P O R T F O L I O
SHOMARI SEKOU SAMUELS
V I S I O N
To explore and participate in the movement that pushes regionalsitic Caribbean architecture to the forfront of the world architecture scene.
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S H O M A R I
S E K O U
S A M U E L S
OBJ EC T I VE Seeking Internship in an engaging architectural firm both contributing to and absorbing from the practice in the field. This valuable experience will further mature my educational growth, whilst keeping me in pursuit of my dream of tackling problems through critical design
Born: 22.07.1989 EDU C AT I ON 2007-2011
UNIVER SITY O F T E C H N O LO G Y (U T E C H ) Bachelors of Arts in Architectural Studies [Hons]
2002-2007
AR DENNE HIG H S C H O O L Caribbean Secondary Examinations Certificate. Caribbean Examination Council, Barbados 4 Grade I (Distinctions) 4 Grade II (Distnctions)
Caribbean Advanced Proficiency Examinations Caribbean Examination Council, Barbados
CONTACT
3 Passes
Advanced Level Exam, Cambridge University, London England
sekou.samuels@gmail.com
1 Pleasant Valley Close Red Hills St Andrew.
Grade “A” Distinction
EXPERI EN C E 2011-Present
(1876) 355-1589
AISYSTEM S 3d modeler/renderer
2007-Present
FR EE L ANC E ART IS T Portraits, vistas, figure drawing
Portfolio
Sum m er 2011
FIR M L AW
Administive Assistance
http://www.behance.net/sekou_samuels http://www.issuu.com/sekou
I N T EREST S Reading and discovering architectural ideas, Video Games, Gym, Photography, Drawing
A CH IVE M E NT S 2007
A C H IEV ED GRA D E “A ” IN THE ADVANCED L EVEL ART EXAM AD M IN IS T E R E D B Y C A MBRID GE U N IV ERSITY, L ONDON ENGL AND
2008
JAMAICA CULTURAL DEVELOPMENT COMMISION ART COMPETION AND EXHIBITION Newcomer Prize
Most outstanding new Youth Entrant
Promise Prize Most outstanding new Youth Entrant
Most Outstanding Draftsmanship Massi Bride
Gold Medal, Works on Paper Massi Bride
Gold Medal, Works on Paper Pride
2009
PA RT I C I AT E D A S A N INV ITEE IN THE LIG UANEA DRUG A N D GA RD EN S A RT E X H I B I T I O N
SK ILL S DI G I TAL
HAND
Photoshop Illustrator Indesign Auto. Cad Sketchup Vray
Sketching Drawing Diagraming Photography
R E FE R E NCE S
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MS. JANET THOMPSON
DR. ROHAN BAILEY
Architect Harold Morrison + Robert Woodstock Associates Limited 15 Bedford Park Avenue, Kingston, Jamaica
Lecturer & Head of School Caribbean School of Architecture, University of Technology
M R. RO B E RT F U L L E R Lecturer Caribbean School of Architecture, University of Technology
T H E
C A R I B B E A N
BAHAMAS
JAMAICA
C O N T E N T S 2 0 0 7
2 0 0 8
2 0 0 9
2 0 1 0
2 0 1 1
10
LAMP
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MUSEUM
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CONTAINER
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STAIR
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CULTURAL CENTRE
S T. V I N C E N T
P E R S O N A L
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W O R K
P R O J E C T S
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LAMP
C U B E-D I F F U S E D
YEAR
2007
LO C AT I O N
JAMAICA
TYPE
OBJECT
How do you design a lighting object that rejects the use of its skin as its diffuser? Lamp is the final project of Design Studio 1. Here students are given a geometrical shape; Cube, Cylinder, Cone, Sphere and Tetrahedron as well as a lighting action; Diffusion, Reflection or Spotlight and asked to produce a lighting object. In this case Cube and Diffusion were the object and its parameters repectively. Designers were also given strict instructions as to the look and performance of the object. The product had to maintain the inherent language of the geometrical shape, furthermore the surface material could not be used as the diffusing agent.
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PROCESS DIFFUSION [definition] The scattering of light in many†directions as the result of reflection from an uneven surface or passage though a translucent material The skin of the leaves diffuse light
Diffusion also occurs with window louvers
COMBINE BOTH TYPOLOGIES Combine the natural diffusion in nature with the linear structure of the cube to create an object that not only provides soft light, but a cube of diffused light.
Linear language of the cube
ARRANGE INTO LAYERS For best diffusive results, the cube was diesigned with three layers around the light source; the core, outer core and the structural layer.
Diffusive formations in nature
Columns arranged in a linear sequence provide soft light and structure
Light source at the core
Nature provides the best souce for diffusion .13
The result is a warm lamp that embodies both the subtleties of Light in nature and the language of the Cube
0
30cm
Plan
Section
Elevation .15
MUSEUM OF ST. VINCENT PUBLIC VOID
YEAR
2010
LO C AT I O N
K I N G S TO W N, S T. V I N C E N T & T H E G R E N A D I N E S
TYPE
CIVIC
A museum, being of the city, needs to respond not only to its vernacular but the culture, flows and beat of its people. With that respect, the museum was considered first and foremost an extenton of the city into the space.. The Site is located at the mouth of heritage square, A major activity hub in Kingstown . In response,the design blurs the lines between public and private, giving the ground floor to the people. The lobby doubles as a public display space, with museum services floating above this urban carpet. Linking the two layers is the major circulatory artery, An interpritation of the flows of the people.. the off kilter stair meanders to the views and focal points of the museum and its context. Patrons also experience this blurring of layers on the second floor, where a sky bridge allows the user a heightened experience. SHEETS
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KINGSTOWN
SITE
St Vincent which was colonized by the English in 1723, is a lush volcanic island in the Caribbean Sea. Its capital, Kingstown, is characterized by the main streets that run parallel to the ocean. Bay Street is the city’s connection to the sea, Middle Street; a narrow roadway that is mainly pedestrian exclusive and Back Street; known for its many churches. These streets provide the character and life for Kingstown. The cityscape has seen a cruise ship dock added as a step to modernize Kingstown and St Vincent. BAY STREET MIDDLE STREET / LONG LANE BACK STREET HERRITAGE SQUARE
THE SITE
Section through site
Activity along the site
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Heritage Square is one of the major open nodes of Kingstown and as such, it functions as a major space for activity. Kingstown funnels its pedestrian and vehicular traffic along the 3 major streets and into the wide road ways of the square, which serves as the collector. Heritage Square accommodates large gatherings under the 12 meter canopy of the trees spread along the southern edge. Informal vending stalls in the square tend to the large crowds that gather during the day.
PROCESS
Reduce the footprint of the programme volume extending the urban carpet into the scheme
Scale programme volumes to meet A reflection of the flows of the functional requirements and link to people, the off-kilter stair connects existing context hights the people to the museum
The screen-like skin shades the space while visually softening the structure's appearance
The open lobby allows for natural cross ventelation
PERMANENT GALLERY
The permanent gallery is interpreted as a modern absorbtion of the historic stone buildings of Kingstown
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TEMP GALLERY
The temorary gallery amalgamates the surrounding residential structures into a space
The floating roof plane links the strucuture, creating a cohesive unit
View along Long Lane
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Ground Floor Plan
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10m
1. 2. 3. 4. 5. 6. 7. 8.
Lobby Cafe Mechanical Room Lecture Theatre Conference Room Public Lift Museum Shop Service Entry
9. 10. 11. 12. 13. 14. 15. 16.
Permanent Gallery Work Room Storage Kids' Space Lobby Bridge Temporary Gallery Auxiliary Library/Media Room
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First Floor Plan .23
Second Floor Plan
Section x - x 0
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10m
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North Elevation
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East Elevation
10m
Stair Detail .27
Exhibition Lobby
First Floor Lobby Bridge
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CONTAINER T H E S PA C E B E T W E E N
YEAR
2010
LO C AT I O N
S T. A N D R E W, J A M A I C A
TYPE
STUDENT CENTRE
WHAT IS THE ESSENCE OF A CONTAINER? The essence of container is not the structure, in and of itself, but the voids and spaces around it by which it is defined. The Student Union of the University of Technology, Jamaica acts as the representative body for the all the students of the university. The union coordinates the activities of the student-led societies, as well as organizing social events. The Container Project proposes a new student union activity centre for the university. This student activity centre is to provide amenities for business activities as well as a public space for dining, gatherings and performances. SHEETS
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THE SITE
DORM FOOD STATION F A C U LT Y O F H O S P I TA L I T Y
The site is located at the northern most tip of the university, between the dorm and food facilities. ‘The Barn’, as it is affectionately called, is a public enclave that offers a range of activities for the students.
B O O K S TO R E
F A C U LT Y O F L AW PLANNED RO A D SITE B O U N D A RY PLANNED F O O D C O U RT
Eating, moving, gathering, ‘being’ and performing all occur in and around the space during the day. Also, the food facilities - located to the south – always draw large crowds into the space. Eating and gathering occur to the east under the shading canopies of the trees. It is during the night that the space’s nature changes, becoming a performance venue for the students during school events and socials.
PROCESS P RO G R A M M E A N A LY S I S
0700909
070 909
ADMIN
SEKOU
STUDENT FACILITIES S E RV I C E STUDENT HOUSING
Allocate containers among the programme groups based on their individual needs
SITE CONDITIONS
Circulation routes
PRIVATE ZONE PUBLIC ZONE
Containers shomari samuelsare arranged in their linear language with respect to the site conditions and programme needs
SEKOU
PEDESTRIAN FLOW ANALYSIS DIAGRAMS
070 909
EKOU
070 909
PRECEDENT FTL DESIGN ENGINEERING STUDIO, SKYSONG PROJECT, USA
SEKOU
TENSILE CANOPY The major circulatory artery is extruded to define the public space. The tensile canopy twists and covers the major circulation route through the scheme. .33
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Ground Floor Plan
1. 2. 3. 4. 5. 6. 7. 8. 9.
5
20m
Apartment Gym Bar Concession Food court/Performance Admin Offices Student lounge Conference Room Reading Room
CLIMATIC ADAPTATIONSSEKOU
KOU
070 909 A courtyard extends the usable space outside
Shade screens form thresholds into the building
Container relationships define the spaces around them. All units were designed to frame a void/space (courtyard), extending the contained spaces to the outside space and thus increasing the total useable space. This strategy, as well as overhead vents, promotes, cross ventelation in the spaces. Other natural heat regulation elements include, shading screens, proportioned to the dimensions of the container ends,
070 909
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Section x-x 0
5
20m
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DETAILS Angle iron welded container end knub, 25 mm gypsum board screwed to angle using 50 mm sheet rock screw.
25mm gypsum board bolted using 50 mm sheet rock screw, to z-angle welded to container corrugation
CONTAINER ERGONOMICS
Student Housing 0
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5m
STAIR
M AT E R I A L L A N G U A G E
YEAR
2011
LO C AT I O N
N A S S A U, B A H A M A S
TYPE
D E TA I L
Material anatomy, construction and detailing of a staircase are the defining elements of this project. This staircase was designed to highlight the context, material nature and movement through the space and adapts to the strengths of each parameter, along the stages of the journey. The stair is designed for the main entry hallway of the National HAUS of the Performing Arts, just off the harbour in Nassau, Bahamas. The focus of the stair is the observatory that frames the view to the ocean. The space is meant to isolate, only allowing one or two viewers at a time to admire the dramatic views.
SHEETS
PROCESS V E RT I C A L P RO C E S S I O N
The stair connects the lobby with the mezzanine level space. Along that journey, it is designed to highlight key areas insinde and outsinde of the space.
3 2 1
1. Focus on the lobby & boardwalk 2. Focus to the sea 3. Focus to the lobby
Foci along journey of the stair
Stair skeletal-like articulation
M AT E R I A L A RT I C U L AT I O N
Mild Steel hollow sections are relatively light, malleable and can be easily formed into a myriad of forms. This allows it to fully capture the skeleton like articulation of the stair. Mild Steel
S U P P O RT
The steel hollow sections are anchored using tension rods, secured to the roof and east wall.
Section through lobby showing the stair's journey
Section showing support system
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5m
1. Lobby 2. Board Walk 3. Mezzanine
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Ground Floor Plan
Detail T
Detail T
Section s s 0
5m
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MATERIAL ERGONOMICS MAHOGANY
Mahogany was chosen as the secondary material to give the circulatory elements of the stair a warm, tactile and relatable feel
Mahogany being dried
Mahogany treads bolted to folded steel plates
Handrail ergonomics
The handrail adds a level of familiarity to the stair
H U M A N TO U C H
Touch is very critical to the function of the stair. The mahogany handrail adds yet another element of poetry, both visually - through its grain and colour - and tactually through its easily crafted ergonomics. These elements cast a familiar feel along the entire journey.
DETAILS 0
50cm
1500x349x75mm thk. mahogany tread bolted to steel plate
9 mm countersunk steel bolt 6 mm thk. folded mild steel plate welded to stringer
100x200x8mm thk. R.H.S. steel stringer
1500x349x75mm thk. mahogany tread bolted to steel plate
9 mm countersunk steel bolt 6 mm thk. folded mild steel plate welded to stringer
100x200x8mm thk. R.H.S. steel stringer
Tread detail
25mm thk mahogany hand rail screwed to retainer 8mm thk. mild steel retainer welded to steel rod
10 mm mild steel steel rod welded to R.H.S. balester 1500x349x75mm thk. mahogany tread bolted to steel plate wood filler flush with tread surface
25x50x3mm thk. R.H.S. baluster bolted to stringer connection plate
9 mm countersunk steel bolt
6 mm thk. folded mild steel plate welded to stringer
10 mm thk. mild steel rod welded to R.H.S. baluster
100x200x8mm thk. R.H.S. steel stringer
50x100 R.H.S. cross member
9 mm
steel bolt
100x140x8mm thk. baluster steel connecting plate bolted to stringer
25x50x3mm thk. R.H.S. baluster bolted to stringer connection plate
Baluster Detail .49
Tread Connection Detail
160x150x8mm thk. baluster steel plate bolted to stringer 100x200x8mm thk. R.H.S. steel stringer 100x140x8mm thk. steel plate welded to stringer
500mm deep reinforced concrete beam
16mm bars welded to embedded 22mm thk. mild steel plate.
22mm thk. connection plate welded to steel plate embedded in reinforced concrete beam
224x75mm Fork connector bolted to connection plate 30 mm mild steel tension rod connected to fork connector
50x100 R.H.S. cross member welded to stringer 100x200x8mm thk. R.H.S. steel stringer
Tension Rod Connection 0
50cm
160x80x8mm thk. R.H.S. wing welded to stringer
Stair Section 0 .51
50cm
Lobby View
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CULTURAL CENTRE S PA C I A L L AY E R I N G & F R A M I N G
YEAR
2012
LO C AT I O N
N A S S A U, B A H A M A S
TYPE
CIVIC
Cultural centre’s are vessels that house and frame a counties essence. The Nassau Cultural Centre was born out of the search for the city’s essence, during the study tour of Nassau, the capital city of the Bahamas. This investigation revealed vital aspects of Bahamian life and identity; the environment and its history - rich in Martine traditions. This urban study highlighted unique possibilities for future developments that can enhance the Bahamian identity. The cultural centre articulates its form addressing the future possibilities, layering and framing the essence of the city. SHEETS
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NASSAU, BAHAMAS The independent commonwealth of the Bahamas is an archipelago of more than 3000 islands stretching from the southern tip of Florida to the northern shore of Haiti. Its capital is Nassau and it is located on the island of New Providence. The Bahamas has branded itself on its pristine oceans, beaches and easy going lifestyle. It developed this brand, by building modern day cruise ship ports, Island Villas and the world famous Atlantis Resort and Hotel.
Cruise Ship Port
New Providence, Nassau
Atlantis Hotel
A distinct connection can be seen between Bahamian life and the sea
Bay Street Elevation
One ot the few green spaces in the city, Memorial Park in the Paliamentary Axis
THE SITE The site exists at the southern end of Bay Street, in the industrial sector. The area is to be developed into a social hub, with restaurants, retail and villas. Bay Street handles the majority of interactions between the sea, the rest of Downtown Nassau, bustling crowds from the ferry and cruise ship piers. The street is densely clustered with the rich architectural history of the Bahamas and is the starting point of the annual Jonkanoo Festival procession.
J O N KA N O O F E S T I VA L P RO C E S S I O N PA R L I A M E N TA RY AXIS SITE B O U N D A RY
PROCESS JONKANOO FESTIVAL The site is to be used as the final destination of the annual Jonkanoo festival held twice a year. This is one of the only remaining truly traditional aspects of Bahamian culture. Persons dress in lavish costumes and parade along Bay Street. The festival is to meander along the street through the parliamentary axis, culminating at the site.
The Jonkanoo procession moves through the site and over the first layer, the stage. This layer frames the Harbour entry, and uses it as a backdrop.
The theatre is the heart of the scheme, framing the perfoming arts. An introverted space, its form is based on the design principles of the forts.
The second frame uses the harbor as a backdrop for the dance studio and multipurpose hall. Here, the people are the stars.
Final Frame is the Park and Habour pool. This space unifies the scheme, creating an interactive free public space.
The Bahamas is notorious for its sea cuisine. The third layer frames the sea as the source of culinary pride. The floating bar moves horizontally over the water, framing the source of the food and landmarks the centre on the harbour.
The Cultural centre is designed to encourage public interaction on many layers, offering the people a place to rest, play and converse. The essence of the Bahamas is captured in the scheme from the lush parks to swimming in the clear, clean waters of the harbour. .59
View of the scheme
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Site Plan
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30m
Food Court Performance Area Administration Exhibition Area Daycare Diving Pool Disabled Access Pool Lifeguard Viewing Deck Theatre
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20m
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Ground Floor Plan
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1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
Food Court Exhibition Area Administration Daycare Play Area Lobby Concession area Stage Side Stage Orchestra Pit Storage Makeup Rooms Dressing Room
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First Floor Plan
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First Floor Plan
3
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1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Rehearsal Room Meeting Room Manager Offices Staff Lounge Theatre Bar Lighting Room Dance Studio Multi Purpose Hall Reading Room/Gift Shop Internet Cafe Sea Food Restaurant
Site Section 0
5
10m
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THEATRE
The theatre is designed as a central vessel docked in the fulcrum of the site. Precedence for generating the form was taken from the Forts and Ships that are intrinsic to the Island. The ship towers over the other weaving forms of the site, allowing for unrestricted views to the harbour and demarcating the cultural centre in the fabric of the city. PRECEDENCE The structural precedence for the theatre’s form was garnered from Renzo Piano’s ‘Parco della Musica Auditorium’ Rome.
Forts were designed to appear as ships and were oriented to the harbor entry to ward off attacking ships.
AUDITORIUM The body of the auditorium imposes itself in the lobby of the theatre. The grandeur is highlighted by its wooden cladding. This hints at the intimacy of the interior which influences the users to enter. Now inside, one is transported into the Caribbean Sea. Floating coral sound reflectors and rich blue scale like walls encapsulate and focus the audience to the stage.
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Site Section 0
5
10m
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Theatre view from Park
Theatre viewing Deck
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SCHEME
View of the Park
Looking into the Exhibition space
Diagram of the scheme
The multipurpose hall and design studio are designed to merge into a single hall with the harbour as the backdrop. .73
The Nassau Cultural Centre strives to reunite the land (world of the average Bahamian) with the sea (the world of the tourist). Evidence of this duality can be found in the Bahamian political, cultural and economic state. It is counteracted through encounters and dialogue between the two worlds. The scheme fosters and preserves these opportunities of interaction; from the park for recreation to the harbour pool. These interactions are meant to bond the people.
Harbour pool
Restaurant view to the sea
HARBOUR POOL Taking advantage of one of Bahamas natural wonders, their crystal clear waters, we create the last frame. The promenade is extended into the medium creating a wealth of possibilities. This is modeled after the harbour bath project in Denmark, where BIG architects encapsulated an area of the harbour for swimming.
Sketch of the Harbour Pool
Vakko headquarters, Turkey. REX architects, .75
Harbour Bath project, Denmark. BIG architects
RESTAURANT The space is built as a large beam, similar to that of the Morrison and Woodstock and Associates’, new medical building at the campus of University of the West Indies, Mona (Jamaica) and REX Architects, Vakko Headquarters, Turkey. The beam is supported by structural steel columns anchored to the ground.
Restaurant View
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P E R S O N A L
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W O R K S
BABY CRY JULY 2011 PEN ON PAPER
MAASAI BRIDE JUNE 2007 PEN ON PAPER
PRIDE JULY 2006 PEN ON PAPER
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER
CORRUPTION JULY 2006 WATER COLOUR & PEN
PORTAL AUGUST 2011 ACCRA, GHANA
VESSEL AUGUST 2011 ACCRA, GHANA
RAIN DANCE AUGUST 2011 ST. ANDREW, JAMAICA
PRESSURE FEBRUARY 2012
BABY CRY JULY 2011 PEN ON PAPER
MAASAI BRIDE JUNE 2007 PEN ON PAPER
PRIDE .81
JULY 2006 PEN ON PAPER
JUNE 2007 PEN ON PAPER
PRIDE JULY 2006 PEN ON PAPER
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER
CORRUPTION JULY 2006 WATER COLOUR & PEN
PORTAL AUGUST 2011 ACCRA, GHANA
VESSEL AUGUST 2011 ACCRA, GHANA
RAIN DANCE AUGUST 2011 ST. ANDREW, JAMAICA
PRESSURE FEBRUARY 2012 PORTLAND, JAMAICA
JULY 2006 PEN ON PAPER
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER
CORRUPTION JULY 2006 WATER COLOUR & PEN
PORTAL AUGUST 2011 ACCRA, GHANA
VESSELBABY CRY
JULY 2011 AUGUST 2011 PEN ON PAPER ACCRA, GHANA
MAASAI BRIDE RAIN DANCE
JUNE 2007 AUGUST PEN 2011ON PAPER ST. ANDREW, JAMAICA
PRESSURE FEBRUARY 2012 PORTLAND, JAMAICA
PRIDE
JULY 2006 PEN ON PAPER
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER
CORRUPTION JULY 2006 WATER COLOUR & PEN
PORTAL .83
AUGUST 2011
BABY CRY JULY 2011 PEN ON PAPER
MAASAI BRIDE JUNE 2007 PEN ON PAPER
PRIDE JULY 2006 PEN ON PAPER
BABY CRY JULY 2011 PEN ON PAPER
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER
MAASAI BRIDE JUNE 2007 PEN ON PAPER
PRIDE
CORRUPTION JULY 2006 WATER COLOUR & PEN
JULY 2006 PEN ON PAPER
PORTAL
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER
CORRUPTION JULY 2006 WATER COLOUR & PEN
PORTAL AUGUST 2011 ACCRA, GHANA .85
AUGUST 2011 ACCRA, GHANA
VESSEL AUGUST 2011 ACCRA, GHANA
RAIN DANCE AUGUST 2011 ST. ANDREW, JAMAICA
PRESSURE
PEN ON PAPER
CORRUPTION JULY 2006 WATER COLOUR & PEN
BABY CRY JULY 2011 PEN ON PAPER
PORTAL
MAASAI BRIDE JUNE 2007 PEN ON PAPER
PRIDE JULY 2006 PEN ON PAPER
STAIRS TO NOWHERE JULY 2006 PEN ON PAPER JULY 2006 WATER COLOUR & PEN
PORTAL AUGUST 2011 ACCRA, GHANA
VESSEL AUGUST 2011 ACCRA, GHANA
RAIN DANCE AUGUST 2011 ST. ANDREW, JAMAICA
PRESSURE
VESSEL AUGUST 2011 ACCRA, GHANA
RAIN DANCE AUGUST 2011 ST. ANDREW, JAMAICA
PRESSURE
CORRUPTION
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AUGUST 2011 ACCRA, GHANA
FEBRUARY 2012 PORTLAND, JAMAICA
T H A N K
Y O U
FOR VIEWING
SEKOU.SAMUELS@GMAIL.COM 355-1589