Secil Yatan Architectural Portfolio by secil yatan

SPATIAL TRILOGIES IN MOSCOW

Spring 2017-2018 Graduation Project

ENERGY EFFICIENT BUILDING DESIGN FARMHOUSE IN Ã&#x2021;ATALCA

INTEGRAL PORTO

THE CITY OF CHOICES

PASALIMANI ATELIER

PEACE BUILDING - FLOW OF TARLABASI

HABITABLE MYTH

Fall 2017-2018 4th Year Construction Project

Spring 2016-2017 3rd Year Project

Spring 2016-2017 3rd Year Elective Course Project

Fall 2016-2017 3rd Year Project

Spring 2015-2016 2nd Year Project

Fall 2015-2016

2nd Year Project

SARIHACILAR COLLECTIVE

BOUNDARY NEGOTIATIONS IN BEYOGLU

Spring 2014-2015 1st Year Project

Fall 2014-2015 1st Year Project

SPATIAL TRILOGIES IN MOSCOW Spring 2017-2018 Graduation Project Jury Members: Prof. Dr. Ayşe Şentürer Assoc. Prof. Dr. Aslıhan Şenel Assoc. Prof. Dr. Hüseyin Kahvecioğlu Assoc. Prof. Dr. Zeynep Günay Asst. Prof. Dr. Erdem Ceylan Dr. Deniz Aslan Re. Asst. Erenalp Büyüktopçu Sinan Logie The path starts from Komsomolskaya square, Kazansky Train Station railways, and stretches out to Novo Ryazanskaya Garage Building designed by Konstantin Melnikov and Vladimir Shukhov. Along the path, common, private and intermediary spaces can be investigated. It is a community of places that people can express themselves and become part of the learning environment. The places and people which create limits were observed. These intermediary places are formed according to relations between neighbors.

Komsomolskaya meydanındaki Kazansky tren istasyonun Kazan’a kadar boylu boyunca uzanan tren raylarının üzerinden, Konstantin Melnikov’un tasarladığı Novo Ryazanskaya garajında sonlanan bir hat. Bu hat boyunca kamusal, özel ve daha özel mekanı sorgulayan bir kurgu. Eğitimin tüm kamusal alanlarda gerçekleştiğini, paylaşmaktan, etkileşmekten geldiğini benimseyen bir yapı. Süreç boyunca mekanların ve insanların oluşturduğu sınırları inceleyerek, kullanımlar ve mekanlar arasındaki sınırları aşmaya çalışan, özel mekanın alanını komşusuyla paylaştığı bir birlikte yaşam alanı.

According to researches about Moscow and studies on ‘Housing Architecture’, various methods of drawing and modeling has tried. -right 1: Sukharev Market, which was visited by Muscovites frequently till Lenin’s restraint in 1925. This Market was bringing people from the suburbs and center of the city. This was an opportunity for their political expressions. -right 2,3,4,5,6: Boundaries created by places and people has been studied. -below: Different methods have researched. due to discussions of limits and limitlessness.In this methods, scale changes enable to search for space.

Süreç boyunca yapılan okumalar eşliliğinde maket, çizim ve iki temsil yönteminin birarada kullanıldığı üretimler yapıldı. -sağdaki 1: Sukharev pazarı, 1925 yılında Lenin tarafından engellenmesine kadar Moskova’lılar tarafından yoğun bir ilgi gören, kırsal ve kentsel kesimi biraraya getiren bir açık çarşıydı. Orada vakit geçirmek tüm ihtiyaçlarına kolayca ulaşabilmenin yanısıra aynı zamanda özgürce fikirlerini ifade edebildikleri bir karşılaşma mekanıydı. -sağdaki 2,3,4,5,6: Mekanların oluşturdukları sınırlarla insanların oluşturdu sınır alan ve hacimleri araştırıldı -aşağıdaki: Sınırlar üzerine tartışmalardan doğan, birbiri ile paylaşımının değişken ve artan mekanlardan oluşan birlikte yaşam üretimi sırasında farklı metotlar birarada üretildi. Temsil yönteminde ölçeğin değişmesi ve farklı ölçeklerin birarada çalışılabilmesi mekan çözümlemelerine katkı sağladı.

The subject of body and space produced spatial relationships. The choreography of bodies’ behavior has searched and drawn on paper. This method provided to experience the space by the body.

Mekan üretim sürecinde beden ve mekan ilişkisi üzerinden araştırma yapıldı. Bedenin mekandaki davranışının koreografisi üzerinde çalışılarak mekansal açılımları çizimi yapıldı. Mekan tasarımıyla eş zamanlı yürütülen bu süreç, mekanı beden ölçeğinde deneyimleme imkanını sağladı.

ENERGY EFFICIENT BUILDING DESIGN FARMHOUSE IN ÇATALCA Fall 2017-2018 4th Year Construction Project Prof. Dr. Alpin Köknel Yener Assist. Seda Kaçel

Movable sliding walls and partially openable roof system are the main decisions of this project. These ideas were supported by the designed systems. Climate change determines the organization of the house. In winter it acts like a total house. In summer, rotatable external walls open. The corridor becomes an open street and passive cooling can be accomplished by the fresh air circulation around each unit such as a living room, kitchen, bedrooms. These changes on structural elements redefine the spaces.

Projenin odağı hareketli duvar sistemi ve yarı açılabilir çatı sistemi dizaynı aracılığıyla değişen hava şartlarına göre şekil alan bir yapı oluşturmaktır. Kışın bütün bir hacim halindedir. Yazın dönebilir dış duvarlar açılır. Koridor açık bir sokak haline gelip hava sirkülasyonu ile pasif soğutma sağlanır. Bu değişimler yapı elemanlarını yeniden tanımlar

-above 1: section, summer -above 2: section, winter

The movable sliding walls provide an opportunity for changing the dimensions of the units according to the activity. By sliding walls through the living room and working room, workshop area arises in a corridor. Because of this open and closed types of the house each wall act as an external wall. The variations of walls, plans, and roof system have effects on spaces.

The corridor is transforming into an open space when the walls slid and the roof opened. Conditions are changing such as; air ventilation and light transmission. When it is closed it is still taking controlled light into the corridor. The light reaches each unit. Pv panels on windows producing energy. The required slope for PV panels is provided when the roof is opened.

slope: %1

22 23

Detail a 1

1 Roof U value : 0.17 W/m2k Zinc anchor roof material Moisture barrier : 8mm Plywood : 22mm Heat insulation : Rock wool 130mm Vapor barrier Plywood 18mm 2 External wall Shading : wooden panel : 150x3400x30mm Aluminum frame sliding double glazing

2 Detail b 6

3 Underground external wall U value : 0,44 W/m2K Plaster :15mm Concrete curtain wall 490mm Heat insulation Rock wool 50mm Water insulation 2mm Plane concrete 130mm 4 Flooring U value: 0,44 W/m2K Wood parquet 14mm Leveling concrete 25mm Water insulation 800mm Underfloor heating pipes , plane concrete %1 slope 70mm Steel shape, heat insulation rock wool 30mm Concrete fooring

3 5

5 Flooring Tile 10mm Leveling concrete 25mm Concrete raft foundation 800mm Water insulation 2mm Lean concrete 100mm Hardcore layer 150mm 6 External flooring Wooden parquet 14mm Leveling concrete 20mm Plane concrete 220mm Lean concrete 100mm Hardcore layer 150mm Rammed earth 7 PV glazing 24

-above 1: detail a drawing -above 2: detail b drawing

Detail c

Detail d

1 Roof U value 0.17 W/m2K Zinc anchor roof material Moisture barrier : 8mm Plywood : 22mm Heat insulation : Rock wool 130mm Vapor barrier Plywood 18mm

2 External wall U value : 0,27 W/m2K Wooden parquet 14mm Underfloor heating pipes, plane concrete %1 slope 60mm Plywood 18mm Steel shape, heat insulation rock wool 30mm Raft Foundation

-above 1: detail c drawing -above 2: detail d drawing

INTEGRAL PORTO Spring 2016-2017 3rd Year Project Architectural Design in Historical Context Studio Master Degree in Architectural Design and History Eduardo Souto De Moura Barbara Bogoni Group Members: Seçil Yatan Merve Bıyık Giorgio Pinotti Zhang Ruohan Klaudia Sitkiewicz Wu Yumeng Dmitriy Averyanovv

Museum building and residential buildings are sharing the wide garden that brings together both sides of Porto near the Douro lake. The existent viaduct demolished and this garden is proposed. Personally focused on the museum and especially auditorium. Detail of the auditorium is drawn.

Müze ve konut binaları açık bahçede bulunmaktadır. Bu ortaklık Portonun iki tarafını duro nehiri çevresinde birleştirmektedir.Yakın zamana kadar her yıl gerçekleşen karnavalda Var olan viyadüğün kaldırılmasıyla yeni bir rota oluşturulmuştur. Bu grup projesinde Oditoryum detay çizimleri ve tasarımları tarafımdan yapılmıştır.

-above: 1/200 model | group work

-right: auditorium system section | individual work

THE CITY OF CHOICES Spring 2016-2017 3rd Year Elective Course Project Landscape and Public Space Design Prof. Arch. Andreas Otto Kipar Arch. Cecillia Ricci Politecnico di Milano (Erasmus Programme) Group Members: Santina Bertieux Seçil Yatan Merve Bıyık Johana Netrvalová Gina Soleymanpour Giuseppina Vastola Zahra Pasandidehkho

Reconnect the blue and green infrastructure in Milan by linking abandoned areas to existing ecological corridors. Be more accessible while connecting the new center with the surroundings. Farini train station has one active railway and has some abandoned structure. In this project, all the railways are preserved and reused as an ecological corridor. Each scale is connected to the surrounding neighborhood. Milano kentinin birbirinden kopuk bölgelerindeki doğa alanlarının oluşturduğu ekolojik köprüleri dikkate alarak ve arttırarak, Farini tren istasyonunun çevresindeki yaşamı içine dahil eden ve merkez ile bağlantısını sağlayan erişilebilir bir ölçek. Sadece bir hattı kullanılan Farini, terkedilmiş ray hatlarını ve büyük kapalı hacimli yapıları üzerinde taşıyan bir kent parçasıdır. Bu projede bu ray hatları ekolojik bir koridor olarak uzanmıştır. Farini böylece bulunduğu mahallenin ve çevresinin bağlarını kuvvetlendirmiştir. 34

-right: site plan | group work

-above: latitudinal section of |individual work -left: detail views of farini | group work

-above: longitudinal section of |individual work

PASALIMANI ATELIER Fall 2016-2017 3rd Year Project Assoc. Prof. Pelin Dursun Cebi Assoc. Prof. Fatma Erkök Res. Assist. Ecem Kara Res. Assist. İrem Burcu Ummansu

There are a lot of factories which are become different in subject, life, history, network, a connection between people, country, topography. Some of them correlate with these topics strongly and they make an impression on memories of city and people. Most of the factories become inactive as a result of incidents like going to the wall, transferring, becoming needless in Istanbul. How do they become integrated with urban life?

Paşalimanı un fabrikası atıl kalmış fabrikalardan bir tanesidir. günümüzde duvarları bacası pencere boşluklarından sızan gün ışığı ve ortasında biten faunasıyla sahil yolundan yanından geçip gidilen bir kent parçasıdır. Bu projenin manifestosu üretim ve öğrenim süreci ile insanları bir araya getirmektir. Bu üretim ağı kolektif olarak sürdürülmektedir. Fabrikanı içinde bulunan bitki faunası ortak çabalarla korunmaktadır. Bütün atölyelerin ve ortak mutfağın varlığı ile burası birbirini besleyen bir organizma gibi işlemektedir.

Nowadays only walls, chimney and factory’s annex building have existed. Project’s aim is to bring people together while producing and learning something. The multi-layer pattern is continued. The existent flora within the factory building is preserved. By plant growing and plant collection, conservation is provided. Paths are recreating and elevation difference is connected by working together and producing, fulfill the needs of Paşalimanı Atelier.

People keep alive this space by being there and come up with their ideas. There are ballet and dance studio and a little stage which offers a different experience. The stage prop is also manufactured by professionals and participants collectively in prop atelier. -above: ink drawing , plan of Pasalimani Atelier -left: ink drawing, section

PEACE BUILDING - FLOW OF TARLABASI Spring 2015-2016 2nd Year Project Assoc. Prof. Aslıhan Şenel Collective Imaginations Studio

Being in safety and peace is gradually increasing while getting into the interior these days. As a result of this attitude, individual and society are disintegrated by evident borders.

Güvende ve barış içerisinde olma hali bu günlerde mekansal ve bireysel ölçekte dışarıdan içeriye doğru geçişte artarak derecelenmektedir. Bu içe yönelme, keskin sınırlar ile toplum ve bireyi ayırmış, sonucunda barış hali ortadan kalkmıştır. Flow of Tarlabaşı kişiye özel ve kamusal mekanlar arasında oluşan ara durumların potansiyel barış mekanları üretmesini amaçlamıştır. Tarlabaşı’nda oturanların gündelik aktivitelerini sürdürebildiği ara mekanlar, daha içteki mekanlarda yaşayan kişileri ve mahalleliyi bir araya getirerek paylaşımlarının artmasını sağlamıştır. Ortaklıkları barındıran ve arttıran ara mekanlar, kullanım sırasında ihtiyaca göre şekillenebilmektedir. Kompozit bir malzemeden oluşan strüktür, mekanların esnekliğini sağlamaktadır. Strüktürün örgü sıklığı mekanlar özelleştikçe artar, böylece daha değişmez mekanlar üretir. Ara mekanlara doğru gidildikçe strüktür örgü sıklığı azalır ve mekandaki kişi sayısının artması sonucu döşemeyi taşıyan gergin ipler tarafından düşey strüktüre aktarılan yük strüktürün esnemesini sağlar.

The flow of Tarlabaşı seeks that the building peace potential of the intermediary spaces which are in between the private spaces and public spaces. The intermediary spaces that inhabitants maintain their daily life provides a connection between the neighborhood and residents. Space can take form according to the demand of the user. The structure made of composite material supply elasticity of this space.

The frequency of the structure’s netting increases while the areas are getting private so this system creates constant and changeable areas. A transition between common areas and private areas, the structure’s netting get loose. The load that arises from the users on the flooring transfers by cables to the vertical structure, this transmission provide a change on the structures netting and the spaces.

CECI Nâ&#x20AC;&#x2122;EST PAS UNE TOILETTE

At the beginning of the project, Taksim square analyzed and mapped according to specific situations and spontaneous activities. According to the analysis, the project settles down between Taksim square and Gezi parkÄą. While the structure was closed and using as a toilet, the outside walls produce streets that people can pass by. The movement as a result of usage creates different possibilities for common spaces. The 2,5-dimensional plan expresses the idea of movement with its rotatable wall lines from their joints.

HABITABLE MYTH Fall 2015-2016 2nd Year Project Assoc. Prof. Aslıhan Şenel Collective Imaginations Studio

There is a yard which is in between buildings and two perpendicular streets. People are using this. People couldn’t use this yard L shaped yard for passing and spending time with wares. Now it is open for everyone because it was using as storage and it has barriers whole openness except the entry for the junkman to put in the wares. It initiates a new topography for this yard, while it has convex and concave faces which provide hagridden’s belongings to be slipped. It has Open spaces which are enabled to people to walk on and close places like saccus where the wares are collecting. This open topo is made of natural wood and the saccus areas are made of a material is affecting from sunlight. During the day it absorbs the energy and when the night comes it lights up and creates an amorphous place. These amorphous surfaces are also generated heat and deliver habitable environment. The contents are changing temporally so the topography too. It is such a space that open for everyone, addable(handed or fallen wares), takable(taken wares by the users), related to sunlight and compatible with the surrounding. Preserving the missions of waste ware collecting with the difference of not encompassing.

-above : site model-drawing -left 1: axonometric drawing -left 2: reading site and myth by model -left 3: model of myth

It consists of ramps which have a proper slope for people and help feel the sorcery of the sky and garden and also cause them to drop their belongings. By overlapping of the two ramps, one step is taking shape. The structure rotates infinitely, this rotation creates a force that makes available to float in the sky.

It initiates an unimpaired nature, be located and at the same time not occupy, the opportunity to access the sky. There is only two contacting point to the ground which are access points for people in both ends. -above: 1/200 model and booklet in exhibiton

SARIHACILAR COLLECTIVE Spring 2014-2015 1st Year Project Assoc. Prof. Aslıhan Şenel Reasearch Asst. Ozan Avcı Assist.Prof. Dr. Zeynep Ataş Research Asst. Sevgi Türkkan Research Asst. Esra Kahveci

Sarıhacılar is a village in Akseki which is facing extinction. The projects’ aim is to create collective life; producing and living. By the way of producing and living there, people may feel that they belong in this place. The place can live with the production and the existence of people who are living there and who are visiting and accommodating there. Productions are directly from the nature of sarıhacılar.

Sarıhacılar köyü, yangınlar ve göçler sonucu geriye kalan 7 hanesiyle, keçileriyle, yöresel düğmeli evleriyle ayrı düşünülemeyecek bir doğadır. Bu doğanın içerisinde hem üretimin hem de yaşamın sürdürüldüğü kolektif yaşamın getirdiği aidiyet duygusuyla köyün yaşamının devamlılığını sağlamak temel bir niyettir. Burada sürekli konaklayanın evi, baktığı keçilerinin barındığı ağıl ve burada kısa süre konaklayanlar için bir misafir evi vardır. Tüm üretim süreci mekanın içerisinde gözlemlenir ve üretime katılmak mümkün olur.

This is a villagersâ&#x20AC;&#x2122; house that contain a goat pen, an organization for producing cheese and a guest house. The family takes care of the goats and the cheese production. The first floor is for production and guest house. Guests are facing all the process and join to the work. The entrance to the house of the family from the production area. The upper floor is for goat pen. The production process could be followed from the structural elements.

BOUNDARY NEGOTIATIONS IN BEYOGLU Fall 2014-2015 1st Year Project Assoc. Prof. Aslıhan Şenel Reasearch Asst. Ozan Avcı Assist.Prof. Dr. Zeynep Ataş Research Asst. Sevgi Türkkan Research Asst. Esra Kahveci

There is a boundary relation between people, local craftsmen, and vehicles, in Beyoglu. The project proposes a place for people who are waiting for a jitney while focusing on proportions of the body correlating with the structure. Beyoğlu’nda bir bekleme alanı. Bekleme alanında sarı dolmuşlar, esnaflar, oradan geçen insanlar ve sesi herşeyden çok duyulan arabalar. Bunların hepsi bir yerde ve birbirlerini etkileyen sınır durumlarının arasında kaybolmuşlar ya da olabildiğine varolmuşlar, dolmuşlar.. Beyoğlu’nda bir bekleme alanı. Tam arkanda, yaslandığın duvarın arasından gördüğün sarı dolmuş, ve koşarak kitapları taşıyan basamaklardan inerken burnunda kalan kitap kokusu..

SCHOOL OF UNKNOWABLES 4th Design Bieannial Collective Group Work 2018

GOING DOWN THE RABBIT HOLE

CONSTRUCTION DRAWING

LEARNING FROM FILM SPACES

RMB Workshop Presentation 2018

Construction Internship 2016

Collective Group Work 2015

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Mapmaker-players: Project team: Aslıhan Şenel, Aylin Vartanyan, Buse Özçelik, Elif Hant, Susan Dunne Hands-on team: Arda Koray, Aslıhan Şenel, Beste Soybilge, Buse Özçelik, Cemil Çalkıcı, Elif Hant, Hilal Menlioğlu, Ilgın Hancıoğlu, İlknur Özer, İpek Avanoğlu, Metehan Gürsu, Nida Ekenel, Öykü Şimşek, Seçil Yatan, Tildem Kırtak, Yağmur Çil, Yasemen Akça, Zeynep Çabuk Extended team: Alpcan Hastürk, Ayşe Şirin Çakmakçı, Berçem Yıldırım, CharlotteGambotti, Ebru Gökçe, Ece Tamer, Elif Tepekaya, Elina Oikonomaki, Joseph Morriseau, Karolina Theleriti, Saadet Sonverdi, Sema Semih, Taylan Karabaş

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contact for the prize-draw: aschoolofunknowables@gmail.com blog: http://aschoolofunknowables.wordpress.com

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This is a school of unknowables project, which was carried on between 10.09.-21.09.2018 Within the framework of 4th Istanbul Design Biennial A School of Schools with contributions of Istanbul Technical University, Bosphorous University and École Nationale Supérieure d’Architecture Paris-Malaquais.

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Birth of my corners, where entities of transitions Connecting with my boundaries Saying “stop!” to the surroundings Even though spaces you can not pass Can you think a place where discontinuation exists? open door

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Appeared on the shadow of a cypress tree My weight, my length While my dwelling was narrow streets, my loneliness wakes in tall-guy the long buildings. Exception don’t exist after coming down from the staircase I went up before seeing me doesn’t mean that you wait me, seeing in my visible shadow. e sm el

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This Beyoğlu map-game, produced collectively, includes many individual and collective, lived and imagined narratives. With this map-game we invite you to explore your own Beyoğlu and build your own narratives. Take one of the characters on the map as a starting point (or invent another one of your own) ,trace new routes following imaginary journeys. Mark, write or draw on the map to make it your own map and then send an image to us to enter the prize-draw. Have fun re-imagining your Beyoğlu...

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Su ri ye ar ca de

construction site, ink drawing, 2016