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Yehudi Wyner Toward the Center (1988)
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for Ward Davenny
TOWARD THE CENTER
Yehudi Wyner
= 138 =
19 88
headlong, breathless
sempre
swift and light
= 72
lunga
= 168
’
4
misterioso
harsh
7
rapid and clear
leggiero
(7)
(shapes)
cresc.
(8)
cresc. Copyright © 1988 by Associated Music Publishers, Inc. (BMI), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
with snap
exact
2 (8)
brutal
3
8ba
8ba
= 138 Velocissimo (10)
(
=
sempre)
sharp, dry, jazzy
8
12
13
dim.
punched
15
3 17
punched
punched meno
(19)
= 144 (21)
percussive
molto cresc.
Largamente
= 116
poco rit.
Presto
poco
= 163
23
poco
loco
8ba
poco
*
= 160 (24)
Very fast
crushing
*Off at last instant before grace figure
4 = 138
riten.
Largamente = 144
poco rit.
26
cantabile
8ba
= 132 30
hold back…
slight rushing feeling
’
heavy, lumbering
3 3
3 3
sharp release on downbeat 3
= 160–168 35
lyric
3:5
dolce
3:5
fugitive vanishing 40
= 72
’
= 120 alluring
lazy
’
’
5
Flexible; variable meter = 80 = 72
45
(
=
)
’ 8ba
’
5 = 76
sost. 50
(
=
sempre)
meno
3 3
etc.
sim.
= 76–80 53
5
cantabile, rubato
romantic pedaling
= 60
poco sost.
sost.
56
3
espr. melodic chords
= 66
no drag
59
clear legato, cantabile
(romantic)
62
rubato
sost.
= 58 sost.
3
warm
*moving slightly forward
rit.
3
*
dim. 3
(molto)
16
(188)
sempre
luminous bass line
8ba
= (188)
= 58–60 = ca. 72 189
explicit melodic top
getting slower
mellifluous and calm, flowing easily
poco piĂš espr.
glowing, substantial but still on the soft side
clear m2 , normal clarifying Romantic Pedal
= ca. 90, no haste
= 96
riten.
clear shapes
sost.
awareness that this is the last time
slightly more vivid 191
* more searching than before, less glassy; illuminating the details
easy
* 8ba
sonoro
alternative dynamic
= 72–75
17
, in the manner of an ecstatic dance.
194
subtle jazz syncopations stress top line very slightly
calm and even, but with an implicit beat U.C. throughout Pedal: ca. one per measure, or ½, with R.H. changes lush, but subdued, covered 198
cresc.
meno
slight stress on top line track the melody 202
slight stress on top line dim.
clarify the bass progression
206
210
nostalgic
18 214
218
motionless dance silent song
anticipate slightly
register the subtle changes
anticipate slightly
222
8va
long ascent, calm and even
no special weight to doubling
hesitate 8
226
231
loco
evaporating
arrive