Aaron Jay Kernis
Viola Concerto (2013-14)
AJK Music/Associated Music Publishers (G. Schirmer) April 2016
Commissioned for Paul Neubauer by the Saint Paul Chamber Orchestra with the Leadership support of Linda and Stuart Nelson; Idyllwild Arts Academy; Chautauqua Institution; and the Los Angeles Chamber Orchestra
Instrumentation 2 Flutes (1st doubling 2 Anvils (medium and high); 2nd doubling Piccolo) 2 Oboes 2 Clarinets in B-Flat (1st doubling E-flat Clarinet, 2nd doubling Bass Clarinet in B-Flat) 2 Bassoons (2nd doubling Keyboard Melodica) 2 Horns in F 2 Trumpets in C (both doubling Keyboard Melodicas) 2 PercussionistsPercussion 1 Glockenspiel, Crotales; Xylophone; Vibraphone with Motor , Triangle; High Asian Bell (A if possible); Assorted High Metal Percussion* (chosen from Hi-Hat, Chinese Suspended Cymbal; Triangles; Anvils, pieces of metal, etc.) Percussion 2 Timpani (4 drums), Chimes, Pedal Bass Drum or Low Tom Tom, Large Bass Drum; Medium Tam-Tam; Low and Medium Suspended Cymbals, Xylophone (share with Perc. 1) Solo Viola Strings (6,6,4,4,2 minimum) ----------1. Braid - c. 6” 2. Romance – c. 7:30” 3. A Song My Mother Taught Me – c. 20” Duration – approx. 33 min.
to Paul Neubauer, with deepest admiration
Full Score
Viola Concerto I. Braid Flute 1
Flute 2 (doubling Piccolo)
Oboe 1-2 Clarinet 1 in Bb (doubling Eb Clar.)
Clarinet 2 in Bb (doubling Bass Clar.)
Bassoon 1-2
Horn 1-2 in F
Trumpet 1-2 in C
Percussion 1
Percussion 2
Viola solo
Violin I
Violin II
Viola A
Urgently q = 120
Vibes, motor off mp Urgently q = 120
p, senza vib., legato, sost.
Viola B
p, senza vib., legato, sost.
Violoncello A
p, senza vib., legato, sost.
Violoncello B
Double Bass
Aaron Jay Kernis (2013-14)
p, senza vib., legato, sost.
4
Perc. 1
Vla. solo
Vln. I
Vln. II
Vla. A
Vla. B
Vc. A
Vc.B
Db.
April 2016
mf
move to poco vib.
move to poco vib.
move to poco vib.
move to poco vib.
mf, poco vib.
mf, poco vib.
mf, poco vib.
mf, poco vib.
©2014 by AJK Music. Administered Exclusively by Associated Music Publishers, Inc. (BMI), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Full Score
2
7
Perc. 1
dim.
Vla. solo
Vln. I A
p
Vln. II A
Vla. A
Vla. B
Db.
Vc.B
p, tip, feathery
o
mf, esp., suave o o
o
Vc. A
o
Vln. I B
ppp
Vln. II B
pp, senza vib.
pp, senza vib.
pp
pp
pp
pp
Vla. solo
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla.
Vc. A
Vc.B
Db.
11
p, tip, feathery poco cresc.
poco cresc.
poco cresc.
Vla. solo
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla.
Db.
15
p
p
p
pp
pp
pp
cresc. poco a poco
cresc. poco a poco
f
cresc. poco a poco
Full Score
3 19
Cl. 1
Vla. solo
Vln. I A
Vln. II A
mp
(mp)
mf-p
mf-p
Vc.
Db.
(p)
5
mf-p
pp
pp
pp
pp
mf-p
(mp) Vla.
mf-p
Vln. II B
f molto
Vln. I B
p
pp p
p
p
pp p
pp p
p
pp
pp p
p
pp p
mf
pp
f
pp mp
pp mp
pp mp
pp mp
pp mp
25
Fl. 1
Cl. 1
Cl. 2
Hn. 1
Vln. I A
p
Vln. II A
Vln. II B
p
mf, non troppo
pp
pp
pp
pp
pp pizz., div.
p
Soli
mf
Vc.
Vla.
p
pp
Vln. I B
Db.
p
Fl. 2
Vla. solo
pizz. p
unis.
Full Score
4
28
Fl. 1
Fl. 2
Hn. 1
Vla. solo
Vln. I A
cresc. poco a poco
cresc. poco a poco
Vla.
Vc.
mp
mp
Vln. II
cresc. poco a poco
Vln. I B
Db.
Fl. 1
Fl. 2
Hn. 1
Vla. solo
Vln. I A
30
Vln. I B
Vln. II
Vla.
Vc.
Db.
cresc.
mf
mf-p
mf
poco mf
poco mf
mf-p
poco mf
mf
f molto 3
3
sub. p, tense
sub. p, tense
sub. p, tense
mf
3
Full Score
5 33
Fl. 1
Fl. 2
Ob. 1-2
Cl. 1
to Picc.
mf
p, agitato
Cl. 2
Bsn. 1-2
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
6 3
Vla. solo
3
Vln. I A
3
p, agitato
mf
3
pp sub.
3
Vln. I B
pp sub.
Vln. II
arco
Vla.
Vc.
Vc. A
Vc.B
Db.
p
3
3
3
3
3
3
3
pp
p
sord.
pp
p
sord.
pp
p
3 3
3
sord.
3
p-pp
p-pp
3
3
3
3
3
3
3
3
mp-p
3
mp-p
3
p-pp
3
3
3
mp-p
pp sub.
3 3
pp sub.
div.
p-pp
3
unis.
mp-p
(pizz.) p
(pizz.) p
sf
sf
Full Score
6 38
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Vla. solo
Vln. II B
Vla. A
Vc. A
Vc.B
Db.
p
p
pp
pp
3
3
3
p
p
p
pp
pp
pp
3
3
3
3
3
3
3 3
3
mp-pp
p
sf
p
sf
p
mp-pp
p
mp-pp
3
3
mp-pp
pp
3
3
3
pp
3
arco
sf
poco rit.
pp
pp
pp
f
mf
f
mf
mp
mp
pp
mp
mp
sf
3
mp
mp
pp
pp
mp
arco
mp
3
p
mp
mp
3
p
mp
3
p
f
f
mp
pp
3
p
p
mp
3 3
mp-pp
3
pp
pp
p
ff
3
3
p
3
3
3
solo
mf
3
mp-pp
p
senza sord.
mf
3 3
3
p
mf
p
3
div.
Vla. B
f
3
3
Vln. II A
3
Vln. I B
3
Vln. I A
pp
C Tpt. 2
pp
C Tpt. 1
solo
pp
Hn. 2
poco rit.
Full Score
7 45 Poch. meno q = 116
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
mf
3 3
f
Cl. 2
mf
Bsn. 1
Hn. 1
Vla. solo
mp
3
Poch. meno q = 116 mf
Vln. II A
Vln. II B
Vla. A
3
3
p
3 3
f
mp
mp
3
f
3
3
f
3
3
3
3
3
p
p
p
pp, leg.
pp, leg.
pp, leg.
pp, leg.
pp, leg.
p
pizz.
Db.
mf
3 3 3
3
mf
p
Vc.
6
p
Vla. B
6
3
mp
mf
3 senza sord.
C Tpt. 1-2
mf
f
3 3 3
f
Vln. I
3
f
solo
f
Hn. 2
mf
mf
Bsn. 2
6
6
6 3 3 3 3
f
mp
p
pizz.
mf
Full Score
8 50
Picc. (Fl. 2)
Fl. 1
Ob. 1
6
mf
Ob. 2
Cl. 1
3 3
Cl. 2
Bsn. 1
3
Hn. 2
Vla. B
Vc.
Db.
mf, cant.
p
mf, cant.
3
Vla. solo
Vla. A
mf, cant.
Vln. II B
3
f
3 3
Vln. II A
C Tpt. 1-2
Vln. I
3 mp
Hn. 1
mf
3 3
mf
3
3
Bsn. 2
f
3
3
3
mf
3
3
f
3
3
3
3
mf
3
3
3
f
p
3
f
p
3
f
p
f
pp
pp
3
pp
3
pp
arco
unis.
p
div.
p
pp
mf, cant.
3
Full Score
9 56
Picc. (Fl. 2)
solo
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
3
3
f
Hn. 1
Hn. 2
C Tpt. 1-2
Perc. 2
Vla. solo
Vln. I
Vln. II B
Vla. A
Vla. B
mf
3
6
Db.
mp, marc., stacc.
f, espr.
f, espr.
f-p
3
mf
6
6
mf
f-p
f-p
f-p
f-p
f-p
pizz f
f
f
f
f
f
f arco
p
f
mf
p
f, espr.
f, espr.
f, espr.
6
6
f, espr.
Vc.
Vln. II A
Timp.
mf
mf
mp, marc. stacc.
mf
f
mf
f
Bsn. 2
mf
mf
mf
f
3
f
Bsn. 1
Full Score
10 60
Picc. (Fl. 2)
Fl. 1
3
3
Ob. 1
Ob. 2
Cl. 1
B. Cl.
to Bs. Cl.
Bsn. 2
3
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
Perc. 2
Vla. solo
Vln. I
p
3
Vln. II B
Vla. A
Vla. B
p
Vc. A
Vc.B
Db.
f
3 3
3
3
3
3
mf, mp 6 marc, stacc.
3
3
3
3
mf
mf
mf
senza sord. f
3
mf
3
mf 3
3
mf
f
3
3
3
mf
f
3
3
6 6
mf
fp
3
f, espr.
mf
3
fp
fp
3
3
3
3
3
3
mf
3
3
mf
3
3
3 3
3 3 3
3
3
3
f-mf
pizz., unis f
f-mf
fp
f
f, espr.
f, espr.
fp
pizz. arco
fp
fp
f
fp
6
3
3
f
mp 6
3
f
3
3
p
Bs. Cl.
mf
solo, senza sord.
mf, marc, stacc
3
f
3 3
3
Vln. II A
fp
fp
f
f
fp
mf
fp
f
fp
f
fp
3
3
Bsn. 1
fp
3
Cl. 2
pizz., unis
f
3
mf
3
3
mf
f
3
mf
3
3
Full Score
Picc. (Fl. 2)
Fl. 1
65
f
3
mf 3
3
mf
3
3
f
3
f
Ob. 2
mf
3
3
mf
mf
f
3
3
3
3
mf
3
C Tpt. 2
Perc. 1
Perc. 2
Vla. solo
Vln. I
Vln. II A
3
3
3
3 f
mf
Vla. A
3 3
3
3
f
Vc. A
Db.
mf
f
mf
3
3
ff
3
3
3
f
f
3
f
sf
sf
sf
3
3
3
f
p
3
f
3
3
sf
f
mf
3
f
Xylo.
mf
f
f
f
f
f
3
3
ff
3
ff
3
ff
3
pizz.
ppp
sf
p, sotto voce
p, sotto voce
p, sotto voce
sf
pizz.
ff
mf
pp
mf dolce, cant.
ff
3
Triangle
p, sotto voce
3
3
fsf
mf
p
3
pp
Vibes.
3 3 arco 3 3 3 3 3
p
3
f
3
ff
3
ff
3
3
3
f
mf
arco
f
ff
sf
mf 3
3 3 3 3 3 3
f
Vc.B
to Fl.
3
3
mf 3
f
Vla. B
mf
3 f
3
3
3
3
3 mf
ff
3
3
3
3
f-mf
f-mf
mf
f
Vln. II B
3
11
3
f-mf
3
3
f-mf
mf
f
C Tpt. 1
3
mf
f
Hn. 2
f
mf
f
Hn. 1
3
f
3
f
Bsn. 2
f
f
3
Bsn. 1
3
3 f
B. Cl.
f
Cl. 1
f
3
Ob. 1
arco
mp
mp
arco
Full Score
12 71
Fl. 1
Fl. 2
Ob. 1
Ob. 2
p
p
p
p
sord.
sord.
pp
Vln. I A
pp
sord.
p
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. A
Vc.B
Db.
mp
p
mp
mp
p
sord.
p
mp
mp
mp
p
p
mp
p
mp
mp
p
mp
mp
p
p
ppp
f
mf
p
Vibes, with motor
mf
mf
pizz.
mp
pizz. mp
mf
mp
p, sotto voce
mp
p
p, sotto voce
mp
p
mp
p, sotto voce
p
p, sotto voce
Vln. I B
mp
p
p, sotto voce
mp
pp
Vla. solo
p, sotto voce
C Tpt. 1
Perc. 2
Hn. 2
Perc. 1
Bsn. 1
C Tpt. 2
p, sotto voce
B. Cl.
Hn. 1
Fl.
Cl. 1
Bsn. 2
p
(pizz.)
mp
(arco)
p (pizz.)
p
Full Score
Poco più mosso q = 126 ( h = 63)
77
Fl. 2
Ob. 1
Fl. 1
mf
to Picc.
p
Ob. 2
mp, dolce espr.
mp, dolce espr.
13
mp
mp
p
Cl. 1
B. Cl.
Hn. 1
p
p
Perc. 1
Vla. solo
p
pp
mp, dolce espr.
pp
pp
pp
pp
mp
Poco più mosso q = 126 ( h = 63)
mf
Vln. II
Vla. B
Vc. A
Vc.B
Db.
p
tutti, pizz.
mp
Vln. I
Vla. A
pp
p
p
C Tpt. 1-2
Hn. 2
p
Bsn. 1
Bsn. 2
pp
pp
pp
p p p arco
pp
pp
pp
arco
p
pp
p
arco p
pp
pp
Full Score
14 83
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
3
3
3
3
3
p
3
Picc.
3
3
mf
mf
3 3
mf
3
3
C Tpt. 1-2
Perc. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Vla. solo
Vln. I
3
mf, dolce sspr.
open
3
p
Vln. II
div.
p
Vla.
Vc. A
Vc.B
Db.
p
p
p
p
pp
pp
p
p
p
pp
p
mp
p
mp
mp
mp
p
pp
pp
mp
mp
mp
mp
mp
mp
mp
p
p
p
p
p
mp
mp
mp
mp
mp
mp
Full Score
90
Fl. 1
Fl. 2
Ob. 2
mp
poco f
Fl.
mp
Bsn. 1
Bsn. 2
Hn. 1
Vln. I A
3
p 3
poco f
mf
3 3
poco f
pp
pp
mf
sord.
(sord.)
(sord.)
Vc.
pp mp
pp mp
pp
(sord.)
mp
pp
pp
mp p
p
6
6 3 6 6
6
1. solo, tip 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
mf
1. solo, tip
pp
3
3
Vla.
f
mf
Vln. II B
mp
Vln. II A
p
pp
mf
Vibes, motor off
pp
pp
mf
mf
mf-pp
mf
mf-pp
Vln. I B
Db.
p
C Tpt. 1
Vla. solo
mf
Hn. 2
Perc. 1
mp
C Tpt. 2
mp
poco f
3
15
3
3
3
mp
B. Cl.
p
Cl. 1
Ob. 1
3 3
mf
mf
mf
3
mf
3
3
1. solo., sul tasto 3
pp
3
2. solo, sul tasto
pp
3
3
3
3
3
3
3
3
3
3
pp
3
3
3 3
3 3
3
3
3
3
3
3
mf
mf
mf
Full Score
16 q = q.
3
94
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
(q. = 126)
mf
pp
C Tpt. 2
Perc. 1
Vln. I
Vla.
Vc. A
Vc.B
Db.
mf, non troppo
mf, non troppo
pp
mp
p, secco
3
3
3
pp
(q. = 126)
f, boisterous
pizz.
pizz.
Pedal Bass Drum or Low Tom-Tom, muted
3
mp-p
3
3
3
mp
pp
3
unis.
Vln. II
mf
q = q.
Vla. solo
3
Perc. 2
mp-p
C Tpt. 1
p
p
Full Score
98
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
p
pp
p
(pp)
ff
f
Vln. II
arco
arco
Db. B
mf, non troppo
mf, non troppo
ff
Vln. I
Db. A
p
Vc.B
Vc. A
p
C Tpt. 1-2
Vla.
Vla. solo
p
p
Hn. 1-2
(pp)
Perc. 2
(pp)
Perc. 1
(pp)
17
pizz.
p
pizz. p
Full Score
18
101
Fl. 1
Ob. 1
Ob. 2
p
mf
fsf
pp
pp
fsf
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
f
f
mp
Perc. 1
Perc. 2
Vla. solo
open
f
Vln. I
Vln. II
Vla.
Vc. A
Vc.B
Db. A
Tutti, sord.
5:6
sf
ff
appass.
4
5:6
mf
legato fp
legato fp
mf
mf
pp
pp
4
p legato
open
pp
mf
fsf
C Tpt. 1-2
mf
mf
mf
B. Cl.
mf
Cl. 1
Fl. 2
mf
arco 4
2
4
4
mf, molto marcato
Db. B
arco 4
4
mf, molto marcato
2
4
Full Score
104
Fl. 1
Cl. 1
B. Cl.
Hn. 2
p
Perc. 1
Vla. solo
Vln. I
Vla.
pp
Vc. A
Vc.B
Db. A
pp
pp
4
Db. B
4
2
2
f
pp
f
mf
(sord.)
(sord.)
mf
pp
pp
f
mf
4
4 4
4
4
f, molto marc.
4
f, molto marc.
4
f, molto marc.
f
f
f, molto marc.
ff
tutti, senza sord.
tutti
4
mf
f
fp
p
molto f, feroce
più f
mf
molto f, feroce
Vln. II
p
mf
fp
p
C Tpt. 2
mf
pp
C Tpt. 1
f
fp
mf
Bsn. 1
Hn. 1
fp
fp
19
p
fp
fp
f
Ob. 2
fp
Ob. 1
Bsn. 2
Fl. 2
4
4
2
2
2
2
4
4
4
4
Full Score
20 Fl. 1
106
Fl. 2
mf
fp
mf
Ob. 1
q. = q
f
f
f
Ob. 2
fp
B. Cl.
C Tpt. 1
C Tpt. 2
Perc. 1
Vla. solo
Vln. I
Vln. II
Vla.
f
p
mf
p
mf
f
2
4
Vc. A
Vc.B
Db. A
4
4
4
4
4
Db. B
4
3
3
3
3 3
ff
3 3
3
3
ff
ff
3 3
3
ff
3
mf
f
open
f
3 3 3 3 3 3 3 6
fp
5
3
3
più f
più f
3
3
più f
ord.
5
molto
4
molto
4
3
più f
4
3
ff
3
3
3
3
3
fp
4 4
3 3
3
unis.
2
4 4
f
4 4
3
3
2
3
3
f
mf 4
3 3
2
4
q. = q
2
2
4
3
3
3
3
3
3
4
3
3
3
f
3
f, molto marc.
3
f, molto marc.
3
f
mf
mf
mf
Hn. 2
2
mf
Bsn. 1
Hn. 1
Cl. 1
Bsn. 2
f
3
3
5
3
3
3
molto f
Full Score
109 (q =126)
Fl. 1
6 6
f
Fl. 2
to Picc.
6
6 6
f
Cl. 1
f
Bsn. 1
6
f
3
21 3
f
ff
ff
f
3
ff
3
f
3
f
ff
sim.
3
5
3
ff
f
3
f
ff
f
3
3
ff
5
ff, molto marc.
ff
6
B. Cl.
3
6
f
Ob. 2
3
Ob. 1
ff, sost. é marc.
Bsn. 2
Hn. 1
5
ff, molto marc.
open 3
f, sost. é marc.
C Tpt. 2
Perc. 1
Perc. 2
Vla. solo
Vln. I
Vln. II
Vla.
Timp.
(q =126)
ff
3
3
Crot.
f
3
3
3
3
3
3
3
3
3
sf
3
long bows
3
3
ff, long bows
5
5
5
5
3
3
5
5
5
5
ff
pizz.
Db. B
ff
ff, long bows
ff, marc. pizz.
Db. A
mf
3
ff, marc.
Vc.B
f, sost. é marc.
Vc. A
3
sim.
ff, sost. é marc.
C Tpt. 1
5
ff, sost. é marc.
Hn. 2
Full Score
22 111
Picc. (Fl. 2)
Ob. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
5
3
Vc. A
Vc.B
f
3
3
f
ff
3
ff
3
3
f
3
ff
f
5
3
3
3
3
3
3
mf
3
3
3
3
5
5
5
5
3
3
3
3
3
5
5
5
5
long bows, legato
3
Db. B
3
5
Db. A
3
p
ff
3
3
f 3
3
ff
Vla.
f
Perc. 1
Vln. II
f
3
Vln. I
C Tpt. 2
Vla. solo
5
C Tpt. 1
f
3
ff
3
B. Cl.
ff
3
Cl. 1
f
3
ff
3
3
ff
3
Ob. 1
3
ff
Fl. 1
Perc. 2
Full Score
113
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
Perc. 1
Perc. 2
Vla. solo
Vln. I
Vln. II
Vla.
Vc. A
Vc.B
Db. A
Db. B
ff, molto marc.
ff, molto marc.
5
f
3
3
sf
3
3
3
3
3
f
3
3
3
5
3
3
3
3
3
3
3
3
5
5
5
5
3
3
5
3
più ff
3
3
5
3
più ff
5
3
23
p
5
più ff
5
3
più ff
3
3
3
3
Xylo.
sim.
f
3
ff-f
sim.
3
ff, molto marc. 5
ff, molto marc.
ff, molto marc.
Full Score
24 115
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
6
f 3
ff
ff 3
f sempre tenuto
B. Cl.
Bsn. 1
ff
Bsn. 2
Hn. 1
ff
C Tpt. 1
C Tpt. 2
Perc. 1
Perc. 2
Vla. solo
Vln. I
Vln. II
Vla.
Vc.B
Db. A
Db. B
5
sim.
f
f
3
3
3
6
f
f
3
f
5
6
più ff
3
f
3
3
p
6
3
3
f
arco
3
5
5
6
f
ff, marc.
3
3
6
6
3
3
fp
ff
f
f
5
ff, marc. arco
3
6 6
ff
f
3
più ff
3
3
3
3
f
3
5
f
ff
3
f
ff
3
6
f mf
ff
f
p
f
ff
5
ff
6
ff
3
6
ff
6
Vc. A
3
sim.
6
f 3
3
f
ff
Hn. 2
3
f sempre tenuto
3
6
f sempre tenuto
Cl. 1
5
3
3
Full Score
117
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
Perc. 1
Perc. 2
Vla. solo
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. A
Vc.B
Db. A
Db. B
sf
sf
ff
sf
sf
sf
ff
sf-mf
ff
ff
sf
3
ff
sf
sf
non div.
fff, molto intenso non div.
fff, molto intenso
non div.
fff, molto intenso
non div.
fff, molto intenso non div.
fff, molto intenso non div.
fff, molto intenso non div.
fff, molto intenso non div.
fff, molto intenso
3
3
sf
sf
ff
ff
ff
6
ff
mf
sf-pp
sf-pp
sf-pp
f
sf-pp
sf-pp
sf-pp
sf-pp
ff
3
3
ff
sf-mf
3
3
f
3
to Cl.
fff
3
sf-mf
3
ff
3
fff
6
6
6
25
fff
ff
3
5
3
ff
5
3
f
ff
ff
ff
ff
6
6
6 6 6 fff ff
ff
ff molto sost.
ff molto sost.
ff ff
ff
non div.
ff molto sost.
ff molto sost.
3
non div.
pp
non div.
ff molto sost. non div.
ff molto sost. arco ff molto sost.
arco
ff molto sost.
fp
fp
Full Score
26 120
Picc. (Fl. 2)
Ob. 1
Ob. 2
Cl. 1
Vla. solo
Vln. I
ff
f
f
f
Cl.
ff
ff
ff
f
f
ff
ff
f
f
mf
ff
ff
mf
mf
mf
sfmf
sfmf
mf
mf
Xylo.
p
f
3 3
ff, molto sost.
Vln. II
Vla.
Vc.
Db. A
f
f
non div.
ff, molto sost.
ff, molto sost. pizz.
f
With energy, agitato
mf
mf
mf
mf
f
pizz.
ff, molto sost.
Db. B
mf
mf
mf
mf
C Tpt. 1
Perc. 2
With energy, agitato
Hn. 2
Perc. 1
Bsn. 1
C Tpt. 2
Cl. 2
Hn. 1
Fl. 1
Bsn. 2
Full Score
C Tpt. 2
Perc. 1
125
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1
Vla. solo
Vln. I
Vln. II
Vla.
Vc.
Db.
Glock.
mf
div.
27
mf
unis.
ff
ff
ff
ff
ff
ff
ff
arco
ff
Full Score
28 129
Picc. (Fl. 2)
f
ff-p
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
5
ff-p
ff
ff-p
ff
5
ff-p
ff
Perc. 1
Vla. solo
Vln. I
pp
pp
pp
ff
ff
ff
ff
ff-p
ff
f
Perc. 2
ff
ff-p
C Tpt. 2
ff-p
C Tpt. 1
ff
ff-p
Hn. 2
ff-p
ff-p
Hn. 1
ff
ff-p
ff
ff-p
Bsn. 2
Tempo 1, q = 120 to Fl.
pp
Med. Sus. Cym, hard mallets
ff
Tempo 1, q = 120
cresc. poco a poco
mp
sf
Vln. II
Vla.
pp, senza vib.
sf
Vc.
div. sf
Db.
ff-p
pp, senza vib.
ff
Full Score
133
Fl. 1
Ob. 1
Ob. 2
Fl. 2
Fl.
mp
mp
mp
mp
C Tpt. 1
C Tpt. 2
Perc. 1
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Vla. solo
pp
mp
pp
mp
(mf)
(cresc.)
Vln. I
Vln. II
Vla.
Vc.
Db.
29
div.
unis.
unis.
div.
mp
mp
Full Score
30 136
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
pp
pp
pp
pp
pp
pp
Hn. 1-2
C Tpt. 1-2
Perc. 1
Bsn. 1
Bsn. 2
Vla. solo
mp
Crotales
poco f
(f)(cresc.)
Vln. I
Vln. II
Vla.
Vc.
Db.
pp
Full Score
140
Fl. 1
mp
Fl. 2
mp
Ob. 1
mp
mp
Ob. 2
Cl. 1
mp
Cl. 2
mp
Bsn. 1
Perc. 1
Vla. solo
Vln. I
p f mf molto f ff
Vln. II
Fl. 1
Ob. 1-2
Cl. 1
Cl. 2
Perc. 1
Vla. solo
Vln. I
div.
pp con sord.
143
Fl. 2
Bsn. 1-2
con sord.
Vc.
(cresc.) inside only
Vla.
Db.
31
f
pp
p
p
relaxing
pp
pp
Vln. I B
Vln. II
Vla.
3
6
mp
6
Db.
pp
poco
3
3 soli, div. con sord.
3
mf
relaxing
Vc.
pp
p
Vln. I A
pp
2 soli, div. (senza sord.)
con sord. tutti, div.
con sord. tutti, div.
tutti, div.
pp
pp
pp
pp tutti, con sord.
pp tutti, con sord.
pp
II. Romance
32 Flute 1
p
Flute 2 (Picc.)
Oboe 1
Oboe 2
Clarinet 1 in Bb
Tranquillo q = 69-76
p
Clarinet 2 in Bb (Bs. Cl.)
p
Bassoon 1
Horn 1 in F
p
Horn 2 in F
p
Bassoon 2
pp
pp
p
p
p
p
pp
p
to Bs. Cl.
pp
p
pp
p
p
p
p
pp
Trumpet 1-2 in C
Percussion
Tranquillo q = 69-76
Viola solo
mf
Violin I
con sord.
Violin II A
con sord.
p, warm
p, warm
Violin II B
con sord.
p, warm
Viola A
con sord.
Viola B
con sord.
p, warm
Violoncello Solo
(senza sord,)
p, warm
Violoncello A
Violoncello B
con sord.
con sord.
p
pp
pp
mp
pp
pp
mp
pp
mp
pp
pp
pp
pp
mf
pp
mp
pp
mp
pp
p,
mp
mp
pp
pp
mp
pp
p, warm
p, warm
Double Bass
mf
pp
pp
p
p
p
p
p
pp
pp
pp
pp
p
pp
p
pp
mf
p
pp
pp
p
mp
p
pp
p
pp
p
p
mf
pp
f, espr.
p
p pp solo, senza sord.
mf
solo
mf
p
mf
p
p
pp
p
April 2016
Fl. 2
Ob. 1
mp
Ob. 2
mp
Vla.
f
mp
unis.
Vln. II A
mp
Vln. II B
mf
mf
pp
p
p
pp
mf
pp
pp
mf
pp
p
pp
ppp
pp
ppp
p
p
pp
mp
p
p
p
pp
pp
pp
ppp
ppp
pp
mp
pp
mp
p
div.
pp
mf
mf
pp
mp
pp
ppp
mf
Poch. sostenuto
p
pp
Vla. 1, al sord
p
pp
pp
mf
p
mp
p
pp
f
Vc. B
p
Bs. Cl.
Vc. A
pp
pp
mp
Vc. Solo
solo
mp
Vla. B
pp
mp
Vla. A
pp
pp
pp
mp
mp
mp
Db.
Hn. 2
Vln. I
mp
C Tpt. 1-2
Bsn. 1
B. Cl.
Hn. 1
pp
Cl. 2
Bsn. 2
pp
Poch. sostenuto
Cl. 1
13
Fl. 1
33
ppp
p
p
p
pp
ppp
pp
ppp
ppp
34 23 Poco più mosso q = 72-80
Fl. 1
Fl. 2
mf
p
Ob. 2
Cl. 1
Ob. 1
mf
mf
Bsn. 2
Hn. 1
Hn. 2
p
p
mf
p
mf
Bsn. 1
B. Cl.
Vla.
mf
p
sord.
p
mf
p
mf
p
mf
Vln. I
Vln. II
3
3
p, legg.
3
5
3
3
f molto leg.
mp
senza sord.
6
mf
unis., senza sord.
3
p
mf
sord.
mf
p
mf
p
Poco più mosso q = 72-80
p
p
mf
mf
mp
p
p, legg.
3
p 3
3
p 3
3
Vc. Solo
Vc. A
mp
Vla.
Vc. B
Db.
pp
pp
pizz. p
mp
pp
pp
35
poco movendo
28
Fl. 1
Fl. 2
Ob. 1
mp
Ob. 2
A tempo q = 72-80
f
mf
mf
Cl. 1
rit.
Bsn. 1
Bsn. 2
poco f
Hn. 1
open
p
Hn. 2
Vla.
mf
mf
p
open
mp
p
mp
p
mf
B. Cl.
p
p
mp
p
p
mf
Vln. I
6
Vln. II
Vla. A
Vla. B
6
mp
Vc. Solo
(senza sord.)
mf
Vc. A
Vc. B
p
mf
p
rit.
A tempo q = 72-80
3
p
mp
p
mp
mf
mf
3
3
f, play out
3
p
mp
mf
p
p
5
mf
mf
mp
p
Db.
3
pp
mp
3
mf
poco movendo
p
mf
mf
p
3
p
p
mf
mf
p
p
p
mf
36 35
Fl. 1
rit.
Sostenuto q = 69
Ob. 1
mf
Cl. 1
f
mp
Bsn. 2
Hn. 1
mp
mp
Vla.
Vln. I A
f
mfp
mp
Hn. 2
p
f
mfp
rit.
f
molto f
mf, dolente
p, echo
p
p
relaxing
p
Adagio q = 40-44
rit.
mf
mp
p
f
Sostenuto q = 69
p
f
mfp
p
f
mfp
Adagio q = 40-44
p
Bsn. 1
f
B. Cl.
rit.
solo
Ob. 2
f
mfp
relaxing
p
con sord.
mf
6
p
6
pp
con sord.
pp
Vln. I B
Vln. II A
con sord.
p
Vln. II B
con sord.
p
Vla. A
p
Vla. B
p
mfp
mf
f
mfp
f
mfp
mfp
6
6
6
6
mf
mf
p
con sord.
Vc. Solo
Vc. A
pizz.
mp
Vc. B
mf
pizz.
mp
Db.
mf
mf
p
mf
p
arco
mf
p
f
f
f
arco
p
p
pp p
p
pp
pp
p
p
p
37 41
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Hn. 1
Hn. 2
Perc. 2
1. solo
pp, poco vib.
Vln. I B
pp
Vln. II B
pp
Vla. A
pp
Vla. B
pp
Vc. Solo
pp pp, poco vib.
Vc. A
pp
1. solo
pp, poco vib.
pp
pp, poco vib.
rfzp
rfzp
rfzp
p
tutti, div.
mp-p
tutti, div.
3
pp
pp
pp
mp
1. solo
2. solo
Low Sus. Cym.
pp
p
tutti, div.
mp
tutti, div.
pp
3
3
3
3
3
3
3
p-pp
mp
3
3 3 3 3 3 3 3 3
tutti, div.
mp-p tutti, div.
solo
p
pp
tutti
mp-p
(pizz.)
mp
pp
pp
col soli
p
tutti
pp
pp
2. sola
3
f
1. sola
3
3
pp
mp-p
pp
pp
3
tutti, div.
3
mp
mp
3
mp
pp
3
3
tutti, div.
3
2. solo
3
pp
pp
1. sola
tutti, div.
tutti, div.
pp
mp-p
Vc. B
mp-p
Vln. II A
rfzp
rfzp
rfzp
Med. Tam Tam
p, intimo, cant.
Db.
Vla.
Vln. I A
rfzp
rfzp
rfzp
Bsn. 1
Bsn. 2
mp
mp
mf
38 49
ten.
Hn. 1
Hn. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
pp
pp
Bsn. 1
Bsn. 2
pp
Vbr. motor off
Perc. 1
Vla.
pp
Vln. I B
Vln. II A
pp
pp
p
pp
poco mf, tranquillo
1. solo
p, tranquillio
tutti
pp
p
pp
tutti
pp
mp
Vla. A
pp
1. sola
p, tranquillio
tutti, div.
pp
mp
Vla. B
Vc. Solo
Vc. A
Vc. B
Db.
pp
(1. solo)
pp
pp
div. p
p, tranquillio
pp
pp unis., arco II
tutti, div.
pp
p
p
mp
pp
mp
pp
p
mp
pp, lightly
pp, lightly
poco
poco
poco
pp, lightly
pp, lightly
pp, lightly
pp, lightly
poco
pp, lightly
pp
pizz.
pp
poco
pp
pp
mp
pp
mp
tutti unis.
pp, lightly
pp, lightly
mf
p
mp
Vln. II B
ten. p
Vln. I A
poco
poco
poco
poco
39 57
accel.
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Perc. 1
Vla.
p
accel.
Vc. Solo
Vc. A
Vc. B
Db.
Vla. B
Vla. A
p
Vln. II B
Vln. II A
p
Poco più mosso q = 52-56
3
mp non troppo, ma intenso
mp non troppo, ma intenso
mp non troppo, ma intenso
mp non troppo, ma intenso
3
mf
(pizz). 3
arco, legato
mp non troppo, ma intenso
mp non troppo, ma intenso unis., arco
mp non troppo, ma intenso
3
3
mp non troppo, ma intenso
3
p
3
mp non troppo, ma intenso
3
p
3
f, pesante, appass.
p
Vln. I B
Vln. I A
Poco più mosso q = 52-56
40 64
ten.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
ten.
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mfp
6 mfp
With movement, e = 132
mf
f
mf
f
mf
f
mp-p
p
mp-p
p
f
6
6
p
mf
6
p
mp
C Tpt. 2
Perc. 2
Vla.
Vln. I A
Vln. I B
Vln. II A
Vln. II B
3
ten.
poco f
poco f
poco f
Db.
pizz.
pizz.
fsf
sf
sf
sf
3
3
3
p, crisply
p, crisply
sf
3
p, crisply
3
p, crisply
sf
3
pizz.
pizz.
sf
poco f
poco f
pizz.
pizz, ord.
sf
pp
6
6
poco f
f, appass.
6
6 6
poco f
poco f
With movement, e = 132
Vc. B
ten.
ff 3
fsf
Vc. A
p
Vla. B
6
Vla. A
p
Timp.
C Tpt. 1
p
mp
41 69
Fl. 1
Fl. 2
Ob. 1
p
poco mf
Ob. 2
mf
Bsn. 1
3
p
poco mf
3
3
3
p
3
mf
3
p
mf
poco mf
p
poco mf
3
p
poco mf
3
poco mf
p
Hn. 2
mf
Hn. 1
mp
mf
Bsn. 2
mp
mf
B. Cl.
poco mf
Cl. 1
poco mf
C Tpt. 2
Perc. 2
p
Vla.
6
Vln. I B
3
3 3
3 3
sf
Vc. A
sf
Vc. B
Db.
3
arco
arco
3
p
p 6
sord.3
3
pizz.
3 p
pizz.
3
3
mf
3
3
3 p
p
3
sf
Vla. B
3
pp
Vla. A
3
pp
Vln. II B
p
mf
3
Vln. II A
p
mp
6
Vln. I A
mf
3 3 p
3
p
3 3
mf
p
C Tpt. 1
3
3 pp 3
3
3
pp 3
3
3
3
pizz.
pizz.
p
mf
3 p
pizz.
mf
mp
mp
p
3
pizz.
3
mf
3
3
mf
mf
mf
p
p
p
p
arco
arco
div., arco
mp
3
pp
pp 3
42 73
Fl. 1
mf
mf
Ob. 1
6
6
Fl. 2
3
6
3
Ob. 2
p
Cl. 1
6
B. Cl.
Bsn. 1
p
3
3
3
mfsf
3
pp
3
3
mf
6
3 p
mf
Bsn. 2
Hn. 1
3
3
3
p
Hn. 2
mf
3
6 3 mf mp
Vln. I A
fp
3
arco
arco
3 3
arco
Vc. B
Db.
3
3
3
3
3
3
3
p
p
mf
mp
3
3 3
3
3
3
mf
3
3
3
mp pp
3
mp pp
3
mp pp
pp 3
mf
f
3
3
sf
pp
mp pp
mf
3
mf
pp
mf
6
mfpp
pp
6
mf
6
6
mfpp
mf
mp
ff
6
p
Vc. A
6
mp
3
arco
p, legg.
Vla. B
6
6 3
Vla. A
mp
p, legg.
Vln. II B
arco
Vln. II A
6 3
arco
Vln. I B
mf
6
p
6
3 3 mf p
p
fp
mf
3
3
mfp
Vla.
mfp
Perc. 2
mf
p C Tpt. 1
3
sord.
C Tpt. 2
3
3
mfsf
f
mfsf
3
mfp
3
3
fpp
6
3
mfp
mfp
3
3
fpp
6
p
mf
mfp, legg.
6
3
mf
6
3
mfp, legg.
3
mp, legg.
poch. allarg. 77
Fl. 1
Fl. 2
Ob. 1
Ob. 2
3
p
mp, stacc. 3
3
mf
Bsn. 2
Hn. 1
mp
6
mf
p
Perc. 2
Vla.
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. A
3 3
mp-pp
3
3
3
mp-pp
mp-pp
3
Db.
p
mf
Meno mosso q = 60
3
6
3
6
mp
pizz.
mf
mf
arco
3
6
arco
3
on the str.
p
pp
pp
p
p
6
mf
mf
mf
mp
pizz.
ff
rit.
6
6
6
6
6 6 6 mf I, II
fsf
on the str.
p
fsf
f
6
pp
fsf
6
pizz.
p
pp
I, II fsf
6
6
6
pp
6
6
mp
mf
pp
mp
6
Vc. B
p
6
mp
p
p
3
mf
p
p
fsf
3
fsfz
p
fsf
3
mf, echo
3
3 mp-pp
sfz
f
p
f
p
3
p
sfz
p
f
poch. allarg.
fsfz
Triangle Med. Cym. hard sticks Perc. 1
mf
C Tpt. 1
p
f
p
f
C Tpt. 1-2
C Tpt. 2
3
mp stacc.
Hn. 2
f
6
6 6
Bsn. 1
43
rit.
f
f
p
Meno mosso q = 60
f
6
p
p B. Cl.
6
3
p
Cl. 1
p
p
p
44
Adagio q = 40-44 82
Fl. 1
p, dolce
Fl. 2
p, sotto voce
Ob. 2
Cl. 1
p, sotto voce
Bsn. 1
Bsn. 2
Hn. 1
pp
mf
p
p
p
pp
pp
pp
pp
p
p, sotto voce
3 3
fltng..
p
Hn. 2
B. Cl.
pp
Ob. 1
poco rit. Sostenuto, q = 54-56
3
mf, espr.
solo open
solo
3
mf
C Tpt. 1
C Tpt. 2
Perc. 1
3
Glock., med. rubber mallets
pp
Med. Tam Tam Perc. 2
pp
p
Adagio q = 40-44
Vla.
p, intimo
Vln. I A
Vln. I B
Vln. II B
Vla. A
Vla. B
Vc. Solo
Vc. A
Vc. B
Vln. II A
Db.
senza sord.. rfz sul tasto rfz
senza sord.. sul tasto
senza sord.. sul tasto
(pizz.)
p
3
3
3 3
(sord..)
pp
3
pp (sord..)
pp
pp
3
rfz
mp
rfz
rfz
rfz
pp
pp
pp
pp
sul tasto
3
ord. 3
p
mp
ord. p
ord.
p
pp
ppp
pp mp
ppp
rfz
3
3
3
f, espr.
3
rfz
pp
mf
3 3 3 3 3 3
mf
3
Sostenuto, poco rit. q = 54-56
senza sord.. sul tasto
pp
rfz
senza sord..
rfz
senza sord.. sul tasto
ppp
pp
senza sord.. sul tasto
3
3
p
ord.
p
arco, div. p
p
3
pp
3
3
ppp
unis.
91
Fl. 1
ppp
Fl. 2
Ob. 1
Ob. 2
Cl. 1
3
3
pp
3
Bsn. 1
Bsn. 2
Perc. 2
3
p
3
3
mf
3
mp
3
3
f
3
mf
3
Vln. I B
3
pp
3
p
Vln. II A
Vla. A
Vla. B
p
ord.
Vc. A
Vc. B
Db.
div.
3
3
p
p
p
mp 3
p
unis.
3
p
mp
3
p
f
3
3
ord.
ord.
mf
3
ppp
p
mp p 3
Poch. più q = 66
p
ord.
f
3
mf
sul tasto
3
Timp.
3
ppp
3 p mp
p
non div.
f
3
mp
ppp
3
5
3
p
p
mf
(sul tasto)
Vln. II B
3
3
(sul tasto)
f
f (solo)
poco accel.
3
f molto
3
Vln. I A
f
f
3
3
Vla.
mp
Perc. 1
mf
Hn. 2
mp
Hn. 1
ppp
mp B. Cl.
45
Poch. più q = 66
poco accel.
3 mf p
3
mf
p
mf
sub. f
6
sub. f
sub. f
pizz.
sub. f
6
6
6
p
6
p
6 6 6
3
3
mf
sub. f
arco
46
q = 56
relaxing 95
Fl. 1
Fl. 2
Ob. 1
Ob. 2
pp, dolce
colla parte
q = 66
accel.
Cl. 1
mf
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
mf
f
Perc. 1
Vla.
Vln. I B
Vln. II A
p
3
rfz
Vln. II B
rfz
Vla. sola
Vla. A
ff
Vc. A
rfz
Vc. B
Db.
p
p
molto
molto
molto
( )
alternate
pp
pp
rit. tenuto
pp
p
molto
f
col altri
pp
pp
pp
pp molto (norm.)
f
pp molto
pp
f
f
pp
molto
pp molto
pp
pizz.
mp
f
pp
mp, dolce
molto
Meno Mosso colla parte
f
mp
mp, dolce
f
pp
f, appas.
pp
p
p
mp
pp
3
pp
p
rfz
senza sord.
rfz
p
q = 66
5
sola
molto
accel.
pp
rfz solo, (senza sord.)
Vc. Solo
senza sord.
p
rfz
Vla. B
pp
pp
p
3
pp
3
Vln. I A
f
pp
f
q = 56
relaxing
pp
open. C Tpt. 1
f
pp
f
f
mf
mf
p
mf
p
mf
mf
f
mf
molto
mf
pp
molto
f
tenuto Meno Mosso -
f
rit.
arco
p
pp molto
pp
molto
sub. pp
f molto
Freely
sostenuto 103
Picc. (Fl. 2)
Fl. 1
Fl. 2
Ob. 1
Ob. 2
B. Cl.
Bsn. 1
Hn. 1
Hn. 2
Cl. 1
Bsn. 2
mp
to Picc.
pp
Freely
3
6
pp
p
3
pp
3
pp
pp
pp
pp
mp
p
mp
p
to Bb Cl.
p, intimo
1 solo
Vla. sola
Vla. A
Vla. B
Vc. A
Vc. B
Db.
p, senza vib.
p, senza vib.
3
pp, dolce tutti div.
pp, dolce
pp, dolce
arco
pp, dolce
pp, dolce
pp
pp
pp
col altri
pp
pp, dolce
dim.
mp, dolente
pizz.
pp
pp
p, senza vib. 2 soli
pp, dolce
pp
pp
Picc.
poco rit. Poco largamente
1 sola
A tempo
47
poco rit. Poco largamente
mf,dolce
sostenuto
Vln. II B
Perc. 1
Vln. II A
Vln. I B
Vln. I A
pp
C Tpt. 1
Vla.
A tempo (q = 56)
48
111
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
to Fl.
p, dolce
A tempo q = 60
rit.
mp, dolce
3
p
p
Cl. 2
C Tpt. 1
Vla.
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
1. solo, pizz.
mf
pizz.
pp
pp
3
3
3
3
p
sub. f
sub. f
pp
pp
p
sub. f pp
sub. f pp
pp
pp
arco
dim.
pp
p
arco
p
3
3
f
pp
A tempo q = 60
Vc. B
Vc. A
Vc. Solo
Db.
rit.
Vln. I A
Bb Cl.
mp
Vbr., motor on
Perc. 1
Bsn. 1
Hn. 2
B. Cl.
Bsn. 2
col altri
sub. f, sost.
sub. f, sost.
sub. f, sost.
p
p
p
pp
pp
pp
119
Fl. 1
pp
Ob. 1
Ob. 2
Hn. 1
Perc. 1
Vla.
Vln. I B
Vln. II A
Vln. II B
Vc. A
Vc. B
Db.
pp
rit.
Poco meno
pp
sord.
I.
mf
p
pizz., sord.
Vla. B
sord.
Vla. A
p
Vln. I A
pp
Hn. 2
Bsn. 1
Bsn. 2
p, dolente
Cl. 2
Cl. 1
Fl.
Fl. 2
rit.
49
Poco meno
mf
p
p
sord.
pp
sord.
pp
pp
arco
pp
pp
sord.
pp
III. A Song My Mother Taught Me
50 Moderato q = 104
Flute 1-2
Oboe 1-2
Clarinet 1 in Bb
solo
5
p, misterioso
Bass Clarinet in Bb
mp
flessible
poco mf
Bs. Cl. solo
Horn 1 in F
sord.
Horn 2 in F
pp
sord.
p, misterioso
Bassoon 1-2
6
3
mp
3
3
pp
f
molto
3
molto
Trumpet 1-2 in C
Percussion 1
Moderato q = 104
Viola solo
senza sord.
Violin I
senza sord. Violin II A
senza sord. Violin II B
pizz.
p
senza sord. Violoncello
Double Bass April 2016
3
p
pizz.
senza sord. pizz. Viola
Bs. Cl.
p
3
pizz.
p
3
51 12
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
ten.
f
3
6
sfp
Bsn. 1
Bsn. 2
Hn. 1
C Tpt. 2
ff
sf
p
f
C Tpt. 1
p
to Cl.
pp
solo
mp, espr.
open
ten.
Vla. solo
Vln. I
Vln. II A
3
6
arco
arco
f
Vla. A
f
Vla. B
Vc.
Db.
f
(pizz.)
mp, semplice
mf pizz. f
1. solo
pp,sotto voce, flaut.
p
pizz.
p
Poco più mosso, grazioso, q = 112 (h. = 37)
f
Vln. II B
open
pp
p
p
arco
p
ffsf
pp
f
non div.
mf
non div. mf
non div.
non div.
mf
ffsf
mf
ffsf
Med. Tam Tam
arco,
p
ffsf
open
pizz.
arco
Perc. 2
pp
pp
pp
p
mp
p
fsfp
Hn. 2
Poco più mosso, grazioso, q = 112 (h. = 37)
arco
p
arco
p
mf
mf
pizz.
mf
52
q = 104
24
Fl. 1
Fl. 2
Ob. 1
Ob. 2
sf-f
p
sf-f
f
6
3
ff
Hn. 1
C Tpt. 1
Vln. I A
poco rfz
mp
mp
mp
High Triangle
q = 104
mf
mp
q =112
arco
mp
outside, pizz.
inside, arco
mp
mp
mp
mf
p , p, poco cant. tasto
pp,
pp, sul tasto
sul tasto
mp
mp
3
mp, espr.
sul tastopp
pizz., unis.`
p
to Bs. Cl.
pp
mp
Db.
Vc.
mp
Vla. B
Vla. A
mp
Vln. II B
Vln. II A
Vln. I B
mf
pp
mp
pp
f
f High Asian Bell
Vla. solo
pp
mf
Perc. 1
Hn. 2
C Tpt. 2
mp
poco rfz
Bsn. 2
mp
mp
mf
sf-f
Bsn. 1
sf-f
B. Cl.
p
Cl.
Cl. 2
sf-f
Cl. 1
q =112
pp, sul tasto
pp, sul tasto arco, div.
pp, sul tasto
36
Fl. 1
Fl. 2
Ob. 1
Ob. 2
solo
p
rit.
mf
p
Cl. 1
accel. molto
p
B. Cl.
3
pp
53
q = 80 accel. q = 104
f
6
Bs. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
p
6
5
6
f
C Tpt. 1-2
Perc. 1
Vla. solo
Vln. I A
Vln. II A
Vln. II B
Vla. A
Vla. B
arco
p, tasto
pp
pp
rit.
accel. q = 80 q = 104
mf
pp
pp
pp
Vc.
Db.
5
Vln. I B
accel. molto
unis.
pp
54 45
Fl. 1-2
molto rit.
Ob. 1-2
B. Cl.
ff
Bsn. 1-2
Hn. 1-2
Grave q = 48-56
Cl. 1
pp
C Tpt. 1-2
Perc. 2
Vla. solo
Vln. I
pizz.. ord.
pp
p
Timp. non presto p
Vc.
to Cl.
Grave q = 48-56
Vla.
Db.
molto rit.
Vln. II
5
mf
mp
p
51
Cl. 2
Perc. 2
Cl. 1
Vla. solo
f
p
sub. f
non presto
mf
p
rit.
f, dolente dim. Cl. f, dolente dim. Più grave
Più grave rit.
p
f, dolente
dim.
55 59
Fl. 1-2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
fluido
solo
p
rit.
3
mf
p
pp
pp
pp
mp, espr.
3
3
C Tpt. 1-2
Perc. 1
Bsn. 2
Hn. 1-2
Vla. solo
Vln. I
Vln. II A
fluido
p
triste
3
3
p
Vln. II B
Vc.
Db.
3
3
mf
mp
mf
3
1. solo
mp, espr.
mp
p
Vla.
rit.
p
mp
3
3
pp
pp
pp
pp
56 64 Adagio e = 60-66
C Tpt. 1-2
Perc. 1
Fl. 1-2
Ob. 1-2
Cl. 1-2
Bsn. 1-2
Hn. 1-2
Chimes, medium yarn mallet
p
3 15 3
Adagio e = 60-66
Vla. solo
Vln. I A
mf, improvisando, espr.
pp
Vla. A
Vla. B
Vc. A
Vc. B
Db.
6
mf
mf
pp
Vln. II B
3
pp
Vln. II A
6
pp
Vln. I B
6
pp
pp
pp
tutti, div.
pp
pp
6
p
57 67
a2
Ob. 1-2
Cl. 1-2
Hn. 1-2
C Tpt. 1-2
Perc. 1
Fl. 1-2
Bsn. 1-2
pp
3 6 6
Vla. solo
mf
Vln. I A
6
cresc. poco a poco
Vln. I B
Vln. II A
rubato
cresc. poco a poco
poco f
cresc. poco a poco
Vln. II B
cresc. poco a poco
Vla. A
cresc. poco a poco
Vla. B
cresc. poco a poco
Vc. A
cresc. poco a poco
Vc. B
cresc. poco a poco
Db.
58 69
Fl. 1-2
Fl. 2 to Picc.
Ob. 1-2
Cl. 1
a2
rubato
pp
6
6
mf
mf
Cl. 2
Bsn. 1-2
Hn. 1
6
f
pp
Hn. 2
a2
6
sord.
p, dolce
sord.
pp
C Tpt. 1
C Tpt. 2
Perc. 1
6 6 6 6 6
Vla. solo
Vln. I A
mp
cresc.
Vln. I B
cresc.
mp
Vln. II A
cresc.
Vln. II B
cresc.
Vla. A
p
6
mf
f molto espr.
dim.
dim.
3
dim.
cresc.
Vc. A
cresc.
Vc. B
cresc.
Db.
mp
mp
dim.
dim.
6
dim.
mp
mp
3
mp
3
mp dim.
3
dim.
cresc.
Vla. B
6
pizz.
p
59 72 Poco movendo e = 80
Fl. 1
Ob. 1-2
Picc. (Fl. 2)
9
Cl. 1
solo
f
Cl. 2
Bsn. 1-2
Hn. 1
pp
Hn. 2
C Tpt. 1
sfmf heavy
C Tpt. 2
sfmf heavy
Perc. 1
Poco movendo e = 80 fsf
Vln. I A
pp
Vln. I B
pp
Vln. II A
pp
Vln. II B
Vc. A
cresc.
6
f
f
p
p
pp
pizz.
mf
mf
mf
mfp
mf
mfp
f
pp
Db.
pp
Vc. B
pp
pp
Vla. B
6
sf
pp
Vla. A
pizz.
Vla. solo
60 74
Picc. (Fl. 2)
Fl. 1
Ob. 1-2
Cl. 1
rit.
13
10
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
Perc. 1
Vla. solo
Vln. II A
Vln. II B
Vla. A
Db.
open
f
sf
f
sf
f
f
9
rit.
sf
10
f
open
mfp
mf
mf
mfp
pp
Vc.
arco
Vla. B
fsf
p
11
Vln. I
p
ff
12
Cl. 2
mf
mf
f
jete
ord.
jete
mf
f
pizz.
f
f
f
61 76
Picc. (Fl. 2)
Fl. 1
A Tempo q = 40 - 44
mf
Fl. 2
Ob. 1
mf-p
Ob. 2
mf-p
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1-2
Perc. 1
p
p
mp
3
p
mf
p
p
mf
mf
mf-p
mf
3
mp
Vibes, motor off
3
3
3
mf
mf
3
3 5 5 3 3 6 3
mf
f
3
p
Db.
3
3
mf-p
arco
Vc.
3
p
mf, poco flaut.
Vla.
3
A Tempo q = 40 - 44
Vln. II
3
p
Vln. I
mp
Vla. solo
3
3
3
mp
3
arco
p
p
p
62 79
Picc. (Fl. 2)
A tempo, pesante (q = 44)
accel. - - - - - - - - - - - - - - - - - - - - - rit. - molto -
3
Fl. 1
Ob. 1
mf
Ob. 2
mf
Cl. 1
p
mf
3
f
mf
p
f
3
p
3
p
mf
Cl. 2
3
3
mf
Bsn. 1
3
p
Bsn. 2
Hn. 1
pp
Hn. 2
C Tpt. 1-2
Perc. 1
Vla. solo
pp
p
3
3
3
3
3
3
mfp
p
3
3
mfp
f
p
mp
3
3
p
mp
7
7
3
p
sord.
3
3
3
f
mf
f
7
Vln. II
3 3
3 3
f
Vla. B
f
Vc. A
Vc. B
Db.
non div.
3
f-mf
3 3 3
mf
non div.
3
f-mf
mf
f
p 3
p
3
f
pizz. p
p
3 3 3
mf
3
f
Vln. I
Vla. A
A tempo, pesante (q = 44)
accel. - - - - - - - - - - - - - - - - - - - - - rit. - molto -
p
mf
f
f
3
3
f
f-mf
3
3
f-mf
3
p
3
p
3
f
3 f
pizz.
p pizz.
p
63 83
Fl. 1
Ob. 1-2
Cl. 1-2
Bsn. 1
Picc. (Fl. 2)
Bsn. 2
Hn. 2
mf
mp
Hn. 1
3
mp
3 f
p
3
f
3
3
3 3
p
3
mf
3
3
p
3
f
3
p
6
6
3
p
f
3
3
p
3
mf
mf
3
3
3 3
3
C Tpt. 1-2
Perc. 1
Vla. solo
3
mp
3
f
3
3
3
Vln. I
Vln. II
Vla.
Vc.
Db.
3
3
3
3
mp
mp
3
3
3
64 86
Picc. (Fl. 2)
Fl. 1
Ob. 1
3
mp
Ob. 2
Cl. 1
5
Bsn. 1
Bsn. 2
Hn. 1
f
3
3
f
3
3
fmp
3
mf
3
fmp
3
fp
fp
3
mp
3
3
3
3
fp
3 3
mp
fp
3 3
mf
3
3
3
mf
Hn. 2
3
fmp
5
p
3
3 3
3
3
p
Cl. 2
fp
mp
p
3
3
mp
3 3
fp
mp
fp
C Tpt. 1-2
Perc. 1
Vla. solo
Vln. I
Vln. II
Vla.
Vc.
Db.
3
più f
3
3
3
6
3
pesante
3
3 6
6
3
sf
sf
65 89
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
colla parte
pp
pp
pp
mf
pp
pp
mf
pp
Più mosso q = 56
pp
C Tpt. 1-2
Perc. 1
Più mosso q = 56
colla parte
11
Vla. solo
f molto
Vln. I
Vln. II
Vla.
Vc.
Db.
intenso
6
sf
Ob.
p
p
p
mp
arco
p
mf
66 92
Picc. (Fl. 2)
Fl. 1
Ob. 1
rubato e = 80
tornando al.
A tempo, q = 56
mf
Ob. 2
Cl. 1
Cl. 2
C Tpt. 1-2
Perc. 1
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Vla. solo
p
mf
rubato e = 80
p
sub. f
1. solo, arco
pp
p
rfz
più f-mf
mf
A tempo, q = 56
10
11
Vln. I
mf
tornando al.
mp
p
f
Vln. I A
Vln. I B
Vln. II
Vla.
p
mf
(arco)
p
p
p
mf
arco
mf
Db.
Vc.
p
mf
mf
p
p
p
mf
p
p
96
Picc. (Fl. 2)
Ob. 1
Ob. 2
Cl. 1
Bsn. 1
Bsn. 2
Hn. 1
p
mf
Hn. 2
mf
Fl. 1
Cl. 2
Picc.
67
pp
C Tpt. 1-2
Perc. 1
Vla. solo
Vln. I
Picc.
Vla.
Vln. II
p
Db.
p
mf
mf
Vc.
68 poco movendo
99
Picc. (Fl. 2)
poco rall.
to Fl.
p
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Hn. 1
Hn. 2
C Tpt. 1-2
Perc. 1
Bsn. 1
Bsn. 2
Vla. solo
poco rall. poco movendo
p
f
Vln. I
Vln. II
Vla.
p
pp
Vc.
1.solo
f
Db.
6
3
6
p
Sost., ad lib. q = 40-60 Xylophone
101
Perc. 1
Vla. solo
Vln. I
pp
Sost., ad lib. q = 40-60 accel.
Vc.
f
p
mf
pp
accel.
pp, senza vib. tutti, div. a 3
mp
pp mf-pp
pp, senza vib.
mp
pp mf-pp
f
Metals
pp
rit.
p mf
accel.
Xylo.
Vla.
Metals
69
rit.
p tutti, div. a 3
Vln. II
Db.
accel.
Xylo.
Freely
Perc. 1
3 accel. 104 Glock. - hard, clear-sounding mallets Sostenuto accel. 3 f mf 6
Vla. solo
Vln. I
Vln. II
Freely
f
accel.
mf
Vc.
Db.
p
pp
3 3
p
pp
pizz.
3
tutti, div. pizz.
p
3
mp
6
3
Sostenuto accel. 5
mf
Vla.
p
p
3
pp
70 106 Più mosso q = 80
Fl. 1
Flz.
Freely
9
pp
to Picc.
f
9
Fl. 2
Flz.
Fl.
pp
Ob. 1
Ob. 2
Bsn. 1
3
3
3
3
3
pp
3
pp
pp
p
3
3
pp
pp
p
sord.3
p
3
sord.
pp
Hn. 2
3
p
Cl. 2
Hn. 1
Cl. 1
Bsn. 2
f
3
f
f
f
f
p
p
C Tpt. 1-2
Perc. 1
Più mosso q = 80
6
Vla. solo
stacc. mf
6
6
3
f
Freely
6 3
Vln. I
Vln. II
Vla.
Vc.
Db.
rit.
108
Picc. (Fl. 2)
Picc.
Sost., q = 56
accel.
p
5
q = 72
9
mf
71
rit.
3
3
3
C Tpt. 1-2
Perc. 1
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1-2
Hn. 1
Hn. 2
pp
pp
pp
pp
pp
pp
pp
Metals
Xylo.
3 3
accel.
q = 72
pp
Vla.
Vc.
Db.
ppp mf
Sost., q = 56
3
Vln. II
independent gradual ritard.
5
rit.
Vln. I
pp
Vla. solo
rit.
72 Picc. (Fl. 2)
Vla. solo
Vln. I A
Vln. I B
Vln. II
q = 108 110 Presto to Fl.
pp
Presto q = 108
pp, legg.. tip
arco
Vla.
pp, legg., tip
Vc.
Db.
at tip
arco
pp, legg.
pp, legg. at tip
pp, legg.
p, legg.
pp pp pp arco
at tip
pp, legg.
115 Vla. solo
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vc.
Db.
pp, legg.
pp, legg.
mp
pp, legg.
3
3
3
3
pp, legg.
pp, legg.
Vla. B
3
off the string
pp, legg.
3
3
118
Vla. solo
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. B
6
Vc. A
Db.
mp-pp
mp-pp
mp-pp
pp
3
pp
pp
pp
sub. fp
pizz.
6
6
6
6
sub. fp
pp
p
ppp pp
3
sub, f
p
p
p
mp-pp
73
f
121 Vla. solo
Vln. I
3
Vln. II A
Vln. II B
Vla. A
6
6
f
Vc. A
mf
6
Vc. B
mf
6
p
6
6
6
f
6
6
6
p 6 6
p
6
p
mf
f
fp
f
mf
6
3
p mf 6 mf
6 6 6
3
6
Db.
6
6
Vla. B
6
mf
pizz.
f
arco p
3
6
74
Vla. solo
6
6
Vln. I A
6
pizz.
Vln. I B
Vln. II A
Vln. II B
Vla. A
Vla. B
pizz.
arco
Vc. B
pizz.
f
f
6
6
6
mf
6
p
p
p
f
6
6
fp
3
6
6
6
6
6
mf
arco p
6
6
mf
p
Db.
fp
6
6 fp f
p
6
6 6 6 fp 6 mf p arco 6
6
3
6
mf
6
6 6 6 6 f 3 fp
mp 3
fp arco
mf p
3
mf
Vc. A
f
mp
6
3 6 6 6 ff
123
3
mf
6
p
f
125
Cl. 1-2
Hn. 1-2
Perc. 2
Vln. I A
Vln. I B
ff
2. to Bs. Cl.
ff
6
p
Timp.
ff
f
6
6 6 6 6 6 dim. poco a poco p 6 6 6 tip pp 3 6 3 arco sub. f ff pizz. tip f p 6
Vln. II A
Vln. II B
sub. f
sub. f
sub. f
Vla. A
mf 3
Vla. B
mf 3
Vc. A
Vc. B
Db.
6
6
p open
p
Vla. solo
p
Bsn. 1-2
mf 3
6
3
6
3
6
sub. f
3
sub. f
ff
6
sub. f
ff
6
6
6
f
mf
ff
f
ff
pp
ff
ff
3
6
p
p
mp
6
3
pp
p
p
tip pp
tip
pp
pizz.
pizz.
p
mf
6
tip arco
mf
ff
sub. f
pizz.
75 127
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1-2
Vla. solo
Vln. I A
Vln. I B
6
6
pp
pp
Vln. II A
6
pizz.
Vla. A
Vla. B
Vc. A
Vc. B
Db.
arco
tip
pp
tip
pp
tip, flaut.
3
6
p
pp
arco, tip, flaut.
3
6
p
pp
3
p pizz.
3
pp
3
p
sul pont.
pp
pp
pizz.
sul pont.
sul pont.
pp
arco.sul pont.
pp
arco.sul pont.
mp
p
p
pp
pp
sul pont.
p
p
arco
tip, flaut.
p
p
ppp
pp
Vln. II B
(ord.)
76 131
Ob. 2
Cl. 1
Fl. 1
Fl. 2
Ob. 1
B. Cl.
Tempo 1 q = 104
solo
p
mf
p
Bs. Cl.
p
C Tpt. 1-2
Perc. 1
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
(ord.)
Vln. I B
3 3
ppp
3
Vla. B
Vc.
dim.
sord.
Vibes p
Tempo 1 q = 104
pp
3
mp
3
p
Glock. p
3
mp
pp
pp
ord.
ord.
pp
pizz., ord. sf
pizz.
3
mp
p, marc.
arco, ord.
sf
ppp
arco, ord.
pp
pizz.,
dim.
Db.
dim.
Vla. A
fsf
3
3
dim.
Vln. II B
3
Vln. II A
3
Vln. I A
mf
Vla. solo
ppp
ord. sf
pizz., ord. ppp
pp
(pizz.)
p
mp
3
p
pizz.
mf
137
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Hn. 2
Vla. solo
3
Vln. I A
3
3
sf-mf
Vc. B
Db.
5:3
f
mf
pp
3 mf
3
sord.
p
1. sord.
p
mf
p
mf
mf
mf
pp
f
mf
mf
p
p
mf
mp
pp
mf
mf
pp
pp
pp
3
f
pp
3 pizz. w/finger nails
mf 3 pizz. w/finger nails
mf pizz. 3 w/finger nails
mf pizz. mf w/finger nails 3
mf
mf
mp
Glock.
f
3
mf
f
pp
f
pp
più f
p
mf
p
f
3
3
3
mp
Fl.
2. sord.
mf
Vc. A
fsf
3
mf
2. sord.
mf
Vla. B
mf
Vla. A
mf
fsf
mf
Vln. II B
mf
3
mf
Vln. II A
3
mf
Vln. I B
3
3
Perc. 1
f
poco sf
C Tpt. 1-2
senza sord.
Hn. 1
mf
Bsn. 2
77
3
f
3 3
3 3
mf
mf
3
f
3
f
3
f
3 3 3
f
(pizz)., non div. 3
mf
(pizz.)
3
3 f
3
mf
3
3
3
mf
mp
3
3 3
mf
pp
non div.
3 3
f
3 3 3
f
3
78 Fl. 1
3
f 3
3
3
3
f
Ob. 1
Ob. 2
Cl. 1
3
3
3
Bsn. 2
pp
Vln. I A
Vln. II A
Vln. II B
Vla.
Vc. A
Vc. B
Db. A
Db. B
(nails)
(nails)
3
(nails)
(nails)
(nails)
3
open
3 6
mp, marc.
3
3 3
f
arco
3
f
3
3
f
3
sfp arco, non div.
3
3
3
3
3
3
f 3
3
sfp
arco, non div.
sfp
f
sfp
arco, non div.
3
3
p
3
3
p
f
pizz.
(pizz.)
3
3
mf
f
arco
(pizz.)
mf
p
pp, cant.
pp
arco
1. solo
3
sf
Più mosso q = 96
sf
p
p, flaut.
p
mp
arco
3
3
pp
3
3
sfp
f
f
3
f arco, non div.
3
3
f
p
f
3
3 fsf
Vibes
p, marc., sost.
3
Vln. I B
pizz.
Vln. I
Meno q = 80
Vla. solo
p, marc.. sost.
Perc. 1
mp, marc.
mf
p
Bsn. 1
3
B. Cl.
C Tpt. 1-2
3
p
3
Fl. 2
Hn. 2
3
3
3
Hn. 1
Più mosso q = 96
Meno q = 80 144 3
mf
pp
pp
pp
pp
pp
79 150
gradual poco rall al.- - -
Fl. 1-2
Ob. 1-2
Cl. 1
Sostenuto q = 88-92
pp
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1
to Cl.
open
pp
C Tpt. 1-2
Perc. 1
pp
mp
Vln. I
Sostenuto q = 88-92
pp
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla.
p
pp
gradual poco rall al.- - -
Vla. solo
p
pp
Hn. 2
mp, espr.
Vc. B
Db.
arco
pp, intimo
Vc. A
p
p
pp, intimo
mp, espr.
pp, intimo
arco
tutti, arco
pp, intimo
p, espr.
pp
80
Ob. 1-2
Cl. 1-2
Hn. 1-2
C Tpt. 1-2
164
Fl. 1
Fl. 2
Bsn. 1-2
Vla. solo
mf
f
3
p, espr., triste
3
p, espr., triste
3
mp,dolente
3 3 3
3
p
mf
Vln. I
Vln. II
div.
Vla.
p
p
Vc. B
Db.
p
Vc. A
p
mf
mf
mf
p, leg.
mf
p, leg.
mf
p, leg.
mf
mf, leg.
f
f
f
f
mp
81
to Picc.
174 poco movendo
Fl. 1
3
mp
3
Fl. 2
mp
Ob. 1
Cl. 1
Cl. 2
mf
mp
mf
Bsn. 1
mf
mp
Ob. 2
mf
a tempo
relaxing to
Cl.
p
p
pp
mp
pp
mp
3
3
solo
p
mf, espr.
flowing
Hn. 1-2
C Tpt. 1-2
Bsn. 2
poco movendo
3 3
3
Vla. solo
poco f, intenso
3 3
relaxing to
a tempo
mp
p
3
mf
3
p
Vln. I
Vln. II
Vla.
Vc.
Db.
p
mp,dolce
82 181
qK
poco rall.
= e = 110
Ob. 2
Cl. 1
3
Picc. (Fl. 2)
Fl. 1
Ob. 1
p
mp
3
Cl. 2
p
Hn. 1
p
pp
sord.
poco rall.
qK
dim,
Vla. solo
Vln. II B
Vla. A
3
3
p
legato
con sord.
pp, dolce
con sord.
pp, dolce
con sord.
= e = 110
con sord.
pp, dolce
con sord.
pp, dolce
pp, dolce
con sord.
pp, dolce
con sord.
pp, dolce
pp
sord.
Vc.
3
p
Vla. B
3
Vln. II A
3
Vln. I B
Db.
3
Vln. I A
pp, dolce
Hn. 2
C Tpt. 1-2
3
p
Bsn. 2
p
mp
Bsn. 1
83 188
Picc. (Fl. 2)
Fl. 1
Cl. 1-2
Hn. 2
C Tpt. 1-2
Glock.
Perc. 1
Vla. solo
Vln. I A
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc.
Vln. I B
Db.
p
Hn. 1
p, dolce
Ob. 2
Ob. 1
Bsn. 1-2
senza sord. (if possible) mp
senza sord. (if possible) mp
3 3 3
3
mf deliberato
3
p
div.
p
div.
p
p
p
p
div.
p
84 194
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1-2
Perc. 1
Perc. 2
Vla. solo
Vln. I A
Vln. I B
1. (sord.)
3
3
pizz. mp
3
sfp
3
sfp
pp
pp
pp
pp
pp
mp
mf
mp
mf
mf
p
mp
p
unis.
mf
f
f
f
f
pp
mf
mf
mf
mf
f
3
f
3
sfp
3
f
mf
3
sfp
f
pp
pp
pp
f f 3 sfp f 3 sfp f 3 sfp f 3 sfp
mf
mp mf
f
f
pp
mf
mf
pp
Triangle
f
mf
pp
fs
pp
p
Med. Sus. Cym
pp
3 f
f
3
mp
f mp 2. (sord.)
f
mf
f 3
mf
f
mf
e=e
mf
mf
mf
mf
mf
mf
mf
mp
Db.
mf
mp
Vc. B
mp
Vc. A
mp
Vla. B
mp
Vla. A
mp
Vln. II B
mp
mp
Vln. II A
Picc.
mp
pp
pp
pp
pp
pp
< q = q. > (q. = 55) 199
Picc. (Fl. 2)
5
Ob. 1
Ob. 2
Cl. 1
p
Bsn. 1
p
mf
mp
3 p
Cl. 2
mf
solo
Fl. 1
85
Poch. meno, q. = 52
p, suave, dolce
to Bs. Cl.
Hn. 1-2
C Tpt. 1-2
Perc. 1
Bsn. 2
Vibes - motor on
Vla. solo
p
< q = q. >
(q. = 55) 3
3
Poch. meno, q. = 52
p
mf
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla.
Vc. A
pp, dolce
senza sord.
pp, dolce
ouside only senza sord.
pp, dolce
senza sord.
senza sord.
pp
Db.
3
Vc. B
pp
(pizz.)
p
3
senza sord.
86 204
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1-2
mf
pp
mf
con sord.
pp
C Tpt. 1-2
Perc. 2
Vla. solo
Timp., with snare sticks
pp
p
Vln. I B
Vln. II A
Vla.
pp
Vln. II B
Vln. I A
1.. (con sord.)
senza sord.
pp
pp
pp
senza sord.
p, legg.
Vc. A
Vc. B
Db.
p, legg.
p, legg.
arco
mp, legg.
87 208
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
B. Cl.
mfpp
mfpp
Bs. Cl.
p
Bsn. 1
Bsn. 2
Hn. 1-2
C Tpt. 1-2
Vla. solo
mf
mfpp
mfpp
pp
mf
pizz
p
pp
cresc.
p
Vln. II B
p
p
Vln. II A
Db.
Vc.
Vla.
mf
mp
Vln. I
mf
p
p
2. (con sord.)
Perc. 2
mf
88 211
Fl. 1
Ob. 1-2
Cl. 1
B. Cl.
Picc. (Fl. 2)
Bsn. 1
mf
Bsn. 2
Hn. 1
Perc. 2
mf
3
f
pizz.
3 3 pp
q = q = 78 e = e
(section solo)
Vln. II B
pizz.
mf
Vla.
Vc.
1. solo
Vc. B
p
2. solo
p
p
mf
mf
pp 3
3
tutti
pp 3
mf
3
3
arco
mf
pp 3
3
Vc. A
1. sola
f molto, risolto, arco appass.
mf
3
6
6
3
(sord.)
3
3 pp
Vln. II A
Db.
3
(sord.)
pp 3
Vla. solo
Vln. I
Hn. 2
C Tpt. 1-2
mf
q = q = 78
e=e
3
3
tutti, div. p
tutti, div. p
arco p
3
89 215
Fl. 1
Ob. 1-2
Cl. 1
Picc. (Fl. 2)
3
3
3
p
3
B. Cl.
pp
Hn. 1
3
3
3
mp
p
3
to Cl.
p
3
3
3
3
3
3
pp
3
3
p
3
pp
mp
pp
3
3
3
p
3
3
3
3
3
3
open
pp
3
p
3
3
3
3
3
Hn. 2
Bsn. 1
Bsn. 2
3
3
3
3
3
Perc. 1
Vla. solo
Vln. I
3
Vln. II A
3
Vln. II B
3
Vla.
Vc. A
Vc. B
Db.
3
f obbligato
6
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
3
3
6
6
3
3
mf
3
pp
mf
3
pp
3
pp
mp
mp
3
3
3
3
3
3
3
3
mf
mp
6
3
6
6
pp
mp
3
C Tpt. 1-2
Perc. 2
3
3
3
3
3
3
3
3
leg.
leg.
leg.
90 219
Picc. (Fl. 2)
Fl. 1
f
Ob. 1
3
3
3
f molto
3
f
f molto
Più di più pesante
leg.
f-p
Ob. 2
3
Cl. 1
3
Cl. 2
mf
3
Bsn. 1
3
3
3
f
f-p
f
Hn. 1
3
3
3
f-p
f
3
3
f-p
f-p
3
f
3
3
Bsn. 2
3
mf
Cl.
3
f
3
leg.
leg.
leg.
leg.
f-mf
f
open
Hn. 2
3
3
mf
C Tpt. 1-2
Perc. 2
3
6
Vln. II A
3
3
3
Vla.
3
Vc. B
Db.
div.
leg.
leg.
leg.
mf
f
f molto
3
f molto
3
3
Vc. A
pp
Più di più pesante
f molto
3
ff
6
Med. Sus. Cym, medium hard mallets
3
Vln. II B
6
Vln. I
f
Vla. solo
f-mf, leg.
f-mf
f-mf
< e = q >
91
Agitato q = 116-126 223 to Fl. poco rall.
Picc. (Fl. 2)
Fl. 1
Ob. 1
Cl. 1
Cl. 2
Bsn. 1
f
Ob. 2
sf
6
sf
Fl. 2
6
f
f
f
f
Bsn. 2
Hn. 1
f
sord.
sord.
Hn. 2
mf
mf
ff
ff
ff
ff
ff
ff
(sord.)
C Tpt. 1
fsf
fsf
Perc. 2
Vla. solo
Vln. I
Vla. A
Vc. A
Vc. B
f
Vla. B
ff
f
mf
div.
sf
ff
ff
ff
p
p p
p
pp, tense
(non troppo sf)
sfp
(non troppo sf)
pp, tense
sfp
(non troppo sf)
sfp
pp, tense
sfp
(non troppo sf)
sfp
sfp
Agitato q = 116-126 < e = q >
fsf
pp, tense
sf
ff
Fl.
(sord.)
long bows
poco rall.
Vln. II
mf
long bows
Db.
fsf
mf C Tpt. 2
ff
ff
ff, agitato
p
p
92
228
Fl. 1
f
Fl. 2
f
Ob. 1
Ob. 2
Cl. 1
Vla.
mf
mf
Vc.
Db.
f
3
6
f 3
open
3
6
6
p
p
sfp
f
6
non div. 3
f, agitato
non div.
6
3
sf
sf
fp
6
f, agitato
6
sub. p
fp
6
arco
fp
arco
fp
f
6
f
mf
mf
3
pizz.
Vln. II B
f
pizz.
3
mf
mf
Vln. II A
Vln. I B
mf
sub. p
sfp
sub. p
f
fp
sub. p
f
sfp
3
Vln. I A
sfp
Vla. solo
sfp
sfp
Perc. 1
p
3
p
sfp
C Tpt. 2
C Tpt. 1
f 3
Hn. 2
Bsn. 1
Hn. 1
Cl. 2
Bsn. 2
3
6
f 3
232
Fl. 1
Fl. 2
f 3
6
f 3
sf
6
mf
sf
f
Ob. 1
Ob. 2
Cl. 1
f
f
f
Cl. 2
Bsn. 1
Bsn. 2
f
f
6
mf
f
f
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
Perc. 1
Vla. solo
sfp
sfp
(non troppo sf)
fp
sord.
fp
f
f
(non troppo sf)
sfp
(non troppo sf)
sfp
sfp
Vln. I A
Vln. I B
Vln. II A
Vln. II B
Vla.
f
f
f
`f
6
6
pp
Vc.
Db.
pizz.
6
f
3
ff
f 3
f 3
pp
pp
pp
f
6
6
6
fp
3
f
6 6
3
6
pp
p
3
f
pp
6
sf
pp
6
ff
ff
ff
pp
sfp
sfp
pp
sfp
(non troppo sf)
to Picc.
pp
pp
sf
f
93
fp
6
fp
fp
3
f
6
arco
f 3
pizz. f
6
94 237
Picc. (Fl. 2)
3
Fl. 1
Ob. 1
Ob. 2
Cl. 1
f, marc.
3
f, marc.
3
f, marc.
3
3
3
3
3
ff
ff
sub. p
ff
5
ff
ff
sub. p
ff
ff
6
f, marc.
ff
6
ff
3
f, marc.
Cl. 2
6
3
ff
6
3
f, marc. 6
Risoluto q = 90
Picc.
ff
5
Bsn. 2
6
3
3 3
ff, legato
ff
ff, legato
Hn. 2
C Tpt. 1
C Tpt. 2
Vln. I A
Vln. I B
Vln. II A
Vln. II B
f
f
f
f
6
6
ff
Vc. A
6
6
ff
Vc. B
Db.
arco
ff
3
6
f
sf
ff, legato
ff, legato non div.
ff, legato non div.
ff, legato pizz.
ff
ff
ffsf
f
rapid gliss.
f
ff
5
ff
ff
ff
ff
ff
ff
ff
ff
ff, legato
ff
ff
ord.
ff, legato
sf
mf
ff
Risoluto q = 90
cuivré
ord.
mf
Chimes, rapid gliss on natural and sharp notes with 2 metal hammers
ff
ff
sub. p
f
ff, legato
ff
ff, legato
ff
Vla. B
p
6
open
6
Vla. A
f
f
ff
ff, legato
open, cuivré
Vla. solo
Perc. 2
f
Hn. 1
ff
Bsn. 1
243
Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
sub. p
5
5
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
C Tpt. 1
C Tpt. 2
Perc. 2
Vla. solo
Vln. I
Vln. II A
Vln. II B
Vla. A
Vla. B
Vc. A
Vc. B
Db.
f
p
ord.
mf
sf
5
5
5
5
senza sord.
f
5
3
3
3
3
pp
pp
mf
3
pp
pp
mf
mf
3
3
pp
mf
mf
3
pp
mf
ff
3
3
3
3
5
5
ff
tremolo on top and audience-facing outside of chimes ffs with large, plsstic chains in one hand along with fiberglass hammer tremolo in other hand on player-facing inside of chimes: vary speed, ad lib.. molto violento
ff
ff
ff
ff
f
ff
ff
senza sord.
ff
ff
5
ff
f
sf
f
ffsf
ord.
f
5
f
f
mf
sub. p
f
f
f
p
5
f
ff-f
ff
95
5
5
5
ff
ff
ff
non div.
ff
3
3
3
ff
3
ff
3
ff
non div.
ff
non div.
96 Picc. (Fl. 2)
Fl. 1
Ob. 1
Ob. 2
Cl. 1
Cl. 2
5
247
sfp
sfp
5
ff
5
ff
ff
sfp
5
ff
5
ff
Bsn. 1
sfp
Bsn. 2
Hn. 1
sfp
ff
C Tpt. 2
ff
f
Perc. 2
Vla. solo
Vln. I
Vln. II A
Vln. II B
sfp
Db.
5 ff
5
ff
5 ff
ff
sfp
ff
sfp
3
3
ff, leg., marc.
ff
ff
ff
6
5
3
5
fff 3
3
6
6
3
fff
6
3
ff, leg., marc.
3
ff, leg., marc.
3
3
sfp Vc. B
sfp
Vc. A
5
3
Più sost.
f
sfp
Vla. B
sfp
sfp
Vla. A
3
5
5
ff
fff
5 ff f
sfp
non dim.
ff, leg., marc.
ff
sfp
C Tpt. 1
ff
sfp
Hn. 2
ff, leg., marc.
5
ff
Più sost.
non dim.
97 252 Molto adagio e = 60-72
Picc. (Fl. 2)
Fl. 1
Ob. 1-2
Cl. 1
ppp
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
Hn. 2
Perc. 2
Vln. II
ppp
5
Vc.
unis., pizz. tremolo *
pp, sotto voce
ppp
3
1. solo, arco
ppp
pp, sotto voce
mf
unis., pizz. tremolo *
unis. pizz. tremolo *
3
pp, sotto voce
Vla.
pp, espr.
Vln. I
Molto adagio e = 60-72
Vla. solo
pp
f, espr.
p
pizz. tremolo *
Vc. A
pp, sotto voce
pizz. tremolo *
Vc. B
pp, sotto voce
pizz. tremolo *
Db.
(arco) pp, sotto voce * strum strings quickly back and forth with flat hand
(open D)
98 255
Picc. (Fl. 2)
Fl. 1
Ob. 1-2
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1
rit.
sost.
lento solo
p
Hn. 2
3 3 mf
pp
C Tpt. 1-2
Perc. 2
Vla. solo
p
5
rit.
mf
sost.
5
3
Vla. A
Vla. B
Vln. I
Vln. II
Vc.
Vc. A
Vc. B
Db.
99 258
Picc. (Fl. 2)
Fl. 1
Ob. 1-2
A tempo
to Anvils
to Eb Cl.
to Bs. Cl.
Bsn. 2
Hn. 1
3
Cl. 1
Cl. 2
Bsn. 1
p
Hn. 2
C Tpt. 1-2
Perc. 2
Vla. solo
Timp. f
A tempo
p
Vln. I
3
ff
molto intenso
6
arco
ff, sost.
ff, sost.
ff, sost.
Vln. II
Vla. A
ff, sost.
ff, sost.
Vla. B
Vc. A
Vc. B
Db.
arco
arco
ff, sost.
arco
arco
arco
arco, unis.
ff, sost.
100 Picc. (Fl. 2)
attacca subito
Fl. 1
Ob. 1-2
Eb Cl.
B. Cl.
Hn. 1
Hn. 2
C Tpt. 1-2
Perc. 1
Bsn. 1
Bsn. 2
Vla. solo
3 3 3
attacca
subito
7
Vln. I
Vln. II
Vla.
Vc.
Db.
101 261
Picc. (Fl. 2)
Agitato q = 46
q = 72
accel.
A tempo, q = 46
( play independently of conductor's tempo changes) Anvils with metal hammers (play only if a 3rd percussion player is not available) 3 6 3 (q = 46)
Fl. 1
Ob. 1
p
Eb Cl.
solo poco largamente
Bsn. 1
Bsn. 2
3
5
5
10
5
mp
5
mfp
mfpp
pp 3
mp
3
3
Vla. solo
pp
mf mp
3
Vln. I
independent of conductor (q = 100) vary patterns and bowing ad lib.
Vln. II
ffpp (pp) (q = 100) independent of conductor vary patterns and bowing ad lib.
Vla.
mp
mp ffpp (pp) independent of conductor (q = 100) vary patterns and bowing ad lib.
Vc.
non div.
Db.
mfp
mf
3
mf
mfp
mfp
3
mf
p
Timp.
p
A tempo, q = 46
fpp
fpp
mf
mf
fp
6
mfpp
ffpp (pp)
mfpp
p
q = 72
mp
ffpp (pp)
accel.
independent of conductor (q = 100) vary patterns and bowing ad lib.
Agitato q = 46
p
(breathe as needed)
ff
Metals
mfpp
(breathe as needed)
mp-pp
5
fff
6
3
Med. Sus Cym., hard mallet
Perc. 2
ffpp (ff 1st x only)
Perc. 1
cresc. pocoa poco
(q = 100) (independent of conductor)
C Tpt. 1-2
ff
ffpp (ff 1st x only)
Hn. 2
poch. accel.
6
sost.
accel.
(q = 100) (independent of conductor) 5 sord.
Hn. 1
f
B. Cl.
ffpp
Eb Cl.
ffpp
Ob. 2
3
mf
mf
fp
fffsf
Note - in m. 261-4, the instruments with repeat-sign notation are independent of the conductor after each downbeat (or as indicated), all others follow the conductor. Conductor's tempi are in bold, repeat sign-related tempi are in parentheses in each part with other instruction in normal type.
102 accel.
263
Picc. (Fl. 2)
Ob. 1
6
mp
pp
p
Vln. I
3
3
3
p
6
mp
(p)
(p)
fffsf
fpp
mp
(p)
5
3
5
f
soli
rip
soli
f
rip
ff
ff
f
fpp
f
mf
fp
p
fpp
mp
fp
pp
f
fp
(cresc. poco a poco)
f
accel.
(cresc. poco a poco)
(cresc. poco a poco)
f
mp
A tempo
fp
(p)
p
mf
3
pp
accel.
mf
fff
open
p
5
open
mp
(q = 80) Metals
mp
f
pp
3
mf-p
ffm
Db.
f
3
fp
Vc.
mf-p
3
p
fff
mp
fp
Vla.
9
fpp
fp
Vln. II
ff
Vla. solo
f 5
mf
Perc. 2
3
f fpp
Perc. 1
(q = 80)
sord.
C Tpt. 2
fp
(q = 80)
sf
C Tpt. 1
sf
Hn. 2
6
accel.
f
Hn. 1
3
3
3
mf
f
3
p
fpp
ff
Bsn. 2
mp 3
3
Bs. Cl. solo
Bsn. 1
pp
6
B. Cl.
mf
6
3
fpp
Eb Cl.
vary and distort patterns gradually cresc. poco a poco
3
mp
fpp
Ob. 2
accel.
gradually accelerate, independent of conductor)
(q = 56)
Fl. 1
A tempo
mf
p
f
(cresc. poco a poco)
accel. 266
Picc. (Fl. 2)
Fl. 1
Pesante q = 56
103
pp
accelerate more and more, with fewer and fewer rests f
rit.
ff
wilder and wilder !
cresc. poco a poco
fff of conductor, without accel. or rit. independently synchronize with ob. 2 and Clar.
Ob. 1
Ob. 2
sf
Eb Cl.
B. Cl.
Bsn. 1
Bsn. 2
independently of conductor, without accel. or rit. synchronize with ob. 1 and Clar.
fff synchronize with oboes independently of conductor -without accel. or rit.
6
f
ffp
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
ff-f
3
ff-f
3
accel. independently from conductor
fff
accel. independently from conductor
fff
3
ff fff
7:6y
fff
ffp
5
f
ffp
f
sf
f
f
fff
fp
Hn. 1
Hn. 2
C Tpt. 1-2
Perc. 1
Perc. 2
Vla. solo
Vln. I
3
3
fff
6 rit. 3
(bass drum continues does not cut off)
Large Bass Drum hard beaters (independent from conductor)
ff, brutale
Pesante q = 56
5
5
fmf
f
f
fmf
5
f
5
fmf
f
5
fmf
f
f
molto f
sul E
sf
sf
fmf
fmf
5
rit.
(asynchronized)
mf
f
(asynchronized)
Db.
fff
ff
synchronize rhythm with hn. 1 independently from conductor, without accel. or rit.
6
synchronize rhythm with hn. 2 independently
mf
3
soli
6
from conductor, without accel. or rit.
3
open
f
Vc.
6
f
Vla.
3
f
Vln. II
molto f
sf fff
fff
fff
molto f
accel. independently of conductor
molto f
molto f
fff
fff
104
(q = 50) 268
Picc. (Fl. 2)
to Fl.
Grave q = 46-52
to Fl.
to Cl.
Eb Cl.
Perc. 2
3 3 3 3 3
Fl. 1
accel. 3
3
mf
(q = 50)
Vla. solo
ff
suddenly faster
più ff
3
Grave q = 46-52
3
p, unfazed
3 3 3 3 fff
271
Perc. 2
accel. (independent of viola)
accel. molto
Sost. A tempo
3
fff
accel. molto mf, bolder ff Sost. A tempo
a tempo
Vla. solo
suddenly faster
f
3
276
Perc. 2
Brutale, colla parte
accel. (independent of viola)
3 3 3 3
sfz Brutale,
3
colla parte
3
3
fff 3
Vla. solo
3
3
278
Bsn. 1-2
pp
Hn. 1-2
molto
pp
Perc. 1
fffsf
fffsf
molto
lunga
lunga
fluttertongued
Quasi Tempo 1 - Grazioso q = 86
lunga
Quasi Tempo 1 - Grazioso fffsf p 3 molto 3 q = 86 lunga lunga
3
Perc. 2
Vla. solo
Vln. I
Vln. II
Vla.
Vc.
Db.
6
6
pp, fragile
lunga
1. solo, pizz.
lunga
lunga
p
tutti, pizz. lunga
p 1. solo, pizz.
fffsfz pizz.
lunga
fffsfz
pp
p
Poco meno q = 76 286
poco rit.
105
Fl. 1-2
Ob. 1-2
Cl. 1
B. Cl.
pp
Bsn. 1
to Melodica
Bsn. 2
Melodica 3 (play at concert pitch)
p
Hn. 1
pp
Hn. 2
C Tpt. 1
to Melodica
p
C Tpt. 2
Perc. 1
Perc. 2
ppp
dolce con sord.
con sord.
(solo)
Vc. A
Vc. B
Db.
f
f Melodica 2 (play at concert pitch)
f
f
con sord.
ppp
altri
unis.,
sul A
pp
tutte, div. arco
mf, dolce
espr.
pp
pp
pp
pp tutti, div.
pp
p
ppp
Med. Sus. Cym, soft mallets
arco, con sord.
Poco meno q = 76
ppp
(solo)
pp
dim.
Vla. B
poco dim.
poco rit.
ppp
Vla. A
ppp
div. ppp
con sord.
Vln. II B
Glock., medium rubber mallet
Vln. II A
pp, quiet but haunting
p
Vla. solo
Vln. I
to Melodica
Melodica 1 (play at concert pitch)
arco
pp, poco cant.
arco
pp
arco
pp
Meno, tranquillo q = 60-69
106 299
Fl. 1-2
Ob. 1-2
Cl. 1
B. Cl.
Bsn. 2
Hn. 1
Bsn. 1
p
f
pp
Hn. 2
Perc. 1
Perc. 2
f
p
p
f
f
p
Vla. solo
Vln. I
C Tpt. 1
C Tpt. 2
mf
f
f
p
f
f
f
p
Med. Tam-Tam, soft mallets
ppp
f
p
Meno, tranquillo q = 60-69
sul tasto
p3
to Cl.
3
3
3
3
mp
mp
mp
Vln. II A
Vln. II B
mp
Vla. A
Vla. B
Vc. A
Vc. B
Db.
mp
mp
mp
107 311
Fl. 1-2
Fl. 1 and 2 a2
Ob. 1-2
p
Solo (ma lontano)
Cl. 1
p, dolce
(Melodica)
p
sord.
sord. pp
pp
p
(Melodica)
(Melodica)
p
(Melodica)
pp
II I I I I
Vla. solo
3
Vln. II
Vla.
Vc. A
Vc. B
Db.
C Tpt. 1
Vln. I
Hn. 2
C Tpt. 2
Bsn. 1
Hn. 1
Cl. 2
Bsn. 2
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
pp
p
p
p
3
p
p
3
pp
pp
pp
pp
pp
3
3
3
108 316
Fl. 1-2
Ob. 1-2
Cl. 1
Cl.
Cl. 2
pp
pp
rit.
morendo
morendo
Bsn. 2
Hn. 1-2
Bsn. 1
(Melodica)
C Tpt. 1
C Tpt. 2
Vla. solo
3
3
3
Vln. I
Vln. II
Vla.
Vc.
Db.
3
3
3
3
3
3
ord.
p
rit.
pp