020713
EDITION WILHELM HANSEN WH31938
Svend Hvidtfelt Nielsen
OPHELIA DANCES CONCERTO FOR
SINFONIETTA AND
ACCORDION
Full Score
I
Svend Hvidtfelt Nielsen
Ofelia Danser (Ophelia Dances)
Koncert for
Sinfonietta og
Accordeon
2012
II
3
Besætning: Fl/Picc Obo Kl. in Bb/ Bas-Kl. Fagot/Kontrafagot Horn Tpt i C Trombone 1 Perc. (Vibrafon, Marimba, Rørklokker, Crotales, 3 Temple Blocks, Bambussæt, Wood-Chimes, Glass-Chimes, Stortromme) Pno. Accordeon Vn VnII Vla Vcl Kb.
Partitur i C Dur. ca. 20 min.
III
2
"Ofelia Danser" - ??? Hvad har komponisten tænkt sig. Er dette et forsøg på at lave et lydspor til en virtuel Hamlet-forestilling? Danser Ofelia egentlig talt overhovedet? Eller har komponisten tænkt, at Ofelia var nok smuk og det synes han også hans musk er? Måske er det snarere en måde at dække over en meningsløs musik, der igennem ikke mindre end tolv satser ustandseligt går i stå og ikke formår at samle sig. Med mindre sats-inddelingerne er rent fup. Mange af dem glider umærkeligt over i hinanden mens andre, VI-IX bare er kastet oveni hinanden og afvikles samtidigt. Er det en sådan skizofrenitet i musikken komponisten alluderer til? Nu er jeg jo selv komponisten, så jeg burde vide hvad jeg tænker mig. Det tætteste jeg kan komme er dog, at jeg synes musikken har en sprødhed og en sarthed, selv i sine mest robuste øjeblikke, der fik mig til at associere til Ofelia. Et navn jeg synes besidder en særlig fin skønhed. Og så er det da rigtigt, at det rent intellektuelt ikke er lykkedes mig at binde denne musik rationelt og uangribeligt sammen. Så, ja, vanviddet er taget ind i associationsfeltet som en kærkommen undskyldning. Dansen er først sent kommet ind i billedet, i de sidste par uger af en tilblivelsesproces, der har strakt sig over ialt ni måneder. Men da først tanken havde meldt sig hørte jeg overalt forsigtige tilløb til mulige danse. Svend Hvidtfelt Nielsen, oktober 2012
"Ophelia Dances" - ??? What in the world should this mean? Is the composer suggesting that he has made a sound track for a virtual performance of Shakespeare's Hamlet? Does Ophelia dance at all? Or did the composer believe, that Ophelia is beautifull and so is his music. He believes? Maybe it is rather a way to make up for the randomness and lack of coherence of his music? No less than 12 movements has been schethed. If not this apparent mass of movements is also purely virtual. A shere gimmick as many of these movements are played attacca and movements VI-IX are played similtaniously, simply tossed on top of one another! Well, being the composer I should know. The closest I can get to an explanaition is however, that to me the music has a certain fragility, that reminds me of this Ophelia of Hamlet. And in my music, I hear her dance. Svend Hvidtfelt Nielsen, oktober 2012
IV
"Ofelia Danser" er skrevet til og tilegnet: Bjarke Mogensen og Ă…rhus Sinfonietta
Skrevet med støtte fra Statens Kunstfond
5
Ophelia Dances Concerto for Sinfonietta and Accordion
Svend Hvidtfelt Nielsen 1/2/12 23/5/12 6/8/12
Calme con trasparenza
Flute
= ca. 60
Clarinet in B
Horn in F
behind acc.
Bassoon
Oboe
Piccolo
con sord.
Trumpet in B
Trombone
con sord.
Percussion
Arco
Vibraphone
Piano
con sord.
Violin II
Viola
Violoncello
col legno Double Bass
II III
con sord.
col legno
Calme con trasparenza = ca. 60
Violin I
Crotales
Accordion
6 4 Picc.
Ob.
cantabile
Cl.
Bsn.
Hn.
Tpt.
( )
Perc.
Tbn.
Bamboos
a
Vibraphone Crot.
Pno.
a
Db.
Crotales
Vc.
a
Vla.
a
Vln.
Vln. II
a
Accord.
= press mallet hard on key to create a glissando
7 8
Ob.
Cl.
Bsn.
A
Picc.
con sord.
Hn.
Tpt.
Tbn.
Perc.
Crot.
Pno.
Accord.
Vc.
Db.
col legno
gliss.
col legno
A
Vla.
Vln.
Vln. II
8
Picc.
Ob.
Cl.
Bsn.
cant.
Tbn.
Vib.
Vln.
con sord.
a
a
espressivo
Vln. II
Vibraphone
gliss.
Accord.
Tpt.
Flute
11
Vla.
13
Fl.
Ob.
sempre
B
Crotales
Vln. Vln. II Vla.
B
a Vib.
Accord.
15
Fl.
Ob.
Hn.
Tpt.
Cl.
(con sord.)
Perc.
Accord.
Wood Chimes Bamboos 3 Temple Blocks
senza sord.
Vln. II
Vla.
Wood
Crot.
III IV
17
Fl. Ob.
Cl.
Vln.
C
Vln. II
Tpt. Tom-t.
Accord.
9
(bell..)
subito
senza sord.
III IV
C
Vla.
10 19
Fl.
Ob.
Cl.
Hn.
Tpt.
Bsn.
Tbn.
Tom-t.
Crot.
Pno.
Vln.
Vln. II
Vla.
Vc.
col legno
Db.
Accord.
arco
pizz.
pizz.
11
II
Tranquillo e tenuto = ca. 32
Glass Chimes
23 Tri.
Crot.
Crotales
Vln. II
!
III IV
I II
II III
II III
IV
Vla.
arco
Tranquillo e tenuto = ca. 32
Vln.
III
IV
I
III IV
II III
IV
II
I II
!
arco
Vc.
I
III Piu Mosso, ritmico e elegante = ca. 96
12
Fl.
Ob.
Cl.
Bsn.
senza sord.
Hn.
senza sord.
Tpt.
senza sord.
Tbn.
s z
arco
Vibraphone
Crot.
Pno.
Accord.
Vln.
Piu Mosso, ritmico e elegante = ca. 96
pizz.
pizz.
Vln. II
pizz.
Vla.
Vc.
pizz.
Db.
pizz.
13
A
5
Fl.
Cl.
Hn.
Ob.
Bsn.
Tbn.
Tpt.
Tri.
Vib.
Crotales
batt.
Pno.
Accord.
A
Vln.
Vln. II
Vla.
Vc.
arco
arco
Db.
14 9
Fl.
" #
B
Ob.
Hn.
Cl.
Bsn.
Tbn.
Tpt.
(balance woodw.)
con sord.
Wood
Tri.
Wood Chimes Bamboos 3 Temple Blocks
Pno.
Accord.
Vln.
"#
Vln. II
Vla.
Vc.
Db.
pizz.
subito
pizz.
B
15 13
Fl.
Cl.
Hn.
Ob.
Bsn.
Tpt.
Tbn.
Wood
Crot.
Accord.
Pno.
Marimba
Vln. II
Vla.
Vc.
Vln.
Db.
16 17
Fl.
Ob.
Cl.
Bsn.
C
(behind acc.)
(behind acc.)
Hn.
Tpt.
Tbn.
Mar.
(behind acc.)
Pno.
Accord.
Vln.
Vla.
Vln. II
Vc.
C
17
21
Fl.
Ob.
(behind acc.)
Bsn.
(behind acc.)
$%
&
Cl.
(balance woodw.) Hn.
Tpt.
Wood
Mar.
Pno.
(balance woodw.)
Accord.
Tbn.
$%
Vln.
Vln. II
Vla.
Vc.
Db.
&
18 25
Fl.
Hn.
&
D
! #
Tpt.
#
Cl.
! #
Ob.
Bsn.
&
senza sord.
Tbn.
Wood
Mar.
Pno.
Vln.
(bell...)
&
Accord.
! #
#
! #
&
D
Vln. II
Vla.
Vc.
Db.
!
31
Fl.
19
Ob.
Cl.
Hn.
Tpt.
Bsn.
Tbn.
Wood
Mar.
Pno.
Accord.
Vln.
Vln. II
Vla.
arco
Vc.
arco
Db.
!
pizz.
20 34
Fl.
Ob.
Hn.
E
Bsn.
Cl.
!
Presto furioso subito = ca. 128
Tpt.
Tbn.
Wood
Mar.
Pno.
Accord.
Vln.
Vln. II
!
Presto furioso subito
E = ca. 128
Vla.
Vc.
pizz.
Db.
pizz.
21 38 Fl.
Cl.
Hn.
Ob.
Bsn.
Tpt.
Tbn.
Wood
Mar.
Pno.
Accord.
Vln.
Vln. II
Vla.
Vc.
Db.
22
Fl.
Ob.
Bsn.
Tbn.
Wood
Vln.
F
arco
arco
arco
p
Db.
Vc.
p
Vla.
p
Vln. II
Accord.
Mar.
Pno.
F
Hn.
Tpt.
Cl.
43
23
47
Fl.
Cl.
G
Ob.
Bsn.
Hn.
Tpt.
Tbn.
Wood
Mar.
Pno.
Vc.
arco
G
Vla.
Vln. II
Vln.
Db.
Accord.
arco
24 51
Fl. Ob.
Cl.
Bsn.
Tbn.
Vln.
con sord.
con sord.
con sord.
Accord.
Hn. Tpt.
Vln. II
Vc.
Vla.
IV 25
Presto furioso sempre = ca. 128
Fl.
Ob.
Bsn.
Wood
senza sord.
poco
Vln.
pizz.
pizz.
pizz.
Vc.
Db.
pizz.
Presto furioso sempre = ca. 128
pizz.
Vla.
Vln. II
Accord.
Pno.
Tubular Bells
Tub. B.
senza sord.
Tbn.
senza sord. Hn.
Tpt.
Cl.
' '
26 5 Fl.
Ob.
Bsn. Tbn.
Tub. B.
Accord.
Cl.
8 ' ' Fl.
Cl.
Tub. B.
Accord.
Ob.
Bsn.
A
' Fl. Ob. 11
Cl.
Bsn.
Vln.
arco
A
Accord.
!
27
!
espress.
Vln. II
Vla.
15
Fl.
Ob.
Cl.
Bsn.
Tub. B.
Vla.
Vln. Vln. II
Accord.
arco
espress.
28
B 21
Fl.
Ob.
Cl.
Bsn.
Tpt.
Tbn.
Tub. B.
B
Vla.
C
' '
Bsn.
Vln. II
Vln.
espress.
28
Accord.
Fl.
Tub. B.
C
Cl.
Ob.
arco
Vla.
Vln. Vln. II
Accord.
' ' Fl. Ob. 33
Bsn.
poco
Vln.
Vln. II
Vla.
Tub. B.
Accord.
Cl.
29
espr.
37
Fl.
Ob.
Cl.
Bsn.
Vln. II
Vla.
D
!
D
Vln.
Tub. B.
Accord.
!
30
" #
41
Fl.
!
" #
!
Hn.
Tub. B.
Pno.
Vln.
Vln. II
" #
!
" #
Vla.
Vc.
Db.
Accord.
Tpt.
Wood
Tbn.
Cl.
Bsn.
Ob.
!
46
Fl.
!
Bsn.
Hn.
Tbn.
Wood
Tub. B.
Tpt.
31
= ca. 85
!
#
Cl.
!
'
Ob.
#
E
Pno.
Accord.
Vln. II
Vla.
Vc.
Vln.
!
#
!
! E #
= ca. 85 pizz.
pizz.
pizz.
pizz.
Db.
pizz.
32 51
Fl.
Bsn.
Cl.
Ob.
Hn.
Tpt.
Tbn.
Wood
Tub. B.
Pno.
Accord.
Vln. II
Vla.
Vc.
Vln.
Db.
53
Fl.
Ob.
Cl.
Bsn.
Tpt.
Wood
Tub. B.
Pno.
Vln. II
Vla.
Vc.
Vln.
Db.
Accord.
Hn.
Tbn.
!
% = 128 #
33
F
%F = 128 #
!
34 56
Fl.
!
Bsn.
Tub. B.
Vla.
Vc.
Fl.
Cl.
Bsn.
Hn.
Vln.
poco danzante
arco Vla.
Accord.
Ob.
Vln. II
60
!
Vln.
Db.
Accord.
Cl.
Ob.
arco
63
Fl.
35
Ob.
Cl.
G
Bsn.
Hn.
Tpt.
Tbn.
Wood
Tub. B.
Pno.
Accord.
arco
Db.
arco
G
arco
Vc.
Vla.
Vln. II
Vln.
36
Fl. 66
Ob.
Vla.
Vc.
Vln. Vln. II
Accord.
Cl.
Bsn.
69
Fl.
Ob.
Cl.
Tpt.
Tub. B.
Accord.
Vc.
con sord.
To Mar.
Vln. Vln. II Vla.
37 73
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpt.
Tbn.
Wood
Tub. B.
Pno.
Accord.
attacca subito
Vln.
Vln. II
Vla.
Db.
Vc.
attacca subito
V. 38
Poco Misterioso = ca.60
Fl.
Ob.
Pno.
Bass Clarinet in B
To B. Cl.
Wood Chimes Bamboos 3 Temple Blocks
dolce cantabile
col legno
arco col legno
Poco Misterioso = ca.60
Wood
Vc. Db.
Accord.
Tpt.
This could be played by Bass Clarinet if preferred.
Cl.
To Picc.
ord.
A
6
Fl. B. Cl.
Bsn.
Pno.
Accord.
Vc. Db.
(col legno)
A
col legno
dolce cantabile
Piccolo
11
Picc.
Ob.
B. Cl.
Bsn.
Hn.
39
To Cbsn.
( )
Tpt.
Tbn.
con sord.
Tom-t.
Mar.
Pno.
Vln.
Vla.
Db.
col legno
Vc.
col legno
col legno
Vln. II
Accord.
40 15
B. Cl.
Hn.
Tbn.
Mar.
Pno.
Accord.
Vla.
Vc.
Db.
! B
Tom-t.
!
( (
(
Db.
(
Vln. II
Vla.
Vc.
(
!
(
Vln.
Mar. Accord.
19
Hn.
Vln. II
Vln.
!B
attacca subito
( (
attacca subito
VI-IX
Picc.
41
Con trasperanza: Misterioso, Danzante, Agitato, Sereno... = ca.40
Ob.
B. Cl.
Bsn.
Hn.
Contrabassoon
Tpt.
Tbn.
Tom-t.
To Tom-t. To B. D.
Mar.
Pno.
Accord.
Vln.
trasperanza: Misterioso, Danzante, Agitato, Sereno... Con = ca.40
Vln. II
ord. con sord.
ord. con sord.
Vla.
Vc.
Db.
ord., con sord.
42
A
7
B. Cl. Cbsn.
Pno.
Accord.
Db.
ord., con sord.
A
Vln.
Vc.
Vln. II
12
B. Cl. Cbsn.
Pno.
II III
Vla.
III IV
senza sord.
I II
senza sord.
III IV
Vln.
Vln. II
Accord.
Piu Mosso subito = 120
B 16
B. Cl.
43
Cbsn.
Hn.
Pno.
% &
Accord.
&%
Piu Mosso subito
B = 120
Vln. Vla.
18
B. Cl. Cbsn.
&%
Hn.
Pno.
Accord.
) ) )
Vla.
&%
Vln.
espr.
44 20
Picc.
Ob.
B. Cl.
Cbsn.
Tbn.
Tom-t.
Mar.
Vln.
Vln. II
Accord.
Pno.
Tpt.
espr.
Vla.
Vc.
Db.
danzante
Hn.
45
C 24
Picc.
Ob.
B. Cl.
Cbsn.
Hn.
Tbn.
Mar.
Accord.
con sord.
C
Vln.
III IV
II III
Vla.
Vc.
Db.
Vln. II
Pno.
Tpt.
Tom-t.
46 28
Picc.
Ob.
Hn.
Tpt.
Tbn.
Cbsn.
Tom-t.
Mar.
Pno.
Accord.
III IV
Vc.
Db.
Vla.
Vln. II
Vln.
B. Cl.
47
D 31
Mezzo Tempo = ca. 60
Ob.
B. Cl.
Picc.
accompanying bassoon Cbsn.
leading melody
Hn.
Tpt.
Tbn.
Tom-t.
Mar.
Pno.
= ca. 60
senza sord. col legno
senza sord. col legno
III IV
Vc.
Mezzo Tempo
D
Vla.
Vln.
Db.
Vln. II
Accord.
softer than the rest of the ensembler not necessarily audible
softer than the rest of the ensembler not necessarily audible
48 33
Picc.
Ob.
B. Cl.
Cbsn.
Tpt.
Mar.
Pno.
Db.
softer than the rest of the ensembler not necessarily audible col legno
col legno
Vc.
III IV
Vla.
Vln.
Vln. II
Accord.
Tom-t.
Hn.
Tbn.
dolce
49 35
Picc.
Ob.
B. Cl.
Cbsn.
E
Tpt.
Tom-t.
Mar.
Pno.
Vln.
Vc.
Db.
E
ord.
dolce Vla.
ord. Vln. II
Accord.
Hn.
Tbn.
50 37
Picc.
Ob.
B. Cl.
Cbsn.
To Cl. To Bsn.
Hn.
Tpt.
Tbn.
Tom-t.
Mar.
Pno.
Accord.
To B.D.
Vln.
III IV
Vln. II
Vla.
Db.
Vc.
51
F
39
Picc.
Ob.
B. Cl.
Hn.
Tpt.
Cbsn.
Tbn.
Tom-t.
Bass Drum
Mar.
Pno.
Accord.
II III
II III
I II
F
II III
Db.
Vc.
Vla.
Vln.
Vln. II
III IV
52 Clarinet in B 42
B. Cl.
Vln.
III IV
Db.
To Crot.
III IV
ord.
ord.
Vc.
Vla.
Vln. II
Accord.
Pno.
con sord.
Tbn. B. D.
47
Pno.
Vln.
Vln. II
Vla.
II III
Vc.
I II
( )
II III
III IV
X
Molto dolce e sereno
53
= 40 Crotales Crot.
Molto dolce e sereno
Vln.
Vln. II
= 40
I II
Vla.
Vc.
espr.
IV
III
II
IV
II III
II
II III
I
A
8
Ob.
Cl.
Accord.
I II
I II
I II
A
Vc.
Vla.
Vln.
Vln. II
54
fermato ad. lib.
14
Picc.
Ob.
Crot.
(
(
(
(
B
II III
III
III
(
IV
(
(
II
(
B
(
Vc.
Vla.
Vln. II
(
Vln.
Cl.
Accord.
espr.
19 Picc.
Ob.
Vln. II
Vla.
Vc.
Vln.
Cl.
Crot.
Accord.
espr.
II III
espr.
55
21
Picc.
Cbsn.
Hn.
Cl.
Ob.
Tpt.
con sord.
Tbn.
B. D.
Crot.
Pno.
Vln.
Vc.
Db.
Vla.
Vln. II
Accord.
To Vib.
II III
IV
III
IV
III
II
II
56 23
Picc.
C
Pno.
IV
III IV
II
I II
Vc.
26
Picc. Tpt.
Pno.
Accord.
Vla.
Vln. II
To Fl.
Vc.
Vln.
II III
I II
I
C
III
II
Vln.
Vla.
Vln. II
molto dolce
Accord.
Tpt. Cl.
III IV
57 30
Tpt.
Pno.
Vla.
Accord.
D
33
Pno.
Accord.
36
Tpt.
!
Accord.
Pno.
XI Cantabile = ca. 50
58
!
senza sord.
Hn.
Tbn.
Tpt.
Accord.
Wood chimes
Wood Chimes
Fermata ad lib.
con sord.
con sord.
con sord.
con sord.
(
(
(
motor off
(
arco
(
(
(
(
Cadenza ad lib. continue through 1. A 3 bar beginning and ending is indicated. These indications are merely suggestions. The soloist is free to improvise in what way s/he chooses. 12
Accord.
16
Accord.
(
If no cadenza continue through 2. 12
Perc. Accord.
! = min. 120
(
1.
Perc.
Vln.
Vib.
Vc.
Hn.
Vla.
7
Vln. II
Tbn.
Tpt.
Perc.
Pno.
senza sord.
senza sord.
etc.
Fermatos could be as long as needed. The last fermato should minimum double the note value.
( ( ( (
( ( (
(
attacca subito
(To Tub. B.
Free tempo (fairly slow)
(
(
attacca subito
XII
Senza probleme (?)- Danzante
59
= ca. 76
Flute
Fl.
Cl.
Ob.
Bassoon
Bsn.
Hn.
Tpt.
Tbn.
Perc.
Tubular Bells
Tub. B.
Pno.
Accord.
*
*
Senza probleme (?)- Danzante = ca. 76
senza sord.
Vln.
senza sord.
Vln. II
senza sord.
Vla.
pizz.
Db.
senza sord. pizz.
Vc.
60 5
Fl.
Hn.
A
Tpt.
Cl.
Bsn.
Ob.
Tbn.
Perc.
Tub. B.
*
Pno.
Accord.
Vln.
Vla.
Vln. II
pizz.
pizz.
A
pizz.
Vc.
Db.
61 9
Fl.
Ob.
Cl.
Bsn.
Hn.
Tpt.
Tbn.
Perc.
Tub. B.
* *
Pno.
*
Accord.
arco
Vln.
Vln. II
Vla.
Vc.
Db.
arco
62
B
14
Fl.
Ob.
Cl.
Bsn.
Hn.
Perc.
Tub. B.
Pno.
Accord.
Tbn.
Tpt.
Vln. II
Vla.
arco
B
Vln.
Vc.
Db.
63
18
Fl.
Bsn.
Cl.
Ob.
Tpt.
Perc.
Tub. B.
Pno.
Vln.
Vln. II
*
*
*
Vc.
Db.
Vla.
To Crot.
Accord.
Hn.
Tbn.
64 21
Fl.
Cl.
Hn.
Ob.
Bsn.
Perc.
Tbn.
C
Tpt.
Crotales
Tub. B.
Accord.
Pno.
C
Vln.
Vln. II
Vla.
Vc.
Db.
65
25
Fl.
Cl.
Bsn.
To Tub. B.
Tubular Bells
Accord.
Crot.
Pno.
Ob.
Vln.
Vln. II
arco
Vla.
arco
Vc.
Db.
arco
66
D
29
Fl.
Ob.
Cl.
Bsn.
Hn.
#
Tbn.
Vln.
Vla.
D
#
arco Vc.
Vln. II
Accord.
Tub. B.
Pno.
Db.
32
Fl.
#
&
! #
#
Ob.
!
67
Cl.
Hn.
Tpt.
Bsn.
Tbn.
Accord.
Vln.
#
!
&
!#
#
pizz.
pizz.
pizz.
Vc.
pizz.
Db.
Vla.
Vln. II
Pno.
pizz.
68 38
Fl.
E
( )
Ob.
Cl.
Hn.
Tpt.
Bsn.
Tbn.
Perc.
Tub. B.
Pno.
Vln.
E
Accord.
arco
Vln. II
Vla.
Vc.
( )
Db.
!
!
43
Fl.
!
" $%
F
# $%
69
" $%
Ob.
Cl.
Bsn.
Hn.
Tpt.
Tbn.
Wood
Tub. B.
Pno.
Accord.
Wood Chimes Bamboos 3 Temple Blocks
Vln.
!
pizz.
pizz.
pizz.
Vla.
Vc.
Db.
pizz.
pizz.
Vln. II
"F $%
# $%
" $%
70
# $%
49
Fl.
Cl.
Bsn.
Hn.
Tpt.
Tbn.
Wood
Tub. B.
Pno.
Accord.
# $%
Vln. II
Vla.
Vc.
Vln.
Db.
" #
Ob.
" $%
" $%
" #
" #
G
54
Fl.
$
Bsn.
Ob.
Cl.
Hn.
Tpt.
Tbn.
Wood
Pno.
Marimba
Accord.
Vln.
Vln. II
Tub. B.
mosso subito Piu = ca. 140
71
"#G
$
mosso subito Piu = ca. 140
Vla.
Vc.
Db.
72
58
Fl.
Ob.
Bsn.
Hn.
Cl.
&HTempo primo = ca. 76
Tpt.
Tbn.
Wood
Accord.
Vln.
arco col legno
arco col legno
Vla.
Vc.
arco col legno
primo & H Tempo = ca. 76
pizz.
pizz.
pizz.
pizz.
arco col legno
Db.
arco col legno Vln. II
Pno.
Mar.
$%
pizz.
$%
62
Fl.
$%
Ob.
% $%
" $%
Cl.
73
Piu Mosso = ca. 90
Tpt.
Tbn.
Bsn.
Hn.
Mar.
Pno.
Vln. II
$%
% $%
Vla.
Vc.
Db.
" $%
Vln.
Accord.
!
Piu Mosso = ca. 90
!
74 66
Fl.
!
(
Ob.
Cl.
(
(
(
Bsn.
Hn.
Tpt.
Tbn.
(
(
(
Mar.
Accord.
Vln.
Vla.
Vln. II
(
(
(
(
(
(
(
(
(
Db.
!
Vc.
Pno.
Fine 25/10/2012 rev. 14-15/01/13 NebbegĂĽrdsbakken
WH31938 ISBN 978-87-598-2925-7