Hugi Gudmundsson
EDITION WILHELM HANSEN WH33398
THE GOSPEL OF MARY
AN ORATORIOScore
An
Hugi Gudmundsson
THE GOSPEL OF MARY
Duration:(20oratorio21)c.60mins
Commissioned by Hallgrimskirkja, Friends of the Arts Society, Oslo International Church Music Festival & Aarhus Sinfonietta.
FULL SCORE
ISMN: 979 0 66134 700 2
Music engraving in Dorico Publisher’s editor: Christopher Corcoran
Edition Wilhelm Hansen, A/S Bornholmsgade 1A 1266 København K Denmark
www.wisemusicclassical.com
ISBN: 978 87 598 4392 5
WH 33398
Copyright © 2021 Edition Wilhelm Hansen, A/S, Copenhagen
ClarinetOboeInstrumentation:Flute/Piccolo/CorAnglais,inB ♭ / Bass Clarinet
60Duration:min.No intermission.
The Gospel of Mary is an oratorio based on the non canonical text from a fifth century papyrus codex which is popularly known by the same name. The codex was only discovered in the late nineteenth century but since then two other fragments have been found. However, a large part of the gospel is still missing. It is easy to speculate that a text of this nature had deliberately been kept away from the early Christians as it p resents a radical interpretation of Jesus' teachings as a path to inner spiritual knowledge and rejects the suffering and death as a path to eternal life. Furthermore it depicts the close relationship Mary Magdalene had to Jesus and that she indeed was an Apostle. A text that gives a woman an even higher status than the disciples would not have gone down well with the Church throughout the ages.
SopranoFrenchBassoonHornPercussionOrganSolo
The oratorio uses parts of the text from the Gospel of Mary in an English translation by Karen L. King. It is supplemented by other non canonical texts, texts by early female theologists and original choral verses by Niels Brunse and Nila Parly who have also compiled the whole libretto for the piece.
The role of Mary Magdalene is sung by a solo soprano while the choir takes on all other roles. A clear line through the piece is the interaction between Mary and the somewhat sceptical disciples who question the fact that Jesus appeared first to her after his resurrection. This line is interspersed with arias with more theological reflections on Mary, choral verses that reflect on the narrative and lastly short "meditations" by solo instruments that allow the audience to reflect on their own.
Violin I Violin DoubleVioloncelloViolaIIBass
(Strings for premiere: 2.2.2.2.1)
Chamber Choir (SATB, 5,4,4,5 min.)
About the piece:
“She said, ‘I saw the Lord in a vision, And I said to him, ‘Lord, I saw you today in a vision.’ He answered me, ‘How wonderful you are For not wavering at seeing me! For where the mind is, There is the treasure.’” iii
Gospel Text II:
Meditation I
Gospel Text I
Chorale Unwavering,I with inward joy, She reached out to the sight. Serenity immutable And never ending trust Were present, as in noontime skies On bright and cloudless days When the light rises Up and beyond our gaze.
"Seeking God would cost very dear If we could only do it When we were dead to the world. The Magdalene was not dead to the world When she found him.” iv
“Peter said to Mary, ‘Sister, we know that the Savior loved you More than all other women. Tell us the words of the Savior that you remember, The things which you know that we don’t, Because we haven’t heard them.’ Mary responded, ‘I will teach you
Aria I: Seeking God
TEXT AND MOVEMENTS
Praelud
InmemoriamHallfríðurÓlafsdóttir(1964 2020)
was called His companion. The Lord loved her more than He loved all other disciples.” i “When He rose early on the first day of the week, He appeared first to Mary Magdalene.” ii
Meditation III
Meditation II
“MaryPresentationiumMagdalene
“Andrew That‘Brothers,responded,IdonotbelievetheSaviorsaidthese things. Indeed they are strange ideas.’ And Peter said, ‘Did he speak with a woman In Withoutprivateour knowing about it? Are we to turn around and listen to her? Did he choose her over us?’” vi
About what is hidden from you. He told me of the soul’s ascent past the Powers. There were seven forms. The first form is darkness, The second is desire, The third is ignorance, The fourth is zeal for death, The fifth is the realm of the flesh, The sixth is the foolish wisdom of the flesh, The seventh is the wisdom of the wrathful person. These are the seven Powers of Wrath. They interrogated the soul, ‘Where are you coming from, And where are you going?’ The soul replied, ‘What binds me has been slain, And what surrounds me has been destroyed, And my desire has been brought to an end, And ignorance has died. I was set loose from the chain of forgetfulness Which exists in time. From this hour on, I will receive rest in silence.’ v
Meditation IV
Chorale II
He told her of such wondrous things, And she listened with joy. She taught them all what he revealed Which they had never heard. The darkness that confronts the soul Will fall away and cease, When the bright daylight Finally shines in peace.
Gospel Text III
“To the soul that seeth That we are endlessly oned to Him in love, It is the most impossible that may be, That God should be wroth. For wrath and friendship be two contraries.” viii
“Mary wept And said to Peter, ‘What are you imagining? Do you think That I have thought up these things by myself Or that I am telling lies about the Savior?’ Levi ‘Peter,answered,youhave always been wrathful. I see you contending against the woman. If the Savior made her worthy, Who are you to reject her? He knew her completely And loved her more than us.’” vii
“They were distressed and said, ‘How are we to preach the good news Of the Realm of the Child of True Humanity To the rest of the world? If they did not spare Him, how will they spare us?’ Then Mary stood up and greeted them all. ‘Do not weep, do not be distressed Nor be in doubt. For his grace will be with you all And will shelter you. He has united us And made us true Human beings.’” ix
Meditation V
He has united us, she said, We are one by his love. Let no one doubt, let no one weep, Let no distress come near. We see in trust and confidence A haven, a safe place; And the sight comforts, Heartens and grows apace.
Chorale III
Gospel Text IV
Gospel Text V
Aria II: To the Soul That Seeth
‘Peace be with you,’ The Blessed One said. ‘For the Child of True Humanity Exists within you.’ xi
“Mary turned their heart toward the Good, And Levi said, ‘We should be ashamed. We should clothe ourselves With the perfect Human, Acquire it for ourselves as he commanded us, And announce the good news.’” x
“’PeacePostludiumbewith you,’
VI
(Explanation of the abbreviations in the notes: BG 8502 = Papyrus Berolinensis; PRyl 463 = Papyrus Rylands; POxy 3525 = Papyrus Oxyrhynchus. See Karen L. King’s translation of the gospel in her book, TheGospelof MaryofMagdala, Polebridge Press, Santa Rosa, California, 2003, p. 13 18.)
i The Gospel According to Philip ii Mark, 16, 9 iii BG 8502, 7
iv Teresa of Avila v BG 8502, 6 + 9, edited vi BG 8502, 10 + PRyl 463, 10 vii BG 8502, 10 + PRyl 463, 10
viii Julian of Norwich ix BG 8502, 5 + PRyl 463, 5 x BG 8502, 5, 10 + POxy 3525, 5 + PRyl, 10 xi BG 8502, 4, edited
Gospel Text
“Mary Magdalene was called His companion.”
The Blessed One said, ‘Acquire my pea ce within yourselves.’ ‘Be on your guard So that no one deceives you.’
‘I saw the Lord in a vision’
Copyright©2021EditionWilhelmHansenAS,Copenhagen Libretto:NielsBrunse/NilaParly Music:HugiGuðmundsson 1.MeditationI
THEGOSPELOFMARY
≈60 Flute CorAnglais BassClarinet Bassoon FrenchHorninF Percussion Organ SopranoSolo Soprano Alto Tenor Bass ViolinI ViolinII Viola Violoncello Contrabass B Cl attacca [3]
consord consord consord consord consord consord consord consord pizz =60 ToCl inB♭ Flute CorAnglais BassClarinet Bassoon FrenchHorninF Xylophone TubularBells BassDrum Organ Soprano Alto Tenor Bass 1 2 ViolinI 1 2 ViolinII 1 2 Viola 1 2 Violoncello Contrabass Coro 2 2.Praeludium
conboccachiusa conboccachiusa conboccachiusa conboccachiusa mmm mmm mmm mmm Fl C A Cl inB♭ Bsn Xyl Tub Bells B Dr S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 6 3Praeludium
Cl inB♭ Fl C A Cl inB♭ Bsn Xyl Tub Bells B Dr S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 13 4 Praeludium
ToB Cl Fl C A Cl inB♭ Bsn Xyl Tub Bells B Dr S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 19 5Praeludium
senzasord senzasord senzasord senzasord senzasord senzasord senzasord senzasord arco =72 B Cl Fl C A B Cl Bsn Xyl Tub Bells B Dr Org S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb ToVib II A225 6 Vib Praeludium
Fl C A B Cl Bsn F Hn Vib Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb I 31 7Praeludium
Fl C A B Cl Bsn F Hn Vib Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 36 8 Praeludium
pizz pizz pizz pizz pizz pizz Fl C A B Cl Bsn F Hn Vib Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb I B2 41 9Praeludium
arco arco arco arco arco arco Fl C A B Cl Bsn F Hn Vib Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb II C2 46 Glock 10 Praeludium
Fl C A B Cl Bsn F Hn Vib Crot Glock Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb (alternativelyonglockenspiel) 50 11Praeludium
Fl C A B Cl Bsn F Hn Vib Crot Glock Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 54 12 Praeludium
pocorall Fl C A B Cl Bsn F Hn Vib Crot Glock Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb attacca attacca attacca 58 13Praeludium
=72 sub sub sub sub sub sub sub sub sub Flute CorAnglais ClarinetinB♭ Bassoon FrenchHorninF Crotales Organ Soprano Alto Tenor Bass 1 2 ViolinI 1 2 ViolinII 1 2 Viola 1 2 Violoncello Contrabass 14
3.Presentation
Ma ry Ma ry Ma ry Mag da lene was called his com Ma ry Ma ry Ma ry Mag da lene was called his com Ma ry Ma ry Ma ry Mag da lene was called his com Ma ry Ma ry Ma ry Mag da lene was called his com Ma ry Mag da lene was called his com Ma ry Mag da lene was called his com Fl C A Cl inB♭ Bsn F Hn 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb A3 B39 15Presentation
pa nion Ma ry Mag da lene, Ma ry Mag da lene pa nion Ma ry Mag da lene, Ma ry Mag da lene
pa nion Ma ry Mag da
Ma ry
Ma ry Mag
pa nion Ma ry Mag da
pa da lene, Mag da lene lene, da lene lene, lene
Ma ry Mag da
nion Ma ry Mag
pa nion Ma ry Mag da lene, Ma ry Mag da lene Fl C A Cl inB♭ Bsn F Hn 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 17 16 Presentation
mmm mmm The Lord loved her more than He loved all oth er dis cip les ToPicc Picc C A Cl inB♭ Bsn F Hn 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 25 17Presentation
When he rose ear
ly Picc ToFl ToOb Picc Ob Cl inB♭ Bsn F Hn B Dr Org 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb C3 31 18 Presentation
When he rose ear ly the Lord, the Lord
When he rose ear ly the Lord, the Lord
the Lord, the Lord
When he rose ear ly the Lord, the Lord
When he rose ear ly the Lord, the Lord
When he rose ear ly the Lord, the Lord
first day of the week When he
on
on the
mmm When he on the first day of the week When he the first day When
mmm
he Fl Fl Ob Cl inB♭ Bsn F Hn B Dr Org 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 39 19Presentation
on the first day of the week
on the
of the week mmm
on the first day of the week
on the first day of the week
on the first day of the week
first day of the week When he
on the first day of the week When he
rose, when he rose, mmm rose, when he rose, he ap peared first to Ma ry,
rose, when he rose, he ap peared first to Ma ry,
ToPicc ToB Cl Vib Fl Ob Cl inB♭ Bsn F Hn Vib Org 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 46 20 Presentation
nonvib nonvib
rose, when he rose, mmm
rose, when he rose, mmm
rose, when he rose, mmm
ord ord Ma ry Mag da Ma ry Mag da Ma ry Mag da Ma ry Mag da
he peared
first to Ma ry Mag da lene
to Ma ry Mag da lene
he peared first
he peared first
ap
ap
to Ma ry Mag da lene he ap peared first to Ma ry Mag da lene ToFl Fl B Cl Picc Ob B Cl Bsn F Hn Glock BellTr Sz Cym 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb D3 53 21Presentation
ap
lene Ma ry Mag da lene lene Ma ry Mag da lene lene Ma ry Mag da lene lene Ma ry Mag da lene Ma ry Mag da lene Mag da lene Ma ry Mag da lene Mag da lene Ma ry Mag da lene Mag da lene Ma ry Mag da lene Mag da lene Fl Ob B Cl Bsn F Hn 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 61 22 Presentation
=68 I saw the Lord in a vis ion and I said to Him, She said, She said, She said, Flute Oboe BassClarinet Bassoon Vibraphone SopranoSolo Alto Tenor Bass 1 2 ViolinI 1 2 ViolinII 1 2 Viola 1 2 Violoncello Contrabass Soprano Solo1 Solo2 Solo 23 4.GospelTextI
Lord, I saw you to day in a vis ion in a vis ion ToPicc Fl Ob B Cl Bsn Vib S s S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb ToCl inBb 8 24 GospelTextI
cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc He an swered me, Howwon der ful you are Fornotwa ve ring at see ing me! For wherethemind is, How won der ful you are Fornotwa ve ring at see ing me! For wherethemind How won der ful you are Fornotwa ve ring at see ing me! For wherethemind How won der ful you are Fornotwa ve ring at see ing me! For wherethemind How won der ful you are Fornotwa ve ring at see ing me! For wherethemind How won der ful you are Fornotwa ve ring at see ing me! For wherethemind Picc Picc Ob B Cl Bsn Vib S s S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb Tutti Tuttidiv in2 A415 25GospelTextI
sure Trea sure Trea sure is,
There is the trea sure Trea sure The trea sure is,
There is the trea There is the trea
sure Trea sure Trea sure is, There is the trea sure Trea sure Trea sure is, There is the trea sure Trea sure Trea sure is, There is the trea sure Trea sure Trea sure sub sub sub sub sub sub Picc Ob B Cl Bsn S s S 1 2 A T B VlnI 1 2 VlnII Vla Vc Cb attacca attacca unis unis unis attacca 24 26 GospelTextI
pizz pizz =75 Un wa ver ing, with in ward joy, she reached out to the sight Se ren i ty im Soprano Solo glialtri ViolinI 1 2 ViolinII Viola (Chorus) mut a ble and ne ver end ing trust were pre sent,as in noon time skies on bright and cloud less S Solo glialtri VlnI 1 2 VlnII Vla 7 days whenthe light ris es up and bey ond our gaze rit. S Solo glialtri VlnI 1 2 VlnII Vla attacca attacca 13 27 5.ChoraleI
arco arco ≈100 Flute TubularBells ViolinI 1 2 ViolinII 1 2 Viola Violoncello Fl 4 6 cresc 8 cresc 12 cresc cresc alternatefingerings 14 pocorit attacca 17 InmemoriamHallfríðurÓlafsdóttir(1964 2020)28 6.MeditationII
consord consord consord consord consord consord =60 ( ) Flute Oboe ClarinetinB♭ Bassoon FrenchHorninF Vibraphone Organ SopranoSolo 1 2 ViolinI 1 2 ViolinII 1 2 Viola Violoncello Contrabass 29 7.AriaI-SeekingGod
pizz Seek ing God, Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb A77 30 AriaI SeekingGod
sub sub seek ing God seek ing God would cost ve ry dear sub sub sub sub sub sub sub sub Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 14 31AriaI SeekingGod
would cost ve ry dear if we could on ly do it Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 21 32 AriaI SeekingGod
arco pizz if we could on ly do it when we were dead to Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb (ossia8vb) 29 33AriaI SeekingGod
the world when we were dead to the Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 36 34 AriaI SeekingGod
arco pizz arco pizz pizz arco arco world dead to the world when Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 43 35AriaI SeekingGod
we were dead to the world The Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 49 36 AriaI SeekingGod
Mag da lene wasnot dead to the world when she found him Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb B7 C7 58 37AriaI SeekingGod
arco arco Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 66 38 AriaI SeekingGod
Seek ing God, Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 73 39AriaI SeekingGod
seek ing God Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb 80 40 AriaI SeekingGod
God God Fl Ob Cl inB♭ Bsn F Hn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb attacca attacca attacca 87 ( ) ≈75 Bassoon 4 41AriaI SeekingGod 8.MeditationIII
Pe ter said to Ma ry Sis ter,
=75 =80
Pe ter said to Ma ry Sis ter,
Sis ter, we know that the Sis ter, we know that the Sis ter, we know that the Sis ter, we know that the
Pe ter said to Ma ry Sis ter,
Piccolo Oboe ClarinetinB♭ Bassoon FrenchHorninF BassDrum Organ SopranoSolo Alto 1 2 Tenor 1 2 Bass 1 2 ViolinI 1 2 ViolinII 1 2 Viola 1 2 Violoncello Contrabass Solo1 Soprano Tutti Solo2 Tutti Solo Tutti 42 9.GospelTextII
Sav ior, wom en Sav ior, wom en Sav ior loved you more than all oth er wom en Sav ior loved you more than all oth er wom en Sav ior loved you more than all oth er wom en Sav ior loved you more than all oth er wom en Picc Ob Cl inB♭ Bsn F Hn B Dr S A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 6 43GospelTextII
Tell, Tell, Tell us the Tell us the Tell us the Tell us the Picc Ob Cl inB♭ Bsn F Hn B Dr S A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 9 44 GospelTextII
Sav ior, Sav ior, words of the Sav ior that you re mem ber, words of the Sav ior that you re mem ber, words of the Sav ior that you re mem ber, words of the Sav ior that you re mem ber, Picc Ob Cl inB♭ Bsn F Hn B Dr S A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 12 45GospelTextII
things things
The things which you know that we
Picc Ob Cl inB♭ Bsn F Hn B Dr S A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 15 46 GospelTextII
The things which you know that we
The things which you know that we
The things which you know that we
don’t, heard them don’t, heard them don’t, Be cause we hav en’t heard them don’t, Be cause we hav en’t heard them don’t, Be cause we hav en’t heard them don’t, Be cause we hav en’t heard them Picc Ob Cl inB♭ Bsn F Hn B Dr S A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 18 47GospelTextII
=68 I will Ma ry re spon ded, Ma ry re spon ded, Ma ry re spon ded, ToFl Picc Ob Cl inB♭ Bsn F Hn B Dr S s S A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb Solo1 Solo2 Solo A921 48 GospelTextII
cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco teach you a bout whatishidd en from you He toldme of the souls a scent pastthe Fl Ob Cl inB♭ Bsn Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb B926 49GospelTextII
cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco Pow ers There were se ven forms Thefirstform is dark ness, dark ness; Fl ToB Cl B Cl Fl Ob Cl inB♭ Bsn Org S s 1 2 VlnI 1 2 VlnII Vla Vc Cb 33 50 GospelTextII
the sec ond is de si re; the third is ig nor ance; the fourth is zeal for death, zeal for Fl Ob B Cl Bsn F Hn Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 39 51GospelTextII
cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco death; the fifth is the re alm of the flesh; the sixth is the fool ish wis dom of the flesh; ToCl inB♭ Fl Ob B Cl Bsn F Hn Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb Cl inBb 44 52 GospelTextII
cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco cresc pocoapoco the se venth is the wis dom of the wrath ful per son Vib Fl Ob Cl inB♭ Bsn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 49 53GospelTextII
sub sub These are the se ven Pow ers of Wrath They in ter ro gate ed the soul, Fl Ob Cl inB♭ Bsn Vib Org S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb C9 55 54 GospelTextII
motoron arco =55 Where are you com ing from, and where are you go ing? What bi[nds] [bi]ndsme ha[s] [ha]sbeen slain Crot Fl Ob Cl inB♭ Bsn Vib S s S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb (sowandsubtle swells fortheentiredurationofthenote) ToCrot D9 E962 55GospelTextII
and what sur rou[nds] and my de si[re] [surrou]ndsme ha[s] ha[s] [ha]sbee[n] [ha]sbeen de stroyed, [bee]nbrought to an end, Vib Crot Vib Crot Fl Ob Cl inB♭ Bsn Vib S A T B 1 2 VlnI 1 2 VlnII Vla Vc Cb 69 56 GospelTextII
[i]gno[rance]
chain Vib Fl Ob Cl inB♭ Bsn Vib S A T B 1 2 VlnI 1 2 VlnII Vla Vc Cb 75 57GospelTextII
[fro]mthe
[igno]ra[nce]
[ignora]ncehas died
and i[gnorance]
I was set loo[se]
[loo]sefro[m]
[e]xi[sts] [thi]shou[r]
[Whi]che[xists] [fro]mthi[s]
of for get ful ness [exi]stsin time [hou]ron Crot Vib Crot Fl Ob Cl inB♭ Bsn Crot S A T B 1 2 VlnI 1 2 VlnII Vla Vc Cb 81 58 GospelTextII
Whi[ch] Fro[m]
I in si lence wi[ll] in si lence [wi]llre[ceive] in si lence [re]ceive rest in si lence Vib Fl Ob Cl inB♭ Bsn Vib S A T B 1 2 VlnI 1 2 VlnII Vla Vc Cb 87 59GospelTextII
offstage ≈72 FrenchHorninF inF 7 inF 11 =66 He has u nit ed us, she said, We are one by his love Let no one doubt, let mmm mmm mmm Soprano Alto Tenor Bass ViolinI ViolinII Viola Violoncello Contrabass 60 10.MeditationIV 11.ChoraleII
no one weep, Let no dis tress come near We see in trust and con fi dence A ha ven, a safe S A T B VlnI VlnII Vla Vc Cb 6 place; And the sight com forts, Heart ens and grows a pace S A T B VlnI VlnII 1 2 Vla Vc Cb 12 61ChoraleII
=86 Piccolo CorAnglais ClarinetinB♭ Bassoon FrenchHorninF BassDrum Organ Soprano Alto Tenor Bass ViolinI ViolinII Viola Violoncello Contrabass I(Reed) II 62 12.GospelTextIII
pocorit Picc C A Cl inB♭ Bsn F Hn B Dr Org S A T B VlnI VlnII Vla Vc Cb 6 63GospelTextIII
ToOb Picc C A Cl inB♭ Bsn Org S A 1 2 T 1 2 B VlnI VlnII 1 2 Vla 1 2 Vc Cb Solo1 Solo2 Solo A12 11 64 GospelTextIII
Bro thers, bro thers I can not be lieve
atempo An drew re spond ed, An drew re spond ed, An drew re spond ed,
Bro thers, bro thers I can not be lieve
I
Bro thers, bro thers can not be lieve
Bro thers, bro thers I can not be lieve
And Pe ter said,
that the Sa vior said these things that the Sa vior said these things
that the Sa vior said these things
And Pe ter said,
And Pe ter said,
that the Sa vior said these things
Ob Picc Ob Cl inB♭ Bsn Org S A 1 2 T 1 2 B 1 2 VlnI VlnII 1 2 Vla 1 2 Vc Cb (Solo1) (Solo2) (Solo) 17 65GospelTextIII
Did he speak with a wo man in pri vate?
Picc Ob Cl inB♭ Bsn B Dr Org S A 1 2 T 1 2 3 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb (Solo1) (Solo2) (Solo) B1223 66 GospelTextIII
Did he speak with a wo man in pri vate?
Did he speak with a wo man in pri vate?
Did he speak with a wo man in pri vate?
Did he speak with a wo man in pri vate?
In pri vate? with out our know ing a In pri vate? with out our know ing a In pri vate? with out our know ing a In pri vate? with out our know ing a In pri vate? with out our know ing a Picc Ob Cl inB♭ Bsn B Dr Org 1 2 T 1 2 3 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 27 67GospelTextIII
bout it? Are we to turn a bout it? Are we to turn a bout it? Are we to turn a bout it? Are we to turn a bout it? Are we to turn a Picc Ob Cl inB♭ Bsn B Dr Org 1 2 T 1 2 3 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 31 68 GospelTextIII
round and list en to her? Did he choose
round and list en to her? he choose
Did
round and list en to her? he choose
round and list en to her? Did he choose
cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc
Did
Picc Ob Cl inB♭ Bsn B Dr Org 1 2 T 1 2 3 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 34 69GospelTextIII
round and list en to her? he choose
Did
her ov er us? her ov er us? her ov er us? her ov er us? her ov er us? Picc Ob Cl inB♭ Bsn B Dr Org 1 2 T 1 2 3 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 37 70 GospelTextIII
ToFl Picc Ob Cl inB♭ Bsn B Dr Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb Fl I II C12 40 71GospelTextIII
Fl Ob Cl inB♭ Bsn B Dr Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 43 72 GospelTextIII
Fl Ob Cl inB♭ Bsn B Dr Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 46 73GospelTextIII
Fl Ob Cl inB♭ Bsn B Dr Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 49 74 GospelTextIII
Fl Ob Cl inB♭ Bsn B Dr Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 52 75GospelTextIII
ToXyl Fl Ob Cl inB♭ Bsn B Dr Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 55 76 GospelTextIII
Fl Ob Cl inB♭ Bsn F Hn Xyl Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb D12 58 77GospelTextIII
Fl Ob Cl inB♭ Bsn F Hn Xyl Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 61 78 GospelTextIII
Fl Ob Cl inB♭ Bsn F Hn Xyl Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 64 79GospelTextIII
Fl Ob Cl inB♭ Bsn F Hn Xyl Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 67 80 GospelTextIII
Fl Ob Cl inB♭ Bsn F Hn Xyl Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 70 81GospelTextIII
Fl Ob Cl inB♭ Bsn F Hn Xyl Org 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb ToCorA 32 73 82 GospelTextIII
consord consord =75 Ma ry wept, and Ma ry wept, and Ma ry wept, and Flute CorAnglais BassClarinet Bassoon FrenchHorninF Tamtam SopranoSolo Soprano Alto ViolinI ViolinII Viola Violoncello Contrabass Solo1 Solo2 Solo 83 13.GospelTextIV
sultasto sultasto sultasto sultasto consord consord consord consord consord What areyou im ag in ing? said to Pe ter said to Pe ter said to Pe ter Fl C A B Cl Bsn S s S A 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb (Solo1) (Solo2) (Solo) A137 84 GospelTextIV
Do you think that I have thought up these things by my self or that Fl C A B Cl Bsn S s S A 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 14 85GospelTextIV
I am tell ing lies lies a bout the Sav Fl C A B Cl Bsn S s S A 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 19 86 GospelTextIV
ior? Le vi an swered Le vi an swered Le vi an swered Fl C A B Cl Bsn S s S A 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb B1324 87GospelTextIV
Pe ter, have al ways been wrath ful I see you con
you
al ways been wrath ful I see you con
Pe ter, have
you
ord ord ord =72
you
al ways been wrath ful I see you con
Pe ter, have
you
ToCl inB♭ Fl C A B Cl Bsn 1 2 3 S 1 2 A VlnI 1 2 VlnII 1 2 Vla Vc Cb Tuttidiv in3 Tuttidiv in3 Tuttidiv in2 29 88 GospelTextIV
you
Pe ter, have al ways been wrath ful I see you con
Pe ter, have al ways been wrath ful I see you con
wor thy who are we to re
we
wor
Sa vior made her thy who are to re
re
Sa
tend ing a gainst the wo man
tend ing a gainst the wo man
tend ing a gainst the wo
If
Sa vior made her
Sa vior made her wor thy who are we to re
tend ing a gainst the wo man the vior made her thy who are to
we
If the
man
wor
Sa vior made her wor thy who are we to re
If the
If the
Fl C A Cl inB♭ Bsn 1 2 3 S 1 2 A VlnI 1 2 VlnII 1 2 Vla Vc Cb 34 89GospelTextIV
If the
man
tend ing a gainst the wo
Cl inB♭ Fl C A Cl inB♭ Bsn F Hn Tam 1 2 3 S 1 2 A 1 2 VlnI 1 2 VlnII 1 2 Vla Vc Cb attacca attacca attacca 40 ≈45 ( ) CorAnglais attacca 4 90 GospelTextIV 14.MeditationV
ject her? He knew her com plete ly and he loved her more than us
He knew her com plete ly and he loved her more than us
ject her?
ject her? He knew her com plete ly and he loved her more than us
ject her? He knew her com plete ly and he loved her more than us
ject her? He knew her com plete ly and he loved her more than us
Ped legato consord =45 ( ) ToOb Ob Flute CorAnglais ClarinetinB♭ Bassoon FrenchHorninF Vibraphone SopranoSolo ViolinI ViolinII Viola Violoncello Contrabass consord consord To thesoul that se eth tothe soul that se eth thatweare end less ly oned by him in Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb A-157 91 15.AriaII-TotheSoulThatSeeth
love oned by him in love love It is the most im Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb 13 pos si ble that may be, that God shouldbe wroth Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb B1519 92 AriaII TotheSoulThatSeeth
consord To thesoul that se eth tothe soul that se eth that we are Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb 24 end less ly oned by him in love oned by him in love love It Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb 30 93AriaII TotheSoulThatSeeth
is the most im pos si ble that may be, that God shouldbe wroth Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb 36 Forwrath and friend ship betwocon tra ries Fl Ob Cl inB♭ Bsn F Hn Vib S s VlnI VlnII Vla Vc Cb pocomarcato pocomarcato C15 43 94 AriaII TotheSoulThatSeeth
Flute Oboe ClarinetinB♭ Bassoon FrenchHorninF TubularBells Organ SopranoSolo Soprano Alto Tenor Bass ViolinI ViolinII 1 2 Viola 1 2 Violoncello Contrabass Solo1 Solo2 Solo 95 16.GospelTextV
They were dis tressed and said,
=80 =110
They were dis tressed and said,
They were dis tressed and said,
senzasord senzasord senzasord senzasord senzasord senzasord How are we to preach the good news How are we to preach the How are we to preach the good news How are we to preach the good news Of the How are we to preach the good news How are we to preach the How are we to preach the good news How are we to preach the good news Of the How are we to preach the good news How are we to preach the good news How are we to preach the good news How are we to preach the good news ToB Cl Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T B VlnI VlnII 1 2 Vla 1 2 Vc Cb Tuttidiv a2 Tuttidiv a2 6 96 GospelTextV
good news Of the Re alm of the Child Of the Re alm of the Re alm of the Child Of the Re alm of the Child, of the good news Of the Re alm of the Child Of the Re alm of the Re alm of the Child Of the Re alm of the Child, of the Of the Re alm of the Child Of the Re alm of the Child Of the Re alm of the Child B Cl Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T 1 2 B VlnI VlnII 1 2 Vla 1 2 Vc Cb 14 97GospelTextV
Child, of the Child of True Hu ma ni ty Child of True Hu ma ni ty How are we to Child, of the Child of True Hu ma ni ty Child of True Hu ma ni ty How are we to of True hu ma ni ty of True hu ma ni ty of True hu ma ni ty Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T 1 2 B VlnI VlnII 1 2 Vla 1 2 Vc Cb 22 98 GospelTextV
How are we to preach the good news How are we to preach the preach the good news How are we to preach the good news Of the How are we to preach the good news How are we to preach the preach the good news How are we to preach the good news Of the How are we to preach the good news How are we to preach the good news How are we to preach the good news How are we to preach the good news Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T B VlnI VlnII 1 2 Vla 1 2 Vc Cb A16 30 99GospelTextV
good news Of the Re alm of the Child Of the Re alm of the Re alm of the Child Of the Re alm of the Child, of the good news Of the Re alm of the Child Of the Re alm of the Re alm of the Child Of the Re alm of the Child, of the Of the Re alm of the Child Of the Re alm of the Child Of the Re alm of the Child Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T 1 2 B VlnI VlnII 1 2 Vla 1 2 Vc Cb 37 100 GospelTextV
of True Hu ma ni ty
of True hu ma ni ty to the of True hu ma ni ty to the of True hu ma ni ty to the Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T 1 2 B VlnI VlnII 1 2 Vla 1 2 Vc Cb 45 101GospelTextV
Child to the rest of the world?
Child, to the rest of
of the Child of True Hu ma ni ty
Child, of the Child of True Hu ma ni ty to the rest of the Child of True Hu ma ni ty to the rest of the world?
the
rit
world?
If they did not spare Him,
If they did not spare Him, how rest of the world? If they did not spare Him, how should rest of the world? If they did not spare Him, how should rest of the world? If they did not spare Him, how should
Fl Ob B Cl Bsn F Hn Org 1 2 S 1 2 A T 1 2 B VlnI VlnII 1 2 Vla 1 2 Vc Cb SW B1653 102 GospelTextV
If they did not spare Him, how world? If they did not spare Him,
=80 how should they spare us? should they spare us? how should they spare us? should they spare us? they spare us? they spare us? ToCl inB♭ Fl Ob B Cl Bsn F Hn Tub Bells Org 1 2 S 1 2 A T B VlnI VlnII 1 2 Vla 1 2 Vc Cb ToVib 63 103GospelTextV
senzavib senzavib senzavib =72 Do not weep, do not be di stressed Then Ma ry stood up and greet ed them all Then Ma ry stood up and greet ed them all Then Ma ry stood up and greet ed them all ToPicc Cl inB♭ Fl Ob Cl inB♭ Bsn Org S s S A VlnI VlnII 1 2 Vla 1 2 Vc Cb Solo1 Solo2 Solo C16 71 104 GospelTextV
Nor be in doubt For his grace will bewithyou all Picc Glock Vib Glock Picc Vib S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 80 And will shel ter you He has u Vib Glock Picc Vib S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 87 105GospelTextV
ni ted us And made us true Hu man be ings Vib Glock Picc Vib S s 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 93 Picc Vib Glock Sz Cym 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 99 106 GospelTextV
arco senzavib consord hotel senzavib consord hotel senzavib consord hotel senzavib consord hotel =55 Piccolo Oboe ClarinetinB♭ Crotales Glockenspiel BellTree Soprano Alto Tenor Bass 1 2 ViolinI 1 2 ViolinII 1 2 Viola 1 2 Violoncello Randompitchfromhightolow 107 17.ChoraleIII
Picc Ob Cl inB♭ Crot Glock BellTr S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc 9 108 ChoraleIII
He He He He Picc Ob Cl inB♭ Crot Glock BellTr S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc 17 109ChoraleIII
he re vealed Which they had ne ver heard The dark ness that con fronts the soul Will
S A T B 30 fall a way and cease, When the bright day light Fin al ly shines in peace fall a way and cease, When the bright day light Fin al ly shines in peace fall a way and cease, When the bright day light Fin al ly shines in peace fall a way and cease, When the bright day light Fin al ly shines in peace S A T B 35 110 ChoraleIII
he re vealed Which they had ne ver heard The dark ness that con fronts the soul Will
And
told her of such things, she list ened with joy She taught them all what told her of such wond rous things, And she list ened with joy She taught them all what told her of such wond rous things, And she list ened with joy She taught them all what told her of such wond rous things, And she list ened with joy She taught them all what
wond rous
he re vealed Which they had ne ver heard The dark ness that con fronts the soul Will
he re vealed Which they had ne ver heard The dark ness that con fronts the soul Will
=60
S A T B A17 25
=72
Ma ry turnedtheir heart to ward the Good, and Le vi said,
Flute Oboe ClarinetinB♭ Bassoon FrenchHorninF Organ Soprano Alto ViolinI ViolinII Viola Violoncello Contrabass Solo1 Solo2 Solo 111 18.GospelTextVI
Ma ry turnedtheir heart to ward the Good, and Le vi said,
Ma ry turnedtheir heart to ward the Good, and Le vi said,
should
the
clothe our
Weshould clothe our
Weshould our selves with per fect Hu man
We should be a shamed
We be a shamed
A Fl Ob Cl inB♭ Bsn Org 1 2 3 S 1 2 A 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb Tuttidiv in3 Tuttidiv in2 A18 11 112 GospelTextVI
Weshould selves with per fect Hu man
with the per fect
clothe
ord ord ord ord We should be a shamed
clothe our
A We should be a
A
Weshould selves with the per fect Hu man
A
the
Weshould clothe our selves with the per fect Hu man shamed selves Hu man shamed
A We should be a
us and
as
us and
qui re it for our selves as he com man ded an
us and
nounce the good news qui re it for our selves as he com man ded us and an nounce the good news qui re it for our selves as he com man ded us and an nounce the good news Fl Ob Cl inB♭ Bsn Org 1 2 3 S 1 2 A 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb attacca II (cf) attacca (cf) attacca 19 113GospelTextVI
qui re it for our selves as he com man ded an the good news
nounce
nounce
qui re it for selves he com man ded an the good news
our
arco =64 ( ) ( ) ToGlock Flute CorAnglais ClarinetinB♭ Bassoon FrenchHorninF Crotales Organ SopranoSolo Soprano Alto Tenor Bass 1 2 ViolinI 1 2 ViolinII Viola Violoncello Contrabass I 2' III II (cf) 114 19.Postludium
arco ToCrot Crot Glock Fl C A Cl inB♭ Bsn F Hn Glock Org 1 2 VlnI 1 2 VlnII Vla Vc Cb I 2' III 5 115Postludium
ToCrot Fl C A Cl inB♭ Bsn F Hn Glock Org 1 2 VlnI 1 2 VlnII Vla Vc Cb I 9 116 Postludium
arco Crot Glock ToCrot Fl C A Cl inB♭ Bsn F Hn Crot Org 1 2 VlnI 1 2 VlnII Vla Vc Cb 2' III I 13 117Postludium
arco Crot Glock Fl C A Cl inB♭ Bsn F Hn Crot Org 1 2 VlnI 1 2 VlnII Vla Vc Cb 2' III 17 118 Postludium
arco ToCrot Crot Glock Fl C A Cl inB♭ Bsn F Hn Glock Org 1 2 VlnI 1 2 VlnII Vla Vc Cb I 2' III 21 119Postludium
Fl C A Cl inB♭ Bsn F Hn Glock Org 1 2 VlnI 1 2 VlnII Vla Vc Cb 25 120 Postludium
Fl C A Cl inB♭ Bsn F Hn Glock Org 1 2 VlnI 1 2 VlnII Vla Vc Cb 29 121Postludium
Peace be with you, peace be with you the bless ed one said Peace be
ToOb Fl C A Cl inB♭ Bsn F Hn Org 1 2 S 1 2 A T B VlnI VlnII Vla Vc Cb A19 32 122 Postludium
Peace be with you, peace be with you the bless ed one said Peace be with you,
Peace be with you, peace be with you the bless ed one said Peace be with you, Peace be with you, peace be with you the bless ed one said Peace be
Peace be with you, peace be with you the bless ed one said Peace be
Peace be with you, peace be with you the bless ed one said Peace be
with you, Peace be with you, Peace be with you, the bless ed one Peace be with you, Peace be with you, Peace be with you, the bless ed one
said Peace be with you, the bless ed one said Peace bewith you, the bless ed one
said Peace be with you, Peace be with you the bless ed one said Peace be with you, Peace be with you the bless ed one
with you, be with you, be with you, the bless ed one
said Peace be with you, the bless ed one said Peace bewith you, the bless ed one
1 2 S 1 2 A T B VlnI VlnII Vla Vc Cb 36
said Peace be with you, Peace be with you the bless ed one said Peace be with you, Peace be with you the bless ed one
Peace be with you, Peace be with you, Peace be with you, the bless ed one
Peace
1 2 S 1 2 A T B VlnI VlnII Vla Vc Cb 40 123Postludium
Peace
with you, Peace be with you, Peace be with you, Peace be with you the bless ed one
said Peace be with you the bless ed one said Peace bewith you, the bless ed one
with you, Peace be with you, Peace be with you, Peace be with you the bless ed one
said Peace be with you, Peace be with you the bless ed one said Peace bewith you, the bless ed one
Piùlento Ac qui re thepeace with in your selves Be on your guard so that no one de ceives you said mmm said mmm said mmm said mmm said mmm said mmm S s 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII Vla Vc Cb B19 45 124 Postludium
atempo
you, peace bewith you the bless
you
peace bewith you the bless
Peace bewith you, bewith the bless ed one said Peace be with you, Peace be
one
Peace bewith ed said Peace be with you, Peace be
peace
Peace bewith you, bewith the bless ed one said Peace be with you, Peace bewith you,
Peace bewith you, ed said Peace be with you, Peace bewith you,
peace
Peace bewith you, bewith the bless ed one said Peace be with you, Peace be
one
peace
peace
you
you
Fl Ob Cl inB♭ Bsn S s 1 2 S 1 2 A T 1 2 B VlnI VlnII Vla Vc Cb Ob C19 51 125Postludium
peace
you
Peace bewith you, bewith the bless ed one said Peace be with you, Peace be
you
Peace bewith you, bewith the bless ed one said Peace be with you, Peace be
with you, Peace bewith you, the bless ed one said the Peace bewith you, Peace bewith you, the bless ed one said Peace be with you, Peace be with you the with you, Peace bewith you, the bless ed one said Peace be with you, Peace be with you the Peace bewith you, Peace bewith you, the bless ed one said Peace be with you, Peace be with you the with you, Peace be with you, Peace be with you the bless ed one said Peace be with you, the with you, Peace be with you, Peace be with you the bless ed one said Peace be with you, the with you, Peace be with you, Peace be with you the bless ed one said Peace be with you, the Fl Ob Cl inB♭ Bsn S s 1 2 S 1 2 A T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 56 126 Postludium
ToPicc Fl Ob Cl inB♭ Bsn S s 1 2 S 1 2 A T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb D1961 127Postludium
Peace
For the Child of True Hu ma ni ty bless ed one said Peace bewith you, the bless ed one
one said Peace bewith you, the bless
Peace
Peace be with you, Peace be with you the bless
bless
you,
bless ed ed said
piuLento said
you,
Peace
one
bless ed said ed one said
bless ed one said bewith the bless ed one said
one
bless ed one said bewith you, the bless ed one said ed said bewith the bless ed one said
one
bless ed one said Peace be with you, Peace be with you the bless ed one said
Ex ists with in you, with in you, with in mmm mmm mmm mmm mmm mmm mmm S s 1 2 S 1 2 A T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 66 128 Postludium
consord consord consord consord consord consord consord sulpont consord you oohh ex ists with in you oohh ex ists with in you oohh ex ists with in you oohh ex ists with in you oohh ex ists with in you oohh ex ists with in you oohh ex ists with in you oohh ex ists with in you S s S A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb E19 73 129Postludium
oohh ex ists with in you ex ists with in you oohh oohh ex ists with in you oohh ex ists with in you ex ists with in you oohh ex ists with in you ex ists with in you oohh ex ists with in you oohh ex ists with in you oohh oohh ex ists with in oohh oohh ex ists with in you S s S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 82 130 Postludium
For the Child of True Hu man i ty ex ists with in you with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you ex ists with in you you ex ists with in you ex ists with in you ex ists with in you ex ists with in you S s S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII Vla Vc Cb F1989 131Postludium
ex ists with in you
senzasord senzasord senzasord senzasord senzasord senzasord =64 with in you ex ists with in you
Peace bewith you, bewith
Peace bewith you, peace bewith you
ex ists with in you
Peace bewith you, peace bewith you
Org S s 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII Vla Vc Cb G1995 132 Postludium
you ex ists with in you
ex ists with in you
Peace bewith you, peace bewith you
Peace bewith you, peace bewith you
ex ists with in you
you ex ists with in you
Peace bewith you, peace bewith you
ex ists with in you
Peace bewith you, peace bewith you
peace
Peace bewith you, peace bewith
Picc Picc Ob Cl inB♭ Bsn F Hn Org S s 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII Vla Vc Cb 100 133Postludium
the bless ed one said Peace bewith you, Peace bewith you, Peace bewith you, the bless ed one said Peace be with you, Peace be with you, the bless ed one said Peace bewith you, Peace bewith you, Peace bewith you, the bless ed one said Peace be with you, Peace be with you, Peace be the bless ed one said Peace be with you, Peace be with you, Peace be the bless ed one said Peace be with you, Peace be with you, Peace be the bless ed one said Peace be with you, Peace be with you, Peace be
Ac qui re the peace with
the bless ed one said Peace be with you, Peace be with you,
Peace bewith you, the bless ed one said Peace bewith you, Peace bewith you the
with you, Peace be with you the bless ed one said the
with you, Peace be with you the bless ed one said Peace be with you, the with you, Peace be with you the bless ed one said Peace be with you, the with you, Peace be with you the bless ed one said Peace be with you, the
Peace bewith you, the bless ed one said the
Picc Ob Cl inB♭ Bsn F Hn Org S s 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII Vla Vc Cb 104 134 Postludium
Peace bewith you, the bless ed one said Peace bewith you, Peace bewith you the
Peace bewith you, the bless ed one said Peace bewith you, Peace bewith you the
in your selves Be on your guard so that no one de
ceives you so that no one de ceives
ToFl ToB Cl Picc Ob Cl inB♭ Bsn F Hn Org S s 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII Vla Vc Cb 108 135Postludium
bless ed one said Peace bewith you, the bless ed one
bless ed one said Peace bewith you, the bless ed one
bless ed one said Peace be with you, Peace be with you the bless ed one
bless ed one said Peace bewith you, bless ed one said Peace bewith you, the bless ed one
bless ed one said Peace bewith you, the bless ed one
bless ed one said Peace bewith you, the bless ed one
bless ed one said Peace be with you, Peace be with you the bless ed one
you said mmm said mmm said mmm said mmm said mmm said mmm said mmm said mmm Fl Ob B Cl Bsn F Hn Org S s 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII Vla Vc Cb 111 136 Postludium
Ma ry Mag da lene was called his com pa nion
Ma ry Mag da lene was called his com pa nion
Ma ry Mag da lene was called his com pa nion
Ma ry Mag da lene was called his com pa nion
Ma ry Mag da lene was called his com pa nion
I saw the Lord in a vis ion
Fl Ob B Cl Bsn F Hn Org S s 1 2 S 1 2 A T B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb H19 117 137Postludium
=64
Ma ry Mag da lene was called his com pa nion
Ma ry Mag da lene,
Ma ry Mag da lene, Ma ry Mag da lene, Ma ry Mag da lene,
Ma ry Mag da lene, he ap peared first
Ma ry Mag da lene, he ap peared first
B Cl Fl Ob B Cl Bsn F Hn Org S s 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 122 138 Postludium
Ma ry Mag da lene, he ap peared first
Ma ry Mag da lene, he ap peared first
in a vis ion
Ma ry Mag da lene Ma ry Mag da lene Ma ry Mag da lene Ma ry Mag da lene to Ma ry Mag da lene Ma ry to Ma ry Mag da lene Ma ry to Ma ry Mag da lene Ma ry to Ma ry Mag da lene Ma ry Fl Fl Ob B Cl Bsn F Hn Vib Tam Org 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 127 139Postludium
rit Ma ry Mag da lene Ma ry Mag da lene Ma ry Mag da lene Ma ry Mag da lene Mag da lene Mag da lene Mag da lene Mag da lene Mag da lene Mag da lene Mag da lene Mag da lene Vib Fl Ob B Cl Bsn F Hn Tam Org 1 2 S 1 2 A 1 2 T 1 2 B 1 2 VlnI 1 2 VlnII 1 2 Vla 1 2 Vc Cb 132 140 Postludium
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