NORDIN
1:st Retrospective
for orchestra and live electronics
Full Score
1:st Retrospective
for orchestra and live electronics
Full Score
for orchestra and live electronics
(2016)
Score2
EIGENTUM DES VERLEGERS ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED
FRANKFURT/M. LEIPZIG
2 Flutes
2 Oboes
2 Clarinets
2 Bassoons
2 Horns in F
2 Trumpets in C
2 Trombones
Percussion/Live Electronics
The Percussion/Live Electronics can be performed by one percussion/live electronic player or by two or more groups of percussion/live electronic players. At the premiere there were four groups of one percussionist and two live electronic players each, 12 musicians in total. They were spread out in the concert hall among the audience. When these parts are played by more than one player, it is open to interpretation in, for instance, which musicians plays which parts in the score. The basic idea is that everyone plays everything that is notated, but to get an organic form the musicians might want to decide otherwise at some points, and also find a common direction and variation in the dynamics by deciding more details.
commissioned for the inaguration of the Royal Academy of Music in Stockholm 2017
Jesper Nordin *1971
The live electronics can be done as treatments of the percussion sounds, computer generated material, or a combination of both. The character of the sounds both in the live electronics and the percussion parts are to be bass heavy, gritty and with a rich internal life, both the drones and the rhythms.
Violin I
Violin II
Viola
Violoncello
Double Bass
Quarter tone notation
1:st Retrospective is the first piece in a series of orchestral pieces where I go back to earlier material and look at it in a different way. I do this mostly by re-composing existing material through my apps Gestrument and ScaleGen where I can import the ”musical DNA” of a piece and then see what else can be obtained from the same material.
Litolff/Peters 33951
Flute 1 © 2016 by Henry Litolff 's Verlag 10/16
At the writing of this piece it is fifteen years since I graduated from the Royal College of Music in 2001. When I graduated it was fifteen years since I first started playing music in a local punk band in 1986. Therefore my graduation from the Royal College of Music in Stockholm marks half time of my active musical life, and that seemed like a good starting point for a new series of pieces that focus on retrospection and self-reflection.
The second piece in this series will be premiered by Brandenburg Symfoniker in 2018. It is a commission that was awarded when my orchestral piece Ärr (part of the trilogy Röster) won the Brandenburg Biennale in 2014.
Commissioned by KMH - Royal College of Music in Stockholm - for the inauguration of the new hall Premiered by KMH Orchestra conducted by B Tommy Andersson at KMH 26/1 2017
Aufführungsdauer / Duration: 9 Min.
Aufführungsmaterial leihweise erhältlich / Orchestral material is available for hire
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