Bell A HARLOT'S PROGRESS ACT II

Iain Bell

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Opera in six scenes

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A Harlot’s Progress Libretto by Peter Ackroyd

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based upon William Hogarth’s 1730 etchings of the same name

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FULL SCORE

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PART THE SECOND (Scenes 4-6)

Chester Music

CH81037 Š 2013 Chester Music Limited Published in Great Britain by Chester Music Limited

Head Office: 14-15 Berners Street London W1T 3LJ England Tel +44 (0)20 7612 7400 Fax +44 (0)20 7612 7549

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All Rights Reserved Printed in Great Britain

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No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Chester Music Limited.

Commissioned by Theater an der Wien. First performance 13 October 2013 at Theater an der Wien, Vienna, with Diana Damrau (Moll Hackabout), Marie McLaughlin (‘Mother’ Needham), Tara Erraught (Kitty), Nathan Gunn (James Dalton), Christopher Gillett (St. John Lovelace) and Nicolas Testé (Coachman / Officer / Gaoler), the Arnold Schoenberg Choir and Wiener Symphoniker, conducted by Mikko Franck. Directed by Jens-Daniel Herzog.

DURATION c. 2’10”

CAST OF CHARACTERS Coloratura Soprano Mezzo-Soprano Mezzo-Soprano Baritone Tenor Bass

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MOLL HACKABOUT, a harlot ‘MOTHER’ NEEDHAM, a procuress KITTY, Moll’s maid JAMES DALTON, a highwayman ST. JOHN LOVELACE, Moll’s first ‘keeper’ COACHMAN / OFFICER / GAOLER

Londoners - Market traders and those buying their wares; Inmates of Bridewell Prison; Prostitutes and their clients

SATB Chorus

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Libretto © Copyright 2009 Peter Ackroyd. All Rights Reserved

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Performance materials are available on hire. Vocal score: Order number CH81048

INSTRUMENTATION

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Piccolo 2 Flutes 2 Oboes 2 Clarinets in Bb* 2 Bassoons Contrabassoon

2 Horns in F* 2 Trumpets in Bb* 2 Trombones Tuba

Timpani Percussion (2 players): Glockenspiel, Tubular Bells, large Suspended Cymbal, Triangle, Anvil, Whip Harp Strings (10.8.8.6.4)

*shown in transposition in full score Performance Note: All metronome markings are advisory; tempi may be changed at the discretion of singers and conductor to suit the performance space. Where two instruments share a stave, accidentals apply to both lines within a bar. All trills are semitonal to the note above unless stated otherwise. A single trill line above shared staves applies to both instruments. Through hairpins, dynamics should rise or fall to the one immediately above or below unless stated otherwise.

SYNOPSIS London, 1730 PART THE FIRST Scene One Amid the early morning bustle of the market at Cheapside, Moll Hackabout steps down from a carriage, having travelled from York in search of work as a seamstress. Awestruck yet daunted by the flurry about her, she is soon accosted by ‘Mother’ Needham, a procuress feigning to be Moll’s cousin, who quickly latches onto Moll’s naivety and material ambition, promising her a life of wealth and luxury. Encouraged, Moll leaves with her.

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Scene Two The Leadenhall Street home of Moll's elderly but wealthy keeper, St. John Lovelace. He bids Moll farewell as he leaves for work. Moll (now attended on by Kitty, at Mother Needham's request) asks Kitty to fetch her lover, the noted highwayman James Dalton, who is waiting nearby for her word. Kitty departs, but not before imparting a few words of caution to Moll about the precariousness of her behaviour. Dalton enters, and words of love and devotion are soon declared between them. As things become more physical, a noise is heard outside signalling the premature return of Lovelace; in haste, Dalton leaves. Upon entering the room, Lovelace notices Moll’s dishevelled appearance but is soon distracted when Moll suggests they make love. When the deed is done, and upon congratulating himself on his efforts, Lovelace discovers Dalton’s stocking tucked under the pillow. Refusing to hear any explanation, he throws Moll and Kitty out onto the streets. Dalton chances upon them and vows to provide for them both.

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Scene Three From a squalid garret in Drury Lane, Moll is working as a prostitute. Once alone with Kitty, she shares her concerns about Dalton, who he has been missing a long while. Kitty pleads with her to end such dependence on men and readies her for further work that evening. The scene cuts to an open road where Lovelace is awaiting Dalton. In an apparent attempt to win Moll back, Lovelace plans to intercept him and learn where she is residing. Despite Lovelace’s pleas, Dalton refuses to relinquish Moll. He strikes the old man in a fit of rage, steals his coin-purse and flees. He is followed. The scene returns to Drury Lane, where Moll notices a blemish on her face. Kitty reassures her that it is no cause for concern. Moll speaks in shame of her pregnancy and dreams of a new life with Dalton and their child in the country. Dalton returns and swiftly dashes any such hopes. A humiliated Moll attempts, but ultimately fails, to resist his subsequent sexual advances. Lovelace and several officers briskly enter and arrest Moll, Kitty and Dalton. Lovelace frames Dalton, claiming his stolen coin-purse to be payment made to Dalton for leading him to her. What had appeared to be Lovelace’s desire to win Moll back was in fact a plan for vengeance. They are all led away riotously.

PART THE SECOND

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Scene Four In Bridewell Prison, Moll’s pregnancy is nearing full-term. She is seen beating hemp rope, still clinging to her dreams of a new life with Dalton and their child. Her prior neuroses have escalated to fits of clouded lucidity; a progression of the syphilis now betrayed by the sores on her face. Outside, a coach waits to take Moll back to Yorkshire – at her family’s expense – but she refuses to leave until she is reunited with Dalton. Kitty and Needham begin fighting, following Needham’s repeated claims of being owed money. When the violence is at its peak, Needham reveals that Dalton has been hanged. This news sets Moll into labour, at which point she is ejected from the prison, with Kitty in tow, raving to herself that Dalton must still live and surely waits for her.

Scene Five Back at the garret in Drury Lane, Moll’s sanity and health are now at their most fragile and Kitty has taken sole charge of Moll’s newborn daughter, Emily. Moll fantasises to the point of hysteria about their future life in the country, to such a degree that she hallucinates Dalton’s return. After ‘Dalton’ says everything to Moll she had been waiting to hear, he swiftly and cruelly rejects both her and the child amid a torrent of abuse and vanishes as briskly as he appeared. This sets Moll into a violent, deranged frenzy. To protect the child, Kitty leaves with Emily in her arms, locking Moll in the room. After prolonged outbursts of rage, terror, profanity and defiance, Moll exhausts herself and takes to a chair. Wrapping herself in a sheet, she sings herself to sleep. Kitty returns soon after, to find her dead and cold.

Scene Six Moll’s wake takes place in the garret where she died. It is attended by a drunken coterie of prostitutes and their clients, gaggled around Needham who is in denial of any part she played in Moll’s demise. Lovelace also makes an appearance to gloat over the proceedings. The only honest grief can be seen on Kitty’s face. She can but watch in disgust as Needham speaks of her ‘plans’ for Emily. The cycle continues…

CONTENTS Page PART THE FIRST Scene One: Cheapside, daybreak

Chorus (SATB), Needham, Kitty, Coachman, Moll

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Interlude I: Innocence Betrayed

Chorus (SATB, offstage)

62

Scene Two: The house of Mister Lovelace

Lovelace, Moll, Kitty, Dalton

73 129

Scene Three: A garret room in Drury Lane / an open road at dusk Moll, Kitty, Officer, Lovelace, Dalton

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Interlude II: The Highest Bidder

Scene Four: Bridewell Prison

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PART THE SECOND

Chorus (SATB), Gaoler, Moll, Kitty, Needham

Interlude III: A Pox on the Drab Kitty, Moll, Dalton

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Scene Five: The garret room in Drury Lane Interlude IV: Come Down, Night

Chorus (SATB), Kitty, Needham, Lovelace

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Scene Six: The garret room in Drury Lane

243 315 324 398 400

This work is dedicated to you, My Beauteous.

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You are, and always will be, as much part of this work as I, Moll or the orchestra; etched into its harmony and heart.

243

A HARLOT’S PROGRESS

Libretto by PETER ACKROYD

IAIN BELL

PART THE SECOND Scene Four The interior of Bridewell Prison. Several women and two men are beating hemp with mallets. One is picking and eating vermin from her hair.

Heavily q = 44

Piccolo

Flutes 1.2

3 4

f

3 4

p

4 4

3 4

4 4

3 4

3 4

4 4

3 4

Clarinets in Bb 1.2

3 4

4 4

3 4

Bassoons 1.2

3 4

4 4

3 4

3 4

4 4 p

Horns in F 1.2

f

3 4

4 4

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Contrabassoon

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Oboes 1.2

p

3 4

4 4

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Trumpets in Bb 1.2

3 4

p Tuba

f

3 4 p

3 4

p

3 4

mf

sempre l.v.

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Percussion (2 players)

f

Anvil

f

3 4

Whip

sempre f

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Timpani

3 4

Harp

3 4

Violin I

Violin II

3 4

3 4 3 4

4 4

3 4

4 4

3 4

pp

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

p

Eb Fb Gb A§ D§ C# Bb

Heavily q = 44

mf

4 4

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Trombones 1.2

3 4

mf

pp 1.

3 4

div. con sord.

pp

pp

3 4

div Viola

3 4

4 4

3 4 pp

Violoncello

Double Bass

sul pont.

3 4 3 4

pp pizz.

4 4

3 4 arco sul pont.

3 4 pp

pp

© 2013 Chester Music Limited

4 4

CH81037

07/2013

244 q = 56 4

accel. poco a poco

Picc.

3 4

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3 4 p

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3 4 p

Cbsn.

3 4 mp

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f p

3 4 pp

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Tba.

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3 4 f

mp

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3 4 p

Perc.

3 4

(Anvil)

3 4

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mf

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3 4 q = 56

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Vln. I

3 4

Vln. II

3 4

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3 4

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p

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nat.

3 4

mp

D.B.

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pizz. (nat.) pp

245

7

1

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Fl. mp a2 Ob. mp

Bsn. mp

Cbsn. fp

fp

Tpt. mp legato

Tbn. mp legato

Tba. fp

fp

Timp. mf

p

mf

(Anvil) Perc.

(Whip)

Hp.

CHORUS (Inmates)

S. A. mp

T. B. Gao

lers

and

gaoled,

cut

1

pur

ses,

card

sharps

and

unis.

Vln. I pp div. con sord.

unis.

Vln. II pp

Vla.

Vlc. mf D.B. p

246

11

Picc.

Fl. mp

(a2) Ob.

mf

Bsn. mp

Cbsn. fp

fp mp legato Tpt. mp legato a2 Tbn.

Tba. fp

fp

Timp. p

mf

(Anvil)

Perc.

(Whip)

mf

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mp S. A. Gao

lers

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beard

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Vla. mf Vlc.

D.B.

mf

and

247

15

4 4

Picc. mf

4 4

Fl. mf

(a2)

4 4

Ob. mf

4 4

a2 Cl. mf

4 4

Bsn. mf

4 4

Cbsn. fp

fp mp

4 4

Tpt. mp mp

4 4

Tbn. mp

4 4

Tba. fp

fp

4 4

Timp. p

Perc.

mf

(Anvil)

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(Whip)

4 4 4 4

Hp.

4 4 mf

4 4

S. A. whores.

Gao

lers

and

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ma

dams

and

mf

4 4

T. B. Gao

lers

and

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cat

pur

ses,

card

sharps

and

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4 4

Vln. I

unis. Vln. II

4 4

Vla.

4 4 mf

mf

Vlc.

4 4

D.B.

4 4

248

19

Picc.

4 4

3 4

(a2) Ob.

4 4

3 4

(a2)

3 4

Cl.

4 4

Cbsn.

4 4

3 4

3

p

Tpt.

4 4

3 4 p

Tbn.

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Tba.

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3

3 4

3

3 4

3

p

Timp.

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3 4 p

f

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3 4

4 4

3 4

4 4

3 4

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(Anvil) Perc.

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p

4 4 whores

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B.

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4 4 frauds

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walls

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3 4

3

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walls

with

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3

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walls;

walls

with

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3

the same

3 4 walls;

walls

with

in

walls.

Vln. I

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Vln. II

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3 4

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3 4

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3 4

D.B.

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3

p

3 4

249

23

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3 4

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Fl.

Ob.

Cl.

3 4

6 8 mf

3 4

(a2)

(a2)

3 4

6 8

f

6 8

f Bsn.

Cbsn.

3 4

6 8 mf

3 4

6 8 fp

fp Hn.

3 4

6 8 mp

Tpt.

f

3 4

6 8

f f

Tbn.

3 4

6 8 f

Tba.

Timp.

Perc.

3 4 3 4 3 4 3 4

6 8 fp

fp

6 8 f

mp

6 8 6 8

(Anvil) Cymbals

ff

Whip

ff

3 4 Hp.

S.

6 8 f

3 4 3 4

f

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A.

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and

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mad

3 4

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Vln. II

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and

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D.B.

3 4

gaoled,

mad

Mol

lies

and

Tom

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Mol

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6 8 lers

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lies

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div. senza sord.

6 8

mp div. senza sord.

3 4

3 4

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Tom

6 8

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6 8

6 8

mp

6 8 mf

6 8 f

mf

6 8

250

2 27

Picc.

With building frenzy q. = 48

6 8 (a2)

Ob.

6 8 (a2)

Cl.

6 8

Cbsn.

6 8

Tpt.

6 8 mf

Tbn.

6 8 mf

Tba.

6 8 mf

Timp.

6 8

4

mf

4

(Anvil)

Perc.

6 8

4

4

4

4

4

4

f

6 8 Hp.

S.

mf

6 8

6 8

mf

New

gate,

the

Clink,

the

Fleet

the

Clink,

the

Fleet

the

Clink,

and

the

Bench.

the

Fleet

the

Bench.

the

Fleet

The same filth,

the same shit,

the same stench.

mf A.

6 8 mawkes.

T.

6 8

Vln. II

unis.

mf Vla.

6 8

Vlc.

6 8 mf

D.B.

gate,

the

Clink,

New

gate,

2 With building frenzy q. = 48 6 8 6 8

6 8

and

the

Bench.

Filth,

shit,

filth,

shit

and

and

The same filth,

the same shit,

filth,

shit

and

the same stench.

mf

6 8 mawkes.

Vln. I

gate,

mf

New

B.

New

arco mp

and

the

Bench.

Filth,

shit,

251 31

Picc. f

Fl. mf

Cl. mf

fp

fp

mf

fp

fp

a2 Bsn. mf

Tpt.

Tbn.

Tba.

Timp. 4

(Anvil)

4

gliss.

gliss.

Perc.

4

Hp.

4

S. White cross Street, Dead man’s Place,

Gilt

spur,

the Tun;

where we are

mf

robbed,

where we are raped,

fp

fp

Robbed,

raped,

robbed,

where we are raped,

we

are

un

done!

A. stench.

White cross Street,

Dead

man!

un

done.

T. White cross Street, Dead man’s Place,

Gilt

spur,

the Tun;

mf

where we are

fp

fp

Robbed,

raped,

we

are

un

done!

B. stench.

Vln. I

Vln. II

Vla.

Vlc.

D.B. mf

White cross Street,

Dead

man!

un

done.

252

rit. 35

3 4

Picc. mf

Fl.

3 4

Ob.

3 4

mf legato

3 4

Cl. (a2) Bsn.

3 4

Cbsn.

3 4 mf

3 4

Hn. mf legato Tpt.

3 4

Tbn.

3 4

Tba.

3 4

Timp.

3 4 (Anvil)

Perc.

Hp.

4

4

4

3 4 3 4

(Whip)

f

4

4

3 4

4

3 4 4

4

4

3 4

S. Whip ping

posts,

duck

ing

stools,

stocks

and

ca

ges,

stocks

and

ca

ges

are the

3 4

A. Whip ping

posts,

duck

ing

stools,

stocks

and

ca

ges

are

the

3 4

T. Whip ping

posts,

duck

ing

stools,

stocks

and

ca

ges,

stocks

and

ca

ges

are the

3 4

B. Whip ping

posts,

duck

(div.)

Vln. I mf

ing

stools,

stocks

and

ca

ges

are

the

rit.

3 4 3 4

Vln. II f

3 4

Vla. f Vlc.

3 4

D.B.

3 4 f

253 q = 48 38

Picc.

Fl.

3 4

ff

3 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

3 4

4 4

ff

Ob.

3 4 ff

Cl.

3 4

ff

(a2)

Bsn.

3 4

Cbsn.

3 4

ff

ff Hn.

3 4 ff

Tpt.

Tbn.

Tba.

3 4

ff

3 4 3 4

ff

ff

Timp.

ffp

3 4 ff

Perc.

Hp.

S.

3 4

T.

B.

ffp

p

ff

Cymbals f

ff

4 4 4 4

3 4 3 4

p

4 4 4 4

ff

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

4 4

3 4

3 4

ff

lan

A.

ffp

4 4

(Anvil)

3 4

ffp

3 4 3 4 3 4

guage

of

Lon

ff

don;

guage

lan ff

guage

lan

guage

of

Lon

3 4 don;

4 4 of

Lon

3 4 don;

4 4 of

Lon

4 4

the

4 4

lan ff

p

3 4 don;

p

the p

the p

4 4 4 4 4 4

the

q = 48

Vln. I

3 4

4 4

3 4

4 4

Vln. II

3 4

4 4

3 4

4 4

Vla.

3 4

4 4

3 4

4 4

Vlc.

3 4

4 4

3 4

4 4

D.B.

3 4

4 4

3 4

4 4

ff

ff

pizz.

ffp

ffp

ffp

ffp

254

42

4 4

Bsn.

2 4

4 4

3 4

2 4

p GAOLER (tautly, to Moll, who is deep in thought) mp

3 4

No more

4 4

S.

2 4 sta

ges

on

which

death

4 4

A.

ges

on

which

ges

on

which

and dis

2 4 sta

ges

on

which

2 4

are

played.

ho

nour

are

played.

ho

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are

played.

ho

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are

played.

3 4 death

4 4

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3 4 death

4 4

D.B.

and dis

2 4 sta

ho

3 4 death

4 4

B.

and dis

2 4 sta

T.

3 4

and dis

3 4

div.

pp

3

Taut q = 66

47

2 4

Picc. p

2 4

Fl. p a2

2 4

Ob. pp

Bsn.

2 4

Timp.

2 4 mf

2 4

(Anvil) Perc.

Whip

f

2 4 2 4

Gaolr. shirk

3

Taut q = 66

ing,

slut.

unis. pizz.

Vln. I

Bet

ter

to

2 4

pp D.B.

2 4

255

49

Cbsn.

2 4

3 4

4 4 pp

2 4

Tpt.

p

3 4

4 4

Timp.

2 4

3 4

4 4

Gaolr.

2 4

3 4

4 4

work

than

to

stand

like

p

He points to a woman tied to a post.

her.

arco

Vln. I

Vln. II

2 4

3 4

2 4

3 4

4 4

pp

4 4 pp

2 4

Vla.

2 4

Vlc.

3 4

4 4 pp

arco sul pont.

3 4

4 4

pp

52

3 4

Fl. p

3 4

Ob. p

3 4

Bsn. p

3 4

Cbsn. pp con sord.

3 4

Tbn. p

3 4

Tba. pp

3 4

Timp. p 3

3 4

Gaolr. She

has

a

turd

in

her

mouth;

her

lips

are

Vln. I

3 4

Vln. II

3 4

Vla.

3 4 arco

Vlc. p

3 4

256

4 55

Timp.

With a pendulous sway q = 48

3 4

4 4

2 4

5 4

2 4 2 4

5 4 5 4

2 4

5 4

p

3 (Anvil) 4 3 Tri. 4 mf

Perc.

4 4 4 4 MOLL sempre p

3 4

4 4 I

beat

3 4

Gaolr.

f

the

hemp

on

which

my

love

may

hang.

Let me

4 4

2 4

5 4

4 4

2 4

5 4

4 4

2 4

5 4

4 4

2 4

5 4

2 4

5 4

sweet.

4

With a pendulous sway q = 48 2 soli

3 4

pp gli altri div. a3

Vln. I

3 4

pp 2 soli

Vln. II

Vla.

3 4

pp

3 4

1 sola

4 4

p

61 (3.2)

Moll

5 4

3 4 kiss

it,

stroke

the

hemp

in

to silk,

2 8 kiss

his

neck,

stroke

his neck,

lull

him

to

sleep.

(3.2)

5 4

3 4

2 8

5 4

3 4

2 8

3 4

2 8

3 4

2 8

3 4

2 8

Vln. I

(2 soli)

5 4 Vln. II

5 4

gli altri

5 4

(1 sola)

ppp

pp

Vla.

5 4

le altre

pp

3 4 pp

Vlc.

5 4

2 8 pp

3 4

2 8 pp

D.B.

5 4

3 4

unis. pp

2 8

257

67

Fl.

5 2 8

A little faster

2 4

4 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

p

Bsn.

2 8

2 4

1.

4 4

p

Tpt.

2 8

2 4

4 4

mp

p

Perc.

Moll

2 8

2 8

mf

mf

No.

Gaolr.

2 4

(Tri.)

4 4

3

2 4 No.

2 8

No!

No

pri

son

2 4

3

4 4

could con

tain

4 4

him,

nor

gal

3

2 4 lows

stretch

3 4 him.

mf

2 4

3 4

I’ll

5 A little faster

(2 soli)

2 8 Vln. I

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

(gli altri div. a3)

2 8

Vln. II

2 4

2 8

tutti pizz.

2 4

4 4

arco div.

mp

p

pp Vla.

2 8

tutte div.

2 4

pp pp Vlc.

2 8

2 4

div.

pp

D.B.

2 8

2 4

p

258 Creeping e = 96 71

Picc.

Fl.

3 4

f

3 4

Cl.

mp

5 8 p

Ob.

5 8

(3.2)

f

(3.2)

6 8

5 8

6 8

6 8

5 8

6 8

6 8

5 8

6 8

6 8

5 8

6 8

mf

3 4

5 8

3 4

5 8

a2 mp

mp

tutti Bsn.

3 4

p

5 8

f

6 8

5 8

a2

6 8

p

Cbsn.

43

58 mp

Tbn.

f

mp

Tba.

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

5 8

6 8

Gaoler whips her back.

6 8

5 8

6 8

3 4 f

pp

3 4 mf

3(Anvil) 4

f Whip

3 4 3 4

Hp.

p

5 8

pp

Perc.

68

f

mp

Timp.

58

pp

senza sord. 1.

3 4

68

f

p

3 4 fp

Moll

(distressed)

3 4

Ah‌

Gaolr.

3 4

5 8

give you

more stripes than a

div. a2

tutti (div. a3)

Vln. I

wild

3 4

cat!

(3.2)

Creeping e = 96

5(3.2) 8

6 8

f

Vln. II

3 4

5 8

Vlc.

D.B.

3 4 3 4

6 8

mf

f

3 4

5 8

6 8

6 8 pizz.

pp

5 8

6 8

6 8

5 8

6 8

6 8

5 8

6 8

unis. p

p

5 8 f

5 8 pp

5 8 unis.

6 8

pp

f

Vla.

5 8

p

259

76

Picc.

6 q 4 4

6 8

= 60

mf

Fl.

6 8

4 4 mp

(a2)

Ob.

6 8

4 4

Cl.

6 8

4 4

(a2)

Bsn.

6 8

4 4 p

Cbsn.

6 8

4 4 p

Hn.

6 8

4 4 p

Tba.

6 8

4 4

Timp.

6 8

4 4

Perc.

6 8 6 8

Hp.

(Anvil)

4 4 4 4 p

6 8

4 4

6 8

KITTY

4 4

(cautiously, mp to a prisoner)

Look how Need

6 Vln. I

6 8

4 4

Vln. II

6 8

4 4

Vla.

6 8

4 4

Vlc.

6 8

4 4

q = 60

div. D.B.

6 8

4 4 pp

ham eyes

the

fair

ones;

makes you

260

79

Picc. p

Fl.

2 4

4 4

2 4

4 4

2 4 2 4

hold back

2 4

4 4

2 4

4 4

4 4

2 4

4 4

4 4

2 4

4 4

p

p

Ob. p 1. Cl. pp

p 1. Bsn.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

p

Cbsn.

mp

2 4

Tpt.

4 4

con sord.

p

Timp.

Perc.

Hp.

2 4

4 4

2 4

4 4

2 4

4 4

2 4 mp

She’s been ta

p

2 4

Kitty sick.

4 4

ken

for pro

cur

ing

on

my

word

p Glock. mf

p

4 4

and

Moll

swore

a

gainst her.

MOTHER NEEDHAM

2 4

4 4

2 4

(violently, to Kitty) mf

4 4

It was

hold back

2 4

1 solo

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

mp Vln. I gli altri div.

2 4

Vln. II

1 sola

4 4

2 4

4 4

2 4

4 4

p

p

ppp

ppp

mp

Vla. le altre

2 4

p

4 4

2 4 pp

4 4

4 4

2 4

4 4

4 4

2 4

4 4

p

p

D.B.

div.

pp

p

2 4

Vlc.

2 4

261

7 84

Violently q = 88

4 4

Picc.

hold back

2 4

3 4

4 4

p

Fl.

4 4

2 4

3 4

4 4

Ob.

4 4

2 4

3 4

4 4

mf

4 4

2 4 fp

fp

4 4

Timp.

2 4 f

f

3 4

4 4 mp

p

4 4

2 4

3 4 A# D# C#

Hp.

4 4

3 4

2 4

3 4

4 4

mf

4 4

2 4 you,

you

who be trayed

me,

3 4 bitch!

mp

4 4

Me?

Moth. Ndhm.

4 4

mf

2 4

4 4

Kitty

4 4

s.

f

3 4

glis

Tba.

mf

You be trayed

us

all.

4 4

You bitch!

7

unis,

Violently q = 88 Vln. I

4 4

hold back

tutti div.

2 4

3 4

4 4

mf

Vln. II

4 4

2 4

pp

3 4

4 4

div. tutti unis.

4 4

2 4

pp

3 4

4 4 p p

div. Vlc.

4 4

(pizz.)

2 4

3 4

pp

D.B.

4 4

4 4 p

2 4

3 4

unis. pp

p

Vla.

You

4 4

262

88

q = 88

2 4

Picc.

4 4

3 4 p

2 4

Fl.

4 4

3 4 p

2 4

Ob.

4 4

3 4

4 4

3 4

4 4

3 4

mp

2 4

Cbsn.

p

2 4

Hn.

p

2 4

Tba.

4 4

3 4

4 4

3 4

4 4

3 4

p

2 4

3

Kitty turned

us

in

to

whores.

mf

2 4

Moth. Ndhm.

Whores?

3

Vln. II

Vla.

q = 88

2 4

Vln. I

You

2 4

unis.

2 4

were meant

to

guard

her

and

di

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

div.

pp

Vlc.

unis.

2 4

div.

pp

D.B.

2 4

(div.)

p

p

263

92

Picc.

3 4

2 4

4 4

Slower q = 60

hold back

mp

mp

Fl.

3 4

2 4

1.

4 4

mp

mp

Ob.

3 4

2 4

1.

4 4

p

mf

Cl.

3 4

2 4

4 4 p

Bsn.

3 4

2 4

a2

4 4

mp

Cbsn.

3 4

2 4

4 4 pp

Hn.

3 4

2 4

4 4

Tba.

3 4

2 4

4 4

mp

Timp.

pp

3 4

2 4

4 4 pp

Perc.

3 4

Tri.

l.v. mf

3 4 Hp.

Moth. Ndhm.

2 4

4 4

2 4

4 4 mp

3 4

2 4

4 4

3 4

2 4

4 4

vide

the mo ney.

You were

meant

to

mp

watch

div. Vln. I

E ven

now,

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

Slower q = 60

p

Vln. II

3 4

pizz. div.

p

p

Vla.

3 4

Vlc.

3 4

arco

mp

D.B.

3 4

a mid all this

hold back

p

3 4

her.

f

2 4

4 4

unis.

pp

still you

264

97

8

2 4

Picc. p

3 4

4 4 f

(1.) Fl. p

(1.) Ob.

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

3 4

4 4

p

Bsn.

pp

Tpt. fp

Timp.

pp (Glock.)

2 4

Perc.

mf

2 4

3 4

p

Hp.

mf

2 4

mp

2 4

Moth. Ndhm. chir rup

4 4

at

her

tail.

Oh,

3 4

4 4

3 4

4 4

I

see

it.

8

1 solo Vln. I

2 4

3 4

4 4

2 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

p

1 solo arco

p

Vln. II

gli altri div. (pizz.)

2 4

p sul pont. (div.)

2 4

Vla. fp

2 4

Vlc.

sul pont. (div.)

pp

2 4

D.B. p

p

265

102

Picc.

4 4

3 4

4 4

2 8 mf

p

(1.)

Fl.

4 4

p

3

3

3

3

(1.)

Ob.

4 4

Bsn.

3

3

p

4 4

3 4

4 4

3 4

p 3

3

3

4 4 p

3 4

3 4

3

3

3

3

3

3

3

3

3

4 4

2 8

3 4 mf

2 8

3 4 mf

2 8

3 4

2 8

3 4

pp

Cbsn.

4 4

3 4

4 4 pp

Tba.

4 4

3 4

4 4

2 8

pp

Timp.

4 4

mf

pp

3 4

mf

4 4

2 8 pp

Perc.

4 4

3 4

(Tri.)

4 4

mp

3 4

3

4 4

3 4

4 4

2 8

3 4

2 8

3 4

2 8

3 4

be

it

is

3 4

4 4

3 4

4 4

her

dain ty cup

you are wait ing

to

4 4

3 4

Vln. II

Vla.

For

none

would gar

gle yours,

bun

ter!

div.

4 4

pp

tutti unis. (pizz.)

3

sip?

unis.

tutti div.

4 4

p

p

4 4

Vln. I

mf

2 8

p

May

3 4

4 4

Hp.

Moth. Ndhm.

3 4

2 8

3 4

pp

3

3 4

4 4

2 8

3 4

4 4

3 4

4 4

2 8

3 4

Vlc.

4 4

3 4

4 4

2 8

3 4

D.B.

4 4

3 4

4 4

2 8

3 4

mp

unis.

pp

mf

266

108

Picc.

Fl.

9 3 4

4 4

pp

3 4

mp

4 4 pp

Ob.

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

mp

3 4

4 4 mp

Cl.

3 4

4 4 pp

Bsn.

mp

3 4

a2

4 4

p

Cbsn.

3 4

4 4 mp

Tpt.

3 4

4 4 fp

Tba.

3 4

4 4

3 4

4 4

Timp.

3 4

4 4

3 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

mp

Perc.

3 4

4 4

(Tri.)

3 4 pp

Hp.

3 4 mf Kitty

mf

3 4 None of it.

p

None at

3

all.

I

had

lit

tle choice.

f

4 4

We were

naught

mp

3 4

to you, dead

to you when Love lace slung us.

We

4 4 had

to

Vln. I

9 3 4

4 4

3 4

4 4

Vln. II

3 4

4 4

3 4

4 4

Vla.

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

nat. (div.)

mp Vlc.

3 4

4 4

nat. (div.)

p

D.B.

3 4

div.

unis.

pp

4 4

div.

mf

mp

ppp

267

113

Picc.

10 4 4

2 4

With a chill (q = 60)

4 4 mp

Fl.

4 4

2 4

pp

4 4 mp

Cbsn.

4 4

2 4

4 4

pp

Tba.

ppp legato

4 4

2 4

4 4 ppp legato

Timp.

4 4

2 4

4 4

4 4

2 4

4 4

4 4

2 4

4 4

fp

Perc.

Hp.

4 4

Kitty

2 4

4 4

4 4

2 4 beg

and

dance

for

a

ny

4 4 filth that would have us.

Cym. pp

Eb Gb Ab Dยง

pp

Needham and Kitty square up to one another but are soon separated. The gaoler receives a message and conveys it to Moll.

p

Where were you

10 unis. div. Vln. I

4 4

2 4

Vln. II

mp

arco div.

2 4

p

Vla.

2 4

4 4

p

4 4 ppp

2 4

4 4

2 4

4 4

pp

D.B.

4 4 pp

sim.

4 4

p

Vlc.

unis.

ppp

unis.

(div.)

4 4

div.

4 4

ppp

4 4

With a chill (q = 60) unis.

div.

unis.

then?

p

unis.

ppp

div.

unis.

sim.

268

119

Picc.

Cbsn.

senza sord.

mp

Tpt. p

Tba.

(Cym.) Perc.

Hp.

p Moll My

mp

3

Gaolr. Hack a bout,

your pin

ings

have been pi tied.

Your fa mi ly

writes.

Vln. I

unis. pizz. Vln. II pp

pp

p

pp

p

Vla.

unis. Vlc. pp

D.B.

269

11 126

Picc. p

Fl. p

Ob. p

mp

pp

p

3

Cl. 3

pp

pp

pp

3

3

Bsn. pp

3

3

pp

Cbsn. pp

Hn. pp

mp

p

mp

p

mp

p

Tpt.

Tba. pp Timp. pp

Hp.

mf

p 3

Moll James,

I

knew it.

I knew he would

come.

mp

3

Gaolr. No. Not as I

11

unis.

Vln. I mp espress.

p

arco Vln. II pp

mp espress.

p

Vla.

Vlc.

D.B. p

ppp

270

130

Picc. p

Bsn. pp

Cbsn. p p

mf

mp

mf

mp

f

3

Tpt. 3

p mp

f f

mp

senza sord. Tbn. mf

p

mp

f

p

f

p

f

Tba. pp

Timp. p

Hp.

p

f

mp

mp

3

3

3

Gaolr. read.

Your

div.

cou

sin,

Su san Hack a bout,

has se cured

unis.

Vln. I ppp

pizz. Vln. II p

pp div.

unis.

Vla. ppp

Vlc. pp

p

D.B. p

your pas sage to

York

shire.

A coach sits out

271

136

Picc.

q = 90

molto accel.

2 4

3 4

4 4

f

2 4

Fl.

3 4

4 4 mf

2 4

Bsn.

3 4

4 4 pp

Cbsn.

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

3 4

4 4

pp

Tba. pp

Hp.

mf

2 4

Gaolr. side

and

will leave

pre

sent

ly.

So

go on.

molto accel. div.

Out!

Out

with you,

out

with

q = 90

unis.

Vln. I

2 4

3 4

4 4

Vln. II

2 4

3 4

4 4

pp p div. Vla. ppp

2 4

3 4

4 4 p div. p pizz.

Vlc. pp

2 4

pp

4 4 p

2 4

D.B.

3 4

3 4

4 4

272 A tempo q = 60 140

Picc.

12

4 4

hold back

q = 88

2 4

4 4

p

Fl.

4 4

2 4

4 4

p

Cl.

4 4

2 4

4 4

1. p

Cbsn.

4 4

2 4

4 4

4 4

2 4

4 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

pp

Hn.

Tba.

pp

pp

4 4 p

Hp.

4 4

Moll

p

4 4

York

Gaolr.

mf (angrily)

2 4 shire.

My

home.

I

4 4

will

2 4

4 4 not

I

4 4

you.

A tempo q = 60

div.

unis.

12 Vln. I

q = 88

hold back

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

pp

Vln. II

arco

4 4

div.

unis.

pp

4 4

1 sola

p

Vla. le altre (div.)

4 4

3

unis.

pp

4 4

1 solo

arco

p

Vlc. gli altri (div.)

4 4

3

2 4

arco unis.

4 4

p

D.B.

4 4

2 4 pp

div.

fp

4 4

273

146

Picc.

Calm q = 56

4 4

2 4

4 4

f

p

4 4

Fl.

2 4

4 4 pp

4 4

Ob.

2 4

4 4 pp

4 4

2 4

4 4

mf

Hp.

4 4

2 4

4 4

p

p (calmly)

4 4

Moll

can

not.

Not

4 4

Vlc.

out

James.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

ff

tutte div.

4 4

Vla.

with

4 4

Calm q = 56

div.

4 4

Vln. II

3

2 4

mf

tutti div.

fp

4 4

D.B.

fp

hold back

149

Picc.

2 4

4 4

3 4

Fl.

2 4

4 4

3 4

Ob.

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

pp 3

Cl. pp pp

Bsn. pp

Hp.

Moll

3

3

3

(p)

2 4

4 4

We shall

hold back

D.B.

2 4

pp

fol

4 4

3 4

3

low

on

la

ter,

to

3 4

274

152

Fl.

3 4

4 4

Cl.

3 4

4 4

With building tension q = 88

pp

Cbsn.

3 4

4 4 ppp

Tba.

3 4

4 4 ppp

Timp.

3 4

4 4 p

3 4

4 4 pp

Hp.

Moll

3 4

4 4

3 4

4 4 ge

Kitty

ther.

No mo ment

3 4

soon

er.

mf

4 4

Do

Vln. I

3 4

4 4

Vln. II

3 4

4 4

Vla.

3 4

pizz. (div.)

re

con

With building tension q = 88

4 4

p

Vlc.

3 4

4 4 pp

D.B.

3 4

4 4

mf

275

13 156

Picc. mf

Fl.

3 4

4 4

3 4

4 4

3 4

4 4

mf Cbsn.

3 4

Tba.

Timp.

3 4

Kitty

3 4 si

der,

Moll.

Re

con

mp

4 4

mp

4 4 4 4

si

der.

p

13 arco Vla.

3 4

4 4

3 4

4 4

3 4

4 4

p p pizz. Vlc. p

D.B.

158

Cl.

Cbsn.

Calm q = 50

4 4 4 4

p

2 4

3 4

4 4

2 4

3 4

4 4 p

Hn.

4 4

2 4

Tba.

4 4

2 4

p

3 4

4 4

3 4

4 4

3 4

4 4

pp Timp.

4 4

2 4

p (calmly)

Moll

4 4

pp

2 4

No,

I

will

re

p

3 4 main

here.

4 4

I

Calm q = 50

4 4 Vla.

1 sola

p legato le altre (div.)

4 4

4 1 solo 4 Vlc.

D.B.

4 4 4 4

gli altri div.

arco

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

p legato

276

161

Picc.

Fl.

Tba.

4 4

p

4 4

3

pp

4 4

3 4

4 4

3 4

4 4

3 4

4 4 ppp

4 4

Glock.

3 4

4 4

3 4

4 4

3 4

4 4

4 4

3 4

4 4

4 4

3 4

4 4

mf

Perc.

4 4

(Cym.) pp

4 4 Hp.

Moll

3

p

must,

Gaolr.

4 4

for

James.

3 4

mf

So

div.

Vln. I

4 4

4 4 be

it.

unis.

div.

3 4

4 4

ppp

(div.) Vln. II

4 4

3 4 ppp

pizz. unis.

4 4

pp

tutti Vla.

4 4

3 4

div.

4 4 ppp

Vlc.

4 4

3 4

tutti arco unis.

4 4

ppp

D.B.

4 4

3 4

unis.

ppp

4 4

277

14 164

Picc.

4 4

Taut q = 66 a2

3

3

3

3

2 4 3

p

Cbsn.

4 4

3

4 4

3

5 4 3

3

3

2 4

4 4

5 4

2 4

4 4

5 4

4 4

2 4

4 4

5 4

4 4

2 4

4 4

5 4

2 4

4 4

5 4

2 4

4 4

5 4

ppp

Tba.

4 4

(Glock.) Perc.

pp

Hp.

4 4

(tautly, to Moll) mp

Moth. Ndhm.

4 4

My,

14

you

ne

ver

were a cle ver

girl,

were

you,

Mol ly?

Why e ver did I

Taut q = 66

unis.

Vln. I

4 4

2 4

4 4

2 4

4 4

5 4

ppp

Vln. II

4 4

div.

unis,

5 4

p

unis. Vla.

4 4

2 4

4 4

5 4

Vlc.

4 4

2 4

4 4

5 4

D.B.

4 4

2 4

4 4

5 4

278

168

Picc.

Fl.

Ob.

Cl.

Bsn.

(2.3)

5 4

Violent q = 76

4 4

p

5 4

4 4

5 4

4 4

5 4

4 4

5 4

4 4

3 4

mf

3 4

3

mf

3 4

mf

3 4

p a2

3 4

p Cbsn.

5 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

mp

Hn.

5 4 p

Tpt.

5 4

con sord. p

Tbn.

5 4

Tba.

5 4

Timp.

5 4

mp

Hp.

Kitty

mp

5 4

4 4 (violently, to Needham) f

5 4

I

Moth. Ndhm.

gl

5 4

iss .

mf

5 4

3 4 3

4 4 will

scratch

your eyes

this

scab?

Now she

cut

off

your

tits!

mf

4 4 pick

out,

3 4

bleeds!

3 4

Then

(2.3) 2 soli

5 4

Violent q = 76

4 4

p

Vln. I

mf

3 4

div.

5 4

gli altri

4 4

3 4

p

Vln. II

(pizz.)

5 4

Vla.

5 4

Vlc.

5 4

p

pizz.

4 4

div.

3 4

4 4

3 4

4 4

3 4

4 4

3 4

p D.B.

sul pont,

5 4 p

279

170

Picc.

3 4

4 4

3 4

Fl.

3 4

4 4

3 4 mf

Ob.

3 4

4 4

3 4

Cl.

3 4

4 4

3 4

Bsn.

3 4

4 4

3 4

Cbsn.

3 4

4 4

3 4

44

43

4 4

3 4

(a2)

mf

Tbn.

43 mp

Tba.

3 4 p

Timp.

mf

3 4

4 4 mf

Moth. Ndhm.

3 4 mp

3 4

4 4 come

to me now.

Do

your

mo

ther

3 4 proud!

(2 soli)

3 4

4 4

unis.

3 4

mf Vln. I

3 4

(gli altri div.)

4 4

unis.

3 4

mf

Vln. II

3 4

4 4

unis.

3 4

mf mp div. Vla.

3 4

4 4

unis.

3 4

4 4

unis.

3 4

mp mp div. Vlc.

3 4 mp

D.B.

3 4

4 4

3 4

280

173

Picc.

3 4

4 4

4+1 4

4 4 mp

Fl.

3 4

4 4

4+1 4

4 4

p mp Cl.

3 4

4 4 f

4+1 4

4 4

4+1 4

4 4

p

3 4

4 4

Cbsn.

3 4

4 4

4+1 4

4 4

Tbn.

3 4

4 4

4+1 4

4 4

Tba.

3 4

4 4

4+1 4

4 4

Bsn.

p

pp

Timp.

3 4

4 4

4+1 4

4 4

Tri.

Perc.

3 4

4+1 4

4 4

Vln. I

3 4

4+1 4

4 4

4 4

tutti

ff

4 4 mp

Vln. II

3 4

pp

4 4

4+1 4 mp

Vla.

3 4

Vlc.

3 4

4 4

f

D.B.

3 4

pp

4 4

arco

pizz.

f

4 4

sul pont.

4+1 4

4 4

4+1 4

4 4

4+1 4

4 4

pp

4 4 mp

p

281

15 176

Picc.

4 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

ff

Fl.

4 4

2 4 mp

Ob.

f

4 4

2 4

p

Cl.

4 4

2 4

3 4

a2

2 4

p

Bsn.

4 4

2 4

3 4

2 4

2 4

3 4

2 4

mp

Cbsn.

4 4

pp

pp legato

Tpt.

4 4

2 4

2 4

3 4

2 4

f

fp

Tba.

3 4

4 4

2 4

pp legato

pp Timp.

4 4

2 4

3 4

2 4

(Tri.)

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

2 4

3 4

2 4

2 4

3 4

2 4

3 4

2 4

Perc.

mf

Hp.

4 4

Kitty

4 4

mf

Mo

Moth. Ndhm.

gli ss.

pp

3

ther?

The

4 4

mo

ther

of

muck,

2 4

muck!

mf

Let me

get

at you.

I

will

15 Vln. I

4 4

2 4

3 4

2 4

Vln. II

4 4

2 4

3 4

2 4

Vla.

4 4

2 4

3 4

2 4

p

Vlc.

nat.

4 4

p

2 4

3 4

2 4

3 4

p

D.B.

4 4

arco pp

p

2 4 2 4

282 Needham begins to scuffle with Kitty. When they are separated she turns on Moll. 179

Fl.

2 4

4 4

2 4 mf

Ob.

2 4

4 4

2 4

4 4

2 4

mp

Cl.

2 4

(a2)

mf

Cbsn.

2 4

4 4

2 4 mf

Tba.

2 4

4 4

2 4 mf

Timp.

2 4

4 4

2 4

2 4

4 4

2 4

2 4

4 4

2 4

2 4

4 4

2 4

mp

Hp.

Moth. Ndhm.

carve

Vln. I

2 4

your

face a

pret ty

mess

I

will,

I will,

I

will!

4 4

2 4 mf

Vln. II

2 4

4 4

(pizz.)

2 4

mf div.

4 4

unis

2 4

4 4

unis.

Vlc.

2 4

2 4

D.B.

2 4

4 4

Vla.

2 4 div. pizz.

2 4

283

182

Picc.

2 4

4 4

2 4

3 2

3 4

4 4

fp mp Fl.

2 4

4 4

2 4

3 2

3 4

Cl.

mp

4 4

2 4

3 2

3 1. 4

p

Cbsn.

2 4

4 4

p

p

2 4

1.

4 4

p

4 4

2 4

3 2

3 4

4 4 mp

p

Tba.

2 4

4 4

2 4

3 2

3 4 p

pp

Timp.

2 4

Perc.

2 4

(Tri.)

2 4

4 4

2 4

3 2

3 4

4 4

4 4

2 4

3 2

3 4

4 4

4 4

2 4

3 2

3 4

4 4

3 4

4 4

2 4

Vln. I

mf

p

Hp.

Moth. Ndhm.

2 4

4 4

2 4

3 2

Needham begins to scuffle with Kitty. When they are separated, she turns on Moll.

4 4

2 4

2 4

4 4

(to Moll) fp

fp

fp

Where

is

my

3 2

2 4

3 2 mp

Vln. II

2 4

4 4

2 4

Vlc.

2 4 2 4

4 4 arco

4 4

f

D.B.

2 4

pizz.

f

sul pont.

3 4

mp

mo

4 4 ney?

3 4

4 4

3 4

4 4

4 4

p

3 2 mp

Vla.

4 4

p

2 4

3 2

3 4

2 4

3 2

3 4

4 4

3 4

4 4

pp

pp

fp

4 4

2 4 mp

p

3 2

284

16 187

Picc.

Sinuous q = 60

4 4

3 4

2 4

3 4

2 4

3 4

mp

Fl.

4 4 p

Cl.

4 4

3

3

3

3

(1.)

3 4

3

3

3

3 4

3

3

3

3

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

3 4

3 4

2 4

p

Cbsn.

4 4 pp

Hn.

4 4

1. pp

Tbn.

4 4

p

Tba.

4 4 pp (Glock.)

Perc.

4 4 mp

4 4 pp

Hp.

4 4

Moth. Ndhm.

4 4

3

Board

and

lodg

ing

in

Park

Place,

(my ve ry

own

house.)

mp

Wash ing

3 4 of your

blood ied

li nens,

16 Sinuous q = 60

41 solo 4

3 4

p

2 4

3 4

2 4

3 4

gli altri div. sul pont.

Vln. I

4 4

3 4 pp

Vln. II

4 4

pp

3 4

1 solo arco

2 4

3 4

p

Vla.

4 4

3 4

2 4

3 4

Vlc.

4 4

3 4

2 4

3 4

D.B.

4 4

3 4

2 4

3 4

285

17 192

Picc.

3 4

2 4

3 4

3

4 4

3

mp

a2 Fl.

Bsn.

Cbsn.

3 4

3

3

2 4

3

mp

3 4

2 4

3 4

3

3

3

3 4

3

a2

3

3

4 4

3

3 4

p

4 4 mp

2 4

3 4

4 4 mp

p

Hn.

3 4

(1.)

2 4

3 4

4 4

3 4

4 4

mp

Tpt.

3 4

2 4 fp

Tbn.

3 4

mp 1.

2 4 p

Tba.

3 4

4 4

mp

3 4

2 4

3 4

p

Timp.

3

4 4

3

mp

3 4

2 4

3 4

4 4 mp

3 4

(Tri.)

3 4

2 4

3 4

4 4

2 4

3 4

4 4

p

Hp.

3 4

mf

2 4

3 4 mf

Moth. Ndhm.

3 4

3

2 4 (Oh, how

you

bled!)

Use

of

pet ti coats,

4 4 3

3 4

silk stock ings, now

use

less,

(blood ied

4 4 a

gain!)

17 (1 solo)

3 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

p Vln. I

(gli altri div.)

3 4

pp

3 4 Vln. II

(1 solo)

gli altri div. arco sul pont

3 4

p

p

Vla.

3 4

2 4

3 4

4 4

Vlc.

3 4

2 4

3 4

4 4

D.B.

3 4

2 4

3 4

4 4

(pizz.)

mp

mf

gliss.

Perc.

3

3

286 198

Fl.

3 4

Cbsn.

3 4

hold back

(a2)

mf

ppp

Tpt.

p

senza sord.

3 4

p

3 4

Moll mp

(incredulous)

Need

I

go

on?

Vla.

3 4

Vlc.

3 4

I

3

3 4

Moth. Ndhm.

mf

Suf

fice

it

to

say,

hold back

you owe

me.

div.

pizz.

mp nat.

arco div.

pp

3 4

D.B.

pp

18

Defiant q = 44

hold back

201

Picc.

4 4

2 8

4 4

4 4

2 8

4 4

2 8

4 4

2 8

4 4

2 8

4 4

2 8

4 4

2 8

4 4

2 8

4 4

mf

Fl.

4 4

Cbsn.

mf

3

mp Hn.

4 4

Tpt.

4 4

Timp.

4 4

mp

mp

4 4

mp

Hp.

4 4

3

Moll owe

18

you?

3

4 4

I owe you my

mp

2 8

sores,

4 4

I owe you

Defiant q = 44

hold back

tutti pizz. unis.

arco

4 4

Vln. I

2 8

4 4

2 8

4 4

2 8

4 4

4 4

2 8

4 4

4 4

2 8

4 4

f

mf tutti arco nat. Vln. II

4 4

p arco unis.

4 4

Vla.

nat. Vlc. unis. D.B. p

mp

3

p

pp

287

204

Picc.

4 4

2 8

Faster q = 88

3 4

2 4

4 4 ff

p

Fl.

4 4

2 8 pp

Cl.

mf

4 4

3 4

3

2 4 pp

4 4

3

mf

2 8

3 4

2 4

4 4

2 8

3 4

2 4

4 4

pp

Cbsn.

4 4

3

pp

Tba.

mf

4 4

2 8

3 4

2 4

4 4

2 4

4 4

2 4

4 4

pp

Timp.

4 4

2 8

3 4 mf

mp

p

Moll

3

4 4 my di sease.

3

2 8

I owe you my

4 4

sweat

3 4 and

2 8

blis

ters.

KITTY mf (snarling, to Needham)

3 4

A pox

on

you,

2 4 a

pox

on

you,

hell

Faster q = 88 p

div. Vln. I

4 4

2 8

3 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

p p

pizz. Vln. II

div.

4 4

2 8

3 4

pp p

Vla.

4 4

div.

2 8

3

3

pp

Vlc.

f

4 4

div.

2 8 3

3

pp

D.B.

mf

4 4

3

pp

2 8

div.

mp

ppp

mf

4 4

3

dame! You’re a bag of

288

210

Picc. mf

Fl. mf

mf

Cbsn. pp

Hn.

p con sord. Tpt. mp a2

con sord. Tbn. mp

Tba. p (Tri.) Perc.

f

mf

Hp.

mf Moll She is

the arch

whore,

arch

whore.

(mf ) Kitty pus.

An o

pen

sore.

unis. sul pont

Her big

arse

nat. div.

p

Vln. I p

p

p p

unis. arco sul pont.

div. pizz.

Vln. II p

p p

unis. Vla. pp unis. Vlc. p unis. D.B. p

289

214

2 4

Picc.

3 4

2 4 mp

mp

4 4 f

a2

2 4

Fl.

3 4 mp

fp

Hn. fp 3

fp

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

fp

p

2 4

Timp.

3 4

2 4

(Tri.) Perc.

mp

2 4

s.

mp

3

mf

4 4

fp

Tba. fp

2 4 p

glis

fp

3 4

fp

3

4 4

mp

2 4

3

Cbsn. fp

mf

2 4

mf

Hp.

Moll

2 4

3 4

2 4

3 4

mf

Wide o

mp

2 4

3

Kitty be

lov

f

ed

of

3 4 bug

bug

gers,

bug

to

all

co mers.

Mo

ther

2 4

4 4

gers.

unis.

Vln. I f

3

unis. Vln. II f

pizz.

3

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

3

Vla.

arco div.

fpp

f

2 4

Vlc.

3

2 4

D.B. fp

fp

3 4 fpp

div.

fpp

fp

gers,

pen

unis. fp

p

3 4 fpp

unis.

fp

p

3 4 p

290

19 220

Picc.

molto accel.

4 4

mp

Fl.

3

3

3

3

mf

3

3

3

3

3

3

3

3

4 4 mf

Ob.

1.

4 4

mp

Cl.

3

3

3

3

mf

mf

4 4 mf

Cbsn.

3

3

3

3

3

3

3

3

4 4 mf

Tba.

4 4

Timp.

4 4 mp

4 4 Hp.

4 4

Moll

4 4 Clap!

Kitty

Clap!

Clap!

mf

4 4

Clap!

Clap!

19 molto accel.

Vln. I

4 4

Vln. II

4 4

Vla.

4 4

Vlc.

4 4 mf

D.B.

4 4 mf

291 Cold, sinister, violent q = 60 222

Picc. ff 3

Fl. 3

3

3

ff a2

Ob. ff a2 Cl. f

Cbsn. f

ff

f

ff

Tba.

Timp.

Cym. ff Perc. (Tri.) ff

Hp.

3

3

Moll Clap! 3

Clap!

Clap!

Clap!

3

Kitty Clap!

Clap!

Clap!

Clap!

Clap!

(coldly) fp

fp

fp

Moth. Ndhm. And what

of

Cold, sinister, violent q = 60

Vln. I f arco

Vln. II f

Vla. f Vlc. ff D.B. ff

292

227

2 4

Picc.

3 4 p

mp

2 4

Fl.

a2

p

3

3 4

3

2 4

Ob.

3

3

3

(a2)

3 4

p

Cl.

2 4

3 4

2 4

3 4

p

Tpt.

p

2 4

3 4

2 4

3 4

mf

gli ss.

(Tri.) Perc.

f

mp

Hp.

mf Moth. Ndhm. you,

2 4

3 4

2 4

3 4

Moll Hack a

bout?

A

bun

div. sul pont.

2 4

Vln. I

3

3 4 p

Vln. II

2 4

Vla.

2 4

3 4

pizz.

3 4

p

Vlc.

2 4

3 4

2 4

3 4

pp

D.B. fp

but

tered

for

an

y

one’s

293

20 230

4 4

Picc.

mp

(a2)

4 4

Fl. (a2) Ob.

4 4

Cbsn.

4 4 mp legato

4 4

Tba.

f

mf

4 4

Timp.

mp

p

4 4 Hp.

4 4 4 4

Moth. Ndhm. taste!

mp

4 4

S. Strum

pet!

Punk!

Fire ship!

mp

CHORUS

Strum

Jilt!

A Smut!

A Crack! Trug

mold

ie!

Blow

pet!

Punk!

Fire ship!

Jilt!

fp

p

T.

4 4

Strum

fp B.

pet!

4 4

Strum

za bel

la! Blow za

bel

la!

Blow za

mp

4 4

A.

mp

mp

A Smut!

mold

ie!

Blow

za bel

la! Blow za bel

la!

mp

Punk!

p

pet!

A Crack! Trug

Smut!

Crack

Fri ca trix!

Fri ca trix!

Crack

Fri ca trix!

Fri ca trix!

mp

Punk!

Smut!

unis. nat.

20 4 4

Vln. I

p

Vln. II

4 4

Vla.

4 4

mp

mp

4 4

Vlc. p

4 4

D.B. p

mp

294

233

Picc. mp

Cbsn. mf

senza sord. Tbn. mf legato

3

3

Tba. mf

mf

Timp. mf

mf

mf

3

mf

3

3

S. bel

la! Blow

za bel

la!

Punch a

mp

mf

ble

Nun!

Punch a

mf

3

ble Nun!

Punch a

mf

3

ble

3

A. Blow

za bel

la! Blow

f

za bel

la!

Punch a

ble

Nun!

mf

Punch a

ble Nun!

Punch a

mf

3

3

T. Crack

f

Fri ca trix!

Fri ca trix!

Slee py eyed

Slug!

Slee py eyed Slug!

mf

mf

3

3

B. Crack

Fri ca trix!

Fri ca trix!

Slee py eyed

Slug!

Slee py eyed Slug!

Vln. I p

Vln. II mf 3

3

Vla. mf

Vlc. mf

D.B. mf

3

ble

295

235

Picc. mf

Cbsn. f

Tbn. f

3

3

3

3

Tba. mf

Timp. mf

3

3

S. Nun!

Punch a

ble Nun!

3

Punch a

ble Nun!

3

Mo

ther Mid

night!

Mo

ther Mid

night!

Mo

ther Mid

night!

Mo

ther Mid

night!

3

A. Nun!

Punch a

ble Nun!

3

Punch a

ble Nun!

3

Punch a

ble Nun!

3

3

T. Slee py eyed Slug!

3

Slee py eyed Slug!

3

Slee py eyed Slug!

3

Slee py eyed

3

B. Slee py eyed Slug!

Slee py eyed Slug!

Slee py eyed Slug!

Slee py eyed

Vln. I mf

Vln. II

Vla. 3

3

3

f

Vlc.

D.B. f

Fri ca trix!

Fri ca trix!

296

237

Picc. mf

Fl. f

Ob. f

Cl. f Bsn. f Cbsn.

Hn. f Tpt. f Tbn.

Tba.

Timp. mf Anvil ff

Perc. (Cym.)

mf

f

Hp.

S. Mo

ther Mid

night!

Mo

ther Mid

night! Fri ca trix!

Mo

ther Mid

night!

Mo

ther Mid

night! Fri ca trix!

Mo

ther

Mid

night!

Mo

ther

Mid

night!

Mo

ther

Mid

night!

Mo

ther

Mid

night!

A. Fri ca trix!

T.

B.

Vln. I mf Vln. II

Vla.

Vlc.

D.B.

Fri ca trix!

297

21

q = 40

240

2 4

Picc. p 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2 4

Fl. p 3

3

3

3

3

3

3

3

Cl.

2 4

Cbsn.

2 4

Tbn.

2 4

Tba.

2 4

Timp.

2 4 pp (Anvil)

Perc.

2 4 2 4

(Cym.)

2 4 A# C#

Hp.

2 4

mf

2 4

Gaolr. You

p

cats

stop your claw

ing

or

pp

p

ther Mid

stave

night!

pp

2 4

A. Mo p

ther Mid pp

night!

Mo p

ther Mid pp

night!

Mo

ther Mid

night!

2 4

T.

2 4

B.

21

q = 40

div. sul pont.

2 4

Vln. I pp pizz.

2 4

Vln. II p

mp

arco div. sul pont.

2 4

Vla. mp

2 4

Vlc. p div.

2 4

D.B. pp

will pierce

2 4

S. Mo

this

fpp

fpp

fpp

your

298

243

q = 56

3 4

Picc.

mp

3 4

Fl.

3

3

3

3

3

3

3

3

2 4 mp

2 4 mp

mp

3 4

Ob.

2 4 mf

3 4

Cbsn.

2 4 pp

3 4

Tpt.

2 4 mf

3 4

Tba.

2 4 pp legato

3 4

(Anvil) ff

Perc.

3 4

gl iss .

Hp.

2 4 2 4

Tri. mf

3 4

2 4

3 4

2 4

mf

mf

3 4

Kitty

Squeals?

Yes,

3 4

Gaolr. cun

nies!

My ears ring

2 4

3

from

the

chief

sow

of

2 4

bloo dy,

bloo

dy

to your squeals.

q = 56

3 4

Vln. I

2 4

mp

mp

3 4

Vln. II

2 4 nat.

3 4

Vla. f

mp

mp

mf

mp

fpp

div.

2 4

p

3 4

D.B.

2 4

p

unis. pizz.

3 4

Vlc.

div. unis.

2 4 fpp

299

Picc.

2 4

4 4

22 3 4

Fl.

2 4

4 4

3 4

4 4

Ob.

2 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

246

q = 44 quasi recit.

4 4

mp

Bsn.

2 4

4 4 p

Cbsn.

2 4

4 4 mp

Tpt.

2 4

4 4

3 4

1. senza sord.

4 4 p

Tba.

2 4

4 4

3 4

4 4

mp

2 4

4 4

3 4

2 4

4 4

3 4

4 4

mf

2 4

4 4

3 4

4 4

3 4

4 4

Un nat ’ral

Kitty

2 4 2 4

hag,

hag!

4 4 Lon

Moth. Ndhm.

4 4

mp

Hp.

Moll

pp

don.

f

4 4

Ve ry

p

mp

3 4 well.

22

4 4

Let me tell you

q = 44 quasi recit.

nat. div. Vln. I

2 4

4 4

3 4

4 4

3 4

4 4

p p div. (pizz.) Vln. II

2 4

4 4 p

Vla.

2 4

4 4

3 4

4 4

Vlc.

2 4

4 4

3unis. (pizz.) 4

4 4

pp

D.B.

2 4

4 4

3 4

unis. pp

4 4

300

249

Picc.

Cbsn.

Agitated, accel.

q = 56

mp

f

4 4

4 4 pp

f

(1.) Tpt.

4 4

p

Tba.

4 4

Timp.

4 4

3

ff

Perc.

fpp

fpp

fpp

3

4 (Anvil) 4 f

4 4 p

Hp.

mf

4 4 f Moth. Ndhm.

3

4 4 this,

2 soli

4 4

Moll Hack a bout.

Your

great

3

love,

James

Dalt

on

is

dead!

3

Dead!

q = 56

Agitated, accel.

pp gli altri div. a3

Vln. I

4 4

ppp

2 soli arco (div.)

4 4 pp Vln. II

mp

3

arco gli altri (div.)

4 4

pp

f

mp

3

div. Vla.

4 4

unis.

pp

Vlc.

4 4

arco

3

3

3

f

D.B.

4 4 fpp

fpp

fpp

fpp

ff

fpp

fpp

301

accel. poco a poco

252

Picc. ff pp

Fl. pp

Bsn. f

pp

Cbsn. ff

Hn. pp

Tba. ff

Timp. f

mp

f

(Anvil)

Glock.

mf

Perc.

Cym.

l.v. f

Hp.

f

mp Moth. Ndhm. Dead!

Dead!

He was

led

to

the

gal

lows

by

a

whore

like

accel. poco a poco Vln. I tutti

Vln. II ff

unis.

Vla. p pizz. div. Vlc. pp

D.B. f

you,

then

302

255

(accel.)

2 4

Picc. mp

With a chill q = 44

4 4

ff

mp

Fl.

2 4

4 4

2 4

4 4

mp Ob.

Bsn.

2 4

4 4

Cbsn.

2 4

4 4

1.

p

f

mp

Hn.

2 4

Tpt.

2 4

Tba.

2 4 p

4 4 con sord.

4 4

f

4 4

f

ppp

2 4

Timp. p

4 4 f

(Glock.) Perc.

2 4

4 4

2 4

4 4 pp

Hp.

2 4 2 4

Moth. Ndhm. stood

be

neath

the

rope

4 4 f

shat

and

mp

4 4 him

self!

With a chill q = 44 (accel.)

(2 soli)

2 4

Vln. I

(gli altri div. a3)

2 4 2 4

2 soli

4 4 4 4

2 4 Vla.

2 4

Vlc.

2 4

pp

4 4 f

4 4 4 4

2 4 mp

f

unis. pp

f

D.B.

ppp

4 4

gli altri

Vln. II

pp

4 4

No

303 Dainty q = 60 258

2 4

Fl.

a2

3 4

4 4 p

(1.) Ob.

2 4

3 4

2 4

3 4

4 4

p

Bsn.

4 4

a2 p

2 4

Cbsn.

3 4

4 4 pp

Tba.

2 4

3 4

4 4

2 4

3 4

4 4

f

Hp.

p

pp

2 4

3

3

Moth. Ndhm. trace of your he

ro,

3 4

mp (daintily)

2 4

no trace of your

man!

He

4 4

mf

3 4

was

3

3

3

4 4

ne ver so nim ble as when he was

hang

(2 soli)

Vln. I

Dainty q = 60

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

(gli altri div. a3)

(2 soli)

Vln. II

(gli altri)

Vla. ppp

p arco

pizz. div.

2 4

Vlc.

3 4

pp

4 4

p

D.B. mp

2 4

3 4 pp

4 4 mp

3

ing;

how he

304

23

accel.

With increasing tension q = 90

262

Picc. f

f 1.

Fl. mf

mp 1. Cl. mp

mp (a2) Bsn. pp Cbsn. p 1. senza sord. Tpt. p Tbn. p Tba. p

p

Timp. mp

Hp.

mp

mp

p

mf

Oh!

The

Moll

Moth. Ndhm. danced!

accel. (2 soli)

23

Vln. I

(gli altri div. a3)

pp (2 soli)

Vln. II

With increasing tension q = 90

p

mf unis.

(gli altri) f

mf

div.

unis.

Vla. mp

mp arco

unis.

Vlc. mp

p

D.B. p

mp

305 accel. poco a poco 265

2 4

Picc. f a2

2 4

Fl. f 1.

2 4

Ob. mp

mp

(1.)

2 4

Cl. mp

mp

1. (a2)

2 4

Bsn. mp

mp

2 4

Cbsn. fp

fp

mf

(1.) Tpt.

2 4

Tbn.

2 4 p

2 4

Tba. p

2 4 Hp.

2 4

2 4

Moll fa

ther’s

a

wo

ken

the

child.

It

stirs,

Aghh!

accel. poco a poco tutti div. a2

2 4

Vln. I mf

ff tutti

div. pizz.

2 4

Vln. II f

2 4

div. Vla. mf

ff

2 4

Vlc. fpp

fpp

fpp

fpp

fp

fp

mf

2 4

D.B. fpp

fpp

fpp

fpp

fpp

fp

fp

mf

306

Lightly q = 44

24 269

Picc.

2 4

25 4 4

accel.

3 4

q = 56

2 4

f

Fl.

2 4

3 4

4 4

2 4 f

Cbsn.

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

mp con sord. Tpt.

2 4 mp

Tbn.

p

2 4

p Tba.

2 4

3 4

4 4

2 4

Moll

3 4 mp

2 4

3 4

2 4

mp

mf

3 4

I

Moth. Ndhm.

2 4

mf (lightly)

Call,

Gaolr.

2 4 p

mp

Hp.

mp

call,

3

3

call for your coach. What?

Too late?

2 4

don’t

What a

shame,

2 4

4 4

2 4

4 4

2 4 lieve

you,

Need

ham.

You

are

4 4

2 4

4 4

2 4

shame!

(to Needham) mf

3 4

mp

4 4

be

3 4

mp

Get rid of her.

24

Lightly q = 44

25

accel.

q = 56

1 solo

2 4

3 4 mp

Vln. I

4 4 mp

2 4 ff

mf

gli altri (div.)

2 4

3 4

4 4

2 4 ff

1 solo arco

2 4

3 4

mp Vln. II

4 4

2 4

2 4

f

mp

gli altri (pizz. div.)

mf

pizz.

3 4

4 4

2 4 f

2 4

1 sola

3 4

mp Vla.

2 4

4 4 f

mp

le altre

2 4 mf

unis.

3 4

div.

4 4

2 4

f 1 solo

2 4

3 4

p

Vlc.

gli altri

2 4

p pizz.

mp

2 4

3 4

2 4

arco

fpp

fpp fpp

4 4

2 4 fpp

mp

3 4 pp

4 4 mp

mp

D.B.

mf

fpp fpp

4 4

2 4 fpp

fpp

fpp

fpp fpp

307

273

Picc.

2 4

hold back

3 4

accel.

4 4

2 4

p

Fl.

Ob.

Cbsn.

2 4

3 4

4 4

2 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

pp

2 4

pp

mf

Hn.

2 4

pp

Tbn.

2 4 mf

Tba.

3 4

4 4

2 4

3 4

4 4

2 4

ff

2 4

ppp

ff

2 4

3 4

4 4

Hp.

Moll

2 4

3 4

2 4

3 4 used

to

de ceiv

4 4

mp

ing.

2 4 p

2 4

4 4

James still

f

2 4 lives.

I

know

tutti

Vln. I

2 4

hold back

accel.

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

3 4

4 4

2 4

ff tutti (pizz. div.)

Vln. II

2 4

ff tutte (div.)

Vla.

2 4

ff

Vlc.

2 4

tutti

fpp

D.B.

fpp

ff

2 4

pp

3 4 fpp

fpp

ff

4 4

2 4 pp

it.

I

308

277

q = 56

accel. poco a poco

3 4

Picc.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

2 4

4 4

2 4

2 4

4 4

2 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

mf

3 4

Fl.

2 4 mf

3 4

Bsn.

2 4

a2 p

mf

3 4

Cbsn.

mp

Hn.

3 4

Tpt.

3 4

3

mp

mf

3 4

Tbn. f

2 4 3

mp

3 4

Tba.

mf

mf

mf

2 4

3

mf

mp

3 4

Timp.

mf

2 4 mf

Hp.

mp

Moll know

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

2 4

4 4

2 4

it.

3 4

Kitty

mf

3

But the child

may

3 4

Moth. Ndhm.

die.

2 4

4 4

f

It’s

mf

3 4

Gaolr. I

die,

said

get

2 4

2 4 all

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

rid of her.

div.

q = 56 Vln. I

accel. poco a poco

3 4 3 4

Vln. II

arco unis.

unis.

2 4

mf

mf

2 4

mp unis. Vla.

3 4

mf

2 4

p

mf

3 4

Vlc.

mf

2 4

mf

f

3 4

D.B. fp

2 4 f

309

26 282

Picc.

a tempo q = 56

accel.

2 4

4 4

2 4

4 4 mf

Fl.

2 4

4 4

2 4

4 4 mp

Cl.

2 4

1.

4 4

2 4

p

4 4 mp

p

Bsn.

2 4

4 4

2 4

4 4

Cbsn.

2 4

4 4

2 4

4 4 mf

Tpt.

2 4

4 4

Tbn.

2 4

4 4

1.

p

Tba.

2 4

2 4

4 4

2 4

4 4

2 4

4 4

mp

4 4 p

Timp.

Hp.

Moth. Ndhm.

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

mp

2 4 one.

26

The pro fit

mp

mp

4 4 is

the

same;

if

it

dies

it goes to the

na

to mist, if

a tempo q = 56

2 4

it

lives

it may prove a

lus

ty one.

accel. ppp

Vln. I

a

pp

4 4

2 4

4 4

pp

ppp

Vln. II

2 4

4 4

2 4

4 4

Vla.

2 4

4 4

2 4

4 4

Vlc.

2 4

4 4

2 4

4 4

2 4

4 4

pizz. mp

D.B.

2 4

4 4 pp

fpp

pp

310

289

Picc.

Faster q = 80

4 4 f

Fl.

4 4

3 4

4 4

p

4 4 f

Ob.

3 4

p

mf

4 4

3

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

mf p Cl.

4 4

(1.)

p Bsn.

4 4 p

Cbsn.

4 4

p

p

Tpt.

4 4

3 4

4 4 ff

Tba.

3

4 4

3 4

4 4 p

f

4 4

3 4

4 4

4 4

3 4

4 4

3 4

4 4

Hp.

mp Moll

4 4 Aghh!

Moth. Ndhm.

3 4 Kit ty. Take her out

side.

I

hate

the sight

and smell of

unis. pizz.

4 4

3 4 div.

3 4 3

3 4

f arco div.

fpp

D.B.

4 4

fp

fp fp

unis.

fpp

3

fp

pizz.

4 4

mf 3

4 4 fpp

unis. pizz.

mf

4 4 4 4

4 4 mf

f

Vlc.

4 4 birth.

f

Vla.

4 4

A pox on the

Faster q = 80

Vln. II

3

3

4 4

4 4

f

3 4

Now,

Vln. I

Aghh!

4 4 f

Gaolr.

Aghh!

fp fp

fpp

mp

3 4

4 4

3 4

4 4

mp

311

27 293

Picc.

4 4

2 4

4 4

3

ff

With poise q = 56

7 8

(4.3)

4 4 p

Fl.

4 4

2 4

3

ff

Ob.

4 4

4 4

7 8

4 4 p

2 4

4 4

a2

7 8

4 4

7 8

4 4

7 8

4 4

4 4

7 8

4 4

2 4

4 4

7 8

4 4

2 4

4 4

7 8

4 4

2 4

4 4

7 8

4 4

4 4

7 8

4 4

4 4

7 8

4 4

4 4

7 8

4 4

4 4

7 8

mp

Cl.

4 4

2 4

3

ff

Bsn.

4 4

4 4

2 4

4 4

a2

p

Cbsn.

4 4

2 4

3

ff

Tbn.

4 4 fp

Tba.

4 4 fp

Timp.

4 4

3

f

2Tri. 4

4 4

2 4

Hp.

4 4

3

f

gliss .

Perc.

4 4

f

2 4

3

mf Moll

4 4

2 4 Aghh!

Moth. Ndhm.

4 4

(she spits)

Moll is led out by Kitty. In the chaos, Needham escapes too.

4 4

Aghh!

I thank God

2 4

4 4

7 8

4 4

drab!

27 4 4

2 4

4 4

4arco div. 4

(4.3)

7 8

4 4

4 4

7 8

4 4

4 4

7 8

4 4

ff

Vln. II

With poise q = 56 unis.

arco div. Vln. I

pp

2 4

ff

4 4

div. Vla.

3

2 4

ff

Vlc.

4 4

2 4

div.

p

4 4

7 8

4 4

4 4

7 8

4 4

ff

D.B.

4 4

div.

p

2 4 mf

p (with poise)

312 hold back

299

3 4

Fl.

4 4

3 4

4 4

3 4

p

3 4

Cl.

p

p

3 4

Bsn.

a2

4 4

3 4

p

3 4

Hn.

Tpt.

3 4

Tbn.

3 4

4 4 pp

for

you, Kit ty.

4 4

pp

done

your share for

me,

p

3 4

Aghh!

Aghh!

ne ver

mind

it,

ne ver

3 4 mind

it.

Now come on,

hold back

Vln. I

3 4

4 4

Vla.

3 4

4 4

3 4

4 4

Vlc.

3 4

4 4

You have

p

3 4

4 4

3 4

Kitty

p

pp

mp

Aghh!

mp

3 4

4 4

3 4

Moll

senza sord. p

4 4

3 4

Tba.

3 4

we’ll see

you

3 4

arco unis.

3 4

pp

(div.)

3 4

pp

28

(p)

306

2 4

Bsn.

q = 90

4 4

2 4

4 4

2 4

4 4

(p)

2 4

Tpt.

senza sord.

4 4

mp

mp a2 Tbn.

2 4

4 4

2 4

4 4

Tba.

2 4

4 4

2 4

4 4 mp

2 4

Moll

(nervously)

Aghh!

He will be

2 4

Kitty right.

Ea sy does it,

ea

sy

2 4 wait

ing

for

me,

won’t he

4 4

4 4 Kit ty?

And

2 4

4 4

2 4

4 4

2 4

4 4

2 4

4 4

does it.

2 4

Vln. II

4 4

28 q = 90 pizz. div. 4 4 mp

2 4

Vlc. unis. D.B. pp

4 4

unis.

p

2 4

4 4 p

p

313

311

Picc.

4 4 f

Fl.

4 4 f 1.

Ob.

4 4 mp

mp

Cl.

1.

4 4

mp

Bsn.

mp

1.

4 4

mp

Cbsn.

Tbn.

mp

4 4 fp

fp

mf

fp

fp

mf

4 4 p

Tba.

4 4 p

Timp.

4 4 4 4 mf

Hp.

4 4

Moll

4 4 now

as

a

fa

ther,

a

fa

ther.

James

lives,

I

know

it,

I

know,

I

know,

I

div. Vln. I

4 4 mf

ff

Vln. II

4 4 f

Vla.

4 4

div.

ff

Vlc.

mf div.

4 4

fp

D.B.

unis.

fp

fp

fp

fp

fp

fp

mp

fp

fp

fp

fp

fp

fp

mp

4 4 fp

314 Slower q = 66 315

Picc. ff

mf

ff

mf

ff

mf

ff

mf

p

ff

mf

ff

mf

ff

mf

ff

mf

p

Fl.

(1.) Ob. mf (1.)

a2

Cl. mf

Bsn. mf

Cbsn. ppp

f

Hn. f

Tbn. mf

Tba. mf

ppp

Timp. mf

mf

mf

mf

p

p Moll know

it.

I,

I

know

it.

I,

I

know

Slower q = 66 unis.

Vln. I ff

mf

ff

mf

ff

mf

ff

mf

pp

ff

mf

ff

mf

ff

mf

ff

mf

p

ff

mf

ff

mf

ff

mf

ff

mf

p

Vln. II

Vla.

Vlc.

D.B.

315

Interlude III: A Pox on the Drab The music becomes more violent and frenzied, suggesting the pain of childbirth and Moll’s worsening state of syphilitic insanity.

29 320

Fl.

With a building intensity q = 66 pp

4 4

2 4

3 4

2 4

3 4

4 4

3 4

pp

Ob.

4 4

3

3

4 4

3

3

3 4

mf

Cl.

4 4

1.

3

2 a2 4

3

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

mp

Bsn.

3

3

3

p

Cbsn.

mf

1.

4 4

3

4 4 pp

Tpt.

4 4 pp

Tbn.

mf 3

4 4

2 4

3 4

4 4

2 4

3 4

4 4

3 4

4 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

2 4

3 4

4 4

3 4

mp

Tba.

Hp.

Moll

4 4

p

4 4

3

4 4

3

3

3

3 4

it.

29 Vln. I

With a building intensity q = 66

4 4 pp

arco Vln. II

4 4 pp

Vla.

4 4 pp

Vlc.

4 4 pp

D.B.

4 4 pp

316

30 326

Picc.

3 4

4 4

2 4

4 4

3 4

4 4

3 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

3 4

mf

Fl.

3 4

4 4 mf

Ob.

3 4

3

3

3

3

3

4 4

3

2 4

3

3

3

2 4 3

3

3

3

(a2)

Cl.

3 4

4 4 mf

Bsn.

3 4

4 4

f

Cbsn.

3 4

4 4

2 4

4 4

3 4 f

mf

Hn.

3 4

4 4

2 4

4 4

3 4 f

Tpt.

3 4

4 4

2 4

4 4

3 4

Tbn.

3 4

4 4

2 4

4 4

3 4

4 4

3 4

mf

Tba.

3 4

3

3

4 4

3

3

2 4

3

3

f

Vln. I

3 4

4 4

2 4

30 4 4

Vln. II

3 4

4 4

2 4

4 4

3 4

Vla.

3 4

4 4

2 4

4 4

3 4

3 4

f

Vlc.

3 4

4 4

2 4

4 4 f

mf

D.B.

3 4

4 4

2 4 mf

3 4

4 4

3 4 f

317

332

Picc.

2 4

3 4

4 4

3 4

31 2 4

hold back

3 4

2 4

3 4

2 4

3 4

2 4

ff

Fl.

2 4

3 4

4 4

mf

Ob.

2 4

3 4

4 4

3 4

2 4

p

3 4 mf

Cl.

2 4

3 4 f

4 4 3

3 4 3

2 4

3

2 4 p

3 4 mf

2 4 p

Bsn.

2 4

3 4

4 4

3 4

2 4

3 4

2 4

Cbsn.

2 4

3 4

4 4

3 4

2 4

3 4

2 4

Hn.

2 4

3 4

4 4

3 4

2 4

3 4

2 4

Tpt.

2 4

3 4

4 4

3 4

2 4

3 4

2 4

3 4

2 4

42

43

42

31

hold back

2 4

3 4

2 4

3 4

2 4

f

Tbn.

2 4

3

3 4

3

3

mf

4 4

3 4

2 4 mf

Tba.

24

43

44

43

div. Vln. I

2 4

3 4

4 4

3 4 f

Vln. II

2 4

3 4

4 4

div.

mp

3 4

2 4 mp

f

Vla.

2 4

3 4

4 4

3 4

2 4

3 4

div.

2 4

pp

div. Vlc.

2 4

3 4

4 4

3 4

2 4

3 4

2 4 pp

D.B.

2 4

3 4

4 4

3 4

2 4

3 4

2 4

318 q = 44

a brief respite

Fl.

2 4

4 4

Ob.

2 4

4 4

Cl.

2 4

4 4

Bsn.

2 4

4 4

340

pp

2 4

Hn.

4 4 pp

2 4

Tpt.

4 4 pp

a brief respite q = 44 1 solo

2 4

nat. con sord.

4 4

p sul pont.

Vln. I gli altri

2 4

4 4 pp

1 solo

2 4

nat. con sord.

4 4

sul pont.

Vln. II

gli altri (div.)

2 4

p

4 4 pp

2 4

Vla.

1 sola con sord.

4 4 p

2 4

Vlc.

1 solo con sord.

4 4 p

a little faster, Febrile

345

Ob. p

3

3

Bsn. p

a little faster, Febrile

Vln. I

Vln. II

tutte unis. senza sord. Vla. p 2 soli Vlc.

D.B. pp

319

349

Picc. 3

mp

3

3

3

pp

Ob. 3

3

3

3

3

2 4

3 4

2 4

3 4

2 4

3

Fl.

p

32 3 4

3

3

3

Bsn.

3 4

Cbsn.

3 4

1.

2 4 2 4

p

32

tutti (sul pont. div. senza sord.)

semi staccato

3 4

Vln. I

pp

tutti sul pont. (div. senza sord.)

semi staccato

3 4

Vln. II

pp

3 4

Vla.

3 4

Vlc.

tutti unis. senza sord. pp

Fl.

2 4

4 4

Ob.

2 4

4 4 p

Cl.

2 4

4 4 p

Vln. I

2 4

4 4

Vln. II

2 4

4 4

Vla.

2 4

4 4

Vlc.

2 4

4 4

D.B.

2 4

4 4

2 4 2 4

a2 351

2 4 2 4

3 4

D.B.

2 4

320

semi staccato

354

Picc. p

(a2)

Fl.

mp

Ob. 3

mp

p

Cl. 3

mp Hn. mp

mp Tpt.

Vln. I

Vln. II

Vla.

Vlc.

D.B.

3

321

33

Crashingly violent

357

Picc. f (a2)

ff

semi staccato

Fl. mf

ff

Ob.

Cl. ff

Cbsn. fp

f

Hn.

Tpt. mf

mp mf Tbn. mf

mf

Tba. fp

f

Timp. fp

33

Crashingly violent

Vln. I f

ff

f

ff

Vln. II

unis.

div. Vla. p

f

mp

Vlc. mf

D.B. mp

mp

322

360

Picc.

Fl. f

Ob. f

Cl. f a2 Bsn. f

Cbsn. fp legato

f

fp legato

f

fp

f

Tpt.

Tbn.

Tba.

Timp.

Cym. Perc.

mf

Vln. I

unis. nat. Vln. II f

Vla.

Vlc.

D.B. mf

323 q = 40 Still; a brief respite

362

Picc.

1. Fl. pp

Ob.

Cl. (a2) Bsn.

Cbsn.

1. Hn. pp

Tpt.

Tbn.

Tba.

Timp.

Tri. Perc.

ff (Cym.) ff

ff

Hp.

Vln. I ff

Vla.

Vlc.

D.B.

s.

ss.

glis

p

q = 40 Still; a brief respite

unis. nat.

Vln. II

g li

gli ss.

solo, liberamente

5

5

324

34 365

attacca

Fl.

Scene Five

The garret room in Drury Lane; even filthier than before. Appearing ransacked, the floor is strewn with broken plates, glasses and medical paraphernalia. Kitty is tending to the baby whilst Moll, who is covered in sores, stares into a broken mirror.

a little faster q = 50

4 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

pp

4 4

Ob.

1. p legato

4 4

Cl.

1.

p

(1.)

4 4

Hn.

p

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

4 4

2 4

3 4

2 4

3 4

4 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

p

4 4

Tpt.

1. p

Hp.

mp KITTY (wearily)

4 4

She has been scream

34 a little faster q = 50 4 4

ing,

she has been scream

ing to her

1 solo con sord.

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

p legato Vln. I

gli altri div. con sord.

4 4

pp

div. con sord.

4 4

Vln. II

1 solo (con sord.)

pp

div. con sord.

4 4

Vla.

p

p

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

pp

4 4

Vlc.

div. con sord.

pp

4 4

D.B.

attacca

325

371

Picc.

3 4

2 4

3 4

2 4

4 4 pp

Fl.

3 4

Ob.

3 4

(1.)

2 4

3 4

2 4

4 4

2 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

pp

Cl.

3 4

(1.)

2 4

3 4 fp

3

Kitty

3 4

2 4 self,

(1 solo)

Vln. I

3 4

mad

songs,

howl

ing songs of

Bed

lam.

My

head

aches,

how

it

sul pont.

2 4

3 4 mp

Vln. II

mp

3 4

(1 solo)

sul pont.

3 4

2 4

2 4

4 4

f

nat.

3 4 mp

2 4

4 4

f

mf

mp

3 4

2 sole senza sord. sul pont.

nat.

2 4

3 4

2 4

4 4

2 4

4 4

2 4

4 4

3 4

2 4

4 4

3 4

2 4

4 4

mp

f

mp

Vla.

3 4

le altre senza sord. nat.

2 4

3 4

mf p

3 4

2 soli

2 4

3 4

arco senza sord.

p Vlc.

3 4

gli altri pizz. senza sord.

2 4

pp

D.B.

3 4

2 4