Harbison REQUIEM

John Harbison

REQUIEM Full Score

From the Rental Library of G. Schirmer, Inc. Date of printing:___________________

Associated Music Publishers, Inc. New York, NY

John Harbison

REQUIEM Full Score

Commissioned by the Boston Symphony Orchestra in commemoration of the Centennial of Symphony Hall and premiered there on Thursday, March 6, 2003 by the Boston Symphony Orchestra, Bernard Haitink, conductor, with soloists: Christine Brewer, Soprano; Margaret Lattimore, Mezzo-Soprano; Paul Groves, Tenor; Jonathan Lemalu, Bass-Baritone and the Tanglewood Festival Chorus, John Oliver, conductor.

Table of Contents Part I Introit . . . . . . . . . . . . . . . . . . 1 Sequence I. Dies irae . . . . . . . . . . . . . 28 II. Tuba mirum . . . . . . . . . . 57 II. Liber scriptus . . . . . . . . . 71 IV. Quid sum miser . . . . . . 84 V. Recordare . . . . . . . . . . . 95 VI. Confutatis-Lacrymosa 136 Part II Offertory . . . . . . . . . . . . . Sanctus . . . . . . . . . . . . . . . Agnus Dei . . . . . . . . . . . . Lux aeterna . . . . . . . . . . . Libera me . . . . . . . . . . . . . In paradisum . . . . . . . . . .

172 217 239 249 262 281

duration ca. 55 minutes

Associated Music Publishers, Inc. New York, NY

Instrumentation 2 Flutes (2nd doubling Piccolo) 2 Oboes 2 Clarinets in B= 2 Bassoons (2nd doubling Contrabassoon) 2 Horns in F 2 Trumpets in C 3 Trombones Timpani Percussion (3 players) Piano (doubling Celesta) Harp SATB Chorus Soprano Mezzo-Soprano Tenor Bass-Baritone Strings

PROGRAM NOTE In early 1985 I began composing, on opposite sides of the same page, two pieces for which I had no prospects at the time, both of which waited long for completion. The first, the darker of the two pieces, was an opera based on Fitzgerald’s The Great Gatsby. Unable to secure rights, I adapted some of my ideas into an overture, while others became Gatsby’s (mainly false) account of his life in Act II, not resumed until 1996-98 when the opera was written on commission from the Metropolitan Opera company. The second project, a Requiem, was destined to weave in and out of my experience until the present time. Each return to it was occasioned by different private or public events. In 1985 I wrote much of the Introit. In 1991 I was asked for a piece for the Music School at Rivers; the piece I wrote resembles the present Sanctus, but I misfiled and lost it for seven years, requiring me to write other music for Rivers. When the piece reappeared, it confirmed that it was a continuation of the thought of the Requiem. Then in 1995 I was asked to be among thirteen international composers, each writing a movement of a collective Requiem of Reconciliation for the victims of World War II (commissioned by the Stuttgart Backakademie for performance by Helmut Rilling). I was assigned to the Recordare (or close to it), and my piece drew again on the core musical ideas of the earlier Introit. In 1999, still with no prospects for the piece as a whole, I composed the Hostias section very spontaneously, realizing I was still haunted by the piece, and deciding to move to complete it. Fortunately in 2001, a commission from the Boston Symphony Orchestra sanctioned the working through of what had become a highly articulated conception for virtually every section. It was interesting, a little surprising, to discover how persistent the first view of the piece had become, how closely my idea of the large design, even down to the harmonic outlines, was being pursued. This is unusual in my experience, even in pieces written quickly. Since Britten’s War Requiem in 1966, it has become customary to introduce other text material into pieces of this kind, for drama, contrast, or greater relevance. I never considered such a strategy. The text is a strange collection—sections of the mass, scripture, an old, poetically primitive medieval poem, all added in at different times, but acquiring a weight and dignity through use and age. I wanted a sense of ancient inheritance to inhabit my setting: a ritual steeped in the inevitability of death—gradually moving toward consolation and acceptance. The Latin text did not seem at all inaccessible to me. The fanatic passion of my high school Latin teacher, who insisted that we would be forever benighted without four years of her subject, left me not with mastery, but with a sense of familiarity and harmony around words in Latin. I found it important to consider what my piece could add to the many distinguished pieces of its type, what the role of the piece for which I had initially volunteered could be. My contract was signed in the first week of September, 2001. I continued composing through March 2002. My account of the genesis of the piece makes it clear that its sources go back fifteen years. But the events of that fall made my purposes clearer. I wanted my piece to have a sense of the inexorability of the passage of time, for good and ill, of the commonality of love and loss. I wanted to open up an aural space where this could be acknowledged. Ideally this piece is not coercively about how you should feel, but rather an offer of a place to be true to your own thoughts. I inscribed, as I wrote this piece over seventeen years, the names of loved ones who died in that time, not to tell the listener about my reaction, but to remind myself that only living alertly in our own immediate lives gives us any comprehension of war, disaster, destruction on a wider scale. I wanted a way to jump with the text from past to present to future, from the to we to I. The presence of solo singers helps. They don’t sing “numbers” but are part of a collective wide-ranging melody that tracks who is speaking, and from what world. Requiem. An accidental collection of words about mortality (part I) and continuity (partII), to be shaped into a purposeful collection of sounds. So I decided only to pause once, to use a rather small orchestra to present my Day of Judgement in the most frugal musical materials—instinct under the cloak of rationality. To offer the consolation of one so fortunate as to be able to track, for so long, a train of thought, in apparent safety, to a conclusion.

—John Harbison (September 2002)

REQUIEM Introit Andante Flute (Piccolo)

John Harbison

= 84

1 2

Oboe

1 2

Clarinet in B

1 2 2. to Contrabassoon

1 Bassoon (Contrabassoon) 2

Horn in F

1 2

Trumpet in C

1 2

Trombone

1 2

Bass Trombone

coperto Timpani

1 Low Tamtam Percussion

2 Bass Drum 3

Piano

Piano/ Celesta

marcato

8ba

marcato

Harp

8ba

C DEFGAB

marcato

S Re

qui

em

ae

ter

nam,

ae

ter

nam

do

na marcato

e

is,

Do

mi

Re

qui

em

ae

ter

nam,

ae

ter

nam

do

na marcato

e

is,

Do

mi

Re

qui

em

ae

ter

nam,

ae

ter

nam

do

na

e

is,

Do

mi

e

is,

Do

mi

A Chorus T 8

marcato B Re

qui

Andante

em

ae

ter

= 84

nam,

ae

ter

nam

do

na

div.

arco marcato

div.

pizz. arco marcato

div.

pizz. arco marcato

I Violin II

Viola div.

pizz. marcato

Violoncello

div. Contrabass

corrected 3/2003

Copyright Š 2003 by Associated Music Publishers (BMI) New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

2 6 Fl.

1.

1 2 chiaro

Ob.

1 2 chiaro

Cl. in B

non cresc.

1 2 chiaro

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. Crotales 1 (L. Tam.) Perc. 2 (B.D.) 3

Pno.

8ba

Hrp.

A 8ba

chiaro

S ne,

re

qui em

ae

ter

nam,

ae

ter

nam;

ne,

re

qui em

ae

ter

nam,

ae

ter

nam;

Et

lux chiaro

per

pe

tu

a

lu

ce

at

lux

per

pe

tu

a

lu

ce

at

A Chorus

Et

chiaro T 8

ne,

re

qui em

ae

ter

nam,

ae

ter

nam;

Et

per

pe

tu

a

lu

ce

at

ne,

re

qui em

ae

ter

nam,

ae

ter

nam;

Et per lux 3 soli, non div.

pe

tu

a

lu

ce

at

lux chiaro

B

unis, arco I Vn.

unis, arco

(harmonics) 3 soli, non div. o o

II (open strings) unis, arco Va.

Vc.

Cb.

3 (1.)

13 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

Glockenspiel 1 Vibraphone Perc. 2

3

Pno.

Hrp.

legato S e

is.

Te

de

cet

hym

nus,

legato A Chorus

e

is.

e

is.

e

is.

Te

T 8

B

tutti I Vn.

tutti II

Va.

Vc.

Cb.

de

cet

4 20 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(Glock.) 1

(Vib.) Perc. 2

3

Pno.

Hrp.

S De

us,

in

Si

on,

De

us,

et

ti

bi

A hym

Chorus

nus,

in

Si

on,

De

us,

et

legato T 8

Te

de

cet

hym

nus,

in

Si

on,

De

us,

legato B Te

I Vn. II

Va. unis. Vc.

Cb.

de

cet

hyn

nus,

in

5 26 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

a2

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

marcato, accomp.

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

E marcato S red de

tur

vo

tum in

Je

ru

ex

sa lem:

au

di

marcato A ti

Chorus

bi

red de

tur

vo

tum in

Je

ru

sa lem:

ex

au

di

ex au marcato

di

ru

au

marcato T 8

et

ti

bi

red

de

tur

ti

bi

vo

tum in

Je

ru

sa lem:

B Si

I Vn. II

Va.

Vc.

Cb.

on,

et

red

de

tur

vo

tum in

Je

sa lem: ex

di

6 32 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(a2)

2.

1.

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S o

ra

ti

o

nem

me

am,

o

ra

ti

o

nem

me

am,

o

ra

ti

o

nem

me

am,

o

ra

ti

o

nem

me

am,

ad

A Chorus

legato T 8

o

ra

ti

o

nem

me

am,

o

ra

ti

o

nem

me

am,

ad

te

om

nis

ca

ro

legato B o

I Vn. II

Va.

Vc.

Cb.

ra

ti

o

nem

me

am,

o

ra

ti

o

nem

me

am,

ad

te

om

nis

7 38 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(2.)

1.

(1.)

2.

Contrabassoon Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

legato S te

om

nis

ca

ro

ve

ni

et,

ad

te

om

nis

ca

ro

te

om

legato A ad

Chorus

te

nis

om

ca

ro

te

om

ve

ni

et,

ad

nis

T 8

ve

ni

et,

ad

nis

ca

ro

te

om

ve

ni

et.

B ca

ro

ve

ni

et,

ad pizz.

nis

ca

ro

ve

ni

et.

arco

I Vn.

pizz.

arco

II pizz.

pizz.

arco

Va. pizz. Vc.

Cb.

arco

arco

8 cedendo

44 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

a tempo

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

non coperto Timp.

1 Low Tamtam Perc. 2

Bass Drum 3

Pno.

8ba

Hrp.

E

A

8ba

S ve

ni

et.

Re

qui

em

ae

ter

nam,

ae

ter

nam

Re

qui

em

ae

ter

nam,

ae

ter

nam

Re

qui

em

ae

ter

nam,

ae

ter

nam

Re

qui

em

ae

ter

nam,

ae

ter

nam

A ca

ro

ve

ni

et.

Chorus T 8

B

cedendo

a tempo

I Vn.

pizz.

arco

II

Va. div. Vc.

(div.) Cb.

9 chiaro

50 Fl.

2. solo

1 2 marcato

Ob.

1 2

Cl. in B

1 2

chiaro

marcato Bn.

1 marcato

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

chiaro

Bs. Tbn.

Timp.

Crotales 1

Perc. 2 (B.D.) 3

Pno.

marcato

8ba

A

marcato

Hrp.

8ba

marcato

chiaro

S do

na

e

is,

Do

mi

ne,

do

na

e

is,

Do

mi

ne,

et

marcato

lux

per

chiaro

A do

Chorus

na

e

is,

Do

mi

ne,

do

na

e

is,

Do

mi

ne,

et

marcato

lux

per

chiaro

T 8

do

na

e

is,

Do

mi

ne,

do

na

e

is,

Do

mi

ne,

et

lux

per

chiaro

marcato B do

na

e

div., arco, marcato

is,

Do

mi

ne,

do

na

e

is,

Do

mi

ne,

et

lux

per

3 soli, non div., arco

I Vn.

pizz. div., arco, marcato

tutti arco (div.)

pizz. div., arco, marcato

tutte arco (div.)

II

Va. pizz. marcato Vc.

Cb.

10 1.

55 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S pe

tu

a

lu

ce

at

e

is,

lu

ce

at

e

is.

pe

tu

a

lu

ce

at

e

is,

lu

ce

at

e

is.

pe

tu

a

lu

ce

at

e

is,

lu

ce

at

e

is.

pe

tu

a

lu

ce

at

e

is,

lu

ce

at

e

is.

A Chorus T 8

B

tutti, unis. I Vn.

unis. II

Va.

Vc.

Cb.

11 62 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

1.

1.

1.

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

Glockenspiel 1 Vibraphone Perc. 2

3

Pno.

Hrp.

S

A Chorus T 8

B

1 solo

I Vn. II

Va. 1 solo Vc.

Cb.

12 68 Fl.

1 2

Ob.

1 2

(1.)

1.

espressivo

(1.) Cl. in B

1 2

Bn.

1 espressivo

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. (Glock.) 1 (Vib.) Perc. 2

3

Pno.

Hrp.

espressivo S Ky

ri

e

e

le

i

son,

Ky

espressivo A Ky

Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

ri

e

e

le

i

son,

Ky

ri

e

e

le

i

son,

Ky

ri

13 73 Fl.

1 2

Ob.

1 2

(1.)

niente Cl. in B

1 2

Bn.

1 niente

Cbn. espressivo

cresc.

2. Hn. in F

1 2 espressivo

Tpt. in C

1 2

Tbn.

1 2

cresc.

Bs. Tbn.

Timp.

(Glock.) 1 (Vib.) Perc. 2

3

Pno.

Hrp.

S ri

e

e

le

i

son,

e

le

e

le

i

son,

e

le

i

son,

i

A e

Chorus

e

le

i

son,

Ky

ri

e espressivo

Ky

T 8

Ky

ri

e

e

le

i

son,

Ky

espressivo B Ky

ri

e

e

le

i

son,

e

le

i

son,

tutti I Vn. II unis. Va.

Vc.

Cb.

14 cresc.

78 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

1.

cresc.

Cbn.

1., 2. al sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2 Marimba 3 cresc.

Pno.

marcato

Hrp.

E

cresc.

B

G

G cresc.

S son,

Ky

ri

e

e

le

i

son, Ky

ri

e

e

le

cresc. A ri

Chorus

e,

Ky

ri

e

e

le

i

son,

ri

e

e

le

Ky

T 8

ri

e

e

le

i

son,

Ky

B Ky

ri

e

e

le

i

I Vn. II

Va. tutti, unis. Vc. unis. Cb.

div.

son,

i son,

ri

15 (cresc.)

83 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(cresc.)

Cbn.

1., 2. con sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

marcato

Bs. Tbn.

Timp.

1

Perc. 2 (Mar.) 3

(cresc.)

Pno.

Hrp.

(cresc.)

A

B

C

(cresc.) S i

son,

Ky

ri

e,

Ky

ri

e

e

le

i

son,

(cresc.) A e

Chorus

e

le

i

son,

Ky

ri

e,

Ky

ri

e

e

le

i

son,

cresc. T 8

Ky

ri

e,

Ky

ri

e,

e

le

Ky

ri

e

e

le

i

cresc. B Ky

I Vn. II

Va.

Vc.

Cb.

ri

e

i

son,

Ky

ri

e

e

le

i

son,

16 88 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

1.

1.

Cbn.

1., 2. via sord. Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S Ky

ri

e

e

A e

Chorus

le

i

son,

e

le

i

son,

Ky

ri

e

e

le

e

le

i

son.

T 8

son,

e

le

i

son,

e

le

i

son,

Ky

ri

e

B Ky

I Vn. II

Va.

Vc.

Cb.

ri

e

e

le

i

son.

17 93 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(1.)

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

molto espressivo S le

i

Chris

son.

te

molto espressivo A Chorus

i

son.

Chris

te

e

le

i

son,

T 8

B

I Vn. II

Va. molto espressivo unis. Vc. molto espressivo Cb.

e

18 98 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S le

i

son,

e

le

i

son,

i

son,

e

le

i

A Chorus

Chris

te

e

Chris

te

e

Chris

te

e

e

le

Chris

te

T 8

molto espressivo B Chirs

te

I Vn.

pizz. II

Va.

Vc.

Cb.

arco

e

19 103 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

2.

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S son,

e

le

i

son,

i

son.

A e

Chorus

le

e

le

i son, molto espressivo

Chris te

e

le

i

son,

Chris te

e

le

i

son,

T 8

Chris

te

e

le

i

B le

i

son,

Chris

I Vn. II

Va.

Vc. pizz. Cb.

te

e-

Chris

te

e-

20 108 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(2.)

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S Chris te

e

le

i

son,

Chris

te

e

le

A Chris te

Chorus

e

le

i

son,

Chris

te

e

le

e

le

i

son,

i

T 8

son,

e

le

i

son,

i

son,

B Chris

I Vn. II

Va.

Vc.

Cb.

te

e-

e

le

Chris te

e

le

i

son,

21 113 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S i

son,

Chris te

e

le

i

son,

Chris te

e

A Chorus

Chris te

son,

e

le

i son,

Chris te

e

le

i son,

T 8

Chris

te

e

le

le

i

son,

i

son,

Chris

te

e

le

B Chris te

e

le

i son,

Chris te

e

I Vn. II

Va.

Vc. arco Cb.

Chris

te

e

le

i

22 118 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

3

Cbn. 1., 2. senza sord. Hn. in F

1 2 3

Tpt. in C

1 2

Tbn.

1 2

3

Bs. Tbn. non coperto (wood sticks) Timp. 3

3

evidente

1

Perc. 2

3

Pno.

Hrp.

intenso S le

i

son,

Chris te

e

le

i son.

Ky

ri

e

e

le

i

son, 3

intenso

3

A Chris te

Chorus

e

le

i

son,

Chris te

e

le

i

son.

Ky

ri

e

e

le

i

son, intenso

T 8

i

son,

e

le

i

son.

B son,

I Vn. II

Va.

Vc.

Cb.

e

le

i

son.

Ky

ri

e

e

23 123 Fl.

1 2 3

3

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn. 3

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

2.

a2

3

3

3

3

3

3

Bs. Tbn.

Timp. 3

1

Perc. 2

3

Pno.

Hrp.

S Ky

ri

e

e

le

i

son, 3

3

A Ky

Chorus

ri

e

e

le

i

son,

T 8

le

i

son,

Ky

intenso

3

ri

e

e

le

i

son, 3

3

B Ky

I Vn. II

Va.

Vc.

Cb.

ri

e

e

le

i

son,

Ky

ri

e

e

24 128 Fl.

1 2 3

Ob.

1 2

Cl. in B

1 2

Bn.

1

3

3

Cbn. 3

3 3

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(a2)

3

3

3

3

3

3

2.

Bs. Tbn.

Timp. 3

1

Perc. 2

3

Pno.

Hrp.

3

3

3

S Ky

ri

e

e

le

i

son,

Ky

ri

A Ky

ri

e

e

le

i

son,

Chorus 3

3

T 8

Ky

ri

e

e

le

i

son,

3

B le

I Vn. II

Va.

Vc.

Cb.

i

son,

Ky

ri

e

e

le

i

son,

e

e

25 133 Fl.

1 2 3

Ob.

1 2 3

Cl. in B

3

3

1 2 3

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. 3

3

1

Perc. 2

3

Pno.

Hrp.

3

3

3

3

S le

i

son,

Ky

ri

e,

Ky

ri

e,

Ky

ri

A Ky

ri

e

e

le

i

son,

Ky

ri

e,

Ky

ri

e,

Ky

Chorus 3

3

3

3

T 8

Ky

ri

e

e

le

i

son,

Ky

ri

e,

Ky

ri

e,

B Ky

I Vn. II

Va.

Vc.

Cb.

ri

e

3

e

le

i

son,

Ky

3

ri

e,

Ky

ri

3

e,

26 138 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. 3

3

1

Perc. 2

3

Pno.

Hrp.

S e,

Ky

ri

ri

e,

Ky

e

e

le

i

son,

e

le

i

son,

A Chorus

ri

e

e

le

i

son,

e

T 8

Ky

ri

e

e

le

B Ky

I Vn. II

Va.

Vc.

Cb.

ri

e

e

le

i

27 142 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

cresc.

cresc.

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. 3

3

3

3

3

3

1

Perc. 2

3

Pno.

Hrp.

S Ky

ri

e

e

le

i

son.

i

son.

A son,

Chorus

Ky

ri

e

e

le

T 8

i

son,

Ky

ri

e

e

le

i

son.

i

son.

B le

i

son,

Ky

ri

e

e

le

I cresc.

Vn. II

cresc. Va. cresc. Vc.

Cb.

attacca

28

Sequence I: Dies irae Maestoso (l’istesso tempo) 146

Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

= 84

a2

a2

a2

Cbn.

Hn. in F

1 2 3

Tpt. in C

3

3

3

3

3

1 2 accomp.

Tbn.

1 2

Bs. Tbn.

Timp. 3

3

accomp.

1

Perc. 2

3

Pno.

8ba

col

Hrp.

F

lascia vibrare

8ba

(C D E F G A B ) S

A Chorus T 8

B

Maestoso (l’istesso tempo) I Vn. II

Va.

Vc.

div. Cb.

= 84

29 149 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

3

3

3

3

3

3

3

Bs. Tbn.

Timp.

1

Perc. 2

3

5

3

3

5

3

3

cresc.

Pno.

8ba

Hrp.

B

F

B

E

C

8ba

S

A Chorus T 8

B

I Vn. II

Va.

Vc. cresc. Cb. cresc.

30 152 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

a2

a2

a2

a2

Cbn. 3

Hn. in F

3

3

3

3

3 3

3 3

cresc. 3

Tpt. in C

3

3

3

3

3

cresc.

3

3

3 3

1 2 3 3

Tbn.

3

1 2

3 3

3 3

3 3

3

3

3

3

1 2 cresc.

Bs. Tbn.

Timp. 3

3

3

3

3

3

3

1

Perc. 2

3

Pno.

8ba

Hrp.

B

8ba

S Di

es

ir

ae,

di

es

il

la

Di

es

ir

ae,

di

es

il

la

Di

es

ir

ae,

di

es

il

la

Di

es

ir

ae,

di

es

il

la

A Chorus T 8

B

I Vn. II non div.

(non div.)

Va.

Vc. unis. Cb.

31 155 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(a2)

a2

(a2)

a2

Cbn. a2 3

Hn. in F

3

3

3

3

3

3

3

3

1 2 cresc. 3

Tpt. in C

3

3

3

3

3

3 3

3

3

3

3

3

1 2 3

3

cresc.3

3

3

3

3 3

3 3

3 3

3

3

a2 Tbn.

1 2 cresc.

3

3

3

3

Bs. Tbn.

3

3

3

Timp. 3

3

3

3

3

1

Perc. 2

3

Pno.

Hrp.

E C S Sol

vet sae clum

in

fa

Sol

vet sae clum

in

fa

Sol

vet sae clum

in

fa

Sol

vet sae clum

in

fa

A Chorus T 8

B

non div. I non div.

Vn. II

(non div.) Va.

Vc. non div. Cb.

32 158 Fl.

(a2)

1 2 (a2)

Ob.

1 2

Cl. in B

1 2

Bn.

1

a2

Cbn. 3

Hn. in F

3

3

3

3

3

3

3

1 2 cresc. 3 3

Tpt. in C

3

3

3

3

3

3

3

3

3

1 2 3

3

cresc. 3

3 3

3

3

3

3

3

Tbn.

1 2 3

cresc.

3

3

3

Bs. Tbn. cresc. 3

3

3

3

3

Timp. 3

1

Perc. 2

3

Pno.

8ba

Hrp.

8ba

S vil

la:

vil

la:

vil

la:

A Chorus T 8

B vil la: (non div.) I (non div.)

Vn. II

(non div.) Va.

Vc. (non div.) Cb.

div.

3

33 161 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

3

3

3

3

3

3

3

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

8ba

Hrp.

C

B

B

8ba

B A

S

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

G

34 164 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

a2

a2

a2

Cbn.

3

Hn. in F

1 2 3

Tpt. in C

1 2

Tbn.

1 2

3

3

3

3

3

Bs. Tbn.

Timp. 3

3

3

1

Perc. 2

3 3

3

Pno.

8ba

Hrp.

E

C

8ba

C

S Di

es

ir

ae,

Di

es

ir

ae,

Di

es

ir

ae,

Di

es

ir

ae,

A Chorus T 8

B

I Vn. II non div. Va. 3

3

div. Vc.

Cb.

3

35 167 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(a2)

(a2)

(a2)

Cbn.

3

Hn. in F

3

3

a2

3

3

3

3

3

3

3 3

3 3

3

3

1 2 cresc. cresc. 3

Tpt. in C

3

3

3 3

3 3

3

3

3

3

3

3

3

3 3

3 3

3 3

1 2 3

cresc. Tbn.

3

3 3

3

3

3

cresc.

1 2 cresc.

3

3

cresc.

Bs. Tbn.

Timp. 3

3

3

3

3

3

1

Perc. 2

3

Pno.

Hrp.

S di

es

il

la

di

es

il

la

di

es

il

la

di

es

il

la

A Chorus T 8

B

I Vn. II (non div.) Va. non div. Vc. unis. Cb.

3

3

3

36 169 Fl.

(a2)

1 2 a2

Ob.

1 2 (a2)

a2 a2

Cl. in B

Bn.

1 2 3

3

3

3

1

Cbn. 3

Hn. in F

3

3

3

3

1 2 cresc. 3 3

Tpt. in C

3

3

3

3

3

3 3

3

3 3

3 3

3 3

3

3

3

3 3

1 2 3

cresc. Tbn.

3

3

1 2 cresc.

3

3 3

Bs. Tbn.

3

3

3

3

3

3

Timp.

1

Perc. 2

3

Pno.

3

3

3

3

col

8ba

3

Hrp.

B

3

8ba

A

B

G

S Sol

vet

sae

clum

in

fa

vil

la:

Sol

vet

sae

clum

in

fa

vil

la:

Sol

vet

sae

clum

in

fa

vil

la:

Sol

vet

sae

clum

in

fa

vil

la:

A Chorus T 8

B

non div. I non div.

Vn. II

(non div.) Va. div. Vc. non div. Cb.

37 172 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2 3

1. Tpt. in C

1 2 3

Tbn.

3

3 3

1 2

3

3

3

3

Bs. Tbn.

Timp. 3

1

Perc. 2

3

Pno.

8ba

Hrp.

C

C

8ba

G

E C

div.

S Tes

te div.

A Tes

Chorus

te div.

T 8

Tes

te div.

B Tes non div. I Vn.

non div. II non div.

Va. non div. Vc.

Cb.

te

38 175 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2 3

Tpt. in C

1 2

Tbn.

1 2

3

3

3

3

3

3

3

3

3 3

3

3

3 3

3

Bs. Tbn. 3

3

Timp. 3

3

1

Perc. 2

3

Pno.

Hrp.

div.

unis.

div.

unis.

S Da

vid

cum unis.

Si div.

byl

Si div.

byl

Si div.

byl

Si

byl

la,

Tes unis.

te div.

A Da

Chorus

vid

cum unis.

la,

Tes

te div.

Tes

te div.

Tes

te

unis.

T 8

Da

vid

cum unis.

la, unis.

B Da (non div.) I Vn.

(non div.) II (non div.)

Va. (non div.) Vc.

Cb.

vid

cum

la,

39 178 Fl.

a2

1 2 a2

Ob.

1 2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

a2 Cl. in B

1 2 3

Bn.

3

3

3

1

Cbn.

Hn. in F

Tbn.

3

3

3

1 2 3

Tpt. in C

3 3

3

a2 3

1 2

2. take mute

a2

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

3

3

3

Bs. Tbn.

Timp.

1 Flexatone Perc. 2 Marimba

(approx. pitches)

3 hard sticks

Pno.

Hrp.

unis.

div.

unis.

ansioso

unis.

Quan ansioso

unis.

Quan ansioso

unis.

Quan ansioso

S Da

vid unis.

cum

vid

cum

Si div.

byl

Si

byl

la.

A Da

Chorus

la.

T 8

Da

vid

cum unis.

Si div.

byl

cum

Si

byl

la.

B Da

vid

la.

Quan

(non div.)

non legato

(non div.)

energico

I Vn. II (non div.) Va. (non div.)

non legato

Vc. energico Cb.

40 181 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1 (Flex.) Perc. 2 (Mar.) 3

Pno.

Hrp.

cresc. S tus

tre

mor

est

fu

tu

rus,

Quan cresc.

A tus

Chorus

tre

mor

est

fu

tu

rus,

Quan cresc.

T 8

tus

tre

mor

est

fu

tu

rus,

Quan cresc.

B tus

tre

mor

est

fu

tu

rus,

Quan

I non legato

Vn. II

energico non legato Va. energico Vc. pizz. Cb.

41 185 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1 (Flex.) Perc. 2 cresc. (Mar.) 3

Pno.

Hrp.

(cresc.) S do

ju

dex

est

ven

tu

rus,

do

ju

dex

est

ven

tu

rus,

do

ju

dex

est

ven

tu

rus,

do

ju

dex

est

ven

tu

rus,

(cresc.) A Chorus (cresc.) T 8

(cresc.) B

I Vn.

cresc. II cresc.

Va. cresc. Vc. cresc. Cb.

42 189 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

Wood Block 1 (Flex.) Perc. 2 (Mar.) 3

Pno.

Hrp.

sostenuto S Cunc

ta

stric

te

dis

cus

su

rus!

Quan

ta

stric

te

dis

cus

su

rus!

Quan

Cunc ta sostenuto

stric

te

dis

cus

su

rus!

Quan

Cunc

stric

te

dis

cus

su

rus!

Quan

sostenuto A Cunc

Chorus

sostenuto T 8

B

I Vn. II

Va.

Vc.

Cb.

ta

43 193 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

a2

a2

a2

a2

Cbn.

a2 Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

a2

Bs. Tbn.

Timp.

GuĂ­ro 1 (Flex.) Perc. 2 (Mar.) 3

Pno.

Hrp.

S tus

tre

mor

est

fu

tu

rus,

Quan

tus

tre

mor

est

fu

tu

rus,

Quan

tus

tre

mor

est

fu

tu

rus,

Quan

tus

tre

mor

est

fu

tu

rus,

Quan

A Chorus T 8

B

I cresc.

Vn. II

cresc. Va. cresc. Vc. cresc. Cb.

44 197 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(a2)

a2

(a2)

a2

Cbn.

(a2) Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

a2

Bs. Tbn.

Timp.

(GuĂ­ro) 1 (Flex.) Perc. 2 (Mar.) 3

Pno.

Hrp.

S do

ju

dex

est

ven

tu

rus,

do

ju

dex

est

ven

tu

rus,

do

ju

dex

est

ven

tu

rus,

do

ju

dex

est

ven

tu

rus,

A Chorus T 8

B

I cresc.

Vn. II

cresc. Va. cresc. Vc. cresc. Cb.

45 201 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

1.

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

Wood Block 1 (Flex.) Perc. 2 (Mar.) 3

Pno.

non legato

Hrp.

sostenuto S Cunc

ta

stric

te

dis

cus

su

rus!

stric

te

dis

cus

su

rus!

Cunc ta sostenuto

stric

te

dis

cus

su

rus!

Cunc

stric

te

dis

cus

su

rus!

sostenuto A Cunc

Chorus

ta

sostenuto T 8

B ta

I Vn. II

Va. cresc. Vc. cresc. Cb.

46 205 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(1.)

3

3

3

3

Cbn.

3 3

Hn. in F

1 2

Tpt. in C

1 2

1.

Tbn.

(1.)

3

3

3

3

3

3

3

3

3

3

3

1 2

Bs. Tbn.

3

Timp.

Guíro 1

Perc. 2 (Mar.) 3

cresc.

Pno.

Hrp.

S

A Chorus T 8

B

I Vn. II

Va. cresc. Vc. cresc. Cb.

3

3

3

47 209 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

1.

(1.)

3

3

3

3

3

3

3

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

(1.)

3

3

3

3

3

2. mute

3

Tbn.

3

3

1. (without mute)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2

Bs. Tbn. 3

3

3

3

3

3

Timp.

(Guíro)

Wood Block

1

Perc. 2 (Mar.) 3

Pno.

Hrp.

S

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

Guíro

48 214 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

a2

(1.)

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Guíro

3

3

3

3

3

3

3

3

3

3

3

Cbn.

Hn. in F

2. (mute)

3

3

3

1.

1 2

2. remove mute Tbn.

3

1 2 (1.)

Tpt. in C

3

2. without mute

1 2 3

Bs. Tbn.

Timp.

(Guíro)

Wood Block

1

Perc. 2

3

Pno.

3

Hrp.

ABCDEFG

S

A Chorus T 8

B

I Vn. II

Va.

Vc. arco Cb.

49 218 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1

(a2)

a2

a2

a2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

a2

a2 Tbn.

1 2

Bs. Tbn.

Timp.

(GuĂ­ro) 1 Crash Cymbal Perc. 2 Bass Drum 3

Pno. 3

3

B

Hrp.

ABCDEFG S Di

es

ir

ae,

di

es

Di

es

ir

ae,

di

es

Di

es

ir

ae,

di

es

Di

es

ir

ae,

di

es

A Chorus T 8

B

I Vn. II div. Va. div. Vc. div. Cb.

unis.

50 (a2)

221 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

(a2)

a2

(a2)

3

Bn.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 3

3

Cbn.

Hn. in F

1 2

Tpt. in C

1 2

a2

Tbn.

3

3

3

3

1 2

Bs. Tbn.

Timp.

(GuĂ­ro)

3

1 (Crash Cym.) Perc. 2 (B.D.) 3

Pno.

3

3

3

3

3

3

E

Hrp.

S il

la

Sol

vet

sae

clum

in

fa

il

la

Sol

vet

sae

clum

in

fa

il

la

Sol

vet

sae

clum

in

fa

il

la

Sol

vet

sae

clum

in

fa

A Chorus T 8

B

I Vn. II

Va. unis.

div.

Vc. div. Cb.

unis.

51 (a2)

224 Fl.

1 2

Ob.

1 2

(a2)

a2

a2

(a2) Cl. in B

1 2 3

Bn.

3

3

3

3

3

3

3

3

3

1

3

3

to Bassoon

Cbn.

Hn. in F

1 2 3

3

Tpt. in C

Tbn.

3

3

3

2.

a2

1 2

3

3

3

3

3

3

3

3

1 2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Bs. Tbn.

Timp.

Snare Drum 1 3

3

3

3

3

3

(Crash Cym.) Perc. 2 (B.D.) 3

Pno.

3

3

3

3

3

3

C

Hrp.

S vil

la:

Sol

vet

sae

clum

in

fa

vil

la:

Sol

vet

sae

clum

in

fa

vil

la:

Sol

vet

sae

clum

in

fa

vil

la:

Sol

vet

sae

clum

in

fa

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb. 3

3

3

3

3

3

52 (a2)

227 Fl.

1 2 marcato

cresc.

(a2) Ob.

1 2 marcato

cresc.

(a2) Cl. in B

1 2

Bn.

1 2

cresc.

marcato

2.: Bassoon

marcato 3

Hn. in F

3

3

3

3

brillante

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

Tbn.

3

1 2 3

Tpt. in C

cresc.

3

3

3

3

3

3

3 3

3 3

3 3

3 3

3

3

brillante

1 2 secco

Bs. Tbn. secco

Timp.

(S.D.) 1 3

3

3

3

3

3

3

3

3

3

3

Sizzle Cymbal Perc. 2

3

Pno.

Hrp.

marcato

cresc.

S vil

la:

Tes

te

Da

marcato

vid

cresc.

A vil

Chorus

la:

Tes

te

Da

marcato

vid

cresc.

T 8

vil

la:

Tes

te

Da

marcato

vid cresc.

B vil

la:

Tes

te

Da

vid

div. I Vn.

div.

marcato

cresc.

II marcato

cresc.

Va. marcato

cresc.

marcato

cresc.

Vc.

Cb.

pizz.

3

53 230 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 3

Hn. in F

3

3

3

brillante

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

Tbn.

3

1 2 3

Tpt. in C

3

3

3

3

3

3

3

3

1 2

Bs. Tbn.

Timp.

(S.D.) 1 3

3

3

3

3

3

3

(Siz. Cym.) Perc. 2

3

Pno.

Hrp.

S cum

Si

byl

la,

Tes

te

cum

Si

byl

la,

Tes

te

A Chorus T 8

cum

Si

byl

la,

Tes

te

cum

Si

byl

la,

Tes

te

B

I Vn. II

Va.

Vc.

Cb.

3

54 233 Fl.

1 2 cresc.

Ob.

1 2 cresc.

Cl. in B

1 2

Bn.

1 2

cresc.

3

Hn. in F

cresc.

3

3

3

3

3

1 2 3

Tpt. in C

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

1 2 3

Tbn.

3

3

3

3

3

1 2 pi첫

Bs. Tbn. pi첫

Timp.

(S.D.) 1 3

3

3

3

3

3

(Siz. Cym.) Perc. 2

3

Pno.

E FGA DCB

Hrp.

cresc. S Da

vid

cum

Si

byl

la.

vid

cum

Si

byl

la.

cresc. A Da Chorus cresc. T 8

Da

vid

cum

Si

byl

la.

vid

cum

Si

byl

la.

cresc. B Da

I cresc.

Vn. II

cresc. Va. cresc. Vc. cresc. arco Cb.

div.

3

55

3 3

236 Fl.

1 2 5

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 (

sempre) 1. chiuso

Hn. in F

1 2 2. al sord. 1. take harmon mute (stem in)

Tpt. in C

1 2 2. take harmon mute (no stem) 1. take harmon mute (stem in)

Tbn.

1 2 2. take harmon mute (no stem)

Bs. Tbn.

Timp.

Glockenspiel 1 Tamtam Perc. 2 Bass Drum 3 8va

Pno.

8ba

col

l.v.

Hrp.

8ba

S Quan

tus

tre

mor

Quan

do

ju

dex

Quan

do

ju

dex

A est

fu

tu

rus,

Chorus T 8

Quan

tus

tre

mor

B est unis. I Vn.

unis. II unis.

Va. unis. Vc.

Cb.

fu

tu

rus,

56 ritardando

239 Fl.

1 2

Ob.

1 2 3

Cl. in B

3

3 3

3

1 2

3

3

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

8ba

Hrp.

E

F

B

E

8ba

S Cunc

ta

stric

te

A est

Chorus

ven

tu

rus

dis

cus

su

rus!

dis

cus

su

rus!

T 8

Cunc

ta

stric

te

B est

ven

tu

rus

ritardando I Vn. II

Va.

Vc.

Cb.

attacca

57

Sequence II: Tuba mirum 242 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Pi첫 allegro

= 108

2. solo harmon mute (no stem) Tpt. in C

1 2 2. solo harmon mute (no stem)

Tbn.

1. solo harmon mute (stem in)

1. solo harmon mute (stem in)

2. take cup mute

1 2 2. take cup mute

Bs. Tbn.

Timp.

1 Tubular Bells Perc. 2

3

Pno.

Hrp.

S

A Chorus T 8

B

Pi첫 allegro

= 108

I Vn. II div.

unis.

Va. (harmonics, actual pitch) Vc. (div.) Cb. (harmonics, actual pitch)

unis.

58 248 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

3

1. solo, chiuso

3

Tpt. in C

3

3

(1.)

2. cup mute

1 2 2. cup mute

(1.) 1. take stem out Tbn.

1 2

Bs. Tbn.

Timp.

1 (Bells) Perc. 2

3

Pno.

Hrp.

S Tu

ba

mi

rum

Tu

ba

mi

rum

Tu

ba

mi

rum

Tu

ba

mi

rum

A Chorus T 8

B

3

unis.

div. I Vn.

3

div.

3

unis.

II div.

3

unis. Va. 3

div.

unis.

Vc. div. Cb.

3

unis.

59 253 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2 3

Tpt. in C

3

3

3

1. harmon mute (no stem)

1. take stem out

1 2 1. harmon mute (no stem) (2.)

Tbn.

1 2

Bs. Tbn.

Timp.

1 (Bells) Perc. 2

3

Pno.

Hrp.

S spar

gens

so

num

spar

gens

so

num

spar

gens

so

num

spar

gens

so

num

A Chorus T 8

B

3

div. I Vn.

3

div.

3

II div.

3

unis. Va. 3

div. Vc. div. Cb.

3

60 258 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 1. solo (chiuso)

Hn. in F

1 2

Tpt. in C

1 2

(1.)

(1.) Tbn.

1. take straight mute

2. solo, con sord.

1. take straight mute

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S Per

se

pul

cra

re

gi

o

num,

Per

se

pul

cra

re

gi

o

num,

Per

se

pul

cra

re

gi

o

num,

Per

se

pul

cra

re

gi

o

num,

A Chorus T 8

B

unis. I Vn.

unis. II

Va.

unis. Vc. unis. Cb.

61 264 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1. aperto

1. straight mute

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S Co

get

om

nes

an

te

thro

num.

Co

get

om

nes

an

te

thro

num.

Co

get

om

nes

an

te

thro

num.

Co

get

om

nes

an

te

thro

num.

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

62 270 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 (1.)

Hn. in F

1 2 (1.)

Tpt. in C

1 2 1. straight mute

3

3

3

Tbn.

3

3

2. (cup mute)

3

3

2. (cup mute)

1 2 3

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

A Chorus T 8

B

3

div. I Vn.

3

div.

3

3

3

II 3 3

div. Va. 3

3

div.

3

unis., pizz.

Vc. 3 3

Cb.

pizz.

63 275 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

3

3

3

3

2.: (con sord.) Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

a2

1., 2. remove mute

a2

1. remove mute

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S Mors

stu

pe

bit

et

na

tu

ra,

A Mors

stu

pe

bit,

stu

Chorus T 8

Mors

stu

pe

bit

et

na

tu

ra,

B Mors

stu

unis.

pe

bit,

stu

div., pizz.

I Vn.

unis.

div., pizz.

3

3

II unis. Va.

Vc.

Cb.

pizz.

3

3

64 3

281 Fl.

1 2

Ob.

1 2

3

3

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S Cum

re

sur

get

cre

a

tu

ra,

Ju

di

can

ti

can

ti

A Chorus

pe

bit

et

na

tu

ra,

T 8

Cum

re

sur

get

cre

a

tu

ra,

Ju

di

B pe

bit

et

na

tu

ra, 3

3

I Vn.

3

II div. (pizz.) Va.

Vc.

Cb.

3

65 287 Fl.

1 2

Ob.

1 2 3

3

Cl. in B

3

1 2 soli

Bn.

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

3

3

1 2

3

3

3

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

cresc. S res

pon

su

ra,

Mors

stu

pe

bit

et

na

tu

ra, cresc.

A Chorus

et

na

tu

ra,

Mors

stu

pe

bit cresc.

et

na

T 8

res

pon

su

ra,

Mors

stu

pe

bit

et

na

tu

ra, cresc.

B et 3

3

na

tu

ra,

Mors

stu

pe

bit

et

3

I Vn.

unis. (pizz.) II

Va. cresc. div. (pizz.)

unis. (pizz.)

Vc. cresc. div. (pizz.)

unis. (pizz.)

Cb. cresc.

na

66 293 Fl.

1 2

Ob.

1 2

Cl. in B

1 2 3

Bn.

3

3

3

3

3

3

3

3

1 2 3

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

cresc. S Cum

re

sur

get

cre

a

tu

sur

get

cre

cre

a

tu

get

cre

ra,

Ju

di

cresc. A tu

Chorus

ra,

Cum

re

a

tu

ra,

cresc. T 8

Cum

re

sur

get

ra,

Ju

di

cresc. B tu

ra,

Cum

re

sur

a

tu

ra, unis. (pizz.)

I Vn. II

Va. div. (pizz.)

cresc. Vc. cresc. Cb. cresc.

67 298 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 3

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

3

3

3

3

1. (aperto)

1. without mute

1. without mute

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

cresc. S can

ti

res

pon

su

ra.

Tu

ba

mi

rum,

Tu

ba

mi

rum,

Tu

ba

mi

rum,

Tu

ba

mi

rum,

cresc. A Ju

Chorus

di

ti

can

res

pon

su

ra.

cresc.

T 8

can

ti

res

pon

su

ra.

cresc. B Ju

di

can

ti

res

pon

su

ra. arco

I cresc.

Vn.

arco

(pizz.) II cresc.

unis. arco

Va. cresc.

unis. arco

Vc. cresc. arco Cb. 3

3

3

3

3

3

68 303 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 (1.)

Hn. in F

a2 (2. con sord.)

1 2

3

Tpt. in C

3

3

(1.)

2. without mute

1 2

3

(1.) Tbn.

3

3

3

2. take cup mute

3 3

1 2

3

3

3

3

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S tu

ba

tu

ba

tu

ba

tu

ba

A Chorus T 8

B

3

div.

3

unis. I 3

Vn.

div.

3

3

unis.

II 3

3

div.

unis.

Va. 3

3

div.

unis.

Vc. 3

Cb.

3

69 308 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

2. (con sord.)

2. via sord.

3

cuivré 2. cup mute Tpt. in C

1 2 cuivré

brillante

2. (cup mute) Tbn.

2. remove mute

1 2 cuivré

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S mi

rum,

tu

ba

mi

rum!

mi

rum,

tu

ba

mi

rum!

mi

rum,

tu

ba

mi

rum!

mi

rum,

tu

ba

mi

rum!

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

3

2. remove mute

3

2. without mute brillante

70 313 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2 a2, 2. senza sord.

Hn. in F

1 2

3

brillante 3

Tpt. in C

3

3 3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3

3

3

1 2 3

Tbn.

3

3

3

3

3

3

3

3

3

3

3

2.: without mute

1 2

3

3

3

3

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

EFGA DC B

Hrp.

S

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

attacca

71

Sequence III: Liber scriptus Allegro, oppressivo 318 Fl.

= 120

a2

1 2

5

a2 Ob.

5

cresc. 5

5

1 2

5

5

5

dim.

dim. 5

Cl. in B

1 2 dim.

a2 Bn.

5

5

5

5

1 2 dim.

cresc.

cresc.

cresc.

5

(a2) Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn. to felt mallets Timp.

Temple Blocks

1 accomp. Tamtam Perc. 2

Wood Drums (3 pitches) 3 accomp.

Pno.

Hrp.

S Li

ber

scrip

tus

pro

fe

re

Li

ber

scrip

tus

pro

fe

re

Li

ber

scrip

tus

pro

fe

re

Li

ber

scrip

tus

pro

fe

re

A Chorus T 8

B

Allegro, oppressivo

= 120

I dim.

Vn.

cresc.

II dim.

cresc.

Va. dim.

cresc.

dim.

cresc.

Vc.

Cb.

5

5

5

72 (a2)

322 Fl.

1 2 (cresc.) (a2)

Ob.

1 2 (cresc.)

Cl. in B

1 2

Bn.

1 2

(a2) (cresc.)

(cresc.)

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. (T. Blk.) 1 Vibraphone (slow motor)

(Tam.) Perc. 2

accomp. col Ped.

(Wood D.) 3

Pno.

Hrp.

drammatico S tur,

Li

A tur, Chorus T 8

tur,

B tur,

I (cresc.)

Vn. II

(cresc.) Va. (cresc.) Vc. (cresc.) Cb.

div.

ber

scrip

73 326 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1 (Vib.) Perc. 2 3

3

Marimba

(Wood D.) 3

accomp.

Pno.

Hrp.

3

3

S tus

pro

fe

re

tur, drammatico

A Li Chorus T 8

B

I Vn. II

Va.

div. Vc.

Cb.

74 331 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(T. Blk.) 1 (Vib.) Perc. 2 (Mar.) 3

Pno.

Hrp.

S

A ber

Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

scrip

tus

pro

fe

re

tur,

75 336 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(T. Blk.) 1

Perc. 2 (Mar.) 3

Pno.

Hrp.

accomp.

C

G

F

E

S

A drammatico

Chorus T 8

In

B

div.

I Vn. II

Va.

Vc.

Cb.

quo,

in

quo,

in

quo

76 340 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(T. Blk.) 1

Perc. 2

3

accomp.

Pno.

col

Hrp.

A

E

F

C

G

S

A Chorus T 8

to

tum con

ti

ne

tur drammatico

B Un

I Vn.

div. II

Va.

Vc.

Cb.

de mun

dus

ju

77 344 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(T. Blk.) 1

Perc. 2 Wood Drums 3

Pno.

Hrp.

G

G

C

S

A Chorus T 8

B di

I Vn. II

Va.

Vc.

Cb.

ce

78 a2

348 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

a2

Bs. Tbn.

felt mallets Timp.

(T. Blk.)

4 Triangles

1 sonoro 4 Tamtams Perc. 2 4 Cowbells

3

3

3 sonoro

Pno.

Hrp.

S Ju

dex

er

go

Ju

dex

er

go

cum

se

de

cum

se

de

A Chorus T 8

Ju

dex

er

go

cum

se

de

Ju

dex

er

go

cum

se

de

B tur. unis.

I unis.

Vn. II

unis. Va. unis. Vc. div. Cb.

79 a2

352 Fl.

1 2 3

3

a2 Ob.

1 2 3

3

a2 Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2 3

Tbn.

3

1 2

Bs. Tbn.

Timp.

(Trg.) 1 (Tam.) Perc. 2 (Cowbells) 3

3

3

3

3

Pno.

Hrp.

3

3

S bit,

Ju 3

3

A bit,

Ju

Chorus T 8

bit,

Ju

dex

er

bit,

Ju

dex

er

B

I 3

3

Vn. II 3

Va.

Vc. unis. Cb.

3

80 (a2)

356 Fl.

1 2 (a2)

Ob.

3

3 3

1 2 3

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2 3

3

3

3

3

3

3

3

3

3

3

3

Tpt. in C

1 2 3

pi첫 Tbn.

1 2

Bs. Tbn.

Timp.

(Trg.) 1 (Tam.) Perc. 2 (Cowbells)

3

3

3

Pno.

Hrp.

3

3

3

3

3

3

S dex

er

go

3

cum

se

de

bit, 3

3

3

3

Quid 3

A dex

Chorus

er

go

cum

se

bit,

de

Quid

T 8

go

cum

se

de

bit,

go

cum

se

de

bit,

B

I 3 3

Vn.

3

3

3

3

3

3

3

3

3

II 3

Va.

Vc.

Cb.

Più mosso

81

= 132

(a2)

360 Fl.

1 2

3

(a2) 3

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

a2

fltg. Tbn.

1 2

Bs. Tbn.

Timp. 5 Tom–toms

1

(Tam.) Perc. 2 sub. 2 Bass Drums 3

Pno.

Hrp.

S quid

la

tet,

ap

pa

re

quid

la

tet,

ap

pa

re

Quid

quid

la

tet,

ap

pa

re

Quid

quid

la

tet,

ap

pa

re

A Chorus T 8

B

Più mosso

= 132

I div.

Vn.

3

3

II

3

Va. div. Vc. div. Cb.

82 (a2)

364 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(a2)

a2

fltg.

ord.

Bs. Tbn.

Timp.

(T.–t.) 1

(Tam.) Perc. 2 (B.D.) 3

Pno.

Hrp.

S bit:

Nil

in

ul

bit:

Nil

in

ul

bit:

Nil

in

ul

bit:

Nil

in

ul

A Chorus T 8

B

I

Vn. II

Va.

Vc.

Cb.

83 368 Fl.

(a2)

1 2

5

(a2) Ob.

1 2

Cl. in B

1 2

5

(a2) Bn.

1 2 5

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(T.–t.) 1 (Tam.)

l.v.

Perc. 2 (B.D.) 3

8va

Pno.

5

Hrp.

S tum

re

ma

ne

bit.

tum

re

ma

ne

bit.

tum

re

ma

ne

bit.

tum

re

ma

ne

A Chorus T 8

B bit. 8va

I 5

Vn. II 5 5

Va.

Vc.

Cb.

attacca

84

Sequence IV: Quid sum miser 372 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Lento

= 66 1. solo

1. solo

1., 2. take mute

1., 2. take mute

take mute Bs. Tbn.

Timp.

1 (l.v.) Perc. 2

3

to Celesta

Pno.

Hrp.

Soprano solo S Mezzo–Soprano solo MS Quid

sum

Tenor solo T 8

Baritone solo B

Lento I Vn. II

Va.

Vc.

Cb.

= 66

mi

ser

tunc

dic

tu

85 380 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

(1.)

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

S

MS rus?

Quem

pa

tro

nem

T 8

B

I Vn. II

Va. div.

arco

Vc. pizz. Cb.

86 388 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

(1.)

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

S

marcato MS ro

ga

tu

rus,

Cum

T 8

B

I Vn. II

Va. (arco) Vc. (pizz.) Cb.

unis., arco

vix

87 Pi첫 mosso = 75 396 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

(1.)

(1.) Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

S

MS jus

tus

sit

se

cu

rus?

T 8

B

Pi첫 mosso = 75 I Vn. II

Va.

Vc.

Cb.

88 404 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1.

1.

1.

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

(Soprano solo)

marcato

S Rex

MS

T 8

B

I Vn. II

Va. div. Vc. unis. Cb.

tre

men

dae

ma

jes

ta

tis,

89 412 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

(1.)

(1.)

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

cresc.

marcato

cantabile

3

S Qui

sal

van

dos

sal

vas

MS

T 8

B

I Vn.

unis. II 4 sole, div.

Va. cant.

Vc.

Cb.

gra

tis,

Rex

tre

men

dae

90 (1.)

420 1 2

Fl.

(1.) Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

3

S ma

jes

ta

tis,

Qui

sal

van

dos

sal

(Mezzo–soprano solo)

vas

gra

tis,

Qui

sal

vas

gra

tis,

Qui

sal

3

MS Qui

sal

van

dos

sal

Qui

sal

van

dos

sal

vas

gra

tis,

Qui

sal

Qui

sal

van

dos

sal

vas

gra

tis,

Qui

sal

(Tenor solo) T 8

(Baritone solo) B

I Vn. II (4 sole) Va.

Vc.

Cb.

91 soli

429 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

soli

soli

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

3

S van

dos

sal

vas

gra

tis,

vas

gra

tis,

Sal

va

me.

3

MS van

dos

sal

T 8

van

dos

sal

vas

gra

tis,

van

dos

sal

vas

gra

tis,

Sal

B

I Vn. II tutte, unis. Va.

Vc.

Cb.

92 438 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

S

MS Sal

va

me,

T 8

va

me, 3

3

B Sal

va

me,

fons

pi

e

ta

tis,

3

3

3

3

3

3

I Vn. II

Va. unis.

div.

div.

unis.

Vc.

Cb.

93 447 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

2. to Piccolo

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

S Sal

va

me.

MS

T 8

Sal

va

me.

B Sal

I Vn. II

Va. unis.

div.

div.

unis.

Vc.

Cb.

94 rit.

456 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Cel.

Hrp.

S

3

3

MS Sal

va

me,

fons

pi

e

ta

tis.

T 8

B va

me, 3

3

3

3

3

3

3

3

3

3

3

rit.

I Vn. II

3

Va.

Vc.

Cb.

attacca

95

Sequence V: Recordare Con moto 465

= 120

Piccolo

Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp. Glockenspiel 1 Tubular Bells Perc. 2 l.v. sempre 3

Cel.

E F GA DC B

Hrp.

(Soprano solo) S Re

MS

T 8

B

Con moto I Vn. II

Va.

Vc.

Cb.

= 120

cor

da

re,

Re

cor

da

re,

96 470 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(Glock.) 1 (Bells) Perc. 2

3

Cel.

Hrp.

S Je su

pi

e,

Re cor da

MS

T 8

B

tutti I 1 solo Vn. II tutti 1 sola Va.

Vc.

Cb.

1 solo

re,

97 475 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1.

Bs. Tbn.

Timp. (Glock.) 1 (Bells)

Vibraphone

Perc. 2 Ped. 3

Cel.

Hrp.

S Je

su

pi

e,

Quod

MS

T 8

B

1 solo I Vn.

(1 solo)

1 solo

II (1 sola)

(1 sola)

Va. 1 solo Vc.

Cb.

sum

cau

sa

tu

ae

vi

ae:

98 480 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1.

(1.)

Bs. Tbn.

Timp.

1 (Vib.) Perc. 2 Ped. 3

Celesta

Cel.

Hrp.

S Ne

MS

T 8

B

(1 solo) I Vn.

(1 solo) II (1 sola)

Va. (1 solo) Vc.

Cb.

me

per

das

il

la

di

e.

99 ritardando

485 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

(1.)

Bs. Tbn.

Timp.

(Glock.) 1 Tubular Bells

(Vib.) Perc. 2

l.v. lunga Ped. 3

Cel.

Hrp.

S

MS

T 8

B

(1 solo) I Vn.

(1 solo) II (1 sola)

Va. (1 solo) Vc.

Cb.

ritardando

100 a tempo

490 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

(1.)

Bs. Tbn.

Timp.

(Glock.) 1 (Bells) Perc. 2 (l.v.) 3

to Piano

Cel.

Hrp.

S

MS

(Tenor solo) T 8

Quae

rens

me,

B

tutti

a tempo

I Vn.

tutti II tutte

Va. tutti, unis. Vc.

Cb.

se

dis

ti

las

sus:

Re

de

mis

ti

101 495 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

C

S

MS

T 8

B

I Vn. II

Va.

Vc.

Cb.

Cru

cem

pas

sus:

Tan

tus

la

bor

102 ritardando

499 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS

T 8

non

sit

cas

sus.

B

ritardando I Vn. II

Va.

Vc.

Cb.

103 503

Con moto

= 120

ritardando molto

Con moto

= 120

ritardando molto

G.P.

Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

2.

a2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS

T

B

G.P.

I Vn. II niente Va. niente Vc. niente Cb. niente

104 508 A

tempo

= 120

solo

Picc. solo Fl.

1 1. solo

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2 Marimba 3

Pno.

Hrp.

S

MS

T 8

B

A tempo div. I Vn. II

Va.

Vc.

Cb.

= 120

105 514

to Flute

Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1.

Bs. Tbn.

Timp.

1

Perc. 2 (Mar.) 3

Pno.

Hrp.

S

MS

T 8

(Baritone solo) B Jus

I Vn. II

Va.

Vc.

Cb.

te

ju

dex

106 520 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

(1.)

dolce Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2 (Mar.) 3

Pno.

Hrp.

S

MS

T 8

dolce B ul

ti

o

nis,

Do

num

I Vn.

dolce II

Va.

Vc.

Cb.

107 526 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(1.)

1., 2. al sord.

Bs. Tbn.

Timp.

1

Perc. 2 (Mar.) 3

Pno.

Hrp.

S

MS

T 8

B fac

I Vn. II

Va.

Vc.

Cb.

re

mis

si

o

nis

108 532 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

2.: Flute

(1.)

Bs. Tbn.

Timp.

1

Perc. 2 (Mar.) 3

Piano

secco

Pno.

Hrp.

secco

D

F S

MS

T 8

B An

te

di

em non div., pizz.

I Vn.

non div., pizz. II

non div., pizz. Va. non div., pizz. Vc. div., pizz. Cb.

109 537 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

soli

Bs. Tbn.

Timp.

1

Perc. 2 (Mar.) 3

Pno.

Hrp.

E

S

MS

T 8

B ra

ti

o

nis.

div., arco pizz., non div. I Vn.

arco

pizz. (non div.)

II

arco

pizz. (non div.)

arco

pizz. (non div.)

Va.

Vc.

Cb.

110 542 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS

T 8

B In

ge

mis

co

(non div., pizz.) I Vn.

(non div., pizz.) II (non div., pizz.)

Va. (non div., pizz.) Vc. (div., pizz.) Cb.

111 547 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

F

S

MS

T 8

B tam

(non div., pizz.) I Vn.

(non div., pizz.) II (non div., pizz.)

Va. (non div., pizz.) Vc. (div., pizz.) Cb.

quam

re

112 553 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

G B

Hrp.

S

MS

T 8

B us:

(non div., pizz.) I Vn.

(non div., pizz.) II (non div., pizz.)

Va. (non div., pizz.) Vc. (div., pizz.) Cb.

Cul

pa

ru

113 559 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1., 2. con sord.

1., 2. via sord.

1., 2. mute

1., 2. mute

mute Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS

T 8

B bet (non div., pizz.) I Vn.

(non div., pizz.) II (non div., pizz.)

Va. (non div., pizz.) Vc.

Cb.

vul

tus

me

us:

114 565 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

2. to Piccolo

1., 2. senza sord.

1., 2. remove mute

remove mute Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS

T 8

B Sup arco

div.

I Vn.

arco II arco

Va. (pizz.) Vc.

Cb.

arco

pli

can

ti unis.

115 571

Piccolo

Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1., 2. remove mute

Bs. Tbn.

Timp.

1

Perc. 2 Marimba 3

Pno.

Hrp.

S

MS

T 8

B par div. I Vn. II

Va.

Vc.

Cb.

ce,

116 rit.

577 Picc.

Fl.

1

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1.

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS

T 8

B De

us.

rit. I Vn. II

Va.

Vc.

Cb.

to Flute

117 583 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

A tempo ( = 120)

Bs. Tbn.

Timp. Glockenspiel 1 Vibraphone Perc. 2 (motor off) 3

Pno.

con

Hrp.

G

S

MS

T 8

B

A tempo ( = 120) I Vn. II

Va.

Vc.

Cb.

D

B

E

118 589 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(Glock.) 1 (Vib.) Perc. 2

3

Pno.

Hrp.

E

S

MS

T 8

B

I Vn. II

Va.

Vc.

Cb.

F

E

119 594 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(Glock.) 1 (Vib.) Perc. 2

3

Pno.

Hrp.

E

A

G

D

G

D

A

G

S

MS

T 8

B

unis. I Vn. II

Va.

Vc. unis., arco Cb.

120 600 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1 (Vib.) Perc. 2

3

Pno.

F C

Hrp.

B

D

D

S (Mezzo–Soprano solo) MS Qui

T 8

B

I Vn. II

Va.

Vc.

Cb.

Ma

ri

am

ab

sol

vis

ti,

121 606 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

G D

Hrp.

F

D

S

MS et

T 8

B

I Vn. II

Va.

Vc.

Cb.

la

tro

nem

ex

au

dis

ti,

122 612 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1 (Vib.) Perc. 2

3

Pno.

Hrp.

C

F

F

S

MS mi

T 8

B

I Vn. II

Va.

Vc.

Cb.

hi

quo

que

spem

B

123 617 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

1.

1.

1.

Bs. Tbn.

Timp.

1 (Vib.) Perc. 2

3

Pno.

G D

Hrp.

B

S

MS de

T 8

B

I Vn. II

Va.

Vc.

Cb.

dis

ti.

124 623 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

(1.)

(1.)

(1.) Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(Glock.) 1

Perc. 2

3

Pno.

8va

Hrp.

D

G

S

MS Pre

T 8

B

I cresc.

Vn. II

cresc. Va.

II Vc. cresc. Cb. cresc.

actual pitch

III

II

ces

me

ae

125 629 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

2.

2.

1.

1.

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS non

T 8

B

I Vn. II

Va.

Vc.

Cb.

sunt

dig

nae:

Sed

tu

bo

126 animando

636 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

(2.)

(1.)

a2

1., 2. without mute Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

S

MS nus

fac

be

nig

ne,

Ne

T 8

B

animando I Vn. II

Va.

Vc.

pizz. Cb.

127 643 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

(a2)

Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

B

C

ig

ne.

S

cresc. MS per

T 8

B

I Vn. II

Va.

Vc.

Cb.

en

ni

cre

mer

128 Pi첫 mosso

= 144

650 a2 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2

a2

a2

1., 2. without mute 1., 2. take mute 1 2

Tbn.

without mute Bs. Tbn.

Timp.

1

Perc. 2

3

Pno.

Hrp.

B

S

MS

T 8

B

Pi첫 mosso

= 144

I stacc.

Vn. II

stacc. Va.

Vc. stacc. arco Cb.

C

129 654 (a2) 1 2

Fl.

3

3

3

dim.

3

3

3

(a2) 1 2

Ob.

3 3

(a2) Cl. in B

3

dim.

3

3

dim. 1

Bn.

2

Hn. in F

1 2

Tpt. in C

1 2

Tbn.

1 2

3

3 3

1 2

Bn.

3

3

3

3

1., 2. mute

Bs. Tbn.

Timp.

1 Vibraphone Perc. 2

Ped. 3

Pno.

Hrp.

B

G

A

S

MS

T 8

B

I Vn. II

Va.

pizz. Vc.

Cb.

130 ritardando

658 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

(1.)

2.

2. al sord.

1. take straight mute 2. take harmon mute Tpt. in C

1 2

Tbn.

1 2

1., 2. remove mute

Bs. Tbn.

Timp.

1 (Vib.) Perc. 2

Ped. 3

To Celesta

Pno.

l.v.

Hrp.

B

B

S

MS

T 8

B

ritardando I Vn. II

Va.

arco Vc. pizz. Cb.

131 A tempo

= 120 ( = 60)

662 Fl.

1 2

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2 1. straight mute

Tpt. in C

2. harmon mute

1 2 legato

legato

1., 2. without mute Tbn.

1 2

Bs. Tbn.

Timp.

1 Tubular Bells

(Vib.) Perc. 2

3

Celesta

Cel.

E C

Hrp.

tutti S In

ter

o

ves

In

ter

o

ves

In

ter

o

ves

In

ter

o

ves

tutti A Chorus tutti T 8

tutti B

A tempo I Vn. II

Va.

Vc.

Cb.

= 120 ( = 60)

Vibraphone

132 668 Fl.

1 2

Ob.

1 2

2. to Piccolo

a2 Cl. in B

1 2 legato

Bn.

1 2

Hn. in F

1 2

Tpt. in C

1 2 2. take straight mute

Tbn.

1 2

Bs. Tbn.

Timp.

1 Tubular Bells Perc. 2

3

Cel.

Hrp.

S lo

cum

praes

ta,

lo

cum

praes

ta,

lo

cum

praes

ta,

lo

cum

praes

ta,

A Chorus T 8

B

I Vn. II

Va.

Vc.

Cb.

133 673 Picc.

Fl.

1 legato

Ob.

1 2

Cl. in B

1 2

Bn.

1 2

Hn. in F

1 2

(a2)

1.

legato Tpt. in C

1 2

Tbn.

1 2

Bs. Tbn.

Timp.

(Glock.) 1 (Bells) Perc. 2

3

Cel.

Hrp.

S Et

ab

hoe

dis

me

se

ques

tra,

Et

ab

hoe

dis

me

se

ques

tra,

Et

ab

hoe

dis

me

se

ques

tra,

Et

ab

hoe