The Choral Music of Tarik O'Regan (US)

Page 1

The Choral Music of Tarik O’Regan

Tarik O’Regan

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Tarik O’Regan Tarik O’Regan, “one of the leading British composers of his generation” (Gramophone) who is writing “music of startling beauty” (The Observer), was born in London in 1978. He grew up predominantly in Croydon in South London, spending some of his early childhood in Morocco, where his mother was born, © Fran and Algeria. He was educated at Whitgift School, ces Ma rshall during which time he studied percussion, and later composition with Jeremy Dale Roberts, at the Junior Department of the Royal College of Music in London. He then read music at Pembroke College, Oxford and in 1997, while still a student, he received his first commissions from the Choir of New College, Oxford and James Bowman. Following the completion of his undergraduate studies, O’Regan began serving as the classical recordings reviewer for The Observer newspaper, a position he held for four years. During part of this time he also worked for JPMorgan Chase, the investment bank. He completed his postgraduate studies under the direction of Robin Holloway at Cambridge, where he was appointed Composer in Residence at Corpus Christi College and formally began his career as a composer, with his first published works appearing in 2001 on the Finnish Sulasol imprint. This period marked the start of his relationship with the Choir of Clare College, Cambridge (who would later release O’Regan’s first album, VOICES, under the direction of Timothy Brown) and the premiere of two important orchestral works: Clichés with the London Sinfonietta and The Pure Good of Theory with the BBC Symphony Orchestra. In 2004 O’Regan moved to New York City to take up the Chester Schirmer Fulbright Fellowship at Columbia University and subsequently a Radcliffe Institute Fellowship at Harvard. During this period, his composition Sainte won the Vocal category of the 2005 British Composer Awards and his debut disc, VOICES was released on the Collegium label. O’Regan began dividing his time between the UK and the US when he was appointed Fellow Commoner in the Creative Arts at Trinity College, Cambridge. During his two-year tenure at Cambridge, his composition Threshold of Night won the Liturgical category of the 2007 British Composer Awards and Scattered Rhymes, his first CD on the Harmonia Mundi label, performed by the Orlando Consort and the Estonian Philharmonic Chamber Choir conducted by Paul Hillier, was released. O’Regan’s second disc on the Harmonia Mundi label, Threshold of Night, appeared in late 2008 and awakened a wider interest in his work, demonstrated by the CD garnering two GRAMMY ® Award nominations in 2009: Best Classical Album, Best Choral Performance.

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In 2010 he was appointed to the Institute for Advanced Study in Princeton as a Director’s Visitor and made his BBC Proms debut with Latent Manifest performed by the Royal Philharmonic Orchestra. O’Regan’s third album on the Harmonia Mundi label, Acallam na Senórach: an Irish Colloquy (based on the 12th Century Middle Irish narrative of the same name) was released by Chamber Choir Ireland in 2011. He was the featured composer for both the 2014 Vale of Glamorgan Festival (BBC National Orchestra of Wales, Chamber Choir Ireland) and New Music for a New Age (Washington Chorus). Larger choral works from recent years include A Celestial Map of the Sky, which was premiered by the Manchester Grammar School Choir, Hallé Youth Choir and Hallé Orchestra, and Mass Observation for chorus and percussion ensemble, commissioned by Michigan Chamber Choir. In addition to a large number of shorter choral pieces, in recent years O’Regan’s compositional output has broadened to encompass an increasing number of orchestral, operatic and stage works. Heart of Darkness, a chamber opera in one act with a libretto by artist Tom Phillips, was premiered at the Linbury Theatre of the Royal Opera House, London in 2011 and received its North American premiere in 2015. Between 2012 and 2017 he completed a Suite from Heart of Darkness for the Royal Philharmonic Orchestra and two North African-influenced projects; Raï, for the Dutch National Ballet, and Chaâbi, commissioned by the Australian Chamber Orchestra. These pieces were released alongside A Celestial Map of the Sky on the NMC label. In 2016 Mata Hari, an evening-length ballet commissioned by the Dutch National Ballet, was premiered, issued on DVD/Blu-ray by EuroArts, and was revived the following year for a second month-long run. At the beginning of the 17/18 season O’Regan was announced as Composer in Residence with the Pacific Chorale in Orange County, California. He was the recipient of the 2017 Raymond W. Brock Memorial Commission from the American Choral Directors Association and was commissioned by the American Guild of Organists to write a new work for its 2018 National Convention. He is currently working on a full-scale opera about the life of Lorenzo Da Ponte, commissioned by Houston Grand Opera for 2019. O’Regan’s music, recorded on over 30 albums, is published exclusively by Novello. It is described as “exquisite and delicate” (The Washington Post); ( “beautifully-imagined, holding the audience rapt” (The Financial Times); ( “sublime: a piece that you didn’t want to end” (The Times, London); and ( generating “previously unheard sound worlds with astonishing effect” (The Philadelphia Inquirer). ( He serves on the composition faculty of Rutgers University, is Senior Advisor to the Center for Ballet and the Arts at New York University, and was elected to an Honorary Fellowship of Pembroke College, Oxford in 2017.

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Works for Unaccompanied Upper Voices

Works for Upper Voices and One Instrument

Alleluia, laus et Gloria (2004)

Bring rest, sweet dreaming child (2004)

SSA with divisions Revelations 19:1-2, paraphrased 2’ HL14001687 Naxos 8573427

Soprano/SA/Harp Mark Pryce 4’

Columba aspexit (2000)

Vocal Score – HL14023794 Harp Part – HL14023795 Collegium COLCD130

SSA with divisions Hildegard von Bingen 4’ Oxford University Press (Sulasol in Norway, Sweden and Finland)

A Light exists in Spring (2007) SSA/Piano Emily Dickinson 5’

Collegium COLCD130

HL14023791 Naxos 8573427

Tell me (2014) 3 Solo Voices or SSA Nahum Tate 3’

We remember them (2005) (from Triptych Triptych)

HL14043175

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Works for Unaccompanied Mixed Voices

Beatus auctor sÌculi (2003) (from Sequence for St Wulfstan) SATB CÌlius Sedulius 4’ HL14003672 Collegium COLCD130

All Creation Slept (2012)

Care charminge Sleepe (2001)

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All things common (2017)

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Alleluia, laus et Gloria (2004)

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21/12/17 12:50


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Haec deum celi (2005)

Infelix ego (1997)

(from Sequence for St Wulfstan)

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SATB Hbranus Maurus 5’

Sulasol

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Ipsa vivere (2007)

Hymnus de Sancte Andree Apostole (2006)

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(from Sequence for St Wulfstan)

HL14023808

SATB Anon. 6’

Itself is all the like it has (2015)

HL14023806

(adapted from Love Reckons by Itself Alone)

I listen to the stillness of you (2016)

SATB Emily Dickinson 7’

(from Mass Observation)

HL14047826

SATB D.H. Lawrence 3.5’

Locus iste (1998) SATB Gradual at the Mass for the dedication of a church 4’ Oxford University Press (Sulasol in Norway, Sweden and Finland)

HL00248703

I sleep, but my heart waketh (2006) Soprano/SATB Song of Songs 8’

Collegium COLCD130

HL14023807 Delphian DCD34045

Love Reckons by Itself Alone (2014) SATB Richard Ntiru/Tsuboi Shigeji/Emily Dickinson 7’ HL14047965

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Martyr Dei (2008)

The Spring (2008)

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SATB Anon. 4’

SATB Acallam na Senórach 12’

HL14041271

HL14041843 Harmonia Mundi HMU807486

Nunc Dimittis (Latin Setting) (2008)

Surrexit Christus (2002) SATB Sedulius Scottus 3’ Oxford University Press (Sulasol in Norway, Sweden and Finland)

SATB/SATB 4’ HL14023813

O vera dignia hostia (2003)

(from the collection ‘Cantica Nova’) Avie AV2085

(from Sequence for St Wulfstan) SATB The Portiforium of St Wulfstan 5’

Swing low, sweet chariot (2010) SATB Wallace Willis 3’

HL14023771 Collegium COLCD130

HL14041765

Scattered Rhymes (2006)

Sylver Raine (2000)

Alto/2 Tenors/Baritone/SATB Francesco Petrarca (Petrarch)/Anon. 15’

SSATB/SSATB Robert Johnson 5’

HL14023816 Harmonia Mundi HMU807469

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Tal vez tenemos tiempo (Maybe we have time) (2007)

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MS8240 Tarik O’Regan Brochure US.indd 8

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for David Hill and the Choir

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SOPRANO

TWO SOLO VOICES

  

ALTO

pp



(sopranos can be used)

stands

     Who

stands

    at

2nd SOLO

PIANO (for rehearsal only)

  

 





the thres - hold

TUTTI

of

         



On the thres - hold



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

On the thres - hold



 

     

© 2009 Novello & Co.

NOV956703_Threshold



   



 

 

Ltd.

   

 rain

mp



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 

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      

 

be - ing?

  

TWO SOLO VOICES pp

be - ing?

of

 

 

be - ing?

 

rain

     

mp

mp

 



 

 

 





   

p

storm and



 



and rain

storm,



of

TUTTI

storm



p

A.

On

p



p

  

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the

pp

 

p

the

 

   

   

   7

S.

 

door,

          Who stands at my door,   BASS     

Tarik O’Regan (b. 1978)

  

in

 

my

pp

  

ge

at my door

1st SOLO

pp



     



Who

TENOR

of St John’s College, Cambrid

Threshold of Night

Kathleen Raine (1908 - 2003)

One

      

 

   

  



insides.indd 5 03/11/2011 14:11

Turn (2016) SATB Albert Verwey (trans. Cliff Crego) 5’ HL14048174

Threshold of Night (2006) SATB Kathleen Raine 6’

Two Emily Dickinson Settings (2007) i. Had I not seen the sun ii. I had no time to hate

HL14023823 Harmonia Mundi HMU807490

SSAATTBB with soloists Emily Dickinson 3’

Tu claustra stirpe regia (2003)

HL14023829 Harmonia Mundi HMU807490

(from Sequence for St Wulfstan) SATB The Portiforium of St Wulfstan 3’ HL14034175 Collegium COLCD130

Voce mea (2008) SATB from Psalm 96 (Vulgate) 5’ HL14037697

Tu trinitas unitas (2003) (from Sequence for St Wulfstan)

We remember them (2005)

SATB The Portiforium of St Wulfstan 3’

Soprano/SATB Roland B. Gittelsohn 3.5’

HL14034177

HL14023828

MS8240 Tarik O’Regan Brochure US.indd 9

21/12/17 12:51


Works for Mixed Voices and One Instrument Acallam na Senórach SATB/Guitar/2 bodhráin played by members of the chorus 55’ Vocal Score – HL14043265 Guitar Part (ed. Stewart French) – HL14043266 Harmonia Mundi HMU807486

Beloved, all things ceased (2011) SATB/Piano or Organ St John of the Cross (trans. Kieran Kavanagh and Otilio Rodriguez) 10’ HL14041612 Coro COR16090

Bring rest, sweet dreaming child (2004)

De Sancti Ioanne Baptista (2004) SATB/Organ Horæ Beatæ Mariæ ad usum Romanum 6’ HL14008482

Death is gonna lay his cold icy hands on me (2010) SATB/Guitar Anon 7’ Vocal Score – HL14042508 Guitar Part – HL14042509

Dorchester Canticles (2004) SATB/Organ/Harp and Percussion ad lib Psalm 98 12’ Vocal Score – HL14009128 Full Score – HL14009130 Parts – HL14009129 Collegium COLCD130

Ecce Puer (2012) SATB/Organ James Joyce 3’ HL14042330

Soprano/SATB/Harp Mark Pryce 4’ Vocal Score – HL14005149 Harp Part – HL14023793 Meridian CDE84601

ce

James Joy O

SOPRAN

Cantate Domino (2002 rev. 2005) SATB/Organ Psalm 98 5’ HL14023796 Guild GMCD7287

    

q = 72

  

ALTO

   

BASS

q = 72

  

Confirma hoc Deus (1997) SSAATTBB/Organ Graduale Triplex 4’ Sulasol

ppp

    Sw.

Organ

  

Pedals

born; child is

     

A.

born; child is

Corpus Christi Service (2001) Congregation/SATB or SA or TB/Organ Common Worship (Order One) Vocal Score – HL14023797 Congregation Part (Pack of 10) – HL14023798

T.

B.

     

     

  

Org.

   Copyright

   

With

With

 

 

grief joy and



My



My

ah





 

SOPRAN

O



TENO

torn.

heart is

  

is

heart

 

 R

for Sam

Hayes an

   Allegro  = 17 8      

ALTO

   

ap

    

BASS       torn.   

d the Ch

Cantateel Choir of Queens’ Colle Do Psalm mino 98

 





 

 

 = 178 heart             ORGAN  Gt      .      torn.     is               Sw.                Alleisgr

o



heart





ited

4

   

                                                            © Copyr

MS8240 Tarik O’Regan Brochure US.indd 10

ah



pany Lim

vello & Com

© 2012 No

My

My

ah



grief joy and

  



     

ah

past

the dark



       



 

     

Of

A

the dark

Of pp



     past

 

A

past

the dark

  



 

 

Of pp

poco

 

7

S.

Of pp

the dark

  

  

    pas t

pp

 

   

TENOR

gan Tarik O’Re 78) (b. 19

Ecce Puer

r Choir

ool Chambe

mmar Sch

smouth Gra

l and the Port

for YiRu Hal

ight 20

 

05 Novel

lo & Co

mpany

Ltd.

21/12/17 12:51


3

  

 

  

7

 

 

 

  

                                                                

  

       11

song: 

   

song: 

ayes an

d the Ch

ap

Cantateel Choir of Queens’ College, Ca mbridge Do Psalm mino 98

 



 

 

                   Sw.                     

 

                                 

for 

for

     song:     

he

hath

 



he

Regan

hath done

        

sing

  

un - to the

O 

sing

un - to the

O

sing

un - to the

Lord a new

un - to the

Lord a new

      

O

sing

                   

     

-

 

 

Lord a new

        

Lord a new

          





 

  



vel -lous

things

  

mar - vel -lous

song:

 things

   

   

 



with his own right hand, 

with his own right hand,

 Gt.

    

                Sw.                          

        

O 

done mar

 

Tarik O’



 

   

 





MS8240 Tarik O’Regan Brochure US.indd 11





      

          

 



21/12/17 12:51


Commissioned by Tim Brown and the Choir of Clare College, Cambridge

Magnificat

in memoriam Christopher Rutter (17.v.1981–2.iii.2001)

Declamatory q = 100

1

molto

f sfz ď‚Ą  ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ   1. Mag - ni

SOPRANO

-

ď • ď —

pp

molto

1. Mag - ni

-

f

-

f

molto

RIPIENO

-

molto

TENOR 2

fi - cat:

f

sfz

molto

BASS 2

f

sfz

molto

CONCERTANTE

BASS



OR Violoncello**

ďƒŽ

ď ˘ď ˘

ď • ď —

ď Ż  ďƒ?ď Š ďƒ¤ ďƒŽ

ďƒŽ

ď ˘ď ˘

ď • ď —

ď Ż  ďƒ?ď Ş ďƒ¤ ďƒŽ

ďƒŽ

ď ˘ď ˘

ď • ď —

ď Ż  ďƒ? ďƒ¤ ďƒŽ ď Š

ďƒŽ

ď ˘ď ˘

ď • ď —

ď Ż  ď Ş ďƒ¤ ďƒŽ ďƒ?

ďƒŽ

ď ˘ď ˘

pp

1. Mag - ni f

-

1. Mag - ni

-

fi - cat: sfz

molto

pp

fi - cat:





 







  ďƒœ







 





*

mf

ďƒ?

ďƒ?

ďƒ? ď ˘ďƒ?

ďƒ?

ďƒ?

ďƒ? ď ˘ďƒ?

ďƒ?

ďƒ?

ďƒ? ď ˘ďƒ?

ďƒ?

ďƒ?

ďƒ? ď ˘ďƒ?

(1.) A - ni - ma *

mf

ďƒ?

(1.) A - ni - ma





*

mf

ďƒ?

(1.) A - ni - ma *

ďƒ?

mf

(1.) A - ni - ma

me - a

me - a

me - a

ďƒ?

me - a

 







ď • 

 







ď • 

Declamatory q = 100

Soprano Saxophone **

ď Ż  ď Ş ďƒ¤ ďƒŽ ďƒ?

f sfz   ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ

  

TENOR

ď • ď —

pp

  ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?   ďƒ? ď€´ď ˇ 

ALTO

ď ˘ď ˘

  ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ  ďƒœ 1. Mag - ni - fi - cat:

Declamatory q = 100

SOPRANO

ďƒŽ

pp

molto

1

ď Ż  ďƒ? ďƒ¤ ďƒŽ ď Š

pp

ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ    ďƒœ 1. Mag - ni - fi - cat:

1

ď • ď —

fi - cat:

sfz

1. Mag - ni

ď ˘ď ˘

pp

  ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ 

2

ďƒŽ

fi - cat:

sfz

1. Mag - ni

ALTO

ď Ż ďƒ? ď€´ď Š ďƒ¤ ďƒŽ 

pp

  ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ 

1

ď ˘ď ˘

ď • ď —

sfz ďƒ? ďƒ? ďƒ? ďƒ? ďƒ? ďƒ?  ď ˇ   

Tarik O’Regan

ďƒŽ

fi - cat:

f

2

ď Ż ďƒ?  ď Š ďƒ¤ ďƒŽ a tempo

p (

ď •) a tempo ďƒ? ď€´ď ˇ

ď ˘ď ˘

ď •)  ďƒ? ď€´ď ˇ

ď ˘ď ˘

ď •) ďƒ?  ď ˇ

ď ˘ď ˘

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ďƒ?

ď •) ďƒ? ď ˘ďƒ?  ď ˇ 

Do - mi - num.

p (

Do - mi - num.

p (

Do - mi - num.

ďƒ?

p (

ď ˘ď ˘

Do - mi - num.





ď ˘ď ˘





ď ˘ď ˘

a tempo

Commiss ylor a Neil Ta dral the Cathe

Steady

O SOPRAN orus)

(Semi-ch

ALTO orus)

(Semi-ch

ff

O

SOPRAN

* Sing as plainchant throughout ** Parts available on sale Š Copyright 2004 Novello & Company Limited for the world except Denmark, Finland, Norway and Sweden where the copyright is held by Sulasol, Finland.

(h = 84

O b ff

ALTO

O

R

TENO

rev. 4.06 BASS

Organ

MS8240 Tarik O’Regan Brochure US.indd 12

21/12/17 12:51

Pe


Gloria (2004)

Israfel (2006)

(from Dorchester Canticles)

(from The Ecstasies Above)

SATB/Organ 2’

Double Solo Quartet/SATB/Organ Edgar Allan Poe 4.5’

HL14023804

HL14023809

The Great Silence (2009)

Jubilate Deo (2007)

Soprano/SATB/Harp Edward Thomas 5.5’

(English Setting) SA/SATB/Organ Psalm 100 4’

Vocal Score – HL00260720 Harp Part – HL00260721

HL14023810

I Saw Him Standing (2001) SATB/Organ Ann GrifďŹ ths (trans. Rowan Williams) Oxford University Press (Sulasol in Norway, Sweden and Finland) Baritone/SATB/Organ

Jubilate Deo (2009) (Latin Setting for St John Albuquerque) SATB/Organ Psalm 100 5’ HL14041316

MagniďŹ cat and Nunc Dimittis – Variations for Choir (2000/2001) SATB Soli/SSAATTBB/Soprano Saxophone or Cello 14’ Vocal Score – HL14020349 Cello Part – HL14032306 Soprano Sax Part – HL14032307 Collegium COLCD130 Please note that Novello has copyright for all territories except for Denmark, Finland, Norway and Sweden where it is held by Sulasol

That music always round me (2009) dral for eld Cathe opening of s of Sheffi 7 te the the Friend oirs to celebra 6th March, 200 oned by l Ch on Commissi d the Cathedra sources Centre ylor an mmunity Re Neil Ta Co l's dra the Cathe

Jubilate

Steady

O SOPRAN orus)

) (h = 84

Deo

(Semi-ch

ALTO orus)

(Semi-ch

O SOPRAN ff

Lord,

joy O be

- ful

ful

R

ff - ful joy O be

BASS

St

Organ

ful

joy o be

in

,

ful

Lord in the

ful joy O be = 84) eady (h

joy o be

,

joy o be

Lord in the

ff

Version in E Flat – HL14023822 Version in D Flat – HL14023821

- ful

in the

joy O be

George Herbert 6’

joy o be

Lord,

ff

TENO

S(S)ATB/Organ

in the

- ful

ALTO

The Windows (2006)

HL14041314

SATB/Piano Walt Whitman/Wallace Stevens 8’

'Regan Tarik O . 1978) (b

Tarik MS8240 O’Regan Brochure US.indd 13 Ped.

1 13:01

10/201

21/12/17 12:51


Work for Unaccompanied Men’s Voices Se lamentar augelli (2008) TTBB Francesco Petrarca (Petrarch) 3’ HL14041315

The St Andrews Responsories (2008) ATTB Solo Quartet ‘W1’ (St Andrews manuscript): Wolfenbüttel Herzog August Bibliothek, Cod. Guelf. 628 Helmstad 4’ HL14023817

Virelai: Douce dame jolie (2007) ATTB Solo Quartet Guillaume de Machaut 5’ HL14023789 Harmonia Mundi HMU807469

Works for Choir and 2-6 Players Blessed are they (2013) SATB/String Quintet or String Orchestra Ada Cambridge/Edward Thomas 5’ Vocal Score – HL14043551 Full Score – HL14043552 String Quintet Parts – HL14043553 String Orchestra Parts – Hire Only

Death is gonna lay his cold icy hands on me (2010) Double SATB/Violin/Cello Anon 7’ Vocal Score – HL14047825 String Parts – HL14047824

The Ecstasies Above (2006) Double Solo Quartet/SATB/String Quartet Edgar Allan Poe 18’ Vocal Score – HL14023801 Full Score – HL14023799 Parts – HL14023800 Harmonia Mundi HMU807490

Jubilate Deo (2007/2013) English Setting (arr. Daniel Moreira) SA/SATB/String Quartet Psalm 100 4’ Vocal Score – HL14023810 Score/Parts – HL14042449

Mass Observation (2016-17) SSAATTBB divisi/Percussion (6 players) 40’ Vocal Score – HL00248705 Full Score – HL00248704 Parts – Hire Only

MS8240 Tarik O’Regan Brochure US.indd 14

21/12/17 12:52


Night City (2012) SSA/SATB/Percussion (2 players) Elizabeth Bishop 9’ Vocal Score – HL14042324 Full Score – HL14042322 Parts – HL14042323

Works for Chorus and Ensemble/ Orchestra

The Night’s Untruth (2010)

After Rain (Petrichor) (2012)

SATB/Brass Quintet/Organ John Keats/Samuel Daniel/ William Shakespeare/Hart Crane 16’

SATB/Clarinet in B Flat/Percussion/ Harp/Strings (66442) Edward Thomas 13’

Vocal Score – HL00260722 Full Score – HL00260723 Parts – HL00260724

Vocal Score – HL14041951 Study Score – HL14041952 Parts – Hire Only

The Taxi (2007) SSAA with soloists/Vibraphone (2 players)/ Electric Guitar Amy Lowell 6.5’ Full/Vocal Score – HL14023820 Parts – HL14023819

Threshold of Light (2008) SATB/Brass Quintet/Organ Sedulius Scottus (trans. Helen Waddell) 7’

And there was a great calm (2005) SA/Strings (00441) Roland B. Gittelsohn/John Milton/ Indian Bundahishn/Mathwani of Jalalu-‘Din Rumi/ William Wordsworth/Thomas Hardy 12’ Vocal Score – HL14023792 Score/Parts – Hire Only Avie AV2147

Blessed are they (2013)

Full/Vocal Score – HL14023833 Parts – HL14023832

SATB/String Quintet or String Orchestra Ada Cambridge/Edward Thomas 5’

Where all is buried (2009)

Vocal Score – HL14043551 Full Score – HL14043552 String Quintet Parts – HL14043553 String Orchestra Parts – Hire Only

SATB/Percussion (6 players) Edward Thomas 16’ Vocal Score – HL14041310 Full Score – HL14041311 Parts – HL14041312

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21/12/17 12:52


A Celestial Map of the Sky

Threnody (2004-5)

SATB/Orchestra (2(pic)2(ca)2(bcl)2(cbn)/4.3.2+btbn.1/ timp.3perc/hp.pf(cel)/str(10.8.6.4.3)) 15’ Gerard Manley Hopkins/Walt Whitman/ Mahmood Jamal/Francis William Bourdillon/ Hart Crane

(from Triptych)

NMC NMCD220

The Ecstasies Above (2006) (arr. Daniel Moreira) Double Solo Quartet/SATB/ String Orchestra (44442) Edgar Allan Poe 18’ Vocal Score – HL14023801 Score/Parts – Hire Only

From Heaven Distilled a Clemency (2004-5)

SATB/Strings (22221) 5’ Vocal Score – HL14043573 Score/Parts – Hire Only Harmonia Mundi HMU807490

Triptych (2004-5) SATB/Strings (22221) 17’ Vocal Score – HL14000535 Full Score – HL14023825 Parts – Hire Only Harmonia Mundi HMU807490

Triptych (2004-5) (arr. Dave Alcorn) SATB/Percussion Ensemble (8 players) 17’ Vocal Score – HL14000535 Score/Parts – Hire Only

(from Triptych) Soprano/SATB/String Orchestra (22221) 6’

Triptych (2004-5/2011)

Vocal Score – HL14042317 Score/Parts – Hire Only Harmoni Mundi HMU807490

SATB/String Septet 17’

A Letter of Rights (2015) SATB/Percussion/Strings (22221) Alice Goodman 35’ Vocal Score – HL14047964 Full Score – HL14047963 Parts – Hire Only

Martyr (2008)

(arr. Bernd F. Schwan)

Vocal Score – HL14000535 Score/Parts – Hire Only

Triptych (2004-5/2013) (arr. Ryan Brandau) SSA/Strings (22221) 17’ Vocal Score – HL14042288 Full Score – HL14042199 Parts – Hire Only

SATB soli/SATB/3 Trumpets/Timpani/ Organ/Optional Strings William Wordsworth 17’ Vocal Score – HL14041272 Full Score – HL14041273

Solitude Trilogy (2010)

Commissi

oned by

SATB/Harp/Strings W.B. Yeats/Edward Thomas 20’

SOPRAN

O

Vocal Score – HL14041394 Score/Parts – Hire Only

BASS

6

A.

T.

A

p sub.

ber Choir

ppp

The

Y

f

er Cham

Vancouv

RILOG

R

S.

and the

I

q = 63

TENO

Piano

MS8240 Tarik O’Regan Brochure US.indd 16

Slow

shburn

UDE T

ALTO

Jon Wa

SOLIT

William (1865- Butler Yeats 1939)

ppp

brawl ing of a spar - row

The bra wl - ing ppp of a spa r - row

in

the

eaves,

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bril - li -

in the 21/12/17 12:52 eaves,

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ant mo on a


urn and

the Vanco

uver Ch

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ILOGY

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oir

Tarik O’

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3 The bri l - li - ant

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Tarik O’Regan Brochure US.indd 17

21/12/17 12:53


The Choral Music of Tarik O’Regan

Tarik O’Regan

Distributed by

PUB33308

MS8240 Tarik O’Regan Brochure US.indd 18

21/12/17 12:50


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