SCOTT DUILLET WORK SAMPLE
We are interested in the collaborative nature of this surrealist routine, and we further the idea by including non-human actors; we are to distribute agency among designer, tooling and material.
SCOTT DUILLET WORK SAMPLE
Scott Duillet Architecture & Design 100 Grand Ave. Brooklyn, NY 11205 T. +1 347 325 0788 E. scott.duillet@gmail.com scottduilletarchitecture.com
THE CHALLENGE FOR ARCHITECTS AND CREATORS OF THE 21ST CENTURY IS OPENING THE DESIGN PROCESS TO BETTER ACCOUNT FOR MACHINE AND MATERIAL INTELLIGENCE.
Tools have evolved and changed the act of creation, and never more so than at the end of the 20th century. As we enter the new millennium, progress has accelerated transcending the hierarchical structure linking creator, means of creation, and creation itself. Automation brought feedback and feedback brought dialogue. The tools we use are no longer simply guided; they have an input of their own.
Scott Duillet Architecture & Design
Spring Studio 2019, Pratt GAUD, taught by Nate Hume with Jeffrey Anderson & Brian Ringley
01
SENSORY RE-CONFIGURATION Project for an insertion within a WeWork office space. The design approach was to create a building for man and machine, weaving their respective infrastructures in order to generate spaces that would benefit both.
MATTER & SENSE A substantial amount of time was spent looking into materiality and what would be the physical, tangible signature of the project. The arctic-inspired palette, a reminder of the primary “cooling” purposes of the ponds and what would soon be known as the field of “glaciers”, offered a diversity of materials varying in reflectivity, roughness and transparency.
Our vision was to design and implement a project that would consist of its own field, disrupting the existing ones and offering more variety and opportunities for unique settings as it encounters the otherwise stale grid of its corporate surrounding.
With this re-configuration comes a change in circulation as well, breaking away from the strict hierarchical order of spaces, going from a public core to a private rim. Without negating WeWork’s effort to optimize and maximize, the addition of a new non-orthogonal field reshuffles spaces and their relationship to each other, hopefully generating a sense of wonder and discovery throughout the entire building.
Fall 2019, Pratt GAUD, taught by Robert Cervellione
02
FORM & STRUCTURE For the purpose of this study the morphogenetic process was split into two parts. First a sculptural form would be generated and refined as to be a single surface continuous object, studying skin and double surface relationships as well as thickness and void. Secondly, an internal structure was designed and optimized not only to support but aslo to link and attach the monolithic pieces together.
BUILDING ELEMENTS E C T I O N FORM & SCALE
SECTION
S SE EC C TT II O ON NA A LL S SE EQ QU UE EN NC CE E
The merging of these two typologies blurs the line between structure and finish, mixing and breeding attributes in order to delete or enhance specific features, straying further away from the beaten path of “visible vs. discrete” geometry. Void of scale, this study allows for speculation regarding it’s use and potential program. What remains is this idea of designed structure and structural design that carries the exploration and celebrates all of it’s components.
Fall Studio 2019, Pratt GAUD, taught by Jonas Coersmeier with Brian Ringley
03
MAN - MEANS - MATTER Robots and computers are not to be reduced to mere manufacturing labourers, they, along with their evolving programs and codes, are to be invited to enter into a creative dialogue with the designer and the projects materiality.
As a preliminary research for a building insertion, the studio took a material approach to the post-digital project in current architectural discourse. Conceptually, this non-anthropocentric approach suggests that we can entirely move on from the purely digital project only by dissolving the deep-seated idea that human-machine-material interactions are always hierarchical.
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METHOD & PROCESS The artefact was initially designed without any idea of scale, context or even program. The scientific method prescribed by the studio allowed for a series of precise drawings as well as, without setting a specific value, quantifying and measuring the number of gestures, their position, and the impact they had on the overall object.
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We ascribed design intelligence to both the material itself and the digital machine that acts upon it. This creates a dialogue loop going back and forth not only between physical and digital, but between tool, designer, and product. These back and forths offer astonishing new outputs that no designer alone could envision or predict.
Winter Studio 2017, University of Montreal, taught by Alessandra Ponte with Son Nguyen & Fabrizio Galanti
04
ENVIRONMENTAL FORM FINDING Located in the forest of Cape Saint Jacques, on the island of Montreal this project aims to host a research center on climate and environmental change. The aim is not only to provide the infrastructure needed for climate studies but also to use it’s immediate environment wisely in order to be self-sufficient in energy and develop new methods of climate appropriation.
Exterior Air
Exhausted Air Outlet
Fresh Air Entry
The envelope guides the wind, enabling a source of fresh air and creating the suction needed to extract exhausted air. It’s density is set accroding to solar exposure, while it’s slopes and grooves are optimized for water collection
Fall Studio 2015, University of Montreal, taught by Thomas Balaban
05
FLUX NETWORK The framework of this workshop was the indepth experimentation of specific morphological concepts through advanced computational tools. Architectural morphogenesis is therefore put forward and occupies a more important place in the design than the program it will involve.
Thanks to the intricate web at the origin of the building, we have developed a system of structural supports and guides to reach different sectors. A thicker first loop weaves a link between the main program and entrances/exits, while the thinner sub-branches guide users to the heart of different poles.
Fall Studio 2016, Pratt GAUD, taught by CĂŠline C. Mertenat with Daniel Pearl
PAGHABI Weaving the community to its territory Winner of the DRIA 2016 Competition - Team of 10 & Honorable Mention - Team of 5
Local
4min
06
20 X
DRIA is an annual competition highlighting resilient architecture and design, as well as implementing sustainable strategies in Asia. In 2016 the site was in the city of Valenzuela, Philippines, bordering the polo river.
THANK YOU ! PAGHABI : WEAVING THE COMMUNITY TO ITS TERRITORY
gniviL
gniviL
Lighter houses, stronger together
Raw materials available
CHEAP, QUICK & EASY REPAIRS CHEAP, QUICK & EASY REPAIRS ytilitU
gniviL
MROFTALP GNISUOH-OC ralucanrev evitcelloc weN
ESUOH ETERCNOC sdrawno yrutnec HT02
gniviL
Pieces made on site
People know how to repair
ytilitU
ytilitU
OTAB AN YAHAB noitatpada hsinapS
OBUK YAHAB tuh lanoitidarT
The challenge resided as much in the design of local, inexpensive and sustainable architecture, as in the communication and presentation of Lighter houses, stronger together Raw materials available Pieces made on site our ideas for the competition.
HIGH-PITCHED ROOF CHEAP, QUICK & EASY REPAIRS YROTIRRET & YROTSIHBamboo NI Dtiles ETOOR YGOLOPYT
BAMBOO-TILED ROOFING
SHARED HOUSE Concrete build to resist strongest winds Protected by houses around
ROOF SUBSTRUCTURE
OUTER ENVELOPE Wood / metal / woven panels ROOF SUBSTRUCTURE
FLOOR TO FRAME
BAMBOO TO CONCRETE PILE
HOUSE FLOORING Bamboo slats
HOUSE FRAME Bamboo poles INNER ENVELOPE Bamboo woven panels Living
CUBE CEILING BAMBOO CUBE
BAMBOO TO CONCRETE CONNECTION
CONCRETE PILES AND STEEL RE-BARS
BAMBOO-BASED CONSTRUCTION SYSTEM
FLOATING GARDENS
WORKSHOP STORAGE COURTYARD
CUSTOMIZABLE PLATFORM Brings light to ground floor Defines privacy zones between houses
TRICYCLE PARKING
MULTIFUNCTIONAL PLATFORM
People know how to repair
LOCAL BUSINESS
The re-designed riverbank offers to alleviate traffic congestion and open new areas for livestock and fisheries, while it’s deep rooted vegetation protects against floods and erosion.
NOITCETORP DOOLF ROF OLOP REVIR GNOLA TNEMKNABME WEN A
COMMUNITY & ECONOMY
YMONOCE LACOL QUAY GNORTS GFLOODGATE NIHSILBATSE NI ETAPICITRAP SMROFTALP
MANGROVE
COCONUT TREE
BAMBOO
FOOTBRIDGE
OTHERS
PUMP
ROAD
TRANSPORTATION & WATER MANAGEMENT TRANSPORTATION & WATER MANAGEMENT
PRODUCTIVE & PROTECTIVE PRODUCTIVE GREEN SPACEGREEN SPACES
FLOATING GARDENS, FLOATING COOPS & FISH PONDS FOR A SUSTAINABLE PRODCUTION
&
FOOD PRODUCTION PRODUCTION FOOD Twice foodfood production Twice asthe much produced compared to large private on large private areas. areas
SCALABLE
FOOD
ACOMMUNITY COMMUNITYTOOL TOOL Community-run to to engage engage Community-run dialogue between various dialogue between various stakeholders stakeholders
Brownfield for new constructions
Polo PoloRiver River Fishpond Fish Ponds Polo River Fishpond
IMPROVED WASTE WASTE MANAGEMENT MANAGEMENT IMPROVED Region’s organic waste Region’s organic waste turned turnedinto into compost compost
Polo River
Bamboo up to 168 000 sqm Fishpond
Bamboo up to 168 000 sqm
Embankment Safe road
Embankment Embankment
Saferoad Road Safe
FORMER fishpond NOW retention pool Brownfield for new constructions Barangay limits FORMER fishpond NOW retention pool Taxi-boat stop Barangay limits
Embankment Brownfield for Brownfield for new newconstructions constructions Safe road FORMER fishpondTaxi-boat stop FORMER fishpond NOW retention NOW retentionpool pool Barangay limits
Barangay limits Taxi Boatstop Stops Taxi-boat
MASTERPLAN SMOOTH INTEGRATION
Bamboo up to BALANGKAS W : FLOATING GARDENS 168 000 sqm MASTERPLAN ONE CENTRE, MANY BENEFITS SMOOTH INTEGRATION
Scott Duillet I Architect 100 Grand Ave., Brooklyn, NY, 11205 T. +1 (347) 325 0788 E. scott.duillet@gmail.com www.scottduilletarchitecture.com