vla.
1 Vlc. 2
Cb.
8
(dim.)
I
nev er heard his
name.
73
268 3
Fl. 3
Ob. sonore BCl. sonore Cbsn.
8
Tpt. Solo Tbn. 3
Perc.
3
Hp.
sonore
V. marcato
SAM
8
Com
rades
and
broth
ers.
We
1 3
3
Vln. 3
2 3
Vla. 3
sonore 1 Vlc.
sonore
2
sonore Cb.
8
3
lived
for each
oth
74 273 Fl.
Ob.
BCl. 3
3
3
3 3
3
Cbsn.
8
3
3
Tpt.
Tbn.
Perc.
Hp.
pointedly 3
3
3
3
3
3
3 3
3
3
S. 8
- er
long be fore
he
ev er knew
your name.
A. Cease
fire!
1 arco sul pont.
Vln.
3
3
2
6
6
6
6
Vla.
1 3
3
3
Vlc. 3
3
3 3
3
2
3
3
Cb.
8
3
3
U
Senza misura = ca.45
277
75
rall. poco a poco (go out of sync with Contrabass)
1
breve
2
breve
3
BCl. ad lib.
[ Alasdair takes hold of Vicki and Sam’s hand and stands between them. He addresses Sam. ]
ad lib.
= ca.50 freely, con rubato
3 3
A. Vic 1 BCl., Cb. together
ki
makes
me
an
Cb. 3 o Vlc. Vary tempo between
2 Cb. o Alasdair
U
hon est
= 40 and
man.
= 50
1
breve
Vlc. 1 sim. = ca.45
1 pizz. Cb.
8
breve
2 8
breve
3
8
8
8
ad lib.
8
ad lib.
8
Play boxes 1, 2 and 3 in order first, then repeat in any order. When signalled to stop, complete the motive within the current box, then stop.
*
BCl. = ca.40
x2
Bass drum Perc. = ca.40
6 Alasdair o Perc.
près de la table
Hp.
9 Alasdair 8 o Hp.
più 3
3
Alasdair o BCl., Vc., Cb.
plainly
A. with
out
her
I’m
just
a
sol
dier
4 Alasdair o Vln.1 = ca.35
who’s lost
his
war.
7 Alasdair o Vla. x2
1 sim. 5
Vln.
Vln.1 o Vln.2 = ca.35 x2
2 sim.
= ca.40
Vla.
2 sim.
breve
Play boxes 1 and 2 in order first, then repeat in any order. When signalled to stop, complete the motive within the current box, then stop.
*
Vlc. 1
Play boxes 1, 2 and 3 in order first, then repeat in any order. When signalled to stop, complete the motive within the current box, then stop. Cb.
8
* Stop at the end of current motive.
*
76
278
Senza misura
= ca.45
poch. rit.
( = ca.45) poco accel. BCl.
(
)
sim.
Omit a few notes, and play a few
( = ca.45) poco accel. Cbsn.
poch. rit.
8
sim.
Omit a few notes, and play a few
= ca.45
3
( = ca.45)
rit.
3
(Bass drum) Perc. = ca.40
Randomly vary pause length considerably—from short to very long
Hp.
[ Alasdair turns to Vicki. ]
= ca.45
Alasdair 3 o BCl., Cbsn.
Senza misura = ca.78 (più mosso) 3
3
3
3
A. Sam
is
the hard
est
man
to face an en
e my.
Senza misura = ca.45
1 Alasdair o BCl., Cbsn., Hp. in together
Alasdair 2 o Vlc.1,2
Vla.
col legno battuto 1 Vlc. col legno battuto 2 ( = ca.45) Cb.
(
8
) Vary upper pitch. Also alternate between upper and lower pitches (i.e. upper only or lower only.)
280 = ca.45
to Clar.
BCl. (no
)
dim.
= ca.45 Cbsn.
8
(no Perc.
)
dim.
sim.
Hp.
rit.
molto
[ Alasdair steps aside, joining joining Sam and Vicki’s hands. ] ( = ca.45) semplice
= ca.45
3
A. Alasdair 4 o Vlc.1,2 pizz.
The kind of arse hole you want on your
side. Alasdair 5 o Vlc.1 col legno battuto
I want you to be good friends.
arco
1 poco molto pizz.
Vlc.
arco
3
2 poco Cb.
molto
= ca.45
8
dim.
77
Dolce = ca.60
282
3
3
3
Perc.
3
Hp.
Dolce
[ They let go of each other’s hands suddenly, as if shocked by an electric current, and step apart. Alasdair puts an arm around Vicki’s shoulder and leads her towards offstage and bed. Vicki pulls away from him. ]
[ Sam and Vicki look each other in the eye. A charge passes between them. ]
= ca.60 A.
3
8
Dolce = ca.60 1 Vln. 2
Vla.
1 Vlc. 2
V 285
Tranquillo
= ca.52
grazioso
Fl. 3
obbligato 3 3
Ob. 3
3
3 3
3
3
3
Cl.
V Tranquillo
= ca.52
VICKI
In
a gar
ri
son
town
you meet
V Tranquillo
= ca.52
sul tasto
1 3
Vln.
3
3
3
sul tasto
3
2 3
3
3
sul tasto
3
3
Vla. 3
3
sul tasto Vlc.1 3
3
3
3
3 3
man
y
men,
who
are
ghosts.
78 289 Fl.
Ob.
Cl.
Cbsn.
8
poco
Tpt.
Tbn. poco Perc.
Hp.
V. They
walk
like
men
and
ord. 1
Vln.
ord.
2 ord. Vla.
ord. 1
Vlc.
pizz.
2
(pizz.) Cb.
8
talk
and
look
like
men.
79
W
293 Fl.
Ob.
Cl.
CBsn.
8
W Tpt.
Tbn.
Perc.
Hp.
W V. But
the
best
part
of
them
is
lost.
Ghosts
hate
the
W 1 3
3
3
3
3
3
3
3
cresc. Vln. 2 cresc.
Vla. cresc.
1 cresc.
Vlc.
arco
2 3
arco Cb.
8
3
cresc.
80
Con moto 298
= ca.63
Fl. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
Ob. 3 3
3
Cl. 3
CBsn.
8
Tpt.
Tbn.
Perc.
Hp.
Con moto = ca.63 V. liv
ing
and
their
love
is
cursed.
Con moto = ca.63 3
1 3
3
3
3
2 3 3
3 3
3
3
3
3
Vla. 3
pizz.
3
3
arco
1 3
Vlc. 2 3
Cb.
8
3
3
Vln.
3
3
81 301 Fl. 5
5
5
5
Ob.
5 3
3
3
3
Cl. 5
CBsn.
8
3
con sord. (straight)
3
Tpt.
Tbn.
Perc.
Hp.
V. spoken 3
ossia:
x
x
x x
x
x
x x
x
x
He’ll steal ev’ ry thing you ev er worked for.
pizz. 5
1 5
Vln.
pizz.
2 5
Vla. 3
3
3 3
3
3
3
3
1 3 3
3
3
Vlc.
3
3 3
2 3 3
Cb.
3
8
3
3 3
3
82
Transition I–II ( = ca.63)
304
X
3
3
3
3
3
3
3
Fl.
3
3
3
3
3
3
3
Ob.
3
3
Cl.
Cbsn.
8
3
3
3
3
3
X Tpt.
Tbn.
Perc.
Hp.
[ Alasdair shrugs his shoulders at Sam in a ‘women, can’t live with them, can’t live without them’ gesture. He leads Vicki off stage. Sam is left standing alone in the dim light of the empty bar. ]
Transition I–II
X
( = ca.63) arco
3
3
3
3
1 Vln.
arco
3
3
2
3
3
3
Vla. 3
3
3 3
1 3
Vlc.
3
3 3
2 3
Cb.
3
8
3
3 3
3
3
83 308
3
3
espr.
3
3
3
Fl. 3
3
3
3
3
3
3
3
espr.
3
3
espr.
3
3
Ob.
3
3
Cl.
to Bsn. Cbsn.
8
(con sord.)
3
3
3
3
3
3
3
3
3
Tpt.
Tbn.
Perc.
Hp.
3
3
3
espr.
3
3
3
1
Vln. 2 espr. Vla. 3
3
3 3
3 3
espr. 3
1 3
3
3
3
Vlc. 3
3 3
espr.
3
2 3
3
3
espr.
Cb.
8
3
3 3
3
3
3
84
Meno mosso 313
= ca.60
Fl. 3
Ob. 3
Cl.
Bsn.
Meno mosso = ca.60
espr. Tpt.
Tbn.
Bass drum 3
3
Perc. poco
Hp.
3
3
8ba
Meno mosso = ca.60 1 Vln.
espr.
2
3
Vla.
3
1
Vlc. 3
2
Cb.
8
3
85
Scene 2
319
1 Senza misura
Fl. = ca.60 ( con rubato
= ca.48)
Solo Bsn. con vib.
Hp.
[ Sam sits down on the couch. He looks up at the ceiling, following 1 the progress of Alasdair and Vicki’s footsteps across their bedroom floor. ]
2 Sam o Flute
Senza misura
= ca.60 SAM regretfully
8
His
Scene 2
heav
y
Senza misura
col legno 1 Vln.
col legno
2
pizz. Vla.
col legno 1 Vlc.
col legno
2
pizz. Cb.
8
Fl. cresc. poco a poco = ca.60 Cl. piĂš mosso Bsn.
3 Samo Cl., Vlc. 1,2
4 Samo Bsn. 3
3
3
3
S. 8
stride, (no pause first time) con sord., arco
1 Vlc. 2
con sord., arco
her
light er
tread.
He folds
his
clothes
up on
the chair.
5 Bsn.o Fl., Cl., Vlc. 1,2
86 2
senza vib.
= ca.60
Fl.
Ob. espr.(con vib.)
3
3
senza vib. Cl.
Bsn. espr.(con vib.)
3
(con sord.) senza vib.
Sam o Flute
= ca.60
Tpt. con sord., senza vib. Tbn. Susp. cymb. (soft beaters) Perc.
Hp.
2 Sam o Ob., Bsn.
1
3 Sam o Ob., Bsn.
3
3
3
3
3
3
[ Sam clicks on the bar’s television. The news is on, the war playing out on the screen. Sam turns away from the television. He seems to be ignoring the broadcast, but the TV is a conduit which returns his subconscious to the past. ]
= ca.60
3
S. Her robe con sord. arco, senza vib.
falls
to the floor.
I
sit here
a lone.
= ca.60
pizz.
1 con sord. arco, senza vib.
Vln.
3
3
3
2 con sord. arco, senza vib. pizz. Vla. senza vib.
3
3
3
1 Vlc.
senza vib.
2 con sord. arco, senza vib. pizz. Cb.
8
3
3
3
87 4
3
Solo con vib.
Largo veloce e grazioso
= ca.40
senza vib.
con vib.
Fl.
Ob. 3
Cl.
Bsn.
Largo = ca.40 Tpt.
Tbn.
Perc.
3
Hp.
3
Largo = ca.40 3
3
S. Too
far
to see,
Largo = ca.40 1 3
Vln. 2
Vla. 3
pizz. 1 Vlc. 2 3
Cb.
8
too far
to know,
88
A Semplice 7
sim.
= ca.69
senza vib.
Fl.
Ob.
Cl.
Bsn.
A Semplice = ca.69 Tpt.
Tbn.
Perc.
Hp.
A Semplice = ca.69
Chorus
*
(prerecorded)
To
day
two
sol
diers
To
day
two
sol
diers
[ We hear a chorus of newsreaders, who read out the headlines. ] 3
3
3
S. We meant no harm.
A Semplice arco
1 Vln. 2 arco Vla. arco 1 Vlc. 2 arco Cb.
8
* This gap may be omitted; it should never be longer than one beat.
= ca.69
89 12
3
joined
Chorus
the
lists
of
the
fal
len.
Re
la
tives
have been
in
of
the
fal
len.
Re
la
tives
have been
in
3
joined
the
lists
Meno mosso
17
= ca.60
Fl.
Cl.
Tpt.
Tbn.
Susp. cymbal (soft beaters) Perc.
Meno mosso = ca.60
formed
Chorus
but
names
have
not
yet
been
re
leased.
Their
names
can not
be
names
have
not
yet
been
re
leased.
Their
names
can not
be
unis.
formed
but
The following is a rough visual guide to the other layers of the pre-recorded material. Tape
Meno mosso = ca.60 1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
90
B 23
= ca.48
Fl.
Ob.
Cl.
Bsn.
B
= ca.48
senza sord.
Tpt.
Tbn.
Perc.
Hp.
Pi첫 mosso * = ca.72
Chorus
=
spok
en.
They
are
the
new
ly
dead,
fresh
ly
lost,
spok
en.
They
are
the
new
ly
dead,
fresh
ly
lost,
Tape
B
= ca.48 remembering the past: haunted and increasingly troubled
S. 8
A
B
lone ly
= ca.48
1 Vln. 2 senza sord. Vla. senza sord. 1 Vlc. senza sord. 2
senza sord. Cb.
8
* Independent of conducted tempo
road,
a
pret
ty
girl,
and
91
Doppio movimento = ca.96
27 Fl. cresc.
cresc.
cresc.
cresc.
cresc.
cresc.
Ob.
Cl.
Bsn.
Doppio movimento = ca.96 Tpt. cresc. Tbn.
Perc.
Hp.
(sempre
Chorus
= 72)
and
we must
not,
can
not
whis
per,
whis
per
and
we must
not,
can
not
whis
per,
whis
per
Tape
Doppio movimento = ca.96
becoming somewhat panicky
5
S. 8
far
a
way
an
old
man.
Too
far
Doppio movimento = ca.96 1 Vln. 2 Vla. pi첫 pesante 1 pi첫 pesante
Vlc. 2
pi첫 pesante Cb.
8
pi첫 pesante
to see,
too
far
to hear,
92 32
to Picc.
Fl.
Ob. poco
Cl. poco
Bsn.
Tpt. poco
Tbn. (play slow glissandi on resonators, with two wooden beaters, allowing an irregular “rhythm� to result.) Vibraphone Perc.
(irreglar dynamic within glissandi)
Hp.
Chorus
their
names.
Rel
a
tives.
Rel
a
tives.
their
names.
Rel
a
tives.
Rel
a
tives.
Tape
3
more reflective
S. 8
too
far
to know
We meant
no
harm. 8va
senza sord. 1 8va
Vln. senza sord. 2
Vla.
1 Vlc. 2
Cb.
8
93
C
37
colla parte
Picc.
Ob.
Cl.
Bsn.
C Tpt.
senza sord.
(produce indeterminate multiphonics and beating/growl) sing
Tbn. play sim. Perc.
(sim.)
E F G A B C D
Hp.
buzz
Use any string in bottom octave, changing the pedal to achieve and sustain the buzzing effect. Vary the string used.
Chorus
Tape
C 3
S. 8
Too
far
to run,
too
far
to stop,
my hand
C 8va
smooth gliss., free (legato) bowing
1 8va
Vln.
smooth gliss., free (legato) bowing
2 3
3
Vla. sim.
3
1 sim.
Vlc.
3 3
3
2 sim. Cb.
8
sim.
3
3
touch ing
94 41 Picc. 3
Ob. cresc. poco a poco
cresc.
cresc. poco a poco
cresc.
Cl.
Bsn.
Tpt.
Tbn.
sim.
sim.
Perc.
(sim.)
(sim.)
Hp.
Tape
3
3
3
becoming more panicky, almost desperate 3
S. 8
her face,
wip
8va
1 cresc. Vln.
8va
2 cresc.
Vla.
1 Vlc.
2
Cb.
8
ing
the tears
from her face,
try
ing
to smooth
95 45 Picc.
Ob. cresc.
Cl. cresc. 3
3
3
3
3
Bsn. sim.
cresc. poco a poco
fltg. Tpt. slide gliss.
Tbn. cresc.
Perc.
(sim.)
Hp.
Tape deeper sounds [ Sam gets up from the couch. The intensity of the flashback is still upon him, but he is shifting from the past into his war-infected present. He knows that the memory of the atrocity will continue to contaminate his life, especially when he is on his own. From here to bar 65 Sam is overwhelmed by what may be an episode of Post-Traumatic Stress Disorder. ] S. 8
the
fear
from
her
8va
face.
1 (senza cresc.) 8va
Vln.
2 (senza cresc.) 5
5
5
3
3
3
3
3
Vla. sim. 3 3
3
cresc. poco a poco 3
3
1 5
Vlc.
5
5 5
sim.
5 5
3
5
3
3
3
cresc. poco a poco 3
3
2 5
Cb.
8
5
sim. 3
3
sim.
cresc. poco a poco 3
3
cresc. poco a poco
96 48 Picc. cresc.
Ob.
Cl. 3
3
3
3
3
3
3
3
3
3
3
3
Bsn.
interject (on same note): Tpt. slow, irregular variation in pitch (gliss.) from here, interject fltg. and double tongue ad lib. Tbn. cresc.
vary dynamic between High temple-block in tempo
and
, with some sudden changes
Vary rest length (aim for irregularity) ca.2½ -7
Perc. -
(vary dynamics, with some sudden changes)
Hp.
(vary pedals ad lib., approximately once per bar)
etc. (vary speed of gliss.; pause sometimes at top before continuing)
Tape 8va
come prima
1 8va
come prima
Vln.
2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vla.
3
3
3
1 Vlc. 2
Cb.
8
97 51 Picc.
Ob.
Cl. 3
3
3
3
3
3
3
3
3
Bsn. 3
3
3
etc. (irregularly) Tpt.
Tbn.
Perc.
Hp.
Tape
8va
1
Vln.
8va
2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vla.
3
3
1 Vlc. 2
Cb.
8
98
D 54 Picc. * Ob. cresc. poco a poco
* Cl. cresc. poco a poco * Bsn. cresc. poco a poco
D * play normally Tpt. cresc. poco a poco * play normally Tbn. cresc. poco a poco Perc.
(
-
) cresc. poco a poco
(
strum with nails or plectrum vary length of rest
[
[ Hp.
5
speed up (shorten and eventually eliminate rests)
cresc. poco a poco
(keep changing pedals)
Tape
low sounds drop out
D 1 cresc. poco a poco
Vln. 2
cresc. poco a poco
Vla. cresc. poco a poco 1 cresc. poco a poco
Vlc. 2
cresc. poco a poco
Cb.
8
3
cresc. poco a poco
* Breathe as necessary. Try to re-enter as smoothly as possible.
-
)
99
Senza misura ca.22"
*
60
to Flute
Picc.
Ob. dim. Cl. dim. Bsn. dim.
Senza misura ca.22" Tpt. dim. Tbn. dim. vary between 1-3"
Log drum last time Perc.
-
dim. poco a poco
( bisbigliando (with fingers, normally)
E F G A B C D
Hp.
dim.
gradually introduce rests
Tape
gradually descending [ SAM’s symptoms gradually subside. ]
Senza misura ca.22" 1 dim. Vln. 2 dim.
Vla. dim. 1 dim.
Vlc. 2
dim.
Cb.
8
* as long as breath lasts
dim.
)
100
E 65
Meno mosso
= ca.96
= ca.72
Fl.
Ob.
Cl.
Bsn.
E
Meno mosso
= ca.96
= ca.72
Tpt.
Tbn.
Vibraphone Perc. Ped.
Hp.
E
Meno mosso
= ca.96
= ca.72
Chorus
Must not,
can
not
whisp er
their
names.
Must not,
can
not
whisp er
their
names.
Tape
E = ca.96
sul tasto senza vib.
1 sul tasto senza vib.
Vln. 2
Vla.
1 Vlc. 2
Cb.
8
Meno mosso = ca.72
101
F
71 Fl.
Ob.
Cl.
Perc. (Ped.)
Chorus
Must not,
can
not
whisp er
their
names.
Must not,
can
not
whisp er
their
names.
SAM
8
F
3
3
This night
lives
long er
than that road.
F 1 Vln. 2
Vla.
1 Vlc. 2
77 Fl.
Ob.
Perc. (Ped.) [ Sam looks up at the ceiling. ]
[ Sam collapses back on the couch and the stage fades to black. ] 3
3
S. 8
1 Vln. 2
Vla.
Vlc. 1
I
walk
it
a
lone.
102
G Transition II窶的II Adagio
83
= ca.54
Fl.
Ob.
Cl.
Bsn.
G Adagio = ca.54 Tpt.
Tbn.
Bell (or Vib. with very hard sticks) Perc.
Hp.
G Transition II窶的II Adagio = ca.54 ord. vib. norm. 1
Vln.
ord. vib. norm.
2
Vla.
1 Vlc. 2
Cb.
8
damp!
103
H
A tempo
Meno mosso
93
Con moto
( = ca.54)
=
=
Fl. dolce
molto
Ob. dolce molto Cl. molto
Bsn. dolce
H Meno mosso
Con moto
A tempo ( = ca.54)
=
=
Tpt.
Tbn.
Perc. près de la table ord.
Hp.
H Meno mosso poco sul pont.
A tempo Con moto
( = ca.54)
=
=
ord.
1 molto Vln.
dolce poco sul pont.
ord.
2 dolce al
poco sul pont.
ord.
Vla. dolce
molto al 1 molto
Vlc. 2
Cb.
8
poco sul pont.
104
Scene 3 Poco più mosso
1
= ca.60
Fl.
Ob.
Cl.
Bsn.
Poco più mosso = ca.60 Tpt.
Tbn.
2 Cowbells 3
3
3
3
3
3
3
3
3
Snare drum (snares off)
Cowbell 3
Perc.
Hp.
[ Lights up. Some time has passed since that first night and small changes have taken place in the pub. The flower arrangement on the bar is composed of autumnal blooms. The large portrait of Vicki now shows her in combat gear, her mouth set in the same shining smile, her cap tipped at the same jaunty angle as before. Beyond the French windows, the tree in the beer garden sheds russet leaves (this may begin during the previous transition). It’s early evening. Sam springs into business, tying a black apron around his waist, setting to polishing glasses and slicing lemons. ]
Scene 3 Poco più mosso = ca.60 col legno 1 3
Vln.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
col legno
2 3
col legno Vla. 3
col legno 1 3
Vlc.
col legno
2 3
Cb.
8
3
105 3 Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Chinese cymb.
3
3
3
3
3
3
3
3
3
Perc.
Hp.
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. 2
Vla.
1
Vlc. arco sul pont.
col legno
2 3
sul pont. Cb.
8
3
3
106
Pi첫 mosso
5
Adagio
= ca.72
= ca.50
Fl.
Ob.
Cl.
Bsn.
Pi첫 mosso
Adagio
= ca.72
= ca.50
Tpt.
Tbn.
3
3
3
3
3
3
3
3
3
3
3
Perc.
Hp.
Adagio
Pi첫 mosso
= ca.50
= ca.72
pizz.
1 3
3
3
3
3
3
3
3
3
3
3
Vln. pizz. 2 3
3
3
3
3
3
3
3
3
3
3
pizz. Vla. 3
3
3
3
3
3
3
3
3
3
3
pizz. 1 3
3
3
3
3
3
3
3
3
3
3
Vlc. pizz. 2 3
3
3
pizz. Cb.
8
107
Pi첫 mosso
8
= ca.60
Fl.
Ob.
Cl.
Bsn.
Pi첫 mosso = ca.60 Tpt.
Tbn.
3
3
3
3
3
3
3
3
3
Perc.
Hp.
[ Vicki enters dressed to the nines, ready to entertain the customers. No audience awaits her. Sam starts to mix Vicki a cocktail. ]
Pi첫 mosso = ca.60
col legno
1 3
Vln.
3
3
3
3
3
3
3
3
col legno
2 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
col legno Vla. 3
col legno
1 3
col legno
Vlc. 2
3
Cb.
8
3
3
108 11 Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Woodblock Perc. 3
Log drum
Hp.
3
3
3
3
3
3
3
3
3
3
3
3
1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vln. 2
Vla.
3
3
3
1 3
3
3
Vlc. arco (ord.)
pizz. 2 3
3
3
3
3
3
3
(pizz.) Cb.
3
3
8
3
3
3
3 3
3
3
arco
109
A
14
lunga
Fl. lunga
Ob. lunga
Cl. lunga 3
3
3
3
Bsn.
A
lunga
Tpt. lunga
Tbn.
lunga
Perc. 3
lunga
Hp.
3
3
poco damp all
sotto voce playfully
lunga
VICKI
3
Si
lent
A
as
lunga
1 3
3
lunga
Vln. 2 3
3
3
3
lunga
Vla.
3
lunga
1 3
Vlc.
lunga
2
lunga
Cb.
8
a morgue
110
Allegretto Più mosso
17
= ca.114
= ca.90
m =
o
3
3 m =
o
3
3
3
3
Sleigh bells
Perc. 3
3
3
V. af ter the un
der tak er’s had
his fun.
Allegretto Più mosso
= ca.114 arco
= ca.90 1
3
3
3
poco
Vln. arco
3
2 3
3
poco 3
arco 3 Vla.
3
poco
arco 1 3
3
3
3
3
poco
Vlc.
3
3
3
2 3
3
poco Cb.
8
3
3
3 3
poco
Più mosso, poco stringendo
( = ca.57)
19
Tam-tam
Perc.
= ca.60
(soft beater) SAM
8
1 Vln. 2
Vla.
1 Vlc. 2
8
3
A road side bomb
( = ca.57)
Cb.
Meno mosso
Chinese cymb.
sent
four
Più mosso, poco stringendo
men
home
to
glor
Meno mosso = ca.60
y
to
day.
111
Meno mosso
22
Tam-tam
Chinese cymb.
= ca.54
Perc. 3
3
3
ple
mourn.
S. Brave men.
A
tes ta ment
to our reg
i ment.
The
towns
peo
Meno mosso
sul pont.
= ca.54 1 Vln.
sul pont.
2 5
sul pont. Vla. 5
arco, sul pont. pizz. 1 5
Vlc.
sul pont.
2 5
arco, sul pont. pizz. Cb.
8
26
Quasi senza tempo
lunga
Chinese cymb.
Perc. lunga
VICKI
3
lunga
freely, solemnly
To the wo men
3
who weep for them.
quite freely, unhurried
S. To the men
lunga
who
died.
Quasi senza tempo 1 lunga
Vln.
8va
2 lunga
Vla. lunga
1 lunga
Vlc.
ord.
2 lunga ord.
Cb.
8
112 29
Tam-tam
Quasi senza misura ) (Pi첫 mosso, colla parte)
(
(
)
Perc. freely, con moto gliss.
3
V. A
man who picks up
a
gun
should
ex
Quasi senza misura ) (Pi첫 mosso, colla parte)
(
pect
(
ord.
to
die.
)
1
Vln.
ord.
accel. (independently) sim.
ord.
accel. (independently) sim.
2
Vla. ord. 1 Vlc. 2
Cb.
8
B Andante sostenuto
Meno mosso
= ca.63
32
= ca.52
tenderly, with emotion
V. My
fa
ther
was a
sol
dier
and
his
fa
ther
too. tenderly, with emotion
S. 8
My
B Meno mosso
Andante sostenuto
= ca.52
= ca.63
sul pont.
al
1 Vln.
3
3
3
3
2
Vla.
1 Vlc.
al
sul pont. ord.
al
sul pont. ord.
2
Cb.
8
113
poco agitato
37
cresc.
V. So
I
al
ways
knew
I’d
cresc. S. 8
fa
ther
was
a
sol
dier
and
his
fa
ther
too.
I
al
ways
poco agitato 5
ord. 1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
Subito più pesante =ca.54
42
ten.
emphatically
3
3
or the moth er
of a
rubato, teneramente
V. nev
er
be
a
sol
dier,
sol
dier,
or
3
3
S. knew
8
I’d
be
a
Subito più pesante =ca.54 1
0
Vln. 2
Vla.
1 Vlc. 2 3
Cb.
poco sul pont.
3
8
(irregular accents) molto
sol
the
dier.
114
C
Adagio
allarg.
45
ten.
Adagio
Più mosso
= ca.48
= ca.48
= ca.60
V. lov
er
of
a
sol
dier.
Nev
er.
Nev
er
3
proudly 3
S. 8
So
C
I
al
ways
knew
I’d
be a sol
dier
Adagio
allarg.
= ca.48
1 Vln.
sul tasto warmly
ord.
2
sul tasto warmly
ord.
Vla.
sul tasto warmly
ord.
ord.
1 3
Vlc.
ord.
sul tasto warmly
3
2
sul tasto warmly Cb.
ord.
8
D [ From here to bar 70, Sam and Vicki are drawn physically closer as their = ca.60 words both chorus and
50 V. a
sol
dier.
S. 8
like my fa
ther
and
his
fath
er
be fore
him.
I’ll
al
= ca.60 1 Vln. 2
Vla.
1 dim.
Vlc. 2
dim. Cb.
8
dim.
ways
D
115 contradict each other. Although they profess different attitudes, they’ve discovered a common background and this pulls them to each other. Whereas before they have been singing to themselves, now they sing to each other. ]
54
Meno mosso = ca.54
ten.
V. Nev
er
be
a
sol
dier,
a
lov
er
of
a ten.
S. 8
be
a
sol
dier,
a
dier,
sol
a
Meno mosso = ca.54 1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
Più adagio
60
= ca.50
V. sol
dier.
Nev
er
be
a
sol
dier,
be
a
sol
dier,
a
S. 8
sol
dier.
I’ll
al
ways
Più adagio = ca.50 1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
a
sol
116 [ Sam and Vicki are standing very close to each other. ]
66 V. moth
er
of
a
sol
dier.
Nev
er.
dier.
Al
ways.
S. 8
dier,
a
sol
3
5
1 Vln.
sim.
poco 0
2
Vla.
1 Vlc. 2 poco
Cb.
sim.
5
8
rit.
[ Sam pulls away, slightly flustered. Something electric has passed between them. ]
71
E
Awkwardly = ca.72 roughly
3
Tbn.
= ca.80 (faster than main beat) Woodblock Perc.
rit.
pensively
E
Awkwardly
E
Awkwardly
(mimicking Alasdair’s manner and singing)
= ca.72
S. 8
Nev
er.
Lov
etc. (slowly and audibly)
rit.
er
of
= ca.72
1 etc. (slowly and audibly)
Vln.
8va
2
Vla. rall. trem. 1 Vlc.
rall. trem.
2 pizz., con vib. sonore IV or V
Cb.
8
(lowest note)
arco roughly
3
a sol
dier.
117
Poco meccanico
75
= ca.80
Fl.
Ob.
Cl.
Bsn.
Poco meccanico = ca.80 Tpt. 3
Tbn.
strike with stick shake
Kick drum
Woodblock
Tambourine
3
Woodblock
3
Perc.
Hp.
Poco meccanico = ca.80
sarcastically
V. Our parlando
lord
and mas
ter?
Armed
with
bot tles,
5
S. 8
Where is
A
las
dair?
Poco meccanico = ca.80 1
Vln. 2
Vla.
marcato 1 Vlc. 2
marcato Cb.
8
118 78 Fl.
Ob.
Cl.
Bsn.
Tpt.
3
3
Tbn.
3
3
Perc.
Hp.
3
V. he
bat
tles
with bank ers,
mor
tars
of wine,
S. 8
1 3
3
3
3
Vln. 2
0
Vla. 3 3
3
3
1 Vlc.
pizz.
arco
6
2
3
Cb.
8
3
3
119 80 Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn. 3
3
3
Perc.
Hp.
V. barrag es
of
beer.
A
S. 8
pizz.
3
1 6 12
Vln. 12
pizz.
3
2 6
pizz.
3
Vla. 12 3
6
3
1 Vlc. 3
3
2
3
Cb.
3
8
8 8
120
F
82 Fl.
Ob.
Cl.
Bsn.
F Tpt. con sord. stacc. Tbn. 5
5
5
5
3
5
3
3
3
Perc.
Hp.
F port. V. sol
dier?
No,
(sigh)
he’s
a
reck
less
sail
or
S. 8
F arco stacc.
5
5
5
3 3
1 3
Vln.
arco stacc.
5
3
5
5
5
5
3 3
2 3
arco stacc. 5
5
3
5
5
3
5
3
Vla. 5
3
5
3
stacc. 1 5
Vlc.
5
5
5
5
5
5
3
3
3
3
3
stacc.
2 5
5
5
3
5
stacc.
3
Cb. 5
5
5
5
3
3
121
Meno mosso
85
= ca.72
Fl.
Ob.
Cl.
Bsn.
Meno mosso = ca.72 Tpt.
Tbn. 3
Perc.
Hp.
Meno mosso = ca.72 slightly melodramatic 3
[ Vicki covers her face to hide her tears. Sam takes her in his arms to comfort her. ]
more sadly
3
V. read y
to drown
in
whis
ky.
S. 8
Meno mosso 8va
= ca.72 3
3 3
3
3
1 3
Vln.
3
3
3
3
poco sul tasto
3
2
3
Vla.
3
3
3
3
3
3
3
1 Vlc.
3
3
3
3
3
3
2
Cb.
poco sul tasto
8va
122 Chinese cymb. (soft beaters)
89
3
Perc. with passion S. 8
He
should
8va
1 3
Vln.
6
3
6
3
6
ord. 3
2 6 3 3
Vla. 6
6
ord.
3 3
3
1 Vlc.
3
2 3
3
Cb. 3
Susp. cymb.
90
3
Chinese cymb.
Perc.
S. 8
soak
in
your
3
1 3
Vln.
6
6
6
6
6
6
3 3
2
Vla. 6
6
6
6
3
1
Vlc.
3
2 6
6 3
Cb. 8
123
Meno mosso, tranquillo 91
= ca.66
Fl.
Ob.
Cl.
Bsn.
Meno mosso, tranquillo = ca.66 Tpt.
Tbn. 3
Perc.
Hp.
Meno mosso, tranquillo = ca.66
[ Vicki pulls away from Sam’s embrace. ] V.
S. 8
voice.
Meno mosso, tranquillo
espr.
= ca.66 6
6
1 3
Vln.
3
molto
espr.
dim.
pochiss. 6
3
2 3
3
molto
dim.
pochiss.
espr.
6
6
Vla. 3
3
molto 6
6
dim.
pochiss. espr.
1 3
3
molto
Vlc.
pochiss.
espr.
6
6
6
6
dim.
2 3 6
3
6
dim.
pochiss. molto espr. Cb.
8
3
8
6
6
3
pochiss. molto
6
6
dim.
124
allargando
G
93
= ca.57-60 Solo, espr.
3
Fl.
Ob.
Cl.
Bsn.
G
allargando
= ca.57-60
allargando
= ca.57-60
Tpt.
Tbn.
Susp. cymb. (soft beaters) Perc.
Hp.
G
3
V. I
sing.
No
one
lis
tens
I
raise my
voice
S. 8
allargando
G
sul tasto (IV)
1 dolce sul tasto
Vln.
II
2 dolce (IV)
sul tasto Vla. dolce I
II I I
sul tasto
1 dolce
Vlc.
sul tasto
2 dolce
Cb.
8
dolce
= ca.57-60
125
H
99
(Pi첫 mosso) = ca.72
Fl.
Ob.
Cl.
Bsn.
H
(Pi첫 mosso) = ca.72
Tpt.
Tbn.
3
Perc.
Hp.
H
ten.
(Pi첫 mosso) = ca.72
V. but
laugh
ter
drowns
my
song.
S. 8
Some times
H
in
(Pi첫 mosso) = ca.72
1
Vln. 2 ord. Vla. 3
ord. 1 3
Vlc.
ord.
2 sul tasto ord. Cb.
8
3
126 105 3
Tpt.
3
Bass drum Perc.
3
3
S. 8
bat
tle
si
lence
breaks throughthe gun
fire,
Vla. 3
3
3
3
3
3
3
1
Vlc. 3
2
Cb.
8
3
107 Perc.
S. 8
and bird
song
ris
es
3 3
1 6
3
6
3 3
Vln. 3 3
2 3 6
6
6
6
3
3
Vla. 3 6
1 3
6
6
Vlc. 6
3
6
2
Cb.
8
8 8
3
127 109 Perc.
3
3
3
S. 8
through
the
air.
Your
voice
3
Solo 1 6
3
3
6
3
3
6
3
3
6
Vln.
2 6
6
Vla.
6
3
Solo 3
1 6 6
3
6
3
6
3
6
Vlc. 3
2 6
Cb.
8 8
3
6
111 S. 8
is
bird
song
3
1 6 6
poco sul pont.
Vln.
3
3
2 eco
Vla.
1 Vlc. 2
Cb. 8
6 6
128
Meno mosso 113
I
= ca.63
Sostenuto
Chinese cymb. (wood beaters)
= ca.54
7
Triangle
Perc.
Meno mosso
[ The light drops, suggesting the incoming night, and reflecting the patterns of the falling leaves beyond the window. ]
= ca.63
S. 8
af
ter
the rat tle
of
gun
fire.
I Meno mosso
Sostenuto
= ca.63
= ca.54
8va
3
II
1 6
Vln. 2 pizz.
Vla. colla voce espr. 1 Vlc. 2
Cb. 8
117 Perc. [ Sam and Vicki look into each others eyes as if they are really seeing each other for the first time. Sam puts his hand gently on Vicki’s face, their heads move closer. ]
[ They kiss, and then quickly pull apart, unsure of themselves. ]
1 0
dim.
Vln.
non troppo
sim.
non troppo
sim.
non troppo
sim.
non troppo
sim.
non troppo
sim.
non troppo
sim.
2 0
3
dim.
3
Vla. dim.
1 dim. Vlc. 2 0
dim.
Cb.
8
8
129
J Più mosso con rubato = ca.60–72
123 Fl.
Ob.
Cl.
Bsn.
J Più mosso con rubato = ca.60–72 con sord. Tpt. (con sord.) fltg. Tbn. 3
Tam-tam Perc.
Hp.
[ ALASDAIR enters but VICKI and SAM are so focussed on each other, they don’t see him. He stands unnoticed in the shadows helping himself to a dram from his hip flask Più mosso con while he watches the couple. ] = ca.60–72 SAM
[ SAM and VICKI spring apart, unsure of how much ALASDAIR has witnessed. ]
J
8
Your
[ ALASDAIR steps from the shadows. ]
rubato
voice
3
is
sweet
3
er
than
bird
song...
ALASDAIR
Sweet
J
er
than
Più mosso con rubato = ca.60–72 3
sul tasto flautando
3
3
1 pochiss.
Vln.
2 pochiss.
Vla. pochiss.
1 pochiss.
Vlc. 2
pochiss.
Cb.
8
pochiss.
freely
rall.
bird
130 128
Senza misura
Tbn. [ Alasdair’s attitude is determinedly cheery, but there is steel beneath his bluff exterior. ] [ Alasdair helps himself to a drink from the bar. His movements are clumsy and it’s clear he has had several before this. ] 3
A.
x song.
x
x
So pipe up,
x
x x x
x
give us a song!
Senza misura ( = 72,coordinate with Vlc. 1 and Cb.) ord. 1 Vln. 2
Vla.
( = 72,coordinate with Vln. 1 and Cb.) 1 Vlc.
poco
2 ( = 72,coordinate with Vln. 1 and Vlc. 1) pizz. Cb.
8
= ca.72
129
Tam-tam 3
Chinese cymb. (soft beater) Perc.
= ca.72 V. The town grieves—
ev ery shade
down,
ev ery cur tain
drawn 3
3
3
A. Good men
= ca.72 1 Vln. 2
Vla.
1 Vlc. 2
arco Cb.
8
died to day,
but we’re
131 134
Meno mosso = ca.60
Fl.
Ob.
Cl.
Bsn.
Meno mosso = ca.60
senza sord.
Tpt. 3
Tbn. Susp. cymb. (soft beaters)
(Tam-tam)
Chinese cymb.
Perc.
Hp.
Meno mosso = ca.60
3
V. My
heart
is
too
SAM
8
3
flags
hang
low.
3
A. a live
to day.
The dead will sleep,
we’ll car
ry on.
Sing!
Meno mosso = ca.60 1
Vln. 2
Vla.
1 3
Vlc. 2
Cb.
8
y.
5
The
3
heav
132 138
ca.5" G.P.
Ballad
ca.5" G.P.
Ballad
K Con rubato
= ca.60
Con rubato
= ca.60
Fl.
Ob.
Cl.
Bsn.
K
Tpt.
Tbn. Tam-tam Perc. Solo
accompagnando Hp.
[ Vicki looks at Sam when she is singing the opening lines, but her attention shifts to Alasdair for the final, pointed line of each verse. ]
Con rubato [ Sam looks at Vicki, unsure of whether he should intervene, but she steps forward, ready to perform. ]
= ca.60
Verse 1
ca.5" G.P.
Ballad
K
To be sung with freedom, and a folk-song sensibility. Although plenty of rubato is encouraged, the rhythm and its variants should always retain a strongly dotted character. 3
V. Out
on
a
lone
ly
high
way walks a
A. Sing!
al
sul pont.
ca.5" G.P.
Ballad
K
Con rubato
= ca.60
con sord. flautando, senza vib.
pochiss. vib.
1 al
Vln.
sul pont.
2
al
sul pont.
al
sul pont.
al
sul pont.
al
sul pont.
con sord. flautando, senza vib.
pochiss. vib.
Vla.
1
Vlc. 2
Cb.
8
con sord. flautando, senza vib.
pochiss. vib.
133 144
poco meno
Hp.
cresc. poco a poco
V. girl
in
a
white
gown,
she’s
look
ing
for her
broth
er,
but the
ord. 1 con sord. ord.
Vln. 2
ord. Vla. cresc. poco a poco
ord. 1
cresc. poco a poco con sord. senza vib.
Vlc.
2 cresc. poco a poco
a tempo
held back
150
( = ca.60)
5
to Cor Ang.
Ob. 5
5
Hp.
a tempo
held back
( = ca.60)
more heavily 5
5
5
V. sol
diers
shot
him
held back con poco vib.
down.
a tempo ( = ca.60)
con vib.
1 cresc.
Vln.
con poco vib.
2 cresc. con poco vib.
con vib.
Vla. cresc. con poco vib.
con vib.
1 cresc.
Vlc.
con poco vib.
senza vib.
con vib.
2 con sord. con poco vib. Cb.
8
cresc.
senza vib.
con vib.
134
L 156 Più rubato Fl.
C.A.
Cl.
Bsn.
L
Più rubato
Tpt.
Tbn.
Perc.
Hp.
dim. poco
L
Più rubato Verse 2 3
V. High
L
on
a
bar
ren
cliff
top
stands a
girl
in
a
white
gown,
she’s
Più rubato
1
Vln.
poco
con vib.
poco
dim.
2 poco
poco
Vla. poco
dim. poco
1 poco
Vlc.
poco
2 poco
Cb.
8
poco
dim.
135 161
senza vib.
Fl.
C.A.
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
V. search ing
1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
for her
fa
ther,
but the
sol
diers
shot
him
down.
136
M
167 Fl. Solo, espr.
3
3
C.A.
Cl.
Bsn.
M Tpt.
Tbn.
Perc.
Hp.
M
Verse 3 very quiet and deep
V. Deep
in
M senza vib. 1 Vln.
senza vib.
2 senza vib. Vla.
senza vib. 1
Vlc.
senza vib.
2
senza vib. Cb.
8
a
si
lent
137 172 Fl.
C.A.
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
louder
[
]
V. val
ley
weeps
a
girl
1 poco
Vln. 2
poco Vla. poco 1 Vlc.
poco
2 poco Cb.
8
poco
in
a
white
gown,
she’s
138 177 Fl.
C.A. ten. Cl.
Bsn.
Tpt.
Tbn.
Perc.
ten.
Hp.
ten. V. wait
ing
for her
lov
er,
but the
ten. 1 Vln.
ten.
2
ten. Vla.
ten. 1 Vlc.
ten.
2
ten. Cb.
8
sol
diers
shot
him
139 182
espr.
Fl. to Ob. espr.
freely, with a sense of drama
C.A.
espr. Cl.
espr. Bsn.
Tpt.
Tbn.
Perc.
cresc.
Hp.
3
V. down.
con vib.
espr.
1 Vln. con vib. 2
con vib.
espr.
Vla.
1 Vlc. 2 con vib. Cb.
8
3
140
N
188
Hp.
N
Verse 4 freely
3
V.
N
Sev
en
years,
she’s been gone
now,
the
girl
in
senza sord. Vln. 1 senza sord.
poco vib.
Vla.
senza sord. 1 senza sord.
Vlc. 2
senza sord. Cb.
8va
8
192
Hp.
ten.
piĂš espr.
simply
V. wed
ding gown,
poco vib.
some
say
the
fair
ies
took
her,
ten.
1 Vln.
senza sord. poco vib. ten.
2
ten. Vla. poco vib.
ten.
1 Vlc. ten.
poco vcib.
2 8va
ten. Cb.
8
poco vib.
but
I
the
141
Più mosso 198
= ca.72–76
Fl.
Ob.
Cl.
Bsn.
Più mosso = ca.72–76 Tpt.
Tbn.
Perc.
dim.
Hp.
[ Alasdair shakes his head, displeased by the tone of Vicki’s song, but Sam is visibly moved. The men’s varying attitudes are reflected in their recollection of the atrocity they were involved in, though Alasdair’s defences begin to waver towards the end of the scene. Vicki is relegated to the sidelines. She didn’t share their experience and so cannot understand its significance. ]
Più mosso poco
= ca.72–76
poco
V. know,
the
sol
diers
shot
her
down.
Più mosso = ca.72–76 1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
142
O Energico 205
= ca.60 ( = ca.90)
=
Fl. 3
molto
3
sub.
3
3
3
3
3
Ob. 3
sub.
3
Cl. sub. 3
3
Bsn.
O Energico = ca.60 ( = ca.90)
=
Tpt.
Tbn. + Log drum
Chinese opera gong
3
Sizzle cymb.
Perc. sub.
Hp. 3
3
O Energico = ca.60 ( = ca.90)
SAM
=
8
A
O
lone
ly
Energico = ca.60 ( = ca.90) vib. ord.
=
1 3 3
molto
Vln.
vib. ord.
2 molto
3
vib. ord.
Vla. 3
molto
vib. ord.
1 molto
Vlc.
pizz. vib. ord.
3
3
3
3
2 molto Cb.
vib. ord.
8
molto
3
143 209
3
3
3
3
3
3
Fl. 3 3
3 3
Ob.
Cl.
3
Bsn. 3 3
3
3
Tpt.
Tbn.
2 Temple blocks (low)
6
6
3
Perc. Log drum
dolce Hp.
3
poco
3
S. 8
road,
a
pret
ty
girl
and
an
1 3
Vln.
3
3
3 3
3
3
2
Vla. 3
3
1 3 3
Vlc.
3
3
3
3
poco
arco
3
3
pizz.
3
2 3 3
arco
pizz. Cb.
8
3
3
3
3
poco
3
144 212 Fl. 3
cresc.
3
3 3
3
3
3
3
3
Ob. 3
cresc.
Cl.
Bsn. 3
3
3
3
cresc.
Tpt.
Tbn.
2 low Temple blocks Perc.
Hp.
3
S. 8
old
man
far
a
way.
1 cresc. 3 Vln.
3 3
3 3
3
3
2 cresc.
3
Vla. 3
1 3
3
3
3
3
3
3
3
3
3
3
cresc.
Vlc.
arco 2 3
cresc. pizz. Cb.
8
3
cresc.
145 215
3
3
Fl. 3
3
6
6
3 3
3
3
Ob. 3
3
6
3 3 3
3
3
Cl.
Bsn. 6
3
3
3
3
Tpt.
Tbn. Chinese cymbal Perc.
Hp.
près de la table
5
S. 8
Too
far
to see,
too
far
to hear,
too
3
3
far
to know
3
1 3
3
3
3
3
Vln. 3
3
3
2 3
3
3
pizz.
3
arco
flautando
3
Vla. 3
3
3
3
flautando 1 3
3
Vlc. 2 3
arco pizz. Cb.
8
arco
3
3
146 218
3
P
3
3
3
3
Fl. 3 3
3
3
Ob. 6
6 3 3
3
3
Cl. 3 3
3
3
3
Bsn.
P Tpt.
Tbn.
Tam-tam Perc.
Hp.
P
3
meno
S. 8
we
6
meant
no
harm.
P
3
3
1 6
Vln.
3
3
2 6
ord. senza vib.
vib. ord.
3
Vla. 3
3
3
3
ord. senza vib.
vib. ord.
1 3
vib. ord.
Vlc. senza vib. 2 3
Cb.
8
3
3
3 3
147 221 Fl. 6
5
3
3
3
6
5
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
S. 8
1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
Too
far
to
run,
too
far
148
224 Fl. 3
6
5
3
Ob.
Cl.
Bsn. espr.
3
Tpt.
Tbn.
Perc.
Hp.
3
S. 8
1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
to stop.
My
hand
touch ing
her
face,
3
149
227 Fl. 3
3
3
3
3
to Cor Ang. Ob. 3 3
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
3 3
3
3
3
S. 8
wip
1 Vln. 2
Vla.
1 Vlc. 2 6
Cb.
8
ing
the
tears
from
her
face,
try
ing
to smooth
150
231
3
Fl. 3
3
5
dim. C.A.
3
3
3
3
3
3
Cl. 5
Bsn.
Tpt.
Tbn.
Perc.
Hp. 3
S. 8
the
fear
from
her
face.
con sord.
3
1 Vln. 2 con sord.
Vla. 3
3
1 Vlc. 2 3
Cb.
8
151
Q Pi첫 mosso = ca.120
236
= ca.80 m =
o
Fl.
Solo espr.
to Ob.
Solo
C.A.
poco Cl.
Bsn.
Q Pi첫 mosso = ca.120
= ca.80 m =
o
Tpt.
Tbn.
Perc.
Hp.
Q Pi첫 mosso = ca.120
= ca.80 m =
ALASDAIR
o
A lone
Q Pi첫 mosso = ca.120 pizz. 1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
= ca.80 m =
o
ly road,
a pret
ty girl,
152 241
m =
o
m =
o
m =
o
m =
o
Fl.
Ob.
Cl.
Bsn. poco
Tpt.
Tbn.
Log drum Perc. poco
Hp.
A. a lone ly road,
a pret ty girl,
and
hid
ing close
a
young
gun.
1 Vln. 2
Vla.
1 poco
Vlc. 2
poco
Cb.
8
poco
153 = ca.120
245 Fl. 3
3
3
3
3
3
3
3
3
3
Ob. 3
3
3
3
3
3
3
3
3
3
Cl.
Bsn.
= ca.120 Tpt. senza sord. Tbn.
Chinese opera gong Perc.
Hp.
= ca.120 SAM
I
saw
the
boy,
a
young
= ca.120 senza sord. senza vib.
1 3
3
3
3
3
3
3
3
Vln.
2 3
3
3
3
3
3
3
3
3
senza sord. Vla. 3
1 Vlc.
2
Cb.
8
3
3
154 248 Fl. 3
3
3
3
3
3
Ob. 3
3
3
3
3 3
3
3 3
Cl.
Bsn.
Tpt.
Tbn.
Chinese opera gong Perc.
Hp.
3
3
3
3
3
S. 8
boy
heard a pop and a crack,
saw
him fall and looked back,
saw
your
con vib. 1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
sim.
Vln.
2
Vla.
1
Vlc. 2
Cb.
8
155 251 Fl. 3
cresc.
Ob. 3
3
3
cresc.
3
Cl. cresc. Bsn.
Tpt.
Tbn.
Perc.
Hp. damp!
dim.
E -
damp!
cresc.
S. 8
ri
fle
raised,
saw
a
1 3
3
3
sim. cresc.
Vln. 2 3
cresc.
3
cresc.
Vla.
1
Vlc. 2
Cb.
8
smile
on
your
156
R 254
3
3
Fl. cresc. Ob. 3
3
Cl. sim.
cresc. 3
3
Bsn. 3
R Tpt.
Tbn. 3
3
3
Vibraphone 3
3
Perc. cresc.
Hp.
R S. 8
face.
3
3
3
3
A. I
saw
the
girl
and a young
gun,
saw your hand on her
face,
R 1 Vln. 2
Vla. 3
3
cresc.
1 3
Vlc.
3
3
3
3
2 3
Cb.
8
3
3
3
157 257 Fl. 5
5
5
5
5
5
3
3
3
3
3
3
3
3
Ob.
Cl. 5
5
5
5
Bsn. cresc.
Tpt.
Tbn. cresc.
Perc. 5
5
Hp.
5
5
5
5
5
secco
5
cresc.
A. saw
his ri ossia: ri
fle
let
raised, fle raised,
my
1 3
3
3
3
3
3
Vln. 2
Vla. 5
5
5
5
1 cresc. Vlc. 2 cresc.
Cb.
8
cresc.
8
158 fltg.
260 Fl. 3
3
fltg. (ad lib.) Ob. 3 3
fltg.
3
Cl. 3
3
Bsn.
Tpt.
Tbn. 3
(omit if more time is needed to get to Chinese opera gong) Perc. 3
Hp.
VICKI
3
Your
3
war
is
o
A. bul
lets
blaze.
1 3
3
Vln. 2 3
3
Vla. 3
3
1 Vlc. 2 3
Cb.
8
8
3
8
159
S
264 Fl.
3
3
3
3
3
Ob. 3
3
3
3
3
3
Cl.
Bsn.
S Tpt.
Tbn.
Chinese opera gong Perc.
Hp.
S V. ver. SAM
8
I
saw
the
old con vib.
senza vib.
S 1
3
3
Vln.
3
3
I
2 3
3
3
3
3
Vla.
1
Vlc. 2
Cb.
8
8
3
160 267 Fl. 3
3
3
3
3
3
3
3
3
3
3
Ob. 3
3
3
3
3
3
3
3
3
Cl. 3
3
3
Bsn.
Tpt.
Tbn.
Perc.
Hp.
S. 8
man,
saw
him
lift ing his hand,
saw
your
senza vib. 1 3
3
3
3
3
3
3
3
3
3
3
Vln.
2 3
3
3
3
3
3
3
3
3
3
3
3
Vla.
1
Vlc. 2
Cb.
8
161 270 Fl. 3
cresc.
Ob. 3
3
3
cresc.
3
Cl. cresc. Bsn.
Tpt.
Tbn.
Perc.
Hp.
S. 8
ri
fle
raised,
saw
a
1 3
3
3
sim.
Vln. 2 3
cresc.
3
cresc.
Vla.
1 Vlc. 2
Cb.
8
smile
on
your
162 273 Fl. 6
3
Ob. 3
3
to BCl. Cl. 3
3 5
3
Bsn.
Tpt. 5 3
Tbn.
Susp. cymb. Perc.
Hp.
5 3
V. O
ver,
your
wars
are
S. 8
face.
con vib.
1 6
Vln.
3
3
sub. arco
pizz.
2 3
sub.
pizz.
arco
Vla. 3
3 5 3
1 3
Vlc.
5 3
2
3
Cb.
8
5
8
163
Meno mosso
276
T
= ca.90
Fl. to Cor Ang. Ob.
BCl.
to Cbsn. Bsn.
8
Meno mosso
T
= ca.90 Tpt.
con sord. (cup) Tbn. dolce (obbligato) Kick drum Perc.
Hp.
Meno mosso
T
= ca.90 V. o
ver. 3
ALASDAIR
At
home
Meno mosso
they
T
= ca.90
1
Vln.
2
Vla.
1 Vlc. 2
Cb.
8
8
ossia: C
164 280 Fl. 3
C.A.
3
3
3
3
BCl.
Cbsn.
8
Tpt.
Tbn. 3
Low tom-tom
3
3
Perc.
Hp.
3 3
A. turn
the ra
di o down
when
the dead
are
named.
1 Vln.
2
Vla.
1 3
3
3
3
Vlc. 3
3
3
2 3 3
Cb.
3
3
3
8
ossia: C
sim.
165 284 Fl. 3
C.A.
3
3
3
3
3
3
3
3
3
3
BCl.
Cbsn.
8
Tpt.
Tbn. 3
Low tom-tom Low tom-tom
Kick drum
3
3
Perc.
(Low tom-tom)
Log drum
Kick drum
Hp.
3
3
A. Our
boys
lie
dead
1 Vln. 2
Vla. 3
3
1 3
3
3
Vlc. 3
3
3
3
3
3
3
3
2
Cb.
8
3
3
in
a
box.
166 288
poco
poco
poco
poco
poco
Fl. 3
6
C.A.
BCl.
Cbsn.
8
con sord. (straight) 3
6
Tpt. poco
Tbn.
Kick drum, Low tom-tom
Bass drum
Perc.
Hp.
3
A. Ci
vil
ians
look
a
way.
1 Vln. 2 poco
poco
poco
poco
poco
Vla. 3
6
poco
1 3
Vlc.
pizz.
2
Cb.
8
6
167
Meno mosso = ca.84
291 Fl. 3
3
C.A.
to Clar. BCl.
3
Cbsn.
8
Meno mosso 3
= ca.84
3
Tpt.
Tbn.
Perc.
Hp.
Meno mosso = ca.84
3
A. They
talk
through
si
lence,
they
talk
Meno mosso = ca.84
8va
1 8va
Vln.
2
Vla. 3
3
3
3
1 Vlc. 2 3
Cb.
8
through
168
U Sostenuto
295
trem. rall.
= ca.72
Fl. 3
C.A.
Cl. 3
Cbsn.
3
3
8
U Sostenuto trem. rall.
= ca.72
Tpt.
Tbn.
Perc.
Hp.
U Sostenuto 3
= ca.72
3
A. si
lence.
U 8va
Sostenuto = ca.72
1
8va
Vln.
2
trem. rall. Vla.
trem. rall.
1 Vlc. 2
3
Cb.
8
3
3
169 299 Fl.
C.A.
Cl.
Cbsn.
8
Tpt.
Tbn.
Chinese cymb. (soft beaters) Perc.
Hp.
SAM
8
3
She
sul tasto
trem
bled,
like
poco
blos som
3
trem
3
3
bles
in
the breeze,
poco
1 sul tasto
Vln.
poco
2
sul tasto
poco
poco
Vla. 3
sul tasto 1
Vlc.
arco sul tasto
poco
poco
poco
poco
2 3
col legno (bounce bow) Cb.
8
sim.
170 304 Fl.
3
C.A.
Cl.
Cbsn.
8
Tpt.
Tbn.
Perc.
8va
Hp.
S. 8
sun
poco
shine
dap pled
poco
through the leaves,
my
head
still
poco
1 Vln.
poco
3
poco
2 poco
poco
poco
poco
poco
poco
poco
poco
Vla.
1
Vlc.
poco
2 3
sim. Cb.
8 8
171
Agitato
308
= ca.96
V
Fl.
C.A.
Cl.
Cbsn.
8
3
3
Agitato = ca.96
V
Tpt. senza sord.
3
Tbn.
Chinese cymb. Perc. 8va
(buzz)
3
3
Hp. 3
Agitato = ca.96
V
S. 8
wet
with
her
tears. 3
angrily
ALASDAIR
Rules
Agitato = ca.96
of
con
flict
V
ord.
1
Vln.
ord.
2
ord.
3
Vla.
ord.
3
3
1 Vlc.
ord.
3
2 arco, ord. Cb.
8
8
3
172
Meno mosso = ca.72
313 Fl. 3
3
C.A.
Cl.
Cbsn.
8
dim.
molto
Meno mosso = ca.72 Tpt.
Tbn. dim.
molto damp! Perc.
Hp.
Meno mosso 3
3
= ca.72
3
A. made by men who nev
er struck a blow.
Sol
diers caught
Meno mosso = ca.72
1 3
Vln. 2
Vla.
1 Vlc.
molto
dim.
2 molto Cb.
dim.
8
molto
dim.
in
bat tle
173 318 Fl.
C.A.
Cl.
Cbsn.
8
Tpt.
Tbn.
Bass drum Perc.
Hp.
3
3
A. know how it goes:
1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
their
blood
or
ours,
their
blood
or
174 323 Fl.
3
C.A. espr.
Cl.
to Bsn. Cbsn.
8
Tpt.
Tbn.
Perc.
Hp.
[ Alasdair puts his hand on the back of Sam’s head drawing his friend’s face close to his in a gesture that is both intimate and dominating. The men’s conjoined silhouette is reminiscent of the shape of Vicki’s and Sam’s physical closeness during their kiss earlier in the scene. ] 3 3
3
A. ours.
We
killed
to live,
killed
to live,
1
Vln.
2
Vla.
1 Vlc. 2 pizz. Cb.
8
3
175
W
328
ad lib.
Tranquillo = ca.66
Fl. poco
C.A.
Cl. poco
Bsn.
W
Tranquillo = ca.66
ad lib.
con sord. (cup)
Tpt. poco
Tbn.
ad lib. Perc.
ad lib.
Hp.
[ Alasdair pushes Sam away and makes a defeated gesture with his hands, that somehow manages to encompass the country and the futility of war. Drink and memories have suddenly sapped his his strength and his shoulders slump. ] 3
3
so theycan keep
all this.
[ Vicki puts her arms around Alasdair in a hug. ]
W
Tranquillo
ad lib.
= ca.66
A.
W
Tranquillo = ca.66
ad lib.
8va
1 ossia
poco
8va
Vln.
2 poco
Vla. poco 1 ossia
Vlc. 2
Cb.
8
poco
176
Andante
334
rall.
Più largo
= ca.60
= ca.66
Fl. teneramente C.A.
Bass Clar.
to BClar. Cl. teneramente Bsn.
Andante rall.
Più largo
= ca.60
= ca.66
Tpt. teneramente Tbn.
Perc.
Hp.
[ Vicki holds out her hand to Sam and after a moment’s hesitation he grasps it. She sings to Sam over Alasdair’s bowed head. ]
Andante rall.
VICKI
O
ver,
your
wars
= ca.60
are
rall.
o
= ca.60
3
Più largo
= ca.66
Più largo
Andante
ver.
warmly
= ca.66
1 teneramente Vln.
8va
warmly 2 teneramente warmly Vla. teneramente warmly
pizz.
1 teneramente Vlc.
pizz. warmly
2 teneramente arco Cb.
8
teneramente
warmly
pizz.
177 340
X
to Oboe
C.A.
BCl.
Low tom-tom Perc.
[ Vicki lets go of Sam’s hand and leads Alasdair off stage in a reversal of roles that is nevertheless reminiscent of the the end of scene one. She looks back at Sam whose expression twists as if he’s in pain. He slumps at a table. ] ossia:
X
be hind.
V. Leave
your
dead
and your
bat tle
be
hind.
X 1 Vlc. 2
Cb.
8
344 Fl. 5
5
5
5
5
5
5
5
Ob.
BCl.
Low tom-tom
Bass drum
Perc.
1 5
5
5
5
5
5
5
5
Vln. 2
1 Vlc. 2
Cb.
8
178
Y 348
3
Fl. 3
5
5
5
3
5
5
5
3
3
3 3
3
3 3
3
3
Ob. 3
3
3
BCl.
Bsn.
Y con sord. (straight) Tpt.
con sord. (straight) Tbn.
Perc.
Hp.
Y 3
1 5
5
5
5
5
3
3
3
3 3
3
3 3
3
3
Vln.
2 5
3 3
3
3
Vla. poco arco 1 poco
Vlc.
arco
2 poco arco Cb.
8
poco
179 351
3
5
Fl. 3
3
Ob.
BCl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
3
5
1 3
3
Vln.
2
Vla. poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
poco
1
Vlc.
2
Cb.
8
180
Largo
355
= ca.40
to Cl.
BCl. to Cbsn. Bsn.
8
Largo = ca.40 senza sord. Tpt.
Tbn. Triangle Perc. [ Vicki re-enters the bar. She stands alone looking at Sam. He raises his head and their eyes meet. Sam gets to his feet. The scene ends with the couple staring at each other across the deserted bar room, each unwilling to make the first move. ] tenderly
Largo = ca.40
I
1 dolce Vln. II
tenderly
2
Vla. dolce
1 Vlc. 2
Cb.
8 8
Z Transition III窶的V
362
5
5
5
5
5
5
5
5
5
Fl.
Ob.
Clar. Cl.
Z Tpt. [ The lights go down. ] senza vib.
Z Transition III窶的V
poco marcato
1 Vln. 2
senza vib.
poco marcato
181
Scene 4 3
1
m =
o
= ca.60
o
= ca.60
Fl. 3
3
3
3
Ob.
BCl.
Cbsn.
8
3
m =
Tpt.
Tbn. Woodblock Perc.
Hp.
3
3
3
sim.
3
[ Lights up. It is the morning after the night before. The tree in the beer garden is bare. Alasdair is sitting at one of the tables going over accounts. Although it’s early, a glass of whisky sits next to a half empty bottle beside his ledgers. Sam climbs up from the cellar, wearing a drayman’s apron and carrying a crate of beer. A vase of poppies sits on the bar and both Alasdair and Sam wear red poppies in their lapels. Vicki enters dressed in jeans and a T-shirt. A poppy is stuck in her disarrayed hair and a duster hangs from her back pocket. She looks at Sam. Sexual tension crackles between them. Vicki half-heartedly starts cleaning. Sam descends back down to the cellar. He makes the trip several times, trying to ignore the domestic drama playing out in the bar. ]
Scene 4 3
m =
vib. ord.
o
= ca.60
poco marc.
1 Vln.
poco marc.
vib. ord.
2 (arco) Vla. 3
3
(arco)
3
1 3
Vlc. pizz. 2 3
3
pizz. Cb.
3
8
3
3
3
182 3 Fl.
Ob.
BCl.
Cbsn.
8
Tpt.
Tbn.
Perc.
Hp.
3
1 Vln.
2
Vla.
1
Vlc.
2 3
Cb.
8
3
183 5
to Picc.
Fl.
Ob.
3
BCl.
Cbsn.
8
3
Tpt. senza sord. 3
Tbn.
Perc.
Hp.
3
3
3
off the string
sim.
1 6
3
Vln.
off the string
6
6
6
6
sim.
2 3
Vla.
1 Vlc. 2 3
3
3
3
Cb.
3
8
3
3
6
184 7 Picc.
Ob. cresc. 3
3
3
BCl.
3
Cbsn.
8
3
3
Tpt. cresc. 3 3
3
Tbn. cresc. any non-pitched instruments (mixed) 1. 2.
3.
choose freely from these 3 mobiles Perc. play faster each time, and with no gaps between last 2 or 3 mobiles
cresc.
Hp.
3
cresc.
1 6
7
7
6
5
cresc. 5
6
7
6
7
7
6
5
cresc. 5
6
7
Vln. 2
Vla. cresc. pizz. 1
Vlc. 2 cresc.
Cb.
8
cresc.
A poco accel.
= 76
185
= ca.60
9 Picc. 3
cresc.
Ob. 3 5
5
5
to Clar.
3
BCl.
5
5
5
Cbsn.
3
3
8
A
poco accel.
= 76
= ca.60
Tpt. 3 5
5
3
Tbn. 5
T-tam (wood stick) 3
Perc.
(cresc.)
Kick drum* slap soundboard with flat hand
Hp. gliss. veloce
A poco accel.
= 76
= ca.60
1 7
6
6
6
6
6
3
7
6
6
6
6
6
3
Vln. 2
Vla. 3
1 Vlc.
2
arco Cb.
8
* If the kick-drum is too far from Tam-tam or otherwise inaccessible, use tom-tom or sim.
186 11 Picc. 3
3
3
Ob. 3
Cl. 3
Cbsn.
3
3
3
8
Tpt. 3 3
Tbn.
Kick drum
Tam-tam (wood stick)
Kick drum
Tam-tam
Kick drum
3
Tam-tam strike then scrape (wood stick)
Perc.
sim.
Hp.
3
change 1 (any) pedal each time sim.
3 3
1 3
Vln. 2 3
Vla. 3 3
pizz. trem. (rall.
accel.
rall.
pizz. trem. (rall.
accel.
rall.
1
Vlc. 3
2
3
Cb.
8
187 13 Picc. 3
Ob. 3
Cl. 3 3
Cbsn.
3
3
8
Tpt.
Tbn.
damp
Tam-tam scrape edge with metal beater or coin
Kick drum
Perc.
Hp.
1 3
Vln. 2 3
Vla. 3
) 1
Vlc. ) 2
Cb.
8
188
B 16 Picc. 3
3
3
3
Ob. 3
3
3
3
Cl.
Cbsn.
8
B Tpt.
Tbn.
Tam-tam (metal beater) Anvil
3
Perc. Kick drum près de la table
Hp.
B
quite freely 3
ALASDAIR
B
3
The
bal
ance
is
red.
1 3
Vln. 2 3
Vla. 3
1
Vlc. 2
pizz. Cb.
8
3
189 19 Picc.
Ob.
Cl.
Cbsn.
8
Tpt.
Tbn.
Tam-tam (scrape) Bass drum
3
Perc.
Hp.
3
3
3
3
A. I
1 Vln. 2
Vla.
1 Vlc. 2
Cb.
8
pay
in blood,
sweat and
tears,
but
the scales
are
weighed
190 22 Picc. 3
Ob. espr., con rubato Cl. 3
Cbsn.
8
Tpt.
Tbn.
Anvil Perc. Kick drum
Hp.
ad lib. “atmosphere” fades in Tape
3
A. a gainst
me.
1 Vln. 2
Vla. arco 1 Vlc. arco 2
arco Cb.
8
191
C 27
Andante = ca.69
Picc.
Ob.
BCl.
Cbsn.
8
C Andante = ca.69 Tpt.
Tbn.
Perc.
Hp.
C Andante = ca.69
Chorus (prerecorded)
Age
shall
not
wear
y
them,
nor
the
years
con
demn.
Age
shall
not
wear
y
them,
nor
the
years
con
demn.
A.
C Andante = ca.69
senza vib.
1 Vln.
senza vib.
2
senza vib. Vla. senza vib. 1 Vlc. 2
Cb.
8
192
Meno mosso
D
32
= ca.60
Picc.
Ob.
Cl.
Cbsn.
8
D Tpt.
Tbn. Bass drum Perc.
Hp.
Meno mosso
D
Chorus
They
shall
not
grow
old
as
we.
They
shall
not
grow
old
as
we.
= ca.60
(accel.)
3
3
A. I
Meno mosso
D
= ca.60
1 Vln. 2
Vla. con vib. ord. 1 Vlc.
con vib. ord.
2 arco rasping Cb.
8
ne ver saw a charm ing corpse.
193 37 Picc. 3
Ob.
Cl.
3
Cbsn.
8
Tpt.
Tbn.
Perc.
Hp.
(let all ring) poco 3
3
3
3
darkly
3
A. Bombs
have a
way
of
blow
ing
you
to piec es.
The bal
1 Vln. 2
Vla.
pizz. 1 Vlc. pizz. 2
Cb.
8
ance
is
194 40 Picc. 3
Ob.
Cl.
3
Cbsn.
8
Tpt.
Tbn.
Bass drum
Tam-tam
Anvil
Perc. Kick drum
Hp.
3
3
A. red
al
ways
red.
1 Vln. 2
con vib. ord. Vla. arco
pizz.
arco
pizz.
1
Vlc.
2
Cb.
8
3
195
E
44 Cl.
E 3
Chorus
We
that
are
left
to
grow
old,
will
re
We
that
are
left
to
grow
old,
will
re
E Vla.
50
Chorus
mem
mem
ber
ber
them.
them.
At
the
go
ing
At
the
go
ing
the
down
3
Now
con vib. ord. 1
con vib. ord.
2
Vla. arco 1
Vlc. arco 2
of
= ca.52 (lag behind beat of tape part and instruments)
ALASDAIR
Vln.
down
I
en
vy
the dead,
3
196 54
of
the
sun,
staunch
to
the
end.
staunch
to
We
will
Chorus sun,
the
end. the
of
the
sun,
staunch
to
end.
the
end.
= ca.52 (lag behind) 3
= 60 (in tempo)
(in tempo)
= 60 (in tempo)
A. vile
as they are,
on
ly
1 Vln. 2
Vla.
Vlc. 1
60
Chorus
them,
re
mem
ber
re
mem
ber
them,
re
mem
ber
re
mem
ber
them,
re
mem
ber
.
A. the
1 Vln. 2
Vla.
1 Vlc. 2
dead
have
seen
the
end
of
197 64
F
to Fl.
Picc.
Ob.
Cl. 3
Cbsn.
3
to Bsn.
8
F Tpt.
Tbn.
Anvil Perc. Kick drum
Hp.
them
age
will
not
them
age
will
not
them
them
we
y
nor
y
nor
re
mem
wear
wear
will
.
ber
F
[ Alasdair snatches the TV remote roughly from Vicki, she staggers and falls. Alasdair kills the screen and throws the remote into a far corner. Sam puts down his knife, removes his apron and steps from behind the bar. He helps Vicki to her feet. ]
A. war.
F 1 Vln. 2
Vla. pizz. 1 Vlc. pizz. 2
Cb.
8
198
Più agitato
70
= ca.72
Fl.
Ob.
Cl.
Bsn.
Più agitato
Solo
= ca.72
3 3
Tpt.
Tbn.
Perc.
Hp.
Più agitato = ca.72 SAM 3
8
If
death
is
look ing
for
me,
he’ll
find
me
back
in the ranks.
Più agitato = ca.72 1 Vln. 2
3
3
3
Vla.
arco
3
arco
3
3
3
1
Vlc. 3
3
2
3
Cb.
8
3
3
199 73
3
Fl. 6
Ob. 3
Cl.
3
3
Bsn.
Tpt.
Tbn.
Susp. cymb. Perc.
3
Hp.
3
VICKI 3 3
No!
A
new
life
is
wait
ing,
3
1 6
Vln.
3
2
Vla.
3
1 6
Vlc.
3
2
Cb.
8
200 75
3
3
Fl. 6
6
Ob.
3
Cl. 6
6
Bsn. 3
3
3
Tpt.
Tbn.
Perc.
3
Hp.
3
3
3
3
3
V. make
peace
with
peace,
and
3
3
1 6
6
Vln. 3
2 6
6
Vla.
3
3
1 6
6
Vlc.
6 3
2 6
Cb.
8
3
201 77
G
poco rit.
= ca.60
G
poco rit.
= ca.60
G
poco rit.
= ca.60
poco rit.
= ca.60
Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Perc.
Hp.
V. leave
your
bat
tles
be
hind.
G 1 poco
Vln.
2 sim. poco
poco
Vla. sim.
pizz. 1
Vlc. pizz. 2
pizz. Cb.
8
poco
sim.
202 80 Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Bass drum Perc.
Hp.
V.
SAM
8
3
3
In
the
fog
of
bat tle
ev
’ry thing’s clear,
but
3
3
1 poco
poco
sim.
(no accents)
cresc.
Vln.
3
3
2 poco
poco
sim.
(no accents)
cresc. 3
3
Vla. poco
1 Vlc. 2
Cb.
8
poco
sim.
(no accents)
cresc.
here
203 83 Fl.
Ob.
Cl.
Bsn. cresc.
Tpt.
Tbn. cresc.
Perc.
Hp.
cresc.
V. 3
S. 8
love
des troys
3
3
3
3
lo yal ty.
To
mor
1 Vln.
3
3
3
3
3
3
2
3
3
Vla.
secco 1 cresc. Vlc.
secco
2 cresc. secco Cb.
8
cresc.
row
I’ll
204
H
86 Fl. 12
Ob. 3
3
3
6
3
Cl. 6
6
Bsn. 6
Solo
H
3
3
3
Tpt.
Tbn.
Log drum Perc.
Hp.
H
3
V. Death
is
con
stant,
3
S. 8
be
gone.
H
3
1 3 3
3
3
3
3
poco
poco
Vln.
2 12
poco
poco
Vla. 6
poco
6
arco
pizz.
3
1 3
3
3
Vlc. arco
3
3
3
pizz.
2 12
pizz.
arco Cb.
8
3
3
3
poco
but
205 88 Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Log drum Perc.
Hp.
3
V. love
S. 8
1 sim. Vln.
2 sim.
Vla. sim.
1 Vlc.
2
Cb.
8
is
a trai
tor.
I
thought
I’d
be
206
poco accel.
91 Fl.
Ob. 3
Cl.
3
3
Bsn.
poco accel. Tpt.
Tbn. 3
3
3
3
Perc.
cresc.
Hp.
poco accel. 3
3
3
V. yours
for
e
ver.
S. 8
poco accel.
3
3
1 ord. (no accents)
cresc.
Vln.
3
3
2 ord. (no accents)
cresc. pizz.
3
3
Vla. (no accents)
arco 1 poco
Vlc.
poco
cresc.
sim.
3
3 3
3
2
Cb.
8
3
3
207
held back = ca.72
93
= ca.60
Fl. 3
molto
5
Ob. 5
molto 3
5
Cl. molto
cresc.
3
3
Bsn. cresc. molto
held back = ca.72
= ca.60
Tpt. 3
3
Tbn. cresc.
molto
3
3
Perc.
Hp.
held back = ca.60 = ca.72
ma dolce
V. My
heart
held back = ca.60 = ca.72
poco
poco
poco
poco
poco
poco
1
3 3
Vln.
5 5
2 arco 3
Vla. 3
3
1 Vlc.
3
3
arco
3
3
2 cresc. Cb.
8
cresc.
arco
3
3 3
208
Pi첫 mosso
Andante
= ca.72
95
= ca.60
Fl. 3
Ob. 3
Cl. 3
Bsn.
Pi첫 mosso
Andante
= ca.72
= ca.60
Tpt.
Tbn.
Susp. cymb. coin scrape Perc. (senza cresc.)
Hp.
Pi첫 mosso Andante
= ca.72 3
3
= ca.60
3
V. may
have
Pi첫 mosso = ca.72
no
hon
our,
but
I
Andante = ca.60
1 3
dim.
3
dim.
3
dim.
Vln. 2
Vla.
1 3
Vlc.
dim.
3
2 dim. 3
Cb.
8
must hon
our
my
heart.
209
I
99 Fl.
Ob.
Cl.
Bsn.
I
con sord.
Tpt. poco
con sord. (Harmon) Tbn.
Perc.
Hp.
I
ossia:
V.
SAM
8
3
Death
3
is
al
ways
wait
ing.
I 1 Vln.
poco
sim.
sim.
poco
sim.
sim.
2
Vla.
1 Vlc. 2
Cb.
8
210 102 Fl.
Ob.
Cl.
Bsn. cresc. senza sord. Tpt.
Tbn. cresc. 3
Sizzle cymb.
3
Perc.
Hp.
V. Leave
your
dead
and
your
bat tles
be hind.
S. 8
1 3
3
3
3
3
3
poco
Vln.
3
3
3
3
cresc.
2 3
(no accents) Vla. poco
cresc.
poco
cresc.
poco
cresc.
poco 1 Vlc. 2 pizz. Cb.
8
cresc.
cresc.
211 105 Fl. 3 3
Ob.
Cl. 3
Bsn. 3
3
Tpt. 3 3
Tbn. 3
3
Snare drum (snares off) 3
3
Perc.
ordinary roll
M Tom-tom
veloce
molto
Hp.
V. spitefully, but with irony
3
You al
a
ALASDAIR
1 3
3
3
Vln. 2 3
3 poco
3
Vla. poco
3
poco
3
poco
3
1 Vlc. 2 arco Cb.
3
8
3
3
col legno battuto
ways were
la
dy kil ler.
molto
212
Appassionato
= ca.54
108 Fl. 3
Ob.
Cl.
3
Bsn.
Appassionato
= ca.54
senza sord. Tpt. senza sord. Tbn. 3
Perc. 8va
Hp.
Appassionato
= ca.54
passionately V. Love
is
3
life!
3
A. His
Appassionato
love
is the
kiss
= ca.54
1 3
Vln.
3
2
Vla. 3
1
3
Vlc. 2 3 3
Cb.
8
213 114 Fl.
Ob.
Cl.
to Cbsn. Bsn.
8
con sord. (cup) Tpt.
con sord. (cup) Tbn.
Perc.
Hp.
A. of
death.
1
Vln. 2 senza vib. Vla. con sord. 1 Vlc. 2
Cb.
port. 8
214
J Lento = ca.66
117 Fl. 3 3
3
3 3
3
Ob.
to BClar.
3
Cl.
Cbsn.
8
J Lento = ca.66
3
3
3
3
3
Tpt.
Tbn. 3
Perc.
Hp.
J Lento = ca.66
3
A. A
lone
ly
road.
A
pret
ty
girl.
We shouldhave strode
J Lento = ca.66
con sord.
1 3
Vln.
con sord.
3
2 con sord. con vib. Vla. 3
1 3
Vlc.
3
3
2 con sord. Cb.
8
3
215
120 Fl. 3
Ob. 3
BCl.
Cbsn.
8
3
6
Tpt.
Tbn. 3
Perc.
Hp.
3 3
A. on our way.
She
cast
her
eyes
down
to the ground,
you
de
1 6
Vln. 6
2
Vla. 3
6
1 3
6
Vlc.
con sord.
2
Cb.
8
6
3
216 124 Fl. 3 3
3
6
6
3
6
6
6 6
Ob.
3
6
3
BCl. 6
6
Cbsn.
8
3
Tpt.
Tbn. 3 3
3
3
3
3
4 Temple blocks Perc.
Hp.
3
7:4
A. ci
ded
to stay,
we
should
have
picked up
our
1 Vln. 2
Vla. 3
3
6
6
6
3
3
6
6
6
3
6
6
6
6
6
1 Vlc. 2 3
Cb.
8
3
3
6
pace
217 126 Fl. 6
3 6
3
6
3
Ob.
BCl.
Cbsn.
8
3
Tpt. senza sord. Tbn. 3
2 cowbells
Log drum
6
3
3
Perc.
Hp.
3
3
3
A. you
put
senza sord. 6
1 Vln. senza sord. 2
Vla. 6
3
6
3
1 Vlc.
3
6
2
Cb.
8
6
3
3
your
hand
on
her
face.
218 128
Poco pi첫 agitato
K
= ca.72
3
3
Fl. 3 3
3
3
3
3 3
3
3
3
3
3
Ob.
BCl. 3
3
3
3 3
Cbsn.
8
Poco pi첫 agitato = ca.72
senza sord.
3
Tpt.
3
3
3
Tbn. 3
6
6
3
4 Temple-blocks Perc.
Hp.
K SAM
8
To
Poco pi첫 agitato
3 3
wipe
3
the
fear
3
from
her
= ca.72
3
face. 3
3
3
3
A. From
K
be
hind
a cor
ner
I
Poco pi첫 agitato 3
3
3
3
= ca.72
1 3
Vln.
3
3
3
3
3
3
3
3
3
3
3
2
senza sord. Vla. 3
3
senza sord. 1 3
Vlc.
3
senza sord.
2 3
3
senza sord. Cb.
8
3
219 131 Fl. 3
3
3
3
3
3
3
3
3
3
6
3
Ob. 6
3
6
3
BCl. 3 3
Cbsn.
8
molto
3
Tpt. cresc. Tbn. cresc. 3
Temple-blocks
3
3
Perc. gliss.
Hp.
3
A. heard
her broth er
call
her,
saw
his
ri
fle
raised,
1 3
3
3
3
6
3
Vln. 3
6 3
3
2 3
3 3
Vla. 3
3
1 molto
Vlc. 2
molto
Cb.
8
molto
3
6
3
220
Meno mosso 133
= ca.66
to Picc.
Fl. 5
5
5
5
5
5
5
5
6
3
6
3
6
3
5
Ob. 5
BCl. 5
5
6
Cbsn.
8
molto
Meno mosso = ca.66 Tpt. (cresc.)
Tbn. (cresc.) Chinese cymb. Perc.
cresc.
gliss. sim.
rapidly, strumming cresc.
Hp.
(B — )
damp!
A. let
my
bul
lets
blaze.
Meno mosso = ca.66 1 5
5
Vln.
5 5
5
5
6 5
5
3 6
3
2
Vla. 5
5
5
5
6
3
1 6
molto
Vlc. 2
6
molto
Cb.
8
6
molto
221
L 135
Held back
Lento
= ca.54
= ca.66
Picc.
Ob. 6
3
3
3
3
3
6
3
3
6
3
BCl. 3
Cbsn.
6
8
3
L Held back
Lento
= ca.54
3
= ca.66
3
Tpt. 3
3
Tbn.
Perc.
Hp.
L Held back
Lento
= ca.54
= ca.66
3
3
A. Then
the
man,
an old
man,
had a gun
in his hand,
L Held back = ca.54
Lento poco sul pont. senza vib.
= ca.66 ord.
1 3
3
Vln.
3
poco sul pont. senza vib.
2 3
poco sul pont. senza vib.
3
3
Vla. 3
1 Vlc. 2 poco sul pont. senza vib. Cb.
3
8
3
3
222 138 Picc. 3
3
3
3
3
3
3
3
3
3
3
3
Ob. 3
3
3
3
3
3
3
3
3
3
3
BCl.
Cbsn.
8
Tpt. 3 3
3
Tbn. Snare drum (snares on) Perc.
Hp.
3
A. a
gun
in
his
hand.
I
blew
him a
way.
con vib.
1 Vln.
3
3
3
3
3
3
3
3
3
ord. con vib.
2
ord.
3
3
3
3
3
3
con vib.
Vla.
3
1 3
3
3
3
3
Vlc. 3
3
3
3
2 ord. con vib. Cb.
8
3
223 141 Picc. marcato
3
Ob. 3 3
3
3
3
3
3
3
BCl.
3
Cbsn.
3
3
8
3
3
3
marcato
3
3
Tpt. 3
Tbn. 3 3
3
3
Perc.
3 3
Hp.
3
3
3
3
S. 8
From
be
hind
a
cor
ner,
I
heard
her
broth
A.
3
3
3
3
1 3
3
Vln. 3
3
2 3
Vla. 3
3
3 3
3
3 3
3 3
1 3
Vlc.
3
3
3
3
2 3
3
Cb.
3
8
3
er
call
her
224 143 Picc. 3
Ob. 3 3
BCl.
Cbsn.
8
Tpt. 3
Tbn. 3
Snare drum 3
3
3
3
Perc.
Hp.
3
S. 8
saw
a
broom
in
his
hand, 3
3
3
A. It
was
a
1 3
Vln. 2 3
Vla. 3
1 3
Vlc.
3
2
Cb.
8
gun.
225
M
146 Picc.
3
3
3
3
3
3
3
3
3
Ob.
3
3
BCl. 3 3
Cbsn.
3
3
3
3
3
3
3
3
3
8
M 3
3
3
3
3
3
3
3
3
3
Tpt.
Tbn. 3
3
Perc.
Hp.
M
3
S. 8
saw
him crum
ple and
land,
M 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Vln. 2
Vla. 3
1 Vlc. 2
Cb.
8
3
3
3
3
3
3
3
3
3
226 148 Picc. 6
6
Ob. 3
6
BCl. 6
6
Cbsn.
6
3
6
3
6
8
6
6
Tpt.
Tbn. 3
Snare drum Perc.
Hp.
3
S. 8
saw
your
ri
fle
raised,
saw
6
6
6
a
1 3
Vln. 6
6
6
3
2 3
Vla. 6
1 Vlc. 2
Cb.
8
6
6
3
3
227 149 Picc. 3
sub.
Ob. 5
5
3
5
3
BCl. 6
6
6
7 3
sub.
3
Cbsn.
8
sub.
Tpt. 5
5
3
5
3
Tbn. 3
Perc.
Hp.
3
S. 8
smile
on
your
face.
I
1 5
5
6
6
3
3
Vln. 6
5
3
7
2 sub. 6
7
Vla. 6
6
3
sub.
1 3
Vlc.
sub.
2 3
Cb.
sub.
8
3
sub.
228 150
sim.
sim.
Picc. 6
6
3
6
6
3
sub. sim. Ob. 6
5
6
3
sub.
3
sim.
6
6
BCl. 6
6
6
Cbsn.
sim.
sub.
3 3
6
6
3
6
8
sim.
sim.
sub.
Tpt. 5
Tbn.
Perc.
Hp.
3
S. 8
saw
the
old
man
with
a
phone
sim. 1 6
5
Vln.
6
3
sub. sim.
sim.
2 6
6
6
3
6
3
sub. sim.
sim.
Vla. 6
6
3
6
sub. sim.
6
3
6
3
sim.
1 6
6
3
6
sub.
Vlc.
3
sim.
6
6
2 6
6
6
Cb.
sub.
3
6
sim.
3 6
6
8
sim.
sub.
sim.
3
229 152
sim.
Picc. 6
6
6
6
6
6
6
6
6
6
6
sub.
Ob. 6
sim. BCl. 6
sub. sim. Cbsn.
6
8
6
6
6
6
6
sub.
Tpt.
Tbn. 3
3
Perc.
Hp.
3
S. 8
in
his
hand,
saw
him
3
ALASDAIR
A
gun
sim.
1 6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
sub.
Vln.
sim.
2 6
sub. sim. Vla. 6
sub. 6
6
6
6
6
6
1 sim. sub.
Vlc.
sim. 2 6
6
sub.
6
6
6
sim. Cb.
6
8
6
sub.
6
6
6
6
6
230 154 Picc. 6
3
6
3
6
Ob.
3
3
BCl. 6 3 6
Cbsn.
8
3
6
3
3
Tpt.
Tbn.
Perc.
3
Hp. 3
5
S. 8
try
ing
to
run,
saw
you
aim ing your gun,
3
3
1 6
3
non stacc.
Vln. non stacc.
3
3
2 6
non stacc.
3
3
non stacc.
non stacc. Vla. 6
3
3 3
1 6
Vlc. 2 6 3
6
Cb.
8
3
6
3
231 156 Picc.
3
6
Ob. 3 3
3
BCl. sim.
Cbsn.
8
3
3
Tpt. 3
3
3
Tbn.
Perc.
Hp.
S. 8
then
the
3
3
3
girl
sul pont.
1 (non stacc.) Vln. 3
3
sul pont.
2 (non stacc.)
3
sul pont.
Vla. 3
1 Vlc. 2
Cb.
8
6
3
3
3
232 158 Picc.
Ob.
BCl.
Cbsn.
8
Tpt. 3
Tbn.
Perc.
Hp.
S. 8
was ord.
1 Vln.
ord.
2
ord.
Vla. 3
1
Vlc. 2
Cb.
8
gone.
233
N
Pi첫 mosso = ca.80
161
= ca.60
Picc. 3
sub.
Ob. 3
sub.
BCl. sub. Cbsn.
8
N
Pi첫 mosso = ca.60
= ca.80
Tpt. sub.
3
Tbn.
Snare drum
Sizzle cymbal
Perc.
l.v.
Hp.
N
Pi첫 mosso = ca.80 [ Vicki has moved away from both men now she looks from one to the other, horrified. ] VICKI
N
= ca.60
stunned (freely)
What have you done?
Pi첫 mosso = ca.80 = ca.60 poco sul pont.
ord.
1 3
sub.
Vln.
poco sul pont.
ord.
2 sub. poco sul pont.
ord.
Vla. sub. poco sul pont.
ord.
poco sul pont.
ord.
1 Vlc. 2
Cb.
8 8
234
Flessibile = ca.74
164
to Fl.
3
Picc.
Ob. 3
6
espr. to Cl.
BCl. 3
Cbsn.
8
3
3
espr.
Flessibile = ca.74 Tpt. 3
3
Tbn.
Perc.
Hp.
Flessibile SAM
dolce
= ca.74
8
I
Flessibile = ca.74
fol lowed
or
ders
I
senza vib.
1 3
Vln. 2
3
Vla. 3
senza vib. 1 3
Vlc. 3
2
senza vib. Cb.
8
3
6
espr.
poco
235
Pi첫 lento
168
Flute
= ca.56
Fl. espr.
Ob. 3
Clar. Cl. espr.
Cbsn.
8
3
Pi첫 lento = ca.56 Tpt.
Tbn.
Perc.
Hp.
Pi첫 lento 3
= ca.56
3
3
3
S. 8
pulled the trig ger.
The
blood
a
Pi첫 lento = ca.56
1 Vln. 2
Vla.
1
Vlc. 2
3
Cb.
8
senza vib.
con vib.
round
her
head
236 171 Fl.
Ob.
Cl.
Cbsn.
8
Tpt.
con sord. Tbn. * Perc.
3
3
Hp.
3
3
3
S. 8
a
red
ha
lo,
my
3
1
*
Vln. 2
* Vla.
*
1
* Vlc. 2
*
Cb.
3
8
* *
accents should remain within a general
dynamic
hand
still
wet
237
O
175
Agitato
rit.
= ca.90
Fl. 3
3
3
3
3
Ob. 3
Cl. 3
Cbsn.
8
poco
O
Agitato = ca.90
rit.
senza sord.
Tpt. senza sord. Tbn. Bass drum Perc.
Hp.
O
VICKI
3
Agitato
rit.
= ca.90
You
killed
her?
S. 8
with
her
tears.
O
vib. ord.
poco
rit.
Agitato = ca.90
1 poco poco
Vln.
3
3
3
pizz. 2
poco
poco
pizz.
Vla. vib. ord.
poco
3
1
Vlc. poco
3
2
col legno battuto Cb.
8
poco
238 = ca.66
179 Fl. sub.
Ob.
Cl. 3
Cbsn.
3
3
8
= ca.66 * Tpt.
Tbn.
sleigh bells
Kick drum Perc.
bisbigliando
Hp.
= ca.66 ALASDAIR
forcefully
3
port.
3
You took com mand,
her
blood
on your
= ca.66 *
1 arco *
Vln. 2
arco * Vla. pizz.
arco
pizz.
arco
pizz.
arco
1
Vlc. 2
arco Cb.
8
ossia * vary pitch above and below note by ca. +/- Âź tone.
hands.
sim.
239
Adagio 182
= ca.54
Fl.
Ob.
Cl.
Cbsn.
8
Adagio = ca.54 Tpt.
Tbn.
Perc.
Hp.
Adagio = ca.54 SAM
8
= ca.54 1 Vln. 2
Vla.
1 Vlc. 2
pizz.
8
3
You raised your gun,
Adagio
Cb.
3
3
3
3
told me
to shoot,
240 185 Fl.
Ob.
Cl.
Cbsn.
8
3
3
3
Tpt.
Tbn. 3
3
3
Log drum Perc.
Hp.
con rubato 3
3
3
3
3
S. 8
I
did n’t stop
to dis pute.
She
ran
I thought I’d missed her
1 Vln. 2
3 3
Vla. 3
1 3
3
3
Vlc.
3
2 3
3
arco sulla corda, legato
Cb.
8
pizz.
3
3
241
accel.
( = ca.72)
188 Fl.
Ob.
Cl. sub. 6
Cbsn.
6
6
8
cresc.
accel. 3
3
( = ca.72) 5
6
6
6
Tpt. cresc. Tbn. 3
3
cresc.
5
6
6
6
damp!
Tam-tam Perc.
Hp.
3
3
accel.
( = ca.72)
accel.
( = ca.72)
S. 8
prayed
I’d missed her
1 cresc. Vln. 2 cresc.
Vla. cresc.
1 cresc.
sub.
Vlc. 3
6
2 5
cresc. arco Cb.
8
cresc.
6
3 5
5
5
6
6 6
6
242
P 190
= ca.60
breve 3
3
3
Fl. breve Ob. breve to BCl. Cl. breve Cbsn.
8
P = ca.60
breve
Tpt.
breve Tbn.
breve Perc. breve
Hp.
P = ca.60 breve
3
3
3
S. 8
She
fell
and
P = ca.60
breve 3
3
3
1 Vln.
breve
2 breve 3
Vla. 3
breve
3
1 Vlc.
breve
3
2 3
breve Cb.
8
3
I
knew
I’d
hit
her,
243 193 Fl. poco
cresc.
Ob.
BCl. Cbsn.
8
3
Tpt. 3
pochiss.
3
3
Tbn. 3
pochiss.
Tam-tam
Susp. cymb.
Perc.
Hp.
cresc.
3
VICKI
You
3
killed
her!?
S. 8
Christ,
I knew I’d hit her!
3 3
ALASDAIR
You
1 poco
Vln.
cresc.
2 poco
cresc.
Vla. poco 1 Vlc. 2 3 3
Cb.
8
cresc.
killed
her!
244 196
Pi첫 mosso
Q
= ca.66
Fl.
to C.A. Ob. ma dolce BCl.
Cbsn.
8
Pi첫 mosso
Q
= ca.66
Tpt.
Tbn.
3
Kick drum
3
3
3
3
Perc. sim.
Hp.
Pi첫 mosso = ca.66
Q
cynical and ugly (con rubato) 3
3
3
3
3
A. And while
Pi첫 mosso
Q
= ca.66
1 Vln. 2
Vla.
1 Vlc.
poco
2 poco
pizz. Cb.
8
he
cried
I
made up lies
to
save
his
245
Largo 199
rall.
= ca.48
Fl.
C.A.
BCl.
Cbsn.
8
Largo rall.
= ca.48
Tpt.
Tbn.
3
3
3
Perc.
Hp.
3 ossia
S. 8
A boy
with a broom.
An old
man
with a phone.
con rubato
3
3
3
3
3
A. arse
Men
with guns
Largo rall.
= ca.48
plenty of vibrato
1 plenty of vibrato
Vln.
2 3
plenty of vibrato
Vla. plenty of vibrato 1 plenty of vibrato
Vlc. 2 arco Cb.
8
and a cause.
246 202 Fl. cresc. C.A.
6
BCl.
Cbsn.
8
Tpt.
Tbn.
Snare drum
6
Perc.
Hp.
[ Alasdair twitches with irritation. ]
to Sam—imploring, forgiving VICKI
A 3
new
life
is wai
ting
3
A. A
girl
with
tears
in
her eyes.
1 cresc. Vln.
2 cresc.
Vla. cresc.
1 cresc. Vlc. 2 cresc. col legno battuto 6
Cb.
8
247
R
205 Fl. ( cresc. )
C.A.
3
3
3
3
BCl.
molto
Cbsn.
8
R Tpt.
Tbn.
Snare drum 3
3
3
3
2 low t-toms
Perc. molto
cresc.
3
Hp.
[ Alasdair lunges for Sam. Sam grabs the knife he was using to cut lemons. The two men start to fight. The action mirrors their first meeting, except that this time Vicki is on the edge of the battle, scared, panicking and unsure of how to stop them. She screams at the men to stop, but they are caught in the fight. ]
R III IV
1 Vln.
III IV
2 ( cresc. ) III IV
Vla. ( cresc. ) II III
1 ( cresc. ) III IV
Vlc. 2 ( cresc. ) arco
sim. 3
Cb.
3
3
8
molto
3
sul pont.
248 208 Fl. 3
3 3
3
3
3
3
C.A. cresc. 3
3
3
3
3
3
3
3
3
BCl.
Cbsn.
8
cresc.
Tpt. 3
fltg. Tbn.
(approx. timing. The grace notes should be like momentary trem. figures) Anvil Perc.
E -
Hp.
F -
Tape
1 Vln. 2
Vla.
1 insert occasionally *
Vlc.
or
(sim.)
2 IV III II I etc.
al pont. Cb.
molto sul pont.
8
* Sempre gliss. Keeping the left hand in position, strings I and II may be stopped to produce indeterminate pitches. Strings III and IV should continue their smooth downward glissando.
ord.
3
249 210 Fl. 6
C.A.
3
BCl. molto molto
molto
Cbsn.
8
Tpt.
Tbn.
molto
Anvil
5
5
3
Perc. (F )
Hp.
D -
3
Tape
[ Alasdair raises a hand, the knife is in it, we see his arm rise and fall three times. ]
1 cresc.
Vln. 2
cresc.
Vla. cresc.
1 cresc.
Vlc. 2
cresc. sul pont.
molto sul pont.
ord. 3
Cb.
8
cresc.
250
S
Senza misura 212 2–3''
2–3''
4–5''
2–3''
4–5''
Intenso
= ca.48
= ca.78
Fl.
C.A.
BCl.
Cbsn.
8
S
Senza misura 2–3''
Intenso
= ca.48
= ca.78
Tpt.
Tbn. Bass drum
2–3''
2–3''
Perc. poco
2–3''
Hp.
2–3''
bisbigliando
molto
4–5''
molto
Tape
[ Alasdair throws his knife away and slumps on the floor cradling Sam’s bloody body. ]
[ Alasdair holds out a bloody hand to her in supplication. She hesitates, clutching her face in horror. ]
[ Vicki screams. ]
S
Senza misura 2–3''
2–3''
*
*
*
*
4–5''
Intenso
= ca.48
= ca.78
1 Vln.
poco
molto
2 poco
*
*
*
*
*
*
molto
Vla.
poco
molto
1
Vlc.
molto
ord.
2 knock on instrument body irregular Cb.
molto
poco
8 8
molto * Randomly and rapidly change between short bowed glissandi and knocking on the body of the instrument.
251
Meno mosso = ca.60
217
=
=
=
=
Fl. 3
3
poco
molto
3
poco
molto
3
poco
molto
3
poco
molto
C.A. 3 3
BCl.
Cbsn.
8
3
Meno mosso 3
= ca.60
Tpt. 3
poco
molto
poco
molto
Tbn. 3
3
Snare drum
3
Perc. poco
:
Hp.
Meno mosso = ca.60
poco
=
1 3
3
poco
molto
poco
molto
poco
molto
poco
molto
3
poco
molto
3
poco
molto
Vln. poco
2 3 3 poco
Vla. 3
3
3
3
1 poco
Vlc.
3
2 poco 3
poco
Cb. 8
=
252
T
221
Molto adagio = ca.38
Fl.
C.A.
BCl.
Cbsn.
8
T
Molto adagio = ca.38
Tpt.
Tbn.
3
3
Perc.
Hp.
marcato, con rubato VICKI
ALASDAIR
But you
killed
him.
weakly
He
was
my bro ther
Molto adagio
T
= ca.38 senza vib.
1 dim. Vln. 2 dim.
Vla.
1 Vlc. 2
Cb.
8 8
253
Ancora meno mosso
225
= ca.33
tornando
al
= ca.56 senza vib.
Fl.
C.A.
to Cl. BCl.
Cbsn.
8
Ancora meno mosso = ca.33
tornando
al
= ca.56
Tpt.
Tbn.
Perc.
Hp.
A. We dreamed
of
how
it
would
be
when
Ancora meno mosso tornando
= ca.33
al
= ca.56
1 Vln. senza vib. 2 senza vib. Vla. senza vib. 1 Vlc. 2
Cb. 8
dim.
the
U
254
Adagio
Con moto 229
ten.
= ca.48
lunga
= ca.63
poco vib.
Fl. lunga C.A. lunga Cl. lunga Cbsn.
8
U Adagio
Con moto lunga
= ca.63
ten.
= ca.48
Tpt. lunga Tbn.
lunga Perc. lunga
Hp.
lunga
U Con moto
lunga
3
= ca.63
Adagio ten.
= ca.48
A. war
was
won.
But
the
war
nev er end
ed,
now
both
U
ten.
Adagio
Con moto
= ca.48
lunga
= ca.63
con sord. flautando
poco vib.
1 pi첫 Vln.
lunga
2 pi첫 lunga
con sord.
Vla. pi첫 lunga 1 pi첫 Vlc.
lunga
2 senza vib.
lunga Cb.
8
8
flautando
255 234 Fl.
C.A.
Cl.
Cbsn.
8
Tpt.
Tbn.
Perc.
Hp.
[ Vicki sinks to her knees close to where the two men are slumped. ]
VICKI
Dead
as
the
dead
you
3
A. of
us
are
dead.
ord. 1 con sord. poco vib.
Vln. 2
ord., poco vib. Vla. poco
poco
1 Vlc.
poco
2 poco vib. Cb.
8
poco
256
Poco pi첫 mosso = ca.54
239
Adagio tenuto
= ca.48 breve
senza vib.
Fl. breve C.A. breve Cl. breve Cbsn.
8
Adagio Poco pi첫 mosso
tenuto
= ca.48 breve
= ca.54 Tpt.
breve Tbn.
breve Perc. breve
Hp.
breve
Poco pi첫 mosso = ca.54
Adagio tenuto
= ca.48 breve
marcato
3
V. mur
dered,
dead
as
the
girl
he
ex
e
cut
ed,
Adagio Poco pi첫 mosso senza vib.
tenuto
= ca.48 breve
= ca.54
1 Vln.
senza vib.
breve
poco vib.
senza vib.
2
senza vib.
breve senza vib.
poco vib.
Vla. poco vib.
breve
1 breve
Vlc. 2 senza vib. Cb.
8
breve
257 243
V
= ca.40
V
= ca.40
Hp.
V. dead. ALASDAIR 3
All
of
3
us‌
V
= ca.40
pochiss. vib.
1 Vln. pochiss. vib. 2
Vla. pochiss. vib. Cb.
8
247
rit.
perdendosi
Hp.
rit.
= ca.40 senza vib.
1 Vln. senza vib. 2
Vla.
senza vib. Cb.
Poco meno mosso
= ca.40
8
Poco meno mosso