3/17/2023, Lawrence Brownlee, tenor: RISING | Schwartz Artist-In-Residence

Page 16

SCHWARTZ ARTIST-IN-RESIDENCE PROGRAM

RISING

Friday, March 17, 2023 | 8 p.m.

LAWRENCE BROWNL EE, tenor

This concert is presented by the Schwartz Center for Performing Arts.

404.727.5050 | schwartz.emory.edu | boxoffice@emory.edu

Audience Information

Please turn off phones and all electronic devices. Photography, recording, or digital capture of this concert is not permitted.

Health and Safety

The Schwartz Center follows the Emory University Visitor Policy with additional protocols outlined at schwartz.emory.edu/faq.

Ushers

The Schwartz Center welcomes a volunteer usher corps of approximately 60 members each year. Visit schwartz.emory.edu/volunteer or call 404.727.6640 for ushering opportunities.

Accessibility

The Schwartz Center is committed to providing performances and facilities accessible to all. Please direct accommodation requests to the Schwartz Center Box Office at 404.727.5050, or by email at boxoffice@emory.edu.

Design and Photography Credits

Front Cover Photo: Zakiyah Caldwell Burroughs

Title Page Photo: Zakiyah Caldwell Burroughs | Larrynx Photography

Cover Design: Nick Surbey | Program Design: Times 3

Back Cover Photo: Mark Teague

Acknowledgment

This season, the Schwartz Center is celebrating 20 years of world-class performances and wishes to gratefully acknowledge the generous ongoing support of Donna and Marvin Schwartz.

This program is made possible by a generous gift from the late Flora Glenn Candler, a friend and patron of music at Emory University.

DONNA AND MARVIN SCHWARTZ ARTIST IN RESIDENCE

Rising: A Recital

Lawrence Brownlee, tenor

Kevin J. Miller, piano

Friday, March 17, 2023, 8:00 p.m.

Emerson Concert Hall

Schwartz Center for Performing Arts

2022–2023

Desire, op. 11

Desire (1925–2017)

Dream

Juliet Man

April Song

Lost Illusions (b. 1978)

Southern Mansion

Silver Rain, op. 11

In Time of Silver Rain

Fulfillment

Night Song

Silence

Carolina Cabin

Songs

Sleep

Songs of the Seasons Margaret Bonds

Poeme d’Automne (1913–1972)

Winter Moon

Young Love in Spring

Summer Storm

Invocation (b. 1992)

I Know My Soul

The Dance of Love (b. 1992)

4
Program
Robert Owens Jeremiah Evans Robert Owens Intermission Vocalise I Carlos Simon (b. 1986) Peace Jasmine Barnes Brandon Spencer

Vocalise II

Carlos Simon

Beauty That Is Never Old Damien L. Sneed

The Gift to Sing (b. 1979) To America

Romance Shawn E. Okpebholo (b. 1981)

Vocalise III Carlos Simon

Supplication Joel Thompson

Compensation (b. 1988) My People

For Lawrence Brownlee, dazzling classical music audiences and advocating for diversity within the field go hand in hand. “These past years have been a trial, both for humanity as a whole, and the African-American population here in the United States. But through all these many challenges we have faced, I have also seen moments of strength, inspiration, hope, and great beauty. It is those themes of uplift, elevation, and rebirth that we have tried to focus on with this new project Rising, taking poems from the giants of the Harlem Renaissance, and working with some of today’s most talented African-American composers, to create something that speaks not just to our struggles, but to our triumphs.”

5

Texts

Desire | Langston Hughes

Desire to us was like a double death, desire to us was like a double death, Swift dying of our mingled breath, evaporation of an unknown strange perfume between us quickly in a naked room.

Dream | Langston Hughes

Last night I dreamt this most strange dream and everywhere I saw— What did not seem could ever be: you were not there with me! Awake, I turned and touched you asleep, face to the wall. I said how dreams can lie! But you were not there at all!

Juliet | Langston Hughes

There are wonder and pain and terror, and sick and silly songs of sorrow, And the marrow of the bone of life smeared across her mouth. The road from Verona to Mantova is dusty with the drought.

Man | Langston Hughes

I was a boy then I did not understand I thought that friendship lay in the grip of hand to hand

I thought that love must be her body close to mine

I thought that drunkenness was real in wine. But I was a boy then, I didn’t understand the things a young lad learns so soon, when he’s a man, a man, a man.

April Song | Langston Hughes

Let the rain kiss you

Let the rain beat up on your head with silver liquid drops

Let the rain sing you a lullaby

The rain makes still pools on the sidewalk

The rain makes running pools in the gutter

The rain plays a little sleep song on our rooftop at night

And I love the rain.

6

Lost Illusions | Georgia Douglas Johnson

Oh, for the veils of my far away youth, Shielding my heart from the blaze of the truth, Why did I stray from their shelter and grow Into the sadness that follows—to know!

Impotent atom with desolate gaze, Threading the tumult of hazardous ways— Oh for the veils, for the veils of my youth, Veils that hung low o’er the blaze of the truth!

Southern Mansion | Arna Bontemps

Poplars are standing there still as death

And ghosts of dead men

Meet their ladies walking two by two beneath the shade And standing on the marble steps. There is a sound of music echoing Through the open door

And in the fields there is another sound tinkling in the cotton: Chains of bondmen dragging the ground. The years go by with an iron clank, A hand is on the gate,

A dry leaf trembles on the wall, Ghosts are walking. They have broken roses down And poplars stand there still as death.

In Time of Silver Rain | Langston Hughes

In time of silver rain the earth puts forth new life again; Green grasses grow and flowers lift their heads, and over all the plains the wonder spreads of life, of life, of life. In time of silver rain, The butterflies lift silk on wings to catch a rainbow cry; And trees put forth new leaves to sing in joy beneath the sky. As down the roadway passing boys and girls go singing too, in time of silver rain when spring and life are new.

7

Fulfillment | Langston Hughes

The earth meaning like the sky meaning was fulfilled. We got up and went to the river, touched silver water, laughed and bathed in the sunshine Day became a bright ball of light for us to play with, sunset a yellow curtain, night a velvet screen, the moon, like an old grandmother blessed us with a kiss and sleep took us both in laughing, laughing, laughing.

Night Song | Langston Hughes

In the dark before the tall moon came, little short dusk was walking along. In the dark before the tall moon came, little short dusk was singing a song. In the dark before the tall moon came, a lady named day fainted away in the dark.

Silence | Langston Hughes

I catch the pattern of your silence before you speak. I do not need to hear a word. In your silence ev’ry tone I seek is heard.

Carolina Cabin | Langston Hughes

Hmm hmm hmm hmm

There’s hanging moss and holly and tall, straight pine about this little cabin in the wood.

Inside a crackling fire, warm red wine, and youth and life and laughter that is good.

Outside the world is gloomy, the winds of winter cold, as down the road a wandering poet must roam.

But here there’s peace and laughter and love’s old story told where two people make a home.

hmm hmm hmm hmm hmm hmm

Songs | Langston Hughes

I sat there singing her songs in the dark. She said, I do not understand the words. I said, there are no words.

Sleep | Langston Hughes

When the lips and the body are done she seeks your hand, touches it, and sleep comes without wonder and without dreams. When the lips and the body are done.

8

Poeme d’Automne | Langston Hughes

The autumn leaves

Are too heavy with color. The slender trees

On the Vulcan Road

Are dressed in scarlet and gold

Like young courtesans Waiting, Waiting, for their lovers. But soon

The winter wind

Will strip their bodies bare And then

The sharp, sleet-stung caresses of the cold Will be their only Love.

Winter Moon | Langston Hughes

How thin and sharp is the moon tonight! How thin and sharp and ghostly white

Is the slim curved crook of the moon tonight! How thin and sharp is the moon tonight!

Young Love in Spring | Langston Hughes

When the March winds roar like a lion, And the last little snowflakes drift down

From a half dreary, half happy April sky, and then lovely May rolls around, And I walk with you down a country lane, We know that spring has come again, spring has come again. When the rising sun laughs at the dawn, and the scent of the soil’s warm and sweet, And the little green sprouts peep out of the earth and grow upward, the sunshine to greet, And we find a violet beside the way,

We know that the spring has come to stay, spring has come our way. When I look at you in the haze of the twilight’s lingering glow, In the half dusky, half starry evening sky, where sweet scented winds gently blow,

And our dreams, like birds heading homeward, soar, We know that the spring has come once more, spring has come once more.

9

Summer Storm | Langston Hughes

Thunder, July thunder,

And the wonder of lightning in the sky, And a sudden gale that shakes the blossoms down in perfumed splendor to the grassy ground.

Thunder, July thunder,

And the wonder in my heart that I have found you, wonderful you, beneath the blossoms gay, in the perfumed splendor of a July day. With the wonder of summer lightning in the sky, and a sudden gale that shakes the blossoms down

Like confetti in your hair, like confetti on the ground, Perfumed confetti drifting down on the sweet and wonderful summer earth, the sweet, sweet summer earth. There pillowed on the grass in the orchard’s shade, I kissed you, and kissed you, and kissed you, And kissed you till a sudden gale shook the blossoms down, Confetti in your hair, confetti on the ground, And then the rain, the soft sweet rain, came down. We run down the road in the dust of July, We are happy for the rain, clean and cool from on high, In the dust, hand in hand, in the dust of July, Hand in hand, you and I, you and I, in July.

Thunder, Thunder, in my heart,

The wonder of love, thunder, wonder in our eyes: the wonder of being in love,

We two, the wonder of being in love with you.

Peace | Georgia Douglas Johnson

Peace, on a thousand hills and dales.

Peace, Peace in the hearts of men While kindliness reclaims the soil, Where bitterness, Where bitterness has been.

Peace, Peace, Peace

The night of strife is drifting past, The storm of shell has ceased. Disrupted is the cordon fell, Sweet charity released.

Peace, Peace, Peace, Peace

Forth from the shadow, swift we come Wrought in the flame together. All men as one beneath the sun

In brotherhood forever

(ooh) Peace (ooh)

10

Invocation | Claude McKay

Ancestral Spirit, hidden from my sight

By modern Time’s unnumbered work and ways

On which in awe and wonderment I gaze, Where hid’st thou in the deepness of the night? What evil powers thy healing presence blight?

Thou Who from out the dark and dust didst raise. The Ethiop standard in the curtained days. Before the white God said: let there be light!

Ancestral Spirit hidden from my sight

By modern Time’s unnumbered works and ways

On which in awe and wonderment I gaze.

Bring ancient music to my modern heart

Bring ancient music to my modern heart, Ancestral Spirit hidden from my sight, Ancestral Spirit hidden from my sight

Let fall the lights upon my sable face, That once gleamed on the Ethiopian’s art; Lift me to thee out of this alien place, So I may be thine exiled counterpart, The worthy singer of my world and race, The worthy singer of my world and race.

Ancestral Spirit, Ancestral Spirit.

I Know My Soul | Claude McKay

I plucked my soul out of its secret place, And held it to the mirror of my eye. To see it like a star across the sky, A shining body quivering in space

A spark of passion shining on my face. And I explored it to determine why This awful key to my infinity

Conspires to rob me of sweet joy and grace. And if the sign may not be fully read, If I can comprehend, but not control, I need not gloom my days with futile dread. Because I see a part and not the whole.

Contemplating the strange, I’m comforted by this narcotic thought: I know my soul!

11

Dance of Love | Countee Cullen

Ah! Ah! Ah!

All night we danced upon our windy hill, Your dress a cloud of tangled midnight hair, Ah! And love was much too much for me to wear My leaves: the killer roared above his kill, But you danced on, and when some star would spill Its red and white upon you whirling there, I sensed a hidden beauty in the air; Though you danced on, my heart and I stood still. But suddenly a bit of morning crept

Along your trembling sides of ebony; I saw the tears your tired limbs had wept, And how your breasts heaved high, how languidly Your dark arms moved; I drew you close to me; We flung ourselves upon our hill and slept.

Beauty That Is Never Old | James Weldon Johnson

When buffeted and beaten by life’s storms, When by the bitter cares of life oppressed, I want no surer haven than your arms, I want no sweeter heaven than your breast. When over my life’s way there falls the blight Of sunless days, and nights of starless skies; Enough for me, the calm and steadfast light That softly shines within your loving eyes. The world for me, and all the world can hold Is circled by your arms, for me there lies, Within the lights and shadows of your eyes, The only beauty that is never old.

The Gift to Sing | James Weldon Johnson

Sometimes the mist overhangs my path, And blackening clouds about me cling; But, oh, I have a magic way

To turn the gloom to cheerful day— I softly sing.

And if the way grows darker still, Shadowed by Sorrow’s somber wing, With glad defiance in my throat, I pierce the darkness with a note, And sing, and sing.

12

I brood not over the broken past, Nor dread whatever time may bring; No nights are dark, no days are long, While in my heart there swells a song, And I can sing.

To America | James Weldon Johnson

How would you have us, as we are? Or sinking ‘neath the load we bear? Our eyes fixed forward on a star? Or gazing empty at despair? Rising or falling? Men or things? With dragging pace or footsteps fleet? Strong willing sinews in your wings? Or tightening chains about your feet?

Romance | Claude McKay

Ah… ooo… ooo… ah… mmm… ooo… ooo… mmm…

To clasp you now and feel your head close pressed, Scented and warm against my beating breast;

To whisper soft and quivering your name, And drink the passion burning, burning in your frame;

To lie at full length, taut, with cheek to cheek, And tease your mouth with kisses mmm… till you speak

Love words, mad words, dream words, sweet, sweet oh, sweet words, senseless words, Love words, mad words, dream words, sweet words, senseless words, Melodious like notes of mating birds;

To hear you ask if I shall love always, And myself answer: Till the end of days; To feel your easeful sigh of happiness

When on your trembling lips I murmur: Yes;

It is so sweet. So so sweet, so sweet, so sweet, so so sweet

We know it is not true.

What matters it? The night must shed her dew. We know it is not true, but it is sweet

It is sweet ooo… it’s sweet

The poem with this music is complete.

13

I am so tired and weary, So tired of the endless fight, So weary of waiting the dawn And finding endless night. That I ask but rest and quiet— Rest for days that are gone, And quiet for the little space That I must journey on.

Compensation | Paul Laurence Dunbar

Because I had loved so deeply, Because I had loved so long, God in His great compassion

Gave me the gift of song. Because I have loved so vainly, And sung with such faltering breath, The Master in infinite mercy Offers the boon of Death.

My People | Langston Hughes

Dream-singers, Story-tellers, Dancers,

Loud laughters in the hands of Fate— My People…

Dishwashers, Elevator-boys, Ladies’ maids, Crap-shooters, My People…

Cooks, Waiters, Jazzers, My People…

Nurses, nurses of babies, Loaders, loaders of ships, Rounders, My People…

Number writers, Comedians in vaudeville And bandmen in circuses—

14

Dream singers all— My People. Storytellers all— My People, and dancers—

God! What dancers! Singers—

God! What singers! Singers and dancers, Dancers and laughers. Laughers?

Yes, Laughers! Laughers…

Hahahahahahahaha HA! HA! HA! hahah… Laughers…

Ha… HA! HA! HA! HA! HA! HA! Hahaha

Dream-singers, Story-tellers, Dancers, dancers, dancers, And Loud mouthed laughers in the hands…

Loud mouthed laughers in the hands of Fate—My People!

15

Lawrence Brownlee

Lawrence Brownlee is a leading figure in opera, both as a singer on the world’s top stages, and as a voice for activism and diversity in the industry. Captivating audiences and critics around the globe, he has been hailed as “an international star in the bel canto operatic repertory” (New York Times), “one of the world’s leading bel canto stars” (Guardian), and “one of the most in-demand opera singers in the world today” (NPR).

In the 2022–2023 season, Brownlee performs a program with longtime friend, collaborator, and fellow Rossini expert Michael Spyres titled, “Amici e Rivali” at the Theatre des Champs-Élysées in January 2023, in addition to the premiere of an exciting new program titled “Rising” which will feature Brownlee and pianist Kevin J. Miller performing newly commissioned songs by composers Shawn Okpebholo, Damien Sneed, Joel Thompson, and others with texts drawn from James Weldon Johnson and other great Black writers of the Harlem Renaissance. In addition to the performance at the Schwartz Center for the Performing Arts, “Rising” will be performed at venues across the United States including Carnegie Hall, the Kimmel Center, and Calderwood Studio at GBH Boston. Brownlee made his role debut as Rodrigo in Rossini’s Otello as part of Opera Philadelphia’s Festival O22 in September 2022. Last November, Brownlee returned to Lyric Opera of Chicago for the title role of Le comte Ory, and as Elvino in Bellini’s La Sonnambula at Teatro Real in Madrid in December. Brownlee performed one of his signature Rossini roles as Count Almaviva in Il Barbiere di Siviglia at the Royal Opera House in Covent Garden in February 2023. Brownlee’s season ends with his return to the Metropolitan Opera as Tamino in a new production of Die Zauberflöte.

16

Kevin J. Miller

American pianist and collaborator Kevin J. Miller is acclaimed for his dynamically artful performances. Recent collaborations include recitals with international tenor Lawrence Brownlee at Carnegie Hall and Houston Grand Opera, countertenor John Holiday at the Kennedy Center and the Barbican in London, Joseph Calleja and Nadine Sierra at the Supreme Court of the United States, as well as an appearance with Joseph Calleja on NPR’s Tiny Desk Concert series. Miller prepared soprano Jessye Norman for performances of Laura Karpman’s production of Ask Your Mama, which was performed at Carnegie Hall. He also collaborated with the acclaimed countertenor, David Daniels, in a recital at the Glimmerglass Festival. Miller can be heard on piano on the recording Been in da Storm So Long, which features baritone Kenneth Overton.

Miller studied at the Mannes College of Music, where he received a bachelor of music degree in piano. He continued his studies at the University of Michigan School of Music where he received both a master of music degree and the artist diploma in collaborative piano under the tutelage of Martin Katz. In addition to his formal studies, Miller has been a participant in some of the country’s most prestigious festivals and young artist apprenticeships that include the Tanglewood Institute of Music, Aspen Summer Music Festival, the Cleveland Art Song Festival, San Francisco Opera’s Merola Opera Program, Washington National Opera’s Domingo-Cafritz Young Artist Program, and the Glimmerglass Festival.

17

Schwartz Artist-in-Residence Program

The Donna and Marvin Schwartz Foundation Artist-in-Residence program at Emory seeks to substantially increase the depth, diversity, and profile of performing arts education in the Emory and greater Atlanta communities by providing opportunities for meaningful contact with performing artists, composers, and art scholars from throughout the world. To learn more about performances and interactive learning workshops with Schwartz artists in residence, visit schwartz.emory.edu/ SAIR.

18
Schwartz Artists in Residence Fred Hersch and esperanza spalding in concert, January 2023. Photography by Bill Head.

Schwartz Center Staff

Rachael Brightwell, Managing Director

Terry Adams, Box Office Coordinator

Lisa Baron, Communications Specialist

Kathryn Colegrove, Associate Director for Programming and Outreach

Lewis Fuller, Associate Director for Production and Operations

Jennifer Kimball, Assistant Stage Manager

Jeffrey Lenhard, Operations Assistant

Alan Strange, Box Office Manager

Nicholas Surbey, Senior Graphic Designer

Alexandria Sweatt, Marketing Assistant

Mark Teague, Stage Manager

Nina Vestal, House Manager

Matt Williamson, Multimedia Specialist

The Schwartz Center for Performing Arts offers a variety of jazz, classical, and crossover music each season. Visit schwartz.emory.edu for more information.

Upcoming Candler Concert Series Event

schwartz.emory.edu

Chad Lawson with Judy Kang, violin, and Seth Parker Woods, cello Saturday, March 25 | 8 p.m.

Steinway Artist, pianist, and composer

Chad Lawson is a modern-day master of reinvention—his bold interpretation of the classics, electronic loops, and atmospherics resonate with electronic dance music fans and neo-classical traditionalists alike. For his Schwartz Center debut, Lawson will be joined by acclaimed violinist Judy Kang (Lady Gaga, Ryuichi Sakamoto) and cellist Seth Parker Woods (Sting, Peter Gabriel). Bridging the gap between traditional and non-traditional audiences, the concert program features variations on compositions ranging from Chopin to Billie Eilish.

19

20TH ANNIVERSARY SEASON

The foundation of the performing arts at Emory began with the vision and gifts of Flora Glenn Candler and came to full fruition in this exquisite venue with the support of Donna and Marvin Schwartz. The 2022–2023 season marks 20 years of world-class performances at the Schwartz Center for Performing Arts.

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.