Mealor THE SHADOWS OF WAR

Page 1

Paul Mealor

The Shadows of War for SATB choir, timpani, percussion and strings (2016)

NOVELLO


A Mass to commemorate the centenary of the Battle of the Somme, 1916-2016 Commissioned jointly by the Welsh Proms and JAM (John Armitage Memorial Trust)


First performed on 14th July 2016 at JAM on The Marsh Festival at St Nicholas Church, New Romney, by the Mousai Singers, the London Mozart Players, conducted by Daniel Cook. The second premiere performance took place at the Welsh Proms on 19th July 2016 at St David’s Hall, Cardiff, performed by the Royal Liverpool Philharmonic Orchestra, the Military Wives Choir, Cardiff Ardwyn Singers and the Cardiff Polyphonic Choir, conducted by Owain Arwel Hughes CBE.

INSTRUMENTATION SATB choir Timpani Percussion (2 players): Glockenspiel Wind Chimes Tubular Bells Suspended Cymbal

Strings

Duration: c. 20 minutes

Full Score: NOV296109 Vocal Score: NOV296120 Parts are available on hire from the publisher. www.musicsalesclassical.com


CONTENTS I. II. III. IV. V. VI. VII.

Kyrie Eleison ................................................................................................. 1 Gloria ............................................................................................................ 3 The Hand that Held the Knife ........................................................................ 9 Sanctus and Benedictus ................................................................................ 12 Blessed is the Stranger .................................................................................. 16 Agnus Dei .................................................................................................... 21 Requiem aeternam: And let there be a Heaven .............................................. 23


Dedicated to Edward Armitage and Owain Arwel Hughes CBE

The Shadows of War A Mass to commemorate the centenary of the Battle of the Somme, 1916-2016 Commissioned jointly by the Welsh Proms and John Armitage Memorial PAUL MEALOR

Mass Settings with additional poetry by Grahame Davies

I – Kyrie Eleison

Adagio molto espressivo h = c. 52 G.P.

SOPRANO

     

ALTO

    

TENOR

     

BASS

    

p       

Ky - ri - e_e - lei

son,

Ky - ri - e_e - lei

     

Tubular Bells

Tubular Bells / Suspended Cymbal

-

    



Timpani

Glockenspiel / Wind Chimes

-

      



pp

Violin I

     

Violin II

    

Viola

  

    

Violoncello

div.

 

     



      

 

 

 



pp

pp

ppp Double Bass

-

ppp

 molto rall. 9

S.

    

rall.

A

 

a tempo

ff

         mf

lunga

E - lei

-

    

son, e - lei

-

son. lunga

A.

 

  

ff

                  mf

Chris - te

e - lei

-

-

-

son.

lunga

T.

 

   

       mf

Chris - te

e - lei

      

- son,

Chris - te

e - lei

-

son,

ff

                     

Chris - te

e - lei

-

-

-

-

-

son. lunga

B.

    

 

      

- son, Ky - ri - e_e - lei

Tub. B.

Vln. II

Vla.

Vc.

Db.

-

-

son,

    

 

   

 

     e - lei

           p

-

ff

        

          

mf

son,

e - lei

-

-

son, e - lei

-

-

-

son.

 



 



 



   

     

 

 

 



     

 



pp

© 2016 Novello & Company Limited


2

B Grandioso           S.  15

Ky - ri - e_e - lei

A.

-

-

-

        Ky - ri - e_e - lei

-

    -

son,

Ky

-

ri

-

-

son,

-

e_e

Ky

-

ri

-

lei

 -

-

-

-

lei

-

Ky - ri - e_e - lei

-

-

son,

-

Ky - ri - e_e - lei

-

son,

 -

    

son,

     Ky - ri - e_e - lei



-

 

    

son,

e_e



   

Ky - ri - e_e - lei

        Ky - ri - e_e - lei

son,

 -

molto rall.

son,

     B.   

Timp.

 

       Ky - ri - e_e - lei

T.

    -

son,

-

   

 -

Ky

-

son,

Ky

ri

-

e_e

 -

ri

-

 -

e_e

lei

-

-

son,



 -

lei



-

-

son,

         ff triumphant

Vln. I

   

  









    



    

    





















ff triumphant Vln. II

  

  

ff triumphant Vla.

  

  

ff triumphant unis.

Vc.

 

 

 

ff triumphant Db.

   

ff triumphant

Molto espressivo h = c. 50 19

S.

   

   

A.

  

-

   

-

   

 -

-

    Ky - ri - e_e - lei

-

-

   

Ky

Timp.

 -

ri

 -

e_e

-

lei

son.

Ky

 -

ri

-

-

e_e

-

  

lei

  

-

-

-

-

-

-

 

 



Molto espressivo h = c. 46

 

 

 

 

 

 

son.

mf

mf

B.

son.

 

mf

Ky - ri - e_e - lei

T.

 

Ky - ri - e_e - lei

C 

molto rall.

mf

-

-

-

-

son.

pp SOLO

 -             OTHERS

son.

Ky - ri - e_e - lei

- son.

 



ah ppp

 

 

 

 

 

mf

Tub. B.

Vln. I

Vln. II

   

  

  

mf

mf

Vla.

  

Vc.

  

mf

 

   mf

 

 

 

 

 

 

 

 

 

 

 

 

ppp

mf

Db.

pp

                   

 

 

ppp




3

II – Gloria Allegro con brio (scherzo) q = c. 126

SOPRANO

   



D 

f

           in ex - cel - sis De - o,



    

           in ex - cel - sis De - o,



           in ex - cel - sis De - o,



   Glo - ri - a

  

ALTO



f

Glo - ri - a

   

TENOR

BASS



f

    

Glo - ri - a

  

 damp       

Glo - ri - a

Cymbal

   

pp

Violin I

  

     

pizz.

  

  

pizz. div.

      

   

De - o,



 

 

 

arco

               

     







         







f

f

arco unis.

pizz.      

     

pizz.      

     

f

pp

Double Bass

cel - sis

f

pp light, airy, fluid

Violoncello

-

                                                        

pp light, airy, fluid

Viola

in ex



f

pp light, airy, fluid

Violin II

           

f

   



pp

f

7

  S.   

         et

   

A.

   

T.

B.

  

Cym.

   



           Vln. I    

Vln. II

Vla.

Vc.

Db.

              

 

pizz.

pizz. div.

 

 

   

bo - nae vo - lun - ta - tis.

         





 

ff

  

     

        

        

lau - da - mus te,

        

 damp     

     

     

lau - da - mus te,

ff

                

 

lau - da - mus te,

ff

Lau - da - mus te,

  

lau - da - mus te,

Lau - da - mus te,

bo - nae vo - lun - ta - tis.

     

        

pp

ff

        

Lau - da - mus te,

bo - nae vo - lun - ta - tis.

Lau - da - mus te,



bo - nae vo - lun - ta - tis.

        

in ter - ra pax ho - mi - ni - bus

   





in ter - ra pax ho - mi - ni - bus

         et

         

in ter - ra pax ho - mi - ni - bus

         et



in ter - ra pax ho - mi - ni - bus

         et

        

E ff         

 

       

ff

f

   

arco

ff

       

f

   

unis.

   

arco

ff

f



    

arco



 

ff

    

ff

ff

ff

        ff

       

f arco

ff

f

ff

        

   

f

    f

    f

    f

    f


4

13

  S.         



be - ne - di - ci - mus

          

be - ne - di - ci - mus

Vln. I

ff

      

Vln. II

ff

      

           

      

te,

a - do - ra - mus te,

a - do - ra - mus te,

 

         

         

te,

a - do - ra - mus te,

   ff

 



  

f

 

      



     Db.   



 



 

 

-

              Gra

-

          glo - ri - fi - ca - mus te.



 

Gra

-

-

ti - as

ti

a - gi - mus

    

ti - as

ti

a - gi - mus

    

ti - as

ti

a - gi - mus

    

ti - as

ti

a - gi - mus

-

-

-

-

bi

prop

bi

prop

bi

prop

bi

prop

 -

ter

 -

ter

 -

ter

 -

ter

    

 



Gra









 

 

     









 

 

 

                                

ff

 

 

ff

Vc.



glo - ri - fi - ca - mus te.

      

 

Gra

    

ff

f



             

glo - ri - fi - ca - mus te.

a - do - ra - mus te,

      

 

div. Vla.

a - do - ra - mus te,

         

      

     

         

       

glo - ri - fi - ca - mus te.

a - do - ra - mus te,



          

Timp.

a - do - ra - mus te,

te,

be - ne - di - ci - mus

B.

a - do - ra - mus te,



be - ne - di - ci - mus

T.

         

te,

          

A.

         

  

ff



  

 

ff

 

        

 



  

 

        

 

 



  



        

18

  S.  

mag - nam

  

A.

mag - nam

    mag

T.

B.

  

 - nam

mag - nam

Timp.

Vln. I

Vln. II

Vc.

Db.

  



glo - ri - am

tu

  



glo - ri - am

tu

  



glo - ri - am

tu

  



glo - ri - am

tu

 -

-

am,

 -

-

-

am,

 -

-

am,

 gra

am,

 -

 gra

-

-

 gra

-

  gra

-

    

ti - as

ti

a - gi - mus

    

ti - as

ti

a - gi - mus

    

ti - as

ti

a - gi - mus

    

ti - as

ti

a - gi - mus

-

-

-

-

bi

prop

bi

prop

bi

prop

bi

prop

 - ter

 - ter

 - ter

 - ter

mag - nam

mag - nam

mag - nam

mag - nam

  



glo - ri - am

tu

  



glo - ri - am

tu

  



glo - ri - am

tu

  



glo - ri - am

tu

 -

-

-

-

-

-

    

 

    

  

    

 

    





     

 



am.

 -



am.



    

    

am.

 -





am.





       

                                                  

   

 

 

 


5

fff

21

    S.            

        

Lau - da - mus te,

A.

lau - da - mus te,

fff

   

     

        

lau - da - mus te,

fff

               

Lau - da - mus te,

fff

          

Lau - da - mus te,

            Vln. I   

Vla.

unis.         

       

fff

Vc.

fff

   Db.        fff

27

  T.    

SOLO

f

fff

Adagio molto espressivo h = c. 52

F

Timp.

f

   

       

a - do - ra - mus te,

a - do - ra - mus te,

 

            

            

te,

a - do - ra - mus te,

 

fff

      

 

Do - mi - ne De - us, Rex cae - les

-

 

    



    



  



        

 

 

 



 

  







 

 

   

 

De - us

 

 

 

 

  



  

 

Pa - ter om - ni - po - tens.

 

        

 

 



  

      

        

Do - mi

- ne Fi - li

u - ni - ge - ni - te,

           

           Vln. II      unis.  Vla.            Vc.     Db.      Vln. I

 

 

 

 

 

 34

  T.    Je  B.  



 - su

Chri

 -

G 

SOLO p freely

       

  

 

 De

-

    



Fi - li - us

-

tris,

i,

 

 

Pa

p          qui tol - lis

pec - ca - ta

mun

 

 

 

ppp

  -

di,

 

 

ppp Db.

ste.

  

  

 

Do - mi - ne De - us, Ag - nus

Vc.



ppp

Timp.



glo - ri - fi - ca - mus te.

 

      



  

       

tis,

 



glo - ri - fi - ca - mus te.



 



fff

f

   

 

             

      

 



glo - ri - fi - ca - mus te.

a - do - ra - mus te,

        

 



             

a - do - ra - mus te,

te,

fff

mf freely

           

fff

f

       

             

div.

   

fff

f

      

      

fff

f

       

glo - ri - fi - ca - mus te.

           

f

fff

   

fff

f

      

f

fff

f

a - do - ra - mus te,

      

   

   

a - do - ra - mus te,

a - do - ra - mus te,

fff

f

       

fff

be - ne - di - ci - mus

    

           



         

           

te,

be - ne - di - ci - mus

       

fff

f

       



       

fff

Vln. II

    

             

lau - da - mus te,

Timp.

te,



be - ne - di - ci - mus

lau - da - mus te,

    B.            

      

be - ne - di - ci - mus

     

Lau - da - mus te,

T.


6

H 42

  S.  

SOLO

p freely

        Qui tol

 

A.

-

lis pec - ca - ta

ppp

 

   mun - di.

      

 

Su - sci - pe

de - pre - ca - ti - o

-

nem

no



 -

-

-

staggered breathing





 

 

 

 



mm

  

T.

TUTTI ppp

  B.      

mi - se - re - re

no

Vc.

Db.

mm

TUTTI

Tub. B.

staggered breathing

   

 -

bis.

ppp

staggered breathing

 

 

mm





ppp

   



   



    

          



          



          



           



Allegro con brio (scherzo) q = c. 126 50 I   S.     



TUTTI

- stram.

   

A.

f

Qui



    





 

se - des

ad

f

   

Qui

  B.     

ad

   

Qui

T.

se - des

f

se - des

ad

f

   

Qui

se - des

ad

dex - te - ram

dex - te - ram

dex - te - ram

dex - te - ram

Pa - tris,

Pa - tris,

Pa - tris,

Pa - tris,

Cymbal

  Tub. B.     

to Cym.

 damp       

ppp

Vln. I

pp light, airy, fluid

Vln. II

Vla.

pizz.

 

   

Vc.

  

pizz. div.

  

arco

  

              

 









f

  

 

  



          f

pizz.

    



pp

Db.

arco unis.

pp light, airy, fluid

  

f

pp light, airy, fluid

  



f

pp

                                                           

pizz.

     pp

     f



     f


7

J

56

  S.   

        

mi - se - re - re

  

A.

mi - se - re - re

  B.   

T.



Vln. II

   

Vla.

 

pizz. div.

 

  

Vc.

Db.

pizz.

no

-

-

no

         







 

ff

  

 

   

        Tu so - lus

    

    

  

Tu

Tu

so

so

-

-

lus

  

lus

ff

 

 

 

               

 

   

 damp     

 

Quo - ni - am

 

        Tu so - lus

Quo - ni - am

 



  

mi - se - re - re no - bis.

ff

ff

mi - se - re - re no - bis.

bis,

Quo - ni - am



-

mi - se - re - re no - bis.

bis,

   

Quo - ni - am

          

   



ff

  

mi - se - re - re no - bis.

bis,

-

-

         

bis,

pp

   

  

-



           Vln. I         

-

         mi - se - re - re

Cym.

no

        mi - se - re - re

   

-

       

    

no

        

 

ff

f

    

arco

ff

f

  

   

ff

f



    

arco



   

   

ff

f

   

   

ff

f

        

ff

f

    

arco

ff

f

       

arco



   

ff

unis.



       

   

ff

f

       

f

   

ff

f

62

  S.        Sanc

A.

-

-

        Sanc

T.

-

-

-

         Sanc

-

-

Timp.

-



tus,

-

 tus,  

-

tus,

ff

      ff





  

Tu so -

Tu so -

lus

  

  

Do - mi - nus.

lus

   

lus



ff

 

  

Do - mi - nus.





 



 

 

         

-



ri - a!

Tu

so

         

-

ri - a!

Tu

so

       

Glo

so

-

      

   

so

Glo

Do - mi - nus.

      

 

Tu

Glo

-



ri - a!

ri - a!

Tu

-

-

-

-

lus

al

lus

al

lus

al

lus

al

 -

tis

 -

 -

tis

tis

-

tis

si

-

si

-

si

mus

 -

 -

mus

 -

-

 -

si

mus

 -

mus

    

  







 

 

     









ff

  

 

ff

      



     Db.   



 

ff

ff

          Glo

     

 

ff

  

Do - mi - nus.

     

Tu so -

     

Vc.

lus

        

div Vla.

        

        

      

f

f

Tu so -

   Vln. I       Vln. II

-

         

-

       B.   Sanc

 tus,



  

  

            

 

 

 

    

          

 

     



                                

        


8

67

  S.   Je

A.

B.

    Je

Vln. I

Vln. II

Vc.

Db.

-

-

-

-

   Je

Timp.

-

   Je

T.

-

-

-



su

Chri



su

Chri



su

Chri



su

Chri

 -

-

-

so

Tu

so

Tu

so

 

Tu

so

ste,

-

ste,

 -

Tu

 -

ste,

 -

-

ste,

-

-

-

-

lus

al

lus

al

lus

al

lus

al

 -

tis

 -

si

 -

tis

si

 -

tis

tis

-

 -

si

 -

-

 -

si

mus

Je

mus

Je

-

-

-

-

-

-

 -

mus

Je

mus

Je

-

-

-

-



su

Chris



su

Chris



su

Chris



su

Chris

 -

te.

 -

 -

-

 

   

   





K   S.    

fff

     Cum

A.

   

T.

B.

    

Vln. I

Sanc

    

Cum fff

Sanc

    

Sanc

Vla.

     

       

fff

  

to

to

  

to

    

 

 

Spi - ri

-

tu,

in





 

  

Spi - ri

-

tu,

in

    

 

 

Spi - ri

-

tu,

in

 

 

    

Spi - ri

tu,

in

  

  

  

  

  

  

   

 

glo - ri - a

glo - ri - a

glo - ri - a



glo - ri - a

De - i

De - i

De - i

De - i

Pa

Pa

Pa

-

-

-

 Pa



tris,

 

tris,

cum

tris,

      

         

f

fff

      

f

fff

   

  

   

  

fff

f

f

  

fff

   

f

   

fff

   

   

f

fff

fff

Sanc

-

Sanc

-

  

   

to

to

   

to

   

 

f

fff

   



f

   

fff

   

   



div.

fff

to

  

fff

 

f

-

    

 

 

Spi - ri

-

tu,

in

Spi - ri

-

tu,

in

    

 

 

Spi - ri

-

tu,

in

 

 

  

    

Spi - ri

    

   

  

 



 

 

    

-



tu,



in

  

  



 

 

 

 

 

    

 





fff

  

   

Sanc



         f

-

    

cum

Sanc

    

   

  

cum

   

f

     cum

tris,

  -

   

   

-



f

fff

Db.

-

fff

Vc.

-

 

fff unis.       

to

fff

Vln. II

-

fff

                  

-

  

Cum

Timp.

Sanc

fff

Cum

     

  







70



te.

 3                                                                 



te.



   



te.

                                      



  

    


9

75

  S.            

 

            

 

glo - ri - a De - i

A.

glo - ri - a De - i

Pa - tris.

 

Timp.

   



       

in

-

cel

ex

in

ex

 

 

in

ex

-

-

cel

-

sis

De -

cel

-

sis

De -

cel

-

 



sis

De -

     -



     -



    

   



 

ex

   



Glo - ri - a 3



in

Glo - ri - a

Pa - tris.



   Vln. I  



Pa - tris.

 

    

   



Glo - ri - a

         B.     glo - ri - a De - i



Pa - tris.

 

glo - ri - a De - i

Glo - ri - a

             

T.





 

Vln. II

Db.

 

 

     

Vc.

   

   

   

 

    



 

    

 o.



          

 

 

unis.

A - men.

fff

fff



 



         

         

fff



 

 

fff

f

 

A - men.

 

 

  

fff

 

 

A - men.

 

 

o.



         

 



o.

f

   

Vla.







A - men.

De -

f

   

o.

sis

f

   





f

fff

III – The Hand that Held the Knife Adagio molto espressivo h = c. 62

SOPRANO ALTO

TENOR BASS

Violin I

  

  

   

  

pp

 

Double Bass

    

To

those

who have walked

  in the

   

 

 



pp



ppp Violoncello

pp

   

 

ppp

Viola

ppp Violin II

unis.

 



  













pp

ppp

pp

ppp

pp
























10

7

 S. A.  



sha - dows of

T. B.

a tempo

rall.

3

war

Bring



peace,

bring

peace.



pp

 

unis.

 

 

For the hand that held the knife,

Vln. I

 

Vln. II

Vla.

Vc.

Db.

 

 

 

  

 

























Bring

peace,

bring

 

 

 







 











scarred hand to for - give,







 

  

a

3 













 rall.

13

mf

  S. A. 

L

The

T. B.

peace.

Vln. I

Vln. II

Vla.

Vc.

Db.

The

       

faith - less and the faith -





 

    

rall.

faith - less and the faith -

mf

 

a tempo



 

 

 

ful, the

trai - tor

 

 

ful, the

trai - tor



the

3



and

the

true,

 



peace,

bring

peace.



Bring

peace,

bring

peace.



and



Bring

true,

 

 









mf





mf







  

mf



    

mf







  

  



 

 

mf

 

3

    





  



M f

18

S. A.

a tempo

  



Peace,

f

T. B.

Vln. I

 

 

 





peace,



Peace,

peace,







peace,







 

 

unis. ff

peace,







peace,

peace,

 

 

ff unis.

       

   f molto legato

Vc.

       

  f

 

 





peace,



peace,

peace,

       

       

       

       

ff

  

      

 

  

 

  

 

  



  ff

       

f molto legato Db.

ff

f molto legato

Vla.

peace,

f

Vln. II

 

      

       

  

      

 

 ff

       

ff

  


11

24

S. A.



   

 

peace,

T. B.

  

 Vln. I 

Vln. II

Vla.

 

unis.

 

a tempo

N

rall.

 

SOPRANO SOLO p



unis.



Bring

 

TENOR SOLO p

 

peace,

peace

 

       

         

 

 

  

Db.

      



peace.

   

 

          

 peace.

peace,

ah

  

 

  

 

       

  

      

p



      

 

 bring

p

  

peace,

Peace,

 

bring



peace,

ah

p

Vc.

rall.

 

  



       

 30

S. A.

 

O a tempo       

rall.

a tempo

 

 

TUTTI pp unis.

To

pp

T. B.

 

ah

peace,

 solo  Vln. I 

 

peace,

  

pp

Vln. II

  

Vla.

pp

Vc.

Db.

  

 

 



 

   pp

   

  

pp

war,

Bring



  

 

pp









 

 

pp

 

 





pp

  

   

  

sha - dows of

 

                                      pp

  

in the

tutti

 



  

 

who have walked

 

peace.



 

 

those

3

   

pp



T. B.

a tempo

rall.

36

 S. A. 





peace,

bring

peace.

pp

 

3

    

No ques - tion to an - swer, no

 Vln. I  Vln. II

Vla.

Vc.

Db.

 

  

 

 

 









 

 









3

 

price

to

 pay.

 

  

 

mf

Home

TUTTI unis.

rall.





Bring

peace,

bring

peace.







 

 

 









mf

Home

 

 







 










12

P

42

 S. A.  

   

when the day is

T. B.

 

   

Vln. I

 



 

o - ver, or home when dawn is

when the day is



  

3

3 

  

grey,

o - ver, or home when dawn is

 

grey,

 







Bring

peace,

bring



 

bring

peace,

 

Bring peace,

 

 

 

 

peace,

  



mf







 

Vc.

 







 

pp

lunga

bring

  Db. 

peace.

   

lunga

       



   

  

 

 

 

lunga

 

 

   

 

 

pp lunga

  

 

lunga

    

 

 

 

pp

mf

 

 

pp

 



mf

 

     

 

peace.

pp

mf

Vla.

lunga

mf

Vln. II

rall.

pp

bring

 

h = c. 52

Q

rall.

a tempo

lunga

 

pp

IV – Sanctus and Benedictus Moderato con espressione q = c. 76

SOPRANO

   

pp

 Sanc

Timpani

-

-

-

a tempo

poco rit.

 Sanc

tus,

 -

tus,

Sanc

-

tus,

Do

-

mi - nus

 De

 -

us

                 pppp

Viola

   

gentle, light, calm: always under the voices

      ppp legato

     

div. gentle, light, calm: always under the voices Violoncello

 

  

 

  

 

      

        

 

  

 

       

        

 

  

 

        

 

        

  

ppp legato Double Bass

  

ppp

R

poco rit. 9

 S.   Sa

A.

-

ba

-

 -

oth.

Ple



a tempo

mf

-

ni

sunt

coe

mf

Ple

-

a tempo

poco rit.

ni

sunt

coe

-

-

li

et

ter



li

et

ter

-

-

ra

 -

-

ra

tu - a.

Ple

-

  

glo - ri - a

tu - a.

Ple

ni

sunt

coe

-

li

et

-

ni

sunt

coe

li

et

-

f

mf

 

 

Vla.

Vc.

Db.

              

Timp.

Vln. II

f



  

glo - ri - a

f



     

 

 

  

      

  

  

       

      

      

      

mf

mf

  mf

 mf

  

  

  

              

  

  

              

  

  

       

     

      

     

f

f

  f

 f

  

  

  


13

17

 S.  

ter

-

-

-

  

A.

ter

T.

B.

-

-

-

 

ra

glo

ra

glo

a tempo

S

poco rit.

   - ri - a

tu

- ri - a

-

-

tu

 -

O - san - na

in

ff

-

a.



  

ff



a.

O - san - na

in

ff



-

cel

-

cel

ex

ex

 -

Sanc

-

-

-

-

Sanc

-

-

-

-

-

 -

sis,

-

-

-

-

-

  

sis,

  

o - san - na,

-

-

tus,

-

-

tus,

- tus,

Sanc

  

o - san - na,

o - san - na,

o - san - na,

 -

  

tus,

-

ff

Sanc

         

Timp.

ff

 Vln. I 

                              

ff grand, triumphant

 

Vln. II

Vc.

Db.

  

   

ff div. where necessary

   





 







   





ff

  

   

      

        

 

Vla.

      

        

unis.

ff

 

 ff

rall. 22

 S.  

a tempo

        o

 

A.

-

  

Sanc

B.

-

-

-

-

 Sanc

-

san

-

na,

   

   o

T.

-

-

san

-

na,

tus,

Do

tus,

Do

       



o - san - na

-

cel

       

o - san - na

cel

-

in

-

ex

in

ex

nus

De

nus

De

mi

-

 -

-

mi

-

-

molto rall.

 -

 -

-

-

-

-

sis,

us

Sa

 -

sis,

 -



us

    

   

o - san - na,

o - san - na,

    

   

o - san - na,

o - san - na,

 -

-

-

 Sa

 -

-

-

ba

-

 -

ba

  na.

 



o - san -







na.



oth.

 -



o - san -

 -









oth.

         

Timp.

pp

     Vln. I  



 

 

 



   

 

Vla.

 

       

          

Vc.

 

 

Vln. II

Db.

 

 

 

 

          

          

          

            


14

T 27

A.

Espressivo q = c. 62

SOLO pp

  

Sanc

B.

ppp

 -

tus,

Sanc

-

tus,

 

Sanc

-

-

-

-

-

-

U 

Adagio molto espressivo q = c. 52

 

tus.

 

SOLO

Tub. B.

Vln. I



 

Vln. II

WIND CHIMES

pp

tus

 

 

  

pp

ppp

  

 

qui ven - it in no - mi -ne Do - mi - ni.

 

 



pp

 

 

 

 

ppp

                   pp   unis.     div.                

  Db. 

-

 

  

 

Vc.

-

ppp

pp

Vla.

-

 

            

p              Be - ne - dic

W.Ch.

 

 

 

 

 

 

 

 

 

 

pp

V 36

 S.  

A.

 

T.

B.

   

 Tub. B.  Vln. I

 

 

 

TUTTI

           

-

-

-

-

 

 

 

          

tus

qui ve - nit in

no - mi - ne

Do

 -

O - san - na ff

in

O - san - na

in

  

-

-

-

TUTTI ff

 ex

 ex



-

cel

-

cel

-

ne

-

-

ne

 -

-

 -

-

-

-

dic

-

-

-

-

dic

sis,

-

-

-

-

 -

 Be

mi - ni.

ff

 

ff

Be

Be - ne - dic

Timp.

accel.

 

Moderato espressivo q = c. 76

-

-

-

sis,

tus

qui

tus

qui

    ff

 

              ff grand, triumphant

Vln. II

 

ff

Vla.

Vc.

Db.

  

     

div. where necessary

   

ff





 

ff

 ff

   






15

42

 S.  

 

poco rit.

 

o - san - na,

 

A.

 

   ve

B.

-

-

 

-

-

-

o - san - na,

  ve

o - san - na,

o - san - na,

T.

-

 

o

-

-

san

 

o

-

nit

in

no

nit

in

no

 -

san

mi

-

mi

-

-

-

-

na,

 na,

ne

Do

ne

Do

 -

-

a tempo



 -

o - san - na

in

 

o - san - na

in

 

 ex

 ex



-

cel

-

cel

 -

-

-

-

mi

-

-



-

-

-

-

-

 -

-

-

-

-

sis,

ni.

mi



sis,

 -



-

ni.

       

Timp.

                                           Vln. I                    Vln. II

 

Vla.

 

Vc.

 

 

Db.

 





 



 



 

 









 





W 

molto rall. 46

S.

  

  

  

o - san - na,

 

A.

  

  

   O

B.

Timp.

-

-

-

-

-

 -

-

-

-

-

san



 -

-

-

 

na.

SOLO pp

O



ppp

 -

-

-

-

san

-

-



na

in

ex

 

 -

-

 SOLO

- na.

pp

   Be - ne - dic

   

-

-

cel

-

-

              Vln. I     

    



    

 

Vla.

Vc.

 

  Db. 

 -

tus,

Be

 

-

ne

ppp

 -

dic

-

-

pp

    

ppp

  

pp

ppp

  

 

pp

ppp

                   pp   unis. div.                    

tus.

  

pp

 

          

 

sis.

pp

 W.Ch.  

Vln. II

na.

 -

molto rall.

- na.





 -

-





o - san

san



 -

o - san

o - san - na,

  O





o - san - na,

o - san - na,

T.

Espressivo q = c. 62

 

   


16

V – Blessed is the Stranger Allegretto con espressione h = c. 102

TENOR

BASS

Glockenspiel

Violin I

    

  

        

Violin II

Viola

  

f

 



      f

   

       

ppp

  

X 

 

Bles - sed

is the

 f

 

Bles - sed

is the

              

             

              

              

     

     

     

     

     









f

  

Double Bass

f

             

f

Violoncello div.









f

  





















f

   

f

9

T.

     stran

  B.  

 - ger

stran - ger

Glock.

 



in the street;

 

Bles - sed



in the street;

            

Bles - sed

        

        

 

the be - lov

 

the be - lov

        

-

-

 



ed

at the

door;

 



ed

at the

door;

         

ff

Bles - sed

the

ff

 

 

Bles - sed

the

 



         



         

      

ff

Vln. I

        

     

     

     

     

     

     

  ff

Vln. II

      

     

     

     

     

     

     

  ff

Vla.

  

Vc.











 ff









 

 











 ff











 ff

Db.

  















 ff

   

   


17

17    T.   al

-



-

ly and en - e

Bles



   

  

 



-

sed

are the

pow- er - ful

and the

poor.

 

  

 



sed

are the

pow- er - ful

and the

poor.

- my;

Bles

      

      

       Vln. I  

     

     

Vla.

 

f



 Glock.         

Vln. II

ly and en - e - my;

   B.   al



   

rall.

f

       

     

     

 





-







       

     

     

     

     

     





f

    

Vc.











  











f













f

Db.

f



     

 

         

f

  

 

         

     

      

        

f





f









 

Y 24

a tempo ff

 T.    Bles

  

 - sed

are all ways you come



to

us,



to

us,

  

and

all

the

  

and

all

the

ff

  B. 

  

Bles - sed

Glock.

are all ways you come

     

  

fac - ces

fa

that you

 -



take,

  

ces

that you



take,

        

       

ff

Tub. B.



   loco       Vln. I  Vln. II

ff

 

Vla.

fff

                                 

     

                                  

     

ff

       

                    ff















  







  

















ff



ff

Vc.

 













ff Db.

  ff










18

32

T.

 fff    Bles

- sed

the

Bles - sed

the

fff

B.

Tub. B.

 

 

 

  

grace and grief

 



bring;

you

the

ff



bring;



Bles - sed

the

 





 



          fff

        

Vln. II

fff

 

Vla.

ff





 



fff

 







  





 

 



 

       

 



















 













  



 

 ff

fff

40

T.

   

Z

fff

Bles

fff

B.

 

Bles

Glock.

-

 

sed

  the

Vln. I

sed

faith,

and

the

bless’d the

faith,

and



fear;



fear;

fff

            fff         

bless’d the

      

5

Tub. B.

-

 

    

    

Bless’d

the

 

Bless’d

the

war - ri - or,

 

war - ri - or,

 

bles

-

sed the

 

bles

-

sed the

 weak;

        

         

        

        

     

     

     

     

     

     

     

     



































    

fff

Vln. II





    

    

fff

Vla.









fff

 Vc.





fff

  



fff Db.

    fff





 

 

ff



ff

fff

Db.

ff

fff

Vc.



ff

                      

                                   

                      



hearts you heal and those you break.

ff

Vln. I

hearts you heal and those you break.

 

               

 

Bles - sed

  

grace and grief

you

ff

  

 


19

47

T.

B.

    



ffff



Bles - sed

the

peace,

 

 

 

Bles - sed

the

peace,

 weak;

ffff

 



     bles - sed the

rall.

f



pain;

Bles

     bles - sed the



f

pain;

Bles - sed

-

sed

   

the

lost and bless’d

    the

lost and bless’d



who

seek.

who

                                                              

         

      

                                       Vln. I     

     

   

      

   

Glock.

f

ffff

f

ffff

Vln. II

                                           f

ffff

Vla.















ffff

 Vc.



















    





   















 





 



f





f

    

ffff Db.



f

ffff

 





ffff





f

AA

55

Adagio con rubato h = c. 63

 T.    

pp

seek.

B.

Glock.

Vln. I

Vln. II

 

              

   

Show

your

sal

 -

Show

your

sal - va

-

  

va - tion, blind though we may be,



tion,

come

in

all











   















 

 

 











   

      

   

pp



p

     































pp

Db.



p

Vc.



pp



pp

   

     

pp

  

pp

Vla.

  



pp


20

BB

accel. 63

T.

B.

    come

in

all

things

 

things

Glock.

Vln. I

and give

  

Vla.

to

 grace

to

           ppp

  





           

 





       

       

     

     

see.





accel.

see.



  





 Vc.

and give grace

   

Vln. II

Db.

 

Allegretto con espressione h = c. 102

          

ff

ff

     

   

ff

 











   













ff



ff

accel. h = c. 108

Glock.

Vln. I

h = c. 116

h = c. 120

h = c. 126

h = c. 132

            

h = c. 144

                                     

71             

       

        

        

     

     

     

     

      

     

     

     

 





 







 







 





 

Vln. II

Vla.

ff

  





ff

Vc.



Db.



 

 

 

 

 

   

 

   

   

                      

  pizz.

   

       

pizz.

   

pizz.







   


21

VI – Agnus Dei Moderato con espressione h = c. 46

SOPRANO

    

poco rit.

pp

  Ag

De - i,

qui

   

   

   

-

nus

 

tol

-

a tempo

 pp sub.      

lis pec - ca - ta mun - di,

mi

rall.

-

 

se - re - re

   

   

no

-

-

   

bis.

div. where necessary

Violin I

      

  

  

ppp gentle, soft, lilting, under the voices

Violin II

    









ppp gentle, soft, lilting, under the voices

    

div. where necessary

Viola

 









 

   

   

   

   



   

ppp gentle, soft, lilting, under the voices

Violoncello

   

ppp gentle, soft, lilting, under the voices

Double Bass

    

  





pp









 

  

   

   

   

  

pp

pp

ppp gentle, soft, lilting, under the voices

   

pp

   

pp



  

CC a tempo    mf  S.  11

poco rit.

 

  

Ag - nus

De - i,

Ag

mf

A.

   Ag

 -

nus

 

De - i,

qui

mf

T.

    Ag -

nus

mf

   B.   Ag

Cym.

Vln. I

 

 -

nus

  De - i,

De - i,

     mf

nus

    tol

-

De

-

  

i,

   

mi - se

lis pec - ca - ta mun - di,

mi

   

f         

tol

-

-

lis pec - ca - ta mun - di,

lis pec - ca - ta mun - di,

 

   

 

 -

-

no

re - re

 

se - re - re

  mi

mi

 

f

   

tol

-

  

f

 

-

 

 

se - re - re

-

f

-

-

bis.

Ag - nus

   

  

no

bis.

-

-



  Ag

   

no

bis.

-

-

-

 

   

bis.

  Ag

De - i,

qui

 nus

 

De - i,

qui

 

De - i,

ff

 

nus

-

 

 -

Ag

pp

nus

 

ff

  ff       

-

 -

   

no

De - i,

ff

    

   

se - re - re

  

DD Poco agitato h = c. 48  ff       

rall.

f

qui

   

-



a tempo

   

qui

 

 

qui

  

  

ff div. where necessary

Vln. II





mf Vla.

     mf

Vc.



  







   

   

mf

Db.

   mf



  



f

       



   

f







   

   

f

f



  

   

   

   

ff

 





ff div. where necessary

  



     

   

ff

ff


22 molto rall.

    S.  21

Ag

tol

De

-

lis

-

lis

 

Vln. II

do - na



no - bis

pa

do - na

no

   

 

 

- ca - ta mun - di,

do - na

     

 

pec - ca - ta mun - di,

do - na

 



     

  

Vc.

      

i,

 

pec - ca - ta mun - di,

Vla.

Db.

-

 

 

    



   

   



tol

Vln. I

nus

       tol - lis pec

T.

Cym.



     

A.

B.

-





   

 

 

no

 bis

 

 -

bis

 

cem,





 

pa

pa

-

cem,

 -

pa

-

-

 -

pa

pa

-

-

 -

-

-

 -

-

-

-

-

 -

-

-

   

pa

cem,

pa

   

-

-

-

 -

-

-

-

-

-

pp

 

 

cem.

ff



cem.

    -

 

cem.

 -

cem.

 -

  

 

pa -

   

cem,

cem,

    -

   

   



 

   



-

bis

-

no

 

  

 -

 



 

  

   

   

   

   

   

   













 









    

  

   

   

   

  

 

Adagio espressivo h = c. 40

EE 31

rall. poco a poco

SOLO pp

  S.    A

W.Ch.

Vln. I

 

 -

gnus

  

ppp



Vla.

qui

    tol

   

ppp

De - i,

     

Vln. II

 





-

   

 

lis pec - ca - ta mun - di,

do - na



   





   

   

ppp

    

Vc.

molto rall.

 

 

  no

 



-

bis

pa

     







 

 -

-

-

-

-

solo





 



others

lunga

  

    

 

   

 

  

   

   

   

    

 

   

 

cem.

 

   

ppp

 

lunga

  

lunga

 

lunga

   

lunga

ppp

Db.



ppp

lunga

 


23

VII – Requiem aeternam: And let there be a Heaven Adagio molto espressivo h = c. 56

SOPRANO ALTO

  

 

 

 

TENOR BASS

  

 

 

 

A selection of the tenors and basses should play pre-tuned wine glasses, by rubbing their fingers around the rim to produce this part: Wine Glasses

   

 

   

   

  

  

  

pppp

Glockenspiel

Violin I

Violin II

Viola

 

   

 

 

 

  

 

 

 

 

 

 

 

 

 

 

  Violoncello

 

 

 

 

 

  

 

                                       

pppp

ppp molto legato

flautando

  

pppp

ppp molto legato

    

    

    

 

ppp molto legato

flautando

                               

 

pppp

ppp molto legato

 

 

 

flautando

flautando

 

pp molto legato

pppp

Double Bass

 ppp

 

 ppp

7

 S.  A. 

FF

pp

And

let

   

W/G

 all

those who leave

our

  

com - pa - ny,

to

  

- geth - er

or

a - lone,



find

  

3   3  3   3  3  3   3  3  3   3  3  3 3               Glock.     3 3 3 3 3

Vln. I

 

   

Vln. II

3

3

3

 

          

Vla.

 Vc.

Db.

3

          

3

3

3

3

3

3

3

3

3

3

                                   

    

   

 

                               

 


24 11

S. A.

  

the

strange

road

they

fol

-

low

takes

them

home.

  

  

3 3 3  3 3   3        3              3

3

3

3

3

3

3

3

                                                    

Vln. II

    

   

   

  Vc.

 

                                        

Vla.

Db.

  

3

Vln. I

   

W/G

Glock.

 

  

 pp

GG

And

let

there

be

a

heav

15

 S. A.     

W/G

Glock.

Vln. I

Vln. II

Vla.

Vc.

  

 -

en

for

those

who

find

their

way through

  

3 3 3 3 3         3                       3            3

    

3

3

3

3

3

3

3

3

                              

 

    

 

  

                                                      

 

 

 19

S. A.

  

hell,

W/G

Glock.

and

let

there

be

for - give



-

ness

 for

  

those who broke

be - fore



they

fell.

  

  

  3  3  3   3  3  3 3  3  3  3   3  3  3 3                            3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

                                                                        

Vln. II

Vla.

 Vc.

Db.

  

3

Vln. I

 

 

 

     

 

 

     

 

 

 

     

 

 

  

 ppp

 ppp

 

 


25 23

S. A.

 

   

W/G

  

HH   

A

all

p

mys - tery

  

3

3

3

3

the great - er

for

the

  

3 3 3 3 3 3  3 3 3 3   3             3                        Glock.                    3 3 3

3

3

3

3

          3             

                                          Vln. I  

Vln. II

Vla.

 Vc.

Db.

  

 

     

 

 

  

 







 

 

Altos optional

27

S. A.

     ans

W/G

-

wer,

 a

  

        dark- ness all

the deep - er

for the

   3

3

star,

 a

   3

3



3

sun - light all

the pur - er

for the

   3

3

       

3

sha -

dow,

 a

   3

3

  

3

3

3

3

3

           3            3            3            3            3  Glock.                                                               

 Vln. I 

Vln. II

Vla.

 

Vc.

Db.

                   

       

       

       

       

       











 

 

 

 

 

 

 


26 32

 S.   A.  

     

beau - ty made more per - fect by the

   

W/G

Glock.

Vln. I

pp

scar.

And

  

  3  3        

  

  

       

     3       3                   3

   3

3

pp molto legato

3

3

3

                         

flautando

loco      



pppp

ppp molto legato

flautando

   

Vln. II

 

Vla.

    

                            

pppp

ppp molto legato

pppp

Vc.

Db.

 



Vln. I

pppp

ppp molto legato

ppp

 

 

ppp

 all

those who leave

our

com - pa - ny,

  

to

- geth - er

or

a - lone,

  



find

  

the

strange

road

they

fol

-

  

  3  3  3   3  3  3   3  3  3 3  3  3  3                 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                      

Vln. II

    

    

    

 

                                                                

Vla.

   

Vc.

Db.

let

Glock.

37 II  S. A.  

W/G

ppp molto legato

flautando

 

                         

flautando

 

 41

 S. A.   - low

W/G

Glock.

Vln. I

takes

them

home.

Takes

them

home.

  

  

  

  

3 3 3   3                        3 3 3 3                                     

ppp

   

Vln. II

   

ppp

                        

Vla.

  Vc.

Db.

   

 

 

ppp

 

    

 

 ppp

 

 


27 45

W/G

Tub. B.

  

  

 

 Vln. I 

Vla.

 Vc.

 

 

 

pp

    

Vln. II

  

 

JJ Tempo Iº h = c. 52         

       

 

   

      

 

 

 



ppp

pp

ppp

Db.

pp



 pp

ppp

 p       

53

 T.   B. 

Re - qui

  Tub. B.    Vln. II 

-

em

ae - ter

Db.

do - na

eis,

Do

          -

  

mi

-

-

-

 

 

        

p

       

p

p

 

p

 

ne.

 

 

-

rall.

  

  Vc.

nam

 

      

Vla.

-

      

p

 Adagissimo h = c. 42

pp          T.  B. 

58

et

W/G

W.Ch.

Tub. B.

Vln. I

Vln. II

Vla.

Vc.

Db.

lux

per - pe - tu - a



               lu

-

ce - at

eis

 

A

 

 -

 -

 

 

 

men.

 

 

A selection of the sopranos and altos should play pre-tuned wine glasses, by rubbing their fingers around the rim to produce this part:

 

   

 

   

   

ppp

  

    



   

 

 





 

 

 

  

ppp

 

  ppp

  

 



  

 

 

 

 

 

 

 

 

 

 

ppp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

ppp

   


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