John Corigliano
MIDSUMMER FANFARE (2004)
full score
From the G. Schirmer Rental Library Date of Printing_______
G. Schirmer, Inc. New York, NY
John Corigliano
MIDSUMMER FANFARE (2004)
full score Commissioned by the Grant Park Music Festival, Carlos Kalmar, Principal Conductor
G. Schirmer, Inc. New York, NY
Instrumentation: Piccolo 2 Flutes 3 Oboes 3 Clarinets in B= 3 Bassoons 4 Horns in F 3 Trumpets in C (optionally doubling on Trumpets in D – parts are provided in C only) 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players) Piano Harp Strings
duration: 5 minutes
MIDSUMMER FANFARE
Score in C *
John Corigliano (2004)
6–7 seconds
9–10 seconds
7–8 seconds
Piccolo
(slow)
**
1 Flute
(slow)
**
2
1
Oboe
2
3
1
Clarinet in B
2
3
1 Bassoon 2 3
1 3 Horn 2 4
2., with straight mute, play into stand slow gliss.***
2. take straight mute 1.
1 2
molto
Trumpet in C
with straight mute, play into stand
take straight mute
molto
3
Trombone
molto
1 2
Bass Trombone Tuba
Timpani
1
Percussion
2
3
Piano
Harp
al sord.
6–7 seconds
9–10 seconds
7–8 seconds
I Violin
al sord. II
Viola
Violoncello
Contrabass
*denotes 3 free events cued by the conductor. The number inside the triangle indicates the number of cues. **Bend pitch one half step. Players determine their own slow, even tempo. ***Use third valve fingering, slide out to in.
Copyright © 2004 by G. Schirmer, Inc. (ASCAP) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Property of: G. Schirmer Rental Library Bellvale Road Chester, NY 10918 SUPPLIED ON LOAN ONLY
2 7–8 seconds
2
8–10 seconds
Picc.
1 Fl. 2
1
* 0
Ob.
N 0 N 0 N 0 N 0 N 0 N 0
2
0
3
1
slow, even oscillation (stagger breathing) Cl.
2
murmuring slow, even oscillation (stagger breathing) 3
murmuring 1 Bn. 2 3
1 3 Hn. 2 4
(2.) 1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
1
Perc.
2
Triangle 3
Piano
Harp
7–8 seconds ca. 1 1/2 seconds con sord. I
ca. 1 1/2 seconds
Vn.
con sord. II
Va.
Vc.
Cb.
*Continue this free but synchronized motion, ignoring the conductor’s beat.
8–10 seconds
N 0
N 0
N 0
N 0
3 (2) Picc.
1 Fl. 2
1 0
Ob.
2
N
0
3
1
Cl.
2
3
1 Bn. 2 3
1 3 Hn. 2 4
1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
Glockenspiel
Add
* 1
* Xylophone
occasional
8va
Perc.
2
3
*
Piano
*
Harp
I Vn. II
Va.
Vc.
Cb.
*Vary order of figures and length of fermatas. The texture should be sparse and pointillistic. The instruments should be dynamically balanced.
4 = 60–72 3 Picc.
* 1 Fl.
* 2
(lunga)
1
rubato
* Ob.
2
* 3
1
* Cl.
rubato
2
* 3
1 Bn. 2 3
1 3 Hn. 2 4
ca. 5 seconds 2. (lunga) 1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Glock.)
*
(Xyl.)
*
1
Perc.
2
Crotale
Vibraphone
3
(blur) Pedal on
*
Piano
*
Harp
= 60–72 solo I Vn. II
sul ponticello ** Va.
Vc.
Cb.
*Ignore conductor. Continue as before until cut-off at measure 38. **Play as rapidly as possible between and including the indicated pitches. Use all chromatic pitches but avoid repitious patterns and scales.
5 8 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
rubato 2 3
1. 1 3 Hn. 2 4
1. (open) 1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Glock.) 1
(Xyl.) Perc.
2
3
Piano
Harp
tutti, senza sord., sul ponticello
I
senza sord., sul ponticello
Vn. II
Va.
sul ponticello
Vc.
sul ponticello Cb.
6 15
*
Picc.
rubato, espr. 1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1 Bn. 2 3
stopped
1. 1 3
in tempo
espr.
Hn. 2 4
1 2 Tpt. 3
1. Tbn.
1 2
rubato Bs.Tbn. Tuba
Timp.
(Glock.) 1
(Xyl.) Perc.
2
Vib. * 3
blurred Pedal on
Piano
Harp
I Vn. II
Va.
Vc.
Cb.
*Slow, even, unmeasured pulses.
7 22 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1
asynchronous
Bn.
2
asynchronous
3
asynchronous (1.) 1 3 Hn.
2.
asynchronous
2 4
slow, unmeasured pulses 3
1. 1 2
(2. open)
Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Glock.) 1
(Xyl.) Perc.
2
(Vib.) 3
Piano
Harp
I Vn. II
Va.
Vc.
Cb.
Bass Drum
8 28 Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1
Bn.
2
3
1., open 1 3 Hn.
2. 2 4
1 2
with straight mute Tpt.
take straight mute 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Glock.) 1
(Xyl.) Perc.
2
Crot. 3
Piano
Harp
I Vn. II
Va.
Vc.
Cb.
9 *
35 Picc.
1 Fl. 2
* 1
Ob.
2
3
* 1
Cl.
2
3
1 Bn. 2 3
* 1 3 Hn.
* 2 4
* 1
* Tpt.
2
continue pattern, ignoring conductor 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
1
Perc.
2
Low Trg. 3
Piano
Harp
I Vn. II
Va.
Vc.
Cb.
*Keep same tempo as before.
10
ca. 5 seconds (first time only) 36
accel. poco a poco
Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1 Bn. 2 3
1 3
Hn. 2 4
1
Tpt.
2
3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
1
Perc.
2
B.D. 3
Piano
Harp
ca. 5 seconds (first time only) accel. poco a poco
slowly change from sul ponticello to ordinario
I
slowly change from sul ponticello to ordinario
Vn. II
slowly change from sul ponticello to ordinario Va.
slowly change from sul ponticello to ordinario Vc.
slowly change from sul ponticello to ordinario Cb.
11 37
*
(accel.)
accel. molto
(accel.)
accel. molto
Picc.
1 Fl. 2
* 1
Ob.
2
3
* 1
Cl.
2
3
* 1 Bn.
* 2 3
* 1 3 Hn.
* 2 4
* 1 2 Tpt.
* 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
1
Perc.
2
3
Piano
Harp
I Vn. II
Va.
Vc.
Cb.
*Repeat three cue pattern. Accelerate, using as many repetitions as necessary to build to a climax. The conductor should speed up cues little by little so that the horns, trumpet and woodwinds eventually overlap into a wild, blurred frenzy.
attacca
12 38
= 144–156 to Flute
Picc.
1 Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
a2 2 3
a2 1 3 Hn.
a2 2 4
1 2 Tpt.
to Trumpet in D, if available 3
a2
1.
a2
1.
1.
1 Tbn. 2
molto
molto
molto
Bs. Tbn.
Bs.Tbn. Tuba
Timp.
1
Tenor Drum Perc.
2
B.D. 3
Piano
Harp
= 144–156
arco
pizz. I Vn.
pizz.
arco
pizz.
arco
II
Va.
div. Vc.
Cb.
unis.
13 46
=
1
Fl.
2
Flute 3
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
a2 2 3
a2 1 3
molto
Hn.
molto a2
2 4
molto
molto to Trumpet in D, if available 1 2 Tpt. 3
a2 1 Tbn. 2
Bs.Tbn. Tuba
Timp.
Tambourine 1
Snare Drum, r.s.
Ten. Dr. Perc.
2
B.D. 3
Piano
C
Harp
= I
molto
Vn.
pizz. II
molto pizz. Va.
molto
molto
Vc.
molto molto Cb.
14 53 1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn. 2 3 1 3 Hn. 2 4
(Trumpet in D) 1 2 Tpt.
(Trumpet in D) 3
Tbn.
1 2
Bs. Tbn. Bs.Tbn. Tuba
hard sticks Timp.
Tamb. 1
S.D. Perc.
2
(B.D.) 3
Piano
(F )
Harp
non div.
F C
div.
I
Vn.
non div. (pizz.)
div. a2, arco
II
(pizz.) Va.
Vc.
Cb.
arco
15 60
=
1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
a2 2 3
a2 1 3
a2
Hn. 2 4
1 2 Tpt. 3
Tbn.
1 2
Bs. Tbn. Bs.Tbn. Tuba
Timp.
(Tamb.)
S.D.
1
Ten. Dr. Perc.
2
B.D. 3
Piano
Harp
(div.)
unis.
= I Vn.
unis. II
Va.
Vc.
Cb.
16 66 1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
(a2) 2 3
1. (a2) 1 3
poss. Hn.
(a2)
2.
2 4
poss. 1. 3 1 2 Tpt.
take straight mute 3
a2 Tbn.
1 2
Bs. Tbn. Bs.Tbn. Tuba
hard sticks Timp.
S.D. 1
Temple Blocks
(Ten. Dr.) Perc.
2
Tamb. 3
Piano
Harp
(F C )
solo I Vn. II
Va.
pizz. Vc.
Cb.
17 8 seconds
6 sec.
10 sec.
72 1
Fl.
2
3
1 (0) N 0 N 0 N 0 N 0 N 0
Ob.
0
2
0
N 0 N 0 N 0 N 0 N 0
3
1
Cl.
2
3
1 Bn. 2 3
a2
1. 1 3
sub., leg. Hn.
a2 2 4
sub., leg.
take straight mute 1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
Vib.
(chromatic cluster)
1
Pedal on (Pedal on)
Glock. Perc.
2
Xyl. 3
Piano
Harp
8 seconds
6 sec.
10 sec. tutti
I Vn. II
Va.
arco Vc.
Cb.
18 4–5 seconds
7 seconds
3 seconds
7 seconds
3 seconds
73 1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn. 2 3
1 3 Hn. 2 4
2. with straight mute
1., with straight mute 1 2
sub., leg.
Tpt.
with straight mute 3
sub., leg. 1 Tbn. 2 Bs.Tbn. Tuba
Timp.
Vib. (cluster) 1
(Pedal on) Perc.
2
3
Piano
Harp
4–5 seconds I Vn. II
Va.
Vc.
Cb.
19 4 seconds
4 seconds
5 seconds
5 seconds
4 seconds
4 seconds
74 1
legatissimo Fl.
2
legatissimo 3
legatissimo 1
legatissimo Ob.
2
legatissimo 3
legatissimo 1
legatissimo Cl.
2
legatissimo 3
legatissimo 1 Bn.
legatissimo
a2 2 3
legatissimo a2 1 3 Hn.
a2 2 4
1 2 Tpt. 3
1., with straight mute Tbn.
a2, 2. with straight mute
1 2
legato Bs. Tbn., with straight mute Bs.Tbn. Tuba
legato
Timp.
1
Perc.
2
3
Piano
Harp
4 seconds
4 seconds
5 seconds
5 seconds
I
sub.
Vn. II
sub. Va.
sub. Vc.
sub. Cb.
sub.
div.
4 seconds
4 seconds
20 76
= 144–156
1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
(a2) 2 3
a2 1 3 Hn.
legato a2 2 4
legato 1 2 Tpt. 3
a2 1 Tbn. 2
Tuba Bs.Tbn. Tuba
Timp.
Suspended Cymbal 1
Perc.
2
B.D. 3
Piano
Harp
= 144–156 I Vn. II
(F )
* Va.
asynchronous * Vc.
asynchronous Cb.
*Ossia omit tremolo beams, single strokes.
(F )
21 79 1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1
cresc. Bn.
a2 2 3
cresc. 1. 1 3 Hn. 2 4
1. (with straight mute) 1 2 Tpt. 3
(a2) Tbn.
1 2
a2 Bs.Tbn. Tuba
Timp.
S.D. 1
Tamb. Perc.
Ten. Dr.
2
B.D. 3
non cresc.
Piano
Harp
(C and F )
* I
sim. Vn.
asynchronous
(C and F )
II
sim. asynchronous
div.
Va.
molto div. Vc.
molto unis. Cb.
*Ossia omit tremolo beams, use only single strokes.
molto
22 84 1
Fl.
2
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
(a2) 2 3
a2 1 3 Hn.
a2 2 4
remove mute 1 2 Tpt.
remove mute 3
a2
1. Tbn.
1 2
molto Tuba Bs.Tbn. Tuba
Timp.
Tamb. 1
(Ten. Dr.) Perc.
Sus. Cym.
2
(B.D.) 3
Piano
Harp
Vn.
*
(F )
*
(F )
I
Vn. II div.
(F )
*
*
(F )
Va.
* Vc.
Cb.
*Ossia omit tremolo beams, use only single strokes.
(F )
23 (
87
=
)
1
Fl.
2
3
to Piccolo 3
1
Ob.
2
3
1
Cl.
2
3
a2 1 Bn. 2 3
1 3 Hn. 2 4
open 1 2 Tpt.
open 3
a2 Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Tamb.) 1
(Sus. Cym.) Perc.
T.Blks.
2
S.D.
B.D.
3
Piano
non arp.
Harp
(ord.) Vn.
(
=
non div.
)
I
(ord.)
Vn. II div.
(C F )
(ord.)
(ord.)
(C F )
(C F )
pizz.
non div.
arco
pizz.
non div.
arco
(C F )
Va.
non div. Vc.
(C F ) Cb.
24 92
Piccolo
Picc.
poss. asynchronous
1
poss. asynchronous Fl. 2
poss. asynchronous
1
asynchronous Ob.
2
asynchronous 3
asynchronous 1
asynchronous Cl.
2
asynchronous 3
asynchronous 1 Bn. 2 3
a2 1 3
molto
Hn.
a2 2 4
molto 1 2 Tpt. 3
Tbn.
1 2
molto Bs.Tbn. Tuba
molto
Timp.
Tamb. 1
Bell Tree Perc.
2
S.D., r.s. 3
Piano
(F )
Harp
non div. I
poss. unis.
Vn.
div.
non div., arco
II
poss. Va.
Vc.
Cb.
unis.
25 97 Picc.
1
Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1 Bn. 2 3
a2 1 3 Hn.
a2 2 4
1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Tamb.) 1
(Bell Tree) Perc.
2
(S.D.) 3
Piano
(F C )
Harp
(F C )
8va
non div. I
poss. 8va
Vn.
non div. II
poss. Va.
Vc.
Cb.
div. a2
unis.
26 100 Picc.
1 Fl. 2
1
poss. Ob.
2
poss. 3
poss.
1
poss.
Cl.
2
poss.
3
poss.
1
poss.
Bn.
a2 2 3
poss.
a2 1 3 Hn.
a2 2 4
1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
molto
S.D.
1
Ten. Dr. Perc.
2
Tam-tam
B. D.
3
Piano
Harp
non div. I Vn.
non div. II
Va.
div. Vc.
div. Cb.
unis.
27 104 Picc.
1
Fl. 2
1
Ob.
2
3
1
Cl.
2
3
1
Bn.
a2 2 3
(a2) 1 3 Hn.
(a2) 2 4
1 2 Tpt. 3
(a2) Tbn.
1 2
Bs.Tbn. Tuba
Timp.
S.D. 1
(Ten. Dr.) Perc.
Tamb.
2
Xyl. 3
Piano
(F C )
Harp
I Vn. II
Va.
Vc.
non div. Cb.
28 108 Picc.
1
Fl. 2 3
3
3
3
3
3
3
3
3
3
1 3
Ob.
2 3
3
1
Cl.
2
3
1 Bn.
a2 2 3
(a2) 1 3 Hn.
(a2) 2 4 3
3
3
3
3
3
3
3
2. 1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(S.D.)
Ratchet
1
Glock.
(Tamb.) Perc.
2
(Xyl.) 3
Piano
Harp
non div., pizz. 0
0
0
0
0
I Vn.
non div., pizz. 0
II
pizz. Va.
pizz. Vc.
pizz. Cb.
29 112 Picc. 8va
1 8va
Fl. 2
3
3
3
3
3
3
1
Ob.
2
3
1
Cl.
2
3
1 Bn.
a2 2 3
(a2) 1 3 Hn.
(a2) 2 4 3
3
1 2 Tpt. 3
Tbn.
1 2
Bs.Tbn. Tuba
Timp.
(Ratchet)
S.D.
1
(Glock.) Perc.
3
3
tutta forza
Sus. Cym.
2
tutta forza Xyl.
B.D.
3
tutta forza
Piano
Harp
non div. I
non div.
Vn. II
arco
non div.
arco
non div.
Va.
Vc.
0
Cb.
arco