Musgrave FROM DARKNESS INTO THE LIGHT

Page 1

Thea Musgrave

From Darkness into the Light A Contemplation (2017) for solo violoncello and chamber orchestra

Full score

NOVELLO



Thea Musgrave FROM DARKNESS INTO THE LIGHT A Contemplation Commissioned by Dr. Pamela Ashurst in memory of her husband Ron Ashurst for their dear friend cellist Josephine Knight

Duration circa 21 minutes

Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling Cor Anglais) Clarinet in B Bassoon 2 Horns in F Percussion (1 player): Triangle, Bell tree, Tubular Bells, Vibraphone, Tam-tam, Snare Drum, Tenor Drum, Bass Drum

Strings (5.4.3.2.1)

Orchestra Layout


Programme Note From Darkness into the Light: a contemplation is a reworking of Journey into Light (2005) and in this new form is written specially for the cellist Josephine Knight. This work is commissioned by Dr. Pamela Ashurst who was present at the world premiere of Journey into Light in Southampton. Everything about this new piece has been unusual and exciting for me. When Dr. Ashurst approached me to write a work for the excellent British cellist Josephine Knight, she explained that she was seriously ill but that she wanted to commission a work “to add something beautiful to the classical musical canon” she loved so much. She then explained that she and her late husband had attended the premiere of Journey into Light in 2006 and had been very moved by it. This request certainly grabbed my attention and, though I felt a little daunted, I couldn’t resist dropping everything and starting to explore some ideas right away! I have several times reworked my compositions, but it has always been to re-orchestrate rather than to create something entirely different. But From Darkness into the Light– though closely based on Journey into Light – is quite new, a state necessitated by the absence of the voice. In its place the unique properties of the cello, together with the addition of a clarinet and percussion to the orchestra, have taken the piece and its ideas in a different direction. In the original work the “darkness” refers to hell, and the “light” is the light of salvation. These ideas are drawn from one anonymous fifteenth-century poem and two others by the Scottish poet William Dunbar (1460?-1513?). In his poems, Dunbar describes the promise of salvation after life’s dark passage, while each of the three poems set echoes the thought that the poet can overcome the fear of his inevitable death with the certainty of salvation. This previous work also has its “dark” moments, but the overall mood is one of calmness and peace. It seemed to me that in my new work the “darkness” could represent ANY of those dark, frightening moments that all of us face from time to time and that, in life, those moments have to be confronted and come to terms with, before peace and well-being can be restored. In both works there are three sections and in each section an important musical theme is introduced: in the first section a dark theme that originally accompanied the words “Terribilis mors conturbat me”, in the second section the famous medieval chant “Dies Irae”about the Day of Judgement, and in the third section, the theme accompanying the words “Since endly joy abidès never, Work for the joy that lastès ever”. What changes the feeling of the whole work is not just the fact of a different colour of the solo cello, but the dramatic way I wanted to use it in the three cadenzas which I have added. The first cadenza led by the cello is mostly dark and brooding: it links the first two sections. Here the clarinet, which has not sounded a single note thus far, adds a low E-natural. This eventually leads to the cello “inviting” the clarinet to join in with its voice in the next section, thus giving another colour to the dark implications of the “Dies Irae” chant. In the second cadenza which links the second and third sections the cello introduces a new light-hearted figure which the oboes will embrace in the third section. The third section becomes more and more confrontational as the themes mentioned above all reappear in counterpoint to the oboes. But the “Dies Irae” now always played by the horns takes a central position – each of its three phrases becoming more urgent, more insistent. In response the cello becomes more and more agitated, even angry. The third and final cadenza is the culmination of this confrontation between the cello and the antagonistic and challenging horns. The cello, however, confronts their outburst in a serious, thoughtful, but above all, calm way. This calm response allows the dialogue to be restored and a peaceful coda ensues resolving into a “luminous” final cadence. Thea Musgrave


To Josephine Knight

From Darkness into the Light Score at actual pitch

A Contemplation

I – Dark h = 52    Flute 1  

 

Flute 2 / Piccolo

 

Oboe 1

     mf

 

Oboe 2 / Cor Anglais

Cor Anglais

    

 

Bassoon

 

sfp

pp

   

Flute

 p

pp

       

 

      

   

p

pp

  

p

  

p

pp

   

   

p

pp

 

  

   

pp

   

con sord.

Horn 2 in F

  

sord.   con  Horn 1 in F  

pp

mf

Clarinet in Bb

1

   

p

 

Thea Musgrave

   

 

sfp

pp

 

Percussion

Bass Drum

    

p dramatic!   

      

Solo Violoncello

f

Solo

p

arco

p

I – Dark h = 52    

   

[senza sord.]

      



       

p espr.

f

pp

                    mf  sfz sfz pizz.

              

p espr. molto

pp



 

f

p

      



p espr.

mf

1 

  

mf

p

Violin I

 

others

p

pp

      

con sord. div.

pp

 

Violin II

con sord.

 

  

  

  

 

 

 

p

  

   

p

  

Violoncello

   

p

Contrabass

 



8va

    

   

 

 

 

 

 

pp

pp

 

pp

p

pp

  

  





    





    

pp

Viola

div.

pizz.

© 2017 Novello & Co. Ltd.

      p


2

2

12

 Fl. 1 

Fl. 2

Ob. 1

 

C. A.

 

  p

Bsn.

 

 

  

 

  p

 

p

pp

  

  

  

pp

mf



senza sord.

  

  p



cuivré en dehors

  p

 

 

 

 

  



   

p

   

mf

 

p

 

  

  



senza sord.

  

   

  p

p

 Hn. 1 

Hn. 2

  p

 



p

Perc.

Tam-tam

Tenor Drum



Solo Vc.

pp

f

p

     mf

   

 

 

p espr.

    

mf

solo

 

   

    

p

B.D.

  p

  



mf

2           

pp

pp

       

    

  

             p f

     p

mf

pp

Vln. I

  

others

p

 

Vln. II

p

Vla.

Vc.

Cb.

 

  

 

 

 

 

pp

pp

pp

 

pp



    

  

   

   

     

    

 

 

  

   



   pizz.    

div.

        

unis.

  

 

sul tasto

 

 

pp

pp

    

(pizz.)

 

p

 

pizz.

arco

p

pp

 

pp

 

3

pp

    

 3    pp

3

 3      

   

    p

ord.

arco





   

 

p

pp

sfp


3

3 22   Fl. 1 

p

pp

Bsn.

Hn. 2

    

 

C. A.

solo

  

p

pp

 

   

p

 

  

 

Vc.

Cb.

  

  

  

     

  

 

  

 

  

con sord.

C. A.

p                

 

solo

   



 

  pp 

    

 

pp

Vla.

    pp

Vc.

Cb.

 

   

    

   

 

   

   

p

p

p

pizz.

   

p pizz.

  

 

  p

 

  pp   pp

pp



  











       

 

 



  

    

   

  

    

pp

mf

  

             

 

     

p

  

3

3

                           p

pp

3

            

      p

3

       

3

        

          pp p

p

 

  

  

 

     

     



        pp

  

     

        



 

      

      



pp

      

 

pp

pp

     

arco        

pp

    

  

  

   

T.D.

 

      

      

 

  

 



Tam-tam

arco

pp

cuivré en dehors

 

  

pp

   

       

             

       

p

pp

Vln. II

 

  



p

Vln. I others

    

pp Solo Vc.

pochiss. rit.

  pp

   

p

  

p Perc.

 

   

 

   

  

     

pp

  

pp

pp

p

5

p

Fl. 2

Hn. 2

31

 Hn. 1 

p

pp

      Fl. 1  

Bsn.

      

mf

pp

 

 

  

pp

  

p

   

   

p

    

        

Vln. I

Vla.

    

mf

  

    

mf

 

Vln. II

4

       

pp

 

others

       

pp

Solo Vc.

mf

   

Perc.



pp

    

 

     

   

pizz.

pp

      3

3

 

     3

 







p 3

          3

p




4

6   Ob. 1   41

 

mf espr.

   

C. A.

Bsn.

Poco più mosso h = 60

  

sfp



   ord.      p  Hn. 2       p

   

p



 

    

 p

  

 p

 

 

  

pp

  

pp

  solo        

Vln. II

  

    

    

    

 

       Vc. 

senza sord.

  

   

         



  

tutti

 



7  

  

p

 

p

 

   

sola

Vla.

pp

pp



  

p



pp

mf espr.

Vln. I

   

       

p

         

  

7              

3

      pp

Hn. 1

Solo Vc.

                    



 



 

tutte

 

  

 

p

rit.

50

Fl. 1

  

 

p

p

Fl. 2

Ob. 1

C. A.



 

 

 

Perc.

 

Solo Vc.

 

 

  

 

   



 

      

   



         

  



  



  



p

p

p

mf

   

mf

  



   

 



   



mf



  



 

  

T.D.



      

  



 



 

      

    

     p

sul tasto

    

sul tasto



 

   

  

sul tasto pp



 



       

con sord.

con sord.

        p

pp

3

p

 

     p

pp

p

 

3

3

 

        

 

 3      

 3                3

ord.

  



p espr. ord.

pp

     p

 

    

  

p

pp

                

pp



p

    pp

pp Cb.



  

pp

 

mf

  

Tam-tam

mf

Vc.

 

         

mf

cuivré en dehors

mf

  



p

   Vln. I 

Vla.

   

  p

mf

mf

Vln. II





  

p

    

   

mf

p

Hn. 1



poco rit.

mf

p

              

Tempo I° h = 52

8

       

3

        3

 

     

  

p espr. ord.



p

          

    

    

3

3

 

3

            3 3

             3



mf




5

9 Tempo II° h = 60 59    Fl. 1  

 

10      sfzmf

f

 

Fl. 2

  

Ob. 1



 

   

 

    

   

 

Hn. 1

  

    

   



  

 Hn. 2   

 

ord.

 

 

 

       

Solo Vc.

       

    

  

    

p

mf Vln. I

     

 

    



         

        

sfz

sfz

    





sfz p

   

p



 

pp

     

ff

sfz

    

mf

 

sfzpp

  

sfzp

f

sfzp

div.

mf

pp

       

     

pp

    

    

sfzp

f

mf

     



f

   

    

    



    



sfz p

p

mf

Vc.

    

        

      

Vla.

pp



mf

f

sfz

mf

    

      

 

    

mf

Vln. II

f

       

pp

      



sfzmf

    

p

    

f

p

  



                        

pp

Bsn.

f

p

C. A.

pp

 66              Fl. 1 

p

f

p

 

Ob. 1

f

          f

 

C. A.

 

Hn. 2



mf

sfz

  

sfz

sfz p

pp

        

pp

      

 

     

Vla.

 

Vc.

Cb.

    

   

  

 

 

  



         

      

       

    

     

    

     

   

    

 mf

  

   p

 

  

pp

cuivré en dehors

             

pp

sfzp

div.       

sfzp

mf

pp

    

f

sfzp

      

f

mf

   

sfz

p

f

f

                   

   

unis.           

Vln. II

   

p



ff

Vln. I

p

p

    

   

sfz

sfz p Solo Vc.

p

       

       

f

 Hn. 1 

   

p

       

        f

Bsn.

mf

sfz

rit.

       

mf

sfz

                 

Fl. 2

sul pont.

 

pp

senza sord.

sul pont.

 

pp


6

73

Fl. 1

11

  

Tempo Iº h = 52

        



p



p

    



p

Hn. 1

  

Tam-tam Perc.

  

   

   

mf

T.D.





   

      

 



3

   

ord.

 

p

p

       



   pp

    

pp

  

unis.

(pp)

ord.

sul pont.

  

    



    

ord.

pp

3



p

p

f

f

poco a poco al ord.

  

3

  Cb. 

3

      

 

 

 

   

3

3

           

3

   

  

f

         3

3

3

3

p

     

pizz.

   

   

   

   

p

     

pizz.

p

        pizz.

p

mf

 

        

poco a poco al ord.

     

   

mf

 

3 3               p 3

mf

mf

 

p

  



mf

 



3         

pp

f

 

f

3

3

             

 



poco a poco al ord.

     

ff

div.

      

Vc.

3                     3

f

sul pont.

sul pont.

Vla.

pp

 

Vln. II

3

mf

p

Vln. I

3               3

mf





pp

Solo Vc.

 

p

mf

   

mf

 

mf C. A.

mf

 



   

mf

mf

 

Ob. 1

mf

 

Fl. 2

Tempo IIº h = 60

12

pochiss. rit.

f

mf

 

Ob. 1

 

Bsn.

Hn. 1

Hn. 2

Solo Vc.





Vln. II

Vla.

3

3

3

3

 

  

 



   

               

  

  

                       

mf

 



p

mf

p



p

3                 

     

p

   

       

div.

mf

         

   

mf

              mf

mf

p

 arco

 

p

3

       

 

    

 p

p

arco div.

    

3

pp

3

p 3

  p

       

 

     



p

p

mf

3

             

     

pp

3

 

pp

          3

    3                   

sfz

3

3

    

 

 

p

p

   

p

   



3

3 3 3                                        3 3 3

   

mf

3

arco Vln. I

   

    

                                      3

3

C. A.



mf

Fl. 2

81

 Fl. 1 

13       

 

  

pp

   

pp

3


7

88

 Fl. 1  Fl. 2

Ob. 1







 

   



   

14  



   



     



     

 

     

   

     

   

p

f

        

C. A.

3

p

Bsn.

   

                 3

 Hn. 1  

3



     

pp Hn. 2

  

Solo Vc.

3

  

 

      

    

Vc.

3

3

 

sfzp

sfzp

 

 



f

     

sfzp

f

      p

div.

   

 

   

 

    

unis.

   

f

sfzp

f

sfzp

     

p

   

sfzpp

f

pp

     

mf

sfp

pp

     

f

mf

pp

unis.

mf

   

     

   

sfz

sfzp

f

      

p

 

sfp

    

unis.

f

    

     f



pp

sfp



3

      

   

mf 3

   

3

mf

 

p

 

3

pp

 

          

   

 

p

Vla.

         

mf

   

 

mf

Vln. II

sfp

     p

 

 

3

p

     p

3

       

3

f

3

 

p 3

            

 Vln. I  

   

3



3





3

       

      

f

p

sfzp

15 

94

 Fl. 1 



 

 

 



 



mf Fl. 2

Bsn.

Hn. 1

 mf

 

  

   

                p

3

 mf

     

pp

   

mf

Vln. I

       pp

pp

   



15             

          

pp

     pp

 

  

  

 

        pizz.

 

    



 

      

arco

 mf

 

      

 

    

3

         



   

     



   

  

 

    

unis. ord.

   

f

  

3

         

     

pp

3

  

 

  

 

3

3

 



  

div.     p

   3

        

 p

mf

         

3

pp

Cb.

mf

sul tasto       

Vc.

3

         

p

     

Vla.



mf sul tasto div.

Vln. II

3

p

    

Solo Vc.

3

p

pp Hn. 2

3  3            

   

    3

3 3  3          

       

 

   

3

                3

3

mf


8

 Fl. 1 

16     

    

102

Fl. 2

17 

sfz

sfz

    

Hn. 1

mf

      

mf Hn. 2

Vln. I

3

p

     

mf

p

  

3

3

   

  

Vla.

    

    

    

mf

p

    



p

mf

        

mf

 



 

 

   

mf





 

 

p

mf



 





p



p

    

mf

    

p

 

p

  

    

mf

    

  

p



p

mf

arco div.

      

    

mf

Vc.

f

unis.

mf

f

div. 

     

3

         

f

Vln. II

    

mf

p

mf



 

    

3

3

mf

 

mf

Solo Vc.

p

       



sfz

            

p

mf

    

sfz

   

 

sfz

Bsn.

sfz

sfz

C. A.

     sfz

    

Ob. 1

p

     p

mf



p

 poco accel.

18

111

 Fl. 1 

                 p 3

                  

 

Ob. 1

3

3

3

C. A.

3

3

mf

p

   Hn. 1 

 

Bsn.

                  p

    

    

                        

          

3

mf

3

3

3

p

   

mf

  

  

p

Hn. 2

 

Solo Vc.

  p









 

  



mf

  

mf

     

     

   

mf

   

3

          p  mf 3              



mf

f

          



mf

p

  

3 3 3                



 

  

 

f div.

    Vln. I      

Vln. II

p

mf

rit.

3

3

mf

h = 72

 

 

div.

unis.             

 

 

  

 

f

         



f

p



   

 

unis.



unis.

  



   f

mf

    

div. 



f

p

mf

     unis.

unis.

div.



 

    

mf

f sola

  

Vla.

   

Vc.

Cb.





 

mf



p



 

mf

f





p

  

  



  

f

 mf

  

 mf

f

  

 

pp

 

pp


9

120

 Fl. 1 

19

Tempo II h = 60

f

     

C. A.

           f 3             3

Ob. 1

Bsn.

Fl. 2

              3             

 

f

  Hn. 1     

Hn. 2



 

 Vln. I  



p

     

3

3

3

tutte      

    

mf 3

    

p

mf



p

 mf

    



   

 



   

   

                         3

 

 

                 3



     

f

3

 

f



mf

mf

3

f

3

3

      mf

3

3



   3

mf

f

3

f

3              3

  

3

3

sfzp

f

                  3

3

3

      

mf

3

3

  

3               3

       

  

  

pp

 

  



ff

    

mf

3

pp

        



p

p

3

 

       

f

3

mf

  

mf



mf

  3   Cb.    

3 3 3                           

    



      p

  3     

 to Picc.    

f



   

mf

p

Vc.



 

    

mf

Vla.

mf

   

p Vln. II



f

p

mf

Solo Vc.



3                        

p

  

 



mf

  

 3

   

20   

f

 rit. 129

 Ob. 1  

       

f C. A.

Bsn.

 Hn. 1 

21 

     

3

 

    f    



3

f

 

  

   

sfzp Hn. 2



Solo Vc.



sfzp

Perc.

   

                   mf 

 

 





     p

  

Vln. II

Vla.

 

 



          

     

         

       

3

3



 

3

     

     

p

    

    

p

Tam-tam



          

  

   

   

   

f

mf

sfz

      mf

p

mf

  

 





p 3

 

3

3

         

mf

   p

   

p

toVib.

p

mf

         mf

p

           

 



3

3

Cb.

     

3

Vc.

mf

mf

Vln. I

Tempo Iº h = 52

 mp

     p


10

138

22

 Cl. X  Hn. 1 Hn. 2

Solo Vc.

23

rubato, ad lib.

X 

X 

X

 

  

 140    X    

 

      

pp

 

 

X

 



X

 

 

139



                 

   

f

    

X

      

    

   

24 141

 Cl. 

 

 Hn. 1 Hn. 2

   

       

Solo Vc.



 

 

f

 p 

 p

X 

X 

   

 

pp

 

pp

  p

mf

 

X 

pp

             X                      p

25 143

 Cl. 

Hn. 1

142 

 

144 145  

  

pp





X

 

  

Solo Vc.



     f

        

     

mf

X

  p

p

 

  pp

    

  

 

  pp

p

Hn. 2

 

X 

mf

X

 

    

                f

dim. poco a poco

26  Bsn.  Hn. 1

146



lunga

 

     p



   

p Hn. 2

 



sfz

 



 

mf

             

Solo Vc.

lunga

      





p

 Vln. I 

26  









Cb.

 

 

 

lunga

  

 

p

sfzmf

sola

3

  

3

 

sfzmf 3

     

 

tutte



 

mf pizz.

  

div.



pp Vc.

sfz div.

pp

Vla.

     

    

mf

pp Vln. II

arco

sfz

mf



   

mf

   




11

27 II – Solemn h = 56 151

 Picc. 

Piccolo

 

 

   

pp

Ob. 1

mf

C. A.

 mf

Cl.

    

   

   

28

    



  

[respond to cello]

 sfp

            Bsn. 



   

 

  

p

mf

Hn. 2

  

  

   





p

p

niente

 

mf

  

Vibraphone

Perc.

p

Solo Vc.

[gesture to Cl.]

  



pp

27 II – Solemn h = 56      Vln. I     

 

pp

  

Vln. II

    

  



pp poco cresc.

solo

p

mf

Vla.

pp

Vc.

Cb.

 

pp

 pp

f

sfz









mf

          





    p

    

solo

 

         

 

 





p



    

mf

mf



 

  

a niente



 

p

mf

sola

    



28             

pp

 

  

a niente


12

160

 Fl. 1  Picc.

Ob. 1

    

  Hn. 1  Hn. 2

 [stand up]





p

 p

 (Vib.)

[another gesture to Cl.]

 Vln. I 



 



     



  

Vla.

 

 



Vc.



pp

   



half section only

tutti div.

 

 

    

     

    

sfz

 



   







   



   

  

 

 sola

  

pp

mf



arco

p

pp

arco

p

pp

pizz.

pp

  

   



pp

p

    

f

  

pizz.





tutte

niente

    

mf





p

   

   

p

     

 

sfz

Cb.

p

sfz



         

sfzp

p

   



sffz p



 

sfz

pp Vln. II

mf

  

tutti

   

  mf



                       

mf

 

pp

  

  mf

   

 

sfz       

pp

Solo Vc.

mf

   



sfz

mf

    

Perc.

p



 

Bsn.

   

Cl.

29    





  



30 167

Picc.

   



   

Ob. 1

  



   

C. A.

 

p Cl.

Bsn.

   

   

 

  

 

 

Solo Vc.

 

Vln. II

 

Vla.

  

Vc.

 

Cb.





 

 

mf        

 

 

       

  

 

  



p

mf

     solo

pp

     mf

   

 

  

  

mf



pp

 

pp





 

     solo

         p

             f



 



 

pp

   Vln. I  

p

 

Perc.

 



  



  



   

mf

  

 

 



   

   



   


13

177

 Fl. 1 

31      

p

Picc.

C. A.

     

   

            

 

   

mf

f

   

 

  mf

  

 

 

Solo Vc.

  

Vc.

Cb.

sffz mf

tutti

div. sfz p

sfz

185 32  Picc.  

 

f

sfz

Cl.

   

sfz

 

   

    

        



 



 

mf

mf

     mf

mf

  



Vc.

  mf

   

mf

p

 

        



   

 

 

 

 



mf

p

 

  

  

 

 

p

  

 



 

















pp

 

 

pp cresc.





pp





  





  

 

   



    

   

       

   

    

    

 

     

    mf







mf

p

mf molto espress.

div.

    

 

 

unis.

p

    

mf

mf



 

 

 

  p     mf

     



 mf



    

 

   

p

 



 p

  



p

   

    

  



p unis.

  

  

   

mf

 

mf

div.

 

    



    

pp

mf

p

mf

       



Solo Vc.

Vla.

                                  cresc. f

p

 

33

 

pp

p

Vln. II



Perc.

  Vln. I 

      

f

to Fl.

p

pp

pp

mf

      

 

p

  Hn. 1 

pp

sfz

 

Bsn.

 

pp

p





pp

f

  



 

mf mf

     

p C. A.

   

p



tutte div.

mf

Ob. 1

 

f

     

sfz

 

f

    

tutti

mf

     

mf

f

Vla.

niente



  

 

 

     

mf

f

Vln. II





 

 Vln. I  

    mf   

sfz

p

p



sfzp Perc.

 

mf

p

sfz

 

pp

mf

   

  Hn. 1  Hn. 2

sfz

 

Bsn.

sfz

  



     

p

mf

 

p

mf

Ob. 1

Cl.

sfz

   





 








14

34     

194

 Ob. 1 

    

    

mf

Cl.

Bsn.

Hn. 2

C. A.

   

mf

  

 









   

   



pp

   



     

Vln. II

 

Vla.

Cb.

  

 



 

  

   



     

3

   

pp

 pp

 

pp

sfp

 

 

sfp

   

 

sul tasto

   

  

 

 

sfp



   

 

  

 

sfp

sfp

 pp

   

pp

sul tasto

p

sul tasto

   

   pp

 

Vc.



   



mf

Vln. I

  

mf

 

Solo Vc.

 

sfp

    

  

    

  

pp

 Ob. 1  

  

  



 



 

  



  

 

 

 

202

C. A.

Cl.



  Bsn.  Hn. 2

   

 

Vln. I

 

    







mf

  

 

 

  

 

  

 

sfp

 

Vla.

sfp

Vc.



 

 



 

3

  



 





  



     

 

     

    

 

    

   



   



mf

 

  

   



 mf

   



 







pp

    pp

mf

mf

  

mf

sfp

 

espr.

sfp

3

sfp



 

 

     

  

  

 

  

3

pp

Cb.

[sit]

 

3

 

sfp Vln. II

pp

    





   



pp

p Solo Vc.

   

Perc.

  

       

pp

  pp

  pp


15

Molto rubato h = c. 56

35

Cadenza

207

  C. A.   Hn. 1

Hn. 2

     



 

  pp

 

Solo Vc.

    

       pp

       



 

    



 

   

pp

   

   

pp

             



 

pp

                             

       

p

mf

mf

                 

36 

214

 Ob. 1 



        

pp C. A.

 

          p

pp

Hn. 1

 

Hn. 2

               

 

  

  

        

pp

        

p



 

 

  

    

    

                   

 

       

  

mf

 Vln. I 



sul tasto

 

 

Vln. II





sul tasto

 

 

pp

0

  



 

    

 

   

pp

     

pp

pp

Solo Vc.

   

 



 220

Fl. 1

 

 

 

   

Ob. 1

 

C. A.

   

Cl.

 Vln. I  

Flute

      

      

   

p

 

      

     

   

    

to Ob.

     

(sul tasto)

 

 

  

    

Vln. II

(sul tasto)

 

pp

Vla.

 

    

  

(sul tasto)

  

(sul tasto)

   

   

       

  

p

sola







   p



 

     p

 

p

p

  

p

p

(sul tasto)

Vc.



p

  p

pp

 

mf

pp

 

p

    

Solo Vc.

  



   

   

p

Fl. 2

37    



   

    p


16 rit.

       Fl. 1  

227

   

p

p

   

 

Fl. 2

   

p

Ob. 2

lunga

           

 

       

p

mf

mf

   

 

Oboe



   

mf

pp

 

mf

 

   

Cl.

 

p

 

 





p

  

Solo Vc.

   

    

         

        

          

 

mf

Vln. I

   

  

  

  

  

Vla.

   p

  

p

 

 

  

 

 

Vc.

 

   

p

p

Cb.

38 III – Poco più mosso q = 60    Fl. 1   235

sfzp

 



  

Ob. 2

 

  Hn. 1  

  

 

      p

  



 

p 



 

   



mf tutte

     

pp

mf

       



    

mf





 





mf

    

 

pp

                            

[stand]

              

  

mf

 

   

pp

  

 

    

signal Oboe 2

 

 

p

      Vln. I     p       p

       p

              Cb.    Vc.

p

 

pp espr.

p

  

solo





  

 

  

 

  

 

 

       

 

 pp

   

pp

sola

pp

 

pp

 



  

 

 

  pp

 



          

 

 

to T.D.

  

 

   

mf

p

p espr.

   

   

    

   

 

 

p espr.

  

pp

        

  

    

p

   pp 





  

         

mf

0

Vla.

mf

 

 

     

mf

pp

mf

Vln. II

    

 

ord.

Bell Tree

Solo Vc.

mf

pp

mf

  Cl.   

Perc.

pp

ord.

pp

   

  

sfzp

Ob. 1

Hn. 2

 

p

  

 

mf

Fl. 2

   

  

 

lunga

    

ord.

  

p (sul tasto)

pp

p (sola)

pp

  

p

 

  

    

        

f

p

p

Vln. II

  

pp

mf

[stand in response]

lunga

[signal Oboe 1]



 

pp

 

mf

  

 

pp

   

   

p

           

   

mf

p

Ob. 1

  

            

   p

     le altre  p



 

  pp


17

240

 Fl. 1  

 

Fl. 2

         p

pp

  

39 

pp

  



pp

    

Ob. 1

  

  

p

pp

               

         

mf

          

Ob. 2

      

  

             

mf

Cl.

   



ff

Bsn.

  



ff

  Hn. 1



 

pp

Hn. 2

  

  



      

p

f

  

pp

Perc.

mf

T.D.

  

   

 Vln. I 



   

      



mf

solo

  

 

39     

 

 

Vc.



     p

Cb.

    

 

 



tutte

  

    

pp

p

  

pp

p



   

pp



 



f

 

     

  

p

pp

Vla.

 p

pp

Vln. II

f

      mf

Solo Vc.

    

pp

  

  

 

  

 

     

pp

p

 p

  

pp

 

pp

p


18

245

 Fl. 1 

    p

Fl. 2

Ob. 1

     

  

mf

         

mf

40 

 

 

sfzpp

mf



sfzpp

    

          

3

mf

Ob. 2

          

mf

en dehors

    

Cl.

     p





   



 



  

   

   

   

  

sfz

Bsn.

 

 

mf

p

sfz

 Hn. 1   

   

sfz mf

pp



   



p





 

 

 

    mf

Vc.



 p

mf

        

40 

 



p 

                  

 

 

div.

     mf

 

                          

 

0

                             

  

  

 

pp

unis.           



p

pp

mf

Cb.

p

mf

Vla.

mf

 Vln. I 

Vln. II

 

pp

p

mf

Solo Vc.

 

pp



  

pp

pp

Bell-Tree

Tam-tam Perc.

pp

mf

Hn. 2

      p

  

   

   

     p

pp

 

pp

                   pp

   

  p

  



pp

 


19

251

 Fl. 1 

 

        

pp

      

  

  

p

pp

Ob. 1

  

p

 

Fl. 2

       

 

          

        

              

mf

           

Ob. 2

Cl.

   

  p

Bsn.

                           

          

  



   

    ff

          ff

Hn. 1

Hn. 2

     

    

   

pp

  p

  

   p

  

 

Vln. I



   p

  

    

  

      

  

    

    

  

mf espr.

  0

  

  

  

     mf

Solo Vc.

  

    

f

f

    

solo

  

  

    

p

Vln. II

 

   



  

Vla.

 

  



  

  

 

    

Vc.

p

Cb.

     p

 

pp

   

  pp

pp

 



  

pp

   p

 

 

 

p

pp

p

f

T.D. Perc.



 

mf

  

 mf


20

41           

256

 Fl. 1 

p

    

Ob. 1

  

mf

    mf

p

mf

  

   

 

   

   

   

f

    

f

    

 

  

     

f

en dehors

    

Cl.

     

f

f

Ob. 2

      fltr.

        



   



   

  





p

   

          

  

f

sfz

Bsn.

     mf



       

p

sfz

Hn. 1

   

  

sfz

   



  



   

 

41 

mf

(solo)

 p

   

       

tutti div.

sul pont.

  pp

mf

                           

    mf

                     p

 



sfz

   

mf

 

    

 

 

   

 

mf

 

    

 

 

    

 

                   p

   

  

    

              

mf

div. unis.                                                  sfz      p mf

    Cb. 

  pp

sola

Vc.

p

p

mf

Vla.

sfpp

                     mf

sul pont.

 

     

sfzpp

    Vln. I 

 

 

f

Vln. II

mf

Tam-tam

Solo Vc.

p

      Hn. 2  

Perc.

mf

sfz

   

pp

   

  

 pizz.     

pp

sfz

   


21

263

 Fl. 1 

42 

   

     

  

         

       f

Fl. 2

       

f

Ob. 1

  

 

   

mf

Ob. 2

mf en dehors Cl.

    ff

Bsn.

Hn. 1



  

 

p

  

 

 

mf

      Hn. 2 

Perc.

                 

 

T.D.

 

  

     

  

     

Vla.

   

  

Tam-tam

    

 

  

Vc.





p

  Cb. 

   

         sfz

 p





   

   

                   mf

 

p

arco

  f

pizz.                   mf

   p

   

 

tutte

   

 

   

div.

 

 

    mf

arco

Bell Tree

    mf

     p

sfz

solo ord.

tutti div. sul pont.

        

  

 

   

pp

sul pont.

 

                     p

                         p

 

pp

sola

p

 

 

    

                                 

                 

p

mf

arco

 

pizz.

mf

f

  

mf

           





f

   

   



sfz

     

 

 



mf





mf

sfz

sfz

     

p

  

mf

42   Vln. I   

Vln. II

     mf

sfz

f

mf

Solo Vc.

   

f



ff

sfz

  



  

p


22

43 269     Fl. 1 

     

sfz

   

Fl. 2

f

       

sfz

f

             

Ob. 1



          

 



    

        

mf

    

          

 

Ob. 2

mf

Cl.

Hn. 1



 

p

           

          

f

   

  

 

  

pp



Perc.

  

   

S.D. cc

 

 





 

mf

ord. unis.

 0

   

 



 

ord.

 

   

 

   

tutte Vla.

 

 

   

 

pp

  mf

solo

mf

Vln. II



  

 

 

  

   

mf

p

p

p

 

pp

  

  

p

sffz f

sffz f

    

     

       

sola





         

     sffz f

    

pp

   

 

tutti div.

p

 



mf

sffz f

   

p

Cb.

     

p

mf

Vc.

mf

sfz

43  Vln. I  



    

mf

Solo Vc.

 sfp

p

Hn. 2

      

 

    

pp

    

 


23

    

274

 Fl. 1  

p

f

    

 

Fl. 2

   

   

44             

mf

mf

fltr.

sfz

f

f

    

 

Cl.

Ob. 2

Bsn.

     f

ff

 



  

    



   



    

  

 

  

  

    

T.D.

pp

    mf

        

Solo Vc.

        Vln. I   p

p

Tam-tam



p

Vc.

Cb.

    

  

  



cuivré

    

Tubular Bells

   



44    

solo

p

mf

     

  

tutti

 

mf

f

div.

   

p

pp

 

  

mf



  

   

  

p

                               

     

 

mf

p

                  

     

        mf

 

                       

 

      

p

p

div.

          

  

               

 

  

mf

T.D.

p

pp



dramatic!

    

mf

    

  

mf

f

   

p

mf

 

mf

  

Vla.

  

p

    

      

mf

      

f

Vln. II

mf

        

cuivré  

mf

mf

f

sfz

   

      

p

Perc.

sfz

   

      mf

mf

     

en dehors

ff

 Hn. 1 

Hn. 2

     f

           mf

f

 

mf

Ob. 1

 

 

pp

 



mf

pizz.

p

   pp

unis.

 


24

poco accel.

  Fl. 1  

     

281

 

Fl. 2

  

Ob. 1

   



 

   

 

f

  

Ob. 2



 

   

  

  

f

Cl.

  



  



  



   

  

   

 





ord.

  

Perc.

Solo Vc.

     

       p

                  

     

f

    f

    

 f

   

              

 

  

p

 

 

    

 

ff

    

p

mf

f

                                  f

       

p

     

mf

f

mf

f

          

p

      

    

 

  

mf

poco accel. Vln. I

  

   

Vln. II

pp

   

Vla.

pp

Vc.

Cb.



    

  

       

mf

 

  

 

    

     pp

 

   

  

     pp

p

   



 

unis.

       

 

    

   

      p

p

    p

mf

 

mf

 

     

   

mf

    

p

 

 

   

 

  

mf

 

mf


25

45  285    Fl. 1 

rit.

a tempo

 

   

     

p

mf

p

Fl. 2

 

 

       

f

Cl.



 

f

         

p

     

       

  

mf

 Hn. 1 



ord.



Vln. II

 f

Vla.

  f



arco Vc.

f

Cb.

    f

  

 







    



   

 

pizz.

   



p

f

solo

 

        mf

   

  

p

                     mf p

div.       

mf

p

 

mf

mf

                   

 

sola

p

 

     

p

p

 

arco

sfz

p

 

mf

p

 

sfp

p

  

        p

a tempo

  

   

Tam-tam

rit.

 

  

mf

mf

f

f

 mf

  

45   Vln. I 

T.D.

sfz

p



   p

ord.

f

Solo Vc.

en dehors



      ff

Cymbal Perc.

     

sfz

fp

Hn. 2

ff

Bsn.

      

mf

            

Ob. 2

   

mf

                                          

Ob. 1

    

    mf

       

p

                        

                 p

   

 

 


26

46  290     Fl. 1 

   

Fl. 2

                

Ob. 1

 



              

 

 



    

   

 

  

   

 

mf

 

Ob. 2

   mf

Bsn.

Hn. 1

Hn. 2

 

  

 

      

 

  

                      

  

  

fp

  

p

pp

     

    

pp

pp

Bell Tree



Perc.

mf

  

Solo Vc.

 

sfz

46   Vln. I  

p

mf

 

 



 

  



 

 

 

tutti

  

      

 



div.

sfp

 p

tutte

  

p

unis.

  p

Cb.

 

 

sfp

 

Vc.

     

   

Vla.

p

Vln. II



  

pp



    

p

  pp

  p

sola



p

pp

pp

  

pp

 

p

 p

  p


27

294

 Fl. 1 

Fl. 2

accel.

47 







       

f

   

f

   

Ob. 1

    

Ob. 2

      

       

[sit]

p

[sit]



       



                

mf

                     

mf

Cl.

Bsn.

 mf

  cuivré    Hn. 1  pp

Hn. 2

 

cuivré     pp

 

   

    

 

 





 



mf

Tubular Bells

  

   

mf

p

    

Vln. II

mf

p

 

47 

 

dramatic!      



  

pp



 

pizz.

   

     

Vla.

  

sfz

mf

Vc.

   

   

sfz

sfz

        

arco

      

arco

       

arco       

 

 

mf

f

tutte pizz.

 

Cym.

 pp

 

   

 

  mf

f

   

 

  

  

 

  

  f

f

f

    





    





mf

   

f

mf

   

mf

Cb.

  

mf

f

sfz

   

       

accel.

     sfz

f

  

pizz. unis.

pp

 

 

     

subito f

     Vln. I 

  

 

f

p

Solo Vc.

 ff

mf

   

f

p

         



          

p

Perc.




28

rit. 299

 Fl. 1 



  

 

sfz f

Fl. 2

p

  

   

  





 

Bsn.

             

        

  

 

sfz p

pp

f

   

mf

    

Cl.

pp

f

Ob. 2

pp

sfz p

p

    

 

sfz p

sfz f

Ob. 1

48 a tempo q = 60      

mf

  

  p

  

 

         

           



           

  

mf

Solo Vc.

Bell Tree

f

  

   

  

         f

ff

     

Vln. II

 

Vc.

48

 

   

    

   

  

 

 

 

  

  

 

 

 

  

 

 

solo

 

 

 

  

  

a tempo q = 60

  

 

   p

  

mf

mf

mf

ff

Vla.

mf

rit.

 

mf

ff

Vln. I

mf

 

 



Perc.



pp

  p

 

pp

   p

pp

 

pp

 


29

49 304

 Fl. 1  

 

         

   

 

           

   

  



mf

f

  

p

 

Fl. 2

fltr.

    

    

   

    

    





 





 



p

mf

p

Ob. 1

     

   

      Bsn.   

   

Ob. 2



        

  

  

mf

mf

   

     

con sord.



con sord.



    



      



mf

sim.                                  p p

  p



 

mf

p

 Hn. 1 

Hn. 2

   

f

mf

 

 

sim.

                            p

Perc.

     

S.D. cc

pp

 

Solo Vc.

 Vln. I    p

   

  

   

Vln. II

p

  

Vla.

   

p

      

Vc.

mf

Cb.

      



   

    

     

  

  

mf

p

mf

        p

 

  mf

       

  

49  f

                 p

  

 f

  

 



p

mf



    p

f

p

p

       

 

   

    

mf

   

 sfz p

sfz mf

p



       p

       p

sfz p

   



 



p

   mf

f

p

     mf

p

sfz

p

     

mf

   



mf

div.       

sfz

sfz f

 

mf

sfz f

    mf

    

f



   

sfz f

       f

     



 







sfz p

sfz p


30

50 Poco più mosso q = 72          

accel. 311

  Fl. 1  



 

sfz f

f

 

Fl. 2



 

 



 

 

 

  

 

          f 



  

p

mf

   

  

 



  

        

sfz

f



sfz f

 

       



       



f



sfz

     

sfz

         

sfz f

     f



      

p

     

f

sfz f

f

Cl.

    

f

Ob. 2

f

sfz

f

Ob. 1

p

      

     

f

sfz

sfz

sfz

Bsn.

Hn. 1

  

  f

   

mf

 Hn. 2  

T.D.

Perc.

 

 

    

     



  f

    

senza sord.

 

senza sord.

Tam-tam

 

S.D.

 

  

  



  

 

   pp

      

    

  pp



mf



p

 

Vc.

 

mf

 mf

div.

pp

Cb.

  

p

p

 

unis. ord.

pp

     p

 

  mf

 

  

   

       

          

p

 

  

sfz f

p

                          p

 

  

sfz f

p

                                    

    

  

   

p

                 p

f

 



  

sfz

ff

sfz f

p



f

Poco più mosso q = 72

 

      

f



       

  

           

f

f



ff

50 

sfz

mf

   

  

 

accel.

Vla.

sfz

     

f

mf

            

sfz

 

       

Vln. II

f

f

f

Vln. I

sfz

f

sfz

mf

Solo Vc.





  

sfz

f

mf

  

     



sfz f

sfz

 



sfz f

   

    



  

   



f



 sfz f

sfz

 



f

sfz

sfz


31

318     Fl. 1  

rit.

  

a tempo q = 60

51 





  



  



  

 

  



mf

mf

Fl. 2

  

 



  

mf

Ob. 1

   



  

mf

Ob. 2

mf

 

 

   

mf

Cl.

Bsn.

 

  



  

   

    

Hn. 2

         

Perc.

Solo Vc.

   

   

   

  

  

mf

p

mf

p

Vla.

     p

Vc.

 

   mf

  

 

    

Tam-tam



mf

    

   

sfz





cuivré

  p

              



                  mf







mf

cuivré   p



S.D.

     pp



 

51

rit.

 p

mf

  

      

       mf

a tempo q = 60



f



         mf

    



mf

sfz

     p

sfz

mf

sfz

   

  

mf



 

mf

      mf

Cb.



mf

f

mf

                        ff

  Vln. I     

Vln. II

  

      p



sfz

T.D.



  

mf

 

    p



f

mf

  Hn. 1     







 



    

  

    

    



    

              pp

      





div. unis.

     p

           p

 p



 





pp

 

   

 

       

                  pp



 



   

            pp

mf

mf

      mf




32

324

  Fl. 1   

  

Fl. 2

 

sfz f

sfz f





sfz f

  

Ob. 1



 

mf

mf

mf

             sfz f

Bsn.

mf

                   

        

           mf

 Hn. 2   

  

sfz mf

     

  

p

(p)

   

  

 

 

          

p

 

 

                     

 

 

ord.

     

  

     

 

div.

mf

sfz

       

unis.

 

sfz

 sfz

 

       

 

 

   

sfz

unis.

f

         

mf



f

unis.

mf

sfz

  

sfz

mf

    (mf)

sfz

mf

mf

 

div.                              

    Vc.     

 

f

mf

 

mf

div.

Vla.

f

f



sfz

          Vln. I              

Vln. II

 

ord.

sfzp

Solo Vc.

  

f

mf

  Hn. 1   

Perc.

        

mf

        

mf

 

            

sfz f

mf

sfz f

Cl.

              

  

  

             

sfz f

sfz f

Ob. 2



f

  f

sfz

 


33

52  

327

 Fl. 1  X

Fl. 2

Ob. 1

Ob. 2

Cl.

    pp

sfz ff

 

X

   

sfz ff

   

sfz ff

 

pp

 

X

 

pp

 

X

 

   

sfz ff

 

pp

      X 

 

**

sfz

agitato molto rubato ad lib.

         sfzp  

  Hn. 1  X 

  5                          sfz

dramatic!

 

 X

dramatic!        

mf

   

   

Solo Vc.



X

f

 

X 

sfz ff

 X 

  mf

 

sfz ff

**

 

mf

calm

 



 

 

    

 

       p

 

pp

    

 

    

 

pp

 

sfz ff

*

      

 

p molto espr.

mf

 

 X

O

*

   Vln. I  X

Vla.

    

poco rit.

 

*

Vln. II

                     f

p

p

sfz

Cym. Perc.

sfz mf

f

Hn. 2

[agitato]

mf

pp

O Cello Solo is basically in a slower tempo are arrows for the conductor

than the Horns till after 55

are cues from player to player

53                   

328

Hn. 1

  

mf

Hn. 2

sfz

 



    

p

   

  

 

     

p

 

p

mf

Vln. I

    

 

sf mf

Vln. II

  

Vla.

 

sf mf

  mf

  

mf

       

                   f p

    

 

mf

 

    

p

mf

 

 

 

 

 

 

 

    p

 

 

pp

 

sf mf

 

                      5

mf

mf

Solo Vc.

poco rit.

pp

 

pp


34

54    Hn. 1 329

         

      

                      

Hn. 2

Solo Vc.

 

  

 

mf

 

  

 

 

mf

Vln. I

   

 

  







 

mf

 

 

 

 

 

 

       

 

  

p

pp

     

 

     

 

pp

sfp

Vla.

      mf

 

sfp

Vln. II

 

f

5

mf

rit.

sfp

pp

55 330   Hn. 1  

p

Hn. 2



calmer

   

  p

mp



 mf

p

Solo Vc.

3     

 





5

    

    

p

mf

 

[

] 

     mf

 

 



 

 





 cresc.




35

56

Peaceful q = 60

  

           Fl. 1    331

pp

Ob. 1

Ob. 2

 

 

 

    



   

   

pp

        

  

     

     





  

          

  

p





  

   

mf

f

  

f

p

 

 p

   

    

p

actual pitch

  

    

 

pp

p



   

   

     



 



pp





      



   

pp

   



p

 

mf



     

mf

   

    

 

     

  

pp

    

               

p

pp

pp

pp

p

      

           

pp

            

 

 

p



p



pp

            

p



  Cb.   





  

      

       

 

pp



 

Vc.

     

    

p

p

Vla.

pp

  

Vln. II

  

Vibraphone with bow

Vln. I

   

pp

   

Solo Vc.

pp

p

Perc.

pp

    Hn. 1   Hn. 2

    

p

 

Bsn.

   

57

   

p

 

Fl. 2

  

  

      

p

pp

p

   

  Ob. 1  338

Ob. 2

Bsn.

ppp

  

ppp

 

Cl.

58



    pp



   

  

   

p

     

 Hn. 1 



p

Solo Vc.



 

    

Vc.

   

    

 

            

pp

p

con sord.



  

p pp

 

                            

   

   

    

   

p



p

    

sul tasto

   pp

      

pp

p





 

  

sul tasto

 

p

      

  

  

    

  

    

 

 

  

  

 

  

 

   

 

      

p Cb.

mf

 

pp

          

     

mf

       

div.         

pp div.

p

 



  

p

Vla.

  

   

 

p

  Vln. I     Vln. II

p

con sord.

p Hn. 2

p


36

59

poco rit. 345

 Fl. 1  

pochiss. meno mosso Luminous

 

 

Fl. 2







pp

pp

 

    

 

pp

           

Ob. 1

         

 

    

pp

Hn. 1

Perc.

pp

 

 pp

Bsn.

          

        



 

p



 

   

sempre con sord.



p

 

(Vib.)

gliss.

   

s.

Cl.



gli s

Ob. 2

   

   

with bow

 p

pp

Solo Vc.

 

   

59

poco rit.



 

   



 

 

ord.

 

ord.

Vla.

 

Vc.

 

Cb.

  







   

  

div.

pp

  

 p

pochiss. meno mosso Luminous unis.

 Vln. I 

Vln. II



pp espr.

mf

 



  

pp

 

 

 



 

  

  pp

   

   

  

pp


37

349     Fl. 1 

Fl. 2

Ob. 1

Ob. 2

Cl.

  

rit.

 

        pp

p

 

pp

 

  

 

 

 

   



   

pp

 

   

        







pp





   



  

  

pp

Hn. 1

  

  

   

                     



pp



 

( )

   

pp

mp

Hn. 2

 



 

pp

Perc.

 





 

Triangle





 mf

Solo Vc.





mf

  



  

rit.

*

  Vln. I 

 

 

 

 

 

mf

* Vln. II



 

 

 

 

mf

* Vla.

 

 

 

 

mf

Vc.

*

 

 

 

 

Cb.



  

sola

 

 

 

 

 

mf

* gliss. on harmonics on the A string, gradually getting higher. Bowing ad lib.

 

pizz.

   

   

   

pp

 

pizz.

 

  pp

 

pizz.



p

 

pp solo pizz.

pp

 

 

p

pp

mf

*

  

solo

pp

 

 

p

pp

 



solo

pp





   

p

   

pizz. p


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