corr. vers. 210410
EDITION WILHELM HANSEN WH 31089
Hans Abrahamsen
WALD for Ensemble
Full Score
I
Hans Abrahamsen
WALD for ensemble
(2008-09)
Full Score
II
Ensemble
Bass Flute English Horn Bass Clarinet in B Bassoon Horn in F (double Horn F/B is required) Trumpet (1) in B Bass Trumpet (2) in E (played by the trombone player) Percussion (one player): Kalimba (placed on the Timp.) (available f.i. at "African Musical Instruments" www.kalimba.co.za) Marimba Timpani (large 32 inches) (15)
Crotales (with Double Bass bow) Harp
scordatura: 1/6 tone down
(tune down 1/6 tone in accordance with the natural 7th harmonic - when played as harmonics (sounding an octave above) being in unison with the corresponding 7th harmonics on the open E and A strings of the Double Bass) The lowest string is tuned down to 8va bassa
Piano, lid off (db. Celesta, 5 octaves) (with two Marimba mallets (medium hard), for playing inside the Pno. directly on the strings)
Violin 1 Violin 2 Viola Violoncello Double Bass The score is written in transposition. All transposing instruments are notated in their relevant transpositions. Double Bass harmonics are also octave transposed.
III
Performance notes
General 1
always mean a 1/6 tone below, like the flattening of the natural 7th harmonic.
2
"3-Taktig" and "2-Taktig" indicate the grouping and phrasing, and is intended to be conducted in 3 or 2 schemes.
3
Dynamics: The Bass Flute must adjust dynamics all the time to be heard. All dynamics adjusted upwards. The other instruments have to take care to balance with the Bass Flute.
Specific 1
Horn:
mean 7th harmonic.
Fingering (on which "Horn") is indicated. Section D to G is played on the "G-Horn", and N to P is played on the "As-Horn".
2
Bass Trumpet: from B to D the is produced by pulling out the 3rd valve a little.
3
Harp: the harmonics: sound one octave above, and are tuned (in unison) with the following Double Bass harmonics: 8
IV
Seating Plan V. VI. Tr. (1)
Tr.b. (2) Cel.
Vn. 1
Vn. 2
Pf.
III.
Perc.
IV.
Arp. Cb.
Vc. lid off
Fl.b.
I.
II. Vla.
Cl.b. Fg.
Cor.
Cor.ing.
Cond.
Audience
The instruments are divided into the following primary groups, positioned in half circles around the conductor. The groups are listed here as seen from the conductor’s position, left to right:
Inner circles: I.: Fg., Cl.b. / II.: Vla., Cor.ing.
Middle circles: III.: Fl.b, Vc., Perc. / IV.: Arp., Cb., Cor.
Outer circles at the back, 1: left & 2: right) V.: Vn. 1, Vn. 2 / VI.: Tr. (1), Tr.b (2)
The Pno. is placed in the middle, in order to separate Groups III. and IV. This Seating Plan is reflected in the set up of the score.
V
For further information about the composer, visit the website of Edition Wilhelm Hansen:
www.ewh.dk where you will find: list of works programme notes recording information relevant electronic updates performance calendar links news and much more ...
VI
Var. I
p. 15
Var. II
p. 27
Var. III
p. 57
Var. IV
p. 60
Var. V
p. 63
Var. VI
p. 87
Var. VII
p. 90
Co-commission by the Schรถnberg Ensemble and BBC for Birmingham Contemporary Music Group
Duration: approx. 18 minutes
Flauto basso
Tromba (1) in Sib Tromba bassa (2) in Mib
Corno in Fa
Violino 1
Violino 2
Fagotto
Clarinetto basso in Sib
Viola
Corno inglese
bisbigl.
2
p
mf
ppp
sul tasto, alla corda
IV. (7th harm.)
2
mfp
pp
holed in sost. ped. (3. ped.)
mfp mfp
f
5
mf mfp
f
5
5
"A-Horn" con sord. (on Bb-Horn, 2nd valve, 7th harm.)
with Marimba mallets inside on the strings
5
5
5
5
pp
Allegro con brio ("wie aus der Ferne"), q. = 88 (Tempo I) (3-Taktig) sul tasto, alla corda
ppp
Pianoforte
Contrabasso
Arpa
Allegro con brio (3-Taktig) ("wie aus der Ferne"), q. = 88 (Tempo I)
Violoncello
Percussione
Hans Abrahamsen Wald (2008-09) for ensemble
(3-Taktig) Allegro con brio ("wie aus der Ferne"), q. = 88 (Tempo I)
5
5
5
5
5
2
11
Fl.b.
Vc.
Perc.
Tr. (1) in Sib Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
2 (short salt. trem. mfp on the beat) sim.
mfp
mfp
5 mfp mfp
A (3-Taktig)
mfp
5
Kalimba
Cb.
Arp.
(2-Taktig)
(short flz. on the beat) sim. flz.
f
f
"A-Horn" "E-Horn" (on F-Horn, 2nd valve, 7th harm.) (on Bb-Horn, 2nd valve, 7th harm.)
p
2
mf
(2-Taktig) 5
5
5
5
5
5
5
5
Fg.
Cl.b. in Sib
Pf.
Vla.
Cor.ing.
A (3-Taktig)
5
Vn. 2
5
3 ped.
A (3-Taktig)
(2-Taktig)
sim.
21
Fl.b.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vc.
2
p
mf
(2-Taktig)
sim.
sim.
2
mfp
3
mfp
mfp
Kalimba
Cb.
mfp
f
mfp
f
5
mfp
mfp
mfp
2 mfp
sim.
sim.
Arp.
f
5
5 5 5
(2-Taktig)
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Pf.
5
5
Vla. Cor.ing.
5
5
3 ped.
5
5
5
5
(2-Taktig)
e=e
B
4
5 32
Fl.b.
mfp
Vc.
mfp
mfp
Kalimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
5
f
Cb.
Arp.
1)
3rd valve is pulled out a little to flatten the pitch a 1/6 tone.
Vn. 2
Fg.
2
mf
B
Cl.b. in Sib
Pf.
3 ped.
Vla.
1) For the conductor: 1 beat for each bar
3
f
1/2 ped.
f
mf
pp sempre
sul pont. trem
f
only accent 2nd time
3 ped.
3
3
ff
f
fff
fff
f
e=e
1)
3rd valve
norm.
B
Cor.ing.
f
mf 1,3 valves
pp sempre
3
(2-Taktig) Poco meno ma maestoso, h = 66 (Tempo II) poco grottesco e ironico sul pont. trem. only accent 2nd time
e=e
5 5 5 5 5
con sord. (wooden straight)
1)
Vn. 1
con sord. (wooden straight)
sim.
p
(2-Taktig) Poco meno ma maestoso, h = 66 (Tempo II) poco grottesco e ironico
(2-Taktig) Poco meno ma maestoso, h = 66 (Tempo II) poco grottesco e ironico
ten.
sff
43
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
Cl.b. in Sib
Pf.
3
3
3
3
sff
sff
sff
5
3
sff
1) Marimba mf = Arpa ff
(3-Taktig)
(3-Taktig)
fff
(2-Taktig)
3
mf
3
5
III. 7th harm.) 3
f
sff
sff
3
ten.
sff
sff
f
fff
ff
C
(2-Taktig)
3
fff
sff
3
5
sff
5
3
sff
f
3
ten. sff
fff
3
f
1) Marimba
l.v.
5
sff
with Marimba mallets
sff ten.
Vla.
sff
IV. 7th harm.)
3 ped.
Cor.ing.
3 5 3
Vn. 1
Cb.
Arp.
(3-Taktig)
5
C
C
(2-Taktig)
sim.
sff
6
58
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
3 ped.
Cor.ing.
3
3
3
sff
f
f
5
sff
sff
3
mf
3
3 3 5
f
fff
(3-Taktig)
fff
(3-Taktig)
sim.
sim.
1.
fff
sff
f
3
3
5
f
mf
Marimba
sff
mf (c.s.) sim.
3
sff sim.
with Marimba mallets 5
sff
Pf.
Vla.
(c.s.)
(3-Taktig)
sff
sff
sff
sff
sff
sim.
3
3
5 5
sff
sff
f
1.
sff
1.
fff
3
3
3
f
f
fff
fff
K h = q.
D Allegro vivace e agitato
2. 72a
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
4
3rd valve is pushed back to normal position.
I.,II. p ben stacc. e marc.
4
4 sff 4
K h = q.
7
7
sf
7
sf
"G-Horn" until G (on Bb Horn, 1,2 valves)
(c.s.)
II.
sf
sf
Allegro vivace e agitato
D ("aufgeregt"), q. = 100, h = 75 (Tempo III)
2.
4 fff
4
fff
4
norm.
l.v.
ff
Pf.
sf
1) 2)
sf
7
7
fff
7
p ben stacc. e marc.
1) 2)
7
fff
Cb.
Arp.
73
Vc.
Perc.
("aufgeregt"), q. = 100, h = 75 (Tempo III)
ped.
sf
sf
5:4
5:4
p ben stacc. e marc.
5:4
5:4
5:4
K h = q.
Vla.
Cor.ing.
2.
Allegro vivace e agitato
D ("aufgeregt"), q. = 100, h = 75 (Tempo III)
fff
fff
1) For the conductor: when necessary from D to G conduct 4 against 3 2) For the conductor: from D to G all accents in p are poco f
1) 2)
9:8
p ben stacc. e marc.
8
Fl.b.
76
7
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
Vn. 2
Fg.
sf
9
9
9
9
p ben stacc. e marc. (c.s.)
7
7
p ben stacc. e marc.
7
7
spiccato
9
9
p ben stacc. e marc. 7
sf
sf
9
p ben stacc. e marc. spiccato
5:4
9
sf
7
7
7
5:4
5
Pf.
(c.s.)
5:4
Cl.b. in Sib
5
5
p ben stacc. e marc.
5
4
4
4
4
4
4
4
4
Vla. p ben stacc. e marc.
Cor.ing.
7
7
5:4
5:4
5:4
5:4
5:4
5:4
E
79
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
p sim.
7
7
7
7
7
p sim.
p sim.
sim.
E
sim.
sim.
5:4
5:4
5:4
5 5 5 5
5:4
5:4
5:4
5:4
5:4
7
7
p sim.
p sim.
p sim.
Cl.b. in Sib
7
7
p sim.
Cb.
Arp.
9
f
p
5:4
5:4
f
5:4
p sub.
5:4
5:4
Pf.
E Vla.
9:8
p
Cor.ing.
p sim. 7
7
9:8
f
f
p sub.
10
83
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Pf.
9
sim.
p
7
7
7
7
7
5
5
5
5
5:4
5:4
4
5:4
4
4
4
4
4
4
4
Vla. 7
Cor.ing.
9
p
Cl.b. in Sib
9
9
p
7
Cb.
Arp.
7
5:4 5:4 5:4 5:4
5:4
5:4
11
F 86 Fl.b. 9
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Pf.
7
p
F
7
7
7
p
7
p
4
4
4
5
5
5
5
5
5
5
5:4
5:4
5:4
5:4
5:4
Vla.
5
p
F
Cor.ing.
p 7
4
Cl.b. in Sib
Cb.
Arp.
Vc.
Perc.
9
5:4
p
7
7
7
7
5:4
5:4
5:4
7:6
h=e
G
12
89
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
pp dolciss.
pp dolciss.
7:6
h=e
G
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
7 7 7 7
5:4
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
5:4
5:4
5:4
7 7 7 7
Cb.
Arp.
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
5:4
pp cant.
Pf.
7:6
h=e
G
Vla. Cor.ing.
9:8
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
92
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
pp sim.
3
3
3
col ped.
3
3
3
pp dolciss.
Vla.
Pf.
pp sim.
Cor.ing.
Arp.
13
Marimba
Perc.
pp sim.
pp cant.
pp sim.
H
14
97
Fl.b.
Vc.
(4-Taktig) poco rall.
Tranquillo
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 2
Fg.
Cl.b. in Sib
IV.
Vla.
pp
ppp
pp
sul tasto estr., flaut. (molto arco)
pp
pp
p poco agitato
pp sim.
(4-Taktig)
IV. sul tasto estr., flaut. (molto arco)
(4-Taktig) poco rall.
(4-Taktig)
poco espr.
Tranquillo
ppp
ppp
IV.
(4-Taktig) poco rall.
Tranquillo
pp
mf
pp
pp
H
Cor.ing.
Pf.
H Vn. 1
Marimba
Perc.
(4-Taktig)
pp
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba pp
Vn. 2
Fg.
Cl.b. in Sib
pp
mp
I
p ma ben marc.
Vla.
5
5
5
5
(3-Taktig)
(2-Taktig)
5
I
5
5
p
ppp
(3-Taktig)
ppp
with Marimba mallets
pp
3 ped.
p ma ben marc.
IV. (7th harm.)
(2-Taktig) (3-Taktig) Allegro con brio (ancora "wie aus der Ferne"), q. = 92 (Tempo I ma un poco piu mosso) con sord. sul tasto, alla corda
Pf.
con sord. sul tasto, alla corda
pp
"A-Horn" (on Bb-Horn, 2nd valve, 7th harm.)
(c.s.)
(3-Taktig)
2
Cor.ing.
(3-Taktig)
Vn. 1
15
bisbigl.
Cb.
Arp.
(2-Taktig)
Vc.
Perc.
Var. I (3-Taktig) (2-Taktig) Allegro con brio (ancora "wie aus der Ferne"), q. = 92 (Tempo I ma un poco piu mosso)
105
Fl.b.
I
(3-Taktig)
(2-Taktig)
5
ppp
pp
5
(3-Taktig) (2-Taktig) Allegro con brio (ancora "wie aus der Ferne"), q. = 92 (Tempo I ma un poco piu mosso)
5
(3-Taktig)
ppp
16
(2-Taktig)
117
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cl.b. in Sib
Pf.
Cor.ing.
5
p ma ben marc.
p
5
Kalimba
"E-Horn" (on F-Horn, 2nd valve, 7th harm.)
pp
pp
pp
"A-Horn" (on Bb-Horn, 2nd valve, 7th harm.)
2
mp
pp
(3-Taktig)
5 5 5
(2-Taktig) 5
(3-Taktig)
5
5
5
5
5
3 ped.
Vla.
p ma ben marc.
salt. alla sopra
5
Fg.
(2-Taktig)
Vn. 2
(3-Taktig)
Vn. 1
(2-Taktig)
Cb.
Arp.
flz. alla sopra
(3-Taktig)
(2-Taktig)
(3-Taktig)
(2-Taktig)
(3-Taktig)
(2-Taktig)
127
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
Cl.b. in Sib
Pf.
Vla.
Cor.ing.
bisbigl.
2
pp
17
(3-Taktig)
mp
pp
Kalimba
5
sim.
p sim.
sim.
p sim.
5
p
(2-Taktig)
Vn. 1
(2-Taktig)
Cb.
Arp.
(3-Taktig)
pp
5
(3-Taktig)
pp
(2-Taktig)
(3-Taktig)
5 5 5 5
5
5
3 ped.
5
5
5
5
5
(2-Taktig)
with Marimba mallets
pp
(3-Taktig)
pp
(2-Taktig)
(3-Taktig)
18
138
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
p sim.
p sim. Kalimba
p
5
(2-Taktig)
(c.s.)
(c.s.)
pp
pp
Fg.
Cl.b. in Sib
Pf.
Cor.ing.
2
mp
pp
pp
J
p
(3-Taktig)
(2-Taktig)
5
IV.
p
p
sim.
5
(3-Taktig)
5 5 5
5
5
5
5
5
5
5
3 ped.
Vla.
pp
5
Vn. 2
pp
sim.
pp
(3-Taktig)
(2-Taktig)
Vn. 1
5
J (3-Taktig)
Cb.
Arp.
sim.
Vc.
Perc.
(2-Taktig) sim.
(2-Taktig)
J
(3-Taktig)
(2-Taktig)
(3-Taktig)
(2-Taktig)
149
Fl.b.
Vc.
(3-Taktig)
pp Kalimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
2
pp
(3-Taktig)
(2-Taktig)
pp
p
p
5
pp
5
(3-Taktig)
5
5
(2-Taktig)
5
5
5
(3-Taktig)
5
(2-Taktig)
5
5
Vn. 2
Fg.
5
5
pp
Cl.b. in Sib
Pf.
with Marimba mallets
pp
Vla. Cor.ing.
19
mp
(2-Taktig)
Vn. 1
bisbigl.
Cb.
Arp.
(2-Taktig)
3 ped.
5
pp
(2-Taktig)
(3-Taktig)
pp
p
pp
(2-Taktig)
pp
pp
p
(2-Taktig)
p
(3-Taktig)
5
p
pp
5
20
160
Fl.b.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
sim.
p
p
p
sim.
pp
2
(2-Taktig)
5 pp 5
pp p
p
(3-Taktig)
5
5
Kalimba
(2-Taktig)
Cb.
Arp.
Vc.
sim.
(3-Taktig)
6
x=x
p
p
p
mp
IV.
p
6
5
x=x
5 5 5 5 5 5 5
(3-Taktig)
Vn. 1
Fg.
Cl.b. in Sib
Pf.
Cor.ing.
5
(2-Taktig)
5
5
3 ped.
Vla.
(3-Taktig)
5
Vn. 2
(2-Taktig)
5
6
x=x (3-Taktig)
(2-Taktig)
(3-Taktig)
(2-Taktig)
5
6
x=x
K
171
Fl.b.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
5
3
mf
3
3
3
mf
f
f
mf
ff
3 3 5 3 3
(3-Taktig)
(2-Taktig)
(Tempo II ma un poco piu mosso)
f
f
ppp
ppp
norm.
sf
Pf.
5
6
f
f
sons étouffés
sff
sff
(2-Taktig)
ppp
ppp
3
3
f
ppp
f
ppp
f
ppp
f
ppp
(2-Taktig)
f espr. sost.
(3-Taktig)
5
f
ppp
f
ppp
f espr. sost.
sf
x=x
K
Vla.
Cor.ing.
(3-Taktig)
(2-Taktig)
Poco meno, maestoso ma poco lamentoso, h = 77 (Tempo II ma un poco piu mosso)
(2-Taktig)
3
f espr. sost.
f espr. sost.
(3-Taktig)
5
3
21
6
K Poco meno, maestoso ma poco lamentoso, h = 77
Cl.b. in Sib
5
Fg.
x=x
Vn. 2
(2-Taktig)
Vn. 1
(3-Taktig)
Marimba
Cb.
Arp.
(2-Taktig)
Poco meno, maestoso ma poco lamentoso, h = 77 (Tempo II ma un poco piu mosso)
Vc.
(3-Taktig)
(2-Taktig)
(2-Taktig)
22
182
Fl.b.
Vc.
3
Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
(3-Taktig)
(
ff
mf
Vn. 1
Vn. 2
Fg.
(
3
3 5
3
sf
3
mf
sf
3
5
ff
II.
(3-Taktig)
f
f
ff
3
mf
ppp
f sim
5
f sim.
f sim.
f
ppp
f
ppp
ppp
f
ppp
f
5
(2-Taktig)
f
ppp
ppp
f
f
3
3
f
5
5
ff
(3-Taktig)
(2-Taktig)
(2-Taktig)
3
(3-Taktig)
3
3
ppp
Vla.
fff
5
ff
Cor.ing.
fff
3
Pf.
f sim. Cl.b. in Sib
)
(2-Taktig)
3
3
Arp.
)
(3-Taktig)
II.
Cb.
(2-Taktig)
(3-Taktig)
(2-Taktig)
5
f
f
mf
193
Fl.b.
L
23 (3-Taktig)
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
Perc.
(2-Taktig)
mf
f
f
(3-Taktig)
3
(2-Taktig)
5
( ) 3
3
ff
III
Cb.
Arp.
3
L (3-Taktig) Vn. 1 f
Vn. 2
Fg.
Cl.b. in Sib
f
ppp
ppp
Pf.
(2-Taktig)
f
ppp
f
ppp
ff 3 3
f
ppp
f
ppp
3
3
(3-Taktig)
f
L (3-Taktig)
(2-Taktig)
(2-Taktig)
f
ppp
ppp
f
3
5
(3-Taktig)
f
3
3
f
(2-Taktig)
3
5
3
ff
sff
3
3
5
f
sf
sf
Vla. Cor.ing.
3
3
ff
24
203
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
(3-Taktig)
( )
Fg.
Cl.b. in Sib
III.
( )
sff
ppp
Cor.ing.
fff
ff
5
sf
(2-Taktig)
sf
mf
(3-Taktig)
3
3
f
mf
3 3 3
(3-Taktig)
f
ppp
f
ppp
f
ppp
f
ppp
(3-Taktig)
5
f
f
(2-Taktig)
f
f
ppp
ppp
f
ppp
ppp
(3-Taktig)
f
5
3
(2-Taktig)
(3-Taktig)
f
ff
3
3
3
f
f
(2-Taktig)
f
ppp
Vla.
Pf.
Marimba
(3-Taktig)
mf
mf
f
Vn. 2
fff
(3-Taktig)
Vn. 1
(2-Taktig)
5
f
(2-Taktig)
3
3
3
f
(3-Taktig)
f
M
215
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
(2-Taktig)
Marimba
Perc.
25
Vn. 2
Fg.
Cl.b. in Sib
5
3
(3-Taktig)
ff
3
mf
3
fff
5
3
3
3
3 5
3
f
ppp
f
ppp
M (2-Taktig)
3
f
ppp
f
ppp
3
f
f
5
f
ppp
ppp
ppp
f
ff
3
5
(3-Taktig)
3
f
f
3
3
3
3
f 3
(2-Taktig)
ppp
(3-Taktig)
5
fff
f
sff
(2-Taktig)
(3-Taktig)
ff
II.
II.
sf
3
(3-Taktig)
3
f
ff
5
M (2-Taktig)
Vla.
sf
Pf.
Cor.ing.
(2-Taktig)
3
Vn. 1
(3-Taktig)
5
226
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
(2-Taktig)
Marimba
(2-Taktig)
sf
(3-Taktig)
3
5
sf
3
mf
3
3
(2-Taktig)
3
f
f
3
Arp.
(3-Taktig)
sff
ff
3
5
mf
3
3
poco rall.
(2-Taktig)
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
ppp
f
ppp
f
(3-Taktig)
ppp
f
ppp
f
f
f
ppp
f
ppp
ppp
ppp
f
3
(3-Taktig)
f
(2-Taktig)
f
ppp
f
ppp
3
3
5
f
q. = q.
3
(2-Taktig)
q. = q.
poco rall.
26
Pf.
Vla.
(2-Taktig)
Cor.ing.
3
3
(3-Taktig)
(2-Taktig)
f
f
5
3
q. = q.
poco rall. (2-Taktig)
(3-Taktig)
q. = q. (h = h)
N
238
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
4
Fg.
7
sf
7
sf
mf marc.
4 sfff
4
4
sf
sf
q. = q. (h = h)
Allegro vivace e piu agitato ("sehr aufgeregt"), q. = 100, h = 75 (Tempo III)
4
ff
ff
4
sf
sf
5:4
5:4
mf marc. Cl.b. in Sib
7
ff
7
"As-Horn" until P (on Bb Horn, 1st valve)
senza sord.
N
Vn. 2
Vn. 1
7
Cb.
Arp.
7
ff
Perc.
27
mf marc.
Vc.
Allegro vivace e piu agitato ("sehr aufgeregt"), q. = 100, h = 75 (Tempo III)
4 norm.
sf
sf
5:4
5:4
5:4
ff
Pf.
q. = q. (h = h)
N
Vla.
Cor.ing.
Allegro vivace e piu agitato ("sehr aufgeregt"), q. = 100, h = 75 (Tempo III)
mf marc.
9:8
28
Fl.b.
241
7
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
sfff
9
9
9
mf marc.
7
7
7
7
9
sfff
9
9
9
mf marc. spiccato
sff
7
7
7
5:4
mf marc. spiccato
sff
5:4
mf marc. senza sord.
Cb.
Arp.
senza sord. 9
5:4
7
5
5
mf marc.
5
5
4
4
4
4
4
4
4
Pf.
4
Vla. 5:4
mf marc.
Cor.ing.
7
7
5:4
5:4
5:4
5:4
5:4
244
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Pf.
7
7
sim.
mf
5:4
5:4
5:4
5
5
5
5
5:4
5:4
5:4
5:4
Vla. Cor.ing.
7
mf
Cl.b. in Sib
7
Cb.
Arp.
Vc.
Perc.
7
mf
29
5:4
mf
fff
5:4
5:4
mf
9:8
mf
7
7
fff
9:8
fff
fff
30
O Fl.b. 247
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
9
mf
9
7 7 7 mf
mf
7
mf
7
O 7 7 mf
7
mf 5
5
5
5
mf
Cl.b. in Sib
Cb.
Arp.
Vc.
Perc.
mf
5:4
5:4
5:4
5:4
5:4
4
4
4
5:4
O Vla.
Pf.
Cor.ing.
7
mf
4
7
mf
5:4
5:4
5:4
Fl.b.
250
9
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
7
7
7
7
mf
7
mf 4
4
4
5
5
5
5
Pf.
Vla. Cor.ing.
mf
4
Cl.b. in Sib
7 7 7 mf
Cb.
Arp.
9
Vc.
Perc.
31
mf
mf
5:4
5:4
5:4
5:4
5:4
7
5:4
5:4
5:4
7
5:4
7:6
h=e
P
32
253
Fl.b.
Vc.
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
pizz.
3
pp
p
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
pp dolciss.
7 7
"As-Horn" (on Bb Horn, 1st valve)
pp dolciss.
7:6
P
Vn. 2
Fg.
Cl.b. in Sib
7 7
pizz.
p
5
h=e
9
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
6
6
6
6
3
p
pizz.
6
7:6
Vla.
ppp
ppp
6
P
7
7
p sim.
pp dolciss.
Pf.
IV.
pp cant.
p
arco
p
Cor.ing.
3
5
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
h=e
Vn. 1
III.
pp
Arp.
pp sim.
pp
Cb.
pp
pp cant.
Fl.b.
Vc.
257
Q
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
p
Vn. 2
Fg.
Cl.b. in Sib
p
pp
arco
5
pp
5
pp
Tranquillo
flaut.
Vla.
pizz.
p
p
ff
ff
p
pp
pp sim.
Tranquillo
p
Q
p
poco rall.
Pf.
col legg. batt.
p
mp
f sonore
mf
ppp
p
mp
Cor.ing.
Q Vn. 1
33 poco rall.
Arp.
arco, flaut.
Marimba
Perc.
Tranquillo
arco
poco rall.
p
R
34
(rall.)
263
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
pp
Fg.
Cl.b. in Sib
pp
pp
al niente
pp
R arco
5
p
5
5
5
5
ppp
with Marimba mallets
ppp
pp
pp
R
ppp
ppp
(rall.)
Vla.
(3-Taktig) Allegro con brio (sempre "wie aus der Ferne") q. = 94 (Tempo I ma sempre poco piu mosso) sul tasto, alla corda
sul tasto, alla corda
p
"As-Horn" (on Bb-Horn, 1st valve, 7th harm.)
3 ped.
Cor.ing.
Pf.
p
Vn. 2
al niente
(rall.)
Vn. 1
Cb.
Arp.
pp
Vc.
Perc.
Var. II (3-Taktig) Allegro con brio (sempre "wie aus der Ferne") q. = 94 (Tempo I ma sempre poco piu mosso)
(3-Taktig) Allegro con brio (sempre "wie aus der Ferne") q. = 94 (Tempo I ma sempre poco piu mosso)
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
(3-Taktig)
bisbigl.
273
Fl.b.
pp
5 5 5 5 5 5
(2-Taktig)
Vn. 1
(3-Taktig)
5
Vn. 2
Fg.
Cl.b. in Sib
35
(2-Taktig)
5
5
Pf.
3 ped.
Vla. Cor.ing.
(2-Taktig)
(3-Taktig)
(2-Taktig)
36
Fl.b.
282
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
ppp
pp
ppp
Cb.
Arp.
alla sopra
( ) IV.
con sord.
pp
pp
5 5 5 5 5
(2-Taktig)
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
5
5
5
5
Pf.
3 ped.
Vla. Cor.ing.
(2-Taktig)
Fl.b.
291
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
Cl.b. in Sib
pp
37
5
5
5
pp
pp
(3-Taktig)
5
(2-Taktig) 5
5
5
5
5
5
5
5
Pf.
3 ped.
Vla.
Cor.ing.
Vn. 1
(2-Taktig) flz. alla sopra
Cb.
Arp.
(3-Taktig)
(3-Taktig)
(2-Taktig)
38
300
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
(3-Taktig)
Cb.
Arp.
Vc.
Perc.
pp
5 5 5 5
Fg.
Cl.b. in Sib
pp
(3-Taktig)
5
Vn. 2
5
5
5
5
Pf.
3 ped.
Vla.
Cor.ing.
(3-Taktig)
Fl.b.
309
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
(2-Taktig)
Vc.
Perc.
39
5 5 5 5 5 5
(3-Taktig)
5
Vn. 2
Fg.
Cl.b. in Sib
(2-Taktig)
Vn. 1
(3-Taktig)
5
5
Pf.
3 ped.
Vla.
Cor.ing.
(2-Taktig)
(3-Taktig)
x=x
S
40
318
Fl.b.
(3-Taktig) un poco meno, lamentoso e melancolico, h = 82 (Tempo II, ma ancora piu mosso)
(2-Taktig)
pizz.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
7
7
Fg.
Cl.b. in Sib
mf
6
6
mf Marimba
mp
con sord. (metal straight)
pp con sord. (metal straight)
fp
pp
fp
p
3
mf
3
x=x
(3-Taktig) un poco meno, lamentoso e melancolico, h = 82 (Tempo II, ma ancora piu mosso)
5
5
5
3 ped.
pizz.
3
p
norm., muted
Pf.
pizz.
p
(2-Taktig)
mf
5
Vn. 2
3
S Vn. 1
7
ppp
spicc.
Cb.
Arp.
spicc. arco
3
pp
p
x=x
S Vla.
(3-Taktig) un poco meno, lamentoso e melancolico, h = 82 (Tempo II, ma ancora piu mosso) pizz.
3
Cor.ing.
p
(2-Taktig)
pp
41
326
Fl.b.
Vc.
6
Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
(3-Taktig)
Fg.
6
6
6
6
p
Vn. 2
Cb.
Vn. 1
5 3
3
mf
sim.
Arp.
(3-Taktig)
sim.
6
(2-Taktig)
mp
5
mp
pp
(3-Taktig)
(2-Taktig)
(3-Taktig)
poco Cl.b. in Sib
Pf.
Vla.
Cor.ing.
(3-Taktig)
(2-Taktig)
(3-Taktig)
42
333
Fl.b.
Vc.
3
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
mf
6
6
6
mf
6
5
Arp.
mp
p
Marimba
(3-Taktig)
arco
pizz
(2-Taktig)
(pizz)
3
p
3
5
p
p
3
3
(2-Taktig)
(3-Taktig)
Pf.
Vla.
Cor.ing.
(2-Taktig)
(3-Taktig)
43
340 (2-Taktig)
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
mf
Perc.
(3-Taktig)
6
Marimba
6
mp
6
(c.s.)
(c.s.)
3
3
p
6
pp
3
6
mf
p
5
3
(3-Taktig)
3
(pizz.)
sim.
p
Pf.
(2-Taktig)
p
6
3
(2-Taktig)
Cor.ing.
6
pp
Vla.
5
mf
6
(2-Taktig)
(2-Taktig)
(3-Taktig)
3
(pizz.)
p
(2-Taktig)
44
347
Fl.b.
Vc.
T (3-Taktig)
(2-Taktig)
Marimba
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Pf.
Vla.
Cor.ing.
6
3
6
pizz.
6
5
3
mp
p
p
mf
3 5
(3-Taktig)
p
3
T (3-Taktig)
(2-Taktig)
(pizz.)
p
(pizz)
3
mf
p
6
3
mp
Arp.
mf
Perc.
(3-Taktig)
mp
(3-Taktig)
norm.
(pizz.)
3
pp
T (3-Taktig)
(2-Taktig)
mf
3
p
355
Fl.b.
45 (2-Taktig)
(3-Taktig)
arco
Vc.
mf
6
6
Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
mp
mf
3 5
6
6
3
6
6
3
p
5
mf
p
(2-Taktig)
(2-Taktig)
(3-Taktig)
(2-Taktig)
Pf.
Cor.ing.
6
Vla.
6
(2-Taktig)
(3-Taktig)
(2-Taktig)
46
362 (3-Taktig)
Fl.b.
Vc.
(2-Taktig)
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
6
Marimba
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
6
6
6
5 3
3
p
mf
(3-Taktig)
3
(pizz.)
p
mp
p
5
(3-Taktig)
muted
p
Pf.
Vla.
(3-Taktig)
(pizz.)
3
(2-Taktig)
Cor.ing.
p
Arp.
mf
Perc.
(3-Taktig)
p
(2-Taktig)
(3-Taktig)
47
369
Fl.b.
Vc.
(2-Taktig)
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Vn. 1
Vn. 2
Fg.
6
6
Marimba
mp
6
6
pizz.
3
(2-Taktig)
arco
p
mf
p
(2-Taktig)
(3-Taktig) (pizz)
mf
3
senza sord.
mf
3
p
Pf.
Cor.ing.
5
Vla.
6
3
3
p
(2-Taktig)
pp
3
5
(pizz.)
3
f
3
mp
(2-Taktig)
f
(3-Taktig)
3
p cant. Cl.b. in Sib
6
Arp.
mf
Perc.
(3-Taktig)
(2-Taktig)
5
48
Fl.b.
Vc.
Marimba
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
3
senza sord.
senza sord.
6
6
mp
mp
p
6
p
3
3
(2-Taktig)
mf
6
Arp.
6
Perc.
(3-Taktig)
6
5
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
4:3
e = e
poco rall. (3-Taktig)
e = e
poco rall.
376
4:3
(2-Taktig)
Pf.
5
Vla.
Cor.ing.
poco rall. (2-Taktig)
(3-Taktig)
4:3
e = e
5
4:3
e=e
U
382
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
pizz.
7
5
sf
5
p
5
7
7 7 7 III. II.
7
sf mp pizz. II. sf
7
mp
4
Arp.
p
Perc.
49
Allegro vivace e agitato ("wieder aufgeregt"), q. = 100, h = 75 (Tempo III)
7 7
mf
5
4:3
e=e Allegro vivace e agitato ("wieder aufgeregt"), q. = 100, h = 75 (Tempo III) arco sul pont. senza vibr.
U
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
ppp arco sul pont. senza vibr.
ppp
sfppp
sfppp
G
7:4
mp 7:4
7:4
p 5:4 Norm.
5:4
7:4
7:4
7:4
7:4
7:4
7:4
4
mf
Pf.
G
5
4:3
5:4
5:4
5:4
5:4
5:4
5:4
5:4
ped.
e=e
U
Vla. Cor.ing.
Allegro vivace e agitato ("wieder aufgeregt"), q. = 100, h = 75 (Tempo III)
mp arco
7 7 7 7 7 mp 7
50
5
385
Fl.b.
7:4
Vc.
7:4
5:4
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Arp.
Vn. 1
Vn. 2
Fg.
7
5
7
7
7
V
sfppp
sfppp sfppp
5:4
7:4
Cl.b. in Sib
7:4
7 7 7 7
IV.
Cb.
5:4
5:4
V
5:4
5:4
sfppp
5:4
5:4
5:4
5:4
5:4
7:4
5:4
7:4
7:4
7:4
7:4
7:4
7:4
7:4
Pf.
Vla. 7
Cor.ing.
V
7
7
7
7
7
51
Fl.b.
388 5:4
5:4
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
7:4
Fg.
5
5:4
5
7 7
7 7
7
7
sfppp
sfppp
5:4
Cl.b. in Sib
7
sfppp
Vn. 2
7
7:4
Perc.
7:4
5:4
7:4
7:4
5:4
5:4
7:4
7:4
7:4
7:4
7:4
5:4 7:4
7:4
5:4
5:4
5:4
5:4
Pf.
Vla.
Cor.ing.
7 7 7 7 7 7
W
52
Fl.b.
391
7
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
5
Vn. 1
Vn. 2
ppp (c.s.)
ppp
7 mf
7
5
mp
7 5
W
IV.
ppp IV.
ppp
7:4
7:4
sfppp
sfppp
7:4
Cl.b. in Sib
7
(c.s.)
sfppp
Fg.
7
7
Arp.
7
7
mp
mf
mf
ff
5:4
5:4
5:4
7
7
7
mf
ff
7
Pf.
W
Vla. 7
Cor.ing.
7
ff
ff
mf
5:4
5:4
5:4
5:4
5:4
5:4
7:4 7:4 7:4 7:4
mf
7:4
7:4
53
394
Fl.b.
Vc.
7
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
7
7
7
7
7:4
5
7
7
5:4
7:4 5:4
5 5:4
7:4
7
sfppp
7
7
7
7
7
7
Pf.
7:4 Vla. 5:4 7:4 7:4 5:4 5:4 7:4 7:4 5:4 7:4
Cor.ing.
7:4
7:4
7:4
5:4
5:4
5:4 5:4
5:4
54
X
Fl.b.
397 7
7
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 2
Fg.
7
5 5:4
7
7
5:4 7:4 7:4
7:4
5:4
7 5
sfppp
7
7
7
Cl.b. in Sib
7
X
Vn. 1
7
7
7
7
Pf.
X
7:4 7:4 Vla. 5:4 7:4 5:4 5:4 7:4 7:4 5:4
5:4 7:4 7:4 7:4 7:4 5:4 5:4
Cor.ing.
5:4
5:4
7:6
h=e
Y
400
Fl.b.
7
7
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
7
7 5
Marimba
pp dolciss.
7
5
7
Arp.
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV) 55
pp dolciss.
7:6
h=e
Y
Vn. 1
Vn. 2
Fg.
7
Cl.b. in Sib
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
7
7
7
pp cant.
Pf.
7:6
h=e
Y
5:4 5:4 5:4
Vla.
7:4 7:4 7:4 7:4 7:4 7:4
Cor.ing.
5:4 5:4 5:4
Meno mosso, soave e fluente, e = 88, e. = 58,66 (Tempo IV)
56
403
Fl.b.
3
3
ppp
Vc.
arco
5
ppp Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Fg.
Cl.b. in Sib
ppp
pp sim.
5
pp
5
5:6x
I.
(7th harm.) flaut.
p
5:6x
5:6x
5:6x
ppp
5:6x
ppp
5:6x
ppp
5:6x
3
3
3
3
pp dolciss.
3
3
3
3
3
5:6x
poco rall.
5:6x
ppp
5:6x
"Bb-Horn" (on Bb-Horn, no valves)
5:6x
ppp
pp sim.
5
ppp
Pf.
poco rall.
arco
ppp
Vn. 2
ppp
Cb.
Arp.
3
pp
col ped.
Vla.
3
pp cant.
Cor.ing.
3
poco rall.
pp
408
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
pp sempre Timpani
Marimba
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla.
Cor.ing.
3
3
5
mf
3
3
5
Z
Adagio misterioso ("Nachtmusik"), h = 32, q = 64
5:3x
Pf.
57
pp sempre
Arp.
Var. III Adagio misterioso ("Nachtmusik"), h = 32, q = 64
ppp "kaum hörbar"
Cb.
Z
al niente
p
pp
loco
Z
Adagio misterioso ("Nachtmusik"), h = 32, q = 64
al niente
58
419
Fl.b.
Vc.
Timpani
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Pf.
3
3
5
3
3
3
3 5
3
3
pp
ppp
3
pp
AA
Vla.
Cor.ing.
3
Cb.
Arp.
AA
3
ppp
AA
430
Fl.b.
Vc.
3
3
5
Timpani
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
59
BB
3
3
pp
3
Cl.b. in Sib
Pf.
Vla.
Cor.ing.
5
5
Fg.
3
3
3
Vn. 2
Cb.
Vn. 1
ppp
5
3
pp
3
p
3
ppp
Arp.
3
5
5
p
3
BB
3
ppp
BB
Var. IV Stesso Tempo
CC
60
440
Fl.b.
Vc.
Tr. (1) in Sib Tr.b. (2) in Mib
Cor. in Fa
Arp.
Vn. 1
Vn. 2
Fg.
pp
3 3 3
5
( )
()
CC
3
3
5
5
Pianoforte
CC
3
( )
5
3
Stesso Tempo
poco a poco cresc. al
( )
pp
3
3 3
p
ppp
Stesso Tempo
pp
poco a poco cresc. al 3
Vla. ( )
poco a poco cresc. al
pp
( )
ppp
3
ppp
Cor.ing.
arco
3
3
Celesta
Pf.
pp
Crotales
pp Cl.b. in Sib
3
5
pp
Cb.
Timpani
Perc.
5
3
DD
449
Fl.b.
EE
3
3
5
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cb.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Cor. in Fa
Arp.
(cresc.)
con sord. (cup)
con sord. (cup)
3
3
3
( )
DD
p
III IV
pp
3
)
5
3
Celesta
DD
( )
EE
3
pp
pp
3
5
(cresc.)
( )
pp
Celesta
3
p
( )
5
5
3
pp
( (cresc.)
pp
5
pp
Vla. Cor.ing.
3
pp
pp
Pf.
pp
Crotales
pp
pp
Vc.
61
EE
p
62
459
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Arp.
Vn. 1
Vn. 2
Fg.
FF
3
3
3
5
pp
5
pp espress.
pp
pp
3
3
5
poco
pp
pp
p
3
FF
pp
Celesta
Celesta
3
pp
Vla. Cor.ing.
Pf.
pp
3
Cl.b. in Sib
pp
FF
pp
3
q = q.
GG
470
Fl.b.
Vc.
3
Perc.
Tr. (1) in Sib Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
Cl.b. in Sib
3
5
3
5:3
sff sff
Pianoforte
sff
sff
sff
sff
4:3
Vla.
Cor.ing.
5:3
3
3
sff
7:6
sff
9
3
sff
sff sff
f
3
f
5
sff
mf
sff sff
Con nuova energia ("Wie ein plötzliches Erwachen") 3
q. = 64, q = 96
q = q.
GG
sff
cresc.
sff
8:6
3
3:2
4:3
sff
mf
Con nuova energia ("Wie ein plötzliches Erwachen")
sff
sff
pp
9
5:4
3
sff
mf
sff
3:2
sff sff
GG
63
sff
f
sff
q = q.
q. = 64, q = 96
3
3
con sord. (metal straight)
sff
3
sff
sff
mf
Pf.
3
Vn. 1
5
3
3
Arp.
Marimba
Cb.
Var. V Con nuova energia ("Wie ein plötzliches Erwachen")
5
9 sff sff sff sff
sff
sff 5
q. = 64, q = 96
7
f
sff
sff
64
476
Fl.b.
sempre sim.
Vc.
3
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
3
sff 3
3
p
7
7
p
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Pf.
Vla.
Cor.ing.
4:3
8:6 3 3 3 3 3
sempre sim. 4:3
4:3
5:3
sempre sim.
5:3
7
5
3
9
9
mf
3
4:3
4:3
3
7:6
8:6
3
4:3
4:3
3
8:6
5
3
7
3
5
3
3
5:3
3
3
sempre sim.
sempre sim.
3
sff
sempre sim.7:6
8:6
5:3
3
4:3
5
f
9
4:3
con sord. (metal straight)
mf
sempre sim.
Cb.
5:3
3
Marimba
f
3
3
3
8:6
5:3
8:6
479
Fl.b.
5
3
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Cb.
Marimba
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Pf.
sff
3
5
5
5
3
7
3
9
5
9
Vla.
3
f
5
5
6
3
I.
HH
9 7
f
3
5
5
9
flaut.
pp
3
8:6
3
3
4:3 5:3
3
3
8:6
3
5:3
5:3
f
5
3 5
sff
3
4:3
3
f
5
HH
5
4:3
5:3
5:3
3
mf
65
3
f
mf
Cor.ing.
3
HH
5
Arp.
Vc.
5:3
7:6 7:6
3
3
3
66
482
Fl.b.
5
Vc.
Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Fg.
Cl.b. in Sib
Pf.
Vla.
Cor.ing.
5
7 3
3:2
5
4:3
9
p cresc.
5:3
4:3
9
3
3
3
5
5:3
5
7:6
3
8:6
3
3
7:6
3
8:6
3
3:2 3:2
sff
3
4:3
3
9
p cresc.
5
3
6 5
3
6
Vn. 2
9
4:3
cresc.
5
Cb.
Vn. 1
sff
Arp.
5
7
3 3
5
9
5
9
7
485
Fl.b.
4:3
Vc.
3
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
4:3
Marimba
4:3
7:6
3
5:3
5:3
f
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
8:6 8:6 3 3 3 3 3 3 3
4:3
5:3
Pf.
5:3 4:3
7:6
5:3
3 Vla. Cor.ing.
4:3
7:6
4:3
7:4
cresc.
3:2
3
3
f
5
5
f
9:8 9:8 5:4
5:3
sff sim.
mf
5:3
II
3:2
8:6 8:6 3 3 3 3 3 3
5:3
f
II
3:2
II.
4:3
4:3
9
f
3
3
sff
Cb.
67
3
4:3
3
II
3
3
3
7:6
5:4
9
7:4
3
6
x = x (q = q) 68
488
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
Cl.b. in Sib
sff
4:3
5:3
3:2
5:3
3:2
3
3
4:3 4:3
4:3
7:6
5
f
5:4
f
I.
f
p
Vivo furioso ("vielleicht eine Jagd"), q = 144, q. = 96
p
p
3 5 5
7:4
3
6
3
x = x (q = q) Vivo furioso ("vielleicht eine Jagd"), q = 144, q. = 96
JJ
pp
pp
5
p
5
f
mf
3
3
8:6 8:6 3 3 3 3 3
Vla. Cor.ing.
Pf.
4:3
Vn. 1
Marimba
Cb.
Arp.
Vc.
Perc.
JJ
5:3
5:3
3:2
5:3
3
5:4
3
5:4
6
3
x = x (q = q)
JJ
Vivo furioso ("vielleicht eine Jagd"), q = 144, q. = 96
3
3
p
7
p
7
9
5
491
Fl.b.
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
f
7:6
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
f
Vla. Cor.ing.
f
5:6
4:3
p
8:6
f
5:3
p
3:2
II. (7th harm.) ff
f
p
pp pp
8:6
f
5:3
7:6
p
f
5
f
f
f
5:4
II.
7
3:2
ff
Pf.
f
p
f
7:6
f
pp
3:2
f
I.
69
f
f
p
f
3
f
f
I.
Arp.
f
5:6
f
5
ff
5:3
7:6
p
pp
f
Cb.
f
Marimba
p
9:8
f
f
5:3
f
7:4
p
5:3
7:4
p
70
495
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
f
Vn. 1
5:3
I.
p
Fg.
Cl.b. in Sib
II.
pp
3:2
Pf.
ff
5:3
ff
5:3
5:3
3:2
pp
pp
5:4
ff
ff
7:6
7:6
ff
5:6
ff
7:4
ff
pp
ff
ff
sff
5:3
3:2
ff
4:3
p
ff
ff
pp ff
ff
I.
7:4
p
p
ff
ff
ff
f
ff
ff
p
7:6
ff
ff
ff
ff
ff
ff
pp
ff
f
Vla. Cor.ing.
ff
ff
ff
ff
ff
II. pp ff
5:4
pp
4:3
ff
ff 5:6
ff
p
7:6
p
sff
3:2
ff
5:6
f
7:6
ff
ff
Vn. 2
ff
ff
ff
4:3
f
I.
f
p
ff
5:6
5:3
ff
f
7:4
pp
ff
Arp.
7:6
f
ff
Cb.
p
Vc.
Perc.
ff
ff
3:2
p
3
5:4
p
p
5
KK
501
Fl.b.
5:3
Vc.
pp
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
ff
f
Vn. 1
Vn. 2
Fg.
p
5:6
p
3:2
ff
f
ff
f
sff
7:6
7
7:6
5:3
7:6
f
f
f sff
5:3
f
5:6
p
II.
f
5
5
f
5:3
f
3:2
p
f
5
p
f
3:2
f
p
f
KK
ff
4:3
II.
pp
II.
f
f
f
7:6
I.
ff
f
f
5:3
7:6
5:6
f
KK
p
I.
Vla. Cor.ing.
7:6
Pf.
ff
3:2
71
f
4:3
f
ff
pp
pp
7:6
II.
f
p Cl.b. in Sib
Cb.
Arp.
5
f
Marimba
Perc.
sff
ff
p
9:8
9:8
f
4:3
f
4:3
f
5:3
72
505
Fl.b.
5:4
ff
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Marimba
3
p
pp
p
f
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Cor.ing.
3:2
f
ff
p
4:3
ff
7:6
ff
p
7:4 p
7:4
p
5:4
4:3
ff
5:4
5:4
p
p
pp
pp
3:2
3:2
p
f
p
f
ff
f
f
4:3
ff
ff
ff
5:6
p
II.
pp
ff
II.
pp
Vla.
p
pp
Pf.
5:3
9
p
7:6
5:6
ff
ff
9:8
f
I.
Cb.
5:3
7:6
ff
ff
f
p
5:4
p
Vc.
p 3:2
4:3
ff
7:6
ff
p
9:8
5:4
p
510
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
7:6
7:6
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla.
ff
5:4
5:3
ff
ff
5:3
ff
ff
ff
pp
pp
5:3
5:4
p
ff
p
4:3
ff
p
3:2
p
ff
7:4
p
p
p 5:4
p 7:4
LL
pp
pp
ff
5:4
9:8
LL
p
ff
5:3
I.
ff
p
3:2
p
p
3:2
ff
ff
pp
ff
ff
5:6
pp
7:6
ff
II.
ff
ff
p
73
ff
7:4
7:6
5:6
3:2
p
ff Cor.ing.
ff
pp
ff
ff
ff
7:6
ff
ff
ff
ff
pp
ff
ff
ff
Pf.
ff
5:6
pp
ff
I. II.
7:6
5:4
ff
ff 5:6
p
ff
ff
ff
pp
Marimba
p
ff
ff
Arp.
Cb.
ff
Vc.
Perc.
LL
74
515
Fl.b.
ff
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
5:3
f
Arp.
Vn. 1
Vn. 2
Fg.
f
5:3
f
f
Pf.
Cor.ing.
4:3
7:6
5:3
pp
f
pp
pp
p
3:2
f
7:6
pp
3:2
ff
5:3 9:8 9:8 p
5:4
p
f
f
p
ff
3 p
ff
5:4
4:3
ff
pp
ff
ff
ff4:3
p
5:3
ff
p
pp ff
5:3
ff
ff
3:2
ff
ff
ff
ff
ff
5:6
I.
f
ff
ff
7:6
7:4
II.
ff
ff
ff
f
f
I.
ff
5:6
ff
ff
ff
p
p
ff
ff
5:6
3:2
7:6
ff
5:6
ff
p
pp
7:6
ff
7:6
p
II.
f
I.
f
Vla.
f
ff Cl.b. in Sib
ff
f
I.
4:3
f
f
5:6
f
7:6
f
ff
3:2
pp
f
Cb.
f
Marimba
p
9
p
4:7
x=x
Fl.b.
MM
521
Presto volante ("galoppierend, immer vorwärts"), . 132, q = 165 (h = 82,5) iq=
6:5
mp
Vc.
pp
7:4
Perc.
p
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
4:5
7:6
Cb.
4:7
pp
ff
Vn. 2
Fg.
Cl.b. in Sib
pp 4:5
4:5
7
7
4:5
4:5
4:5
7
5
4:7
ff
p
ff
Presto volante ("galoppierend, immer vorwärts"), . 132, q = 165 (h = 82,5) iq=
MM
ff
Pf.
4:5
7
5
5
7
7
5 p 4:5
x=x
Vn. 1
7
75
6:5
sfff
7 p 4:5
pp
7
ff
"F-Horn" (on F 5:6 ff Horn, no valves)
p II.
Arp.
sfff
ff
Marimba
4:3
ff
p pizz
p
4:5
4:5
ppp
4:5
4:5
pp
4:7
x=x
Vla.
Cor.ing.
Presto volante ("galoppierend, immer vorwärts"), iq= . 132, q = 165 (h = 82,5)
MM
7
ppp
76
526
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
4:5
5
4:5
7
7
7
4:5
5
5
7
5
4:5
7
5
7 4:5
7
5
5
4:5
4:5
pizz.
arco
4:5
4:5
4:5
4:5
Vla. Cor.ing.
4:5
6:5
mp
7
4:5
4:5
6:5
4:5
Pf.
4:5
7
p Cl.b. in Sib
4:5
Vn. 1
7 7
Cb.
Arp.
4:5
Marimba
Perc.
4:5
6:5
ppp
4:5
4:5
spicc. poco sul pont.
7
ppp
6:5
531
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla. Cor.ing.
5
5
5
7
7
4:5
7
5
5
4:5
7
5
ppp
77
4:5
"F-Horn" (on F Horn, no valves)
4:5
7
7
4:5
5
5
4:5 6:5
ppp
Pf.
7
7
7
Arp.
7
sf
Cb.
Marimba Perc.
NN
NN
arco
pizz
sf
4:5
7
7
mp
4:5
NN
mp
sempre sim.
4:5
4:5
7
4:5
4:5
6:5
6:5
sf
4:5
4:5
78
536
Fl.b.
Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla.
Cor.ing.
6:5
pizz.
arco
7
5
"G-Horn"
4:5
"F-Horn"
6:5
4:5
4:5
4:5
7
4:5
4:5
5
"G-Horn"
5
7
5
4:5
7
7
5
7
4:5
4:5
7
5
5
4:5
4:5
7
"F-Horn"
7
5
7
4:5
7
5
"G-Horn" (on Bb Horn, 1,2 valves)
Pf.
7
5
Arp.
4:5
7
mp Cb.
p
Vc.
ppp
7
4:5
ppp
541
Fl.b.
Vc.
Marimba
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
4:5
7
4:5
4:5
7
7
3:2
3:2
7
4:5
3:2
7
4:5
7
3:2
4:5
7
3:2
4:5
4:5
OO
arco
4:5
4:5
4:5
4:5
4:5
4:5
3:2
ppp
4:5
7
7
6:5
OO
7
4:5
6:5
6:5
p
79
4:5
3:2
7
pizz
Vla. Cor.ing.
4:5
Pf.
4:5
4:5
mp Cl.b. in Sib
7
Arp.
4:5
Cb.
OO
sempre sim.
ppp
7
80
546
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla. Cor.ing.
7
7
3:2
4:5
7
7
4:5
3:2
6:5
ppp
4:5
7
3:2
4:5
7
7
7
4:5
3:2
3:2
4:5
"G-Horn"
ppp
4:5
4:5
pizz.
arco
7
4:5
4:5
Pf.
7
3:2
Arp.
4:5
Cb.
Marimba
Perc.
4:5
4:5
mf
6:5
4:5
4:5
p
7
4:5
4:5
6:5
4:5
4:5
7
4:5
4:5
6:5
551
Fl.b.
PP 7
p
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
3:2
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla.
Cor.ing.
arco
4:5
4:5
PP
4:5
3:2 4:5
3:2
4:5
4:5
ppp
4:5
7
sf
4:5
7
4:5
81
7
3:2
4:5
6:5
sf
7
4:5
3:2
7
7
3:2
7
4:5
PP
pizz.
Pf.
3:2
sf
p
Arp.
7
7
Cb.
6:5
7
Marimba
4:5
4:5
ppp
6:5
82
556
Fl.b.
Vc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
7
3:2
7
7
4:5
4:5
3:2
4:5
7
3:2
4:5
3:2 4:5
3:2
Pf.
pizz.
arco
4:5
4:5
Vla. Cor.ing.
mp
3:2
4:5
4:5
p Cl.b. in Sib
7
7
7
4:5
4:5
6:5
7
4:5
4:5
6:5
7
3:2
Cb.
Arp.
7
4:5
Marimba
Perc.
7
ppp
ppp
7
6:5
561
Fl.b.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
pizz.
6:5
4:5
7
4:5
4:5
7
3:2
p
3:2 4:5
4:5
4:5
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Vla. Cor.ing.
arco
6:5
4:5
arco
f
4:5
6:5
QQ
4:5
ppp
6:5
4:5
4:5
5:3
6:5
4
5:3
7
6:5
5:3
4
4:5
7
mp
4:5
4:6
5:3
4
mp
5:3
3 4:5
83
"G-Horn"
7 4:5
Più mosso, iq . = 158,4.Tutti: sempre poco a poco cresc. al bar 580 q. = 132 (h = 99)
6:5
5:3
4:5
e=e
p
6:5
4:5
mp
mp
Più mosso, iq . = 158,4.Tutti: sempre poco a poco cresc. al bar 580 q. = 132 (h = 99)
p
p
Pf.
e=e
6:5
6:5
7
4:5
4:6
ppp
7
6:5
4:5
7
4:5
pizz
Arp.
p
4:5
Marimba
Cb.
Più mosso, iq . = 158,4.Tutti: sempre poco a poco cresc. al bar 580 q. = 132 (h = 99)
Vc.
e=e
4
(cresc.)
84
566
Fl.b.
Vc.
5:3
Tr. (1) in Sib
5:3
Tr.b. (2) in Mib
Cor. in Fa
7
4:6
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
5:3
Pf.
Vla.
Cor.ing.
4
4
(cresc.)
7
4:5
7
3
4:5
6:5
5:3
6:5
4:5
mp poco piú
4
ppp
5:3
6:5
4:5
4:5
4:5
6:5
4:5
6:5
mp poco piú
3 4:5
ppp
4:5
6:5
4
7
7 4:5
3
4:5
4:5
7
4:5
4:5
3
4:5
7
4:5
4:6
4:5
7
4:5
5:3
4:5
(cresc.)
4:5
Cb.
Arp.
5:3
6:5
Marimba
Perc.
6:5
4:5
6:5
571
Fl.b.
Vc.
(cresc.)
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
7
7
4:6
5:3
4:5
6:5
4
ppp
5:3
6:5
4:5
4
3
5:3
3
4:5
4:5
4:5
6:5
5:3
mp poco piú
7 4:5
5:3
7
4:5
5:3
85
6:5
4:6
7
4:6
4:5
6:5
5:3
7
7
3 4:5
5:3
(cresc.)
4:5
74:5
Cb.
Arp.
Marimba Perc.
6:5
4
4:5
Pf.
Vla. Cor.ing.
4
(cresc.)
5:3
4:5
ppp
6:5
4
4
4:5
mp poco piú
86
576
Fl.b.
(cresc.)
ppp
Vc.
5:3
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
Pf.
Vla. Cor.ing.
5:3
5:3
6:5
6:5
6:5
4:5
7
5:3
sf
6:5
sf
6:5
3 4:5
5:3
sf
7 4:5
sf
4:6
6:5
sf
4:5
5:3
sf
sf
4:5 sff
4:5
sf 6:5
sf
4:5
6:5
4
(cresc.)
3 4:5
6:5
sf
7 4:5
4
4:5
4:5
6:5
4:5
5:3
4:5
(cresc.)
mf
3
7
4:5
3 4:5
7
4:5
ppp
Arp.
3
7
4:6
4:5
"G-Horn"
Cb.
7
Marimba
mp
4:5
4:5
4:5
4
4
4:5
sf
4:5
sf
581
Fl.b.
h. = e
RR
Var. VI Andante mesto, e = 66
3
3
3
87
p
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 2
Fg.
Cl.b. in Sib
Pf.
Kalimba
3
p
3
h. = e
RR
ff
ff
Andante mesto, e = 66
p cant.
ff
3
ff
RR
3
ff
ff
Andante mesto, e = 66
3
p cant.
3
3
3
h. = e
3
3
ff 3
3
ff
"Bb-Horn" (Bb-Horn, no valves)
p
Vla. Cor.ing.
p
Vn. 1
Cb.
Arp.
p
ppp
p
ppp
SS
88
585
Fl.b.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
3
Vn. 2
Fg.
mf
pp sempre
3
pp sempre
ff 3
III.
ff
3
pizz.
mf
3
mf
ff
ff
ff
3
ff
p sim..
3
ppp
ff
ff ten.
ff ten.
ff
mf
ff ff
ff
(gut gestoßen)
ff ten.
p cant.
pizz.
ff
("gut gestoßen")
IV.
ff
Vla.
"As-Horn" (Bb-Horn, 1st valve)
arco
mf
SS
Cor.ing.
Pf.
ff
Cl.b. in Sib
pp
SS
Vn. 1
(pizz.)
Cb.
Arp.
Vc.
pizz.
mf
ff
mf
ff ten.
588
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Arp.
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
pp Marimba
Cor.ing.
p
mf
arco
p
ff
ff
ppp
p
f
p
p cant.
p sim.
ppp
p cant.
TT
arco
p
Kalimba
pp
ff
arco IV.
p
pp
TT
mf
mf
p
89
IV.
sf
poco cuivré
p
Vla.
p
mf
con sord. (cup)
Pf.
mf
con sord. (cup)
pp
mf
p
Cb.
arco, flaut.
Vc.
Perc.
TT
90
592
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
p
ppp Marimba
pp
pp
sul tasto estr.
pp
p
p
ppp
pp
3
Celesta
p sim.
poco espr.
p
pp
ff
3
UU Piu lento, e = 64
3
ff
UU Piu lento, e = 64
p
IV.sul tasto estr.
pp
pp
Vla. Cor.ing.
Pf.
Cb.
Arp.
Vc.
Perc.
Var. VII
UU Piu lento, e = 64
596
Fl.b.
3
91
ffp
ffp ffp
Vc.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
3
mf
Vla.
ff 3
pizz.
mf
sul pont. estr.
3
ff
senza vibr. sul pont.
ff pesante
pizz.
ff
pp sempre
3
mf
mf
ord.
arco, sul pont. estr.
ff pesante
ff
ff
pizz. III.
ff
3
pp sempre
pp
ff
3
Celesta
3
Cor.ing.
(pizz.)
Pf.
ffp
Cb.
Arp.
92
600
Fl.b.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
mf
ffp
ffp
Marimba
ff
ff
ff sim.
p
p
mf
mf
pp
Celesta
ff
ff
ff
sul pont.
p
arco, sul pont. estr.
mf
arco III.
mf
Vla. Cor.ing.
mf
Pf.
Cb.
Arp.
Vc.
Perc.
sf
ff
ord.
pp
VV
602
Fl.b.
Perc.
Tr. (1) in Sib
Tr.b. (2) in Mib
Cor. in Fa
93
ppp
morendo al niente
con sord. (cup, almost closed)
Cb.
arco
Vc.
ppp
morendo al niente
con sord. (cup, almost closed)
ppp
morendo al niente
sul tasto
ppp
morendo al niente
Arp.
VV
Vn. 1
Vn. 2
Fg.
Cl.b. in Sib
ppp
morendo al niente
Pf.
VV
Vla.
Cor.ing.
ppp
morendo al niente
WH 31089 ISBN 978-87-598-1954-8