211013
EDITION WILHELM HANSEN WH31942
Søren Nils Eichberg
SEDNA FOR
ORCHESTRA
Full Score
.
For Kristjan Järvi, Ole Bækhøj and The Danish National Symphony Orchestra
Søren Nils Eichberg
SEDNA 2013
for Orchestra
Full Score
Duration: c. 8 min.
Orchestra 3 Flutes (3rd dbl. Piccolo) 3 Oboes (3rd dbl. English Horn) 3 Clarinets (3rd dbl. Bass Clarinet) 3 Bassoons (3rd dbl. Contra Bassoon) 4 Horns 2 Trumpets 3 Trombones Tuba Timpani Percussion (2 players) (2 Vibraphones, Tam-tam, Snare Drum Triangle, Suspended Cymbal)
Piano Strings
The score is written in C
Søren Nils Eichberg SEDNA 2013 for orchestra
The „planet“: Sedna is the most distant of the solar system objects that have been discovered, three times further than Pluto or Neptune. To circle the sun once takes Sedna 10,500 years. Sedna was discovered in 2004. “It is the coldest most distant place known in the Solar System“, said one of the scientists behind the discovery, „so we feel it is appropriate to name it in honour of Sedna, the Inuit goddess of the sea, who is thought to live at the bottom of the frigid Arctic Ocean.” The Inuit legend: Sedna was a stunningly beautiful, but also terribly vain, young girl who turned down all marriage proposals from local hunters until one day, a secretive and mysterious but seemingly wealthy stranger came along and she agreed to marry him. When the stranger turned out to be not a man but a grim raven in disguise and his home nothing but a bare island on the ocean, Sedna cried and cried to the sea and her father came in his boat to her rescue. But the raven, infuriated, followed their boat and flapping his wings called upon them a huge storm until her terrified father threw his daughter into the sea thinking only of saving his own life. Sedna still lives at the bottom of the ocean surrounded by seals and whales and it is her anger and fury against man that drums up the violent seas and storms. Therefore, the Inuit people have great respect for her and every now and then, a Shaman must swim down to her and comb her hair to appease her. The composition: Rather than following the story-line of the legend directly, I have tried to create a work which immerses the listener in a metaphysical soundscape of nature associated withs the arctic sea. One of the compositional techniques is to use a harmonic universe derived from the spectral overtone series of mother nature. Also, throughout this piece I work with the element of the the wave in all musical ways possible. Sedna takes between 7 and 8 minutes.
Søren Nils Eichberg, September 2013
III
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For Kristjan Järvi, Ole Bækhøj and the Danish National Symphony Orchestra Søren Nils Eichberg (2013)
SEDNA
4 4
Mit innerer Unruhe q=104
Piccolo
Flute 1 pp
p
pp
pp
p
pp
pp
p
pp
pp
p
Flute 2
Oboe 1
Oboe 2
English Horn
Clarinet in Bb 1
Clarinet in Bb 2 pp multi Bass Clarinet in Bb pp
p multi
Bassoon 1 pp
p multi
Bassoon 2 pp
p
Contrabassoon
1,2 Horns 3,4
2 Trumpets
Trombones 1,2
Trombone 3 Tuba
Timpani pp
Vibraphone p Cymbal Triangle p
ppp
p
ppp
Piano
4Mit innerer Unruhe q=104 4
gliss.*
Solo
pp
sim.
p
Solo
gliss.*
sim.
Violin I pp
p
Solo
pp
gliss.* p
Solo
pp
sim.
sim.
gliss.* p
Solo
sim.
gliss.*
Violin II pp
p
Solo
pp
gliss.*
sim.
p
Viola
Violoncello
Solo
Contrabass gliss.
(*) Glissando between the given notes. Bow change ad lib. but not when also changing gliss direction. Dim. and cresc. between p and mf
gli altri
div.
mp
2 Bewegt q=132
16 Picc.
half air, half tone Fl.1 mp
f
Fl.2 mp
f
Ob.1
Ob.2
Eng. Hn.
Cl.1 mp
Cl.2 mp
f 5
5
B. Cl. f
f
f
Bsn.1
5
Bsn.2 f
f
f
f
C.Bsn. f a2
f Hn.
a2
f
Tpt. mp
Tbn. mp III. Tbn 3 Tuba
mp
Timp. p
mf
p
p
B.Dr.
T.-t.
Pno.
Bewegt q=132
Vl. I
Vl. II
5
ff
Vla.
5
ff 5
3
5
ff
Vc.
5
5
Cb.
3
div. in 2
5
5
ff
gliss
5
5
ff 5
ff
5
gliss
5
3 26 Picc.
Fl.1 p
f
Fl.2 p
f
Ob.1 f
p
Ob.2 p
f
Eng. Hn.
Cl.1
Cl.2 f
B. Cl. f Bsn.1
Bsn.2
C.Bsn. f
Hn.
Tpt. mf
Tbn. mf .III. Tbn 3 Tuba mf
Timp. mp
B.Dr.
T.-t.
Pno.
2 Soli
f
mf 2 Soli
Vl. I f
mf 2 Soli
mf
cresc.
f
mf 2 Soli
mf
cresc.
f
mf 2 Soli
Vl. II mf
cresc.
f
mf 2 Soli
mf
mf
cresc.
cresc.
f
mf
f
Vla.
mp
cresc.
f 5
mp
cresc.
f
mp
ff
Vc.
5
mp
cresc.
f
mp
cresc.
Cb.
f
mp cresc.
ff 5
ff
5
mp
cresc.
mp
cresc.
5
mp
cresc.
f
ff
4 37 Picc. f
mp
half air, half tone
Fl.1 f Fl.2 3
mp
7
f
f
Ob.1
Ob.2 5
mp
5
f
Eng. Hn. 3 3
Cl.1 3
3
mp
f
p 3
Cl.2 p
f 5
5
5
5
B. Cl. f
f
f
f
Bsn.1 5
5
Bsn.2 f
f
f
f
f
f
f
f
C.Bsn. mp 1. mf
mp
f
Hn.
f
mp I.
Tpt. mp Tbn. mp Tuba Tbn 3 Tuba mp
mf Timp. f
cresc.
Vibraphone B.Dr. mp T.-t.
Pno.
f
div. in 2
mp
Vl. I f
mf
mp
div. in 4
f
cresc.
half scratch
mf cresc.
f
mp half scratch
Vl. II mf
mf
cresc.
cresc.
f
mp half scratch
f
mp 3
5
Vla.
mf
cresc.
f
p
f
3
5
mp cresc.
f 3
cresc. Vc.
3
3
3
5
5
5
5
f 5
5
f
Cb.
p
f
f
f
half scratch
5
p
5
5
3 4
47
4 4
5
Picc. 3
f Fl.1
3
f
3
Fl.2 f
Ob.1 f
3
Ob.2 mf
f
3 3
Eng. Hn. mf
3
mf
f
Cl.1 mf 3
Cl.2 mf
mf
B. Cl. mf Bsn.1 mf
3
mf
Bsn.2 3
mf
mf
C.Bsn. mf I.
mf mp
mp
Hn.
mp
mf
Tpt. mf
Tbn. p III
mp
mf
Tbn 3 Tuba p 3
mp
mf
mp
mf
3
Timp. mp
Vib.
T.-t.
Pno.
3 4 3
4 4
3
gliss.
p
f
p
mf
mp
f
mp
f
mf
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
p
f
p
Vl. I gliss.
3
div. in 3
3
p
f
p
mf
mp
f
mp
f
mf gliss.
non div.
p ord.
3
mf ord.
3
f
p
mf
mp
f
mp
f
mf gliss.
non div.
p f non div.
p
mf
mp
f
mp
f
mf
gliss.
Vl. II mf ord.
3
p
f
p
mf
mp
f
mp
f
mf
p
f
p
mf
mp
f
mp
f
mf
gliss. mf
gliss. p
Vla.
f
p
mf
mp
f
mp
f
mf gliss.
non div.
p
f
p
mf
mp
f
mp
f
mf
non div.
p
Vc.
f
gliss.
p
mf
mp
f
mp
f
mf gliss.
non div.
p
f
p
mf
mp
f
mp
f
mf gliss.
Cb. mp p
f
p
mf
mp
f
mp
f
mf
6 65
gliss.
Picc. 3
ff
3
ff
9
9
flz.
flz.
Fl.1 flz.
Fl.2 3
ff
gliss.
Ob.1 3
9
ff
9 3
Ob.2 3
ff
3
ff
Eng. Hn. 7
Cl.1 f
3
3
ff
3
3
9
3
Cl.2 f
3
3
ff 9
B. Cl. f
3
3
ff
Bsn.1 3
f
ff 3
3
Bsn.2 ff
f
3
3
C.Bsn. ff
f
3
f
Hn.
f
3 3
ff
3 3
ff
3
ff
3
3
Tpt. f
3
Tbn. ff
f
3
Tbn 3 Tuba ff
f Timp. f Tam-tam Vib. f
Snare Drum
Cymbal
T.-t. p
ff
Pno.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f cresc.
ff
3
Vl. I f cresc. 3
f cresc.
div. in 4
div. in 3
ff
non div.
ff
ff irregular, not together
non div.
3
f cresc.
ff irregular, not together non div.
3
Vl. II f cresc.
ff irregular, not together
3
f cresc.
ff
3
Va.
f cresc.
ff
3
div. in 3
f cresc.
ff
3
Vc.
f cresc. 3
f cresc. 3
ff
ff div.
Cb. ff (*) Repeat motifs in box in random order.
f
5
3
3
3
5
5
3
3
3
5
5
3
3
3
5
non div.
non div.
4 8Etwas rascher, aber nicht dr채ngend q=140
75
5 8
4 8
57 8
5 8
4 8
5 8
Picc. 9
9
Fl.1 3
5
3
5
3
5
Fl.2 9
9
Ob.1 9
9
Ob.2 5
3 3
Eng. Hn. 5 3
Cl.1 9
9
9
9
5
Cl.2
7
B. Cl.
7
Bsn.1 3 3
Bsn.2
7
C.Bsn.
Hn.
II
3
IV
3
3
3
4:3
3
3
4:3
3
3
4:3
Tpt.
Tbn.
Tbn 3 Tuba
Timp.
Vibraphone
3
3
Tam-tam
3
Vib. f Snare Drum Cym. p 3
3
3
3
3
3
p
Pno.
mf
mf
p
f
p
f
4 8Etwas rascher, aber nicht dr채ngend q=140 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
div. in 2
Vl. I 3
div. in 2
mf
ff
mf
ff
ff
mf
ff
mf
ff
ff
mf
ff
mf
ff
ff
mf
ff
mf
ff
ff
mf
ff
mf
ff
ff
mf
ff
mf
ff
ff
mf
ff
mf
ff
ff
Vl. II
div. in 2
Vla.
3
3 3
3
Vc. 3
3
3
3
3
3
Cb.
f non legato
mf
ff
mf
ff
ff
f
8 88
5 8
4 8
5 8
4 8
5 8
4 8
5 8
4 8
5 8
4 8
Picc.
Fl.1
Fl.2
Ob.1
Ob.2
multi Eng. Hn. mf multi
multi
Cl.1
multi
multi
multi
Cl.2 multi
multi
multi B. Cl.
Bsn.1
Bsn.2 f C.Bsn. f
Hn.
Tpt.
Tbn.
Tbn 3 Tuba
Timp.
T.-t.
S. D.
Pno.
5 8
Glissandi like at the beginning. But this time cresc./dim. between mf and ff.
4 8
5 8
4 8
5 8
sim.
f Vl. I sim.
f sim.
f sim.
f Vl. II sim.
f sim.
f
Vla.
Vc.
Cb.
4 8
5 8
4 8
5 8
4 8
5 8
105
4 8
5 8
multi
4 8
4 4
3 4
4 4
9
Picc. mf
p
f multi
Fl.1 mf
f
p
multi Fl.2 mf
p
f
multi Ob.1 mf
p
f multi
Ob.2 mf
f
p
Eng. Hn. f ord.
3
Cl.1 f ord.
p 3
Cl.2 f 3
3
B. Cl. p 3
3
Bsn.1 p
Bsn.2 p 3
C.Bsn. p a2
ff
mf
Hn. a2
ff
mf
Tpt.
Tbn. 3
Tuba Solo Tbn 3 Tuba 3
Timp.
T.-t.
S. D.
Pno.
5 8
4 8
5 8
4 8
4 4
3 4
4 4 p
3
p
3
p
3
p
3
Vl. I
Vl. II
3
Vla. f
Vc. f
p 3
f
p
Cb. 3
f
p
10 121 Picc. cresc.
Fl.1 cresc.
Fl.2 cresc.
Ob.1 cresc.
Ob.2 cresc.
Eng. Hn.
Cl.1 cresc.
Cl.2
3
3
3
3
3
B. Cl. 3
3
cresc. 3
3
3
3
Bsn.1 3
cresc. 3
3 3
3
3
3
Bsn.2
3
3
3
cresc. 3
3
3
3
3
C.Bsn. 3
cresc.
Hn.
Tpt.
Tbn.
Tbn 3 Tuba
Timp.
T.-t.
S. D.
Pno.
pizz.
mf
3
f pizz.
mf
3
Vl. I
f pizz.
mf
3
f pizz.
mf
3
f pizz.
Vl. II
mf
3 3
mf
f pizz.
f pizz.
f Vla.
Vc.
Cb.
3
11 128 Picc. 5
mf
cresc.
5
mf
cresc.
5
mf
cresc.
5
mf
cresc.
mf
cresc.
mf
cresc.
Fl.1
Fl.2
Ob.1
Ob.2 5 5
Eng. Hn. mf
Cl.1
Cl.2
3
3
3
3
3
B. Cl. 3
mf
f 3
3
3
Bsn.1 3
mf
f 3
Bsn.2 3
mf
f 3
3
3
C.Bsn. 3
mf
3
f a2
f a2
Hn.
3 3
f Tpt.
Tbn.
Tbn 3 Tuba
Timp.
T.-t.
S. D.
Pno.
arco
Vl. I
mf
cresc.
arco
mf
cresc.
arco
Vl. II
mf
cresc.
arco
mf
mf
cresc.
cresc.
Vla.
mf
cresc. pizz.
Vc.
ff pizz.
ff pizz.
ff Cb. pizz.
ff
12
Fast dr채ngend q=148
136
Picc. 3
ff
f
3
Fl.1 f Fl.2 f Ob.1
Ob.2 f Eng. Hn. f Cl.1 f Cl.2 f
3
B. Cl. 3
Bsn.1 f
3
Bsn.2 3 3
f
3
3
C.Bsn. 3
3
f
ff I
3
II
3
f
ff
Hn.
III 3
IV
3
f
ff Tpt.
II
3
Tbn. ff
3
f
3
Tbn 3 Tuba
III
3
ff
f
3
Timp. f
3
ff
T.-t. Xylophone S. D. 3
ff
3
Pno.
Fast dr채ngend q=148 sim.
f sim.
f
Vl. I
sim.
f
sim.
f
sim.
f
Vl. II
sim.
div. in 3 f
sim.
f
Vla.
sim.
f
sim.
f
arco
arco
arco
arco
Vc.
arco
arco
Cb.
arco
sim.
f arco
sim.
f
13 146
3
Picc. 3
ff
3
ff
Fl.1 mf
ff
f
mf
ff
f
mf
ff
mf
ff
f
mf
ff
f
mf
ff
f
mf
ff
f
mf
ff
mf
ff
f
mf
ff
f
mf
ff
Fl.2
Ob.1
Ob.2
Eng. Hn.
Cl.1
Cl.2
B. Cl.
Bsn.1
Bsn.2 3
C.Bsn.
I
3
3
3
3
3
3
3
II Hn. 3
III ff
ff
II ff
ff
Tpt. ff 3
3
I
3
Tbn. 3 II
ff
Tuba
Tbn 3 Tuba
3
ff
ff
3 3
3
Timp. ff
3
Vibraphone
T.-t. ff Xyl. 3
Pno.
Vl. I
ff
ff
ff
f
ff
f
ff
f
ff
f
ff
f
ff
f
ff
f
ff
f
ff
f
Vl. II
Vla.
ff
ff
ff Vc.
ff
ff
ff
Cb.
ff
f
ff
f
3 4
14 157
4 4
2 4
4 4
Picc. 3
ff
3
f
3
ff
Fl.1 p
f
p
f
3
mf
ff
f
mf
ff
f
mf
ff
mf
ff
f
mf
ff
f
3
mf
ff
f
f
3
mf
ff
f
f
3
mf
ff
3
mf
ff
f
mf
ff
f
mf
ff
Fl.2 3
Ob.1 f
3
Ob.2 3
f
p Eng. Hn. p
3
f
Cl.1 f
p Cl.2 p B. Cl.
Bsn.1 f
3
Bsn.2 f
3
3
C.Bsn. 3
ff
f
3
3
3
ff
Hn.
f
3 3
f
3 3
3
3
Tpt. f
ff
3
Tbn. f 3
Tbn 3 Tuba
Tuba
3
ff
f
3
Timp. ff
f
3
Snare Drum
Vibraphone
Vib. f
p
p
ff
Xyl. 3
ff
3
ff
ff
Pno.
3 4
Vl. I
4 4
2 4
p
f
p
f
p
f
p
f
p
Vl. II
f
p
4 4
3
f
3
f
3
f
3
f
3 3
f
f div. in 3 f
3
p
f
f 3
p
Vla.
f
p
f
p
f
f
Vc.
f
f
Cb.
f
3
f
3
f
3
f
3
f
3
3
f
f
Tuba
15 lunga
rit.
169
Mit grosser Ruhe q=112
Picc. ff
p
Fl.1 ff
3
5
7
p
ff
3
5
7
p
Fl.2
Ob.1 ff
p
Ob.2 ff
5
3
7
p
5
7
p
5
7
3
Eng. Hn. ff 3
Cl.1 ff
p 7
3
3
Cl.2 ff
p
5
mf B. Cl. ff
p
Bsn.1 3
ff
p
Bsn.2 ff
p 3
3
C.Bsn. mf
ff a2
I
3
p Hn. a2
3
Tpt.
Tbn.
Tuba Tbn 3 Tuba
Timp.
Snare Drum
Vibraphone
Vib. 3
f
mf
Cymbal Xyl. f
Pno.
rit.
lunga
Mit grosser Ruhe q=112
Vl. I ff
Vl. II
div. in 2
3
ff
mf
ff
mf 3
ff
mf
Vla. 3
ff
ff Vc.
ff
mf
mf
mf 3
ff Cb.
ff
mf
3
3
3
16 Bewegt q=140
183
7 8
4 4
7 8
Picc.
Fl.1
Fl.2
Ob.1
Ob.2
Eng. Hn.
Cl.1 f Cl.2
B. Cl.
Bsn.1
Bsn.2
C.Bsn. p II
Hn.
Tpt.
Tbn.
Tbn 3 Tuba mp Timp. mp
Vib.
Cym.
mp
Pno.
Bewegt q=140 p
Vl. I
f
p
f
p
f
p
Vl. II
f
p
f
p
mf
p
mf
p
mf
p
mf
p
Vla.
mf
p f
mf
f
mf
f
mf
f
f
f
f
p
Vc.
Cb.
7 8
4 4
7 8
7 8
198
4 4
2 4
5 8
4 4
5 8
3 8
5 8
3 8
3 4
4 4
17 7
8
Picc.
Fl.1 f
Fl.2 f
Ob.1
Ob.2
Eng. Hn.
Cl.1 f Cl.2 f
f B. Cl.
Bsn.1 f
Bsn.2 f
C.Bsn.
Hn.
f
Tpt.
Tbn. f Tbn 3 Tuba
Timp.
Vib.
Cym.
Pno.
7 8
4 4
2 4
5 8
4 4
5 8
3 8
5 8
3 8
3 4
4 4
7 8
Vl. I f
f
f
Vl. II
f
f
f
f
Vla.
f
f
f Vc.
f Cb. f
7 8
18
4 4
213
5 8
4 4
5 8
3 8
5 8
3 8
5 8
3 8
4 4
Picc.
Fl.1
Fl.2
Ob.1
Ob.2
Eng. Hn.
Cl.1
Cl.2
B. Cl.
Bsn.1
Bsn.2
C.Bsn.
Hn.
Tpt.
Tbn.
Tbn 3 Tuba mf Timp. p
mf
Vib.
Cym.
mf
Pno.
7 8 Vl. I
Vl. II
Vla.
Vc.
Cb.
4 4
5 8
4 4
5 8
3 8
5 8
3 8
5 8
3 8
4 4
2 4
228
5 8
19 4
4
Picc.
Fl.1 ff
f
ff
f
Fl.2
Ob.1 ff
Ob.2 ff
f
Eng. Hn. f
f
Cl.1 f
f
Cl.2 f
f B. Cl. ff
ff
ff
Bsn.1 ff
f
Bsn.2 f
ff C.Bsn. ff
ff
Hn.
ff
ff Tpt. f Tbn. ff
Tuba
Tbn 3 Tuba ff Timp. f
f Snare Drum Vib. mp
f Tam-tam
Cym. f
Pno.
3
3
ff
3
3
ff
3
3
ff
3
3
ff
3
3
Vl. I ff
ff
ff
ff Vl. II
ff
ff
ff
Vla.
Vc.
Cb. ff
2 4
5 8
4 4
4 4
20
242
5 8
3 8
5 8
3 8
5 8
3 8
4 4
Picc.
Fl.1 ff
Fl.2 ff
Ob.1
Ob.2 ff
Eng. Hn. ff
Cl.1 ff Cl.2 ff
B. Cl.
Bsn.1 ff
Bsn.2 ff
C.Bsn.
(*)
Hn.
p (*)
sffz
p (*)
sffz
p
sffz
Tpt. (*) Tbn. p (*) Tbn 3 Tuba
p
Timp.
S. D.
Cym.
Pno.
4 4
5 8
Vl. I
Vl. II
Vla.
Vc.
Cb.
(*) "Exponential crescendo": first only very smooth - then molto crescendo
3 8
5 8
3 8
5 8
3 8
4 4
21 252 Picc.
Fl.1
Fl.2
Ob.1
Ob.2
Eng. Hn.
Cl.1
Cl.2
B. Cl.
Bsn.1
Bsn.2
C.Bsn.
Hn.
p
sffz
p
sffz
p
sffz p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
sffz
p
sffz
p
sffz
p
sffz p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
sffz
p
sffz
p
sffz
p
sffz p
sffz
p
sffz
p
sffz
p
sffz
p
sffz
Tpt.
Tbn.
Tbn 3 Tuba
Timp. p
S. D.
Cym.
Pno.
Vl. I
Vl. II
Vla.
Vc.
Cb.
22 259 Picc. ff Fl.1
Fl.2
Ob.1
Ob.2
Eng. Hn.
Cl.1
Cl.2
B. Cl.
Bsn.1
Bsn.2
C.Bsn.
Hn.
fff
fff
fff
fff
fff
fff
fff
fff
Tpt.
Tbn.
Tbn 3 Tuba
Timp. ff Snare Drum S. D. p
Cym.
Cymbal p
f
pp
f
pp
Pno.
ff
ff
ff
ff
ff
ff
ff
ff irregular, not together
ff
ff
ff
Vl. I
ff
irregular, not together Vl. II ff
ff
ff
irregular, not together
ff
Vla.
Vc.
Cb.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
265
Senza misura
5″
23
4″
Picc.
Fl.1 cresc.
Fl.2 cresc.
Ob.1 cresc.
Ob.2 cresc.
Eng. Hn. sc.
Cl.1 cresc.
Cl.2 cresc.
B. Cl. sc.
Bsn.1 sc.
Bsn.2 sc.
C.Bsn. resc.
Hn.
Tpt.
Tbn.
Tbn 3 Tuba
Timp.
S. D. f
Cym. f
Pno.
pp
4″
Senza misur
pp Vl. I
pp irregular, not together
cresc.
Vl. II pp
cresc.
pp
cresc.
pp
cresc.
pp
cresc.
pp
cresc.
pp
cresc.
pp
cresc.
Vla.
Vc.
Cb.
* Eng.Hn., B.Cl., Bsn's.: When breathing, make a short decresc. to breathe then short cresc. up to previous dynamic level - like intensifying waves
24
8″
266
2 4
Picc. 3
fff
Fl.1 3
fff
Fl.2 3
fff
Ob.1 3
fff
Ob.2 3
fff
Eng. Hn. 3
fff
Cl.1 3
fff
Cl.2 3
fff
B. Cl. 3
fff
Bsn.1 3
fff
3
Bsn.2 fff 3
C.Bsn. fff
3
sfz
fff
3
fff
sfz
Hn.
3
sfz
fff
3
fff
sfz
3
sfz
Tpt.
3
sfz
3
sfz
fff
fff
fff
Tbn.
3
sfz
sfz
Tbn 3 Tuba
3
fff
fff
3
fff
sfz 3
Timp. p
fff
cresc. 3
S. D. 3
Cym.
fff
fff
3
Pno.
fff
3
8″
2 4 3
Vl. I
3
fff
fff
3
Vl. II fff
3
Vla.
fff
3
fff 3
fff
Vc.
3
fff 3
fff
Cb.
3
fff * Brass: Repeat the music in the boxes, intensifying the crescendi and shortening the rests gradually until the end
.
WH31942 ISBN 978-87-598-2931-8