Abrahamsen LET ME TELL YOU

EDITION WILHELM HANSEN WH31688

Hans Abrahamsen

LET ME TELL YOU FOR

SOPRANO AND ORCHESTRA TEXT BY PAUL GRIFFITHS

Full Score

050315

WH31688 ISBN 978-87-598-2644-7

I

Hans Abrahamsen LET ME TELL YOU (2012-13)

for Soprano and Orchestra

Text by Paul Griffiths

Full Score

II

Orchestra 3 Flutes (1st db. Alto Flute and Picc. 3; 2nd db. Picc. 2; 3rd db. Picc. 1) 2 Oboes 1 English Horn 2 Clarinets in Bb and A 1 Bass Clarinet in Bb (db. Cl. in Eb and Cl. 3 in Bb) 2 Bassoons 1 Contra Bassoon

4 Horns in F 2 Trumpets in C 3 Trombones (1st and 2nd: Tenor Trombones; 3rd: Bass Trombone) Timpani Percussion (3 players): Total requirement: Xylophone, Marimba, Glockenspiel, Vibraphone (with bow), Tubular Bells, Bass Drum, Tam-tam (large), Whip, Wood Block (high), Paper *), 2 Reibestock (both medium) Perc. 1: Xylophone, Marimba, Vibraphone, Glockenspiel, Bass Drum, Reibestock 1 (played by being scraped with a light iron stick) Perc. 2: Marimba, Vibraphone (with bow), Tubular Bells, Whip (Frusta), Japanese Wood Block (medium high), Reibestock 2 Perc. 3: Glockenspiel, Tubular Bells, Paper, Whip (Frusta), Tam-tam

Harp Celesta Soprano Solo Strings (14, 12, 10, 8, 7)

All transposed instruments are notated in transposition. Double Bass harmonics are octave transposed as well.

*) Paper: The player moves a piece of paper in circular movement on the skin of a Bass Drum (placed in

horizontal position), producing a subtle, but still clearly audible whisper/whisker-like sound, like walking in the snow.

Performance notes Because of the antiphonal string writing in the piece the “old� set-up of the strings is required; i.e with the 1st violins to the left and the 2nd violins to the right of the conductor. The cellos are placed next to the 1st violins and the violas next to the 2nd violins. The double basses are to the left behind the cellos.

III

let me tell you I Part: 1. Let me tell you how it was. I know I can do this. I have the powers: I take them here. I have the right. My words may be poor but they will have to do. There was a time when I could not do this: I remember that time. 2. O but memory is not one but many – a long music we have made and will make again, over and over, with some things we know and some we do not, some that are true and some we have made up, some that have stayed from long before, and some that have come this morning, some that will go tomorrow and some that have long been there but that we will never find, for to memory there is no end. 3. There was a time, I remember, when we had no music, a time when there was no time for music, and what is music if not time – time of now and then tumbled into one another, time turned and loosed, time bended, time blown up here and there, time sweet and harsh, time still and long?

5. Now I do not mind if it is day, if it is night. If it is night, an owl will call out. If it is morning, a robin will tune his bells. Night, day: there is no difference for me. What will make the difference is if you are with me. For you are my sun. You have sun-blasted me, and turned me to light. You have made me like glass – like glass in an ecstasy from your light, like glass in which light rained and rained and rained and goes on, like glass in which there are showers of light, light that cannot end.

III Part: 6. I know you are there. I know I will find you. Let me tell you how it will be. 7. I will go out now. I will let go the door and not look to see my hand as I take it away. Snow falls. So: I will go on in the snow. I will have my hope with me. I look up, as if I could see the snow as it falls, as if I could keep my eye on a little of it

II Part:

and see it come down all the way to the ground. I cannot.

4. Let me tell you how it is, for you are the one who made me more than I was, you are the one who loosed out this music.

The snow flowers are all like each other and I cannot keep my eyes on one. I will give up this and go on. I will go on.

Your face is my music lesson and I sing.

Text by Paul Griffiths (after the novel let me tell you, 2008)

IV

let me tell you I Part: 1. Let me tell you how it was

p. 1

2. O but memory is not one but many

p. 13

3. There was a time, I remember

p. 35

II Part: 4. Let me tell you how it is

p. 46

5. Now I do not mind

p. 53

III Part: 6. I know you are there

p. 97

7. I will go out now

p. 99

Commissioned by the Stiftung Berliner Philharmoniker with the support of the Danish Arts Foundation. Premiered by the Berliner Philharmoniker Barbara Hannigan, soprano Andris Nelsons, conducter 20, 21 and 22 December 2013, Berlin, Philharmonie

Duration: approx. 30 minutes

Dedicated to Barbara Hannigan

I Part:

Hans Abrahamsen text by Paul Griffiths let me tell you (2012-13) for soprano and orchestra

1. Let me tell you how it was 9 Adagio mesto, q. = 36, q = 54 8

2 2

9 8

2 2

9 8

2 2

Piccolo 1, 2 3

p dolciss. Flauto alto (1)

Oboe 1, 2

Cor inglese

Arpa

Celesta

pppp Soprano

9 Adagio mesto, q. = 36, q = 54 8 Violino 1

Violino 2

2 2

 

8 soli, div.

pppp dolciss. (kaum Tonhöhe, mostly air)

pppp dolciss. (kaum Tonhöhe, mostly air) gli altri

flaut. div.

ppp

sim.

3

ppp

A 4

2 2

9 8

2 2

9 8

Picc. 1, 2 3

3

3

Fl. alto (1)

Ob. 1, 2 3

p dolciss.

Cor. ing.

Arp. 9:8

pp

pppp

Cel.

9:8

pp sotto voce

3:5

Sopr.

A

2 2

Vn. 1

9 8

le

(e)t

2 2



9 8

8 soli, div.

3:2

pppp dolciss. (kaum Tonhöhe, mostly air)

3:2

pppp dolciss. (kaum Tonhöhe, mostly air)

gli altri

flaut. div.

sim.

ppp

Vn. 2

 ppp

3

ppp

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

me

3

ppp

2

7

9 8

2 2

9 8

2 2

Picc. 1, 2 9:8

9:8

Fl. alto (1) pp

pp colla voce

Ob. 1, 2 3

3

Cor. ing.

Arp.

Cel.

9:8

3:5

3:5

3:5

Sopr. tell

you

9 8 Vn. 1

how

it

2 2

9 8

 3

ppp

Vn. 2

2 2

ppp



B 10

2 2

9 8

2 2

9 8

2 2

Picc. 1, 2 3

p sim. Fl. alto (1)

Ob. 1, 2 3

3

Cor. ing.

Arp.

pppp

Cel.

9:8

9:8

3:5

Sopr. was

2 2 Vn. 1

B

 ppp

Vn. 2



3

ppp

pppp sim.

pppp sim. sim.

ppp

3

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

ppp

3

C

2 13 2

9 8

2 2

9 8

Picc. 1, 2 3

3:2

3

Fl. alto (1)

Ob. 1, 2 3:2

p sim.

3:2

9:8

Cor. ing. pp colla voce Arp. pp

Cel.

pp sotto voce

9:8

3:5

3:5

Sopr.

C

2 2 Vn. 1

I

kno

(o)w

I

can

9 8



do

this

I

have

the

po

wers:

2 2

9 8

pppp sim.

pppp sim. sim.

Vn. 2

ppp

3

ppp

ppp

3

ppp

 ppp

16

3

ppp

9 8

2 2

9 8

Picc. 1, 2 9:8

Fl. alto (1) pp

3:2

Ob. 1, 2 9:8

3:2

3:2

Cor. ing. pp

3:2

Arp.

Cel.

9:8

3:5

3:5

3:5

Sopr. I

9 8 Vn. 1

ta

(ke)

 

(em)

9 8

ppp

Vn. 2

the

2 2

9:8

3

col leg. batt.

poco f

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

ppp

here.

4

D

2 2

19

9 8

2 2

Picc. 1, 2 3

p Fl. alto (1)

Ob. 1, 2 3

p

espress.

Cor. ing. p Arp. pp 9:8

pp

Cel.

pppp 9:8

pp sotto voce 3:5

Sopr. I

D

Vn. 1

2 2

the

right

(t)

9 8



3:2

2 2

pppp sim.

3:2

pppp sim.

arco

Vn. 2

have



col leg. batt.

ppp

3

ppp

ppp

3

ppp

poco f

pppp sim. arco

pppp sim.

22

9E 8

2 2

2 2

9 8

Picc. 1, 2 3

3

3

Fl. alto (1)

Ob. 1, 2 3

3

3

3:2

Cor. ing. 9:8

3:2

p

Arp.

Cel.

Sopr.

9E 8

2 2 Vn. 1

2 2

9 8

 arco

Vn. 2

ppp

3

ppp

ppp

3

ppp

ppp

 arco

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

3

ppp

5

F

9 25 8

2 2

9 8

2 2

Picc. 1, 2 pp dolciss. (as soft as possibile)

Fl. alto (1) 3:2

p espress.

Ob. 1, 2 3

pp dolciss. (as soft as possible)

Cor. ing. f

3

1 Cl. 1, 2 in Sibb

3:2

9:8

p espress. Cl. bas. in Sibb pp

Fg. 1, 2 pp

Cfg. pp 2. 1,2 pp

Cor. in Fa

4. 3,4

pp

1,2 pp

Trbn. 3

pp

Xyl. 1 ppp dolciss. Perc. Mar. 2 ppp dolciss.

ppp dolciss.

Arp.

p

p

Cel.

pp

f

9:8

3:5

Sopr.

3:5 3:5

9 8 My

words

may

be

poor

but

will

F

9 8

2 2

ď ť

9 8 3:2

p

Vn. 1

3:2

p

3:2

pp

Vn. 2

ď ť

p

3:2

p

3:2

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

2 2

6

28

2 2

9 8

2 2

Picc. 1, 2

Fl. alto (1) 9:8

Ob. 1, 2

Cor. ing.

1. Cl. 1, 2 in Sibb 9:8

3:2

3:2

p sempre espress.

Cl. bas. in Sibb

Fg. 1, 2

Cfg.

(2) 1,2 Cor. in Fa (4) 3,4

1,2 Trbn. 3

Xyl.

1 Mar.

Perc.

2

Arp.

Cel.

9:8

9:8

3:5

3:5

Sopr. ha

ve

to

2 2

Vn. 1

Vn. 2

 

do.

9 8

2 2

3:2

3:2

3:2

3:2

3:2

3:2

3:2

3:2

3:2

3:2

3:2

3:2

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

7

G

9 8

31

2 2

9 8

Picc. 1, 2 3:2

pp sempre dolciss.

Fl. alto (1)

Ob. 1, 2

Cor. ing.

Cl. 1, 2 in Sibb pp Cl. bas. in Sibb pp Fg. 1, 2 pp

Cfg.

(2) 1,2 pppp

Cor. in Fa (4) 3,4

pppp

1,2 pppp

Trbn. 3

pppp Xyl. 1 ppp sim.

Perc. 2

loco

Arp.

ppp sim.

Cel.

pp col canto 9:8

9:8 3:5

9:8

3:5

3:5

Sopr. There

was

G

Vn. 1

Vn. 2

Vla.

a

time

when

9 8



I

could

2 2

9 8

3:2

3:2

 

6 sole, div.

3:2

3:2

3:2

3:2

3:2

3:2

pp

pp

le altre

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

8

34

9 8

2 2

9 8

2 2

9 8

2 2

Picc. 1, 2

Fl. alto (1)

2. Ob. 1, 2 ppp dolciss. (as soft as possibile)

Cor. ing. ppp dolciss. (as soft as possibile) Cl. 1, 2 in Sibb

Cl. bas. in Sibb

Fg. 1, 2

Cfg.

1, 2 Cor in Fa 3,4

Tbn. Xyl. 1 Perc.

Mar.

2 ppp sim.

Arp.

Cel.

9:8

3:5

3:5

Sopr. (d)

not

(t)

9 8

Vn. 1

do

this:

2 2



col leg. batt.

p

Vn. 2



pp

3:2

pp

3:2

pp



3:2

Vla.

3:2

le altre

Vc.

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

9

37

2 2

9 8

H

2 2

1

Picc. 1, 2 ppp dolciss. (as soft as possibile) Fl. alto (1) ppp dolciss. (as soft as possibile)

Ob. 1, 2

Cor. ing. poco espress. Cl. 1, 2 in Sibb

poco espress.

Cl. bas. in Sibb poco espress.

Fg. 1, 2

Cfg.

1, 2 Cor in Fa 3,4

Tbn.

Xyl. 1 Perc.

Mar.

2

Arp.

pp

Cel.

Sopr.

2 2

Vn. 1

Vn. 2

9 8

2 2

H





Vla.



3

3

3

3

le altre poco espress.

6 soli, div.

Vc.

pp

pp

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

poco espress.

10

40

2 2

9 8

(1)

2 2

9 8

Picc. 1, 2

Fl. alto (1)

Ob. 1, 2

Cor. ing.

Cl. 1, 2 in Sibb

Cl. bas. in Sibb

Fg. 1, 2

Cfg.

1, 2 Cor in Fa 3,4

Tbn.

Xyl. 1 Perc. 2

Arp.

pp

Cel.

9

3:5

pp

9:8

3:5

Sopr. I

2 2

Vn. 1

Vn. 2

re

mem

9 8

ber

that

2 2

9 8

  9:8

col leg. batt.

p



Vla.

3

3:2

3:2

3:2

3:2

Vc.

3

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

11

2I 2

9 43 8

9 8

2 2

9 8

2 2

Picc. 1, 2

Fl. alto (1)

Ob. 1, 2

Cor. ing.

Cl. 1, 2 in Sibb

Cl. bas. in Sibb

Fg. 1, 2

Cfg.

3:2

1, 2 pp dolciss.

Cor in Fa 3,4

Tbn.

Xyl. 1 Perc.

Mar.

2

Arp.

Cel.

3:2

3:5

Sopr. (t)

time.

2I 2

9 8

Vn. 1

Vn. 2

Vla.

  

3:2

6 sole, div.

pp

3:2

pp

le altre

col leg. batt.

p

3:2

Vc.

3:2

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

12

46

2 2

9 8

2 2

9 8

Picc. 2 muta in Fl. 2

e. = q

Picc. 1, 2

Fl. alto muta in Fl. 1 Fl. alto (1)

Ob. 1, 2

Cor. ing.

Cl. 1, 2 in Sibb Cl. basso in Sibb muta in Cl. in Mibb Cl. bas. in Sibb

Fg. 1, 2

Cfg.

1, 2 Cor in Fa 3,4

Tbn.

1 Perc. Mar. 2

Arp.

Cel.

Sopr.

2 2

Vn. 1

Vn. 2

9 8

2 2

9 8

e. = q

  

3:2

3:2

3:2

3:2

3:2

Vla.

3:2

Vc.

attacca (Dur: ca. 4')

19-02-2015 17:14:55 ha_lmty_fs1_rk_190215

13

2. O but memory is not one but many

e. = q

4 Andante q = 72 4 Flauto 1, 2

Corno inglese

Fagotto 1, 2

1,2 pp Corno in Fa

3.

3,4 pp 3

f

Arpa

p

3

3

3

3

Soprano O

e. = q

but

(t)

4 Andante q = 72 4 poco sul pont. sautillé



ppp poco sul pont. sautillé ppp

Violino 1

 

poco sul pont. sautillé ppp poco sul pont. sautillé

poco sul pont. sautillé 3

12 8

ppp poco sul pont. sautillé3

12 8

ppp 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

  

12 8

12 8

 

3

3

3

3

3

3

ppp

poco sul pont. sautillé 3

3

3

3

3

3

3

3

3

3

ppp poco sul pont. sautillé 3

3

3

3

3

3

3

3

3

3

ppp

pp sempre poco marc. (bell like) sotto voce arco

pp sempre sim.

pp sempre poco marc. (bell like) sotto voce

pp sempre sim.

12 8

Viola

Violoncello

3

ppp

Violino 2

12 8

3

12 8 pp sempre poco marc. (bell like) sotto voce

12 8 pp sempre poco marc. (bell like) sotto voce

pp sempre poco marc. (bell like) sotto voce

pp sempre sim.

pp sempre poco marc. (bell like) sotto voce

pp sempre sim.

pp sempre poco marc. (bell like) sotto voce

pp sempre poco marc. (bell like) sotto voce

Contrabbasso

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

14

3 Fl. 1, 2

Cor. ing.

Fg. 1, 2

1,2 Cor. in Fa

(3)

3,4

3

3

Arp.

3

3

3

3

3

3

Sopr. me

mo



ry

ppp

ppp

Vn. 1

 3



3

3

ppp

ppp

ppp

ppp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp 3

3

3

3

ppp

Vn. 2

3



3

3

3

3

3

3

3

3

3

3

3

ppp

ppp 3

3

3

3

3

3

3

3

ppp

ppp



pp

pp

Vla.



pp sempre sim.

pp

pp sempre sim.

pp



pp

pp

Vc.



pp sempre sim.

pp

pp sempre sim.

pp

Cb.

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

15

A 5 Fl. 1, 2

Cor. ing.

Fg. 1, 2

1,2 Cor. in Fa 3,4

3

Arp.

p

3

3

3

3

3

3

3

Sopr. is

not

A



ppp

ppp

Vn. 1



ppp

ppp



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

ppp

Vn. 2

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp 3

3

3

3

3

3

3

3

ppp

pp

pp

Vla.





pp

pp

pp

pp

Vc.



pp

pp

Cb.

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

16

7 Fl. 1, 2

Cor. ing.

Fg. 1, 2

1,2 Cor. in Fa 3,4

3

f

Arp.

3

3

3

3

3

3

3

Sopr. one

but

ma



ppp

ppp

Vn. 1



ppp

ppp 3



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp 3

3

3

3

3

3

3

3

3

3

ppp

Vn. 2

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

ppp

pp

pp

pp

pp

Vla.





pp

pp

pp

pp

pp

pp

Vc.



pp

pp

Cb.

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

17

9 Fl. 1, 2

3

Cor. ing. ppp

p

1. Fg. 1, 2 3

ppp

p

pp espr.

p

1,2 Cor. in Fa 3,4

3

Arp.

f

3

3

3

3

3

3

3

Sopr. ny

 

a

long

Vn. 1



3

3

3

3

pizz.

arco

mf

ppp

pizz.

arco

mf

ppp

3

3

3

3

3

3

3

3

3

pizz.

3

mf 3

3

3

3

3

3

3

3

3

3

3

3

3

pizz.

3

mf

Vn. 2



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

ppp



Vla.



pp

pp



Vc.



pp

pp

Cb.

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

18

B 11 Fl. 1, 2 mf

Ob. 1, 2

Cor. ing.

Cl. in Mib

Cl. 1, 2 in Sib 1. Fg. 1, 2

3

1,2 p

Cor. in Fa

mf

3,4 mf

1 Perc. 2

f

Arp.

3

3

3

3

3

Sopr.

B

arco



ppp arco

ppp

Vn. 1

pizz.



mf pizz.

mf arco



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp arco

ppp

Vn. 2

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

pp

pp

Vla.

 

pp

pp

Vc.

 23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

19

13

a2 3

Fl. 1, 2 p Ob. 1, 2

3

Cor. ing. 3

p

Cl. in Mib

Cl. 1, 2 in Sib 1. Fg. 1, 2 3

p

3

2

3

1,2 mfpp

Cor. in Fa

3

3

3,4 p

mf

1 Perc. 2

3

Arp.

f

f

p

3

3

p

3

3

3

Sopr. mu

sic

we



ppp

ppp

Vn. 1

arco



ppp arco

ppp 3



3

3

3

arco

mf pizz.

arco

3

3

3

3

3

3

3

3

ppp

ppp

mf

Vn. 2



pizz.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

ppp



pp

pp

Vla.



pp

pp



pp

pp

Vc.



pp

pp

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

20

15

(a 2)

3

Fl. 1, 2 p

Ob. 1, 2

Cor. ing.

Cl. in Mib

Cl. 1, 2 in Sib

Fg. 1, 2

1,2 Cor. in Fa

3

p

3

mf

3,4 3

p

1 Perc. 2

3

Arp.

f

3

3

3

3

3

3

3

3

Sopr. have

made

pizz.

arco

mf

ppp

pizz.

arco



Vn. 1

 3



ppp

mf

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

pizz.

3

mf pizz.

3

mf

Vn. 2



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp

ppp



Vla.



pp

pp



Vc.



pp

pp

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

21

C 17

a2 3

Fl. 1, 2 p

Ob. 1, 2

Cor. ing. p

Cl. in Mib

Cl. 1, 2 in Sib

Fg. 1, 2

1,2 Cor. in Fa

3

p

3

mf

3

3,4 pp

p

3

mf

1 Perc. 2

f

Arp.

3

3

3

3

3

Sopr. and

will

make

C



ppp

ppp

Vn. 1

pizz.



mf pizz.

mf arco

 

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

ppp arco

ppp

Vn. 2



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

pp

pp

Vla.

 

pp

pp

Vc.

 23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

22

19

(a 2)

Fl. 1, 2

Ob. 1, 2

Cor. ing.

Cl. in Mib

Cl. 1, 2 in Sib 1. Fg. 1, 2 p 1,2 Cor. in Fa 3,4

1 Perc. 2

3

Arp.

f

3

3

3

3

Sopr. a

 

Vn. 1

gain

arco

ppp

mf

arco

ppp

mf

     

Vn. 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

pizz.

mf pizz.

arco

ppp arco

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

mf

3

3

3

3

3

3

3

3

3

3

3

3

ppp

Vla.

arco

pp

pp

Vc.

pp

pp

pp

Cb.

pp

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

23 3  e=e

4DPiù mosso q = 108 4

21 Picc. 1

3

3

poco f colla voce

Fl. 1, 2 pp

p

pp

p

5

Ob. 1, 2 5

Cor. ing. 3

p

f

Cl. in Mib 3

3

poco f colla voce Cl. 1, 2 in Sib

1

3

p

Fg.

f

2 p

f

1,2 mf

Cor. in Fa 3,4

p

mf

1, 2

Tr. 1, 2 in C

pp 1, 2

con sord.

Trbn 1, 2. 3

sf secco

3

Timp. ppp

mf Xyl.

1 3

3

mf

Perc.

Mar.

2 3

3

3

3

3

with power ff

f

ver

and

o

3

3

Sopr. o

sf secco

3  e=e

ver

with

some

things

we

4DPiù mosso q = 108 4



Vn. 1

 

f

f

mf

Vn. 2





Vla.

  

3

3

3

3

3

3

3

sul pont. 3

p non cresc. sul pont. 3

p non cresc.

mf

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

f

f

3

3

3

3

3

3

3

3

3

3

3

3

f

f

Vc.

f

f

Cb.

f

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

p

3

3

3

3

3

p

3

3

3

3

3

fp

fp

3

3

3

3

3

3

24

23 Picc. 1 3

3

f

3

Fl. 1, 2 5

5

5

5

5

Ob. 1, 2 5

5

Cor. ing. p

Cl. in Mib 3

3

3

f

5

Cl. 1, 2 in Sib p 3

1

3

f

Fg.

3

3

fp

fp

fp

3

fp

3

3

f

3

2 fp

fp

3

fp

3

fp

3

3

3

f

3

1,2 Cor. in Fa 3,4

con sord.

5

Tr. 1, 2 in C

1.

p

Trbn 1, 2. sf sim.

3

sf

sf

Xyl. 1 3

3

mf

Perc.

3

Vibr. 2 sf sempre sim.

sf

sf

3

3

3

Sopr. know

and

some

we

do

not,

unis. pizz. Vn. 1 sff unis. (pizz.) Vn. 2 sff



3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

Vla.

sul pont.



fp 3

3

3

3

3

3

3

3

3

fp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

3

3

3

3

3

3

sul pont.

fp 3

Vc.

unis. I.

I.

ff

ff

Cb.

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

fp

fp

25

E 26 Picc. 1 3

3

3

f

Fl. 1, 2

Ob. 1, 2

5

5

Cor. ing. p

Cl. in Mib 3

3

3

f

5

5

5

Cl. 1, 2 in Sib

1

3

p

Fg. 2 3

3

p

1,2 Cor. in Fa 3,4

5

(1.)

5

Tr. 1, 2 in C

Trbn 1, 2. 3

Xyl.

sf

sf

3

3

1 3

mf

Perc. Vibr. 2

3

3

sf

sf

3

3

3

Sopr. some

that

are

true

E Vn. 1

Vn. 2 sff



fp

fp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

Vla.



3

3

3

3

fp

fp

3

fp

3

fp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

3

pizz. sul pont.

3

p

3

3

3

3

3

3

Vc. pizz. sul pont. 3

p

Cb.

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

3

3

26

29 Picc. 1 3

3

3

f

Fl. 1, 2 5

p

5

5

5

p

5

5

Ob. 1, 2

5

Cor. ing.

Cl. in Mib 3

3

3

f

5

Cl. 1, 2 in Sib

1

3

3

p

Fg.

3

3

3

2 3

3

3

3

p

1,2 Cor. in Fa 3,4

(1.)

5

Tr. 1, 2 in C

Trbn 1, 2. sf

3

sf Xyl. 1 3

3

3

mf

Perc. Vibr. 2 sf

sf

3

3

3

Sopr. and

some

we

have

made

up,

(pizz.) Vn. 1 sff

Vn. 2



fp

fp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

Vla.



3

3

3

3

fp

fp

3

fp

3

fp

3

Vc.

3

3

Cb. ff

23-02-2015 15:14:11 ha_lmty_fs2_rk_230215

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

3

27

F 32 Picc. 1 3

3

f

3

f

sff

Fl. 1, 2 5

5

p

5

5

p

Ob. 1, 2

5

5

5

Cor. ing. p

Cl. in Mib 3

3

f

3

f

5

5

Cl. 1, 2 in Sib

sff

5

p

1

3

3

3

3

Fg. 2

con sord

3

3

1,2 mf

Cor. in Fa

3

3,4 p

sf 5

(1.) Tr. 1, 2 in C

5

p

5

Trbn 1, 2. 3

mf

sf

Xyl. 1 3

3

mf

Perc.

3

Vibr.

mf

3

2 3

sf

sf

3

3

3

Sopr. some

that

have

stayed

from

F Vn. 1 sff

Vn. 2 sff



fp

fp

sff

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

fp

3

3

3

3

3

fp

3

3

Vla.



3

3

3

3

fp

fp

3

fp

3

fp

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fp

fp

3

3

3

3

3

3

(pizz. sul pont.) 3

3

p

3

3

3

Vc. (pizz. sul pont.)

3

p

Cb.

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

3

3

3

3

28

35 Picc. 1 ffp

f

Fl. 1, 2 5

5

5

p

5

5

p

5

5

5

5

Ob. 1, 2

Cor. ing. p Cl. in Mib ffp

f

Cl. 1, 2 in Sib

p 3

1 Fg.

pp

3

pp

3

3

2 3

3

3

senza sord.

3

1,2 p

Cor. in Fa

mf

3,4

pp

p (1)

Tr. 1, 2 in C

5

p

5

Trbn 1, 2. Xyl. 1 Perc.

Frusta

2 sff

Arp.

3

ff secco

5

sff

Cel.

mf

5 3

Sopr. long

be

fore

Vn. 1 sff

sff

arco sul pont.

 

pp 3 arco sul pont. 3

3

3

pp arco sul pont. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

pp



fp

fp

Vla.



3

pp

arco sul pont.

Vn. 2

3

3

3

3

3

3

Vc.

fp

fp

3

3

3

3

3

3

pizz. sul pont.

3

div. in 2

3

3

3

3

3

3

3

3

3

pizz. ord.

3

sff pizz. ord.

3

3

sff pizz.

Cb. sff

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215



3

pp pizz. sul pont. 3

pp

3

29

G 38

3

Picc. 1 3

3

mp

Fl. 1, 2 pp

5

pp

pp

5

pp

5

Ob. 1, 2

5

5

Cor. ing. p 3

Cl. in Mib mp 5

5

Cl. 1, 2 in Sib

p

1

3

pp

3

3

pp

3

3

3

Fg. 2 3

3

3

1,2 p

Cor. in Fa 3,4 p

p 5

(1) Tr. 1, 2 in C 5

p 3

3 3

3

Arp.

mf

5

mf

Cel.

5

again a little unsecure (stuttering) mf

3

3

3

3

p

3

3

Sopr. and

some

that

have

come

this

mor

G Vn. 1

ď ť

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Vn. 2

ď ť

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

(pizz. sul pont.)

3

3

3

pp

Vla. 3

3

3

(pizz. sul pont.)

pp

Vc.

Cb.

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

3

30 7  e=q

H

2Meno mosso h = 62 2

41 Picc. 1

Fl. 1, 2 5

Ob. 1, 2 5 5

5

Cor. ing. p muta in Cl. basso in Sib

3

Cl. in Mib

5

5

Cl. 1, 2 in Sib

p

1

3

Fg.

3

pp

3

2 3

3

pp

3

3

1,2 p

Cor. in Fa 3

3,4 pp Tr. 1, 2 in C

p 5

5

3

Timp. ppp 3

Arp.

5

Cel.

mf

5 3

Sopr.

7  e=q

ning,

H

2 2

Meno mosso h = 62

Vn. 1



Vn. 2



3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

Vla. 3

con sord. arco

pp

5

con sord. div. in 3

Vc.

5

3

3

arco

pp con sord.

arco

7

pp 3

Cb. div.

con sord.

arco

pp

pp

pizz.

arco

3

con sord.

pp

pp

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

31

44

Vibr.

arco

3

Perc. 2 5

pp

pp

mf

3

mf

pp

mf

5

pp

mf

7

Arp.

mf

pp

5

6 4:3

5

Sopr. some

that

will

go

Vn. 1

Vn. 2

Vla.

3

3

3

3

3

3

Vc. div. in 3

7

7

7

7

7

Cb. div.

5

5

3

3

7

7

3

3

5

5

5

3

3

7

7

3

3

5

I

49

5

5

3

3

5

5

3

3

7

7

7

7

3

1 ppp

Fl.

pp

2 ppp

Vibr. (arco)

pp

3

3

Perc. 2 pp

7

7

mf

pp

pp

mf

mf

pp

5

mf

pp

mf

5

Arp.

7

5:4

6:4

5

3

Sopr. to

mor

row

I

and

some

con sord. arco

3

pp

3

con sord. arco

3

3

3

div. in 3

Vn. 1

pp con sord. arco 7

7

pp

Vn. 2

Vla.

3

Vc. div. in 3

3

7

7

Cb. div.

5

5

via sord.

5

via sord.

5

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

7

7

32 7  q=q 54

3

5

5

5

5

3

7

3

7

5

7

5

J Più mosso h = 108 5

1 Fl.

3

3

3

7

5

2

1 Vibr. (arco)

6

Perc.

6

5

2 pp

mf

pp

7

mf

pp

pp

f

mf

pp

mf

Arp.

6

3

6

7

5

3

4:3

Sopr. that

have

long

been

7  q=q

there

J Più mosso h = 108 3

3

3

3

3

3

Vn. 1 div in 3

7

7

7

7

Vn. 2 con sord.

arco ord.

pp

arco ord. con sord.

div. in 3

Vla.

3

pp

con sord.

3

3

arco ord.

pp

div. in 2

Vc.



pp

pp

59 Arp.

3 3

3

Sopr. but

that

we

will

ne

Vn. 1 div in 3

Vn. 2

Vla. div. in 3

3

Vc. div. 3

3

3

3

3

5

5

3

5

5

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

3

3

3

33

K

64 1 Cl. in Sib

ppp

pp

ppp

pp

3

3

5

5

3

5

5

2

Arp.

5

3

3

Sopr. ver

find,

for

to

me

K Vn. 1 div in 3

ord. con sord.

pp

ord. con sord.

div. in 3

Vn. 2

3

3

pp

3

3

3

ord.

con sord. pp via sord.

via sord.

Vla. div. in 3

3

3

via sord.

via sord. Vc. div.

3

3

via sord. 3

L Stesso Tempo

69 1 Cl. in Sib

3

3

3

3

5

5

5

5

2 Glsp. Perc. 1 pp

Arp.

5

Sopr. mo

ry

there

is

no

end.

L

Stesso Tempo

ppp Vn. 1 div in 3

ppp

3

Vn. 2 div. in 3

3

3

3

3

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

3

3

ppp

3

3

34

74 Glsp. Perc. 1

Arp.

pp

Cel.

Sopr.

via sord.

via sord. Vn. 1 div in 3 via sord. 3

3

3

3

3

3

ppp

Vn. 2 div. in 3

ppp

ppp

3

3

3

3

G.P.

M

79 Glsp.

3

(in tempo)

Perc. 1 3

ppp

Arp.

3

ppp

Cel.

Sopr.

G.P.

M

(in tempo)

Vn. 1 div in 3

via sord.

via sord. Vn. 2 div. in 3 via sord. 3

3

3

attacca (Dur: ca. 3')

23-02-2015 15:14:12 ha_lmty_fs2_rk_230215

35

3. There was a time, I remember Walking but limping “in limping time“ q = 58

3 4

4 4

3 4

4 4

3 4

4 4

3 4

Clarinetto 1, 2 in Sib

Clarinetto basso in Sib

Fagotto 1, 2 Gr. Cassa

3

Percussione 1 ppp

Arpa

Soprano

Walking but limping “in limping time“ q = 58

3 4 Contrabbasso div.

4 4

pizz.

3 4

4 4

3

3

3 4

3

3

3

3

p *) pesante, marc. "parlando" 3

pizz 3

3

4 4

3

3 4

3

p *) pesante, marc. "parlando"

7

4A 4

3 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

Cl. 1, 2 in Sib

Cl. bas. in Sib "wie ein Seufzer" Fg. 1, 2 pp Gr. Cassa Perc. 1 3

p

Arp. 3

Sopr.

3 4 Cb. div.

3

3

4A 4

3 4 3

3

4 4

3

3 3

3 3

3

*) Cb., Vc., Vla.: slurs = phrasing to give the direction of the melody. The pizzicati have to be damped (not l.v.)

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

3

3

3

3 4

36

13

3 4

4 4

B

1

3 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

Cl. 1, 2 in Sib pp

Cl. bas. in Sib pp Fg. 1, 2 Gr. Cassa Perc. 1 3

p

Arp. 3

Sopr.

3 4

4 4

B

Vc. div.

3

3

3

3

Cb. div.

3

3

3 3

3C 4

(1)

3

3

3

3

4 19 4

3

3

3

4 4

3 4

3

4 4

3 4

4 4

Cl. 1, 2 in Sib

Cl. bas. in Sib

Fg. 1, 2 pp Gr. Cassa Perc. 1

p

Arp.

Sopr.

C

4 4

3 4

3

p *) pesante, marc. "parlando" pizz.

Vc. div.

3

3

Cb. div.

pizz.

3

3

3

4 4

3

3 4

3

p *) pesante, marc. "parlando"

3

4 4

3

3

3

3 4

3

3

3

3

3

*) See footnote p. 35.

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

4 4

37

25

4 4

3 4

D

4 4

3 4

4 4

4 4

3 4

4 4

3 4

Cl. 1, 2 in Sib p Cl. bas. in Sib

Fg. 1, 2 Gr. Cassa Perc. 1

Arp.

Sopr.

4 4

3 4

D

div. col leg. batt.

3 4

Vn. 2

Vc. div.

3

3

3

3

3

3

3

3

3

3

3

p

3

3

3

3

3

3

3

3

Cb. div.

4E 4

3 31 4

3 4

1

4 4

7:6

3 4

4 4

7:6

3 4

5:4

Fl. 1 ppp

5

ppp 1

7

5

Ob. 1, 2 pp Cl. 1, 2 in Sib ppp Cl. bas. in Sib 1, 2

con sord.

1,2 Cor. in Fa

3, 4

ppp con sord.

pp

ppp con sord.

pp

ppp

pp

3,4

Tr. 1, 2 in C Gr. Cassa Perc. 1 3

mf

Arp.

3

(with a broken voice)

pp

pp

mp

5:3

5:3

7:4

7:4

Sopr. There

4E 4

3 4

was

3 4

a

time

I

4 4

3 4

arco poco col legg. senza vibr. ("cold") 2 last desks IV. 5:4

Vn. 1

4 4 5

ppp

7

Vn. 2

2 last desks

3

Vc. div.

3

3

3

3

Cb. div.

3 4

3

3

3

3

3

3

3

3

*) Soprano: the quintuplets (5 : 3) = 96,66; the septuplets (7 : 4 ) = 101,5 (slightly faster)

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

7

arco poco col legg. IV. senza vibr. ("cold")

ppp

3

3

3

3

3

3

38

rall.

3 37 4

4 4

F

3 4

4 4

3 4

1

4 4

7:6

Picc. 1, 2 pp 5

7:6

7:6

7:6

5

Fl. 1 7:6

p

Ob. 1, 2

Cl. 1, 2 in Sib ppp

pp

mf

ppp

pp

mf

Cl. bas. in Sib

Fg. 1, 2 pp

Cfg.

1,2 Cor. in Fa 3,4

Tr. 1, 2 in C

Gr. Cassa Perc. 1

Arp.

Cel.

p

p

ppp

7:4

5:3

5:3

5:3 7:4

5:3

Sopr.

pppp re

mem

ber,

when

we

had

no

mu

sic,

a

rall.

3 4

4 4

F

Vn. 1

3 4

4 4

3 4

4 4

(2 last desks) 7

5 5

ppp

Vn. 2

5

(2 last desks)

sim.

5

pppp

5

Vla.

1 solo

7

pp 3

Vc.

ď ť

3

3

3 3

3

3

3

3

3

3

7

5

espress. 3

3 3

3

Cb. div.

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

3

5

39

A tempo

4 43 4

(1)

3G 4

5

4 4

7:6

3 4

5

4 4

3 4

4 4

Picc. 1, 2 pp 7:6

5

Fl. 1 pp 1

5

Ob. 1, 2 7

pp

pp

"Trauermusik" normal tuning

Cor. ing. ppp "Trauermusik" normal tuning a 2 Cl. 1, 2 in Sib

ppp

Cl. bas. in Sib ppp Fg. 1, 2 ppp Cfg. ppp

"E-Horn" (on F-Horn, 2 valve, 7th harm.)

"E-Horn" (on F-Horn, 2 valve, 7th harm.)

1

"E-Horn" (on F-Horn, 2 valve, 11th harm.)

1 ppp

ppp

"A-Horn" (on Bb-Horn, 2 valve, 5th harm.)

"A-Horn" (on Bb-Horn, 2 valve, 5th harm.)

2 Cor. in Fa 2

ppp

ppp "G-Horn" (on Bb-Horn, 1, 2 valves, 6th harm.)

"G-Horn" (on Bb-Horn, 1, 2 valve, 6th harm.)

3

"A-Horn" (on Bb-Horn, 2 valve, 7th harm.)

"D-Horn" (on F-Horn, 3 valve, 10th harm.)

3 ppp

ppp

1 Perc. Vibr.

7

5

7

5

7

2 7

p

mf

p

3

p

Arp. 3

7

5

Cel.

p

5

7

f

mf

7

5

7

7

p 7:4

7:4

7

5:3

5:3

5:3

7:4

Sopr. time

when there was

4A tempo 4

4 soli div.

no

col leg. batt. 7

mu

sic,

3G 4

and

4 4

what

3 4

is

mu

sic,

4 4

if

not

3 4

4 4

p

Vn. 1

Vn. 2

time for

(2 last desks) 7

7

ppp 3

5

pizz.

5

5

7

3

3

3

3

3

3

3

3

3

Vla. p *) pesante, marc. "parlando"

1 solo

5

(1 solo) 7

pp Vc.

ď ť

sim.

3

3

ppp 3

3

3

3

p

I. (5th harm.)

"Trauermusik" (as with broken voice) arco 2 soli IV. (11th harm.) ppp

ď ť

5 3

p 3

(pizz.)

3

Cb.

7

p 3

p

*) See footnote p. 35.

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

II. (7th harm.)

40

49

4 4

3 4

H

4 4

3 4

4 4

3 4

Picc. 1, 2

Fl. 1 7:4

p 1

7

Ob. 1, 2 7

pp

Cor. ing.

(a 2) Cl. 1, 2 in Sib

Fg. 1, 2

Cfg.

1 1

2 Cor. 2 in Fa

3 3

Tr. 1, 2 in C Vibr. Perc. 2 7

mf

Cel. 5:4

7:4

7:4

Sopr. time

(me)

(7th harm.)

4 4

Vn. 1

3 4

H

4 4

*)

3 4



4 4

arco ord.

3 4

pp (7th harm.)

8 soli, div.

*) arco ord.

pp

(5th harm.) arco ord.

Vn. 2



loco pp (5th harm.)

8 soli, div. arco ord.

pp

3

3

3

3

3

3

3

3

3

3

3

Vla.

3

3

3

Vc. 3

(2 soli)



Cb.

*)Vn. 1: Natural harmonic, both fingers with harmonic stops on the open string indicated below. The resultant sound is presented above in brackets.

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

3

41

I

3 55 4

A tempo

4 4

3 4

4 poco rall. 4

1, 2 (= 2nd Fl)

poco accel.

3 4

4 4

3 4

Picc. 1, 2 pp 7:6

5

5

7:6

Fl. 1 p 5

p

7

5

7:6

p

Ob. 1, 2 pp

Cor. ing. (a 2) Cl. 1, 2 in Sib "E-Horn" (on F-Horn, 2 valve, 7th harm.)

1

"E-Horn" (on F-Horn, 2 valve, 11th harm.)

ppp

2

ppp "A-Horn" (on Bb-Horn, 2 valve, 7th harm.)

ppp

3

ppp "D-Horn" (on F-Horn, 3 valve, 10th harm.)

sim.

1

Cor. 2 in Fa

"A-Horn" (on Bb-Horn, 2 valve, 5th harm.)

sim.

"G-Horn" (on Bb-Horn, 1, 2 valves, 6th harm.)

sim.

3 ppp

ppp

1 (con sord.) Tr. 1, 2 in C ppp dolce

Vibr. 7

Perc. 2 7

p 7

5

p

Cel.

7

mf

5

p 5

mf

7

5

5

5

(take time) pp

Sopr.

time

5:3

7:4

5:3

7:4

of

now

and

then

tum

7:4

bled

I

3 4

Vn. 1

3 4

4 poco rall. 4

3 4A tempo

poco accel.

one

4 4

3 4

pp

(11th harm.)

(7th harm.) 8 soli, div.

IV. 7

2 last desks



pp

col leg. batt.

5

5

p

ppp (5th harm.)

Vn. 2

to

(11th harm.)

(7th harm.)

4 4



in

pp (5th harm.) 8 soli, div.

pp IV.

2 last desks

5

7

7

pp 3

3

3

3

3

3

3

3

3

3

3

Vla. 7

II. (7th harm.)

I.

1 solo

3

Vc.



II.

pp

3

3

(2 soli)

III. (10th harm.)

II. (7th harm.)

3



Cb.

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

7

I.

5

7

5

3

3

3

3

I. (5th harm.)

II. (7th harm.)

42

molto rall.

J

3 61 4

4 4

3 4

4 4

3 4

Picc. 1, 2 ppp

pp

ppp

7:4

Fl. 1 pp

5:3

7:4

Cor. ing. (a 2) Cl. 1, 2 in Sib

Cl. bas. in Sib

ppp

Fg. 1, 2 ppp

Cfg. ppp 1

sim.

2

ppp sim.

3

ppp sim.

1

Cor. 2 in Fa

3 ppp con sord. 1, 2 Trbn.

pp

ppp

pp

ppp

con sord.

3

Glsp. 1 Perc.

Vibr.

pp

ppp

pp

ppp

pp

ppp

5

5

2 5

f

Arp.

f

p

f

7

Cel.

7

7 5:3

5:3

pp

5

5

7:6

Sopr. a

no

ther,

time

J (3rd harm.)

3 4

Vn. 1

ď ť

turned

(7th harm.)

(5th harm.)

4 4

p

4 molto rall. 4

3 4

(7th harm.)

(3rd harm.)

3 4

ppp

ppp

ppp

ppp

ppp

ppp

(5th harm.) 9 soli div. in 3

p

pizz.

p Vn. 2

col leg. batt.

p 3

3

3

3

3

3

3

3

3

Vla. p 3

3

3

p

Vc.

3

(2 soli)

3

3

p

II. (7th harm.)

3

ď ť

Cb.

p 3

p

23-02-2015 15:41:21 ha_lmty_fs3_rk_230215

43

A tempo

3 66 4

3K 4

4 4

4 4

3 4

4 4

3 4

Picc. 1, 2 5:3

5:3

5:3

7:4

Fl. 1 7:4

7:4

Ob. 1, 2 pp

Cor. ing. (a 2) Cl. 1, 2 in Sib

Cl. bas. in Sib

Fg. 1, 2

Cfg.

1

"E-Horn" (on F-Horn, 2 valve, 11th harm.)

1

2 Cor. 2 in Fa

3

ppp "A-Horn" (on Bb-Horn, 2 valve, 7th harm.)

ppp "D-Horn" (on F-Horn, 3 valve, 10th harm.)

3 ppp

1

5

Tr. 1, 2 in C

ppp

1 Perc. 2

Arp.

Cel.

7:6

7:6

5

and

2

loosed

A tempo

3 4

time

5

7:6

Sopr. ben

ded,

time

K

4 4

3 4

4 4

3 4

4 4

3 4

p

Vn. 1 p

p

Vn. 2

3

3

3

3

3

3

3

3

3

3

3

Vla.

3

3

3

3

3

Vc.

(2 soli)

ď ť

Cb.

23-02-2015 15:41:22 ha_lmty_fs3_rk_230215

3

3

44

72

3 4

4 4

3 4

L

4 4

3 4

Picc. 1, 2 7:4

5:3

Fl. 1 5:3

7:4

7:4

Ob. 1, 2 pp

Cor. ing.

(a 2) Cl. 1, 2 in Sib

Cl. bas. in Sib

Fg. 1, 2

Cfg.

1, 2 Cor. in Fa 3, 4

1

7

Tr. 1, 2 in C ppp

1 Perc. Vibr.

(Vibr.)

2 pp

pp

Cel.

5

7:6

5

7:6

5

Sopr. blown

up

here

3 4

4 4

and

there,

time

3 4

L

sweet

1 solo col leg. batt.

and

harsh,

4 4

7

3 4

p Vn. 1

Vn. 2

3

3

3

3

3

3

3

Vla.

3

3

Vc. 3

3

(2 soli)

I. (5th harm.)

VI. (11th harm.)

I. (5th harm.)

3

ď ť

Cb.

23-02-2015 15:41:22 ha_lmty_fs3_rk_230215

II. (7th harm.)

45

M

3 77 4

4 4

3 4

4 4

3 4

4 4

Picc. 1 muta in Fl. 3 Picc. 2 muta in Fl. 2

Picc. 1, 2 5:3

7:4

Fl. 1 5:3

Ob. 1, 2

Cor. ing.

(a 2) Cl. 1, 2 in Sib

Cl. bas. in Sib

Fg. 1, 2

Cfg.

via sord. 1, 2 Cor. in Fa

via sord.

3, 4 via sord. Tr. 1, 2 in C 1, 2

via sord.

Trbn. 3 1 Perc.

Vibr.

2

p

Cel.

7:6

7:6

5

Sopr. time

still

3 4

and

4 4

long?

4M 4

3 4

3 4

4 4

Vn. 1

Vn. 2

3

3

3

3

3

3

3

3

3

Vla.

3

3

Vc. 3

(2 soli)

ď ť

Cb.

II Part non attacca (Dur: ca. 5')

23-02-2015 15:41:22 ha_lmty_fs3_rk_230215

46

II Part: 4. Let me tell you how it is 2q. = 36, q = 54 2

9 8

9A 8

2 2

2 2

Corno inglese

Clarinetto basso in Sib pp 1 Fagotto

3

3

pp

3

2 pp 3

3

Contrafagotto 3

pp 1,2 Corno in Fa 3,4

Vibr. arco Percussione 2 p

p

ppp

Arpa

3:5

pp Soprano

2q. = 36, q = 54 2

9 8

9A 8

2 2

let

me

2 2

Viola 2 soli, arco div.

ppp

gli altri, div arco

Violoncello

sim.

3

ppp

3

ppp

ppp

ppp

2 soli

gli altri, div arco

Contrabbasso

ppp

5

2 2

9 8

2 2

Cor. ing. 3

pp

9

Cl. 1, 2 in Sib 3

Cl. bas. in Sib

3

3

3

3

3

1 Fg.

3

2

Cfg. 3

senza sord. 1,2

1

9:8

9

3:2

pp

Cor. in Fa

1 pp

3,4

Arp.

9:8

3:5

9:8

3:5

3:5

Sopr. tell

you

2 2

how

9 8

it

(w)

2 2

1 sola

Vla. (2 soli)

Vc.

Cb.

ppp

(gli altri)

2 soli

(gli altri, div)

pp

3

div. arco

col legg. batt.

9

9:8

ppp

f

sim.

3

ppp

3

ppp

ppp

02-03-2015 11:34:16 ha_lmty_fs4_rk_020315

3

ppp

47

8

9 8

2 2

B

9 8

Cor. ing. 3

Cl. bas. in Sib

pp 1 3

Fg.

pp

3

2 pp

3

Cfg. pp 1,2 Cor. in Fa

3

3,4 Vibr. (arco)

9:8

Perc. 2 p

p

ppp

Arp.

p

9:8

3:5

3:5

Sopr. is,

9 8

for

you

are

2 2

B

the

9 8

Vla. arco

3

pp

Vc.

ppp

pp

3

pp

Cb.

pp

ppp

C 9 11 8

2 2

9 8

2 2

Cor. ing. 3

p

3

3

Cl. bas. in Sib

1 3

3

Fg.

3

3

2 3

Cfg. 3

1,2 Cor. in Fa

senza sord.

3,4

3 9:8

3:2

pp

3

3

Perc. 2

Arp.

3:5

9:8

3:5

3:5

Sopr. one

who

made

me

more

than

I

C

9 8

2 2

1 sola

9 8

Vla. 3

p

3

pp

Vc.

III.

Cb.

col legg. batt.

f

arco

pp

3

pp

02-03-2015 11:34:16 ha_lmty_fs4_rk_020315

pp

2 2

48 poco accel.

D 14

2 2

9 8

2 2

9 8

Fl. 1, 2 p

Ob. 1, 2 p

Cor. ing.

Cl. 1, 2 in Sib pp muta in Cl. in Mib

3

Cl. bas. in Sib

1 3

Fg.

3

2 pp

Cfg. pp

3

1,2 Cor. in Fa

(3)

9

3:2

3:2

3,4 pp senza sord. Tr. 1, 2 in C

p

Trbn. 1, 2

Mar. 1 pp Vibr.

ord.

Perc. 2 pp Campane 3

Arp.

mf

mf

f

f

pp

Cel.

pp mf 9:8

9:8

3:5

3:5

Sopr. was

You

9D 8

2 2

2 2

9 8

Vn. 2

p

3

tutte div.

3

p

tutti div. in 2

Vc.

3

p

3

p (2 soli)

tutti unis.

3

pp

the

poco accel.

Vn. 1

Vla.

are

pp

III.

3:2

p

Cb.

02-03-2015 11:34:16 ha_lmty_fs4_rk_020315

49

17

9 8

2 2

9 8

2 2

Fl. 1, 2

Ob. 1, 2

Cor. ing.

Cl. 1, 2 in Sib

Cl. bas. in Sib

(2) Fg. 1, 2

Cfg.

9

a2

1, 2 p Cor. in Fa

3

3

9

3, 4

Tr. 1, 2 in C

Trbn. 1, 2

Mar. 1 Perc. Vibr. 2

Arp.

Cel.

f

9:8

3:5

3:5

3:5

Sopr. one

9 8

who

loosed

out

this

2 2

mu

9 8

Vn. 1

Vn. 2

3

3

3

3

Vla.

3

3

Vc. 3 3

Cb.

02-03-2015 11:34:17 ha_lmty_fs4_rk_020315

sic

2 2

50 E 20

2 2

9 8

2 2

Fl. 1, 2

Ob. 1, 2

Cor. ing. mf

Cl. 1, 2 in Sib mf

Cl. bas. in Sib

1 Fg.

mf

(2)

2 mf

Cfg.

(a 2) 1, 2 3

Cor. in Fa a2 3, 4 p

3

Tr. 1, 2 in C

1, 2 Trbn. 1, 2 pp sempre Mar. 1 pp Vibr. Perc. 2

Campane 9

3 mf

Arp.

mf

9

f

f

Cel.

sff

3

9:8

f

3:5 3:5

Sopr. (ic)

Your

2 2

face

9 8

E

Vn. 1 3

mf

3

Vn. 2 mf

3

Vla.

3

3

Vc.

3

Cb.

02-03-2015 11:34:17 ha_lmty_fs4_rk_020315

is

my

2 2

51

23

2 2

9 8

2 2

9 8

Fl. 1, 2

Ob. 1, 2

Cor. ing.

Cl. 1, 2 in Sib

Cl. bas. in Sib

Fg. 1, 2

Cfg.

a2

3

1, 2 p Cor. in Fa

(a 2)

3

3, 4 9

Tr. 1, 2 in C pp sempre

Trbn. 1, 2

Mar. 1 Perc. Vibr. 2 pp

Arp.

p Cel.

9:8

ffp 3:5

9:8

3:5

3:5

Sopr. mu

sic

les

son

2 2

and

9 8

I

sing.

2 2

9 8

Vn. 1 3

3

3

3

3

3

Vn. 2

unis.

3

Vla. mf

unis. Vc. 3

mf arco

f Cb.

div.

arco

f

02-03-2015 11:34:17 ha_lmty_fs4_rk_020315

52 q. = h

Stringendo al

9 26 8

2 2

9 8

Fl. 1, 2

Ob. 1, 2 mf

sfff

Cor. ing. molto cresc.

sfff

molto cresc.

sfff

molto cresc.

sfff

Cl. 1, 2 in Sib

Cl. bas. in Sib

Fg. 1, 2

1, 2 sff

Cor. in Fa 3, 4

Tr. 1, 2 in C sub. molto cresc.

Trbn. 1, 2

1 Perc.

Vibr.

2 ff

Arp.

ff

Cel.

sfff Sopr.

q. = h

Stringendo al

9 8

2 2

9 8

sff Vn. 1

sff 5:3

spicc.

desks 1, 3, 5



p sempre

sff

5:3

div. 4

spicc.

p sempre

sff

Vn. 2

desks 2, 4, 6



4 5:3

spicc.

sff

p sempre

5:3

div. 4

spicc.

sff

p sempre

4

3

Vla. molto cresc.

3

Vc. molto cresc.

3

3

Cb.

attacca (Dur: ca. 2')

02-03-2015 11:34:17 ha_lmty_fs4_rk_020315

53

5. Now I do not mind

q. = h 1

A

2 h = 75 (Tempo I) 2

1

1 fff Flauto

5

5

5

5

2, 3

2, 3 fff

Oboe 1, 2 3

Corno inglese 3

3

p Cl. in Mib

Clarinetto in Mib fff

3 3

Clarinetto 1, 2 in Sib

fff

p

Fagotto 1, 2 3

3

p

1, 2 Corno in Fa 3, 4

Tromba 1, 2 in C ff

p

Trombone 1-3

Timpani

Xyl. 1 5

f Japanese Wood Block - medium high (J.W.B.)

Percussione

5

2 mf

Arpa

Celesta

Soprano

q. = h

A

2 h = 75 (Tempo I) 2

1-3 desks

*) 1-3 Violino 1

gli altri

II.

I.

gli altri 5

*) 1, 3, 5 div.

ď ť

5

fff

5

Violino 2

*) 2, 4, 6 div.

fff

5

5

ď ť

5

5

5

Viola 3

sff

Violoncello 3

sff 5

div.

Contrabbasso

pizz.

fff secco

*) Numbers refer to desks. Div. always at the desk.

05-03-2015 10:20:41 ha_lmty_fs5_sf_050315

pizz.

fff secco

54 5  e = e h = 60 (Tempo II) 5

5

1 5

5

5

5

5

5

Fl. 2, 3

5

5

5

5

5

5

5

Ob. 1, 2

5

pp 2

pp *) "hervor"

5

f

mf

3 3

f

*) "hervor" Cor. ing. mf

5

5

Cl. in Mib

Cl. 1, 2 in Sib

1 f

5

Fg. 2 f

3

1, 2 Cor. in Fa

3

3, 4 p Xyl. 1 5

5

5

5

5

5

Perc. 2

f

Arp.

mf Sopr. Now

5

  

1-3

Vn. 1 4, 6

5, 7

1, 3, 5

Vn. 2

2, 4, 6

I

do

5  e = e h = 60 (Tempo II) 5

f 1-3 desks, div.

5

3 3

f

3

III.

fff

fff

fff

fff III.

fff

fff

fff

fff

fff

fff

III.

fff

p 5

III.

5

fff

fff



fff

pp

p

5

5

5

5

5



5

Vla.

Vc.

pizz.

II. arco

f pizz.

fp

f 5

5

5

5

Cb.

*) For the conductor: "hervor" = must be played a little solistically

05-03-2015 10:20:41 ha_lmty_fs5_sf_050315

5

55 B

9

5

5

5

5  e=e

5

h = 75 (Tempo I)

5

5

1 pp

pp

pp

Fl. 2 pp

pp

pp

Ob. 1, 2 mf

mf

mf

mf

Cor. ing. 5

5

5

mf

5

mf

5

5

mf

1 pp

Cl. in Sib

5

5

2 pp

1, 2 Cor. in Fa

3

3, 4

"hervor"

5

5

Timp. mp poco marc. Gr. Cassa 1 pp ma marc. Perc. 2

Arp.

sff Sopr. not

mind

if

it

is

day,

if

it

is

night.

B

5  e=e

h = 75 (Tempo I)

1-3

4, 6 Vn. 1

5, 7

1, 2

Vn. 2 3, 5



p 5

p

5

5

5



5

5



1, 2 desks, div

7

mf

mf

5



5

arco

4, 6



Vla. 1, 2

5

p 4 soli, div arco

p

pp

7

arco

5

p

mf 5

mf

fp Vc.

pizz.

f II. arco

fp

fp

Cb.

05-03-2015 10:20:41 ha_lmty_fs5_sf_050315

p arco

5

56 5  e = e h = 60 (Tempo II) 13

5

1 pp Fl. 2 pp Ob. 1, 2 5

sf

"hervor"

5

Cor. ing. sf

5

5

mf poco marc.

Cl. in Mib

1 pp

Cl. in Sib

5

pp 5

5

5

2 1

pp "hervor"

pp

Fg. mf

mf 1, 2 Cor. in Fa

3

3, 4 p Tr. 1, 2 in C 5

p

5

p

1 Trbn. 1-3 5

5

5

5

5

Timp. mp Gr. Cassa 1 pp

Perc.

J.W.B.

pp

5

2 sf

Arp. sff

f

5

5

Sopr. ah 5

5  e = e h = 60 (Tempo II)

pizz.

1-3 sf 5

pizz. 5

4, 6 Vn. 1

5, 7

 

sf pizz.

5

sf

p

pp

5

p

5

1, 2 5

3, 5 Vn. 2

4, 6

 

p

5

5

5

p

5

5

unis. pizz.

Vla. arco

1, 2



Vc.

gli altri



mf arco

mf

f 5

5

fp

5

tutti, div 3

3 3

I. arco flaut.

gli altri, div. in 3

5 5

5

arco flaut.

f

f

fff

IV.

fff

Cb.

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

57

C 5  h = 75 (Tempo I) e=e

17

5

5

5

5

1 pp

5

5

pp

pp

Fl. 2 pp

pp

pp

"hervor"

1 Ob. 1, 2

mf

p

p

mf

sf

5

Cor. ing. 5

mf

5

mf

5

5

mf

Cl. in Mib

1 pp

Cl. in Sib 5

5

5

5

2 pp hervor 1 mf

Fg.

"hervor"

2 mf

1, 2 Cor. in Fa

(3)

3, 4

mf

Arp.

fp

mf

If

it

fp

mf 5

5

Sopr. is

night,

an

owl

will

C

1-3



5  e = e h = 75 (Tempo I)

7

arco

7

fp

5

arco

5

fp arco



Vn. 1 4, 6

5, 7

p

5

arco

p

5

5

5



5

5

1, 2

3, 5 Vn. 2

4, 6



5



5

pp

5

p

pizz. Vla. f

fp Vc.

arco

Cb.

tutti, div

fp

fp

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

p

5

58 D

5  h = 60 (Tempo II) e=e "hervor"

21 1

f Fl.

"hervor"

2 5

5

f 1 5

sf

Ob. 2

5

sf

p

Cor. ing. 5

sf

Cl. in Mib 5

p

1 pp

pp

Cl. in Sib

5

2

pp 5

5

5

pp 5

pp

1 5

Fg.

mf

5

5

5

5

mf

mf

sf

5

2 mf

mf

1, 2 Cor. in Fa

3

3, 4 p Tr. 1, 2 in C 5

p

1 J.W.B.

Perc.

5

2 sf

Arp. ff

f

f

sff

call

out.

5

5

Sopr.

D

ah

5  e = e h = 60 (Tempo II)

5

div.

pizz.

1-3 5

4, 6 Vn. 1

5, 7

 

sf pizz.

5

sf pizz.

5

sf

p

pp

p

1, 2 5

3, 5 Vn. 2

4, 6

 

Vla.

p

5

5

5

p

5

5

arco

1, 2 desks div.

5

p

arco3

p

f

f pizz.

5

5

3

3

arco flaut. 5

f Vc. 1, 2

div. in 3

5

pizz.

f Cb.

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

f

fff

f

fff

arco flaut.

5

5

59 E

5  h = 75 (Tempo I) e=e

25 1

f

f

mf

f

mf

Fl. 2 f

5

5

5

f

5

mf

5

f

5

f

1 p

5

p

5

5

5

p

5

p

p

Ob. 2 5

p

p

p

5

Cl. in Mib

"hervor" 1

5

f

Cl. in Sib

"hervor"

2 f

Fg.

(1, 2 senza sord.) 1, 2 pp

Cor. in Fa

3, 4 con sord.

p

3

3, 4 pp

p

Tr. 1, 2 in C

Arp.

5

f

5

5

5

5

Sopr. If

it

is

mor

ning,

E

5  h = 75 (Tempo I) e=e 1-3

arco

4, 6 Vn. 1

5, 7

 

p arco

p

5

5

5

5

5

5

1, 2

3, 5 Vn. 2

4, 6



5



5

5

pp

p unis. pizz.

Vla. f arco 7

Vc. 1, 2

arco

mf

Cb.

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

7

f

mf

1, 2 desks div.

p

5

f

5

5

60 5  e = e h = 60 (Tempo II) 29 Fl. 1-3

1 p

p

p

Ob. 2 5

5

5

p

5

5

p

5

p

Cl. in Mib 3

mf

1 5

f

Cl. in Sib

f

5

5

mf

f

5

mf

5

f

3

mf

2 f

mf

f

f

3

"hervor"

1 f Fg.

"hervor"

2 f

5

5

3 (con sord.) 1, 2 Cor. in Fa

5

(3)

p sempre

5

4. (con sord.)

3, 4 p sempre Tr. 1, 2 in C

Trbn. 1-3 pp

Arp.

Cel.

f

3

Sopr. a

ro

bin

will

tune

his

5  e = e h = 60 (Tempo II) arco

1-3



fp arco

fp

7

7

5

5



Vn. 1 4, 6

5, 7



p 5

pp

p

1, 2 5

3, 5 Vn. 2

4, 6

 

5

5

5

5

5

pizz. Vla. tutti unis.

f pizz.

Vc. f

Cb.

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

mf

61

F 5  e=e

h = 75 (Tempo I) a3

33 Fl. 1-3 5

fff 5

1 ff

Ob.

3

2 ff Cl. in Mib 3

sff

3

fff

a2 Cl. 1, 2 in Sib

a2 3

sff

3

fff

1 Fg.

f

f

2

5

5

f

5

f

5

f

5

f

(3)

5

3

3 Cor. in Fa

5

5

5

5

p

(4)

4 p

p

Tr. 1, 2 in C mfp 1, 2 Trbn. 1-3 p

Timp. mf Xyl. 1 J.W.B.

Perc.

5

f

2 ff 3

fp

3

mf

Sopr. (s)

bells

(s)

F

h = 75 (Tempo I) 5  e=e 1-3

4, 6 Vn. 1

5, 7

1, 2

Vn. 2 3, 5

4, 6

 

p

p

5

5

5

5

5

5

5



ff 3

ff

 

5

p

5

pp

5

p arco

1, 2 div.

Vla.

5

5 5

f arco

3 3

f arco

1, 2 div.

Vc.

f

f pizz.

fff

Cb.

5

arco 3 5

5

pizz.

fff

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

62

G

5  e=e

(a 3)

h = 60 (Tempo II)

37 Fl. 1-3 5

1

5

5

5

5

5

fff

5

Ob. 2 3

Cl. in Mib fff

(a 2)

Cl. 1, 2 in Sib fff

5

5

5

5

2

7

1, 2 p

Cor. in Fa

4 senza sord.

5

3, 4 p

Timp.

Xyl. 1 Perc.

5

5

5

5

5

f

J.W.B.

2 mf

Sopr.

G

5  e=e

h = 60 (Tempo II)

1-3 fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

fff

4, 6

Vn. 1

5, 7

1, 2

 

p 5

pp

5

3

5

Vn. 2 3, 5

4, 6

p



5

fff

fff

fff

fff

fff

fff

fff

fff

5

5

5

5



5

Vla. 1, 2

arco

7

mf 1, 2 desks div.

Vc. 1, 2

arco

mf 5

5

5

5

5

5

fff Cb. 5

fff

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

63 5  e=e 41

h = 75 (Tempo I)

1

1 pp 2

2, 3 Fl.

5

5

2, 3 pp

"hervor"

5

1 Ob. 1, 2

5

mf "hervor" Cor. ing. mf Cl. in Mib 5

Cl. 1, 2 in Sib

5

5

5

5

5

5

5

5

5

5

5

7

1, 2 Cor. in Fa

mf 5

3 senza sord.

3, 4 mf 1 Tr.

7

mf

2 mf Xyl.

5

1 Perc. J.W.B. 2 5

Arp.

mf

sff secco

mf

5

5

Sopr. Night:

5  e=e

1-3

Vn. 1 4, 6

5, 7

1, 2

Vn. 2 3, 5

4, 6

     

Vla. 1, 2

ff

5

5

5

5

5

5

fff

fff

fff

fff

fff

fff

fff

fff

5

5

pp

5

p

5

p

7

ff

ff

Vc. 1, 2

5

5

p

p

h = 75 (Tempo I)

7

7

ff

day:

5

ff

ff

II. arco

fp

Cb. 5

5

5

5

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

64

H

5  e = e h = 60 (Tempo II) 45 1 Fl.

5

5

5

5

5

5

5

5

2 (1)

5

5

5

5

Ob. 1, 2

Cor. ing. 5

5

1 pp

Cl. in Sib 2

"hervor"

1 Fg. 1, 2 5

mf

5

3 Cor. 3 in Fa

p "hervor"

Timp. mp sim. Gr. Cassa 5

5

1 pp sim

Perc. 2

5

5

5

5

Arp.

sfff

Cel.

5

5

5

5

5

5

Sopr. there

is

no

diffe

rence

for

H

me

5  e = e h = 60 (Tempo II)

1-3 mf

4, 6 Vn. 1

5, 7

1, 2

Vn. 2 3, 5

4, 6

    

Vla. 1, 2

p

pp

p

5 5

mf 3

3

mf

5

p

5

5

5

p

5

5

5

mf

p 3

mf

p II.

Vc.

Cb.

fp

fp

fp

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

5

65 5  e = e h = 75 (Tempo I) 49 1 Fl.

2

5

5

2 pp

"hervor" 5

1 Ob. 1, 2

mf "hervor" Cor. ing. 5

5

5

mf

5

1 5

Cl. in Sib

pp

2 (1)

pp

pp

Fg. 1, 2 5

5

mf

5

mf

5

1, 2 Cor. in Fa 3, 4 5

Tr. 1, 2 in C p 1 Trbn. 1-3 5

p

Timp. mp Gr. Cassa

mp 5

5

5

5

5

1 pp

Perc.

J.W.B.

5

2 sf

5

mf

Arp.

sff

Cel.

sff 5

f

5

Sopr. ah

5  e = e h = 75 (Tempo I)

1-3

4, 6 Vn. 1

5, 7

 

p

p

5

5

5

5

5

pizz.

5

5

div. 1, 2 5

3, 5 Vn. 2

4, 6

 

sf pizz.

5

sf pizz.

5

sf

5

5

5

IV.

pp

flaut.

5

p

p

5

unis mf

tutte div. in 3

Vla.

5

f

sul tasto flaut. 5

7

Vc. 1, 2

desks 1, 2 div.

mf

mf

5

fff

f

fff

7

f

5

II. arco

f

fp

Cb.

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

66 I

5  h = 60 (Tempo II) e=e

53 1 pp

Fl.

pp

pp

5

5

5

5

5

2 (1)

pp

pp

5

5

5

5

Ob. 1, 2 5

mf

5

mf

Cor. ing. mf

mf

mf 1

5

1 5

Cl. in Sib

pp

2 pp

"hervor"

1 Fg.

mf

"hervor"

2

mf

5

5

1, 2 Cor. in Fa

3

3, 4 p Trbn. 1-3 Vibr. 1 mf

Perc. 2 5

5

5

Arp.

Cel.

mf

5

5

5

5

Sopr. What

will

arco

1-3

Vn. 1 4, 6

5, 7



make

I

the

5 5

5

fp arco

3 3

3

fp

 

p

p

pp

1, 2 arco

3, 5 Vn. 2

4, 6

 

5

5

p arco

5

5

p

5

5

unis.

Vla. mf II.

Vc.

Cb.

diff

5  e = e h = 60 (Tempo II)

fp

fp

fp

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

5

67 5  e=e

h = 75 (Tempo I)

57 1 Fl.

"hervor"

2 f 1 p Ob. 2 p 5

5

Cl. in Mib 5

5

5

p

1 5

Cl. in Sib

5

pp

5

5

2 pp

1 mf

mf

mf

mf

sf

Fg. 2 5

mf

5

5

5

5

1, 2 Cor. in Fa 3, 4

Tr. 1, 2 in C 5

p

Trbn. 1-3 Vibr. 1 J.W.B.

mf

Perc. 2

5

sf

Arp.

Cel. f

ff 5

5

Sopr. e

rence

is

if

ah

5  e=e

h = 75 (Tempo I)

1-3

4, 6 Vn. 1

5, 7

 

5

p

p

5

5

5

5

5

5

div.

pizz.

1, 2 5

sf pizz.

3, 5 Vn. 2

4, 6



5

sf pizz.

5



5

sf

5

p

5

pp

p 7

1, 2



desks 1, 2 div.



5

f

Vla.

le altre

7

f

le altre div. in 3

unis.



Vc. mf Cb.

05-03-2015 10:20:42 ha_lmty_fs5_sf_050315

5

arco III.

flaut.

IV. 5 5

arco flaut.

f

fff

f

fff

5

68 J

61

5  h = 60 (Tempo II) e=e

"hervor"

1 Fl.

5

f

f

5

5

f

5

f

5

2 f

f

1 p

Ob. 2

p

5

5

p

p

5

p

5

5

p

5

p

p sempre

5

p sempre

Cl. in Mib "hervor" 1 f

Cl. in Sib

"hervor"

2

5

f

5

Fg. 1, 2 (1, 2 senza sord.) 1, 2 Cor. in Fa

pp

p

pp

p

3, 4 con sord.

3, 4

Tr. 1, 2 in C

Trbn. 1-3 Vibr. 1 mf

Perc. 2

Arp.

Cel.

Sopr. if

you

are

with

me

J

5  h = 60 (Tempo II) e=e 1-3

4, 6 Vn. 1

5, 7

 

p 5

pp

p

1, 2 arco

3, 5 Vn. 2

4, 6

 

p arco

5

5

5

5

p

5

5

Vla.

5

Vc. 1, 2

desks 1, 2 div.

5

5

mf 3

3

f

3

mf

Cb.

f

arco

pp

05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

mf

5

69 5  e=e

65

h = 75 (Tempo I)

1 5

Ob.

p

5

5

5

p

5

2 p

p

p

Cl. in Mib 3

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:43 ha_lmty_fs5_sf_050315

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05-03-2015 10:20:44 ha_lmty_fs5_sf_050315

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