Scott March Smith Graduate School of Design Harvard University Master in Architecture Candidate
shared living graduate school of design - studio abroad: tokyo - toyo ito selected for design development and construction (ongoing) N
omishima
400000 m
toyo ito musuem of architecture shared house
ito-san’s ken iwata mother and child musuem
1500 m
7000 m
Set on the rural island of Omishima in the Seto Inland Sea, this proposal imagines a shared house for four residents to escape the intensity of city living. Like rocks scattered on a hill, the house playfully arranges four small private cabins and a communal building for cooking, dining, and bathing on a steep, wooded peninsula. Part of Toyo Ito’s ongoing efforts to 1m
fight the island’s shrinking population, the shared house will offer residents the calm pace of island life with the hope that they will bring others to experience Omishima.
1m
CHARRED CEDAR BOARD CLADDING BATTENS
ALUMINUM FOIL
EVACUATED TUBE SOLAR HEAT COLLECTOR
WATERPROOF LAYER PLYWOOD SHEATHING WOOD CEILING FINISH
roof detail
BATTENS WATERPROOF LAYER
CHARRED CEDAR BOARD CLADDING DRIP SILL PROFILE ON ROOF CLADDING
PLYWOOD SHEATHING INTERIOR WOOD FINISH
GUTTER PLYWOOD SHEATHING CHARRED CEDAR BOARD CLADDING CLADDING STUDS
INTERIOR WOOD FINISH framing and solar heating system
gutter detail
1:50 scale model
1:25 scale model
rare books in the park graduate school of design - core studio II - max kuo
Situated along Frederick Law Olmsted’s
amenity and maintaining urban circulation
for smaller program, including reading
Emerald Necklace, this project unifies the
between the park and the city. Echoing
rooms, a café, and children’s section. An
library holdings of the Museum of Fine
Enric Miralles’ Palafolls library, the
existing public path carves through the
Arts in Boston. Containing both rare and
building begins as a single mass. The
ground level, reconnecting the park and
archival and circulating books, the
mass is then sliced and sheared, creating
the city. Another path snakes out into the
project sequesters sensitive program on
space for circulation and stacks along
river as a boardwalk, offering new ways
a mezzanine level while providing a public
the longitudinal axis and isolated spaces
to experience the park and the water.
a
e c
d
b a ground plan
massing and site model
c
torq u ed laboratory graduate school of design - core studio I - kiel moe assembly space
private labs
spiral ramp
courtyard
lobby performance labs entryway public roof terrace
n
Scientific research must maint ain some
research. A ring of private labs are
windows and entryways on the façade.
degree of autonomy while serving and
wrapped by terraced “performance” labs,
The south façade, canted according
receiving funding from the public. This
where researchers work and display their
to Boston’s midsummer sun angle, is
laboratory, a thermodynamically organized
work to the public simultaneously. Arched
self-shading and contains cooler
“coliseum of science,” borrows the form
openings punch perspectivally through
research spaces, while the northern
of Richard Serra’s torqued ellipses and
these layers, telescoping from narrow
courtyard façade receives direct sunlight
highlights the public/private duality of
apertures into the courtyard to broad
and contains passively heated labs.
section model
performance labs
decoded surface graduate school of design - topics in parametric and generative geometry - andrew witt collaboration with michael haggerty
platonic egg surface
three nested surfaces
A Topological Picturebook | George K. Francis
Mathematician George K. Francis
of his solution. Here, the Egg is built up
avoids the uncritical form-making that
designed the Duns Egg to satisfy a simple
through a series of plan cuts, derived from
often accompanies contemporary
problem: construct a topological surface
a 2D geometric construction process. The
parametric practice. Rather, this
with “one vertex, one edge, and one
model also allowed for transformations of
investigation reaches into the core of
face.� His cryptic drawings of its
the Egg while maintaining the underlying logic
systematized design: how do we make
construction launched this investigation,
of the construction process. By working
systems? Where must those systems be
an effort to create a parametric model
with a predetermined shape, the project
rigid, and where can they accept variation?
plan construction
plan manipulation
surface construction
city beats graduate school of design genome of the built environment allen sayegh, responsive artifacts and environments lab collaboration with shaunta butler and jana masset
3
2
the train runner
1
downtown crossing station HE VIBE EL T S FE h ple w o se eo the tr e e se
ain
platform on
rain
in tra
see p
ar the train he
mon
tues
wed
thurs
fri
sat
sun
between vibration and human behavior in subway stations,
rush hour weekday downtime rush hour weekday downtime
weekend downtime
weekend late night
weekly cycles
sensory zones
City Beats began as an investigation of the relationship and developed into an exploration of the “vibe� (both literal and figurative) of the Boston T. Collecting data and observations in various sensory zones and parts of daily/weekly cycles yielded a complex portrait of three stations which could inform spatial interventions in these overlooked spaces of urban experience.
daily/weekely cycles
entering
acceleration (m/s2) 0.05
waiting
3
riding
0.04
the subway dj
0.03
0.02
2
transferring
park street station
0.01
1
0.0 NEAR ARRIVE
NEAR DEPART FAR ARRIVE
FAR DEPART
NEAR/FAR DEPART NEAR/FAR ARRIVE
NEAR ARRIVE
NEAR DEPART
acceleration (m/s2) 0.05
0.03
0.04
0.025
0.03
0.02
0.02
0.015
0.01
0.01
0.0
0.0 NEAR ARRIVE
NEAR DEPART FAR ARRIVE
FAR DEPART
NEAR/FAR DEPART NEAR/FAR ARRIVE
NEAR ARRIVE
NEAR DEPART
weekend off-peak
NEAR ARRIVE
NEAR DEPART
NEAR/FAR ARRIVE
"DELAY AT CHARLES/MGH"
FAR DEPART NEAR DEPART
NEAR ARRIVE FAR ARRIVE
NEAR DEPART
weekend peak
waste to entertainment graduate school of design - option studio: architecture of waste - leire asensio-villoria and hanif kara collaboration with andrew wade keating
rendering by andrew wade keating
Prompted by a study of the architectural
the complex subsumes a stadium, transit
and flux, performance and circulation.
and energetic potential of waste-
hub, amphitheatre, retail, and an extensive
In the process, the project proposes a
to-energy power plants, this project
riverwalk under one mile-long shell. The
new way of thinking about regional-scale
proposes a hybrid entertainment-
project grows from the complexity of
buildings, entertainment facilities, and
leisure-transportation-infrastructure
processes inherent to the site, unifying
transportation, using waste as an energy
complex. Situated across the river from
flows of people, capital, vehicles, culture,
source, and minimizes the carbon impact
Mohegan Sun Casino in Preston, CT,
and energy into a manifold space of event
of waste removal and energy tranasfer.
nt fro er
a n i c w a st
rg
rg
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ino
e r i ence
inorg an ic i n c a w g r aste w inod waste o e re fo futu wast food nic w
recycla anic ble s org
i s tr i b u t e i ntain
d waste foo
ino rg a
od future fo waste
en
e n e rgy energy + + w at energ y+
ors sit vi
SOUTHEASTERN CONNECTICUT
p
PRESTON
refurbi
ma
CASINOS
sh
re d
s
BIOGAS
+
le
WtE
yc
wa
te as e
e foo d
te
|r
ec
futur
MSW
te as
products
USERS
ist an tr
MANUFACTURING
e
250'
waste-to-energy plant amphitheatre stadium
transit hall parking berm
parking berm
riverwalk 1000’
+0’
waste-to-energy / transit hall
250'
1:1500 scale model
walled city graduate school of design - core studio III - preston scott cohen
Miami’s Biscayne Wall, a growing phalanx of broad, supertall skyscrapers, divides the denser, human-scale fabric of the city from the bayside waterfront. This proposal breaks this paradigm, taking the opportunity afforded by a luxury hotel, gym, and spa to infiltrate the Biscayne Wall with ample municipal public space on the exterior surfaces of the building. A large terrace and roof deck with swimming pools give privileged park and waterfront access to the public.
exterior public space hotel
gym and spa
the biscayne wall | present and future }bonus height - unlimited
T-80 Height Limit
Panorama 822’ 81 stories (under construction)
One Brickell 1,102’ 92 stories (approved)
Viceroy 465’ 50 stories
}
Four Seasons 789’ 70 stories
Miami River
Met 1 440’ 40 stories
SE Financial One Bayfront One Biscayne 764’ 492’ 1,010’ 55 stories 39 stories 80 stories (approved)
Fifty Biscayne New World 554’ 357’ 55 stories 30 stories
Vizcayne 538’ 50 stories
lot owned by Miami-Dade College
Skyrise Miami 1000’ 50 stories* (approved)
Freedom Tower Freedom Square 256’ 704’ 17 stories (proposed) (Miami’s first skyscraper)
700 Biscayne 709’ (proposed)
Marina Blue 615’ 57 stories
900 Biscayne 1000 Museum 650’ 706’ Ten Museum 60 stories 62 stories 585’ (approved) 50 stories
Marquis 679’ 63 stories
ground floor | public plaza
5th floor | public terrace
14th floor | public rooftop
natural ventilation
above dew point (72째-78째 F)
below dew point (58째-68째 F)
type 1 - tower facade - stack with chilled louvers and ceiling
type 2 - west facade - single-sided ventilation with chilled louvers
hotel lobby
form on three sites
site: between two Arquitectonica condos
diagram: single-loaded bar and jagged mass
site response: aggregate bar
abstract: transformation of bar into mass
project: single- and doubleloaded bar bending around mass
site 1 pressure
views begin at 180’
site: typical downtown lot
site: park and water access
diagram: bar versus mass (from previous site)
diagram: oblique axes from street grid
translate: line versus point
response: rotate tower
site response: seek views
transform: rotation torques bar around tower
project: slender tower crashes into double-loaded bar
project: privileged public space and access to waterfront
site 2 translation
site 3 specificity
immanent space: an improvisation ca st
graduate school of design - thesis project - robert gerard pietrusko presented january 18, 2017
st
CN Cm
ill
ca
make mold
cast
3D scan
3D print
make mold
make mold
cast
CNC mill photograph
3D scan
make mold
cast
elevate
CNC mill
3D scan 3D
3D
nt
nt
pri
pri
ma ke
ke
ma
ld
ld
mo
mo
Improvisation requires the simultaneous
to architectural space-making proposes
fabrication loops, the project produced
conception and production of cultural
new ways of understanding disciplinary
a set of spatial studies, each subject
material, and results in forms not given
constructs like program, type, and site,
to the entities that came before and
or determined at the outset but rather
situating each not as static sets of
engendering further studies, in pursuit of
defined and produced throughout
information but rather as procedures
a spatial practice that recognizes design
the process of making within a given
derived through the design process and
as a series of decisions shaped by a
framework. An improvised approach
acting back upon it. Using a framework of
myriad of constantly shifting forces.
A Thesis Submitted to the Department of Architecture Harvard University Graduate School of Design
FINAL REVIEW https://vimeo.com/201865877
PRESENTATION CONTENT https://vimeo.com/201868638
cast - 20160912-04
3D scan - 20160912-04S
cast - 20160912-04d
vacuum form - 20160912-04h
digital image - 20160912-04bc-00
elevated map - 20160912-04bc-00E
3D model - 20160912-04S’
cast - 20160912-04i
3D print - 20160912-04e
3D print - 20160912-04b
silicone mold - 20160912-04c
3D print - 20160912-04bc-01
acetone finish - 20160912-04bc-01b
cast - 20160912-04f
cast - 20160912-04g
collage - 20161108-01
sketch plan / height map - 20161108-02c
rendered height map - 20161108-02c’E
plan / height and slope map - 20161108-02c’-03b
plan cut model - 20161108-02c-04
presentation apparatus casework containing all objects, with front and rear projection
front view, with objects backlit
rear view
caw architects KEYNOTES - WALL SECTIONS
1 2 3
4 5 6 7 8 9 10 12 13 15 16 17 18 19 20 21 22
KEYNOTES - WAL
STANDING SEAM METAL ROOF WITH ACOUSTICAL METAL DECK STANDING SEAM METAL ROOF WITH STANDARD METAL DECK STEEL FRAME, SEE STRUCTURAL DRAWINGS. PAINT WHERE EXPOSED. COMPOSITE FLOOR DECK, SEE STRUCTURAL DRAWINGS ALUMINUM FRAME GLAZED STOREFRONT SYSTEM TAPERED EAVE BEAM SUSPENDED ACOUSTIC TILE CEILING SUPPLY DUCT, SEE MECHANICAL DRAWINGS INSULATED REFRIGERANT PIPING, SEE MECHANICAL DRAWINGS. METAL FRAMED GYP BD SOFFIT MOTORIZED WINDOW OPERATOR ALUMINUM SHADE FIN OPERABLE ACOUSTIC GLAZED PARITION WOOD SLAT CEILING ACOUSTICAL ACCENT CEILING EXTERIOR CEMENT PLASTER WALL ASSEMBLY MECHANICAL ROOF WELL SIDEWALL DIFFUER, SEE MECHANICAL DRAWINGS RECESSED LIGHT FIXTURE, SEE ELECTRICAL DRAWINGS MECHANICAL UNIT/ DUCT, SEE MECHANICAL DRAWINGS
23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39
architecture intern - summer 2016
GYP BD CEILING BACK PACK HOOK, SEE INTERIOR EL CEILING DIFFUSER, SEE MECHANICA GUTTER AND DOWNSPOUT MOTORIZED SHADE WITH RECESSED MANUAL SHADE WITH RECESSED P METAL PANEL AT EAVE SOFFIT EXTERIOR FIBER CEMENT PANEL RA SLIP TRACK WITH MINERAL WOOL IN MECHANICAL LOUVER WITH SHEET LINE OF EXTERIOR WALL BEYOND EXTERIOR METAL PANEL RAINSCREE INTERIOR PARTITION, SEE PLAN FOR FINISHED FLOOR AS SCHEDULED ALUMINUM FRAME GLAZED CURTAIN ALUMINUM BREAK SHAPE COVER METAL DECK AND STEEL FRAME OV DRAWINGS STEEL COLUMN ROOF SCREEN AT MECHANICAL WE METAL PANEL ATTACHED TO STRUC DRAWINGS
40 41
42
4
15' - 11"
1.
STRUCTURAL STEEL COLUMNS, BEAMS AND BRACE FRAMES ARE CENTERED ON GRID LINES, UNLESS OTHERWISE NOTED. S.S.D. FOR PLACEMENT AND SIZING OF COLUMNS, BRACE-FRAMES, AND BEAMS.
18.
PROVIDE SEISMIC ANCHORAGE 1 1 AT ALL MECHANICAL EQUIPMENT AND APPLIANCES. SEE MECHANICAL DRAWINGS.
2.
WALLS ARE DIMENSIONED FROM GRID LINE OR FACE OF STUD TO FACE OF STUD, UNLESS OTHERWISE NOTED
19.
FOR PENETRATIONS THROUGH RATED ASSEMBLIES, SEE MECHANICAL AND ELECTRICAL DRAWINGS. SEAL AROUND ALL PENETRATIONS
3.
GENERAL CONTRACTOR TO BE RESPONSIBLE FOR ACCESSIBLE CLEARANCE REQUIREMENTS FOR ALL SPACES, DOOR STRIKES, EXITS, AND AISLE WAYS AS THEY PERTAIN TO CODE ENFORCEMENT INTERPRETATION.
20. SEE A9.20 FOR STANDARD ACCESSIBLITY DETAILS 21.
ALL PENETRATIONS THROUGH CONCRETE FLOOR SLABS AND WALLS SHALL BE FIRE-CAULKED.
4.
ALL INTERIOR FINISHES AND MATERIALS SHALL COMPLY WITH THE REQUIREMENTS OF CBC CHAPTER 6.
22.
5.
27' - 4TO 1/2"MEET GENERAL CONTRACTOR TO PROVIDE ALL NECESSARY HARDWARE AND FIXTURES ACCESSIBILITY CODES.
ROOM SIGNAGE AND ACCESSIBILITY SIGNAGE THROUGHOUT. SEE A2.06 FOR ACCESSIBILITY SIGNAGE LOCATION. SEE A9.20 FOR ROOM SIGNAGE REQUIRED. ROOM NAMES AND NUMBERS ARE INDICATED ON DRAWINGS. PROVIDE A COMPLETE LISTING OF ALL ROOMS AND NUMBERS FOR REVIEW BY ARCHITECT AND DISTRICT PRIOR TO FABRICATION, SEE SPECIFICATIONS.
23.
CONTRACTOR SHALL PROVIDE AND INSTALL ANCHORAGE FOR ALL CASEWORK AND SHELVING PER T.O. STEEL GL 1 MANUFACTURER'S INSTALLATION INSTRUCTIONS AND DSA APPROVED DETAILS.
24.
IN ALL JANITOR CLOSETS INSTALL FRP PANELS AT WALLS BEHIND AND ADJACENT TO JANITOR'S SINKS AS REQUIRED BY CODE. SEE FLOOR PLANS FOR LOCATIONS OF MOP SINKS.
18' - 3"
4
1' - 6 1/4"
19 C6A
201 1D 950 SF 1C
A5.15
201A
214 985 SF
DN
10
17
4A 4B
A5.15
WORK ROOM
200A
3D
JANITOR
A6A
085 83 SF
085A
200 367 SF
4C
C
21
E
D6A
BOYS TOILET
23
T07A
STAFF TOILET
7 A4.02 -
1A 1B
A5.17 10
02
T03A
3.9
25.
REFER TO FIRE ALARM DRAWINGS FOR FIRE ALARM SYSTEM SCOPE.
27.
CONTRACTOR SHALL PROVIDE AND INSTALL PORTABLE FIRE EXTINGUISHER WHERE SHOWN ON PLANS. SEE A9.20 FOR MOUNTING HEIGHT & X/AX.XX FOR 23 RECESSED FIRE EXTINGUISHER CABINET DETAIL
28.
PROVIDE PORTABLE ALS SYSTEM AND SIGNAGE PER A2.06 AND A9.20 21
10 29. CONTRACTOR SHALL PROVIDE ALL NEW FIRE EXTINGUISHERS WHERE SHOWN ON PLANS INCLUDING BRACKETS OR CABINETS AND SIGNAGE / LABEL
30. REFER TO SHEET A9.09 FOR PARTITION TYPES AND DETAILS.
20
5 19
15. REFER TO FINISH PLANS FOR SIGN LOCATIONS AND FIRE EXTINGUISHER LOCATIONS. SIGNS, FIRE EXTINGUISHERS, AND CABINETS / BRACKETS SHALL BE PROVIDED AND INSTALLED BY THE CONTRACTOR
33
MILESTONE
32 13
FLOOR PLAN LEGEND 22
A6A 18' - 11"
COLLAB
E
202B
213B
7' - 9"
4
C6A
A6A
3 A5.50
203B
204 5490 SF 2
3D
3A
A6B
29' - 9"
COLLAB
C6A
3B D8A
A6A
211A
19
089
205 943 SF
19 19
1C
A6A
12 A5.01
D6A
1B
A5.14
18' - 11"
206 190 SF A6A
4B
4C
209B
G
209 186 SF
4
A6A
10
20
A5.14
208 1003 SF DN
2A 2D E2
E2 2B 19
3D
1 A5.43
A5.14
19 20
2C A4.02
3C
3B E2
1/8" = 1'-0"
PROJECT NO.
15009
DRAWN BY
J SCHAFFERT
CHECKED BY
E SEINGIER
with client and consultant coordination
E2 3
T.O.S. LEVEL 2
SHEET TITLE
SHEET
4
E2
1
2200 SHARON ROAD MENLO PARK, CALIFORNIA, 94025
school classroom building. I also assisted
3A
5
H
CLASSROOM
208A
207A
207 921 SF
NEW CLASSROOM BUILDING
producing drawings for a new middle
A6A
A6A
CLASSROOM
PROJECT NAME
LASROOM LOMITAS SCHOOL DISTRICT AT TOILET WEST EXTERIOR WAL 1 1/2" = 1'-0" LA ENTRADA MIDDLE SCHOOL
integrating design changes and
30' - 5"
17
3
managed a shared Revit model,
209A
4 A4.05
1/2" = 1'-0"
LAMINATE COUNTERTOP, OPEN BELOW CLEAR SPACE REQUIRED FOR RETRACTABLE GLASS PARTITION STACKING; SEE X/A7.10 GUARDRAIL FOLDING PARTITION WITH TACKABLE SURFACE AND MARKERBOARD SURFACE. SEE A2.04 13 RECESSED WALK OFF MAT 14 SEMI RECESSED FIRE EXTINGUISHER CABINET 15 LINE OF OPENING ABOVE 17 LINE OF SOFFIT ABOVE 19 WALL MOUNTED HOOKS FOR BACKPACK STORAGE, SEE INTERIOR ELEVATIONS. 20 INTERACTIVE MONITOR DISPLAY IN TEACHING WALL CASEWORK. 21 WALL MOUNTED 2X2 55" VIDEO WALL, SEE ELECTRICAL DRAWINGS 22 WALL CHASE AT FOR COLLAB CONDUITS FROM EXTERIOR TO IDF ABOVEWEST PARAPET WALL WEST EXTERIOR SPACE 2 1/2" = 1'-0" 23 REMOVABLE HANDRAIL AND GUARDRAIL SECTION 1/2" = 1'-0"
GROUND FLOOR 0"
SECOND FLOOR PLAN
COLLAB D6A
206C
EAST WALL EAVE
CONCRETE SEATING, S.S.D. PRECAST CONCRETE STAIR TREAD AND RISER HI-LO DRINKING FOUNTAIN, GROUNDS.P.D.. FLOOR 0" CLEAR SPACE REQUIRED FOR FOLDING PARTITION STACKING; SEE X/A7.10 MECHANICAL / PLUMBING SHAFT TEACHING WALL CASEWORK (OFOI) SEE SPECS FOR DETAILS
A6A
22' - 2"
9
COLLAB
4 D8B
A5.14
A6A
A6A
G
210 4A 927 SF 4D
210B
10
At CAW Architects in Palo Alto, I
CLASSROOM
088 76 SF
205B
4
F
T08 65 SF
210A
STORAGE
A6A 206A
WALL TAG, REFER TO SHEET A2.01
E
20
STAFF TOILET
205A
1A 1D
17
1C
22
088A
CLASSROOM
1B
A5.16
IDF
087A
20
1A 1D
086 91 SF 20
089A
F
3 A4.05
ROOF ACCESS / STOR.
A6B
20
212B
211 893 SF
A6A
DATE
RATED WALL W-1
1 2 3 4 5 6 7 8 9 10 11
E
212 190 SF
CLASSROOM A6A
086A 090B
REVISION
KEYNOTES - PLAN GROUND FLOOR 0"
A6A
11
087
19 3C
A5.15
17
ELEV. 14 EQUIP.
204A
CLASSROOM
5 A4.05
2 A4.01
1 A4.01 -
2C 4
203 187 SF
1
212A
2B
A5.16
22' - 2"
D6A
1 A4.05
2D
NO.
BACKPACK ZONE
2A 10 213A
27
23
21 5
213 972 SF
DN
32
23
CLASSROOM
2
DATE
SCHEMATIC DESIGN 01/11/2016 50% DESIGN DEVELOPMENT 04/13/2016 100% DESIGN DEVELOPMENT 04/28/2016 7 50% CONSTRUCTION DOCUMENTS 07/29/2016
NON-RATED WALL OR PARTITION
29' - 9"
202A
2B
T.O.S. LEVEL 2 13' - 6" 3
20
6
1 C6A
2C
A5.15
4 3
T.O.S. LEVEL 2 13' - 6"
3
6
29' - 9"
2A 203A
C6A
C6A
2D
3 10 28
34
16. SEE LANDSCAPE AND CIVIL DRAWINGS FOR EXTERIOR IMPROVEMENTS
19
202 898 SF
7 6
CONSULTANTS
28
CLASSROOM
29
32
4
31
D
17
Copyright 2010 by CODY ANDERSON WASNEY ARCHITECTS, INC.
STAMP
4
34
22
E
C o d y A n d e r s o n W a s n e y A r c h i t e c t s, I n c. 455 L a m b e r t A 26v e n u e • P a l o A l t o, CA 94306 6 5 0 . 3 2 8 . 1 8 1 8 • Fax 3 2 8 . 1 8 8 8
22
INSTALL BATT INSULATION FOR SOUND ATTENUATION AT ALL PARTITIONS . 3
22
E2
D
2 T.O. STEEL GL 1 25' - 10"
26. PROVIDE EMERGENCY EVACUATION PLANS AT EVERY STAIRWAY LANDING, ELEVATOR LANDING, AND IMMEDIATELY INSIDE ALL PUBLIC ENTRANCES TO THE BUILDING. SUBMIT A TEMPLATE TO ARCHITECT FOR REVIEW AND APPROVAL PRIOR TO POSTING THROUGHOUT THE BUILDING. AT ALL NEW GATES, INCLUDE MASTER KEYS TO THE BUILDING AND AN ELEVATOR KEY. DISTRICT SHALL PROVIDE AN EVACUATION PLAN COMPLIANT WITH C.F.C. SECTION 404.3.1 AND SAFETY PLAN COMPLIANT WITH C.F.C. SECTION 404.3.2. 23
17. SEE A5.01 FOR EXTENT OF TYPICAL CLASSROOM FINISHES AND CASEWORK. 6 A4.02
STAIR
D6A
E1
13
13' - 6"
1 A5.41
OPEN BELOW
T07
E2
T03 272 SF
REFER TO PLUMBING DRAWINGS FOR PLUMBING SCOPE, FIXTURE LOCATIONS, AND GENERAL PIPE ROUTING.
14. ANY EXPOSED CONDUIT, PIPING, ETC. SHALL BE PAINTED TO MATCH ADJACENT SURFACE. ALL INSULATED PIPE TO BE COVERED WITH PVC PIPE JACKET - DO NOT PAINT. T.O.S. LEVEL 2
29' - 9"
T04A
F4A
26
13. NO CONDUIT OR PIPING SHALL BE ROUTED ON THE EXTERIOR FACE OF THE BUILDING OR ON THE FACE OF INTERIOR WALLS/CEILINGS WITHOUT THE ARCHITECT'S ACCEPTANCE PRIOR TO INSTALLATION. ANY SUCH INSTALLATION, IF ALLOWED, SHALL BE ROUTED WITHIN STRUCTURAL BAYS IN AN ORGANIZED AND EFFICIENT MANNER. CONTRACTOR SHALL PROPOSE SPECIFIC ROUTING FOR INSTALLATION.
7
7
T04 278 SF
2 A4.05
C
A6A
REFER TO BOTH ELECTRICAL DRAWINGS AND ARCHITECTURAL DRAWINGS FOR ELECTRICAL SCOPE, 29 DEVICE LOCATIONS, SWITCHING, LIGHTING, DATA/PHONE/CABLE PORT LOCATIONS, EMERGENCY 6 LIGHTING, AND SIGNAGE
12. PROVIDE SOLID BACKING AT ALL ATTACHMENTS TO WALLS INCLUDING, BUT NOT LIMITED TO, HANDRAILS, WALL PARITITONS, CASEWORK, COUNTERTOPS, SHELVING, TOILET ACCESSORIES, AND 5 MISCELLANEOUS EQUIPMENT. REVIEW LOCATIONS WITH ARCHITECT PRIOR TO CLOSING WALLS.
E2
20
5
A6A
REFER TO REFLECTED CEILING PLANS FOR CEILING SCOPE. COORDINATE WORK WITH ELEVATION DRAWINGS & DETAILS
11.
3C 19
3 A6.00
25' - 10"
10. REFER TO STRUCTURAL DRAWINGS FOR STRUCTURAL SCOPE, FRAMING, AND FOUNDATION WORK. 28
3 D6A
GIRLS TOILET
ANY DISCREPENCIES BETWEEN PLANS AND CODE REQUIREMENTS THAT MAY AFFECT THE INSTALLATION, FABRICATION, OR OVERALL WORK IN ANY WAY SHALL BE BROUGHT TO THE ARCHITECT'S ATTENTION IMMEDIATELY BY THE GENERAL CONTRACTOR.
8.
9.
3B
A5.16
214A
19
2
32
3A
4D
T.O. STEEL - G.L. 4
7. E2
CLASSROOM
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meetings throughout the CD phase.
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33' - 8"
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renderings by stone rendering / CAW brett mcclure, principal matt dohrmann, associate gaston olvera, project architect jilian cadouri, job captain
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RESIDENTIAL ENTRY COMMERCIAL ENTRY
veterans and family housing michelle granick, project architect kate blum, job captain
As an architecture intern at Davis Square Architects, I worked on drawings and interior/exterior renderings in the proposal, schematic, and design development phases as well as construction details and sketches in support of the firm’s work on affordable and mixed-use housing. I also assisted in the group home darrell aldrich - associate artan sadiku - project architect matt drinon - job captain
preparation of construction drawing and bid sets and conducted unit surveys for occupied renovation projects.
roof deck renovation cliff boehmer, principal
lobby renovation client: peabody properties, inc. andreas romero - associate
exhibition: guggenheim solomon r. guggenheim museum - exhibition design intern - summer 2014 - jaime roark, associate director
As an exhibition design intern at the Guggenheim in New York, I worked on design development and construction drawings, models, and renderings for vitrines and other casework in the museum’s 2015 retrospective On Kawara: Silence and other exhibitions.
melanie taylor - director kelly cullinan - exhibition design associate aviva rubin - exhibition design associate
thank you