Portfolio 24

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YU - H S I N , C HE N G NCK U A R C H 10 9 2016 FALL - 2021 S UMMER

CONTENT S

0103 CURRICULUM VITAE DESIGN PROJECTS EXTRA CURRICULAR PROJECTS PHOTOGRAPHS02046882

02 台中市東區一心街247號10樓之3seindy93206 Cindy Cheng ( 24y )

03 JOB HISTORY 清境貝卡巧克力莊園 助理 I 南投 12/2021 - 08/2022, Assistant, Maisan du Chocolat de Beica 哈塔設計 實習 I 台中 07/2020 - 08/2020, Internship, HATA DESIGN 赫爾辛基蘇黎世事務所 實習 I 赫爾辛基, 芬蘭 08/2019 - 01/2020, Internship, helsinkizurich 禾象聯合建築師事務所 實習 I 台南 02/2019 - 04/2019, Modeling, HO & W ARCHITECTS & ASSOCIATES 小安比樂 打工換宿 l 台東 02/2017, Work Exchange, Ann be Love Cafe SKILLS KeyshotGrasshopperIllustratorPhotoshopRhinoAutoCad LANGUAGE CHINESE MADARIN / TAIWANESE Native ENGLISH Fluent Japanese BasicsEXTRA CURRICULAR ACTIVITY 實構築 成大參展團隊 01-02/2020, Tectonic Becoming Workshop 成大建築營 活動長 07/2017, 07/2018, NCKU archicamp 成大建築系學會 宣傳長 09/2017 - 06/2019, Student Association of Architecture Department 實構築 漂浮垂直花園 05/2018 - 07/2018, Floating Garden Workshop 國際工作營 浸潤與互補空間 04/2018, Inflitration & Complementary Space Workshop 成大建築系女籃 10/2016 - 10/2018, NCKUARCH Women Basketball Team EDUCATION 成功大學 建築學系 設計組 I 台南 2021 畢, Department of Architecture - National Cheng Kung University 台中女中 創意科學班 I 台中 2016 畢, Taichung Girls Senior High School

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Thesis Disign UNFOLDING SKYLINE SITE : Anping, Tainan DATE : Fall 2020 - Spring 2021 AREA : 25,000 m² MENTOR : Yu-Lin, Chen 06

From the edge to the core, located at the intersection of three axes, and facing contrasting cityscapes on each side, the Wenxin Guozhai area is selected as an imaginary site to implant a new type of experimental housing, trying to break the closure of today's towering housing complexes, and create dialogue with the city and within its own community.

UNRAVELING EVERYDAY LIFE 07

The volume of the house is formed from top to bottom, creating a public ground surface composed of service cores and columns that allows people to pass through freely. The commercial activities along the street continue on the periphery of the street profile, and when it penetrates to the inside, it becomes a patio or atrium to increase lighting and provide rest space. Thin and thick columns, dark and bright spaces allow the flow of people in the city and life to extend. From outdoor slopes you can go up to the community level on the second floor. There is a 10 meters wide community center for workshops and other shared spaces. The southernmost end extends and overlooks the river course. It is surrounded by green landscapes and community farms, and is separated from the residential floor above by about 3 to 5 meters, preserving unobscured sight.

THE WAY HOME 08

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Upon arriving home and viewing from the balcony, we find neighbors on the opposite side, the community residents walking and chatting on the lower floor, and people

The plan of standard level is the section of the seventh floor. The void painted in gray are open platforms for the community displaying on the façade, while the residential part, as can be read from the drawing, is interlaced together by thick and thin slabs, extruding the openings and facing both sides. Houses are formed with stair circulation and face each other with balconies.

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HOME TO COMMUNITY

FLOWING INTERFACES 12

The community layer below connects and extends the axis of the river on the south side, the volume and height of different densities decrease from north to south, and the residences enter the unit through the outer public corridor or service core facing the community atrium. The 12m thick slabs include cross-storey units, as well as void space on the facade, among which the westernmost viewing platform can overlook the urban green axis of the city. 7.5m thin slabs include various kinds of living units regarding length, in which they meet with shared balconies. The bottom of slabs are sloped upwards to form view openings and climate passages.

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The unit within the 12-meter slab contains a staircase that allows users to transition between openness and privacy in the process of moving up and down and through the changing the heights of the rooms.

DYNAMICITYoccupants.OF THE EVERYDAY 14

The unit within the 7.5-meter slab defines the space with level differenc es, making the interior both continuous and independent. Walking along the stairs , people perceive internal and external changes at the same FInally,time.themulti-person residential units are lacated at the corner which connects with the two axes thus forming a circular cirlulation. The contrast of dynamic and static within the outer and inner layer creates a new interactive mode for

Through the double-sided housing units, the windows of each room become a bridge to the com munity and city. Between natural and artificial, slow and fast, small and large scale, the almost disappearing facade returns its expression to each individual dweller.

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III. One side of the iron sheet roof is partially covered with the roof of the adjacent house, and the inner column is bent along the contour of the junction.

Creating supercritical spaces can stimulate dialogue between different individuals, turning them into interme diary spaces, and derive flexible interfaces containing multiple meanings. I.

A FLEXIBLE CONFIGURATION

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A curatorial position - images and interpretation

Supercritical is a configuration that is beyond and close to the boundary. This state has the original character istics of two substances at the same time, but it is difficult to distinguish and classify due to the close combinaI.tion.The warehouse borrows the remaining wall of the adjacent house as the surrounding wall. This wall simultane ously defines the inner edge that no longer exists and the outer edge of the adjacent land, which turns the previous indoor area into which bearing overlapping meanings of the inside and outside.

II. When neighbouring homeowners build on the land border, the structure and the gutter are staggered and shared together, blurring the boundaries and forms a co-construction of the field.

MENTORAREADATESITESUPERCRITICAL:Houbi,Tainan:Fall2020:Various:Studiotngtétshiū

Part 1. Orientation

Critical Rural Architecture

II. III. I. II. III. 17

Part 2. Manifestation Becoming manifest and showing intentions - installation Defining the overlapping domain with an additional column and b ase !"# $% $& $$$$$$$# '()* +* +* +* 18

A space without flooring divisions - Pillar or Suspention? 19

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When two systems meet, a relationship of mutual advance and retreat can make space flexible. By establishing interlaced floor slabs of the two structural systems of both pressure and tension, we form a space where the precence of three generations in the family flow around each other. The suspension and the load-bearing plate are disengaged at the intersection, forming atriums, crossing movements and sharing furniture.

EMBEDDING HOUSE 21

Implanting New Genes into Retail Zones TRAVELER ZONE SITE : Anping, Tainan DATE : Spring 2020 AREA : PARTNERVarious:Katie Chan 莊園經濟封建制度中世紀 集會所 Agora 700 的。希臘時期,還沒有定點的實體商店。stoa柱廊下,stoa柱就是為此目的而建立眾使用。在古希臘,商人將商品散佈在stoa,由帶頂棚的走道或門廊組成,供公政治社交的媒介。Agora的主要部分是聆聽執政國王或議會的聲明。因此,它是集會所是“開放空間”,市民聚集在那裡B.C. 商隊驛站 Caravanserai 500 公里(20-25英里),大約為一天的路程。忙的絲綢之路航線上,它們大約相隔32-40中不必整夜暴露在道路的危險中。在最繁商隊是固定間距建造的,因此商人在路途B.C. 集市 Bazaar 1100 信息。一起,可以在其中交換商品,文化,人和集市形成了網絡,將主要城市彼此聯繫在服務的大量需求。位於這些貿易路線上的,而且還因為宮殿和城市產生了對商品和這不僅是因為該市為商人提供了一些保護通常位於統治宮殿,城堡或清真寺附近,A.D. 商業復甦 1200 動。榮的都市,並且主宰了中古時代的商業活13世紀末時,威尼斯已經變成全歐洲最繁帝國的一部分,由君士坦丁堡來管轄。在第四次十字軍東征後,威尼斯變成拉丁是與穆斯林世界的交匯。發展,成為歐洲與東方貿易的樞紐,特別在葡萄牙和西班牙崛起之前,威尼斯蓬勃A.D. 商業街道 Market Street 1400 點進行管制。道受公會所控制,對攤商營業的時間和地能,形成產業群聚的專業商街。而部分街給旅客的旅館。這些街道通常有相似的機有商店。較高的樓層是人們居住單元或供屋是工匠的工作室與買賣場所。一樓是所有蓬勃的商業發產,在街道兩旁的連續街從市中心的商業廣場向外輻射的道路開始A.D. 商業市鎮 Market Town 1200 保護,不屬於封建領地。由的”,因為它們直接受到國王或皇帝的的城鎮居民是城市居民。城鎮通常是“自居住在鄉村的農奴不同,居住在特許鎮上民在封建制度下享有城鎮特權的權利。與件。傳統上,授予租約賦予定居點及其居城市憲章或城鎮憲章是建立市鎮的法律文A.D. 交易所 Exchange 1531 貿易的主流之一。往後的半個世紀,這種交易場所成為歐洲覆蓋著迴廊,建在街道交叉口的頂部。在新建築,其構想是一個矩形正方形,四邊葡萄牙人。1531年起,舊交易所被賦予了10,000名外國商人,大多數是西班牙人和展成擁有10萬居民的大都市,其中包括作為漢薩同盟的主要貿易港,安特衛普發A.D. 拱廊 Arcade 1786 。拱廊僅供行人專用。空間有助於減少周圍繁忙街道的交通擁堵廊組織零售貿易,在私有財產上提供公共層上設有商店,辦公室,車間和住宅。拱道,沿街兩側設有商店。拱廊在較高的樓條玻璃覆蓋的人行道,連接兩條繁忙的街惡劣環境促使拱廊商街的發展。通常是一工業發展、奢侈品、交通擁塞、遠離室外A.D. 批發百貨 Wholesale 1875 平民消費崛起。A.D. 購物中心 1956 商分離的土地使用分區制度更為明確。市中心逐漸只剩下商業的用途。而使得住顯的郊區化現象,因而使的本來多樣化的終於使得民眾開始離開市中心,而出現明兒的出生,以及政府獎勵興建新的住宅,人民收入的增加、汽車的普及化、大量嬰城市的發展漸漸不適合人們居住,再加上A.D. 論壇 Forum 500 形庭院。堂,浴場和政府大樓,像被商店包圍的矩羅馬城市的開放空間,周圍有寺廟,大教法和商業事務的中心。像希臘城市一樣,在古羅馬,城市主要的公共場所論壇是司B.C. 農業為主以物易物 船運、步行 貨幣出現駱駝、馬、驢 古埃及阿瑪納 1500 個市場空間。口。公元前1500年埃及繪畫中即出現第一地中海的出口,以及金,烏木和香料的進埃及文明沿著尼羅河發展,以促進穀物向B.C. 600 B.C. 5500 B.C. 機械化生產 手工業發達 鐵路、火車 1760 A.D. 汽車1886A.D. 腳踏車1817A.D. 紙幣出現 信用卡 1600s A.D. 1950 A.D. 冷藏技術1834A.D. 0 一般生產交易交通 1000 A.D. TIMELINE WEST RESEARCHANALYSIS The history of retail zones regarding transportaion and technique The comparison among location, land usage, and section 22

CLASSIFICATION The six elements that make up retail zones nowadays ORGANIZATION The evolution of retail zones 23

DECLINATONCORECOREEXPANTIONMULTI-CORE PREDICTION The redistribution of retail zones 24

DESIGN 25

The network of different forms of water reappear to connect the history. If the new and the old, tourists and residents in a retail zone could complement each other, the community sustains.

傳統市場 觀光發展,主街興起 夜晚商業零星 Airbnb引入巷弄 內 以水系統和綠帶串連社區網狀系統與線性商街形成互補關係客群 FUTUREPAST 商圈發展 26 安平為漁村聚落,沿岸港口貿易興盛,曾為 台南最熱鬧的地方之一。居民生活與水息息 日治後期,港道淤積,安平水運優勢不再而 1.5 - 3.5 m 6m Traveler Zone Development Timeline Past : Well System Past TourismPresentSewerPresentCommunity::System: Yanping St.

停車場) TYPE 1 小空地(廟埕、停車場) Inner ) 生路) 水塔 浴廁 洗衣烘衣 TYPE 2 市場周遭(平生路) TYPESurrounding3 街屋(延平街) Two-Sided TYPE 2 市場周遭 Surrounding 儲備 共享廚房 攤販 私有 公共 私有 TouristsResidents GardenBarMarketCo-KitchenLaundryBathandIceSYSTEMCIRCULATORYWATER BEFORE AFTER 27

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SITE PLAN

The basement level is a standard cinema with a total of 5 halls; the ground floor is opened as an outdoor theater with shops and clubs, and in front, the red carpet area can hold fan meetings. The fourth and fifth floors are hotel spaces. The rooms are divided into four areas, each from top to bottom are Co-reading, Co-kitchen, and the Co-lounge overlooking the ground floor. In addition, there are four slits embedded into the plan in order to bring in light and nature, and outdoor bars are arranged within them.

Netflix started with streaming services in the early days. In recent years, it has launched original movies combined with local cultural features. In hope to break the more and more personalized movie-watching tendency (on mobile devices) and return people to the state of group sharing and attending movie nights, (and at the same time expand the reach rate and number of fans), we designed various theaters intended for sharing activities, including indoor cinemas, an outdoor theater, and shared living rooms for dwellers. These spaces are scattered in the lower, middle and upper floor levels, creating a unique relationship between the seeing and being seen.

GROUP

SHARING · VARIOUS THEATERS 32

A-A’ SECTION 33

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THE CITY IS COMPRESSED THROUGH THE CORNER OF THE STREET, AND RELEASED TO THE SCALE OF THE LANE.

The site is located in the Central-Western district of Tainan City, also known as the old Tainan, where the old city’s political, economic and cultural center stood. The target is to set up a second department for the NCKU faculty of architecture, and to retain the original Jinwanzi second-hand bookstore. It is observed that Youai Street on the south side of the site will be the main green corridor of the government’s plan to connect the new art museums 1 and 2, but the block is actually rich in small green spaces, including Yuqian Square, the Central library courtyard, and atriums in Taiwan Literature Museum. By creating an intermediary space, as the city is compressed through the corner of the street, and released to the scale of the lane, this space can be used as a place for students to communicate and share. The bridge between the main green belt and the small courtyards allows students to connect with the surrounding environment instead of burying themselves in studios all day.

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The first floor is retained for Jinwanzi bookstore with an additional community workshop. The natural terrain is connected to the difference usages and the existing lanes are kept for traffic connection into the block; the second floor is the information plaza, the library and the lecture hall; the third floor is for offices and the main critique , opened to the city on the corner so that the activities can be read by the passerby; the fourth floor is the first-grade studio and an outdoor working platform overlooking the Zhongyi Elementary School and the historical Wude Hall with large green plazas; through the stairs on the northwest side, you can watch the roof of the old house fas you ascend from the fifth floor to the seventh floor, which is arranged as studios from second-grade to graduates. There is a movable compartment which could be used for class, discussion, leisure... It connects the activities of the studios on both sides. The top floor serves as a student activity space overlooking the city.

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75 Tectonic Becoming Workshop FOLDING SHELL SITE : Culture Heritage Park, Taichung DATE : Winter 2020 MATERIAL : Wood, Super Glue, Metal

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