MAN & BOY: DADA (2004, revised 2005)
An opera in two acts by Michael Nyman and Michael Hastings Music by Michael Nyman Libretto by Michael Hastings
Commissioned by Badisches Staatstheater, Karlsruhe, Germany
Full Score: 07/11/05
ACT TWO
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264
ACT TWO Scene 10 Score in C Oboe
Clarinet (=Cl. in C and Bass Cl.)
Saxophone (= Sop. and Alt.)
Bassoon
q = 70 r
Tea in the front room of the boy’s house. Michael lays out three places at the table. Cake and jam sandwiches etc. Michael goes upstairs. The doorbell rings. The mother moves to the door to let the old man in.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
A A A A A A A A s mp motor off trem.
Vibraphone
3 3
mp
33
A A A A A A A A A A -A A - A -A A A A A A A - A -A A A A A A A A A A A 3 3
33
3 3
--33
3 3
--33
3 3
33
<
<
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Michael
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Mother
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A A A A A A A A
-A -A A A A A -A A
-A -A A A A A A A
A A A A A A A A
Keyboard
Kurt
A A A A A A A A mp
3 3 33 Rehearsal Piano
N
q = 70 r A A A AA AAA
A A
N
3 3 33
3 3
-A A
N
-A A
N
A A
N
-A -A A -A -A A A A A A A A A A A A A A AAAA A A A A A A A A -A A
mp
Violin 2
3 33 --3
mp
A A
Violin 1
33 --3 3
3 3 33
3 3
3 3
3 3
3 3
mp
Cello
A A
N
A A
N
-A A
N
-A A
N
A A
N
A A s
N
A A
N
- A A
N
- A A
N
A A
N
mp
Double Bass
mp
Act 2: file corrected 07/11/05
265
Act 2 Ob.
6 r
<
<
<
<
<
<
Cl. in Bb
<
<
<
<
<
<
A. Sax.
<
<
<
<
<
<
Bsn.
Vib.
A A A A A A A A s 3 3
33
A A -A A A A A -A A A - A -A A A A A A A A A A A A A A A A A A A A A - A -A A A A A A A
3 3
--33
3 3
--33
3 3
33
3 3
33
3 3
--33
<
<
<
<
<
<
<
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<
<
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Mi
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Mo
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-A A A A A -A A A
-A -A A A A A A A
A A A A A A A A
A A A A A A A A
-A -A A A A A A A
3 3 33
3 --3 33
Kbd.
K
A A A A A A A A
3 3 33
3 - - 3 33
3 33 --3
3 3 33
Reh. Pno.
A A
Vln. 1
Vln. 2
Cello
D. B.
N
r A A A AA AAA
-A A
N
N
A A
N
A A
N
A A
N
A A -A A A A A -A A A -A -A A A A A A A A A A A A A A A A A A A A A -A -A A A A A A A 3 3
3 3
A A
3 3
3 3
3 3
3 3
A A
N
-A A
N
A A
N
A A
N
A A
N
A A
N
A A s
N
- A A
N
A A
N
A A
N
A A
N
A A
N
266
Act 2 Ob.
12 r
<
A A
+ A A
mf
Cl. in Bb
A. Sax.
<
-A
A
<
+ A A
+ -A A
N
Y
+ A N
<
ALTO SAXOPHONE
<
A
A N
<
+ A A
N
N
mp
Bsn.
Vib.
s
- A -A A A A A A A 3 3 3
3
-3
to Side Drum
<
--33
<
<
PIANO
<
AAA AAA AAA AAA A A A A
AAA A
AAA A
AAA A
AAA A
A A A A A A A A --AAA AAA AAA AAA AAA AAA AAA AAA
AAAA AAAA AAAA AAAA AAAA AAAA
AAA A
mp
Kbd.
3 3 --33
3 3 33
3 33 3
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Mi
r
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Mo
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K
AAA A
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3 --3 33
A A A A AA AA A AA AA AA A
AAAA
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AAA AAA AAA AAA AAA AAA AAA A A A A A A A
A --AAA
AA AA AA AA AA AA AA AA AA AA AA AA AA AA
A
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A A A A A A A A A A A A A A A A
AAAA
AAA AAA A A
AAA AAA AAA AAA AAA A A A A A
Reh. Pno.
A+ A
Vln. 1
Vln. 2
Cello
D. B.
N
r -A -A A A A A A A 3 3 A+ A A A s
A
N
N
A
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N
A A A A A A A A A A A A A A A A
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A A A A A A A A A A A A A A A A
A A A
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A A A A A A A A A A A A A A A A
-A
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N
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pizz.
A
A AA AA A AA AA AA A
A
N
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N
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267
Act 2 Ob.
16 r
Cl. in Bb
A
A
-A
A
Y A
N
N
+ A
A
N
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+ A
N
3
A
N
-3
<
Y
+ -A
A
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-3 s
Perc.
A
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+ -A
A. Sax.
Bsn.
A
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PIANO
A --AAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
AAAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
A --AAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
Kbd.
3 3 --33
3 3 --33
3 33 3
Mi
r
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Mo
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Reh. Pno.
Vln. 1
r -A A A A -A A A A A A A A A A A A
Vln. 2
-A A A A A -A A A A A A A A A A A
-A
Cello
D. B.
N
s
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N
A A A A A A A A A A A A A A A A
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A A A A AA AA A AA AA AA A
-A A -A A A A A A A A A A A A A A
A
N
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A
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N
A
A
A
268
Act 2 Ob.
19 r A
+ A
A
-A
A
A
N
+ A
Y
A
A
A
CLARINET in Bb
Cl. in Bb
A
<
K
<
@
mp
+ A
A. Sax.
Bsn.
A
+ A
N
3 s
A
N
+ A
A
N
3
-3
<
Perc.
Y
<
<
PIANO
A AAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
A --AAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
AAAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
Kbd.
3 3 --33
3 3 33
3 33 3
Mi
r
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Mo
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K
A
AAAA
A A A A A A A A A A A A A A A
AA AA
AA AA
AA AA
AA AA
AA AA
AA AA
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A A A A A A A A A A A A A A A
A --AAA
AAA A
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A A A A A A A A A A A A A A A
A AAA
AA AA
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AA AA
AA AA
AA AA
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AA AA
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Reh. Pno.
Vln. 1
A
N
N
N
r A A A A A A A A A A A A A A A A
-A A A A A A A A A A A A A A A A
A AA AA A AA AA AA A A A A
A A A A A A A A A A A A A A A A
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A AA AA A AA AA AA A A A A
Vln. 2
A
Cello
D. B.
A
s
A
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N
A
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N
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269
Act 2 Ob.
22 r
Cl. in Bb
A. Sax.
Bsn.
A
A
A
A
A
A
+ A
A
Y -A
N
A
+ -A N
A
A
N
A
- A
N
+ A A
Y
- A
+ A
N
A
3
-3 s
N
N
<
<
PIANO
A A A A A A A A --AAA AAA AAA AAA AAA AAA AAA AAA
-3
<
Perc.
A
A
to Hammond Organ
AAAA
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
A A A A A A A A --AAA AAA AAA AAA AAA AAA AAA AAA
Kbd.
3 3 --33
3 3 --33
3 33 3
Mi
r
<
<
<
Mo
<
<
<
s ¬
<
<
<
-A -A A A A A A A A A A A A A A A
A --AAA
AAA A
+ A
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K
-A A A -A A A A A A A A A A A A A
A --AAA
AAA A
A
A
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
A
A A A A -A A A A A A A A A A A
A AAA
AA AA
+ A
A
AA AA
AA AA
AA AA
AA AA
AA AA
AA AA
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
N
-A -A A AA AA A A AAAAAAA
-A -A A AA AA A A AAAAAAA A
-A
A
N
A
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N
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A A A A A -A A A A A A A A A A A
-A -A A A A A A A A A A A A A A A
A A A A A -A A A A A A A A A A A
-A -A A A A A A A A A A A A A A A
+ A
+ A A
A
A
N A
A
A
-A
N A
A
A
270
Act 2
G1 Ob.
25 r q = 120 K
A
A @
<
K
I A+ @
<
K
A @
A
<
K
A A @
A A @
<
K
I +@ A
<
K
I +@ A
A @
A
<
K
A @
A
mf
K
Cl. in Bb
mf
K
A. Sax.
mf
Bsn.
s
<
SIDE DRUM (rim)
Perc.
K
<
A A @
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A A @
K
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A A @
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mf
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Mi
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Kbd.
K
mf s A A -A ¬ I ar - rive
A AA Reh. Pno.
@
I A+ A
A -A -A
A I I A+ A A -A
to have tra - di - tion
A '--AAA AAA AA
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A AAA AA
al
I A+ - A -A
K
Bri - tsh tea
-AAA AAA AAA
in tea - cups,
A '--AAA AAA AA
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A AAA AA
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A '--AAA AAA AA
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mf
A
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9 9 'A A
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G1 Vln. 1
q = 120 r A -A9 A9 mf
Vln. 2
A mf
Cello
A mf
(pizz.)
D. B.
A s
mf
A
A
A
A
271
Act 2 Ob.
30 r K
Cl. in Bb
K
A. Sax.
K
Bsn.
A
A @ A
K
K
@ I + A
K
I A+ @
K
I +@ A
K
@ A
A
K
A @
A
K
A @
A
K
AAAA A A A
Solo
s
A A @
A @
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3
A
A A A A -A A A
3
3
Perc.
@
A A
K
A A @
K
K
3
A A @
K
@
I +@ A
K
@
I + A
A @
A
K
@
A
A
A
A A A A -A A A A
3
3
A A @
K
A A
K
Y AAAA A A A
3
mf SIDE DRUM
A
A A@
3
A A @
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<
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Mi
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Mo
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Kbd.
K
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+ + + I -A A A A with
N
K
AAA
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ti - ny spoons.
'--AAA AAA AAA
-AAA AAA
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'--AAA AAA AAA
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Reh. Pno.
A
Vln. 1
A
A
A
-A A
A A A
A
A 'A A
A A A
A
-A A
A
-A
r A
Vln. 2
Cello
D. B.
-A
s
A
A
A
-A A
A
A A A
A
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A
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A
-A A
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272
Act 2 Ob.
35 r
N
A. Sax.
s
<
<
Y
N
Cl. in Bb
Bsn.
<
<
N
Y
N
Y A
N
N
<
3
A
N
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AAAAAAA
N
<
3
AAAAAAA
N
N
<
N
3
<
A
N
<
N
A
Y
N
3
SIDE DRUM
Perc.
AAA AAA A AAA A A AAA AAA A AAA AA AAAAAAAAAAAA A AAA AAAAAAAA AAAAAAA AA A AA 3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
HAMMOND ORGAN
NN N
N NNN
NN N
-NNN
3 3 3
N
N
N
N
N r
<
A
A
A A A
K
s ¬
make
NN N
N NNN
N
N
<
<
N
<
. no mis - take.
<
N
<
A A N I ? A A ! A
You'll be luc - ky,
3
N
<
mf
Mo
NNN
mf legato
Kbd.
Mi
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A
A
A
There's
no
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3
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for
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A
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AAA
A
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a
start.
<
N
A
N
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AAA
3
Reh. Pno.
AAA
AAA
AAA A
AAAA
AA A
AA A
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AAAA
AA A
AA A
AA A
AAA
AAA
AAA
AAA A
AAAA
Vln. 1
r
<
<
<
<
<
Vln. 2
<
<
<
<
<
Cello
<
<
<
<
<
(pizz.) D. B.
s
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A A
A
A
A
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273
Act 2 Ob.
40 r
<
3 3 AAAAAAA
Cl. in Bb
A. Sax.
Bsn.
<
s
A
A
A
A
A
N
< A
N
A AAA AAA
3
3
<
Y
A AAA AAA
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A A A A A A A
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3
3
A
N
<
3
<
A
N
3
3
3
3
N
AAAAAAAAAA AA
<
<
Y N
AAAAAAAAAA AA
3
3
3
3
3
SIDE DRUM
Perc.
AAAAAAAAAA AA AAAAAAAAAAAA A AAA AAAAAAAA AAA AAA A AA A AA AAAAAAAAAA AA 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
HAMMOND ORGAN
NN N
-NNN
3 3 3
N
N
N
NNN
NNN
NN N
N NNN
NN N
-NNN
N
N
N
N
Kbd.
Mi
Mo
r
<
N
<
K
A
A
Su - gar's
K
s ¬
<
A A A A A A A 3
3
N
A
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A
K
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ra - tioned.
A
A used
A
A
A A
all
my ra
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A
N
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A
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A A A A A A A
3
3
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N
<
A -
A
A N
K
tion
<
<
N
A A A A A A A A A A A A
3
3
3
3
3
Reh. Pno.
AAA
AA A
-AAAA
AAAA
AA A
AA A
AA A
AA A
AAA
AAA
AAA
AAA
AAA
AAA
AAA A
AAAA
AA A
AA A
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Vln. 1
r
<
<
<
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<
Vln. 2
<
<
<
<
<
Cello
<
<
<
<
<
D. B.
A s
A
A
A
A
A
A
A
A
A
A A
A
A
A
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A
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A
AAAA
A
274
Act 2 Ob.
45 r
<
N
Cl. in Bb
s
A
A
<
N
A
AAA
< A A
N
I A
AA
<
AA
A
I
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AA
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N
A
A A
A
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3
3
3
3
3
3
A
A A
A
AAA A A A AAA A A A
3
3
3
AA
I
<
A
- A A
A
3
SIDE DRUM
Perc.
<
3
A. Sax.
Bsn.
<
She shows him the cake. He reaches for it. Well, he almost manages to take a bite out of it. Playfully she smacks his hand down.
3
A
A
A
AAA A A A AAA A A A
3
3
3
3
3
HAMMOND ORGAN
3 3 3
NNN
NNN
NN N
N NNN
NNN
-NNN
N
N
N
N
Kbd.
N
Mi
Mo
K
r @
3
N
<
<
A
A
A
to
bake
this
s ¬
A
A
cake
for
<
N
A
A
A
<
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<
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you.
<
A
<
N
A A A
A
3
A A
A A
AA A
AAA A
A
A
A A
AAAA
AAA
A
A
A A
AAA
-AAAA
A
A A
A
A
A
Reh. Pno.
AA A
Vln. 1
AAA
r
AA A
AA A
<
AAA
AAA
K
AA A
AA A
AA A
@
A9
: A
9 : A A
9 AA
mf
Vln. 2
Cello
<
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<
@
<
@
AA ? ? AA @ mf A
? ?
A
@
9 A
9 : A A
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AA ? ? AA @ A
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mf
D. B.
A s
A
A
A
A
A
A
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A
A
A
A
A
A
? ?
A
275
Act 2 Ob.
49 r
<
K
A
@
A
mf
A
Cl. in Bb
A. Sax.
A
AA I
A
AA I
I A
AA
<
A
A A
A
A
A A
A
A
A
A A
A
A
A
to C Clarinet
AA I
<
<
N
<
N
N
-N
N
N
N
mf
Bsn.
A s
A A
A A
A
A
A A
A
A A
Y A N
A A
SIDE DRUM
Perc.
AAA A A A AAA A A A AAA A A A AAA A A A AAA A A A A AA A A A AAA A A A AAA A A A 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
HAMMOND ORGAN
3 3 3
NNN
NNN
NN N
N NNN
NNN
-NNN
N
N
N
N
Kbd.
N
3
N
Mi
r
<
<
<
<
Mo
<
<
<
<
s ¬
<
<
<
<
K
A
A
A
A A
AAA
AA A
A
A
A
A
A
A A
A A
A A
AA
A A
AAA
AAA
AA A
AA A
AA A
AA A
AAA A
A
A
A A
AAAA
AAA
A
A
A A
AAA
-AAAA
A
A A
A
A
A
Reh. Pno.
AA A
Vln. 1
r A
A
A
Vln. 2
@
A
Cello
@
A
A
D. B.
s
A A
AA ? ? AA @ A
?? @
A
AA A
A
A
A
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A
??
A
@
A
A A
A
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A
??
A
@
A
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A
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A
@
A
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A
A
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A
A
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A A
AA ? ? AA @ A
A
??
A
@
A
A
AA ? ? AA @ A
A
A
?? @
A
AAAA
A
A
A
AA ? ? AA -A
A
??
A
276
Act 2 Ob.
53 r A
C Cl.
A
A A
A
A
A
A
A
A
A
C CLARINET
<
K
@
A
N
A
A
N
A A
A A
A
A
A
mf
A. Sax.
Bsn.
N
3 A
N s
A A A A A A A A A A A A 3
3
3
A A A A
3
N
N
3
SIDE DRUM
Perc.
3
N
3
A A
A A A A A A
3
3
A A A A A A A A A
3
3
3
A
3
A A 3
HAMMOND ORGAN
3 3 3
NNN
NNN
NN N
N NNN
N
N
Kbd.
N
Mi
r
<
Mo
<
K
s ¬ A
3
N
<
@
A
A
It
is
<
A
A A
AA A
AAA
AA A
Vln. 1
r A
A
Vln. 2
@
A
Cello
@
A
A
A
<
A
A -
n't
tea
A -
AN
A time
yet.
<
A
<
A
A
A A
A A
AA A
AAA
AAA
AA A
AA A
A
A
A
A
A
A
A A
A A
AA A
AA A
AAA A
A
A
A
Reh. Pno.
D. B.
s
A
A A
AA ? ? AA @ ? ?
A
@
A
A
A
AA ? ? AA @ A
A
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A
@
A
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A
AA ? ? AA @ A
A
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A
@
A
A A
A 3
AA ? ? AA @ A
A
AAAA
? ?
A
@
A
AA ? ? AA @ A
A
? ?
A
@
A
AA ? ? AA A
A
? ?
A
277
Act 2 Ob.
56 r N
-N
N
A A
C Cl.
A
A. Sax.
3
3
N
3
3
3
AAA A A A AAA A A A
A AAA
Bsn.
s
A
A
3
N
A
A A
A
SIDE DRUM
Perc.
AAA A A A AAA A 3
3
3
A A 3
A
A A
A
3
3
A
A
3
3
A
A
A A
A
N
3
A A AAAA A A 3
3
3
HAMMOND ORGAN
to Piano
NNN
-NNN
3 3 3
N
N
N
NNN
NNN
Kbd.
Mi
r
<
K
Mo
K
s ¬
A
<
A Have
A -
K
n't
<
A
A
A A
3
N
A
A
put
the
A ket
-
A
A
tle
on.
<
A
A
A
A
A A
A A
AAA
AAA
AA A
<
A
<
A
A
A
A
A
AA A
AAA
AAA
AAA
AAA
A
N
N
AA ? ? AA @
AA ? ? AA@
A
A
Reh. Pno.
AAA
Vln. 1
r 3
Vln. 2
@
Cello
@
D. B.
s
A
AA A
-AAAA
AAAA
N
AA ? ? AA @ A
A
? ?
A
@
A
AA ? ? AA @ -A
A
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A
@
A
AA ? ? AA @ A
A
? ?
A
@
A
A
A
? ?
A
@
A
A
A
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A
@
A
AA ? ? AA A
A
? ?
A
278
Act 2 Ob.
59 r A I @
@ I A I A @
f
C Cl.
A
A
A @
@
K
A A A @
<
@
I A+ I A+ @
A
A @ A A
K
<
@
<
@
K
I A A
+ IA @
A @ I
K
A
A A AI A @
A
@ A
A + I A @
AA
A
@
A
A A
mf
A. Sax.
A A @
A @ @ A A A
K
A
A A
A A
mf
Bsn.
s
A
A 'A
A
A
A
A
@ A
A A A
K
A
A
A 'A
A
A
A
A
'A
f
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
Perc.
A A
Kbd.
K
s ¬
f
<
'A
A
Of
course!
+ A A
@
-A
A A
K
@
There must be
AAA '''AAA AAA -AAA -AA AA AAA '''AAA AAA -AAA -AA AA AAA '''AAA AAA -AAA A A A A
A
A A 'A
a
spe - cial time
-AAA AAA AAA '''AAA AAA -AAA -AAA AAA AAA
I A 'A A N
K
to have tea.
'''AAA AAA -AAA -AAA AAA AAA '''AAA AAA -AAA -AAA AAA
f
Reh. Pno.
A
Vln. 1
@
r A
A
-A A
A
'A
A A
A
A
-A
A
A
'A
A
A
A
A
-A
A
A
'A
A A
'A A A A A A 'A A A A A A 'A A A
A A A A 'A A
AA A
'A A A
AA A
'A A A A A
'A A A A A A 'A A A A A A 'A A A
A A A 'A A A
AA A
'A A A
AA A
'A A A A A
'A A A A A A 'A A A A A A 'A A A
A A A A 'A A
AA A
'A A A
AA A
'A A A A A
A
A
A
A
'A
f
Vln. 2
A f
A
Cello
f
D. B.
s
A arco f
A
A A
A 'A
A A
A
A
A
A 'A
A
A
A
A
A A
Ob.
H1 65 q = 142 r <
C Cl.
A
279
Act 2 They sit at the table laid with cake and sandwiches. Kurt studies the sandwiches. The mother folds her arms.
<
A A N
<
A
A A A A
A
A
A A A A
A
<
A A N
<
A
'A A A A
A
'A A A
A
N
Y A
A
N
Y A
mp
A
A. Sax.
A A N
A A N
A
mp
Bsn.
s
<
SIDE DRUM
AAAA@
Perc.
<
@ AAAA AAAA@
<
@ AAAA AAAA@
<
@ AAAA AAAA@
<
@ AAAA AAAA@
@ AAAA
mp
<
<
<
<
<
<
<
<
<
<
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
Kbd.
AAA
'''AAA AAA -AAA -AAA AAA
AAA
'''AAA AAA -AAA -AAA AAA
AAA
'''AAA AAA -AAA -AAA AAA
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'''AAA AAA -AAA -AAA AAA
AAA
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mp
Reh. Pno.
A
A
-A
A
A
A
A
'A
A
'A A A A A
A
'A A A A A
A
'A A A A A
'A A A A A
A
'A A A A A
A
A
'A
A
A
-A
A
A
A
A
-A
A
A
'A
'A A A A A
A
'A A A A A
A
'A A A A A
A
'A A A A A
A
'A A A A A
A
'A A A A A
A
'A A A A A
A
'A A A A A
A
'A A A A A
A
A
A
'A
A
A
A
H1 Vln. 1
q = 142 r A 'A A A A A mp
Vln. 2
A mp
A
Cello
mp
D. B.
s
A mp
A A
A A
A A
A A
A A
280
Act 2 Ob.
70 r
C Cl.
A
<
<
'A A A A
A
< Y A
N
< A A
N
<
3
3
mf
A
A. Sax.
'A A A A
A
Y
N
A
A A
N
I
+ A A A A A A - A
A
+ A A A A
A
A
+ A
mf
Bsn.
s
<
<
<
A
A mf
Perc.
SIDE DRUM
AAAA@
@ AAAA AAAA@
@ AAAA AAAA@
@ AAAA AAAA@
A A
@
AAAA AAAA@
A A
@
AAAA
mf
I A A A A A A - A
PIANO
<
<
<
A
A A A A
A
A
A A A+ A
+ A
mf
Kbd.
<
<
<
I A+ A A A A A - A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
AAA
'''AAA AAA -AAA -AAA AAA
AAA
'''AAA AAA -AAA -AAA AAA
AAA
'''AAA AAA -AAA -AAA AAA
A
A A A A A - A
A
A A A A
A
A
A
A
mf
Reh. Pno.
A
Vln. 1
I
r A
'A
A
A
'A A A A A
A
A
A
-A
A
'A A A A A
A
A
'A
A
'A A A A A
A
A
A
A
3
A
A
3
mf
Vln. 2
A
'A A A A A
A
'A A A A A
A
'A A A A A
3
3
mf
Cello
A
'A A A A A
A
'A A A A A
A
'A A A A A
3
3
mf
D. B.
A s
'A
A A
A
A
A A
A
'A
A A
A mf
A
A A
A
A
A A
281
Act 2 Ob.
75 r
C Cl.
A. Sax.
Bsn.
s
<
3
A A
<
A
I + AAAA
A
A A A A 'A A
+ A A
A
A
A A A A A
A
A A
AAAA AAAA@
A A I A A A A
A
A A A A 'A A
A A I A+ A A A
A
A A A A 'A A
PIANO
+ A
+ + A A -A
A A A A A
AAAA AAAA@
@
< A A
N
3
SIDE DRUM
AAAA@ @
Perc.
<
@
A A A
A
A A AA
< - A I
I 'A A A
A A A A A
A
AAAA AAAA@
@
A
A A
+ A A
+ A A A -A A
A
A A A A A
A
AAAA AAAA@
@
AAAA
A A
A A -A
A
A A A A I A 'A A
A A
A A A -A A
+ A A
+ + A A -A
+ A
A A A A I A 'A A
A A
+ A A A -A A
Kbd.
Mi
r
Mo
<
mf A I
K
s ¬
<
A - A
A
A
A
A
sup - pose
you
are
a
re
<
A
A
<
A -
'N
A
fu
-
<
A
A A A
A 'A
A
A
A A
A
A
<
<
<
<
<
gee?
<
I A A A A
<
A
-A A A
A
A
A
A A I A 'A
A
A
-A A A A
A
Reh. Pno.
A
A
A
A
A A
A
Vln. 1
r 3
3
N
Vln. 2
3
3
N
Cello
D. B.
s
3
A
3 A
A A
A
A A A A A
A
A A A A
A
A
A A
A
A A A
A
A
N
A
A
A
A A A A A
A
A A A A
A
A
A A A A
- A
A
A A
N
A A
A
+ A N
N
A A
A
+ A N
A A A A A
A
A
A A A A A
A
282
Act 2 Ob.
80 r
C Cl.
<
<
3
3
A A 'A A+ A A
A. Sax.
Bsn.
s
A
A
+ A
A A A A A
SIDE DRUM
AAAA@ @
Perc.
< 3
A A A A - A A A A A
A
A A A A A
AAAA AAAA@
PIANO
'A A A A A A
A
A A 'A A A A
+ A
<
@
AAN
A
A A A A A+ A + A A
+ AA
AAAA AAAA@
@
Y
A
+ A
< 3
-A A A A - A+ A
A A AAAAA + AA
A A A A
AAAA AAAA@
@
+ A
A
A A
AAAA AAAA@
@
A
+ A
A A AAAA
A A A A - A A A A
A A A A A+ A
A
A A AAAAA
- A A A A - A A
A
A A A A - A A A A
A A A A A+ A
+ A
A A AAAAA
+ -A A A A - A A
A
Kbd.
Mi
r
Mo
K
<
<
<
<
<
<
<
<
<
mf
s N ¬ I
<
A
A
N
N
N
N
A
am
worse
than
that
here.
A 'A A A
A
A
A
A
A
A
A A - A A A
A
A
A
A
A
A A A A
A
I 'A
A
I
am
A
A
A
A A A A A
A
A
A
A
A al
-
-A
A
N
A
most
a
+ A A - A A
+ A
Reh. Pno.
A
A A A A
A
A A A
+ A A
+ A A
A
+ A A
+ A
A
Vln. 1
r 3
3
3
A
Vln. 2
3
3
3
3
3
Cello
3
3
3
3
3
D. B.
s
A
A
A A A A A
A
A
A A A A A
A A
AA
A
AAN
A A A A
A A
A
A A
A
A
A A
A A
A
3
A
A
283
Act 2 Ob.
85 r
C Cl.
<
3
A
-A A 'A A A+ A
A. Sax.
Bsn.
<
s
AAA
A
SIDE DRUM
AAAA@
Perc.
@
+ - A
<
AAN
I -A+ 'A A A+ A
A A A
+ A
AAAA AAAA@
@
N
I + A -A A 'A A A A
+ A A
@
3
+ + 'A A A
+ A A A A A A A A A
AAAA AAAA@
<
A A
3
+ A A
AAAAA
<
AAAA AAAA@
@
+ A
A
I
+ A AA AAA A
A
A A A A A
AAAA AAAA@
@
AAAA
PIANO -A A 'A A A A
- A
-A A I 'A A A
A
-A A 'A A A AI A
A A
'A A A
A
I A A A A A A A
-A A 'A A A A
- A
I -A 'A A A+ A
A
-A A 'A A + A AI A
+ A A
'A A A
+ A
I A+ A A A A A A
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
A s ¬ cri
+ AN
K
-
N
mi - nal.
-A
+ A 'A A A A
A
A A A
+ - A
I
A A
A
A
A
I
es
+ -A 'A A A+ A
A
A -
+ A
caped
N
A
from Ger
A -A
-
ma
-
+ A
+ A
A
+ A A A A A
A
A
A 'A A A I
N
A
A
A
A
ny.
Then
I
took
a
+ + 'A A A
+ A
I
+ A
A A A A A
Reh. Pno.
Vln. 1
r 3
A
A A A A A
+ A
AAN
3
A
3
3
N
A
A
Cello
3
3
N
A
A
s
A
AAA
A
A A
AAAAA
A A
A
A
A A
N
Vln. 2
D. B.
A
A
A A A A A
3
N
A A
A
+ A N
N
A A
A
+ A N
A
A
A A A A A A A A A
A A A A A
A
284
Act 2 Ob.
90 r
C Cl.
<
3
s
A
AAA
SIDE DRUM
AAAA@
Perc.
@
A
<
A A A I
A
I A+ A A A A A A
A. Sax.
Bsn.
<
<
3
3
+ + A A A
+ A A -A A A A
<
+ A - A
A A A A
A
A A
AAAA AAAA@
@
AAAA AAAA@
+ A - A+ A
+ + A A ' A A A - A + + A A A
+ A A @
3
+ A
+ A A
+ A A A A
AAAA AAAA@
+ 'A - A -A A
A
+ A A
AAAA AAAA@
@
@
+ A
A A AAAA
I A A A A A A A
A A -A A A A
A
A A
A - A A
A
A A 'A -A - A
A
A
'A - A -A A
A
I A+ A A A A A A
+ A A -A A A A
+ + A A A
A - A+ A
+ A -A - A ' A A A
A
A
'A - A -A A
A
PIANO
Kbd.
Mi
r
Mo
K
N s ¬ boat
I
<
<
<
<
<
<
<
<
<
<
A from
+ A
A
A
Nor
-
N - way.
A
A
A
-A A A+ A
A A
A
A
A
A A A A A
A A A - A
A
But the Bri - tish
on
+ A
+ A
A
+ A - A
A
+ A - A+ A
A
- N
A
'N
-
ly
see
my
Ger
+ A
A
A
'A
+ -A - A
+ A
A -A -
man
+ 'A - A -A A
A
pass -
+ A
Reh. Pno.
A
A A A
Vln. 1
r 3
A
Vln. 2
3
Cello
3
D. B.
s
A
AAA
A
A
A
A A A
+ A
A
+ A
+ A A
+ A A
A A
+ A
3
3
3
3
3
3
3
3
3
3
3
A A A A
A
A A
A - A
A A
A
A A
A A A A
A
A A
+ A A
A A
A A
A A
285
Act 2 Ob.
95 r
C Cl.
A. Sax.
Bsn.
s
<
<
- A A I
A
3
A A A A - A
+ A A
A
+ A A A A
AAAA@
@
A
A A
A A A A
AAAA AAAA@
PIANO
<
3
'A A A A A A A A
SIDE DRUM
Perc.
A
<
@
I
A
A
+ A A
+ AA
+ A A
A A A A A A
AAAA AAAA@
@
<
A A A A I
3
AAAAA A
A
+ A A
+ A A
AAAA AAAA@
@
A
-A A A A A A + A
+ AA
A A A A
AAAA AAAA@
AAAA
@
'A A A A A A A A
A - A A A A
A A
I A+ A
AA
+ A A
AAAAA A
A
-A A A A A A
'A A A A A A A A
A A A A - A
A A
I A+ A
+ AA
+ A A
AAAAA A
A
-A A A A A A
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
A
'N -
@
port
'A
A
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+ A
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A
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A A A
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and as - sume
I
must
be
a
-
zi.
I'm
+ A
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A
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Na
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tal
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Reh. Pno.
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A
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A
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3
3
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A A A A
3
Vln. 2
3
3
3
N
A
A
Cello
3
3
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A
A
A
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r N
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A
D. B.
A A s
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A
A
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A
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A A
+ A A
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N
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N
A A
AA
A
286
Act 2 Ob.
100 r
C Cl.
A. Sax.
Bsn.
s
<
3
I A+ A A A A A A + A A
+ A A
SIDE DRUM AAAA@
Perc.
<
@
A
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3
3
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@
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A
@
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PIANO A - A I A A A A A
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+ AA
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A A
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A A
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Kbd.
Mi
r
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N s ¬ Art
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tell
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them
as
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they
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Vln. 1
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r 3
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A
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s
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A
A
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A
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A
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287
Act 2 Ob.
105 r
C Cl.
s
<
3
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A A A+ A
A
A
<
3
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SIDE DRUM @
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Perc.
<
3
I
A. Sax.
Bsn.
<
A A A
A
A
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3
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@
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I
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on
the
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can
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Vln. 1
r 3
3
3
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3
3
3
3
N
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Cello
3
3
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s
A
A
A A A
A
A
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A
A
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A
A
A
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288
Act 2 Ob.
110 r
C Cl.
Perc.
3
< N
N
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A. Sax.
Bsn.
<
s
A A A
SIDE DRUM A AA A @ @
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A
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@
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@
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A A
I - A A - A A+ A - A+ A -A A+ A A A A
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r
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s ¬
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I
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<
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stay
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here
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in
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A
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tain,
the
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Vln. 1
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Cello
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r 3
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A
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289
Act 2 Ob.
115 r
C Cl.
Perc.
s
<
3
A
A. Sax.
Bsn.
<
A
I
AA A
A A A A+ A A SIDE DRUM
AAAA@ @
<
3
3
I
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A A A A A
A
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@
A
+ A A
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@
A
<
A N I
3
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A
A
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@
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A
@
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A
I AA A
+ I A A A A A I -A -A A A A A A A A
A A 'A A A A A A A - A A A - A A A A
PIANO
A
<
Kbd.
A
Mi
r
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<
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on
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strict
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leave
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the
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A A A A A
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A
A
A
+ A A A
A
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+ A A
A
A
A
A
A
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AN
+ A A
A
A A A A
A
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Vln. 1
r 3
3
3
A
Vln. 2
3
3
3
3
3
Cello
3
3
3
3
3
D. B.
A A A A A A s
A
A A A A A
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A A
A
A
A
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3
A
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290
Act 2 Ob.
120 r
C Cl.
<
- A A A A A
< A A
<
A A
A A
A
< A A
A
A
< A A
-A
<
3
3
sub. mp
A A A A A -A A A - A
A. Sax.
Bsn.
Perc.
s
+ + A A A A A A SIDE DRUM
A A AA @ @
+ A A - A A A A A A 'A - A A A A -A A A A A A A A
+ A A A A A+ A A -A A A A A A
A AAA A AA A@
@
A AAA A AAA @
+ A A A
+ A A
@ A AAA A AAA @
+ I + + A A 'A -A A A A A A A A A
sub. mp
A A A A A A
A
sub. mp
@ A AAA A AAA @
@
A A A
AAA A A AAA @
@ AAAA
sub. mp PIANO
A A A A A -A A A - A
- A A AA A A A A 'A - A A A A -A A A A A A A A
A A A A A A A I A A 'A -A A sub. mp
Kbd.
A A A A A -A A A - A
Mi
Mo
r
+ A A - A A A A A A 'A - A A A A -A A A A A A A A
<
<
<
+ + + A A A A A A A I A A 'A -A A
<
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<
<
<
Don't
K
3 s ¬
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+ A A A A
r A - A: A A A
Cello
you have a
fa
A N -
mi - ly?
<
+ A
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I
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sub. mp
+ A A
Vln. 2
A
<
Reh. Pno.
Vln. 1
A A A
A
<
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A A
A
A
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A A A A A+ A
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A
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A
3
A
A
A A
3
sub. mp
A A A
+ A N
A
A A A -A
3
N
A
N
A
A
A A A
sub. mp
N
A
A A A
A A AA A A A -A A A
+ A N
A
A A
A
A A
A A A A A A A
3 sub. mp
A A A A A A sub. mp
291
Act 2 Ob.
126 r
C Cl.
< A
A
A
< A
A
<
A A A
N
<
K
<
N
@
A
A
@
K
mf
+ A A A AAA
A. Sax.
Bsn.
s
A A A
A
SIDE DRUM
AAAA@ @
Perc.
+ A
I + A A A A A A -A A A A
A
AAAA AAAA@
A A
I + 'A A A A A
+ A A
A
A A A A A
A
sub mf
A
A A A A
+ A A A A A A A
A
+ A
A A A A A
sub mf
AAAA AAAA@
@
+ A A A A -A
@
AAAA AAAA@
@
AAAA AAAA@
@
AAAA
sub. mf PIANO
A A A A A A
A
A A I A A A A -A
A A I A A A 'A A
A A
A A A A -A
A A
A A A A -A
A -A A A A A
A
A - A A A A A
A
sub mf Kbd.
A A A A A+ A
Mi
r
Mo
K
s ¬
A
A
+ A
+ A A I AAAA
A A
A A A ' A A I
<
<
<
<
<
<
<
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+ A
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mf
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N
A
A
Not
long
a
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go
the
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A
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killed
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sub mf
Vln. 1
-A
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r A
A
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A
A
A
Vln. 2
N
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A
A
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+ + A A A
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A
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sub mf
+ AA
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A
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A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A A A A A
A
A
A A A A
A
A
sub mf
Cello
A A A A A
+ AN
A
sub mf
D. B.
s
A
A
A A
A
A
A A
A sub mf
A A A A A
292
Act 2 Ob.
131 r
<
N
K
C Cl.
<
N
A
A A
A + -A A A A - A A A A A A A A A
A. Sax.
Bsn.
<
s
A A A A A A
A
SIDE DRUM @
AAAA@
Perc.
+ A A
AAAA AAAA@
+ A
Mi
r
Mo
K
A s ¬
A
A
+ A A A A - A A
A A A A
@
AAAA AAAA@
@
AAAA AAAA@
A
A A
A
AAA
AAAA AAAA@
@
@
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A -A A 'A A A A
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A
A A A A A A -A A
+ A A A A - A A
+ A -A A 'A A A+ A
A
<
<
<
<
<
<
I A A A
wife.
I was not
A A - A
A
A
A
A A
A
A
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+ A A A A
AAAA
A A A A A -A A A
<
@
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A A A A A A -A A
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my
A
N
A A A A A
A A A - A A A A - A A A A A A A
<
3
+ AA
PIANO A A - A A A A A A+ A A A A AA
Kbd.
<
+ A
N
A
A
told
for
three
+ A
A
A
A
N
A
months
A
A
A A A A
A
A
A A
A
A
-A A A A A
A
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A
A A - A A
A
A
N
A
that
she
had
- A
A 'A A A A
A
A A A
A
Reh. Pno.
Vln. 1
A
r K
Vln. 2
Cello
D. B.
A
s
A
+ A A
+ A A
A
A
A
AAAAA
A
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A A A A A A A
A
A
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A
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A A A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
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A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
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A
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A
A
A
A
A
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A
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AA
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A A A A
A A A A
A
A
A A
A A
A
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A
A A A A A
A A
A
A
293
Act 2 Ob.
136 r
@
<
A
@
A
A
A
A A
A
A
A
A
A
A
A
A
A
A
mf
C Cl.
A
N
I -A+ 'A A + A A
A. Sax.
Bsn.
- A
s
A
AAAA@
@
N
Y
+ A A A ' N
A+ A
AAAAA
SIDE DRUM
Perc.
A
A
A
-A A A A A+ 'A A+ A+ A
+ A A A A A A A A
A A A A A A A A @
PIANO
N
+ + A A A
A A
A A A A A A A A K
@
A
A A
A A
I + A AA AAA A AA A
A A A A A A A A+ A A
A
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A A A A A A A A @
@
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AAAA
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A A A ' N
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A A A
A A A I A A A A A A A
I -A 'A A A+ A
A A A 'N
-A A A A A+ 'A A+ A+ A
+ A A+ A
+ A A A I A A A A A A A
Kbd.
Mi
r
<
<
<
<
<
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<
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<
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<
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s ÂŹ
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died.
I
I -A 'A A A A
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have
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son
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A
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A A
Ernst,
A
A
A A
A -A
I A who
I
A A
A
I
A
A A
A
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+ A A
love,
A A A
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r - A A A A A A A Â? Â? Â?
+ AÂ? Â?A
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A
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Cello
D. B.
s
A
A
A
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A
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A A
A
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294
Act 2 Ob.
141 r A A A
C Cl.
A
A
AA
A
A
A
3
I + + A A AAA
A. Sax.
Bsn.
s
AAAA@
A
@
+ A A
+ - A A A A A
A A
A
@
A
A
A
Y
+ -A
+ A A A+ A A A
AAAA AAAA@
@
AAA AA A
A
A
3
3
+ A A 'A A A
A
AAAA AAAA@
PIANO A AAA I A
A
A
3
A A A A A A N
A A A SIDE DRUM
Perc.
+ A
A
'A - A A+ A
A
+ A A
+ A A
AAAA AAAA@
@
+ A 'A A A A A A A A A A
+ A A
+ A A A A A
AAAA AAAA@
@
AAAA
A
A A
- A A A A A
A A 'A A A
-A
A
'A - A A A
A 'A A A A A A A A
+ A
+ A A
+ - A A A A A
+ A A 'A A A
-A
A
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A 'A A A A A A A A
Kbd.
+ + A I AAA A
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r
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<
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but
it
is
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ger - ous
for
him,
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too.
A
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+ A A
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+ A
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Reh. Pno.
Vln. 1
A
r A A A
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3
3
Cello
D. B.
s
A A A
A A A
A
A A N
A A A A A A N N
N A A A A A A N
A
+ A A
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A
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A
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+ A A A A
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A
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N
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A
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A A
A
+ AN
+ A A A A
A A
A A
A
A A A
A A
+ A A A A A N
A A
N
A A
A A A A A
295
Act 2 Ob.
146 r A
C Cl.
A. Sax.
Bsn.
s
A
A A A A A
3
A
A
A
A
A
A A - A
A
A
A A A A A
A
I
+ A
A A A A A
A
A
A A - A
A
A
I
A
A
A A - A
A
A
I
+ A
PIANO
+ A A
A
A A A A A A A A @
@
A
A
A A A A A
A
A A A A A
A
3
A
A A A A A
3
SIDE DRUM
A A A A @
Perc.
A
+ A
A
A
+ A
+ A A
A
A A A A A A A A @
@
A
A
A A A A
@
A
A A
+ A
A
A A A A A
A
A
+ A A
+ A
A
A A A A A
A
Kbd.
A
Mi
r
<
<
<
Mo
<
<
<
K
s ¬
<
<
<
A
A
A
A
A
A
A
A
A
I
A
A
A
A
+ A
A
A
+ A
A
+ A
A
A
A
+ A
A
A
+ A A
A
A
A A
A
A
A
A
A
Reh. Pno.
Vln. 1
A
r A
A
A
A
A
A A A A
A
A
A
A
A
A A A A A A
Vln. 2
A
+ A N
Cello
A
+ A N
A
A A A A
A
D. B.
s
A
A
A
A
A
A
A
A A A A - A
3
A
3
A A A A
A
A
A
A
A
A
296
Act 2 Ob.
149 r
C Cl.
s
A
<
3
A A A A A A
+ A A
A
SIDE DRUM A A A A @
Perc.
<
3
A
A. Sax.
Bsn.
<
PIANO
A
A
A
+ A
+ A
A
A A A A
@
A
A A A A A
A
A A A A A
3
I
+ A A
A
A
A
A
+ A A A A
+ A A
A
A
A
A
A
A A A A @
A
A
A
A
A
A
@
I
A A
I
+ A A
A A A A
A A A
A A A A @
A
to Temple Blocks A A A A
@
A
A
A
A
A A A A
A
A
A
A
+ A A A A
to Hammond Organ
Kbd.
Mi
r
<
mf A
Mo
A A N
What
K
s ¬
<
can you
A
A
do
in
<
A
A
A
<
-A
A
A
such
a
si
A -
A
A tu
-
a
N -
<
A
A
A
A
A
tion?
<
A
A
A
A
A
A
A
A
A
A
A
N
A
A
A
+ A N
N
A
A
A
+ A N
A
A
A
A
A
+ A
+ A
A
+ A
+ A
+ A
A
+ A A
I
A
A
A
A
A
A
A
A
A
A
A A A
A
Reh. Pno.
A
Vln. 1
r A
Vln. 2
N
A
+ A
A
A
+ A A
N
Cello
D. B.
A
s
A
A
A
A A
A
A
A
A A
A
A
A A
A
A
A
A
A A A
A
A
A
Ob.
I1 152 q = 112 r
C Cl.
A. Sax.
Bsn.
s
A
-A
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
A
A
A
A
A
A
sub. mp TEMPLE BLOCKS
>>> > > > >> > >
Perc.
3
3
>>> > > > >> > >
3
3
3
3
sub. mp HAMMOND ORGAN
NNN
297
Act 2
3
3
A
A
A
A
A
A
A
A
A
A
>>> > > >>> > > > >> > > >>> > > >>> > > >>> > > 3
3
N NNN
NN N
-NNN
N 3 3
N
3 N
N
3 N
3
3
A
3
3
3
3
3
3
3
3
NNN
NNN
NN N
N NNN
N3
N
N3
N
sub. mp
Kbd.
N 3
N
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
A
A
s ¬
<
<
K
@
A
Per -
A
<
mp
A
A
A A
A
A
A
A
A
A
A A
A
A
A A
A A AA
A
A A A
A
A A A
A haps
A
A A A I
A A A
A
A A
can mar - ry an at -
<
sub. mp
-NNN
NNN
NN NN
N 3 3
-NNN
A
NNN
NNN
A
A
A
A
A
A
A
A
A
N
NN N
NN NN
sub. mp
Reh. Pno.
A
-A
A
A
A
A
A
A
A
A
N
A
A
A
A
A
A
I1 Vln. 1
r
q = 112 N
N
N
A
N
sub. mp
Vln. 2
A pizz.
AA
A A
A
A A
A
A A
A
A
A A A
A
A A A
A
A A A
A
A A A
A
A A A A A A
<
sub. mp
A
pizz.
Cello
A A A A
A
A
A A A
A
A A A
A
A A A
A
A A A
A
A A A A A A
@
sub. mp
D. B.
s
<
<
<
<
(arco)
N
mp
A AA
@
N
A A A
298
Act 2 Ob.
157 r
<
<
K
@
A
A
A
A
A
N
A
A
A
A
A
A
N
A
mp
C Cl.
<
<
K
@
mp
A. Sax.
Bsn.
s
<
A
A
TEMPLE BLOCKS
>>>
Perc.
> >
< A
A
>>>
> >
>>>> > >> >> > >>>> >>>>> > >>>> >>>>> > >>>> >>>>> >
3
3
3
3
A
3
3
A
3
3
A
A
A
A
A
<
A
A
A
<
A
3
3
<
3
3
3
3
A
A
3
3
A
A
3
3
A
3
3
HAMMOND ORGAN
NNN
-NNN
N 3 3
3 N
N
N3
A
NNN
NN N
3 AA
AA
N3
N
3 A
A
AA -AA
3 3 3
A
NN
Kbd.
N
A
N N
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
A
A
A
A
A
- tract - ive Bri - tish
A
A A A
wo - man, who can cook
for me
and
N 3 3
-NNN
NNN
+ A A
A A A A
will give
AA A me a
A
bed?
A
NNN
NN N
A
A
A
A
AA A
K
@
AAA
AA AA
AAA
-AAA
3 3 3
A
A
A
A
A
A
A
A
A
A
-A
N
A
A
A
A
-A
N
A A A
A A A
A A A
AA A
-AA A
@
A
A
A
A
N
Reh. Pno.
A
Vln. 1
r
Vln. 2
D. B.
s
A
N
N
A
N
@
Cello
A
A
A
N
A A
<
AA A
A
<
@
N
-AA A
@
N
A A A
@
N
A A A
@
N
A
A A A
@
N
A
A
A
N
arco
N
A A A
@
N
A A A
299
Act 2 Ob.
162 r A
C Cl.
A. Sax.
Bsn.
s
A
A A
A
A A
A
N
3 3
N
<
A
<
A
A
A
A
N
A
N
A A
<
A A A A A A
A
A
A
A
A
<
to Clarinet in Bb
A
A <
<
A A A A A A
A
<
A A A A A A
<
A
A A A
A A A A A A
A A A
TEMPLE BLOCKS
>>>> >>>>> > >>> > >> >> > > >>> > >>>> > > >>> > >>>> > > >>> > >>>> > > >>> > > > >> > >
Perc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
HAMMOND ORGAN
NNN
NN N
NN N
NN NN
NNN
-NNN
N 3 3
NN
NN
3 N
N
N3
N
3 N
A
NNN
NN N
NN N
NN NN
N3
N
N3
N
Kbd.
Mi
r
<
K
Mo
K
s ¬
<
@
mp
<
A
N
A
A
N
I
hope
you
are
not
<
N
<
N
A
A A
look - ing
<
<
<
at
A
<
@
N
<
me?
<
@
I A+ A
A
@
What?
NNN
NN N
NNN
N 3 3
-NNN
NNN
NN NN
A
NNN
A A A Is it time
NNN
NN N
A
A A A A
AA now,
NN NN
Reh. Pno.
A
AA
A A
AA
A
A
A
A
A A
A
A
A N
A
A -N
N
Vln. 2
A
A A
A
A
A N
A
A -N
N
Cello
@
A A @ A
A A A
N
N
Vln. 1
D. B.
r
s
A
A
A
<
N
N
A
A A
A
<
N
N
AA
A
AA
A
AA
A
N
N
N
N
N
N
N
N
N
N
<
N
AA
<
N
N
<
N
N
N
A A
300
Act 2 Ob.
168 r
Cl. in Bb
A. Sax.
Bsn.
s
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
AA A
A A A
TEMPLE BLOCKS
>>> > >
Perc.
3
3
AA A
A A A A A
>>> > > >>> > >>>> > > 3
3
3
3
3
3
A A A A A A A A A A A A A A A A A A A A A A A
>>> > > >>> > > >>> > > >>> > > 3
3
3
3
3
3
3
3
to Marimba
>>> > > >>> > > 3
3
3
3
HAMMOND ORGAN
NNN
-NNN
N 3 3
3 N
N
3 N
A
3 3 3
NNN
N NNN
NNN
-NNN
3 3
N3
N
N3
N
Kbd.
Mi
r
Mo
K
@ s ¬
N
<
<
<
<
<
<
<
<
<
<
A A N
K
@
do you think,
N 3 3
-NNN
NNN
A
A
A
A
cup
of
A
for
fa - mous
A
3 3 3
A
K
Bri
NN N
N NNN
A A A A
A A A A
A A A A -
@
K
tish tea?
NNN
-NNN
A
A A A A
Reh. Pno.
Vln. 1
r
Vln. 2
s
AA
A
-N
N
N
Cello
D. B.
A
N
-N
A A
A
N
N
<
AA
A
A A A A
N
N
A
A
A
N
A
A
A
N
<
N
N
N
A A A A
<
N
@
@
A A
A
A
A
A
A
A
A
<
N
N
N
-A
-A
<
N
N
AA
-A
-A
A
301
Act 2 Ob.
173 r
<
<
<
<
A A A
AA
A A A
A A A
AA
N
N
<
A mf
CLARINET in Bb
Cl. in Bb
(Solo)
<
A
A A A
A A A
A A A
A A A
A A A
A A A
A A A
mf
A. Sax.
<
<
<
<
<
mf
Bsn.
s
A A A A A A A A A A A A A A A A A A A A A A A A A A A sub mf
A A A A A A A A A A A A A A A A A A A A MARIMBA
<
<
<
<
<
AA A
@
mp
Mar.
<
TEMPLE BLOCKS to Marimba
Perc.
>>> > > >>> > >
3
3
AA AA AA A A
AA @ A
<
<
<
<
<
<
<
<
<
<
3
3
HAMMOND ORGAN
NNN
AAA
AAA
N N
Mo
r
A
N
3 N
<
s ¬
-NNN
N 3 3
N
N3
N
3 N
A
N
N
N NN
@
yet!
<
A
NNN
NNN
NN N
N NNN
N3
N
N3
N
AA A
AN N
A A AN NN
<
N
@
Be - cause,
<
AAA
N
<
mf (blushing)
<
Reh. Pno.
A
NAN
A
be - cause the
<
AA
A
<
<
A A-NAN
A A AN N
A
A A ket - tle
< N
A
has - n't
@
boiled.
<
A A A NN
A A N A
<
A A A
A A AN N
A
A A A
A
A A
sub mf
A
Vln. 1
NN N
<
Not
K
N NNN
sub mf
Kbd.
Mi
NN N
r
A
A A A A
AA
N
A
A A A
sub mf
A A A A
A A
A
A A A A A A A A A A A
N
A A
N
A A
-A
A
A A A
A
N
A A A A
A A A A
AA A A
AA A
AAA A
AAAA
N
A
A: 9 A A9 A: A A A A
N
A
A: 9 A A9 A: A A A A
sub mf
Vln. 2
A
N
A
A A
-A
sub mf (Solo) arco Cello
A
<
A A A
A A A
A A A
N
N
N
A
A
N A A A
A A A
A A A
A A A
N
N
N
AA
@
Apizz AA @
sub mf
D. B.
N s
N
N sub mf
pizz
N
A A A A
AA A A A
302
Act 2 Ob.
179 r A
A A A
A A A
A A A
A A A
A A A
A A A
A A A
A A
A
A A A
A A A
A A A
A A A
A A A
A A A
A A A
A A
N
N
A
N
N
N
Cl. in Bb
A. Sax.
Bsn.
s
A A A
@
AAA
A A A AA @ A
A
A --AAA
A
A A A A A AA
AAA @ A
A
A
N
A A A A
A A A A
A A A A
A A A A
AA @ A
AA @ A
AAA @
AA @ A
A AA
AAA
AAA
AAA
A A A A AAA @
A
AA AA
AAA A
A
A
Mar.
<
<
<
<
HAMMOND ORGAN
NNN
-NNN
N 3 3
3 N
N
3 N
A
NNN
NNN
NN N
N NNN
N3
N
3 N
N
Kbd.
Mi
r
Mo
K
s ¬
A
A
A
N
<
<
<
<
<
<
<
<
<
<
<
<
A A
A A
A
A
A
A
A A
AAA
AA A
A
A
A
A
A
A
AA A
AAA
AAA
AA A
AA A
AA A
A
A
A
A
A
A
A A
A A
A
A
A
A
A
A A
A A
A
A
A
A
A A
AA A
AAA A
A
Reh. Pno.
AAA
Vln. 1
r
Vln. 2
A
A
A
A
AAA
-AAAA
A
A A
A
A A
Cello
@
A A A
@
D. B.
A
A
A A
s
AAAA
AAA
A A
A A
A A
A A
A A
A A
A
A A A A
@
A AA
@
A AA
@
A A
A
A A
A
A A
-AA A A
A
A
A
A
A AA
@
A
A A
A AA A
AAAA
A
A
A
A
A
A
@
A AA
@
A A A
A A
A
A A
A
A
303
Act 2 Ob.
183 r A
A A A
A A
A
A A A
A A
A
A A A
A A
A
A A A
A A
A
A A A
A A
A
A A A
A A
N
N
N
N
Cl. in Bb
A. Sax.
Bsn.
s
A
A A
@
AAA
A A
A
A
A --AAA
AA @ A
A
A
A A A AA
AAA @ A
A
A
AA @ A
A
A
A AA
AA A
@
3 A A
A A AAA
A A AAA @
A A AAA
AA A
Mar.
<
<
<
HAMMOND ORGAN
NNN
-NNN
N 3 3
3 N
N
3 N
A
NNN
NNN
N3
N
Kbd.
Mi
r
Mo
K
s ¬
A
A
A
A
N
<
<
<
<
<
<
<
<
<
A
A
A
A
A
A
A
A
A
A
A
A
A
AA A
AA A
AAA
AAA
AA A
AA A
A A
A
A
A
A
A
A
A
A
A
A
A AA
A
Reh. Pno.
AAA
Vln. 1
r
Vln. 2
A
A
A
A
AAA
-AAAA
A
A A
A
A A
Cello
@
A A A
@
D. B.
A
A
A A
s
AAAA
AAA
AAA
A A
A
A
A A
A A
A
A
A
A A
@
A AA
@
A
A
A A
-AA A A
A
A
A AA
@
A AA
@
A
A
A
A A
A
A
A
304
Act 2 Scene 11
Ob.
186 q = 154 r r A A
In Michael’s neat bedroom upstairs. Nothing is out of place. Michael has laid out his collection of bus tickets. Kurt knocks and enters. Michael shows him the tickets.
A
A
A A A I A
A
A
A
N
A
N
A
A
A
A
A A A A
A
A
A
A A
f
Cl. in Bb
(Solo) N
Y
N
A
N
3
f
A. Sax.
@
A A A A A A A f
(Solo)
Bsn.
N s s
A
@
A
I A A A A A A A A A A A A A A A A A A A A A A A A A A
N
N
N
Y
3
A
N
f
r AA AA A A A AA A A AA AA A A A AA A A AA AA A A A AA A A AA AA A A A AA A A AA AA A A A AA A A A A A A A A A A A A A A A A A A A A A A A A A A A f
Mar.
s
<
<
HAMMOND ORGAN r 3 33
<
3 33
<
3 33
<
3 33
3 33
f Kbd.
Mi
Mo
K
s
<
<
<
<
<
r r s
<
<
<
<
<
r s
<
<
<
<
<
r s s ¬
<
<
<
<
<
r
N @
A AA A
N A
A
@
A A A
N A A A A
N A
A
A
A
A
@
A A A A A A A A A A I A: A A A A A A A A A A A A A A
A A A
3 A A A I
A
A A A
NA A A A
A
A
A A
A
A
A AA A
A
A A
f
Reh. Pno.
Vln. 1
A A A
s A
A
A
A
I A A A
q = 154 r r A A A A A A A @
A
A
A
A
A
f
Vln. 2
A f
A
arco
Cello
A
A
A
A
I
A A A A
A
A
A
A
A
I A A A A
A
A
A
A
A
I A A A A
A
A
A
f
(pizz.)
D. B.
s s A f
A
A A
A
A
A
+ A A A A
A
A
A A A A
A
A
A A A A
A A
A
A
A
A A
A
A
A A
A
A
A A
305
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
191 r A A
A
N
A
A A A
A
A
A A
N s
A
A A A I A
A
N
N
N
I
A
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306
Act 2 Ob.
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307
Act 2 Ob.
201 r A A
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308
Act 2 Ob.
Cl. in Bb
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206 r A A A
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309
Act 2 Ob.
211 r A
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310
Act 2 Ob.
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217 r A
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311
Act 2 Ob.
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223 r A
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312
Act 2 Ob.
C Cl.
A. Sax.
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229 r A
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313
Act 2 Ob.
233 r A A
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314
Act 2 Ob.
237 r A A
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315
Act 2 Ob.
C Cl.
A. Sax.
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318
Act 2 Ob.
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264 r N
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320
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Act 2 Ob.
276 r 3
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322
Act 2 Ob.
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323
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292 r A
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Act 2 Ob.
298 r N
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3 33
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326
Act 2 Ob.
304 A r A A
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HAMMOND ORGAN
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3 33
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327
Act 2 Ob.
C Cl.
A. Sax.
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310 r A A A A A A A A A A A I I I I I I
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HAMMOND ORGAN
3 33
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mf
328
Act 2 Ob.
316 A r A A A A A A A A I I I I
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HAMMOND ORGAN
3 33
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329
Act 2 Ob.
Cl. in Bb
322 r 3
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330
Act 2 Ob.
Cl. in Bb
A. Sax.
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327 r A A
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HAMMOND ORGAN
3 33
33 3
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331
Act 2 Ob.
331 r I
Cl. in Bb
I
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s
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HAMMOND ORGAN
3 33
33 3
33 3
33 3
33 3
33 3
Kbd.
<
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332
Act 2 Ob.
Cl. in Bb
A. Sax.
337 r A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A I I I AI AI A AA I AAA A AA I A AA A AAAI AAA A AAAI AAA AAAAI AAA A AAAAAAA A A
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to Kit
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HAMMOND ORGAN
33 3
33 3
33 3
33 3
33 3
33 3
Kbd.
33 3
<
<
<
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where
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don
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A A A A
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r A
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333
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
Perc.
343 Kurt stands by the door. -A A A r A A A A A
A
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HAMMOND ORGAN
33 3
33 3
33 3
33 3
3 33
33 3
33 3
33 3
Kbd.
Mi
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A A A A
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334
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
Perc.
347 r A A
A
A
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HAMMOND ORGAN
33 3
33 3
# 33 3
3 33
33 3
3 3# 3
to Piano
Kbd.
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D. B.
s A
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335
Act 2 Scene 12
Ob.
A A
I
Cl. in Bb
A. Sax.
s
<
<
+ A A
A A A
A A
mp cantabile
Bsn.
Moments later. Downstairs in the front room. The mother puts the cosy over the tea pot. Kurt enters. She looks up.
350 Alla tango q = 90 r <
A
A A -A I
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I -A 'A
A
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KIT
Perc.
A A A A A A A A A A A A A A A A A A A A A A A A 3
mp PIANO
AAA
mp
Kbd.
3
3
+ I AA AAA A A
AAAA
3
A AA
A A I A AA
AA
3
3
3
+ I AA -AA AAA A A A
A
A I A -AA AA
A -AA AA
3
3
3
A A AA A 3
3
A A A AA 3
3
A AAAA 3
3
A A A AA A A AAA A 3
3
A 'AA
-A - AA
+ I -'AAA AAA
A 'AA
-A - AA
+ I AA AAA A A
AA
A ' A A' A I A 'A
A -AAA
-AA
A ' A A' A I A 'A
A -AAA
-AA
A A I A AA
<
<
<
<
<
Mo
<
<
<
<
<
s ¬
<
<
<
<
<
A
mp cantabile
+ I AA AAA A A
AAA
AAAA
A -AA
+ I AA -AA A A
AA
A
A I A -A
A AA
A AA I A A
AA
Vln. 2
+ A A
A
I
A A -A
A
'A - A
AA AA
A -AA
+ I -'AAA
AA A
A 'AA
AAA
AA
A ' A A ''AA I A
A -AAA
Alla tango q = 90 r <
I A A
A A
<
- A A ' A I
-A - AA
+ I -'AAA
AA A
A 'AA
-A - AA
+ I AA AAA A A
-AA
A ' A A ''AA I A
A -AAA
-AA
A AA I A A
A
+ A A
A A A
<
A A A
A
A
I A A -A
<
A
' A - A
mp cantabile Cello
A
A AA
A A
A
AAAA
mp
Reh. Pno.
Vln. 1
A A
A
AAAA
+ I -'AAA AAA
r
A A A I
3
A -AA
Mi
K
3
<
<
<
<
I -A - A 'A
A
A
A AA
A A A
A A
A A
<
<
lazy – not in strict time (pizz.)
D. B.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 A I A3 A 'A I A I -A-A I A3 A 'A A A I A A A I + -A A I A A I A A I -A-A -A I A A A A I + I A A A A A A ' A A ' A A s A - A A A - A - A A A mp
336
Act 2 Ob.
355 r
<
N
N
N
N
A A
- A
mf
A
Cl. in Bb
A. Sax.
Bsn.
s
A
-A
A
A A
A
A A
A A
I A
A A
A A
<
<
<
<
<
<
<
<
A
'A
@
-A ' A
KIT
Perc.
AAAA
3
3
PIANO
A AA AA 3
-AAA
+ I AA -AAA A A
AA
A AA I A - A
A AA A A 3
3
AAAA
A AAA A 3
3
A -AA
+ I AA AAA A A
AA
A AA I A A
A AA A A 3
3
AAAA
AAAAA 3
3
A -AA
+ I AA -AA A A
AA
A AA I A - A
3
A
AA A A 3
3
Mi
Mo
r
<
< mp
A A3 A A
<
This is the co
K
s ¬
-
<
-A
A
A
A -AA
I
+ AAA -AAAA
I
A AA A -A
A AA
3
A A A A -A
sy we
put o - ver the tea
-
AAA
A 'AA
AAA
AA
AA '''A AA I A
AA A -A
A
A
AAAA
A
A
A -AA
A
A
I
+ AAA
A AAA
I
A A
AAA
A A
A A
A N
To keep
the tea
hot.
<
A
A
AAAA
A
A
A -AA
<
-A
A
A
-AAA
A AAA
A -AA
+ I -'AAA
AAA
AA
AA A
I
+ AAA
I
A AA A -A
A
<
pot
<
3
+ I -'AAA
A
AN
3
A -AA
<
A A
AAAA
A AAA
Kbd.
AAA
A
-A ' A
@
A
AA A
A 'AA
'''AAA
A -AAA
Reh. Pno.
AA
Vln. 1
Vln. 2
Cello
r
AA
<
A
A
A AA
AA
< + A
+ A -A
+ A
A
A A
+ A
-A
A
< 3
3
3
I
<
+ A A
< 3
D. B.
AAA
<
+ A
A
@ A
< 3
3
3 3 A -A A I A A A A -A A I A A I -A A I A A A A I s
+ A
3
-A 'A
< 3
3 A I A A A A -A A I A A I
3
3
3
A I A3 A 'A I A I A ' A - A A
337
Act 2 Ob.
359 r A
-A ' A 'A I
s
A
A
A
A A
A
A
A
A
A A
-A
N
A A
A
Y
A
A A
A A
A A A
-A
A
'A
A A
A 'A
<
<
<
<
<
<
<
<
A. Sax.
Bsn.
A
A A
Cl. in Bb
A
@
A
KIT
AA AA AAA A A
Perc.
3
3
3
PIANO
3
A AA AA 3
A AAAA A AA A A 3
3
--AAA
+ I AA AA A A
A ''AA
AA A
+ I AA AAA A A
-AA
A A I AA AA
-AAA
AA
A AA I A A
Kbd.
Mi
r
<
<
Mo
<
<
3
3
AAAA
A AA
mp
K
s @ ¬ A
A
A
AA I
So,
fa -
mous
+ I AA -AAA A A
AA
A AA I A - A
I
A
+ I AA AA A A
-A - AA
-A
is
A
A
' A 'A
A
A ''AA
AAA
-AAA
AA
3
AAAA
AAA
A AA A
A
3
A AA AA 3
3
A -AA
+ I -'AAA
AAA
A 'AA
AA
AA '''A AA I A
AA A -A
<
A
A
3
<
A A
A A
AA
-A
A A
I come
to think
of it,
I
sup - pose
AN
A A A ket - tle
3
3
A -AA
Now,
A AA A A
A A I A you'd
<
pre
-
<
boiled?
A
A
I
+ AAA
A AAA
I
AA
AAA
A A
A
AAAA
A -AA
AA
A
A
A
I
+ AAA
A -AAA
I
AA
-AAA
A
A
A
AAAA
A
A
A 'A
A
A -AA
+ I -'AAA
AA
I
A
AA A
A 'AA
'''AAA
A -AAA
Reh. Pno.
A I -AA
-AA
Vln. 1
r
A
Cello
D. B.
<
+ A
Vln. 2
s
AA A
<
I -A 'A 'A
A A A A
< 3
A AA
3
3
AAA
<
A
A A
A A
A
< + A A
A
<
-A A -A3 A A A I A - A - A A A
AAA
A A
< 3
A I A3 A A A A I A+
3
3
A A
A 'A
A
< 3
3
3 A IA A A A A -A A I A A I A -A
3
3
3 I A A 'A 'A I A I - A
338
Act 2 Ob.
363 r A
A A
A
Cl. in Bb
A. Sax.
'N A
I
'A
+ A -A
A
A
A
3
A
' A
A
- A
N
A
<
<
N
Solo
@
A A
A A
A mf
Bsn.
s
<
N
<
N
mp KIT
A A A A
Perc.
3
PIANO
3
A 'AA
+ A -AA ' A 'A A
-AA
' AAA ''AAA I
A A - AA
-- NNN
A
- fer
3
A A A A 3
+ AAA 'AAA
-AAA
@
-AAA
AAA
NN N
A
'A
@
tea
A
I
-AA
I
' AAA
AA A
r
'A
A
A
A
'A
A
-A
-AAA
+ AAA
'AAA
-AAA
@
-AAA
AAA
NNN
AA A
A 'AA
+ A ''AA
''AAA
A -AAA
-- NNN
A
A
A
A
for - get
to
re
A
A
+ 'A
+ A A
+ 'A
N
A
-A
N legato
Cello
<
A
A
N
<
NNN N
N
N N
mp legato
D. B.
s
3
3
3 A I A3 A 'A A A I A ' A A -A
3
3
3
A
A
A
-
spect - ful
-
<
<
I
AAAA
cold.
<
A+
A AAA
NNN N
mp legato
Vln. 2
3
@
Reh. Pno.
Vln. 1
A
<
<
A
+ A -' AA
3
3
AA A
A
<
I
I
A A A
N
<
-A - AA
A A
<
your
A
3
<
A
s ¬
A A A A A
3
AAA
r
Mo
3
A A A A
+ I -'AAA
Kbd.
K
3
3
A
--AAA
Mi
A A A A A
3
A -A I A A -A A I A A I - A
arco
N
legato
N
A
A
A
ly
339
Act 2 Ob.
366 r 3
Cl. in Bb
N
N
@
A. Sax.
Bsn.
3
s
A
N
N
N
A -A A A
@
N
N
A
A
Y
N
3
Y A
N
N
A A A A
N
A A A A
N
N
N
AAAA A
AA AA
AA
A
A A
3
@
3
A
A A A
A
N
N
KIT
AAA A A AA AA
Perc.
3
3
3
3
A
AAAA A AA AA 3
3
3
A
3
3
3
3
3
A
AAAA 3
3
A AA AA 3
A
3
PIANO
@
AAA AAA @
-AAAA AAAA @
AA AA @ A A
NNN
-NNNN
NNN
NNN N
AA A
AA A
@
AAA AAA @
NNN
NNN
AAA
AA A
AAA @
AA @ A
A AAA
AAAA
Kbd.
NNN N
NN N
Mi
r
<
<
<
<
Mo
<
<
<
<
K
s ¬
A in
@
A -
A -A A
A A
form you
A
that I
A
-A
A A
A
A
@
A A
dance
@
and I'm
A
A
A
A
A
A high
-
A
A
A A
A A
ly
a - dept
at the
tan
A A
@
N
A
A
A -
K
go.
A
A A A
Reh. Pno.
Vln. 1
NNN
N --NNN
NN N
NN NN
NNN
NNN
NNN
NNN N
r N
N
N
N
N
N
N
N
N
N
3
3
N
N
N
-N
3
3
N
N
N
N
N
N
N
Vln. 2
Cello
D. B.
s
N
N
N
A
340
Act 2 Ob.
370 r 3
Cl. in Bb
A
A AA
@
@
A -A A A
3
A. Sax.
Bsn.
s
3
N
A AA A A AA
A A A A A A A
3
A
@
3
3
A
3
A A AA
<
N
3
3
A
AA A
3
A A
3
A A AA
N
<
3
@
3
<
N
A AAAA A
AA AA A AA AA
A
@
3
A
A A A
A
A AA
N
A
@
A -A A A
N
N
KIT
AAAA
Perc.
3
3
A AA AA A 3
3
AAAA A AAAA A AAAA 3
3
3
3
3
3
3
3
3
3
3
A AAAA A AA AA A 3
3
3
3
3
PIANO
@
AAA
AAA @
-AAAA AAAA @
-NNNN
NN N
AA A
AA @ A
AA AA @ A A
AAA AAA@
AAA AAA @
AA AA @ A A
NN NN
NNN
NNN
NNN
NNN
A AAA
AAAA @
AAA AAA @
NNN
-NNNN
-AAAA AAAA
Kbd.
NNN
Mi
r @
Mo
K
s ¬
<
A A A
A A
A
Is there no
end to
what
@
<
A A A you can
<
A
A -A A A
A
A
<
<
<
<
<
do?
<
@
<
A A A A
N
A A A A3
A
A -3A A N
Would you con - si - der
a
tan - go for two?
A
<
A A A A
@
3
A
A A A
A
@
A
A -A A A
Reh. Pno.
Vln. 1
NNN
N --NNN
N
N
N
N
3
N
N
N
N
3
N
N
N
-N
N
N
N
N
-NNNN
NN N
NN NN
NNN
NNN
NNN
r K
N
N
N
N
N
N
N
3
N
-N
3
N
N
N
Vln. 2
Cello
D. B.
NNN N
NNN
s
N
N
N
341
Act 2 Ob.
375 r 3
N
N
A
I
A
A
A
A A
(mp)
Cl. in Bb
A. Sax.
A
AA 3
A A 3
@
3
A
A A
AA
3
A A A A
A A A
A A 3
+ A A A A A A A A A - A
3
A mp
Bsn.
N s
N
N
+ AA A AAAA AA A
+ A
mf
A A AA
N
+ A
A
+ A A
A
A
N
I A
A
A
A
+ I A A
A
I A
A
A
A
I A -A
A
(mp) KIT
Perc.
AA AA
3
A AA AA A 3
3
AAA
A
3
3
A AAAA A 3
3
A A A A 3
3
A A A AA A A A A A 3
3
3
3
A AA AA A 3
3
3
(mp)
PIANO
@
AA A
AA @ A
AA A
AA @ A
AAA AAA@
AA A
NNN
Mo
NNN
NNN
r
A A I A AA
< (reconsiders)
I A A A3 A A
s ¬
A A
NNN
<
I A
Cer - tain - ly not...
K
A AAA
A
not
A A
N
be - fore
tea.
<
<
<
@
A AAA
A AA
A A
A
I A -AA
AAA
<
<
<
<
A
A
A A A A
I
will
take you to the
I
A
A
A
A
A
A
A
A A
N
A A
A A
AA A
I
+ AA A
A AAA
I
A A
AAA
A
A
A
A
-A
A
Ham - mer - smith
A A
A
AAAA
A - AA
Pa
A -
lais,
A
+ A
A
I
+ AA A
-AAA
A AAA
I
A A
- AA
AAA
+ A A
A
(mp)
NNNN
r N
NN NN
N
NNN
N
NNN
A A
N
I
A
A
A
3
3
(mp)
3
3
A
I
+ A A I
A AA
A A
A A
A
A
A
- A
A
A
A
A
A
A
(mp)
Cello
+ I AA -AA A A
(mp)
Reh. Pno.
Vln. 2
A - AA
<
(mp)
Vln. 1
AAAA
(mp)
Kbd.
Mi
+ I AA A
AA A
AAA
I
+ A A I
A
A
- A
A
A
A
(mp)
D. B.
N s
N
N
N
A (mp)
I A
I A
342
Act 2 Ob.
379 r I
A -A
A
'A -A
A
A
-A
I
'A
- A
A
A
A
A
A A
A
+ A A A A I A A A A 'A A A A A A A A A A I A A A A 'A A A A A A A A A A A A A A A - A 3 3
Cl. in Bb
A. Sax.
Bsn.
A
s
A
I
A
A
A
A
I
A
A
A
A
A
I
A ' A
- A
A
I
A ' A
- A
A
+ A
I
+ A
A
A
I
A
A
A
KIT
Perc.
A A A A
3
PIANO
AA
Mi
r
Mo
K
+ I -'AAA I
I s ¬
I
A - AA
A
AA
Vln. 2
Cello
D. B.
A
3
-A - AA
A ' A AA ''AA
A A - AA
- AA
A A A A A 3
3
+ I -'AAA I
-A - AA
A ' A AA ''AA
A A - AA
- AA
A A A A A 3
3
I
+ AA AAA A A
I
A A
AAA
<
<
<
<
<
ra
A
-A
A
I
+ A -' AA
AA A
A ' A AA ''AA
-A -
-A
ther,
3
A
A
you
will
A
A
A 'AA
-A - AA
I
A -AAA
- AA
'A -A
'A
-A
'A
-A A
take
me,
I
+ A -' AA
-A
@
'A
- A
A
A 'AA
-A - AA
I
A ' A AA ''AA
A -AAA
- AA
A
A
I
I -A+
A
'A
A
A
A
A
A 'A
A
A
I -A+
A
'A
- A
A
' A I
A
A
A
' A I
A 'A
A
A
I
-A
A
A
be - cause
AA A
-A
I
3
A 'AA
A
A s
A A A A
AAA
A -A
r I
3
A
<
'A
@
I
3
A A A A
A 'AA
or
A
A
AAA
Reh. Pno.
Vln. 1
3
3
-AAA Kbd.
A A A A A
'A
- A
A
A
A
A
don't have
+ AA A
A AAA
I
AA
AAA
A
A
I
+ A A
A A A
A AA
I
I
I
AAAA
A -A
A
I
3
A
A
A
A
A
A
A
AAAA
A AA
A A
A
A
A
343
Act 2 Ob.
382 r A
A
-A
A
A
+ AA A AAAA AA A
Cl. in Bb
A
A
A A
A A
A
-A
A
A A
A
A
A
A
3 + A I A A A A 'A A A A AA A AI A AA A AAAA A A 3
+ + A A A A A A A A A A - A
3
A. Sax.
Bsn.
s
A
+ I A A
A
A
+ I A A
A
A
+ I A A
A
A
I A 'A
A
A
I A -A
A
A
I A
A
A
I A -A
A
A
I A 'A
- A
A
to Side Drum
KIT
Perc.
A A A A
3
PIANO
-AAA
A AA AA A A A A A 3
3
+ I AA A
3
3
A -AAA
AAAA
A A A AA A A A A A 3
3
+ I AA A
A - AA
A AAA
3
3
AAAA
3
AA A A A A AA AA 3
+ I AA -AA A A
A - AA
3
3
Mi
Mo
K
A AA I A - A
r
A+ A s ¬ mo - ney
A AA I A A
<
<
<
+ A N to
A AAA
A - AA
A AA
A A
A AA I A - A
AAA
A A
A ' A A' A I A 'A
<
@
mp
A
A A
At
my
<
-A
A - AA
I
+ AA -AAA A A
Vln. 1
Vln. 2
I
A AA A -A
r A
A
-A
-A
I
Cello
D. B.
A
A s
+ A A
A A
I I A
to Vibraphone
A 'AA
AA A -A
< A -A
@
N
ex - pense.
<
<
A
A
AAAA
A
A
A
A A
A
I
+ AA A
A AAA
AAAA
A - AA
I
A A
AAA
A
A - AA
-A
A
I
+ AA -AA A A
I
A AA A -A
A
A
A AAA
A - AA
AAA
A A
A
A
AAA
A
A A
A
A
A
- A
A
A
A
A
A
A A
I
+ A A
A A
I I A
A
A AA
A A
A A
A
A
- A
A
A
A
A
-A
A
I
+ A A
A
-A I I A A
A
A A
A
A
A
+ I -'AAA
AAA
A 'AA
A ' A AA ''AA
A -AAA
Reh. Pno.
AA
3
pay.
A
A A
<
A
AAA
3
3
+ I -'AAA AAA
Kbd.
AA
A A A A A A
I
A
A
A
I -A+ A
'A
A
- A
A
A
' A I
A
A
A
A
I A ' A
A
344
Ob.
L1 386 q =104 r N N
Act 2 N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N
N 'N
N
N
N 'N
N
N
N
N
N
A
A A A A A
N
A
A 3
N
N
A
A 3
N
N
N
N
N
mf
Cl. in Bb
N
N -N
mf
N
A. Sax.
mf
Bsn.
s
mf
<
Perc.
<
<
<
<
<
VIBRAPHONE
NN NN N 'N
NN N
NNN N
<
NN N N 'NN
NN N
NN N N -NNN
NNN N
mf
N NN
I
A
N
N
N
N
N
N
N
N
N
N
N
N
N 'N
N
N
<
<
AA AA 3 3 A A A N A
<
NN N N 'NN
NN N
NNN N
Kbd.
< 6
<
<
<
<
<
<
<
sim.
Mi
r
<
<
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
<
N
A A A
A N
all
life.
K
mf
s N ¬ I
love
NN N
N 'NN
N
N
<
N
wo - men.
NN N
NNN N
N
N
N
I've
loved
NNN N
wo - men
NN N
N 'NN
NN N
N N
A 'NA A 'A
A N N N A A
NN
A 'NA A 'A
A A N N N
A A A3 A
-NNNN
N NN
AA A
A A
N N
A A A N A
A A A N N
A
A A A
A N
cantabile
A
Wo - men
NN N
mf
Reh. Pno.
my
N
K
N N
A A A I
A
N
I
love
A A I call
NN N
N 'NN
NN N
NN
A 'NA A 'A
A A N N N
NNN N
L1 Vln. 1
q =104 r N A A 'A A A N
AA N
A A 'A A A N
A N
A
K
N
N
A
A N
A N
A
A A A AAA
A N
N
N
N
AAA
mf cantabile
Vln. 2
<
K
N
<
K
N
mf
N
Cello
A A 'A A A N
AA N
A A 'A A A N
AA N
<
N
AA N
A
A A 'A A A N
K
N
A
A A 'A A A N
mf cantabile
D. B.
s
N 'N mf
N
N
N 'N
N
N
N
N
A
I
N 'N
N
N
345
Act 2 Ob.
395 r N
Cl. in Bb
N
-N
N
A
N
N
N
A
N
N
N
A. Sax.
Bsn.
s
N
N
N
N
3
N
N
N
N
N
I N
' N
N
N
A
3
A
A
N
-NNNN
AA N
N NN
A
A
<
VIBRAPHONE
N NN
N
A
<
Perc.
N
N
A A A
N
< AA
N NN A A A
N
N
A
N
N
A
A
N
N
N
A
A
N
N
N
N
N
N
<
N
N
<
<
<
A A A A A A A A A A A A N A 'A A A AA A A A A A A NN
@ A
A
AA N
AA
Kbd.
<
<
<
<
<
<
<
Mi
r
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
K
s ¬
N
N
@ N
<
‘arrs’
In
N NN
-NNNN
N N
A A N A A
N NN
AA A
A A
A N
A N
A
A3 A
A
A
A
N
Ha
-
no
A
A
A
A -
A A A
@
ver
A A A
A
I
a
A A A 'A A A
had
A A
@
A
A
A
four sea - ter
N
I A A A
car,
A A A A A A A N A A A N A
and when I
AA
A A
Reh. Pno.
Vln. 1
r N
Vln. 2
K
N
N
N
A
A A A A A A
Cello
D. B.
s
N
A
A
N
A A A A A A
N
A
N
A
A A
N ' NN
NN N
N NN N
NN N
AAAA N
N
N
N
N
N
N
' N
N
N
N A A AA
N
N
N
' N
NN
N
N
AA A A A I
A
I
NN N
-NNNN
N NN
N
- N
N
A
A
N
N
N
N
A
A
N
N
-N
N
A
A
N
N
N
N
N
N
N
346
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
Perc.
402
A A A r A N
N
N s
A
A
A
N
@
@
A
N
A
A
N
Solo
A
@
A
A
N
A @ A A A
A
N
N
<
@
<
A
@
-A
3
A -A A A
@
N
3
A
NNN
A
A A
A
A
A A A A
A
A A A A
N 3
@
A
A
A A A A N
N
<
3 3 3
@
N
N
<
-NNNN
+ A A
3
<
to Hammond Organ HAMMOND ORGAN NNNN 3 3 A A A NNN A
@
<
3 3 3
NN N
N NNN
3 3 3
NN
NNN
Kbd.
NN
NNN
NNN
-NNNN
NNN
NNN N
<
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s ¬
A A A A drove a - long
N N
@
N
@
A
A
A
A
I
ne
A A A A
A -
@
ver
A
A
A A
A
A A A
AA
al - lowed
more
A
A A
A A
A
A
A
A
A
than
two
A
A A A
A
A A friends in -
A
A
A
A
A
@
side
A
I
A
A
A A
al - ways
A
A A A A
NN N
NNN N
A
A
A
Reh. Pno.
Vln. 1
Vln. 2
r
N
A
NN N
NNN N
NNN
-NNNN
NNN
A: 9 A A9 A A A A A A A A A A A A A A A A A A
N
A A A A
NN
3 3 3
NNN N
A
A A
A
A
A A A A A A A A
NN
NN
-NN
3 3
3 3
NN
NN
N
N
N
3
3
N
N
A A A
A A A
A A A
A A A
legato
Cello
N
+ I A A N legato
D. B.
N s
pizz.
A
@
A
A A A
A A A A A A
arco A A N
N
347
Act 2 Ob.
408 r @
Cl. in Bb
N
A. Sax.
@
Bsn.
s
A
A
N
A
A
@
-A
3
A -A A A
@
N
3
A
@
A
A A + A A
A
3
N
A AAA N
AAAA
3
<
Perc.
A
3 3 3
NNN
NNN
A
@
N
@
A
<
@
A
A
N
A @ A A A
A
N
N
Y N
<
HAMMOND ORGAN NNN -NNNN
A
A
A
-A
3
A -A A A @ N
<
@
A
AAAA
N
N
<
3 3 3
NN N
N NNN
NNN
3 3 3
NN
NNN
NNN
A
A
<
3 3 3
-NNNN
Kbd.
-NNNN
NNN N
-NNNN
NNN
NNN N
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
A A A s A ¬ kept one seat
A
A
A A A
A
A
A
A
A
A A A
-
ty
just
in
case
A
A
emp
A A
A A
A
A A A
A
I
A
A
N drove
A
A
A
A
past
a
A A AA
A
A
A
A
beau - ti -
A A
A ful
A
N
A ‘arr’.
A A N
A
-NNNN
NNN
A
A A A
A
Reh. Pno.
NNN
Vln. 1
NNN
s
A
A A A
A
NNN N
NNN
-NN
3 3
3 3
NN
NN
NN
-NN
3 3
N
N
3
3
N
N
N
N
3
N
N
N
N
N
N
N
N
N
A A A
A
NNN N
A A A A A A A A A A A A A A A A A A A A A
NN
Cello
NN N
3 3 3
NNN N
A A A A A A A A A A r A A A
Vln. 2
D. B.
-NNNN
N
A
348
Act 2 Ob.
414 r A A A
A
A A ' A 'A
A A A
A A A
A
A A A 'A
N
Cl. in Bb
A. Sax.
Bsn.
AA AA
N
A A A A A A @ s A A
HAMMOND ORGAN 3 3 3 Kbd.
Mi
r
Mo
A A A A
A A
A
A
A A A A
A A A
A
A A A A
A A
A
A
N
N
N
<
@
N A A -A A A
N @
A A
A A A A N
A AAAA N
<
<
<
<
<
<
<
<
NNN N
NNN -NNN N
<
<
<
NN N
<
<
<
<
<
<
K
(looks at the mother)
K
I A
s K ¬
A
And
A
A
A
'N
you
are
NN
NN
NN
NN
NN
-NN
N N
AA
NN N
'N ' NN
NNN
NNN N
NN N
-NNNN
NN N
NN NN
A A - A A def -'nite - ly
a
N
N
N
real
N
N
NN NN
NN
NNN
A
A
I
A A
<
That's
NN N
< mf
I A
<
3 3 3
NN NN
A N
A
3
<
NNN
<
<
<
NNN '' NNN
3 3 3
A
A A A' A- A A A A A A A
<
Perc.
N
A A -A
A
A
A A A A A A
not the sort of talk
<
I
<
‘arr’.
A A
N N
@
AA A
+ I AA AAA A A
NNN
@
AA
@
@
Reh. Pno.
3 3 3
Vln. 1
A A r A
Vln. 2
3 3
Cello
3
D. B.
s
3
A @
N
9 A A A A' A- A A A A A A
N
N
N
'N
N
N
'N
N
N
N N
A A -A A A @
N
N
N
@
-N
N
A A A A N
A AAAA N
A A
3
3
3
A AAAAA AAA A 3
3
AAA
I A
AA
A N A N
3
N
N
A A
A AAAAA AAA A N
N
N
N
N
3
N
N
@
A A
349
Act 2 Ob.
They sit at the table. She pours tea. Kurt stuffs himself with thin white sandwiches. The mother watches him.
421 r
<
<
A A A A A A A A A A A A A A A A A A A A
<
3
Cl. in Bb
A. Sax.
Bsn.
s
A N
A
<
N
I
A A
A
<
A
- A A
N
I A
3
<
3 3 3
NNN
NNN
3
3
<
@
I + A N
3
3
<
3
A A AAA AA A AAA AAA 3
<
HAMMOND ORGAN NNN -NNNN
3
3
to C Clarinet
3
Perc.
A
3
3
3
A A A A A A A A A A A A A A A A A A A A
3
3
3
3
<
3
3
3
3
<
3
<
3 3 3
NN N
N NNN
NNN
3 3 3
NN
NNN
NNN
-NNNN
Kbd.
Mi
r
<
A A A A A
Mo
want
K
-NNNN
s ¬
to hear,
<
A A
A A A
+ I AA -AAA A A
<
A A A
and you've made me blush like a
<
AA A
NNN N
sil
A
A A
A -
@
A AA
+ A A AA AA
@
NNN
NNN N
A -A A
N
<
A
A A
ly
<
N
3 AA
AA
<
K
<
cow.
<
AA A
-NNNN
<
AA
AA
A A
@
A
A
A
A A
<
A
A
A A
A
A
A A
A A
A
Reh. Pno.
AAA
Vln. 1
-AAAA
r N
I
AA
A N A N
Vln. 2
Cello
D. B.
@
s
N
-N
N
N
AA
I A A A AA
N
A A A
AA
A A
3
A
N
N
Solo
A N A A A A + A N
A:
AA
NNN N
NN N
9 A A
A9 A
NN N
A
-NNNN
A A A
A
A -A A
AA
AA NN
AA
AA N -N
AA
+ AA NN
AA
+ AA -NN
A A
pizz.
N
N
A
A A AA A A A AAA A A AA A A A AAA 3 3 3 3 3
3
3
3
350
Act 2 Ob.
426 r A A A
A
3
C Cl.
Perc.
A A A 3
3
A
A
s
A A A
A
3
3
A A A
A
3
3
<
N
A A A
A
3
A
A A A
A
3
3
A A A
A
3
3
A A A A
A
A A A
A
3
3
3
3
@
A A A
A
3
A
A Y A
3
3
A A A
A
3
3
A
A
A
A A
A A A A
A
3
3
<
ORGAN HAMMOND 3 3 3
A
<
N
<
A Y A
<
3
A. Sax.
Bsn.
A
A 3
<
3 3 3
NN N
NN NN
3 3 3
NN
NNN
Kbd.
NNN
Mi
r
Mo
K
s ¬
NN NN
A
A
<
<
<
<
<
<
<
<
<
A A
A
A
A
A
A
A
@
A
A
A
A
A
Reh. Pno.
NNN
Vln. 1
Vln. 2
Cello
D. B.
r A
A
A A
A
A
A
A
AA
A A
AA
AA
3 3
AA
+ AA
AA
AA
3 3
A s
3
3 + A A A A
3
A
NNN
3 3 3
NN NN
3 + A A A A
A
A A
A A
A A
A
NNN N
A A
A A
@
A A
A
A A A
A
A
A
A
A
A
3
A 3
A
A A A 3
A 3
A
A A A 3
A
A 3
3
3
A
A A A 3
351
Act 2 Ob.
429 r A A A
A
3
C Cl.
Bsn.
s
A
A A A
A
3
3
A
A A A
A
3
A
A
A
A A A
A
3
3
A
@
A
3
A
3
A
A A A
A
3
3
A
A
A
A
A A A A
3
A
3
3
3
A A A A
A
3
3
A
A A A
A
3
3
A
3
<
3 3 3
-NNNN
A
3
3
<
HAMMOND ORGAN
A A A
<
A
A
<
NNN
3
A A A A
<
A
A
A
A A A A
3
<
Perc.
A
3
A A A
3
@
A. Sax.
A
3 3 3
Kbd.
NNN
-NNNN
NNN
3 3 3
NNN N
Mi
r
<
<
<
Mo
<
<
<
s ¬
K
<
<
<
@
A
A
A
A
A
A
@
A
A
A
A
A
3
Reh. Pno.
NNN
Vln. 1
-NNNN
r A
A
Vln. 2
@
Cello
N
D. B.
A
s
A
NN N
A A
A
A
A A
A A A
A
A
3
A
A A A 3
A
A A
A A
@
-N
A
3
A
A A A 3
3
A
A
A
A
N
N
A
3 3 3
NN NN
3 + A A A A
A
A A
A A
A A
A
3
3
3
A
A
A
3 + A A A A A 3
A
A A A 3
A 3
A
A A A 3
352
Act 2 Ob.
432 q = 90 r <
<
K
A
A
N
A
A
A
N
A
A
<
<
mp C CLARINET
C Cl.
N
N
- N
N
- N
A
N
- N
'N
N
N
N
mp
A. Sax.
<
<
< N mp
Bsn.
3
s
AAAAAAAAI AAA
3
3
mp
AAAAI AAA AAAA I AAA AAAAI AA A A AA?AA
ORGAN (not Hammond)
NNN
N NNN NNN N
N NN
r
Mo
mp
N --NNN
NNN
-NNNN
3 3 3
s ¬
N - NN
<
A - A
N
know
A
it
A
A - A A
N
was
hard in the
war.
<
NN N
3 3 3
AAI A A AA?A A AAI A A ' NN N
NNN
NN NN
N NN
<
NN N
NNN
- NNN
NNN N
N N
NNN
---NNNN
<
<
<
<
K
<
<
<
mp
<
N I
lost
NN NN
A AAA
-NNN
N NN
NN N
- NN N
- AAA A
NNN N
NNN
-NNNN
N - NN
NN N
N
N
N
N
A
-A
N
A
N
N
N
N
A
-A
N
A
N
N
N
N
N
A
A A
- A
A A
- AA -AA
'A
N
e
A
N
@ A
- v'ry - thing.
My
N work....
' NN N
NNN
N NNN
N NN
- NNN
NNN N
NNN
---NNNN
A
N
N
N
N
A
N
N
N
N
N
N
N
N
A A
A A
AAA
mp
Reh. Pno.
N NN
Vln. 1
NNN
<
I
K
3
mp
Kbd.
Mi
N
A
mp SIDE DRUM
Perc.
-3
3
N
@
q = 90 r N
NNN
NN
mp
Vln. 2
N mp
Cello
N (pizz.)
D. B.
A A A A A s mp
A
A A
3 A
A A A
A
A
A A A
353
Act 2 Ob.
438 r
<
@
A A
A
A N 3
3
pp
C Cl.
A. Sax.
Bsn.
N
N
A A
N
A N
3
3
pp
@
'A -A
A
3
A A
N 3
A N
'3
'3
pp
3
s
3
'3
pp SIDE DRUM
Perc.
A A ? A A A A I
A
A AA?AA AAI
A AAAAI AAA
ORGAN
-NNN
AA
AAA
A
pp
AGUITAR A 'AA AA
to Guitar
NN N
AAA AAA
AAA
NN N
NNN
3 3 3
AA?AA
NN N
A AA
AAI
A AA
AAAAI AAAAAAI AA
A ''AA
pp
AA A
AA A
AA A
Kbd.
NNN
Mi
Mo
K
r
NNN
<
<
< p
<
@ s ¬ -NNN
'A -A My wo -
AA
K
A
N
N
I'm
sor
N
K
NNN
AAA
A -
- A
@
ry.
r N
D. B.
<
A have
<
A
N
K
asked.
<
<
man....
AAA
AA A
AAA
AA AA AA
NN N
AA
AA AA AA
A A
N
NNN
NNN
N
-N
NNN
A A
'3 3 3
3 3 3
A A A A A A A A
- A N
AA
AA
AA AA
AA
AA
AA AA
''3 3 3
A A A A A A9 A9 A
pp
A A A A A A9 A9 A
Cello
<
pp
NNN
Vln. 2
<
A
Should - n't
Reh. Pno.
Vln. 1
<
N
-N
A A
-A N
pp pizz.
N
N
A s
A A
A
N
N
3
A A
A A
A A
A A A A A A9 A9 A
AA AA A A I I A I A I
A A A A A I A I A I A I
pp
A
A
arco
3
pp
'3
354
Act 2 Ob.
443 r 3
3
3
3
3
3
3
Y -3
-3
3
'3
'3
-3
3
'3
-3
C Cl.
A. Sax.
Bsn.
s
Y
Y
-3
3 Y
-3
3
SIDE DRUM
Perc.
I AAAAI AAAAAAI AAI AAAAI AAAAAA I AA@
AAAAAAAA
GUITAR
A AA
--AAA
AA A
AA A
AA A
AA A
AA A
AA A
'AAA
AA A
A AA
A AA
I AAAAAAAAAAI AA A A ''AA
AA A
AA A
AA A
---AAA
A
AA?AA
AA A
AA A
AA A
Kbd.
<
<
<
<
<
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
<
<
K
(stops eating) p 'N s K ¬ What
AA AA
AA
AA AA
'A
'N
hap - pened
AA
AA
A A
AA
AA AA
AA
AA AA
A
'3
to
you?
AA
A A
-A A A A
A A A A A A
A A
A A
A A
--AA AA
AA
AA
AA
AA
AA AA
AA AA AA AA AA
AA
AA AA
Reh. Pno.
3 --3 3
Vln. 1
r
Vln. 2
Cello
D. B.
s
3 3 3
'3 3 3
A A A A A A A A A A A A A A A A - A A A A A A A A
''3 3 3
3 --3 3
- A A A A A A A A
A A A A A A A A
A A A AA A A A A AA A AA A A
A A A A A A A A
- A A A A A A A A
A A A A A A A A
A A A A A A A A A I A I A I A I A I A I AI A I
-A A A A A I A I A I A I - - AA I AA I AA I AA I
AA I AA I AA I AA I
-3
3
3
'3
-3
355
Act 2 Ob.
448 r N
N
N
N
-N
N
N
N
C Cl.
A. Sax.
Bsn.
s
3
N
N
N
- N
'N
- N
N
N
N
N
3
N
N
N
AA?AA
AAI AAAAI AAAAAA I AAI AAAAI AAAA AAI AAI AAAAAAI
AA A
AA A
'N
A
A
-N
N
- N
SIDE DRUM AAI AAAAAAAAI AA A A
Perc.
N
N
GUITAR
A - AA
A AA
AA A
A AA
AA A
AA A
AA A
3
K
-AAA
AA A
<
A AA
'AA A
AA A
AA AA
<
AA AA
to Piano
AA A
AA A
AA A
AA A
Kbd.
<
<
<
<
<
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
AA
AA AA
A A -AA
A A
A A A A
- AA AA AA AA -AA
AA
AA AA
- AA A
AA AA A A
AA A
AAA
AAA
NN N
-AAA
'NN N
NN NN
AA A
3 3 3
Reh. Pno.
N - NN
Vln. 1
r
Vln. 2
A A A A - A A A A
A A A A A A A A
NNN
NN N
NN N
N - NN
s
- N
N
3 3 3
A A A A A A A A - A A A A ' A A A A
A A A A A A A A A A - A A A A A A
- A A A A
A A A A A A A A A A A A A A A A
-A A A A
A A A A ' A A A A
A A A I A I -AA I AA I - AA I AA I -AA I AA I - AA I AA I AA I AA I
Cello
D. B.
NN N
N
N
N
N
A AA I AA I -A I AA I
N
N
AA I AA I AA I AA I
3
356
Ob.
Act 2
M1 453 q = 146 r A A
-A A
A A
-A
K
I
N
A
K
I -A A I @ -A
+ A A
A
I -A A -A A A A
+ A A
I @
-A A IK
K
-A
A
-A A IK
K
mf
N
C Cl.
mf
A
A. Sax.
A
A
N
-A
mf
Bsn.
s
A
A
mf SIDE DRUM
Perc.
-A A
A
A AA A A A AA I A A A A A A A I A A A A A A A I A A A
A
+ -A A I K
K
A
@
N
A
-A A
A A
A A
A A A A I AA A A
AA ? A A
+ A
A
A 'A
-A
A K
+ -A A I K
-A
A
-A A A A A A
A A
3
A A I A A A A ? A A A AI A A
mf
PIANO
A
A
mf
A
I -A A A A A - A
A
A I -A A A A -A
+ A A
A
A
-A A A A A A
-A
A A A
-A A A A A A
A
- A A
- A
A
A A
- A A A A A A
<
<
Kbd.
A
Mi
Mo
A
r
<
mf N
K
s ¬
A
lost
<
N
I
alm -
A
A
ost
e
-A -
A
A
A
I -A A
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<
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A A A A
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N
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too.
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-A A A
+ A A
A
A
My
hus
A 'A
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band... -
<
<
A
A
-A A A A A A
-A
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A A
-A A A A A A
A
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- A A A A A A
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A A A
- A A A A A A
A
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-A A A A A A
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mf
Reh. Pno.
A
A
I -A A A A -A
A A
M1 Vln. 1
q = 146 r A A A mf
Vln. 2
3 3
I -A A -A A A A 3 3
+ A A
A A A A A A AAAA A A
N N
mf
Cello
<
<
K
@
A A A A A AAAAA
arco A A AA A A A
A A A A
A A A A A A A A A A
A A
A A
A A A A @ I
A
A
N N
K
-A A A A A A
A A
mf
D. B.
s
N mf
N
A
N
A
-A
-A A
A
N
A
A
A 'A
A
3
357
Act 2 Ob.
459 r -A
C Cl.
@
A
-A
A 'A
-A
+ A I K
@
A. Sax.
Bsn.
s
-A
A I K
Perc.
AA?AA
K
AAI A
A
PIANO
@
N
K
+ -A A A A AA?AA AAI
@
A -A
N
I -A+ K
A
A
K
I A+ @
K
A @
A A A
A
A A A
A
AAAAI AAA
K
-A I @
A A
N
K
+ -A I @
A A
-A A A A A A -A
@
-A
A
A
@
-A
A AA?AA AAI AAAAI AAAAAAI AA
A
- A A
+ -A A A A
A A A
A
A A A
A A
-A
-A
A A A A A - A A
-A A A A
A A A
A
A A A
A A
-A A A A A A - A
Kbd.
Mo
+ -A
A I @
-A
Mi
A
A A A A
SIDE DRUM
-A I K
@
A A
r
<
@
s ¬
<
A
- A
A 'A
The
doo
-
A A
<
N
@
K
<
I
<
- A A
+ -A
A
A
A
- A A
-A
A
A
A A A A A
- A A
A
A A
A
-A
A
A A
A
<
A -A
A A
still
lis
<
A
-A
<
N
dle - bugs....
-A A A A A A
-
N
A
A
ten
to
the
<
A
A A A
A
A
A A A
A
+ -A A A A
A A A
A
A A
A A
A A A A A AAAAA
A A A A A @
A
A A A A
A
A
A
A
<
A
A
A
-A
A
A
A
-A
A
A A
A A
-A
A
A A
A A
- A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
r -A
A A A A N A A A A N
A A A A
s @
A A
N N
@
K
K
A
-A
A 'A
N
@
K
N
A A A
A A
3 3
@
-A A A A A A -A 3 3
<
A -A
<
A A
N
A
A
358
Act 2 Ob.
464 r A -A
C Cl.
A
A. Sax.
Bsn.
@
s
A
K
+ AA
@
A
K
A
K
K
A
+ A A
I AAAAI AAAAAAI
PIANO
A
A
K
@
A A @
A
A
Mi
Mo
A
r
A
A
A A A A 'A -A
<
-A
AA
night
K
s ¬
A
+ A A
A A
@
A A
A
A
A A
<
A A I A
A
still
-A
A
-A
A
A
A
A
A
A A
A
+ A A
A
A A A A 'A+ -A
N N
A A A A A AAAA A
A A
A A
A A
A A
A A A A N AAAAN
K
@
A A A A A
A
A
A
A
A A A A
-A
AA
A
A A ?AA
A
A
'A -A
+ A A A A A A A I -A+
-A A A A A
A A
A
+ A A I -A
K
A A A A A A I -A+
ex
A A -
pect
the
+ A N
A
A
A
A
A
A
A
+ -A A
stars
<
A
A A A A A I -A
<
A A 'A
<
A
+ A
A
<
+ 'A -A
+ A -A
A A
A
A
A
-A I
A A A
A
A
A I @
+ A N
A A
-A A A A A
+ A
A I A
K
AAAAAAAA I AAAAAAAAAAI AA A A
I
<
+ + A A 'A
<
K
N
+ + A A A
+ -A A A A A
<
sky.
A
A
A I @
A A I
A A
@
A A A A ' A+ -A
Kbd.
A
I A+ A+ A
K
+ -A A A A A 'A
A A
@
AAI AAAAI AAAAAA I AA@
+ A A
A
@
K
N
SIDE DRUM
Perc.
A A
A
to
go
<
A
A
A
A
A
A
A A A A
A
I -A+
A
A
A
A
A
A
A A A A
A
I -A
A A
A
A A A A A A I -A+
Reh. Pno.
A
Vln. 1
Vln. 2
Cello
D. B.
r A
s
A
A
A
N
K
A
@
-A A A A A
A A A 3 3
K
A A A I
3 3
<
A
A A
A A 'A
<
+ A N
+ A -A
A
359
Act 2 Ob.
469 r A I @ A
C Cl.
Bsn.
s
A
-A A N
+ A I @
A. Sax.
-A
A A A
<
K
N
-A
A
- A
A
A A
+ + AA A
AAI AAAAAAAAI AA A
PIANO
A
A A
K
+ A A
A
I
I
A A
I K
+ A A
A
N
A A I K
A A
I AA
I
K
A A
I
+ + A A A
+ A+ A A
+ -A A A A
+ A A
+ A A A A A A A A A
SIDE DRUM
Perc.
I
-A
N
<
+ -A A
AA I
I
AAI AAAAI AAAAAA I AAI AAAAI AAAA AA I AAI AAAAAAI
AA?AA
A A
-A
A
+ -A A
+ + AA A
+ A A A
+ A A A
+ -A A A A
A A
+ A A A A A A A A A
A A A
- A
A
- A A
AA A
A A A
A A A
-A
A A
A
A Kbd.
Mi
Mo
r
<
A
<
-A A N
N
<
K
out.
K
s ¬
<
A
A
Then
a
noise
A A
+ -A A
+ + A A A
A A A
- A
A
- A A
A A
-A
A
+ -A A
+ + AA A
+ A A
A
A
A
A A A AA A A A
<
-A
A
A A
like
no
o
<
A
A
A
<
-A
AA A
<
-
A
+ A A
ther
noise.
N
<
<
+ A A A
+ -A
A A
A
A
A
+ A
A
A A
-A
A A
A
A
A
A
A
A
A
A A
A
A
A A
A
A
A
A
A
A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
r A A A
A
A
A
+ A A A
+ A A A
+ -A A A A
+ A A AA A A A A A
A A
N N
A A A A A AAAA A
A A A A
A A
A A
A A
A A
- A -A
A A
A A9 A A9 A AAAAA
A A
A A9 A A9 A A A A A A
A A
A A
K
@
A A A A A
A A
A
A
A
A
- A
A
A A9 A A9 A
A
A A9 A A9 A
A
A
A s
-A A N
N
K
-A
A
A A
A
+ A A
N
N
360
Act 2 Ob.
474 r A A
C Cl.
A. Sax.
Bsn.
s
A A
I K
<
K
A A
I K
A+ A
+ + A A A A A A
+ A A
SIDE DRUM
Perc.
A AA AA AA AI A A A
PIANO
Kbd.
I K
A
+ A - A A I K
+ A A A
A
A
A
A IK
+ + A A A
A
A A
A A AA I AA A AA AA I AA A
A A
+ + A A A A A A
+ A A A
A
A
A A
A A A A A A
+ A A A
A
A
K
K
+ + A A - A A
+ A A
A
A K
K
A
A
+ A
+ AIK
A A
A
A
A A
A
A A A A
A
A
A A
@
K
A A A
@
K
N
A A A AA@
A A A
'A A -A A A A A A A A A A
A AA
AA A AI A A A A A A ?A A
A
A A A AA
A A I A A A A? A
A A AI A A
A
A A AAA ' A A A A A A A
A A A
A
'A A -A A A A A A A A A A
A A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
<
N
K
The
K
s ¬
<
K
mf
A - A
+ + A A A
A
What
is
a
A A -A A
A doo
-
@
K
<
dle - bug?
A A
+ A A A A
+ A A
+ A A A
A
A
A A A A
A
A
A A
A A A A
A A
+ A A A
A
A
A A A A
A
A
+ A A
A 'A A -A A A A
A A A
A A A
A 'A A -A A A A
A A A
A A A
A
A A
A
A A
A
A A AAA ' A A A A A A A
A A A
A A A A A AAAA A
A A A A A A
A A
A A
A A
A A
A A AA A
A A A
A A
A
A
@
K
N
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
r A A
+ + A A A A A A
+ A A A
A A
A A
A A
A A A A
A A A A N AAAAN
A
A
A
A A
A A AA
s
<
K
A
A A
A A
A
3 3
K
- A A
A
N N
<
A
A
+ + A A A
K
A
@
A A -A A
+ A A
K
361
Act 2 Ob.
C Cl.
A. Sax.
Bsn.
480 A A r I @ A
A A A A
N
Mi
Mo
K
+ A N
A A A A I @
A A A A s
A A A A A
A A A A A A
AA?AA AAI A
A
AA?AA AAI A
A A A A
A A A A A
A A A A
A A A A
A A A A A
A A A A
r
<
A
A N
V
1
s ¬
ro
-
<
A A A A A A A
A
A
A A A A A A A -A A
A A
A
A A
A
A
cket
o - ver
A
<
Lon
I A A
I
+ A A
+ A
A A A A A A A -A A
A A
+ A
A A A -A A A A A A
A A
A
< A
A
<
doo
A
A
I
The
A
A
A
A A
A A A
A
A
A
A
A
A
A
A
A A
A A A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A -A
-A
A
A
A
A
A
A
A A
A
A A
A
A
A A
A
A
A A A A A A A -A A
-
dle -
+ A
A doo
A
A
I A
The
don.
<
A
A
pp
A 3 -
+ A
AA
<
A
I
A AA?AA AAI AAAAI AAAAAAI
<
A
I
A
A
A
A
+ A N
A A I
@
AAAAI AAA
<
A
+ A 3
A
A A A A @
A A A A A A A
A
@
N
A I @ A
PIANO
Kbd.
@
A
SIDE DRUM
Perc.
A A A A I @
-
dle -
+ A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
r A A A A
A A A A A
A A A A
A A
A
A
A A
A A
A A
A A
A A
A A A A A AAAAA
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A A A AAAA
A A A A A A A A I A A A A
A
A
A
A
A
A A AAA
A
A
A
A
A
A
A
A
A
A
A A A A
A A A A A A
A s
N
A
+ A N
A
A
N
A
+ A 3
I
I
A
+ A
362
Ob.
485 r K
A
A A A
I @
A
I
A A N
C Cl.
A
K
A. Sax.
Bsn.
s
Act 2
She pushes the cake his way. She pours him more tea. He cannot stop eating. She watches him.
+ A -A
+ A A
A
A A A
A I
A A A A -A
A A @
+ + A A A
A
I @
AA
I A
I
AA @ A A
A
@
A A
A
A
A
I @
to Clarinet in Bb
+ + A A A
I A
A
A
@
AA
+ A A
A
A
AA
I
+ + A AA A A A
+ AA
I
A
A
A
+ A A A A
I @
A
A A A A
A
A
SIDE DRUM
Perc.
I AAAAI AAAAAAI AAI AAAAI AAAAAA I AA@ AAAAAAAA I AAAAAAAAAAI AA A
A+ -A
+ A A
A A A A -A
+ AA
A
AA A A A
+ A A
A
A -A
A A
A A A A -A
A A
A
A A A A A
A
A
PIANO
Kbd.
Mi
r
Mo
<
A A N -
s A A N ¬ - bug!
A
A A A A
A
<
<
<
<
<
<
<
<
<
<
<
A
A
A A -A
+ A A
A
A A
A
A
A
A -A
A A
A
A
A A -A
A A
A
A A
A
A
A
r A -A
A A
A A A A -A
A A
A
A A A A A
A A A A
<
+ A A
A
AA
AA?AA
bug!
K
A
A
AA
A
+ A -A
+ A
A
A A
A
A A
A
A A
A
A A
A
A
AA
A
A
A
A
A
A
A
A
A
A A A A
A
Reh. Pno.
Vln. 1
A
A
Vln. 2
A A A A A A A A A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A
A A A A
A A A A AAAA
A
A
A
A
A
A
A
A A
A
A
A
A
A
A
A A
A A A A
Cello
A A A A A
A
A
I
A
A
I
I A
+ A A A A
D. B.
s A A N
A
+ + A A A
A
+ + A A A
363
Act 2 Ob.
490 r A A
Cl. in Bb
s
@
<
+ A A
A. Sax.
Bsn.
K
- A A
@
K
@ -A A
A A A A A A A -A A A A
I
@
-A A I
<
@
A
AAI AAAAAAAAI AA A A AA?AA
-A A I
<
SIDE DRUM
Perc.
@
I
-A A I
@
<
@
I -A+ A
A
I -A+ A A A
I
@
I
<
I -A+ A
I
+ -A A I A A A A
I -A+ A
@
I
'A A I A+ A A A -A
AAI AAAAI AAAAAA I AAI AAAAI AAAA AAI AAI AAAAAAI
PIANO
A A A A A A A -A A A A A A A A A A A -A A A A
A
A
I -A+ A A A
+ -A A I A A A A
'A A I A+ A A A -A
A
A
I -A A A A
-A A I A A A A
'A A I A A A A -A
Kbd.
Mi
r
Mo
<
A
A
Ter - ri
K
s ¬
A -
<
A
ble
A A A
things
hap - pened
<
<
A A N in your coun
<
<
N -
try.
A
A
I've
seen
<
A
<
A
@
pic - tures
-A
A
of
Na
<
A
I -A+ A A
A
-A A
I A+ A A A
'A
A I
+ A A A
A
A
A
I -A A A
A
-A A
I A A A A
'A
A I
A A A
r A A A A A A A -A A A A
A
A
-A A I A A
A A A
A
N
A A A A A A A -A A A A
A
A
A
N
A
A
A
A -A
A
A
A
A A A
A
A
A
A -A
A
A
-
<
A
A A A
-A
A -A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
N
s N
A
A
A A A
N
I -A A A A
N
-A A A A A A I A
A
A
A
'A A
A -A
A A A A -A I -A
A
-A
@
-A A I A A A A
'A A I A A A A -A
A
@
A
A
A
-A
A
-A
364
Act 2 Ob.
495 r @
Cl. in Bb
- A
Bsn.
@
s
+ A I @
-A
A
I 'A
A
@
K
I
@
+ -A A A A
AAAAI AAA
PIANO
A 'A
I
K
I
<
-A A
A A A -A A+ 'A
AAAAAAAAI AAA
-A A
<
SIDE DRUM
Perc.
I
' A
<
A. Sax.
A I @
K
AAAA I AAA
@
<
I A 'A I
A A A -A A
A A -A ' A A
A 'A A
@
<
I A 'A A A -A @
K
+ + A A -A
A
A A
@
A A
'A A A -A A A -A A A A
AAAAI AA A A AA?AA
AAI A
A
AA?A
A
A
A A A -A A+ 'A
+ -A A A A
A A A -A A A 'A A
A A -A A
'A A A -A A A -A A A A
A
A
A A A -A A 'A
-A A A A
A A A -A A A 'A A
A A - A A
'A A A -A A A - A A A A
Kbd.
Mi
r
Mo
K
s ¬
<
A
-N
- zis
for
<
-
A
A
cing
peo
-
N
A
A
-A
ple
to
scrub
the
<
<
A
A
A A
A -A
+ 'A A
A
A
A A
A -A
A
r A
A
A A A -A A ' A
A
-N
A
A
<
A
<
A
K
pave - ment
A with
<
<
A
A A
tooth
A N
brush - es.
<
<
+ -A
A A A
A A
A -A A
A 'A A
A A -A A
'A A
A -A A A -A A A
A
-A
A A A
A A
A -A A
A 'A A
A A - A A
'A A
A -A A A - A A A
A
A A A -A A A ' A A
A A -A A
'A A A -A A A -A A A A
A
N
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
s A
-N
A
'A
A
-A A A A N
-A A A A
A A A -A A 'A
A
A
A
N
A
-N
A
A
A A A -A A A 'A A
A A - A A
A
N
-A
A
A
A
A
A
A N
'A A A -A A A - A A A A
A
+ A A
+ A N
365
Act 2 Ob.
500 A A r A
Cl. in Bb
s
I @
<
A A A
K
A
A A
-A A I I @
f
A
A A A A
I @
A
A
A A A A 'A A A A A A
A
A A
@
AAI A
A A A A
A
A
AAI A
AA?AA
A
-A
@
@
K
Y
A
SIDE DRUM
Perc.
A
CLARINET in Bb
A A A
A. Sax.
Bsn.
@
A A A A
A
+ A A
A
AA?AA
-A
A
A -A N
I -A+ A+ I @
N
@
-A
I -A+ A A -A A -A A A AAI
A
AAAAI AAA
A @
K
A A
A
A
A
AA?AA
-A
AAI
PIANO
Kbd.
A A A A A A A A A A A 'A A
A
A A
A A A A A A A A 'A A A A A
A
A A
A
I -A+ A A -A A A -A A
A A
A
-A
A
A - A A A -A I -A A A
A A
A
-A
A
A
want
to
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s ¬
K
A
A
Oh
that
was
per - haps
A A A A
-A
A
more
A -A A of
a
joke.
-A
A
A
A
A
A A A A A
A
A
A 'A A
A
A
A
A
I
+ -A A A A
A
A
A
A A A A A
A
A
A 'A A
A
A
A
A
I
-A
A A A A A A A A ' A A r A A A
A
A A
A
A A
A A
A A
I A
A
You don't
A
-A
A
A
A
-A
A A
-A
A
A
A
-A
-A A A A - A A A -A I
A A
A
-A
A A
A A
A A
A A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
A A A A A AAAAA
A A
A A
A A
A A
A A
A A
A A A - A
A A
A A
A A
A A
A A
A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
s A
+ A A A A
N
A
A
A A A A
-A
A
A -A N
A
A
A
A
366
Act 2 Ob.
505 r @
Cl. in Bb
A A A
@
A. Sax.
Bsn.
A
s
A
A -A
-A
@
K
A
A
A -A @
K
A A A A A -A A
A
-A
A
-A
A
A
I
3
N
A
'A A -A
A -A I I
A A
+ A I I -A
A A A -A A
'A A -A
I
+ 'A A -A
+ A
A A + A A
AAAAI AAAAAAI AA I AAAAI AAAAAAI AAI AAAAI A AAA AA I A A@
PIANO
A A A A A -A A
-A
A
A
-A
A
A
+ A -A
A I
+ -A A
A A
A
+ ' A A -A A A A -A A
+ A
A
A A A -A A 'A A -A
A
AAAAAAAA
A A
+ A -A
A A
A A
A -A
A A
Kbd.
A A A A A -A A
A I
3
SIDE DRUM
Perc.
A -A
Mi
r
<
<
<
<
Mo
<
<
<
<
K
A A A s ¬ be - lieve
- A ev'
-A
N
thing
you
hear.
-A
A
A
A
A
A
A
-A A
'A
+ A -A
+ A
-A
A
A
A
A
A
A
-A A
'A
A -A
A
-A
A
A
A
A A A -A A ' A A - A
A A
A A
A A
A A
A -
ry
A
A
A A
A
-A
A
A
A
A A
A
-A
A
A -
A
K
A3
A - ny
A -
A
way,
A3
A
A
ter - ri - ble things
A were
A A
+ - A A
A
A
A A
A -A
A
A
A A
A A
A A
Reh. Pno.
Vln. 1
Vln. 2
Cello
r A A A A A -A A A A
D. B.
A A
A A
A A
A A A A A A A A
A A s A
- A
A
A A
A A
A
A A
A A
A A A A A A A A A A A A A A
A
-A
N
K
A
A
A A
A A
A A
A A A A A A
A
A A
3
3
A
A A
A
A
A
A
A
A
367
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
509 r A A
A
@
A
A
3
A A
A
A
A
Michael enters from his room upstairs. The mother stands and hugs Michael by the shoulders.
-A A A I
A
3
@
A
A
+ -A A
A A 'A s
I -A A A
A
A
A
A
+ A
A
A
A
A
Vib.
I AAAAAAAAAAI AA A
PIANO
-A
A A 'A
- A
Kbd.
Mi
r
Mo
K
s ¬
A
<
A A 'A
A
I
I
-A A A
A
I -A A A A -A
A
-A A A
A
-A A
I
A
-A A
I
AA?AA
AAI AAAAAAAAI AA A
<
-A A A I
- A A
A
A
+ A
A
A
A
A
I -A A A
A
A
A
A
A
A
A
I -A A A
A
-A A - A A
I
-A A A A -A
A
-A A A A -A
A
,
to Vibraphone (quick)
A
AA?AA
-A A A A -A
I -A A A A -A
A
I -A A A A -A
A
<
<
<
<
<
<
<
<
<
N
3
done
on
both
sides.
A A
'A
-A
A
A A
'A
- A
A
A A 'A
- A
A
+ A
A
A
A
A
A
A
A
A
A
A
A A
A A
A A
A A
A A A A A
I
-A A
A
A
A
I
-A A
A
A
A
A
-A A A I
A
A A
A A
A A
A A
A A
A A A
A A
-A A
A
to Cimbalom
<
A
A
-A A
-A A A A -A I
to Soprano Saxophone
+ A
SIDE DRUM
Perc.
- A A
A
I -A A A A
-A
A
I -A A A A
-A
A
-A A A A -A I
A
A A
A A
A A A A AAAA
A A
A A A A A
Reh. Pno.
Vln. 1
Vln. 2
Cello
r
A A
D. B.
A A
s A
A A A
A
A A A
A
N
A
A
3
A
A
A
I -A A A
A
- A A
- A A
A
- A A
A A
A A A
A
I -A A A A -A
A
,
A
368
Ob.
Act 2 N1 513 q = 88 r A A A A A A A A A A A A A A A A A A A A A A A A
A -A A A A A A A A A A A A A A A
p
Cl. in Bb
A A A A A A A A A A A A A A A A A A A A A A A A
A - A A A A A A A A A A A A A A A
p
S. Sax.
Bsn.
s
< 3
<
<
3
-3
3
3 3 3
--3 3 3
3 3 '3
< Y
3
p VIBRAPHONE
- 3 3 3
Vib.
<
p
CIMBALOM A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A p
3 3 3
AA --AA AA AA AA AA AA AA A A A A A A A A A A A A A A A A
Kbd.
Mi
r
--3 3 3
3 3 3
3 - 3 3
<
<
p
Mo
3
3
I
K
s ¬
said
<
<
AA AA AA AA AA AA AA AA
A A A A A A A A A A A A A A A A
<
<
-N
N
I
lost
-A 'A3
- 3 3 3
N
@
e - v'ry - thing...
<
N That's
<
AA AA AA AA AA AA AA AA
AA --AA
3 3 3
--3 3 3
3 '3 3
N1 r
q = 88 3
3
- N
N
AA
<
AA AA AA AA AA
A A A A A A A A A A A A A A A A
Vln. 2
Cello
s
3 3 3
A 'A
A
N
N @
3
p
D. B.
A
<
p
Reh. Pno.
Vln. 1
3 3 3
3 '3 3
A A A A A A A A A A A A A A A A A A A A A A A A p
A -A A A A A A A A A A A A A A A
- 3
3
-3
3
3
3
3
3
'3
3
p
369
Act 2 Ob.
518 r -A A A A A A A A
Cl. in Bb
S. Sax.
Bsn.
s
- A A A A A A A A
<
Y -A 'A A A
A A A A A A A - A A A A ' A A A A A A A A A A A A ' A A A A A A
Y -A ' A A A
I
<
3
-3
<
< N
N
< N
N
-N
N
< 'N
N
to Hi-Hat (quick)
VIBRAPHONE
- 33 -3
Vib.
I A A A A A A A -A A A A 'A A A A A A A A A A A A 'A A A A A A
N ' NN
-3 3
CIMBALOM
--AA AA AA AA AA AA AA AA
N - NN
NN N
N '-NN
N ' NN
'''NNN
'N - NN
AA AA AA AA AA AA AA AA --AA AA AA AA 'AA AA AA AA A A A A- AA AA AA AA 'A A A A A A -A A A A ' A A A A A A
NN -N to Piano
-AA 'A AA A
' A A
Kbd.
-- 33 3
Mi
r
Mo
K
s ¬
<
<
-N
N
not
quite
N 'NN
-3 3
true.....
<
-A A A A A A A A -A A A A A A A A
NN N
N '-NN
<
N 'NN
NN -N
<
N
N3
- N
I've
still
got
my
<
''NN 'N
'N -NN
<
N
K
-3
<
N -NN
<
3
3
son.
<
<
AA AA AA AA AA AA AA AA -A A A A 'AA AA AA AA A A A A - AA AA AA AA - A A A A -A A A A
''AA
AA
<
AA AA AA
AA
-AA ''AA
A A
'''NNN
NN -N
A A
Reh. Pno.
-3 3 3
- 33 - 3
Vln. 1
r
Vln. 2
Cello
D. B.
s
-N
N
-3
N 'NN
K
N -NN
N
NN N
N
-NN 'N
N
- N
N 'NN
'NN -N
A A A A A
A
A
A
A
A A A A A
3
-A A A A A A A A
A A A A A A A A -A A A A A A A A -A A A A A A A A 'A A A A A A
3
3
N
N
-3
3
'N
-N
3
N
'N
A ' A A A
N
'N
3
'N
-N
'N
-N
370
Act 2 Ob.
524 q = 102 A r 'A
A
A
A
A
'A
A
mf
Cl. in Bb
'A mf
S. Sax.
Bsn.
s
'A ' A
A A A -A A A A A A A ' A 'A A A A A A
3
3
3
3
3
3
<
A
'A
'A
3
3
A
A
mf
A
A
mf
3
3
3
3
3
'A
A
3
3
A
' A A A ' A 'A A A A A 3
3
3
'A
3
A
A
'A
'A
3
A
3
3
-A
'A
A
3
3
3
A
A
3
3
3
<
<
<
<
<
<
<
<
Y
A
A A A A A A A A A
3
3
<
A A A A A A A A A A 3
Y
A
-A A A A A A A A 'A I
<
A A A A A A A A A A A A A A A A A A A A
-A
<
HI-HAT
Perc.
A
A
3
A
Kbd.
Mi
r
<
<
<
K
(looks at the devoured table) mf
A
'A
Oi!
Mo
K
s ¬
<
<
<
<
<
<
<
<
'A
A
A
A
A
'A
A
'A
A
-A
A
'A
A
A
A
mf
Reh. Pno.
-''NNN
Vln. 1
A
--NNNN
q = 102 'A r A
'NNN
N '' NNN
''NNN
''-NNN
N -NN
NN N
-A
A
'A
A
'A
A
A
'A
-A
A
'A
A
A
A
-A
A
'A
A
'A
A
A
'A
-A
A
'A
A
A
A
mf
Vln. 2
A
'A
mf
'N
Cello
- NN
N N
' NN
3 '3
- N
' N
' N
N
-'3 3
mf
D. B.
s
N mf
' N
' N
N
371
Act 2 Ob.
528 r 'A
A
'A
A 'A ' A
Cl. in Bb
S. Sax.
Bsn.
s
3
3
'A
3
3
3
3
<
A
'A
A
'A
A
-A
3
3
3
3
<
A
A
A
A
A
3
A
A
'A
' A -A A A A A A A A 'A
3
3
3
<
'A
A
'A
A
<
A
<
-A
'A
A
A
Quick to C Clarinet
<
<
<
3
3
A
A
Quick to Marimba
AA A A
A
A
A A -A A A A A A 'A A A A 'A A A 'A A A A A A A 'A A I 'A A
HI-HAT
Perc.
A
A
3
3
A AA A A A AAAA A A A A A A AA A A A A AAA A 3
3
3
3
3
3
3
3
3
3
A AA A A AAA A A 3
3
3
<
<
<
<
3
PIANO
'A
3
+ 'A 'A
3
A A --NNNN
''NNN
r 'A
3
Who's
Mo
K
3 3 3 3 3 3 3 + 3 3 + + -A A A + A 'A A A ' A A A +A A + + 'A A A ' A 'A 'A A
3
-A
mf
Kbd.
Mi
3
s ¬
+ 'A 'A
3
A A
3
stuffed him - self
'NNN
N ''NNN
3 A + -A K A
@
sil - ly
'A and
+ -A 'A
+ AA
''-NNN
''NNN
N -NNN
'A
'A A A
A
-A
no - thing
for
me,
left
3
3
3
+ A+ AA
NNN
'A
A
for
me?
A
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
'A
A
A
A
A
A
'A
A
'A
A
-A
A
'A
A
A
A
Reh. Pno.
''NNN
Vln. 1
'NNN
N '' NNN
''NNN
''-NNN
NN -NN
NN N
r A
'A
-A
A
'A
A
'A
A
A
'A
-A
A
'A
A
A
A
'A
-A
A
'A
A
'A
A
A
'A
-A
A
'A
A
A
A
Vln. 2
Cello
D. B.
--NNNN
s
A
'N
- NN
N N
'NN
3 '3
N
- N
' N
' N
N
-'3 3
' N
' N
N
<
372
Act 2 Scene 13
Ob.
There is a discarded ticket box attached to the iron pole of a bus stop. Michael and Kurt pull out a number of old tickets and sift through them on the ground. A bus goes by. The conductress stands on the open deck. Ting ting! She isnâ&#x20AC;&#x2122;t stopping. They both ignore the bus.
533 q = 168 r <
<
C CLARINET
C Cl.
A A A A AA AAA A A AA
< A
<
<
AAA A A A A A A A A A A A A
AAAAAA A Y
AA
<
AAA
A
f SOPRANO SAXOPHONE
3
S. Sax.
A
N
N
N
N
N
N
N
N
AAA
f legato
Bsn.
Y A A A A A A A A A A A A A AAAA A A A A f AAPIANO AA AA AA AA AA AA AA AA AA AA AA A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
s A A A A A A A A A A A A A
+ AA
+ AA
A
AA AA AA AA AA AA A A A A A A
f Mar.
<
<
HARPSICHORD A A AAA A AAAAA AA
A A AAAAAA AAAAA
<
<
<
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Act 2 Ob.
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Act 2 Ob.
573 r A
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578 r A A A A A
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381
Act 2 Ob.
Cl. in Bb
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Act 2 Ob.
592 r
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383
Act 2 Ob.
599 r
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Act 2 Ob.
603 r
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Act 2 Ob.
620 r
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387
Act 2 Ob.
629 r
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Ob.
P1 639 q = 168 A r A A A
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Act 2 Ob.
647 r A A
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390
Ob.
654 A r
Act 2
They let the bus tickets run through their fingers. There is nothing they want. They toss them up in the air. Clouds of bus tickets.
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392
Act 2 Scene 14
Ob.
671 q = 78 r A
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393
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Act 2 Ob.
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won't crease
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Reh. Pno.
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r -A
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401
Act 2 Ob.
713 r
<
<
<
<
' N <
Cl. in Bb
<
N
<
'N
' N
N
K mf
Bsn.
<
A. Sax.
s
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A A A A 'A A A A
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< Y 'A
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-N
A
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-A A A A A A -A A
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<
<
Mar.
<
<
<
PIANO ''AAA AAA AAA AAA ' AA AA AA AA AAA AAA AAA AAA -'' AAA AAA AAA AAA - AAA AAA AAA AAA '' AAA AAA AAA AAA AA AA AA AA - AA AA AA AA '' AAA AAA AAA AAA ' AA AA AA AA 'A A A A A A A A A A A A 'A A A A
Kbd.
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it's
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Reh. Pno.
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r A A A A 'A
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Cello
D. B.
s
402
Act 2 Ob.
718 r N
<
<
' N
' N
<
A. Sax.
<
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N
<
' N
N
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A 'A 'A A
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N
K
Cl. in Bb
<
to Soprano Saxophone
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A
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A
A
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mf
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s
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<
<
Mar.
<
<
to Rock Organ PIANO AA AA AA AA -' AA AA AA AA - AA AA AA AA ' AA AA AA AA A A A A A A A A ' AA AA AA AA ' AA AA AA AA AA AA AA AA -' AA AA AA AA A A A A 'A A A A A A A A 'A A A A AA AA AA AA -AA AA AA AA 'A A A A 'A A A A A A A A 'A A A A Kbd.
<
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Reh. Pno.
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Vln. 1
r A
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A
Cello
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s
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Ob.
403
Act 2
Q1 723 q = 104 r <
<
<
<
<
Cl. in Bb
<
<
<
<
<
S. Sax.
<
<
<
<
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s
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Mar.
< ROCK ORGAN
''NNNN
< + AAA AAA A A
< + AAA AAA A A
NN ''NN
< + AAA AAA A A
NN ''NN
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33 ''3 3
+ AAA AAA A A
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f
Kbd.
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f K
s A ¬ You
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were
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said,
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in the Ger - man
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ro
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f
Reh. Pno.
Vln. 1
N
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Q1 q = 104 arco A AA9 AA9 A A AA AA AA AA AA AA9 AA9 A A AA AA AA AA AA AA AA A A AA9 AA AA A A AA AA AA A A AA AA AA A r I
' A
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f
Vln. 2
arco '' AA AA9 AA9 AA AA AA AA AA ''AA AA9 AA9 AA AA AA AA AA ''AA AA AA AA AA9 AA AA '' AA AA AA AA AA AA AA AA I
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f
Cello
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arco A 'A
s
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f
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404
Act 2 Ob.
728 r K
@
A
'A
'A
A
'A
-N
A
N
Y 'A
N
-A
'A
A
-A
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f
K
Cl. in Bb
@
Y A f
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<
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'A
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A
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f
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+ AAA -AAA AAA AAA AAA AAA 'AAA AAA AAA AAA AAA AAA AAA I 'AAA A A A A A A ' A A A A A A A 'A
AAA AAA AAA AAA AAA AAA AAA ''AAA AAA AAA AAA AAA AAA AAA A A A A A A A 'A A A A A A A
Mar.
<
<
<
ROCK ORGAN
'N ''NNN
-NN NN
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+ AAA 'AAA A 'A
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Kbd.
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Mi
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Vln. 1
r I
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Vln. 2
D. B.
' A
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AA ''AA AA AA AA AA AA AA
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A
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405
Act 2 Ob.
733 r A
A
Cl. in Bb
A
-A
A
s
A
A
<
S. Sax.
Bsn.
-A
A
'A ''AAA
A
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A
+ AAA AAA AAA I A A A
+ AAA A
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AAA AAA AAA I ''AAA AAA AAA AAA AAA AAA AAA AAA ''AAA AAA AAA '-AAA AAA AAA AAA I 'AAA AAA AAA AAA AAA AAA AAA A A A ' A A A A A A A 'A A A A A A A A 'A A A A A A A
Mar.
<
<
ROCK ORGAN
' 3 ''3 3 3
<
I ''AAA 'A
3 3 3 3
<
NNN N
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<
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3 3 3 3
Kbd.
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when
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out
o
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ver
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Reh. Pno.
Vln. 1
' A
A
A
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A
- A
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: ' A A AA AA AA AA AA ' A A AA AA AA AA AA AA ' AA AA AA A A AA: AA9 A A AA ' AA AA AA - AA AA AA A A r I I I I : '' AA AA I AA AA AA I AA '' AA AA AA AA I AA AA AA ''AA AA AA AA I AA: AA9 AA
Vln. 2
Cello
D. B.
' A
s
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A
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: AA: AA9 A A AA AA AA AA
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A
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AA ''AA AA AA ' AA AA AA AA
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406
Act 2 Ob.
738 r
<
<
@
<
<
@
<
<
<
<
Cl. in Bb
S. Sax.
Bsn.
s
''AAAA
+ AAA I AAA A A
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AAA A
AAA A
AAA ''AAA AAA AAA AAA A 'A A A A
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Mar.
< ROCK ORGAN
NNNN
<
'''NNNN
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+ AAA ' -AAA A 'A
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+ AAA ''AAA A 'A
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Kbd.
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Mi
r
<
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<
Mo
<
<
<
<
K
s @ ¬
A
A
'A A
how
long
did you
''AAAA AAAA I
+ AAA ''AAA AAA AAA AAA A A A A A
'A
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count
be
'''AAAA
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fore
AAA A
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lands?
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Reh. Pno.
Vln. 1
r
A
AA AA
A A ' AA AA A A AA ' AA A A AA A A AA - AA AA A A I
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A 'A A A A 'A A A A A ''AA AA I A A A A A ' A A A A A
Vln. 2
Cello
D. B.
- A
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s
-A
A
-A
A
A
' AA AA AA
'A
' A
' A
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AA ' AA AA AA - A A AA AA A A ' AA AA A A AA - AA A A AA AA
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A
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A
407
Act 2 Ob.
742 r 'A
Cl. in Bb
3
A
-A
A
A A
3
A
A
' A A
A
3
A A A A A A A A A A 3
'A
3
3
3
A A A A A A A A
A A 'A A
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3
<
A A A A A A A A A A ' A A A A A A A A
SOPRANO SAXOPHONE
<
S. Sax.
<
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<
A
f
Bsn.
s
A
A
A
A A
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Mar.
< ROCK ORGAN
I '''AAAA
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Kbd.
Mi
'A
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r
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count
to
twen
+ 'A -
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Reh. Pno.
Vln. 1
r I
: ' AA: AA9 A A AA - AA AA AA
: 'AA: AA9 AA AA ' AA AA AA ' I
Vln. 2
Cello
D. B.
'A
s
I
A
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AA
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408
Act 2 Ob.
746 r 'A A 'A
A
A
Y
'A A 'A
A
A
Y
-N
' N
3
'N
'N
subito pp
K
Cl. in Bb
S. Sax.
Bsn.
s
@
' N
I A
' A
'N
' A A 'A
A
'A A 'A
Y
A
A
Y
A
A 'A
A A
A
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subito pp
3
3
subito pp
'3
3
subito pp
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subito pp
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Mar.
< ROCK ORGAN
NNNN
<
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3 3 '''3 3
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r
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s ¬
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Song.
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thought
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subito pp
Reh. Pno.
Vln. 1
'''AAAA
'N
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pp
K
+ AAA A
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subito pp
Kbd.
Mi
<
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A
AA ' AA AA AA AA AA AA AA
subito pp
: ''AA AA9 AA9 AA I AA AA AA ''AA AA
Vln. 2
AA AA AA AA AA AA
''AA AA
A A A A
'AA AA AA AA
AA ''AA
-N
'N
AA AA -AA AA AA AA
subito pp
'A
Cello
' A
' A
A
A
' A
'N
'N
'N
subito pp
D. B.
s
' A
' A
' A
A
A
' A
'N
pizz.
'A
subito pp
A A
-A
A A
'A
A A
'A
A A
409
Act 2 Ob.
750 3 r
3
-N
'3
3
3
3
3
3
3
3
'''AAAA
+ AAA I AAA AAA AAA AAA AAA ' -AAA A A A A A A ' A
Cl. in Bb
S. Sax.
Bsn.
s
'A A ''AAA AAA I
+ AAA AAA AAA AAA A A A A
AAA A
'N
N
'3
N
'3
'3
<
<
<
3
AAA A
3
AAA AAA ''AAA AAA AAA AAA I ''AAA AAA AAA A A A A A A 'A A A
AAA AAA AAA AAA A A A A
'''AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA
Mar.
<
<
<
PIANO
'A A A A A 'A A A A A 'A A 'A A A A A A 'A A 'A A A A A A 'A A A 'A A A
<
<
-A A 'A A A 'A A A 'A A 'A A A A A A 'A A 'A A A 'A A A -A A ' A A A 'A A A 'A A ' A A A A A A 'A A ' A A A ' A A A
Kbd.
Mi
<
<
<
<
<
r
<
<
<
<
<
@
Mo
K
A
'A
'A A 'A
but
I'll
put the
ket
A -
'N
tle
<
s ¬
(semi-spoken)
@
on...
I A 'A I
<
think
'A I
'A A 'N
A need
<
to sit down.
<
<
+ + '''AAAA AAAA I AAAA AAAA AAAA AAAA AAAA '''AAAA AAAA I AAAA AAAA AAAA AAAA AAAA ''-AAAA AAAA AAAA AAAA ''AAAA AAAA AAAA AAAA
<
I '''AAAA AAAA AAAA AAAA AAAA AAAA AAAA '''AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA
Reh. Pno.
'A
A
'A
'A
'A
A
'N
'N
'A
A
Vln. 1
' A A A A A A A ' A A A A AA AA AA AA - A A AA AA A A ' AA AA AA AA r A A A A A A A A A I I
Vln. 2
A A A A A ' A A A A 'A A A A ''AA AA AA AA AA AA AA '' AA AA A A A A A 'A A A A A A A A I I
Cello
'A
arco
D. B.
s
'A
A
'A
A
'A
'A
'A
'A
I
'A
' A
A
A
'A
'N
' AA AA AA AA AA AA AA ' A A AA AA A A AA AA A A AA
'A A A A A A A ' A A A A A A A A I ' A A A A A A A 'A A A A A A A A
'A
A
'N
'N
' A
A
'A
'A
A
'N
'N
' A
A
'A
'A
'A
'A
'A
A
A
pizz.
A
'A
'N
A A 'A A 'A A A A
410
Act 2 Ob.
755 '3 r
3
-N
'3
3
3
3
3
'3
3
Cl. in Bb
S. Sax.
Bsn.
s
'A A ''AAA AAA I
Kurt doesn’t hesitate. He lies on the table and shapes himself like a medium sized rocket. The mother seems paralysed.
'N
N
'3
'3
<
to C Clarinet
<
3
+ AAA AAA AAA AAA AAA ''AAA AAA I A A A A A ' A A
'3
N
<
3
3
+ A A A A - A A A A ' A A A A ' A A A A A A A ' A A A A toAVibraphone A AA AA AA AA AA ' AA AA AA AA ' AA AA AA AA I ' AA AA AA AA AA AA AA ' AA AA AA AA AA AAA AAA AAA 'A A A A A A A ' A A A A A A A A A A A A A ' A A A A A A A A
Mar.
<
<
PIANO
''AA AA 'A AA AA AA A A 'A A A
'A A 'A A A A A A 'A A ' A A A A A A
<
<
<
-A A 'A A A 'A A A 'A A 'A A A A A A -A A ' A A A 'A A A 'A A ' A A A A A A
'A A 'A A A 'A A A 'A A ' A A A ' A A A
Kbd.
<
<
<
<
<
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
+ '''AAAA AAAA I AAAA AAAA AAAA AAAA AAAA
+ '''AAAA AAAA I AAAA AAAA AAAA AAAA AAAA
''-AAAA AAAA AAAA AAAA ''AAAA AAAA AAAA AAAA
I '''AAAA AAAA AAAA AAAA AAAA AAAA AAAA
'''AAAA AAAA AAAA AAAA AAAA AAAA AAAA AAAA
'A
Reh. Pno.
'A
A
'A
'A
A
'N
'N
'A
A
'A
'A
'A
A
A
'A
' N
Vln. 1
' A A A A A A A ' A A A A A A A - A A A A ' A A A A ' A A A A A A A ' A A A A A A A A r A A I A A A A A A A I A A A A A A A A A A A A A I A A A A A A A A A A A A A A A
Vln. 2
''AA AA AA AA AA AA AA '' AA AA AA AA AA AA AA '' AA AA AA AA 'AA AA AA AA ''AA AA AA AA AA AA AA '' AA AA AA AA AA AA AA AA I I I
Cello
D. B.
s
'A
A
' A
' A A A A ' A A
'A
'A A
'A
A
'N
' A A A A 'A A A A
'N
'A
A
' A
'A
'A
A
'A A A A ' A A A A ' A A 'A A 'A A A A
A
'A
' N
A A 'A A ' A A A A
411
Act 2 Ob.
760 (q = c.60) r
DOODLEBUG SONG # <
C Cl.
# <
S. Sax.
# <
# <
# <
# <
# <
Mi
r
# <
Mo
# <
Bsn.
s
Vib.
Kbd.
Approximate pitches and rhythm, free within suggested outlines, using all possibilities from speech to singing (preliminary ignition)
> > > + + I s > > ¬ Chuk chuk chuk chuk chuk f
K
+ >
I
>
I
+ >
chuk
-
chuk
-
chuk
@
# <
# <
Reh. Pno.
(q = c.60)
# <
Vln. 1
r
Vln. 2
# <
Cello
# <
# <
D. B.
s
> perrsh
>
>
I
+ >
>
per
-
ra
perrsh
>
I
+ >
+ >
per - ra
412
Act 2 761 r
# <
C Cl.
# <
S. Sax.
# <
# <
# <
# <
# <
Mi
r
# <
Mo
# <
Ob.
Bsn.
s
Vib.
Kbd.
555555
,
5 5 5 55 5 s 55 5 ¬ whoor
> 5555 55555 whoosh
55555
555
+ > sta
,
> szing!
, > 55555 # > > > 5555 > Szing
teeee
-
# <
# <
Vln. 1
r
# <
Vln. 2
# <
Cello
# <
# <
Reh. Pno.
D. B.
s
ning
,
55555 55555 55555
55555
55555
K
> 5555
5 55555
vroooooooom!
Wha!
413
Act 2 762 r
# <
C Cl.
# <
S. Sax.
# <
# <
# <
# <
# <
Mi
r
# <
Mo
# <
Ob.
Bsn.
s
Vib.
Kbd.
5 555555 5 5 5 5 > > > > 5 555 555 5555555555555555555555555555555555555555555 s ¬ Weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeen....... (booster engine gains height)
K
> > > >555555555555555555555555555555555555 55555555555 5555 Yhiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiine................
# <
# <
Vln. 1
r
# <
Vln. 2
# <
Cello
# <
# <
Reh. Pno.
D. B.
s
414
Act 2 763 r
# <
C Cl.
# <
S. Sax.
# <
# <
# <
# <
# <
Mi
r
# <
Mo
# <
Ob.
Bsn.
s
Vib.
Kbd.
(initial rocket thrust fades) K
s ÂŹ
>>>>>> , Chu
-
>>>>> ka
,
(through the night sky)
# >>>>>>> chuc
555555555555555555 5555555555 ssssssssssssssssssssss
55 55555555555
nn
Woorshshshshshshshshshssssss
# <
# <
Vln. 1
r
# <
Vln. 2
# <
Cello
# <
# <
Reh. Pno.
s
55555
555555
D. B.
5
5555555555 55555555555
5555555 5555555
5555555 5
5555555
keeeeeeeeniiiiiiiiiing
415
Act 2 Ob.
764 r
Kurt changes his position on the table. Swivels to a different angle.
# <
C Cl.
# <
S. Sax.
# <
# <
# <
# <
# <
Mi
r
# <
Mo
# <
K
s ÂŹ
Bsn.
s
Vib.
Kbd.
55555555555555555555 55 55 55 55 55 55 55 55 55 55 55555555 Nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn...
5555555555555555555555555555555555555555555555 Nnnnnnnnnnnnnnnnnnnnnnnnnnng...
# <
# <
Vln. 1
r
# <
Vln. 2
# <
Cello
# <
# <
Reh. Pno.
D. B.
s
555555555555 55555555555555555 Nnnnnnnnnnnnnnnnnng
416
Act 2 765 r
# <
C Cl.
# <
S. Sax.
# <
# <
# <
# <
# <
Mi
r
# <
Mo
# <
Ob.
Bsn.
s
Vib.
Kbd.
(falsetto)
K
> slow gliss. + s > ÂŹ chu - ka
>
5555555555555555555555555555555555
555
Nnnnnnnnnnnnnnnnnnnnnnng
>
>
churh
# <
# <
Vln. 1
r
# <
Vln. 2
# <
Cello
# <
# <
Reh. Pno.
D. B.
s
>
> > > > > > > > > > > >>>
Nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnng
417
Act 2 766 r
# <
# <
# <
C Cl.
# <
# <
# <
S. Sax.
# <
# <
# <
# <
# <
# <
# <
# <
# <
# <
# <
# <
# <
# <
# <
Mi
r
# <
# <
# <
Mo
# <
# <
# <
Ob.
Bsn.
s
Vib.
Rocket engine cuts out – silence
Kbd.
K
> s ¬ chu
>
>
>
Nnnnnnnnnnnnnnnnnn
-
-
# <
ningchk!
(pitches and rhythms ad lib.)
>
>
>
>
>
Eins,
zwei,
drei,
vier,
fünf,
# <
# <
# <
# <
# <
# <
Vln. 1
r
# <
# <
# <
Vln. 2
# <
# <
# <
Cello
# <
# <
# <
# <
# <
# <
Reh. Pno.
D. B.
s
418
Act 2 Ob.
769 q = 148 r A A A A A A
A 'A A A A
AA A AA
A 'A A A A A I A A A
A 'A
'A A A A A
A
A 'A
AA
A 'A A A A
AA A AA
A 'A A A A A I A A A
A 'A
'A A A A A
A
A 'A
AA
f C CLARINET
A
C Cl.
AAAAA
f
S. Sax.
Bsn.
Vib.
s
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
PIANO
''AAAAAAAAAAAAAAAAI f
Kbd.
A 'A
Mi
Mo
r
A
A
A
fA
s ¬
A
A
'A
<
I
K
AAAAAAAAA 'AAA AAA AAAAAAI A A A ' A A A A
AAAAAAAAA 'AAA AAA AAA AAA 'A A A
A
A
think that's
A e
N -
A
'A
< A
AAA I AAAAAAAAA 'AAA AAA AAAAAAI A A A ' A A A A A
@
A
A
A
'A
<
<
<
<
AAAAAAAAA ''AAA AAA AAAAAA I A A A 'A A A A
A
'A
'A 'A
AAAAAAAAA ''AAA AAA AAAAAA I A A A 'A A A A
A
>
>
>
>
sechs,
sieben,
acht,
neun,
zehn,
A
<
'3
' N
Stop
>
'A 'A
<
nough –
*
'A
AAAAAAAAA AAA
K
it!
<
<
A A A 'A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 'A A A A ''AAA AAA AAA AAA I AAA AAA AAA ''AAA AAA AAA AAA I AAA AAA AAA ''AAA AAA AAA AAA I AAA AAA AAA ''AAA AAA AAA AAA I AAA AAA AAA ''AAA AAA AAA AAA I AAA AAA AAA ''AAA AAA AAA AAA I AAA AAA AAA f
Reh. Pno.
Vln. 1
A
'A
A
A
A
'A
A
A
A
'A
A
A
A
'A
A
A
'A
'A
'A
A
'A
'A
'A
A
q = 148 r AAAAAAA A I AAAAAA AA AA AAA A I AAAAAA AA AA AA A A I AAAAAA AA AA AAA A I AAAAAA 'AA AA AAA A I AAAAAA 'AA AA AAA A I AAAAAA f
Vln. 2
Cello
''AA AA AA AA I AA AA AA ''AA AA AA AA I AA AA AA ''AA AA AA AA I AA AA AA ''AA AA AA AA I AA AA AA ''AA AA AA AA I AA AA AA ''AA AA AA AA I AA AA AA f
A A 'A A A A AA
A A 'A A A A A A 'A A A A A A 'A A A A AA AA A A 'A A 'A A ' A A A A 'A A 'A A ' A A A A
f pizz.
D. B.
s A 'A f
A
A
A
'A
A
A
A
'A
* Kurt continues counting as before, not co-ordinating with the new tempo.
A
A
A
'A
A
A
'A
'A 'A
A
'A
'A 'A
A
775 r Ob.
Kurt rolls off the table onto the floor with a hint of a dive. The mother sits at the table crying. She shakes with tears.
A 'A 'A A
K
419
Act 2
R1
q = 144 ' 3
-3
sub. p
C Cl.
A 'A 'A A
K
3
3
sub. p
<
S. Sax.
'A
A
'A
'N
A
'A
' N
sub. p
Bsn.
Vib.
s
<
'A
'A
'A
Y
Y
'A
A
'A
'A
'A
A
'A
'A
sub. p VIBRAPHONE motor on, wide slow vib.
<
3 '''3 3 3
I ' -AAA 'A
sub. p
PIANO
'''AAAA AAAA AAAA AAAA
K
'A
K
NNN N
'A A'A 'A A A A A A A A A A A A A A A A A A A A A -A A'A 'A A A A A A A A A A A A A sub. p
Kbd.
Mi
Mo
'A
<
<
<
<
<
A
r
<
<
p
You
K
<
s ¬
A
A What
'''AAAA AAAA AAAA AAAA
K
'''AAAA
AAA A
AAA A
is
AAA A
AAA A
@
'A
won't
@
un
-
der
-
AAAA
AAAA
I
+ AAAA
<
it?
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
' -AAA 'A
AAAA
AAAA
AAAA
sub. p
Reh. Pno.
'A
'A
K
' A
R1 Vln. 1
p
@
'A
A
A
r 'AA AA AA A A
K
-A
'A
A
'A
A
A
A
A
'A
q = 144 pizz.
'AA AA AA AA AA AA AA A A AA AA AA AA
-AA AA AA AA AA AA
I AA
'A 'A
I
sub. p
Vln. 2
Cello
''AA AA AA AA -A A 'A A
K
'pizz. ' AA AA
AA
'pizz. A
'A
-A
'A
A
A
'A
-A
'A
A
A
sub. p
K
AA
AA
AA
AA
A A
AA
AA
AA
AA
A
AA
AA A
AA
AA
AA
A
'A
A
'A
sub. p
D. B.
'A s
'A
K
(pizz.)
'A
sub. p
A
A
+ AA
420
Act 2 Ob.
778 3 r
N
'N
3
N
N
C Cl.
S. Sax.
Bsn.
s
A
'A
A
'A
Y
Y
'A
A
'A
'A
'A
A
'A
'A
3 3 3 3
Vib.
NNN N
3
3
'A
'A
A
' A
'A
A
Y 'A
A
'A
'A
'A
Y 'A
A
'A
'A
' A
3 3 3 3
'''NNNN
PIANO
-A A 'A 'A A A A A A A A A A A A A -A A 'A 'A A A A A 'A A 'A A A A A A 'A A 'A 'A A A A A A A A A A A A A A A A A A A A A Kbd.
<
<
<
Mi
r
<
<
<
Mo
<
'A
N
K
-stand!
K
You've
K s ¬
A ''AAA
I 'A+
@
What
AAA A
I
+ AAA A
AAA A
AAA A
AAA A
AAA A
I
I
done?
AA ''AA
AAA A
A
done
no
-
AAA ''AAA A A
AAA A
AAA A
AAA A
I
K
A
A -A N have
A
thing!
<
'A ''AAA
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
I
AAA A
AAA A
AAA A
Reh. Pno.
Vln. 1
r AA
Vln. 2
Cello
D. B.
A
s
A
'A
AA I AA A A AA AA AA
''AA
AA I
A
A
A
A
A
+ AA AA AA AA AA
A
A
A
A
-A
'A
A
-A
'A
'A
I -AA AA AA 'AA AA AA AA
I
'AA AA A A AA AA AA AA I AA AA A A
I ''AA AA AA 'AA
I
''AA AA AA AA AA AA AA I AA AA AA
A
'A
A
A
'A
A
A
A
A
A
AA AA AA A
A
-A
'A
-A
'A
A
A
-A
-A
'A
'A
'A
'A
421
Act 2 Ob.
781 3 r
3
3
3
3
3
C Cl.
S. Sax.
Bsn.
'A
A
'A
A
s
Y 'A Y 'A
A
'A
'N
A
'A
' N
3 3 3 3
Vib.
'A
'A
A
A
'A
' A
A
A
I '''AAAA
3 3 3 3
Y 'A Y 'A
NNN N
PIANO
'A A 'A 'A A A A A A A A A A A A A 'A A 'A 'A
A AA A AA A AA 'A A 'A A A A A A A A A A A A A 'A A A A
Kbd.
<
<
<
Mi
r
<
<
<
Mo
<
<
<
K
s 'N ¬ You
I
A
'A ''AAA
AAA A
AAA A
N
'N
'N
don't
like
the
AAA A
AAA A
AAA A
AAA A
'A ''AAA
AAA A
I
+ AAA A
AAA A
+ A N
'A song?
AAA A
AAA A
AAA A
'''AAAA
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
Reh. Pno.
Vln. 1
r I
Vln. 2
I
Cello
A
D. B.
s
A
'A
'A
'A
A
A
'AA AA A A AA AA AA AA
'AA
AA
''AA
''AA
AA
AA
A A
AA AA
AA
'A
'A
A
'A
'A
A
AA
-A
'A
'A
I AA AA AA AA AA
'AA A A
AA
I
+ AA AA
'A
A
-A
'A
'A
A
'A
A
-A
'A
'A
A
AA
A A
AA
''AA
-A
A
AA
AA
A A AA
AA
AA
'A
AA AA AA
AA
AA
-A
'A
-A
'A
AA
422
Act 2 Ob.
784 N r
-N
3
N
'N
N
N
3
N
N
'A
A
A
' A
A
A
C Cl.
S. Sax.
Bsn.
s
A
'A
'N
'A
A
'A
' N
'A
NN ''NN
3 33 3
NNNN
Vib.
Y
Y
'A
A
'A
'A
' A
A
'A
'A
NNN N
'''NNNN
PIANO
'A A 'A 'A A A A A A A A A A A A A -A A 'A 'A A A A A -A A A A A A A A -A A 'A 'A A A A A 'A A 'A A A A A A Kbd.
Mi
<
r
<
K
(crying)
AAAA
'A ''AAA
AAA A
AAA '-AAA A A
<
N
A
My
hus
K
s N ¬
<
<
Mo
- A A 'A A A A - A A A A A A - A A 'A A A A ' A A 'A A A A 'A A A A 'A A A A
-
A
@
'A band
was
killed
<
AAAA
AAAA
AAAA
AA ''AA
AAAA
AAAA
AAAA
'A
'A
<
AAAA
AAAA
AAAA
AAAA
I
AA ''AA
AAAA
AAAA
'A ' AAA
AAA A
AAA A
AAA A
Reh. Pno.
-A
Vln. 1
A
'A
r AA 'AA AA AA -A A AA AA A A
Vln. 2
Cello
D. B.
A
s
A A
AA
AA AA AA
AA
AA 'AA
-A
A
A
'A
A
A
A
A
'A
A
A
-A
AA
A
AA ''AA
AA
A
A
''AA
AA
A A
AA
A
'A
AA AA AA AA
AA
A A
AA
AA
A
I
AA AA AA 'AA
I
''AA
AA
'A
'A
AA
'AA
AA AA AA
AA
AA
A
'A
A
A
'A
'A
A
'A
A
A
'A
'A
AA
423
Act 2 Ob.
787 N r
-N
N
N
C Cl.
S. Sax.
Bsn.
s
A
'A
A
'A
Y
NNNN
Vib.
3
Y
3
'N
to Clarinet in Bb
'A
A
'A
'A
'A
'A
A
A
Y 'A
A
'A
'A
' A
'A
A
A
Quick to Tom-Toms
3 33 3
NN ''NN
K
PIANO
'A A 'A 'A A A A A -A A 'A A A A A A -A
A A A A A A A A A 'A A 'A A A A A 'A 'A A A A A A
'A A A - A A 'A A A A -A 'A 'A A A A A A
A A A A A A A A A 'A A A A 'A 'A A A A A 'A A A A
Kbd.
Mi
r
K
Mo
K
I
'''AAAA
AAA A
AAA A
A
'N
N
by
a
V
1
' A rock
'-AAAA
AAA A
AAA A
AAA A
<
A
<
s ¬
<
A -
et.
<
''AAAA
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
AAA A
I
''AAAA
AAA A
AAA A
Reh. Pno.
A
'A
'A
'N
A
N
'A
A
Vln. 1
r I
'A A
AA
AA
-A A
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
AA
I
'AA
AA
AA
Vln. 2
I
'' AA
AA
AA
'AA
AA
AA
AA
''AA
AA
AA
AA
AA
AA
AA
AA
I
'AA
AA
AA
Cello
'A
D. B.
s
'A
'A
A
A
'A
A
A
'N
N
'N
N
'A
A
'A
A
424
Act 2 Ob.
789 r ' N
Cl. in Bb
Bsn.
<
+ 'A 'A
'N
S. Sax.
s
' N
<
A
A
' A ' A
' N
<
<
A 'A
' A 'A
'N
<
3 LOW TOM-TOMS
Perc.
A 'A
' N
' A ' A
A A I A A A
A A A A A
' N
<
+ -A A
'N
< A A A
Y
-A A
<
I A A A A
A A A
A A A A I
A
A
A
PIANO
' A A A A A '' AAA AAA AAA AAA ' AAA Kbd.
AAA AAA AAA A A A
I
''' AAAA
AAA AAA ' AAA AAA AAA AAA ' - AAA - AAA AAA AAA A A A A A A ' A A A A
AAA AAA AAA AAA ' AAA A A A A ' A
AAA AAA AAA A A A
AAA A
<
<
<
<
Mi
r
<
<
<
<
Mo
<
<
<
<
K
s ¬
<
<
<
<
'''AAAA
AAA A
AAA AAA 'AAA AAA AAA AAA A A A A A A
I ''AAA AAA AAA 'AAA 'A A A A
AAA A
+ A
'A
AAA AAA A A
''-AAAA AAAA AAAA AAAA AAAA
AAA A
+ 'A
'A
AAA AAA A A
AAA AAA AAA A A A
AA AA AA AA AA ''AA AA AA AA AA
AAA A
+ -A
A
AAA A
AAA A
Reh. Pno.
'N
Vln. 1
Vln. 2
Cello
D. B.
+ 'A 'A
'N
r 'AA AA AA AA AA AA AA A A
''AA
AA
AA AA 'AA AA AA AA
'N
I 'AA AA AA AA AA AA AA -AA -AA AA AA AA AA AA AA
I 'A A A 'A 'A A A A
AA AA AA
'' AA AA AA AA AA
A
A
A
'A
A
A
A
-A
A
'A A A A A s
'A
'A
'A
A
A A 'A A A
'A
A
'arco A
'N
A
AA AA AA A A AA AA AA AA
AA AA AA ''AA AA AA AA AA AA
AA
AA
A
-A
A
A
A
' A A 'A A A
'A
A
-A A A A A A A A
425
Act 2 Ob.
793 r '3
N
'N
N
N
-3
'3
CLARINET in Bb
S. Sax.
Bsn.
I
Cl. in Bb
s
' A
A A A A A A A ' A
A A A A A A A ' A
' N
+ 'A 'A
+ A 'A
N
<
A A A A A A A + 'A A
'N
<
' A A A A A A A 'A
<
'A 'A A
+ A
<
<
<
3
<
<
<
A A A I A A A A
TOM-TOMS
Perc.
' A A A A A A A A
PIANO
' A A A A A A A A A ' A A A A AI '' AAA AAA AAA AAA ' AAA AAA AAA AAA AAA '' AAA AAA AAA ' AAA AAA
Kbd.
+ AAA AAA '' AAA AAA AAA A A ' A A A
I AAA AAA AAA AAA '' AAA AAA AAA AAA AAA AAA AAA ' - AAA AAA AAA AAA AAA AAA AAA AAA A A A A ' A A A A A A A ' A A A A A A A A
<
<
<
<
<
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
mp K
+ 'A 'A
s 'N ¬ I'm
'''AAAA
so
AAA AAA AAA A A A
'N sor
-
A 'A
'N
'A A
ry.
I've
been
'A a
'AAAA AAAA AAAA AAAA
AAA ''AAA AAA AAA A 'A A A
+ 'AAAA AAAA I AAAA
AAA ''AAA AAA AAA A 'A A A
AAA AAA AAA AAA ''AAA A A A A ' A
+ 'A 'A
'N
+ A 'A
' N
' A
'A 'A A sil - ly
+ 'A
3
fool.
AAA AAA AAA I AAA AAA AAA A A A A A A
''-AAAA
+ 'A
3
AAA AAA AAA AAA AAA AAA AAA A A A A A A A
Reh. Pno.
Vln. 1
A
'A
'A 'A A
r 'A A AA AA AA A A AA A A AA 'AA AA AA A A AA A A AA 'AA AA AA A A AA AA AA 'A A AA AA AA AA AA AA I I I
''AA
Vln. 2
Cello
D. B.
' N
s
' A
+ AA AA AA 'AA AA I AA
+ AA ''AA AA AA 'AA AA I AA
A A A ' A 'A A A ' A <
AA ''AA AA AA AA AA AA AA ''AA
' A A A A 'A A A A <
A A A 'A A A A ' A <
-A A AA AA AA A A AA AA AA
AA AA AA I AA AA AA
'' AA AA AA AA AA AA AA AA
A 'A ' A A A A ' A
A 'A A A A A A A
<
<
426
Act 2 Ob.
798 r 'N
-N
' A S. Sax.
s
A A A
A A A
N
3
' A
A A A A A A A
' A
N
-N
A A A
A
A A A
' A
A A A A A A A
<
<
<
<
<
<
<
<
TOM-TOMS
Perc.
-N
I
Cl. in Bb
Bsn.
Y
A
A A A A
A A A
I
A A A A A A A
A
A A A
I
A A A
A
A A A A A A A
PIANO
'A A A A '' AAA AAA AAA AAA
Kbd.
Mi
'- AAAA AAAA
I
+ AAAA
I
+ AAAA
AAAA '' AAAA AAAA AAAA AAAA AAAA AAAA AAAA '' AAAA AAAA AAAA AAAA
<
<
<
<
r
<
<
<
<
- N
K
Mo
You
K
AAAA '' AAAA AAAA AAAA AAAA AAAA
N
N
weren't
to
<
s ¬
'''AAAA
AAA AAA AAA A A A
K
- N
+ AAA A
AAA 'AAA AAA AAA A 'A A A
AAAA AAAA AAAA
<
know.
<
'-AAAA AAAA I
I
<
AAA AAA I A A
+ AAA A
AAA 'AAA AAA AAA A 'A A A
<
AAA A
AAA AAA A A
AAA A
AA ''AA
AAA AAA AAA I A A A
AAA AAA AAA A A A
Reh. Pno.
Vln. 1
'A
A
- A
A
'A
r 'A A AA A A AA -A A AA I AA
AA AA AA AA A A AA I A A
AA AA AA
+ 'AA AA I AA
+ AA ''AA AA AA AA AA I AA
A A A
-A A A A
A
''AA
Vln. 2
Cello
D. B.
-A
'N
s
'A
<
A A A A A 'A A
<
-A
A
A
'A
AA AA AA AA A A AA AA A A
AA ''AA AA AA
-A
A A A
<
A
A
A
'A
AA AA AA AA I AA AA AA
A A
AA AA AA ''AA
AA AA AA I AA AA AA
A
A 'A A
A A A
A
<
A A 'A A
427
Act 2 Ob.
802 r
'N
N
N
'3
N
' A ' A
Y ' N
Y
A 'A
' N
Y
Cl. in Bb
' A A A A @
S. Sax.
Bsn.
s
A A A A ' A
A
'A
-A
'A
'A ' A
< TOM-TOMS
Perc.
A A A A A A A ' A
'N
-A
< A A A A
I A A A
'A
A A A A A A A ' A
A
A
A
'N
' A 'A
' N
<
A A A I A A A
A A A A A A A ' A
A A A A A A A
A
A A A I A A A
A A A A A A A
N
N
' N
A 'A
A
A A A A A A A
PIANO
AA '' AA
Kbd.
AAA AAA AAA '' AAA AAA AAA AAA A A A A A A A
I
''' AAAA AAAA AAAA AAAA AAAA AAAA AAAA
I
''' AAAA AAAA AAAA AAAA AAAA AAAA AAAA ''' AAAA AAAA
I + I AAA AAA AAA AAA AAA ''' AAAA AAAA AAAA AAAA AAAA AAAA AAAA A A A A A
<
<
<
<
<
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
<
<
K
s @ ¬
A
'A
'A
I
am
a
-A -
'A
shamed
''AAAA AAAA AAAA AAAA ''AAAA AAAA AAAA AAAA '''AAAA
AAA A
'A
'A
of
my
-A
'N
@
self.
AAA AAA AAA AAA AAA AAA A A A A A A
I
'A
A
'''AAAA AAAA AAAA AAAA AAAA AAAA AAAA '''AAAA
+ AAA I AAA AAA AAA AAA AAA A A A A A A
I
'''AAAA AAAA AAAA AAAA AAAA AAAA AAAA
Reh. Pno.
Vln. 1
Vln. 2
Cello
A
A
'A
'A
-A
A
'A
r AA AA AA AA 'A A AA AA AA 'AA AA A A AA AA AA AA A A
'A
+ A 'A
' N
+ 'A 'A
'N
+ A 'A
I 'AA AA AA AA AA AA AA 'AA AA I AA AA AA AA AA
I 'AA AA AA AA AA AA AA
I 'A A A A A A A ' A A A A A A A
''AA AA AA AA 'AA AA AA AA ''AA
AA AA AA AA AA AA AA
I 'A A A A A A A 'A ' A A A A A A A ' A
+ AA I AA AA AA AA AA
-A
A 'A A A A A A
A
A 'A A A 'A A A ' A
A A ' A 'A 'A A A 'A
A A A A 'A A A
-A
A 'A A A A A A
A
A 'A A A 'A A A ' A
'A A A ' A 'A 'A A A
A A A A 'A A A
A A A A 'A A 'A A (pizz.)
D. B.
A A 'A A s A A 'A A
428
Ob.
Act 2
S1 807 q = 150 r <
<
<
<
<
<
<
<
<
<
<
<
Cl. in Bb
-A A A A 'A
S. Sax.
A A A
A
'A 'A Y -A
A
A 'A 'A -A A A A -A
A A A A 'A
A A A
A
'A 'A Y
f marcato
Bsn.
s
Perc.
<
<
<
<
<
<
<
<
<
<
<
<
PIANO
'A A A A 'A A A A 'A A A A ' AA AA AA AA ''AAA AAA AAA AAA AAA AAA AAA AAA''-AAA AAA AAA AAA AAA AAA AAA AAA ''AAA AAA AAA AAA AAA AAA AAA AAA AA AA AA AA ' AA AA AA AA '''AAA AAA AAA AAA AAA AAA AAA AAA''-AAA AAA AAA AAA f
Kbd.
Mi
'A
A
r
'A
A
'N
No,
A
I'm
po - si
A
A
A
A
A
-
tive
A
A
that
it's
a
N good
<
'A
'A
-A
A
A -A
A
'A
'A 'A
A
A
A
<
'A
N song.
I
'A
A
might
need
to
A
A
A A A
- NNN
-NN -N
-A
it
<
'A
A A A A
A A
A
A
'A
marcato f
Reh. Pno.
'''NNN
''NNN
NNN
-''NNN
- NNN
''NN 'N
'''NNN
''NNN
NNN
-''NNN
S1 Vln. 1
r
Vln. 2
q = 150 <
<
<
<
<
<
arco
' N
N
N
- N
N
'N
N
N
' N
N
N
- N
' N
N
'N
- N
N
N
N
'N
' N
N
'N
' N
N
' N
N
' N
N
- N
' N
' N
N
' N
f
'N
Cello
f
D. B.
s
N 'arco f
A
'A 'A
hear
<
-A
'A
<
A
<
A
'A
A
<
A
<
A A
'A
<
- A 'A
no.
-A A A A 'A
A
A
@ A
<
s ¬
'A
<
f (wiping her eyes)
K
A
<
'A @
Mo
A
'A
429
Act 2 Ob.
813 r
Kurt hugs her.
<
<
Cl. in Bb
<
<
<
<
<
<
< A A A' A A
<
A A A
A
'A 'A
f
-A
S. Sax.
Bsn.
s
A
<
A A A A 'A
<
A A A
A
<
'A
'A
<
Y
'N
' N
A A A 'A A
A A A
N
N
A
' A 'A
f
<
Perc.
A 'A 'A -A A A A -A
<
<
<
<
<
PIANO
-A A A A 'A A A A AAAA A A A A'A A A A 'A A A A 'A A A A AA AA AA AA ''AAA AAA AAA AAA AA AA AA AA AA AA AA AA ' AA AA AA AA '' AA AA AA AA AAA AAA AAA AAA''-AAA AAA AAA AAA AA AA AA AA'' AA AA AA AA AAA AAA AAA AAA''-AAA AAA AAA AAA Kbd.
A
Mi
A
r
'A
A - A
cou - ple
of
<
s ¬
A -A
-A
A
A
'A
'A 'A
A
A
A
<
A
A
@ 'A
times
A
A A A
- NNN
-NN -N
-A
A
A -A
'A 'A
I
can.......
fore
<
-A
'A
-A
<
A A A A 'A
A A
A
A
'A
'A
'A
A
<
A
be -
<
A
'A
A
<
'A 'A
a
K
A
<
@ -A
Mo
A
A
A
A
'A
<
<
<
<
<
<
A A A 'A
A
A A
A
A
'A
Reh. Pno.
- NNN
Vln. 1
r
Vln. 2
Cello
D. B.
s
'''NNN
<
'''NNN
<
'N ' NN
NNN
<
-''NNN
---NNN
<
'''NNN
NNN
<
-''NNN
<
N
'N
N
N
' N
N
N
- N
N
' N
N
- N
- N
N
N
N
' N
' N
N
' N
N
' N
N
' N
N
' N
N
- N
' N
' N
N
' N
- N
' N
N
' N
A
'A
430
Act 2 Ob.
819 q = 78 r + - A A A A A mp
Cl. in Bb
A A A A
- A
- A
+ - A A A A
- A
- A A A A
Y
+ 'A A A A
'A
Y 'A
A AA
'A
mp
S. Sax.
Bsn.
s
'A - A
A A 'A A
A A A A
Y - A
Y
+ A A A A
- A
<
<
<
<
<
<
<
<
<
<
4 TOM-TOMS brushes
Perc.
+ ' A - A
+ A A 'A A
+ A A
N
+ A A
N
+ A A
N
+ A A
N
+ A A
N
mp PIANO
A
A
A
'A 'A
- A A A A
-A
-A A A A ' A
A A
A
A
'A
'A
-A
A
A
'A 'A
mp Kbd.
'A A A A 'A A A A AAA AAA AAA AAA ''AAA AAA AAA AAA AAA AAA AAA AAA AA AA AA AA ' AA AA AA AA '''AAA AAA AAA AAA - AAA AAA AAA AAA ''-AAA mp
AA AA AA AAA AAA AAA AAA 'AA AA AA AA A A A 'A A A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
mf
K
A s ¬ I
A
'A
A
A
N
don't
want
you
to
think
A
A
'A 'A
-A
A
A
'A
I
am
ex
-A
-A A A A
-
ult
'A
-
A A
- A
A
'A
ing
in
the
A
A
'A
A
A
@
N
war.
'A
-A
A
A
NNN
r
q = 78 A A
arco
- NNN
'N ' NN
A
'A 'A
N -NN
- A A A A
'N ' NN
-A
NNN
''NN N
-A A A A ' A
A A
A
-NNN
-''NNN
A
'A
'A
-A
'N ' NN
A
A
mp
Vln. 2
N
N
N
- N
' N
N
' N
N
mp
Cello
N
s
N mp
N
N
'N
- N
' N
mp
D. B.
'A 'A
mp
Reh. Pno.
Vln. 1
A A A
A
'N
' N
N
- N
N
N
' N
N
' N
- N
' N
' N
N
' N
N
' N
'A 'A
431
Act 2 Ob.
824 r - A
S. Sax.
s
- A A A A
A
+ - A A A A
+ A
A
+ ' A -A A Y-A - A A
A
+ A ' A - A A
Y + -A - A
A AAA
'A A
- A A A A Y
+ A AAA
+ 'A A
+ - A A A A
<
<
<
<
<
<
<
<
<
<
TOM-TOMS
Perc.
Y + -A A
+ A AAA
- A
Cl. in Bb
Bsn.
Y -A A A AAA
+ A A
N
@
A A
A
A A A
@
A
A A
A
3
PIANO
- A A A A
-A
A A A A A
A A
A
A A
@
A
Y
A A
3
A
-A
A
A
A
A
' A ' A - A A A A
to Organ
A
Kbd.
AAA AAA AAA
AA 'AAA AAA AAA AAA AA AA AA AA AA AA AA AA AAA AAA AAA AAA --AAA A A A A A A A A A
AA AA AA AA AA AA AA 'AA AA AA AA AAA AAA AAA AAA -AA AA AA AA A A A A A A A - A A A A' A A A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
- A s ¬ I
-A
A
A
want
you
to
be - lieve
-A
A A A A
A A A
- A
N
A
A
A
it's
A
A A
A e
A
A
A -
A
A
N
A ab
v'ry - thing
that
I
-A
-A
A
A
A
'A 'A
A -
@
-N hor.
-A
A A A
A
Reh. Pno.
- NNN
Vln. 1
- A A A A r
N
Vln. 2
N
Cello
D. B.
s
N
NNN
N -NN
N
N
- N
-A
A A A A A
N
N
N
N NN
N NN
N
N
N
A A
A
-NNN
N --N N
A
-A
A
A
'N ' NN
A
A
- NNN
N -NN
' A ' A - A A A A
N
N
N
N
N
N
N
- N
' N
N
N
N
N
' N
N
A
N
N
- N
432
Act 2 Ob.
829 q = 82 N N r
N
N
N
N
' N
' N
Y
N
N
N
N
f
Cl. in Bb
'A
A
f
A N
N
S. Sax.
A
'N
A - A
N
N
f
Bsn.
s
< + A A
A A A N
Perc.
N
A -A 'A -A N
'N
<
TOM-TOMS
-A
A 'N
<
N
Y N
N
< + A A
N
'N
A -A ' A A
@
A
N <
A A
A
A
N
< + A A
N
A
A
A A A N
3
3
f ORGAN
N
N
N
N
N
' N
N
' N
N
N
N
'N
N
'N
N
N
N
N
N
N
N
N
f Kbd.
N
N
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
f marc. K
s 'A ÂŹ I
A
A
be - lieve
A the
A -A
whole
A 'N
point
A A A A A A A A - A A A A A A A A A A A A A A A A - A A A A A A A A
of
A -A
a
pro - per
A A A A A A A A A A A A A A A A
'A -A
A -A 'A A
war
- A A A A A A A A - A A A A A A A A
is
to
A
make
A A A A A A A A A A A A A A A A
A
A
A
ab - so - lute -
- A A A A A A A A - A A A A A A A A
f
Reh. Pno.
-NNN
'N ' NN
r
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f on the string A A A A ' A A A A A A A A -A A A A ' A A A A ' A A A A - A A A A ' A A A A A A A A ' A A A A A A A A -A A A A
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f on the string D. B.
s
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433
Act 2 Ob.
835 r N
Cl. in Bb
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Bsn.
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434
Act 2 Ob.
840 N r
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435
Act 2 Ob.
845 q = 120 r
<
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Cl. in Bb
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436
Act 2 Ob.
849 r
<
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437
Act 2 Scene 15
Ob.
853 q = 164 r <
Another day. In the front room. On the table are a few presents. The mother watches Michael unwrap the birthday presents. A few balloons. Cards on the mantelpiece. Kurt arrives with an object wrapped in brown paper. It is almost too large and awkward a shape to carry. It is difficult to guess what is under the brown paper.
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438
Act 2 Ob.
860 r
<
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439
Act 2 Ob.
867 r
<
A
Cl. in Bb
S. Sax.
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s
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to Rock Organ
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440
Act 2 Ob.
873 r A A A A A I
Cl. in Bb
S. Sax.
Bsn.
s
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f
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Reh. Pno.
Vln. 1
A
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Vln. 2
Cello
D. B.
A
s
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441
Act 2 Ob.
880 r A A A A A I
Cl. in Bb
S. Sax.
Bsn.
s
A
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Michael takes the large object in brown paper and unwraps it.
A A A A A A A A
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Mar.
ROCK ORGAN
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442
Act 2 Ob.
Cl. in Bb
886 r A A
S. Sax.
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443
Act 2 Ob.
892 r A A A A A A A I A A A A A I A A A A A A A A A A A A A A A A A A A A A A A A A A
Cl. in Bb
A A A A A I A A A A A A A A A A A A A A A A A A A A I A A A A A A A A A A A A A
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444
Act 2 Ob.
897 r A A A A A A A A A A A A I
A A A A A A A A I A A A A A A A A A A
A A A A A A A A
Cl. in Bb
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Ob.
It is a violently twisted boy’s bike. It looks like a piece Act 2 T1 of metal that has had a head-on crash with a vehicle. The bike frame and the wheels contorted. 902 Michael looks at it. Michael looks up. q = 150 r A A A A -A A A A A -A A A A A -A
A A A A -A
Cl. in Bb
S. Sax.
Bsn.
s
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q = 150 A A A A A A A A A A r A A I A A A A A9 A A9 A A A A A A I A A A A A A A A A A A A A A I A A A A A A9 A A9 A A A A A A A A A I I
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Vln. 2
Cello
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A
s
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446
Act 2 Ob.
907 r A
A
A
A
A
Cl. in Bb
I
S. Sax.
Bsn.
s
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r A A A A A A A I
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447
Act 2 Ob.
911 r A
A
A
A
A
Cl. in Bb
I
S. Sax.
Bsn.
s
A
A
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Vln. 1
A
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Cello
D. B.
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s
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448
Act 2 Ob.
914 r A
A
A
A
A
Cl. in Bb
I
S. Sax.
Bsn.
s
,
A
A
SIDE DRUM
A
Perc.
A
'A
A
A
A
A
A
A
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to Vibraphone
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r I
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s
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,
449
Act 2 Ob.
916 q = 80 r <
Cl. in Bb
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p
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f
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q = 80 <
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ord.
senza vib.
3
3
p
senza vib.
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3
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450
Act 2 Ob.
925 r
Cl. in Bb
S. Sax.
Bsn.
Vib.
s
<
<
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3
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Vln. 1
r
3
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3
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Vln. 2
3
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D. B.
s
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Reh. Pno.
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?
AAA A
A A A A A A A
AAA A
451
Act 2 Ob.
929 r
Cl. in Bb
<
<
@ 'A 'A 'A
Bsn.
Vib.
s
A
A A A A
A
A
A A A A A A A
AAA A
< - A
A -N
A
N
AAA A
AAA A
@
K
<
3
3
3
A A A -'AAA AAA AAA
? A -A A -A A A A ? A A A A A A A
<
<
<
K
@ 'A 'A 'A
s ¬
?
A AAA
A
thank
to Marimba A A A A A A A A A A A A A A A ?
'A A A A A A A
A A A A A A A A A A A A A A A ?
?
N
<
you.
<
<
<
<
<
<
<
<
<
?
AAA A
AAA A
A ? 'A A A A A A
<
A A A A A A A
AAAA
AAA A
AAAA
AAAA
AAAA
-AAA A
3
3
AAA A
A ? 'A A A A A A
K
AAA A
AAA A
A -'AAA
AAA A
AAA A
AAA A
A A A A
A AAA
r 3
3
'3
3
?
AA AA
A A A A A A A A A A A
AA AA
AA AA
-3
3
3
3
'3
3
3
3
3
senza vib.
3
p
senza vib.
3
3 p
Cello
AAA A
p
Vln. 2
AAA A
<
Reh. Pno.
Vln. 1
AAAA
<
A - A A - A A A A
AAA A
K
A -N
you,
Thank
K
<
(lowers his head) p
<
AAA A
p
PIANO
r
A A A A
<
'3
AAA AAA AAA AAA -A A A A A A A A AAA AAA AAA AAA
AAA A
-A A ? A -A A A A A ? A A A A A A
Mo
A
<
Kbd.
Mi
<
p
3 S. Sax.
<
senza vib.
3
3
p
D. B.
s
3
AAAAAAAA
A A A A A A A A 'A A A A A A A A
A A A A A A A A
452
Act 2 Ob.
934 q = 148 r I A A A A
+ + A I A A A A A
I
+ A AA I A A A A A A A A A
+ + A I A A A A A
f
Cl. in Bb
<
<
<
@ A
<
I AAA AA
A
A
'A 'N
A
A -A
'A -N
A
A
f
S. Sax.
<
<
<
<
@ A f
Bsn.
s
<
<
AAA AA AA AAA - -AA AA - A
Vib.
<
A AAA AAA AAA AA ---AAA
<
A AAA AAA AAA AA ---AAA
<
<
'A A AAA AAA AAA -AA AA
A AAA AAA AAA AA ---AAA
'A A AAA AAA AAA -AA AA
f
MARIMBA
AAA AA AA AAA - - AA A A -A
AAA AA AA AAA - - AA AA -A
AAA AA AA AAA - - AA A A -A
AAA AA AA AAA - - AA AA -A
AAA AA AA -'AAA AAA AA
AAA AA AA -'AAA AAA AA
f
Kbd.
<
<
<
<
<
<
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
<
<
K
s ¬
f
A
A
It's
A AAA AAA AA ---AAA
AAA
I
A
AAA
+ A I A
A A A
A AAA AAA AA
---AAA
+ A A A A
A AAA AAA AA ---AAA
AAA
I
A
A AAA AAA AA
AAA
A A A A A A
I
A
A
A
---AAA
+ A A A A
AAA
A
A -N
a
spe
' AA A AAA AAA -A AA
+ A I A A A
+ A A
AAA
A -
cial
' AA A AAA AAA -A AA
I A A A
A A
A A
A
A
f
Reh. Pno.
A
Vln. 1
@
A
A
A
q = 148 ord. r I : A A A A
A
A
A
A
+ + : A I A A A A A
A
I
A
A
A
A
A
9 9 +A A AA I A A A A A A A A
ord.
Vln. 2
: AA
9 A N A N
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
f ord. (arco) A A
Cello
9 : AA AA N N
:9 AA AA N N
A
A
A
+ + : A I A A A A A
f
: N N
A
A
I AAA AA
A
9 AA
: A N A N
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
AA AA N N
AA AA
f
D. B.
s
pizz. A f
A
453
Act 2 Ob.
940 r I A AAA
Cl. in Bb
S. Sax.
Bsn.
s
A
'N
N
3
'N
N
3
+ A A I AAA A A A I A AAA
+ + A I AAA AA
+ A A A A A
K
K
<
<
AAA AA AA AAA - -AA AA - A
Vib.
I
'N
' A
-A N 'A A I I
A 'A
A
A
A 'A
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-A
'A A I I A N
A 'A
A
A
A 'A
<
<
'A AAA AAA AAA -AA AAA
AAA AAA AAA AAA ---AAA
+ A
I A A A A
A
<
'A AAA AAA AAA -AA AAA
<
AAA AAA AAA AAA ---AAA
AAA AAA AAA AAA ---AAA
MARIMBA
AAA AA AA AAA - - AA A A -A
AAA AA AA AAA - - AA AA -A
AAA AA AA -'AAA AAA AA
AAA AA AA -'AAA AAA AA
AAA AA AA AAA - - AA A A -A
AAA AA AA AAA - - AA A A -A
Kbd.
<
<
<
<
<
<
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s ¬
-N
N
kind
of
I
bike.
A AAA AAA AA ---AAA
AAA
AAA
A A A
A
I
A
A
A
A
r I A A AA
A
I
A
N
K
3
A
Most
A AAA AAA AA
A
---AAA
+ A A A A
AAA
child -
' AA A AAA AAA -A AA
+ A I A A A
+ A A
AAA
A A I I -A N
A
ren
bikes
have
' AA A AAA AAA -A AA
AAA
A
A AAA AAA AA ---AAA
A
AAA
-A
A
that
they
A AAA AAA AA ---AAA
I A A A
A A A A
I A
A A A
A
I A
A A A
A
A
A
A
A
A
A
A
+ A I AAA AAA A I A AAA
A
I A
A A A
+ A
A
+ A
Reh. Pno.
A
Vln. 1
N N
Vln. 2
Cello
D. B.
s
A
A
A
A
A
A
+ + A I AAA AA
+A A A A A
AA AA N N
A
AA AA N N
A
A
+ AA N N
+ AA A A
AA AA AA
AA AA N N
A
A
+ A
AA AA
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
454
Act 2 Ob.
946 r I AAA AA A
Cl. in Bb
S. Sax.
Bsn.
s
A
+ AAA AA A
I A A A A
AAAA AA A AA I AAA A
N
A
A
A A
A
3
<
A N
-A
A
A A A
3
<
<
<
AAA AA AA -'AAA AAA AA
Vib.
+ I 'A A
<
'A A AAA AAA AAA -AA AA
<
<
A AA A
<
A AAA AAA AAA AA ---AAA
AA AA AA
A
AA A
<
A AAA AAA AAA AA ---AAA
A A A <
'A A AAA AAA AAA -AA AA
'A A AAA AAA AAA -AA AA
MARIMBA
AAA A A -'AAA AAA AA AA
AAA A A -'AAA AAA AA AA
AAA A A AAA - A AA AA -- AA
AAA A A AAA - A AA AA -- AA
AAA A A -'AAA AAA AA AA
AAA A A -'AAA AAA AA AA
Kbd.
<
<
<
<
<
<
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
A A s ¬ ride
AAA
I
A 'A a - round
'A AAA AAA -AA
A A A
A
AAA
AAA
+ A N
3
all
day.
'A A AAA AAA -AA AA
A A A
+ I 'A A
I
A
A
A
A
+ I 'A A
I
A A A
A AA A
<
This is a
A AAA AAA AAA AA
A
A A A
---AAA
A AAA AAA AAA AA
---AAA
bike
A
AA A
which
'A A AAA AAA AAA -AA AA
A A A
you hang
AAA
on the
'A AAA AAA -AA
AAA
A A
A
A A A A
A A
A
A A
A I A A
A
A A
A A A A
A
A
A
A
A
A
A
A
A
A
Reh. Pno.
A
Vln. 1
A
r I AAA AA A NN
Vln. 2
Cello
D. B.
A
s
AA AA NN
A
A
A
A
A
A
A
A A A A A A A A A A A I AA
AA AA AA
AA AA NN
AA AA
A A A A
AAA AA A
NN
N N
AA AA N N
A
A
A
A
A
A
A
A
A A
A
A
A
A
A A
A
A
A
A
A
A
A
A
A A
A
A
A
A
A A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
AA AA N N
455
Act 2 Ob.
952 r A A A A A A A 'N
The boy runs out of the room. The mother looks at the old man.
A
N
'A A N
<
<
<
<
A
N
A A N
<
<
<
<
<
<
<
<
sub. p
Cl. in Bb
<
N sub. p
I
S. Sax.
Bsn.
s
to Alto Saxophone
A
N
N sub. p
<
A A N
N
A <
<
K
I mp
Vib.
AAA AAAA -'AAA AAA AA
'NN N
A AA
AA A -A A N A A A A A A A A A A AAAAAA AA A -A A AA sub. p mf
<
'AA AA NN A A N
N NN
<
'NN AA N A
<
sub. p
sub. p
to Piano
MARIMBA
PIANO
AAA AAAA-'AAA AAA AA
<
<
<
<
Mo
<
<
<
<
r
<
<
<
<
AAA
A
A A A A
N
' AA A AAA AAA -A AA
A A
A -
<
A
A A A
<
@ 'A A N
N
chael?
Mi
<
A
A -A A
<
<
N N A
D. B.
A
<
<
<
<
<
<
<
<
<
A AA
'AA A
NN N
A
AA NN A N
A
A A
A I A A
A
A A A A A A
A
A A A A A A 'NN N
- A A A A
<
A
K
A A
@
A -A A
A
A
<
K
@
A mf
A AA
sub. p
mf
<
A
A
A
A
A
A
A
A
A
A
A -A A
N
A
A AA A A A A A A A A9 A A A A A: A9 A senza vib. A A 'N A I sub. p senza vib. 9 :9 A A A I A A A A A A A A A A A A A A A N A A A N A sub. p
A -A A A A A A - A A A A A A -A A @ A A A sub. p
vib. AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA AA 'senza N A arco
sub. p
mf
A A A A A- A A A A A A - A A A A A A A A A AA sub. p
on -
<
(pizz.)
A s
He
<
pizz.
A
A
<
<
AA AA
'N
<
A A A A
r A A A A A A A
Cello
<
- chael?
sub. p
A
<
<
mf
Vln. 2
-A A
<
A A A A 'NN N
Reh. Pno.
A
A A A A
p
'N
<
A I s ¬ wall.
Vln. 1
<
p
Mi
K
<
mf
Kbd.
Mi
<
mf
A A A A
A
arco senza vib.
A
- A A N A A
sub. p
A
456
Act 2 Ob.
960 r
<
<
<
A AAI A A A
A
A A A -A
A
A A
A
A A
A
A
A A
A
A A
sub. mp
Cl. in Bb
<
<
<
A AA
A A I A
sub. mp
A. Sax.
-A
A
A
A
A A
-A
A
A
A A
'A
A
A
A A
A
A
-A
A
'A
A
ALTO SAXOPHONE
<
<
<
<
A
A A A
-A
mp
Bsn.
s
N
A A
NN -A AA N AA A
Vib.
A -N
A
AA 'N -A A NN ' AA
<
A N
<
<
<
<
'A AAA AAA AAA -AA AAA
AAA AAA AAA AAA ---AAA
<
AA - N A NN
'A AAA AAA AAA -AA AAA
mp
PIANO
<
<
K
@
+ AAA AAA - AAA AAA I AAA I AAA
+ + AA AAA AAA I AAA I AAA A
+ + AA AA AA I AA I AA A AA A A
mp
+ AA A
Kbd.
Mi
<
<
<
<
<
<
<
r
<
<
<
<
<
<
<
A -N
<
<
<
<
-A A
N
Mo
-
K
s ¬
ly
want
A 'N -
-A
ed
<
a
bike........
<
<
<
NNN
N
A -AAA
AA A
AA 'N A - NN
-A ' AA
AA - NN A N
A
A
A -N
A
A
N
A A
r N
A 'N
-A
A -N
- AA AA A A
-
+ I AA I AA A A
+ AA A
N
N
N
haps
I
made
+ AA AA I AA A A A
I AA A
N
NN N
A A -A A
A -N A 'N
A -A
A N
+ AA A
A
+ AA AA I AA A A A
I AAA
N
N
N
N
'N A I A A
N
'A
N
A
'N
N
A A A I A A 'N A
N
'A
N
A
'N
N
A
A AA
-A A A A
D. B.
s
N
A A
A -N
A
sub.mp
ord.
A - N A N
+ AA A
sub. mp
<
K
A
A
N
N
N
A
N
N
N
N
mp
A a
N
A
ord.
Cello
-A A
A A I A
A
sub. mp
ord.
Vln. 2
A
Per
Reh. Pno.
Vln. 1
K
mp
ord.
A
A
sub. mp
A A -A A
N
N
A
457
Act 2 Ob.
967 r A A
Cl. in Bb
A
A. Sax.
U1 q = 130
A A A -A
A A
A
A
-A
A A A
-A
A A A -A
A
A
A A
A
A A A
-A
-A
A
A
A
A
A A
-A
A A
'A
A A
A
A
N
A
N
s
<
< AAA AAA AAA AAA ---AAA
'A AAA AAA AAA -AA AAA
'NN p
PIANO
+ AA A I AA AA AA I AAA
+ AA AA AA I AA+ I AA A AA A A
+ + AAA AAA AAA I AAA I AAA
+ AAA 'NN
<
<
<
N
r
<
<
<
<
<
<
'N
Mo
N
N
A 'A
N
3
'N Y
N
N
N
N
A -A
3
N
N
N
N
A 'A
3
N N
-N N
N N
N N
-A A 3 A -A 3
N -N
N N
-N N
N N
N N
-A A 3 A -A 3
K
N
N
N
N
A 'A
3
K
<
-N Y
A s ¬
<
p
How
K
N
p
Kbd.
Mi
<
'N
p
AAA AA AA AAA - -AA A A - A
Vib.
N
<
<
Y
p
p
Bsn.
<
A A AA AA
N
3
mis
-
N could
3
-N
N
3
you
do
this?
<
<
K
take.
+ I AA I AA A A
+ AA A
AAA AAA
<
K
3
K
p
N
You
I AA+ I AA A A
+ + AAA AAA AAA I AAA
+ AAA 'NN
I AA A
N N
-N N
N N
N N
-A A A -A
3 3
N -N
N
N
N
N
A 'A
3
'N
p
Reh. Pno.
N
N
N
N
-N
N
N
U1
Vln. 1
r
A
A
N
-N
N
-A
q = 130 3
A
N
3
3
p
A
Vln. 2
A
N
-N
N
-A
3
A
N
3
3
p
Cello
A
N
3
3
'N
N
-N
N
N
N
N
N
N
p
D. B.
s
N
N
N
N
-N
N
N p
-A A 3
N
3
'N
A 'A
458
Act 2 Ob.
973 r
Cl. in Bb
A. Sax.
<
<
N
N
N
N
<
N
< Y
N
N
N
<
N
Y
N
N
N
N
Bsn.
s N
-N
N
N
N
N
Vib.
N N
-NN N
NN N
NN N
PIANO <
<
<
Mi
r
Mo
N
N N
N
N N
A -A
N
N
N
N
A 'A 3
NN N
'N N N N
-N N
N N N N
<
'N N N N
-N N
<
<
N
N
<
<
<
<
<
<
N
NNN
Y N
Y
<
A 'A 3
N
Y N N
3
<
Y -N
A 'A 3
N N
<
A -A
3
-N
N
A 'A 3
-A A 3 3 A -A
'NN
N N
-A A 3 3 A -A
N N N N
-A A 3 3 A -A
'NN
N N
-A A 3 3 A -A
N
A 'A 3
-N
N
A 'A 3
Kbd.
N
<
'N
N
How could
K
s N ¬ see
N N
N
N
I
made
-NN N
-N
A A 3
N
K
<
-N
N
N
you
do
this
<
<
3 -A A to
a
<
<
<
<
<
<
boy?
<
<
a mis
-
take.........
NN N
NN N
NNN
NN N
'N N
N N
-N N
N N
N N
-A A A -A
3 3
'N N
N N
-A A A -A
3 3
N
N
N
N
N
N
N
N
N
A 'A
3
-N
N
A 'A
3
N
N
-A A
3
N
-A A 3
Reh. Pno.
N
Vln. 1
Vln. 2
r
3
3
A A
3
A A
3
3
3
3
3
3
N N
N
3
N
N
Cello
N
N
N
N
N
N
'N
N
-N
N
N
-A A 3
'N
N
-A A 3
D. B.
s N
-N
N
N
N
N
N
N
N
N
N
A 'A 3
-N
N
A 'A 3
459
Act 2 Ob.
981 r Nq = 98 N
-A
p
N
N
A. Sax.
Bsn.
s
N
A
N
A
@
A
A
'N
A
A
N
A
N
A
A
N
A
A
N
A
N
A
-A
N
A
A
N
A
N
A
-N
N Y
A
N
N
< A A
PIANO A @
A
N
<
Vib.
N
Y
Y
Cl. in Bb
A
A A
A
A A
A A A
<
N
A
N
A
-A A
-A A
-A
A A
A A -A
A
A
<
@ @
-A
A A
-A
A A A A A
Kbd.
<
<
<
<
<
<
<
<
<
<
Mo
<
@
N
-A
N
A
thought
he'd
see
the
A
N
A
A
A
A
<
r
A A
<
A
<
Mi
A
A
@
<
<
@
<
<
N s ¬ I
A
A A A
<
K
<
-N
A
A
'N
joke
in
a
bi
A A
A
-A A
-A
@
A -
-A
cy
-
A A
p
@
@
N
A
cle
which
he
@
@
A AA
NN N
A
N
A A A
A
N
A
N NN
NN N
-AA A
NN N
A AA
-NN N
AAA
AA A
'NNN
N
N
-A
N
A
N
A
A
N
A
A
A
NN
-A
NN
A
-NN
A
AA
' NN
A
A
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Vln. 1
q = 98 N r
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Cello
pizz.
D. B.
s
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460
Act 2 Ob.
987 r 'N
s
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461
Act 2 Ob.
992 r A
Cl. in Bb
A. Sax.
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462
Act 2 Ob.
998 A A A A A A A
A A A A r A A A A A A A A A A A A A I I I I I I I I I I I I I I I I I I I I I I I I
Cl. in Bb
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463
Act 2 Ob.
1004
A A
A A A
A A r A A A A - A A - A A A A I I I I I I I I I I I I I I I I I 'A dim.
Cl. in Bb
A
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464
Act 2 Ob.
1009 r 'A
A. Sax.
Bsn.
s
-3
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465
Act 2 Scene 16
1014
Ob.
q = 126 r <
Outside the old man’s room in north London. The mother approaches the door. Kurt opens the door before she can knock. They study each other. Moment. She follows him inside the room - his ‘White Palace Room’. The square cardboard stalactite shapes hang from the ceiling. When you enter, it is immediately an upturned space and the eye and the mind try to accommodate it.
<
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pizz. A A A A A s mp
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466
Act 2 Ob.
1021 r
Cl. in Bb
A. Sax.
Bsn.
s
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r A A: A9 A A A A N
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s
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467
Act 2 Ob.
1029 r
<
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468
Act 2 Ob.
1036 r A
Cl. in Bb
A. Sax.
A A A
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A
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469
Act 2 Ob.
1043 r 3
Cl. in Bb
N
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N
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+ A A A A A A A
9 A A A
+ A A: A+ + A A A A A A A A
+ A A A+ A A A
Vln. 2
A AAAAA A A A AA AAN
Cello
D. B.
A A A
s
A A A A
A A AAAAA
A A A AA A AAAA A
A A A A A A A A AA A AAAAAA A A
A
A
470
Act 2 Ob.
1051 r N
Cl. in Bb
A. Sax.
Bsn.
Vib.
s
N
N
N Y
A
A A A A
Kbd.
A
Mi
r
Mo
K
Y
3
A
N
A
N
N
N
N
N
N
I A
A
<
A AAA AA AAA A
A
A
A N
A
A N
N
N
<
@
@
A
A
A
N
A
<
A A A+ A A+ A+ A A+ A
A
A
<
+ + + + A A A A A A AAA A
A A
A
A A A A
A A A A
A A A A A A
A A
A
A A
A A A
A
A A
A
A A
A
A A A A
A AA
A
A A A A A A
A A
A
A A
A A A
A
A A
<
<
<
<
<
<
<
<
<
<
<
<
A A A A with a sense of
A
A A
N
con - ti - nu - ous
sur
A
AAA
AAA
A A A
A
A A A A A
A AA
N
A
N
<
A AA
A A
N
A
A s ¬
N
A AA AAA
PIANO
A
Y N
<
A A A
3
A AA
AAA AAA AAA AAA
AAA
A -
N
I A
prise.
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A
What
AAA AAA AAA AAA AA A
A AA
AAA
AA A
N
N
A
you
see
is
not
AAA
+ A AAA A A
AA A
+ AA A A AA
A
A A
A
N real
A -
ly
+ AA AAA A
+ + A A A A A
+ A
AAA
Reh. Pno.
A
A A A
A A A A A
A
A A
+ A A
+ + A A A
+ A A
A
A:
A A
Vln. 1
r A:
A
A A A A
A A A A
A A A A A A
A A9
A9
A A
A A A
A
A A
Vln. 2
: A
A:
A A
A
A A A A
A A A A
A A A A A A
9 A A
9 A
+ A A
+ A A A
A
+ A A
: A
: A
A A
A
AAA A
A A A A
+ AAAAA A
9 A A
9 A
+ A A
+ A A A
A
+ A A
Cello
D. B.
A A A s
A A A A A A
A A A A A A A A A A
A A A+ A A+ A+ A A+ A
+ + + A A A A A A A A A A
471
Act 2 Ob.
1057 r 3
Cl. in Bb
Vib.
3
s
A
N
A
N
N A
A
A
N
A
N
A
A
A
A
A
A A A
A A A
A
A
A A
A
A
A
A
A A A
A A A
A
A
+ A A
A
N
<
3
<
AAAAA
A AAAAA
A I
I
<
A A A A
A
<
+ + AA AAAA
A
AAAAA
A
<
<
<
<
A A AA A
AAAA A
A A
A A
A A
AA A AAA
A A
A
A A A A A A
A
AA AAN
A A A A A
A A
A A
A A
A A
AA A AAA
A A
A
A A A A A A
A
AA AAN
A A A A A
A A
PIANO
Kbd.
A
<
A
N
A N
N
A. Sax.
Bsn.
A N
Mi
r
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
<
K
N s ¬ there,
A
A
N
A
what
is
real
and
N
A
true
is
too
AA A
AA AA AA A A A
A
A
A
N
A
3
hard
to
bear.
A AA AAA A A
AA A
A A A
A A A
A
A A A A A
r A A
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A A
A
A A A A A A
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A
A A A A A A
A
AA AAN
A A A A A
A A
+ A A
+ A A
A A
+ + AA A AAA
+ A A
A
+ + + A A A A A A
A
AA AAN
AA AAA
AAA
A AAAAA
A A AA AA
A AAA AA
AA AA A A
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AA A
AA AA
AA A
AA AA AA
A AA
AA AAA A A
AA AA N AA AA NN
AA AAA AAA AA A A A A
A AA A
A A
A A A A A
AA AA AA AA
Reh. Pno.
A
Vln. 1
Vln. 2
Cello
D. B.
s A
A
A
A A A A A
AAAAA
A
A
+ A A
+ A A A A
+ + AA AAAA
A
A
A A A A A
AAAAA
A
A
A
A
A
A A AA A
+ A A
AAAA A
472
Act 2 Ob.
1064 r 3
Y A A
A
A A N
N
N
N
A
Y A A
N
I
AA A A
p
Cl. in Bb
A. Sax.
Y A A
Y
A A
3
<
A
A A N
N
<
N
N
<
A
N
<
I
AA A A
p
A AI AA A A
<
p
Bsn.
s
<
A
Vib.
<
A A AA AA A A
A
A
A
A A
A A
A A A A A A
A A A A A A
A
A A A
A
A A A
A
A
A
A
A
A A
A A
A A A A A A
A A A A A A
A
A A A
A
A A A
A
r
<
<
A A A A A A A A
s ¬
AA A A A A A AA
A
What a rum old dog
K
+ A
A A
<
A A
Mo
+ A
A A
<
A
Kbd.
Mi
<
A
PIANO
<
<
K
N
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@
you are.
<
A A A A
A
But I'm pre - pared
<
<
+ AAA AAA AAA
AAA AAA
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<
+ AA A
AA AA AA A A A
A AA
A
A
take
<
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We'll both
<
+ AA A A
go
and tan - go
<
+ AA AA A AA A A AA A
AA
<
A A A I A
N
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<
A AA
AA A
AA A
A
A
A A
AA A
AA A
AA A
A
A
A
A
A
A
A A
A A
A A A A A A
A A A A A A
A
A A A
A
Vln. 1
r A
A A A
A
Vln. 2
A
A
A
+ A A A
+ A A
+ A A A A A A
+ A A A A A A
A
A A A
A
A A A
A
A
A
A
+ A A A
+ A A
+ A A A A A A
+ A A A+ A A A
A
A A A
A
AAA
A
A
A
A
AA
A A A A A A A
AA A
AA AA A A
AA A
AAA
AAA AAA AAA
AAA
Reh. Pno.
Cello
D. B.
s
A A
A A
A
A A A A A A
A
A A AA AA A A
A A
A
A
A
A
A
A
A A
A
A
A A
A A
A
A
A
A A
AA
473
Act 2 Ob.
1070 r AA AAA I
A
A A
AAA
A
A A
A
A A I A AAA
Cl. in Bb
A. Sax.
Bsn.
s
AA
I
AAI AAA
A A A
AA
I
AA
AAAA
AA
AAI AAAA
<
I
I
AAAA
AAA
I
AA
A
AAI AAAA
<
AA
I
I
AAAA
AAA
I
AAI AAAA
<
AA
A AA
I
I
A A A A A A A A A A
A A I A A A A A
<
< to Temple Blocks
A
A
A A A+ A
+ + + AAA A A
A
A
AA
+ AA
+ + AAA
+ A A
A
A
A
A
A A A A A
A
A A A
A
A
A
A A
A
AA
A
A
A A
A A
N
A
A
A
A A A A A
A
A A A
A
A
A
A A
A
AA
A
A
A A
A A
N
Mi
r
Mo
<
A A A
AA
<
A
at the Ham - mer - smith
s ¬
A AAA
I
AAAA
A
Kbd.
K
AA
AA A A A
PIANO
I
<
Vib.
I
A AAA
A A A A N
<
<
<
<
<
<
<
<
Pa - lais de Danse.
<
<
K
@
A I'm
A
A
AA
ve - ry
flat
-
+ AAA A AA
AA A
AA AA A A
AA A
A
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+ A A
A
N
K
<
tered.
A A A
AA A
AA AA A A
AA A
AA A
A AA
AA A
AA AA A A
A AA
A A A
A
A A
A
A A
A
A A
+ A A
A
A
A A A A A
A
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A
A
A
A A
A
AA
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A
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A A
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A
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AA A A A
A
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A
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A
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AA
A
A
+ A A
A A
N
A
A
AA A A A
A
AA A
A
A
A
+ A A
A
AA
A
A
+ A A
+ A A
N
A A A s
A
A A A A A
A
+ AA AA
A
AA
+ AA
AA A
A
AAA
AA A
AAA
AA A
+ AA AAA A
A AAA AA
NN N
Reh. Pno.
Vln. 1
r A
Vln. 2
A
Cello
A
D. B.
+ + A A A
+ A A
+ + + AAA A A
A
A
+ + A A A
+ + AAA
+ A A
+ A A
A
A
A
A
A
A
474
Act 2 Ob.
1076 r A @
K
<
<
3
3
K
A A A
A A A A
mf
Cl. in Bb
A
@
K
<
<
K
A A 3
3
3
3
3
3
3
A A A -A A A A
A A
mf
A. Sax.
A
@
K
<
<
K
A A A
A A A A
A A
mf
Bsn.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
r
<
<
<
<
<
<
<
s
Perc.
Kbd.
Mi
@
Mo
A A
A A
A A A
I sup - pose I'm the one
K
s ÂŹ
@
A
@
who
pays
<
A
A
A
A
A
A
Vln. 1
r @
A
Vln. 2
@
for
A
A A
the tick
-
A
K
ets?
<
A A
A A
A
A A
A
A A
A
A A
A
A A
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N
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A
A A
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A
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A
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A A
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A A
A A A
A
A
A A
A A A
A
A
A A
A A A
A
you
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A
A
well
A AA A A
N
A
How
A A
A A
@
N
-A
A A
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N
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A
A
A
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<
A
A
A
3
3
3
AA A
AA A
-AAA
AAA
AAA
AA A
AA A
AA A
Reh. Pno.
@
@
Cello
D. B.
s
<
A
A
@
<
A
@
@
<
A
A
A
A
<
-A
A A
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-A
A A
@
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A A
-A
A A
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<
A
A
A
A
A
A
A A
475
Act 2 Ob.
1081 r A A Y A -A A A Y A A A A A A 3
3
Y
A A
A
3
3
A
A
A YA
A A A A
A
A A
3
3
3
3
3
3
3
3
3
3
A
A
A
A A
A AA A
A
A A A A
A A
3
A YA
A AA A
A
3
A A A A A A
A. Sax.
A
3
A
3
3
Cl. in Bb
A
A
A
'
N
'
N
'
3
A A A A
A A 3
3
Y
N
A A A A
A A 3
3
<
<
<
# <
'
<
<
<
# <
<
<
<
# <
'
<
<
<
# <
'
Mi
r
<
<
<
# <
'
Mo
<
<
<
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'
<
# <
'
Bsn.
s
Perc.
Kbd.
K
s ¬
N
-N
un
A AA
-
AA A
der
AA A
-AA A
-
AA A
AA A
N
N
stand
me.
AA A
AA A
3
3
AA A
AA A
3
AA A
AA A
AA A
3
AA AA A A
AA A
AA A
AA A
AA A
AA A
AAA
AAA
# NN N
AAA
'
3
3
3
3
AA A
Reh. Pno.
N
Vln. 1
r N
Vln. 2
N
Cello
D. B.
s
N
-A @
@
@
@
<
A
A
-A
A A
-A
A A
-A
A A
A
A
A A
A
A
A
A A
A
A A
A
A A
A
<
@
A
A
A
A A
A
A
@
A
A A
A A A
A
A A
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A
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A A A
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A
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A A A
A
A A
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A
<
A
# <
A
A
A
A
A
# N
A # N
'
A # N
A # N
'
'
'
'
476
Act 2
V1 1085
Ob.
r q = 84 < '
<
3
3
<
<
3
3
<
3
<
<
3
3
<
p
'
Cl. in Bb
<
<
3 p
Y
' N
A. Sax.
A N
p
Bsn.
s
N
A N
A
mp
'
<
3
<
N
A N
A N
A N
p
3
A N
mp
<
<
<
<
3
A
p
3
<
p
Perc.
A
Y
<
<
<
<
<
<
<
PIANO
' AAA AAA AAA AAA AAA AAA AAA AAA p
Kbd.
AA N N
' NN
Mi
r '
< p
A A ' @
Mo
On
K
A A
' s ¬
AA AA AA AA AA AA AA AA AAA AAA AAA AAA AA AA AA AA AA AA AA AA A A A A A A A A A A A A A A A A N N
<
<
A N A the
@
con - trary.
<
A A <
<
A A A A N
K
A N A N <
I'm
ve - ry
<
flat
-
AA AAA AAA AAA AAA A
<
A @ A
tered.
But there
<
A N are
<
<
<
<
<
AA AA AA AA A A A A
AA AA AA AA A A A A
AA AA AA AA A A A A
AA AA AA AA A A A A
AA AA AA AA A A A A
AA AA A A
N N
A A
N N
N N
A A
N N
A A
AA A
AA AA AA A A A
N N
A A
N N
A N
A
3
N
A N
A
3
A N
A
AA
N AA N
AA N N
@ A A A A A A N
Such a great ar - tist.
<
' AAA AAA AAA AAA
AA N N
AA N N
NN
AA AA AA A A A
strict
<
AA A
A A
<
AA A
AA AA AA A A A
AA A
NN
AA
p
Reh. Pno.
' NN
AA
NN
AA
A
N
A N
A N
A
N
A N
A
N
A
N
A N
A N
A
N
A N
A
3
N
A
N
A N
A N
A
N
A
N
A
3
3
3
3
3
A A
A A
V1 Vln. 1
r qN= 84 ' p
' N
Vln. 2
p
' N
Cello
p
D. B.
s
arco ' 3 p
3
3
3
477
Act 2 Ob.
1094 r '
<
3
3
<
3
3
<
<
<
'
<
3
3
<
'3
3
<
<
<
Cl. in Bb
Y
' N
A. Sax.
A
N
A N
A
mp
Bsn.
s
Perc.
'
<
<
3
Y N
A
'N
A
p
3
<
<
' AA AA AA AA A A A A
AA AA AA AA A A A A
AA AA AA AA A A A A
' N N
N N
<
<
<
<
'A
N mp
3
N
A
'N
A
p
3
<
<
<
<
<
<
<
AA AA AA AA A A A A
AA AA AA AA A A A A
PIANO
AA AA AA AA ''AA AA AA AA A A A A A A A A
AA AA AA AA ''AA AA AA AA A A A A A A A A
Kbd.
Mi
r '
Mo
'
AA <
N
s ' ¬
' AA A
N N
A A
<
A
rules
K
A A
3
AA
NN
N N
A A
NN
AA N 'N
A A
AA
NN
N N
A A
<
<
<
<
<
<
<
<
<
<
<
<
<
<
A 'A+ A A
A A A A
A A A @
at - tached.
<
<
<
K
p
N
The
AA AA A A
AA A
AA A
AA AA AA A A A
AA A
AA A
AA AA A A
' N N
A A
N N
AA
N N
A A
Vln. 1
r ' N
A
N
A
N
Vln. 2
' N
A
N
A
Cello
N '
A
N
A
D. B.
' 3
AA AA A A
tan - go
AA AA A A
''AAA
AA A
has
AA A
ma - ny
AA A
AAA
AAA
strict
K
rules.
AAA AAA
AAA
AAA
AAA
AAA
A A
N ' N
A A
AA AA A A
N
A A
N
It's a
slow
dance
''AAA AAA
AA AA A A
AA AA A A
Reh. Pno.
s
3
NN
AA
N N
AA
N N
A
N
A
N
A
3
N
N
A
N
A
'N
A
3
N
A
N
A
'N
A
N
3
3
3
3
A
NN
AA
N N
AA
A
N
A
N
A
N
A
N
A
'N
A
N
A
N
A
'N
A
'3
3
3
478
Act 2 Ob.
1103 r 3 '
'3
3
3
'A
N
3
f
' 3
Cl. in Bb
'
A. Sax.
Bsn.
s
'
+ A A
'3
+ A A
N
3
N mp
3
3
'A
N
A
'N
A
p
3
3
3
'A
N mp
3
K
@
<
' AAA
<
<
<
<
AA A
AA A
AA A
AA A
AA A
AA A
AA A
AA A
AA A
AA A
AA A
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AA A
AA A
AA A
AA A
AA A
<
AA A
AA A
AA A
AA 'A A
AA A
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A A
' NN
A A
AA
NN
N N
A A
N N
A A
Mi
r '
<
<
<
<
<
Mo
'
<
<
<
<
<
'A ' NN
f
A ' A
K
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AA A
N
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of
pas
-
sion
AA A
AA A
AA A
AA A
AA A
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N
K
N
and
AA A
AA A
AA A
AA A
A
ul - ti - mate
AA A
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AA A
AA A
A
3
<
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'N s ¬
f
Kbd.
rule
<
death.
AA A
AA A
AA A
AA A
AA A
AA A
AA A
AA A
'A
f
Reh. Pno.
Vln. 1
'A
f
PIANO
K
N
Y
Perc.
3
3
' NN
r N '
A A
A
' NN
N
A A
A
N N
A A
N
A
N N
N
A A
A
N N
N
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A A
' NN
A
A
N
'A
f
Vln. 2
' N
A
N
A
Cello
N '
A
N
A
D. B.
' 3
s
'3
N
A
'N
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479
Act 2 Ob.
1109 q = 152 r A ' A A A @
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Cl. in Bb
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480
Act 2 Ob.
Cl. in Bb
1113 r q = 140
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481
Act 2 Ob.
1117 r N
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482
Act 2 Ob.
Cl. in Bb
A. Sax.
1121 r N
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483
Act 2 Ob.
Cl. in Bb
N
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1125 r N
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484
Ob.
Cl. in Bb
Act 2
W1 1129 r q = 154 <
<
A A A A A A
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r q = <154
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485
Act 2 Ob.
1141 r A A I A A A I A A A I A
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mf
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Cl. in Bb
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A A A A s -A ¬ I keep in A AA
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486
Act 2 Ob.
1144 r A
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487
Act 2 Ob.
1146 q = 78
r N A N '
A
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'
Cl. in Bb
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488
Act 2 Ob.
1156 r ' N
A
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Ob.
489
Act 2
X1 1162 q = 164 r <
<
<
<
<
<
Cl. in Bb
<
<
<
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Act 2 Scene 17
Ob.
1205 q = 94 r '3
Lights change. It’s a cavernous dance hall. The slow Argentine tango has been called a ‘cake-walk played adagio’. Kurt and the mother dance. At the close of the tango he holds the mother in an intimate clutch. It is a tableau. He is about to kiss her. She abruptly turns her face to the side. Very stylish and poised. The mother leans back in his arms. Very Latin a la Hammersmith Broadway.
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+ A A AA
3
3
N
mp KIT – brushes
Perc.
'3
@
3
' 3
' N
@ N
mp
Bsn.
3
AA A
3
+ A A AA
A A
AA
AA
A A A AA
AA A
+ A A AA
AA
'A 'A 'A A 'A 'A 'A A
A A
A A
mp PIANO
'A 'A 'A 'A ''AA AA mp
Kbd.
'N 'N
A A
'A 'A 'A 'A 'A A ''AA A 'A A A
3
3
' AA NN '' AA NN
AAAA
'''AAAA
- AAA A
NNNN
'A '''AAA
3
NN NN
' A 'A
A A
'N 'N
3
AA AA
'A '''AAA
NN NN
'''-AAAA
AA AA
NNNN
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
'3
' N
N
' N
' A
3
'A
'A A A 'A 'A
Y
AAAA
'3
mp
'A A
A A
'A
+ A 'A
A 'A
A
'A
- AAA A
''''AAAA
A
A A
'A
'A
AAA A
'''-AAAA
A
A A
'A
mf cantabile Reh. Pno.
' 'AAA ' A
NNNN
AAAA
'''AAAA
NNNN
NNN N
AAA A
''''AAAA
NNN N
NNNN
AAAA
q = 94 Vln. 1
r 'Solo A A
A A 'A
+ A 'A
A 'A
A
'A A
A A
'A
A 'A 'A 'A A 'A
'A A
A A 'A
mf cantabile
Vln. 2
Cello
<
<
'3
N
'A 'A A ' A A A (pizz.)
'A
mp tempo ad lib. (quasi improvisation)
D. B.
s
mp
3
3
<
'N
'A A 3
<
'N
'A
'A A 'A A A @ 'A A A A 'A 3
3
3
<
3 'A
'3 'A A @ 'A A A A 3
3
'A 'A A ' A A A 3
3
500
Act 2 Ob.
1210 r A
Cl. in Bb
A. Sax.
Bsn.
s
@
N
A ' A
' N
'3
@
N
3
'3
N
' N
'3
AA A
A A
AA
' N
-3
3
N
N
' N
-3
N
@
''''AAAA
AAAA
@
' A 'A
AA A A A
'N 'N
AA A
- A - A A A -A -A A A
A A
A A
N N
A A
A N AAA NNN
AAAA
3
3
NNN N
3
AA A A A AA
''''AAAA
AAA A
NNN N
AAA A
-- AAAA
NNNN
AAAA
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
'A
'A 'A A A
''' - AAAA
N
AA
<
N
+ A A AA
A A
<
3
@
r
' A N
N
3
Mi
A
3
@
N
N
AA A A A AA
'A 'A 'A 'A ''AA AA ''AA AA 3
''' - AAAA NNNN
3
3
+ A A AA
A A
PIANO
' A ' N 'A 'N
A
A
N
3
3
AA A A A AA
A A
3
N
@
- N
@ 'N
3
Kbd.
' A
N
3
@ N
KIT
Perc.
' N
' A N
' N
A
'A
' A
- N
A ' A
N
A
'A
-N
'A
A
'A '' 'AAA
NN NN
AA AA
-- AAAA
'A
-N
'A
'A 'A A A
A A
A
A
N
- A A A
A
A
A
NNNN
AAAA
A AAA
NNNN
A - A AA
A
A A
-A
Reh. Pno.
NNNN
AAAA
Vln. 1
r
Vln. 2
<
Cello
A
+ 'A N
'A 'A A
D. B.
s
'A 'A 'A A A
3
'A '''AAA
A
NN NN
'A
AA AA
'A 'A A A
A
<
<
'N
A 'A
'A A 'A @ 'A A A A 'A 3
3
A A 3
< ' A
N
'A 'A A @ 'A A A A 3
A A
3
A A A A 3
A A
-A
< + A
-N
AAAA
A A A 3
A
A N
A A A A 3
A A 3
501
Act 2 Ob.
1215 A r
- A N
A
A
Solo ' A
N
+ 'A N
' A A
' A
' A N
' A
A
legato
Cl. in Bb
A. Sax.
Bsn.
s
3
N
-3
N
3
N
3
@
3
'3
N
N
-3
N
@ N
'3
N3 @
'3
N
' N
'3
@
N 3
' N
'3
3
@
3
KIT
Perc.
@
3
+ A AA A
A A
AA
PIANO
A A A A A3 A A A A A A A
AA A A A A A
AA
AA A A A
N N
AA
AA
'A 'A 'A A 'A 'A 'A A
A A
' A 'A
NNN N
AAA A
A A A AA 'N 'N
AA A A A
AAAA
NNN N
'''-AAAA
AAA A
+ A A AA
A A 'A 'A
3
3
Kbd.
-A AAA
3
+ A A AA
A A
' A 'A A ' A A 'A 'A A 'A A 3
NNNN
AAAA
'''AAAA
- AAA A
NNNN
''''AAAA
3
NNN N
AAA A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
A
- A N
A
A
+ 'A N ' A N
'A 'A
N
legato
A A
A A
A
- A A
AA AA
A AAA
A
A
A
'A
A
+ 'A N ' A N
'A ' A
A A
'A
+ A 'A
A 'A
' A A 'A A
'A 'A
A
'A
- AAA A
'A '''AAA
AA
A
A+ A
A A
'A
Reh. Pno.
Vln. 1
- AA AA
NN NN
A A r
A
- A A
'''-AAAA
AA AA
A
<
Vln. 2
A A
NN NN
A
A
NNNN
'A A
AAAA
A A 'A
'3 3
<
'''AAAA
NNNN
A 'A
A 'A
A
3 3
NN NN
'A A
AA AA
A A
'A
''3 3
mp
' A
Solo
A
Cello
D. B.
s
+ -A N
A A A - A A A 3
3
A
+ A N
A
A A A A - A A A
' A A
' A
' A N
' A
' A N
A
legato
3
3
'A 'A A ' A A A 3
3
'A 'A A 3
@ 'A A A A 'A 3
'A A 'A A A 3
3
502
Act 2 Ob.
1220 r A
Cl. in Bb
A. Sax.
Bsn.
s
- A N
@
N
N
A A
+ A A
N
3
' N
-3
@
N
3
N
@ 'N
3
N
N
' N
-3
N
@
@
A N
A
A
A
3
N
3
@
N
3
N 3
N
@
-3
N
3
N
N
@
3
N 3
N
N3 @
3
KIT 3
Perc.
AA
A A A AA
AA A
3
3
+ A AA A
AA
AA A A A AA
AA A
A A
- A - A A A -A -A A A
A A
A A
A A
A A A A A3 A A A A A A A A A
A A
+ A AA A
AA
AA
AAA
AA AA A
PIANO
' A 'A
A A
'N 'N
N N
3
3
Kbd.
'' AAA ' 'A
NNN N
AAA A
-- AAAA
N N
NNNN
AAAA
A AAA
NNNN
AAAA
- AA AA
NN NN
AA AA
A AAA
NN NN
AA AA
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
+ -A N -A N
A A
A 'A 'A 'A A
'A
N N
+ A A A A
A
A A -A
N N
A
A
+ A A A A
A A
A A
-A
A+ N A N
A
+ A A
A
A
A A
A
+ A A
N N
A A
A
legato Reh. Pno.
'' AA ' 'AA
Vln. 1
r
NN NN
AA AA
A ' A 'A ' A A ' A
-- AAAA
NNNN
AAAA
A A - A
A
A AAA
A
NNNN
AAAA
A A A
- AA AA
NN NN
AA AA
-A A A A
A
A AAA
NN NN
AA AA
A A
A A legato
Vln. 2
3 3
3 3
3 3
NN
3 3
A
legato
Cello
D. B.
s
- A N
A
'A
N
'A A @ 'A A A A 3
3
A A
A A A A 3
A A 3
A A
N
A A A A 3
A A 3
A N
A
A A A - A A A
A
A
3
3
A
A
A
A A A A - A A A 3
3
503
Act 2 Ob.
1225 r 3
Cl. in Bb
A. Sax.
Bsn.
s
Y 3
3
3 Y
'3
3
3
3
-3 Y
'3
3
'3
3
KIT
Perc.
'3
A A
+ A A A A
'3
-3 Y
'3
3
A A
3
A A A A A A A
A A A
3
A A
+ A A A A
' A 'A
'A N 'A N
3
3
A A
A A
A A A A A
A A A
A A
+ A A A A
A A
PIANO
'A 'A
' N 'N
'''-AAAA
NNNN
Kbd.
'N 'N
N N AAAA
'''AAAA NNNN
''''AAAA
AAAA
A ''AA A
N N
NNN N
AAA A
''''AAAA
NNN N
A A AAA A
A N A N
-- AAAA NNNN
AAAA
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
' A 'A
' A A 'A A
'A 'A
A ' A ' A A
' N 'N
' A N 'A N
A A
A ' A A 'A
A - A A -A
N N
A A A A
Reh. Pno.
Vln. 1
D. B.
s
AAAA
'''AAAA
NN NN
AA AA
'A '''AAA
NN NN
AA AA
-- AAAA
NNNN
AAAA
A
A ' A
A - A
N
A A
'A
A
' A N
' N
A 'A
A ' A
A - A
N
A A
' A
A
' A N
' N
A ' A
A ' A
A - A
N
A A
'A
' A
' A A
' A A A A A A A A A A A A 3
'A '' 'AAA
A ' A
+ 'A A
3
AAAA
' N
' A
3
NNNN
' A N
' A
Cello
NNNN
' A A
r
Vln. 2
'''-AAAA
3
' A A A A A A A A A A A A ' A A A A A A A A A A A A ' A A A A A A A A A A A A 3
3
3
3
3
3
3
3
3
3
3
3
A A A A A A A A A A A A 3
3
3
3
504
Act 2 Ob.
1230 r 3
Cl. in Bb
A. Sax.
Bsn.
s
Y -3
3 Y
3
3
3 Y
3
3
3
3
3
3
Y
KIT 3
Perc.
A A
A
A
A
PIANO
A A
A A
A A
A A
A
A A
A A
A A
A A
AAAA
- AA AA
3
+ A
A
A A
A A
A A
N N
A
A
A
A A
A A
A
A A
N N
Kbd.
A AAA
NNNN
NN NN
AA AA
A AAA
NN NN
AA AA
Mi
r
<
<
<
Mo
<
<
<
K
s ¬
<
<
<
N N
A AAA
N N
A A
A A
A A
A A
N N
- A -A
A A
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
NNNN
AAAA
N
A
A
+ A
A
A
A
N
N
A A A A A A A A 3
3
3
- AAA A
NNN N
AAA A
N
A
N
A
N
A A A A 3
A
A A A A A A A A 3
3
3
AAAA
A
N
A
N
A
N
A A A A 3
NNN N
AAA A
A - A
- A
A
A - A
A A A A A A A A 3
3
3
A A A A 3
505
Act 2 Ob.
1233 r -3
Cl. in Bb
A. Sax.
Bsn.
s
3
3
3
3
3
3
3
3
3
-3
3
3
3
3
3
KIT
A A
A A
A
A
A
-A
N
A
A
A - AAA
NNNN
AAAA
AAA A
NNNN
AAAA
- AA AA
Perc.
3
+ A A A A
A A PIANO
A
A
A
A
A A
A A A
A A
3
+ A A A A
A A
A A
N
A
A
A
A A
A A A
3
Kbd.
NN NN
AA AA
A AAA
NN NN
AA AA
Mi
r
<
<
<
<
Mo
<
<
<
<
K
s ¬
<
<
<
<
A A
A+ A
N N
N N
N N
A A
A A
A A
A A
N N
A ' A A 'A
Reh. Pno.
A - AAA
Vln. 1
Cello
D. B.
s
AAA A
AAAA
- AA AA
NN NN
AA AA
A AAA
NN NN
AA AA
N
A A
N
A ' A
+ A N
N
+ A A
N
A A
N
A ' A
A N
N
A A
N
A A
N
A ' A
A
A
AAAAA AAAAAAA 3
AAAA
A A
A N
3
NNNN
N
A
r
Vln. 2
NNNN
3
3
AAAAAAAA AAA A 3
3
3
3
AAAAA AAA AAAA 3
3
3
3
AAAAAAAA AAA A 3
3
3
3
506
Ob.
Y1 1237 q = 108
A A r
' A
Act 2
A
AA
A A
' A
A
+ A A
+ A A
A
A
+ A A
+ A A
A 'A A A
A
A
' A A
A
A
+ A A
A
+ A A
A
Y
'A
A A
A
AA
A A
' A
Y
A
+ A A
A
+ A A
+ A A
A
A
+ A A
A
+ A A
+ A A
A
(mp)
Cl. in Bb
A
+ A A
A
+ A A
(mp)
A. Sax.
(mp)
Bsn.
s
<
A A
AAA
AAA
AA A
AA A
A A
A A A A A A A
+ AA AA AA
AA A
+
AA AA AA
+ AA AA AA
'AA A
+ AA AA AA
AA A
AAA 'AAA AAA AAA
A
Y A
<
<
3
A A A A A A A
+ 'AA AA AA
< 3
AA A
+ A A A A A A
A A
A AA A A A A
AA A
'AA A
+ AA AA AA
AA A
+ AA AA AA
AA A
'''AAA
AA A
+ AA AA AA
'AA A
+ AA AA AA
AA A
(mp)
Kbd.
'A '' AA
NN N
AA A
r
<
<
'''AAA
+ AA AA A A
'AA A
NN N
A
-
'A
3
ter
all,
'AA AA AA A A A
AA A
A AA
NN N
AA A
AA A
AAA
'''AAA
+ AA AA A A
AA A
AA A
N
N
A
N
N
N
N
A
N
N
'A
+ AA
A
N
AA A
'''AAA
<
K
<
'AA A
AA A
AA A
<
+ AA AA A A
+ AAA
NN N
<
<
<
AAA
NN N
<
mp
K
<
s ¬
AA A
<
Af
K
A
<
+ A A A AA A A A A
'AAA
Mo
A A A
+ A A A A A A
PIANO
Mi
A
A A A
< 3
KIT
Perc.
A
A
<
A
'A
A
ac
-
cor
AN -
<
+ 'AA AA A A
AA A
'AA A
AA A
'''AAA
+ AA AA A A
ding
<
AAA
+ AA AA A A
'AA A
'''AAA
+ AA AA A A
AA A
+ AAA AAA
(mp) Reh. Pno.
'''AAA
Y1 Vln. 1
r
3
NN N
q = 108
NN N
NN N
AA A
N
'3
N
N
N
'3
N
N
'A
+ AA
(mp)
Vln. 2
3 (mp)
Cello
pizz.
'A
N
A
A
A
A
N
A
'A
N
A
A
(mp)
D. B.
(pizz.) 3 ' A A A A 'A A 'A A s 'A A (mp)
3 A A 'A A AA 'A A
3 A A AA AA A A
3 3 'A A A A 'A A 'A A A A AA 'A A A A
3 A A 'A A 'A A
507
Act 2 Ob.
1243 r +
A A 'A A
A
A
A ' A A
A
' A
N
A
A
A A A
+ A 'A
+ A A
A
' A
Cl. in Bb
+ A A
+ A A
A
A
A A A A A A
A
A
A A A A
A
+ A A A A A A A A
+ A A
A
A. Sax.
A+ A
+ A A
A
A
A A A A A A
A
A
A A A A - A
A A A A A A A + A
+ A A
A
Bsn.
s
< KIT
Perc.
+ A A A A
A A
<
<
3
A A
A A A A A A A
+
+ AA AA 'AA AA A A A A
AA A
AAA
A AA
AA A
AA A
PIANO
A A A
A A
AA 'AA AA A A 'AA A A A A A A A ''AA 'A
<
<
3
+ A A A A
A A
A A A A A A A
A A A A A
AA A
AA A A A A A A - AA
+ AA AA AA 'AA A 'A A A A AA AA
AA A
+ AA A A A A
AA A
+ A A A A
A A
+ AA AA A A
AAA A
Kbd.
Mi
r
Mo
K
NN N
AA A
<
A
-A
N
to
DA
+ 'AA AA A A
+ AA AA A A
AA A
<
N -
@
DA –
AAA
AA A
AA A
A 'A A AA AA AA
A
the
whole
A
'A
'N
AA AA
AA A
AA A
NN N
<
of
<
'AA A
AA A
AA A
A
'''AAA
AA A
+ AA A
A AA
AA A
AA A <
'A
pur - pose
<
A
AA A <
'A
<
A AA
''AA 'A
<
K
<
s ¬
AA A
A - AA
AA AA AA A
'''AAA
AA A
<
'A A A A
+ AAA 'AAA
+ AAA AAA
AA AA
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
AA A
NN N
AA A
AA A
AA A
r A
N
N
N
3
N
A
N
N
N
3
N
A
A A s
N
A
A
3 A A AA A A A A
A
A
A
'A
3 'A A A A AA A A
A
+ A A
'A
3 A A 'A A 'A A 'A A
A
AA A
AA A
AA A
'N
A
'N
A
A
A
A
3 A A 'A A A A 'A A
NN N
AA A
N
N
N
A 3 A A AA A A
508
Act 2 1248 r A A
' A A
Cl. in Bb
+ A A
+ A A
A. Sax.
A+ A
+ A A
Ob.
Bsn.
s
A
A
A A
A A
'A
I A
A A
+ 'A A
+ A A
A
I 'A
+ A A
A
+ -A A
+ A A
A
I A
+ A A
A
< KIT
Perc.
A
<
3
AA A A A AA PIANO
+ AA AA A A
+ 'AA AA A A
A A A
A A
A A
+ AAA AAA
'AA A
I 'AAA
A A
A A
AA A
A A N -A A N
'A A
A A
I 'A A+ A
A
+ 'A A
+ A A
A
I A A+ A
A
+ A A
+ A A
A
<
3
A A
+ A ' A - A AAA
'A
I A A A
<
+ A A A A
AA A
'A
A A A A A
A
< 3
+ A A A A
A A A
A A
A A
+ AAA AAA
'AA A
+ I 'AAA AAA AAAA
A A
A A
A A A A A A A
'AA A
+ ''AAA AAA
AA A
'A ' AA
A A A
+ AAA AAA
AA A
Kbd.
A AA
Mi
Mo
r
<
A
N mak
K
NN N
-
ing
<
'A
+ AA AA A A
+ 'AA AA A A
@
love
'-AAA AAA
AA AA A A
I
'A
N
A
'A
3
is
not
to
make
love
at
all.
A A
A A
<
AA AA A A
' AA A
A A
A A
A
A A
'A
AA
I 'AA
+ AA AA
AA
A
A
A
A
' AAA
I
' AAA
AA A <
A
<
' AA A
NN N
<
A
<
AAA
+ AA AA A A
'AA ' A
<
3
<
s ¬
A A
<
AA AAA A A
' AA A
+ AA AA A A
AA A
'' AAA AAA
AA A
A AA A A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
AA A
NN N
AA A
A A N -A A N
r N
N
A A
A A
N
N
+ -'AA AA
+ AA AA
A
A A s
N
A
A A N
3 - A A A A AA A A
'A I
A A
A A 3 A A A A A A
A
'A ' AA
'A
A A A I
'A ' AA
A A
+ AA AA
AA
+ 'AA AA
+ A A
A
A
' A A A A A A ' A A A A 3 A 'A A AA A 3
AA A
'A A
+ I 'AA AA AA
A
NN N
A
AA
N
A A A A 'A A A 3
509
Act 2 Ob.
1253 r I A
A
'A
A
A A
Cl. in Bb
I 'A
A
A
'A
A. Sax.
I A
A
A
A
<
Bsn.
s
KIT
Perc.
A A
'A
A
A 'A A
A A
I 'A
A
A A I + 'A A A A
A
+ A A
A
A
A A A
A A
I A
A
A A I A+ A A A
A
+ A A
A
A
A A A
A A
A
A A
I + A A A A
A
<
A A
A A A A A A A
AA A
'A AA
'AAA
+ A A A A
A A
'AA 'A
PIANO
I 'AAA
A
<
3
+ A A A A
I
+ AAA AAAA
<
<
3
A A A
A A
+ A A A A
A A
'A AA
AA A
A 'A A AA AA AA
AA A
AA A
''AA 'A
AA A
AA A
A A
A A A
A A A A A
I 'AA A
+ A A A A
A A
AA I + 'AA AA AA A A A A A
AAA
A A A A A
AA A
A AA
AA A
AA A
Kbd.
A A
Mi
Mo
r
NN N
<
'A
@
A
Am
<
A
3
I
right?
AA A
''AA 'A
<
s ¬
AA A <
<
<
<
3
AA A
'A AA
' AAA
+ A A A A
A A
'AA 'A
A
A
'A
I 'AA
AA + A A
'A AA
AA AAA A A
AA A
re
AA 'AA AA A A A
AA A
AA A
AA A
AA A
I 'AA A
AA A
AA A
AA A
AA A
A
A A
AA A
I
AA A
N
K
I
A I ' AA
AA A
<
'3
<
AA A
<
mp
K
AA A
+ 'A A A A AA AA AA
-
AAA
Reh. Pno.
A A
Vln. 1
Vln. 2
Cello
D. B.
r I
A A A s
NN N
A
A A
AA
'AA
+ AA AA
A
A
' A A A A 3 A AA A
AA A
'''AAA
'A
A
A 'A A
A A
AA
AA AA AA
AA AA
AA
AA AA AA
AA AA AA
AA AA AA
AA AA
'A
A
A
'A
A
A
A
A
AA
N
A
A A A 'A A A ' A A 3
AA A
A
'''AAA
I
AA A
' A
3 A A 'A A 'A A 'A A
A
AA A
I A
A
3 A A 'A A A A 'A A
AA A
AA A
AA A
'A A A
A
A
3 A A AA A A
510
Act 2 Ob.
1258 r A A
'A A
A
+ A A
+ A A
A+ A
+ A A
Cl. in Bb
A. Sax.
Bsn.
s
I A A A 'A A A A A
A A @
A
I 'A A A A
A
A
'A
A
A A
A
I 'A+ A A A A A A A
'A A @
A
I A+ A A 'A
+ A
A
A
'A
A A
A
I -A+ A A A A A A A
A A @
A
I + A A A A
+ A
A
'A
A
A -A
A A A A A A A
A A A
<
<
<
<
<
KIT 3
Perc.
AA
A A A A A
PIANO
+ A A AA AAA
A A A A A
3
+ A A A A
A A
A A A A A A A
+ 'AA AA A A
A A
+ I -'AAA AAA AAA 'AAA AAA AAA AAA AAA
AA A
AA A
-AA -A
+ A A A A
A A A
A A
'AAA AAA @
AA A
+ I 'AA AA AA AAA A A A
AA A
AA A
3
A A + AA A
AA 'AA A 'A
'AAA
AA A
AA A
AA A
AA A
Kbd.
A AA
AA A
AA A
AA A
AA A
'AA 'A
AA A
'''AAA
AA A
AA A
''AA 'A
AA A
AA A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s 3 ¬ - serve
+ AAA AA A A
3
A
my
an
-
AA AA A A
AA A
'AAA AAA @
AA A
AA A
'AA 'A
AA A
AA A
+ 'AA AA A A
A A
+ I -'AAA AA AAA 'AAA
AA A
AA A
-AA -A
'A A
A
A A A 'A A A A A I
A AA
'A N
3
<
swer.
+ AA A
+ I 'AA AA AA AAA A A A
AA A
AA A
''AAA
'AAA
AA A
''AA 'A
AA A
AA A
AA A
A
'A
A
A A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
AA A
AA A
r A A A A
A
A A s
AA AA AA
AA AA ' AA
A
A
A
A
3 A A A A AA A A
AA A
AA A
AA AA AA
AA AA ' AA
A
A
A
A
' A A A A 3 A A A A
AA A
A A
' 'AA 'A
AA A
AA A
AA A
A
' A A A A I
AA AA AA
AA AA
AA
AA AA AA
AA
AA
'AA AA ' AA
AA
A
A
'A
A
A
'A
A
A
@
A
A A A 'A A A ' A A 3
A
A
3 ' A A A A 'A A 'A A
A
A A A 'A 'A A 3
511
Act 2 Ob.
1263 r I
Cl. in Bb
I
'A
A
A
+ A A
+ A A
A
+ A A
+ A A
A
+ A A
+ A A
A
+ A A
+ A A
A. Sax.
I
A
AK
A
+ A A
+ A A
A
+ A A
+ A A
A
+ A A
+ A A
A
+ A A
+ A A
Bsn.
s
to black
A
A A
A A 'A
A A
'A A
A
A A 'A A
A
+ A A 'A A
A
A
A
< KIT
Perc.
<
<
3
+ A AA A
AA
AA
+ 'AAA A A AAAK
AAA
+ 'AAA AAA A A
A A PIANO
I
A A A A
AAA
AA
AA A
+ AAAA AAAA AAA
A A + 'AAA AAA A A
+ A A AA
<
AA
A A
+ A A AA
<
AA
A A
+ AAA AAA
+ + AAAA AAA AAA 'AAA AAA AAA
+ A A AA
+ AA AA A A
AA A
+ to Side Drum A A AA AA + AAA 'AAA AAA AA A A A A
Kbd.
''AAA
AA A
AA A
AA A
+ ''AA AA ' A A
+ AA AA A A
AA A
+ ''AA AA ' A A
+ AA AA A A
+ AA AA A A
AA A
+ AA AA A A
+ AA AA A A
AA A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
+ AAA AAA
AAAA
+ AAA AAA
+ 'AAA AAA
AAA
+ AAAA
+ ' 'AA AA ' A A
+ AA AA A A
AA A
+ AA AA A A
+ AA AA A A
AA A
+ AA AA A A
A A A A
'A A A A
A A
A A ' A A A A A A
A A
A A ' A A A A A A
A A
AA
' AA AA
AA AA
AA
AA AA
AA AA
AA
AA AA
AA AA
AA
+ A A
A
+ 'A A
+ A A
A
+ A A
+ A A
A
+ A A
+ A A
A
A A
A
'A A
A A
A
A A
A A
A
A A
A A
A
I
+ 'AAA A A
A KAA
AAA
'AA 'A
AA A
AA A
AA A
+ ''AA AA ' A A
r I
A A A A
A
A A A A
' AA
AA AA AA
AA
' AA AA
AA AA
A
A
+ 'A A 'A A
+ 'AAA AAA A A
+ AAAA AAAA
AAA
+ AA AA A A
AA A
A A 'A A A A
+ 'AAA AAA A A
AAA A
+ 'AAA AAA A A
AA A
+ AA AA A A
AA A
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
A
' A s
A
A
A A A 'A A A 3
512
Act 2 Scene 18 The bus depot at night. Giant metallic cave. Michael and Kurt flash their torches. Thin corridors of beaming light. Shadows of red sleeping buses. Shadows of high towers. Shadows of barbed wire. Shadows of look-out towers. The boy encourages the old man to follow. Kurt steps back. Looks up at the dark shadows. He retreats.
Ob.
1268 q = 102 r A 'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
'A A A A
A
'A A A
A
A
'A A A
A
A
'A A A A
A
'A A A
A
'A A A
A
'A A A
A
A
'A A A
A
A
'A A A
A
'A A A
A
p
A
Cl. in Bb
p
A
A. Sax.
A
A
p
Bsn.
s
3
3
p
Perc.
PIANO
3
+ A A
N
3
<
<
<
<
<
<
<
<
<
<
A A A A A A A A A A A ' ' ' ' ' ' A A A A A A A A A A A A A A A A A A A A A A A A 'A -AAA A AAA A AAA A AAA AAA AA '''AAA 'A A ---AAA A AAA 'A -AAA A AAA AAA AA '''AAA A 'A ---AAA A AAA A AAA A AAA AAA AA '''AAA 'A AA ---AAA AA AAA
Kbd.
p
Ped. sustained throughout.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
N
'N
N
N
-AAA
'A '''AAA AAA AA
A
'N
A
N
- AAA
-AAA
- N
N
- N
-AAA
'A '''AAA AAA AA
espress.
'A AAA '''AAA AAA AA - AAA Reh. Pno.
-AAA
'A '''AAA AAA AA
'A '''AAA AAA AA - AAA
- AAA
p
3
3
'A AA AA ' -AAA A AAA
Vln. 1
- AAA
r
AAA AAA AAA AAA
q = 102 N ' N
3
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
N
N
+ A A
N
''AAA -AAA AAA AAA AAA AAA '''AAA AAA
A
'N
A
'N
''AAA ---AAA AAA AAA
'A AA AAA AAA AAA
3 ' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
A
N
- N
N
- N
A
N
- N
N
- N
p espress.
N
'N
Vln. 2
N
N
p espress. arco quasi solo
'A A A A A A A A
Cello
A A 'A 'A A
A A A ' A A 'A A A A 'A 'A 'A
A AA AAA A
A A 'A 'A A
AA A
mp (pizz.)
D. B.
s
A p
A
A
A
A
A
A
A
A
A
A
A
A
A
AAA A
A
A
A
A
513
Act 2 Ob.
1273 A r
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
'A A A
A
A
'A A A A
A
'A A A
A
A
'A A A
A
A
'A A A A
A
A
A
'A A
A
A
'A A
A
A
A
'A A
A
A
A
'A A
A
3
Cl. in Bb
A
A. Sax.
Bsn.
s
'A A
N
Perc.
PIANO
A
+ A N
A
+ A A
3
A
A
A
N
<
<
<
<
<
<
<
<
<
<
A 'A AA AAA 'AAA A AA AA ''A AA AA 'A AA AAA AA ''A AA AAA AA ''A AA AA 'A AA AAA A A ' A A ' A A A ---AAA AAA AAA AAA AAA AA '''AAA ---AAA AAA ---AAA AAA AAA AAA -AAA AAA AAA AA '''AAA -AAA AAA AAA AA '''AAA
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
A
-AAA
A
- N
'A '''AAA AAA AA
'N
- AAA
-AAA
A
3
N
A
'A
A
-AAA
'A '''AAA AAA AA
- AAA
-AAA
A
+ A N
A
'A '''AAA AAA AA - AAA
A
- N
'A '''AAA AAA AA
'A
A
- AAA
-AAA
- N
A
'A '''AAA AAA AA - AAA
Reh. Pno.
N
' A A A 'AA -AAA AA AAA AAA AAA '''AAA AA
Vln. 1
r
Vln. 2
Cello
D. B.
s
''AAA - -AA AAA AA 'AAA AA AAA AA - A A A A
+ A
3
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
''AAA AA AAA AA AA AAA ' 'AA AAA -A A A ' A
A
N
''AAA - -AA AAA AA 'AAA AA AAA AA - A A A A
A
A - N
'N
N
A
A
A
'A
A
- N
'A
A
- N
A
A
A - N
'N
N
A
A
A
'A
A
- N
'A
A
- N
A
' A A 'A A A A 'A 'A 'A
A
A
A
A
A
A A A A A A A
A
A
A
'A A A A 'A
A A
A A A
A
-A 'A A A A A A
A
A
A
A
A A 'A
A A A A A A A
A
A A A A
A
A
514
Act 2 Ob.
1278 A r
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A A
A
A
'A A A
A
A
'A A A A
A
'A A A
A
A
'A A A
A
A
A
A
'A A
A
A
A
'A A
A
A
'A A
A
A
A
'A A
A
A
Cl. in Bb
A
A. Sax.
Bsn.
s
'A A
Perc.
+ A N
A
3
PIANO
A
3
N
N
3
<
<
<
<
<
<
<
<
<
<
A A A A A A A A A ' ' ' ' ' A A A A A ' A A A A A A A A A A A A A A A A A A ' ' ' ' A A A A A A A A A A ' A A A A ---AAA AAA ---AAA AAA AAA AAA AAA AA '''AAA ---AAA AAA A -AAA AA AAA AAA AAA '''AAA AA AAA AA '''AAA -AAA AAA AAA AA '''AAA
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
A
-AAA
N
- A
A
A
'A '''AAA AAA AA
- AAA
-AAA
'A '''AAA AAA AA
A
A
+ A N
'A
A
A
- AAA
-AAA
- A
- A
A
'A
N
N
-AAA
'A '''AAA AAA AA
- AAA
-AAA
'A '''AAA AAA AA
N
N
A
A
'A '''AAA AAA AA - AAA
'A
- AAA
Reh. Pno.
Vln. 1
s
''AAA AA AAA AA AA AAA ' 'AA AAA -A A A ' A
''AAA - -AA AAA AA 'AAA AA AAA AA - A A A A
3
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
''AAA AA AAA AA AA AAA ' 'AA AAA -A A A ' A
' A - A
A
A
N
A9
A
- A ' A
A
A
- A
A
' A9
N
N
A
'A - A
A
A
N
A9
A
- A 'A
A
A
- A
A
9 'A
N
N
A A 'A A A A 'A -A
A
A 'A A A A A A
A A AA A
A
A A 'A 'A A
Cello
D. B.
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
3
A
r
Vln. 2
N
A
A
A
A -A
A
A
A
A
A
'A A A A 'A
A
A
A
A -A
A
A A 'A A A A 'A -A
A
A
A
A
515
Act 2 Ob.
1283 A r
Cl. in Bb
A
A
A. Sax.
Bsn.
'A A ' A
s
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
'A A A A
A
'A A A
A
A
'A A A
A
A
'A A A A
A
'A A A
A
A
A
'A A
A
A
A
'A A
A
A
A
'A A
A
A
'A A
A
A
'A A
+ A A
N
Perc.
A
+ A A
3
N
A
+ A A
A
N
+ A N
<
<
<
<
<
<
<
<
<
<
PIANO
'A AA - A AAA A 'A AA A AAA A A AA ' A ''AAA A AA - A AAA A ''A AA A AAA A A AA ' A AAA ''A AA - A AAA A 'A AA A AAA A A AA ' A ''AAA A AA - A AAA A ' -- AA AA -- AA AA AA AA AA A '' AA -- AA AA -- AA AA AA AA AA A '' AA -AA AA AA A '' AA
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
<
<
<
<
<
AA -A
A
'A
N
N
'A A '''AAA AAA AA - AA
-AAA
'A '''AAA AAA AA
A
A
- N
A
- AAA
-AAA
'A '''AAA AAA AA
'A
N
- AAA
-AAA
A
'A
'A A '''AAA AAA AA - AA
-AAA
'A '''AAA AAA AA
A
+ A N
A
A
N
- AAA
Reh. Pno.
+ A
A
N
+ A A
3
' AA AA ' AA AA 'A ---AAA A AAA A AAA A AAA
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
N
''AAA -AAA AAA AAA AAA AAA '''AAA AAA
+ A
A
N
''AAA ---AAA AAA AAA 'AAA AAA AAA AAA
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
A
A 'A
N
N
A - N
'A
N
A
A
'A
A
N
Vln. 1
A r
Vln. 2
A
A
A 'A
N
N
A
- N
'A
N
A
A
'A
A
N
A A 'A A A A 'A -A
A
A 'A A A A A A
A A A A A
A
Cello
D. B.
s
A
A 'A A A A 'A -A
'A A A A A
A
A AA A
A
A
A
A
A A A
A
A
A
AA A A
'A A A A 'A
A A
A A A
A -A
A
516
Ob.
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
'A A A
A
A
'A A A A
A
'A A A
A
A
'A A A
A
A
'A A A A
A
'A A A
A
A
'A A A
A
'A A A
A
A
'A A A
A
A
'A A A
Cl. in Bb
A. Sax.
Bsn.
Act 2
Z1 1288 A r
s
3
3
Perc.
A
3
+ A A
N
A
A
3
<
<
<
<
<
<
<
<
<
<
PIANO
'A AA A AAA A A AA ' A AAA ' -AA AA AA A '' AA
Kbd.
Mi
''AAA ---AAA AAA AAA 'AAA AAA AAA AAA AAA AAA '''AAA''AAA AAA ---AAAAAA AAA ''AAA -AAA AAA AAA AAA AAA '''AAA AAA ''AAA ---AAA AAA AAA 'AAA AAA AAA AAA
p
r K
I A+
@
A
Come
K
<
@
<
<
@
A
A A A What's the mat
<
<
s ¬
@
on!
<
Mo
N
-
<
ter?
<
p
- N
<
<
@
No...
'N
N
-AAA
'A '''AAA AAA AA
N
- AAA
-AAA
A A
A
'A '''AAA AAA AA - AAA
-AAA
'N
'A '''AAA AAA AA
A
N
- AAA
-AAA
'A AAA AA
A
It
like
- AAA
-AAA
looks
N
N
- N
'''AAA
A 'A
'A '''AAA AAA AA - AAA
Reh. Pno.
3
3
' AA AA AA A 'A -AAA A AAA AAA AA '''AAA A
3
''AAA ---AAA AAA AAA 'AAA AAA AAA AAA
A ' A A ' A A AAA AAA '''AAA 'AA AA ---AAA AA AAA 'AA -AAA AA
N
N
A A
A
'N
Vln. 1
Z1 r 'N
Vln. 2
'N
N
N
A A
A
'N
A
- N
A
A
'A -A A A A A
Cello
trem. sul pont.
A
A
N
A
A
p
D. B.
s
A
A
A
A
A
A
+ A A
N
A
3
A ' A A ' A A AAA AAA AAA '''AAA AA 'AA ---AAA AA AAA AA AAA AA AAA
A
N
- N
N
N
A
N
- N
N
N
'A
A
A
A
A
A
A
A
A
N
A
A
AA
AA
A
A
517
Act 2 Ob.
1293 A r
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A ' A
A
A
'A A A
A
A
'A A A
A
A
'A A A A
A
'A A A
A
A
'A A A
A
A
'A A
A
A
A
'A A
A
A
A
'A A
A
A
'A A
A
A
A
'A A
A
A
A
3
Cl. in Bb
A. Sax.
Bsn.
s
N
Perc.
A
+ A N
A
+ A A
3
N
<
<
<
<
<
<
<
<
<
<
PIANO
A A 'AAA A AA AA ''A AA AAA AA ''A AA AA 'A AA AAA 'AAA A AA AA ''A AA AAA A AA ' 'AA AAA ' A A A ' A A A A A ' A A A A A A ' A A A A A A ' A A A A A A A A A -- AA AA A A A ' A A A A A A ' A A A A A A AA A '' AA -A A A ' A - A A A A A ' A - A A -A A A ' A
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
+ A N
A 'A
A
It
looks
like
A
A
K
s ¬
A
A
AA -A
A
'A
a
pri
A
- N
'A '''AAA AAA AA
A -
A
son
@
camp....
'N
N
- AAA
-AAA
'A '''AAA AAA AA
A
3
A
- AAA
-AAA
A
A
(backing away)
K
A
K
a.....
'A
A
'A A '''AAA AAA AA - AA
-AAA
-A
NO!.....
-N
'A '''AAA AAA AA
'A
A
- AAA
-AAA
- N
A
'A '''AAA AAA AA
- AAA
Reh. Pno.
Vln. 1
r
Vln. 2
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
s
+ A N
A
''AAA AA AAA AA AA AAA ' 'AA AAA -A A A ' A
+ A A
3
''AAA - -AA AAA AA 'AAA AA AAA AA - A A A A
' A A A AAA AAA '''AAA 'AA AA ---AAA AA AAA
N
''AAA AA AAA AA AA AAA ' 'AA AAA -A A A ' A
A
A - N
'N
N
A
A
A 'A
A
-N
'A
A - N
A
A
A - N
'N
N
A
A
A 'A
A
-N
'A
A
- N
A
A
+ A N
A
A 'A
A
A
N
A
AAA A
A
A
A
A
Cello
D. B.
N
A
A
'A
A
A
A A
A
A
A
A
<
A
A
A A AA A
A
518
Act 2 Ob.
1298 A r
'A
A 'A
A
A
'A
A 'A
A
A
'A
A 'A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
A
+ A
N
Cl. in Bb
A. Sax.
Bsn.
s
N
Perc.
PIANO
<
<
<
<
<
<
'A AA 'A AA AA A ' A ---AAA AAA AAA AA AAA
Kbd.
3
A 'AAA A AA A ' AAA AA '''AAA ---AAA AA AAA
''AAA -AAA AAA AAA AAA AAA '''AAA AAA
Mi
r
<
<
<
Mo
<
<
<
K
s ¬
A
A
Go
A
'A
AA -A
'''AAA
A
@
AAA
N
A
on
a
- A
A
A
N
'AAA
- AAA
-AAA
'''AAA
A
A
A -
-
-
'AAA
AAA
A
@
K
'A
A
- AAA
head....
A
A
-A
- AAA
-AAA
'''AAA
AAA
'AAA
AAA
AAA
AAA
Reh. Pno.
N
' A 'AA
---AAA
AAA
'A AA
AAA
AAA
AAA
AAA
AAA
AAA
'''AAA
+ A
N
''AAA
AAA
3
---AAA
AAA
''AAA
AAA
-AAA
AAA
'''AAA
'A
- A
A
A
N
A
A
-A
'A
A
Vln. 1
A r A
'A
- A
A
A
N
Vln. 2
A
A
-A
'A
A
Solo ord.
<
Cello
<
A
A 'A
A
A
A
'A -A
mf
D. B.
s
A
A
A
A
A
A
A
A
A
A
A
A
A
AAA
A
Ob.
Cl. in Bb
A. Sax.
Bsn.
The boy runs away into the darkness. Kurt is alone in the darkness.
1301 A r
s
'A
A 'A
A
A
'A
A 'A
A
A
'A
A 'A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
A
'A
A
A
A
N
N
Perc.
519
Act 2
+ A
3
A
N
<
<
<
<
<
<
PIANO
'A AA 'A AA AA A ' A A A -- AA AA AAA AA AAA
Kbd.
A 'AAA A AA A ' A A ' A AA A '' AA ---AAA AA AAA
''AAA -AAA AAA AAA AAA AAA '''AAA AAA
Mi
r
<
<
<
Mo
<
<
<
K
s ¬
<
<
<
A
-A
AA -A
'''AAA
AAA
A
'A
N
'AAA
- AAA
-AAA
N
'''AAA
AAA
'AAA
- AAA
A
A
-AAA
'''AAA
AAA
A
'A
'AAA
- AAA
Reh. Pno.
N
'A AA '
Vln. 1
Cello
D. B.
s
---AAA
AAA
AAA
'A AA
+ A
3
AAA
AAA
AAA
AAA
AAA
'''AAA
''AAA
AAA
---AAA
AAA
AAA
''AAA
A
-AAA
N
AAA
AAA
AAA
AAA
'''AAA
A
-A
A
'A
N
N
A
A
A
'A
A
-A
A
'A
N
N
A
A
A
'A
A
A 'A
A
A 'A -A
A
A
A 'A
A
A
A
A
A
A
A
A
A
r
Vln. 2
N
A
A
A
A
'A
A
A
A
A
A
A
A
A
A
A
AAA
'A -A
A
520
Ob.
Act 2
A2 1304 q = 146 r 3
3
Y
3
3
N
N
mf pesante
I
Cl. in Bb
A. Sax.
A
A A A A A A mf pesante
3
3 A A A A A A
A
I s
A A A A A A A A
A A A A A
N
3
3
A A A A A A A A A A A A A A A I
I
A
A
A A A A A A A
N
A A A A A A A A
mf pesante
SIDE DRUM (Sticks)
Perc.
I A A A A A A A Y
mf pesante
Bsn.
I A A A A A A A A A A A A A A A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
mf
PIANO
I
A
A A A A A A
I
A A A A A A A A A A A A A A A
I
A A A A A A A
A A A A A A A A
mf pesante
Kbd.
A - A
A
A
A
A A A
A
A
A
A
A
A
A A A
A
A
A
A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
mf K
s 3 ¬ Things
I
A
A A A A A A
3
the
art
I
A A A A A A A
-
-
-
A A A A A A A A
3
N
N
ist
must
not
I
A A A A A A A
A A A A A A A A
mf pesante
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
- A
A
A
A2
q = 146
s
A
A
A A A
A
A
A
A
A
A
A A A
A
A
A
A
<
<
<
<
<
<
<
<
<
<
A
(arco)
A
A - A
A
A
A A A
A
A
A
A
A
A
A A A
A
A
A
A
A
A - A
A
A
A A A
A
A
A
A
A
A
A A A
A
A
A
A
A
mf pesante
D. B.
3
A
(pizz.)
A
mf pesante
521
Act 2 Ob.
1309 r - 3
3
A. Sax.
- 3
3
3
<
+ A A+ A A+ A+ A
I A A A -A A A A I A -A A - A A A A A+ A
Cl. in Bb
Bsn.
3
3
+ A A+ A A+ A A A A A A A A A A A A A A A A <
3
I A A A - A A A A I A - A A - A A A A A A s
<
A A A A A A
@
A
A A A
A A A A A A A A A A A A A A A A A A A A
SIDE DRUM
Perc.
A
A
A
A
A
A
A
A
A
A
PIANO
A
A
A
A
+ A A+ A A+ A+ A
I A A A -A A A A I A -A A - A A A A + A A
A
A
A
A
A
A
A
A
A
A
+ A A+ A A+ A A A A A A A A A A A A A A A A
Kbd.
- A
A A A A
A
A A
A
A A A A A
A
A A A A
+ A A+ A A
A
A A
A A A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s - 3 ¬ do
3
3 to
I A A A -A A A A
-
-
-
3
<
@
day....
I A -A - A A A A A A+ A
A
A A A
Be trapped be - hind
+ + A A A
+ + A A A
+ A A+ A
+ A A A A A A A A A A A A A A A A
A
Reh. Pno.
- A
Vln. 1
r
A A A
A
A
A
A
A
A
A A A
A
A
A A A
A
N <
<
<
+ A A
+ A A
A
3
A
A
N
@
A
A
A
K
mf
Vln. 2
<
<
<
@
N
3
N
K
mf
Cello
D. B.
s
- A
A A A A
- A
A A A A
A
A
A A
A A A A A
A
A
A A
A A A A A
A
A A A A
+ A A+ A A
A
A A
A A A
A
A A A A
+ + A A A A
A
A A
A A A
522
Act 2 Ob.
1315 r
<
A A A A A A
A. Sax.
s
A A PIANO
<
<
<
3
Y
3
+ AA
+ A A A A A 'A
A A A
A A
A A N
A A - A I A A A A A A A I A A A A A A A A A A A A A A A A A A A ? A - A A A A A A ? A A A I A A A A A A A
A A A
SIDE DRUM
Perc.
<
+ ? I ? I + A - A I A A A A A A A A A A A A A A A A A A A A A A A A A A A A - A A A A A A A A A A A A A A A A
A A A
Cl. in Bb
Bsn.
<
A
A
A A A A
A A A A
A A
A A
A
A
A A
A A A A
+ ? I ? I + A - A I A A A A A A A A A A A A A A A A A A A A A A A A A A A A - A A A A A A A A A A A A A A A A
A A A
Kbd.
A A
A A A A
A A A A A A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
A A A A A s A ¬ barbed wi - re
+ + - A A A
A A A
A A A A
A A A A A A
K
N
<
walls,
I A A A A A A A
'A
+ AA
+ A A A A A 'A
Be
judged
A A A
A A A
by the shape
I A A A A A A A A A A A A A A A A A A A
?
A A
A A
and de - sign
A - A A A A
A A
of
?
AAA
A A A A
A N A your nose...
I
A A A A A A A
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
A
A A A A A
A
A
A
A
N <
<
A
- A
@
@
N
- A
A A A A A
A A
A
A A A
'A
A A
A
A
A
A
A
A
AN
<
<
<
AN
<
<
<
A A A A A A
A A A A
A A A A A A
A A A A A A
A A A A
A A A A A A
A A
A A A A
A A
A A A A
A
'A
A A A
A A
A A A A
'A
A A A
A A
A A A A
523
Act 2 Ob.
Cl. in Bb
1321 r
I
<
<
A A A A A A A
A. Sax.
A @ A A A
Bsn.
A A A A A A A s I
<
<
A A A A A A A A A A A A A A A A A A A A A A A A A A A A + A A
A A
A
<
<
A -A A A A A ?
K
@
A
? I AAA A A A A A A
A
AA
A
A
A -A A A A A AAA A A A A A A A A A A A A A A A A A A A A A A A A A ? A A A ? A A A I A A A
SIDE DRUM
Perc.
A A A A
A
A
A
A
A
A A
A
A
A
A
PIANO
I
A A A A A A A
A A A A A A A A A A A A A A A A A A A A A A A A A A A A
A
A
A -A A A A A ?
A
A A
? I A A A A A A A A A
Kbd.
A A A A A
+ A A
+ A A
A
A
A A
A A A A
+ A A
A
A
A A
A
A
AA
A
scrub
A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
@ A A A A Be banned from show
I A A A A A A A
A A
+ A A
-
your
ing
A
<
K
@
work...
A A A A A A A A A A A A A A A A A A A A A A
A A A A A A
A
A
Be
asked
to
?
?
A -A A A A A
A A A
A A A
floors
I A A A
Reh. Pno.
A
Vln. 1
Vln. 2
r
A
A
A A
+ A A
+ A
A
A
A
A
A
A
A
- A
3 <
A A
<
<
<
+ A A
A
A
A A
A
A
A A
A A A A
+ A A
A
A
A
A
D. B.
s A A A A A
+ A A
+ A A
A
A
A
A
AA
A
<
+ A A
+ A A
A
A N
A A A A
+ A A
A A
<
- A
A A A A A
A
A N
3
Cello
A A
A
524
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1326 r
<
<
<
<
<
A A A I A A A A A A - A A A A A A A I A A A A A A A A A A A A A A - A A A A A A A A
A A A A
A A N
K
<
A 'A A A
A
A 'A A A+ A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A A A A A A A A
A 'A A N
A A A A I A A A A A A A - A A A A A A A A I A A A A A A A A A A A - A A A A A A A A s SIDE DRUM
Perc.
<
A
A A A A A A A A
A
A
A
A
PIANO
A A A I A A A A A A - A A A A A A A I A A A A A A A A A A A A A A A - A A A A A A A
A A A A A A A A
Kbd.
A A A A
A A AA
A A A
A A
A A
A 'A A A
A
A 'A A A A
A 'A A A 'A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
A A A A A N A s ¬ with a tooth - brush...
I A A A A A A A
K
A 'A A A
<
Be
- A A A A A A A A
I A A A A A A A
a - fraid
A when
A A A
A A A A A
A
A A
A 'A A A+ A they
come for
- A A A A A A A A
A 'A A N you....
A A A A A A A A
Reh. Pno.
A A A
Vln. 1
Vln. 2
A
A A
A A
A A
A
N
r
<
@
<
@
A
A
A
N
A
A
A
A N
N
A N
Cello
A A A A
A A A A
A A A
A A
A A
D. B.
A A A s A
A A AA
A A A
A A
A A
'A
A
A
'A A A A
A
'A A A
'A
@
<
<
N
@
<
<
A 'A A A
A
A 'A A A A
A 'A A A 'A
A 'A A A
A
A 'A A A A
A 'A A A 'A
525
Act 2 Ob.
1332 r
<
<
<
A. Sax.
<
A
A
Perc.
A
A
A
A
A
A
A
A
A - A
A
<
<
A
AAA
A
A A - A A A
<
A
A A - A A A A - A A A A - A -A A A A A A A A A A I A A A A A A A
A A A A I A A A A A A A I A A A - A A s SIDE DRUM
<
+ I A A -A A A A -A A A A - A -A A A A A A A A A A A A A A A A A
A A A A I A A A A A A A I A A A - A+ A
Cl. in Bb
Bsn.
<
A
PIANO
A
A
A
A
A
A
A
A
A
A
A
A
A
A
+ I A A -A A A A -A A A A -A A A A A A A A - A A A A A A A A A A
+ I A A I A A A A A A A A A A A A - A A Kbd.
A A A A A
+ A A A A A+ A A
A - A
A
A
AAA
A
A - A A A A
A
A
A
A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
s ¬
<
<
I A A A A A A A
K
A Be
A
A - A
told
to
pack
A one
A AA bag
A
A A - A A A
and
leave your home.
+ A A -A A A A -A A A A - A -A A
+ I A A A A A A A - A A
A A
<
A
A A A A A A
A
I
A A A A A A A
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
A
A A A
A
3
3
A
N
N
+ A A A A
N
N
+ A
A
A
A
- A
A
A A A
A
A - A A A A
A
3
3
<
<
<
<
A
A
A
N
N
N
N
A
A A A A A
+ A A A A A+ A A
A
A - A
A
AAA
A
A - A A A A
A
A
A
A
A
A A A A A
+ A A A A A+ A A
A
A - A
A
AAA
A
A A - A A A
A
A
A
A
A
526
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1338 r
<
<
<
<
I A A A A - A I A+ A A A A A - A A-A A A A - A A A A A ? A A A A -A A A A A ? A A A A A A A A A -A A A A I A A A A
<
A
A
A
A
A
+ - A
<
A
<
A A A A A A A A A A A A -A A A A A A A I A A A A - A I A A A A A A - A A-A A A A - A A A A A ? A A A -A A A I ? s SIDE DRUM
Perc.
<
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
PIANO
I A A A A I A+ A A A A A A-A A A A - A A A A A ? A A A A -A A A A A ? A A A A A A A A A -A A A I A A A - A - A A Kbd.
A
A
A
A
A
A
A
A
A
A
+ - A
A
A
A -A - A
- A
+ + A A A A A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
s ¬
<
<
<
K
A
A
A
A
Be thrown in
-
to
A
A
cat - tle
+ - A
A
A
trucks...
I + I A A A A - A A
A A A A A - A A -A A A
A - A A A A A ? A A A A -A A A A A ? A A A A A A A A A
A
A
A
I A A A -A A A A
Reh. Pno.
Vln. 1
Vln. 2
r
A
N
A
D. B.
s A
A
A
A
A
A
N
N
A
A
A
A
+ - A
A
A
A
A
A
A
A
A
@
K
@
@
K
@
A
A
A
+ - A
A
A
A
+ - A
A
A
N
N
N
Cello
A
A -A - A
- A
A A
+ A A
+ A A
A
N
A
A
N
A
N
A
A
N
A
A
A -A - A
A
A
A -A - A
A
- A
+ + A A A A A A
A
- A
+ + A A A A A A
A
527
Act 2 Ob.
1343 r
<
@
A. Sax.
s
A
A A
<
<
<
A A
+ A A
A
A
N
@
<
K
@
I A+
A A I A A A A A A A 'A ? A A A A A A A ? A A A A A ? A A A A A A A A A A ? A A A A A A A A A A A A A A A A A A A A A A
SIDE DRUM
Perc.
<
+ ? ? ? ? A A I A A A A A A A ' A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Cl. in Bb
Bsn.
B2
A A A
A
A
A
A
A
A
A
A A
A
A
A
A
A
A A A
PIANO
? ? ? ? A A I A+ A A A A A A ' A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A Kbd.
A
A 'A
A
+ A A
+ A A
A
A
A
A A
+ A A
+ A
A A A
A
A
A - A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
@ s ¬
A A
A
A A
+ A A
A
Be - ing
made
to wear
striped
py
+ A A I A A A A A A A 'A
?
A A A A A A A
?
AAAA A
A -
ja
?
N -
@
<
K
@
mas,
I A+ Be
A A A A A A A A A A
?
AA AAA A A A A A A A A A
A A A A A A A A
Reh. Pno.
A
A
'A
A
+ A A
+ A A
A
A
A
A
A
+ A
A
+ A
A
A A
A
A
A
- A A
B2 Vln. 1
r
N K
<
N
K
Cello
A
A 'A
A
D. B.
s A
A 'A
A
Vln. 2
N
- N
A
N
-N
A
3
3
@
<
@
+ A A
+ A A
A
A
A
A A
+ A A
+ A
A A A
A
A
A - A A
+ A A
+ A A
A
A
A
A A
+ A A
+ A
A A A
A
A
A - A A
528
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1348 r
<
<
<
<
<
I I I + I A A A A A A A A A A A A A A A I + A A A A A A A A A A A A A A A A A - A A A A A A A A A A + A A
+ AA
A
A A
A A A
+ +A A A
A
@
<
K
@
A
A - A
A A
A A A A A I A A A A A A A I A A A A A A A A A A - A I A A A A A A A A A I + A A A A A A A A A A I s SIDE DRUM
Perc.
<
A
A
A
A
A
PIANO
I
A A A A A A A
I
A
A
A
A
A
A
A
A
A A
A
A
A
A
A
A
A
A
A
A AAAA A A A A A I I I A AAA AAA A A A A A A A A A A A - A A A A A A A
Kbd.
+ AA
+ AA
A
+ A A
AA
A A A+ A
A
A
+ A A A A
A
+ A A
+ AA
A
A - A
A A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
+A s A ¬ or
I
+ AA -
dered
A
A A
+ +A AA
to
shave
for
A A A A A A A
I
A A A
head
A A A A A A A
A
@
<
K
@
lice...
A Be
I A A A A A A - A
A A A
A A A A
I A A A A
A A told that
A - A you
I + + A A A A A A A A A A
Reh. Pno.
Vln. 1
Vln. 2
r
+ A A
+ A A
A
+ A A
A A
A A
+ A A
A
A
@
K
<
K
<
K
K
Cello
+ AA
+ AA
A
+ A A
AA
A A A+ A
D. B.
+ s AA
+ AA
A
+ A A
AA
+ A A A A
+ A A
A A
A
+ A A
+ A A
A
A
N
3
3
@
A N I
@
A N I
N
3
3
A @
A
A
A
- A
A
A
+ A A A A
A
+ A A
+ AA
A
A A
A - A
A
A
+ A A A A
A
+ A A
+ AA
A
A A
A - A
529
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1354 r
<
A A A A A
Perc.
A - N
A A A -A A A A I s SIDE DRUM
A
A
A
<
A
A A A A
@
A A A A A -A
A
A
A
<
<
<
I - A A A A A A A I A A A A A + A -A A A A+ A + A A A A A A A A A A A A
A A A A A+ -A
I A A A
-A A A A
A
<
A
A
A A A
A
A
<
N
A - A A A A A A A A A A A A A A - A A A A A A A A A A A A A A I I
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
PIANO
-A A A A I A A A
+ A -A A A A+ A + A A A A A I - A A A A A A A I A A A A A A A A A A A A
A A A A A+ -A
Kbd.
A
A A A A A
- A - A A
A
+ A A A A
A A A
A
A
+ A A A A
A A
A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s ¬
A must
A A A A A take
-A A A A
I
a sho
A A A
A - N -
@
wer.
Things
A A A A A+ -A
A A A
A A A A the art
-
+ A -A A A A+ A A
+ A
ist
must
not
A do
A A A A A A A A
A
N
A
<
to - day.
I - A A A A A A A
I A A A A A A A
Reh. Pno.
Vln. 1
r
Vln. 2
A
A A A
N
N
N
A A
N
Cello
A
A A A A A
D. B.
s A
A A A A A
- A
- A
A
A
A
A
+ A A
A
A
A
A
A
A
A
@
K
<
<
@
@
K
<
<
@
- A - A A
A
+ A A A A
- A - A A
A
+ A A A A
A A A
A
A A A
A
A
+ A A A A
A
N
- N
A
N
-N
A
A
+ A A A A
A
+ A A A A
A
A A
A A
A
A
A
A
A
530
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1360 r
<
<
<
<
I ? ? A A A - A ? A A -A ? A A A I A A A A A A I A A A A A A A A A A A A A A A A A A A A A A A-A A - A A A A A A A A A A A K
@ A
A
A A
A
+ A -A
A
A
+ I A
@
A A
N
A A
A A A A A A A I A A A A A A ? A A A A A A A A A A-A A - A A A A ? A A A A A A - A ? A A - A ? A A A I A A A A A A A I A A A s SIDE DRUM
Perc.
<
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A A
A A A A
PIANO
Kbd.
I ? ? A A A - A ? A A -A ? A A A I A A A A A A I A A A A A A A A A A A A A A A A A A A A A A A-A A - A A A A A A A A A A A A -A
A
A
A
A A
A
A -A
A
A
A
A A
A A
+ A A
A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s K ¬
@
A A A A A A A
I
A
A
A A
A
A - A
A
Things
the
art - ist
must
not do
to
A AAA AA
A -
+ A I
@
day.
? A ? A A A A A A A A A -A A - A A A A A A A A A A - A
A A Be
N
forced
? A A -A ? A A A I A A A
A A to
take
I A A A A A A A
Reh. Pno.
A -A
A
A
A
A
A
A
A -A
A
A
A
A
A
A
A
+ A A
A
A
N
N
N
3
N
A
N
A A
Vln. 1
- A A r - A A
N
N
Vln. 2
N
3
N
A
N
A A
A
A
A
A A
A
A
A A
Cello
A -A
D. B.
A -A s
A
A
A -A
A
A
A -A
A
A
A
A A
A A
+ A A
A A
A
A
A A
A A
+ A A
A A
531
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1365 r
<
<
<
<
<
A A A - A A A A A A A I A A A A A A A A A A A A A -A A A - A A A A A A A A A A A A A A A A A A A A A
A
A A
A A
N
A A -A A
A
-A
+ A A
+ -A N
K
<
A A - A A A - A A A - A A A A A A A A A A A I A A A A A A A A -A A A A A A -A A A A -A A A A A A A A A s SIDE DRUM
Perc.
<
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A A
A
PIANO
A A A - A A A A A A A I A A A A A A A A A A A A A -A A A - A A A A A A A A A A A A A A A A A -A A -A Kbd.
A
A
A A
+ A A
A A
A A -A A
A
A A A A
-A A - A
A A A A A
A A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s A ¬
A
A A a
jour
- A A A A A A A A
A A
N -
ney
A A -A A to
a
place you
A do
-A not
+ A A
+ -A N
K
A
<
know......
I A A A A A A A
A A A A A A A A A A A -A A A A A A -A A A A -A A A
+ A A
A
A -A A
A - A A A
Reh. Pno.
A
Vln. 1
A
A
A
r 3
A
A
3
Vln. 2
3
Cello
A
A
D. B.
s A
A
A A
A A
+ A A
- A
A
3
3 + A A
A
3
A A
A A -A A
A A
A A -A A
A
A A A A
3
3
-A
A
-A
A A A A
A
A A
A
-3
N
AA
-3
N
AA
A
A A A A
-A A - A
A A A A A
A A
A
A
A A A A
-A A - A
A A A A A
A A
A
532
Act 2 Ob.
1371 r
Cl. in Bb
A. Sax.
Bsn.
s
<
<
<
<
<
<
A -A A
A A A A I A A A A A A A I A A A A A A A A A A A A A A A A A A A A A A A A A - A A A A A A
K
@
A
A
A A A
+ A A A A A
+ A A
@
K
K
@
A
A A A+ A - A
A A A A - A A A A A A A A A A A A A A A A A A A A A A I A A A A A A A A A A A A A A A A I
A -A A
SIDE DRUM
A
Perc.
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
PIANO
AAAA I AAA AAA A I AAAA AAA AAA - A A A A A A A A A A A A A A A A A A A A A
A -A A Kbd.
+ A A A A A
A
A A A
+ A A A A A
+ A A A A A
+ A A A+ A A
+ A A A+ A - A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
K s ¬
A
A
A A A
A A A A A
Things
the
art - ist
not
@
A -A A
A A A A
must
I A A A A A A A
do to -
+ A A
@
K
K
@
day...
A
A A A+ A - A
Take
I A A A A A A A
a
night
A A A A A A A A A A A A A A - A A A A A A A A A A
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
A
+ A A A A
A
A
A
A
A
+ A A A A
+ A
A
A
A
A
+ A A
+ A A
A
+ A A
3
3
3
A N
A
3
3
3
3
3
A N
A
3
3
+ A A
- A
+ A A A A A
A
A A A
+ A A A A A
+ A A A A A
+ A A A+ A A
+ A A A+ A - A
+ A A A A A
A
A A A
+ A A A A A
+ A A A A A
+ A A A+ A A
+ A A A+ A - A
533
Act 2 Ob.
Cl. in Bb
A. Sax.
Bsn.
1377 r
<
<
<
<
<
? ? - A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
A A
@
A
A
A
A
-A
+ + A A A A A A
+ A A
N
+ A A
A A
A
A A A A A A A A A A A A A A A A ? A A A A A A A ? A A A A A A A - A A A A A A A A A A A A A A A A A A A A A s SIDE DRUM
Perc.
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
PIANO
? ? - A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A
Kbd.
+ A -A A A A
A
A
A
-A
+ A A A A A A A
+ A A A A
+ A A
A A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
A A s ¬ train
@
A
A
which
A A A A A A A A A A
A
A
-A
pass
-
es
A A A A A A
?
+ + A A A A A A a
A A A A A
hun
-
dred
+ A A
N
stops,
but they
A A ? A A A A A A A - A A
+ A A
A A
have
no
A A
A name...
A A A A A A A A A A A A A A A A A A A
Reh. Pno.
A -A
Vln. 1
r
Vln. 2
+ A A
A
A
A
A
-A
+ A A
A
A
A
A
A
A
A
+ A A
+ A A
3
-3
A N
3
3
3
-3
A N
3
3
Cello
+ A -A A A A
D. B.
+ A -A A A A s
A
A
A
A
A
A
A
A
-A
+ A A A A A A A
A A A+ A
+ A A
A A
A A
A
A
-A
+ A A A A A A A
+ A A A A
+ A A
A A
A A
534
Act 2 Ob.
1382 r
Cl. in Bb
<
? A A A A A - A A A A A A A
<
<
<
K
@ A
A A A A A -A ? A A A A A s A
<
<
? I AA A AA I AAAI AAA AA A A A A A A A A A A A A A A A A A A
@
N
A. Sax.
Bsn.
<
A
+ A A A A A A
A A
A A A A I A A A @ N
A A A ? A A A A A A A I A A A I A A A A A A A I A A A A A A A A A A A
A A A A A A A I
A
A A A A
SIDE DRUM
A
Perc.
A
A
A
A
A A
A
A A A
A A A A
A A A A
PIANO
A A A -A ? A A A A A A A A
Kbd.
A
A A A
A
? I AA A AA I AAAI AAA AA A A A A A A A A A A A A A A A A A A - A
A -A A A A
+ A A
A A
+ A A A A A A A
A A
A A A A I A A A A A A A
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
@
s N ¬
<
@ A
K
Things
A A A -A ? A A A A A A A A
A A A
?
A A A A A A A
I
A A A I A A A
A A A A A A A the
art - ist must not
I A A A A A A A
do
A A
@
N
to - day,
A A A A A A A A
I A A A A A A A
Reh. Pno.
A
A
A
A
A
-3
3
-3
A
A
A
A
-3
3
-3
A A A
A
A A A
A
r
Vln. 2
D. B.
s
A
A
- A
- A
A -A A A A
+ A A
A
Vln. 1
Cello
- A
A
A A
A
A
A
A
A
A A
+ A A
A
A
A
A
N
A
N
-N
N
A
N
-N
A
A
A -A A A A
+ A A
A A
+ A A A A A A A
A A
A A A A
A -A A A A
+ A A
A A
+ A A A A A A A
A A
A A A A
535
Act 2 Ob.
1388 r
<
<
<
A A A A A A ? A A A A A
<
mf
- A A A A A A A
Cl. in Bb
A Bsn.
s
A - A A A A A A
SIDE DRUM
Perc.
+ A A
+ A A
A
+ A A A A
+ A A
<
A. Sax.
+ A A
A
A
A
A
PIANO
A
A
A A
A
- A A A A A A A
+ A A
+ A A
A
A A
A
A
A A A
A
+ A A
A
A
A
A A A
+ A A
A
A
A
A A A
A
<
A A A A
<
A A
+ A A A A
+ A A
K N
A
A A
A A A A A A A A A A A ? A A A A
A
A
A
A
A
A A A A A A A A A A A ? A A A A
Kbd.
A
A
A
A
+ A A
A A A
A
A A
A A N
A
A
A
A
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
s ¬
<
K
<
K
A
A
A
Things
the
art
- A A A A A A A
+ A A
+ A A
-
A
A A
A
A
ist
must not
do
to
+ A A
+ A
A
A
A
A
+ A A
N -
+ A
A
day.
A A A
A A A A
A A A A A A ? A A A A
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
A
A
A
A
A
+ A A
A
A A
A A N
N <
A
A
N
A
A
<
A
A
A A
A
A
A
A
N
A
N
N
A
N
A
A
@
A
A
A
A
A
A
+ A A
+ A A
A
A A A
A A
A A N
A
A
A
A
A
A
A
A
A
+ A A
+ A A
A
A A A
A A
A A N
A
A
A
A
A
A
536
Act 2 Ob.
1393 A A A r A A A A A A A A A A A A A A A A A A A A A A A ? A A A A A A A A A A A A A A A A A A A A A to Bass Clarinet A A A A A A A A A A A A A A A A A A A A A A A A A A A ? A A A A A A A A A A A A A A A A A A A A
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C2 1398 q = 112 r
537
Act 2
Michael runs back. He waves a bus ticket in his hand. He lights Kurt up with his torch.
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Act 2 Ob.
1402 r
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Act 2 Ob.
1443 r A
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s
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AAA ' 'AA AA - AAA - A AA 'A A
AAA ' 'AA AA - AAA - A AA 'A A
AAA ' 'AA AA- AAA - A AA 'A A
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AAA ' 'AA AA - AAA - A AA 'A A
Kbd.
<
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Mo
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A - N s ¬ like mus AA A
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Reh. Pno.
'A
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Vln. 1
r @
Vln. 2
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s
K
<
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547
Act 2 Ob.
1448 r A
A
'A A
A A 'A A
Bass Cl.
A. Sax.
Bsn.
Moment. They study each other
s
A
'A A
A
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PIANO
AAA ' 'AA AA - AAA 'A A
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'A '''AAA AAA AA
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Kbd.
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Mi
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Reh. Pno.
A
Vln. 1
'A
r
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A
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Cello
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A
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548
Ob.
A A A A A A A A
Bass Cl.
A. Sax.
Bsn.
Act 2
D2 1452 q = 72 r <
s
A A N
<
<
<
A
AAAAAAA
A A A A A A A A
A
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A
A A A A A A A
A A A A A A A A
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A A N
A A N
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motor on
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3 33 -3
3 3 3 3
Vib.
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A A N A A N
<
3 33 -3
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A A N A A N
PIANO
<
<
3 33 - - 3
3 3 3 3 A A N A A N
A A N A A N
A A N A A N
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A A N A A N
Kbd.
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<
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Mo
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s ÂŹ
N
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Is
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think
<
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3 33 -3
3 3 3 3
3 33 - - 3
3 3 3 3
Reh. Pno.
A A N
A A N
A A N
A A N
A A N
A
A N
D2 Vln. 1
r
Vln. 2
33
s
3 3
3 3
3 3
3 3
3 3
-33
33
-33
33
- - 33
A A N
A A N
Cello
D. B.
q = 72 3 3
<
<
A A N
A A N
A A N
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549
Act 2 1458 r
<
<
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<
<
<
<
<
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<
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A. Sax.
<
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<
<
<
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Bsn.
Ob.
Bass Cl.
s
3
3
3
3 33 --3
3 3 3 3
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3
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3
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3 3 3 3
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3 3 3 3
mf
3 3 3 3
Vib.
3
PIANO
A A N A A N
3 3 3 3
- A A N -A A N
A A N A A N
A A N A A N
A A N A A N
A A N A A N
A A N A A N
A A N A A N
A A N A A N
Kbd.
<
<
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Mi
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<
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A A N
A A N
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a - ny
more.
I don't
K
s A A N ÂŹ You don't
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3 33 --3
3 3 3 3
3 33 -3
3 3 3 3
think we
3 33 -3
3 3 3 3
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3 33 - - 3
3 3 3 3
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3 3 3 3
Reh. Pno.
Vln. 1
- A A N
A A N
A A N
A A N
A A N
A A N
A A N
A N A
3 3
r
3 3
3 3
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3 3
3 3
3 3
33
--33
33
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- - 33
33
Vln. 2
Cello
D. B.
A A N
s
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550
Act 2 Ob.
1467 r
Bass Cl.
A. Sax.
Bsn.
s
<
<
<
<
<
A A A A A A A A
- A A A A A A A A
A A A A A A A A
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A A N <
3 33 -3
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3 3 3 3 A A N A A N
A A N A A N
Kbd.
<
A A A A A A A AY
A A A A A A A A
<
3 33 -3
3 3 3 3
A A AA NN
A A N
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s A A N ÂŹ - gain.
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33 -3 3
3 3 3 3
A A N
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A
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is - n't
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bus
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3 33 -3
A
A
N
have - n't
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N
got.
A
Ev' - ry - thing's
3 33 -3
3 3 3 3
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3 3 3 3
Reh. Pno.
Vln. 1
r
Vln. 2
D. B.
s
- A A A A A A A A
A
A A A A A A A
A A A A A A A A
A A A A A A A A
3 3
3 3
3 3
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3 3
-33
33
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33
-33
33
A A N
Cello
A A A A A A A A
<
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A A N
<
A A N <
A A N
A A N <
<
<
551
Act 2 Ob.
1473 r
<
<
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<
<
@
A A A mf
A A A A A A A A
Bass Cl.
Bsn.
s
<
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33 -3 3
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A
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33 3 -3
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APIANO A N A A N
A - A A A A A A A @
Y
A A N
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A. Sax.
A
A A A A A A A
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3 3 3 3 A A N A A N
Kbd.
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r
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in
it's
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you
3 3 -3
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got
the
lot.
3 33 3
3 3 -3
3
A A A A A A A A
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A AA A
N
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AA A A
AA A A
Reh. Pno.
Vln. 1
A
A A A A A A A
A
A A A A A A A
3 3
r
3 3
3 3
3 3
3 3
-33
33
-33
33
-33
Vln. 2
A A N
A A N
Cello
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AA
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3
arco D. B.
s
<
<
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A A A A A A
<
552
Act 2 Ob.
1479 r A
A
Bass Cl.
A A A
A A A
s
Vib.
A
- A A A
A
+ - A A A
Y
A
A A A
A
A A A
A
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A A A
A
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A A A
A
+ -A A A
A A N
Y
Y
Y
A A N
A. Sax.
Bsn.
Kurt gives the ticket back to Michael. Kurt walks away into the dark.
A A N
A A N
A A N
<
<
<
<
33 3
-3
3 33 -3
3 3 3 3
APIANO A N A A N
Y
A A N
A A N
<
<
3 33 -3
3 3 3 3
A A N A A N
A A N A A N
A A N A A N
3 3 3 3 A A N A A N
A A N A A N
Kbd.
Mi
<
<
<
<
r
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<
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A
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A A
Where
are you
A go -
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Mo
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K
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Reh. Pno.
Vln. 1
A
A N
A
A N
A
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A
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A A N
AA r
AA AA AA
AA
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A A A A
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Vln. 2
A A N
Cello
D. B.
A N
s
3
A A N
A A N
A A N
A A N
A A N
3
3
3
3
3
553
Act 2 Ob.
1485 A r
Bass Cl.
A. Sax.
Bsn.
s
Michael is alone.
A
A
A
A
A
- A
A
A
A
A
A 'A
A
A
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A
A
A
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3 - - 3 3 3
Vib.
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<
<
3 33 -3
3 3 3 3
PIANO A A N A A N
A A N A A N
<
Mi
r
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A N A N
A A N A A N
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s ¬
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Kbd.
A - - AA A
A
AA A A
AA A A
AA A A
AAA A
AAA A
AAA A
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A -AA A
AA A A
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AAA A
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AA A A
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Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
AA
--A A
A
3
A
A
N
AA
AA
AA
A A A A A A
A A
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AA
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AA
A A A A A A
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3
3
A
A
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AA
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A A A A A A
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A A
A A
A A N
A
3
# 3
A
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AA
#
AA
A A A A A A#
# A N
554
Act 2 Scene 19 1490 Ob.
r q = 92 <
Bass Cl.
Outside Kurt’s room. The door is open. Michael approaches. Kurt is on his knees on the floor. He has a toothbrush in his fingers. Another day.
<
<
<
<
Bsn.
s
Vib.
<
<
<
<
< Y
Y 3
3
3
3
3
3
pp
A. Sax.
<
3
3
3
3
3
<
<
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PIANO
3 3
3 3
3 3 -3 33
3 3 3 33
3 3 3 33
3 3
3 3
3 3 -3 33
3 3 3 33
3 3 3 33
3 3 3 33
3 3 33
3 3-3 3 3
3 3 33 3
3 3 33 3
3 3 33
3 3 33
3 3-3 3 3
3 3 33 3
3 3 33 3
3 3 33 3
pp
Kbd.
3 3 33
Ped. held throughout.
Mi
r
pp
<
<
<
<
<
<
<
<
<
<
- A A - A - A Why
don't you
Mo
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<
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<
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s ¬
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3 3 -3 33
3 3 3 33
3 3 3 33
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3 3 -3 33
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3 3 3 33
3 3 3 33
3 3 33
-3 33 3 3
3 3 33 3
3 3 33 3
3 3 33
3 3 33
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3 3 33 3
3 3 33 3
3 3 33 3
pp
Reh. Pno.
Vln. 1
3 3
3 3 33
r q = 92 <
<
<
<
<
<
<
<
<
<
<
Vln. 2
<
<
<
<
<
<
<
<
<
<
<
Cello
<
<
<
<
<
<
<
<
<
<
<
3
D. B.
s
pp
3
3
3
3
3
3
3
3
3
3
555
Act 2 Ob.
1501 r
<
<
<
< Y
<
N
N
<
<
<
<
<
<
<
<
<
<
<
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PIANO
3
A. Sax.
Vib.
3
<
s
3
<
Bass Cl.
Bsn.
3
<
3
3
3
3 3 3 3 3
3 3 33 3
3 3 33 3
3 3 33 3
33 3 3
3 33 3
3 3 -3 33
NNNNN
NNNNN
3 --3 3 3
3 3 3 3
3 3 3 3
3 3 3 3
3 -3 3 3
3 3 3 3
3 3-3 3 3
N NNNN
N NNNN
-3
<
<
<
Kbd.
Mi
r
A A A A want to see
<
K
@ A But
<
<
s ¬
<
<
<
me?
Mo
K
A @ K
<
<
pp
A A A A 3 I'm not good for
you.
why?
<
<
<
<
<
<
- A A - A - A A I don't think we should
3 -3 33 3
3 3 33 3
3 3 33 3
3 3 33 3
33 3 3
3 33 3
3 -3 3 33
N NNNN
NNNNN
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3 3 3 3
3 3 3 3
3 3 3 3
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3 3 3 3
3 3-3 3 3
N NNNN
N NNNN
Reh. Pno.
Vln. 1
r
<
<
<
<
<
<
<
<
Vln. 2
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
N
N
Cello
D. B.
s
-3
3
3
3
3
3
3
556
Act 2 Ob.
1509 r <
N
Bass Cl.
A. Sax.
Bsn.
s
Vib.
<
<
3
Y
3
<
3
N
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<
<
N
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3
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3
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NNN NN
3 3 -3 33
3 3 33 3
PIANO
NN NNN
3 3 3 33
3 3 3 33
' N N '''-NNNN NNNN
NNNN N
3 33 3 3
3 3 33 3
'' -NNN NNN ' NN NN
3 33 3 3
<
<
<
<
3 3 3 3 3
NNN NN
Kbd.
Mi
r
<
@ A -3
K
But
Mo
K
<
N A s ¬ meet a -
NNNN N
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33 3 3
<
<
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<
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why?
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gain.
I
N NNNN
3 3 3 33
3 3 3 33
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3 3 33 3
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should
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have
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3 3 3 3 3
N NNNN
3 33 3 3
NNN NN
NNNN N
@ A A A A A A
bike.
3 -3 3 33
I was try - ing to ex -
3 3 33 3
33 3 3
Reh. Pno.
Vln. 1
r
<
<
<
K
NNNN N
-N A
-A -N 'A
NNNN N
'A A -N 'A
--3 33 3
- N
A A A A @ A A
pp
Vln. 2
<
<
<
<
<
<
<
<
Cello
<
<
<
<
<
<
<
<
N
N
D. B.
N
s
3
3
N
N
3
-3
3
557
Act 2 Ob.
1517 r
<
<
<
<
<
<
<
Y
<
Bass Cl.
A. Sax.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Bsn.
s
Vib.
3
N
3
PIANO
3 3 3 3 3
33 3 33
N
NNNN NNN N ' NN
3
3
33 3 33
3
33 3 33
33 3 33
3
3
3 3 - -3 33 3
3 3 3 33 3
3 3 3 3
3 3 3 3
Kbd.
3 3 3 3 3
NNN NNN NN N
3 3 3 3 3
3 3 33
3 3 33
3 3 33
Mi
r
<
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
K
s ÂŹ
-A A A A -
plain
A A -A A
some -thing
33 3 33
a - bout
33 3 33
N
N
K
@
DA - DA.
NNN NNN NN ' NN
-A But
A A A -A N that's
not the
33 3 33
33 3 33
sort
N of
33 3 33
+ A A
-N thing
A A
N that
you'd
3 - -3 3 33 3
3 3 3 33 3
3 3 3 3
3 3 3 3
Reh. Pno.
3 33 3 3
-A A A A
3 3 3 3 3
NNN NN
N NNN
33 3 3
A A -A A
N
N
N
33 3 3
-A
33 3 3
A A A -A N
N
A A
Vln. 2
<
<
<
<
<
<
<
<
Cello
<
<
<
<
<
<
<
<
D. B.
s
3
N
N
3
3
3
3
A
N
Vln. 1
3
-N
A
r
3
558
Act 2 Ob.
1525 r
Bass Cl.
A. Sax.
Bsn.
s
Vib.
<
<
<
<
<
<
<
<
<
Y
3
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
33 -3 3 -3
3 33 3 3
33 3 33
33 3 33
-3 3 -3 3
3 3 3 3
3 3 3 3
3 3 3 3
'3
PIANO
' 3 3 ' '3-3
33 3 3
' ' -3 ''3 3 33
3 3 3 33
<
3
'3
33 3 3
3
'''3-3 3 3
3
33 3 3
3
3
3
Kbd.
Mi
r
<
Mo
K
s ÂŹ
-3
'''3-3 3 3
''''-3 3 3 33
<
K
<
<
like.
3 3 3 33
3 3 3 33
<
<
<
<
a
33 3 3
A A N -
po
- lo
'''3-3 3 3
-
<
<
N
N
N
N
I
know
why
you
<
<
<
<
<
N N
<
<
<
<
<
N -N I
33 3 3
3 ''''-3 3 33
gise........
33 3 3
33 -3 3 -3
3 33 3 3
33 3 33
33 3 33
-3 3 -3 3
3 3 3 3
3 3 3 3
3 3 3 3
Reh. Pno.
Vln. 1
r
Vln. 2
s
'N
<
Cello
D. B.
-3
< '3
3 3 3 33
3
<
<
3
3 3 3 33
''''-3 3 3 33
N - N
A A N
<
3 3 3 33
N N
<
<
A
<
<
N
3
<
<
<
<
<
<
<
<
<
Apizz.AAA A A A A A A A Â? Â? Â? Â? Â? Â? Â?
pp
3
3
3
-3
3
3
3
559
Act 2 Ob.
1534 r
<
<
<
Y N
N
N
3
<
<
Bass Cl.
A. Sax.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Bsn.
s
Vib.
<
N
A N
N
N
PIANO
NNNNN
AAAAA NNNNN
NN NNN
NN -NNNNN NNN
N NNNN
AA -NN AA -NN
NN NN
NN NN
N-NNNN
N NNNN
NNNNN
3
- 33 3 3 3
3 3 3 33
Kbd.
Mi
NN NN
r A N were
a
N -
fraid
N
A
to
go
A
N in
-
NNNNN
A A A A A
A N
to the bus
pot.
de -
3 --3 3 3
3 3 3 3 3
@ A You
A -A thought it
N
A A
looked
like a
Mo
<
<
<
<
<
<
K
s ÂŹ
<
<
<
<
<
<
NNNNN
AAAAA NNNNN
NNN NN
NNN NN
-NNNNN
NN NNN
NNN N
-N A AAA -NNN
NN NN
NN NN
N-NNNN
N NNNN
NNNN N
- 33 3 3 3
3 3 3 33
Reh. Pno.
NNNNN
-3 -3 3 3
3 33 3 3
Vln. 1
r
<
<
<
<
<
<
Vln. 2
<
<
<
<
<
<
Cello
A A A A Â? Â? Â? Â?
D. B.
N
s
3
A A A A A A A A A A A A A A A A A A A A A AAAA Â? Â? Â? @ A A A A A Â?A Â? Â? Â? Â? Â? Â? Â? Â? Â? Â? Â? N
N
N
N
3
A A A A Â? Â? Â? Â? -3
560
Act 2 Ob.
1540 r
Bass Cl.
N
A. Sax.
Bsn.
s
Vib.
< Y
<
3
N
<
3
<
3
<
3
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
PIANO
NNNNN
NNN N
33 3 3
33 3 3
33 3 3
33 3 3
NNN N
- NNNN N
33 3 3 3
33 3 3 3
33 3 -3 3
33 3 3 3
r N
A
A
3
son
camp.
Kbd.
Mi
pri
-
<
Mo
<
<
K
s ¬
<
<
A
<
<
Yes
A A A that's
@
<
3
-A
A
A
What
are
you
<
<
true.....
NNNNN
NNN N
33 3 3
3 33 3
33 3 3
33 3 3
NNN N
- NNNN N
33 3 3 3
33 3 3 3
33 3 -3 3
33 3 3 3
A A A
3
3
A A A
3
Reh. Pno.
Vln. 1
A
r
<
<
pp
<
Vln. 2
<
A
3
pp
A A A
Cello
D. B.
s
N
N
AAAA A A A A A 3
AAAA
3
<
< -3
@
3
AAAAA A
561
Act 2 Ob.
1545 r
N
Bass Cl.
A. Sax.
Bsn.
s
Vib.
<
Y
N
<
<
3
<
3
3
<
<
<
<
<
<
<
<
<
<
<
<
PIANO
NN NN
NNN N
3 3 3 -3 3
33 3 3 3
33 3 3 3
NNNN N
NNNN N
3-3 3 3 3
3 3 33 3
3 3 33 3
Kbd.
Mi
r A
A
A
A
do - ing
on
the
A
+ A
N
<
<
floor?
Mo
<
<
<
<
K
s ¬
<
<
<
<
NN N
NN N
NNNN N
NNNN N
33 3 - 3 3
33 3 3 3
33 3 3 3
3-3 3 3 3
3 3 33 3
3 3 33 3
3
3
3
3
3
3
A
3
Reh. Pno.
Vln. 1
r
N
Vln. 2
N
Cello
A
D. B.
N
s
N
N
A
A
N
A A A A A
A A A A A
A
A 3
A
A
A
A 3
A
A
A A A A
562
Ob.
E2 1549 q = 90 r -3 mp legato
-3
Bass Cl.
Act 2 N
A
3
3
3
'3
'3
3
'N
N
A
N
A '3
NN N
'N AA ''3 A 3
NN N
AA ''3 3 A 3
3
3
'N
3
N
N
Y N
3
'N
Bsn.
s
Y
N
A 'A
Y '3
3
3
'3
Y 3
'3
'3 3 3
'3 3 '3
''3 3 3
3 3
'3
N
mp legato motor on
Vib.
3
N
3
mp legato
-3
3
'3
Y
Y
mp legato
A. Sax.
Y
Y
'3
--'3 3 3
mp PIANO
--'3 3 3
N
N 3 3
N
N 3 '3
'N
N 3 3
A 'A
3 3 3
3 3 3
3 3 '3
3 3 3
'3 3 3
'3 3 3
3 3
3 3
3 3
3 3
N N
mp
Kbd.
-'3 3
3 3
'3 3 sim.
6
'3 '3
N N
Mi
r
<
<
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
<
mp K
s 'A A A A ¬ Peo - ple have been
-'3 -3 3 Reh. Pno.
N
A
forced
to
NNN
AAA
'N
'N
clean
N
N
K
pave - ments
''N3 '3
N
N 3 3
N
N '3 3
'A A
N
with a
tooth -
'N
N 3 3
'A
Y 3
brush.
A 'A
A A A A
A 'N
This is what they
'3 3 '3
3 '3 3
3 3 3
can
mp legato
-'3 3
3 3
3 '3
3 3
3 3
3 3
NN
3 3
''3 3
NN
E2 Vln. 1
q = 90 r '3
N
A
'N
'N
N
N
N
'N
N
mp legato
Vln. 2
<
arco
Cello
'3
<
<
<
<
3
3
3
3
A @ K
'A @ K
A @ K
A
N
3
pizz.
D. B.
mp
@ K
A
<
@ K
A
<
N
3
mp legato
-A @ K s
'3
<
'3
3
@ K
A
<
'3
N
@
A
@
'A @ K
563
Act 2 Ob.
1558 r N
Bass Cl.
A. Sax.
Bsn.
s
Vib.
'N
'N
N
N
'N
'N
Y
'N
AK
A
3 Y
Y 3
'3
'N
N
N
N
N
N
'NNN
NNN
NNN
NN N
NN N
Y
N
PIANO
'NNN
N
'N
'N
N
'N
'N
'A
Y N
'N
'N
-N
3 Y
N
N
3 A
-3
N
N
'N
3
N ''NN
NN 3
NN N
N 'NN
''NN 'N
''NN 'N
A - AN
AA
-3 3 3
NN 3
NNN
N 'NN
''NNN
''NN 'N
AA AA -AAA -A
NN - NNN
N N
''NN
'N 'N
-A -AA -AAAA
3 3 33 3
N ''NN
Y
3
Y
AAAA
Kbd.
3 3
''3 3
3 3
Ped. held throughout.
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s ¬
A 'N
A
N
do
with
DA
-
<
N
A
DA
when
they
<
NN N
'NNN
N
NN N
A
N
want
<
N ''NN
NNN
NN 3
'A
A
to
per
-
'N
'A
A
-3
vert
it
with
E
AA @ -AAA
-
NN - NNN
<
K
N 'NN
''NN 'N
''NN 'N
A - AN
NN
''NN
''NN
-N N
-3 3
<
K
@ --AAAAA
3 3 33 3
AA
-
AAAA
-3 3 3
Reh. Pno.
3 3
''3 3
Vln. 1
<
r 'N
<
N
N
<
N
<
Vln. 2
3 3
A
N
<
A
N
<
'N
'N
'A -A
A A
-3 3
<
K
A
A
3
mp
3
Cello
D. B.
s
A
'3 @
K
'A
3 @
K
A
@
K
A
'N
'N
N @
'A
@
'A
N
@
A
-3 @
A
@
K
564
Act 2 Ob.
1564 r -3
Bass Cl.
3
3
3
3
3
-3
3
3
3
3
3
3
3
3
3
3
3
3 - 3 3
3 3 3
3 3 3
3 3 3 33
3 3 3 33
A. Sax.
-3
N
'3
3
Bsn.
- -3 3 '3
3 N3
s
Vib.
PIANO
3 3 33
- N
N
N 3
- N
N
3 N3 NN NN
3 3 33
AAAAA
3 3 3 33
Kbd.
A - AAAA
NNNN N
3 3 33 3
3 3 3 33
3 3 3 33
3 3 3 33
3 3 3 33
Mi
r
<
<
<
<
<
<
Mo
<
<
<
<
<
<
K
s ¬
<
<
-
3
N
- A
vil.
You
would - n't
3 3 33
3 3 33
3 -'-3 3
3 N3
-3 -3
3 3
3 3 33 3
NNNN N
-3 '3
N 3
A
N
N un
-
der
NN NN
- N
3 -
AAAAA
stand.
33 3 33
33 3 33
33 3 33
3 - 3 3
3 3 3
3 3 3
3 3
-3 3
3 3
3 3
3 3 3 33
3 3 3 33
3 3 3 33
3 3 3 33
3 -3
3 3
3 3
N
N3 3
Reh. Pno.
A - AAAA
- N
N
N3
Vln. 1
r
Vln. 2
-3
3
3
3
3
3
-3
3
3
-3
3
3
Cello
D. B.
s
-A
@
K
A
@
K
A
@
K
A
@
K
A
@
K
A
@
K
565
Act 2 Ob.
1570 q = 114 r <
Bass Cl.
A. Sax.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
-3
N
mf
Bsn.
s
K
3
<
<
@ - A A A
A N
A
< motor off
Vib.
mf PIANO
- '3 3 '3
A
N
3
N
<
<
A A
N
A A A
A
A
<
A
N
N
<
A
3 <
<
3 N A A A A
NNN
3 3 33 3
N -NNNN
3 3 3 33
N NNNN
N AAAAA -NNNN
N NNNN
NNNNN
3 - 3 33
N-NNN N
-3 3 33 3
NNNN N
AAAA -NNNN A N
A
N
3 3 33 3
mf Kbd.
'' '3 3 '3 33
Mi
r
mf
@ - A A A A
K
I'll
tell
you
A N what.
A I
A A kind
of
like
A A A A A the
shape of the
N NNNN
3 3 3 33
3 N A A A A
bike.
All
twist - ed
up.
Mo
<
<
<
<
<
<
<
<
<
K
s ¬
<
<
<
<
<
<
<
<
<
- '3 '3 3
NN N
3 3 33 3
N -NNNN
3 3 3 33
N NNNN
NN AAAAA -NNN
NNNNN
-N NNNN
-3 3 33 3
N NNNN
AAAA A
NN NNN
3 3 3 33
mf
Reh. Pno.
33 ''''3 33
3 - 3 33
-N NNNN
N NNNN
3 3 3 33
Vln. 1
r
q = 114 <
<
<
<
<
<
<
<
<
Vln. 2
<
<
<
<
<
<
<
<
<
Cello
'3
N
N
mf
D. B.
s
arco
'3 mf
-3
-3
N
N
3
N
A
3
N
A
N
N
3
N
N
3
566
Act 2 Ob.
1579 r
Bass Cl.
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
N
- N
N
<
N
A. Sax.
Bsn.
<
s
Vib.
- A
N
<
K
A N @ -A A A A
<
- N
N
N
<
N
<
N
<
A N A A A A A
3 <
A A A A N A
<
A N
A A A A A
NNNN
N NNNN
PIANO
NNNNN
- AAAA NNNN N -A
NNNN N
- -NNNN N
AAAA NNNN
NNNN
NNNN
NNNN
NNNN N
NNNN N
NNNN N
'NNNN
NNN N
3 3 33
3 3 3 3 3
NNNN - -NNNN N
Kbd.
NNNN N
Mi
r K
@ -A A A I
A N A
can tell my
A A A A
friends
I was
out for
A N A a
A A A A
ride,
and I
hit
N NNNN NNNN
A a
N
A N
car
head - on
A A A A A do - ing
se - ven - ty
Mo
<
<
<
<
<
<
<
<
K
s ¬
<
<
<
<
<
<
<
<
- AAAA NNNN N -A
NNNN N
- -NNNN N
NNN NN
- -NNN N
NNNN
AAAA NNNN
NNNN
NNNN
NNNN
NNNN
N NNNN
N NNNN
NNNNN
NNN NN
NNN NN
NNN NN
'NNNN
NNN N
3 3 33
3 3 3 3 3
Reh. Pno.
N NNNN
Vln. 1
r
<
<
<
<
<
<
<
<
Vln. 2
<
<
<
<
<
<
<
<
Cello
D. B.
s
N
A N
N
N
N
N
N
3
N
N
N
N
A N
N
N
N
N
N
3
N
N
N
567
Act 2 Ob.
1587 r
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Bass Cl.
A
A. Sax.
Bsn.
s
N
3
<
N
Vib.
3
PIANO
N
N
N
<
<
<
<
<
<
3 3 AAAA - 33
NN NN
AAAA 3 3 3 3 A 3
N NNNN
<
3
N
N
<
K
K
3
<
A @ -A A A N A
N NN
NN N
N NN
33 -33 3
NNNNN
NNNN
NN NN
NN NN
3 3 33 3
NN-NNN
N NNNN
NNN NN
<
A
3 3 3 33
Kbd.
Mi
r N
3
<
<
K
K
A @ -A A A A N
five.
Or
Mo
<
<
K
s ¬
<
<
A
< mf
<
A A A -A -N
3 3 3 33
if
you
<
A A
A
NN -NNN
N NNN
A
like....
N
You
A A
A
can have the
<
<
<
<
<
<
<
<
You don't have to pre - tend.
3 A - 33 3 AAA
NNN N
NN N
NN N
NN N
3 3 3 -33
NNNNN
N NNNN
3 3 3 33
NN -NNN
AAA 3 AA 3 3 33
N NNNN
NN NN
NN NN
NN NN
3 3 3 33
NN-NNN
NNNN N
3 3 3 33
N NNN
N
3
Reh. Pno.
Vln. 1
r
<
-A -N
<
<
<
<
<
<
<
<
mf
Vln. 2
Cello
D. B.
s
<
A
A
<
3
N
N
3
N
N
<
<
N
N
3
N
N
3
N
N
N
3
N
N
3
N
568
Act 2 Ob.
1595 r
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
Bass Cl.
3
A. Sax.
Bsn.
s
N
<
PIANO
<
A N A 3
Vib.
3
-A A
N
N
N
3
<
<
<
A A
A A A
A A
A A N
A
33 3 33
NN 3 3 NNN 3 33
-NNNNN
N - NNNN
3 3 33
N - 3 3 3 NNN - 3 33
- -NNNNNNN
NNNNN NN
NNNN N
- N
<
3 <
' N
<
3 A A A A
N N NNN NNN N N
-NNNN
NNNN N-NNN N N
-N -NNN
33 3 3
''''NNNN 'N
3 3 33
Kbd.
Mi
r A N A 3 tick - et
I
found.
@ A
A A
You
can
A
-N NNNN
A A A have it for
A A
N A A A A
A N A
one of those
pic - tures, if
you want to
stick
'''-NNNN N
K
it.
Mo
<
<
<
<
<
<
<
<
K
s ¬
<
<
<
<
<
<
<
<
3 3 3 33
-NNNNN
33 3 33
3 3 33
N - 3 3 NNN - 3 3 33
- -NNNNNNN
NNN NN
N - NNNN
NNNNN
NN NN NNN NNN
''''NNNN 'N
-NNN N
3 3 3 3
--NNNN
33 3 3
'''-NNNN
Reh. Pno.
NNNNN NN
-N NNNN
-N N NNNN NNNN
Vln. 1
r
<
<
<
<
<
<
<
<
Vln. 2
<
<
<
<
<
<
<
<
Cello
3
N
3
N
N
N
N
N
D. B.
3
N
3
N
N
N
N
N
s
- N
3
' N
- N
3
' N
569
Act 2 Ob.
1603 r
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
N
N
Bass Cl.
3
A. Sax.
Bsn.
Kurt hesitates.
s
Vib.
- A N
N
A
N
- A
N
A
N
- A
3
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
<
NNNN N
PIANO
3 3 3 3 3
NNN NN
--AAAA NNNN N A
NNNN N
AAAAA
--A-AA A
NNNN N
NNNN
- AAAA
NNNN
-A 3 '--AAA 33 3
3 3 33 3
3 3 33 3
Kbd.
N NNNN
-A N -AAAA NNNN
NNNN
33 3 3
NNNN N
AA-AAA
3 3 3 33
3 3 3' 3 3
Mi
r
<
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
<
<
<
K
K s ¬
A A Mi
-
3 3 3 3 3
A A A A @ A A A A
A N chael....
NNNN N
I
--AAAA A
NNNN N
on
-
NNN NN
ly
want to
be
A N
your
NNN NN
AAAAA
N NNNN
-A AAAA
friend.
NNN NN
--A-AA A
N NN N
A -AAA
N NNN
'--A-AAA
3 33 3
Reh. Pno.
Vln. 1
r K
Vln. 2
K
-A -AAAA
NNNN
33 3 3
A N A A
A A
A
N
N NNNN
N NNNN
3 3 3 33
A A A A
A N
A A A A A A @ A A
A N
@
A A A
A
3 3 3' 3 3
-A
-A
3 3 33 3
A N
A
A N
A N
A
A N
3 3 33 3
' A
3
' A
3
mf
Cello
D. B.
s
3
3
N
- A N
N
- A N
N
N
A
3
3
3
3
N
N
A
3
3
3
3
570
Ob.
F2 1611 q = 90 r -3 mf legato
-3
Bass Cl.
Act 2 N
A
'3
3
3
3
3
N
A
'3
3
'3
3
3
N
A
'N
'A A A A A A A A
mf legato
'3
A. Sax.
'N
N
N
N
'N
N
N
mf legato
Bsn.
s
-3
3
'3
motor on
--'3 3 3
Vib.
3
3
mf legato
'N AA ''3 3 A
NN N
mf
N
N 3 3
N
N 3 '3
3 'N
A A A A
'3
N
3
N 3 3
N
'3 3 3
'3 3 3
PIANO
<
<
<
<
<
N
<
33 -3 3 33
<
mf
Kbd.
3 3 3 3
<
<
<
<
<
<
<
Mi
r
<
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
<
A 'A A A
A A -A A
A 'A A A
mf K
s 'A ¬ You
A A A
N
look a - round
and hate
<
3 --'3 3
A
'A
the cha - os
<
NN N
<
AA A
''N3 '3
N
and want
to put e - v'ry
<
<
N 3 3
N
N 3 '3
'N
A A A+ A -
thing
back
' A N in
<
N 3 3
N
A
or
-
'A A I A
der.
<
And you
33 -3 3 33
'3 3 3
'3 3 3
mf legato
Reh. Pno.
-'3 3
3 3
<
'3 3
<
3 3
<
3 3
<
3 3
<
NN
3 3
<
<
NN
33 3 3
F2 Vln. 1
r
q = 90 '3
N
A
N
A
N
A
'N
'N
N
N
N
'N
N
N
'3
3
mf legato
Vln. 2
-3
'3
3
3
3
3
3
'3
3
3
A A A A
A A A A
A A A A
'3
mf legato
-3
Cello
'3
mf legato
D. B.
s
-A A A A A A A mf
A A A A
'A A A A A A A A
3
A A A A
571
Act 2 Ob.
1619 r A A A A
Bass Cl.
A. Sax.
Bsn.
s
Vib.
'A A A A
A A
A A
'A A A A
'A A
A A
'A A 'A A A A
@
'A A
A A
@
@
A A
A A A
'A A 'A A
'A A AK A
A A A A
A A A
A A 'A A
'A A -A A
A A A A
A A A
A A 'A A
'A A 'A A
-A A A A
Y '3
3
'3 3 '3
'NN N
PIANO
Kbd.
A A 'A A
'3 NNN
33 3 3 - -33
NNN NNN
NNNN -N
3 3 33 3
N NNNN
- NNN NNN
3
NNN
N ''NN
NNNN NNNN N -N NNNN NN
N N NNNN
N
'N
'N
N
3
N 'NN
''NN 'N
''NN 'N
N - NN
-3 3 3
NN 3
NNN
NNNN N
- NNN N
NNN NNNNN N
NNN NNN N NN
33 3 3
-N -NNN
NN NN
N N NNNN NNNN
3 3 33 3
NNNN NN
N NNNN
Mi
r
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
K
s ¬
A 'N are
'A
@ 'N
A N
so
young.
N
How
3 33 3 - -33
NNN NNN
'3 3 '3
'NN N
''3 3
3 3
3 33 3 3
N NNNN
- NNNN NN
NNNN NN
'3
'N
N
N
3
N
'N
N
'3
N
N
N
'A A A A
A A A A
NNNN -N
NN N
NNNN N
NN N
@
strange.
NNNN -N
NNNN N
- NNN N
N ''NN
NN 3
NNN
A 'A
A 'A
I
a-
look
A 'A -N
N
and see
cha
round
NNN NN
NNN NN
NNN N
33 3 3
N 'NN
''NN 'N
''NN 'N
N - NN
-3 3 3
NN
''NN
''NN
-N N
-3 3
NNNNN
3 3 33 3
NNN N
N -
os,
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
''3 3
3 3
N NNNN N
NNNN NN
-N -NNN
NN NN
NNNNN
N NNNN
N
N
N
N
'N
'N
'A A
-3
'N
N
N
'N
'N
'N
A A
3
'N
3
N
'N
'N
A A A A
A A ' A A
'A A A A
-N
'A A A A
3
A A A A
572
Act 2 Ob.
1626 r -A A A A
Bass Cl.
A. Sax.
Bsn.
s
'A A A A
-A A A A
-3
@ A A A
A A A A
A A A A A A A A
A A A
A A A A
-A A A A
A A A
A A A A
@
@
3
A
A A A
A
A A A
A A A A
A
A A A
A
A A A
A A A A A A A A
A
A A A
A
A A A
3
3
3
3
3 to Bass Drum
Vib.
3 -'-3 3 PIANO
Kbd.
- N
N3 3
N
3 N3
3 - 3 3
3 3 3
<
AA A
33 3 3 - -33
NNNN -- NN
NNNN -N
NNNN NN - -NN - NNN -N
NNNN NN
' - -AAAA 3 33 3 A 3
N AAA -- NNNNN AA
AAA NNN AAA -- NNN
-3 '3 3 33
-N 'NNNN
- NN NNN
- -NNNNNN
NNNN NN
3 '''AAAAA 3 3 33
- -NN AAAAA NNNN
AA - -NN AAAA NNNN
--NN NNNN
Mi
r
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
K
s ¬
K
A A and I
A A+ N love
it.
A A A A It has
3 33 3 - -33
NNNN -- NN
3 -'-3 3
N3 3
-3 -3
3 3
3 '3 3- 3 3
'NN-NNN
N - NNNN
r
-3
N
N
Vln. 1
Vln. 2
-3
3
'3
-A A A A
NNNN -N
- N
NNNN - -NN
A
A @ -A A
a ran - dom beau - ty.
NNNN - - NN
N
N 3 3
A N
And
A I
A N am old.
3 3 33 33
AAA - NNNNN AA - N A
3 - 3 3
3 3 3
3 3 3
3 3 3
-3 3
3 3
3 3
3 3
3 3 3 33
- -NN AAAA NNNN A
NNNN NN
' - -AAA - AAA
K
N
AAA NNN AAA -- NNN
Reh. Pno.
Cello
D. B.
s
3 3
-N - NNNN N
N
NNN NNN
N
3
3
3
3
3
3
3
3
3
<
A A A A
AAA - -NNN AAA NNN
--NN NNNN
<
A A A A
'''AAAA A
<
<
A A A A A A A A A
<
A A A
<
A
A A A A A A
Ob.
Bass Cl.
<
N
@
573
Act 2
G2 1633 q = 76 r <
<
' A
N
<
3
<
N
N
< ' A
N
3
pp
A. Sax.
Bsn.
s
<
<
<
<
<
<
<
<
<
<
<
<
BASS DRUM
Perc.
@
A
pp PIANO
A
@
NNNN NN
K
A
''''AAAA A
3 3 3 3 3
A ''''AAAA
3 3 3 33
@
K
K
A
NNNN N
'''NNNN 'N
NNNN N
''' ''AAAAA - AA
33 3 3 33
N NNNN
N '''N'NNN
N NNNN
''''AAAA
3 3 33
A
@
@
K
A
@
K
pp
Kbd.
Mi
AAAA NNNN AA - - NN
K
AAA ' '- - NNNN AAA ' -NN
NNNN NN
pp
r
<
<
<
@
-N
-N How
+ A
A
3
strange....
Mo
<
<
<
<
<
<
K
s ¬
<
<
<
<
<
<
AAA AAA
NN - NNN -N
NNN N NN
'''NNNN 'N
NNNN N
''' ''AAAAA - AA
33 3 3 33
N '''N'NNN
N NNNN
''''AAAA
3 3 33
''''AAAA A
3 3 3 3 3
NNNN N
A ''''AAAA
3 3 33 3
NN NNN
3
3
3
3
3
3
3
3
3
3
pp
G2
Vln. 1
r
AA AAAA
- N ' '- 'NNNN -N
q = 76 3
NNNN NN
pp
Vln. 2
3 pp
Cello
@
-N
N
-N
N
pp
D. B.
s
@
pp
' A
' A
3
3
N
'N
N
N
'N
N
'A
3
'A
3
574
Ob.
1639 r
Act 2
Kurt starts to scrub the floor again with the toothbrush. He stops. Looks up at Michael.
<
<
<
<
3
<
3
pp
Bass Cl.
<
A. Sax.
3
3
3
<
N
<
N
3
<
<
3
A
3
3
pp
Bsn.
s
<
<
<
<
3
- N
N
N
3
N
pp BASS DRUM
Perc.
<
N
A @ K PIANO
to Tom-Toms
A @ K
A @ K
A @ K
3 ''' ''3 3 3 3 - 33
3 3 33 3 33
3 3 33 3 33
NNNN NNN - NNNN
- - 33 3 '' ''3 33
3 3 3 3 33
3 3 3 3 33
NNNN NN NN NNN
2 LOW TOM-TOMS
A @ K
A AAAAAAA A A A A@ AAAAAA
3 3 3 3
3 3 3 3
AAAA -- -NNNN
NNN N
AAAAA - -NNN -N
NNN N
Kbd.
33 3 33
33 3 33
Mi
r
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
s ¬
<
<
<
<
<
K
pp
A
A
Ev - en
''' ''3 3 33 - 33 3
3 3 33 3 33
3 3 33 3 33
NNNN NNN
- NNNN
3 3 ''- '-3 '3 33
33 3 3 33
33 3 3 33
NNN NNN
NN NNN
3
3
3
3
3 3 33
A
A
DA - DA
3 3 33
N
A A A
art
can
be
ap -
AAAA -- -NNNN
NNN N
AA AAA
NNN N
Reh. Pno.
Vln. 1
r
Vln. 2
Cello
D. B.
s
3
3
3
33 3 33
33 3 33
- -NNN -N
3
3
3
A
A
A
A
A
A
A
N
A
N
'3
3
3
N
N
3
3
A
'3
3
3
N
N
3
3
A
A A A
A A A
- N
N
- N
N
575
Act 2 Ob.
1646 r 'N
Bass Cl.
A. Sax.
Bsn.
s
' N
N
N
A
-N
' A
'3
N
3
N
- N
A N
3
N
- N
A N
-3
N
-3
N A
N N
N
3
'3
N
3
TOM-TOMS
Perc.
-A N
A A A A A A @ A A A A A A A A A A A A @ A A A A A A A A A A A A A A A A @ A A A A A A PIANO
'''NNN -N
-- -NNN N
NNN N
''''-NNNNN
- --NNNN
AAA ''''AAAA A - - AA
3 3 3 3 33
A AAA '''NNN -AAAA AAA ' - - NNN
3 3 3 33
- - AA - AAA
33 33 3
Kbd.
NNN N
AAA ' 'AAA 3 3 A ' ' AA 3 33
AAAA '' 'NNNN A 'N
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s ¬
-
-N
A A
plied
for
''-'NNNN
A
N
ter - ri - ble
u
A
3 -
ses.
A E
A A - ven
A
'N
art - ists'
-- -NNNN
NNNN
AAAA ''''AAAA - - AA
3 3 33 33
AAA '''NNN AA ' - NN A - N
- --NNNN
N NNN
A AAA
3 3 3 33
AAA ' 'NNN AA ' ' NN
A
N
3
A
A A
A
N
3
A
A A
3
A
' N
3
A
laugh
-
N
A A
ter
in
the
-AAAAA
3 3 3 33
- - AA - AAA
33 3 33
Reh. Pno.
''' -NNNN ' N
Vln. 1
r
- N
A
- N
A
Vln. 2
Cello
D. B.
s
'N
'N
A
A
A
A
- N
N
A
- N
N
A
A ''''AAAA
' A
' A
' N
A
A
'N
'N
N
N
A
A
A
A
A
3
A
3
576
Act 2 Ob.
1651 r
Bass Cl.
N
3
A. Sax.
Bsn.
N
Y 3
s
Y
N
N
3 N
N
3
N
N
3
N
N
-3
3
3
Y -3
3
3
N
N
N
N
N A
N
3
N
- N
N
N
TOM-TOMS
A A A A A A A A A A @ A A A A A A A A A A A A A A A A @ A A A A A A A A A A A A @ A A A A A A A A A A
Perc.
PIANO
Kbd.
NNNN N
3 3 3 33
NNNN NNN N - NN
33 33 3
NNNNN
NNN AAAA -AA NN
3 3 3 33 3
NN NNN
33 33 3
NNN NN
3 33 3
NNNN
-A NNNN - AAAAA
3 3 3 3 33
-N- NNN
Mi
r
<
<
<
<
<
<
<
Mo
<
<
<
<
<
<
<
N
A
K
s N ¬ dark
A is
-A A 'A A o - pen
to
a
-
bu
A N
N
N -
-
-
N
ses.
@
A A A What do
I
need
-A A
to make
a
N NNNN
3 3 3 33
NNNNN
N - NNNN
3 3 33 3
NNNN N
NNNN N
-AAAAA A
3 3 3 33 3
NN NNN
33 3 33
NNN NN
-N- NNN
3 33 3
NNN N
NNNN
- -AAAAAA
3 3 33 33
Reh. Pno.
Vln. 1
r N
A
-A A 'A A
N
N
Vln. 2
N
A
-A A 'A A
N
Cello
N
3
D. B.
N
3
s
A N
N
N
N
A
-A A
N
A N
N
N
N
A
-A A
N
-N
3
N
N
A
3
N
-N
3
N
N
A
3
577
Act 2 Ob.
1658 r N
3
3
Bass Cl.
A. Sax.
Bsn.
N
A
N
-3
3
3
3
3
N
N
N
3
3
-3
3
N s
N
3
3
-3
3
N
TOM-TOMS
A A A A A A @
Perc.
PIANO
A A A A A A A A
A A A A A A A A
A A A A A A A A
A A A A A A A A
3 3 3 3 3 3
AAAAA - NNNN A N
3 3 33 3
3 3 33 3
NNNN N
NNNN - - NN
3 3 3 3 33
AAAAA - -NNNN A - N
3 3 33 3
3 3 33 3
NNNN N
-N NNNN
Kbd.
Mi
r
<
<
<
<
<
Mo
<
<
<
<
<
K
s A A ¬ tooth -
A
A
brush
some
A -
A
A
-A
A
thing
less
than
E
N -
N
K
<
vil?
3 3 3 3 3 3
AAAA AA
- NNNNN
33 33 3
33 33 3
NNN NN
NNNN - - NN
33 3 3 33
AAAA AA
- --NNNNN
33 33 3
33 33 3
NNN NN
-N NNNN
Reh. Pno.
Vln. 1
r A
A
A
A
A
A
A
-A
A
N
3
3
Vln. 2
A
A
A
A
A
A
A
-A
A
N
3
3
Cello
3
A
-N
3
3
N
N
D. B.
3
A
-N
3
3
N
N
s
578
Act 2 Ob.
1663 r 3
A. Sax.
s
+ A A
+ A A
N
3
3
N
+ A A
+ A A
Y N
Y 3
3
3
3
+ A A
+ A A
3
3
3
Y 3
3
3
3
Y 3
3
3
3
3
3
3
3
3
3
N
N
N
N
N
33 3 3 33
NNNN NN
- - NNNNN
NNN NNN NN - - NN
NNN NNNN NN -- NN
33 3 3 33
NNNN NNN NN - - NN
33 3 33
33 3 33
3 33 3 3
N NNNN
--NNNNN
NNNNN --NNNNN
-N NNNNN NNNN
3 33 3 3
N NNNN --NNNNN
3 33 3 3
3 33 3 3
(instinctively)
Mi
N
3
-3
PIANO
Kbd.
3
Y
TOM-TOMS (roll)
Perc.
3
Y N
N
3
Bass Cl.
Bsn.
3
Y 3
r A A A A mm
N
(spoken)
>
0
<
<
<
<
<
<
Tooth - paste?
Mo
<
<
<
<
<
<
<
<
K
s ¬
<
<
<
<
<
<
<
<
33 3 3 33
NNN NNN
N - - NNNN
NNN NN
N - - NNNN
NNN NN
NNNN -- NN
33 3 3 33
NNN NNN
N - - NNNN
33 3 33
33 3 33
3 33 3 3
N NNNN
--NNNNN
NNNNN
--NNNNN
NNNNN
-N NNNN
3 33 3 3
N NNNN
--NNNNN
3 33 3 3
3 33 3 3
Reh. Pno.
Vln. 1
Vln. 2
Cello
D. B.
r
<
<
9 3
3
3
3
3
3
<
<
9 3
-3
3
-3
3
-3
3
N
-N
N
N
N
N
3
N
-N
3
3
3 s
N
-N
N
N
N
N
3
N
-N
3
3