Tavener REQUIEM

OnDemand

Tavener, John Requiem

Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14037701&lid=1 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/0705956/details.html Information about work and materials for hire: http://www.musicsalesclassical.com/composer/work/36011

Chester Music Limited Part of the Music Sales Group

John Tavener

REQUIEM for cello, soprano and tenor soli, chorus and orchestra

“Our glory lies where we cease to exist�

CHESTER MUSIC part of The Music Sales Group 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549

Exclusive distributor: Music Sales Limited, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.chesternovello.com e-mail: music@musicsales.co.uk rev. 11.09

This work was commissioned by The Liverpool Culture Company Limited, as part of the 2008 European Capital of Culture Programme. It was first performed on 28th February 2008, at Liverpool Metropolitan Cathedral, by Josephine Knight (cello), Elin Manahan Thomas (soprano), Andrew Kennedy (tenor) and the Royal Liverpool Philharmonic Orchestra and Chorus, conducted by Vasily Petrenko. It has been recorded by the same performers on EMI Classics B0020RDOHM. Duration: c. 35 minutes Conductor’s score, vocal score and orchestral parts on hire Study score (Order No. CH71764) and vocal score (Order No. CH71764-01) available on sale

COMPOSER’S NO TE NOTE The essence of this Requiem is contained in the words “Our glory lies where we cease to exist”. That is, when one’s false self is extinguished, the true self shines forth, and we have, in a way, become one with God. But this realisation is beyond almost all human beings, which is why religion exists, and why the perennial truth of all the great religious traditions centres on this concept. The absolute freedom that results from this oneness can only belong to the being that, liberated from the conditions of manifested existence, has become absolutely one with its principal and its origin. The seventh movement of the Requiem is a musical expression of this, and the preceding movements a journey towards it. Today, the different religious traditions are often in conflict with each other, but inwardly every religion is the doctrine of the self and its earthly manifestations. That is to say there is only One Being: minerals, animals, plants and human beings are all part of that self. This is the meaning of Advaita Vedanta expounded in the Upanishads: ‘Ekam ev dvit¯yam’ (the One without a second) which is sung in movements three and five. The purpose of our existence in this world is precisely to understand the true nature of what we are. This work, which contains sections from the Roman Catholic Requiem Mass, lines from the Koran and Sufi texts, and Hindu words from the Upanishads and other sources, was written for performance in a vast cruciform space. The cross, an intersection of two dimensions, thus represents the intersection of the temporal with the eternal. The work is in seven movements, and the musical construction, like the spatial requirement, is geometric and symetrical. The first three movements mirror the last three in that they have the same duration, and material in common. The fourth movement, Kali’s Dance, is at the centre, and it is based on an Indian Mohara (or rhythmic pattern) which ‘dances’ throughout. The solo cello should sit at the centre of the building. In the far East End are the choir and brass, while in the far West End are the strings, solo soprano and solo tenor. In the North and South are the Tibetan temple bowls, gongs and tam-tam, and two sets of timpani with the pow-wow drum. The audience should sit within these forces. The solo cello symbolises the Primordial Light which, we are told, appears at death and journeys with us towards the state of oneness, or Paradise. The cello travels towards that oneness through the extinction and total annihilation of the false self (or Ego), which is represented symbolically by the central fourth movement, Kali’s Dance/Dies Irae. This ferocious ‘cosmic dance’ juxtaposes an almost Tantric adoration and extinction in the fiercely beautiful Goddess Kali (whom Ramakrishna ‘saw’ manifest as The Supreme Being), with the Judgement of Christ in the Dies Irae. Then, after a serene, and then ecstatic Interlude, harking back to the second movement, the seventh and final movement pulsates with settings of Ah m bsmi, Ehy¥h Ash¥r Ehy¥h, Egh¿ im¯ O ON, and Ana al Haqq in Sanskrit, Hebrew, Greek and Arabic respectively: “I am that – I am God”. J.T.

SCORING AND LA YOUT LAY

EAST END 4 trumpets in C

ORGAN

(1 & 2 doubling piccolo trumpets ad lib.)

3 tenor trombones Bass trombone SATB choir

NORTH SIDE Percussion 1:

SOUTH SIDE 2 sets of timpani Percussion 2:

Solo cello

3 Tibetan temple bowls (s.m.l.) 2 gongs (m.l.), v. large tam-tam

audience

pow-wow drum

audience

WEST END Solo soprano Solo tenor Strings

move to central position } may in the final movement

Notes: The groups of performers should be placed as far apart as possible. It may be necessary to amplify the solo cello and strings in some sections.

REQ UIEM REQUIEM I

III Advaita Vedanta

Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem: Exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam.

Ekam ev dvit¯yam.

(Grant them eternal rest, O Lord, and may perpetual light shine upon them. A hymn of praise is due to you in Sion, O God, And vows will be paid to you in Jerusalem. Hear my prayer; to you all flesh shall come. Eternal rest.) from the Requiem Mass I have fallen in love with the Beautiful One who knows no death; I have fallen in love with the Beautiful One who knows no decay; I have fallen in love with the Beautiful One who has no beginning; I have fallen in love with the Beautiful One who knows no end; I have fallen in love with the Beautiful One who has no form.

Adapted from Akka Mah d¥v¯* From Women Saints of East and West edited and published by The Ramakrishna Vedanta Centre, London, 1955

Pour out wine till I become a wand’rer from myself.

D¯v ni Shamsi Tabr¯z* (work attributed to RÔmi, in commemoration of his master, Shamsi Tabr¯z) From Selected Poems from the D¯v ni Shamsi Tabr¯z, transl. R.A.Nicholson, Cambridge University Press, 1952 (1st edition 1898)

And they will be honoured in the gardens of delight, [on couches] facing one another.

The Koran* Translated by Marmaduke Pickthall in The Glorious Qur’ n, Hyderabad-Deccan, India, Government Central Press, 1938, Arabic text and English translation

One I seek, One I know, One I see, [One I call] !

D¯v ni Shamsi Tabr¯z* See above

See but One, say but One, know but One.

Adapted from Shabistar¯* From the Gulshan-i-R z (Mystic Rose Garden), translated by Florence Lederer: The Secret Rose Garden of Sa’d Ud Din Mahmud Shabistar¯, Lahore, Ashraf Publication, n.d.

II Our glory lies where we cease to exist.

Sri Ramana Maharshi* From Talks with Sri Ramana Maharshi (3 vols, edited by T.N. Venkataraman, Tiruvannamalai, S. India, 1955)

Kyrie eleison. Christe eleison. Kyrie eleison.

(Lord, have mercy. Christ, have mercy. Lord, have mercy.)

Requiem Mass O mother, take away my grief, O Thou Essence of Consciousness.

Sri Ramakrishna

(The One without a second) The Upanishads IV K ali’ s Dance Kali’ ali’s Dies irae, dies illa, Solvet saeclum in favilla, Teste David cum Sibylla. Quantus tremor est futurus, Quando judex est venturus, Cuncta stricte discussurus!

(Day of wrath, that day, The world will dissolve into ashes As David prophesied with the Sibyl. How great a terror there will be When the Judge shall come, All things will be destroyed.) Who is the woman yonder who lights up the field of battle? Darker Her Body gleams than the darkest storm-cloud, And from her teeth flash lightning blinding flames! Tuba mirum spargens sonum, Per sepulchra regionum, Coget omnes ante thronum.

(The trumpet, spreading a wondrous sound Through the graves of every land Will gather all before the throne.) Dishevelled Her hair is flying behind as She rushes about, Undaunted in the war between gods and demons, Laughing Her terrible laugh, She bares the horror of war. Mors stupebit et natura, Cum resurget creatura, Judicanti responsura!

(Death and Nature will be astonished When creation rises again To answer to the Judge.) How beautiful on Her brow the drops of moisture appear! Above Her dense black hair the swarm of bees appear! The moon has veiled its face beholding the sea of Beauty; She is K li, Mother of all the worlds. Liber scriptus proferetur, In quo totum continetur, Unde mundus judicetur. Judex ergo cum sedebit, Quidquid latet apparebit, Nil inultum remanebit.

(The written book will be brought forth Which contains everything for which the world will be judged. When the Judge takes his seat, All that is hidden will be revealed, And nothing will remain unpunished.)

VII bnanda nanda

Dies irae, dies illa, Solvet saeclum in favilla, Teste David cum Sibylla. Quantus tremor est futurus, Quando judex est venturus, Cuncta stricte discussurus!

Ah m bsmi.

(I am that, I am God.)

Hindu – Sanskrit Ehy¥h Ash¥r Ehy¥h. (I am what I am.)

Jewish – Hebrew

(Day of wrath, that day, The world will dissolve into ashes As David prophesied with the Sibyl. How great a terror there will be When the Judge shall come, All things will be destroyed.) Texts from the Requiem Mass and by Sri Ramakrishna

(I am the Being.) Greek Orthodox Christian

Egh¿ im¯ O ON. Ana al Haqq.

(I am the Truth.)

Islamic – Arabic Alleluia. Text S ources Sources

V Advaita Vedanta

Texts marked with an asterisk are included in A Treasury of Traditional Wisdom presented by Whitall N. Perry George Allen & Unwin Ltd., 1971

Ekam ev dvit¯yam.

(The One without a second) The Upanishads

O mother, take away my grief and Who is the woman yonder? from The Gospel of Sri Ramakrishna translated by Swami Nikhilananda, New York, Ramakrishna-Vivekananda Center, 1942

VI Instrumental Interlude

Other texts are from traditional sources.

Pronunciation Guide Performers should, if possible, consult experts in the languages, but the notes below may be helpful. (An accent (-) denotes a stressed syllable):

Sanskrit Ekam evadvLt¯yam (the One without a second) Ekam: E as in French éclat, kam as in come ev dvit¯yam: e as in may, v as in vulgar, dvL – vi as in visa, t¯ as in tea, yam as in yum Ah m bsmi

(I am that, I am God) Ah m: A as in Ahoy, h m as in hum bsmi: bs as in us (stressed), mi as in mink

Hebrew Ehy¥h Ash¥r Ehy¥h (I am what I am ) Ehy¥h: Eh – h as in loch, y¥h as in yea; Ash¥r: A as in utter, sh¥r as in share

Greek Egh¿ im¯ O ON (I am the Being) Egh¿: E as in end, Greek ‘gh’ sound; ¿ as in orange im¯: i as in ink, m¯ as in meet; O and ON: O as in orange

Arabic Ana al Haqq

(I am the Truth) An as in under, a as in up; al as in ultimate, but with much stronger ‘l’ sound. Haqq as in Huckleberry, but with much stronger ‘ck’ sound.

eternal memory – Pauline

REQUIEM ‘Our glory lies where we cease to exist’ John Tavener

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55 B: B :: 5 B

BB B

4 Ă‘Ă‘Ă‘^ B

B: B :: B

pp poss.

56

T.Bowls Gongs Ttam

Solo Vlc.

Ă‘Ă‘Ă‘^ 4 B N

EB : G

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pp mp

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69

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11 79

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5 5 E5 E5

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p legato

5 5 G E5 5

Tpt. 2

K

p legato

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G E5 E5 E 5 ! 5

3

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0

0

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p legato

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1 Tbn. 2

B.Tbn.

2

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13 89

1

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II Moving forwards

105 Ecstatic, mystical q = c.56

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Ă‘Ă‘Ă‘^ ' 5 Ă‘Ă‘Ă‘_

mf

pp

p

-

5 E5 5 55 5 E5 5

G B 5 5 i Our

5 5 B glo - ry lies

E5 5 5 5 B 5

K

0

0

0

0

0

0

0

0

where we cease to ex - ist.

5 5 5 5 5 B

K

where we cease to ex - ist.

Ecstatic, mystical q = c.56 div.

1 B' Vcl. 2 pp

5 5

B '

B

5 5 5 5':

B

K Moving forwards 0

16 111

1 2

1 B G B

BB

E5 !5

!E55 55 !BB

5 EE55 5 5

55

5 5

!EBB

!BB

55 E55 !55 55 !BB

B !5 5 B !5 5

5 EE55 5 55 5 5 5

! B !B

B B

B 5 EE55 5 5 B 5 5 5

55

5 !E55 !E55 55 ! 5

55 E55 E55 !55

E55 !EBB

! BB

55 E55 !55 55 !55

5

E5 !5 5 5

5

E5 !B

B

5 E5 5 5 5

5 5 5 !5 5 E5

5

B

5

E55 E55 !55

Tpt.

BB G B 5 5

3 4

B B

55 BB

1 2

Tbn.

5 B

3

B.Tbn.

2

!5 5 5 ! B

1 B S. G B - son,

A.

BB ky

-

-

-

-

Solo Vlc.

ky

B ÑÑÑ^ 4 N

G B

-

ri - e

!E55 !E55 55 !55 -

-

-

BÑÑÑ^ :

B

ri - e

-

-

5

-

-

ÑÑÑ^ ' ?

E5

EB

e

B

5 5

E5

-

le

5 5 -

i

e

-

le

-

i

-

son,

! B !B -

son,

55 E55 E55 !55 e

-

5 5 5 E5 5 E5 e

-

le

!BB

-

le

-

-

ky

-

i - son,

ky

ky

B

-

ri - e

-

-

ri - e

55 E55 !55 55 !55 -

B !B

i - son,

EB

-

-

!BB

5 B 4 ÑÑÑ_

ÑÑÑ_

5

-

B 5 EE55 5 5 B 5 5 5

B B

E5 5 !EBB

5 E5 5 !5

55 E55 !55 55 !BB

ky

5 5 E5 !!BB 5 E5

ÑÑÑ^ '

E5 E 5 !5

E5

!B

!EBB

5 EE55 5 55 5 5 5

ri - e

ÑÑÑ^ BÑÑÑ_

5

5

E55 E55 !55

ri - e

E5 !5 5 !55 55 5 E5 ! 5 5

5 B B. 2 !5 5 5 B !B

T.Bowls Gongs Ttam

-

55

ky

-

B !5 5 B !5 5

-

B B

- i - son,

-

5 EE55 5 5

ky

5 G 5 BB i - i - son,

!E55 55 !BB

E5 !5

55

BB G B 5 5 - son,

T.

B

5 E5

-

-

-

ri - e

55 E5 5 55 5 E5 5 !5 -

ÑÑÑ_

B

-

-

-

ri - e

5 BÑÑÑ^ ÑÑÑ_ :

5 E5 !B

!B

17 116

1 2

1 G 55

(q = c.56)

E5 5

55 55

BB

4

0

0

0

G 5 EE55 5 5

55 !55

B 5 5

4

0

0

0

55

55

!E55 55

5 5 BB

0

0

0

5

E5

5 B

0

0

0

5

5 5

0

0

0

BB

4

0

0

0

4

0

0

0

0

0

0

0

0

0

Tpt. 3 4

1 2

Tbn. 3

B.Tbn.

S.

2

5

1 G 55

E55 -

55 55 -

e

T.

2

-

-

Solo Vlc.

le - i

5 G 5 i

55

5 E5 5 5 5 E 5 5

55

N

e

-

-

le

le

B Ă‘Ă‘Ă‘^

?

G 5

-

son.

B 5 5 -

E5 ! 5 55

e

T.Bowls Gongs Ttam

le - i

55 !55

G 5 EE55 5 5

A.

B.

5 5 E 5 5

!5

e

5

E5

5

son.

55 BB -

i - son.

5 5 B5 5 -

i - son.

4

5

5 Ă‘Ă‘Ă‘^ ?

4

B

4

B

5 Ă‘Ă‘Ă‘^

5 Ă‘Ă‘Ă‘^ 4

: BĂ‘Ă‘Ă‘^

' Ă‘Ă‘Ă‘_

pp

5

5

EB

5 5

E5

4

B

E5 5 5

B

E5 5 5

5

B

5 Ă‘Ă‘Ă‘_

K

pp

p

Solo S.

G

0

0

B Our

Solo T.

G i

0

glo - ry

p

0

B

5

5

5

Our

5

lies

5 B

glo - ry

lies

5 5 B

K

where we cease to ex - ist.

5

5

5 5 5 B

K

where we cease to ex - ist.

(q = c.56)

1 Vcl. 2

div.

0

0

B' pp

5

5

B '

B

5 ':

5

5 5

B

K

18

G 121

Ecstatic prayer q = c.60

1 2

1 5 5 G

3 4

G 55

555

5

p cresc. poco a poco pulsing individually

Tpt.

p cresc. poco a poco pulsing individually

1 Tbn. 2 3

B.Tbn.

pulsing individually

p cresc. poco a poco pulsing individually

2

p cresc. poco a poco mp

1 G =

3

5 !5 5 5 5 5 5

Chris

S.

-

-

-

te

mp

G 4 mp

=

5 5 5 e - le 3

5 !5 Chris

5 5 5 5

5 -

5 5

-

-

-

-

-

5 5 5

te

-

-

5 5

e - le

': G ': ':

A.

5 5 5 5 5

-

-

-

-

-

i - son,

5 5 5 5 5 -

-

-

5 5 5 5 B

-

-

5 5 5 5 5 -

-

-

i - son,

B: BB ::

B: BB ::

BB B

5 5 5 5 5

5 5 5 5 5

5 5 5 5

*Om.

mp

G ? i

=

5 !5 Chris

5 -

T.

3 5 5 5 5

-

-

mp

G ?: i mp B. 2 ': ' :: '

=

te

e - le 3

5 5 5 5 5

5 !5 Chris

-

-

-

-

-

-

-

-

5 5 5 5 5

te

e - le

-

-

-

-

-

-

-

-

*Om.

N ?:

T.Bowls Gongs Ttam

G ?:

Solo Vlc.

' Ă‘Ă‘Ă‘_

p cresc. poco a poco 4

=

5 5

?

B Ă‘Ă‘Ă‘_

-

5 5 5 5 5

B: B :: B

B: B :: B

-

4

i -

5 5 -

-

BB B

Ă‘Ă‘Ă‘^ B

3

5 5 5 5 5

5 5 5 5 5

3

5 5 5 5 5

5 5 5 5 5 5

5 5 5 5 5

mp

poco f

G ?:

Solo S.

4

=

5 5

5 5 5 5 5

O mo - ther, poco f

: Solo T. G ? i prayer q = c.60 G Ecstatic a ` div. ' : ' :: 1 a3 ' Vln. I G

4

=

pp cresc. poco a poco div. a4

:: '' ' G ' ::

Vln. II

pp cresc. poco a poco div. a4

::

!' ' '' ::

Vla.

pp cresc. poco a poco div. a3

': ': ':

Vcl.

D.B.

2

5 5 O

take 3

5 5 5 5 5

mo - ther,

take

pp cresc. poco a poco * Breathe when necessary, but not simultaneously

a - way

my

grief,

5 5 5 5 5 my

grief,

O

Thou

Es - sence

5 5 5 5 5 5 O

Thou

Es - sence

BB :: B:

BB :: B :

BB B

BBB ::: B:

BBBB ::::

BBB B

BBB ::: B :

: BBBB :::

BBB B

B: B :: B

B: B :: B

BB B

B :: B

B : B:

pp cresc. poco a poco div.

' :: '

a - way

B B

19 123 1 5 5 1 2 G

pulsing individually

pulsing individually

pulsing individually

pulsing individually

(cresc.)

Tpt.

G

3 4

5 5 (cresc.)

555

1 Tbn. 2 3

B.Tbn.

(cresc.)

2 1 G

5 (cresc.) mf

=

3

5 5 Chris

5 -

S.

-

mf

G

=

5

5 5 5 5

5

-

G

te

e - le 3

5 5 5 5 5 5

Chris

A.

5 5 5 5 5

-

-

-

-

5 5 5 5 5 -

-

-

5 5 5 5 5

te

e - le

': ' :: '

-

-

-

-

-

-

5 5 5 5 5

-

-

-

5 5 5 5 B

-

-

i - son,

5 5 5 5 5 -

-

B: B :: B

5 5 5 5 5

5 5 5 5 5

-

B: B :: B

i - son,

BB B

(Om.)

mf

G i

5 5 5 5 5 5 5

=

B - son,

3

Chris

-

T.

B.

-

-

te

mf

2

G i

-

i - son,

N

Chris

-

-

-

': ' :: '

-

-

-

4

5 Ă‘Ă‘Ă‘^

B Ă‘Ă‘Ă‘^

5 Ă‘Ă‘Ă‘^

-

-

5 5 5 5 5

te

e - le

-

BĂ‘Ă‘Ă‘^ :

-

-

-

-

-

-

-

-

Solo Vlc.

5 5 5

5

B

=

Solo S.

5 5 5

5

B

=

of Con - scious - ness.

3

5 5 5 5 5 5 5 O

mo - ther, take

f

G i

Solo T.

5 5 5

5

B

of Con - scious - ness.

` : ': 1 ' ': Vln. I G

-

?:

4

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5

5 5 5 5 5 5

5 Ă‘Ă‘Ă‘_

poco f f

G

-

BB B

Ă‘Ă‘Ă‘^ 5

3 5 5 5 5 5 5 5

i -

5 5

5 5 5 5 5

(cresc.)

G

-

B: B :: B

B: B :: B

(Om.)

T.Bowls Gongs Ttam

3

5 5 5 5 5 5 5

=

5 5 B

e - le

5 5 5 5

=

a - way

3

5 5 5 5 5 5 5 O

mo - ther, take

a - way

my

grief,

5 5 5 5 5 my

grief,

O Thou

Es - sence

5 5 5 5 5 5 O Thou

Es - sence

BB :: B:

BB :: B :

BB B

BBB ::: B:

BBBB ::::

BBB B

(cresc.)

:: '' ' G ' ::

Vln. II

(cresc.)

:

' ' '' :::

Vla.

BBB ::: B :

BBB ::: B :

B: BB ::

B: BB ::

B :: B

B : B:

BBB B

BB B

(cresc.)

Vcl.

': : ' ': (cresc.)

D.B.

2

' :: ' (cresc.)

B B

20

OFF 125 1 5 5 1 2 G

pulsing individually

‡

pulsing individually

pulsing individually

pulsing individually

(cresc.)

Tpt.

G

3 4

5 5 (cresc.)

555

1 Tbn. 2 3

B.Tbn.

(cresc.)

2 1 G

5 (cresc.) f

3

Chris

S.

G

55 5 5 5

= 5 5 -

=

5

-

f

A.

te

e - le 3

5 5 5 5 5 5 5 Chris

G

5 5 5 5 5

-

-

-

-

-

e - le

': ' :: '

5

-

5 5 5 5 5

te

K

5 5 5 5 -

5 5

-

-

5 5 5 5 : B -

-

-

i - son.

K

5 5 5

-

B:

5 5 5 5 B

-

-

-

B: B :: B

': ' :: '

5 5 5 5 5

5 5 5 5 5

B:

i - son.

K

B: B :: B

(Om.)

f

G i T.

B.

2

G i

=

B - son,

5 5 5 5 5 5 5 Chris

-

-

f

te

e - le 3

5 5 = 5 5 5 5 5

5 5 B -

3

i - son,

Chris

-

-

': ' :: '

-

-

5 5 5 5

te

e - le

-

5 -

B: B :: B

-

N

?:

Ă‘Ă‘Ă‘_

B

(cresc.)

G

Solo Vlc.

5 5 5

5 B

G

-

Solo S.

5 5 5

5 B

of Con - scious-ness.

3

5 5 5 5 5 5 5 3

5 5 5 5 5 5 5

O mo - ther, take a - way

molto f

G i

Solo T.

5 5 5

5 B

of Con - scious-ness.

` : ': 1 ' ': Vln. I G

-

-

-

-

K 5 5 5 5 : B -

3

5 5 5 = 5 5 5 5 O mo - ther, take a - way

-

i - son.

B: B :: B

Vln. II

5 5 5 5 5

5 5

5 5 5

5 5 5 5 5 5 5 5 5 5 B

5 5 my

grief,

5 5 5 grief,

5 5 5 5 B

Vla.

5 5 5 5 5 5 5 5 5 5 B

Vcl.

': : ' ':

BB :: B:

K

BBB ::: B:

:: '' ' ' ::

BBB ::: B:

K

B: BB ::

': : ' ':

D.B.

2

' :: '

BBB ::: B : B: BB ::

(cresc.)

K K K

B :: B

' :: '

O Thou Es - sence of Con - scious-ness.

(cresc.)

K

: ' ': ':

: ' ' '' :::

O Thou Es - sence of Con - scious-ness.

(cresc.)

K

BB :: B:

BBB ::: B :

K

(cresc.)

:

' ' '' :::

Ă‘Ă‘Ă‘^ B

5 5 5

4

(cresc.)

:: '' ' G ' ::

K

5 5

my

i - son.

Ă‘Ă‘Ă‘^ '

f

=

-

B:

?

B Ă‘Ă‘Ă‘_

molto f

-

': ' :: '

Ă‘Ă‘Ă‘_

B =

5 5 5 5 5

5 5 5 5 5

(Om.)

T.Bowls Gongs Ttam

K

B :: B

21

H

Moving forwards

1 q = c.56 0 G 127

1 2

0

E5 5 55 55 ! 5 5 BB

BB

0

E5 55 5 5 5

55

poco f

Tpt.

G

3 4

0

0

55 55 E5 5 B E55 55 !55 B 5 5 5 E E 5 5 5 5 5 5

0

poco f

1 2

0

0

E5 5 55 55 ! 5 5 55

55

55

5

5 E5 5 5

5

5 E5 5

4 5 5 5

5

5

5 5 E 5 5

55

E5 55 5 5 5

4 BB

0

E5 5 5 5

poco f

Tbn.

3

0

0

4 B

0

poco f

B.Tbn.

2

0

0

0

5 E5 5

poco f

S.

1 G

0

0

f soaring in prayer

E5 5 55 55 ! 5 5 BB

BB

0

Ky

G

A.

0

0

-

G i

0

ri - e

e

-

-

le - i -

55 !55 55 55 E5 5 B 5 E B 5 E 5 5 5 E5 5 5 5 5 5

0

0

-

f soaring in prayer

Ky

T.

-

-

-

f soaring in prayer

ri - e

E5 5 55 55 ! 5 5 55

4 BB

0

-

Ky

-

-

-

e

-

55

ri - e

-

le - i -

E5 5 5 5

55 e

-

le -

f

B.

2

0

0

5 4 B 5 5 5

soaring in prayer

0

Ky

T.Bowls Gongs Ttam

5 Ă‘Ă‘Ă‘^

B Ă‘Ă‘Ă‘^ 4 N

5 4 Ă‘Ă‘Ă‘^ 4

: BĂ‘Ă‘Ă‘^

G B

5

5 EB

B

E5 5 5

?

B Ă‘Ă‘Ă‘_

p

colla voce

Solo Vlc.

?

5

B

K

Solo S.

G B p

Solo T.

H

5 5 E5 5 B glo - ry lies

5 5

5 5 B glo - ry lies

E5 5 5 5 B 5

K

div.

pp

ri - e

5 5

B

5 E5 5 5 5 E 5 5 e

-

5 Ă‘Ă‘Ă‘^

: BĂ‘Ă‘Ă‘^

EB

B

5

le -

E5 5 5

5 5

B '

B

0

0

0

0

0

0

0

0

where we cease to ex - ist.

5 5 5 5 5 B

K

where we cease to ex - ist.

q = c.56

1 B' Vcl. 2

-

5 5

mf

Our

G B i Our

-

' Ă‘Ă‘Ă‘^ 5B Ă‘Ă‘Ă‘^ 5 Ă‘Ă‘Ă‘_ Ă‘Ă‘Ă‘^

Ă‘Ă‘Ă‘_

mf

pure, radiant

pp

p

-

5 E5 5 55 5 E5 5

5 5 5 5':

B

K

Moving forwards

0

22 133

1 2

1 B G B

BB

E5 !5

!E55 55 !BB

55 EE55 5

55

5 5

!EBB

!BB

55 E55 !55 55 !BB

B !! 55 55 B

55 55 EE55 55 5

! B !B

B B

B 55 EE55 5 55 B 5

55

5 !E55 !E55 55 ! 5

55 E55 E55 !55

E55 !EBB

! BB

55 E55 !55 55 !55

5

E5 !5 5 5

5

E5 !B

B

5 E5 5 5 5

5 5 5 E 5 !5 5

5

5 5 E 5 !B

B

5 E 5 5 5 ! 5

E55 E55 !55

Tpt. 3 4

1 2

BB G B 5 5

B B

55 BB

Tbn.

3

B.Tbn.

5 B

2 !5 5 5 ! B

1 B S. G B

BB

- son,

A.

-

BB G B 5 5

-

-

-

Solo Vlc.

N 4

G B

ky

-

ri - e

!E55 !E55 55 !55 -

-

ÑÑÑ^ '

B

ri - e

-

-

ri - e

E5 !5 5 !55 5 5 5 !5 5 E5

5 B B. 2 !5 5 5 B !B

T.Bowls Gongs Ttam

-

55

ky

-

B !5 5 B !5 5

-

BB

- i - son,

-

5 EE55 5 5

ky

5 G 5 BB i - i - son,

!E55 55 !BB

!E55

55

ky

- son,

T.

B

5

-

-

-

ri - e

4

B ÑÑÑ^

5

ÑÑÑ^ ÑÑÑ^ 5

E5

EB

B

5 E5

5

5 E5

E55 E55 !55 e

-

le

55 -

i

!EBB -

son,

! B !B

5 5 EE55 5 5 5 5 5 e

-

le

-

i

-

son,

55 E55 E55 !55 e

-

5 5 5 E5 5 E5 e

-

le

ky

ky

le

-

i - son,

-

-

-

ri - e

-

-

ri - e

55 E55 !55 55 !55 -

-

-

-

ri - e

5 E5 5 5 5 5 5 E5 5 !5

ky

-

:

BÑÑÑ_

B

-

B 5 EE55 5 5 B 5 5 5

B !B

i - son,

EB

-

ky

: BÑÑÑ_

5

-

!BB

E5 5 !EBB -

55 E55 !55 55 !BB

B B

E5 !B 5 5 5 E 5 ! B

0

E5 E5 ! 5

!BB

-

-

4

5 E5 !B

-

ri - e

:

BÑÑÑ_

!B

23 138

1 2

1 G 55

(q = c.56)

E5 5

55 55

BB

4

0

0

0

G 5 EE55 5 5

55 !55

B 5 5

4

0

0

0

55

55

!E55 55

5 5 BB

0

0

0

5

E5

5 B

0

0

0

5

5 5

0

0

0

BB

4

0

0

0

4

0

0

0

0

0

0

0

0

0

Tpt. 3 4

1 2

Tbn. 3

B.Tbn.

S.

2

5

1 G 55

E5 5 -

55 55 -

e

T.

2

-

-

Solo Vlc.

le - i

5 G 5 i

55

5 E5 5 5 5 E 5 5

5 5

N

4

G 5

-

son.

B 5 5 -

E5 ! 5 55

e

-

e

T.Bowls Gongs Ttam

le - i

55 !55

G 5 EE55 5 5

A.

B.

5 5 E 5 5

!5

e

5

le

-

le

55 BB -

i - son.

5 5 B5 5 -

i - son.

BĂ‘Ă‘Ă‘^ :

BĂ‘Ă‘Ă‘_ :

E5

son.

5

5 Ă‘Ă‘Ă‘^ Ă‘Ă‘Ă‘^ 4

?

5 Ă‘Ă‘Ă‘^

B Ă‘Ă‘Ă‘^

?

4

: BĂ‘Ă‘Ă‘^

pp

5

5

B

4

5

B

5

EB

5 5

E5

B

E5 5 5

B

E5 5 5

5

K

B

pp

Solo S.

0

G

p

0

B Our

Solo T.

0

G i

glo - ry

p

0

5

B

5

5

Our

5

lies

5 B

glo - ry

lies

K

5 5 B

where we cease to ex - ist.

5

5

K

5 5 5 B

where we cease to ex - ist.

(q = c.56) div.

1 Vcl. 2

0

0

5

B'

5

B '

B

5 ':

5

5 5

K

B

pp

143

T.Bowls Gongs Ttam

N 4

B Ă‘Ă‘Ă‘_

:

BĂ‘Ă‘Ă‘_

B:

Ă‘Ă‘Ă‘_

B Ă‘Ă‘Ă‘_

Ă‘Ă‘Ă‘^ 5 ?:

Ă‘Ă‘Ă‘^ '

4

5 Ă‘Ă‘Ă‘^

24

III Advaita Vedanta ‘The still point’ (The Absolute and no other) Totally still, infinite (q = c.60)

1 pp B S. G 146

Ćœ

-

-

A. 2G

B

B

B -

-

-

Solo Vlc.

Solo S.

-

5

-

-

-

-

5

-

-

B

B

B

B

-

-

-

B

5

4

kam

e

B

-

vĆ—

-

-

-

-

5

5

5

-

-

-

N

0

0

0

0

G

0

0

0

0

5

5

B

-

-

-

-

4

5

B

5

kam

e

-

0 B

B

-

vĆ—

-

5

5

-

-

5

5

-

-

?

4

B

B

Ă‘Ă‘Ă‘^ 5Ă‘Ă‘Ă‘_

pp

pp

G

0

pp

0

G i

0

-

-

0

B

B

B

B Ćœ

Solo T.

5

5

pp

0

Ćœ

T.Bowls Gongs Ttam

B

-

-

-

-

pp

-

Ćœ

-

5

-

-

-

-

5

5

-

-

-

-

5

-

B

B

B

B

0

B

kam

e -

B

-

-

5

4

-

-

5

5

-

-

152

1 5 5 5 S. G -

A.

dvi - tĆŻ

Solo S.

2G B

G

G

G i

-

-

5

5

-

B

B - vĆ—

Solo T.

-

'

' -

-

-

-

B:

'

-

-

-

-

-

-

-

-

-

5

-

-

-

K

-

-

5

B

-

-

-

5

5

B

4

5

5

B

5

-

5 -

5 5 5

kam

-

4

-

-

-

-

vĆ—

-

-

-

-

-

-

5

5

5 5 5

B

- dvi - tĆŻ

-

-

B: -

-

B

-

-

5

5

-

-

-

5 -

-

5 -

-

-

-

5 5 5

B

- dvi - tĆŻ

-

-

-

-

5 -

-

B: -

K

B

B: -

-

K

yam.

5 -

yam.

5 5 5

'

5 -

-

5

-

B

5 -

-

B

-

5

'

5

-

B

5 e

dvi - tĆŻ

'

yam.

K -

Solo Vlc.

B

yam.

K

25

IV Kali’s Dance 157 Wild, ferocious q = c.48 ( e = c.96)

1 G

0

0

G

0

0

0

0

2

0

0

S.

1 G

0

0

A.

G

0

0

T.

G i

0

0

B.

2

0

0

1

0

0

0

0

Tpt.

Tbn.

B.Tbn.

Timp.

P.W.D.

4 2N

5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

f marcatiss. sempre

G

0

0

0

0

Org.

5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5E5 5 5 5 5E5 !5 *

Solo Vlc.

molto f e feroce sempre

Wild, ferocious q = c.48 ( e = c.96)

1 Vln. I G

0

0

Vln. II

G

0

0

Vla.

0

0

Vcl.

0

0

D.B.

0

0

2

* It may be necessary to amplify the cello slightly in Kali’s Dance

26

159

1 4

4

1.

5 55

5 5

E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5

f

Timp.

P.W.D.

2 N 5 5 5 5 5 5 5 5 molto f

Solo Vlc.

0

5 5 5

0

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 E5 5 5 5 5 5 5 5 !5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5 5 5 5 5

5 5 5 E5 5 5 5 E5 5 55 !5

ff

161 1 5 5 5 E 5 5 5 5 5 E5 !5 5 5

5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 !5 5 5 5E5 5 5 5 5 5 5 5 5 5 5 5

molto f

Timp.

?:

2.

5 55

5 5

E 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ! 5 5 5 5E 5 5 5 5 5 5 5

molto f

P.W.D.

Solo Vlc.

2 N 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5E5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5!5 5 5 5 E5 5 5 5 5 5 5 5 5 5 ff poss.

5 5 5 5 5 E5 5 5 5 5 E5 !5

27

I

5 5

5 5 5 5 5 5 5! 55 5 5 5 5 5 5 5

5 5 5 5 5 5

5 5 5 5 5 5 EE55

5

5

5 5 5

5 55 5

5 5 5! 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 E55

5

E 5

Marcatissimo – awesome 163

1 2

1 E 55 55 55 G

5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 !5

5 5 5 5 5 5 5

5 5 5 5 5 5 !55 5 5 5 5 5 5 5

5 5 5 5 5 5

5

5

5 5 5

molto f

Tpt. 3 4

1 Tbn. 2 3

G E55 55

molto f

5 5 55 55

5

5

5 5 5

E55

E55 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

5 5 5

molto f

B.Tbn.

2 5

molto f

5

1 ffE 55 S. G Di ff

A.

-

G E55

Di ff

-

-

Di

-

5

es

i

E55

es

i

5

5

es

i

5 5

es

i

! 55

5 5 -

rae,

di

-

-

rae,

di

5

5

rae,

di

5 5

-

5 5 -

-

5 5 -

-

di

il

5 -

-

E5

es

il

5 5

-

-

E5 E 5

es

il

5 5 5 E5

!5

5 5 5

5 5

5

E 5 5 5

5

5

5 5 5

5 5 5 5 5

5 5 5 5 E5

-

-

E55

es

!5 5

rae,

il

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

EE55

es

55

5

5

E5 5

5 5

5

1

E5 molto f

5 5

5

5

5 T. G i Di ff

5 B. 2 5

Timp.

5 5

5 E5 5E 5 5 E5

5

5

5 5 5

-

-

-

5 5

la,

Sol

5

5

!55

la,

Sol

la,

-

vet

5

5 -

vet

5

Sol

-

vet

Sol

-

vet

! 5 5

5

5

-

5 5

5

5

-

-

5 5

la,

5

5 5 5

5 5 5 5

5

!5

5 5 5

5

5 5

5 5 5 5 5 5

5 5 5

5 5 5 5

molto f

P.W.D.

2 N 5 5 5 5 5 molto f marcatiss.

5 5 5

! BBB B

EBB G EBB Org.

Solo Vlc.

5 5 5 5 5 5 5

ff

5 55 5 Ped. 5 5 5

5

E5 ! 555

5

EEE BBB E5

E5 5 5 5 5 5 5 5

5 5 5 5 5 5 5

B EBB5

5 5 5 5 5 5

5 5 !5 5 5 5 5 E5

5 5 5 5 5 5

ff

I

Marcatissimo – awesome

(amplified) pizz.

Vln. I

1 G

5

ff

Vln. II

G 4

5

5 E 5 5 5

5

Vla.

5

(amplified)

pizz.

5

5 E5 5

Vcl.

5

5

5 E 5

5 5

5

5 !5 E5

5

5

(amplified) pizz.

5

5

5 E 5

5

5 E5 5

5

5

5

5

5

5

5

(amplified) pizz.

5

5 !5 E5

4

5

5

5

5

5

5

5

5

5

5

5 E5 5 5

! 5

5

5

5

5 5

5

5

5

5

5

ff

?: D.B. 2

5 5

5

ff

?:

5

5

ff

?

5 ! 5 5 E5

5 5

5

5 !5 E5 5

(amplified) pizz.

5

ff

5 E5 5 5

5

28 1 2

164 1 55 55 G

55

55 55 E 5 5 5 5

5 5

5 5

55

5 5 5

55

5 5 5

5

5

5 55

5

5

5 55

Tpt.

G 55

55 5

3 4

1 Tbn. 2 3

B.Tbn.

2

55

5 5 5

5

G 55

A.

sae

G i

T.

B.

2

55

sae

Timp.

P.W.D.

-

-

E 55

5 5

clum

in

fa

55

E 55 in

fa

5

5

5

clum

in

fa

clum

-

5 5

-

-

55 55 55

5 5

5 5

55 5

5 55

5 55

5 55

5 55

in

-

-

-

vil

-

-

la,

-

vil

5

vil

-

-

-

-

-

-

vil

5

5

Tes

5

5

la,

Tes

5

5 5

5 5 5 5 5

5

! 5 5 5 5 E5

5 5 5 5 5 5 5

5

5

5 5 5

Solo Vlc.

Vln. I

Vln. II

1 G G

5

5

5

5 5

5 E 5 5 5

5 5 5

5

5

5

5

5 ! 5 E5

5 5 5

5 5

5 E5

5

5

5 5 E5 !5

5

5

5 5

5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

E 5

-

-

5 5

E!55

te

Da

5

5

E55

te

Da

-

te

Da

-

vid

5

5

-

vid

5 -

vid

E 5 E5

5

5

-

5 5

E5

5

te

Da

5 5

5

5 5 -

vid

E 5 5 5 5

!5

5 5

5

5 5 5

5 5

5 5 5 5 5

5 5

5 5

5

!5

5 5 5

5

5

5 5

5

5

5

5

5

5

5 !5 E5

5 5

5

5

5 E5

5

5

5

5

5 !5

5

5

5 5 E 5 ! 5

5 5 5 5

5

5 !5 5 5

!5

5

5

5 5 5 5

5

5

5 5 E5 !5 5 5

5 5 5

5

5

5

5 5 5

5

5

5

5 !5 5 E 5 5

5

5

5

5

5

5

5

5 5 5 5

5 5 5 5 5 5 5

5

5

5

5

5

5

!5

EE! 555 E5

5 5 5

5

5

5 E5

5

5 5 E5

5

5

5 5 5 D.B. 2

5

5

5

Vcl.

E55

5 EE 55 5 E5

5

5

5

5 E5 5 !5

5 5

5

5 5 E5 5

5

!5 5

E5

BB B5

5

5

Vla.

5 5

5

E! 55 55 55 55 55 55 55

!!BBB !B

B BB 5

5 5

5

Tes

E BB :: G E BB :: Org.

5

5

la,

la,

-

! 55 55 55

! 55

5 5

-

5 5

Tes

5 5

5 5

fa

5 5 5 5 5 5 5 5 5

-

5 5 5 5 5 5

5 ! 55

5 5

55

5 5

1 5 5 5 ! 5 5 5 5 E5 5 5

5 5 5 5 5 5 5 5 5 5 2N

5 5

! 55

5

5

5 5

clum

5 5

5

5 5

5 sae

5

5

5 55

5

1 55 S. G sae

55 E55

5 5 5 5 5 5

! 55 55 55

5

5 5 5 5

5

29 165

1 2

1 G

E 55

5 5 5 5 5 5 55 5 5 5 5 5 5

3 4

G

1 Tbn. 2 3

E 55

5 55

5

5

5 55

55 55 55 55 55 55 E 5 5

5 5 5 5 5 5 55 55 5 5 5 5 5 5

55

5 5 5

5

5

5 55

55

55 55 E 5 5 5 5

5 5

5 5

55

5 5 5

55

5 5 5

5

5

5 55

5

5

5 55

Tpt.

B.Tbn.

2

B.

G i 2

55 55

5 55 55 5

E 55

5 5

cum

Si

E 55

5

5

-

-

cum

Si

5

5

cum

Si

-

-

cum

Si

-

-

5 5

-

-

byl

byl

-

5

5 5

E 55

la.

Quan

55

E 55

la.

Quan

5

5

55

5 5 5

5

-

-

5 5

55

tus

tre

5

5

55

5

5

tus

tre

-

-

5 5

E 55

5 5

mor

est

fu

55

E 55

est

5

5

fu

5

5

5

mor

-

-

est

fu

-

byl

-

la.

Quan

-

tus

tre

-

mor

est

fu

-

5 5

5

E 5 5 5

5 5 5 5

5

!5

5 5 5

5

5 5

5 5

5 5

5 5

5 5

5 ! 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5

5 5 5 5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5

5 5 5

5

5 5

5

5

55 55

5 5 5 5 5 5 E5

5

5 E 5

5 5

5

5

!5 5 E5

5

5

5

5 5

5 5

5 E5

5

5

5

5

5

!5 5 E5

5 5

5

5

5

5 5

5

5

!5

5

5

5 !5 E5

5 5

5

5 E5

5

5

5

5

5 !5

5

5

5

5

5 5 5

!5

5

5

5 5

5

5

5 5 E5 !5 5

5 5 5

5

5

5

5

5 !5 5 5

5

5 5 5 5

5

5

5

5

5

5

5 !5 5 5 5 5 5

5 5 E 5 ! 5 5

5

5

5

5 5 5

5

5

5

5 5 5 5

5

5

5

5

5 E5

5 5

5

5

5 5 5 5 5 5 5 5

5

5

5 5

5

5

5

5 5

5 ! 5 E5

5

5

5 E5 5 !5

5

5

5

5 55

5

E' ' E' '

5

55 E55

5 5 5 5 5 5

mor

5 5 5 5 5 5 5

55 55

5 55 55 5

-

5

5

5

5 55

tre

5

5

5

5 55

tus

5 5

' ' ' 5

G

2

5 5

E 55 E 5 5

1 G

5

5

5 55

-

5 5 5 5 5

5

5

5 55

Quan

5

D.B.

55 E55

5 5 5 5 5 5

la.

5 5 5

Vcl.

55

5 5 5

-

5 5

2N

Vla.

55

5 5 5

byl

5

Vln. II

-

55

5 5 E 5

Solo Vlc.

55

5 5 5

5

55

Org.

55

5 5 5

5

5 5 5

G

Vln. I

5

5

5 55

1 Timp.

P.W.D.

5

5

5 55

5

G

T.

5

5

5 55

1 S. G A.

5

5

5 55

5

5 5 5

5

5

5

30 166

1 2

1 E 55 55 55 G

55

55

!55 55 55

G E55 55

E 5 5 EE55 55

5

5

5 55

5

5

5 55

5 5 5

5 5 5

5 5

Tpt. 3 4

1 Tbn. 2 3

B.Tbn.

2

5

5

5 55

E 5

- tu

G E55

- tu

-

-

5 5

5

!55

rus,

Quan

5

5

5

5

rus,

E 5 T. G i - tu E 55 E B. 2

-

- tu

-

rus,

5

5

1

5

Timp.

E5

P.W.D.

2N

Org.

Solo Vlc.

Vln. I

5

Quan

5

5

rus,

Quan

5 5

!5

5

Quan

5

5 E5

5 5 5 5 5 5 5

5

5

5

do

ju

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

55 55

5 5 5 55 5

-

-

do

ju

5

5

do

ju

5 5 E5

5

5

5 E 5

5

!5

do

ju

5 5

5

5 5 5 5 5

5 5

5

5

5 5

5

5

5 5 5

5 5 ! 5 E 5

5 5 E5 ! 5 5 5 5

5 E5

5

5 5 5 5 5

ven

E 55

5

5

-

dex

ven

5

5

est

-

-

5 5

5 5

ven

dex

est

ven

-

-

dex

-

-

est

5

-

-

-

-

tu

55

tu

55

5 5 5

55

5 5 5

5 5 -

rus,

55

-

rus,

5 5

5 rus,

tu

-

rus,

5

5

5 5 5

5 5 5 5 5

5

5 5 5

!5

5 5 5

5 5

5 5 5 5

5

5 5 5 5 5 5

555 5 !E BBB 5

5

5 5 5 5 5 5 5 5

5 5 5 5 5 5 5

5 5 5

5

5

5

5

5 !5 5 E5 5 5 5

5

5

5

5

5

5

5

5 E 5

5

5

5

5

5 !5

5 5

5

5

5 E5

5

5

! 5

5

5

5

5

5

5

5 !5

5

5 5

5

5

5

5 5

5

5

5

5

5

5

5

5 5

5

5

!5 5 5 5

5

5

5

5 5 E5 !5

5

5 !5 5 5 5 5

5

5

5

55

5 5 5

-

55

E 5 5 5

5

55

5 5 5

tu

5

5 5 5

55

5 5 5

5

5 5

5 5 5 5 5

E5 5 5 !5 5

5

5

5

5

5

est

5 5 5

5

5 5

dex

5 5

55

5 5 5

55

!5

5

5 5 E5 !5

5 5

E 5 5 5 5

5 5 5 5 5

5 5 5

E 55

5 5

5

5

-

-

55 55 55 55 55 55

5

5 5

55

5

5

!5

!5 5

E5

2

-

555 5

5

D.B.

55

5 5

!B EE BB E5

5

Vcl.

5

5

5 5 5

5

5

B BBB

G

Vla.

5 5

5

E BB G E BB

1 G

Vln. II

5 5

5

55 55 55 55 55 55 55 55 E55

5 55 55 55 55 55 55 55 55 5 5 5 5 5 5 5 5 5

5

5 5 5 5 5 5 55 5 5 5 5 5 5

1 E 55 S. G A.

5 !5

5

55 55 55 55 55 55 55 E 5 5

!5

5

5

5 5 5

5

5

31 167

1 2

1 G

E 55

5 5 5 5 5 5 5 5 5 5 5 5 5 5 E5 5

5 5

5 5! 55 55 5 5

5 5

5 5

3 4

G

5

5

55 55 55 55

5 5

5 5

5

5

5 55

5

5

1 Tbn. 2 3

E 55

5 55

5 5

5

5 5

5

5 5

5

5 55 5 5

5

5 55

5 55

Tpt.

B.Tbn.

2

G G i 2

E 55 -

E 55

-

5

1 Timp.

2N

E55

ta

stric

5

5

E55

ta

stric

Cunc

-

5 5

E5

ta

stric

5 5

-

E5 E 5

ta

stric

5

E5

1 G G

Vln. II

Vcl.

D.B.

2

te

dis

5

5 -

te

dis

te

dis

te

dis

5

E55

E!!555

5

5

5 55

5

5

5 55

5 5

E 55 55 55

5 5

5

5

5 55

5

5

5 55

!55

!555

5

5

5 55

5

5

5 55

5

5

5 55

-

cus

5

5 E 5

!5 5 E5 5 5

5

5 5 5

5 5 5

5

-

su

5

-

cus

-

su

rus!

!55

-

-

-

-

rus!

5 -

-

-

-

rus!

-

-

-

-

rus!

5 5

5

5 5

5 5 5 5

5

5 5 5 E5

5 5 5 5 5 5 5

5

5 5 5

5

5

5

5

5 5

5

5 5 5 5

5 5 5 5 5

E5 5 5 !5 !5 5 E5 5 5 5 5

E5 ! 55 5

!5 5

5 5 5

5 5

5

5

5 5 5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 !5

5 5

5

5

5

5 E5

5

5

5 5 5 5 5

5

5

5 5 5 5 5

5

5

5

5 5 !5 5 5

5

5

5

5 5 E 5 ! 5 5

5

5 5 E5 !5 !5 5 5

5

5 5 5

5

5

5

5

!5

5

5

5

5

5 5 E5

5

5

5 E5

-

E 5 !5

5 5 5 5 !5 E5

5

5

-

5

5

5 5

-

!5

5 5

5 5 5 5

5

5 ! 5 5 5 5 E5 5

E 55

su

B ! BB5

5

5 E5 5 !5

!55

E55

-

cus

-

5

su

5 -

! 5

!BBB B

5 5 5 5 5 5 5 5

5

5

-

5 5

! 5 5

5

5

-

cus

5

5

-

-

55

E5

5

-

5 5

EEEBBB EB

5

! 55

5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5

Vla.

5

5 ! 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5

5 5 5 5 5 5 ! 5 E 5 5 5 5 5 5 5 5 5 5 5

E BB B 5

Org.

Vln. I

5 55

5

55 G 55

Solo Vlc.

5 E5

5 5

5 55 E5 E5 E 5

5 5

5

Cunc

P.W.D.

5

5

5 55

E 5

Cunc

B.

5

5

5 55

5

Cunc

T.

5

5

5 55

5 5

1 S. G A.

5

5

5 55

!55 55 55

!5

5

5

5 5 5 5 5

32 1 2

168 1 ! 55 55 55 55 55 55 55 E 5 5 G

5 5 5 5 5 5! 55 5 5 5 5 5 5

5 5 5 5 5 5

5 5 5 5 5 5 EE55

5 5 5 5 5 5 ! 5 5 5 5 5 5 5 5! 5 5

5 5

5 5 5 5

55 5

5

5 5 5! 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 E55

5 5 5 5 5 5 E5 5 5 5 5 5 5E 5 5 5 5 5 5 5 E5

5 5 5 5 5 5 !5

5 5 5 5 5 5 ! 5

5 5 5 5 5 5 !55 5 5 5 5 5 5 5

5 5 5 5 5 5

5

5

5 5 5

5

5

5 5 5

5

E 5

Tpt.

G !55 55 55

5 5 5 55 55 55

3 4

1 Tbn. 2 3

B.Tbn.

2

5

5

5 5 5

5

Di piĂš ff

G !55

G i 2

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

es

i

EE 55

Di piĂš ff

55

-

i

5

5

es

i

5 5

E 55

es

i

! 55

5 5 -

rae,

-

rae,

di

5

5

rae,

di

5 5 -

rae,

5 5 E5

5

5

5 5 5

5 5 5 5 5

2N

5 5 5

il

5

E5

es

il

5 5 -

E5 E 5

es

il

5

5 5 5

5 5 5 5

5

!5

5 5 5

5

5 5 5 5 5 5 5

5

5

5 5 5

E5 5 5 5 5 5 5 5

5 5 5 5 5 5 5

5 !5 5 5 5 5 E5

5 E 5 5

5 5

5

5

5

!5 5 5 5

E5 5

5 5 5 5

5

5 5

5

-

-

la,

Sol

5

5

!! 55

la,

Sol

la,

Sol

5 E5

5

5

5 5

5

!5

5

5

5

5 5

5

5

5 !5 E5

5 5

5

5 E5

5

5

5

5

la,

Sol

5

5

5

5 -

vet

5 -

vet

5 5 -

vet

5 5 5 5

5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5 5 5 5

5 !5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5

5 !5

5

5 5

5

5 5

5 E5

5

5

5

5 E 5 5 !5

5

5 5 5

5

5

5

5

5 !5 5 5

5

5

5

5

!5

5 5

5

5

5

5

5

vet

5 5 ! 5 5 5 5 5 5 5 5 5 5 5

5

5

!5 5 5 E5

5 5 5 E5

5

-

5 5

5

5

-

5 5

5

5

-

5

5

5

5

5 ! 5 E5 5

5

5

-

!!55

5 !!555

5

5

-

5 5 5

EEE BBB E5

5 E5 5 !5 G

2

es

-

-

EE 55

EB E BB 5

1 G

Vcl.

-

-

5 5

B BBB

!BB G !BB E 55 5 5

Vla.

il

5 5

di

5

Vln. II

5

5

5 5 5

5

EE55

es

5 ! 5

5 5

E 5

-

55

5

5

-

5 5

di

5 5 5

Solo Vlc.

D.B.

5

5

5 5 5

!5

Org.

Vln. I

5

5

5 5 5

1 5 E 5 5 5 Timp.

P.W.D.

E 55

es

5

Di

5 5

5

5

Di piĂš ff

B.

5

5EE 55

5

5 E55 5 5

5

1 ! 55 S. G

T.

5

5

5 5 5

piĂš ff

A.

5

5

5 5 5

5 5 5 5

5

5

5

!5

5

5 5 5

5

5

5

33 1 2

169 1 55 55 G

55

55

5 5 5 5 5 5

5 5

5 5

55

5 5 5

55

5 5 5

5

5

5 55

5

5

5 55

5

5

5 55

Tpt.

G 55

55 5

3 4

1 Tbn. 2 3

B.Tbn.

2

55

5 5 5

5

G 55

A.

sae

G i

T.

B.

2

55

sae

Timp.

P.W.D.

-

5 5

5 5

clum

in

fa

55

-

-

-

in

fa

5

5

5

clum

in

fa

5 5

clum

5 5

!55 55 55

5 5

55 5

5 55

-

5 55

-

vil

-

-

-

-

-

vil

la,

5

vil

fa

-

-

vil

5

5 5

5 5 5 5 5

5

! 5 5 5 5 E5

5 5 5 5 5 5 5

5

5

5

5

5

5

la,

Tes

5 5

-

5

5

la,

Tes

5 5

5

5 5 5 5 5

Solo Vlc.

Vln. I

Vln. II

BB B5

5 5

E5 5

5

5 E 5 5 5

5 5

5

5

Vcl.

5

5

5 5 5

5

5

5 5 5

5

5

5 5 5

E 5

-

-

5 5

EE55

te

Da

5

5

EE 55

te

te

vid

5

5

-

vid

5

Da

-

vid

E 5 E5

5

5

-

-

E5

5

-

5 5

Da

te

5 5

Da

-

vid

!5

5 5 5

5 5

5

5 E 5 5

5

5

5 5 5

5 5 5 5

5 5 5

5

!5

5

5

5

5 5

5 5

5 E5

5

5

5

5

5 5 E5 !5

5

5 5

5

5

5 5

5 5 5 5

5 5 5 5 5 5 5 5 5

5 5 !5 E5

!5

5

5

5 5 5 5

5

5

5 5 E5 !5 5 5

5

5

!5 5 5 5 5 5

5

5 E 5

5 5 5

5

5 !5 5

5

5

5

5 5 5

5

5

5

5

5

5

5

5

5 !5

5

5

5

5 5

5

5

5

5

5

5 5 E5 !5

! 5

5

5

5

5 5

5

5

5

5 5 5

5 5 5 5 5 5

5

5

5

5 E5

5

5

5

5

5 5 5 D.B. 2

5 ! 5 E5

EEE 555 E5

5

5 5 5

5

5

5 5

!5

5

5 E5 5 !5 G !5 5

E5

5

5 5 E5

5

Vla.

5

5

5 5 5

B BBB

B BB 5

1 G

5

5

5 5 5

E 5 5 5 5

5 5 5

5 5

BB :: G BB :: Org.

5

5

5 5 5

Tes

5

5 5

55 55 55 55 55 55 55 EE55

5 5 5 5 5 5 5EE 55 5 5 5 5 5 5 5 E5

5 5 5 5 5 5 5

55

la,

-

55 55 55 55 55 55

Tes

5 5 -

5 5 5 5 5 5 5 E 5 5 5 5 5 5 5 5E 5

5 ! 55

5 5

!55

5 5

in

5 5 5

5 55

55

5

5

clum

1 E5 5 5

5 5 5 2N

5

5

5 5

5 5

5

5 5

5 sae

5

5

5 55

5

1 55 S. G sae

5

5

5 55

55 55 55

5

5

5 5 5

5

5

34 170

1 2

1 G

! 55

5 5 5 5 5 5 ! 55 5 5 5 5 5 5

3 4

G

1 Tbn. 2 3

! 55

5 55

5

5

5 55

55 55 55 55 55 55 5 5 5 5

5 5

5 5 55 55 5 5

55

5 5 5

5

5

5 55

5

5

5 55

55

55

5 5 5 5 5 5

5 5

5 5

55

5 5 5

55

5 5 5

5

5

5 55

5

5

5 55

5

5

5 55

Tpt.

B.Tbn.

2

55 ! 55

5 55 55 5

55

5 5 5

55

5 5 5

55

5 5 5

5

! 55

5 5

cum

Si

! 55

5

5

-

byl

-

! 55

la.

Quan

55

5

5

5

tre

5

5

55

est

fu

55

5

5

5

5

5 5 5 5

5

5 5 5

5

5 5 5 E5

5 5 5 5 5 5

tus

tre

-

mor

est

fu

-

byl

-

la.

Quan

-

tus

tre

-

mor

est

fu

-

5

5 5

2

5 5

5 5

5 5

5

5 5 5

5 5

5

5

5

5 5 E5

5

!5

55 55

5

5 E 5

5 5

5 5 5 5 5 5 5 5 5

!5 5 E5 5 5

5

5 5 5

5 ! 5 E5 5

5 E5 5 !5

5

5

5 5

5 E5

5

5

5 5 E5 !5 5

5

5 5

5

!5

5

5 5 5

5

5

5

5

5 5 E5 !5 !5 5 5

5

5

5

5 E 5

5 5 5

5

5

5 !5 5 5 5 5 5

5

5

5

5

5

5

5

5

5

5 !5

5

5

5

5

5

5 5

5

5 5 E5 !5 5

! 5

5

5

5

5

5

5

5

5 5

5

5

5

5 5 5

5

5

5

5

5

5

5

5

5 E5

5

5 5 5 5 !5 E5

5

5

5 5 5

5

5 5 5 5

5

5

5

5 5

5

5

5

5

5 5

5 5

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5

5

5 5

5 ! 5 5 5 5 5 5 5 5 5 5 5 5 E5 5 5 5

5 5 5 5 5 5 ! 5 E 5 5 5 5 5 5 5 5 5 5 5

5 5 5 5 5 5 5

5

Vcl.

5

-

5 5 5 5 5 5 E5

5

Quan

5

5

-

la.

5

Vla.

fu

-

5 5

!' ' ' 5

G

Vln. II

est

byl

E E 55 E 5 5

1 G

mor

-

5 5 5 5

5

5

5

mor

E 5 5 5

5

-

5 5

1

' ' ' '

tre

5 5

-

G

tus

-

5 5

-

5

5

tus

5

Si

2N

5

-

55

5

5

5 55

cum

5 5

Quan

-

5 5

5

5

5 55

-

5

la.

55

5 5 5

-

2

-

5 5

55

5 5 5

Si

5 5

byl

5 5

5

5

5 55

cum

-

5

5

5 55

5

G i

-

5

5

5 55

5

!55 -

55

5 5 5

5

Solo Vlc.

D.B.

55

5 5 5

Si

Org.

Vln. I

5

5

5 55

cum

Timp.

P.W.D.

5

5

5 55

5

G

T.

B.

5

5

5 55

1 S. G A.

5

5

5 55

5

5

5 5 5

5

5

35 171

1 EE 55 55 55 1 G 2

55

G EE55 55

E 5 5 EE55 55

5

5

5 5 5

Tpt. 3 4

1 Tbn. 2 3

B.Tbn.

2

5

5

5 5 5

E 5

- tu

G EE55

- tu

-

rus,

-

- tu

-

1

E5 Timp.

2N

5 !5

5

5

! 55

rus,

Quan

5

5

rus,

Quan

5 5

!! 55

rus,

Quan