For perusal only
NORDIN
Residues for Symphony Orchestra
ISSUU Version
For perusal only
ISSUU Version For perusal only
JESPER NORDIN Residues
for Symphony Orchestra
(2006, revised 2011/12)
Unter der Nr. 12678 R in die Edition Peters aufgenommen
EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED
HENRY LITOLFF’S VERLAG / C. F. PETERS
Ein Unternehmen der EDITION PETERS GROUP
FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK
3 flutes (flute 3 also alto flute)
2 oboes
1 english horn
2 clarinets in Bb
1 bass clarinet in Bb
3 bassoons
4 horns in F
3 trumpets in Bb
4 trombones
Timpani
Percussion 1 :
Percussion 2 :
Percussion 3 :
ISSUU Version For perusal only
NOTE! Let resonating percussion instruments ring as long as possible!!!
Pianoforte (partly played with large soft mallets directly on the strings, a drum stick is used on the bass strings to achive a rattling sound)
NB! Make sure to use the pedal all the time when playing directly on the strings!!!
Violin 1
Violin 2
Viola Violonello Contrabass (sounds one octave below)
Wind instruments
bisbigliando = a rapid change of fingerings that change the timbre, intonation and volume of the indicated note when using voice (with specific pitches or not) use the dynamic indications in the part and try to blend the sound well
Strings
≠ – = as pitchless as possible; in soft dynamics (called "noise" or "no pitch" in the score) stop the string between harmonic nodes in loud dynamics (called "scratch noise" in the score) play with exaggerated bow pressure
&
= as fast as posssible with free fingering - follow the general shape approximately
General = glissando
= gradual shift from one thing to another (vibrato to senza vibrato for example)
NB! Make sure that all gradual changes (including glissandi and changes between playing styles) are made as evenly as possible and that they start where indicated
Commissioned by the Swedish Music Radio SR P2.
First performed 2006-02-18 in the Berwald Hall at the opening concert of Stockholm New Music 2006 by the Swedish Radio Symphony Orchestra and Jean-François Laporte, conducted by Niklas Willén
This version, without the original Laporte instruments, was composed 2011/12.
Duration ≈ 18 minutes
Residues
For perusal only
ISSUU Version
ISSUU Version
ISSUU Version
ISSUU Version
ISSUU Version
ISSUU Version
ISSUU Version
ISSUU Version
For perusal only
ISSUU Version
ISSUU Version
ISSUU Version
For perusal only
ISSUU Version For perusal only
Edition Peters Rental Library
For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, Edition Peters had by 1802 acquired Beethoven’s First Symphony as well as several solo piano and chamber works. In the second half of the nineteenth century, an active publishing policy enabled the company to develop the catalogue through the promotion of contemporary composers such as Brahms, Grieg and Liszt.
This policy continues today: as the publishers of composers such as John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss and Erkki-Sven Tüür, Peters continues its historical role as a champion of new music. This is accomplished in conjunction with the continuing development of the traditional catalogue.
Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Klavierwerken. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie sowie an diversen Klavierund Kammermusikwerken hinzugekommen. Durch enge Zusammenarbeit mit zeitgenössischen Komponisten wie Brahms, Grieg und Liszt gelang es in der zweiten Hälfte des 19. Jahrhunderts, den Katalog beständig zu erweitern.
Dieser Tradition ist das Unternehmen bis heute verpflichtet: Als Verleger von Komponisten wie John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Richard Strauss und Erkki-Sven Tüür ist die Edition Peters weiterhin Anwalt neuer Musik, während zugleich das angestammte Verlagsprogramm kontinuierlich ausgebaut wird.
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