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John Corigliano The Mannheim Rocket (2000)
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to Susan Carlyle
THE MANNHEIM ROCKET = 60 Flutes
John Corigliano
1.
1–3
1
Oboes
2
3 sub.
A Clarinets 1–2 Clarinets
B Clarinet
3/Bs. 3. Bassoon Bassoons 1–3 (3/Cbn.)
F Horns 1–4 to harmon mute
harmon mute, fltg.
to harmon mute
harmon mute, fltg.
to harmon mute
harmon mute, fltg.
1
Trumpets 2
3 1. to straight mute 1 2 Trombones 3 Tuba
Timpani * Musical Saw, solo, vib. (amplified) 1 Sandpaper (rub hard) 2 1–1 1/2 inch screws on clamped large inverted cymbal, soft sticks
Percussion 3
(metallic rattle) Bowed Cymbal
Cellophane, crackle with hands
4
with nails
Harp
E F
Piano
= 60 al sord.
sul pont., con sord.
al sord.
sul pont., con sord.
**
I glassy Violins
**
II glassy Viola div. a3 Violoncello
Contrabass *Can also be played on Theremin or Synthesizer (with Theremin sound). **Asynchronously, play only notes between and including given pitches. Play extremely sul ponticello and secco. Constantly vary patterns of notes , ad lib.
SCORE IN C
Copyright © 2001 by G. Schirmer, Inc. (ASCAP), New York, NY All Rights Reserved. International Copyright Secured. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
2
5
asynchronous
1
Fls.
fltg.
ord.
fltg.
ord.
asynchronous
2 (take over from Fl. 1)
3
1 sub.
Obs.
sub.
2 sub.
sub.
3
1
asynchronous Cls.
2
asynchronous 3
(Saw) gliss.
gliss.
sim.
1 (Sandpaper, rub) 2 Perc. (Sus. Cym. w/ screws) 3 (Cellophane) 4
1 solo, sul pont. 0
sub. 1 solo, sul pont. I sub. gli altri *
Vns.
* II div. a3, pizz. Va.
*Move from the notes of one box to the notes of the next box in the given time.
3
8
(a2)
(a2)
1 2 Fls. 3 a2, asynchronous 1 2 Obs. asynchronous 3
1 sub. Cls.
2
3 sub. asynchronous 1 2 Bns. asynchronous 3
al sord. 1 3 F Hns. 2.
al sord.
2 4 (harmon mute) 1 (harmon mute)
fltg.
ord.
fltg.
Tpts. 2 (harmon mute)
sub.
sub.
3
(Saw) 1 Ratchet
(Sandpaper) 2 Perc.
(Sus. Cym. w/ screws) 3 (Cellophane) 4
col legno batt.
(1 solo)
col legno batt.
(1 solo)
0
I Vns.
(gli altri)
II unis., arco Va.
unis. Vc.
4
11 1
Fls.
2
3
Obs. 1–3 fltg.
ord.
1 sub. Cls.
sub.
ord.
fltg.
fltg.
2 sub. fltg.
sub.
ord.
3 sub. 1 2 Bns. 3
1. al sord. sub. 1 3 3. al sord. F Hns. 2., al sord., fltg.
2., fltg.
2 4 4., al sord. (ord.)
1 ord.
sub.
fltg.
Tpts. 2 sub.
fltg.
3 sub. 1. straight mute 1 Tbns. 2
(Saw) *
***
1 **
Tambourine, thumb roll 2 Perc.
(Sus. Cym. w/ screws) 3 (Cellophane) 4
(1 solo, col legno)
0
(1 solo, col legno)
0
I Vns.
(gli altri)
II asynchronous Va. asynchronous Vc. 2 soli, sul pont. Cb.
*Continue if possible. **Dim. only if Musical Saw is used. ***Continue only if Theremin or Synthesizer is played instead of Musical Saw.
0
0
0
5
14 1
Cls.
2
Bass Clarinet
to Bass Clarinet 3 sub.
sub.
sub.
1 2 Bns. 3 sub.
sub.
fltg.
ord.
fltg.
1 3 (ord.)
sub.
F Hns.
(ord.)
sub. sub.
(ord.)
ord. 2 4 (ord.)
fltg. sub.
ord.
remove mute
1
ord.
remove mute
Tpts. 2
ord.
remove mute
3
remove mute Tbn.
1
(Theremin or Synthesizer) 1
Maracas, shake
Large Tamtam
2 Perc.
cresc.
(Sus. Cym. w/ screws) 3 (Cellophane) 4
via sord. I Vns.
via sord. II
sul pont. * Va. glassy * sul pont. Vc. glassy (2 soli) Cb.
*Asynchronously play only notes between and including given pitches. Play extremely sul ponticello and secco. Constantly vary patterns of notes, ad lib.
6
Cl.
a tempo ( = 60)
rall.
17 1
asynchronous Bs. Cl.
asynchronous 1
Bns. a2
3. to Contrabassoon (if time is too short, tacet bar 17)
asynchronous
2 3
1. ord.
sub.
via sord.
1 3 3.
F Hns.
2.
via sord.
2 4 (4.)
(1. open) a2 *
1 Tbns. 2
Largest Timpano, tuned below pitch level. Lay largest, darkest cymbal inverted on the head of the drum. Beat cymbal with soft sticks. Timp. poco (Theremin or Synthesizer)
poco
Flexiglas, shake to produce a low rumble. Do not shake too fast. (Optional)
1
(Tam.) 2 (cresc.) Perc.
(Sus. Cym. w/ screws) 3 (Cellophane) 4
a tempo ( = 60)
rall. Va.
div. a4
ord. (senza pont.)
**
Vc. poco (2 soli)
Tutti, div. a4, ord. (senza pont.)
poco
**
Cb. 2 soli, ord.
poco
*Blow into mouthpiece. (No pitch.) Use slide to modulate sound up and down in measure. Crescendo and diminuendo as sound is raised and lowered. ** = quarter tone lower. = quarter tone higher. = three quarter tones lower. = three quarter tones higher.
poco
7 20
Contrabassoon
Cbn.
1 2 sim.
Tbns.
* 3 sim.
Tuba
Timp. (Flexiglas) 1 (Tam.) Perc. 2 Large Bass Drum 3 (div. a4) Vc.
1 solo 1 solo
gli altri
Cb.
26 Bs. Cl.
Bns.
5
1 2
Cbn.
senza sord. 2 F Hns. 4 senza sord. 1 2 Tbns. 3
Tuba
Timp. (Flexiglas) 1 Tam. Perc. 2 (B.D.) 3
ord.
Harp
(div. a4) Vc.
(2 soli)
Cb.
(gli altri)
*Blow into mouthpiece. (No pitch.) Use slide to modulate sound up and down in measure. Crescendo and diminuendo as sound is raised and lowered.
8
stringendo
32 Bs. Cl.
Bns.
1 2
Cbn.
2 F Hns. 4
ord. 1 2 Tbns.
ord. 3
Tuba
Timp.
(Flexiglas) 1 (Tam.) 2 Perc.
(B.D.) 3 Timpani 4
Harp
(div. a4) Vc.
(2 soli)
Cb.
(gli altri)
stringendo
9
38 Cl.
Slightly faster,
= ca. 72
(A Clarinet)
1
Bs. Cl.
a2
a2
1 2
Bns.
Cbn.
a2, senza sord. 1 3 F Hns. a2 2 4
1 2 Tbns. 3 Tuba
Timp. (Flexiglas) l.v. 1 (B.D.) Perc. 3 (Timp.) 4
Harp
Slightly faster, (div. a4) Vc.
(2 soli)
Cb.
(gli altri)
= ca. 72
10
43
stringendo poco a poco
to B Clarinet
1 Cls. (A Clarinet)
to B Clarinet
2
Bs. Cl. cresc. poco a poco
Bns.
1 2 cresc. poco a poco
Cbn.
1 3 sost. F Hns. 2 4 cresc. poco a poco
stagger breathe, but not during glissandi 1 2 Tbns.
cresc. poco a poco
(cresc.)
cresc. poco a poco
(cresc.)
stagger breathe, but not during glissandi 3
Tuba
Timp. cresc. poco a poco
Harp
cresc. poco a poco
G
F
(cresc.)
stringendo poco a poco slow gliss. Va. (div. a4) Vc.
(
)
(
)
cresc. poco a poco
(
) (
)
(
)
(
)
(cresc.)
(2 soli)
Cb.
(gli altri)
cresc. poco a poco
( )
( )
( ) ( ) (cresc.)
( )
( )
11
48
Faster
= ca. 96
stringendo
Bs. Cl.
a2 Bns.
1 2
Cbn.
1 3 F Hns. a2 2 4
a2 1 2 Tbns. a2 3 Tuba
Timp.
Tam. 1 Metal Plate Perc. 2 B.D. 3
cresc.
Harp
Faster
= ca. 96
stringendo
div., free bows Va.
( )
( )
( )
( )
(div. a4)
(
Vc.
(
)
(2 soli) div.
Cb.
(gli altri) div. a3
div. a2
)
(
)
12
54
= ca. 120
(string.)
accel.
a2, B Clarinets
1 2
Cls.
Bs. Cl.
(a2) 1 2
Bns.
Cbn.
1 3 F Hns.
(a2) 2 4
(a2) 1 2 Tbns. Tuba 3 Tuba
Timp.
(Tam.) 1 (Met. Pl.)
cresc.
Perc. 2 (B.D.) 3 (cresc.)
= ca. 120
(string.)
tutti, ord., senza sord. 3
I
accel.
3
3
3
3
3
3
3
3
3
Vns. tutti, ord., senza sord. 3
II (div.)
3
unis.
Va.
(
)
(div. a4) unis. * Vc.
(
) 3
tutti, div. a2 Cb.
*Play triplet rhythm while executing upward glissando.
unis., pizz.
3
3
3
13 59
( = ca. 160)
(accel.)
= ca. 192
(a2)
1 2
Cls.
Bs. Cl. cresc. Cbn. cresc. 1 3 F Hns. 2 4 Tuba cresc. Timp.
(accel.) I
( = ca. 160)
*
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Vns.
= ca. 192 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
* II
*
Va. * Vc. 3
3
3
3
3
3
3
3
3
3
3
3
3
div. Cb. cresc.
= 96
= 96 accel.
63
=
**
F Hns.1-4
**
poss. a2, open
1 2 Tpts. **
poss. open
3 poss. ** 1 2 Tbns.
poss. ** 3
Tuba
Police Whistle
poss.
1 Metal Plate Perc. 2 Police Whistle 3
= 96 accel.
= 96
=
I Vns. II
Va. 0
div. Vc. 0
unis., arco
div.
Cb. 0
*Play triplet rhythm while executing upward glissando. **Blow air through the instrument while tonguing in the center of the mouthpiece, creating an unpitched “popping” sound.
3
3
3
14
68 Cl.
(accel.)
= 96
1
1 3 F Hns. 2 4
to straight mute 1
Tpts. 2
3
to straight mutes 1 2 Tbns. 3. to straight mute 3 Tuba
Xylophone
1
Mounted Small Cowbell, bowed, (squeak) Perc. 3 Ratchet 4
(accel.)
= 96 pizz., l.v.
col legno batt. 0
col legno batt.
pizz.
0
col legno batt.
pizz.
0
I Vns. II
sul pont. Va.
unis., pizz. Cb.
col legno batt. 0
sul pont.
col legno batt. 0
sul pont.
col legno batt. 0
15
74 1 Cls. 2
Bs. Cl.
Bns.
1 2
Cbn.
ord., straight mute 1 3
3
ord., straight mute Tbns. 2 3
3
ord., straight mute 3
Xyl.
1 Vibraphone 2
Perc.
Ped.
Ped.
Cowbell, bowed (squeak) 3 Ratchet 4
C
Harp
C
ord. I
Vns. col legno 0
0
0
II
arco, col legno
pizz.
0
pizz.
arco, col legno 0
pizz.
arco, col legno 0
Va. unis., sul pont.
div. a4, ord. 3
Vc. tutti, div. a3 1 solo, arco Cb.
3
3
16
accel.
80 Fl.
1
1 Obs. 2
1 2
Bns.
1., ord. 1 3 F Hns. 2., ord. 2 4
ord.
to straight mute
ord.
to straight mute
2 Tpts. 3
1 3
Tbns.
remove mute 3 3
soft sticks Timp.
Glockenspiel 1 Perc.
(Vib.) 2
Harp
D E G A
E
div. I
Vns.
div. a4, ord. 3
II non div., ord. Va.
Vc.
Cb.
accel.
17
= 120
85 Ob.
= 126
accel.
accel.
1
1 Cls. 2
Bs. Cl.
Cbn.
F Hn. 1
ord., straight mute 1 Tpts.
straight mute 2 (straight mutes)
1 Tbns. 2
ord. Tuba
Xyl. 1 Vib. 2 Perc.
Ped.
Cowbell, bowed
Ped.
3 Ratchet 4
C
Harp
(div.)
= 120
accel.
C
= 126
C G
accel.
unis. I
Vns. unis., col legno
div. a4, ord.
div. a4, ord.
unis., col legno
II
col legno
ord.
col legno
col legno
ord.
ord.
col legno
Va. div. a2 Vc. unis., sul pont. Cb.
1 solo, ord.
tutti, sul pont.
div., ord.
18
= 132 91
accel.
a3, fltg.
3.
Fls. 1–3
1 Obs. 3
1 Cls. 2
Bs. Cl.
1
Tpts. 2 straight mute 3
remove mutes 1 Tbns. 2
Tuba
(Xyl.) 1
(Vib.) 2 Perc.
B.D. 3 cresc. poco a poco Sus. Cym. 4 cresc. poco a poco
D
Harp
= 132
accel. sim.
I Vns.
*tutti, sul pont., asynchronous
**
II sim. *tutti, sul pont., asynchronous
cresc. **
sim.
Va. cresc. unis. Vc.
div., ord. Cb.
*Asynchronously, play only notes between and including given pitches. Play extremely sul ponticello and secco. Constantly vary patterns of notes,, ad lib. **Move from the notes of one box to the notes of the next box in the given time.
19 = 144 96
=
accel.
a2
1 2 Piccolo, ord.
Fls. to Piccolo 3 a2 1 2 Obs. 3
a2
a2
1 2
Cls.
Bs. Cl. a2 1 2
Bns.
Cbn.
3. ord. 1 3 F Hns. 4. ord. 2 4
remove mute 1 remove mute
open
Tpts. 2 remove mute
open
3 open 1 2 open
Tbns. 3 Tuba
Timp. Tambourine 1 (Vib.) 2 Perc.
(B.D.) 3
Snare Drum
(Sus. Cym.) 4
= 144 I Vns. II
Va.
Vc.
Cb.
accel.
=
20 Vivace
= 160
102 Picc.
a2 1 2
Fls.
1
Obs.
2
3
a2 1 2
Cls.
Bs. Cl.
a2 1 2
Bns.
a2
3
1 3 F Hns. a2
3
2 4 3
open 1
Tpts. 2
3 2. 1. 1 2 Tbns. 3
(S.D.) Perc. 4
Harp
A
Vivace
D
= 160
I Vns.
unis., ord. II ord.
unis., col legno batt. Va.
col legno batt. Vc.
unis., pizz. Cb.
arco, col legno batt.
C
D
B
21 stringendo 110 Picc.
a2 Fl.
1
3
3
3
Obs. 1–3 3
3
3
3
3
3
1 Cls. 2
Bs. Cl.
1 2
Bns.
3
3
3
Cbn.
a2 1 3 F Hns.
a2 2 4
3
3
3
3
to harmon mutes
Tpts. 1–3
1 2
3
Tbns.
3 3
3
3 3
3 3
3
3 3
3
3 Tuba
3
3
Timp.
Harp
stringendo I 5
Vns. 5
II
Va.
ord.
Vc.
ord. Cb.
3
3
3
22
Slightly slower 113
( = ca. 60)
to B Clarinet
Bs. Cl.
1 2
Bns.
Cbn.
*asynchronous 1 3 legato
F Hns.
cresc.
*asynchronous 2 4 legato
cresc. harmon mute*
1 legato
cresc.
harmon mute* Tpts. 2 legato
cresc.
harmon mute* 3 legato
Xyl. Perc. 1
solo fast, but free
8va
3
3
Piano
3
sempre
8ba
8ba
Slightly slower
8ba
( = ca. 60) *sul pont., asynchronous
change to ord.
I
cresc.
Vns.
*sul pont., asynchronous
change to ord.
II
cresc. div., pizz.
*tutti, arco, sul pont., asynchronous
div., pizz.
*tutti, arco, sul pont., asynchronous
change to ord.
Va.
cresc.
Vc.
cresc. pizz.
div. a4, arco
Cb.
cresc.
*Asynchronously play only notes between and including the given pitches. Vary patterns ad lib. Do not repeat passages. Move to the next box in the given time.
change to ord.
cresc.
23 =
116
**
Picc. ** 1 *
Fls. 2
** 1 * Obs.
2 ** 3
** 1 * Cls.
2 B Clarinet ** 3
** 1 Bns.
* 2
2.** F Hn. 2 * 1 * Tpts. 2
3
Tamtam
Musical Saw, ad lib. 1
Glock.,** soft sticks
Slide Whistle, ad lib. 2 Perc.
Slide Whistle, ad lib.
Crotales,** soft sticks
poss.
3 Glass***
poss. 4
(amplified) 8va
Pno.
(vib.) ord. div. a3, con sord.
al sord. I
(vib.)
poss. ord.
Vns.
div. a3, con sord.
al sord. II poss. ord. al sord.
div. a4
(vib.)
Va. poss.
ord. al sord.
Vc. poss. Cb. poss. *Players finger note in parentheses. Do not play. At random moments, several seconds apart, play the indicated note and dynamic contour from niente to pianissimo back to niente. Wait several seconds before repeating. **Play short figures in box in any order. Wait several seconds (varying the wait) before playing the next figure. Figures may be repeated. Continue until conductor gives left-hand cue, then slowly fade out. ***Three or four panes of window glass in a garbage pail. Break them violently with a hammer. Wear glasses and gloves.
=
24 = 60 120 Picc.
1 Fls. 2 ad lib. 1
Obs.
2 ad lib. 3
1
Cls.
2 ad lib. 3
1 Bns. 2 ad lib.
F Hn. 2
1 ad lib.
Tpts. 2
ad lib.
Triangle l.v. 1 (Glock.) 2 Perc.
(Crot.) 3 Vib. l.v. 4
l.v.
Harp
dolce
= 60 (div. a3)
I (div. a3)
Vns.
II (div. a4) Va. con sord., sul tasto Vc. with simplicity Cb.
unis.
25
126 Picc.
1 Fls. 2 (sim.) 1
Obs.
2 (sim.) 3
1
Cls.
2 (sim.) 3
1 Bns. 2 (sim.)
F Hn. 2
1 (sim.)
Tpts. 2
(sim.) felt sticks Timp. Trgl. 1 (Glock.) 2 Perc.
(Crot.) 3 Vib. 4 Pedal.
dolce
Harp
2 soli, sul tasto
gli altri (div. a3) I
Vns. (div. a3)
II (div. a4) Va. 0
Vc.
Cb.
26
3
( = ca. 30)
= to Flute
132 Picc.
1 Fls. 2
3
1 3
Obs.
3
3
3
2
3 3
1 3
Cls.
3
3
3
2
3
1 Bns. 2
F Hn. 2 remove mute 1 Tpts.
remove mute 2
8va
Saw
3
1 3
3
3
3
(Glock.) 2 Perc.
(Crot.) 3 Vib.
3
4 3
3
3
3
Ped.
( = ca. 30)
(2 soli)
(dolce) I
(gli altri, div. a3)
tutti, div. a6, ord.
Vns. (div. a3) div. a6 II
(div. a4) Va.
Vc. (dolce)
3
=
27
( = ca. 45)
stringendo
139 Ob.
1
Cl.
2 3
3
F Hn. 1 open
to harmon mute
1 Tpts.
open
to harmon mute
2
Xyl. Perc. 1
( = ca. 45)
stringendo
(div. a6)
sul IV unis., vibrato slow gliss.
*
sul IV unis., senza vibrato
*
I Vns.
(div. a6)
slow gliss.
II
(div. a4)
unis. div. a2
Va.
4 soli, ord. (con sord.)
4 soli, ord. (con sord.) Vc. gli altri, ord. (con sord.)
*Notes in parentheses are not articulated. They are indicated to guide the performer in the slow glissando.
via sord.
28
= ca. 60
accel.
**
145 1 3
3
**
Fls.
2 3
** Flute 3 3
Ob.
1 3
1 3
3
3
Cls. 2
F Hn. 1 with harmon mute Tpt.
1 3
(Xyl.) Perc. 1
= ca. 60 (con vib.)
accel. senza vibrato
*
( I div.
)
cresc. (con vib.)
*
(senza vib.)
*
senza vibrato
cresc. Vns.
0
( div.
)
cresc.
II (senza vib.)
0
*
( cresc. via sord. Va. (4 soli)
Vc.
via sord.
(gli altri) via sord.
*Remove mutes, desk by desk. **Start slowly and then accelerate the rhythm of the notes until the end of the passage.
)
29
(accel.)
( = ca. 72)
= ca. 80
151 1
Fls.
2
3
1
Obs.
2
3
1
Cls.
2
to Bass Clarinet 3 3
3
1
3
F Hns. 3 2., open
3
a2
2 4
D CB E F G A
Harp
(accel.) I div.
3
( = ca. 72)
= ca. 80 (
)
Vns.
(
II div.
(
)
)
30 = 160 157 Fl.
(
a3
=
(
) 3. to Piccolo
=
)
1–3 hammered
1 hammered
Obs. 2 3
hammered
1 hammered Cls. 2 hammered Bass Clarinet Bs. Cl. hammered a2 1 2
Bns.
hammered cuivré
a2 1 3 F Hns.
a2, cuivré
brassy
(a2) 2 4
(harmon mute)
remove mute
harmon mute
remove mute
brassy
1
Tpts. 2
(harmon mute)
straight mute, fltg.
to straight mute
3
1 2 Tbns. 3
Timp. Tambourine 2 High Cowbell (mounted), bowed Perc. 3 Slapstick 4
secco, with nail
D
Harp
= 160 unis., pizz., senza sord. I Vns.
unis., pizz., senza sord. II senza sord.
Va. unis., senza sord. Vc.
Cb.
(
=
)
(
=
)
31
163 1 Cls. 2
Bs. Cl. (a2) 1 2
Bns.
(a2) 1 3 F Hns. (a2) 2 4
Tpt.
3
1 3
3
3
3
3
3
Tbns. 3
B.D. 2 Perc.
(High Cowbell) 3
Harp
B
sul IV arco I
Vns.
sul IV arco II
Va.
Vc.
Cb.
C
32 accel. poco a poco
167
a2
1 2 Obs. 3
1 Cls. 2
Bs. Cl. (a2) 1 2
Bns.
Cbn.
(a2, cuivré)
ord.
(a2, cuivré)
ord.
a2
1 3 F Hns.
a2
2 4
open 1 2 (straight mute)
Tpts.
remove mute
open, fltg.
3
1. 1 2 3
Tbns. 3
3.
3
3 Tuba
Timp.
Large Ratchet 1 (B.D.)
3
3
2 Perc.
(High Cowbell) 3 Crash Cymbals 4
Harp
A
G A
accel. poco a poco
non div.
* I
Vns.
non div. * II div.
unis.
Va.
non div. Vc.
Cb.
*Continue moving downwards — gliss. with left hand when possible. “X”–noteheads indicate approximate locations en route.
*
33
(accel.) 172
(a2)
1 2
Ob.
1 Cls. 2
1 2
Bns.
1 3 F Hns. 2 4
to harmon mutes 1 2 Tpts. fltg. 3
1 2 Tbns. 3. solo 3 Tuba sub.
Timp.
Ratchet 1 (B.D.) 2 Perc.
Tam. 3 Crash Cymbals 4
(accel.) I Vns. II
non div. div. Va.
non div. Vc.
Cb.
div.
34
(accel.) 178 Cls.
1 2 3
3
Bs. Cl. a2 Bns.
1 2
Cbn.
gliss. asynchronously, ad lib. 1 3 F Hns.
gliss. asynchronously, ad lib. 2 4
Tpt.
3
1
Tbns. 2
3
3
3
3
3
3
3
Tuba
Timp.
High and Low Cowbells, bowed
1 (B.D.) 2 cresc.
Perc.
cresc.
(Tam.) 3 cresc.
cresc. Large Lion’s Roar
4
D CB EF GA
Harp
(accel.)
3 3
Va. Vc. gliss. asynchronously, ad lib., continute tremolo Vc. div. Cb. 3
3
div. a4
35
= 60 sub. 182
senza vib.
Piccolo *( )
to Flute
Picc. senza vib.
Fl.
1 2
*(
)
*(
)
*(
)
*(
)
1 Obs. 2 3
Cl.
1 2 *(
)
*(
)
*(
)
Bs. Cl. poss. Bns.
1 2
poss. to Bassoon
Cbn. poss. a4
*(
)
F Hns.1-4 poss. *(
)
Tuba *(
)
1 2 Tbns.
poss. 3
Tuba 3. poss. *(
)
Timp. poss. (High, Low Cowbells) *(
)
1 3
(B.D.) *( )
3
Toy Piano (amplified)
Xyl.
2 poss. (Tam.) *( )
Perc.
dolce *** Jaw Harp (optional)
3
3
3 Two Slide Whistles (one player) ** )
(Lg. L.R.) *(
Ratchet slow gliss.
4
8va
*(
)
(
)
B
F A
Harp
E
= 60 sub. div.
*(
)
*(
) div.
*(
) unis.
hiss, like escaping steam (vocal effect)
(sim.)
I (pssss Vns.
oooo
ssss
oooo
hiss, like escaping steam (vocal effect)
(sim.)
II (pssss
oooo
ssss
oooo
ssss
hiss (vocal effect) — flat, without undulation
Va. (pssss div. a4, free bows *( ) Vc. poss. *(
Cb.
dim. poco a poco )
gli altri, free bows *( )
poss.
dim. poco a poco
*Fermata only if necessary for changes to Xylophone and Slide Whistles. **Indeterminate, high-but-different pitches. ***If used, the Jaw Harp should be amplified.
1 solo
36 ( = 60)
187
rall. solo
lunga
1
Fls.
2
Flute 3 solo
1
Obs.
2 (ad lib.)
3
1 Cls. 2 (ad lib.)
1 Bns. 2 (ad lib.) lunga F Hn. 2
harmon mute 1 Tpts.
(ad lib.)
harmon mute 2
(ad lib.) lunga Timp. (High Cowbell)
Crot., soft sticks
1
Glock., soft sticks
(Toy Pno.) Perc. 2 (Ratchet) 3
lunga
Harp
D
F
( = 60) div. a3, con sord. I Vns.
div. a3, con sord. II div. a4, con sord.
Va. 2 soli
Vc.
gli altri
(dim.)
(1 solo) Cb. (gli altri)
(dim.)
1 solo
( )
rall. lunga
37
= 60
accel. e cresc. poco a poco
193 Cls.
1.
1 2
Bs. Cl.
1
Bns.
2
Bassoon 3
1 3 F Hns. 2., open 2 4 remove mutes 1 Tpts. 2
B.D. 2 Perc.
Tamtam 4
Harp
= 60 unis., senza sord. Va. sost. unis. Vc. sost.
accel. e cresc. poco a poco
38 = 88
(accel. e cresc.)
tratt.
=
199
a3
Fls. 1–3 a3 Obs. 1–3 a2 1 2
Cls.
Bs. Cl.
a2 1 2 Bns. 3
1 3 F Hns. 2 4
open 1 open Tpts. 2
3
1 2 Tbns. 3 Tuba
Timp. B.D. 2
Glock., hard sticks Perc. 3 Triangle 4
Harp
= 88
(accel. e cresc.) =
tratt.
div.
I
Vns. unis., senza sord. II cresc. sost.
3
Va. cresc. pizz.
arco
Vc. cresc. Cb.
tutti, div. a2
3
3
3
3
3
3
3
39 accel. e cresc. 202 Fl.
=
to Piccolo
3
Bs. Cl. sub. a3 Bns. 1–3 sub.
1 2 sub.
Tbns. 3
sub. Tuba sub. Crash Cyms. (hold together...muffle) 1 Perc.
(B.D.) 2 sub.
sub.
Harp
accel. e cresc.
=
unis. Cb. sub.
= 116 accel. e cresc. 206 Bs. Cl.
(a3) Bns. 1–3
1. 1 3 F Hns.
2. 2 4
Tpts. 1–3
1 2 Tbn. 3 Tuba
S.D. Perc. 4 cresc. poco a poco
= 116 accel. e cresc. unis. I Vns. II
Va.
Vc.
Cb.
40 = 120
tratt.
=
209
Piccolo
Picc.
a2 1 2
Fls.
a3 Obs. 1–3
a2 1 2
Cls.
Bs. Cl.
a3 Bns. 1–3
3.
1.
3.
1.
4.
2.
4.
2.
1 3 F Hns. 2 4
Tpts. 1–3
1 2 Tbns. 3 Tuba
solo (hard sticks) Timp. Ratchet 1
Large B.D. 2 Perc.
Glock. 3 (S.D.) 4
Harp
tratt.
= 120 = I Vns. II
3
Va.
Vc.
Cb.
3
3
3
3
3
3
3
41
212
accel.
Picc.
a2 1 2
Fls.
cresc. (a3) Obs. 1–3 cresc. (a2) 1 2
Cls.
cresc. Bs. Cl. (a3) Bns. 1–3
1 3 F Hns. 2 4
Tpts. 1–3
1 2 Tbns. 3 Tuba
3
Timp.
(Ratchet) 1 (Large B.D.) Perc. 2
(Glock.) 3
Harp
accel. I Vns. II
3
Va.
Vc.
Cb.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
42 accel. molto al fine 214 Picc. poss.
1 2
Fls.
poss. Obs. 1–3 poss. poss. 1 2
Cls.
poss.
Bs. Cl. poss. a2 1 2 poss.
Bns. 3
poss. 1.
3.
3.
poss.
a2
1 3 poss. F Hns. 2.
poss.
a2
2 4
poss.
poss.
1. 2.
2. 1.
1 2 molto
Tpts.
poss. 3 molto
poss. 1 2
molto Tbns.
molto 3
Tuba poss. (two sticks) 3
Timp. Sus. Cym.
(Ratchet)
(choke)
1 (Lg. B.D.) 2 Perc.
(Glock.)
8va
Xyl. 3 S.D., rimshot (solo)
ord.
4
Harp
accel. molto al fine
div.
I poss.
Vns. II 3
3
3
poss.
3
Va. poss. Vc. poss. div. Cb. poss.