EDITION WILHELM HANSEN WH32205
Søren Nils Eichberg
GLARE Chamber Opera Libretto: Hannah Dübgen
Score
Søren Nils Eichberg GLARE Chamber Opera
Libretto by:
Hannah Dübgen
Full Score
Orchestra
Flute Clarinet in Bb / Bass clarinet in Bb Bassoon / Contrabassoon
Horn in F Trombone
Percussion Piano / synthesizer
Strings (violin, viola, cello, double bass)
Commissioned by Royal Opera House London
to Hannah Suhyoung — I want to thank the whole team at Wilhelm Hansen / MusicSales for their support. Special thanks are due to Wiebke Busch and Wolfgang Heiniger, whose personal involvement and initiative were essential for making GLARE happen.
GLARE
Chamber Opera Libretto: Hannah Dübgen
Musik: Søren Nils Eichberg
Unreal q = 92
Determined q = 132 multi
Flute
f
p multi Clarinet in Bb p
f
multi Contrabassoon p
f
p
f
p
f
mp
f
Horn in F
Trombone
Glockenspiel mp
Piano
/DZ2I7KH-XQJOH
mp
Synthesizer
f
LEA Soprano
CHRISTINA Mezzo
ALEX Tenor
MICHAEL Baritone
Unreal q = 92
Determined q = 132
Violin I pp
f
pp
f
pp
f
Viola
Violoncello
on the string Contrabass pp
f
mf
2 9
multi
Fl.
f
mp multi Cl. mp
f
mp
f
mp
f
mp
f
multi Cbsn.
Hn.
Tbn.
Cymbal Glock. p
f
Pno.
mf
Syn.
LEA
CHRIS.
ALEX
MICH.
Vln. I
Vla.
Vc.
Cb.
0DFKLQRLG
3 17
2 4
Fl.
4 4
p
mf
2 4
Cl.
4 4
p
mf
2 4
Cbsn.
4 4 mf
Hn.
2 4
4 4
Tbn.
2 4
4 4
Cym.
2 4
4 4
2 4
4 4
2 4
4 4
Pno.
5HDO%DVV
0DFKLQRLG
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
5HDO%DVV
0DFKLQRLG
Syn.
mf
LEA
CHRIS.
ALEX
MICH.
Vln. I p
Vla.
mf
2 4
4 4
2 4
4 4
p pizz sonore Vc.
f
p
2 4
Cb. p
4 4 mf
arco
4
Suspicious q=116
26
Fl.
multi Cl.
Cbsn. f
Hn. f
Tbn. f
4 Tom-toms Cym. f
Pno.
7KLV.LOOLQJ'RXEW
f
Syn.
LEA
CHRIS.
ALEX
MICH.
Suspicious q=116 m.s.p.
Vln. I f
Vla. f on the string Vc. f on the string Cb. f
m.s.p.
5
Slow and hard q = 80
32
Fl.
2 4
4 4
Cl.
2 4
4 4 f
2 4
Cbsn.
4 4 f
Hn.
2 4
4 4
Tbn.
2 4
4 4 f
HH,Sn,BD
2 4
Toms
4 4 f
2 4
4 4
2 4
4 4
f
Pno.
/DZ2I7KH-XQJOH
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
Vln. I
2 4
4 4
Vla.
2 4
4 4
Vc.
2 4
4 4
white key gliss.
f
Syn.
LEA
CHRIS.
ALEX
MICH.
Slow and hard q = 80
f
Cb.
2 4
4 4 f
attacca
Scene One
a beautiful morning Dreamy q=60
6
Excited q=132
Dreamy q=60
1 3 4
Flute
Excited q=132
4 4
2 4
2 4 4
2 4
4 4
mp
3 4
Clarinet in Bb
4 4
p
p
Bassoon
3 4
Contrabassoon
4 4
2 4
4 4 p
3 4
Horn in F
4 4
2 4
4 4 p
3 4
Trombone
4 4
2 4
4 4 p
HH Snare BD
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
LEA Soprano
3 4
4 4
2 4
4 4
CHRISTINA Mezzo
3 4
4 4
2 4
4 4
ALEX Tenor
3 4
4 4
2 4
4 4
Piano
Synthesizer
Ri
MICHAEL Baritone
di cu lous!
3 4
Dreamy q=60
I
can't wait.
4 4
Excited q=132
I...
Ri
2 4
Dreamy q=60
1 3 4
Violin I
4 4
di cu lous!
4 4
Excited q=132
2 4
2 4 4
mp
3 4
Viola
4 4
mp
2 4
4 4
2 4
4 4
2 4
4 4
mp pizz sonore
3 4
Violoncello mf
mf
3 4
Contrabass mp
arco
4 4 mp
4 4 f
Must
f
3
48
7
4
Fl.
Cl. mf
Bsn.
Hn.
Tbn.
HH Sn BD
Pno.
5HDO%DVV
f
Syn.
LEA
CHRIS.
ALEX
see
her.
I can't wait a ny more.
When you're a lone,
time al ways feels too
long,
MICH.
3
4
Vln. I
Vla.
pizz sonore Vc. mf
Cb.
too
long.
8 56
Dreamy q=60
Excited q=132
5
6
Fl. p Bass Clarinet in Bb Cl. mf
p
f
p
f
p
f
f
Bsn.
Hn. p
p
p
f
Tbn. p
HH Sn BD
mf
Pno.
f
Syn.
LEA
CHRIS.
ALEX
I
can't wait.
Ri
di cu lous.
I have wai ted
so long,
so
MICH.
Dreamy q=60
Excited q=132
5
6
Vln. I mf
Vla. p
p
f
p
f
p
f
f
arco Vc. mf
Cb.
p
p
f
7
66
9
8
Fl.
B. Cl. p
f
p
f
p
f
p
f
mf
Bsn.
Hn. p
f
Tbn. mf
4 Tom-toms HH Sn BD
mf
mf
Pno.
Syn.
LEA
CHRIS.
ALEX
long.
Le a
and
I,
the
two of
us
Le a
MICH.
7
8
Vln. I
Vla. p
f
p
f
p
f
mf
p
f
mf
Vc. p
f
Cb. mf
mf
and
10
9
74
Unreal q = 72
Fl.
B. Cl. mp
f
Bsn. f
Hn. mf
Tbn. mf
f
Toms f
f
Pno.
(QWDQJOLQJ3DWWHUQ
mf
Syn.
(offstage)
LEA
Your hand
is strong
CHRIS.
ALEX remembers what LEA said at their ďŹ rst meeting:
ALEX
I,
the
two of
us
Just
two
of
us.
What cat ches my eye
MICH.
9 Vln. I
Vla.
Vc.
Cb. f
Unreal q = 72
Excited q=132
11
10
82
Fl.
B. Cl. mf
Bsn. mp
Hn. mf
Tbn. mp
Toms
Pno.
Syn.
LEA
Your hand
is
strong
CHRIS.
ALEX
I hold on tight!
Ri
di cul lous!
No gigg le,
MICH.
Excited q=132
10 Vln. I mf
Vla.
Vc.
Cb. f
no stut ter.
She looked me straight in the
5HDO%DVV
Somewhat calmer q = 90
12 89
11
12
Fl. f Clarinet in Bb B. Cl. f
Bsn. f
Hn.
Tbn.
Toms
f
Pno.
f
Syn.
p
mp
f
LEA
CHRIS.
ALEX
eye.
So con ďŹ dent,
fear less
on
ly beau ti ful cla
ri ty
Soon
a gain
MICH.
Somewhat calmer q = 90
11
12
Vln. I
pizz sonore
arco
Vla. f pizz sonore Vc.
Cb.
13 96
Fl.
Cl.
Bsn.
Hn.
Tbn. f
Toms
Pno.
Syn.
LEA
CHRIS.
ALEX
I
MICH.
Vln. I
Vla.
Vc.
Cb.
will see
her
ямВy
ing
steps.
Soon
a gain,
14
13 2 4
100
Fl.
quasi recitativo
a tempo (qq = 90)
rit.
4 4
3 4
Cl.
2 4
4 4
3 4
Bsn.
2 4
4 4
3 4
4 4
3 4
p
2 4
Hn.
f
2 4
Tbn.
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
3 4
4 4
3 4
p
Toms
Pno.
Syn.
LEA
CHRIS.
ALEX
2 4 here
with me.
That diz zy light ness of...that diz zy light ness of...that diz zy light ness of heart!
Soon
a
gain!
Soon
a gain!
MICH.
2 4
Vln. I
4 4
13 2 4
Vla.
2 4
Vc.
2 4
quasi recitativo
a tempo (qq = 90)
rit.
4 4
3 4
4 4
3 4 arco
pizz.
4 4 p
2 4
3 4 f
pizz. Cb.
3 4
arco
4 4 p
3 4 f
quasi recitativo 108
Fl.
14 3 4
15
15 2 4
mp
Cl.
3 4
2 4 mp
Bsn.
3 4
2 4 mp
Hn.
3 4
2 4 mp
Tbn.
3 4
2 4
Toms
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
Pno.
Syn.
LEA
3 4
2 4
CHRIS.
3 4
ALEX
3 4
2 4
(shorter caesuras this time)
checks his hair and jacket in a shop window, smiles, content.
2 4 That diz zy light ness of...
MICH.
3 4
2 4
quasi recitativo
14 3 4
15 2 4
Vla.
3 4
2 4
Vc.
3 4
2 4
Vln. I
pizz.
f pizz. Cb.
3 4
2 4 f
Unreal q = 72
16
16
113
17
"pizzicato"
Fl.
4 4
Cl.
4 4 mp
4 4
Bsn. p
Hn.
4 4
Tbn.
4 4 p
4 4
Toms
4 4 p
Pno.
4 4
(QWDQJOLQJ3DWWHUQ
4 4 mp
Syn.
4 4
ALEX again remembers their ďŹ rst meeting, like an echo:
LEA
4 4 Your hand
is strong
Your hand
CHRIS.
4 4
ALEX
Suddenly:
looks around
4 4 that diz zy light ness of...that diz zy light ness of
Un less...
she does n't...
Is she late...?
Is she
still...?
What
MICH.
4 4
Unreal q = 72
16 Vln. I
17 4 4 mf
Vla.
4 4
Vc.
4 4
arco p
arco Cb.
4 4 p
123
18 ord.
19
Excited q = 132
Dreamy q=60
17
3 4
Fl. mf
3 4
Cl. mf
3 4
Bsn. mf
3 4
Hn. mf
mp
mf
mp
mf
3 4
Tbn. mf
Glockenspiel
3 4
Toms
mp
3 4 Pno.
3 4
3 4 Syn.
mf
3 4
LEA
3 4 is
strong
Strong
Your hand.
Soon a
CHRIS.
3 4
ALEX
3 4 cat ches my eye
I
hold on
tight...
I
hold
on
tight...
MICH.
3 4
18
Excited q = 132
19
Dreamy q=60
3 4
Vln. I mp
mp
3 4
Vla. mf
3 4
Vc. mf
Cb.
mp
3 4
mf
Broad, but with flow q = 92
18
20
132
Fl.
21 4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
mf
p
Cl. p
mf
Bsn. p
mf
Hn. p
mf
mf
4 4
Tbn. p
mf
3 4 mf
Glock.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
Pno.
7UXWK$OLYH
p
Syn.
mf
LEA
LEA comes along, waving.
gain.
A
LEA and ALEX run towards each other and kiss passionately
lex!
CHRIS.
out of breath
ALEX
Per fect!
Per fect!
Per
MICH.
4 4
3 4
Broad, but with flow q = 92
20
21 4 4
Vln. I p
mf
p
mf
mf
mf
3 4
4 4
3 4
4 4
3 4
pp
Cb. p
4 4 pp
Vc. p
mp
pp
Vla.
3 4
pp
22 5 4
145
Fl.
3 4
4 4
Quicker q = 108
Broad, but with flow q = 92
4 4
3 4
f
Cl.
3 4
19
23 4 4
3 4 p
4 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
f
Bsn.
3 4
4 4 f
Hn.
3 4
4 4
p
f
Tbn.
3 4
4 4
5 4
4 4
3 4
4 4
f
3 4 p
Vibraphone Glock.
3 4
4 4
5 4
4 4
3 4
4 4
3 4
mp
3 4
4 4
5 4
4 4
3 4
4 4
3 4
3 4
4 4
5 4
4 4
3 4
4 4
3 4
3 4
4 4
5 4
4 4
3 4
4 4
3 4
3 4
4 4
5 4
4 4
3 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
Pno.
Syn.
LEA
p
with a smile
3 4
Per fect is the least you should ex pect.
3 4 Per
CHRIS.
3 4
5 4
4 4
3 4
4 4
4 4
3 4
4 4
3 4
4 4
3 4
23 4 4
3 4
Thinking... then smiling ALEX
3 4
5 4
4 4 fect.
Per fect, you,
the day!
Per
fect!
Per
3 4
4 4
fect!
That's right!
You're right!
MICH.
Vln. I
3 4
4 4
5 4
3 4
4 4
22 5 4
4 4
Quicker q = 108
3 4
Broad, but with flow q = 92
4 4
3 4
f
Vla.
3 4
p
4 4
5 4
4 4
3 4
4 4
f
Vc.
3 4
3 4 p
4 4
5 4
4 4
3 4
4 4
3 4
5 4
4 4
3 4
4 4
3 4
f
Cb.
3 4
4 4 f
20
24
154
Fl.
3 4
4 4 f
p
Cl.
3 4
4 4 f
Bsn.
3 4
4 4 f
Hn.
3 4
4 4 p
Tbn.
3 4
f
4 4 p
Vib.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Pno.
mf
Syn.
LEA
LEA and ALEX run towards each other.
3 4
4 4 fect.
Per fect, you,
the
day!
CHRIS.
3 4
4 4
ALEX
3 4
4 4 You're
right.
Let's
MICH.
3 4
4 4
3 4
4 4
24 Vln. I
p
Vla.
3 4
f
4 4 p
Vc.
Cb.
3 4
3 4
f
4 4 p
f
p
f
4 4
go!
Scene Two later
25
Enchanted q = 96
21
z.
3 4
Flute mp
p
pp
3 4
Clarinet in Bb pp
Bassoon
3 4
Horn in F
3 4 mp
Trombone
3 4
Vibraphone
3 4
3 4 Piano
3 4 &DQW1RW/RYH+HU
3 4 p
Synthesizer
mp
3 4
LEA Soprano
3 4
CHRISTINA Mezzo
3 4
ALEX Tenor
3 4
MICHAEL Baritone
3 4
Enchanted q = 96
25
trem
3 4
Violin I pp
p
pp
3 4
Viola pp
p
3 4
Violoncello pp
p trem
3 4
Contrabass pp
Joyous q=112
22 177
Fl.
26 3 4
27
28
4 4 pp
Cl.
3 4
4 4 pp
Bsn.
3 4
4 4
Hn.
3 4
4 4
Tbn.
3 4
4 4
Vib.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
mf
Syn.
LEA
3 4
4 4 Ne ver...
CHRIS.
3 4
4 4
ALEX
3 4
relieved when he sees her nod.
4 4 Is it the
ďŹ rst
time
for you too?
You ne ver felt this
MICH.
3 4
4 4 Joyous q=112
26 Vln. I
27
3 4
4 4 p
Vla.
3 4
pp
3 4
mf
4 4 p
Cb.
3 4
mf
4 4 p
Vc.
28
4 4 pp
be fore?
Slightly faster q = 120
23
29
188
Fl.
Cl. mp
Bsn.
Hn.
Tbn.
somewhat mechanical Vib. mp
Pno.
mp
Syn.
LEA
I ne ver felt I this...
It's
CHRIS.
ALEX
Why
is
that?
What makes
this
so
spe cial?
MICH.
Slightly faster q = 120
29
Vln. I
f
mp
Vla.
f
mp
Vc. f
Cb.
be
cause we like the same things.
30
24
31
196 ord.
Fl. p
mp
Cl.
Bsn.
Hn.
Tbn.
Vib.
This motiv always somewhat mechanical, but not staccato
Pno.
mp
Syn.
LEA
Be cause we think
a
like.
CHRIS.
ALEX
What
makes it
so
good?
Is
MICH.
30
pizz.
31
Vln. I mf
Vla. p arco Vc. p
Cb.
it
your beau ty?
Fl.
3 2
32 4 4
Cl.
3 2
4 4
Bsn.
3 2
4 4
Hn.
3 2
4 4
Tbn.
3 2
4 4
Vib.
3 2
4 4
3 2
4 4
3 2
4 4
3 2
4 4
204
25
mf
Pno.
mp
Syn.
mf
3 2
4 4
3 2
4 4
LEA
Be cause we like the same things.
CHRIS.
3 2
4 4
3 2
4 4
ALEX
Your
touch,
your
lips,
your
eyes,
your
eyes?
We
MICH.
Vln. I
3 2
4 4
3 2
32 4 4
arco
p
3 2
Vla.
4 4 p
3 2
Vc.
4 4 p
3 2
Cb. p
4 4
like
the
faster q = 132
33
26 212
Fl. p Bass Clarinet in Bb Cl. mp
Bsn.
mp Hn.
Tbn.
Vib.
Pno.
Syn.
LEA
Be cause we think a
like.
CHRIS.
irtatiously
ALEX
same,
the
same
things.
O
MICH.
faster q = 132 pizz.
33
Vln. I p
Vla.
pizz. Vc. p pizz.
arco
p
mf
Cb.
arco
yes, I
grins and grabs her
love it,
when you
Love it that you...
27
34
219
Fl.
Bass Clarinet in Bb B. Cl. f
cresc.
Bsn.
Hn. f
cresc.
Tbn.
4 Tom-toms Vib. f
f
Pno.
Syn.
LEA
You
and
I,
the
two of
us
CHRIS.
ALEX
love it like
I
do
We like
MICH.
34 Vln. I mf
Vla. mf
mf
arco Vc. mf
f
cresc.
f
cresc.
Cb.
it
the
same
way.
28
35
225
Fl.
B. Cl. f espr.
ff
Bsn. f
Hn. ff
Tbn.
Toms f
Pno.
(QWDQJOLQJ3DWWHUQ
mf
Syn.
LEA
You
and
I,
the
two of
us
Just
two
of
us
of
us.
CHRIS.
ALEX
You
and
I.
Just
two
MICH.
35 Vln. I
Vla.
Vc.
Cb.
36
234
29
Sexy q = 96
2 4
Fl. mp
B. Cl.
2 4
Bsn.
2 4
Hn.
2 4
Tbn.
2 4
HH,Sn,BD
2 4
Toms mf
2 4 Pno.
2 4
2 4 Syn.
2 4
LEA
2 4 Let's
do
it
a
gain!
Let's
do
it a
gain!
CHRIS.
2 4
ALEX
2 4 Let's do it all
o ver a gain!
MICH.
2 4
36
Sexy q = 96
arco trem.
2 4
Vln. I mp trem.
2 4
Vla. f espr.
mp
2 4
Vc. f
mp ten.
2 4
Cb. mp
30 244
Fl.
37 2 4
38 4 4
5 4 mf
Clarinet in Bb B. Cl.
2 4
4 4
5 4 mf
Bsn.
2 4
4 4
5 4 mf
Hn.
2 4
4 4
5 4 mf
Tbn.
2 4
4 4
5 4
HH Sn BD
2 4
4 4
5 4
2 4
4 4
5 4
2 4
4 4
5 4
Pno.
)DOOLQJ%DVV
2 4
4 4
2 4
4 4
5 4 mf
Syn.
5 4
dances around him
LEA
2 4
4 4
5 4 Per
fect!
Per
fect!
Let's
do
it
a
CHRIS.
2 4
4 4
5 4
4 4
5 4
ALEX
2 4
Let's
do
it
a
gain!
MICH.
2 4
4 4
37 2 4
4 4
Vla.
2 4
4 4
5 4
Vc.
2 4
4 4
5 4
Cb.
2 4
4 4
5 4
Vln. I
5 4
38
sim.
5 4 sim.
poco f
a bit rushed q = 132
39 4 4
251
Fl.
5 4
3 4
4 4 mp
Cl.
5 4
31
40
4 4
3 4
p
cresc.
p
cresc.
4 4 mp
Bsn.
5 4
4 4
3 4
4 4
Hn.
5 4
4 4
3 4
4 4
Tbn.
5 4
4 4
3 4
4 4
HH Sn BD
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
5 4
4 4
3 4
4 4
4 4
3 4
4 4
p
Pno.
cresc.
mp
Syn.
LEA
5 4 gain!
Let's do it all o
ver a gain!
Let's do it all o ver
a gain!
Let's do it all
o
ver a gain!
o
ver a gain!
CHRIS.
5 4
4 4
3 4
4 4
4 4
3 4
4 4
ALEX
5 4 Let's
do
it
a
gain!
Let's do it all
o ver a gain!
Let's do it all
MICH.
5 4
4 4
3 4
4 4
a bit rushed q = 132
Vln. I
5 4
39 4 4
40 3 4
4 4 p
Vla.
5 4
4 4
3 4
4 4
Vc.
5 4
4 4
3 4
4 4 p
Cb.
5 4
4 4
3 4
4 4
cresc.
32
41
258
42
Fl.
Cl.
Bsn. mf
Hn. mf
Tbn.
HH Sn BD
mf
Pno.
(QWDQJOLQJ3DWWHUQ
mf
Syn.
LEA
Let's
do
it
a gain!
Let's
do
it
CHRIS.
ALEX
takes her by both hands and runs offstage with her
happens to look at his watch.
happens to look at his watch.
Ah!
We must go!
Not
now!
Soon!
MICH.
41
42
Vln. I
Vla.
Vc.
Cb. mf
43 2 4
267
Fl.
33
44 4 4 f
2 4
Cl.
4 4 f
2 4
Bsn.
4 4 f
2 4
Hn.
4 4 f
2 4
Tbn.
4 4 f
HH Sn BD
2 4
4 4 f
2 4
4 4
2 4
4 4
Pno.
)DOOLQJ%DVV
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
f
Syn.
LEA
CHRIS.
ALEX
MICH.
43 2 4
pizz. Vln. I
44 4 4
mf
f
Vla.
2 4
4 4
Vc.
2 4
4 4
pizz.
f
Cb.
arco
2 4
4 4 f
34 273
Fl.
4 4
Cl.
4 4
Bsn.
4 4 dim.
p
Hn.
4 4
Tbn.
4 4
(break off rhythm suddenly) HH Sn BD
4 4 dim.
4 4 Pno.
4 4
4 4 Syn.
4 4 p
dim.
LEA
4 4
CHRIS.
4 4
ALEX
4 4
MICH.
4 4
4 4
Vln. I
trem. Vla.
4 4
Vc.
4 4 dim.
p
4 4
Cb. dim.
p
Scene Three
A gallery opening. Party atmosphere. Sticky. Crowded.
Fl.
45 4 4
Techno q = 84
279
4 4 mf
Cl.
4 4
4 4
Bsn.
4 4
4 4
Hn.
4 4
4 4 mf
Tbn.
4 4
4 4 mf
4 Tom-toms HH Sn BD
4 4
4 4 mf
4 4
4 4 mf
Pno.
4 4
4 4
3KDW%DVV
4 4
4 4 mf
Syn.
4 4
4 4
LEA
4 4
4 4
CHRIS.
4 4
4 4
ALEX
4 4
4 4
MICH.
4 4
4 4
Techno q = 84 s.p. on the string
Vln. I
4 4
45 ord.
4 4 mf
s.p. on the string Vla.
4 4
ord.
4 4 mf arco
Vc.
4 4
4 4 mf
Cb.
4 4
4 4 mf
35
46
36 284
47
ямВz.
Fl.
3 4
4 4
Cl.
3 4
4 4
2 4
4 4
2 4
4 4
Bass Clarinet in Bb
p
f Contrabassoon
3 4
Bsn.
4 4
2 4
4 4 f
3 4
Hn.
4 4
2 4
4 4 f
3 4
Tbn.
4 4
2 4
4 4 f
Anvil + B.Dr.
3 4
Toms
4 4
2 4 p
f p
4 4 f
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
46 s.p. 4 4
2 4
47 4 4
f
Pno.
'HHS.LFN
p
Syn.
f p
f
LEA
CHRIS.
ALEX
MICH.
Vln. I
p
f p
f
s.p. Vla.
3 4
stacc.
4 4
2 4 p
f p
4 4 f
s.p. Vc.
3 4
4 4
2 4 p
Cb.
3 4
f p
4 4
4 4 f
2 4 p
stacc.
f p
4 4 f
48
37
ямВz.
290
5 8
Fl.
f
5 8
B. Cl.
f
5 8
Cbsn.
f
5 8
Hn.
f
Tbn.
5 8
Anv. B.Dr.
5 8 f
5 8 f
Pno.
5 8
/DZ2I7KH-XQJOH
5 8
3KDW%DVV
f
Syn.
5 8
LEA
5 8
CHRIS.
5 8
ALEX
5 8
MICH.
5 8
48 on the string
5 8
Vln. I
f
fp
fp
f
fp
fp
f
fp
fp
f
on the string
5 8
Vla.
f on the string
5 8
Vc.
f
5 8
Cb. f
f
49
38 295
4 4
Fl.
5 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
ff
p
4 4
B. Cl. ff
p
Cbsn. ff
Hn. ff
Tbn. ff
HH,Sn,BD Anv. B.Dr.
4 4 p
ff
4 4 Pno.
Syn.
ff
p
ff
LEA
As if time freezes for a moment.
4 4
5 4 Just o ver se ven ty
de
ci
4 4 bels.
CHRIS.
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
49 4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
ALEX
4 4
(briey surprised, impressed, am,used. Then:)
Loud!
The mu sic!
MICH.
Vln. I ffp
ffp
f
p
4 4
Vla. ffp
ffp
f
p beat with l.h., damp
4 4
Vc. ffp
ffp
f
p beat with l.h., damp
4 4
Cb. ff
p
300
Fl.
B. Cl.
50 4 4
51 4 4
2 4
4 4
2 4
4 4
39
3 4
3 4
5 8
Hn.
4 4
2 4
4 4
4 4
2 4
3 4
4 4
3 4
4 4
2 4
4 4
3 4
4 Tom-toms
4 4
2 4
4 4
p
f
p
f
p
f
p
5 8
5 8
mf
HH Sn BD
f
5 8
mf
Tbn.
p
5 8
mf
Cbsn.
f
Anvil + B.Dr.
3 4
5 8 f
mf
4 4
2 4
4 4
3 4
5 8
4 4
2 4
4 4
3 4
5 8
4 4
2 4
4 4
3 4
5 8
4 4
2 4
4 4
3 4
5 8
4 4
3 4
5 8
2 4
4 4
3 4
5 8
2 4
4 4
3 4
5 8
4 4
2 4
4 4
3 4
5 8
50 4 4
2 4
51 4 4
3 4
5 8
f
Pno.
mf
'HHS.LFN
Syn.
LEA
4 4
2 4 I
want to stay close to you.
CHRIS.
4 4
ALEX
takes LEA’s arm, they wonder around.
4 4 Do you want a drink?
MICH.
Vln. I
scratch
f scratch
Vla.
4 4
2 4
4 4
3 4
5 8
mp
f scratch arco
Vc.
4 4
2 4
4 4
3 4
5 8 f
arco Cb.
4 4
2 4
4 4
3 4 mf
5 8
Faster q = 100
40 307
Fl.
52 3 4
3 4
53 4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
3 4
3 4
4 4
5 8
f
B. Cl. f
Cbsn. f
Hn. f
Tbn. f
Anv. B.Dr.
Pno.
Syn.
LEA
Do you like the pain tings?
CHRIS.
What's up?
So?
So
we say hel lo.
enters the room
3 4
3 4
3 4
3 4
ALEX
5 8
4 4
suddenly notices CHRISTINA, who noticed him
5 8
4 4 O
no!
My
ex!
She saw me...
MICH.
3 4
3 4
4 4
5 8
Faster q = 100
Vln. I
52 3 4
3 4
53 4 4
5 8 p
pizz. Vla.
3 4
3 4
4 4
5 8 p
beat with l.h., damp Vc.
3 4
pizz.
3 4
4 4 p
p pizz. arco Cb.
3 4
pizz.
3 4 p
5 8
4 4
5 8 p
54 315
Fl.
55 4 4
f
4 4 cresc.
f
5 8
4 4 cresc.
f
5 8
4 4 p
Anv. B.Dr.
cresc.
5 8
p
Tbn.
f
4 4
p
Hn.
cresc.
5 8 p
Cbsn.
Calm q = 60
5 8 p
B. Cl.
41
Techno q = 84
cresc.
f
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
Pno.
p
Syn.
cresc.
f
&DQW1RW/RYH+HU
p
5 8
mp
4 4 friendly, but slightly mechanic as if saving the new name in a database they shake hands
LEA
5 8
4 4 It's a plea sure,
Chris
ti na!
curious, observant but friendly
CHRIS.
4 4
5 8
Le a,
takes LEA’s arm and they approach CHRISTINA. ALEX He is visibly nervous - but happy that LEA takes it so easy.
4 4
5 8
Chris ti na,
This is
Le a.
MICH.
5 8
4 4
Techno q = 84
Vln. I
Calm q = 60
54 5 8
55 4 4 p
cresc.
f
p
m.s.p. arco Vla.
5 8
4 4 p
f
cresc.
m.s.p. arco Vc.
5 8
4 4 p
f
cresc.
arco Cb.
5 8
4 4 p
cresc.
f
p
hel
42 322
56
57
Fl.
B. Cl.
Cbsn.
Hn.
Tbn.
Vibraphone Anv. B.Dr.
like before, a bit mechanical
p
Pno.
Syn.
genuinly
LEA
Your
CHRIS.
lo!
hand!
So e le gant...
Your
fin
gers,
de li cate.
You play
looking impressed at ALEX
mu sic?
Gor geous!
amused but also flattered
No,
I am an ar
tist.
ALEX
MICH.
56
57
Vln. I
Vla.
Vc.
Cb. p
58 5 8
329
Fl.
Faster than before q = 92
43
tongue slap
5 8
B. Cl.
p
cresc.
p
cresc.
p
cresc.
5 8
Cbsn.
Hn.
5 8
Tbn.
5 8
5 8
Vib. p
5 8 Pno.
5 8
5 8 Syn.
5 8
LEA
doesn't seem to notice ALEX's aggression, keeps on talking to CHRIS. during the music.
5 8 Dra wing? Et ching?
CHRIS.
Oil?
looks at ALEX furiously
5 8 On ly as
a hob by.
sharply
ALEX
then looks away, ignoring the women but grows more and more annoyed at their getting along together so well
5 8 Pen cil and a LOT of rub ber!
MICH.
5 8
58
Faster than before q = 92
c.l.b.
5 8
Vln. I p
f
cresc.
c.l.b.
5 8
Vla. p
f
cresc.
c.l.b. Vc.
5 8 f
cresc.
scratch Cb.
5 8 p
cresc.
44
3 4
59 5 8
3 4
5 8
3 4
60 5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
336
Fl. f
B. Cl.
f
Cbsn.
f
p
f
p
f
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
f
Hn.
f
3 4
Tbn.
5 8
3 4
p
5 8
3 4
f
p
5 8
f
3 4 p
5 8 p
f
f
4 Tom-toms
3 4
Vib.
5 8
3 4
5 8
3 4
5 8
3 4
5 8
f
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
59 arco 5 8
3 4
60 5 8
3 4
5 8
3 4
5 8
3 4
5 8
3 4
5 8
Pno.
Syn.
3KDW%DVV
f
LEA
/DZ2I7KH-XQJOH
f
LEA and CHRIS. keep talking, leaning into each other apparently getting along very well
CHRIS.
ALEX
MICH.
Vln. I
arco
3 4
p
5 8 f
p
arco
3 4
Vla.
5 8
Vc.
5 8 f
5 8
f
3 4 p
arco
3 4
p
5 8 f
p
p
5 8 f
3 4 p
5 8 f
p
f
arco
3 4 f
f
arco
3 4
pizz. Cb.
f
arco
3 4 p
arco ord.
f
5 8
3 4 p
5 8 f
3 4 p
5 8 f
61 5 8
344
Fl.
5 8
3 4
p
B. Cl.
5 8
3 4
Cbsn.
5 8
3 4
p
5 8
5 8
3 4
5 8
p
3 4 f
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
cresc.
5 8 f
f
cresc.
5 8
3 4
f
4 4
f
Tbn.
3 4
mf
cresc.
p
Hn.
4 4
45
mf
cresc.
5 8 f
4 4
62 3 4
p
cresc.
Anvil + B.Dr. Toms
5 8
3 4
5 8 p
cresc.
5 8
3 4
5 8
5 8
3 4
5 8
5 8
3 4
5 8
5 8
3 4
5 8
4 4
3 4
3 4
5 8
4 4
3 4
Pno.
p
cresc.
'HHS.LFN
p
Syn.
mf
cresc.
LEA
5 8
Do you like the par ty?
CHRIS.
3 4
5 8
4 4
3 4
3 4
5 8
4 4
3 4
5 8
3 4
5 8
4 4
3 4
5 8
3 4
61 5 8
4 4
62 3 4
4 4
3 4
5 8
ALEX
5 8
MICH.
Vln. I
p
f
scratch
p
cresc.
scratch Vla.
5 8
3 4 p
5 8
f
p
cresc.
scratch arco Vc.
5 8
3 4 p
beat with l.h., damp
5 8
f
4 4 p
3 4
cresc.
f
pizz. pizz. arco Cb.
5 8
3 4
5 8
4 4 p
cresc.
pizz.
p arco pizz.
3 4 f
p
63
46 352
4 4
Fl.
3 4
mp
p
4 4
B. Cl.
3 4 p
p
Cbsn.
4 4
3 4
Hn.
4 4
3 4 p
4 4
Tbn.
3 4 p
HH,Sn,BD Anv. B.Dr.
4 4
3 4 p
4 4
3 4 p
Pno.
4 4
3 4
4 4
3 4
4 4
3 4
Syn.
LEA
4 4
3 4 Just o ver thir ty
looking directly at LEA
CHRIS.
de
grees.
looks at LEA, surprised
3 4
4 4 Do
YOU?
It's hot in here.
(himself wanting to leave)
startles, when he hears LEA repeating herself
ALEX
3 4
4 4
Do you want to go
MICH.
4 4
3 4
63 4 4
Vln. I
3 4
mp
p
4 4
Vla.
3 4 p
4 4
Vc.
pizz. Cb.
3 4 beat with r.h., damp
arco
4 4
3 4
some where
Intimate q = 68 359
64
47
65
Fl.
4 4
B. Cl.
4 4
Cbsn.
4 4 mp
4 4
Hn. mp
4 4
Tbn. mp
HH Sn BD
4 4
4 4 mp
Pno.
4 4
4 4 Syn.
4 4
LEA
4 4 I know!
mockingly
CHRIS.
4 4 I don't like
"ver nis sa ges".
Not for me!
On
ly
hot
air.
Just hot air.
But an ice
cold swim
in
the dark...
ALEX
4 4 else?
MICH.
4 4
Intimate q = 68
64
65 4 4
Vln. I
s.t. on the string
4 4
Vla. mp s.t. arco
4 4
Vc. mp
p pizz.
4 4
Cb. mp
p
Faster q = 108
48 368
Fl.
B. Cl.
recitativo
66 4 4
3 4
67 5 4
3 4
4 4
4 4
3 4
5 4
3 4
4 4
3 4
5 4
3 4
4 4
3 4
5 4
3 4
4 4
3 4
4 4
3 4
4 4
mp
Cbsn.
4 4 mf
Hn.
4 4 mf
Tbn.
4 4
3 4
5 4
HH Sn BD
4 4
3 4
5 4
Vibraphone
p
4 4
3 4
5 4
3 4
4 4
4 4
3 4
5 4
3 4
4 4
4 4
3 4
5 4
3 4
4 4
4 4
3 4
5 4
3 4
4 4
3 4
5 4
3 4
4 4
Pno.
mf
7KLV.LOOLQJ'RXEW
Syn.
LEA
4 4 Per
fect.
Sti
mu la ting.
Per fect is the least you should ex pect.
reacts exactl the same way as ALEX earlier
CHRIS.
3 4
4 4 Yes!
3 4
5 4 Just per fect!
4 4 That's right! You're
right!
ALEX
4 4
3 4
5 4
3 4
4 4
3 4
5 4
3 4
4 4
MICH.
4 4
Faster q = 108
Vln. I
Vla.
recitativo
66 4 4
3 4
67 5 4
3 4
4 4
4 4
3 4
5 4
3 4
4 4
3 4
5 4
3 4
4 4
3 4
4 4
mf pizz. Vc.
4 4
p
mf pizz. Cb.
4 4
3 4 mf
5 4
Fl.
4 4
68 3 4
B. Cl.
4 4
3 4
4 4
Cbsn.
4 4
3 4
4 4
375
69 4 4
Intimate again q = 68
mp
Hn.
4 4
49
Nervous q=116
f
3 4
4 4 mp
Tbn.
4 4
3 4
4 4 mp
Vib.
4 4
3 4
4 4
4 4
3 4
4 4
4 4
3 4
4 4
Pno.
mp
4 4
3 4
4 4
3 4
4 4
mf
mp
Syn.
4 4
LEA
4 4
3 4
4 4 I don't like
CHRIS.
"ver nis sa ges". Not for me!
On ly
hot
air. Just hot air!
3 4
4 4
4 4 I don't like
"ver nis sa ges".
Not for me! On
ly
hot
air.
Just hot air!
actually addressing LEA this time
ALEX still more to himself, than to LEA
3 4
4 4 Le a. let's go!
4 4
Let's go!
Le
a,
let's go!
Le
MICH.
Vln. I
4 4
3 4
4 4
68 3 4
4 4
Intimate again q = 68
69 4 4
Nervous q=116
f s.t. on the string Vla.
4 4
3 4
4 4 mp s.t. arco
Vc.
4 4
3 4
f arco
4 on the string 4
mp
f arco
Cb.
4 4
3 4
on the string
4 4 mp
f
50
70
383
Fl.
multi B. Cl. f
Cbsn.
Hn.
Tbn.
4 Tom-toms Vib. mp
Pno.
Syn.
LEA
CHRIS.
ALEX
a!
Le
a, let's
go!
The
MICH.
70 Vln. I
Vla.
Vc.
Cb.
air.
Slower q = 72
51
71 3 4
388
Fl.
4 4 p
mf
Clarinet in Bb
3 4
B. Cl.
4 4 p
mf
Cbsn.
3 4
4 4
Hn.
3 4
4 4 p
mf
3 4
Tbn.
4 4 p
3 4
Toms
mf
4 4
3 4
4 4 mp
Pno.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Syn.
LEA
Chris
ti
na.
Soon
a gain...
Soon!
CHRIS.
ALEX
3 4
4 4
3 4
4 4
3 4
4 4
the
air!
I'm not fee ling...
Let's go!
MICH.
Slower q = 72
Vln. I
71 3 4
4 4
mp
Vla.
3 4
4 4 mp
Vc.
3 4
poco espr.
4 4 mp
Cb.
3 4
4 4
Selfconfident q = 116
52 Fl.
72 4 4
Cl.
4 4
398
73
74
mf
Cbsn.
4 4
Hn.
4 4
Tbn.
4 4
Toms
4 4
4 4 mf
Pno.
4 4
7UXWK$OLYH
4 4 mf
Syn.
mp
4 4
LEA
LEA and ALEX go off, CHRISTINA looks after them.
4 4
CHRIS.
4 4 See
you
soon.
ALEX
4 4
MICH.
4 4
Selfconfident q = 116
Vln. I
72 4 4
73
74
Vla.
4 4 mf
Vc.
p
p
mf
mf
4 4 mf
Cb.
mf
mf
mf
p
p
mf
mf
4 4 p
mf
p
mf
75
411
53
76
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
mf
Syn.
LEA
CHRIS.
Her eyes are beau ti
ful.
Her eyes are beau ti
ful.
Moss– green
with a spark
in side.
ALEX
MICH.
75
76
Vln. I p
mf
p
mf
p
mf
p
mf
p
mf
mp
Vla. p
p
mp
mf
Vc. p
p
Cb. p
p
mp
mf
77
54
78
flz.
423
Fl. pp
fp
fp
pp
fp
fp
Cl.
Cbsn.
Hn. fp
Tbn. fp
Toms mf
Pno.
7KLV.LOOLQJ'RXEW
f
Syn.
LEA
CHRIS.
Moss–
green
Cat eyes!
Cat
ALEX
to LEA as they leave
Watch out!
eyes.
She al ways does that,
Chris
ti
na.
She
MICH.
77
78
trem
Vln. I pp
Vla.
Vc. f trem Cb. pp
f
79
432
3 4
Fl.
55
80 4 4 f
3 4
Cl.
4 4 f
3 4
Cbsn. f
4 4 f
3 4
Hn.
4 4 f
3 4
Tbn.
4 4 f
Drum Set
3 4
Toms
4 4 mf
f
Pno.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Syn.
LEA
as if asking
3 4
4 4 She seemed
sin cere.
CHRIS.
Cat
3 4
4 4
3 4
4 4
eyes.
ALEX
leeds
you
on,
she
leads
you on
and lets you
fall.
She
MICH.
3 4
79 3 4
Vln. I
4 4
80 m.s.p. 4 4 f
3 4
Vla.
4 4 f
m.s.p.
on the string
3 4
Vc.
4 4 f
mf
on the string Cb.
3 4
4 4 f
56 441
Fl.
Cl. mf
p
Cbsn. p
Hn. p
Tbn.
Dr. p
Pno.
Syn.
LEA
CHRIS.
ALEX
leeds
you
on
and lets you
fall.
Trust me!
MICH.
Vln. I f
mf
p
f
mf
p
mf
p
Vla.
Vc. p
Cb. p
448
81
82
57
83
Fl. p
Cl.
Cbsn.
Hn.
Tbn.
Dr.
mp
Pno.
&DQW1RW/RYH+HU
mf
mp
Syn.
moves towards ALEX and kisses him.
puts her hand on ALEX‘s cheek
LEA
But
I
do,
A lex.
I trust you!
With all my
CHRIS.
ALEX
MICH.
81
82
83
Vln. I
Vla.
pizz. Vc. p pizz. Cb. mp
p
heart.
58 460
84
85
Fl. mp
Cl.
Cbsn.
Hn.
Tbn.
Dr.
p
Pno.
p
Syn.
LEA
With
all
my
heart.
What's
CHRIS.
ALEX
pushes her away suddenly
suspiciously
With
all
your
heart?
Real
ly?
Sor ry,
it's hot...
I...
I'm...
MICH.
84
pizz.
Vln. I p
mf
Vla. p arco
pizz.
p
mf
Vc.
pizz. Cb. mf
85
wrong?
Techno q = 92
59
Fl.
2 4
86 5 8
Cl.
2 4
5 8
3 4
3 4
Cbsn.
2 4
5 8
3 4
3 4
468
3 4
3 4
pp
Hn.
2 4
5 8
3 4
3 4
Tbn.
2 4
5 8
3 4
3 4
Dr.
2 4
5 8
3 4
3 4 pp
2 4
5 8
3 4
3 4
2 4
5 8
3 4
3 4
2 4
5 8
3 4
3 4
2 4
5 8
3 4
3 4
2 4
5 8
3 4
Pno.
7UXWK$OLYH
Syn.
LEA
3 4 Do you want
to...
Of course,
if you...
CHRIS.
2 4
5 8
3 4
2 4
5 8
3 4
3 4
they leave the vernissage
ALEX
No thing real ly!
3 4
It's no thing!
No,
let's go!
Let's
just
go!
MICH.
2 4
5 8
3 4
3 4
Techno q = 92
Vln. I
2 4
86 5 8
3 4
3 4
Vla.
2 4
5 8
3 4
3 4 pp beat with l.h., damp
Vc.
2 4
5 8
3 4
3 4 p
arco Cb.
2 4
5 8
pp pizz. arco
3 4 p
pizz.
3 4 pp
Scene Four Later. Outside. 60
87
With a natural flow q = 60 Flute
Slightly faster q = 72
3 4 mp
p
Clarinet in Bb
3 4 p
Contrabassoon
mp
3 4 mp
p
Horn in F
3 4 p
Trombone
mf solo
mp
3 4 p
Drum Set
mp
3 4
3 4 Piano
3 4
(QWDQJOLQJ3DWWHUQ
3 4 p
Synthesizer
mp
mp
3 4
offstage / no lights
LEA Soprano
3 4 Per fect!
CHRISTINA Mezzo
3 4
ALEX Tenor
3 4
MICHAEL Baritone
3 4
With a natural flow q = 60 Violin I
arco
87
Slightly faster q = 72
3 4 p
mp
pp
arco Viola
3 4 p
mp
pp
arco Violoncello
3 4 p
mp
pp
arco Contrabass
3 4 p
mp
pp
Per fect!
490
88
Fl. p
61
89 4 4
mp
mf
mf
4 4
Cl. mp
mp
mf
4 4
Cbsn. p
mf
mp
mf
4 4
Hn. p
mf
4 4
Tbn. p
mf
mp
mf
4 4
Dr.
4 4 Pno.
4 4
4 4
mf
mp
Syn.
4 4
LEA
lights fade in, ALEX and LEA sit, she holds his hand caresssing it.
4 4 Your
hand
Your
CHRIS.
4 4
ALEX
4 4
MICH.
4 4
88
89 arco 4 4
Vln. I
mf
mp
4 4
Vla. mf solo
p
mp
mf
4 4
Vc. mf solo
p
mf
mf
mp
4 4
Cb. p
mf
mp
62 498
90
91
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Vibraphone Dr. mp
Pno.
p sub
Syn.
smilingly, putting her hand on his face
LEA
hand.
It ďŹ ts It ex act
CHRIS.
ALEX
suddenly grabs her hand and holds it up
And yours?
Mine strong...
Hers e le gant...
And yours?
MICH.
90
91
Vln. I p sub
pp sub
Vla. p sub
pp sub
Vc. p sub
pp sub
Cb. p sub
pp sub
ly on
63
92
503
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Vib. mf
Pno.
7KLV.LOOLQJ'RXEW
mp
Syn.
repeats the same movement
LEA
your cheek.
It fits It ex act
and again
ly on your
cheek.
It
fits...
CHRIS.
feels the touch, then pulls back abruptly ALEX
Do
that
a
gain!
And
a
gain!
Re pe ti tion!
MICH.
92
(ten.)
Vln. I f
cresc.
p
Vla. cresc.
(ten.)
Vc. f
cresc.
p
(ten.)
Cb. cresc.
f
p
Re pe ti tion! Per fect,
Innocent q = 84
64
93
508
Fl.
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
mp
Cl. mp
Cbsn. mp
Hn.
mp
2 4
Tbn.
4 4 mp
Vib.
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
mp
Pno.
(QWDQJOLQJ3DWWHUQ
mp
Syn.
LEA
Don't we all re peat what we like?
CHRIS.
ALEX
per fect re pe ti tion!
MICH.
Innocent q = 84
93 Vln. I
mp
Vla.
2 4
4 4 mp
Vc.
2 4
4 4 mp
mf
Cb.
2 4
4 4 mp
94
65
514
Fl.
3 4
4 4
Cl.
3 4
4 4
Cbsn.
3 4
4 4
Hn.
3 4
4 4
Tbn.
3 4
4 4
Vib.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
Syn.
LEA
Don't
we all
re peat what is
good,
is
good?
CHRIS.
3 4
4 4
3 4
4 4
3 4
4 4
Vln. I
3 4
4 4
Vla.
3 4
4 4
Vc.
3 4
4 4
Cb.
3 4
4 4
ALEX
MICH.
94
66
95
518
Fl.
Cl. mf
Cbsn.
Hn.
Tbn. mf
Vib.
Pno.
mf
Syn.
LEA
O
ver,
o
ver,
CHRIS.
ALEX
MICH.
95
Vln. I mf
Vla. mf
Vc.
mf
Cb.
96
67
521
Fl.
mp
Cl. f
Cbsn. f
Hn. f
Tbn. f
4 Tom-toms Vib.
f
Pno.
Syn.
f
LEA
o
ver,
o
ver
and
o
ver a gain.
CHRIS.
ALEX
MICH.
96
Vln. I
Vla.
f
Vc.
f
Cb. f
68
97 3 4
525
Fl.
98 4 4
mp
"Sexy", but without the sparkle q = 92
5 4 mp
3 4
Cl.
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
5 4
mp
p
Cbsn. mp
Hn. mp
p
3 4
Tbn. mp
p
Toms
mp
Pno.
Syn.
LEA
If
it's
per
fect. Don't we want to do it
a gain.
And a gain.
Let's do
it
a
CHRIS.
3 4
4 4
3 4
4 4
5 4
excited for a moment, but cleraly still in his suspicions
ALEX
5 4 Let's
do
it
a
gain!
MICH.
3 4
4 4
97 3 4
Vln. I mp
98 4 4
p
5 4
"Sexy", but without the sparkle q = 92 sim.
5 4 mp sim.
3 4
Vla. mp
4 4 p
mp
3 4
Vc.
4 4
3 4 mp
5 4 mp
mp
Cb.
5 4
4 4 mf
5 4 mp
Dreamy q=60
poco recitativo
99 4 4
533
Fl.
5 4
69
100 mp
Cl.
5 4
4 4
Cbsn.
5 4
4 4
Hn.
5 4
4 4
Tbn.
5 4
4 4
Toms
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
Pno.
Syn.
LEA
5 4
4 4 gain!
Let's do it all o
ver a gain!
Let's do it all o ver
a gain!
Are you cold?
You're sha king.
Soon
a
CHRIS.
5 4
4 4
ALEX
looks at her, pale
5 4
rushes off
4 4 Let's do
it
a
gain!
Let's do it all
o ver a
No... I...
must go!
MICH.
5 4
4 4
poco recitativo
Vln. I
5 4
99 4 4
Dreamy q=60
100 mp
Vla.
5 4
4 4
Vc.
5 4
4 4
pizz.
arco
mp pizz. Cb.
5 4
4 4
Innocent q = 84
poco recitativo
70
101 4 4
540
Fl.
4 4
Cl. p
mf
Cbsn.
4 4
Hn.
4 4 p
4 4
Tbn. p
4 4
Toms
4 4 Pno.
4 4
4 4 mf
Syn.
4 4
LEA
4 4 gain...
Soon!
You said and waved
that mor ning when we ďŹ rst said good bye.
CHRIS.
4 4
ALEX
stops and looks back
shakes his head, storms off.
4 4
MICH.
4 4
Innocent q = 84
poco recitativo
101 4 4
Vln. I
4 4
Vla. p
Vc.
4 4
Cb.
4 4
arco
mf
71 544
Fl. mf
Cl.
Cbsn. mf
Hn. mf
Tbn. mf
Toms
Pno.
Syn.
LEA
O
ver,
and
o
CHRIS.
ALEX
MICH.
Vln. I
Vla. mf
arco
arco
Vc. mf
Cb.
arco
ver
a
72
102
547
4 4
Fl. f
mf
4 4
Cl. f
4 4
Cbsn. mf
f
4 4
Hn.
f
mf
4 4
Tbn. f
4 4
Toms
4 4 Pno.
mf
4 4
4 4 let ring
mf
Syn.
4 4
LEA
4 4 gain.
Don't we all re
peat what we like?
CHRIS.
4 4
ALEX
4 4
MICH.
4 4
102 arco
4 4
Vln. I
f
4 4
Vla.
f
mf
4 4
Vc.
f
4 4
Cb.
f
Scene Five A pub
Flute
73
103
Jovial q=120
4 4
3 4 p ord. slap tongue
Clarinet in Bb
3 4 mf
p
mf Contrabassoon
slap tongue
(quarter notes)
4 4
4 4
3 4 mf
Horn in F
4 4
3 4 p
Trombone
4 4
3 4 p
4 Tom-toms
4 4
3 4
4 4
3 4
4 4
3 4
Piano
0DG6FLHQWLVW
4 4
3 4
Synthesizer
mf
4 4
3 4
LEA Soprano
4 4
3 4
CHRISTINA Mezzo
4 4
3 4
ALEX Tenor
4 4
MICHAEL Baritone
4 4
rushes in
3 4
sits at the bar
3 4
Jovial q=120 Violin I
103 m.s.p.
4 4
3 4 mp f m.s.p.
Viola
mp
f
4 4
3 4 mp
f
mp
f
m.s.p. Violoncello
4 4
3 4 mp
f
mp
f
pizz Contrabass
4 4
arco
3 4 f
mp
f
poco recitativo, ma l'istesso tempo (nicht schleppen)
74
104 "pizz." 4 4
559
Fl.
6 4
105 4 4
6 4
4 4
6 4
4 4
f
4 4
Cl.
f
4 4
Cbsn.
mf
Hn.
4 4
6 4
4 4
Tbn.
4 4
6 4
4 4
Toms
4 4
6 4
4 4
mp
4 4
6 4
4 4
4 4
6 4
4 4
4 4
6 4
4 4
6 4
4 4
4 4
6 4
4 4
4 4
6 4
4 4
4 4
6 4
4 4
Pno.
Syn.
5HDO%DVV
fade in and out, colouring the sound of the contrabass
4 4 mp
ppp
p
LEA
CHRIS.
ALEX
Le a,
she...
MICH.
4 4
6 4
4 4 A lex, you're white
as a sheet.
Who?
poco recitativo, ma l'istesso tempo (nicht schleppen) s.t. Vln. I
104 4 4
s.t.
6 4
p
mp
s.t.
s.t.
4 4
Vla.
6 4
p
4 4 mp
s.t.
ord.
4 4
Vc.
105 4 4
p
s.t.
6 4 mf
4 4 mp
play with the intonation to create temporary interferance with synth
arco Cb.
4 4
6 4 mf
4 4 mp
75
106
566
Fl.
Cl. mp
Cbsn.
Hn.
Tbn.
Toms
Pno.
ppp
Syn.
p
ppp
LEA
CHRIS.
ALEX
points at a table near the bar:
Le a.
My girl friend.
Two
MICH.
weeks, four
days.
You
You have a
girl friend?
Since when?
And you ha ven't told me!
106 Vln. I
Vla.
ord. Vc. mf
Cb.
saw
her!
in tempo
76 575
107
108
Fl.
ord. Cl. mf
cresc.
Cbsn. mf
cresc.
Hn. cresc.
mf
Tbn.
Toms
mf
Pno.
cresc.
Syn.
LEA
CHRIS.
ALEX
I met her right
MICH.
here
gradually more and more proud
thatnight
you had
to leave ear
ly.
She's
young.
Red
In good spirit.
Andyou took ad van tage of that, I
see. Which one!
Of course.
in tempo
107
108
Vln. I
Vla.
Vc. cresc.
Cb. mf
cresc.
77
109
582
"pizz."
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
Tbn.
6 4
4 4
Toms
6 4
4 4
6 4
4 4
6 4
4 4
Fl. mf
slap tongue Cl. mf
mf
Cbsn. f
Hn. f
mf
Pno.
0DG6FLHQWLVW
6 4 Syn.
4 4 mf
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
Vln. I
6 4
4 4
Vla.
6 4
4 4
Vc.
6 4
4 4
6 4
4 4
LEA
CHRIS.
ALEX
dress.
MICH.
Not
hot.
On Fire!
remembers:
The
hot
tie!
What's the prob lem then?
109
f
Cb. f
stumbling, searching rhythmically free
78 Fl.
110 4 4
Cl.
4 4
9 4
Cbsn.
4 4
9 4
Hn.
4 4
9 4
590
111 9 4
mp
Tbn.
4 4
9 4 mp
Toms
4 4
9 4
4 4
9 4
4 4
9 4
Pno.
5HDO%DVV
4 4
9 4 mp
Syn.
ppp mp
ppp
ppp
4 4
mp
ppp
9 4
LEA
4 4
9 4
CHRIS.
9 4
4 4
ALEX
clumsily
looking for wards
9 4
4 4 I don't know
MICH.
if she...
...if she real ly is what...
who I think she
is
It's
4 4 Yes?
You have known her for two
110 4 4
arco
weeks!
111 9 4
mf
Vla.
4 4
9 4 mf
Vc.
4 4
9 4 mf
Cb.
I mean she...
9 4 A lex! What's theprob lem?
Vln. I
that...
just
4 4
9 4 f
mp
mf
stumbling, searching rhythmically free
Impatient q = 92
79
112 4 4
597
Fl.
ord.
4 4
Cl.
f
4 4
Cbsn.
f
4 4
Hn.
f
4 4
Tbn.
f
4 4
Toms
f
4 4 f
Pno.
4 4 f
4 4 Syn.
4 4
LEA
4 4
CHRIS.
4 4
ALEX
4 4 She loves me..
Le
a.
It's not like... That's not the prob lem.
It's just that she... or I..
she...
On
MICH.
4 4 A lex, for god's sake, it's on ly a wo man!
Impatient q = 92
Vln. I
112 4 4
Vla.
4 4
Vc.
4 4 f
Cb.
4 4 f
ly...?
Heroic q = 116
80
113
600
114
"pizz."
Fl. mf slap tongue Cl. mf Cbsn. mf
mf
Hn. mf
Tbn.
Toms mf
Pno.
Syn.
0DG6FLHQWLVW
mf
LEA
CHRIS.
ALEX
I wish I were like you.
patronizing
MICH.
I
am
a
scien
tist,
I
don't
Heroic q = 116
113
114
Vln. I
Vla. mf
Vc.
mf
Cb. mf
115 607
81
ord.
Fl. mf ord. Cl. mf
Cbsn.
Hn.
Tbn. mf
Toms
mf
Pno.
Syn.
LEA
CHRIS.
ALEX
MICH.
feel.
I
think!
I
see
the
things
the
way
they
115 Vln. I
Vla.
Vc.
Cb.
are,
82
116 5 8
613
Fl.
117 4 4 mf
5 8
Cl.
4 4 mf
5 8
Cbsn.
4 4 mf
mp
Hn.
5 8
4 4
Tbn.
5 8
4 4
Toms
5 8
4 4
p
mf
5 8
4 4
5 8
4 4
5 8
4 4
p
mf
Pno.
mp
mp
Syn.
p
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
p
LEA
CHRIS.
ALEX
MICH.
not how I want them to
be.
Facts
116 m.s.p. 5 8
Vln. I
p
sim.
m.s.p.
p
sim.
p
p
pizz.
mf
mf
p
sim.
5 8
4 4 p
mf
mf
pizz Cb.
117
4 4 m.s.p.
Vc.
mf
mf
5 8
Vla.
pizz.
4 4
5 8
p
arco
4 4 mf
mf
p
and mat ter,
mat ter and facts!
118
ritenuto (q = 92)
620
83
Impatient q = 124
Fl.
5 4
Cl.
5 4 mp
5 4
Cbsn. mp
5 4
Hn. mp
5 4
Tbn. mp
5 4
Toms mp
5 4 mp
Pno.
5 4
(QWDQJOLQJ3DWWHUQ
5 4 mp
Syn.
5 4
LEA
5 4
CHRIS.
5 4
ALEX
5 4 The way
she talks,
I hear
al ways the
same
pat terns.
MICH.
5 4 My
friend, what is the mat ter?
118
ritenuto (q = 92)
Impatient q = 124
5 4
Vln. I
arco
5 4
Vla. mf arco
5 4
Vc. mf
mp
5 4
Cb. mf
mp
84
pizz.
626
Fl.
5 4
119 4 4
5 4
120 4 4
pizz.
mp
Cl.
5 4
4 4
5 4
4 4
Cbsn.
5 4
4 4
5 4
4 4 mp
Hn.
5 4
4 4
5 4
4 4
Tbn.
5 4
4 4
5 4
4 4
Toms
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
5 4
4 4
cresc.
Pno.
7KLV.LOOLQJ'RXEW
mp
mf
Syn.
cresc.
LEA
5 4
CHRIS.
5 4
ALEX
5 4
4 4 The
way
she moves,
I
see
al ways the same
pat terns.
E ven when she ca
MICH.
5 4
arco Vln. I
5 4
Vla.
5 4
4 4
5 4
119 4 4
5 4
4 4
5 4
4 4
arco
pizz.
120 4 4 arco
pizz.
4 4 mp
pizz. Vc.
5 4
arco
5 4
Cb.
5 4
4 4
arco
pizz.
4 4
4 4
mp
5 4
cresc.
cresc.
4 4 mp
cresc.
85
121
633
Fl.
Cl.
Cbsn. f
Hn. f
Tbn.
Toms mf
Pno.
mf
Syn.
LEA
CHRIS.
ALEX
res ses me,
al ways the
same.
Her
smile!
Her
laugh!
MICH.
121 m.s.p. Vln. I f m.s.p. Vla. f on the string
on the string
Vc.
f on the string
Cb. f
on the string
86
122
638
"pizz."
123
Fl. f slap tongue Cl. f
Cbsn.
Hn.
Tbn.
Toms mp
Pno.
0DG6FLHQWLVW
mp
Syn.
LEA
CHRIS.
ALEX
suddenly remember
Al
ways
the
same.
Her
MICH.
What else?
122
123
Vln. I
Vla.
on the string Vc.
on the string
Cb. mp
Mysterious q = 84
646
Heroic q = 116
124
ord.
87
Fl. p
p
ord. Cl. mf
Cbsn.
Hn.
Tbn. mf
HH,Sn,BD
4 Tom-toms
Toms p
mf
p
Pno.
Syn.
LEA
CHRIS.
ALEX
ears!
somewhere else
Too good to be
true.
"Just o ver se ven ty
de ci
bels."???
Like me ters,
like in stru ments...
overly dramatic
MICH.
Is
Mysterious q = 84 ord.
124
she
a
su per wo man?
Heroic q = 116
Vln. I p ord. Vla. p
mf
Vc. mf
Cb. mf
88
125
651
Fl.
Cl.
Cbsn.
Hn. mf
Tbn.
Toms
Pno.
Syn.
p
5HDO%DVV
mp
mf
ppp
LEA
CHRIS.
ALEX
Mi
chael, I'm se ri ous!
Please!
What?
suddenly serious, respectful
MICH.
in his own thoughts
Or
an
a
li
en?
Ab so lute ly!
125 Vln. I
Vla.
Vc.
Cb. mp
I'm impressed.
No thing. Go on!
Faster than before, without rushing q = 128
89
pizz.
126
658
Fl.
Cl. mp
Cbsn. mp
Hn. mp
Tbn. mp
Toms mp
mp
Pno.
(QWDQJOLQJ3DWWHUQ
mp
Syn.
mf
LEA
CHRIS.
ALEX
Moves, phra ses,
she
co
pies
e
very thing.
As
MICH.
Tell me_a bout your
Le
a.
Faster than before, without rushing q = 128
126
arco
Vln. I
pizz. Vla. mp
arco
pizz.
Vc.
mp
Cb. mp
if
127
90
128 pizz.
666
Fl. mf
p
mf
Cl. mf Cbsn. mf
mf
Hn. mf
Tbn. mf
Toms mf
mf
mf
Pno.
p
mf
Syn.
p
mf
LEA
CHRIS.
ALEX
she were re cor ding me
re
mem bers
e
very thing.
I know how she'llmove.
I know what she'll
MICH.
127
arco
128
Vln. I mf arco
arco
pizz.
Vla. mf
p
arco
mf arco
pizz.
Vc. mf
p
mf
p
mf
Cb. mf
p
129
91
674
Fl. mf
f
mf
f
Cl.
Cbsn.
Hn. f
Tbn.
Toms
Pno.
mf
Syn.
mf
f
f
LEA
CHRIS.
ALEX
say.
Yet
I
don't,
MICH.
129 m.s.p. Vln. I mf
f m.s.p.
arco Vla. mf
f on the string
on the string
on the string
Vc.
mf
f on the string
Cb. mf
f
on the string
on the string
quasi recitativo (q = 116)
92
130
680
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
5HDO%DVV
p (no dim. /cresc. this time)
Syn.
LEA
CHRIS.
ALEX
pale - nervous somewhat aggressive
looks at him furiously
don'tknow who she is... there smi ling at me...
Yes,
dead-serious
serious
MICH.
Do you like her smell?
I mean it!
Do you like it?
E ven af ter you...
quasi recitativo (q = 116)
130 Vln. I
Vla.
Vc.
steady intonation this time, no vibrato
trem.
Cb. mp
p
I like it.
131 12 8
4 4
6 4
12 8
4 4
6 4
Cbsn.
12 8
4 4
6 4
Hn.
12 8
4 4
6 4
Tbn.
12 8
4 4
6 4
Toms
12 8
4 4
6 4
12 8
4 4
6 4
12 8
4 4
6 4
12 8
4 4
6 4
12 8
4 4
6 4
12 8
4 4
6 4
12 8
4 4
6 4
12 8
4 4
6 4
689
Fl.
132
93
pp
Cl. pp
Pno.
ppp
Syn.
LEA
CHRIS.
ALEX
I love her smell af ter
we've made love.
What's your
point?
smiling - in love with himself
MICH.
12 8
4 4 Her glands were real ly hard to
6 4
make.
131
The glands of your LE A!
132 c.l.b.
ord.
12 8
Vln. I
arco ord.
4 4
pp
p
pp
c.l.b.
arco ord.
6 4
ord.
12 8
Vla.
4 4
pp
Vc.
12 8
6 4 p
pp
c.l.b.
arco ord.
4 4
6 4 p
Cb.
12 8
4 4
pp
6 4
94 Fl.
133
in tempo q = 116
697
6 4
4 4 pp
Cl.
6 4
4 4
Cbsn.
6 4
4 4
Hn.
6 4
4 4
Tbn.
Toms
6 4
f
mp
f
mp
f
mp
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
f
Pno.
0DFKLQRLG
f
Syn.
LEA
6 4
4 4
CHRIS.
6 4
4 4
ALEX
6 4
4 4 Come on!
MICH. spelling it out the acronym
with a courtly gesture
6 4
4 4 LLL ear ning!
EEE
ex posed!
AAAA an droid!
LE
A!
De
signed
to please you.
You're wel come!
in tempo q = 116
133 Vln. I
6 4
pizz.
4 4 f
p pizz. sonore
Vla.
6 4
4 4 f
p pizz. sonore
Vc.
6 4
4 4 f
Cb.
6 4
p pizz. sonore
arco
p
f
4 4 f
134
135
95
poco recitativo
705
4 4
Fl. f
Cl.
4 4
Cbsn.
4 4 f
Hn.
4 4
Tbn.
4 4
Toms
4 4 f
4 4 Pno.
4 4
4 4 f
Syn.
4 4
LEA
4 4
CHRIS.
4 4
ALEX
beginning to believe Michael, but still ďŹ ghting it
4 4 You're
not fun ny!
MICH.
4 4 I know!
134
I
135
brought her her that night.
Sor ry,
I set you up!
poco recitativo
4 4
Vln. I f arco
c.l.b.
4 4
Vla.
p
f
c.l.b.
arco
4 4
Vc.
p
f
Cb.
4 4 p
Your
Blissful q = 80
96
136
713
137
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
mp
Pno.
,Q/RYH:LWK+LV7R\
mf
Syn.
LEA
CHRIS.
ALEX
I do.
in love with his creation (and himself)
MICH.
LE A is a pro duct of our in sti tute, I thought you'd like her.
I
know.
En
Blissful q = 80
136 Vln. I
Vla.
Vc.
Cb.
137
joy
her.
As she en
138
724
97
139
Fl. p
Cl. mp
Cbsn.
Hn. mp
Tbn. mp
Toms
Pno.
mf
Syn.
LEA
CHRIS.
ALEX
MICH.
joys you
too.
Youbring her to life,
138
her
world
is de ďŹ ned by you.
She'll feel what you feel.
See
what you
see.
You'll build a life to
ge ther.
139
Vln. I
arco ord. Vla. mf arco ord. Vc. mf
Cb.
140
98
Heroic q = 116
733
Fl. f
Cl. f
Cbsn. mf
Hn. f
Tbn. f
Toms
Pno.
0DG6FLHQWLVW
f
Syn.
LEA
CHRIS.
ALEX
crying out
mostly to himself
An
droids
don't
look...
An droids don't look
MICH.
She will fol low you,
pizz.
be there for you,
love
you.
LE
140
A!
De
signed
to please you.
Heroic q = 116
Vln. I mf
f pizz. sonore
Vla. f pizz. sonore Vc. f
Cb. mf
almost given up again
f
that real.
743
141 5 8
Fl.
99
142 4 4
5 8
4 4
5 8
4 4
4 4
5 8
4 4
mp Bass Clarinet in Bb
5 8
Cl.
4 4 mp
5 8
Cbsn. f
mp
Hn.
5 8
4 4
5 8
4 4
Tbn.
5 8
4 4
5 8
4 4
Toms
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
mp
mp
Pno.
p
Syn.
LEA
CHRIS.
ALEX
MICH.
They
did n't!
141
arco m.s.p.
5 8
Vln. I
In thepast:
Plas
tic!
We've come a long, long
142 4 4
way.
arco m.s.p.
pizz.
5 8
4 4
mp arco m.s.p.
5 8
Vla.
arco m.s.p.
pizz.
4 4
5 8
4 4
mp arco Vc.
m.s.p.
5 8
ord.
4 4
m.s.p.
5 8
4 4
mp pizz Cb.
5 8
arco
4 4 mp
pizz
5 8
4 4
143
100
144
752
Fl.
4 4 p
B. Cl.
4 4 p
Cbsn.
f
f
4 4
Hn.
4 4
Tbn.
4 4
mf
p
Toms
4 4 p
4 4 p
Pno.
4 4
4 4 Syn.
4 4
LEA
4 4
CHRIS.
4 4
ALEX
4 4
MICH.
4 4 We use hor mones, we use
Vln. I
143 4 4
en zymes, we use pro teins.
We use cells that re pro
duce like ours.
Her heart beat's
real,
her
144
pizz.
p
Vla.
pizz.
arco
p
mf
4 4 arco
ord. Vc.
4 4 p arco
Cb.
f
mf
arco
4 4 p
f
mf
145 758
101
"pizz."
ord.
f
mf
Fl.
slap tongue ord.
B. Cl.
mf
f
Cbsn. f
mf
Hn. mf
Tbn.
Toms mf
mf
Pno.
Syn.
mf
LEA
CHRIS.
ALEX
MICH.
bo
dy
is
a
live,
She's
real!
Bet
ter,
bet
ter
than
145 Vln. I
Vla. mf
Vc.
f
mf
Cb. f
mf
102
146
764
Fl.
5 8
B. Cl.
5 8 mp
Cbsn.
5 8
Hn.
5 8
Tbn.
5 8 mp
5 8
Toms
5 8 Pno.
5 8
5 8 Syn.
5 8
LEA
5 8
CHRIS.
5 8
impatiently
ALEX
5 8 Why's that?
more and more bitter as he speaks (stay in tempo!) MICH.
5 8 real.
She will ne ver be tray you or hurt you or
dis ap point you or play with your fee lings as real wo men do.
Be cause she's
146 Vln. I
5 8
Vla.
5 8 mp
Vc.
5 8
Cb.
5 8 mp
147
148
103
772
Fl.
5 8
4 4
5 8
4 4
mp
B. Cl.
5 8
4 4
5 8 mp
Cbsn.
mp
5 8
4 4 mf
4 4
5 8
4 4
mp
Hn.
5 8
4 4
5 8
4 4
Tbn.
5 8
4 4
5 8
4 4 mf
Toms
5 8
4 4
5 8
4 4
mp
mf
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
5 8
4 4
4 4
5 8
4 4
4 4
5 8
4 4
4 4
5 8
4 4
4 4
5 8
4 4
mp
Pno.
mf
p
Syn.
LEA
5 8
CHRIS.
5 8
ALEX
5 8
MICH.
5 8 yours.
147 arco m.s.p. 5 Vln. I 8
You ac
ti
va
ted
her!
When
you
arco m.s.p.
pizz.
4 4
looked in
5 8
to
her
eyes.
When she was made her
148 4 4
mf
mp arco m.s.p. Vla.
5 8
arco m.s.p.
pizz.
4 4
5 8
pizz.
4 4
mp
mf
m.s.p. Vc.
5 8
ord.
4 4
m.s.p.
5 8
ord.
4 4
mp
mf
pizz Cb.
5 8
arco
4 4 mp
pizz.
pizz
5 8
arco
4 4 mf
104
149
780
"pizz."
Fl. f slap tongue B. Cl.
f
f
f
Cbsn.
Hn.
Tbn.
Toms
Pno.
Syn.
,Q/RYH:LWK+LV7R\
mf
LEA
CHRIS.
ALEX
MICH.
mind was like a blank sheet.
Pre in stalled
but
emp ty like a blank sheet!
sweetly
She be comes hu man by co py ing you. She
149
arco m.s.p.
Vln. I
arco m.s.p. Vla.
arco
m.s.p.
Vc. f arco
pizz
Cb. f
Blissful q = 80
150
787
105
151
Fl. mp
B. Cl.
Cbsn.
Hn.
Tbn.
Toms
mf
Pno.
Syn.
p
mf
LEA
CHRIS.
ALEX
I
enthusiastically
MICH.
needs you!
En
joy
her.
As she en joys
you
too.
Vln. I
Vla.
Vc.
Cb.
The free dom you have. You're gi ving your LE A her
Blissful q = 80
150
give
151
106
152
797
Fl.
B. Cl. mp
Cbsn.
Hn. mp
Tbn. mp
Toms
Pno.
Syn.
LEA
CHRIS.
ALEX
Le a her
MICH.
soul.
soul...
my world will be
hers. We'll build
a
life to
ge ther.
You'll build a life to
ge ther.
Her eyes are beau
ti ful.
You show her the world, andyour world will be
hers.
You turned her on, you looked in to her eyes.
152 Vln. I
arco Vla. p arco ord. Vc. p arco Cb. p
She's
yours.
153
805
107
154
Fl. mf
B. Cl. p
Cbsn. f
Hn.
Tbn.
soft beaters, quasi timpani
Toms mp
mf
Pno.
Syn.
p
mp
f
LEA
CHRIS.
suddenly, as if waking up
ALEX
Her eyes are
beau ti ful.
She
will fol
low me,
pro tect
me,
love
me.
love
you.
Mi chael! You're ma king fun of me.
MICH.
All
yours.
She
will fol low you,
153 Vln. I mp
f
mp
f
Vla.
Vc. f
Cb. f
pro tect you,
154
Determined q = 132
108
155
814
Fl. mp
B. Cl. mp
Cbsn.
Hn.
Tbn.
Toms
Pno.
5HDO%DVV
f
Syn.
LEA
CHRIS.
ALEX
nervous, confused - then:
This is not... can't be
MICH.
true.
Prove it!
very casually
more aggressively
Prove
it
to
me!
looks around - checks that nobody is watching
If you say so.
You want proof?
Determined q = 132
155
arco
Vln. I mp arco Vla. mp arco Vc. mp on the string Cb. f
f
Ominous q=104 822
156
109
157 multi
Fl.
f
mf multi B. Cl. mf multi Cbsn. mf
f
mp
f
mp
Hn. mf
Tbn. mf
Toms
Pno.
f
Syn.
mf
mp
f
mp
7KH7HVW
f
mp
LEA
CHRIS.
ALEX
clandestine gesturing (ďŹ nger to lips etc.)
MICH.
Proof that
she was de signed
for
you?
Ask
her
to
cut
you.
Tell her
Ominous q=104
156
arco
157
Vln. I mf
f
Vla. mf f
mp
arco Vc. mf
f
Cb. f
mp
to
158
110 830
Fl. mp
B. Cl. mp
Cbsn. f
mp
f
mp
f
f
mp
f
f
Hn.
Tbn.
Toms
Pno.
Syn.
LEA
CHRIS.
ALEX
I
MICH.
hope
not!
cut you
with a knife!
She
won't be
a ble to.
She can't
You're her hu man.
158 arco Vln. I mp
Vla. mp
f
arco Vc. mp
Cb. f
mp
f
Faster q=112
159 5 4
836
Fl.
111
3 4
f
5 4
B. Cl.
3 4 f
5 4
Cbsn. pp
3 4 f
5 4
Hn.
3 4 f
5 4
Tbn.
3 4 f
5 4
Toms
3 4 f
5 4
3 4 f
Pno.
5 4
3 4
0RQVWHU:LWKLQ
5 4
3 4 f
Syn.
5 4
3 4
5 4
3 4
5 4
3 4
5 4
3 4
LEA
CHRIS.
ALEX
MICH.
almost whispering
5 4 You are her life.
3 4
She would ne ver hurt you!
Scare
her!
Pres
sure her!
Threa ten her!
Go
on:
Faster q=112
159 5 4
Vln. I
3 4
f
5 4
Vla.
3 4 f
5 4
Vc.
3 4 f
5 4
Cb. pp
3 4 f
Waltz h. = 50
112 843
Fl.
Blissful, but somewhat faster q = 102
160 3 4
161 4 4
p dolce
B. Cl.
3 4
4 4
Cbsn.
3 4
4 4
Hn.
3 4
4 4
Tbn.
3 4
4 4
Toms
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
mf
Pno.
,Q/RYH:LWK+LV7R\
f
Syn.
mf
3 4
4 4
LEA
3 4
4 4
CHRIS.
3 4
4 4
ALEX
appalled
3 4
4 4 The way you talk a bout her!
MICH.
tenderly
excitedly
patronizing
3 4
4 4 Say you need proof of her love!
She won't be
a ble to
hurt you.
Sci ence, my
friend!
Waltz h. = 50
Vln. I
Blissful, but somewhat faster q = 102
160 3 4
161 4 4
Vla.
3 4
4 4
Vc.
3 4
4 4 p dolce
Cb.
That's
3 4
4 4 p
the
113
Fl.
2 4
162 3 4
B. Cl.
2 4
3 4
4 4
Cbsn.
2 4
3 4
4 4
Hn.
2 4
3 4
4 4
Tbn.
2 4
3 4
4 4
Toms
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
854
4 4
Pno.
Syn.
LEA
CHRIS.
ALEX puts his ďŹ nger to his lips, then pats him on the shoulder and leaves
4 4
triumphant
MICH.
2 4 beau ty of her.
More faith ful,
de vo ted, more hu man than we'll e ver
3 4 be,
than
a
ny
one you'll
know.
But A lex!
162
con sord. arco
senza sord.
2 4
Vln. I
4 4
3 4
f
4 4 f
arco
2 4
Vla.
3 4
4 4
3 4
4 4
f con sord. arco
senza sord.
2 4
Vc. f
f
arco Cb.
2 4
3 4
4 4 f
163
114
164
In shock q = 104
864
Fl.
4 4
3 4
4 4
3 4
4 4
f
mp
B. Cl.
4 4
3 4
4 4
3 4
4 4
Cbsn.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Hn.
4 4
mp
Tbn.
4 4
3 4
4 4
3 4
4 4
Toms
4 4
3 4
4 4
3 4
4 4
4 4
3 4
4 4
3 4
4 4
4 4
3 4
4 4
3 4
4 4
4 4
3 4
4 4
3 4
4 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Pno.
0DFKLQRLG
f
Syn.
LEA
4 4
CHRIS.
4 4
ALEX in shock
4 4
Le
MICH.
4 4
Vln. I
3 4
163 4 4
4 4
3 4
4 4
164
In shock q = 104
3 4
4 4
3 4
4 4 f
Vla.
4 4
3 4
4 4
3 4
4 4 mp
f
Vc.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Cb.
4 4 f
mp
a!
Nervous q = 132
115
165
872
Fl. mp
B. Cl.
Cbsn. mp
Hn.
Tbn.
Toms
Pno.
Syn.
LEA
CHRIS.
ALEX
Le
a!
Le
a,
a
ma
chine?
Im
pos si ble!
MICH.
Nervous q = 132
165 Vln. I
Vla.
Vc.
Cb.
on the string
remembering, confused
Let's
do
Ominous q=112
166 4 4
116 880
Fl.
f
4 4
B. Cl.
f
4 4
Cbsn.
f
4 4
Hn.
f
4 4
Tbn.
f
4 4
Toms
4 4 f
Pno.
4 4
7KH7HVW
4 4 f
Syn.
4 4
LEA
4 4
CHRIS.
4 4
ALEX
4 4 it
a...
Let's
do
it
a...
Let's do
it
a
gain!
MICH.
4 4
Ominous q=112 arco
sim.
Vln. I
166 4 4
mp arco
f sim.
4 4
Vla. mp
f Vc.
4 4 f
Cb.
4 4 f
167
887
117
168
Fl.
B. Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
0DFKLQRLG
Syn.
LEA
CHRIS.
ALEX
Con
fu
sion!
Hu man?
In hu man?
Cla ri ty!
Rea son!
Hu man... i ty!
LE A!
MICH.
167
168
pizz.
Vln. I
Vla.
sonore pizz.
arco
sonore pizz.
arco
Vc.
Cb.
118
169
895
Fl.
3 2
4 4
B. Cl.
3 2
4 4
Cbsn.
3 2
4 4
Hn.
3 2
4 4
Tbn.
3 2
4 4
Toms
3 2
4 4
3 2
4 4
3 2
4 4
Pno.
7KLV.LOOLQJ'RXEW
3 2
4 4
3 2
4 4
3 2
4 4
3 2
4 4
3 2
4 4
Syn.
LEA
CHRIS.
ALEX
De
signed
to please?
Hu
man
or
ma chine?
Hu
ma
chine!
MICH.
3 2
4 4
169 Vln. I
3 2
4 4
3 2
4 4
3 2
4 4
pizz. sonore Vla.
pizz. sonore Vc.
p
Cb.
3 2
4 4
119 900
Fl.
4 4
3 2
4 4
4 4
3 4
B. Cl.
4 4
3 2
4 4
4 4
3 4
Cbsn.
4 4
3 2
4 4
4 4
3 4
Hn.
4 4
3 2
4 4
4 4
3 4
Tbn.
4 4
3 2
4 4
4 4
3 4
Toms
4 4
3 2
4 4
4 4
3 4
4 4
3 2
4 4
4 4
3 4
4 4
3 2
4 4
4 4
3 4
4 4
3 2
4 4
4 4
3 4
4 4
3 2
4 4
4 4
3 4
3 2
4 4
4 4
3 4
3 2
4 4
4 4
3 4
4 4
4 4
3 4
Pno.
Syn.
LEA
4 4
CHRIS.
4 4
ALEX
3 2
4 4
Hu mons tro
si
ty!
O God!
My head!
MICH.
4 4
3 2
4 4
m.s.p. Vln. I
4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
4 4
3 4
m.s.p.
arco
3 2
4 4
4 4
3 4
3 2
4 4
4 4
3 4
3 2
4 4
4 4
3 4
3 2
4 4
4 4
3 4
on the string
on the string
on the string
on the string
Scene Six
ALEX alone, LEA comes along. 120
Light-hearted q =80 Flute
3 4
Bass Clarinet in Bb
3 4
170
Bassoon
Contrabassoon
3 4 mp solo
Horn in F
3 4 p
Trombone
3 4 p
4 Tom-toms
3 4
3 4 p
Piano
3 4
3 4 Synthesizer
3 4
LEA Soprano
3 4
CHRISTINA Mezzo
3 4
ALEX Tenor
3 4
MICHAEL Baritone
3 4
Violin I
3 4
Light-hearted q =80
p pizz. Viola
3 4 p
Violoncello
3 4
Contrabass
3 4
170
121
171
913
Fl.
B. Cl.
Bsn.
Hn.
Tbn.
Toms
Pno.
Syn.
LEA
cheerfully
A
lex,
my
love!
CHRIS.
ALEX
hectic
Le
MICH.
171 Vln. I
Vla.
arco Vc.
Cb.
a!
Wait!
122
172
919
173
Fl. pp
B. Cl.
Bsn.
Hn.
Tbn.
HH,Sn,BD Toms pp
pp
Pno.
Are
you
mp
Syn.
LEA
surprised
Al most six
ty
de
ci bels.
al
right?
CHRIS.
ALEX
"silent scream" - turned away from LEA
How loud
now, my voice?
Ah!
Why
MICH.
172
173
Vln. I pp
mp
arco
pizz.
pp
mp
Vla.
pizz.
pizz.
pp
mp
Vc.
Cb.
arco
pizz.
arco
pizz.
arco
do
123
174
925
Fl.
Clarinet in Bb B. Cl. mf
Bsn. mf
Hn. mf
Tbn. mf
HH Sn BD
Pno.
mf
Syn.
LEA
Be cause it's
loud
for
lo vers' talk.
I
want
CHRIS.
ALEX
you
ask?
How would you
know?
MICH.
174 Vln. I mf
Vla. mf pizz.
arco
pizz.
arco
pizz.
arco
sim.
Vc. mf
Cb.
124
175
931
Fl.
Cl.
Bsn.
Hn.
Tbn.
HH Sn BD
Pno.
Syn.
LEA
you
to
be
hap
py!
Hap
CHRIS.
ALEX
What
do
you want?
Let
MICH.
175 Vln. I
Vla.
Vc.
Cb.
me
look
in
to your
176
937
125
177
Fl. mf
Cl. p
mf
Bsn.
Hn. mf
Tbn.
HH Sn BD
Pno.
(QWDQJOLQJ3DWWHUQ
p
Syn.
mf
takes his hand, and puts it on her face
LEA
py.
Your hand
is strong
Your hand
is
strong
strong
CHRIS.
ALEX
eyes
completely falling for her again
a gain.
What cat ches my eye
MICH.
176
177
Vln. I mf
Vla.
Vc.
Cb.
I hold on tight.
I hold
126
178
947
179 4 4
Fl. mp
Cl.
4 4
Bsn.
4 4
Hn.
4 4 mp
mf
4 4
Tbn. mp
mf
Glockenspiel HH Sn BD
4 4 mp
p
4 4 Pno.
4 4
$QGURLG9RLG
4 4 p
Syn.
4 4
LEA
4 4
CHRIS.
4 4 kisses LEA passionately desperately
ALEX
pushes LEA away
not ďŹ nishing her name
4 4 on
tight.
Give me time.
LE...!
I just...
Please give me time!
MICH.
4 4
178
179 4 4
Vln. I mp
mp
mf
p
arco
4 4
Vla. mp
Vc.
4 4
Cb.
4 4 mf
p
Fl.
4 4
180 6 8
Cl.
4 4
6 8
957
Dizzy q = 50
127
Empty e = 120
p
Bsn.
4 4
6 8
Hn.
4 4
6 8
Tbn.
4 4
6 8
Glock.
4 4
6 8
4 4
6 8
4 4
6 8
4 4
6 8
4 4
6 8
Pno.
mp
Syn.
LEA
4 4
6 8 Time...?
CHRIS.
6 8
4 4
ALEX
6 8
4 4
MICH.
4 4
6 8
Dizzy q = 50 pizz. Vln. I
4 4
180 6 8
p (arco) Vla.
4 4
6 8 p
Vc.
4 4
6 8
Cb.
4 4
6 8
Empty e = 120
Time...?
Time for
Alone e = 96
128
181 6 8
965
Fl.
182 p
6 8
Cl.
p
Bsn.
6 8
Hn.
6 8
Tbn.
6 8 p
6 8
Glock.
6 8 Pno.
6 8
6 8 p
Syn.
6 8
LEA
6 8 what,
what?
Why are you run ning
a
way
from me?
Why are you
CHRIS.
6 8
ALEX
6 8
MICH.
6 8
Alone e = 96
Vln. I
181 6 arco 8 p
Vla.
6 8 p arco
Vc.
6 8 p pizz.
Cb.
6 8 p
182
run ning
a
Fl.
4 4
183 6 8
Cl.
4 4
6 8
971
129
mp
4 4
Bsn.
6 8 mf
4 4
Hn.
6 8 mf
4 4
Tbn.
6 8 mf
4 4
Glock.
6 8 mp
4 4
6 8
4 4
6 8
4 4
6 8
Pno.
mp
Syn.
4 4
6 8
4 4
6 8
LEA
way?
a bit too repetitive, mechanical
Why
do
you
run?
Where are we now,
CHRIS.
4 4
6 8
4 4
6 8
4 4
6 8
ALEX
MICH.
pizz. Vln. I
4 4
183 6 8
mp
Vla.
4 4
mf
6 8 mp
Vc.
4 4
mf
6 8 mf
Cb.
4 4
6 8 mf
arco
A
lex,
130 976
Fl. mp
Cl. cresc.
Bsn.
Hn. cresc.
Tbn. cresc.
Glock.
mf
Pno.
Syn.
LEA
where
are
we
now?
What can I
do?
Tell
me,
what
can
I
do?
What
CHRIS.
ALEX
MICH.
Vln. I cresc.
Vla. cresc.
Vc. cresc.
Cb.
have
I
Like before q =90
Fl.
4 4
184 3 4
Cl.
4 4
3 4
980
pp
131
mp
Bsn.
4 4
3 4
4 4
3 4
pp
Hn. pp
p
4 4
Tbn.
3 4
pp
p
Glock.
pp
Pno.
4 4
3 4
4 4
3 4 p
4 4
3 4
4 4
3 4
mp
Syn.
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
LEA
done?
CHRIS.
ALEX
MICH.
Like before q =90 pizz.
4 4
Vln. I pp
184 arco 3 4
mp
p pizz.
4 4
Vla. pp
3 4 mp
Vc.
p
4 4
3 4
4 4
3 4
pp
Cb. pp
132
185
985
Fl. pp
Cl.
Bsn.
Hn.
Tbn.
HH,Sn,BD Glock. pp
pp
Pno.
mp
LEA's embellishments and coloraturas are always „credible“ and „realistic“ as flirt, coquetry etc.. But they should also always feel oddly misplaced: as if the machine is shining through, too perfect, too easy.
Syn.
LEA repeating her last conversation with ALEX excatly as it took place - "as if she had recorded it"
A
lex,
my
love!
Al most six ty
de ci bels.
Are
you
al
CHRIS.
ALEX
MICH.
arco
185
Vln. I pp
mp
arco
pizz.
pp
mp
Vla.
pizz.
pizz.
pp
mp
Vc.
Cb.
arco
pizz.
133
186
992
Fl.
Cl. mf
Bsn. mf
Hn. mf
Tbn. mf
HH Sn BD
Pno.
mf
Syn.
LEA
right?
It
IS
loud
for
lo ver's talk.
I
want
CHRIS.
ALEX
MICH.
186 Vln. I mf
Vla. mf arco
pizz.
arco
pizz.
arco
pizz.
arco
pizz.
arco
Vc. mf arco Cb.
134
187
998
Fl.
Cl.
Bsn.
Hn.
Tbn.
HH Sn BD
Pno.
Syn.
LEA
you
to
be
hap
py!
Ha,
CHRIS.
ALEX
MICH.
187 Vln. I
Vla.
Vc.
Cb.
hap
py.
Alone e = 96
188
1004
135
189 6 8
Fl.
mf
6 8
Cl. p
mf
Bsn.
6 8
Hn.
6 8
Tbn.
6 8 mf Vibraphone
HH Sn BD
6 8 mf
6 8 Pno.
6 8
(QWDQJOLQJ3DWWHUQ
$QGURLG9RLG
6 8 Syn.
6 8 p
LEA
6 8 Your hand
is strong
Your hand
Why are
you run ning
CHRIS.
6 8
ALEX
6 8
MICH.
6 8
Alone e = 96
188 Vln. I
189 6 8 mf arco
Vla.
6 8 mf
Vc.
6 8 mf pizz.
Cb.
6 8 mf
a
way
from me?
136
190
1013
Fl.
Cl.
Bsn. mf
Hn. mf
Tbn. mf
Vib.
Pno.
Syn.
LEA
Why
are
you
run ning
a
way?
Where do
CHRIS.
ALEX
MICH.
190 Vln. I mf
Vla. mf
Vc. mf
Cb. mf
we
go.
Tell
me,
137 1017
Fl.
Cl.
Bsn.
Hn.
Tbn.
Vib.
Pno.
Syn.
LEA
where
CHRIS.
ALEX
MICH.
Vln. I
Vla.
Vc.
Cb.
do
we
go?
What can
we
do?
138 1019
Fl.
3 4
Cl.
3 4 mp
cresc. molto
f
3 4
Bsn. f
3 4
Hn. pp
f
cresc. molto
3 4
Tbn. pp
f
cresc. molto
3 4
Vib.
3 4 f
Pno.
3 4
3 4 Syn.
3 4
LEA
3 4 I
do?
Where
are
we
now?
CHRIS.
3 4
ALEX
3 4
MICH.
3 4
3 4
Vln. I pp
cresc. molto
f
3 4
Vla. pp
cresc. molto
f
3 4
Vc. pp
cresc. molto
f
3 4
Cb. f
Scene Seven The same place
Like before q =90
Flute
139
191
3 4 mf
Clarinet in Bb
mp
mf
3 4 mp
Bassoon
3 4
Horn in F
3 4
Trombone
3 4
Vibraphone
3 4
mf
mf
3 4 mf
Piano
mp
mf
3 4
&DQW1RW/RYH+HU
3 4 mp
Synthesizer
3 4
LEA Soprano
3 4 It's a plea sure, Chris ti
comes along CHRISTINA Mezzo
Le
ALEX Tenor
3 4
MICHAEL Baritone
3 4
a!
What a won der ful
co
191
Like before q =90 Violin I
playfully
3 4
3 4 mf
mp
mf
p
mp
mf
p
pizz. Viola
3 4 mf pizz.
Violoncello
pizz.
arco
arco
pizz.
arco
pizz.
3 4 mf
mp
mf
p
arco Contrabass
3 4 mf
mp
mf
p
in
ci dence.
140
192
1032
193
Fl. mf
mp
f
Cl. f
mp
Bsn.
Hn. f
Tbn. f
Vib. mf
mp
mf
Pno.
mp
f
Syn.
LEA
not sure where the question is going
looks as if she does not understand.
na.
CHRIS.
How
are
you?
Fine(?)
takes her hand ďŹ rmly
No, how are
YOU?
How are thingswith A lex?
Are you sure?
ALEX
MICH.
192
193
Vln. I mf
f
mp
arco
pizz.
Vla. mf pizz.
mp arco
pizz.
f arco
trem.
arco
pp
f
Vc. mf
mp arco
trem.
pizz.
arco
pp
mp
f
Cb. mf
194
Agitated q = 104
1043
141
Calmer q = 60
4 4
Fl. f
mp
4 4
Cl.
mp
f
Bsn.
4 4
Hn.
4 4
f
mf
4 4
Tbn. f
4 4
Vib.
4 4 Pno.
f
mf
4 4
7UXWK$OLYH
4 4 mf
Syn.
4 4
LEA
4 4
CHRIS.
before Lea can reply
more and more agitated
4 4 Is
he
good
to you?
Don't let him de
stroy
your good
na ture.
ALEX
4 4
MICH.
4 4
194
Agitated q = 104
Calmer q = 60
pizz.
4 4
Vln. I f
mf
p pizz.
4 4
Vla.
p
mf
f
pizz.
arco
pizz.
4 4
Vc. f
mf
p
mf
pizz.
arco
pizz.
4 4
Cb. f
mf
mf
p
142
195
1051
2 4
Fl. p
2 4
Cl. p
Bsn.
2 4
Hn.
2 4
Tbn.
2 4
Vib.
2 4
2 4 Pno.
2 4
2 4 Syn.
p
2 4
LEA
2 4 tender CHRIS.
we do not see them part, "cut" to ALEX
2 4 Don't let him
change you.
Don't let him hurt you.
Stay
the way,
stay the way
you are.
ALEX
2 4
MICH.
2 4
195 Vln. I
2 4
Vla.
2 4 pizz.
2 4
Vc.
pizz.
2 4
Cb.
quasi attacca
Scene Eight Night Slow but not calm, confused q = 72 Flute
2 4
Clarinet in Bb
2 4
Bassoon
2 4
Horn in F
2 4
Trombone
2 4
Vibraphone
2 4
196
143
Recitativo, free
2 4 pp
Piano
2 4
'R<RX'UHDP
2 4 Synthesizer
mf
2 4
LEA Soprano
2 4
CHRISTINA Mezzo
2 4
ALEX Tenor
2 4
alone in bed, wakes up confused
Le a, do youdream
MICHAEL Baritone
2 4
Slow but not calm, confused q = 72 arco
Violin I
196
2 4 p
mf
p
mf
p
mf
p
arco Viola
2 4 p
Violoncello
2 4
arco p
pizz. Contrabass
at night?
2 4 mf
Recitativo, free
Do you dream?
144
197
1076
198
199
Fl. p
p
Cl. p Contrabassoon Bsn. p
p
Hn.
Tbn.
4 Tom-toms Vib. p
Pno.
mf
Syn.
LEA
CHRIS.
ALEX
Le a, do you dream
at night?
Ma chines have no dreams.
Have they?
And
what a bout
MICH.
197
198
199
Vln. I p pizz.
arco
Vla. p
p
p
pizz.
arco
Vc. p pizz.
mf
p
Cb. mf
p
gradually more and more excited
200
1092
145
201
Fl. mp
mf
mp
mf
Cl.
Cbsn. pp
Hn. mp
Tbn. mp
Toms mp
mf
Pno.
0DFKLQRLG
mp
Syn.
'R<RX'UHDP
f
p
mp
LEA
CHRIS.
ALEX
with contempt
an droids?
Lear ning Ex posed
An...
What a bout you, Lea?
Do youdream at night?
What do you
see
in your dreams?
MICH.
gradually more and more excited
200
201
Vln. I
Vla. mp
mf
mp
mf
mp
mf
Vc.
Cb. mp
Me?
Us?
In tempo q = 72
146
202
1106
203
Fl.
Cl.
Cbsn. f
p
f
p
Hn.
Tbn. p
Toms
Pno.
3OHDVH6WD\
mp
Syn.
as if inside ALEX's dream - as if not really there maybe halfwhispered with microphone - but always staying below ALEX's voice
LEA
Why are you run ning
a
way
from
me?
Why are you
run ning
a
way
from
CHRIS.
ALEX
covers his eyes
When we last made...
A night
mare!
Where do you go, when I'm
not there?
What do you do,
MICH.
In tempo q = 72
202
203
Vln. I
Vla.
arco Vc. f arco Cb. f
p
when I'm
not there?
147
204
1118
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
cresc.
Syn.
LEA
me?
Don't
run!
What?
Where?
Why are you run ning
a
way
from
me?
CHRIS.
ALEX
Where do you go,
MICH.
204 Vln. I
Vla.
Vc.
Cb. cresc.
when I'm
not there?
205
148
206
Nervous q=132
1129
4 multi 4
Fl.
p
f multi
4 4
Cl.
f
p
multi
4 4
Cbsn.
f
p
f
p
f
p
4 4
Hn.
4 4
Tbn.
Cymbal
4 4
Toms
p
f
4 4 Pno.
4 4
0DFKLQRLG
4 4 Syn.
mf
p
f
4 4
LEA
4 4 Why are you
run ning
a
way
from
me?
Don't
run!
Please!
CHRIS.
4 4
ALEX
4 4 What do you do,
when I'm
not
there?
What?
Where?
MICH.
4 4
205
206 4 4
Vln. I
Nervous q=132
f
p
f
p
f
p
4 4
Vla.
4 4
Vc.
4 4
Cb. mf
p
f
149
207
1141
multi
Fl.
f
p multi Cl. p
f
multi Cbsn. p
f
Hn. p
f
Tbn. p
f
Cym.
f
Pno.
5HDO%DVV
0DFKLQRLG
f
Syn.
LEA
CHRIS.
ALEX
MICH.
207 Vln. I p
f
p
f
p
f
p
f
Vla.
Vc.
on the string Cb.
208
150 1149
Fl.
2 4
4 4
Cl.
2 4
4 4
Cbsn.
2 4
4 4
Hn.
2 4
4 4
Tbn.
2 4
4 4
Cym.
2 4
4 4
2 4
4 4
2 4
4 4
Pno.
5HDO%DVV
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
mf
Syn.
0DFKLQRLG
5HDO%DVV
0DFKLQRLG
f
LEA
CHRIS.
ALEX
MICH.
208 Vln. I p
Vla. p
pizz sonore Vc.
f
p
Cb.
2 4
4 4 f
arco
Recitativo but more nervous, agitated than before (q = 84)
151
209
1157
2 4
3 4
2 4
3 4
2 4
3 4
Hn.
2 4
3 4
Tbn.
2 4
3 4
Cym.
2 4
3 4
2 4
3 4
Fl. f
Cl. f
Cbsn. f
let ring
p
f
pp
Pno.
2 4
3 4
'R<RX'UHDP
2 4
3 4 mp
Syn.
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
LEA
CHRIS.
ALEX
Le a, do youdream
at night?
Do you dream?
MICH.
2 4
3 4
Recitativo but more nervous, agitated than before (q = 84)
209 2 4
Vln. I
3 4
f pizz. Vla.
2 4
3 4 mf pizz.
Vc.
2 4
3 4 mf pizz.
Cb.
2 4
pizz.
3 4 mf
even more nervous and agitated (q = 90)
152 Fl.
3 4
210 2 4
Cl.
3 4
2 4
Cbsn.
3 4
2 4
1171
211
f
Hn.
3 4
2 4
Tbn.
3 4
2 4
Cym.
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
Pno.
Syn.
LEA
3 4
2 4
CHRIS.
3 4
2 4
ALEX
3 4
2 4 Do you have
night mares? Wake upsoaked in sweat?
Screa ming in the dark?
Are you a
MICH.
3 4
2 4
even more nervous and agitated (q = 90)
Vln. I
3 4
210 2 4
211 f arco
Vla.
3 4
2 4 f arco
Vc.
3 4
2 4 f arco
Cb.
3 4
2 4 f
fraid
e
ver,
In tempo q = 72 1187
212
153
213
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Cym.
Pno.
p
Syn.
3OHDVH6WD\
like before: as if inside ALEX's dream
LEA
Why are you run ning
a
way
from
me?
Why are you
run ning
a
way
from
CHRIS.
ALEX
scared to death?
Where do you go, when I'm
not there?
What do you do,
MICH.
In tempo q = 72
212
213
Vln. I
Vla.
Vc.
Cb. p
when I'm
not there?
me?
154
214
1199
215
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Cym.
Pno.
f
Syn.
LEA
Don't
run!
Why are you run ning a
way
from
me?
think,
when I'm not there?
Why
are you
CHRIS.
ALEX
What?
Where?
Do
you
Turn your self
MICH.
214 Vln. I
Vla.
Vc. f
Cb. f
215
155
216 3 4
2 4
2 4
4 4
Cl.
3 4
2 4
2 4
4 4
Cbsn.
3 4
2 4
2 4
4 4
Hn.
3 4
2 4
2 4
4 4
Tbn.
3 4
2 4
2 4
4 4
Cym.
3 4
2 4
2 4
4 4
3 4
2 4
2 4
4 4
3 4
2 4
2 4
4 4
3 4
2 4
2 4
4 4
3 4
2 4
2 4
4 4
3 4
2 4
2 4
4 4
1210
Fl.
slightly faster q = 84
Pno.
Syn.
LEA
run ning
a
way
from
me?
Don't
run!
CHRIS.
3 4
2 4
2 4
4 4
3 4
2 4
2 4
4 4
ALEX
off,
when I'm not
there?
And I
turn
you
on?
Are you there
when I'm
not there?
MICH.
3 4
2 4
2 4
216 3 4
2 4
2 4
4 4
Vla.
3 4
2 4
2 4
4 4
Vc.
3 4
2 4
2 4
4 4
Cb.
3 4
2 4
2 4
4 4
Vln. I
4 4
slightly faster q = 84
attacca
Scene Nine
Daytime. Out on the street
Angry q = 60
Recitativo (q = 112)
156 Flute
Clarinet in Bb
217 3 4
4 4
4 4
mp
mp
3 4
Contrabassoon
4 4
3 4
Horn in F
4 4
3 4
Trombone
4 4
3 4
Cymbals
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
LEA Soprano
4 4
3 4
CHRISTINA Mezzo
4 4
3 4
f
Piano
Synthesizer
Where is Le a?
She
trusts you.
ALEX Tenor
Ah,
MICHAEL Baritone
3 4
4 4
4 4
Chris ti na.
Why do
you ask?
What do you know a bouttrust?!
3 4
Angry q = 60
Recitativo (q = 112)
Violin I
217 3 4
4 4
s.p.
mp s.p. Viola
4 4
3 4 mp
Violoncello
4 4
3 4 f
mf
Contrabass
4 4
3 4 mf
f
What do you...? You
and
Nervous q=116
157
218 4 4
1231
Fl.
4 4
Cl.
mf
4 4
Cbsn. mf
mf
Hn.
4 4
Tbn.
4 4 mf
4 4
Cym.
4 4 Pno.
4 4
7KLV.LOOLQJ'RXEW
4 4 mf
Syn.
4 4
LEA
4 4
CHRIS.
4 4 He
who trusts
may be
be
trayed!
Be trayed.
ALEX
suddenly
4 4 trust?
Should
MICH.
4 4
Nervous q=116 ord. Vln. I mp
218 4 4
f
mf
ord.
4 4
Vla. mp
f
mf
4 on the string 4
Vc. mf
f
mf on the string
4 4
Cb. mf
mf
I
watch
out?
158 1237
Fl.
Cl.
multi Cbsn.
Hn.
Tbn.
Cym.
Pno.
Syn.
LEA
CHRIS.
ALEX
Be
MICH.
Vln. I
Vla.
Vc.
Cb.
on
my
guard?
219
220
159
1242
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Cym.
Pno.
0DFKLQRLG
mf
Syn.
LEA
aggressively
CHRIS.
Don't
change her!
Don't hurt her!
ALEX
Be
somewhere else
more
a
ware?
What
if
she can't
MICH.
219
half scratch
220
very slow irregular 1/4-tone gliss. up/down
Vln. I f
p
half scratch
very slow irregular 1/4-tone gliss. up/down
Vla. f
p
half scratch
Vc. f
p
half scratch
very slow irregular 1/4-tone gliss. up/down
Cb. f
p
160
221
1249
Fl. f
Cl. mf
Cbsn.
Hn.
Tbn.
Cym.
Pno.
7KH7HVW
f
Syn.
LEA
furiously
CHRIS.
That's what you want?
ALEX
be
hurt?
What
then?
What if
it's
not pos si ble?
MICH.
221 Vln. I cresc.
mf
f
Vla. mf
cresc. f Vc. cresc.
f
mf
Cb. cresc.
f
To hurt
her?
161
222
1257
Fl. mp
Cl.
Cbsn. f
Hn. mf
Tbn. mf
Cym.
Pno.
f
f
Syn.
LEA
CHRIS.
You're
dan
ge
rous!
Stay
ALEX
MICH.
222 Vln. I f
Vla. f Vc. f
Cb. mf
a
way
from
162 1262
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Cym.
Pno.
Syn.
LEA
storms off
CHRIS.
me!
ALEX
From
e
very one.
Stay
a
way!
looks after her, shaking his head
MICH.
Vln. I
Vla.
Vc.
Cb.
attacca
Scene Ten
The Pub/Club from Scene Five
3 4
Flute
4 4 mf
3 4
Clarinet in Bb
163
223 3 4
Slow and hard q = 80
3 4
4 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4
3 4
mf
3 4
Contrabassoon
4 4 mf
3 4
Horn in F
4 4
p
f
mf
3 4
Trombone p
f
4 4 mf
HH,Sn,BD (rim)
4 Tom-toms
3 4
Cymbals
4 4 mf
3 4
3 4
3 4
4 4
3 4
3 4
3 4
4 4
3 4
3 4
3 4
4 4
3 4
3 4
3 4
4 4
3 4
3 4
LEA Soprano
3 4
4 4
3 4
3 4
CHRISTINA Mezzo
3 4
4 4
3 4
3 4
ALEX Tenor
3 4
4 4
3 4
3 4
MICHAEL Baritone
3 4
4 4
3 4
3 4
4 4
223 3 4
4 4
3 4
4 4
3 4
4 4
3 4
Piano
Synthesizer
/DZ2I7KH-XQJOH
f
Slow and hard q = 80
scratch
Violin I
3 4
3 4
mf scratch Viola
3 4 mf
scratch Violoncello
Contrabass
3 4 mf
3 4 mf
3 4
3 4
3 4
224 164 1274
Fl.
3 4
4 4
3 4
4 4
2 4
3 4
Cl.
3 4
4 4
3 4
4 4
2 4
3 4
Cbsn.
3 4
4 4
3 4
4 4
2 4
3 4
Hn.
3 4
4 4
3 4
4 4
2 4
3 4
2 4
3 4
p
Tbn.
3 4
4 4
3 4
4 4 p
HH,Sn,BD
4 Tom-toms Toms
3 4
4 Tom-toms
4 4
HH,Sn,BD
3 4
4 4
2 4
3 4
3 4
4 4
2 4
3 4
3 4
4 4
2 4
3 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
mf
Pno.
(white key gliss.)
0RQVWHU:LWKLQ
3 4
4 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
mf
Syn.
LEA
3 4
CHRIS.
3 4
ALEX
3 4
MICH.
3 4
224
Vln. I
3 4
Vla.
3 4
Vc.
3 4
Cb.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
Fl.
3 4
2 4
3 4
225 4 4
Cl.
3 4
2 4
3 4
4 4
1281
f Cbsn.
3 4
2 4
3 4
4 4
Hn.
3 4
2 4
3 4
4 4
Tbn.
3 4
2 4
3 4
4 4
HH Sn BD
3 4
2 4
3 4
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
4 4
3 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
4 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
4 Tom-toms
HH,Sn,BD
Pno.
/DZ2I7KH-XQJOH
f
Syn.
LEA
3 4
CHRIS.
3 4
ALEX
3 4
MICH.
3 4
Vln. I
3 4
Vla.
3 4
Vc.
3 4
Cb.
3 4
225 4 4
4 4
4 4
4 4
165
q = 120, ma poco recitaivo
166 1287
Fl.
226 4 4
Cl.
4 4
Cbsn.
4 4
Hn.
4 4
Tbn.
4 4
HH Sn BD
4 4
4 4 Pno.
4 4
5HDO%DVV
fade in and out, colouring the sound of the contrabass
4 4 mf
Syn.
pp
mp
pp
4 4
LEA
4 4
CHRIS.
4 4 Mi
chael!
That time is o
ver,
when peo ple
called
me
Chris tie.
ALEX
4 4
MICH.
4 4 Chris tie!
There you are.
q = 120, ma poco recitaivo
Vln. I
226 4 4
Vla.
4 4
Vc.
4 4
Cb.
4 4
play with the intonation to create temporary interferance with synth
mf
Ah.
You mean when
227
228
1295
167
in tempo q = 120
Fl.
Cl. mf
Cbsn. mf
Hn. mf
Tbn. mf
HH Sn BD
mf
Pno.
Syn.
mf
pp
mp
LEA
CHRIS.
O
ver!
Real ly?
ALEX
MICH.
A lex...
I know. I'm sor
ry!
He
is
my
friend!
A lex was a
in tempo q = 120
227
228
Vln. I mp
mf
Vla. mp
mf
mf
mf
mf
mf
mf
Vc. mp
Cb.
wreck when you
left him.
You
are...
229
168 1304
Fl.
Cl. p
mf
Cbsn. p
Hn. mf
p
Tbn. mf
HH Sn BD
Pno.
Syn.
LEA
CHRIS.
Mi
steps back
chael, what do you want?
I'm
ALEX
touches her
ďŹ&#x201A;irtatious
MICH.
To
know...
To
feel
that
all
is
well
all is well with you... too.
229 Vln. I mf pizz.
arco
Vla. p
mf
Vc.
mf
pizz. Cb. p
169
230
1311
Fl.
Cl. mp
Cbsn.
Hn.
Tbn. mp
HH Sn BD
Pno.
Syn.
LEA
CHRIS.
ďŹ ne.
Thanks!
No!
ALEX
MICH.
Real ly?
You seem ner vous and cold,
dis
ap poin ted, pro tec ting your self from the next
dis ap point....
230 pizz.
arco
pizz.
arco
Vln. I mp
Vla. mp arco pizz. Vc.
arco Cb. mp
pizz.
arco
No! There
is
no
dan
quasi recitativo
170
231
1320
3 4
Fl. pp
3 4
Cl. mp
Cbsn.
3 4
Hn.
3 4 mf
3 4
Tbn. mp
4 Tom-toms HH Sn BD
3 4 mf
3 4 mf
Pno.
3 4
3 4 p
Syn.
mf
3 4
LEA
3 4
CHRIS.
takes off MICHAEL’s hand
3 4 ger.
touches CHRISTINA with his other hand, and doesn’t let go until ALEX
3 4 gets touchy again MICH.
3 4 What's the prob lem then?
Chris tie! What's theprob lem?
You come here on aWednes day, where you and I and
quasi recitativo
231 3 4
Vln. I mf
3 4
Vla. mf
mf
mf
3 4
Vc. mf
mf
mf arco
3 4
Cb. mf
f
mf
Slower but very rhythmical q = 80
171
232 4 4
1329
Fl.
4 4
Cl.
f
f
4 4
Cbsn.
Hn.
4 4
Tbn.
4 4
f
mp
f
f
mp
f
f
mp
f
4 4
Toms
4 4 f
Pno.
mp
f
4 4
/DZ2I7KH-XQJOH
4 4 f
Syn.
mp
f
mp
mp
4 4
LEA
4 4
... slaps MICHAEL.
CHRIS.
goes off
4 4 What's your
prob lem, Mi chael?
That time is
ALEX
o
ver!
4 4 That's
why
he could not stand it
with you.
to himself
MICH.
4 4 A lex used to...
He needssome thing...
Slower but very rhythmical q = 80
Vln. I
Vla.
Vc.
232 4 4 f
f
f
f
4 4
4 4 f
Cb.
mp
mp
f
mp
mp
f
mp
4 4 f
mp
$QGURLG9RLG
233
172
1336
234
Unreal q = 48
Fl.
6 4
4 4
Cl.
6 4
4 4
Cbsn.
6 4
4 4
Hn.
6 4
4 4
Tbn.
6 4
4 4
Toms
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
Pno.
Syn.
p
LEA and ALEX show in the background. They have just been kissing. ALEX draws back, looking confused. LEA All four sing together and each for themselves in different places.
6 4
4 4 A
lex,
where are you?
Le
a,
where are you?
Le
a,
where are you?
Le
a,
where are you?
CHRIS.
6 4
4 4 Le a, where are
you
ALEX
6 4
4 4 Le
a, where are
stands up, as if looking for somebody MICH.
6 4
4 4
else...
233 Vln. I
Vla.
Vc.
Cb.
234
Unreal q = 48
6 4
6 4
6 4
6 4
4 4 pp
p
pp
p
pp
p
pp
p
4 4
4 4
4 4
Le
a, where are
173
235
1347
Fl. mp
mp
mp
mp
Cl.
Cbsn.
Hn. mp
mp
mp
mp
Tbn.
Toms
Pno.
Syn.
LEA
A
lex.
Where?
Must see
you.
Must see you.
CHRIS.
now?
Where?
now?
Where?
Must see,
see
you.
see
you.
Must see.
Must
see.
Must see
Must see you.
Must see
you.
Must.
ALEX
you
Must see,
Must see
MICH.
you.
Must.
you?
Where?
Must
see
you.
Must see you.
You.
Must.
235 Vln. I mp
mp
Vla. mp
mp
mp
Vc. mp
mp
Cb. mp
mp
mp
more fluently q = 62
174
236
1355
237
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Vibraphone Toms p
p
Pno.
Syn.
LEA
Can't wait.
What,
what
a bout us?
What,
what
a bout us?
CHRIS.
Can't wait.
ALEX
Must see
Le
a.
Le
a,
clear ly.
Can't wait.
What is hap
pe ning
where
with us?
What is hap
pe ning with us?
MICH.
Can't
wait.
Le
a.
Le
more fluently q = 62
236
237
Vln. I p
Vla. p
Vc. p
Cb.
a,
where
as before q = 48
175
238
1364
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Vib.
Pno.
/DZ2I7KH-XQJOH
pp
Syn.
LEA
A
lex,
where are you?
A
lex.
CHRIS.
are
A lex, where are you?
you?
Le
a,
where are you?
Le
a,
where are you?
Le a, where are
you
now?
Le a, where are you?
ALEX
Le
a, where are
you now?
MICH.
are
Le a
you?
Le
a,
as before q = 48
238 Vln. I pp
p
pp
p
pp
p
pp
p
Vla.
Vc.
Cb.
where are you?
Le
a, where are
you?
Le a, where are you?
who
are you?
quasi recitativo as before q = 120
176 1373
Fl.
239 4 4
Cl.
4 4
Cbsn.
4 4
240
mf
Hn.
4 4
Tbn.
4 4
Vib.
4 4
4 4 mf
Pno.
4 4
5HDO%DVV
4 4 mp
Syn.
4 4
LEA
4 4 Do I know you?
How
CHRIS.
4 4
ALEX
4 4
approaches LEA. His walk suggests that he is rather drunk.
MICH.
4 4 Hi Beau ty, there you are.
Per
fect.
How are
you?
Not
real ly.
But
I
know
you.
quasi recitativo as before q = 120
Vln. I
239 4 4
Vla.
4 4
Vc.
4 4
Cb.
240
mf
mf
mf
mf
f
p
mf
f
p
mf
f
p
4 4
is that?
in tempo q = 120
177
241
1384
Fl.
Cl. mf
Cbsn. p
mf
Hn. mf
Tbn. mf
4 Tom-toms Vib. mf
mf
Pno.
p
Syn.
LEA
CHRIS.
ALEX
MICH.
Come here!
I
am
a
scien
tist,
I
de
sign
mir rors
of
in tempo q = 120
241 Vln. I
Vla. mf
p
mf
Vc. mf
p
Cb. mf
p
178
242
1391
Fl. mf
Cl.
Cbsn. mp
mf
Hn. mf
Tbn.
Toms
Pno.
Syn.
LEA
That's
in
teres ting.
CHRIS.
ALEX
MICH.
peo ple,
like you.
E very mir ror
is
made
with a
spe
cial pur
pose.
Do you know yours?
242 Vln. I
Vla. mf
p
Vc. mp
mf
Cb. p
mp
mf
p
243
244
1398
179
Uncomfortable q = 80
Fl. p
mp
pp
Cl. p
Cbsn.
Hn.
Tbn.
Toms pp
Pno.
(QWDQJOLQJ3DWWHUQ
mp
Syn.
LEA
reaches out for his hand
Do I know what?
Is
that
a
phi
lo
so
phi cal ques
CHRIS.
ALEX
MICH.
Your pur pose.
Uncomfortable q = 80
243
244
pizz.
Vln. I mp pizz. Vla. mp pizz.
arco
arco
Vc. pp pizz.
arco
arco
Cb. pp
mp
Almost hostile q = 120
180
245 3 4
1407
Fl.
4 4
3 4
f
f
3 4
Cl.
4 4
3 4
f
Cbsn.
4 4
4 4 f
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
p
Hn.
f
mp
f
3 4
Tbn.
4 4
mp
3 4
f
4 4 f
HH,Sn,BD
3 4
Toms
4 4
3 4
f
4 4 f
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
p
+RVWLOLW\
3 4 f
Syn.
f
LEA
tion?
Then...
Is it...
That
hurts!
CHRIS.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
ALEX
overly sweet, mocking her MICH.
grabs her hand
3 4 No, it is not.
4 4
No, it... is... not!
Almost hostile q = 120 arco
Vln. I
It's
245 3 4
p
an
or
4 4
der!
mp
mp
arco Vla.
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
p
Vc.
f
p
mp
3 4
Cb. p
f
4 4 f
mp
3 4
4 4 f
/DZ2I7KH-XQJOH
Slow and hard q = 80
246
247
181
1416
2 4
Fl. mp
4 4 f
2 4
Cl. f
mp
f
Cbsn. f
4 4
2 4
4 4
2 4
4 4
2 4
4 4
mp
Hn. mp mf Tbn. mf
f
f
HH,Sn,BD
4 Tom-toms
HH Sn BD
2 4
4 4 f
2 4
4 4
2 4
4 4
f
Pno.
+RVWLOLW\
2 4 Syn.
mf
f
4 4
f
2 4
4 4
LEA
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
No.
CHRIS.
ALEX
ready to rape LEA
puts his hand on LEAâ&#x20AC;&#x2122;s breast. MICH.
This is what you
are
made
pushes LEA into a dark corner of the room
for.
I
want this!
Slow and hard q = 80
246
247 2 4
Vln. I
4 4 f
2 4
Vla.
4 4 f
2 4
Vc. mf
f
mp
4 4 f
2 4
Cb. f
mp
4 4 f
182 1425
Fl.
4 4
2 4 mp
4 4 f
2 4 mp
ff
Cl.
4 4
2 4 mp
Cbsn.
4 4 f
4 4
Hn.
4 4
4 4 mf
2 4
4 4
mp
4 4
2 4
2 4
4 4
mp
4 4
2 4
4 4 mf
4 4 f
4 4 mf
4 4
mp
Tbn.
4 4
ff
4 4
mp
2 4 mp
2 4
248 4 4
2 4
4 4 ff
mf
4 4 mf
HH,Sn,BD Toms
4 4
2 4
4 4
2 4 ff
4 4
4 4
4 4
2 4
4 4
2 4
4 4
4 4
4 4
2 4
4 4
2 4
4 4
4 4
4 4
2 4
4 4
2 4
4 4
4 4
4 4
2 4
4 4
2 4
4 4
4 4
2 4
4 4
4 4
Pno.
Syn.
f
ff
/DZ2I7KH-XQJOH
LEA
4 4
2 4
4 4
No.
No.
CHRIS.
4 4
2 4
4 4
2 4
4 4
4 4
2 4
4 4
2 4
4 4
4 4
ALEX
4 4
MICH.
4 4
2 4
4 4
Vln. I
2 4
4 4
4 4
4 4
I
248 4 4
2 4 ff
2 4
4 4 f
4 4 mp
4 4 f
4 4
2 4 mp
mp
mp
mas
ter!
4 4
4 4
4 4 mf
4 4 ff
your
mf
ff
2 4
am
mf
4 4
4 4 f
2 4
Cb.
4 4 ff
2 4
2 4
Vc.
4 4
We want this!
f
Vla.
2 4
You want this!
4 4
4 4 mf
Fl.
183
249
1434
4 4 ff
Cl.
4 4 ff
Cbsn.
4 4 ff
Hn.
4 4 ff
Tbn.
4 4 ff
HH Sn BD
4 4
4 4 ff
Pno.
4 4
4 4 ff
Syn.
4 4
LEA
4 4
CHRIS.
comes along, interrupts the scene.
4 4 What's this?
I'll call the po lice!
ALEX
4 4 buttons his pants and stumbles off, swearing
MICH.
4 4 Get lost!
249 Vln. I
4 4 ff
Vla.
4 4 ff
Vc.
4 4 ff
Cb.
4 4 ff
184
250
1441
In shock q = 52
Calm q = 60
Fl.
Cl.
Cbsn.
Hn.
Tbn.
HH Sn BD
Pno.
&DQW1RW/RYH+HU
mp
Syn.
suddenly stops shaking, looks at CHRISTINA
LEA
CHRIS.
calms down the trembling LEA
She's not yours!
Le a...
Are you o
kay?
tenderly
Le a,
beau ti ful,
it's all good.
Calm
down, I'm
here.
Eve ry thing will be all right!
ALEX
MICH.
250 Vln. I p
Vla. p
Vc. p
Cb.
In shock q = 52
Calm q = 60
251
252
185
1451
Fl.
Cl.
Cbsn.
Hn.
Tbn.
HH Sn BD
p
Pno.
Syn.
LEA
Chris ti
CHRIS.
na!
Thank... you...
CHRISTINA touches LEA's face
Your
ďŹ n
gers.
looking at CHRISTINA again
I am glad
you
are here.
Me too.
suddenly, surprised
You're not cry
ing?
ALEX
MICH.
251
252
Vln. I
Vla.
Vc.
Cb. p
186
253
1458
Fl.
2 4
4 4
Cl.
2 4
4 4
p
Cbsn.
2 4
4 4
Hn.
2 4
4 4
Tbn.
2 4
4 4
HH Sn BD
2 4
4 4
2 4
4 4 p
Pno.
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
7UXWK$OLYH
Syn.
LEA
smiles
Thank... you...
CHRIS.
caressing LEA's face and looking in her eyes
2 4
4 4
You can cry, if you want.
I am here for
you.
Eve ry thing's o kay.
My plea sure.
Cry
ALEX
2 4
4 4
2 4
4 4
2 4
4 4
MICH.
253 Vln. I
p
Vla.
p
2 4
4 4 p
Vc.
2 4
p
4 4 p
Cb.
2 4
4 4 p
on my
254
255
187
ďŹ&#x201A;z.
1465
Fl. p
Cl. p
Cbsn.
Hn.
Tbn.
HH Sn BD
Pno.
Syn.
mp
LEA
CHRIS.
shoul der.
CHRISTINA kisses LEA, who lets it happen
Your eyes are beau ti ful.
Moss green
with a spark
in side.
Moss
green.
ALEX
MICH.
254
255
Vln. I mp
p
p
Vla. mp
Vc. mp
Cb. mp
With slightly more drive q = 70
188
1473
256
Fl.
Cl.
Cbsn.
Hn.
Tbn. p
Glockenspiel HH Sn BD
p
Pno.
&DQW1RW/RYH+HU
mp
Syn.
LEA
pulls back
I'm not
made for
this.
CHRIS.
Is it the ďŹ rst time for you
too?
ALEX
MICH.
With slightly more drive q = 70
256 Vln. I
pizz. Vla. p
mp pizz.
Vc. p
mp
Cb.
Not kissed a wo man
Excited, but not rushed 189 q=120
257 3 4
258 4 4
3 4
4 4
Cbsn.
3 4
4 4
Hn.
3 4
4 4
Tbn.
3 4
4 4
Glock.
3 4
4 4
1480
Fl. mp
p
Cl. p
p
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
Pno.
Syn.
LEA
draws back, more ďŹ rmly
3 4 Ne ver...
I ha ven't.
I love him!
CHRIS.
be fore?
4 4
kisses LEA again
thinks about what she just said, then
Nei ther have I...
Nei ther
have
3 4
4 4
3 4
4 4
3 4
4 4
I.
ALEX
MICH.
257
Excited, but not rushed 258 q=120
Vln. I p
3 4
4 4
3 4
4 4
3 4
4 4
arco Vla. mp arco Vc. mp
p
3 4
Cb. p
4 4 p
190
259
1488
Fl.
Cl. p
Cbsn.
Hn.
Tbn. mp
Glock.
Pno.
Syn.
LEA
I
love
him.
I
CHRIS.
Why?
ALEX
MICH.
259 Vln. I mp
Vla. p
mp
Vc. mp
Cb. mp
love
him.
260
191
1495
Fl.
Cl. p
Cbsn. f
cresc.
Hn. f
cresc.
Tbn.
4 Tom-toms Glock. p
f
f
Pno.
Syn.
LEA
A
lex
and
I,
the
two of
us
CHRIS.
Why,
Le
a?
I
hope
you know what you're
ALEX
MICH.
260 Vln. I mf
Vla. f
mf
Vc. f
cresc.
f
cresc.
Cb.
do
ing.,
261
192
1502
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
Syn.
LEA
Alex
and
I,
the
two
CHRIS.
you're
ALEX
MICH.
261 Vln. I
Vla.
Vc.
Cb.
do
of
us,
193
recitativo
1505
Fl.
Cl.
Cbsn. ff
Hn. ff
Tbn. ff
Toms
Pno.
Syn.
LEA
of
us.
CHRIS.
ing,
goes off
I
hope.
I
hope you know what you're
ALEX
MICH.
recitativo Vln. I
Vla.
Vc. ff
Cb. ff
do
ing, Le
a!
Scene Eleven
transition to Alex's place 194
262
Calm h = 78
Intimate q = 120
Flute p
Clarinet in Bb
Contrabassoon
Horn in F
Trombone
4 Tom-toms
Piano
Synthesizer
3XULW\
mp
p
LEA starts singing this aria alone on stage, but throughout the aria the setting changes, and she ďŹ nishes in ALEX's presence at his place
as if still answering Christina, who has left LEA Soprano I don't know,
if
I
know
what I'm doing.
I
don't
know.
CHRISTINA Mezzo
ALEX Tenor
MICHAEL Baritone
Calm h = 78 Violin I
Viola
Violoncello
Contrabass
262
Intimate q = 120
195
263
1523
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
Syn.
LEA
if
I...
if
I
know.
I
don't know.
I
CHRIS.
ALEX
MICH.
263 Vln. I pp
pp
p
pp
Vla.
Vc.
Cb.
264
196
1535
Fl. mp
cresc.
Cl. mp
cresc.
p
Cbsn.
Hn.
Tbn.
Toms
Pno.
mp
p
cresc.
p
Syn.
LEA
From
the
ďŹ rst
mo
ment,
he looked in
CHRIS.
ALEX
MICH.
264 Vln. I mp
cresc.
Vla. mp cresc.
Vc.
Cb.
to my eyes,
I felt it.
265
266
197
1543
Fl. p
mp
cresc.
Cl.
Cbsn. mp
Hn. mp
Tbn.
Toms
mp
Pno.
mp
Syn.
LEA
mf
cresc.
p
mp
much surer of herself
I
don't
know
why.
But
I
know
that
I
do
CHRIS.
ALEX
MICH.
265
266
Vln. I p
mp
Vla.
Vc. mp
Cb. p
mp
pp
mp
love him,
love
198
267
1554
268
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
7UXWK$OLYH
mp
Syn.
LEA
him.
I may not know what I'm doing.
But some thing in me
knows
what to do.
CHRIS.
ALEX
MICH.
267
268
Vln. I
mp
Vla. mp
Vc. mp
Cb.
199
269
1564
Fl. mf
Cl. mp
Cbsn. mf
Hn.
Tbn.
Toms
mp
Pno.
3XULW\
mp
Syn.
LEA
And
I
know that this some thing is called
"love".
CHRIS.
ALEX
MICH.
269
Vln. I mp
Vla. mp
Vc.
Cb.
mp
270
200
271
1573
Fl. mp
mf
p
mp
lunga
Cl.
lunga Cbsn. mp
Hn.
Tbn.
Toms
Pno.
colla parte
Syn.
lunga
mf
mp
p
mp
cresc.
cresc.
lunga
LEA
His
eyes
are
beau ti
ful.
I,
I
know.
I,
I know.
I
CHRIS.
ALEX
MICH.
270
lunga
271
Vln. I pp
p
mf
Vla. mf
Vc. mf
lunga
Cb. mp
pp
mp
mf
know
Suspicious q=112
272
1582
201
273
Fl.
Cl. f
Cbsn. f
Hn. f
Tbn. f
Toms
Pno.
mf
f
Syn.
&DQW1RW/RYH+HU
LEA
that
I
love
you.
Ne ver...
CHRIS.
ALEX
Is it the
ďŹ rst time
for you too?
almost like an interrogation
You ne ver felt this
be fore?
MICH.
Suspicious q=112
272
273
Vln. I
Vla. mf
Vc. mf
Cb. mf
Slightly faster q = 120
202
274
1592
Fl.
Cl. mf
mp
Cbsn.
Hn. mf
mp
Tbn.
Toms
Pno.
Syn.
LEA
I ne ver...
Why do you ask me
CHRIS.
ALEX
insisting
Why
is
that?
Why?
Le
a!
Why
do
you
love
MICH.
Slightly faster q = 120
274 Vln. I mp
f
Vla. mp
f
Vc. f
Cb.
me?
that,
too?
203
275
1602
Fl. mf
mf
Cl.
Cbsn. mf
Hn. mf
Tbn. mf
Toms
mf
Pno.
mf
p
Syn.
LEA
as if with a guilty concience
Chris
ti na.
Don't ask!
You warned me:
CHRIS.
ALEX
Who else asked you?
Why not?
Do
you
like
her?
MICH.
275
Vln. I
pizz.
arco
mf
mp
pizz.
arco
mf
mp
mf
mf
Vla. cresc.
Vc. cresc.
Cb. mp
mf
"She leads you on,
276
204
277
1612
Fl.
Bass Clarinet in Bb Cl. mf
Cbsn. mf
Hn.
Tbn.
Toms mp
Pno.
Syn.
LEA
then lets you fall."
There is
no
thing
to
wor ry
a bout.
CHRIS.
ALEX
Don't just re peat
what I said!
I want the...
truth!
Do
you
e
ven
MICH.
276
277
Vln. I
Vla. mf m.s.p.
ord.
Vc.
mf
mf
Cb. mf
205 1620
Fl.
B. Cl.
Cbsn. f
mf
Hn. mf
Tbn.
Toms mf
mf
Pno.
0DG6FLHQWLVW
/DZ2I7KH-XQJOH
mp
Syn.
LEA
CHRIS.
ALEX
know?
What he
did?
To
you?
What
he
did,
MICH.
Vln. I
Vla.
Vc.
Cb.
Mi
chael?
278
206
279
1626
Fl.
3 4
4 4
B. Cl.
3 4
4 4
f
mf
p
p
3 4
Cbsn.
3 4 p
p
mp
f
4 4 f
3 4 p
p
p
Tbn. p
f
4 4
p
Hn.
mp
mp
4 4
p
f
Toms
f
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
f
Pno.
Syn.
f
p
mf
LEA
p
shivers
pp
3 4 You
f
know?
I
want
4 4 to for get.
CHRIS.
ALEX
3 4
4 4
3 4
4 4
3 4
4 4
3 4
279 pizz. 4 4
I know!
MICH.
278 Vln. I
mf
ff
p
ff
p
ff
p
ff
p
pizz.
3 4
Vla. p
4 4
p
mf pizz.
3 4
Vc.
4 4 mf pizz.
3 4
Cb. p
p
4 4 mf
Slow and hard q = 80
207
280
1636
3 4
Fl. pp
3 4
B. Cl. f
3 4
Cbsn. pp
f
3 4
Hn. pp
3 4
Tbn. pp
f
3 4
Toms
3 4 f
Pno.
3 4
7KLV.LOOLQJ'RXEW
3 4 f
Syn.
pp
3 4
LEA
3 4 How could I not know? He raped
me!
Thank god, Chris ti na was there.
CHRIS.
3 4
ALEX confused
So
3 4 you
know!(?)
MICH.
3 4
280 arco
arco
Slow and hard q = 80
Vln. I pp
f
arco
arco
3 4
3 4
Vla. pp
f arco
3 4
Vc. f
pp
arco
3 4
Cb. f
pp
Horrified q=116
208
a tempo q=116
rit.
281 3 4
282
1643
Fl.
4 4 f Clarinet in Bb
B. Cl.
3 4
4 4 f
Cbsn.
3 4
4 4 f
f
Hn.
3 4
4 4 f
Tbn.
3 4
4 4
Toms
3 4
4 4 mf
3 4
4 4
3 4
4 4
3 4
4 4
mp
f
Pno.
Syn.
mf
f
3 4
4 4 f
LEA
3 4
4 4
CHRIS.
3 4
4 4
ALEX in shock
holding his head
3 4
4 4 This is a night mare.
I
don't un der
stand.
Where?
When?
I
want
MICH.
3 4
4 4
Horrified q=116
Vln. I
281 3 4
rit.
a tempo q=116
282
m.s.p.
4 4 f m.s.p.
Vla.
3 4
4 4 f arco
Vc.
3 on the string 4
on the string
4 4
f arco Cb.
f on the string
3 4
f on the string
4 4 f
f
f
209
1651
Fl.
6 4
4 4
Cl.
6 4
4 4
Cbsn.
6 4
4 4
Hn.
6 4
4 4
Tbn.
6 4
4 4
Toms
6 4
4 4
6 4
4 4
6 4
4 4
f
Pno.
/DZ2I7KH-XQJOH
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
Syn.
LEA
CHRIS.
ALEX
to
wake
up.
This is a night mare.
I want to wake up!
MICH.
6 4
4 4
Vln. I
6 4
4 4
Vla.
6 4
4 4
6 4
4 4
6 4
4 4
on the string
on the string
Vc.
on the string Cb.
on the string
Slow and hard q = 80
Unreal q = 76
283
210
284
285
1657
Fl.
4 4
2 4 ff
Cl.
4 4
2 4 ff
Cbsn.
mp
4 4
2 4 mp
ff
Hn.
4 4
2 4 ff
Tbn.
mp
4 4
2 4 mp
ff
Toms
4 4
2 4
4 4
2 4 ff
Pno.
4 4
2 4
4 4 Syn.
'R<RX'UHDP
3OHDVH6WD\
2 4
ff
mf
mf
4 4
2 4
LEA
4 4
2 4 This is no dream, this
is re
a li ty.
CHRIS.
2 4
4 4
ALEX
2 4
4 4
How
MICH.
4 4
2 4
Slow and hard q = 80
Unreal q = 76
283 ord. 4 Vln. I 4 ff
284 2 4
285
arco
mp
arco ord. Vla.
4 4
2 4 ff
Vc.
4 4
2 4 ff
Cb.
mp
4 4
mfs
pizz.
arco
mf
pp
2 4 ff
211
286
1668
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
Syn.
LEA
Of course
I know.
Of course I
CHRIS.
ALEX
would you
know
what is real,
know what is hu man?
What
MICH.
286 Vln. I
Vla.
Vc.
Cb.
proves that you
are
real?
am.
Tender q = 92
212
287 4 4
1681
Fl.
mf
Cl.
4 4
Cbsn.
4 4
Hn.
4 4
Tbn.
4 4
Toms
4 4
4 4 p
Pno.
mf
4 4
,Q/RYH:LWK+LV7R\
4 4 p
Syn.
mf
4 4
searches for an answer, then
LEA
4 4 I see this world.
I
see your face.
I
see
you.
CHRIS.
4 4
ALEX
4 4 What proves it
to
me,
to you?
MICH.
4 4
Tender q = 92
Vln. I
287 4 4 mp
Vla.
4 4 p
Vc.
mp
4 4 mf
Cb.
4 4
288 1693
289 a bit slower q = 80
Contemptous q = 92
Fl.
3 4
4 4
Cl.
3 4
4 4
Cbsn.
3 4
4 4
Hn.
3 4
4 4
Tbn.
3 4
4 4
Toms
3 4
4 4
3 4
4 4
3 4
4 4
213
Pno.
'R<RX'UHDP
0DFKLQRLG
3 4
4 4 mf
Syn.
LEA
I feel your hot breath.
And when you're a fraid, I feel your fear.
mp
3 4
4 4
3 4
4 4
And then... I'm a fraid...
too.
CHRIS.
3 4
4 4
3 4
4 4
ALEX
through the teeth - to himself
Of course you are!
MICH.
3 4
Contemptous q = 92
a bit slower q = 80
very slow irregular 1/4-tone gliss. up/down
288 Vln. I
4 4
3 4
289 4 4 mf cresc. very slow irregular 1/4-tone gliss. up/down
Vla.
3 4
4 4 mf
cresc.
very slow irregular 1/4-tone gliss. up/down Vc.
3 4
4 4 mf
cresc.
very slow irregular 1/4-tone gliss. up/down Cb.
3 4
4 4 mf
cresc.
Lear ning! Ex
214
290
1701
Slower q = 80
colla parte
in tempo
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Toms
Pno.
mf
Syn.
LEA
Trust me and
we'll build a life to
ge ther.
Your
eyes are beau
CHRIS.
ALEX
posed.
An
droid!
At
what
price?
I turned you on loo king in to your eyes.
I can ne
MICH.
290
Slower q = 80
ord.
Vln. I mf
mp arco
Vla. mf
p ord.
Vc. mf
p
mf ord.
Cb. mf
mp
p
colla parte
in tempo
291
poco recitativo
1708
215
in tempo
Fl. mf
Cl.
Cbsn. f
Hn.
Tbn.
soft beaters, quasi timpani HH,Sn,BD
Toms mp
f
mf
Pno.
mf
,Q/RYH:LWK+LV7R\
f
mf
Syn.
LEA
ti
ful.
I'm a
wo man, you're a
man.
I
will fol low you,
I
can not
pro tect you,
love...
CHRIS.
ALEX
ver for get.
We can not live as if you were like me.
It is
too
late.
MICH.
poco recitativo
291
in tempo
Vln. I mp
f
mp
f
Vla.
Vc. f
Cb. f
go back,
not
for get, can't love...
Intimate q = 120
216
292
1716
Fl. mp
Cl.
Cbsn.
Hn.
Tbn.
HH Sn BD
Pno.
3XULW\
mp
Syn.
LEA
Did you choose me?
p
mf
Or did it just
hap pen
to
you?
We
CHRIS.
suddenly cold ALEX
You did n't choose me.
It's not real.
MICH.
Intimate q = 120
292 Vln. I mf
Vla.
Vc. p
Cb. p
mf
don't
know
Determined q=132
293
1727
217
294 multi
Fl.
mp multi Cl. mp multi Cbsn. mp
Hn. mp
Tbn. mp
HH Sn BD
Pno.
mf
7UXWK$OLYH
mp
Syn.
mp
LEA
why.
But some thing in us knows
what to do.
CHRIS.
ALEX
MICH.
Determined q=132
293
294
Vln. I
mp
Vla. mf
mp
Vc. mf
Cb.
mp
295 218 1738
multi
Fl.
mf
mp
multi
Cl. mp
f
multi Cbsn. mp
Hn. mp
Tbn. mp
HH Sn BD
Pno.
7KH7HVW
mp
Syn.
f
CHRIS.
Prove it!
Prove
that
you
love
me!
Cut me!
Withthis knife!
MICH.
295
Vln. I mp
mf
f
m.s.p.
Vla. mf mp
mf
mp
mf
f
Vc.
on the string Cb. f
mf
0DFKLQRLG
mf
LEA
in a sudden impulse ALEX
296
1746
2 4
Fl.
f
219
297 4 4
mp
f
2 4
Cl.
mf
4 4
mp
mf
Cbsn.
2 4
4 4
Hn.
2 4
4 4
mp
mf
Tbn.
2 4
4 4
HH Sn BD
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
Pno.
7KH7HVW
mf
Syn.
f
LEA
Why
hurt
you!
Why
hurt
CHRIS.
2 4
4 4
2 4
4 4
takes out a kitchen knife
ALEX
Prove you're real!
Cut
me! With this knife!
MICH.
2 4
4 4
2 4
4 4
296
Vln. I mp
297
"scratch"
f
2 4
Vla.
mf
4 4
mp
f
pizz sonore
2 4
Vc.
f
2 4
arco
4 4
mp
Cb.
mf
4 4 mf
mf
you?
220
298
1754
Fl. f
Cl. f
f
Cbsn. f
Hn.
Tbn.
HH Sn BD
Pno.
&DQW1RW/RYH+HU
mf
Syn.
LEA
Love
CHRIS.
ALEX
Prove
your free
will!
Cut me! With this knife!
It's
MICH.
298
Vln. I f
Vla. f
Vc. f on the string Cb. f
the on
ly
way!
needs
1763
299
221
300
Fl.
Cl.
Cbsn. mf
Hn.
Tbn.
HH Sn BD
Pno.
mp
Syn.
mf
puts her hand on ALEXâ&#x20AC;&#x2DC;s cheek
LEA
trust.
moves towards ALEX and kisses him, all completely parallell to scene three
Trust me.
Like I trust you!
With all my
heart.
CHRIS.
ALEX
With
MICH.
299
300
Vln. I mf
Vla. mf pizz.
arco
Vc. mf
Cb. mf
mf
all
your
heart?
Ominous q=112
222
301 2 4
1773
3 4
Fl.
302 4 4
mp
ff
3 4
Cl.
2 4
4 4 ff
3 4
Cbsn.
2 4
4 4 ff
3 4
Hn.
2 4
4 4 ff
3 4
Tbn.
2 4
4 4 ff
Snare on rim HH Sn BD
3 4
2 4
4 4
3 4
2 4
3 4
2 4
4 4 ff
Pno.
4 4
7KH7HVW
3 4
2 4
4 4
3 4
2 4
4 4
3 4
2 4
4 4
ff
Syn.
+RVWLOLW\
f
LEA
With all
my...
I can't.
CHRIS.
3 4
4 4
2 4
shouting - trying to force LEA to take the knife
ALEX
3 4
4 4
2 4
Then trust me and cut me!
You will.
MICH.
3 4
2 4
4 4
Ominous q=112 pizz.
3 4
Vln. I
301 arco 2 4
mf
302
4 4
ff
3 4
Vla.
2 4 ff arco
pizz.
3 4
Vc.
4 4
2 4
4 4 ff
mf pizz.
arco
3 4
Cb. mf
2 4
4 4 ff
I won't.
303 223 1780
Fl.
2 4
5 4
2 4
4 4
Cl.
2 4
5 4
2 4
4 4
f
Cbsn.
2 4
5 4
2 4
4 4
Hn.
2 4
5 4
2 4
4 4
Tbn.
2 4
5 4
2 4
4 4
HH Sn BD
2 4
5 4
2 4
4 4
2 4
5 4
2 4
4 4
2 4
5 4
2 4
4 4
Pno.
7KH7HVW
+RVWLOLW\
2 4
5 4
2 4
2 4
5 4
2 4
4 4
2 4
5 4
2 4
4 4
f
ff
Syn.
LEA
4 4
No rea son. I love
you.
You
are
sca
ring
me.
I won't.
I
can't.
I
CHRIS.
2 4
ALEX
5 4
2 4
4 4
2 4
4 4
increasingly aggressive, forces the knife into her hand
2 4 You must.
Now cut
5 4 me.
You
are
pro grammed this
way.
You will.
MICH.
2 4
5 4
2 4
4 4
303 Vln. I
2 4
5 4
2 4
4 4
Vla.
2 4
5 4
2 4
4 4
Vc.
2 4
5 4
2 4
4 4
Cb.
2 4
5 4
2 4
4 4
You must.
You have to. Now
Tumultuous q=120
224 Fl.
5 4
3 4
304 4 4
Cl.
5 4
3 4
4 4
Cbsn.
5 4
3 4
4 4
Hn.
5 4
3 4
4 4
Tbn.
5 4
3 4
4 4
HH Sn BD
5 4
3 4
4 4
5 4
3 4
4 4
5 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
1788
Vibraphone
Pno.
7KH7HVW
5 4 ff
Syn.
5 4
ALEX and LEA ďŹ ght over the knife.
LEA
5 4 love
you.
You
are
hur
ting
me.
CHRIS.
5 4
3 4
4 4
5 4
3 4
4 4
ALEX
cut
me.
You
are
a
ma
chine.
MICH.
5 4
3 4
4 4
Tumultuous q=120
Vln. I
5 4
3 4
304 4 4
Vla.
5 4
3 4
4 4
Vc.
5 4
3 4
4 4
Cb.
5 4
3 4
4 4
1794
225
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Vibraphone Vib.
Pno.
ff
Syn.
ALEX accidentally stabs her with the knife, when LEA makes a sudden movement to free herself LEA
I
can't
Please!
me!
Please!
CHRIS.
ALEX
Cut!
MICH.
Vln. I
Vla.
Vc.
Cb.
226 1797
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Vib.
Pno.
Syn.
LEA
falls to the floor. Blood is squirting out of the wound.
CHRIS.
ALEX
bends over her, terrified, looks into her eyes.
Le
MICH.
Vln. I
Vla.
Vc.
Cb.
a...
Gone!
Scene Twelve bright daylight
1:10 min.
1801
Traumatized 305 q = 84
"quasi string harmonic"
Fl. pp
Cl.
Cbsn.
Hn.
Tbn.
Glockenspiel Vib. mp
Pno.
%ODFN+ROH
Syn.
LEA
CHRIS.
ALEX
ALEX is in a desolate state as MICHAEL appears.
MICH.
1:10 min.
Traumatized 305 q = 84
Vln. I p
Vla. p
Vc. p
Cb.
227
228
306
1807
Fl. mp
p
mf
p
mf
pp
Cl.
Cbsn.
Hn. mf
Tbn.
Glockenspiel
Cymbal Glock.
Pno.
pp
mf
p
mf
%HOOV,Q7KH6N\
pp
mp
Syn.
p
mf
LEA
CHRIS.
ALEX
Gone...
Gone.
For
e
ver.
I'm
uneasy, not knowing if ALEX knows about the assault, but hiding it well MICH.
You're a lone?
Where
is Le
gliss.*
a?
306
Vln. I cresc.
mf
p
cresc.
mf
p
cresc.
mf
p
gliss.* Vla.
gliss.* Vc.
Cb. p
(*) Bow change ad lib. but not when also changing gliss direction.
mf
sor ry!
229
307
1814
Fl. f
Cl. f
Cbsn. mp
f
Hn. f
Tbn. f
Glock. mp
f
Pno.
7KH7HVW
Syn.
mf
LEA
CHRIS.
ALEX
I did'
n't...
I
pro
bab
ly...
MICH.
307 Vln. I f
Vla. f
Vc. f
Cb. f
230
308
1820
Fl. pp
p
p
p
p
Cl.
Cbsn.
Hn.
Tbn.
Cymbal Glock. pp
p
Pno.
%HOOV,Q7KH6N\
p
Syn.
LEA
CHRIS.
ALEX
Get
MICH.
me
a
new
one.
I
broke
her.
She'll
not come
back.
They're all the same.
Wo men.
All the
same.
Wo
men.
308 Vln. I p
cresc.
p
cresc.
Vla.
sim. Vc. p
cresc.
Cb. p
mf
1827
2 4
Fl.
231
309 4 4
mf
f
mf
2 4
Cl.
4 4
mf
f
2 4
Cbsn.
mf
4 4 f
2 4
Hn.
4 4 f
mf
2 4
Tbn.
4 4 f
Cym. mf
2 4
4 4
2 4
4 4
2 4
4 4
pp
mf
Pno.
f
Syn.
7KH7HVW f
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
2 4
4 4
%HOOV,Q7KH6N\
mf
mf
LEA
CHRIS.
ALEX
Build
MICH.
me
a
new one.
all
the
Vln. I
Calm
309 4 4
mf
f
mf
sim.
2 4
4 4
mf
f
2 4
Vc.
f
2 4
mf
4 4
mf
Cb.
a
new
4 4 same.
2 4
Vla.
me
2 4 They're
Build
4 4 f
down.
L.E.
A.!
7KH7HVW
232
310
1833
Fl. f
Cl. f
Cbsn. f
Hn. f
Tbn. f
Glockenspiel Cym. mp
Pno.
f
mf
f
,Q/RYH:LWK+LV7R\
mf
Syn.
LEA
CHRIS.
ALEX
MICH.
You mean an
an droid???
310 Vln. I f
Vla. f
Vc. f
Cb. f
p
In
twen ty
years.
May
311
1841
Faster q = 120
312
233
4 4
Fl.
mf
4 4
Cl.
mf
4 4
Cbsn. f
4 4
Hn. f
mp
4 4
Tbn. mp
f
4 4
Glock.
4 4 mp
Pno.
cresc.
f
4 4
4 4 mp
Syn.
cresc.
f
4 4
LEA
4 4
CHRIS.
4 4 (ossia: Bb) lunga ALEX
4 4 You made her!
Make me a
new LE A, please!
MICH.
4 4 be much soo
ner,
who knows!
You'll
311
Faster q = 120
4 4
Vln. I mp
cresc.
f
4 4
Vla. mp
cresc.
f
mf ossia: Bb
4 4
Vc. f
mf
4 4
Cb. f
312
get
what you wish
for.
313 3 2
4 4
Cl.
3 2
4 4
Cbsn.
3 2
4 4
Hn.
3 2
4 4
Tbn.
3 2
4 4
Glock.
3 2
4 4
3 2
4 4
3 2
4 4
234 1849
Fl.
f
Pno.
7KH7HVW
3 2
4 4 ff
Syn.
3 2
4 4
3 2
4 4
3 2
4 4
3 2
4 4
LEA
CHRIS.
ALEX
Make
me a L.E. A.,
please.
MICH.
3 2 Some day
Vln. I
it
will
be
pos
4 4 si
313 3 2
ble,
some
day.
We
4 4 f
Vla.
3 2
4 4 f
Vc.
3 2
4 4 f
Cb.
3 2
4 4 f
are
314
1857
Like before q = 84
235
Fl. f
ff
p
Cl. p
Cbsn. ff
Hn. f
Tbn. f
HH,Sn,BD Glock. f
Pno.
%HOOV,Q7KH6N\
Syn.
p
ff
LEA
CHRIS.
ALEX
MICH.
al
most
there.
314
Like before q = 84
Vln. I f
ff
p
f
ff
p
f
ff
Vla.
Vc.
Cb. f
ff
7KH7HVW
315 236 1863
Fl. ff
p
f
ff
p
f
Cl.
Cbsn. f
f
Hn.
Tbn.
HH Sn BD ff
Pno.
%HOOV,Q7KH6N\
Syn.
ff
LEA
CHRIS.
ALEX
Build
me
a
new
L.E.
A.
MICH.
Science
is
al
most
315 Vln. I ff
p
f
ff
p
f
Vla.
Vc. ff
mf
ff
mf
f
f
Cb.
Confident q = 72
237
316
1869
3 4
Fl. mp
mp
3 4
Cl. mf
Cbsn.
3 4
Hn.
3 4 mp
mf
3 4
Tbn.
mp
mf
Glockenspiel HH Sn BD
3 4 mf
mp
3 4 mp
Pno.
mf
3 4
3XULW\
3 4 mf
mp
Syn.
3 4
LEA
3 4
CHRIS.
3 4
ALEX
3 4 Please!
MICH.
3 4 there.
Ne
ver
give
up
hope!
Confident q = 72
316 3 4
Vln. I mf
mp
mf
mp
mf
3 4
Vla.
3 4
Vc. mf
3 4
Cb. p
7UXWK$OLYH
238 1875
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Glock.
Pno.
Syn.
LEA
CHRIS.
ALEX
MICH.
Let's
Vln. I
Vla.
Vc.
Cb.
go!
WH32205 ISBN 978-87-598-3225-7