IANNOTTA
D’après
for 7 Musicians
Score
and Parts
CLARA IANNOTTA
D’après
for 7 Musicians
POD PETERS on demand
ALLE
LEIP ZI G · L ONDO N · NE W YOR K
multiphonic
Clara Iannotta
(2012) for seven musicians
Clarinet
Violin
Viola
Cello
Clarinet
Violin
VIBRASLAP
Vibraslap Tambourde bois (on the
with
(low)
VIBRASLAP
Piano
Clarinet
Violin
Viola
Cello
(fautando)
Violin
Viola
Cello
Cello
Viola
Cello
Clarinet
Cello
Clarinet
Viola
Cello
KLAVIER
Clarinet
VIBRAPHONE
strings II - III with a
strings I - IV with a trombone string III with a trombone
Piano
Flute
Clarinet
Perc
Violin
Viola
Cello 173 COW-BELL
GONGS
VIBRAPHONE
trombone
COW-BELL
COW-BELL
Piano
Flute
Clarinet
Perc
Violin
Viola
Cello 178 COW-BELLS
COW-BELLS
VIBRAPHONE
I prepared with
Piano
Flute
Clarinet
Violin
Viola
Cello
VIBRAPHONE
Piano
Flute
Clarinet
Violin
Viola
Cello
VIBRAPHONE
Piano
Flute
Clarinet
Piano
Flute
Clarinet
Violin
Viola
Cello
Piano
Flute
Clarinet Perc
Violin Viola
Cello
Flute
Clarinet
Violin
Viola
Cello
Clara Iannotta
Clara Iannotta (b. 1983 in Rome) is particularly interested in music as an existential, physical experience. She studied at the Milan and Paris Conservatories, IRCAM and Harvard University. Her music has been commissioned and performed by renowned ensembles and orchestras, including Quatuor Diotima, Ensemble Intercontemporain, Klangforum Wien, Neue Vocalsolisten Stuttgart, Münchener Kammerorchester and WDR Symphony Orchestra. She was a fellow of the Berliner Künstlerprogramm (2013) and Villa Medici (2018–19) and the recipient of several awards including the 2018 Ernst von Siemens Composers’ Prize and the 2018 Hindemith Prize. Her portrait albums A Failed Entertainment and Earthing were selected by the German Record Critics’ Awards for their Quarterly Critics’ Choices. In 2014–2021 Iannotta was artistic director of the Bludenzer Tage zeitgemäßer Musik, becoming joint artistic director of Klangspuren Schwaz in 2022.
Clara Iannotta (*1983 in Rom) setzt sich mit Musik als existenzieller, körperlicher Erfahrung auseinander. Sie studierte an den Konservatorien in Mailand und Paris, am IRCAM und an der Harvard University. Ihre Werke wurden von namhaften Ensembles und Orchestern in Auftrag gegeben und gespielt, darunter das Quatuor Diotima, das Ensemble Intercontemporain, Klangforum Wien, die Neuen Vocalsolisten Stuttgart, das Münchener Kammerorchester und das WDR Sinfonieorchester. Sie war Stipendiatin des Berliner Künstlerprogramms (2013) und der Villa Medici (2018/19) und erhielt u.a. den Förderpreis der Ernst von Siemens Musikstiftung 2018 und den Hindemith-Preis 2018. Ihre Porträtalben A Failed Entertainment und Earthing standen auf der Bestenliste der deutschen Schallplattenkritik. 2014–2021 leitete sie die Bludenzer Tage zeitgemäßer Musik, ab 2022 als Teil einer künstlerischen Doppelspitze das Festival Klangspuren Schwaz.
The Peters Contemporary Chamber Series offers the opportunity to discover new works to programme, study and play. Representing the full breadth of our library of modern chamber music, this curated series of performance materials ranges from established repertoire to pieces recently premiered.
Mit einer sorgfältigen Auswahl aus unserem breitgefächerten Katalog moderner Kammermusik lädt die Peters Contemporary Chamber Series dazu ein, neues Repertoire zu entdecken, zu erkunden und zu Gehör zu bringen. In Form von Aufführungsmaterialien umfasst sie etablierte Werke ebenso wie erst kürzlich uraufgeführte Kompositionen.
Photo © Luc-Hossepied