EDITION WILHELM HANSEN WH30481
Poul Ruders
PAGANINI VARIATIONS GUITAR CONCERTO NO.2 1999-2000
Score
Commissioned by David Starobin and the Odense Symphony Orchestra Dedicated to David Starobin
Poul Ruders
PAGANINI VARIATIONS GUITAR CONCERTO NO. 2 1999 - 2000
for guitar solo and orchestra
Theme (from CAPRICE NO. 24 for violin solo)
Variations 1 - 21 Variations 22: Finale prestissimo
Premiered by David Starobin, guitar and the Odense Symphony Orchestra conducted by Jan Wagner 19 April 2001
Full Score Duration: ca. 18 min.
Edition Wilhelm Hansen, Copenhagen
Orchestra 2 Flutes (both db. Piccolos) 2 Oboes 2 Clarinets in B (both db. Clarinets in A) 2 Bassoons 2 Horns in F 2 Trumpets in B 1 Percussion (one player): (instruments in order of appearance:) Tubular Bells (Tub. B.) Vibraphone (Vibr.) Glockenspiel (Glsp.) Sand Paper (Sand P.) Tamtam (large) (Tamt.) Mark Tree (Mark T.) Triangle (Trgl.) Crotales (Crot.) Guiro (Gui.) Whip Tambourine (Tbrin.)
1 Harp 1 Digital Piano (not a Synthesizer!), state of the art, with (at least) the following programmes: Piano, Electric Piano, Harpsichord, Vibes
Guitar solo Strings (suggested 10-8-6-4-2)
The score is not written in C All transposing instruments are notated in their relevant transpositions All accidentals apply to each single note only, with the exception of tied notes Naturals are for "safety" only
Poul Ruders PAGANINI VARIATIONS for guitar solo and orchestra
Preface / Programme Note There is a solid tradition in the history of Westen music of turning the theme of Niccolò Paganini’s CAPRICE NO. 24 for violin solo into a set of variations endemic to the time and style of each individual composer; Liszt, Brahms, Rachmaninov, and Lutoslawski being the most prominent names. When I was asked by David Starobin to write a guitar concerto for him, I thought: “Well, why not have a go at it?” – bearing in mind that not only is Paganini the most celebrated violin-wizard of all times, but he was also a more than accomplished guitarist. There are 22 variations in all, numbers 1 to 16 all adhering strictly to the 16-bar pattern laid down by Paganini himself. From variation 17, though, the writing becomes more symphonic and the rigid 16-bar regime is not strictly followed any more. The last variation, Finale prestissimo, is a 6 X 16 bars “white-knuckle ride”, in which the hitherto soloistic role of the guitar gives way to that of a “primus inter pares” (i.e. “first among equals”). As with another set of variations of mine, CONCERTO IN PIECES (based on a tune by Henry Purcell), the nature and shape of my PAGANINI VARIATIONS may be compared to a stroll through a hall of mirrors: the “portrait” – the theme – is gradually being distorted out of all recognition, but it is still the same “original” walking by. Poul Ruders, June 2000
Poul Ruders PAGANINI VARIATIONER for guitar solo og orkester
Forord / Programnote Det er en hævdvunden tradition i den vesterlandske musik at komponere variationer over Niccolò Paganinis CAPRICE NR. 24 for violin solo, og hver ny variationsrække afspejler naturligvis sin egen tid og stil; mest prominent blandt Paganini-variationer er dem komponeret af Liszt, Brahms, Rachmaninov og Lutoslawski. Da David Starobin bad mig om at skrive en guitarkoncert til ham tænkte jeg “hvorfor ikke kaste sig ud i det?” – idet jeg havde i tankerne at Paganini ikke blot er alle tiders mest berømte “violin-troldmand”, han var også en habil guitarist. Jeg har komponeret 22 variationer i alt; nummer 1 til 16 holder sig strengt til Paganinis oprindelige 16-takters skema, men fra variation 17 bliver skrivemåden mere symfonisk, og 16-takters strukturen blødes op. Den sidste variation, Finale prestissimo, er en 6 x 16 takters hæsblæsende stafet, i hvilken guitaren bliver en “primus inter pares” (“først blandt ligemænd”) i stedet for hele tiden at være i forgrunden. Lige som et andet af mine variationsværker, CONCERTO IN PIECES (baseret på et tema af Henry Purcell) kan mine PAGANINI VARIATIONER sammenlignes med en tur i et spejlkabinet; “portrættet” – temaet – bliver gradvist forvrænget, efterhånden til uigenkendelighed, men det er stadig den samme “original” der portrætteres. Poul Ruders, juni 2000
for David Starobin
PAGANINI VARIATIONS for Guitar solo and Orchestra
TEMA Quasi Presto
Poul Ruders, 1999 - 2000 = 108
1 Flauto 2
1 Oboe 2
Clarinetto
1 2
in Si
2 2
1 Fagotto 2
1 Corno
5
sim.
5
sim.
in Fa
2 1 Tromba
2
in Si
2 2
Tubular Bells
Percussione
étouffée
Arpa
Do
Press: HARPS
Digital Piano
Guitar solo 8
Quasi Presto
= 108
1 Violino 2 Viola Violoncello
Contrabbasso
8
Copyright © 2000 by Edition Wilhelm Hansen, Copenhagen
Sol
Do
2 7
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Tub. B.
Perc.
Arpa
Sol
Dig. Pno.
Guitar solo 8
1 cresc.
Vl.
2 Va. Vc.
Cb.
8
3
=
1 VAR. 1:
1
1 Fl. 2
Guitar solo 8
Vl. 1 sub.
pizz.
Vc. pizz.
Cb.
8
6
1 Fl. 2
Guitar solo 8
Vl. 1 Vc. Cb.
8
11
1 Fl. 2
Guitar solo 8
Vl. 1 Vc.
Cb.
8
= 108
4
=
1
2 VAR. 2:
= 108
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 cup mute
1 Tr. in Si cup mute
2
Vibr.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 sub.
Vl.
2
Va.
Vc.
Cb.
8
senza motore
5 7
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Vibr.
l.v.
Perc.
Arpa
Dig. Pno.
marc. sopra
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
6 12
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 (cup)
1 Tr. in Si
(cup)
2
Perc.
Arpa
Dig. Pno.
Press: PIANO
(marc. sopra)
Guitar solo 8
1 Vl.
2
Va. arco
Vc.
arco
Cb.
8
=
3 VAR. 3:
= 108
7
1
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2 sim.
1 Fg. 2
1 Cor. in Fa
2 sim.
1 Tr. in Si
2
Perc.
Arpa
Sol
Dig. Pno.
senza Ped.
Guitar solo 8
1 Vl.
2
Va. Vc.
Cb.
8
8 6
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Si
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
9 11
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
15
Perc.
Arpa
Do
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
10
=
4 VAR. 4:
= 72
1
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2 straight mute
1 Tr. in Si
straight mute
2 Glockenspiel 15
Perc.
Arpa
Press:
VIBES
8
8
Dig. Pno.
senza Ped.
sul pont. damp
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
8
11 7
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
15
Glsp.
Perc.
Arpa
8
8
Dig. Pno.
ord.
Guitar solo 8
1 Vl.
2
Va. div.
div.
Vc.
Cb.
8
12 12
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2 con sord.
1 Cor. in Fa con sord.
2
1 Tr. in Si
2
Perc.
Arpa
Fa
Mi
Dig. Pno.
Guitar solo 8
1 Vl.
2 (div.)
Va. unis.
Vc.
Cb.
8
La
Sol
Fa
Do
=
5 VAR. 5: 1
= 50
13 Press:
E-PNO
legato
Dig. Pno.
senza Ped.
sim.
pizz.
Guitar solo 8
sub.
Vc.
5
Arpa
Dig. Pno.
Guitar solo 8
pizz.
Vl. 2
unis.
Va.
pizz.
14 9
Fl. 1 8
Picc.
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 cup mute
1 Tr. in Si cup mute
2
Perc.
legato
Arpa
Si
Do
Dig. Pno.
ord.
Guitar solo 8
legato
arco spicc.
1 sim.
Vl.
(pizz.)
arco spicc.
2 sim. arco
Va.
Vc.
Cb.
8
15
13
Fl. 1 8
Picc.
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Re Fa
Dig. Pno.
Guitar solo 8
(spicc.)
1 Vl.
(spicc.)
2
Va.
Vc.
Cb.
8
Sol
Re
16 =
6 VAR. 6: 1 8
= 108
solo
Picc.
Guitar solo 8
sub.
1 Vl.
2
Va. Vc. Cb.
8
9 8
Picc. cresc.
Guitar solo 8
cresc.
1 cresc.
Vl.
2
Va. Vc. Cb.
8
17
=
7 VAR. 7:
= 108 /
= 72
1
Fl. 1
muta in Fl. gr.
8
Picc. 1 Ob. 2 1 Cl. in Si
2
1 Fg. 2 senza sord.
1 Cor. in Fa
senza sord.
2 senza sord.
1 Tr. in Si
senza sord.
2 Sand paper
Perc.
Arpa
Press:
PIANO
Dig. Pno.
senza Ped.
Guitar solo 8
solo
Vl. 1 gli altri
Vl. 2 Va. Vc.
Cb.
8
sul pont.
18
9
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Sand P.
Perc.
Arpa
Do
Mi
Dig. Pno.
ord.
Guitar solo 8
tutti unis.
1 Vl.
2 div.
Va. div.
Vc.
Cb.
8
unis.
19
=
8 VAR. 8:
= 72 /
= 108
1
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2
Tr.
1
in Si
2
Perc.
Arpa
Sol
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va. div.
Vc.
div.
Cb.
8
20 6
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
21
12
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fag. 2
1 Cor. in F
2
1 Tr. in Si
2
15
Perc.
Harp
Do
Dig. Pno.
Press: VIBES
Guitar solo 8
1 Vln.
2
Vla.
Vcl.
Cb.
8
22 =
9 VAR. 9:
= 72 /
= 108
1
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Glsp.
15
Perc.
Arpa
VIBES
Dig. Pno.
sempre
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
23
5
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 15
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
Glsp.
24
9
1 Fl. 2 1 Ob. 2
1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2 15
Glsp.
Perc.
Arpa
Do
Dig. Pno.
Guitar solo 8
pizz.
1 Vl. pizz.
2
pizz.
Va. pizz.
Vc. arco 8
Cb. div.
pizz. 8
25
13
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2 Harmon mute
1 Tr. in Si
Harmon mute
2
15
Glsp.
Perc.
Arpa
gli
Sol
ss.
Dig. Pno.
Guitar solo 8
arco
gliss.
1 Vl. arco
2
gliss.
arco
Va.
gliss.
Vc. arco
Cb.
8
div. pizz.
26 =
10 VAR. 10:
= 108 +
+
+
+
+
+
1 muta in Fl. picc.
1 Fl. muta in Fl. picc.
2 1 Ob. 2 Cl.
1
in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 15
Glsp.
Perc. damp damp
Arpa
Dig. Pno.
sul pont.
sim.
Guitar solo 8
marc.
+
+
sim.
sul pont., spicc.
1 Vl.
sul pont.
2
Va. Vc. Cb.
8
spicc.
27
+
+
+
+
+
+
+
+
5 8
1 Picc. 8
2
1 Fg. 2
Cor.
1
in Fa
2
Tr.
1
in Si
2
Guitar solo 8
1 Vl.
2
+
+
+
+
+
+
+
+
9 8
1 Picc.
8
2
1 Fg. 2
Cor.
1
in Fa
2
Tr.
1
in Si
2
Guitar solo 8
1 Vl.
2
28
+
+
+
+
13 8
1 Picc. 8
2 1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
15
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2 Va. Vc. Cb.
8
29 =
11 VAR. 11:
= 108
1 8
muta in Fl. gr.
1 Picc.
muta in Fl. gr.
8
2 1 Ob. 2 flz.
1 Cl. in Si
flz.
2
1 Fg. 2
1 Cor. in Fa
2
Tr.
1
in Si
2 con motore Vibr.
Perc. 3
3
3
3
3
3
3
3
3
3
3
sempre
Arpa
Press:
VIBES
3
Dig. Pno.
3
sempre
Guitar solo 8
ord. senza vibr.
1 3
Vl.
div., ord.
2 div.
Va. div.
Vc. unis. arco
Cb.
8
3
30 5
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Vibr.
Perc. 3
3
3
3
3
3
3
3
3
3
3
3
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
31 9
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Vibr.
Perc. 3
3
3
3
3
3
3
3
3
3
Arpa
Dig. Pno.
3
Guitar solo 8
1 3
Vl.
2
Va. unis.
Vc.
Cb.
8
32 13
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
Tr.
1
in Si
2
Vibr.
Perc. 3
3
3
3
3
3
3
3
3
3
3
3
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
sul pont.
2 sul pont.
Va. sul pont.
Vc. sul pont.
Cb.
8
=
33
12 VAR. 12:
= 108
1
1 Fl. 2
1 Ob. 2 sim.
cup-mute
1 Tr. in Si
cup-mute
2 Vibr.
Perc.
Dig. Pno.
Guitar solo 8
sub. solo ord. espr. 3
3
3
3
3
3
3
3
3
3 3
Vl. 1 (gli altri)
5
1 Fl. 2
1 Ob. 2 norm.
Cl.
sim.
1 norm.
in Si
2
Tr.
1
in Si
2
Guitar solo
(solo)
Vl. 1 3
3
3
3
3
3
3
3
34 9
1 Fl. 2
1 Ob. 2 Cl. 2
in Si
Tr. 1
in Si
Arpa
Guitar solo 8
(solo) sul I a
Vl. 1
13
1 Fl. 2
1 Ob. Cl.
2
in Si
2
Arpa
Guitar solo 8
=
35
13 VAR. 13: 1
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
Tr.
1
in Si
2
Tamt.
Perc.
Arpa
Dig. Pno.
(Tacet)
Guitar solo 8
tutti
1 Vl.
ord.
2 ord.
Va. ord. non div.
Vc. ord.
Cb.
8
= 108
36
9
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
harmon mute
1 Tr. in Si
2
Tamt.
Mark Tree
Perc.
Arpa
Dig. Pno.
Guitar solo 8
solo tutti div., con sord.
1 Vl. non div., con sord.
2 div.
non div., con sord.
Va. (non div.)
(non div.), con sord.
Vc. con sord.
Cb.
8
37
=
14 VAR. 14:
= 36
1
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. harmon mute
in Si
2
Mark Tree
Perc.
l.v.
sound:
Arpa
sim.
Dig. Pno.
Guitar solo 8
sonore espressivo
(div.)
1 Vl.
(non div.)
2 (non div.)
Va. (non div.)
Vc.
Cb.
8
38 5
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
39 9
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
(div.) 1. sul I/II
1 (non div.) (II)
Vl.
2 (non div.)
Va. (non div.) div.
Vc.
Cb.
8
40
13
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo (8)
8
1 Vl. (I/II)
2 non div.
Va. non div.
Vc.
Cb.
8
(8)
=
41
15 VAR. 15:
= 108
1
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2 Perc.
Arpa
Press:
VIBES
Dig. Pno.
Guitar solo
5 8
5
senza sord.
1 Vl.
senza sord.
2 senza sord.
Va. senza sord.
Vc. senza sord.
Cb.
8
unis.
42
5
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Triangle
Perc.
Arpa
5
Dig. Pno.
Guitar solo 8
5 5
1 Vl.
2
Va.
Vc.
Cb.
8
5
5
5
5
5
43
8
1 sub.
Fl. 2
sub.
1 Ob.
sub.
2
1 Cl. in Si
2
1 sub.
Fg. 2
sub.
1 sub.
Cor. in Fa
2 sub. cup mute
1 Tr. cup mute
in Si
2 Trgl.
Perc.
Arpa
5
5
5
5
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va. sub.
Vc. sub.
Cb.
8
sub.
44
13
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Trgl. 15
Perc.
Arpa
5
5
5
Dig. Pno.
Guitar solo 8
5
1 Vl.
2
Va.
Vc.
Cb.
8
5
5
5
=
16 VAR. 16:
45
= 108 (
= 72)
1
1 Fl. 2
Crotales
15
l.v.
l.v.
Perc.
Guitar solo 8
1 Vl.
2
7
1 Cl. in Si
2
sim. 15
Crot.
each note to be dampened
3
Perc. 3
Guitar solo 8
1 Vl.
2
3
46
12
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2 senza sord.
1 Tr. in Si
senza sord.
2 3
15
Perc.
Arpa
marc.
Press:
Dig. Pno.
marc.
Guitar solo 8
1 Vl.
2
Va. Vc.
Cb.
HARPS
8
Sol
Mi
Sol
Do
47 =
17 VAR. 17:
= 108
1
1
3
3
3 3
3
Fl. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Ob. 1 cup mute
Tr. 1 in Si
Guitar solo
3
3
3
3
8
1 Vl.
2
3
3
3
3 3
sub.
3
3
3
3
3
3
5
1
3 3
3
3
3
3
3
3
3
3
Fl. 2 3
3
3
3
3
3
3
3
1 Ob.
3
2
3
3
1
3
3
Cl.
3
3
3
in Si
2 3
3
1
3
3
3
3
3 3
Fg. 2
3
3 3
3
3
3
3
3
3
3
3
3
Tr. 1 in Si
3 3
Arpa
3
3
3
Re Do Si Fa Sol
3
3
Guitar solo 8
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1 Vl. 3
3
3
2
3
3
3
3
3
Va. 3
3
3
3
3
3
3
3
3
48
9
1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Fl. 2
3 3 3
3
1 3
Ob.
3
3
2 3
3
3
3
3
3
3
1 3
Cl. in Si
3
3
3
3
3
3
3
3
3
3
3
3
3
2
3 3
1 3
Fg.
3
3
3
3
3
3
2 3
3 3
3
3 3
3
3
3
3
1 Cor.
3
3
3
3
3
3
3
in Fa
3
2 3
1
3
Tr.
3
3
cup mute
in Si
3
3
3
3
3
3
3
3
3
2 3
3
Perc. ord. 3
3
3
3
3
3
3
Arpa
sulla tavola 3
3
Press: PIANO
Dig. Pno.
senza ped. sul pont. ord.
pizz. 3
Guitar solo 8
3
3
3
3
3
3
3
3
3
sul pont.
3
1
3
3
3 3
3
3 3
3
Vl.
3
3
3
sul pont.
3
3
2
3
3
3 3
3 3
3
3
3
sul pont.
3
Va. 3
3
3
3
3
3
3
sul pont.
3
Vc. 3
Cb.
8
3
3
3 3
3 3
3
3
3
sul pont. non div.
49
14
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2 1 Fg. 2
1 Cor.
3
3
3
3
3
3
3
3
3
3
3
in Fa
2
1 Tr. in Si
2 3
Perc.
Arpa
Dig. Pno.
3
3
3
3
3
3
3
Guitar solo 8
3
3
3
3 3
3
3
3 3
non div. 0 0
1 3
Vl.
3
3
3
3
3
non div. 0 0
2 3
3
non div. 0 0
Va. 3
3
3
3
3
3
3
3
3
3
3
3
Vc.
Cb.
8
50
18
3
1
3 3
Fl.
3
3
2
3 3
3 3
1 Ob.
3
2 3
3
3
1 Cl.
3
3
3
3
3
3
3
3
in Si 3
3
3
3
3
2
3
3
3
3
3
3 3
1 Fg.
3
3
3
3
2
1 Cor.
3
3
3
3
in Fa
2 3
3
1 3
3
3
3
3
3
Tr. in Si
2 3 3
Guiro
Perc. 3
3
Arpa
Re Do Mi Sol La 3
3 3
3
3
Dig. Pno.
ord. 3
3
Guitar solo 3
8
ord. div.
3 3
3
1 3
3
Vl.
3
non div. ord.
3
2 ord.
3
3
Va. 3
3
ord. non div.
Vc.
3
ord. div.
Cb.
3
3
3
non div.
8
3
3
3
3
3
3
3
3
3
51
22
1 3
Fl.
3
3
3
3
3
3
3
3
2 3
1 Ob.
3
3
3
3
3
3
2 1
3
3
Cl.
3
in Si
2 3
1 Fg.
3
2 3
3
3
3
3
1 Cor. in Fa
2
Tr.
1
in Si
2 Guiro
3
3
3
Perc.
Arpa
Sol
3
3
Press: HARPS
3
3
Dig. Pno.
3
3
Guitar solo
3 8
3
3
3
3
3
3 3
1
3 3
Vl.
3
3
3
3
3
2 3
3
Va. non div. 3
Vc. non div.
Cb.
8
3
52 =
18 VAR. 18:
= 108
1
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Guiro
Perc. 3
Arpa
Fa Re
Dig. Pno.
Guitar solo 8
gliss.
1 cresc.
Vl.
gliss.
2 Va.
Vc.
Cb.
8
53
7
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 cresc.
Tr. in Si
2 cresc. Whip
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va. Vc. Cb.
8
Tambourine
54
13
1 Fl. 2 1 Ob. 2
1 Cl. in Si
2
1 Tr.
(cresc.)
in Si
2 (cresc.)
(thumb) Tbrin.
Perc.
Guitar solo 8
1 Vl.
2
17
1 cresc.
Fl. 2
cresc.
0
Guitar solo 8
cresc.
sub.
cresc.
(1. metĂ ) cresc.
tutti
div.
Vl. 1 cresc.
55
=
19 VAR. 19:
= 108
1
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 senza sord.
1 Tr. in Si
senza sord.
2 Trgl.
Perc.
Arpa
Do
Press:
Dig. Pno.
E-PNO
secco
Guitar solo 8
3 3
3
3
3
3
3
Vl. 1
3 3
div.
3
3 3
3
3
Vl. 2
3
3
3 3
3
Va. pizz.
Vc.
pizz.
div.
8
3 3 3
3
div.
Cb.
3
3
56 5
1 Fl. 2 1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
Cor.
1
in Fa
2
Tr.
1
in Si
2 Trgl.
Perc.
Arpa
Re Fa
La
Dig. Pno.
Guitar solo 8
3
Vl. 1
3
3
3
3
3
div. 3
3
3
Vl. 2
3
3 3
3
3
3
3
3
3
div. 3
Va.
Vc. div.
Cb.
8
3
3
3
3
3
57
9
3
1
3 3
Fl.
3
3
3 3
3
3
3
3
3
3
3
3
3 3
3
2 3
3
3
3
1
3 3
Ob.
3
3
3 3
3
3
3
3
3
3
3
3
3 3
3
2 3
3
3
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
Tr.
1
in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
3 3 3
Vl. 1
3 3
div.
3
Vl. 2 div.
Va.
Vc. div.
Cb.
3
8
3
3
3
3
3
3
3
3
3
3
3 3
3
3
58 =
20 VAR. 20: Fl.
= 36
1
2 Ob. 2
Guitar solo 8
sonore intimo
(div.)
1 Vl. unis., con sord.
2
Va. Vc. Cb.
8
6
Guitar solo 8
1 Vl.
2 Va. Vc. Cb.
8
11
Guitar solo 8
1 Vl.
2 Va. Vc. Cb.
8
unis., con sord.
59 16
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2 con sord.
1 Cor. in Fa
con sord.
2 (senza sord.)
1 Tr. in Si
(senza sord.)
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2 con sord. div., sul pont.
Va. arco (div.), sul pont.
con sord.
div., sul pont.
con sord.
Vc.
Cb.
8
60 20
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va. div.
Vc. div.
8
Cb. div. 8
61
=
21 VAR. 21:
= 108
1
1 Fl. 2
1 Ob. 2 muta in Cl. in La
1 Cl. in Si
muta in Cl. in La
2
1 Fg. 2 1 Cor. in Fa
2
1 Tr. in Si
2 Vibr. (motor off)
Perc. 5
sempre
Arpa
Press: VIBES
Dig. Pno.
5
sempre 3
3
3
3
3
3
Guitar solo 3
8
3
3
senza sord.
gliss.
1 Vl. senza sord.
2 (div.)
Va. (div.)
Vc. (div.)
Cb.
8
gliss.
62 5
1 5
5
Fl. 2 5
5
5
5
Vibr.
Perc.
Dig. Pno.
5
5
3
Guitar solo
3
3
3
3
3
3 3
8
3
1 Vl.
2
9
Fl. 1 5
Dig. Pno.
5
3
3
3
3
3 3
3
3
3
3
3
3
3
3
Guitar solo 8
3 3 3
Vl. 1
3
3
3
63 13
1
5
Fl.
5
5
2
5
5 5
5
1 Ob. 5
2
5
1 Cl.
3
in La
2 3
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
Vibr.
Perc.
5 5
5
Arpa
Dig. Pno.
5
5
5
3 3
3 3
3
3
3 3
3
5
3
3
3
3
3
Guitar solo 8
3 3 3 5
1 Vl. 5
2 senza sord. unis., ord.
Va. senza sord. unis., ord.
Vc. senza sord. unis., ord.
Cb.
8
64 5
�
=
→
22 VAR. 22: Finale prestissimo ( = 135)
1
1 Fl. 2 1 Ob. 2 1 Cl. in La
2 1 Fg. 2 senza sord.
1 Cor. in Fa
senza sord.
2
Tr.
1
in Si
2
Perc.
Arpa
Dig. Pno.
0 0
Guitar solo 8
Finale prestissimo ( = 135) spiccato leggiero
0
0
0
sub.
Vl. 1
0
spiccato leggiero
sub. spiccato leggiero
Vl. 2
sub. spiccato leggiero
sub.
pizz.
Va. pizz.
Vc. Cb.
0
8
0
0
0
0
0
0
65 5
1 Fl. 2
1 Ob. 2
1 Cl. in La
2 1 Fg. 2
1 Cor. in Fa
2 harmon mute
1 Tr. in Si
harmon mute
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
0
0
0
0
Vl. 1
Vl. 2
Va.
Vc. Cb.
8
66
A
9
1 Fl. 2 1 Ob. 2 1 Cl. in La
2 1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
A 0
0
0
0
Vl. 1
Vl. 2
Va.
Vc. Cb.
8
67 13
1 Fl. 2
1 Ob. 2 1 Cl. in La
2
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
Vl. 1
Vl. 2
Va. Vc. Cb.
8
68 17
B
1 Fl. 2
1 Ob. 2
1 Cl. in La
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
B Vl. 1
Vl. 2
Va.
Vc.
Cb.
8
69 21
1 Fl. 2
1 Ob. 2
1 Cl. in La
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
Vl. 1
Vl. 2
Va.
Vc. Cb.
8
70 25
1 Fl. 2
1 Ob. 2
1 Cl. in La
2
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
Perc.
Arpa
Press:
E-PNO
Dig. Pno.
senza pedale
Guitar solo 8
Vl. 1
Vl. 2
Va.
Vc. Cb.
8
71
C 29
1 Fl. 2 Fg. 1 Ob. 2
1 Cl. in La
2
1
2
1 Cor. in Fa
2 1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
marc.
Guitar solo 8
C 0
0
0
0
Vl. 1
Vl. 2
arco
Va. (pizz.)
Vc. Cb.
8
72 33
1 Fl. 2
1 Ob. 2
1 Cl. in La
2 1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Press: PIANO
Dig. Pno.
Guitar solo 8
Vl. 1
Vl. 2
Va. Vc. Cb.
8
73
D
37
1 Fl. 2
1 Ob. 2
1 Cl. in La
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
PIANO
Dig. Pno.
Guitar solo
D Vl. 1
0
0
Vl. 2
0
0
Va.
Vc. Cb.
8
74 41
1 Fl. 2
1 Ob. 2
1 Cl. in La
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
0
0
Vl. 1
0
Vl. 2
Va.
Vc.
Cb.
8
0
75 45
1 Fl. 2
1 Ob. 2 muta in Cl. in Si
1 Cl. in La
muta in Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
Vl. 1
0
Vl. 2
0
Va. Vc. Cb.
8
0
0
76 49
E
1 Fl. 2 1 Ob. 2
1 Cl. in Si
2
1
2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Fg.
Dig. Pno.
marc.
Guitar solo 8
E Vl. 1
Vl. 2
sul pont.
Va. sul pont., arco
Vc. Cb.
8
77 53
1 Fl. 2 1 Ob. 2
1 Cl.
2
in Si
2 2
marc.
1 Fg.
marc.
2
1 Cor. in Fa
2
1 Tr. in Si
2 Tubular Bells
Perc.
Arpa
l.v.
Dig. Pno.
Guitar solo 8
Vl. 1
Vl. 2
Va. sub.
Vc. Cb.
8
78 57
1 Fl. 2
1 Ob. 2 1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2 Tub. B.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
Vl. 1
Vl. 2
Va. sub.
Vc. Cb.
8
79
F
61
1 Fl. 2 sim.
1 Ob.
sim.
2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
Tr.
1
in Si
2 Tub. B.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
F Vl. 1
Vl. 2
Va. sub.
Vc. Cb.
8
80 65
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
81
G 69
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
G 1 Vl.
2
Va.
Vc.
Cb.
8
82 73
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
4
1 Cor. in Fa
4
2
1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va.
Vc.
Cb.
8
83
H 77
1 Fl. 2 1 Ob. 2
1 Cl. in Si
2 1 Fg. 2
4
sim.
4
sim.
1 Cor. in Fa
2
1 Tr. in Si
2
Vibr.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
H 1 Vl.
2 Va. ord.
Vc. div., ord.
Cb.
8
84 81
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2
1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Vibr.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
1 Vl.
2
Va. Vc.
Cb.
8
85
I 85
1 Fl. 2
1 Ob. 2
1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Vibr.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
I 1 Vl.
2
Va. Vc.
Cb.
8
86 89
1 Fl. muta in Fl. picc.
2
1 sub.
Ob. 2
1 Cl. in Si
2 1 Fg. 2
1 Cor. in Fa
2
1 Tr. in Si
2
Vibr.
Perc.
Arpa
Dig. Pno.
Guitar solo 8
cresc. div.
1 Vl.
2 div.
Va.
div.
Vc.
unis.
Cb.
8
87
senza rit.
J 93
Fl. 1
3
3
3
3
3 3
decresc. 3
8
Picc. decresc.
1 3
3
3
3
3
2 3
3 3
3
decresc.
Ob.
3
3
3
3
decresc.
1
3 3
Cl. in Si
2
3 3
1 Fg. 2
1 Cor. in Fa
2 1 Tr. in Si
2
Perc.
Arpa
Dig. Pno.
Guitar solo 3
8
3
3
3 3
(cresc.)
senza rit.
J 3
3
3
3 3
decresc.
Vl. 1 div. 3
3
3
3 3
decresc.
Vl. 2 3
decresc.
Va. Vc. Cb.
8
3
3
3 3
3
WH30481 ISBN 978-87-598-7183-6